Latest / Country Weekly / 8.7.26
Transcript
- 0:05Speaker 1: Outy folks, time once again to catch up with Country Weekly,
- 0:08Speaker 1: where we check out news and gossip from the world
- 0:11Speaker 1: of country music. I'm your host, Ken Dawkins, and I
- 0:15Speaker 1: will be reading from various sources found online. As a reminder,
- 0:19Speaker 1: Radio I is a reading service intended for people who
- 0:22Speaker 1: are blind or have other disabilities that make it difficult
- 0:25Speaker 1: to read printed material. We'll begin with the first article
- 0:29Speaker 1: dated August third, and this is from USA Today. Zach
- 0:35Speaker 1: Brown Band gives Fenway crowd free cruises worth forty million dollars.
- 0:41Speaker 1: Zach Brown Band fans have a big reason to be
- 0:44Speaker 1: knee deep in happiness. During the group's August second performance
- 0:49Speaker 1: at Fenway Park in Boston, their record breaking fifteenth consecutive
- 0:53Speaker 1: sold out show at the iconic Baseball stadium, Brown dropped
- 0:57Speaker 1: news of a major gift for the thirty five thousand attendees.
- 1:01Speaker 1: Just before performing Same Boat, his twenty twenty two collaboration
- 1:05Speaker 1: with the late Jimmy Buffett, Brown told the crowd that
- 1:08Speaker 1: the band was presenting each of them with a cruise
- 1:10Speaker 1: aboard Margheritaville at sea tonight. We're going to do something
- 1:15Speaker 1: that even Jimmy would say is crazy, Brown said, from
- 1:18Speaker 1: the stage. I'm buying every single person here a cruise
- 1:21Speaker 1: for two people on the boat. This is the biggest
- 1:24Speaker 1: giveaway in history, Ladies and gentlemen, right here tonight at
- 1:27Speaker 1: Fenway Park. The surprise is valued at more than forty
- 1:30Speaker 1: million dollars and, according to Brown's REPS, the largest audience
- 1:34Speaker 1: gifting in live entertainment history. Fans can redeem the cruise
- 1:38Speaker 1: on select Margharitaville at Sea sailings over the next twelve months.
- 1:42Speaker 1: Margheritaville at Sea is presenting sponsor of zbb's twenty seven
- 1:46Speaker 1: date Love and Fear Tour, which kicked off in July
- 1:49Speaker 1: and runs through November. The run follows the band's residency
- 1:52Speaker 1: at Spear Las Vegas in December of last year. In
- 1:56Speaker 1: a recent interview with USA Today, Brown said this tour
- 1:59Speaker 1: is a way to applaud the band's fans. I wanted
- 2:02Speaker 1: to show our dedication to them and give them something unique,
- 2:05Speaker 1: he said. Throughout the tour, ZBB will continue to give
- 2:09Speaker 1: away four cruises per show. Those fans will receive a
- 2:12Speaker 1: cruise aboard the new Beachcomber, which will debut in January
- 2:16Speaker 1: of twenty twenty seven and is also home to a
- 2:18Speaker 1: live music venue at c dubbed the Same Boat and
- 2:21Speaker 1: curated by Brown, The August second ZBB show is live
- 2:25Speaker 1: streamed on nugs dot net and broadcast live on Sirius
- 2:29Speaker 1: XM's Radio Margaritaville. The performance is available to watch on
- 2:33Speaker 1: demand on nuggets dot net next from Parade dot Com.
- 2:38Speaker 1: Also dated August third, Ella Langley makes history as country
- 2:41Speaker 1: music sweeps Billboard Hot one hundred top five for the
- 2:45Speaker 1: very first time. Ella Langley continues one of the most
- 2:49Speaker 1: remarkable chart runs of twenty twenty six. According to Billboard,
- 2:53Speaker 1: her smash hit Choos in Texas spends a sixteenth consecutive
- 2:57Speaker 1: week at number one on the Billboard Hot one hundred,
- 3:00Speaker 1: eyeing for the fourth longest reign in the chart's nearly
- 3:02Speaker 1: sixty eight year history. Only Mariah Carries All I Want
- 3:06Speaker 1: for Christmas Is You, Shaboozi's a bar song, Tipsy Lil
- 3:10Speaker 1: Nazek's Old Town Road featuring Billy Billy Ray Cyrus have
- 3:14Speaker 1: spent more time atop the all genre chart. But even
- 3:18Speaker 1: bigger than Langley's latest milestone is the record it helped
- 3:21Speaker 1: create for the first time in Billboard Hot one hundred history.
- 3:25Speaker 1: Country songs occupy the entire top five slots. Langley's Choosing
- 3:30Speaker 1: Texas holds at number one, followed by Morgan Wallen's new
- 3:34Speaker 1: single bin By Now at number two. Taylor Swift's I
- 3:37Speaker 1: Knew It I Knew You sits at number three, Langley
- 3:40Speaker 1: and Wallin's duet I Can't Love You Anymore remains at
- 3:43Speaker 1: number four, and Stella Lefti's breakthrough hit Boston rounds out
- 3:47Speaker 1: the top five at number five. Until now, country had
- 3:51Speaker 1: never swept all five positions on the Hot one hundred.
