Latest / The Bald Brothers Podcast / 152: California vs. Louisiana | #thebaldbrotherspodcast

Transcript

152: California vs. Louisiana | #thebaldbrotherspodcast · The Bald Brothers Podcast

• 0:00
  Speaker 1: All right, y'all, welcome to the Bob Brothers Music Especial.
• 0:04
  Speaker 1: You know I'm a music history here me and myself
• 0:07
  Speaker 1: kept on stage. We got another music and story over here.
• 0:10
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• 0:14
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• 0:17
  Speaker 2: Sex.
• 0:17
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• 0:22
  Speaker 1: Y'all ain't never had sex? And then the song just
• 0:25
  Speaker 1: cook over to the podcast, like what up y'all? Chemo
• 0:27
  Speaker 1: stage Tony Baker pumps.
• 0:29
  Speaker 3: That would be funny. Sometimes it happens. When it happens.
• 0:34
  Speaker 1: Sometimes listen, I've been you know what I'm saying. Heated
• 0:40
  Speaker 1: fellowship as Darram Bernard comes on and you know a
• 0:43
  Speaker 1: friend of mine is on the.
• 0:44
  Speaker 2: TV on the show. I got to turn you off.
• 0:46
  Speaker 2: I feel like you saw me. You're in the room.
• 0:50
  Speaker 2: I gotta cut it off. If I know you, I got.
• 0:52
  Speaker 3: To cut it off. That's funny though, because I know
• 0:54
  Speaker 3: more and more actors.
• 0:55
  Speaker 1: You should never be a thing. Don't matter what's on TV.
• 0:57
  Speaker 1: I don't know none of y'all. No, I might see
• 0:59
  Speaker 1: you at Hohle Food and you don't know you saw me.
• 1:02
  Speaker 1: You weren't character, but got it out.
• 1:05
  Speaker 3: Whatever's on, it's just on TV's on. Man it later,
• 1:10
  Speaker 3: I laugh about it, lady, like Yo shinless. He was
• 1:14
  Speaker 3: smashing the shitless red jackets crazy.
• 1:17
  Speaker 1: All right, y'all we today we're doing California versus Louisiana,
• 1:23
  Speaker 1: l A versus l A, but not just l A,
• 1:26
  Speaker 1: full California versus Louisiana. Who has the better rappers? I've
• 1:29
  Speaker 1: been assigned California west side. Tony's taking Louisiana. Right, that's
• 1:37
  Speaker 1: not do it, suburban man, Get this square up out
• 1:47
  Speaker 1: of man?
• 1:48
  Speaker 2: What side nigga?
• 1:50
  Speaker 1: Huh No, Man's so we did it in the nineties, y'all.
• 1:56
  Speaker 2: All right, here we go. You who's first? You?
• 1:59
  Speaker 3: I went first? The point?
• 2:00
  Speaker 2: All right, first up, Roddy Rich first up. I'm gonna
• 2:09
  Speaker 2: go Snoop dog Man. Okay, yeah, I was listening to
• 2:12
  Speaker 2: his album.
• 2:13
  Speaker 1: I remember Snoop had like the good allure of like
• 2:16
  Speaker 1: the murder was the case trial happening when he was
• 2:20
  Speaker 1: releasing music and people not knowing him being the relief picture.
• 2:25
  Speaker 3: Oh my god.
• 2:26
  Speaker 1: It helped his whole His personality and his rap persona
• 2:31
  Speaker 1: was tremendously helped by beating that case.
• 2:35
  Speaker 3: You know what I'm saying, lovel.
• 2:38
  Speaker 2: His livelihood everything murder was the case.
• 2:42
  Speaker 1: I love his like I don't know how to describe it,
• 2:45
  Speaker 1: but he just got like a smooth flow. And he's
• 2:49
  Speaker 1: also dabbling a lot of different musics after and you know,
• 2:54
  Speaker 1: yeah reggae Snoop line. He had a gospel album, but
• 2:57
  Speaker 1: I'm talking like early Snoop. He also had a a
• 3:00
  Speaker 1: good run with No Limit.
• 3:01
  Speaker 2: You know what I'm saying.
• 3:02
  Speaker 3: I had a good run with a phar Real too.
• 3:05
  Speaker 1: Yeah, they had some fun song for the ladies. You
• 3:08
  Speaker 1: know what I'm saying. Uh So, yeah, Snoop Man, who
• 3:10
  Speaker 1: you got?
• 3:11
  Speaker 3: Snoop is a good so since you going? Because Snoopers
• 3:16
  Speaker 3: is really about style, Yeah, you know what I'm saying,
• 3:20
  Speaker 3: loc Dog, So I'm gonna go style. You know somebody
• 3:24
  Speaker 3: else with some style on it, I'm gonna go juvenile.
• 3:29
  Speaker 3: Juvenile's four hundred Degrees was like a title wave and
• 3:33
  Speaker 3: so that that album to me, I feel I feel
• 3:37
  Speaker 3: like his discography doesn't equal Snoop's discography, but album for album,
• 3:42
  Speaker 3: Doggie style versus four hundred Degrees. Now, now we gotta
• 3:46
  Speaker 3: head to hear.
• 3:47
  Speaker 1: And he also means a lot to Louisiana.
• 3:51
  Speaker 3: Man, they hold four hundred degrees and high regard down
• 3:54
  Speaker 3: in that South.
• 3:55
  Speaker 1: That back that thing up music video, Having regular New
• 4:01
  Speaker 1: Orleans women, they look like they was like, we're doing
• 4:06
  Speaker 1: a music video.
• 4:07
  Speaker 2: Can y'all be in it?
• 4:08
  Speaker 3: Yeah?
• 4:08
  Speaker 2: You know what I can.
• 4:10
  Speaker 1: Yeah, they weren't necessarily vixens in like the way like
• 4:14
  Speaker 1: vixens were in the early two thousands. They just had
• 4:17
  Speaker 1: so many beautiful women in New Orleans. Y'all get out
• 4:19
  Speaker 1: here in twerk, juvenile, shoot a video. We'll keep your kids.
• 4:23
  Speaker 1: I feel like kids was behind the count right now,
• 4:26
  Speaker 1: just wearing what you have right now, let's get it.
• 4:28
  Speaker 1: And everybody knows that song.
• 4:30
  Speaker 3: So yeah, it's still to this day, to this day,
• 4:33
  Speaker 3: come on and the two thousand everything, you're making a
• 4:39
  Speaker 3: trip to the dance floor.
• 4:40
  Speaker 1: Cash Money record second over of the nineine two thousand.
• 4:42
  Speaker 1: We said that in the ninety nine and we just
• 4:44
  Speaker 1: never stopped saying. But from the we said that in
• 4:47
  Speaker 1: the ninety nine, cash Money.
• 4:49
  Speaker 3: Was taken over.
• 4:49
  Speaker 2: Oh my god, all right, I'm gonna go ice cube.
• 4:53
  Speaker 1: Okay, ice Cube?
• 4:56
  Speaker 3: Now from now the bars is hidden for real.
• 4:59
  Speaker 2: Yeah, No, Vassaline man him n w A on the solo.
• 5:04
  Speaker 3: It's the hardest distracts. Oh my god. He was w
• 5:09
  Speaker 3: A by himself.
• 5:10
  Speaker 2: Brother, just me.
• 5:12
  Speaker 3: They jumped him just he flipped d over easy in
• 5:20
  Speaker 3: the neck grad this is red put the stumps in
• 5:22
  Speaker 3: his eyeball. And then Yellow was like, man, he's looking.
• 5:28
  Speaker 3: You don't wrap DJ Yellow, You're looking on the truck
• 5:37
  Speaker 3: backhand you too, ye yes, yeah. But ice Cube's album
• 5:40
  Speaker 3: run from America's Most Wanted to a death certificate to
• 5:45
  Speaker 3: the Predator and kill that will that little ep he was,
• 5:50
  Speaker 3: I know you don't know what I'm talking about.
• 5:52
  Speaker 2: Why you got call out.
• 5:59
  Speaker 1: America Books Wanted? Man, just let me laugh. You ain't
• 6:02
  Speaker 1: got the call down. I need more people around me
• 6:05
  Speaker 1: so I could just say my stuff, be like, man,
• 6:06
  Speaker 1: remember he did this. I don't got to carry the
• 6:10
  Speaker 1: conversation that I could join.
• 6:13
  Speaker 2: I can't carry what I can join.
• 6:15
  Speaker 3: But that but that but that run right there? Man, Yeah,
• 6:19
  Speaker 3: crazy work, all right. So I was tough. Yes, I
• 6:24
  Speaker 3: got to bring somebody to the guy. Bring it to
• 6:26
  Speaker 3: the front, all right. I'm gonna bring in Mystical because
• 6:36
  Speaker 3: ice Cube got that catalog and SODA's Mystical. Mystical got
• 6:40
  Speaker 3: a catalog. He he pre days is no limit days,
• 6:43
  Speaker 3: but then when he joined up with No Limit, and
• 6:46
  Speaker 3: then when he was able to do even post No Limit.
• 6:50
  Speaker 1: You know, I didn't know he had extensions. Oh yeah,
• 6:55
  Speaker 1: those extensions.
• 6:56
  Speaker 2: I didn't. Yeah, I don't care about big crime. He's
• 7:02
  Speaker 2: in jail.
• 7:04
  Speaker 3: Oh yeah, he can't stop doing the crime.
• 7:07
  Speaker 2: He can.
• 7:08
  Speaker 1: You listen to the lyric I came with my dick
• 7:11
  Speaker 1: of my hand.
