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Classic Breakfast Club Interviews Pt 2 · The Breakfast Club

• 0:00
  Speaker 1: Yo's plopping as kids, lamar. Right now you're listening to
• 0:02
  Speaker 1: the best of the Breakfast Club. That's right, is the
• 0:04
  Speaker 1: Breakfast Club. Good morning. We have a special guest in
• 0:07
  Speaker 1: the building. Your greatness is the name. Now let's be
• 0:09
  Speaker 1: clear for day do I didn't know how special he was.
• 0:12
  Speaker 1: It was like we got a young greatness. I said,
• 0:13
  Speaker 1: I don't know who that is. We need to cancel
• 0:15
  Speaker 1: that interview. Trying to three times, I had no idea
• 0:17
  Speaker 1: who a young greatness was. And what I said said
• 0:20
  Speaker 1: he has a big song record, like y'all heard that
• 0:22
  Speaker 1: record before. But where I was. You just didn't know exactly.
• 0:26
  Speaker 1: But then this, then this, this rich African came in
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  Speaker 1: the room and I think he had with you for
• 0:30
  Speaker 1: no reason, Young Greatness, you're a special guest. That's all good.
• 0:38
  Speaker 1: He has the record. Move out, And how did you
• 0:40
  Speaker 1: come an Aco? We see a cons in there? How
• 0:41
  Speaker 1: did you a just showing up the radio interviews with nobody.
• 0:46
  Speaker 1: Let's let's an he pays, he pay Lady g Gay
• 0:50
  Speaker 1: who Vincent Hub says he discovered who asked m about that?
• 0:53
  Speaker 1: But in a minute. But well, you know, once I
• 0:56
  Speaker 1: first you know, signed with Quiet and Control with QC saying,
• 0:59
  Speaker 1: lable out of me, Go scoot to my guys, QC.
• 1:01
  Speaker 1: You know it. Come, I'm really good friends with a
• 1:03
  Speaker 1: kind of brother. Omar so oh. After he came and
• 1:06
  Speaker 1: he heard like about ten songs, it just like I'm
• 1:08
  Speaker 1: calling my brother, this is crazy. He came and he
• 1:12
  Speaker 1: wanted to hear thirty sons and each song he was like,
• 1:15
  Speaker 1: that's a hit, that's a hit, and you know, from
• 1:17
  Speaker 1: one thing land to none and now we hear you
• 1:19
  Speaker 1: know what I'm saying, Why why you choose to stand
• 1:21
  Speaker 1: by this? One's so close? They come. I just believe
• 1:23
  Speaker 1: that he's gonna be the future. When I come in,
• 1:26
  Speaker 1: I always like to find acts that I feel gonna
• 1:28
  Speaker 1: be around for a minute, you know what I mean.
• 1:29
  Speaker 1: I can help the legacy of moving it forward. You know,
• 1:31
  Speaker 1: there's no difference. When I saw a Pain, I knew
• 1:33
  Speaker 1: he was gonna be something that would change the game
• 1:35
  Speaker 1: in some fuam fashion, you know what I mean. With Jez,
• 1:37
  Speaker 1: same old thing with Thug, same old thing. You know,
• 1:41
  Speaker 1: Like from an urban standpoint, it's only if it's every
• 1:43
  Speaker 1: five years, you're gonna find that artist that's gonna be
• 1:45
  Speaker 1: around for the next five or that's gonna define what
• 1:47
  Speaker 1: the next five is gonna become. I just feel like
• 1:49
  Speaker 1: greatness is gonna be the next five years. Once he popped.
• 1:52
  Speaker 1: So you discovered Jez and Thug Man, you didn't know, no,
• 1:56
  Speaker 1: I mean, I know, of course we all know Soul Survival.
• 1:58
  Speaker 1: Somebody my man didn tell him. Its worry about how
• 2:00
  Speaker 1: all these prisoners was on a bus singing Soul Survival.
• 2:03
  Speaker 1: But I didn't know you discovered them. Man, Listen, at
• 2:05
  Speaker 1: the end of the day, I won't take all credit
• 2:07
  Speaker 1: for Thud because we see right here which was what
• 2:10
  Speaker 1: was on the ground and helped practically break that kid,
• 2:13
  Speaker 1: you know what I mean. But ultimately, when you look around,
• 2:15
  Speaker 1: our influence has been huge in the business. You know,
• 2:18
  Speaker 1: we've been behind the scenes just kind of nurturing, being
• 2:20
  Speaker 1: big brothers and mentors to a lot of these artists
• 2:22
  Speaker 1: out today. Now do you sleep with the drac because
• 2:25
  Speaker 1: then waves looked painted on bro had nothing to do
• 2:28
  Speaker 1: with nothing whatever the ball and man, I got a
• 2:31
  Speaker 1: little envious. Ye ain't got no. I definitely put the
• 2:40
  Speaker 1: do rack on the morning before I pull out, though,
• 2:42
  Speaker 1: for sure, if they're harder and easier for artists in
• 2:44
  Speaker 1: New Orleans, because of course y'all had cash money, and
• 2:47
  Speaker 1: it's hard to master that quick. You know what, wasn't
• 2:50
  Speaker 1: so much harder because we don't have it. We don't
• 2:52
  Speaker 1: have no resources. We don't have a pipeline, you know
• 2:54
  Speaker 1: what I'm saying. We can't come up here and sit
• 2:56
  Speaker 1: and talk with as. You know what I'm saying. And Charlotte, man,
• 2:59
  Speaker 1: we don't have no resources. So with no resources, how
• 3:02
  Speaker 1: you expect somebody to hear your music? You know what
• 3:04
  Speaker 1: I'm saying? Like you just saying you don't even know me.
• 3:07
  Speaker 1: I didn't, right, but I've been grinding for so long.
• 3:09
  Speaker 1: I didn't know that I've probably been I've probably have
• 3:11
  Speaker 1: been grinding just as long as you know. But I'm
• 3:13
  Speaker 1: from New Orleansts And the reason why I know this
• 3:15
  Speaker 1: because of Recy. I saw you with her at the
• 3:17
  Speaker 1: BT Awards. Yeah, and I know Recy always get up
• 3:21
  Speaker 1: on stuff early, so I was like, okay, let me
• 3:22
  Speaker 1: pay attention. And then I heard the song. But he
• 3:24
  Speaker 1: has to think too. A lot of times the songs
• 3:26
  Speaker 1: be bigger than the artist take. It take time for
• 3:28
  Speaker 1: the artist to catch up with how big the song.
• 3:30
  Speaker 1: I think, I think, I think I was a victim
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  Speaker 1: of that you know what I'm saying with a couple
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  Speaker 1: of my records and like once again, you know man
• 3:36
  Speaker 1: from New Orleans. You know, we just know how that platform,
• 3:39
  Speaker 1: and I think every artist is a victim to that
• 3:42
  Speaker 1: until they follow with another record and another record for
• 3:44
  Speaker 1: another record, because one record you never they never gonna
• 3:47
  Speaker 1: know who you are unless you sigh up there dancing
• 3:49
  Speaker 1: and acting the food. They kind I'm sure when you
• 3:51
  Speaker 1: first came out it was the African They was like, Okay,
• 3:53
  Speaker 1: who's I'll walking down the street the you know who
• 3:56
  Speaker 1: I was. But dude was playing my record, passing me by.
• 3:58
  Speaker 1: So we just you just got to be consistent to
• 4:00
  Speaker 1: keep coming when you're dropping in. Yeah, I'm about to
• 4:02
  Speaker 1: start dropping all these records this year. So musically I'm back.
• 4:05
  Speaker 1: I'm about to be back in full effect. You know,
• 4:07
  Speaker 1: I had a lot of work to do. I had
• 4:08
  Speaker 1: to secure my future first. Man, you're doing a lot
• 4:10
  Speaker 1: of filarishp and stuff like everybody, Well, we saw the meme,
• 4:13
  Speaker 1: all the lights you provided for people telling people about that.
• 4:16
  Speaker 1: So I got an energy company in Africa. What y'all
• 4:18
  Speaker 1: actually seeing is really social entrepreneurship, but I marketed it
• 4:22
  Speaker 1: like it was a foundation because when people look at Africa,
• 4:25
  Speaker 1: they always look at it from a standpoint of charity,
• 4:28
  Speaker 1: and I knew that was a good way to get
• 4:30
  Speaker 1: the other ear We use it almost like a marketing
• 4:32
  Speaker 1: tool because even though it was a for profit business,
• 4:35
  Speaker 1: it was a kind of structure that where it could
• 4:38
  Speaker 1: actually feed people and employ people out there. So we
• 4:42
  Speaker 1: use all the locals as our employees. You know, we
• 4:44
  Speaker 1: got over five thousand employees now and the fastest energy
• 4:46
  Speaker 1: company in the world, growing energy company in the world.
• 4:49
  Speaker 1: So all we do is straight solar and renewable energy.
• 4:52
  Speaker 1: So do you have your like pr people put that out. No,
• 4:55
  Speaker 1: I didn't do anything. Actually, you know, I do everything quiet.
• 4:58
  Speaker 1: When it came out, I was shocked. I didn't even
• 5:00
  Speaker 1: realize so many people even knew about it, because you know,
• 5:01
  Speaker 1: when you're doing when you're actually doing something out there,
• 5:03
  Speaker 1: just a matter of time before people get to know
• 5:05
  Speaker 1: what it is and kind of understanding and be alerted
• 5:08
  Speaker 1: to what you're doing. So it was one of the
• 5:09
  Speaker 1: things that just it just God just put it out
• 5:11
  Speaker 1: there to what people just knew what it was and
• 5:12
  Speaker 1: they felt like it was something important to promote. Yeah,
• 5:14
  Speaker 1: I didn't even understand why they compared it too, like
• 5:16
  Speaker 1: they would compare Caitlyn Jenner announcing her transition to you
• 5:20
  Speaker 1: putting the lights on like this, this is what should
• 5:22
  Speaker 1: be news, and not this. I'm like, it's kind of
• 5:24
  Speaker 1: two different things. It was completely completely Caitlyn was turning
• 5:33
  Speaker 1: her lights off, turning the lights off on Bruce. All right, Well,
• 5:41
  Speaker 1: we have Acon and Young Greatness in the building, and
• 5:43
  Speaker 1: it's the Breakfast Club the morning, the Breakfast Club Morning.
• 5:49
  Speaker 1: Everybody's DJ Envy Angela ye, Charlomagne, the guy, we are
• 5:53
  Speaker 1: the Breakfast Club. We have Young Greatness and Acon in
• 5:55
  Speaker 1: the building. Now, Charlomagne, how do you balance being on
• 5:58
  Speaker 1: the like brink of breaking in the streets? I mean,
• 6:02
  Speaker 1: the key is letting your team formally a plan for
• 6:06
  Speaker 1: you to make it. That's why people like eight con recy.
• 6:08
  Speaker 1: You know what I'm saying. Coach can't be required control.
• 6:11
  Speaker 1: You know what I'm saying, because you can't do everything.
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  Speaker 1: The best thing you could do is to stay in
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  Speaker 1: the studio and make good music and trusting your team
• 6:17
  Speaker 1: to build a platform for you to make it. At first,
• 6:19
  Speaker 1: I didn't you know, I didn't understand that. I was
• 6:21
  Speaker 1: just wild, wild, gonna fire it. Man, I'm gonna do
• 6:23
  Speaker 1: these records, put it out for I had to deal.
• 6:24
  Speaker 1: I had songs with Meek Mills t you know what
• 6:27
  Speaker 1: I'm saying, Like, you know, go on YouTube, juvenile, But
• 6:30
  Speaker 1: I thought that was the correct thing to do to
• 6:31
  Speaker 1: get features, to just shoot the video and put it
• 6:33
  Speaker 1: on YouTube, these features. Man, you know, I was coming
• 6:36
  Speaker 1: with my own bread. Oh you come with them back? Yeah,
• 6:38
  Speaker 1: I was coming my own bread. Because you're making that money,
• 6:40
  Speaker 1: young greatness. I mean, you know that's a different story,
• 6:48
  Speaker 1: you know, as a different story. But you know you
• 6:51
  Speaker 1: did get though for a period of time. Yeah, you
• 6:53
  Speaker 1: know I did. I did some time. That was my
• 6:55
  Speaker 1: turning point, you know, in my life though, you know
• 6:58
  Speaker 1: what I mean. You know, if it's on record, it's okay. Yeah,
• 7:00
  Speaker 1: you know, you know, drugs of course, okay, you know,
• 7:03
  Speaker 1: just trying to do something, you know, help chase my
• 7:04
  Speaker 1: dream now, ain't you was in the news lately because
• 7:07
  Speaker 1: you said you believe Kesha should be let out of
• 7:09
  Speaker 1: her deal as a record Exactly, I'm not keeping the artists.
