Latest / Corie Sheppard Podcast / Episode 185 | Thunder
Transcript
- 0:08Speaker 1: Welcome to episode 185 of the Corey Shepard podcast.
- 0:24Speaker 2: Glad to have you here and glad to have you back.
- 0:26Speaker 2: If it's your first time, welcome on board.
- 0:28Speaker 2: If it's your first time, right, let me start.
- 0:31Speaker 2: So right, let me start.
- 0:32Speaker 2: So Sometimes it starts kind of often, man.
- 0:33Speaker 2: This week we had to start with a clean up on aisle four, thank you, tell me if you can relate.
- 1:11Speaker 1: I used to sit down and wonder what kind of woman turns me on.
- 1:17Speaker 1: But I was too young to know that Some women sweeter than some.
- 1:25Speaker 1: Nowadays it isn't.
- 1:29Speaker 1: So I asked around and I got to know the different ways and different looks in which you could find a woman.
- 1:39Speaker 1: I want to know your opinion.
- 1:41Speaker 1: But some men love a woman with big bottom, plenty hips and looking alright.
- 1:48Speaker 1: Others love them women who tick and strong, plenty fit and love to go all night.
- 1:57Speaker 1: I'm glad I don't have to search no more.
- 2:01Speaker 1: I found a woman put really pride on her.
- 2:05Speaker 1: She's mad.
- 2:06Speaker 1: I still don't even know what she did last night that had me sweating, had me begging, darling.
- 2:14Speaker 1: No more, no more.
- 2:26Speaker 2: If you're in Trinidad, right Storm playing tune for you now.
- 2:31Speaker 2: It's a stormy season, if you know.
- 2:32Speaker 2: At least while I record, it's very stormy.
- 2:35Speaker 2: By the time I come out I hope all the water subsides.
- 2:38Speaker 2: You know rainwater.
- 2:40Speaker 2: Then I hope it subsides and everybody stays safe.
- 2:44Speaker 2: Have a few tunes lined up in the beginning of the episode here For no particular good reason.
- 2:49Speaker 2: Just because I come out this weekend and it's the first time I come out in a little while, it's the first time I come out in a little while and I feel good.
- 2:58Speaker 2: I feel good, I feel good to shake a leg.
- 3:00Speaker 2: I want to salute at the beginning of the episode, salute my guy Dwayne Alzola, venezuelan.
- 3:05Speaker 2: Yeah, veni, veni in the area through our FET here and the FET was over nice, over nice.
- 3:13Speaker 2: I was tired.
- 3:14Speaker 2: I had class first thing in the morning.
- 3:16Speaker 2: I went and played some cards with some men, some thieves and robbers for the whole day I can't see my way, thieves.
- 3:22Speaker 2: And then I had to go and fete in the night and nearly make it Come home.
- 3:25Speaker 2: I take a five and me and your wife come out and we shake a little foot.
- 3:28Speaker 2: So, forgive me, I just had some true line-up because I was outside.
- 3:48Speaker 1: Jessica, you ain't hear me calling Jessica.
- 3:59Speaker 1: It's a Tuesday morning.
- 4:02Speaker 1: Jessica, you're making a big mistake.
- 4:06Speaker 1: I can't wait until you regret.
- 4:09Speaker 1: I'm coming, I'm coming, I'm coming, I'm coming, I'm coming.
- 4:15Speaker 1: Listen to the steel band beat.
- 4:17Speaker 1: Hear them rap and some in sweet, oh oh.
- 4:23Speaker 1: Listen to the DJ man Make him a show and bamba, oh oh, a-comin', a-comin', a-comin', a-comin', a-comin' oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh oh.
- 5:01Speaker 1: Coming from the steel drum, all stars and invaders, desperados jamming, and all you say Is you're coming, you're coming, you're coming, you're coming, you're coming, you're coming, you're coming, you're coming, you're coming.
- 5:12Speaker 1: Listen to the steel band weed.
- 5:16Speaker 1: Hear them brass bands humming, sweet, oh oh.
- 5:19Speaker 1: Listen to the DJ man Making human shaking, bang, bang, oh oh.
- 5:25Speaker 1: Listen to the DJ man making a man shake his bamba.
- 5:26Speaker 1: Oh oh, agome, agome, agome, agome, agome.
- 5:56Speaker 2: That was the voice of the man they call power.
- 5:58Speaker 2: I want more for you, though.
- 6:00Speaker 2: It's all this sort of rain and lightning, it's all this other rain and lightning.
- 6:10Speaker 2: This is where the fire is a smoke.
- 6:36Speaker 1: And where the lightning, where the Thank you.
- 6:40Speaker 1: Now you in front me, man.
- 6:42Speaker 1: You stiffen your chest, you wave in your hand, you lift in your trap.
- 6:45Speaker 1: Yeah, yeah, baby, how your heart so moses.
- 6:47Speaker 1: I'm watching you whole night.
- 6:50Speaker 1: You're dancing a whole night.
- 6:52Speaker 1: You're dancing a whole night.
- 6:54Speaker 1: You're poking me whole night, Provoking me.
- 6:58Speaker 1: Look, If I only hold you tonight, it's thunder.
- 7:00Speaker 1: Yes, I'm giving you thunder.
- 7:02Speaker 1: I'm going to make you tell me surrender.
- 7:03Speaker 1: I'm giving you thunder.
- 7:03Speaker 1: All the stronger.
- 7:04Speaker 1: Stronger is thunder.
- 7:04Speaker 1: I'm giving you thunder.
- 7:04Speaker 1: I'm going to make you tell me surrender.
- 7:05Speaker 1: I'm giving you thunder.
- 7:07Speaker 1: All the stronger.
- 7:08Speaker 1: Stronger is thunder.
- 7:09Speaker 1: I'm giving you thunder.
- 7:11Speaker 1: What you see without a phone girl is thunder I'm giving you whole night.
- 7:16Speaker 1: You're dancing the whole night.
- 7:18Speaker 1: You're dancing the whole night.
- 7:20Speaker 1: You're poking me whole night, Provoking me.
- 7:23Speaker 1: Look, I see by the way you're moving your waist Like it's my head.