• 7:11
  Speaker 2: Hey be cool, trying to tell you was talking to yourself.
• 7:16
  Speaker 2: He didn't be cool. He was trying to tell us.
• 7:23
  Speaker 1: It's a wild way to come enter a room as
• 7:26
  Speaker 1: wow danger.
• 7:29
  Speaker 2: He would talk on a profit.
• 7:30
  Speaker 1: Show me what you're working with. You better show me
• 7:33
  Speaker 1: right now. Man, you know what I'm saying.
• 7:36
  Speaker 3: But but Mysical's run was crazy.
• 7:38
  Speaker 1: Yeah, for sure, for sure, I'm gonna go. I'm gonna
• 7:43
  Speaker 1: switch it up. Tom Kendrick Lamar my.
• 7:47
  Speaker 3: Favorite in here with the big joke.
• 7:49
  Speaker 2: Everything from what's his mixtape?
• 7:55
  Speaker 1: Section eighty? Every album from section eighty?
• 7:59
  Speaker 3: You know, okay what.
• 8:01
  Speaker 1: Section eighty is a great album?
• 8:04
  Speaker 2: He got the he got that? Uh is it a
• 8:07
  Speaker 2: UGK sample in there? Oh?
• 8:11
  Speaker 3: Manle me playing for you? Hold on eighty.
• 8:18
  Speaker 2: That was a good That was love Section eighty Is
• 8:22
  Speaker 2: it hold Up? Or is it eighty HD?
• 8:24
  Speaker 3: Hold on?
• 8:27
  Speaker 2: I wrecking more?
• 8:28
  Speaker 3: This is it?
• 8:31
  Speaker 2: Is it? Oh?
• 8:34
  Speaker 1: No?
• 8:35
  Speaker 3: This is a mess eighty HD.
• 8:38
  Speaker 2: You know they said the song talking about this.
• 8:41
  Speaker 3: Song is this is a song that keeps playing on
• 8:43
  Speaker 3: my thing when it reached when it reve that song,
• 8:46
  Speaker 3: so I ended up hating it.
• 8:48
  Speaker 1: Hold on, Tom, I'm a. I'm a because what happens
• 8:52
  Speaker 1: is when I get on this album, I just keep
• 8:57
  Speaker 1: listening to the.
• 8:57
  Speaker 2: Song over and over.
• 8:58
  Speaker 3: Hold on it's section eighty yeah, hold on rig Mortars?
• 9:05
  Speaker 2: Where where where can I go?
• 9:07
  Speaker 3: Where I could just such a Corinthians or whatever?
• 9:09
  Speaker 2: Let me go where I can just listen to it?
• 9:11
  Speaker 3: Here we go? Is it hold up? That was recorded?
• 9:18
  Speaker 2: And I'm more thing, just the matrix.
• 9:19
  Speaker 3: Than my mind.
• 9:20
  Speaker 2: That's the same being the toilet when my high. This
• 9:27
  Speaker 2: reminds off you gk okay.
• 9:35
  Speaker 3: In my business my favorite song and probably it might
• 9:40
  Speaker 3: even be my favorite Kendrick song of all times. On
• 9:43
  Speaker 3: this album, it's.
• 9:44
  Speaker 2: Uh good good Yeah.
• 9:49
  Speaker 3: What's the name of that? Is it?
• 9:51
  Speaker 2: Power?
• 9:52
  Speaker 3: It's no good good lived?
• 9:58
  Speaker 2: Is it? The chorus is what's gonna make you think? It?
• 10:01
  Speaker 1: The chorus waiting for the chorus on Yeah, what's.
• 10:06
  Speaker 3: The name of that song?
• 10:07
  Speaker 2: Yo?
• 10:07
  Speaker 3: It's good, good, It's good. That's exactly what it sound like.
• 10:13
  Speaker 2: College Kid is on this Give it right back, Keep
• 10:21
  Speaker 2: a Leader in my cup.
• 10:26
  Speaker 3: Everybody want a ball?
• 10:28
  Speaker 2: Holler at ball at the mall.
• 10:34
  Speaker 3: No, it's on section eighty.
• 10:35
  Speaker 2: Is it high power?
• 10:37
  Speaker 3: If you asks high power, blow my heart with a yelc,
• 10:43
  Speaker 3: I'll get it. Whole Man's dream, Whole Man's dreams my
• 10:50
  Speaker 3: favorite Kendrick song, good family Size.
• 10:57
  Speaker 2: I feel like I live in l A.
• 10:59
  Speaker 1: Like not where we live south of the ten. You
• 11:05
  Speaker 1: know what I'm saying, This's my favorite Kendrick.
• 11:14
  Speaker 3: For real. Nika swear with you my son? Then Nika,
• 11:23
  Speaker 3: who you got to so I'm bringing I got to
• 11:25
  Speaker 3: bring Little Wayne to the table.
• 11:31
  Speaker 2: I was like, yeah, Wayne, Yes he is.
• 11:36
  Speaker 3: You know, yes, nothing else needs to be saying. Yes
• 11:41
  Speaker 3: it's Little Wayne.
• 11:43
  Speaker 2: Yes.
• 11:44
  Speaker 3: And you know his his run on the mixtapes I'm
• 11:48
  Speaker 3: with You was just solidified him.
• 11:50
  Speaker 2: When you hear that light flick.
• 11:52
  Speaker 3: Yeah, that mixtape era was crucial for him, like the
• 11:55
  Speaker 3: Carter and then the Carter Too, and then the mixtapes
• 11:58
  Speaker 3: after that. There was just like.
• 12:00
  Speaker 2: He had a six year or seven year.
• 12:02
  Speaker 1: There was a minute where Wang he was like Rihanna,
• 12:05
  Speaker 1: like anything I touched gold, Thank you very much.
• 12:09
  Speaker 2: Then I'm gonna go do scater music.
• 12:10
  Speaker 3: Then he put out the car To three did over
• 12:12
  Speaker 3: a million in a week, which was crazy, Which was crazy.
• 12:17
  Speaker 2: Well, they don't sell music like that billion. That's hard copies, right.
• 12:21
  Speaker 3: I think that's the streaming was kind of coming in
• 12:24
  Speaker 3: at that point, but it was still mostly hard copy
• 12:26
  Speaker 3: at that time. Yeah, he did it. He did a
• 12:28
  Speaker 3: good solid He did a good million in a week. Though.
• 12:31
  Speaker 1: All right, I'm gonna switch it up on you. He's
• 12:34
  Speaker 1: never considered La, but he is tart of the creator.
• 12:38
  Speaker 1: Heart of the creator has created a different sound, very
• 12:44
  Speaker 1: often super artistic music visuals. He's also built the whole
• 12:51
  Speaker 1: golf wing thing, Misfits band, the Internet, all that stuff,
• 12:57
  Speaker 1: the Frank Ocean, the whole collective, Earl sweatshirt, all that
• 13:01
  Speaker 1: type of stuff.
• 13:02
  Speaker 2: Uh.
• 13:02
  Speaker 1: And he doesn't get mentioned with LA rappers the way
• 13:06
  Speaker 1: he should because he doesn't rap the same way. So
• 13:09
  Speaker 1: I think people don't be even though he's all like Hawthorne,
• 13:11
  Speaker 1: you know what I'm saying, bring me in with considered
• 13:15
  Speaker 1: me and He's huge as an artist like Tyler y'all
• 13:21
  Speaker 1: the creator.
• 13:22
  Speaker 3: One of the biggest artists out one talent in Pole.
• 13:24
  Speaker 2: Sand pretty consistently getting better as well. You know what
• 13:28
  Speaker 2: I'm saying.
• 13:28
  Speaker 3: I like Tyler. That's one of my son's favorite. Yeah,
• 13:32
  Speaker 3: you know he tapped into the youth. Yeah. Sorry, I
• 13:36
  Speaker 3: gotta bring some bring somebody tone. So I'm bringing in
• 13:41
  Speaker 3: Uh Tyler Creator is tough. I'm gonna go, but I'm
• 13:48
  Speaker 3: I'm cheating because I'm using the production more so than
• 13:51
  Speaker 3: anything because it just shifted the culture. I'm bringing in Many.
• 13:55
  Speaker 2: Fresh as a rapper.
• 13:58
  Speaker 3: I'm leaning on.
• 14:00
  Speaker 1: But we didn't say producers from Californy.
• 14:03
  Speaker 2: Okay, you know what, I know what you're gonna say. Yeah, yeah,
• 14:06
  Speaker 2: go ahead, go ahead.
• 14:07
  Speaker 3: He's just instrumental and the whole shift down in that South. Yes,
• 14:13
  Speaker 3: it was transpired into everything else and helped the South
• 14:18
  Speaker 3: keep his rain of rap music. For sure. I'm gonna
• 14:22
  Speaker 3: switching Many Fresh and then I'm gonna go to the Bay.
• 14:25
  Speaker 1: Okay, forty he from California. Well, Chrispin and Krona like,
• 14:33
  Speaker 1: I'm more hipp and hippopotamus. I mean only had like
• 14:35
  Speaker 1: a neurologist I was in middle school and I heard that,
• 14:39
  Speaker 1: and I was like this, who is this? This is
• 14:42
  Speaker 1: amazing Highee movement. Go Jesus Christ had dreads or shaking.
• 14:46
  Speaker 1: I ain't got nothing, but I'm planning on growing them.
• 14:49
  Speaker 1: Imagine all the Hebrews going dump his tiny desk is amazing.
• 14:54
  Speaker 2: I love forty.