• 7:12
  Speaker 1: I don't want to be here. Period of Lady Gaga
• 7:14
  Speaker 1: was like then, No, I don't want to be here.
• 7:16
  Speaker 1: I'd be like, baby, it's okay, especially if she accused
• 7:18
  Speaker 1: your rate especial, but an artists like let's say te Pain, right,
• 7:23
  Speaker 1: te Pain, you basically put your arm around Tee Pain
• 7:26
  Speaker 1: when everybody's making fun of him and ain't definitely gonna
• 7:30
  Speaker 1: go pain. You got to get about it that after
• 7:35
  Speaker 1: you made all those millions, you would still keep under
• 7:37
  Speaker 1: contract used to get paid from them. You just wouldn't
• 7:39
  Speaker 1: want to be connected to him. No, I mean it's
• 7:41
  Speaker 1: it's it's like a drop everything. That's a process of business,
• 7:44
  Speaker 1: right right, if it's old, if there's money old, to me,
• 7:47
  Speaker 1: it's not a problem. I would release you so you
• 7:49
  Speaker 1: can at least make the money back. But right now
• 7:51
  Speaker 1: she's just being sat there and on the shelf with
• 7:55
  Speaker 1: no resources to make the money back. So he ain't
• 7:57
  Speaker 1: making no money, She ain't making no money, and it
• 7:59
  Speaker 1: becomes a distruntal situation. So she's doing whatever or saying
• 8:03
  Speaker 1: possibly whatever to get out the situation. It only affects him, right,
• 8:07
  Speaker 1: you find out what I'm saying. So I'm not saying
• 8:09
  Speaker 1: that she's not telling the truth, but I'm not saying
• 8:12
  Speaker 1: that she's not telling a lie either. But you just
• 8:15
  Speaker 1: never know when you were in a position where you're desperate,
• 8:17
  Speaker 1: anything could be said, anything could be done. So what
• 8:20
  Speaker 1: you want to do and you want to prevent that
• 8:21
  Speaker 1: all together? You know what I mean? Because and when
• 8:24
  Speaker 1: an artist signs to you or says, Okay, look, I'm
• 8:26
  Speaker 1: putting my career in your hands, they're doing this because
• 8:28
  Speaker 1: they believe in you. They feel like you are somebody
• 8:30
  Speaker 1: that they can look up to that could be a
• 8:32
  Speaker 1: mentor to the future, and they trust you with their
• 8:34
  Speaker 1: life because this is our life right here, like this
• 8:36
  Speaker 1: is the only way we make money. Really outside of this,
• 8:39
  Speaker 1: I don't know where I would be. Music open the
• 8:41
  Speaker 1: doors for everything I'm doing today. So you never want
• 8:43
  Speaker 1: to stagnate an artist because of the fact that I
• 8:44
  Speaker 1: got a personal issue going on. So even if doctor
• 8:47
  Speaker 1: Lucas feels in his heart I didn't do anything wrong,
• 8:49
  Speaker 1: he should still absolutely, I mean, honestly, it's a smarter
• 8:52
  Speaker 1: business decision because guess what, Kesha may owe a bag
• 8:55
  Speaker 1: and she may be in a position where she's in
• 8:57
  Speaker 1: a position to debt. It's not a problem I release.
• 8:59
  Speaker 1: You go signed wherever you want to sign, but just
• 9:02
  Speaker 1: know that when you signed, there a percentage of your
• 9:03
  Speaker 1: proceeds will go towards clearing your debts. God got still
• 9:06
  Speaker 1: sign here? Nah? Who really signed Vincent? He said, he signed,
• 9:11
  Speaker 1: he discussed. So just just to make it very clear,
• 9:14
  Speaker 1: go guy was with Vincent two years before I discovered her,
• 9:16
  Speaker 1: probably went through may five record deals before she landed
• 9:19
  Speaker 1: at Laid. Actually said he dropped her and had as well,
• 9:24
  Speaker 1: So her life interscope probably wasn't going I kind of
• 9:27
  Speaker 1: saw it and knew what that was. So I sat
• 9:29
  Speaker 1: with Jimmy Ivan. I said, Yo, Jimmy, I found the
• 9:32
  Speaker 1: artist that I want to sign in my label and
• 9:33
  Speaker 1: I want to take to the next level. He said, who,
• 9:35
  Speaker 1: I said, God Guy. So he was like, all right, cool,
• 9:38
  Speaker 1: let me talk to Vince and see if that's something
• 9:39
  Speaker 1: to be worked out. I sat with Vince. Vince was like,
• 9:42
  Speaker 1: I'm cool. Troy at the time was managing her. You know.
• 9:46
  Speaker 1: I fought to keep both of him in line at
• 9:48
  Speaker 1: the end of the day because it was a position
• 9:50
  Speaker 1: where I had the power to just take her if
• 9:52
  Speaker 1: I wanted to. But I wouldn't have did that because
• 9:54
  Speaker 1: first of all, Vince had already, you know, invested so
• 9:56
  Speaker 1: much time into this girl, and Troy to me was
• 9:59
  Speaker 1: a amazing manager. He just needed a shot with the
• 10:01
  Speaker 1: right artist, and we were all black young kids trying
• 10:04
  Speaker 1: to make it. In my mind, I'm like, yo, we
• 10:05
  Speaker 1: can all come and get it. I got the platform
• 10:07
  Speaker 1: that everybody's gonna run with. I got the brand internationally,
• 10:10
  Speaker 1: I got the producers, I got the writers. We could
• 10:13
  Speaker 1: provide her the music. Why not Once I signed her
• 10:17
  Speaker 1: a year later, it was all she wrote to argue
• 10:20
  Speaker 1: about that. Never never feel labeling well what happened was
• 10:25
  Speaker 1: always looked at this like a business. You're gonna run
• 10:28
  Speaker 1: something all way to the end, and everybody know that
• 10:31
  Speaker 1: when you got it, and when it's at the top,
• 10:33
  Speaker 1: when it's worth something, that's when you pull out. So
• 10:35
  Speaker 1: when she was at that peak and I knew well,
• 10:38
  Speaker 1: I felt like musically she couldn't get no bigger. The
• 10:41
  Speaker 1: opportunity came where I can sell some shares and get
• 10:44
  Speaker 1: a big check or hold on and just kind of
• 10:46
  Speaker 1: let a rod for a long period of time. But
• 10:47
  Speaker 1: I just feel like, every ten years is gonna be
• 10:49
  Speaker 1: a new guy. You was right on that though musically
• 10:52
  Speaker 1: she ain't really been popping, but she probably on the side.
• 10:56
  Speaker 1: So and then me knowing her, she's not the kind
• 10:58
  Speaker 1: of person to stay in one thing long anytime, because
• 11:00
  Speaker 1: she's too talented, and I know she wanted to express
• 11:03
  Speaker 1: all them other talents. So music had paid the way
• 11:05
  Speaker 1: at that point for her to do other things. And
• 11:07
  Speaker 1: I kind of saw that happening because even her system
• 11:10
  Speaker 1: was changing, certain people were moving around her, getting fired,
• 11:13
  Speaker 1: getting rehired, and I saw the destabilization in that area,
• 11:16
  Speaker 1: and I said, Okay, you know what, it's the point
• 11:18
  Speaker 1: where she's making her own decisions. I ain't making decisions
• 11:20
  Speaker 1: for her. Troy and making decisions for her, and Vince
• 11:22
  Speaker 1: ain't definitely making decisions for so now it's a good
• 11:25
  Speaker 1: time to make that move. So you know, grabbed the
• 11:27
  Speaker 1: bag and let it move. It's crazy too, though, because
• 11:30
  Speaker 1: you wanted an artist that never got flat from crossing over.
• 11:33
  Speaker 1: You know, as soon as the black artist crossed over,
• 11:34
  Speaker 1: like oh he's sold out, he don you never got that.
• 11:38
  Speaker 1: I was. Actually I was thankful to that, you know
• 11:39
  Speaker 1: what I mean. But because I would go from a
• 11:41
  Speaker 1: sweetest skate with goings to find it to still will
• 11:43
  Speaker 1: kill with fifty cent to do hip hop all day
• 11:46
  Speaker 1: every day, it's just too much pressure because black people
• 11:48
  Speaker 1: are just hard to satisfy. So it's like so much
• 11:52
  Speaker 1: you could be the hottest that year and all it
• 11:55
  Speaker 1: takes is one record to people don't forgot about you
• 11:58
  Speaker 1: and moved on to whoever the hot news every year,
• 12:00
  Speaker 1: new hot name, absolutely every year, like it's not doesn't fail.
• 12:03
  Speaker 1: But it's just so much work, just satisfying all people. Man,
• 12:06
  Speaker 1: it's a lot. Well, it's the Breakfast Club. It's your greatness,
• 12:09
  Speaker 1: a con good morning, the Breakfast Club Morning. Everybody is
• 12:16
  Speaker 1: DJ mvy angela Ye, Charlomage and the guy. We are
• 12:19
  Speaker 1: the Breakfast I can't wait to hear this. We have
• 12:21
  Speaker 1: Chris Rock's daughter in the building, brazy well on the
• 12:25
  Speaker 1: Show's Chris Rock's daughter, right, I'm the honest. I had
• 12:28
  Speaker 1: no idea who breathy was? I know, free to yats, right,
• 12:30
  Speaker 1: I know, fantasical loaf shut up. I'm like, I'm like,
• 12:33
  Speaker 1: who are you breathing? And it was like the rapper.
• 12:36
  Speaker 1: I'm like, oh, okay, I said, you played Chris Rock's
• 12:39
  Speaker 1: daughter on the Empire. Chris Rock died and you got
• 12:41
  Speaker 1: a rap career, right, got killed murdered. Do you feel
• 12:45
  Speaker 1: like they fashioned you after days leave? Because a lot
• 12:47
  Speaker 1: of people were making those comparisons when it first came
• 12:50
  Speaker 1: on the show. No, absolutely not no, because I had
• 12:53
  Speaker 1: some input on that. You had to laugh at that
• 12:55
  Speaker 1: name though I did. I mean, yeah I did, but
• 12:57
  Speaker 1: I mean I just you know, I appreciate everything. If
• 13:00
  Speaker 1: the a't talking what we're doing there you go. That's
• 13:02
  Speaker 1: how I felt. So it didn't didn't bother me at all.
• 13:05
  Speaker 1: It bothered a lot of people around me. But I
• 13:06
  Speaker 1: was like, for real, and gotta understand that comes with
• 13:09
  Speaker 1: the territory, though, you know when I don't say something,
• 13:16
  Speaker 1: not like they got to they got to it. You
• 13:20
  Speaker 1: know what, she did a great job today. Never give
• 13:23
  Speaker 1: that up. I thought it was funny. Now you're a
• 13:24
  Speaker 1: real rapple. Yes, how'd you get on in pie? I
• 13:27
  Speaker 1: got a phone call about it. Somebody was like, yo,
• 13:29
  Speaker 1: I think you should do this, blah blah blah. So
• 13:31
  Speaker 1: I went in and did an audition for Leah Daniels.
• 13:34
  Speaker 1: Um Lee Daniels Leah sister. Understand why you would say that?
• 13:43
  Speaker 1: No too much? No, no stop, Leah Leah does all
• 13:52
  Speaker 1: of Lee Daniels casting. Um, So just audition for her
• 13:55
  Speaker 1: and she loved it. Here we are absolutely did you
• 13:59
  Speaker 1: ever think playing free gats would confuse people about your
• 14:01
  Speaker 1: own grip. Honestly, I didn't. Now I see that it has,
• 14:06
  Speaker 1: but I mean that whole acting world because a lot
• 14:09
  Speaker 1: of people get it misconstrue like that's not reality television.
• 14:12
  Speaker 1: They think you're from Brooklyn. You know. People come up
• 14:15
  Speaker 1: to me like I'm sorry about you that, and I'm like,
• 14:20
  Speaker 1: you know, uh, in this time, everything we do is reality.
• 14:25
  Speaker 1: So it's like people are a little confused. I'm just like,
• 14:28
  Speaker 1: you know, that is the character, but you do have
• 14:31
  Speaker 1: to create that separation's true. Yeah, we just it was
• 14:35
  Speaker 1: just girls. It was called Girls, produced by DJ Musset
• 14:38
  Speaker 1: Wow Collaborative and for Doctor Dre. Yeah. Worked worked with
• 14:43
  Speaker 1: a girl named Ajor Bryant on the Straight Out of
• 14:46
  Speaker 1: Company soundtrack along with the game's album Documentary Too. I
• 14:52
  Speaker 1: was working with Cookie and Terce amazing, Cookie and Terrence
• 14:58
  Speaker 1: really they really cool people. They really cool people. I mean,
• 15:02
  Speaker 1: Terrence is amazing, Taragi cool. Everybody's just they really what
• 15:06
  Speaker 1: you see on TV is you know they cool, really
• 15:09
  Speaker 1: was cool. You know, Terrence uses wet wipes, know what
• 15:15
  Speaker 1: that man met him. Me and him are the closest
• 15:20
  Speaker 1: out of all the cast. He and meet him are
• 15:21
  Speaker 1: really close because I spent a lot of time with him.