- 7:48Speaker 1: You're off the chest Now.
- 7:52Speaker 1: You're swinging in front, you're flinging behind.
- 7:54Speaker 1: You're making me want to hold on and watch.
- 7:56Speaker 1: Hey, hey, hey, why you chasing me, man.
- 7:59Speaker 1: I'm watching you all night.
- 8:01Speaker 1: You're prancing up all night.
- 8:03Speaker 1: You're dancing up all night.
- 8:05Speaker 1: You're dancing all night.
- 8:06Speaker 1: You're poking me all night, Provoking me.
- 8:09Speaker 1: Look, If I only hold you tonight, it's thunder.
- 8:12Speaker 1: I'm giving you thunder.
- 8:14Speaker 1: I'm going to make you watch me and wonder I'm giving you thunder.
- 8:18Speaker 1: All the best you want to venture is thunder.
- 8:20Speaker 1: I'm giving you thunder.
- 8:22Speaker 1: When you say Lego, Hamlet, it's thunder.
- 8:24Speaker 1: I'm giving you thunder.
- 8:26Speaker 1: I'm giving you thunder.
- 8:26Speaker 1: And when you say Lego, Hamlet, it's thunder I'm giving you whole night.
- 8:27Speaker 1: You're dancing a whole night.
- 8:29Speaker 1: You're dancing a whole night.
- 8:31Speaker 1: You're poking me whole night.
- 8:34Speaker 2: Provoking me whole Right now.
- 8:36Speaker 2: That song don't need no introduction.
- 8:42Speaker 2: I tell you who sing that Google Thunder man.
- 8:45Speaker 2: Google Thunder soaker.
- 8:46Speaker 2: If you ain't know who sing that, go and listen to good music.
- 8:48Speaker 2: How all the week was?
- 8:49Speaker 2: Everybody had a good week.
- 8:49Speaker 2: As I say, I hope, people staying dry, people staying safe.
- 8:52Speaker 2: It cold like hell.
- 8:53Speaker 2: It is as cold as hell is hot.
- 8:56Speaker 2: You know what I mean, a Trinidadian kind of thing, you know.
- 8:59Speaker 2: So yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah.
- 9:02Speaker 2: They get me out my house this week.
- 9:03Speaker 2: They get me out my house.
- 9:04Speaker 2: I went to a little community and I must say listen, I live in a community here where when the neighbor throw a fit inside here is niceness, I wouldn't lie, it's old people party.
- 9:15Speaker 2: When you say ex the board, when you're in your 40s, right, all it means is you come out of your house and you ain't do nothing spectacular, you're just two-step for a very long time.
- 9:24Speaker 2: You know what I mean.
- 9:25Speaker 2: Nothing spectacular happened, nothing out of the ordinary.
- 9:29Speaker 2: A little pool party by Zola.
- 9:30Speaker 2: This might be the third edition or not.
- 9:33Speaker 2: As usual, we had a good time.
- 9:34Speaker 2: Salute to everybody who was there.
- 9:35Speaker 2: Salute to Mr Mac and the Wings Lady Still our wings.
- 9:39Speaker 2: I bought a lot of vodka.
- 9:41Speaker 2: It was, it was a long night, but I had to tell everybody highlighted the night, right, I'll tell everybody highlighted night before I jump into the um, before I jump into everything here, I, I, I, I come out of the wife as usually, the, the regular, the usual suspects are wrong.
- 9:56Speaker 2: And having a 40 year old good time, right.
- 10:00Speaker 2: So who dancing, who thinking, who jumping, who even saluting?
- 10:04Speaker 2: The two people are the salute at all times, right?
- 10:06Speaker 2: You see, when you it has some artists coming through now this weekend, they say when you keep in a session and you want it for ram, make sure me name up on the invitation and make sure me face up on the television when you're keeping a party and you want the party to have vibes.
- 10:21Speaker 2: You see, mr and mrs keegan barrett, salute to keegs, salute to mr and mrs keegan barrett.
- 10:29Speaker 2: Keegan and tisa, high, right, you must know keegs from, well, keegs, always keegs in.
- 10:33Speaker 2: And you must know tisa, high as what are you the zumba queens in trinidad and tobago, right, and let me tell you something, right, the fitness, them coaching and it's showing, you know, because them, this richard party, have no warm-up, them don't put nothing.
- 10:46Speaker 2: Them is go from first gear to wherever the last gear is.
- 10:49Speaker 2: They have no in between this extra board.
- 10:51Speaker 2: So the usual thing at some point you know keegs go lossy shoot, true to form.
- 10:55Speaker 2: At some point you know somebody go end up in zola, in zola, uh, pool, true to form, you know, I mean everybody diving, everybody dive in 12-1,.
- 11:05Speaker 2: Man, I make the mistake and do that.
- 11:07Speaker 2: Let me tell you something Whoever dive in a pool, in no pool parties, look tempting.
- 11:12Speaker 2: Everybody say hey and then nobody do follow you.
- 11:15Speaker 2: Then you just start to feel cold, start to get egg you in your bones.
- 11:18Speaker 2: Don't do it.
- 11:19Speaker 2: Don't do it.
- 11:19Speaker 2: But strong man in the fed dive in Strongman and Yvette Diving, we had a good time.
- 11:27Speaker 2: I want to say a special mention and salute To the great DJ Chacha.
- 11:28Speaker 2: Let me tell you something If you want your party to be nice, I don't care if your party is in the savannah, like them show over the weekend, where you have 25,000 people, or if you're keeping that thing home With about 100, 200 people or however small it is Chacha, her energy and vibe.
- 11:42Speaker 2: Chacha, on something you know, I never see a DJ.
- 11:44Speaker 2: The first place I see DJ Chacha was in Slupe Boy, tony Chumlee.
- 11:52Speaker 2: I see Chacha in Chumlee Wedding and Chacha energy and vibes is on a next level.
- 11:55Speaker 2: This is the same man who sit on choirs and play song for people to enter to and song for people to do their first dance and dance with my father again.
- 12:04Speaker 2: The same man watch him quiet day.