• 14:56
  Speaker 1: Water water with the glasses on the edge of the
• 15:06
  Speaker 1: nose and the beanie rolled up.
• 15:09
  Speaker 2: Sprinkle me lovestic. Yay. I'm gonna go.
• 15:18
  Speaker 3: Kevin Gates. I'm bringing Kevin to the Louisiana Fold. He's
• 15:24
  Speaker 3: very much in the now.
• 15:25
  Speaker 1: He is. He was just singing in front of Bobby
• 15:28
  Speaker 1: All Talk. He was what singing in front of a
• 15:31
  Speaker 1: performing in front of Bobby all to that white girl
• 15:32
  Speaker 1: was in the podcast with Drake in the bed.
• 15:36
  Speaker 2: It was just an odd video.
• 15:38
  Speaker 1: It was it's an interesting it's an interesting cat.
• 15:42
  Speaker 3: But his his Islam project was just shaken. It was
• 15:46
  Speaker 3: it was it was waving all that stuff. So I'm
• 15:48
  Speaker 3: bringing Kevin.
• 15:49
  Speaker 1: You want to go production trip, Doctor dre the chronic
• 15:56
  Speaker 1: n W way, Doctor dra He gave youem he gave
• 16:02
  Speaker 1: you fifty c But we talking about production and he
• 16:07
  Speaker 1: was rapping. He had some fun songs too. Wasn't all
• 16:10
  Speaker 1: gangster rap?
• 16:11
  Speaker 2: People still want the chronic let me ride? Yeah, he
• 16:14
  Speaker 2: was great, Doctor Dre.
• 16:17
  Speaker 3: So we're gonna impact you know what I'm saying, Master
• 16:21
  Speaker 3: p oh Man.
• 16:23
  Speaker 2: I thought you're gonna go sip the shaka.
• 16:25
  Speaker 3: No, hell no, because you know Doctor Dre is an architect,
• 16:30
  Speaker 3: you know, an orchestras. Yeah, we gotta do that for
• 16:33
  Speaker 3: Master p Man. He orchestrated a huge title wave of
• 16:38
  Speaker 3: just Yeah. He flooded the market with artists from the South.
• 16:42
  Speaker 1: Penn And Pixel made seven hundred million dollars off of
• 16:47
  Speaker 1: that no.
• 16:47
  Speaker 3: Limit way they was putting that they was putting out
• 16:51
  Speaker 3: an album.
• 16:51
  Speaker 2: A week that cover. Penning Pixel would good.
• 16:55
  Speaker 3: I want to ask money was like, we want that
• 16:57
  Speaker 3: as well.
• 16:58
  Speaker 2: Penning Pixel was like, we gotta have seven hundred graphic
• 17:02
  Speaker 2: No photo shop, no.
• 17:03
  Speaker 3: AI, just send me a picture of you at the crib.
• 17:07
  Speaker 2: And I want large bears.
• 17:10
  Speaker 3: I want two tigers on either side, butt cheeks in
• 17:13
  Speaker 3: the front of that so big steps to heaven and
• 17:16
  Speaker 3: then God in the in the center of it, and
• 17:18
  Speaker 3: then me and God in the back, my arm around God.
• 17:22
  Speaker 3: That's that's the album coming. I want some dice at
• 17:24
  Speaker 3: the bottom of and they was like, oh we got
• 17:27
  Speaker 3: you man, I want a cane in my hand. Hologramm
• 17:33
  Speaker 3: it so it moves like this when you when you
• 17:35
  Speaker 3: first get the album chain say least I got yeah,
• 17:42
  Speaker 3: do that?
• 17:42
  Speaker 2: Do that? All right? I'm gonna go.
• 17:50
  Speaker 1: How you feel about Tupac. We always argue about where
• 17:53
  Speaker 1: he's from in New York. He can't be from California.
• 17:56
  Speaker 1: For the purpose of my argument, it can't.
• 17:58
  Speaker 2: Be too short, blow the whistle? Too short from you?
• 18:05
  Speaker 2: Too short forty?
• 18:07
  Speaker 3: Too short?
• 18:08
  Speaker 1: Yeah, to too short forty are There's a lot of area.
• 18:12
  Speaker 2: You got mac Dre, you got kicked the sneak, you
• 18:14
  Speaker 2: got a lot of people.
• 18:15
  Speaker 1: But I feel like too short and e forty are
• 18:18
  Speaker 1: probably the two most prominent bear areer.
• 18:20
  Speaker 3: Because they cross over beyond just yeah. Like mac Dre
• 18:24
  Speaker 3: was huge in the Bay.
• 18:25
  Speaker 2: Yeah yeah, but too short?
• 18:28
  Speaker 3: Was he mad?
• 18:31
  Speaker 2: And blow the whistle?
• 18:33
  Speaker 3: Yeah? Man, longevity is crazy. Longevity is crazy.
• 18:37
  Speaker 2: I'm coming in one more.
• 18:41
  Speaker 1: Oh you were saying, just like a little booty bad
• 18:44
  Speaker 1: a little booty, little booty bad ass.
• 18:47
  Speaker 3: Even though I'm not a fan of his music, but
• 18:51
  Speaker 3: not a fan whatsoever, but I do know, Okay, yeah,
• 18:56
  Speaker 3: here doing it independent women. You know what I'm saying.
• 18:58
  Speaker 1: If we're going pure raps, pure raps.
• 19:03
  Speaker 2: The game, the documentary, the.
• 19:06
  Speaker 3: Game is the game. The game is underrated, red Rose,
• 19:10
  Speaker 3: white ceiling.
• 19:11
  Speaker 2: He is underrated.
• 19:12
  Speaker 1: People underrated him because they probably don't like him one
• 19:16
  Speaker 1: thousand percent as a rapper, but you can't take away
• 19:18
  Speaker 1: his ability to rap good.
• 19:20
  Speaker 2: Yes, the game. I seen him at six Flags. Didn't
• 19:23
  Speaker 2: give me black guy had not.
• 19:25
  Speaker 3: Didn't give me black guy had not.
• 19:27
  Speaker 2: He gave me nothing, And I still put him on
• 19:30
  Speaker 2: the list. I gave him because good back there, because
• 19:34
  Speaker 2: it was a lot of whoa back then.
• 19:37
  Speaker 3: That's crazy. I just didn't say, Man, but I was.
• 19:41
  Speaker 2: With my kids here, his kids out.
• 19:42
  Speaker 1: I'm not Finn, but I was heading out in all
• 19:44
  Speaker 1: the black people. Don't want that many black people. That
• 19:46
  Speaker 1: day he stabbed me in my soul, no head, no nothing.
• 19:50
  Speaker 1: And I said one day when I talk about rappers
• 19:52
  Speaker 1: from California, I'm still gonna give your justice.
• 19:54
  Speaker 3: Dude, Jayson got to remember though he's a gang member.
• 19:57
  Speaker 2: I feel you. But when you had six life with
• 19:58
  Speaker 2: your kids, man, were in the water part.
• 20:00
  Speaker 3: I'm not sure we're in the water part.
• 20:03
  Speaker 2: We hurk at harbor.
• 20:04
  Speaker 3: You might look like the obs to him, maybe Tony.
• 20:07
  Speaker 1: Now you know me with my shirt off, then you
• 20:09
  Speaker 1: know I ain't gotten You ain't got no beef with care.
• 20:12
  Speaker 1: Nothing about me saying what this nigga want I am.
• 20:15
  Speaker 1: I'm a care I'm a wholesome love. You know I
• 20:18
  Speaker 1: see I'm good day sir. You know it ain't no
• 20:22
  Speaker 1: smoke with me. I got no that's so. I ain't
• 20:25
  Speaker 1: have tattoos, I got soft arms.
• 20:28
  Speaker 2: Nothing about me is intimidating. He should have known, he
• 20:31
  Speaker 2: should listen.
• 20:32
  Speaker 1: I'm a speaker, but still rapping ability.
• 20:37
  Speaker 2: You got to put him where he belonged.
• 20:39
  Speaker 3: Documentary is a classic.
• 20:40
  Speaker 2: Man for that love Jesus Peace.
• 20:42
  Speaker 3: That's an album. I love that.
• 20:43
  Speaker 2: That me too, I love Jesus.
• 20:45
  Speaker 3: Okay, so let me come with somebody that can rap.
• 20:50
  Speaker 3: I can rap.
• 20:53
  Speaker 2: Silk shock. I'm sorry, So man, you ain't dot none
• 20:58
  Speaker 2: to me?
• 20:58
  Speaker 3: First coming in with currency, yo, good? I like currency
• 21:03
  Speaker 3: a lot. He can wrap. His output is insane.
• 21:07
  Speaker 1: Currency got a good. Him and Tech nine have the
• 21:09
  Speaker 1: good model of just it's me, my fans, my merch,
• 21:15
  Speaker 1: my shows. I'm good and I can probably still move
• 21:18
  Speaker 1: through the city.
• 21:19
  Speaker 3: I should have actually paid currency up with Tyler the creator.
• 21:22
  Speaker 2: You should have, but I forgot to hear about him
• 21:25
  Speaker 2: a car as well.
• 21:26
  Speaker 3: He did, he did. Current Currency is dope though.
• 21:28
  Speaker 2: I like currency.
• 21:29
  Speaker 3: I know what you're getting.
• 21:30
  Speaker 2: You know what you're getting. Listen.
• 21:32
  Speaker 1: That's a good model for a career. Find those who
• 21:34
  Speaker 1: like you. Give him an album, T shirt and live
• 21:37
  Speaker 1: show and they come back and see every time Tech
• 21:40
  Speaker 1: nine being the top ten rapper list every year with
• 21:42
  Speaker 1: this on the money, make three million in albums, three
• 21:45
  Speaker 1: million in merch.