- 3:54Speaker 1: Billboard notes the genre had reached four of the top
- 3:57Speaker 1: five during two weeks in July of the Shear, but
- 4:00Speaker 1: this marks the first complete takeover. The latest achievement adds
- 4:04Speaker 1: another chapter to Langley's remarkable breakout year. Beyond leading the
- 4:08Speaker 1: Hot one hundred for a sixteenth week, Choosing Texas also
- 4:11Speaker 1: remains number one on Billboard's Hot Country Songs chart for
- 4:14Speaker 1: the thirty fourth week, tying for the third longest reign
- 4:17Speaker 1: in that chart's history. Songs also spending its ninth week
- 4:21Speaker 1: atop the Songs of the Summer chart. Billboard also highlighted
- 4:25Speaker 1: another unusual accomplishment involving Langley and Wallen Along with holding
- 4:29Speaker 1: the top two positions individually, the pair also occupies number
- 4:33Speaker 1: four together with I Can't Love You Anymore. According to Billboard,
- 4:37Speaker 1: it's the only or it is only the fourth time
- 4:39Speaker 1: on Hot one hundred history that two artists have each
- 4:42Speaker 1: had solo songs in the top five while also sharing
- 4:45Speaker 1: a collaboration there simultaneously, and the first time it's happened
- 4:49Speaker 1: with country music. For a genre that has steadily grown
- 4:53Speaker 1: in its presence on the Hot one hundred over the
- 4:55Speaker 1: past several years, this week's chart represents a landmark moment.
- 4:59Speaker 1: Thanks to Langley wallin Swift and Lefty Sounds like a
- 5:02Speaker 1: pitching staff for a law firm, country music has officially
- 5:06Speaker 1: accomplished something no genre lineup ever had before on Billboard's
- 5:10Speaker 1: flagship chart. Now we head on over to countrynow dot
- 5:14Speaker 1: com with the first article, also dated August third. Jellyroll
- 5:18Speaker 1: reveals plans to step away from touring for a year
- 5:21Speaker 1: or two. Jelly Roll is stepping away from the road
- 5:24Speaker 1: for the foreseeable future. During a recent concert in Salt
- 5:28Speaker 1: Lake City, the Grammy winning artist revealed that he plans
- 5:31Speaker 1: to take an extended break from touring following his final
- 5:34Speaker 1: scheduled performance, which took place on July thirtieth at Widener
- 5:37Speaker 1: Field in Colorado Springs. This has truly been a lifetime
- 5:41Speaker 1: experience for me, Jellyroll told the crowd and a couple
- 5:44Speaker 1: of nights, I go to Colorado Springs and do my
- 5:46Speaker 1: last show for a year or two. I'm fixing to
- 5:49Speaker 1: take some time off and heal. Thank you for the opportunity.
- 5:54Speaker 1: The announcement came as Jellyroll wrapped up his headlining the
- 5:57Speaker 1: Little Ass Shed Tour and several stadium dates a part
- 6:00Speaker 1: of the Big Ass Stadium Tour with Post Malone. His
- 6:03Speaker 1: official tour website now lists no upcoming events, confirming that
- 6:07Speaker 1: the Tennessee native is taking time away from the stage.
- 6:10Speaker 1: Jelly Roll did not elaborate on what led to his decision,
- 6:13Speaker 1: but the news comes after a major year of personal
- 6:15Speaker 1: and professional changes. Earlier this summer, fans were surprised when
- 6:19Speaker 1: reports surfaced that he had filed for divorce from his wife,
- 6:22Speaker 1: Bunny Xo, after nearly a decade together. Following the news,
- 6:27Speaker 1: Bunny Xo addressed the split during a tell all episode
- 6:29Speaker 1: of The Dumb Blonde podcast, where she opened up about
- 6:32Speaker 1: the challenges that led to the divorce, details surrounding their agreement,
- 6:36Speaker 1: and what life after marriage could look like. She also
- 6:39Speaker 1: discussed the possibility of jelly Roll entering the dating world
- 6:42Speaker 1: again and revealed that despite their separation, the two had
- 6:45Speaker 1: planned to have a baby together and continue co parenting.
- 6:50Speaker 1: Shortly after its release, the episode was removed from the Internet,
- 6:53Speaker 1: leaving fans with more questions about the couple's future. While
- 6:56Speaker 1: Bunny XO has spoken publicly about the situation, jelly Roll
- 7:00Speaker 1: has remained largely private about the divorce and has not
- 7:03Speaker 1: shared many details about their separation. Earlier this year, jelly
- 7:08Speaker 1: Roll reached a major career milestone when he was officially
- 7:11Speaker 1: inducted as a member of the Grand Old Opry. He
- 7:14Speaker 1: was welcomed into the Opry family by his longtime friend
- 7:16Speaker 1: and collaborator and fellow member Lany Wilson during a special celebration.