• 15:23
  Speaker 1: My first day on set was with him, you know
• 15:26
  Speaker 1: when every day after that was with him. I remember
• 15:30
  Speaker 1: I interview him once tessement. He was putting this album
• 15:32
  Speaker 1: out and he had the guitar and everything. Yeah, and
• 15:34
  Speaker 1: he's a real musician. He's a good one too. Yeah,
• 15:36
  Speaker 1: he really really he is always so intense for no reason.
• 15:40
  Speaker 1: I think you got to know him. You have to
• 15:42
  Speaker 1: know him to really comment and give your opinion on
• 15:45
  Speaker 1: who he is, because you don't. You don't. A lot
• 15:47
  Speaker 1: of people don't get who he is because he ain't
• 15:49
  Speaker 1: gonna give it to you. He's gonna give you exactly
• 15:51
  Speaker 1: what you said. He's gonna give you. He was the
• 15:53
  Speaker 1: weirdo he was getting, but he gonna get that. Leave
• 15:58
  Speaker 1: me alone, you know what, Leave me alone. And he
• 16:00
  Speaker 1: just doesn't care to get into people, you know what
• 16:02
  Speaker 1: I'm saying. And I think a person like him, he's
• 16:04
  Speaker 1: been in his industry a long time. He'd seen it all,
• 16:06
  Speaker 1: done it though. You ain't got nothing for that man.
• 16:09
  Speaker 1: We have more with Breezy when we come back. Keep
• 16:11
  Speaker 1: it locked. It's the Breakfast Club, Good Morning, The Breakfast Club,
• 16:16
  Speaker 1: Holding everybody in Steve J. L v Angela Yee, Sharlomagne
• 16:20
  Speaker 1: the guy we are the breakfast club that we have
• 16:22
  Speaker 1: a special guest in the building. She's from Empire. She
• 16:25
  Speaker 1: actually played Chris Rock's daughter on Empire. Breezy Are you
• 16:28
  Speaker 1: yourself proclaimed? Unapologetically Butcher? What the script? Forever and and
• 16:35
  Speaker 1: and and as you if you pay attention, char that's
• 16:38
  Speaker 1: not what the character turned out to be. Does she
• 16:41
  Speaker 1: look but still but you know, in a crop top
• 16:45
  Speaker 1: with a swoop? Yeah? Stupidetically but you know he didn't
• 16:57
  Speaker 1: make that up himself, your character description. And that was
• 17:03
  Speaker 1: the thing. I wanted the character to be realistic, Like
• 17:06
  Speaker 1: that's not do I look but you don't look, Butcher.
• 17:11
  Speaker 1: I don't know what I had to look when you
• 17:17
  Speaker 1: got on leggings and some terms of legging jeans, Yeah,
• 17:23
  Speaker 1: I don't know what. But you looked like you that's
• 17:27
  Speaker 1: what it looks like. It look like, Yeah, like you
• 17:30
  Speaker 1: wouldn't be able to brow a little bit, really a
• 17:35
  Speaker 1: little bit. My build big big at the top in
• 17:42
  Speaker 1: bild jell has big true. Yeah, there you got a
• 17:47
  Speaker 1: little Butcher mann Mann talk. I was asking questions from
• 18:03
  Speaker 1: a join listic standpoint. He just gonna call you can
• 18:06
  Speaker 1: hear you spit? Tell them games. I don't play no game. Yeah,
• 18:10
  Speaker 1: let's go Butcher's night against you? Now what it's not you, guys,
• 18:23
  Speaker 1: I'm not a not a but say if she's not
• 18:27
  Speaker 1: a but a lot of guys would like to hear that. Though?
• 18:29
  Speaker 1: What that you like me? What do that got to
• 18:31
  Speaker 1: do with being a butch? She didn't say that she
• 18:33
  Speaker 1: she liked you said, I'm confused on what isn't that?
• 18:37
  Speaker 1: I thought much lesbians? No, it's a manly type of
• 18:40
  Speaker 1: lesbians as opposed to a lipstick lesbian like a family
• 18:45
  Speaker 1: he could be a female lesbian. You did you start?
• 18:52
  Speaker 1: You about to begin? All right? Well, Brady, thank you
• 18:59
  Speaker 1: so much for coming. Please please could you pap? I
• 19:05
  Speaker 1: can tell you I'm the realist, and I don't know
• 19:07
  Speaker 1: about you, but I don't spit it if it really
• 19:09
  Speaker 1: ain't the realist, and really I could kill him on
• 19:11
  Speaker 1: some silly stow I could go, but then it's get
• 19:12
  Speaker 1: the gorillas. Really is about time? Yeah? I know what
• 19:15
  Speaker 1: take time? But see I've been on my ground trying
• 19:17
  Speaker 1: to do for me and mine, so I never had
• 19:19
  Speaker 1: the time for that's wasting time. I got bitches from
• 19:21
  Speaker 1: sea ever leone trying slides say she been on breeze
• 19:24
  Speaker 1: and I do it like a monster. She want to
• 19:25
  Speaker 1: put her lips on my diamond blockers see me? Want
• 19:28
  Speaker 1: to talk about a sponsor. I'm breeze, my tan, I
• 19:30
  Speaker 1: do the steak with the libster. Now what the could
• 19:33
  Speaker 1: you do for a monster? Me? A more po no
• 19:35
  Speaker 1: room and Mikasa all we told you I'm a problem.
• 19:39
  Speaker 1: Oh wait, now, I guess I gotta let the heat
• 19:41
  Speaker 1: off and tell these to get me the ball. I'm
• 19:43
  Speaker 1: a big dog, little bitch with a big heart. I've
• 19:45
  Speaker 1: been to go get and not a joke with a butterfly,
• 19:47
  Speaker 1: float with a cano, bife with a nick. Okay, now
• 19:51
  Speaker 1: look a couple of those balls. You talked about girls
• 19:53
  Speaker 1: on your box. Now, just for the record, it is
• 19:55
  Speaker 1: what it is she wants me to do. Charlotte man,
• 19:59
  Speaker 1: I don't. I'm okay, all right, it's crazy. It's the
• 20:10
  Speaker 1: Breakfast Club. I hope you come back. You'll come back.
• 20:12
  Speaker 1: I'm whatever you want. No, I like it. I'm happy
• 20:16
  Speaker 1: to be here. I'm happy to that much. It's the
• 20:18
  Speaker 1: Breakfast Clus Goal morning. Yeah that was needed me, Rihanna Morning,
• 20:23
  Speaker 1: everybody is DJ Envy Angela Yee Charlottagne the guy we
• 20:27
  Speaker 1: are the breakfast club. We got a special guest in
• 20:29
  Speaker 1: the building, but the craziest Nebraska. It was father been
• 20:34
  Speaker 1: in a few years. Man, Yeah, yeah, yeah, yeah. We
• 20:36
  Speaker 1: didn't think he's coming today. Man. Yeah, I've been listening
• 20:40
  Speaker 1: a third time. I count cancel this time. What's up?
• 20:43
  Speaker 1: I know y'all got a lot of questions, a lot
• 20:45
  Speaker 1: of questions because because you've been wilding lately, how crazy
• 20:48
  Speaker 1: are you? Are you really crazy? Are you just do
• 20:50
  Speaker 1: that because you know that it brings a tension? Nah,
• 20:53
  Speaker 1: this is just me. I always used to say on
• 20:55
  Speaker 1: any given Sunday and Walmart, you know, I'm being myself.
• 21:00
  Speaker 1: Then the video came out, so people pised off about.
• 21:02
  Speaker 1: But you gotta ad that was a little call. People
• 21:04
  Speaker 1: pissed off about. If you you a boss like you
• 21:07
  Speaker 1: said you are, why not just pay for everybody stuff
• 21:08
  Speaker 1: in the line instead of throwing the money in the store.
• 21:11
  Speaker 1: Because just because you got money don't mean you got
• 21:13
  Speaker 1: to give it away. You did, That's what I felt
• 21:17
  Speaker 1: like doing at the time. I didn't plan it out.
• 21:19
  Speaker 1: I just like I don't want to change. How much
• 21:23
  Speaker 1: was it it was like ninety eight dollars dollars change. Nah, Adrian, Bro,
• 21:28
  Speaker 1: He's crazy. You had to think that one through because
• 21:30
  Speaker 1: you had to tell somebody to turn the camera on. Nah.
• 21:32
  Speaker 1: It was already a moment going on, so so the
• 21:34
  Speaker 1: camera was already just roll. You have a problem with
• 21:36
  Speaker 1: the cash and you threw the money like f this,
• 21:38
  Speaker 1: or you were just just a regular day in this.
• 21:40
  Speaker 1: I don't want it, Noah. I was just I just
• 21:42
  Speaker 1: felt like I didn't want it. Damn. It had all
• 21:44
  Speaker 1: hunts on me. I we don't want ninety anyone to
• 21:46
  Speaker 1: single five. See. I just wonder how much of it
• 21:48
  Speaker 1: is really trolling because that's all you walking on your
• 21:50
  Speaker 1: phones and you're gonna vote for Trump. I say this
• 21:52
  Speaker 1: from the hood. Ain't voting for no Donald Trump. Damn lie,
• 21:55
  Speaker 1: you're voting for Trump? Yes? Why Donald Trump? Man? Hey man,
• 21:58
  Speaker 1: everything he's saying is it's crazy. But everything he's saying
• 22:02
  Speaker 1: is correct. Keeping Mexicans out. Mexican gonna hate you, bro,
• 22:05
  Speaker 1: They already do, yes, they do, already do. Yeah about
• 22:11
  Speaker 1: Donald Trump makes you feel like you would want to
• 22:12
  Speaker 1: vote for him? Man, listen, man, And what I'm saying
• 22:14
  Speaker 1: is this man, he's gonna lead them Texas. That's what
• 22:17
  Speaker 1: I'm with for real, because tax has been kicking my
• 22:19
  Speaker 1: ass for really, I'm saying that means you're making a
• 22:21
  Speaker 1: lot of money though, So lord, hey, I don't think
• 22:25
  Speaker 1: you can vote anyway many feller needs as you got. Hey, hey, hey,
• 22:29
  Speaker 1: you know the funny thing though I've been in crazy trouble.
• 22:32
  Speaker 1: My my my record is crazy, but everything had been acquitted. Yeah,
• 22:36
  Speaker 1: so you can vote. I can vote way. Even that
• 22:38
  Speaker 1: last incident that just happened outside the bowling alley where
• 22:41
  Speaker 1: the guy said you ros him at gunpoint. Listen, my
• 22:44
  Speaker 1: laders told we don't talk about this situation. So that
• 22:47
  Speaker 1: hasn't been cleared yet. Well for that yet. I know
• 22:50
  Speaker 1: your lawyer probably terrified, like I told him, don't talk
• 22:52
  Speaker 1: about it. But telling they be not to talk about
• 22:54
  Speaker 1: something that don't happen too often. Nah, but you know
• 22:56
  Speaker 1: what that that situation is definitely handle. It ain't gonna
• 22:59
  Speaker 1: go nowhere at school. Good now, Whether you know they
• 23:01
  Speaker 1: keep talking about that, that fight could possibly happen. Would
• 23:04
  Speaker 1: you love to do that fight at the end of
• 23:06
  Speaker 1: the day. You know I used to say I never
• 23:08
  Speaker 1: fight him. I've been getting signs to where it's like this,
• 23:12
  Speaker 1: don't care for real. It's just certain you do when
• 23:15
  Speaker 1: you really have genuine love. You know what I'm saying.
• 23:18
  Speaker 1: So that's why I lashed out the way I did
• 23:20
  Speaker 1: after that fight, After that last interview, he did, you
• 23:23
  Speaker 1: know what I'm saying. He called the reporter for the
• 23:26
  Speaker 1: interview and told him to put it out. Let's talk
• 23:28
  Speaker 1: about that. And if you Floyd said, he said, six
• 23:30
  Speaker 1: months ago, you was an alcoholic. Okay, no truth to that.
• 23:34
  Speaker 1: What's truth to that? I'm a young n I'm in
• 23:37
  Speaker 1: the club, like to have a drink here and there,
• 23:39
  Speaker 1: he said, alcoholic. Though, Man, Floyd, don't hang with me
• 23:42
  Speaker 1: every day. And when I hung around him, I didn't drink.
• 23:46
  Speaker 1: That's how much I looked up to him. You know
• 23:48
  Speaker 1: what I'm saying. Like I told him before, if if
• 23:51
  Speaker 1: you won't me to do better than you one day
• 23:53
  Speaker 1: or better myself, show me the way where it goes south?