- 12:06Speaker 2: When the party time starting chumley wedding, he went extra boy, he didn't take off his jersey and he showed them, as he says, our wedding.
- 12:12Speaker 2: He try and behave, but his heavy foot on chair and wine and think cha-cha making a dance, nice.
- 12:17Speaker 2: But lo and behold, at my expectation, as I will always see kegs perform ke big catalog and, you know, in a backyard jam like that, I know at some point Kiggs will take the mic and do a thing, only to see a man by the name of Chiny here.
- 12:33Speaker 2: Right, we just call him Chiny.
- 12:33Speaker 2: You know what I mean.
- 12:34Speaker 2: That is not the best with race relations, you know.
- 12:38Speaker 2: We just call people all kinds of names that could be considered very, very derogatory.
- 12:43Speaker 2: Right, we just call him Chiny, right?
- 12:44Speaker 2: Salute to the great Chiny.
- 12:46Speaker 2: I know the man in the area and I get in this man's talk for weeks now because, if you know Street Cred, right, a Facebook personality influencer, whatever you want to call him.
- 12:55Speaker 2: I see a Street Cred video recently on a boat ride and I see Chiny grinding down a thing like a sugar mill.
- 13:01Speaker 2: I never see.
- 13:02Speaker 2: You remember when you used to grind fruits for Christmas?
- 13:04Speaker 2: You had a big grinder right.
- 13:06Speaker 2: You used to attach it to a table.
- 13:08Speaker 2: You had to clamp it down to the table, throw in your little currants and your little prune and everything and grind down there.
- 13:14Speaker 2: Chiny, grind down a thing on the boat rides One of the greatest thing I ever seen.
- 13:19Speaker 2: And within all that grind down, that video went viral for some reason.
- 13:24Speaker 2: Somebody else he wasn't in the background of the video, no, he wasn't focused on the video.
- 13:27Speaker 2: That is man's worst nightmare right Now.
- 13:29Speaker 2: That I mean, all the men I know are married and in relationships and so on.
- 13:32Speaker 2: Don't go grinding young people on boat rides.
- 13:34Speaker 2: But should you end up doing that, the worst thing could happen to you in this era is somebody else making a video over.
- 13:40Speaker 2: So one of these girls who is go party and do this you know what I mean?
- 13:44Speaker 2: They're just waving around and that is their whole party and now you're in the background grinding down there taking the worst disguise.
- 13:51Speaker 2: All Chinese have one of those shades.
- 13:52Speaker 2: The video end up with a million views.
- 13:57Speaker 2: It ain't just bad luck to get catching somebody's video, you're bad luck with the video of a million views.
- 14:02Speaker 2: So look to Chinese.
- 14:03Speaker 2: But at some point in the night everybody tight and all of a sudden I see Chyney going for microphone.
- 14:09Speaker 2: I say oh Lord.
- 14:11Speaker 2: I say what's going to happen now?
- 14:14Speaker 2: Why are we doing this chacha and mashing up the dance already, only for Chyney to bring two tunes In typical Chyney style?
- 14:20Speaker 2: The two-tune Chy Chinese thing is oink oink and brrk brrk, brrk, brrk.
- 14:27Speaker 2: As with a Chinese, the man come to sell food.
- 14:29Speaker 2: You know the only thing is a restaurant he looking to open.
- 14:31Speaker 2: You know this man whole career is food song.
- 14:33Speaker 2: It go be a lo mein, a chow mein, a brrk and a pork.
- 14:37Speaker 2: You know what I mean.
- 14:37Speaker 2: The man making sure food go sell, and his is only salute to pala stacy.
- 14:46Speaker 2: Hence the first song in the in the episode this week.
- 14:48Speaker 2: Right, but pala stacy had to tell me.
- 14:50Speaker 2: She said cory, you don't know chiney.
- 14:51Speaker 2: She said chiney, win soca star.
- 14:52Speaker 2: I say tom drunk.
- 14:54Speaker 2: But tell me, no fool chippin, this is more chiney.
- 14:57Speaker 2: I say you ever see chiney play football, like if that has something to do with something, right, but she said chney wins Soca Stars.
- 15:03Speaker 2: See what foolishness is you telling me?
- 15:05Speaker 2: When I come home now, within all the drunkenness, I had to Google Chyney.
- 15:08Speaker 2: You know Chyney that is performing.
- 15:10Speaker 2: Let me refresh all your memory here.
- 15:12Speaker 2: Right, and because of Chyney, salute to the great Valentine McCoy.
- 15:15Speaker 2: Because of Chyney, I dig up some old Soca Stars with.
- 15:21Speaker 2: Tc used to be the host and it wasn't Peter C Lewis.
- 15:25Speaker 2: Peter C Lewis was the station owner and them fuzzies used to come together.
- 15:28Speaker 2: It was like a reality.
- 15:29Speaker 2: Well, not like it was a reality, and like a cross between a reality show and one of them.
- 15:35Speaker 2: Shows like American Idol and me and Noah playing.
- 15:38Speaker 2: I done Noah playing football already with Keegs and Noah playing football with the great choco, with the soca twist me, you know it's a whole celebrity thing, chinese.
- 15:47Speaker 2: Anything to all my refresh all the memory.
- 15:51Speaker 1: When I wind up on you, wind up on me, girl, shake everybody.
- 15:55Speaker 1: Let me see when I mix it's so candy down time, girl, I'm a wind up on you not trying.
- 16:07Speaker 1: So when I wind up on you, wind up on me, girl, shake everybody.
- 16:11Speaker 1: Let me see I got a look so fine, sharp, like a blade, and a body too kind, girl, give me all.
- 16:15Speaker 1: I got.
- 16:16Speaker 1: Wind up me.
- 16:16Speaker 1: Low on you, wind up on top.
- 16:17Speaker 1: No-transcript.
- 16:28Speaker 1: One journeyman come in.
- 16:29Speaker 1: He come flex.
- 16:29Speaker 1: All the man, them teammates, start to get flex Cause the gal them watching wanna get a flex After the dance she want to get.
- 16:35Speaker 1: Say them wanna stick to me like crazy.
- 16:37Speaker 1: Cool body, so clean.