- 7:22Speaker 1: Singer recently released his latest single, Hands Up, and has
- 7:25Speaker 1: been teasing a new album for quite some time. While
- 7:28Speaker 1: details surrounding the upcoming project remain under wraps, The yet
- 7:32Speaker 1: to be announced album will serve as the follow up
- 7:34Speaker 1: to his chart topping twenty twenty four release Beautifully Broken.
- 7:39Speaker 1: Next Jason Aldeen Tracy Lawrence, and Brantley Gilbert reflect on
- 7:43Speaker 1: the changing road to country music stardom. The road to
- 7:48Speaker 1: becoming a country star looks a lot different than it
- 7:50Speaker 1: did when artists like Jason Aldean, Tracy Lawrence, and Brantley
- 7:53Speaker 1: Gilbert were coming up after years of grinding through small
- 7:57Speaker 1: venues before reaching the big stages. The artists have each
- 8:00Speaker 1: shared their thoughts on the way this generation of country
- 8:03Speaker 1: stars is rising to the top and why they believe
- 8:05Speaker 1: there are steps along the way that are still important
- 8:08Speaker 1: part of building a lasting career. Gilbert most recently joined
- 8:12Speaker 1: the conversation during an appearance on Lawrence's Roadhouse podcast, where
- 8:16Speaker 1: he reflected on the template of finding success that artists
- 8:19Speaker 1: like Lawrence and Toby Keith created for those coming up
- 8:22Speaker 1: behind them. He explained that he's always admired the way
- 8:25Speaker 1: they built their momentum by grinding their way up, making mistakes,
- 8:29Speaker 1: learning from each experience, and taking the time to understand
- 8:32Speaker 1: what it takes to connect with an audience before reaching
- 8:35Speaker 1: the biggest stages. However, with this age of social media,
- 8:39Speaker 1: they've watched new artists go from sharing songs in their
- 8:42Speaker 1: bedrooms to performing in arenas almost overnight. When you see
- 8:46Speaker 1: these kids kind of come from one song on TikTok
- 8:49Speaker 1: to blow up in they're here. I was like, man,
- 8:51Speaker 1: that kind of sucks because coming up the old way,
- 8:54Speaker 1: playing that bar with ten people you don't know in
- 8:56Speaker 1: it and that have never heard you until you go
- 8:58Speaker 1: to the next size bar. Eventually, Man, you get a
- 9:01Speaker 1: club in town, You've really done something. Gilbert said, it
- 9:04Speaker 1: kind of sucked at first, but then on the flip
- 9:06Speaker 1: side of the coin is that there are a major disadvantage.
- 9:10Speaker 1: Gilbert went on to explain how there are plenty of
- 9:12Speaker 1: pros and cons to coming up the way he did
- 9:14Speaker 1: compared to the way many acts do in this current world.
- 9:18Speaker 1: He notes that one of the best advantages to taking
- 9:20Speaker 1: years to develop a name in the business is learning
- 9:23Speaker 1: how to properly communicate and win over the very small
- 9:26Speaker 1: amount of people in the bar by the end of
- 9:27Speaker 1: the night. One of the greatest disadvantages that both him
- 9:31Speaker 1: and Lawrence can agree on is the fact that being
- 9:33Speaker 1: thrown into the spotlight so quickly inevitably leads to the
- 9:37Speaker 1: artists facing a downward spiral. When you see them going
- 9:40Speaker 1: through this crisis and things like that, it makes a
- 9:42Speaker 1: ton of sense I couldn't imagine not coming up the
- 9:45Speaker 1: way we did and just being thrust into that. It's
- 9:47Speaker 1: not a poor, pitiful me situation at all. It's just
- 9:50Speaker 1: like man, looking at it from the inside. That's a lot,
- 9:53Speaker 1: Gilbert said, sympathizing with artists who have gone through that.
- 9:57Speaker 1: Gilbert also recognizes that playing the place field has shifted dramatically,
- 10:01Speaker 1: with today's artists facing a level of competition that didn't
- 10:04Speaker 1: exist when he was coming up. Watching so many rising
- 10:07Speaker 1: stars navigate this new landscape has given him a different
- 10:11Speaker 1: perspective on their journeys. The competition's different. The process again,
- 10:15Speaker 1: being seen and discovered is different. We didn't have ompteen
- 10:18Speaker 1: million people putting songs out from their bedroom. The way
- 10:21Speaker 1: of being found is different. So in a way, through
- 10:24Speaker 1: the years, I've gone through kind of being salty about
- 10:26Speaker 1: it to finding respect for it and almost coming from
- 10:29Speaker 1: a place of not sympathy empathy. Man, I get it
- 10:32Speaker 1: from the inside looking out. It's a good bit different.
- 10:35Speaker 1: You get thrust into all this stuff you don't understand,
- 10:38Speaker 1: and nobody you know this when you're on your way up,
- 10:40Speaker 1: nobody's telling you that there's a plateau and a way down.
- 10:44Speaker 1: Jason Aldeen also spoke about this topic during a recent
- 10:47Speaker 1: episode of his Try That in a Small Town podcast,
- 10:50Speaker 1: recognizing that many up and coming artists may not realize
- 10:53Speaker 1: the value of slowing down, saying no to certain opportunities,
- 10:57Speaker 1: and taking the time to build their careers before rushing
- 11:00Speaker 1: into the next thing. He used the example of turning
- 11:03Speaker 1: down a chance to do his own headline shows in
- 11:06Speaker 1: order to open for Brooks and dun back in the day.