• 23:57
  Speaker 1: Where'd your relationship go south? I don't know, man, He
• 23:59
  Speaker 1: was like, he was tight. We still is. It's still
• 24:02
  Speaker 1: respect there. Even even even after the fight. He came
• 24:07
  Speaker 1: up to congratulations, great performance all that, but we still
• 24:09
  Speaker 1: haven't got this wrinkle out. You think you could beat
• 24:11
  Speaker 1: him in a fight. I beat his ass. Bro, I'm
• 24:14
  Speaker 1: a man. Ain't can't nobody beat me? Point blank? Period? Yeah?
• 24:17
  Speaker 1: I beat myself. No, everybody know that. Nobody can't beat
• 24:21
  Speaker 1: me a focus Adrian Brunner. Can't nobody beat me like that?
• 24:25
  Speaker 1: You said that, because that's the problem. People don't think
• 24:27
  Speaker 1: you're focused, right. They look at all the other anti
• 24:30
  Speaker 1: aside of boxing, and they want you to look at
• 24:31
  Speaker 1: my last fight a week before. That's what I'm saying,
• 24:34
  Speaker 1: look at my last fight. All of this is going on.
• 24:38
  Speaker 1: We're going to a big arena, right that sold out
• 24:41
  Speaker 1: that Floyd Mayweather say it only sold out because he
• 24:44
  Speaker 1: was co promoting with me. All I'm saying is Floyd
• 24:48
  Speaker 1: puts some respect on my name. When I hear you
• 24:50
  Speaker 1: talk about Floyd, I feel like I hear almost I
• 24:53
  Speaker 1: hear it hurt. I am you don't understand what would
• 24:56
  Speaker 1: it feel like somebody I've seen for the first time
• 24:58
  Speaker 1: on TV at twelve. That's what helped me to get
• 25:01
  Speaker 1: to this point. And then when we finally meet, we
• 25:04
  Speaker 1: click and it's a real bond, like a real big brother.
• 25:08
  Speaker 1: And then every time you do an interview you talk
• 25:11
  Speaker 1: bad about me, his daddy, his trainers, all his fighters.
• 25:16
  Speaker 1: They talk crazy about me. Like, come on, man, don't
• 25:19
  Speaker 1: nobody in my camp say say nothing bad about Floyd.
• 25:21
  Speaker 1: I'm a real boss, Like, I don't care how you feel.
• 25:25
  Speaker 1: Anybody to talk bad about my name. Pull you to
• 25:27
  Speaker 1: the side and tell you these things behind the scenes.
• 25:29
  Speaker 1: That's what I'm saying. That's what I'm saying. I had
• 25:31
  Speaker 1: big homies like like when when I do something, I'll
• 25:35
  Speaker 1: get a call like, hey, that ain't like Jay Prince.
• 25:40
  Speaker 1: Hey you're tripping. You gotta go make that right. You
• 25:42
  Speaker 1: know what I'm saying. Hey, you're right, okay, but tilt
• 25:45
  Speaker 1: you think it hurts Floyd too that you said some
• 25:47
  Speaker 1: negative things about him publicly as well, and he probably
• 25:50
  Speaker 1: feels like, man, he did kind of feel like he
• 25:53
  Speaker 1: was co signing you in the beginning. And what did
• 25:55
  Speaker 1: he have to co sign? I was already there, I
• 25:57
  Speaker 1: already made it. He ain't have to coach nothing when
• 26:01
  Speaker 1: he when he met me, I was already world champion
• 26:03
  Speaker 1: three weight classes. All we got more with Adrian Ronan
• 26:06
  Speaker 1: when we come back, keep it locked. It's the Breakfast Club,
• 26:08
  Speaker 1: Good morning, The Breakfast Club. That was Drake with controller Morning,
• 26:15
  Speaker 1: Everybody's CDJ M vy Angela Yee, Charlomagne, the guy we
• 26:18
  Speaker 1: are the breakfast club. Adrian Brona's in the building. If
• 26:22
  Speaker 1: you do fight Floyd, do you think it'd be too
• 26:24
  Speaker 1: emotional for you? And my hell? Nah, you in your
• 26:27
  Speaker 1: feelings when it because to Floy like you could tell
• 26:29
  Speaker 1: like he's a brother that hurts you your heart. You
• 26:30
  Speaker 1: know what I mean? It is But at the end
• 26:32
  Speaker 1: of the day, though brothers fight, how to found my
• 26:35
  Speaker 1: brother's plenty of times, my twin brother and everything we
• 26:37
  Speaker 1: get down. But at the end of the day, it
• 26:40
  Speaker 1: is what it is. Man, I don't care if we
• 26:42
  Speaker 1: spawn talk it out, wrestle whatever we played dominos, something
• 26:46
  Speaker 1: got up, you said, some physical activities, furniture, Let's do it.
• 26:50
  Speaker 1: That's all interview Bob Aaron did. And Bob Aaron he
• 26:53
  Speaker 1: doesn't seem to like you, Bob Aaron love me. I
• 26:55
  Speaker 1: went to Bob baram hospital for I don't nobody know this.
• 26:57
  Speaker 1: I went past his house before all of this, and um,
• 27:00
  Speaker 1: he was trying to sign me. They threw he threw
• 27:03
  Speaker 1: shots at me like I give you, I give you this.
• 27:05
  Speaker 1: I ain't gonna set the numbers I give you this,
• 27:06
  Speaker 1: I give you this, I have you fighting in China,
• 27:08
  Speaker 1: And so the interview, you're like, I don't know. I
• 27:10
  Speaker 1: don't want to discuss. They didn't Brown, I don't. I
• 27:12
  Speaker 1: don't like that. Bob Barren, who's Bob Barren? Man? Oh,
• 27:19
  Speaker 1: let it go, put on some being gay and drink
• 27:21
  Speaker 1: some coffee. A brother turned into a different person in
• 27:23
  Speaker 1: two seconds. You at his house, real, man, he don't
• 27:28
  Speaker 1: do nothing for me. I don't. That's another person I
• 27:31
  Speaker 1: don't need. Can't nobody take away from your talent. But
• 27:32
  Speaker 1: it's just all the out of the ring antics, because
• 27:35
  Speaker 1: I mean it's it's one thing when you're just getting
• 27:37
  Speaker 1: in some trouble when you got dui violation, charged with
• 27:40
  Speaker 1: a sultan, kidnapping and all kinds of stuff, It's like,
• 27:43
  Speaker 1: what are you doing? Ab man? Listen man? Right now?
• 27:46
  Speaker 1: For me, it's just time to grow mature and make
• 27:50
  Speaker 1: better decisions and try to better myself for the people
• 27:52
  Speaker 1: around me. Does it come to a point where you
• 27:54
  Speaker 1: have to leave this pre life alone? I've been did that.
• 27:57
  Speaker 1: It's just always time myself back again, going back in.
• 28:02
  Speaker 1: You know what I'm saying. You can go away from
• 28:03
  Speaker 1: the streets you can't take a street out of It's
• 28:05
  Speaker 1: some things I gotta change moving out of Cincinnati. Oh yeah,
• 28:08
  Speaker 1: that's what I'm doing now, that's what I gotta do.
• 28:09
  Speaker 1: I've outgrown my city. I didn't understand it until now.
• 28:14
  Speaker 1: You know, I really outgrown my city. And I love
• 28:16
  Speaker 1: my city. I love Cincinnati to death. You know, I
• 28:19
  Speaker 1: walk around with no security all my journey on. You
• 28:22
  Speaker 1: know what I'm saying. I love my city and city
• 28:24
  Speaker 1: love me. But some hate me. But you know what,
• 28:27
  Speaker 1: it's time to move on and take this thing to
• 28:28
  Speaker 1: another level. Because I mean, I don't mean you're not
• 28:30
  Speaker 1: keeping the real. I mean keeping it real. It comes
• 28:31
  Speaker 1: to a certain point where you, like you said, you
• 28:33
  Speaker 1: gotta take care of your family. You gotta take care
• 28:34
  Speaker 1: of your team, like you gotta do things to keep
• 28:36
  Speaker 1: yourself in position to keep everybody else great. Will make
• 28:39
  Speaker 1: some big changes. Man, Do you think the police have
• 28:41
  Speaker 1: it off for you in Cincinnati? I think you were
• 28:43
  Speaker 1: talking now that the police actually love me. Though it's
• 28:47
  Speaker 1: been it's been some crazy nights where I've talked to
• 28:49
  Speaker 1: them crazy and they let you slide, and they just
• 28:51
  Speaker 1: let us slide. Champ one time, one time they had
• 28:54
  Speaker 1: me at gunpoint, like runner, don't make me do it,
• 28:58
  Speaker 1: just go in. Champ had you at gunpoint for that
• 29:01
  Speaker 1: ain't normal. I'm just it's just it was just one
• 29:05
  Speaker 1: of the wild nights, man, one of those wild nights.
• 29:07
  Speaker 1: But you're challenging them or something. I was like, y'all
• 29:10
  Speaker 1: thirty forty thousand a year as making us because one
• 29:15
  Speaker 1: night you got pulled over. That was the d u I.
• 29:16
  Speaker 1: I think they had that on tape and you said,
• 29:18
  Speaker 1: I'm not drinking, I'm rich and famous. Listen who I am. Listen.
• 29:22
  Speaker 1: I hope I don't get nobody in trouble. They took
• 29:24
  Speaker 1: me to the station and took some pictures and let
• 29:26
  Speaker 1: me go, so you don't even get charged. I probably
• 29:28
  Speaker 1: got charged, but they just like let me go. Do
• 29:31
  Speaker 1: you ever look at some of the things you're doing
• 29:32
  Speaker 1: and be like, yeah, that was late? Nah. Never even
• 29:36
  Speaker 1: when you regret it, you gotta look at some of
• 29:37
  Speaker 1: the times. Don't regret nothing, nothing, nothing, the d UIs.
• 29:42
  Speaker 1: I don't regret nothing, nothing. What about the sex tape,
• 29:45
  Speaker 1: I don't regret it. If I could, I'll do it twice.
• 29:49
  Speaker 1: What about your family, because obviously now you have all
• 29:51
  Speaker 1: this money, they see you with this jewelry? Is it difficult?
• 29:54
  Speaker 1: Like people like yo, I need my day to day
• 29:57
  Speaker 1: manager right there? Uh six fold? He said I'm too nice.
• 30:01
  Speaker 1: He say, I'm too nice, I'm too accessible, and it's
• 30:03
  Speaker 1: time to make some changes. And I think I'm gonna
• 30:05
  Speaker 1: listening to him, man, and just cut a lot of
• 30:07
  Speaker 1: people off. Really and not your family though, no, hell no,
• 30:10
  Speaker 1: not my family. But the more bigger I get, and
• 30:13
  Speaker 1: the more famous and um, the more wealthy I get,
• 30:16
  Speaker 1: the bigger favorites I get asked like at first he
• 30:18
  Speaker 1: should be like, bro, I'm hurt, man, I ain't on
• 30:21
  Speaker 1: it now, honey. Now now, it was like, bro, let
• 30:26
  Speaker 1: me tell you about my car. Man, I just need
• 30:30
  Speaker 1: eighty five thousand and everything gonna be straight. Then when
• 30:33
  Speaker 1: I say no, like, damn eighty five thou ain't nothing?
• 30:36
  Speaker 1: Then you could you just do ninety eight ballars a Walmart?
• 30:41
  Speaker 1: You know what I'm saying. But anybody who really met
• 30:43
  Speaker 1: me and really know me, you know I'm a great
• 30:45
  Speaker 1: I'm a good person. Man. I give away my last
• 30:48
  Speaker 1: if I got to man, we saw you dancing outside
• 30:50
  Speaker 1: of the jail house a week ago, a week and
• 30:52
  Speaker 1: a half ago. Yeah, they let me out. You should
• 30:56
  Speaker 1: be dancing right, they let me out. I was happy.
• 30:59
  Speaker 1: But when you say changes, what do you mean by changes?
• 31:01
  Speaker 1: I am getting older? Man? You know, um, I think
• 31:03
  Speaker 1: it's time to stop all the wild stuff. Just focus
• 31:07
  Speaker 1: on boxing. Now. What about your women? That says she
• 31:09
  Speaker 1: posted that she was singling you retweeting, man, my baby
• 31:11
  Speaker 1: ain't going no work? Listen, man, I apologize, baby, I'm sorry.
• 31:18
  Speaker 1: What you do? Cheat it? No, I ain't. No, I
• 31:22
  Speaker 1: ain't cheat now, I ain't cheating. I ain't take it
• 31:24
  Speaker 1: that far. But some women called texting another female cheating,
• 31:28
  Speaker 1: so I guess I cheated. It depends on what you text.