- 16:39Speaker 1: Ya just can have a clue.
- 16:40Speaker 1: This ain't no joke.
- 16:41Speaker 1: I'm talking to you, girl.
- 16:42Speaker 4: When I get you in the mood you wanna be like.
- 16:44Speaker 1: Chy-nee.
- 16:45Speaker 1: Here come four fighting, showing style and flex.
- 16:47Speaker 1: Like Chy-nee Girl, love how I move, love how I groove.
- 16:50Speaker 1: And you know, I get a mini mood like Like how I'm whining, like how I'm grinding and flexing time in Chy-nee Girl, love how I move, boy.
- 16:58Speaker 1: I tell them now A1, lover number one, shotta.
- 17:02Speaker 1: When the girl in come, a shred them like butter.
- 17:04Speaker 1: When the win shiny, they don't want no other.
- 17:05Speaker 1: What do ya look like?
- 17:07Speaker 1: Check me, brother.
- 17:07Speaker 1: Shiny man, do it better.
- 17:10Speaker 4: I rock the boat and them a call me the skipper.
- 17:12Speaker 1: Nothing's a quad when I pull up me zipper.
- 17:13Speaker 1: Deal with them proper they wanna be like.
- 17:16Speaker 1: Shiny ya, kung fu, fighting, strolling, styling, wet like water.
- 17:19Speaker 1: Shiny, ya love how a move, the power, and you know I get every mood like Like how I whine, like how I grind and I hunt like fire.
- 17:27Speaker 1: Try me, girl, love how I move, how I, how I, how I say I wanna make you whine, I wanna make you grind.
- 17:34Speaker 1: I wanna see you flex and jam it up, wanna see you move, I wanna see you groove, make you bump up, bounce and bubble up Hot walk and whine.
- 17:56Speaker 1: I love to whine.
- 17:57Speaker 1: It's fine, give me the temper.
- 17:59Speaker 1: Outro Music Look there, andy, she body so tight.
- 18:02Speaker 1: She gonna live with me tonight.
- 18:03Speaker 1: She wanna be like Chiny.
- 18:05Speaker 1: Here come four, fighting, showing, styling, wet like water, chiny.
- 18:09Speaker 2: There's a whole celebrity scene.
- 18:12Speaker 2: I tell you I had to start again.
- 18:14Speaker 2: Peter come in he said but salute to Zola man, zola had a nice fit.
- 18:17Speaker 2: Zola understand the idea Between high and professional.
- 18:19Speaker 2: There, big Travis from our radio Keegs in the dance.
- 18:22Speaker 2: Keegs never perform.
- 18:23Speaker 2: We're watching him.
- 18:24Speaker 2: He has Zumba specialists in the dance teaching people how to not jump in the pool but get wet.
- 18:28Speaker 2: And the great Chinese.
- 18:30Speaker 2: The great Chinese come out.
- 18:33Speaker 2: All you remember him.
- 18:35Speaker 2: But as we're talking higher professionals, right, let me get into the couture of the week.
- 18:39Speaker 2: The couture of the week, the biggest story of the week.
- 18:41Speaker 2: I don't know if to say fortunately, unfortunately, coincidentally, I'm not sure how to put it, but the biggest story of the week was when a certain bakery, right by the name of the baking room, right them fellows and them, put out.
- 18:58Speaker 2: Well, it starts off with people saying basically that, or somebody saying that they get maggots in a beef pie.
- 19:05Speaker 2: Now I'll tell you this right, my iron constitution.
- 19:10Speaker 2: I'm not like certain people who live in this house.
- 19:12Speaker 2: My constitution is steel cast iron.
- 19:14Speaker 2: I could eat whatever, eat wherever, except KFC and doubles.
- 19:18Speaker 2: Here's International Doubles Day.
- 19:19Speaker 2: We could talk about that a week, or something like that.
- 19:22Speaker 2: Right, we could talk about that in a little while.
- 19:24Speaker 2: But I typically could eat whatever I want and be fine.
- 19:28Speaker 2: You know what I mean.
- 19:28Speaker 2: But, and a few things is really too in my stomach and bother me.
- 19:34Speaker 2: But this story I don't know if people follow it, right, if you're in the West End, trinidad or Yonder Rock, the baking room is a business.
- 19:41Speaker 2: They say it's in St James right, which I don't really to believe.
- 19:46Speaker 2: That you know.
- 19:46Speaker 2: I mean, I'm so sure about that, but I know it more or less as a place online because I think if, if I'm not mistaken, it's like when you're on food drop, uh, for those of you who are bro like the local, the local who eats his food drop right, or or we eat, or something like that.
- 20:05Speaker 2: And this baking room thing has come up all the time.
- 20:08Speaker 2: So I always checking it and I say you know what?
- 20:09Speaker 2: It would be nice to get some bread delivered into the people calling you to tell you about bring them bread when you're coming and them kind of thing.
- 20:16Speaker 2: And the pastries.
- 20:19Speaker 2: And I, for some reason, I like beef pies a lot, right, I love myself a good beef pie.
- 20:24Speaker 2: I hate when you're walking through.
- 20:26Speaker 2: So when you come, you know what happens to me a lot when I'm parang and then I reach Independence Square, I drive back down the road and I say right, let me stop and get two beef pie up in me.
- 20:34Speaker 2: And then they open it and the pie are no beef whatsoever.
- 20:36Speaker 2: So I like lime, but any kind of thing, I like a Reaper, all them different thing.
- 20:42Speaker 2: Right, and I watching this story where somebody buy the beef pie or order the beef pie from from baking room and when they open it it have big fat, alive and well maggots.
- 20:55Speaker 2: I know you've always seen this before, but this, even talking about it now crawling my blood a little bit because, no, I wondering if when I back I had a bad habit of just buying thing.
- 21:03Speaker 2: I just go in place.
- 21:04Speaker 2: I don't know nothing about go and buy, just eat whoever.
- 21:07Speaker 2: You had to sort of open your food now and check and them kind of thing.
- 21:10Speaker 2: And not not, not on baking room necessarily alone, maybe just everywhere.