- 11:09Speaker 1: I even put it off a little longer, just to
- 11:11Speaker 1: be like, you know, give us time to get another
- 11:13Speaker 1: song out, kind of let the heat that was starting
- 11:15Speaker 1: to happen, just let it bubble a little, he recalled.
- 11:18Speaker 1: So how far does a Goodbye? Goh Singer also came
- 11:21Speaker 1: to the same realization that Gilbert touched on, as he
- 11:23Speaker 1: explained that today's artists haven't had to experience building a
- 11:26Speaker 1: strong catalog and developing their ability to connect with the
- 11:30Speaker 1: crowd before taking on a headlining role. The problem is
- 11:33Speaker 1: a lot of them only have one or two songs
- 11:36Speaker 1: and think they can go out and carry an hour
- 11:37Speaker 1: and a half or two hours of his show. It's like, dude,
- 11:40Speaker 1: you've got two songs. People really care about that they
- 11:43Speaker 1: want to hear, they what are you going to do
- 11:45Speaker 1: for the other eighty minutes? This often leads to them
- 11:48Speaker 1: having to give tickets away for free in an attempt
- 11:50Speaker 1: to make the room look more full. While the path
- 11:54Speaker 1: to country music success continues to evolve, Jason Aldeine, Tracy Lawrence,
- 11:58Speaker 1: and Brantley Gilbert all seem to agree on one thing.
- 12:02Speaker 1: Building a lasting career takes more than one viral moment,
- 12:05Speaker 1: and that the most important lessons only come with time. Next,
- 12:11Speaker 1: Riley Green reveals that Just Me track list drops new song.
- 12:15Speaker 1: Imagine that. Riley Green is continuing to build anticipation for
- 12:20Speaker 1: his upcoming studio album That's Just Me. It's arriving on
- 12:23Speaker 1: September eighteenth. This week, the country star gay fans a
- 12:27Speaker 1: preview of all nineteen tracks, sharing short snippets of each
- 12:31Speaker 1: song on social media, while offering an even longer previews
- 12:34Speaker 1: exclusively to members of his back forty fan club. Along
- 12:38Speaker 1: with the previews, Green also unveiled the album's full track list,
- 12:42Speaker 1: revealing several collaborations. The project will feature the recently released
- 12:45Speaker 1: duet Go Again with Hannah McFarlane as well as well
- 12:49Speaker 1: well Whiskey with Jake Worthington, Pave all Them Red Dirt
- 12:52Speaker 1: Roads featuring Brooks and Dunn, and look Out Mountain with
- 12:55Speaker 1: Randy Owen of country supergroup Alabama. The album also showed
- 13:00Speaker 1: odo cases a number of co writes with some of
- 13:01Speaker 1: Green's longtime collaborators, including Randy Montana, Eric Dillon, Jonathan Singleton,
- 13:06Speaker 1: and others. Green also pandra coopen several of the album
- 13:10Speaker 1: tracks himself. The actual track list from Riley Green's new
- 13:14Speaker 1: album My Way, That's just Me, Don't come any closer,
- 13:18Speaker 1: Go again, imagine that got that from you, bartender and
- 13:22Speaker 1: destined bech happy, Thank you, thank you, as Let's think
- 13:26Speaker 1: as you drunk well well, whiskey pos runs in the family,
- 13:30Speaker 1: and pave all them Red Dirt Roads. Now we'll take
- 13:34Speaker 1: a peek atcountrycentral dot com with the first article or
- 13:38Speaker 1: only article dated the third of August. Gavin Adcock reveals
- 13:42Speaker 1: Workingman release date. Gavin Adcock has announced a new single, Workingman,
- 13:47Speaker 1: due out this weekend. The Georgia Bourne singer songwriter shared
- 13:51Speaker 1: a clip of the track on Instagram ahead of the release.
- 13:54Speaker 1: In the chorus, he shared, Adcock leans into his roots
- 13:57Speaker 1: with the kind of plainspoken confidence that has defined his right,
- 14:00Speaker 1: drawing contrast between a flashy suitor and what's he offering instead.
- 14:05Speaker 1: He might have money, but either have love and time.
- 14:07Speaker 1: After five, you're tired of seeing that grown man go
- 14:10Speaker 1: out and swipe mom and Daddy's credit card. You just
- 14:13Speaker 1: say when, and girl, I'm in If you want to
- 14:16Speaker 1: lean on a steady heart. I might be rough around
- 14:18Speaker 1: the edges, but baby, you can come and smooth them
- 14:20Speaker 1: out this kind of love. Don't give a damn. It's
- 14:23Speaker 1: about time you found you a working man. It's a
- 14:27Speaker 1: natural fit for an artist who grew up working on
- 14:28Speaker 1: his family's cattle farm in Wickinsville, Georgia, before a football
- 14:32Speaker 1: career at Georgia Southern was cut short by knee injury
- 14:35Speaker 1: that ultimately redirected him toward music. The announcement comes off
- 14:39Speaker 1: the back of one of the strongest stretches of Adcock's
- 14:41Speaker 1: young career since his third LP own Worst Enemy. He
- 14:45Speaker 1: stayed on one of the most consistent release schedules in
- 14:48Speaker 1: the format, with a new single out every nearly every month.