• 31:30
  Speaker 1: You know what I'm saying. I was wrong and she's
• 31:32
  Speaker 1: upset right now, and she got a right to be.
• 31:34
  Speaker 1: But you know, now's a good time to cheat though,
• 31:36
  Speaker 1: because the whole Beyonce lemonade. If Beyonce it forgives Jay,
• 31:42
  Speaker 1: all our women got to forgive us. If you want
• 31:43
  Speaker 1: to be a scrong and Beyonce man, thinking like that,
• 31:46
  Speaker 1: you're gonna be a single missable man. Listen, man, I listen,
• 31:50
  Speaker 1: I really love I really love that girl, and you
• 31:53
  Speaker 1: know I know she down for me. But right now,
• 31:55
  Speaker 1: you know it's a rough spot right now. We'll be
• 31:58
  Speaker 1: like when you're boxing everything when it come of boxing.
• 32:02
  Speaker 1: Without boxing, I have nothing Without boxing, I can't take
• 32:05
  Speaker 1: care of nobody. It actually helps to give you motivation,
• 32:08
  Speaker 1: motivate me. And we see you being a great dad
• 32:10
  Speaker 1: as well. I had a great father, so it's only
• 32:13
  Speaker 1: right for me to do what I've seen. And I
• 32:15
  Speaker 1: know you said you wouldn't change for nobody, but you
• 32:17
  Speaker 1: gotta change for the kids because at the end of
• 32:19
  Speaker 1: the day, I know you got to be here for them,
• 32:21
  Speaker 1: regardless of who else you here for. You have to
• 32:23
  Speaker 1: be here for them. And the reason why why I
• 32:26
  Speaker 1: work so hard man. You know, I got beautiful children,
• 32:28
  Speaker 1: Jill gob that's me, beautiful children, and they're they're very intelligent,
• 32:33
  Speaker 1: and you know they look up to me. I really
• 32:36
  Speaker 1: just gotta set a set a great read example for them.
• 32:39
  Speaker 1: I want to believe everything that you're saying. But you
• 32:42
  Speaker 1: know you went from loving barbaron one minute and then
• 32:44
  Speaker 1: say from the next I've seen you do that with Floyd.
• 32:47
  Speaker 1: You tell Floyd and then you put U a picture
• 32:48
  Speaker 1: of on Instagram and say that's my brother for life.
• 32:50
  Speaker 1: It is like you got no cold, no it ain't
• 32:55
  Speaker 1: hot and cold. It's it's it is what it is,
• 32:58
  Speaker 1: like like I'm a good hearted do like I don't care,
• 33:01
  Speaker 1: Like if I got a relationship with somebody and that's
• 33:04
  Speaker 1: my brother and I love him that I'm always love him.
• 33:06
  Speaker 1: But once you cross me is I don't want to
• 33:09
  Speaker 1: see nothing bad happened to him, or I won't let
• 33:12
  Speaker 1: nothing bad happened to him if I can stop it.
• 33:14
  Speaker 1: But you just feel like you don't need them. Basically, relax,
• 33:17
  Speaker 1: How do you come back from or do you? It
• 33:21
  Speaker 1: might not be a year, it might it might not
• 33:23
  Speaker 1: be now or or even a year from now. We
• 33:25
  Speaker 1: might call it Quizon and hook back up. But right
• 33:29
  Speaker 1: now he doing him, I'm doing me all right. Well,
• 33:31
  Speaker 1: that's the Breakfast Club. It's Adrian brother. That was Jeremiah Morning.
• 33:35
  Speaker 1: Everybody is DJ M v Angela Yee, Charloman the guy.
• 33:38
  Speaker 1: We are to Breakfast Club. We got a special guest
• 33:40
  Speaker 1: in the building. Ladies, hold on to your panties. Oh man,
• 33:43
  Speaker 1: well back twells him. What's up up? I'm trying, man,
• 33:47
  Speaker 1: what's going on? I'm glad you're here because I saw
• 33:50
  Speaker 1: Oh you do snapchat? I posted you can't. Oh you
• 33:54
  Speaker 1: can't say, because you can't be thinking about it the
• 33:56
  Speaker 1: whole line. I just messed up my my snap that
• 33:58
  Speaker 1: was a really good snap and you're just rac Yeah
• 34:00
  Speaker 1: we out here Maxwell, Ye, I'm trying. I'm doing I
• 34:04
  Speaker 1: know ms Actually, yes they do, Yes, Yes, they definitely popped. Yeah,
• 34:12
  Speaker 1: you know snapchat me that. You know. It's an interesting
• 34:16
  Speaker 1: world though, because I'm obviously I'm forty two, so it's like,
• 34:18
  Speaker 1: I can't imagine what it would be like to be
• 34:20
  Speaker 1: a fourteen year old with all of the social media
• 34:23
  Speaker 1: the way it's going down. Why haven't you connected with
• 34:25
  Speaker 1: the people in so long? Man? Seven years? Seven years? Right?
• 34:29
  Speaker 1: Did you even realize that? I? You know, I don't.
• 34:31
  Speaker 1: I gotta tell you. I get anxiety about just trying
• 34:34
  Speaker 1: to meet the challenge of what what I did before.
• 34:38
  Speaker 1: And at the same time, I don't want to play
• 34:40
  Speaker 1: myself and try to look like I'm trying to be
• 34:42
  Speaker 1: in the moment. All the kids doing a record with future,
• 34:45
  Speaker 1: well no, and don't get into I know and love
• 34:48
  Speaker 1: all of those records like I mess You know, I
• 34:51
  Speaker 1: listened to all of everything. I mean, I listened to
• 34:53
  Speaker 1: some really dark bunchy trap like all of that, But
• 34:58
  Speaker 1: right now. Uh that you know Yogatti definitely, Um, Travis Scott,
• 35:03
  Speaker 1: I mean, you know I listened to I mean, I've
• 35:05
  Speaker 1: been the club, so I know what these songs are
• 35:08
  Speaker 1: and I can I can sing with them. But I
• 35:10
  Speaker 1: always have to be really concerned about the brand and
• 35:13
  Speaker 1: like what I've done, you know, starting to ninety six,
• 35:16
  Speaker 1: and and the fact that like my music is when
• 35:18
  Speaker 1: you go home to after you've been where you've been
• 35:21
  Speaker 1: and hopefully it's with your family. Hopefully it's what you
• 35:24
  Speaker 1: do on Sunday mornings, when you cook in, you get
• 35:26
  Speaker 1: married to it, you having kids to it, those types
• 35:30
  Speaker 1: of things. So I've got to think about those issues
• 35:32
  Speaker 1: as I see the ever changing situation out there in
• 35:35
  Speaker 1: the music world. Now. You talked about the pressure. Now,
• 35:37
  Speaker 1: is it a lot of pressure because you've always been
• 35:39
  Speaker 1: I say, left, like you never went with Trendon. I
• 35:42
  Speaker 1: mean from you your first album to your videos. Is
• 35:45
  Speaker 1: there pressure staying different and staying in that lane and
• 35:48
  Speaker 1: staying and being as big as those other songs and
• 35:50
  Speaker 1: other albums. Yeah, for sure, no doubt. I'm not gonna
• 35:53
  Speaker 1: I'm not gonna I'm not gonna lie to you about that.
• 35:55
  Speaker 1: But that's part of the fun. You know, the part
• 35:57
  Speaker 1: of the challenge of putting something together is any yourself, Well,
• 36:00
  Speaker 1: how can I maintain relevancy but still be This is
• 36:05
  Speaker 1: always the greatest thing that I want is timelessness because
• 36:08
  Speaker 1: so many people come and go. There are certain rules
• 36:10
  Speaker 1: to the game about how do you how you do that?
• 36:13
  Speaker 1: And I think that if you stay true to the basics,
• 36:15
  Speaker 1: you know of what we're trying to exemplify, which is
• 36:19
  Speaker 1: I don't get I'm not too detailed oriented about shoes
• 36:23
  Speaker 1: and cars, and I mean I'm just kind of a
• 36:26
  Speaker 1: you know, we I just talk. I try to talk
• 36:29
  Speaker 1: about the bigger things in terms of just like you know, heartbreak, pain, betrayal,
• 36:35
  Speaker 1: want to get somebody back for hurting you, not feeling
• 36:38
  Speaker 1: like you're good enough, those basic things or what we
• 36:41
  Speaker 1: always feel no matter what the watches that weekend, no
• 36:44
  Speaker 1: matter what the sneaker is, no matter what the new
• 36:46
  Speaker 1: car is where, whatever it is, those are the things
• 36:49
  Speaker 1: that we are always connected by. W How did you
• 36:52
  Speaker 1: handle the fame when it came to these women? Man,
• 36:54
  Speaker 1: because you're fresh shout making all these great R and
• 36:57
  Speaker 1: B music. I'm sure girls was throwing it at you.
• 37:00
  Speaker 1: Of my proble. Not only that the type because he
• 37:01
  Speaker 1: didn't had if you think about it, he'd had the
• 37:03
  Speaker 1: quote unquote earthy women Earth. What does earth does that mean? Big? No,
• 37:13
  Speaker 1: I'm good with big, big shave when they want to
• 37:15
  Speaker 1: wear anks, right, So many monique type chicks, and I feel, you, well, look,
• 37:23
  Speaker 1: I just think everything is beautiful. And the weirdest thing
• 37:26
  Speaker 1: for me is like when I look out into the audience,
• 37:29
  Speaker 1: because they'd be bad ones out there, but they're the
• 37:32
  Speaker 1: one that is the shyest, the one that maybe feels like,
• 37:35
  Speaker 1: you know, I need to like, you know, lose a
• 37:37
  Speaker 1: few here, lose a few there. That's usually the one
• 37:39
  Speaker 1: I focus right on because I feel like I was predator.
• 37:43
  Speaker 1: You pick on that, Rice Maxwell. I just want to
• 37:47
  Speaker 1: make I just I just want to make them feel good, right,
• 37:49
  Speaker 1: you know, at the end of the day, that's my
• 37:51
  Speaker 1: job on stage. I just want to make you feel good.
• 37:53
  Speaker 1: And everyone's gorgeous, everyone's sexy. But you know, for me,
• 37:58
  Speaker 1: I'm kind of a brain person. So it's like I
• 38:00
  Speaker 1: think that the situations that sort of like will come
• 38:02
  Speaker 1: to me on a personal level because I will be
• 38:05
  Speaker 1: more mental. I'm forty two, so it's like beauty. I
• 38:08
  Speaker 1: understand beauty. Beauty is amazing, but when you wake up
• 38:11
  Speaker 1: with someone after ten years, you don't even remember that
• 38:13
  Speaker 1: beauty part of it. You just know that you have
• 38:15
  Speaker 1: a friend. You just know that you know, you got
• 38:18
  Speaker 1: somebody that's holding you down, hopefully like with my like
• 38:20
  Speaker 1: my my friend and manager John. You have someone who's
• 38:23
  Speaker 1: raising your kids. That that's you know, the day and
• 38:26
  Speaker 1: and the day out of that. Uh like all that
• 38:28
  Speaker 1: stuff fade, you know. Um so no, not yet, oh kid,
• 38:33
  Speaker 1: I thought you kid, Maybe maybe I do. I don't
• 38:35
  Speaker 1: know what you win't on the lest some of that
• 38:38
  Speaker 1: legendary sperm go man, well you know what, I have
• 38:40
  Speaker 1: this new Actually, you know it's interesting that you should
• 38:43
  Speaker 1: bring this up, sir, the legendary to have a marketing
• 38:45
  Speaker 1: plan instead of the albums, it'll be sperm. So I'm
• 38:50
  Speaker 1: just gonna market the sperm. You you're pregnant by Maxwell,
• 38:53
  Speaker 1: buy my new album. No, no, just work. I'm just
• 38:56
  Speaker 1: saying it's a new plan. I might a single with it, okay,
• 39:01
  Speaker 1: I might have a song to come up, because usually
• 39:03
  Speaker 1: the music kind of does that. So I figured, let's
• 39:06
  Speaker 1: just cut to the check out, to the chase and
• 39:07
  Speaker 1: just you know you have many women. I hope so man,
• 39:12
  Speaker 1: I keep a life. We got more with Maxwell when
• 39:14
  Speaker 1: we come back. It's the Breakfast Club The Morning Morning, y'all.
• 39:17
  Speaker 1: This is Jay Cole Cole. Well, you're listening to the
• 39:20
  Speaker 1: best of the Breakfast Club Wake. Yeahs up, that was
• 39:23
  Speaker 1: Jay Cole, No role models Morning. Everybody is DJ Envy,
• 39:26
  Speaker 1: Angela Yee. Charlomagne the guy. We are the Breakfast Club.
• 39:29
  Speaker 1: We have Maxwell in the building now, Charlemagne, I don't go.