• 21:47
  Speaker 2: Four or five in live shows, ten million.
• 21:52
  Speaker 1: Often can go through an airport, You can go to
• 21:55
  Speaker 1: a football game and outside of the beard, you know,
• 21:58
  Speaker 1: you might not if you cut the beer down, he
• 22:00
  Speaker 1: probably wouldn't.
• 22:00
  Speaker 3: Even recognize him. Yeah.
• 22:02
  Speaker 1: Man, So you went a couple of people who mean
• 22:04
  Speaker 1: a lot to the area. Nobody like Nipsey Hustle means
• 22:09
  Speaker 1: what Nipsey Hustle means to l a.
• 22:12
  Speaker 2: Nip neighborhood, nip neighborhood.
• 22:15
  Speaker 1: And that did he when that did documentary came out,
• 22:17
  Speaker 1: did he told him to stop clapping?
• 22:18
  Speaker 2: He was like, man, I'm a clapp if.
• 22:19
  Speaker 3: I Wand he was like, I'm gonna keep clapping.
• 22:24
  Speaker 2: He was like, man, Lauren can't clap. When Nipsey passed,
• 22:30
  Speaker 2: Remember we was on the road.
• 22:32
  Speaker 3: We was sad in Tucson.
• 22:36
  Speaker 1: I'm sorry the Tuson. We hadn't been back to tow
• 22:38
  Speaker 1: Song by the way since a man. When Nipsey passed,
• 22:43
  Speaker 1: I was like, we all were just like.
• 22:46
  Speaker 3: My soul tone his death heard me. You posted him
• 22:50
  Speaker 3: for a year every day, every day they had like
• 22:54
  Speaker 3: these little ten things marathon once a day for a full.
• 22:59
  Speaker 1: Year, thousand dollars album. He just he just had a
• 23:03
  Speaker 1: good thing he liked.
• 23:08
  Speaker 3: Because you know what I liked about Nipsey, He was
• 23:10
  Speaker 3: real and the stuff that he talked about it was
• 23:12
  Speaker 3: it was just never fluff rap with him, like it
• 23:15
  Speaker 3: always felt like his lyrics meant something, and so you
• 23:18
  Speaker 3: know I appreciated that. Yeah, shout out to Nipsey.
• 23:21
  Speaker 2: Hustle neighborhood.
• 23:23
  Speaker 3: The marathon continues. I'm gonna go somebody we lost as
• 23:28
  Speaker 3: well then Soldiers Slim. You know, he meant a lot
• 23:33
  Speaker 3: of people, you know down in that South and you
• 23:36
  Speaker 3: know down in that South, and I feel like he
• 23:40
  Speaker 3: would have had a bright future as well had his
• 23:42
  Speaker 3: life not been cut short. Yeah, So I'm gonna go
• 23:46
  Speaker 3: Soldier Slim.
• 23:48
  Speaker 1: How many I got left, Marquita one, I don't care
• 23:54
  Speaker 1: you talk about overall impact MC, Hammer Don't Hurt Them.
• 24:01
  Speaker 1: Early nineties music, hammer Pants, Cartoon, Lunchbox Tour, Real Nigga,
• 24:11
  Speaker 1: They don't play what don't hurt Him wasn't just it
• 24:14
  Speaker 1: was a he will hurt you.
• 24:16
  Speaker 2: That's why they say that.
• 24:17
  Speaker 3: Pulling mad people to the side because everybody, everybody thought
• 24:21
  Speaker 3: they could play with Halfer's name in the reg game.
• 24:24
  Speaker 3: Ain't all right, that's gonna be open. Bet that, Bet
• 24:29
  Speaker 3: that Hammer Gods shooters apologizing like crazy, Hey, Hammer don't
• 24:35
  Speaker 3: hurt them.
• 24:36
  Speaker 2: Me and Milissen was arguing about.
• 24:37
  Speaker 3: Please don't hurt him. That's the name of the album.
• 24:41
  Speaker 3: People thinking please, Amma don't know have her, Please don't
• 24:45
  Speaker 3: hurt him.
• 24:45
  Speaker 1: To legit to quick, he's a reason for the name.
• 24:49
  Speaker 1: And there was a two or three year run. Hardly
• 24:51
  Speaker 1: anybody was bigger than Hammer pure of.
• 24:55
  Speaker 3: All artists, it's not period that has been as big
• 24:59
  Speaker 3: as Please Don't Hurt Man. When Diamond, When When Going
• 25:03
  Speaker 3: Diamond was people going in the store and buying your
• 25:05
  Speaker 3: ship for real, when the cash resister make you had
• 25:09
  Speaker 3: to go get the When the CD was in.
• 25:12
  Speaker 1: The long box, no swiping. I've got to hand you
• 25:20
  Speaker 1: he had the haircut, he just had so.
• 25:23
  Speaker 3: Many and he was some dance moves, was crisp, hey,
• 25:29
  Speaker 3: he was around, had the most crisp precise. It was
• 25:34
  Speaker 3: just poetry.
• 25:35
  Speaker 1: If I had one more, it would have been easy Eat.
• 25:38
  Speaker 1: But a hammer is just overall impact. You know, he
• 25:43
  Speaker 1: was impactful to he was too. He was because Hammer's
• 25:47
  Speaker 1: impact was he didn't. He didn't impact other rappers.
• 25:50
  Speaker 2: Easy did, true and then the whole Easily.
• 25:54
  Speaker 1: Just impacted the world. But yeah impacted rap gangster rapp bone. Yeah,
• 26:00
  Speaker 1: you know what I'm saying.
• 26:01
  Speaker 2: We also lost Easy e Early.
• 26:03
  Speaker 3: I'm gonna take Easy and bring him to Louisiana. Easy
• 26:11
  Speaker 3: Easy Ease who I'm in and is with Easy mothers
• 26:16
  Speaker 3: fucking so I'm gonna bring in Last. It's hard to
• 26:28
  Speaker 3: match up the mc hamm.
• 26:29
  Speaker 1: Yeah, what you're gonna do? He ain't got nobody on
• 26:31
  Speaker 1: that list close the laptop man.
• 26:34
  Speaker 3: Young boy never broke again, you know what, because right
• 26:37
  Speaker 3: now he is huge.
• 26:40
  Speaker 1: He he's low key, like currency in Tech nine in
• 26:45
  Speaker 1: the sense of like young Boy just serves young boy fans.
• 26:48
  Speaker 3: And there's a lot of them and it's a lot.
• 26:52
  Speaker 3: There's a lot of them.
• 26:54
  Speaker 2: It's arena's full.
• 26:56
  Speaker 3: You know what I'm saying.
• 26:57
  Speaker 2: And so I think it was David Dennis.
• 26:59
  Speaker 1: He went to a young boy concert and wrote an
• 27:01
  Speaker 1: article about it, and he was like, I want to
• 27:05
  Speaker 1: double check.
• 27:06
  Speaker 2: I want to I want to be wrong.
• 27:10
  Speaker 1: Hm, he's huge right now, though, Yeah, I'm not sure.
• 27:17
  Speaker 2: I think it was him.
• 27:18
  Speaker 1: Oh yeah, he went to a concert to like understand
• 27:23
  Speaker 1: young boys a lure.
• 27:24
  Speaker 2: He said it was one of the greatest times of
• 27:26
  Speaker 2: his life. Oh wow, he said, them fans are insane.
• 27:31
  Speaker 2: Young boy fans know every lyric.
• 27:34
  Speaker 1: It's just like we are us together, like we don't
• 27:39
  Speaker 1: need y'all to get it or like it. And he
• 27:41
  Speaker 1: ends up selling. He ends up selling some album. David
• 27:47
  Speaker 1: Dennis Jr. Is a guy who went but no, you're right.
• 27:50
  Speaker 1: He doing numbers in the in the today. Today we're
• 27:56
  Speaker 1: swiper swiperson linking my bio tapped it.
• 27:59
  Speaker 2: By extreame stream on my end.
• 28:04
  Speaker 3: I don't know none of this is but it's not
• 28:06
  Speaker 3: for me, and that's fine. But I do know you
• 28:08
  Speaker 3: forty eight man, you know what I'm saying. But I
• 28:10
  Speaker 3: do know it's in package.
• 28:11
  Speaker 2: Them LSU receivers. They know young boy, for sure.
• 28:15
  Speaker 1: You you twenty two from Louisiana, twenty two from anywhere Alabama.
• 28:20
  Speaker 2: To l A. They no young, they know young.
• 28:25
  Speaker 1: I just want to shout out Jay Rock Money Trees
• 28:27
  Speaker 1: feature a favorite feature of all time, of all rap
• 28:30
  Speaker 1: is happy.
• 28:31
  Speaker 2: That man said, take your Jayson, tell your kicking. Where
• 28:36
  Speaker 2: the locker is?
• 28:38
  Speaker 3: Man? Listen? Kelly got so many wraps?
• 28:41
  Speaker 2: Oh my god, I'm trying to say yg Donald Glover.
• 28:46
  Speaker 3: From Kelly from Georgia? Is he Donald Glover? I'm looking
• 28:52
  Speaker 3: at it. Oh, don't you feel right into the track.
• 28:56
  Speaker 2: I'm looking at a black woman? Did it?
• 28:58
  Speaker 3: Atlanta?
• 29:01
  Speaker 2: Donald Glover was born born?
• 29:05
  Speaker 3: Where was he raid?