- 21:14Speaker 2: Because the truth is, if you have a food business, things could happen.
- 21:17Speaker 2: That's, that's the truth about it.
- 21:18Speaker 2: And I could expand that to say once you have a business, any kind of business, once you open to the public, things just happen.
- 21:24Speaker 2: Right, and, coincidentally, these are things we talk about in marketing class and when I do courses on marketing, whether it's bachelor's or master's level.
- 21:33Speaker 2: The other part of marketing is called promotions, right, where it's about communicating to the public, right, what people know as marketing communications and social media communications becoming more and more important because this is a way that we as consumers get to interact directly with the.
- 21:48Speaker 2: How to take this marketing off the screen.
- 21:50Speaker 2: I've had it in front of my body.
- 21:51Speaker 2: Yeah, that is a way to get our we as consumers to collect, connect directly with businesses, and it's the same thing.
- 21:58Speaker 2: Businesses, artists, any, anybody who has something to sell could connect with people directly is a is a great thing.
- 22:03Speaker 2: Think about it.
- 22:03Speaker 2: I have to in me.
- 22:05Speaker 2: Building the podcast and reaching out to ollie and talking to ollie every tuesday is really you're coming directly to me.
- 22:11Speaker 2: 20, 30 years ago, we wouldn't be able to do this.
- 22:13Speaker 2: I'd understand about selling a radio station and try to get a walk and see if they were hiring because they had gatekeepers.
- 22:18Speaker 2: Who is this side?
- 22:19Speaker 2: Who going to come or who going to get on or not get on?
- 22:23Speaker 2: Now, anybody could pick up a mic and have a show.
- 22:25Speaker 2: Potentially, you don't have to listen to the morning shows anymore.
- 22:32Speaker 2: Potentially, somebody could come up and do a morning show from 6 to 9 every morning and make it available or do it live for people who are on their morning commute and replace morning radio.
- 22:41Speaker 2: So one of the better things in the social media era is the idea of going direct to consumer, and that's the thing too, like now you're going to baking room, whether they have a big brand name or big advertising like the big boys in the country, don't matter.
- 22:55Speaker 2: You see them on a on a food drop app.
- 22:58Speaker 2: You could.
- 22:59Speaker 2: You could get them a try.
- 23:00Speaker 2: Think about it like this.
- 23:01Speaker 2: Before they had things like that, you would have had to literally be passing through st james to see there and hungry at the time, and walk into them.
- 23:08Speaker 2: Now this, uh, like not just the, the social media, but the food drop apps and the social way that is designed as well helps businesses to expose themselves to a much wider public than they would be able to talk to before.
- 23:22Speaker 2: But one of the points that I make to students all the time is that is a couple things right.
- 23:27Speaker 2: It does not matter before.
- 23:29Speaker 2: When you talk about marketing, you sit about a target audience right and try to talk directly to your target audience and tailor your messages to them.
- 23:35Speaker 2: That's still an important message in marketing today.
- 23:37Speaker 2: But the issue is this everything that you communicate gets seen by everyone your competitors, your suppliers, your people you supply.
- 23:45Speaker 2: Everybody sees it, uh, including customers who may not have ever bought from you or be interested in you at all.
- 23:51Speaker 2: You're in the public space more so than we've ever been before, so you have to be careful about how you communicate.
- 23:58Speaker 2: The other things I usually tell students is uh, the internet is written in ink, it's, there's no erasing it.
- 24:05Speaker 2: Nothing disappears.
- 24:06Speaker 2: Everything is a cycle.
- 24:08Speaker 2: We we were in our 40s now and I could imagine for for our parents right when they see any things that we surprise that and we find out and we talk about.
- 24:19Speaker 2: Even some of the things I talk about in this podcast I talk about and it's something like a revelation to me and my mother lived through that a hundred times before.
- 24:27Speaker 2: Parents see them things many, many times, so we know we watch you to now figure out something like them.
- 24:33Speaker 2: Now hear about something.
- 24:35Speaker 2: I was watching method man performing on hot 97 summer jam recently and he was saying he not coming back to that because the generation gap too big.
- 24:43Speaker 2: When you're young, you're now finding out whatever it is like real time In today's world.
- 24:49Speaker 2: Everybody, all age groups, are finding out about things at the same time and it does not disappear.
- 24:55Speaker 2: This baking room story is going to come back up in some years from now Because some of the company inevitably will make a mistake like this and people will say, hey, holy baking room, the pies are there.
- 25:04Speaker 2: You know Trinidad and Trinidad.
- 25:05Speaker 2: It's unforgiving.
- 25:06Speaker 2: They're unforgiving.
- 25:08Speaker 2: Think of how much stories you hear coming up about doubles, doubles, where they find Roach footing in the doubles or they find somebody cooking, dog with a roti.
- 25:18Speaker 2: None of them's stories substantiated by anything and some of them led to businesses having to close down.
- 25:26Speaker 2: I remember my grandfather telling my story about two rooties shopping south competing next to one another and one of them he can't keep up.
- 25:32Speaker 2: I don't know if it's the price better, the rootie better, whatever it is, he's not next door, he's a crowd and he's no crowd.
- 25:37Speaker 2: And he pays somebody to come with a dog, a dead dog, and he hides a prime time, lunchtime crowd.
- 25:44Speaker 2: He walking with the dog and dressed on the dog and he come to.
- 25:47Speaker 2: He said, boss, look the thing I bring for you.
- 25:48Speaker 2: Bam, people run out of the shop and from that day on he known as a man who cooking dog and then people started come next door marketing is a brutal thing in the air to sell it.
- 25:59Speaker 2: Where's how you sell it, where's this?
- 26:00Speaker 2: So another thing because of this era, how fast news gets around, how visceral the reaction could be, because everybody reacting to this baking room saying I never buy nothing from baking room, plenty of people I talking to never buying nothing from baking room either.
- 26:17Speaker 2: But now we have an opinion about them.
- 26:19Speaker 2: Maybe they're more known now than they were ever known before.
- 26:22Speaker 2: Like I should ask people if they ever had ever heard about them before.
- 26:27Speaker 2: I was asking, kind of like if they ever buy anything.