• 39:32
  Speaker 1: I've been to one of your shows, and I really
• 39:34
  Speaker 1: I'm in the two of your shows and my wife
• 39:36
  Speaker 1: shows my wife now. But when you choose with my
• 39:39
  Speaker 1: girl and stuff, and I realized I ain't going to
• 39:41
  Speaker 1: the Maxwell show because you showed the men at all.
• 39:44
  Speaker 1: It's just a bunch of screaming women. He ain't thinking
• 39:47
  Speaker 1: about us. My wife goes with her French godad and
• 39:52
  Speaker 1: get excited and bring you out looking about it's what
• 39:54
  Speaker 1: are you talking about? But with my wife one time
• 39:56
  Speaker 1: and I felt a little funny because everybody's screaming. I'm
• 39:58
  Speaker 1: sitting in the corner like a suckers. I'm like, you
• 40:00
  Speaker 1: know what you bring your girl for next time? When
• 40:02
  Speaker 1: when he did fortunate. I went to sleep because because
• 40:04
  Speaker 1: I was like, it's like, it's like being It's like
• 40:06
  Speaker 1: something your girl watch you watching Scandal Champion. It's basically
• 40:11
  Speaker 1: like when you guys are watching the basketball game, right football. Yeah,
• 40:14
  Speaker 1: so this is like their revenge on you. Basically, that
• 40:16
  Speaker 1: is the fact. I am the revenge of all those times.
• 40:19
  Speaker 1: But no mad Pelvic thrust. I'm like, if he thrust
• 40:23
  Speaker 1: one more time, Hey man, that ticket is expensive. I mean,
• 40:30
  Speaker 1: I gotta put work game, but I'm just look, at
• 40:31
  Speaker 1: the end of the day, you get to take them home. Yeah,
• 40:34
  Speaker 1: and you get to get situations that you probably never
• 40:37
  Speaker 1: imagine what happened. I'm just I can't believe it's twenty
• 40:39
  Speaker 1: years later, guys. That's all I gotta say. I'm just
• 40:42
  Speaker 1: and I'm so happy that I'm kicking it with you
• 40:45
  Speaker 1: because I hear you guys in the morning. You guys
• 40:47
  Speaker 1: are funny, real people. Uh. You know, you're in situation
• 40:52
  Speaker 1: sometimes because you gotta speak about things and whatever. But
• 40:55
  Speaker 1: you know, I just appreciate all the support throughout the years,
• 40:58
  Speaker 1: and I got you on those dance records on this
• 41:00
  Speaker 1: new line. Okay, how do you feel about the term
• 41:01
  Speaker 1: neo soul because people always give you credit for being
• 41:04
  Speaker 1: the start of that. I can't say that because D'Angelo
• 41:07
  Speaker 1: was released in ninety five. I have to admit, with
• 41:11
  Speaker 1: great respect to him that he when he was set off,
• 41:16
  Speaker 1: it really made everybody at the label really understand because
• 41:19
  Speaker 1: I was already done with my album. I was just
• 41:21
  Speaker 1: sitting on the sidelines. I was on the bench. So
• 41:24
  Speaker 1: you know, I give credit to d for being the
• 41:26
  Speaker 1: person to sort of really get my record off the show.
• 41:29
  Speaker 1: And then I give a lot of credit to the
• 41:31
  Speaker 1: radio stations that just they played it without understanding what
• 41:35
  Speaker 1: this was about, because you know, I looked crazy. You know,
• 41:37
  Speaker 1: it was a big old hair and everything, and you know,
• 41:40
  Speaker 1: having all the weird West Indian type of thing, which
• 41:44
  Speaker 1: that's not a typical really for an R and B person.
• 41:48
  Speaker 1: Usually they're from the South. Usually they're like like with D'Angelo,
• 41:51
  Speaker 1: his story is so perfect, like he's from Richmond, Virginia.
• 41:54
  Speaker 1: He played in the church, you know, like my dad's
• 41:57
  Speaker 1: from Puerto Rico, my mom's from Haiti. Like I'm like
• 41:59
  Speaker 1: first ration from Brooklyn. Yeah, I didn't even feel black
• 42:03
  Speaker 1: enough really, So for me, it was like, man, I hope,
• 42:06
  Speaker 1: I hope my people like this music as much as
• 42:09
  Speaker 1: I love them, and you know, twenty years later, it's
• 42:11
  Speaker 1: just nice to know that that I was. I always
• 42:14
  Speaker 1: wondered why you didn't do many features, but there was
• 42:17
  Speaker 1: this pretty much no Maxwell features. Yeah, yeah, you know, well,
• 42:21
  Speaker 1: I mean, look, I'm not saying I'm better than anybody,
• 42:24
  Speaker 1: because there's a lot of people out there that I like,
• 42:26
  Speaker 1: but um, a lot of my choices are kind of
• 42:29
  Speaker 1: like family type choices. Like Naas was signed released ninety five.
• 42:33
  Speaker 1: I was there in ninety six, so y'all kind of
• 42:35
  Speaker 1: grew up together. Yeah, you know, I was shocked that
• 42:38
  Speaker 1: he'd even liked my music because you know, he's anas,
• 42:40
  Speaker 1: he's hip hop. My stuff is all smooth. And we
• 42:44
  Speaker 1: developed a friendship and you know, we basically worked on
• 42:48
  Speaker 1: something once on one of his record, Street Kings, and
• 42:51
  Speaker 1: then you know, we just did the Barkley thing together,
• 42:54
  Speaker 1: and you know, we have more plans to do more
• 42:56
  Speaker 1: business stuff together because we just we just get on.
• 42:58
  Speaker 1: And then Alicia Keys, who I knew at fifteen at
• 43:02
  Speaker 1: Columbia when she was signed there. She was kind of
• 43:05
  Speaker 1: like my special guest on her first album, so I
• 43:08
  Speaker 1: know her, I know swizzle, I thought you were going
• 43:09
  Speaker 1: to do a joint with jay Z and j D
• 43:11
  Speaker 1: at one time. But during the Money and Anything video,
• 43:14
  Speaker 1: when he's sitting there, they're playing it in the background.
• 43:16
  Speaker 1: I'm like, oh, this is this is here it goes,
• 43:17
  Speaker 1: Oh my god, that's my that's my next move. I mean,
• 43:20
  Speaker 1: you know, if if Jay is listening, because we're friends
• 43:22
  Speaker 1: and I see him all the time, and I know
• 43:24
  Speaker 1: his wife, and I've heard of his wife. Yeah, his wife, yeah, yeah, yeah, yeah,
• 43:29
  Speaker 1: his wife is cool. I'm from Brooklyn, he's from Brooklyn.
• 43:33
  Speaker 1: You know, it'd be amazing. I think he makes I
• 43:35
  Speaker 1: think he is the Frank Sinatra of hip hop because
• 43:37
  Speaker 1: all of his beats, he never plays himself, I mean literally,
• 43:42
  Speaker 1: And the craziest thing is when Reasonable Dow came out,
• 43:45
  Speaker 1: he always just chooses like the classic things and you
• 43:48
  Speaker 1: can listen to all those records forever, and that's rare.
• 43:52
  Speaker 1: Man Like, people don't understand it's so much harder to
• 43:56
  Speaker 1: make hip hop classic because there's so many ways that
• 44:01
  Speaker 1: you could really play yourself with with like all the
• 44:04
  Speaker 1: new trends and the new things that people do with
• 44:07
  Speaker 1: volcoder and whatever and blah blah blah. You can dress
• 44:09
  Speaker 1: like our Kelly. Well, you see the like I g
• 44:15
  Speaker 1: I can't say nothing bad about him. I mean, fortunate,
• 44:17
  Speaker 1: we you know, I never seen anybody's records, and fortunate
• 44:21
  Speaker 1: when I when I heard it wasn't actually the first song,
• 44:24
  Speaker 1: but when I heard, I was like, because you just
• 44:25
  Speaker 1: gotta pay respect to him, because that guy can just
• 44:29
  Speaker 1: I mean, he could just pi out a song, you know,
• 44:32
  Speaker 1: like yes, he could say yes, well yes. Nobody even
• 44:37
  Speaker 1: had to set you up for that one. Man, I
• 44:38
  Speaker 1: was great. I was gonna say all you could say,
• 44:42
  Speaker 1: oh god, oh god, please mister Kelly, please don't don't. Yes, Maxwell, yes,
• 44:48
  Speaker 1: I didn't mean to do that. I was gonna say
• 44:50
  Speaker 1: something else, but I didn't want to say that because
• 44:54
  Speaker 1: the current made you say what you needed to say. Man, Maxwell,
• 44:57
  Speaker 1: you are appreciated. Man. We definitely say you've gotten a
• 45:00
  Speaker 1: lot of all women honey, thank god you didn't have
• 45:03
  Speaker 1: sex with them. We did appreciate you, man, We appreciate man.
• 45:07
  Speaker 1: I appreciate you too, man, the fact that you get
• 45:09
  Speaker 1: you know, like I hear your name and rap songs
• 45:12
  Speaker 1: and you you know you do. You do your thing
• 45:15
  Speaker 1: very well. And I think that what you guys do
• 45:17
  Speaker 1: is also at the same time, um, your your safeguards
• 45:21
  Speaker 1: a little bit by having to let us know a
• 45:23
  Speaker 1: little bit, like sometimes you hit someone and you're like, whoop,
• 45:26
  Speaker 1: I've better Like you know, we'll check you a little bit. Yeah,
• 45:29
  Speaker 1: there is a check and and but there's love. There's love,
• 45:32
  Speaker 1: you know. And I feel grateful to be in a
• 45:34
  Speaker 1: situation where I get to share some time with you
• 45:37
  Speaker 1: and and all your listeners, because it is anyhow, thank you,
• 45:41
  Speaker 1: thank you, thank you very much, thank you. Well there
• 45:44
  Speaker 1: you have it. It's Maxwell, It's the breakfast. Clem Gamani,
• 45:48
  Speaker 1: Charlet Maine say the gang, don't get out the shape
• 45:51
  Speaker 1: man you are donkey today. Just not discriminate. I might
• 45:59
  Speaker 1: not I have the song of today, but I got
• 46:01
  Speaker 1: to donkey that. So if you ever feel I need
• 46:03
  Speaker 1: to be a donkey man, tito with it. The practice
• 46:07
  Speaker 1: club bitches they just don't give to day Today, Well,
• 46:11
  Speaker 1: mister ed Sharon, Donkey of the Day goes to New
• 46:14
  Speaker 1: York Giants defensive in Jason Pierre Paul. Now JPP is
• 46:17
  Speaker 1: a beast, ladies and gentleman. Okay, even as a Dallas
• 46:20
  Speaker 1: Cowboy fan, I can admit that he had seventy seven
• 46:22
  Speaker 1: tackles twelve and a half sacks, three force fumbles last season,
• 46:25
  Speaker 1: and in five seasons he has forty two career sacks.
• 46:27
  Speaker 1: Oh he's a problem. Round him. Applause to JPP. Okay,
• 46:30
  Speaker 1: any team would be happy to have this twenty six
• 46:32
  Speaker 1: year old hasten sensation. Now I'm the type of person.
• 46:35
  Speaker 1: It brings me great joy to see people get paid.
• 46:38
  Speaker 1: I love seeing people get their money because I don't
• 46:40
  Speaker 1: want nobody hating on me when I get mine. But
• 46:42
  Speaker 1: it also brings me great pain, hurt me to my
• 46:44
  Speaker 1: soul to see somebody f up their money, especially due
• 46:47
  Speaker 1: to something stupid. You ever heard that saying that whenever
• 46:50
  Speaker 1: something great is about to happen, the devil is busy.