- 14:52Speaker 1: Working Man is coming out again this weekend. Now it's
- 14:56Speaker 1: on to saving country music for news and commentary. With
- 14:59Speaker 1: the first article dated the fourth of August making sense
- 15:03Speaker 1: of Stella Lefty a new song Boston. It's not just
- 15:07Speaker 1: Ella Langley's choosing Texas that's setting music on fire here
- 15:10Speaker 1: in the summer of twenty six. As we've learned, granted,
- 15:14Speaker 1: nothing can rival what Elle is doing with the song,
- 15:16Speaker 1: even going back into country history or any music history.
- 15:20Speaker 1: It's already the most successful song from a woman in
- 15:22Speaker 1: American country music. All of the Yello Aangley accolades and
- 15:26Speaker 1: attention of somewhat overshadow the rather incredible success of another song,
- 15:30Speaker 1: Stella Lefty's Boston, Whether it deserves to be or not,
- 15:34Speaker 1: it has been a signed to the domain of country
- 15:37Speaker 1: and has been surging throughout the summer to where it
- 15:39Speaker 1: sat at number three last week, as we mentioned earlier,
- 15:42Speaker 1: only knocked out of the top spot by, of course,
- 15:45Speaker 1: Ella Langley and Taylor Swift. This week, Country sweeps the
- 15:49Speaker 1: top five. As we said, so who is Stella Lefty
- 15:51Speaker 1: and how did her song get so high on the
- 15:53Speaker 1: charts side of nowhere will? This has been a big
- 15:56Speaker 1: discussion point in certain circles for a while now. For many,
- 15:59Speaker 1: she's the perfect symbol of how affluents and privilege are
- 16:02Speaker 1: the primary drivers behind celebrity and success in America at
- 16:05Speaker 1: this point. Since her father is the billionaire co founder
- 16:08Speaker 1: of Groupon who now owns a healthy AI company called
- 16:12Speaker 1: tampas Ai, a lot of people have surmised that Stella
- 16:15Speaker 1: was able to skip the line and go straight to
- 16:17Speaker 1: the top. Well respected music producer and commentator Rick Vito
- 16:22Speaker 1: at a video of a couple of months ago titled
- 16:25Speaker 1: why only rich Kids Make it in Music Today? That's
- 16:27Speaker 1: sort of coincided with Stella Lefty's rise, and this further
- 16:31Speaker 1: the discussion. Does it feel like this hypothesis is true
- 16:35Speaker 1: that unless you come from money or a connected family,
- 16:38Speaker 1: you can't rise to the top in music. Well, it helps,
- 16:41Speaker 1: but that might be a little overly cynical. Ella Langley
- 16:44Speaker 1: didn't come from a particularly affluent or connected family, but
- 16:48Speaker 1: Stella Lefty did. And it's not just that her family
- 16:51Speaker 1: had money or that it comes with a double strike
- 16:53Speaker 1: of being involved with AI. It's that her hit song
- 16:56Speaker 1: Boston kind of feels like the product of affluence. Stelle
- 17:00Speaker 1: and Boston fit the profile. While the appeal behind Ella
- 17:03Speaker 1: Langley and choosing Texas is that they don't and drip
- 17:06Speaker 1: with live experiences that element of real world authenticity. Is
- 17:11Speaker 1: Boston a country song? Asks saving country music? It's definitely
- 17:15Speaker 1: interesting that they decided to texturize the song with steel guitar,
- 17:19Speaker 1: which certainly allows it to be open for that discussion.
- 17:22Speaker 1: It's a bit similar to the music of Megan Marony,
- 17:24Speaker 1: where it comes with heavy pop influences, but the pronounced
- 17:27Speaker 1: steel guitar puts it in the country music conversation. But
- 17:31Speaker 1: except for the pedal steel, Boston just feels like a
- 17:33Speaker 1: fluttery bop. Unlike Megan Morony's rather involved writing, Boston is
- 17:37Speaker 1: basically one big chorus, with the song beginning and ending
- 17:40Speaker 1: on the chorus and a post chorus thrown in there
- 17:43Speaker 1: as well. The two quick verses come and go, and
- 17:46Speaker 1: there's not a lot of depth there. Stella doesn't really
- 17:49Speaker 1: deliver any twang in her voices either, and unlike choosing Texas,
- 17:52Speaker 1: a distinctly urban geography that is evoked in the lyricism
- 17:56Speaker 1: of Boston. So that brings us to perhaps the most
- 18:00Speaker 1: important wrinkle to the song, which is that it strongly
- 18:03Speaker 1: interpolates the massive hit stick Season by Noah Kahan, which
- 18:08Speaker 1: is very likely where the viral appeal for the song
- 18:10Speaker 1: comes from. Kahan is credited as co writer on the track,
- 18:14Speaker 1: similar to Shaboozi's of bar Song, Tipsy and others. Boston
- 18:18Speaker 1: is the musical version of a film remake. NOA. Kahan
- 18:21Speaker 1: has gone out of his way to say his music
- 18:23Speaker 1: is not country, so has Zach Bryant. So should Boston
- 18:26Speaker 1: be considered country? All of this music feels more like
- 18:30Speaker 1: the domain of contemporary folk or indie folk realm. Boston
- 18:34Speaker 1: has been specifically characterized as indie folk in the past.