- 26:29Speaker 2: But they say it would be interesting to hear how much people knew about them at all.
- 26:33Speaker 2: But now they're in the limelight for a bad reason, and one of the things that we talk about is we used to call it public relations back in the day.
- 26:39Speaker 2: Now it would fall as kind of like marketing communications.
- 26:42Speaker 2: In other words, how do you communicate with the public?
- 26:46Speaker 2: I remember talking about this in a much more tragic situation, right, so I'm not comparing it to.
- 26:54Speaker 2: But I remember when we had the Paria incident Was it is it Paria, the people name who take over PetroTrend that incident where four guys I think it was three, either three or four guys had lost their life back then Still ongoing, right, you saw real poor communications come out after that.
- 27:12Speaker 2: That is a tragedy and the way it was handled from a communication standpoint was real poor.
- 27:18Speaker 2: So I was kind of looking at this to try to see, okay, what are they going to do?
- 27:21Speaker 2: Because you have to say something and I was hoping to go out there and deny it was the person did a video showing where they buy this thing and when they open it, where it is, they see now that is, um, that is courtroom or settlement and them kind of things coming to that.
- 27:38Speaker 2: Right, because you put me in, in danger my life, you put me through stress and trauma, having bitten into this thing you you know what I mean From buying from you.
- 27:45Speaker 2: So that's one situation.
- 27:46Speaker 2: You have to deal with that customer who went through that.
- 27:49Speaker 2: But you also have to get your people to come out and say something about this, communicate to people something about it.
- 27:57Speaker 2: Now the first piece of communication I saw it came out and they basically said this is the first time anything like this ever happened and they apologize and they will re-look at the systems.
- 28:10Speaker 2: And I'll read it and I'll point out some things here that I was like I'm advising on something right, hire professionals.
- 28:18Speaker 2: They have professional communications people who will help you with these things.
- 28:21Speaker 2: This is egregious, right.
- 28:22Speaker 2: You sell somebody, a private market people who will help you with these things.
- 28:24Speaker 2: It's not not you do.
- 28:24Speaker 2: This is egregious, right.
- 28:25Speaker 2: You, you sell somebody a pirate market selling.
- 28:26Speaker 2: Part of your marketing angle or your competitive difference is how you.
- 28:32Speaker 2: You're fresh, you know.
- 28:33Speaker 2: I mean everything fresh.
- 28:34Speaker 2: It cannot be clearly the stuff not fresh.
- 28:37Speaker 2: Right, and a marketing professional could help you respond to this.
- 28:41Speaker 2: And you, you would need some other kind of consultants to help you get your process right so that you're not selling stale or spoiled products to people, especially when you're doing food where that could poison somebody, right?
- 28:53Speaker 2: But let me, let me read this press release public statement from the baking room.
- 28:56Speaker 2: Oh well, kudos to them for not denying it, because that would be bad.
- 29:01Speaker 2: That woman would have pulled out receipts and make a video.
- 29:03Speaker 2: Then you would have had a shutdown, right.
- 29:05Speaker 2: But I read it.
- 29:06Speaker 2: I read it from the instagram page the management and staff of the baking room are deeply saddened and shocked by the recent incidents involving one of our products, as depicted in the video circulating on social media.
- 29:15Speaker 2: We take this matter very seriously and we are committed to addressing it with the utmost urgency and transparency.
- 29:21Speaker 2: Maybe, maybe they could have stopped it.
- 29:24Speaker 2: I'm not communications professional right, but maybe they could have stopped it went on to say, first and foremost, we extend our sincere apologies to the customer who experienced this distressing incident.
- 29:34Speaker 2: I think we all experience a distressing incident, just watching her do that, or I think everybody was distressed.
- 29:42Speaker 2: We thank them for for bringing the matter to our attention and wish to assure them and the public that, upon learning of this, we immediately launch after our investigation.
- 29:49Speaker 2: The health and safety and satisfaction of our customers are our top priorities and we are devastated.
- 29:54Speaker 2: This has occurred.
- 29:55Speaker 2: Our bakery opened during the covid 19 pandemic under the strictest of health protocols and we have consistently maintained the highest standards of cleanliness.
- 30:03Speaker 2: All our pastries are baked fresh daily and this is the first isolated incident of this nature in our history.
- 30:12Speaker 2: I don't know what they mean by first isolated incident.
- 30:15Speaker 2: You see, the words matter.
- 30:17Speaker 2: You had to hire professionals.
- 30:19Speaker 2: But let me step back from that first isolated incident thing.
- 30:23Speaker 2: They say they operate during COVID, they have the highest standards and they're maintaining that.
- 30:27Speaker 2: They have consistently maintained the highest standards of cleanliness and the pastries are baked fresh daily.
- 30:34Speaker 2: Tell me which one of them two things do you believe?
- 30:36Speaker 2: Do you all believe that they have the highest standards of cleanliness?
- 30:39Speaker 2: I do not.
- 30:40Speaker 2: Do you all believe that the pastries bake fresh daily?
- 30:44Speaker 2: I don't.
- 30:47Speaker 2: And this is one of the biggest issues you have in branding Branding the core of branding is trust.
- 30:51Speaker 2: When you do things that cause your customers to distrust the words that you're saying or distrust the actions that you're taking, it's a rough road to come back from.
- 31:01Speaker 2: So maybe if you're saying you're addressing it with utmost urgency and transparency and then a few sentences later, you're saying all your pastries are baked fresh daily, I don't understand where living maggots come from in something that bake fresh daily.
- 31:15Speaker 2: Not adding up, it's not true.
- 31:18Speaker 2: We are working closely with our suppliers and staff tied in.
- 31:20Speaker 2: You know this is the supplier.
- 31:28Speaker 2: Whoever bring the beef, bring it.
- 31:29Speaker 2: So we are working closely with our suppliers and this is a staff to identify the source of contamination and ensure that such an incident never occurs again.
- 31:36Speaker 2: In the meantime, we've taken the following immediate actions Remove all of our products.
- 31:41Speaker 2: We have removed all meat, pastries and any other potentially affected products from our shelves.