• 46:53
  Speaker 1: This is a prime example of that. See Jason Pierre
• 46:55
  Speaker 1: Paul JPP was playing with fireworks, but apparently JPP doesn't
• 46:59
  Speaker 1: know how to oper rate fireworks because JPP sustained injuries
• 47:03
  Speaker 1: to his hand while setting off fireworks during a Fourth
• 47:06
  Speaker 1: of July celebration in South Florida. Not just any hand
• 47:09
  Speaker 1: in injury, but Adam Schefter got a hold of some
• 47:12
  Speaker 1: private medical records revealing Jason Pierre Paul had a finger amputated,
• 47:17
  Speaker 1: and the New York Giants didn't learn it the finger
• 47:19
  Speaker 1: amputation until they saw it on Twitter. Yes, Adam Chef
• 47:23
  Speaker 1: to share the photo of Jason Pierre Paul's medical records
• 47:26
  Speaker 1: that showed he had his right index finger amputated. FYI,
• 47:30
  Speaker 1: that's a lawsuit. JPP can sue the hospital. Somebody released
• 47:33
  Speaker 1: those private medical records from that hospital, and JPP can
• 47:35
  Speaker 1: absolutely sue the hell out of that hospital. He might
• 47:37
  Speaker 1: can sue Adam schefteron not Show, but he can definitely
• 47:38
  Speaker 1: sue the hospital. And he needs to make that happen
• 47:40
  Speaker 1: because he's gonna need to break because JPP was in
• 47:42
  Speaker 1: a contract year. Ladies and gentlemen in the New York
• 47:44
  Speaker 1: Giants had a sixty million dollar long term contract offer
• 47:49
  Speaker 1: on the table for Jason Paul Pierre. But now that
• 47:52
  Speaker 1: contract has been taken off the table all because Jason
• 47:55
  Speaker 1: Paul Pierre can't read directions. The directions on fireworks clearly
• 48:00
  Speaker 1: do not hold. In big bold black, sometimes red letters,
• 48:07
  Speaker 1: it says do not hold. Now. When I played with fireworks,
• 48:11
  Speaker 1: which was which I was doing on last Saturday, the
• 48:13
  Speaker 1: fourth of July, if I light them myself keyword, if
• 48:17
  Speaker 1: I light them myself. I used the long ass long
• 48:20
  Speaker 1: reach refillable clicking flame lighter and then when I light it,
• 48:25
  Speaker 1: I run. Okay, I don't want no part of those
• 48:27
  Speaker 1: fireworks period after I light it. JPP. I don't know
• 48:30
  Speaker 1: what you was doing, but I'm gonna assume that if
• 48:32
  Speaker 1: you had a hand injury, you wasn't doing the right thing. No,
• 48:34
  Speaker 1: you was breaking the card and the rule of fireworks,
• 48:36
  Speaker 1: which is due not hold. You don't hold on the
• 48:40
  Speaker 1: football field without getting the flag on the play. You
• 48:42
  Speaker 1: gotta treat fireworks the same way now, JPP. I am
• 48:45
  Speaker 1: sorry you lost your finger, but if you would have
• 48:47
  Speaker 1: lost your finger after signing that long term contract, I
• 48:49
  Speaker 1: wouldn't have a problem with this. I'd be like, got him.
• 48:52
  Speaker 1: You can lose a finger because it's something stupid after
• 48:54
  Speaker 1: you get your money. But when you're in the process
• 48:56
  Speaker 1: of trying to get your money, bro, don't give these
• 48:58
  Speaker 1: people a reason not to pay you. Now. You didn't
• 49:01
  Speaker 1: lost the finger and the money for what. July fourth
• 49:04
  Speaker 1: fireworks foolishness. What the hell are you celebrating America's independence
• 49:08
  Speaker 1: for anyway? My brother, you are Haitian shot poise, I
• 49:12
  Speaker 1: said side posse, not Boulet, thank you and me's he
• 49:16
  Speaker 1: are resident Haitian. JPP. You are Haitian, my brother. Haitian
• 49:20
  Speaker 1: Independence Day is January first. You are here celebrating July fourth,
• 49:23
  Speaker 1: America's independence with fireworks when you should have just waited
• 49:25
  Speaker 1: until January first. You know, to celebrate Haitian Independence Day
• 49:28
  Speaker 1: with a nice bowl of job move soup. Okay, if
• 49:30
  Speaker 1: you was gonna lose your finger on Independence Day, at
• 49:33
  Speaker 1: least let it be for the independence of your people. Okay.
• 49:36
  Speaker 1: The beautiful Haitian Master of the New York Giants said,
• 49:38
  Speaker 1: given the timing of the event and the apparent judgment displayed,
• 49:43
  Speaker 1: they believe a long term offer is not in the
• 49:45
  Speaker 1: best interest of those involved at this point. Damn I
• 49:49
  Speaker 1: agree with him. What do you forty say? Everybody got
• 49:52
  Speaker 1: choices and JPP, you made a poor choice, and that
• 49:55
  Speaker 1: poor choice got us all thinking, got us all thinking this.
• 50:01
  Speaker 1: You think dummy here, Jason Paul, he had the biggest
• 50:07
  Speaker 1: he half pleas but just thinking about shut up. Maybe
• 50:14
  Speaker 1: God took his finger to give him more money, but
• 50:17
  Speaker 1: the million wasn't enough. I want I want you to
• 50:21
  Speaker 1: explain that Paige way of thinking like I want to
• 50:23
  Speaker 1: explain from from from feud. I had it, but I
• 50:27
  Speaker 1: don't know explain that waffle colored wisdom. I don't. I mean,
• 50:30
  Speaker 1: I don't even understand what the hell you just said.
• 50:32
  Speaker 1: I told you not to talk, but you just kept
• 50:33
  Speaker 1: talking anyway. Get it? When we when people tell you
• 50:36
  Speaker 1: not to talk, like a lot of times, you should
• 50:37
  Speaker 1: just say you know what, I'm going to talk. You
• 50:39
  Speaker 1: want to understand? Breakfast Club that morning, everybody's DJ Enviy,
• 50:45
  Speaker 1: Angela Yee, Charlotte and the guy. We are the Breakfast Club.
• 50:47
  Speaker 1: We got a special guest with us in the building
• 50:49
  Speaker 1: this morning. Very very special guests. Is a privilege and
• 50:51
  Speaker 1: honor that had this man in the building this morning,
• 50:53
  Speaker 1: mister Dick Gregor, mister Dick Gregory, thank you. Excuse me.
• 50:57
  Speaker 1: They said that about Jesus on killing him on friend Now.
• 51:04
  Speaker 1: Now I love watching your What your message for black people?
• 51:07
  Speaker 1: You do it every year. What's your message for black people?
• 51:10
  Speaker 1: In two dollar sixteen? Run? Why why do you say run?
• 51:15
  Speaker 1: I never thought i'd teach the day. I pray to
• 51:17
  Speaker 1: God because if I'm barned over again, I want to
• 51:19
  Speaker 1: be a white man. Really now I'm super black. Yeah,
• 51:23
  Speaker 1: you know, I ran for president in nineteen sixty eight,
• 51:27
  Speaker 1: and had I won, the first thing I would do
• 51:29
  Speaker 1: with Dick up that rose garden and plant me a
• 51:32
  Speaker 1: watermelon patch, set up on the doubtin and eat watermelon,
• 51:36
  Speaker 1: and spent the siege on Pennsylvania. What do you feel
• 51:41
  Speaker 1: about to ride of Donald Trump? I think it's two
• 51:43
  Speaker 1: of them because one no, no, no, the one guy
• 51:47
  Speaker 1: can't be that other. What would you do if Donald
• 51:52
  Speaker 1: Trump won and became president. If you went to become
• 51:54
  Speaker 1: president in America, anything is possible. If you got money,
• 52:01
  Speaker 1: then there's certain things your child don't go through. Even
• 52:05
  Speaker 1: as a black man. Even if your child got a
• 52:07
  Speaker 1: damn here, you don't have to wait till babo get paid.
• 52:11
  Speaker 1: You go to day. The same thing is there, but
• 52:15
  Speaker 1: they don't go through that whole struggle. I got ten children, man, damn, damn.
• 52:22
  Speaker 1: I'm happy for you. I'm proud happy. I want my
• 52:24
  Speaker 1: friend to cut you up to your hole. Man, I
• 52:26
  Speaker 1: just give me some booty, y'all be y'all be going
• 52:32
  Speaker 1: through these changes. They want to lie about this. I
• 52:35
  Speaker 1: see John Legend is producing an off Broadway play based
• 52:38
  Speaker 1: on your life, Turned Me Loose? Yes? Did he come
• 52:41
  Speaker 1: to you? Always at your idea. Did you say, hey,
• 52:43
  Speaker 1: I have an idea. I want to do this play basics.
• 52:45
  Speaker 1: I never have ideas. Come on now, I don't know that.
• 52:48
  Speaker 1: I don't my head ten thousand miles away. I mean,
• 52:51
  Speaker 1: when you stop and think about Alice Shapton, it's probably
• 52:57
  Speaker 1: the most powerful black person man acause of the shows.
• 53:02
  Speaker 1: Five days on White network more than over. Oh you
• 53:07
  Speaker 1: got the media frac and do I need to leave
• 53:10
  Speaker 1: here something? No? My brother come and I'm just challenging
• 53:14
  Speaker 1: you how it works on every day, five days a week.
• 53:20
  Speaker 1: I think that's the problem nowadays, Like you know, you
• 53:22
  Speaker 1: don't have a lot of oldgs sharing with them without
• 53:25
  Speaker 1: it's the different rhythom. Hey man, when I was a
• 53:28
  Speaker 1: lout barn yeah, nbccbs in ABC. Now my grand field
• 53:34
  Speaker 1: and my children they're trying to turn from ABC to
• 53:37
  Speaker 1: NBC and passed the pornography station four years old. I'm
• 53:41
  Speaker 1: gonna stop. You got social media with all the stuff
• 53:46
  Speaker 1: out there. You got Instagram, I don't touch none of that.
• 53:49
  Speaker 1: Let me show you something. Yeah, okay, oh that's gonna
• 53:51
  Speaker 1: show you because I feel what you're saying. But you
• 53:55
  Speaker 1: know what that's not, that's not Beyondce's cousin man, oh man,
• 53:59
  Speaker 1: check it along the find no heres go glad you
• 54:01
  Speaker 1: ain't no copaching for your gun. The booty boy, Yes, well,
• 54:09
  Speaker 1: let me just straighten out something for you. The word
• 54:12
  Speaker 1: booty came from the pirates. That's the loot. The look
• 54:16
  Speaker 1: that they take is called the booty. Let's go get
• 54:18
  Speaker 1: some booty. So a black man is the only one
• 54:22
  Speaker 1: that called this woman the booty because we're pirates and
• 54:26
  Speaker 1: she han't been freed. We're the only man in the
• 54:29
  Speaker 1: world that referred to our woman. He's a strong sister.
• 54:34
  Speaker 1: But call our car beautiful. For you wonder why they
• 54:38
  Speaker 1: shoots you mama, your daddy, your son twenty times in head,
• 54:42
  Speaker 1: but won't mess what's your car, because then they missed
• 54:44
  Speaker 1: that car. As long as you've been here, and you
• 54:47
  Speaker 1: ain't never heard of black man, said a white racist
• 54:50
  Speaker 1: car tookie stick and hit my car while we had
• 54:56
  Speaker 1: a prevision for a five year old guy shot in
• 55:00
  Speaker 1: the head. What's ahead, minorities? One point five million missing
• 55:04
  Speaker 1: black men? Now wait a minute, now missing no meaning
• 55:07
  Speaker 1: and jaggleb m huh black body parts from black men,
• 55:13
  Speaker 1: it's worth ten thousand more money then from women. So
• 55:17
  Speaker 1: what do they do with the body parts. They sell
• 55:18
  Speaker 1: them to people like eat them. Whatever they do. Man,
• 55:22
  Speaker 1: they told me how smart you was? Can I talk
• 55:27
  Speaker 1: to somebody else? I wouldn't even share this with you
• 55:30
  Speaker 1: when everybody told me, oh, he's so brilliant, you better
• 55:34
  Speaker 1: go home to night and check mix you. You ain't
• 55:36
  Speaker 1: got no scars. He got some scars. I woke up
• 55:40
  Speaker 1: the other morning. I had two cuts on both shins. Okay,
• 55:44
  Speaker 1: I said Eliot, I was. I was playing and saying
• 55:45
  Speaker 1: aliens abducted me. Well, let's look at it. They told you,
• 55:50
  Speaker 1: remember that, they told you. I guess it was six
• 55:52
  Speaker 1: months ago about that planet. They called it our cup birth.
• 55:56
  Speaker 1: How close it is here? That's where they are missing,
• 55:59
  Speaker 1: don't I'm in jail missing mean, I'm going all right.
• 56:04
  Speaker 1: We have more with Dick Gregory when we come back.
• 56:06
  Speaker 1: Keep a lot to breakfast club. Goal morning. That was
• 56:09
  Speaker 1: Rihanna with work morning. Everybody is to breakfast Club. We
• 56:12
  Speaker 1: have comedian and activist Dick Gregory in the building at Charlemagne.
• 56:16
  Speaker 1: Do you think race relations in America? Whatever difference, Nick,
• 56:19
  Speaker 1: That's like me and you were Jews and I say
• 56:21
  Speaker 1: Germany and you stay with me. You think race relations
• 56:25
  Speaker 1: whatever in through and I call the police on you.
• 56:30
  Speaker 1: You hear me. You see his hot works. One hundred
• 56:33
  Speaker 1: and ten years ago we had a meeting and you say,
• 56:37
  Speaker 1: one day horses will be obsolete. They'll take you to
• 56:40
  Speaker 1: a mental hospital. While even with trial and your jay,
• 56:44
  Speaker 1: horses is obsolete. Some people have that vision where they
• 56:48
  Speaker 1: can see it. It's like the word honky. You see
• 56:52
  Speaker 1: when I try to explain the white folks that prostitution
• 56:56
  Speaker 1: is for the benefit of white boys. You mean black
• 57:00
  Speaker 1: men don't have prostitutes. I said, go back to slavery man.