- 18:38Speaker 1: This is a massively surging category of popular music with
- 18:41Speaker 1: these huge hit singles like stick Season and Boston. This
- 18:45Speaker 1: is one of the reasons the Grammy Awards make a
- 18:47Speaker 1: new category this year for contemporary folk specifically. Another big
- 18:53Speaker 1: question about Boston is what its staying power will be,
- 18:56Speaker 1: and for Stella Lefty in general. Mela Langley and Choosing
- 18:59Speaker 1: Texas proven to be incredibly sturdy, and the only reason
- 19:02Speaker 1: Langley doesn't have multiple number ones under her belt at
- 19:05Speaker 1: this point is because it's her own song keeping them
- 19:08Speaker 1: out of the top spot. Boston feels like it could
- 19:11Speaker 1: be similar to Dash's Austin, which was also not really country.
- 19:15Speaker 1: Even though Dash has had some other big songs, she's
- 19:17Speaker 1: failed to sustain something that feels like a broad appeal
- 19:20Speaker 1: beyond the one hit. If you listen to Stell Lefty's
- 19:23Speaker 1: EP Is This Heaven, which also features her boyfriend and
- 19:26Speaker 1: fellow performer Vincent Mason, is it overly offensive? No, not
- 19:31Speaker 1: at all, Just like Boston. You understand that appeal, even
- 19:34Speaker 1: if that appeal doesn't feel distinctly country. But when you
- 19:38Speaker 1: take a step back and ask yourself, if some no
- 19:40Speaker 1: name from the Sticks had posted a song like Boston
- 19:42Speaker 1: on the internet, would it have blown up? And the
- 19:45Speaker 1: answer is probably no. Yet, if you start eliminating people
- 19:49Speaker 1: who come from the affluence of being able to make
- 19:51Speaker 1: good music, you eliminate the catalog of Graham, Parson, Towns,
- 19:55Speaker 1: Van Sand and many more. Nobody should be foisted to
- 19:58Speaker 1: the front of the line in music, but at the
- 20:00Speaker 1: same time, performers shouldn't also be summarily discounted just because
- 20:04Speaker 1: they come from privilege. Ultimately, the music should be the
- 20:07Speaker 1: most important consideration, unfortunately, says saving country music. For Boston, though,
- 20:13Speaker 1: with its rather thin writing, borrowed melody, and generally passing appeal,
- 20:17Speaker 1: it just feels like another pop song, despite the roots
- 20:19Speaker 1: he sound behind it. What Stella Left he does next
- 20:22Speaker 1: will prove if she's a one hit wonder or has
- 20:25Speaker 1: staying power in country or popular music in general. Next,
- 20:31Speaker 1: Merle Haggard helped get Brooks and Dune back together. Merle
- 20:35Speaker 1: Haggard deserves credit for a lot in country music, as
- 20:38Speaker 1: arguably a Mount Rushmore artist, singer, songwriter, and performer in
- 20:42Speaker 1: country history h history, It's hard to fathom what country
- 20:45Speaker 1: music would sound like and where it would be if
- 20:47Speaker 1: it wasn't for the Hag. His catalog and legacy loom
- 20:50Speaker 1: as large as any, with songs like Mama Tride, working
- 20:53Speaker 1: Man Blues, and Okie from Muskoki creating the very foundations
- 20:57Speaker 1: of what we consider country music to day. But who
- 21:01Speaker 1: knew that late in his career, when an aging Merle
- 21:03Speaker 1: Haggard was in his swan song. He also played a
- 21:06Speaker 1: pivotal role in the legacy of another Country music Hall
- 21:09Speaker 1: of Fame act, Brooks and Dunn. Now, granted, not every
- 21:13Speaker 1: Merle Haggard fan might be a Brooks and Dun fan.
- 21:15Speaker 1: When they came along in the nineties, some old school
- 21:18Speaker 1: country fans felt they symbolized the over commercialization of country.
- 21:22Speaker 1: But as for Merle Haggard, he was a huge fan
- 21:24Speaker 1: and an admirer of the duo. That is why after
- 21:27Speaker 1: Kicks Brooks and Ronnie dun announced they were parting ways
- 21:30Speaker 1: in twenty ten after their last rodeo tour, Merle Haggard
- 21:34Speaker 1: was ticked, and like Merle Haggard had a pension for doing,
- 21:37Speaker 1: he let them know about it. Lo and Behold. When
- 21:40Speaker 1: Ronnie and Kicks finally decided to get back together, Merle
- 21:43Speaker 1: Haggard was directly responsible. In a recent interview with r FDTV,
- 21:48Speaker 1: Kicks Brooks reminisced Merle was a great friend and he
- 21:51Speaker 1: chewed my butt because Ronnie and I stopped in twenty ten.