- 31:45Speaker 2: Enhanced inspections and sanitization Our facilities are currently undergoing enhanced inspections and cleaning procedures.
- 31:53Speaker 2: Supplier review we are conducting a comprehensive review of our supply chain to verify the quality and safety of all ingredients used in our products and to identify any failures that could have contributed to this isolated incident.
- 32:07Speaker 2: Staff training we are implementing immediate and additional training for all staff on food and safety and handling procedures and our customer service policies.
- 32:18Speaker 2: So, our valued customers and community, we deeply regret the distress this incident had caused.
- 32:22Speaker 2: We understand the trust of our customers.
- 32:25Speaker 2: We understand the trust our customers place in us, do you, and we are committed to restoring that trust.
- 32:30Speaker 2: We appreciate your support and understanding as we work diligently to resolve this matter.
- 32:34Speaker 2: For any customers who have concerns or questions, please reach out to us.
- 32:38Speaker 2: The number is 230-6521.
- 32:40Speaker 2: Call them other pies, you know.
- 32:41Speaker 2: I mean I'll tell you this right before I get into this any further.
- 32:42Speaker 2: I don't like to see businesses go through these kind of things.
- 32:43Speaker 2: I think this is zero 65, 21,.
- 32:43Speaker 2: Call them other pies.
- 32:44Speaker 2: You know what I mean.
- 32:44Speaker 2: I'll tell you this right before I get into this any food.
- 32:45Speaker 2: I don't like to see businesses go through these kind of things.
- 32:48Speaker 2: I think this is enormously difficult to recover from any deal not fool and I hope that, whatever happened, they have enough of a loyal customer base to go through this and and survive it and come out good on the next side.
- 33:03Speaker 2: I was talking in class this weekend and somebody had asked a good question or raised a good point.
- 33:07Speaker 2: They say like if it was KFC this would have never happened, and it's true, but it's not because it would not be an incident.
- 33:14Speaker 2: It would have been because KFC brands so strong and they have delivered so well and consistently over so many years that they don't have to release something saying it's an isolated incident.
- 33:26Speaker 2: Your buy, your purchase history from kfc will tell you that that is an isolated incident.
- 33:31Speaker 2: You forget all the theory and thing.
- 33:33Speaker 2: Right, if something, if kfc sell a piece of spoiled chicken and that go viral tomorrow, and I'm saying the sales wouldn't dip, but they will be under no threat of losing their business.
- 33:43Speaker 2: They will still continue to operate for decades to come, because what you, what you will do subconsciously is look at, I've bought kfc for the last 40 something years.
- 33:52Speaker 2: It's clear, right, you can see it on me.
- 33:54Speaker 2: You never had an incident like this.
- 33:56Speaker 2: And and and you're also going to think that, hey, I will never have an incident like that.
- 34:01Speaker 2: The next time you look to other kfc, you'll see, boy, let me get them maggots on them sometime.
- 34:06Speaker 2: You know what I mean.
- 34:07Speaker 2: Let me let me get them to fix up with rent.
- 34:09Speaker 2: Okay, love to me next to one of them, and when they're done that, we go other, so they might take a little bit of a dip.
- 34:14Speaker 2: But but from the time then come on and put our wings, special mankind going on chances.
- 34:19Speaker 2: Yes, we go check it good and see if it's having anything in it, and we're going down in that.
- 34:23Speaker 2: So I'm wishing the people at Bacon Room the best Again.
- 34:27Speaker 2: Things like this, I mean.
- 34:28Speaker 2: You can see, I would assume that it's a small business.
- 34:33Speaker 2: They seem very, very young as well, so they might not have had enough time.
- 34:37Speaker 2: Well, they clearly don't have enough time and scope to strengthen the brand as much as somebody like KFCfc will also have professional people release a statement on this.
- 34:46Speaker 2: Right, they're not going to take any chances with that.
- 34:48Speaker 2: They, they, they are going to protect the brand both locally and globally.
- 34:52Speaker 2: They're not.
- 34:52Speaker 2: They're not going to play these games.
- 34:53Speaker 2: So I'm not sure if bacon room that maybe I try to write this themselves or they didn't get any professional help, or sometimes business small and they care for the best people to do it.
- 35:01Speaker 2: But this, this, um, this press release, wasn't it number one on your instagram page?
- 35:07Speaker 2: The font is too small.
- 35:08Speaker 2: Anybody who, trying to read it, had a click on this and zoom in and scroll across it is.
- 35:13Speaker 2: It is not.
- 35:14Speaker 2: It's not effective at all.
- 35:15Speaker 2: So, for instance, when I look at the instagram page, they have donut day, them things you could like.
- 35:20Speaker 2: You could read that easy easter menu.
- 35:22Speaker 2: You have a brunch box, mini egg cookie.
- 35:23Speaker 2: There's a.
- 35:24Speaker 2: You could read all those things.
- 35:26Speaker 2: Well, like, everything on the page visually appealing except this, uh, this press release.
- 35:31Speaker 2: So I mean, I'm backing them.
- 35:33Speaker 2: I hope, I hope they come back from it.
- 35:35Speaker 2: Uh, it is very difficult when it comes to things like food and so on.
- 35:39Speaker 2: Sometimes they had, sometimes you had to get low before your bones, but over there on rush streets in port of spain, I don't see any address here, not st james, you know, I mean let me clap that, but uh, let me see if they're still on on food drop, because it might be too late for me to check that out.
- 35:53Speaker 2: But when, uh, I, I know, I know the name from food drop.
- 35:57Speaker 2: So what we doing?
- 35:57Speaker 2: We wishing them the best or we wishing a close down, because real people online hoping the people close down and saying, yeah, time for a little close down, and like that.
- 36:04Speaker 2: I don't like to see that like businesses failing in any ways is bothering me.
- 36:10Speaker 2: You know, I don't know, maybe it's just my own selfish, you know.
- 36:13Speaker 2: I mean, am I protecting?
- 36:15Speaker 2: Is it karma that I don't want to.
- 36:18Speaker 2: I don't like the idea of business and I think, for the for the sake of society, to businesses failing is not a good look for any society.