• 57:03
  Speaker 1: She didn't have a job behind. I'm buy some. I mean,
• 57:09
  Speaker 1: just asked yourself. I'm about some. I don't have to
• 57:13
  Speaker 1: pay for it. I get them when she come home
• 57:15
  Speaker 1: wet with a pocket full of your money. But where
• 57:18
  Speaker 1: the prostm When I went to college, the whole house
• 57:21
  Speaker 1: was run by a black woman. Mall hat you thirty
• 57:24
  Speaker 1: miles away from Southern Elm Law University. That's what rand
• 57:27
  Speaker 1: Richard pryor crazy. He's in pure ellinor ninety miles from Chicago.
• 57:33
  Speaker 1: So when Prince Charles and you know, the mayors come
• 57:36
  Speaker 1: in from all over the world, they go down there's
• 57:38
  Speaker 1: a white Hookane see them, and when the brother pull up,
• 57:41
  Speaker 1: he honked on hongk honk. That's where the word honkey
• 57:44
  Speaker 1: comes from. We're here trying to figure out what how
• 57:47
  Speaker 1: do honkey mean? Anything but that this is a game,
• 57:53
  Speaker 1: but it messes up the whole system. I did some research.
• 57:57
  Speaker 1: I was I was looking for breast milk. So I
• 58:01
  Speaker 1: called my man. I said, man, I need you to
• 58:03
  Speaker 1: find the number one authority on breast milk. Did you
• 58:06
  Speaker 1: want to drink it in the world? Am I talking?
• 58:09
  Speaker 1: I'm sorry, sir. Were you here five days a week
• 58:12
  Speaker 1: and I'm just here for a few minutes, so I'm sorry. Okay.
• 58:17
  Speaker 1: So Steve Jaffee call him and he said, hey, uh,
• 58:22
  Speaker 1: the problem there is two authorities. I said, well, I
• 58:27
  Speaker 1: was gonna give one million, so okay, I'll give them
• 58:30
  Speaker 1: two million. And you said the other thing, both of
• 58:32
  Speaker 1: my men, did you hear me? The number one and
• 58:35
  Speaker 1: number two authority on breast milk is men. Did you
• 58:39
  Speaker 1: ever watch your wife nurse a baby While she's nursing
• 58:43
  Speaker 1: on this breast of the breast is leaking? Do you
• 58:46
  Speaker 1: know them thunks thought it was milk. It's parsing that
• 58:50
  Speaker 1: universal got to The baby didn't come from her, came
• 58:54
  Speaker 1: through her, and all the pars and she's had in
• 58:56
  Speaker 1: her body since she was a baby shoots it down
• 59:00
  Speaker 1: so that baby can't get it. I said, all you
• 59:03
  Speaker 1: got to do is have it tested these authorities. Oh
• 59:07
  Speaker 1: my god, look here, that's what we're living with. Something's
• 59:13
  Speaker 1: not right. I saw you say once that you know
• 59:15
  Speaker 1: Barack Obama was president and black people still sleep, well,
• 59:19
  Speaker 1: why would they wake up? It's like Bill Cosby didn't
• 59:22
  Speaker 1: know he's gonna get no trouble. White folks loved him,
• 59:25
  Speaker 1: he was doctor who he's Cui potable. You ever heard
• 59:28
  Speaker 1: a nickname Huskall. You ever heard a white boy name Huskital.
• 59:31
  Speaker 1: Ain't nobody on the planet named Huskal. That name don't
• 59:34
  Speaker 1: scare white folks. White children be on his shoulder eating
• 59:37
  Speaker 1: tap the olk out of the year, drums, mommy, mommy,
• 59:41
  Speaker 1: and then all the one his son get killed and
• 59:45
  Speaker 1: he can't do no more jello commercials. Did you ever
• 59:47
  Speaker 1: think about it? That what got him in trouble? He
• 59:51
  Speaker 1: was gonna buy in BC. So that's a fact. That
• 59:54
  Speaker 1: ain't some Internet room up. I don't deal in facts, don't.
• 59:58
  Speaker 1: That's what white felt don't mescab with and they did
• 1:00:01
  Speaker 1: the same thing to him. They did the tiger Wood.
• 1:00:05
  Speaker 1: Tiger Wood got four more majors because you'll put Jack
• 1:00:09
  Speaker 1: Nicholas five to be the all time camp. That's when
• 1:00:13
  Speaker 1: they busted him, and they have bet made a deal.
• 1:00:16
  Speaker 1: They said he's going to a sex camp in Mississippi.
• 1:00:19
  Speaker 1: You see, that's where they wing you all for putin
• 1:00:25
  Speaker 1: Jerry the address serious. He gave up nothing, hear me.
• 1:00:32
  Speaker 1: I'm surprised they never came after you all that speaking
• 1:00:34
  Speaker 1: you'd be doing what I said. I'm surprised. But y'all
• 1:00:36
  Speaker 1: forget y'all think y'all came from this stuff, your mom
• 1:00:39
  Speaker 1: and them. I know I came from the same universe
• 1:00:43
  Speaker 1: before that put the moon, the sun, the water and
• 1:00:46
  Speaker 1: everything else. Come get me if you can, But you
• 1:00:50
  Speaker 1: got to get through m no damn. You see you
• 1:00:54
  Speaker 1: see the he's talk about the baddest thing in the
• 1:00:57
  Speaker 1: history of the planet. Huh, bigger than mountains, the dinosaur.
• 1:01:02
  Speaker 1: But they didn't tell you when the dinosaurfice here. So
• 1:01:07
  Speaker 1: the butterfly. It ain't about being big and bad and nasty.
• 1:01:12
  Speaker 1: This being nice and humble. I look at her, I
• 1:01:18
  Speaker 1: see the butterfly. You have seen a caterpillar the pictures
• 1:01:22
  Speaker 1: of Valentine, they call us. No. Then out of that caterpillar,
• 1:01:28
  Speaker 1: the cocoon. He hooks the spelt with tree and the
• 1:01:32
  Speaker 1: heat comes through that hole, came in and out comes
• 1:01:36
  Speaker 1: beautiful m I see why you got ten kids? Oh,
• 1:01:41
  Speaker 1: let's move talking. No, I don't. I don't talk about them.
• 1:01:48
  Speaker 1: You know what I'm saying. How many babies you got too?
• 1:01:51
  Speaker 1: Were you talking? Yeah? I talk too much. You talk
• 1:01:54
  Speaker 1: too much and tweets at the same time. All right,
• 1:01:58
  Speaker 1: we got more with Dick Gregory when we come back.
• 1:02:00
  Speaker 1: Keeper locked as the Breakfast Club. Good Morning. That was
• 1:02:03
  Speaker 1: Jeremiah with Weed Morning. Everybody's DJ M v Angela Yee,
• 1:02:08
  Speaker 1: Charlomagne the guy. We are the breakfast Club. We have
• 1:02:11
  Speaker 1: comedian activist Dick Gregory in the building. But most people
• 1:02:14
  Speaker 1: who don't know is Michael Jackson was killed at two
• 1:02:17
  Speaker 1: o'clock in the morning with a laser. The laser four
• 1:02:21
  Speaker 1: days later they find the bloody shirt or got Douce
• 1:02:24
  Speaker 1: google it and found out it was four hundred thousand
• 1:02:28
  Speaker 1: dollars jewelry and cash missing. That's why they told Bratton
• 1:02:32
  Speaker 1: to get out of there. And if you follow where
• 1:02:34
  Speaker 1: he went when he left there, went to Virginia. See I.
• 1:02:38
  Speaker 1: So that's why this is so important. This is my
• 1:02:40
  Speaker 1: final question, is I, Gregor, what's what's what's the solutions?
• 1:02:43
  Speaker 1: Because we know all the problems ain't no solutions. It's
• 1:02:45
  Speaker 1: too late, damn. When your wife is nine months pregnant,
• 1:02:50
  Speaker 1: that universal God gonna drop that baby if you mean
• 1:02:53
  Speaker 1: death to the mother and the child. See y'all always
• 1:02:57
  Speaker 1: talking about solutions. You saw the Super Bowl, Yes, sir, okay,
• 1:03:02
  Speaker 1: you got a nick out run God, Cam Newton. Were
• 1:03:07
  Speaker 1: you so busy looking at the bulls you didn't notice
• 1:03:10
  Speaker 1: they had to change cleats eight times on them players? Yeah,
• 1:03:13
  Speaker 1: I remember them because they got something in the ground.
• 1:03:17
  Speaker 1: That's why they kept falling. Did you see when they
• 1:03:20
  Speaker 1: hit him, he dropped the ball. He didn't reach Rod.
• 1:03:24
  Speaker 1: It's in your blood man, like you dropped up your baby.
• 1:03:27
  Speaker 1: You grabbed hum you didn't if you go back the
• 1:03:31
  Speaker 1: year before that, they was on the half inch line.
• 1:03:36
  Speaker 1: They couldn't even measure, no time out. There's a brother
• 1:03:39
  Speaker 1: there will outrun God with the ball. They threw it
• 1:03:42
  Speaker 1: to a white ball. He dropped it. Y'all don't know
• 1:03:44
  Speaker 1: what you're looking at. It's a triggering dollar industry. Basically,
• 1:03:48
  Speaker 1: you just gotta wait till God come and pressure to
• 1:03:49
  Speaker 1: wash everything. No, you can't use God as a pit ball.
• 1:03:52
  Speaker 1: The time has already set. And you're so beautiful. Let
• 1:03:56
  Speaker 1: me tell you something. Every week you should get naked.
• 1:04:01
  Speaker 1: Non hear me, hear me, hear me, do them all
• 1:04:04
  Speaker 1: and look into the mirror and thank God for being beautiful.
• 1:04:08
  Speaker 1: Because ugly it's a bit you hear me, You hear people?
• 1:04:15
  Speaker 1: You have people say, ain't no ugly children? Show me
• 1:04:18
  Speaker 1: an ugly adult. We can trace that back to the prayer. See,
• 1:04:24
  Speaker 1: I worked, and so when you stop and think about something,
• 1:04:27
  Speaker 1: I was gonna throw you for. I left here. I
• 1:04:30
  Speaker 1: wasn't around white folks, rigidly segregated, and old black folks
• 1:04:36
  Speaker 1: told me all white boys had little bitty pewees and
• 1:04:38
  Speaker 1: eventually mine would touch the ground. I just thought I
• 1:04:42
  Speaker 1: was a late bloomer. So you never touch the ground here, joys,
• 1:04:47
  Speaker 1: What will you make think? Mind? Did you hear me?
• 1:04:51
  Speaker 1: You mad some of the dumbest if that was true
• 1:04:56
  Speaker 1: or black black men, and it wouldn't be no divorces, right,
• 1:05:01
  Speaker 1: you know what I'm saying? And thank you all. Thank y'all,
• 1:05:04
  Speaker 1: thank you, thank you, thank you, thank you. Now when
• 1:05:08
  Speaker 1: I show you this, I might want y'all to salute me.
• 1:05:13
  Speaker 1: No no, no, no oh no, you didn't do it right.
• 1:05:16
  Speaker 1: They had to be like that. Now listen to this.
• 1:05:20
  Speaker 1: What's the date, November seventh, nineteen. This is the Wall
• 1:05:23
  Speaker 1: Street Journal, Wall Street Journal. I ran for president of
• 1:05:27
  Speaker 1: the United States November the fourth, five to six seven,
• 1:05:31
  Speaker 1: that's Friday. Wall Street Journal said, what election computer? Goofs
• 1:05:36
  Speaker 1: gives Gregory nine million votes. They shut everything down. That's
• 1:05:39
  Speaker 1: nine million votes out of Pennsylvania. So for a few minutes,
• 1:05:43
  Speaker 1: I was the president. Wait, keep on, some machines just
• 1:05:46
  Speaker 1: aren't to be believed. Take the big computer in New
• 1:05:49
  Speaker 1: York that was designed to compile results worst day's general election.
• 1:05:53
  Speaker 1: At one point early yesterday morning, the machine was crediting
• 1:05:56
  Speaker 1: Dick Gregory, the comedian turned presidential candidate, with nine million
• 1:06:00
  Speaker 1: votes and pencil and and I won. I asked for
• 1:06:02
  Speaker 1: a recount. Here two hundred years you got these rich,
• 1:06:08
  Speaker 1: billionaire white folks and running this country. I'm not gonna
• 1:06:12
  Speaker 1: clean it up. You clean it up. Oh, anyway, I
• 1:06:16
  Speaker 1: just want to thank y'all, thank you, Thank you. I
• 1:06:19
  Speaker 1: really appreciate you. Come up with my brother. It's the
• 1:06:21
  Speaker 1: Breakfast Club. Is Dick Gregory