• 29:06
  Speaker 2: That's that when you get to California at all? At all?
• 29:10
  Speaker 1: Where's walka flocka born? And then ray where Kanye we
• 29:14
  Speaker 1: was from Georgia? He was born in Atlanta? But we
• 29:19
  Speaker 1: know he's from Chicago?
• 29:23
  Speaker 3: We do? Is he he was born in Atlanta? But
• 29:26
  Speaker 3: we know Kanye West is from Chicago.
• 29:28
  Speaker 2: I didn't know he was born from Atlanta exactly.
• 29:30
  Speaker 3: I didn't know Donald Glover was born.
• 29:32
  Speaker 2: Donna Glover's out man who even put him in there?
• 29:34
  Speaker 3: And I claims Georgia.
• 29:36
  Speaker 2: Yeah, he does the Atlanta show. This is delete that part, Gregg, Greg,
• 29:40
  Speaker 2: don't that Walker?
• 29:43
  Speaker 1: It was Walker Flocka from New York, but he's Atlanta.
• 29:46
  Speaker 1: All right, move on, man, come on man, chain restaurants.
• 29:50
  Speaker 1: I want some tie food. Man, y'all ain't hungry?
• 29:53
  Speaker 3: Pad pad tie sounds amazing? Can you eat that and
• 29:56
  Speaker 3: be vegetarian all the time?
• 29:58
  Speaker 2: You it was playing over nay olds my sequence.
• 30:05
  Speaker 3: Oh you like that, Let's order some food. Let's finish
• 30:12
  Speaker 3: the episode.
• 30:13
  Speaker 1: We we I looked at chain restaurants and my stomach
• 30:16
  Speaker 1: was like speaking of change.
• 30:18
  Speaker 3: Mid episode. They want to order right.
• 30:20
  Speaker 1: Then watch out, we're a mid episode mid episode.
• 30:26
  Speaker 2: He ain't taking nothing out.
• 30:27
  Speaker 1: Scanned through and found an added He's somewhere building an
• 30:31
  Speaker 1: eagles nest with his bear.
• 30:33
  Speaker 2: I'm gona thought that you Josh.
• 30:35
  Speaker 3: Uh bath that is incredible. That was a bathrow. The camera.
• 30:47
  Speaker 2: The trajectory was off, Josh, it was crazy. I go ahead, all.
• 30:51
  Speaker 3: Right, so this is that cav chain restaurants.
• 30:54
  Speaker 1: Now you're speaking my language right now, now you're speaking
• 30:58
  Speaker 1: what I'm talking about.
• 30:59
  Speaker 3: This is gonna be tournament style is just this is okay?
• 31:03
  Speaker 3: Here we go. Olive Garden or apple Bee's.
• 31:08
  Speaker 1: Apple Bee's, Oh, we said, quick listen. I've been on
• 31:10
  Speaker 1: the road, man, I've been on the road many a year.
• 31:15
  Speaker 1: Apple Bee's gonna be near them comedy clubs. You go
• 31:18
  Speaker 1: in there, get a little riblet platter. They got solid burgers.
• 31:23
  Speaker 1: Oh riblets. I don't think they come from the animal
• 31:26
  Speaker 1: because only apple beans have them like that. I never
• 31:29
  Speaker 1: get that the way they had that, like little thin bone.
• 31:31
  Speaker 1: Nobody else cut them like that, So I don't believe
• 31:33
  Speaker 1: they're real. But apple Bee's got it. They know a guy,
• 31:36
  Speaker 1: you know. Olive Garden breadsticks and super Soadar used to
• 31:39
  Speaker 1: be good, but they done fell off pretty tremendously over
• 31:42
  Speaker 1: the last ten Oh my god. In Washington, we used
• 31:50
  Speaker 1: to go to Olive Garden tough because I mean good
• 31:53
  Speaker 1: Olive Garden. The red lobster was that's good eating.
• 31:57
  Speaker 2: Yeah, yeah, that same company owns and but I but
• 32:01
  Speaker 2: but now that's up in the sky. It is mostly water.
• 32:04
  Speaker 2: So you're done.
• 32:06
  Speaker 3: Apple Bee's it is.
• 32:07
  Speaker 1: Yeah for me, Kevin, you can choose whatever you want.
• 32:11
  Speaker 3: I'm gonna go with apple Bee's as well.
• 32:14
  Speaker 2: Yeah, the bread is good from all the garden, though,
• 32:15
  Speaker 2: I'll gill you.
• 32:16
  Speaker 1: That all right, Texas Roadhouse, baby, come on versus our
• 32:20
  Speaker 1: back steakhouse.
• 32:22
  Speaker 2: They got the house, but Texas Roadhouse bread is better.
• 32:27
  Speaker 3: And look, you got something bad. You got something that
• 32:30
  Speaker 3: gets black bread? Is that Our back steakhouse bread is blad.
• 32:33
  Speaker 1: Got brown bread they got now because the brown bread
• 32:36
  Speaker 1: at Cheesecake Factory is the best brown bread on this
• 32:38
  Speaker 1: side of the Mississippi. Uh bread drunken Orlando, Florida, Tony
• 32:43
  Speaker 1: was Lake got.
• 32:46
  Speaker 3: Drunk over the Christmas House there. They kept making me business.
• 32:51
  Speaker 1: Texas road Listen. I don't know I'm doing okay in life.
• 32:55
  Speaker 1: I'll eat at Texas Roadhouse right now. Texas Roadhouse, don't
• 32:59
  Speaker 1: make me no never minds.
• 33:00
  Speaker 2: And it's good. It's good.
• 33:02
  Speaker 1: Ain't got these don't have to be expensive just to
• 33:04
  Speaker 1: be good and low key quite as kept steakhouse. A
• 33:07
  Speaker 1: steakhouse ain't that much different. Sometimes you get a better steak,
• 33:11
  Speaker 1: but mostly the fine dining stuff. It's the service. But
• 33:15
  Speaker 1: a ribb ribbi ribbi from place to place ain't that different.
• 33:19
  Speaker 1: It ain't doing nothing different.
• 33:22
  Speaker 3: So Texas road I agree, texta alright, I hop versus
• 33:27
  Speaker 3: Waffle High.
• 33:29
  Speaker 1: Oh wow, I'm going to waffle house every time easy.
• 33:35
  Speaker 2: It's not question more character better food.
• 33:40
  Speaker 3: They'll be missing some teeth and they take your order,
• 33:43
  Speaker 3: but that just makes the food even better.
• 33:45
  Speaker 2: Maybe the floor slick, maybe you're getting to fight, maybe.
• 33:49
  Speaker 3: And blood from the fight the previous night.
• 33:53
  Speaker 1: But guess what, but it's gonna be cheap, all star
• 33:56
  Speaker 1: special good waffles and watch them cook it. They're gonna
• 34:00
  Speaker 1: bring you each item on its own individual plate or bowl.
• 34:04
  Speaker 2: And they got grits. I hop don't have good. You
• 34:07
  Speaker 2: don't even have that here? Do they have?
• 34:10
  Speaker 1: Y'all who live in the South. Do they have grits
• 34:12
  Speaker 1: in the South? They never don't have him here? I
• 34:16
  Speaker 1: fell I fell off tough. I don't even eat a
• 34:19
  Speaker 1: hop no more on the road. I hop be the
• 34:22
  Speaker 1: only thing of a lady. What else you're gonna eat
• 34:26
  Speaker 1: is one thirty? Oh my god, you know much butter
• 34:30
  Speaker 1: they put in there way more than put in peanut butter,
• 34:33
  Speaker 1: because it's not any.
• 34:36
  Speaker 2: Okay, I have does have grits in Okay.
• 34:38
  Speaker 3: Grits is the Southage is the state.
• 34:39
  Speaker 2: They do not have them in l A.
• 34:41
  Speaker 3: Okay. Chili's versus TGI.
• 34:45
  Speaker 1: Fridays, Oh Chili's come back. They got the Triple Dipper.
• 34:52
  Speaker 1: They got Josh anymore go to Chili's. They got Madra.
• 35:00
  Speaker 1: The stick's a good pull, they got the Triple Dipper,
• 35:03
  Speaker 1: they got a new ceo, overhauled the menu. Three from
• 35:07
  Speaker 1: me man.
• 35:08
  Speaker 2: Chili's got a couple of good things going.
• 35:09
  Speaker 1: The game, TGI Fridays needs to be closed, Honestly, Friday's
• 35:15
  Speaker 1: all they had going to Jack Daniel's Whiskey Ribs. They
• 35:18
  Speaker 1: lost the trademark to that. They just call them Sweet
• 35:20
  Speaker 1: Whiskey Ribs. They can't use Jack Daniel's name, no more,
• 35:23
  Speaker 1: change my.
• 35:24
  Speaker 3: Name TG on Saturdays. It's a new spot. It's apt T.
• 35:32
  Speaker 2: There's hardly any Friday's going anymore, and Chili's is on
• 35:35
  Speaker 2: the rise.
• 35:36
  Speaker 3: Chili's out of here, man, Yeah. Bi Giano's versus Cheese
• 35:43
  Speaker 3: steaka Cheesecake Factory.
• 35:44
  Speaker 1: Cheek Cheesecake Factory gets a lot of hard time, but
• 35:50
  Speaker 1: it ain't never done me wrong.
• 35:52
  Speaker 3: That's because you can get anything and everything in that mug.
• 35:55
  Speaker 3: Their menu is the phone book. Whatever it is you
• 35:58
  Speaker 3: w into, it's met.