- 21:54Speaker 1: We really thought we'd gone as far as we could.
- 21:57Speaker 1: Then he chewed me out then or in Woodstockney York
- 22:00Speaker 1: sold out and he's looking out the window and goes,
- 22:02Speaker 1: what the hell are you all doing? Look at all
- 22:04Speaker 1: those people out there? Why would you stop playing. Brooks
- 22:08Speaker 1: goes on to explain that when the duo was formed,
- 22:10Speaker 1: he didn't even know Ronnie done. They wrote their first
- 22:13Speaker 1: two number one records the week they met, and it
- 22:15Speaker 1: was off to the races for the next twenty years,
- 22:18Speaker 1: and they had never taken a break and never slowed down,
- 22:20Speaker 1: thinking it could all end the next year, even though
- 22:22Speaker 1: it never did. Then, when Kicks Brooks was interviewing Merle
- 22:26Speaker 1: as the host of American Country Countdown, in the middle
- 22:29Speaker 1: of the conversation, Merle stopped, stepped down and said, when
- 22:32Speaker 1: are you getting back together with Ronnie Kicksbrooks responded, I
- 22:36Speaker 1: don't know, Merle, we're talking. We've been duck hunting quite
- 22:39Speaker 1: a few times. Merle responded, no, when are you two
- 22:43Speaker 1: getting back together and doing your job? Let me tell
- 22:45Speaker 1: you something. You two have a thing. Everybody doesn't get
- 22:49Speaker 1: that opportunity at the level you guys have gotten to.
- 22:51Speaker 1: Don't waste that. You guys have a thing, and you
- 22:53Speaker 1: need to get back to work Kicks. Brooks then took
- 22:57Speaker 1: that clip from the interview and sent it to Ronnie Dunn.
- 23:00Speaker 1: Merrill's kind of our living, dad, Kicks explains, and Ronnie
- 23:02Speaker 1: posted immediately it really put a fire beneath us. Brooks
- 23:06Speaker 1: and Dunn would reform to open shows for Reba McIntyre
- 23:09Speaker 1: in Las Vegas in twenty fifteen. Subsequently, they have won
- 23:12Speaker 1: the CMA's Vocal Duo of the Year both in twenty
- 23:15Speaker 1: four and twenty five. Once again, Merle Haggard was right.
- 23:19Speaker 1: Brooks and Dunn and their music have definitely been big
- 23:21Speaker 1: beneficiaries of the resurgent in interest in nineties country recently,
- 23:26Speaker 1: perhaps even more than someone like Garth Brooks with his
- 23:28Speaker 1: inaccessible catalog or other class of eighty nine acts like
- 23:31Speaker 1: Travis Tritt, if only because their music was so defining
- 23:34Speaker 1: of the era. Though they've spent more recent years participating
- 23:38Speaker 1: in reboot retrospectives, now feels like the time for them
- 23:42Speaker 1: to release a new original album. Their last album was
- 23:45Speaker 1: two thousand and sevens Cowboy Town. Something tells saving country
- 23:50Speaker 1: music that Merle Haggard would definitely agree. Now we step
- 23:54Speaker 1: on the gas to get over to the boot dot com.
- 23:57Speaker 1: With the article dated August third, This is list ten
- 24:00Speaker 1: country stars who canceled shows or even whole tours in
- 24:05Speaker 1: just this year twenty twenty six. Takes more than one
- 24:09Speaker 1: off illness to make those lists. These ten country stars
- 24:12Speaker 1: canceled large segments of their tours, and in some cases
- 24:15Speaker 1: they scrap the whole run altogether. Whenever a singer scraps
- 24:19Speaker 1: multiple dates or an entire tour, there's typically some speculation
- 24:22Speaker 1: about low ticket sales, and it's warranted. Often the rising
- 24:26Speaker 1: costs of gas and transportation, combined with skyrocketing costs of
- 24:30Speaker 1: living across the US and beyond, mean ticket prices are
- 24:33Speaker 1: higher and more fans can't afford them. But the majority
- 24:36Speaker 1: of stars who've taken time away from the road in
- 24:38Speaker 1: twenty twenty six have said they're doing so for health reasons,
- 24:42Speaker 1: including a number who are prioritizing their mental health, and
- 24:46Speaker 1: that's part of a growing trend of artists sitting out
- 24:48Speaker 1: benchmark industry events in the name of their own well being.