• 36:00
  Speaker 1: I like my Giano's. It's probably the best chain restaurant
• 36:03
  Speaker 1: for Italian food there is. But but I'm going to
• 36:07
  Speaker 1: Cheese Cake Factory. Give me them Southwest Avocado egg rolls.
• 36:12
  Speaker 3: Give me the Little.
• 36:15
  Speaker 2: Turtle Turtle cheesecake. And I don't even like cheesecake butescake.
• 36:19
  Speaker 2: I do not like cheesecake. I don't like the texture.
• 36:23
  Speaker 2: But yeah, give me cheesecake Factory. They got good little drinks.
• 36:26
  Speaker 2: Yeah they're good.
• 36:27
  Speaker 3: Man, Okay.
• 36:30
  Speaker 1: Buffalo Wild Wings versus Hooters, They those places stink. I
• 36:40
  Speaker 1: went to Hooters for my bachelor party. There's a family,
• 36:44
  Speaker 1: you expected.
• 36:46
  Speaker 3: That was my whole thing. I thought the Hooters is
• 36:48
  Speaker 3: gonna be hooting twin Peaks is more.
• 36:50
  Speaker 1: I was like, man, watch y'all up to two, I'd
• 36:53
  Speaker 1: go to Buffalo Wild Wings, be Doves, hooteras food ain't
• 36:56
  Speaker 1: not good now.
• 36:58
  Speaker 2: It was just the whole titties of it all. And
• 37:01
  Speaker 2: then this ain't really that no, and then I kind
• 37:03
  Speaker 2: of feel bad.
• 37:04
  Speaker 3: No, we over here?
• 37:05
  Speaker 2: What are we doing? Yeah?
• 37:06
  Speaker 3: Man, you know what I'm about.
• 37:09
  Speaker 2: Beat ups. They got good amount of TVs. Yeah, they
• 37:14
  Speaker 2: got the big buffalo.
• 37:16
  Speaker 3: Huh. That's it all right, man. We forgot one thing though.
• 37:20
  Speaker 3: You keep skipping over the second part of the episode. Man,
• 37:22
  Speaker 3: there was something I got a versus we got a versus.
• 37:25
  Speaker 2: Oh we gotta do that. Let's just make it its
• 37:27
  Speaker 2: own episode. How long is that.
• 37:32
  Speaker 3: We can squeeze its in?
• 37:33
  Speaker 2: Why do I miss that?
• 37:34
  Speaker 3: You keep missing? That is more clear.
• 37:39
  Speaker 2: I think I'm just hungry and I saw chain restaurants.
• 37:42
  Speaker 1: When it was arguing last time we did this.
• 37:48
  Speaker 3: Who you want?
• 37:50
  Speaker 2: I feel like I'm gonna go. I'm gonna go. Let
• 37:52
  Speaker 2: me go Whitney because you because you.
• 37:54
  Speaker 3: Think you're gonna win with the Whitney.
• 37:55
  Speaker 2: No, no, no, I think is it ten? Yeah?
• 38:01
  Speaker 1: Okay, wait, we're doing everything or just music, just because
• 38:07
  Speaker 1: we were arguing overall just music? Okay, psych One more segment, y'all,
• 38:15
  Speaker 1: song for song versus versus versus today, Whitney Houston versus
• 38:19
  Speaker 1: Mariah Carey, ten songs, one playlist, Tony Baker, you got
• 38:24
  Speaker 1: Mariah Carey? Yeah, I got Whitney Houston. I think I
• 38:28
  Speaker 1: went first last time. I can't remember, but you went
• 38:32
  Speaker 1: first with Cali. I went first. Yeah, so you're up first.
• 38:36
  Speaker 1: I'm gonna match you up. I'm gonna match you up.
• 38:41
  Speaker 3: Damn one sweet day of coming in with Hey.
• 38:45
  Speaker 1: Man, it isn't that so it must be the second
• 38:47
  Speaker 1: greatest selling song of all time or the longest It
• 38:50
  Speaker 1: was the longest number one until Old Town Road. Do
• 38:54
  Speaker 1: you enjoy that song?
• 38:56
  Speaker 2: Yeah? I love that song.
• 38:57
  Speaker 3: And now it's emotional too, all right, you lost somebody
• 39:00
  Speaker 3: that shit come in hot? Okay, one Sweet Day? Let
• 39:05
  Speaker 3: me singing your songs. Man, just listen to up because
• 39:09
  Speaker 3: you always be singing the songs and try to get
• 39:11
  Speaker 3: everybody riled up. Man, just say the ship because when
• 39:14
  Speaker 3: it's his piggy, you'd be like, let me sing the
• 39:16
  Speaker 3: song all the way to the chorus and the chorus
• 39:18
  Speaker 3: as well.
• 39:20
  Speaker 2: Yeah, just to get.
• 39:21
  Speaker 3: Everybody like, yeah, yeah, I cap now. Man, just say
• 39:25
  Speaker 3: this ship.
• 39:26
  Speaker 1: Okay, fine, fine, okay, One Sweet Day. I ain't gonna
• 39:35
  Speaker 1: hold you. I don't know numbers and all that stuff,
• 39:37
  Speaker 1: So I'm just gonna go based on vibes.
• 39:40
  Speaker 2: I'm gonna go similar vibes. I'm gona go didn't we
• 39:46
  Speaker 2: almost have it all?
• 39:47
  Speaker 3: What song is that?
• 39:50
  Speaker 2: He said? Don't sing? And you know how hard it was,
• 39:52
  Speaker 2: din we almost have it all?
• 39:59
  Speaker 3: What the albm is that.
• 40:01
  Speaker 2: Whennie Houston's did we almost have it up?
• 40:07
  Speaker 3: Okay?
• 40:08
  Speaker 1: I don't know what I was Whitney Whitney, Yeah, okay,
• 40:13
  Speaker 1: I'm trying to match your vibe.
• 40:15
  Speaker 3: Okay, I'm coming in. I'm coming in with the debut Mariah.
• 40:19
  Speaker 3: I'm coming in with Vision of Love debut.
• 40:22
  Speaker 2: Single, I Will Always Love You. You said love, I
• 40:28
  Speaker 2: said love. I will Always love you.
• 40:32
  Speaker 1: Bodyguard soundtrack, Whitney's best album to me, and I know
• 40:35
  Speaker 1: it's not technical album, but also his.
• 40:37
  Speaker 2: I don't care about the other song. I don't care
• 40:40
  Speaker 2: who even is on there.
• 40:42
  Speaker 1: George Strait, mac Dre doesn't matter. Winnie and Houston album
• 40:48
  Speaker 1: by by default, match me up with the WII.
• 40:51
  Speaker 3: All right, okay, we belong together.
• 40:54
  Speaker 2: But I like singing sing along. Who's gonna cook me?
• 40:59
  Speaker 2: And did sir? Comes up? I just said this song?
• 41:07
  Speaker 2: Mm okay, she ain't got no song with we in
• 41:12
  Speaker 2: the title.
• 41:15
  Speaker 3: I thought she would.
• 41:17
  Speaker 2: We belong together. I'm gonna go saving all my love
• 41:20
  Speaker 2: for you. The cheating good Man.
• 41:24
  Speaker 3: Is a good old.
• 41:27
  Speaker 2: That ain't not scissors. The Weekend people.
• 41:30
  Speaker 3: Mad as scissors to this day for having the Weekend.
• 41:33
  Speaker 3: But y'all love some Whitney Houston even though.
• 41:35
  Speaker 1: She was prime side ship Jermaine Jackson. I told him
• 41:40
  Speaker 1: Melissa this because the first Sister song she heard was
• 41:42
  Speaker 1: The Weekend. I don't like her, I said, saving all
• 41:45
  Speaker 1: my love for you, Whitney would might have been worse.
• 41:49
  Speaker 2: Since it only one of the week Since only one
• 41:51
  Speaker 2: of the weekend, right, Whitney.
• 41:54
  Speaker 3: Was way more dastardly that dude had a family, and
• 41:56
  Speaker 3: Whitney did not get a let's talk about what's real.
• 42:00
  Speaker 3: If you're gonna be mad at sisterly, but you look
• 42:02
  Speaker 3: with the voice, man, keep the same energy.
• 42:06
  Speaker 1: My dad got so mad at me one time in church.
• 42:09
  Speaker 1: He was playing a song on the church piano and
• 42:12
  Speaker 1: I was like, that sounds like saving on my love
• 42:14
  Speaker 1: for you say it's not.
• 42:16
  Speaker 3: This is for God.
• 42:17
  Speaker 2: I was like, man. He was literally like dude, dude, dude, dude,
• 42:22
  Speaker 2: I said, Man, you're playing saving on my loves.
• 42:24
  Speaker 3: He was listening to it off about church folks. This
• 42:31
  Speaker 3: is what pisses me off.
• 42:33
  Speaker 1: Man.
• 42:33
  Speaker 3: Y'all be hind mighty holy than now on the back end,
• 42:38
  Speaker 3: on the underneath, you'll be all up in the fields
• 42:42
  Speaker 3: and this stuff. But when I act like you better
• 42:44
  Speaker 3: than this. See, that's that's what I'm talking about. Sick
• 42:47
  Speaker 3: of it all.
• 42:50
  Speaker 2: Listen to Whitney, y'all's all right, boom, all right, you're
• 42:53
  Speaker 2: up man, watch.
• 42:54
  Speaker 3: Y'all, Okay, I'm gonna go because the Houston you got
• 43:00
  Speaker 3: to come swinging.
• 43:03
  Speaker 2: Come swinging.
• 43:04
  Speaker 3: I'm not coming light, I'm not coming salt.
• 43:06
  Speaker 2: Come come come swinging.
• 43:07
  Speaker 3: Whitney Houston is that woman. Yeah, when you when you're
• 43:11
  Speaker 3: fighting Whitney Houston, track for track, you got to come
• 43:13
  Speaker 3: in swinging, come in swinging, knuckles on. So that's why
• 43:16
  Speaker 3: I'm coming with the heavy. Riah Carey Hits always be
• 43:21
  Speaker 3: my baby linger on feeling strong.
• 43:28
  Speaker 2: All right, I'm gonna match you up with I'm every woman.
• 43:32
  Speaker 3: That's a good remake.
• 43:33
  Speaker 2: I'm every Wommu.
• 43:36
  Speaker 1: I remember being a kid and I was like, I
• 43:38
  Speaker 1: didn't feel comfortable saying I'm every woman, so I'd be like,
• 43:41
  Speaker 1: I'm every woman's dream.
• 43:43
  Speaker 2: It's all in me.
• 43:45
  Speaker 3: It's funny. We always had the doctor the lyrics man.
• 43:49
  Speaker 3: Never kid. I didn't. I was like, I'm every woman,
• 43:53
  Speaker 3: it's all in me, Nigga, niggas, I'm every woman, nigga
• 44:02
  Speaker 3: what it's.
• 44:04
  Speaker 2: All in me?
• 44:04
  Speaker 3: God damn.
• 44:08
  Speaker 2: Changing changes and woman got two syllables. You can't say
• 44:12
  Speaker 2: I'm every man man like you can't male person.
• 44:18
  Speaker 3: I'm every woman man. We aren't started backing like a
• 44:22
  Speaker 3: woman is just tracked. No man, singing the way she
• 44:25
  Speaker 3: wrote it exactly. Yeah, I'm coming in with fantasy. Oh
• 44:36
  Speaker 3: it's all were resisted to singing we love? How can
• 44:38
  Speaker 3: we sigarette? We love? We've been singing for a long time.
• 44:43
  Speaker 2: You want to go, fantasy, I want to go. I
• 44:45
  Speaker 2: want to dance with somebody. That's a good one. I
• 44:48
  Speaker 2: want to dance with somebody me.
• 44:50
  Speaker 1: Melissa was talking about going to Halloween as her as
• 44:52
  Speaker 1: that version of Whitney. Oh wow, because people tell her
• 44:55
  Speaker 1: she was like Whitney all the time. She get that
• 44:56
  Speaker 1: wig going, yeah, big Auntie wig. Yeah, yeah, I want
• 45:03
  Speaker 1: to dance to Somebody comes on the radio forty eight
• 45:05
  Speaker 1: times a day on ninety four to seven.
• 45:07
  Speaker 2: The wave that hits from today and yesterday, that they
• 45:10
  Speaker 2: gonna play that song.
• 45:12
  Speaker 3: Dance with Somebody is amazing.
• 45:14
  Speaker 1: It's it might be the most eighties song of all
• 45:18
  Speaker 1: eighties songs. It is so it's the colors, it's the
• 45:22
  Speaker 1: music video vibe, it's the way music videos made. That
• 45:26
  Speaker 1: is big eighties man, the shoulder pads feeling.
• 45:29
  Speaker 2: It is eighties, and.
• 45:30
  Speaker 3: You got to be able to sing the sing Oh
• 45:33
  Speaker 3: my god, And she makes it seem like it's just
• 45:35
  Speaker 3: easy work.
• 45:36
  Speaker 1: I try to harmonize with it, and I thought I
• 45:38
  Speaker 1: was doing good in my car and I did. Here's
• 45:40
  Speaker 1: the thing that was like flat flat fly.
• 45:45
  Speaker 3: Flat listen, Yo, man Ran carry guess I'm looking at
• 45:52
  Speaker 3: this list.
• 45:53
  Speaker 2: I'm like, catalog is deep Mercy Mariah carry deep?
• 45:59
  Speaker 3: All right? I like this song a lout the way
• 46:05
  Speaker 3: she's singing it. And this is another song that's hard
• 46:07
  Speaker 3: to sing, but she just belting that ship out emotions
• 46:11
  Speaker 3: by bark Man.
• 46:14
  Speaker 2: She has a great catalog.
• 46:16
  Speaker 3: Oh man, her catalog. I'm looking at this. I'm like, yo,
• 46:19
  Speaker 3: Brian Carrey Man, I have nothing without.
• 46:24
  Speaker 2: You, I have nothing. Winnie might be her most beautiful singing.
• 46:33
  Speaker 2: I have nothing with the with the oh.
• 46:35
  Speaker 3: Yeah she got the joint on man flappers type stuff.
• 46:39
  Speaker 2: Yeah, I have nothing.
• 46:43
  Speaker 3: Tone. Whitney Houston always had a beautiful face. I don't
• 46:47
  Speaker 3: know why I never crushed on her, though.
• 46:50
  Speaker 1: I did.
• 46:51
  Speaker 3: I've never had a crush on but I thought her
• 46:53
  Speaker 3: face was fantastic. But I was never just like with
• 46:57
  Speaker 3: me she is.
• 46:59
  Speaker 2: She really was super wholesome around the way.
• 47:02
  Speaker 3: Girl.
• 47:02
  Speaker 2: She was never built as like, oh Whitney. It was like, yeah,
• 47:06
  Speaker 2: yeah it's Whitney. It's like my homegirl. Whitney.
• 47:08
  Speaker 1: So I want to be respectful of Whitney. You acknowledge
• 47:12
  Speaker 1: the beauty for sure.
• 47:13
  Speaker 3: I looked at her face, I was like, yo, her
• 47:14
  Speaker 3: face is perfect. Yeah, but I was just never like yeah,
• 47:18
  Speaker 3: that was crushed McGee. Back then I was like, come
• 47:22
  Speaker 3: a rock carry. I mean, the Houston never made the cut,
• 47:25
  Speaker 3: all right. So this is a personal pick for me,
• 47:30
  Speaker 3: and that's what the point is this. This This might
• 47:34
  Speaker 3: be my favorite Mariah song. It's between two songs that's
• 47:37
  Speaker 3: my favorite, but this is one of them for sure.
• 47:40
  Speaker 3: Break Down with bone.
• 47:41
  Speaker 2: Fu, break down this song. Okay, that's good.
• 47:52
  Speaker 3: Man.
• 47:53
  Speaker 1: I'm running out of songs, but I'm running out of spaces.
• 47:55
  Speaker 1: But I have a lot more songs. I'm gonna go, man,
• 48:03
  Speaker 1: I want to say breakdown so bad.
• 48:05
  Speaker 3: I'm gona for my fight.
• 48:12
  Speaker 2: I'm gonna go.
• 48:16
  Speaker 1: I'm gonna go.
• 48:17
  Speaker 2: I'm gonna go to my favorite songs. How will I know? Okay?
• 48:21
  Speaker 3: How will I know that's your favorite?
• 48:24
  Speaker 2: Ouf? I ain't said okay, but I'm just like, I
• 48:26
  Speaker 2: don't care how y'all feel.
• 48:27
  Speaker 3: We know if he really loves me? Yeah, you know
• 48:30
  Speaker 3: what I'm saying.
• 48:30
  Speaker 2: How will I know? I got to?
• 48:32
  Speaker 1: Will I know?
• 48:33
  Speaker 2: I will, I know, I love it's just a it's
• 48:37
  Speaker 2: good like man. They're probably doing the finest of cocaine
• 48:41
  Speaker 2: with Whitney on the club. How well love Man turned
• 48:46
  Speaker 2: the Whitney up Studio fifty four? How would I know?
• 48:52
  Speaker 3: I'm gonna go a little fun ud feel good. I'm
• 48:55
  Speaker 3: gonna go.
• 48:55
  Speaker 2: Dream lover, dream lover, lover come. Yeah, she got vibes.
• 49:11
  Speaker 1: Vibes, boy, Okay, I'm gonna go deep cut roll cav
• 49:15
  Speaker 1: ex heal shoop shoop, parentheses c C. Whinings, Whitney Houston
• 49:22
  Speaker 1: one of the few vocalist who could go up to Whitney.
• 49:24
  Speaker 3: And again, she's not on that song. You're thinking on
• 49:29
  Speaker 3: count on me through thinking.
• 49:30
  Speaker 1: Thing ex hel shoop shoot, count on me thing what
• 49:37
  Speaker 1: shoot what shoop shoot? Read one fuck it's the same
• 49:41
  Speaker 1: album sometime, big fumble, fix it cake ex heal shoop
• 49:46
  Speaker 1: shoot man good o, caare all.
• 49:48
  Speaker 3: Gonna get that fumble? How many? Where are we at?
• 49:55
  Speaker 1: Oh?
• 49:56
  Speaker 3: All right, dang.
• 50:01
  Speaker 2: Dang two more of my quit of Bradley.
• 50:07
  Speaker 1: I am hungry, y'all. When I'm hungry, my brain don't
• 50:09
  Speaker 1: connect to the right way. I ain't ordered it either,
• 50:14
  Speaker 1: he said, we can't he said, we have to finish
• 50:15
  Speaker 1: our work first.
• 50:19
  Speaker 2: This is gonna take thirty minutes for the food to come.
• 50:21
  Speaker 2: Now we're gonna eat before thirty. I'm a good he
• 50:25
  Speaker 2: can do this. I'm trying to eat healthy. Josh said,
• 50:28
  Speaker 2: I got to get I'm getting hot.