- 24:52Speaker 1: Across the board, we're moving past the era of toughing
- 24:55Speaker 1: it out and dismissing mental health concerns. Fans trend toward
- 24:59Speaker 1: compassion when an artists says they need to put their
- 25:01Speaker 1: mental health first, and celebrities who speak openly about mental
- 25:04Speaker 1: health can be a major health to fans, reminding them
- 25:07Speaker 1: to prioritize mental well being in their own lives. It's
- 25:13Speaker 1: tempting to look at the jump in major live show
- 25:16Speaker 1: cancelations and talk about blue dot fever and the increasingly
- 25:19Speaker 1: thin margins of the touring industry, and those factors could
- 25:22Speaker 1: certainly be a contributing negative factor to an artist to
- 25:25Speaker 1: mental health. But there's a more optimistic take. Maybe another
- 25:28Speaker 1: reason for the increased cancelations is that artists are more
- 25:31Speaker 1: willing to listen to their mental health needs and fans
- 25:34Speaker 1: are more willing to understand them. So here are the
- 25:37Speaker 1: ten country stars who've taken major time off the road
- 25:40Speaker 1: this year twenty twenty six. Number one Chase Rice. Okay,
- 25:44Speaker 1: Chase Rice didn't cancel a tour per se, but he
- 25:47Speaker 1: did come forward in January to say he won't be
- 25:49Speaker 1: touring this year, and that's a major break from the
- 25:52Speaker 1: past several years. He did not put a return date
- 25:55Speaker 1: on the calendar. Number two Charlie Crockett. Charlie Crockett canceled
- 26:00Speaker 1: all nine dates on the Canadian leg of his winter
- 26:02Speaker 1: tour in twenty twenty six. There's no real need to
- 26:05Speaker 1: speculate about why he did it. Crockett straight up told
- 26:07Speaker 1: fans he wasn't allowed to cross the border. He even
- 26:10Speaker 1: showed them the paperwork. He wasn't allowed to cross the
- 26:13Speaker 1: border controlled because he's a foreign national, has previously been
- 26:17Speaker 1: convicted of a crime that, had he committed it in Canada,
- 26:20Speaker 1: would have waranted serious prison time. Number three Culture Wall
- 26:26Speaker 1: Canadian singer songwriter Colton Wall announced an indefinite touring hiatus
- 26:30Speaker 1: back in March. He shared the news with fans on
- 26:32Speaker 1: social media, saying he was grateful for the opportunity to perform,
- 26:36Speaker 1: but struggling with a grueling tour schedule mental health struggles
- 26:40Speaker 1: led to the cancelation. The singer is yet to return
- 26:43Speaker 1: to the stage, but he did quietly get married in July.
- 26:45Speaker 1: According to Country Central, number four cancelation leader Randall King,
- 26:53Speaker 1: just days after Culter Wall announced his hiatus, another country singer,
- 26:56Speaker 1: Randall King, also stepped back from the stage, citing mental
- 27:00Speaker 1: health reasons. King canceled several planned shows and festival dates
- 27:04Speaker 1: and postponed several others. Megan Patrick number five, she announced
- 27:10Speaker 1: in May that she was canceling all remaining tour dates
- 27:12Speaker 1: on her calendar. The chan change of plans was due
- 27:15Speaker 1: to health reasons and pregnancy complications. Patrick and her husband,
- 27:19Speaker 1: fellow country singer Mitchell Tenpenny, announced in marsh that she
- 27:22Speaker 1: is pregnant with their first child. Jake Worthington number six.
- 27:26Speaker 1: Technically he didn't cancel shows, but he did announce that
- 27:29Speaker 1: he was taking a break in the summer of twenty
- 27:31Speaker 1: twenty six ahead of the July dates on his The
- 27:34Speaker 1: Intent to Talk Tour. Repeat offender Number seven Justin Moore
- 27:39Speaker 1: and June, Justin Moore stepped away from multiple tour dates
- 27:43Speaker 1: to address an unspecified health problem. Five of the affected
- 27:46Speaker 1: shows were opening gigs on Riley Green's tour. Justin Moore
- 27:50Speaker 1: says he was battling alcohol addiction and spent his month
- 27:53Speaker 1: long tour break completing a stint in rehab. Number eight
- 27:57Speaker 1: Rodney Foster. Rodney Foster posts upon the bulk of his
- 28:00Speaker 1: summer shows after a serious health crisis. First, he gave
- 28:03Speaker 1: himself until mid July to heal and then get ready
- 28:06Speaker 1: to return to the stage. Whoever, once he returned to performing,
- 28:10Speaker 1: he realized he'd come back too soon. Number nine Casey
- 28:14Speaker 1: Musgraves canceled three dates on her upcoming Middle of Nowhere tour.
- 28:18Speaker 1: All three of those dates, added after the initial tour announcement,
- 28:20Speaker 1: were all second and in one case, third nights in
- 28:23Speaker 1: cities where she was already booked to perform. And Bailey
- 28:27Speaker 1: Zimmerman Number ten. At the end of July, Zimmerman canceled
- 28:30Speaker 1: a ten date international leg of his twenty twenty six tour.
- 28:33Speaker 1: Those dates included stops in UK Scandinavia and Europe. Well,
- 28:38Speaker 1: this concludes the reading of Country Weekly for this week.
- 28:40Speaker 1: If you have any comments or suggestions about our program,
- 28:44Speaker 1: kindly call us at eight five nine four two two
- 28:46Speaker 1: sixty three ninety. Thank you for joining me and on
- 28:49Speaker 1: behalf of everyone here at Radio I. This is Ken Dawkins,
- 28:53Speaker 1: wishing you a great day.