• 50:31
  Speaker 1: Uh mean two and a half. No, Ti foo is
• 50:38
  Speaker 1: not necessarily bad. Okay, I'm just gonna give a pat tie.
• 50:41
  Speaker 3: I'm gonna do uh, let me do. This is a
• 50:54
  Speaker 3: this is a deep cut. It was a single, but
• 50:56
  Speaker 3: I feel like it wasn't like that that But I'm
• 50:59
  Speaker 3: gonna just actually now I'm gonna tuck that back looking
• 51:02
  Speaker 3: back in. I'm gonna do hero with the strength to
• 51:06
  Speaker 3: carry on. And the hero comes along with the strength
• 51:09
  Speaker 3: to carry.
• 51:09
  Speaker 2: And Mariah carried.
• 51:10
  Speaker 3: That's what I'm saying.
• 51:11
  Speaker 2: Catalog is insane.
• 51:13
  Speaker 3: The catalog is crazy.
• 51:15
  Speaker 2: This catalog is insane.
• 51:18
  Speaker 1: I'm trying to remember. I don't think I ever. I
• 51:20
  Speaker 1: don't think there was a time my lock of Maria
• 51:21
  Speaker 1: Carey wasn't on the radio. What was her first nineties
• 51:24
  Speaker 1: when she came out? I was seven, Okay, so there
• 51:27
  Speaker 1: was some time. It feels like she's always been around.
• 51:29
  Speaker 3: Though, because somebody said somebody in the chance said the
• 51:32
  Speaker 3: eighties Mariah like she wasn't even She didn't come out
• 51:34
  Speaker 3: in the eighties. She came out ninety.
• 51:37
  Speaker 2: That was when she was.
• 51:40
  Speaker 1: Yeah, you know what I'm saying, all Right, Okay, I'm
• 51:45
  Speaker 1: gonna go man. I want the people to agree with me,
• 51:48
  Speaker 1: but I don't care.
• 51:51
  Speaker 2: Personally. I'm going personal. I'm going to X men song
• 51:56
  Speaker 2: I'm your Baby to that, dude.
• 52:06
  Speaker 3: Man, that song is in my head a lot.
• 52:08
  Speaker 1: Actually, it's a great She has a lot of just catchy,
• 52:13
  Speaker 1: feel good fun song.
• 52:15
  Speaker 2: I'm yod baby to know whatever you want, whatever.
• 52:22
  Speaker 3: They need to do.
• 52:23
  Speaker 1: That mixed up because that's why I listened to X
• 52:24
  Speaker 1: ME theme song. I think of that when the Houston song.
• 52:29
  Speaker 3: Okay, I'm gonna go with.
• 52:33
  Speaker 2: Oh.
• 52:36
  Speaker 3: A lot of people might not even know about that,
• 52:38
  Speaker 3: but it keeps calling me. Man, let it, dude, anytime
• 52:41
  Speaker 3: you need a friend, anytime you need a friend, I
• 52:47
  Speaker 3: will be he.
• 52:50
  Speaker 2: Never be alone again.
• 52:52
  Speaker 3: It's fire, but it wasn't. It wasn't like a massive
• 52:56
  Speaker 3: single for her, but it wasn't single and it was
• 52:58
  Speaker 3: and then the choir coming in on I love that.
• 53:00
  Speaker 1: Song, okay, and that's all that matter. That's all that
• 53:03
  Speaker 1: matters personal too. All y'all pick your own pick. I'm
• 53:07
  Speaker 1: doing you give good love?
• 53:10
  Speaker 2: You give good love to me, babe.
• 53:14
  Speaker 3: Man, that's my favorite Whitney Houston song.
• 53:17
  Speaker 2: Is it you give good Love?
• 53:20
  Speaker 1: That's your favorite with you give good Love is just
• 53:24
  Speaker 1: a good time. I wish she had a chance to
• 53:28
  Speaker 1: live long and do some just like a little Vegas.
• 53:33
  Speaker 3: Did a Vegas residency.
• 53:36
  Speaker 2: I would have paid.
• 53:38
  Speaker 3: I have read seventy vocal capacity.
• 53:41
  Speaker 2: At seven percent.
• 53:43
  Speaker 1: Lean on your background singers. I went to see Adele.
• 53:46
  Speaker 1: Adele don't have like a lot of dance music. You know,
• 53:49
  Speaker 1: she set the piano on fire. She got good background singers.
• 53:52
  Speaker 1: She's really funny. Adele has much more stage presence when
• 53:57
  Speaker 1: she's not singing that I thought she was shy.
• 53:59
  Speaker 2: She walk around and she's low key hosting.
• 54:02
  Speaker 3: When you when you look at Adel look at her
• 54:05
  Speaker 3: her visual and the style of music that she sings.
• 54:08
  Speaker 3: She looks like a serious woman. She does then once
• 54:11
  Speaker 3: she does, told you like yo, man, she's just honey,
• 54:15
  Speaker 3: we kicking it chilling.
• 54:16
  Speaker 1: She's very funny and very personable. I said we took
• 54:20
  Speaker 1: the boys. Joe was like, man, I ain't the money
• 54:23
  Speaker 1: of deal. Ain't write it at all, but I think
• 54:25
  Speaker 1: Whitney could have had that. Whitney was funny when she.
• 54:29
  Speaker 2: Was you and Lailoa.
• 54:31
  Speaker 3: Her personality is crazy tone.
• 54:33
  Speaker 1: I would have paid big bucks. I would have went
• 54:35
  Speaker 1: down to the m gym Grand or the Sphere to.
• 54:37
  Speaker 3: Come with the audience. Would have been fantastic telling stories.
• 54:41
  Speaker 2: Yes, you don't got we go sing with you. I
• 54:44
  Speaker 2: don't need you to be you in ninety three. We
• 54:46
  Speaker 2: go sing.
• 54:47
  Speaker 3: We know the voice diminishes, we expect that at times
• 54:51
  Speaker 3: in the nostalgia. We're gonna be singing with Get you.
• 54:53
  Speaker 2: Some twenty year old background singers and have them do
• 54:56
  Speaker 2: all the heavy lifting. You could do this, you know,
• 54:59
  Speaker 2: the sing would be late. I'm gonna do my part.
• 55:01
  Speaker 3: Who don't want to dance with.
• 55:07
  Speaker 1: You?
• 55:08
  Speaker 2: Come on, man, give it to me?
• 55:10
  Speaker 3: Man?
• 55:11
  Speaker 2: All right?
• 55:12
  Speaker 3: That was a good verse.
• 55:13
  Speaker 2: That was a great versus man. I did good this child.
• 55:16
  Speaker 2: I got a little bit with me.
• 55:17
  Speaker 3: They both stacked.
• 55:18
  Speaker 1: Imagine they would have did a double headlining tour. It's
• 55:21
  Speaker 1: so many songs because you didn't even do the Christmas song.
• 55:24
  Speaker 1: I even I didn't even think about the Christmas The
• 55:27
  Speaker 1: Prince of Egril soundtrack, What's that one that's a when
• 55:32
  Speaker 1: you believe Dang Prince was a good soundtrack. I ain't
• 55:35
  Speaker 1: do Butterfly, I ain't do Honey. She has too many
• 55:38
  Speaker 1: You could have did almost ten Mariah Carey hip hop
• 55:42
  Speaker 1: remixes or hip hop features.
• 55:46
  Speaker 2: She would featured my Gie.
• 55:48
  Speaker 1: Her and Old Dirty bastard Z with Heartbreak Man, Come On,
• 55:52
  Speaker 1: she had features.
• 55:54
  Speaker 2: She might be the most featured R and B singer
• 55:56
  Speaker 2: of all time.
• 55:57
  Speaker 3: My Baby with Snoop. She also got the other song
• 55:59
  Speaker 3: with Snoop that like Hey Hey, Hey, Hey Hey boom
• 56:05
  Speaker 3: boom boom boom boom boom boom boom. What's the name
• 56:08
  Speaker 3: of the song?
• 56:10
  Speaker 2: Ice Ice Love.
• 56:15
  Speaker 3: I'm ready to say something Something, Say something That's on fire.
• 56:23
  Speaker 3: That's yeah, yep, that's on that album fire Man, Say
• 56:27
  Speaker 3: Say Something is Fire.
• 56:28
  Speaker 1: You know what Mariah Carey music reminds me of if
• 56:32
  Speaker 1: you had like a girlfriend in high school and you
• 56:35
  Speaker 1: was taking her to the fair on a sunny day.
• 56:38
  Speaker 1: Mariah Carey music is bacon. You want to go on
• 56:42
  Speaker 1: the Ferris Whales. That is where, Let's go on the
• 56:47
  Speaker 1: Ferris Wheeler. We can do an okay, like so much
• 56:50
  Speaker 1: of her music is just like her.
• 56:53
  Speaker 3: It could be all Mariah at the carnival.
• 56:56
  Speaker 2: I'll be happy with it.
• 56:57
  Speaker 1: It would fit right in, It would fit you if
• 56:59
  Speaker 1: I the movie score and it was eighties coming of age,
• 57:03
  Speaker 1: even though.
• 57:03
  Speaker 3: They were wrapping up that day at the count over.
• 57:05
  Speaker 3: That girl she got you, She got you on the slow.
• 57:09
  Speaker 2: Down, Yes she does.
• 57:11
  Speaker 1: All right, y'all, we done, and we're already lunch. If
• 57:14
  Speaker 1: you're on preon, just give us a second. I can't
• 57:17
  Speaker 1: eat healthy and wait long. I can do one of
• 57:19
  Speaker 1: the other, I can't do both.