- 36:26Speaker 2: So we wish in baking room, the best right.
- 36:29Speaker 2: Let me do that collectively.
- 36:30Speaker 2: What you could do is buy something from them.
- 36:33Speaker 2: Now you know what I mean.
- 36:34Speaker 2: Don't make them into bakery treats.
- 36:36Speaker 2: Who has a ride out?
- 36:37Speaker 2: And that is it for them.
- 36:38Speaker 2: Buy something from them, order something, check to see if it's fresh.
- 36:43Speaker 2: I feel they learned the lesson Anything they do from no one will be fresh.
- 36:50Speaker 2: And we could, we could come together and support them and keep a young, lively building business open.
- 36:52Speaker 2: All they say I really again, again, I want to.
- 36:58Speaker 2: I want to have some.
- 36:59Speaker 2: I have some songs lined up for you from soka star.
- 37:01Speaker 2: You know where they want to go.
- 37:02Speaker 2: Now I want to know what artists people remember from soca stars, because they have a few of them who stand out to me right and, um, one of them I was involved in a little bit well, at least I was looking on very closely, because at that time we used to work with sony erickson and sony erickson had a sponsorship with soca stars at the time.
- 37:22Speaker 2: So I used to be around the competition a lot and, coincidentally, this youth from Bellevue was getting a lot of help and my partner, colonel King, was working alongside him and so on.
- 37:32Speaker 2: So this is one who I see enter the competition from entry all the way to winning.
- 37:37Speaker 2: Remember they used to call him Daihatsu.
- 37:57Speaker 1: I wonder if he still have it, cause in my eyes it's just you, my baby.
- 38:01Speaker 1: Move that body.
- 38:03Speaker 1: After tonight you gotta be my lady.
- 38:06Speaker 1: Move that body, cause in my eyes it's just you, my baby.
- 38:10Speaker 1: Move that body.
- 38:11Speaker 1: I don't know about this girl, but the way she whines she make a boy wanna feel her body so divine.
- 38:17Speaker 1: Open up your body.
- 38:18Speaker 1: She killing up your spine.
- 38:19Speaker 1: Get it so entwined.
- 38:20Speaker 1: Just move it with the time and you don't know the rest.
- 38:22Speaker 3: Them gal and them girl come dance In a vest or little white dress.
- 38:23Speaker 3: You're so full of fun, that's good.
- 38:24Speaker 1: You're so sexual and intellectual, so much money.
- 38:26Speaker 1: Boy, you're irresistible.
- 38:27Speaker 1: Girl you're so loved, you've done all your body just so well-loved.
- 38:30Speaker 1: The way you're moving, moving, how your body just grooving, grooving when you're sticky tear and you're cocky, dare you know a lot to stare.
- 38:37Speaker 1: Cause of the way you move that body, cause in my eyes I see you're a little bit different.
- 39:03Speaker 2: Talking about big artists.
- 39:04Speaker 2: Right, you know I'm watching that story in Jamaica very keenly and very carefully.
- 39:09Speaker 2: Right, I saw, when they said that the appeal was lost and Cartel, they had an option to let Cartel go or have a retrial.
- 39:19Speaker 2: Right, there's no part of me that thought that they was not gonna let cartel go immediately.
- 39:26Speaker 2: I thought, right, as soon as they come back from privy council I must have a cartel free.
- 39:30Speaker 2: We back in the game.
- 39:31Speaker 2: You know, I mean the greatest, greatest artist in dance on the street, maybe one of the greatest artists in the world, back out on the street.
- 39:37Speaker 2: But no such luck.
- 39:38Speaker 2: Uh, reading from the gleaner here right, they say school has started.
- 39:42Speaker 2: Declares judge as vibes cartel retrial hearing gets underway.
- 39:45Speaker 2: So maybe, maybe I didn't understand this that even though the likelihood is that they will free him, they have to do a hearing to see if there's a retrial necessary or warranted or if they just let him and the quack use go free.
- 39:59Speaker 2: Right, all right, they say school has started.
- 40:02Speaker 2: That's the declaration from justice marva mcdonald, bishop, as she warned the media as a woman, she, she liked cartel.
- 40:08Speaker 2: You know I could tell you this, she like to have a few cartel.
- 40:10Speaker 2: Well, that she like a lot.
- 40:11Speaker 2: Anyway, that's the declaration from justice marva mcdonald bishop, as she warned the media to observe court rules and covering a hearing on whether entertainer vibes cartel and three other men should be free or retried for murder.
- 40:25Speaker 2: The hearing started this morning and the Court of Appeal is expected to last for five days.
- 40:29Speaker 2: Right, so that means by the end of this week Cartel could be free and that also means at the rate Trinidadian promoters work in, we could see Cartel here for Labor Day.
- 40:40Speaker 2: You know what I mean?
- 40:40Speaker 2: We could see Cartel here for Labor Day.
- 40:42Speaker 2: Surely it just might happen.
- 40:44Speaker 2: Don't rule it out.
- 40:45Speaker 2: Right, mcdonnell Bishop, along with Justices Paulette Williams and David Fraser, will decide the case.
- 40:50Speaker 2: She said the court will not hesitate to take action against persons who breach the rules in providing coverage of the hearing.
- 40:56Speaker 2: I ain't trying to do that, it can't do me nothing.
- 41:00Speaker 2: Case I just learned that the court had such wide, wide powers to initiate proceeding on proceedings on its own to ensure that there is objective and accurate recording of proceedings so that we don't inflame the public opinion and be prejudicial to the parties in this case, especially the appellants.
- 41:17Speaker 2: The judge added.
- 41:18Speaker 2: She said the court recognizes person's right to freedom of expression.
- 41:23Speaker 2: But while you report, you cannot comment in any way that will cast aspersion on the integrity of the court and the purity of the proceedings.
- 41:30Speaker 2: Mcdonald bishop said while she said we have allowed in this country and in the world at large, social media in particular, to run while I run in while right now.
- 41:38Speaker 2: So I'm gonna stop reading this right, because this judge, I didn't realize.
- 41:41Speaker 2: The article was warning all like me.
- 41:43Speaker 2: So from saying anything, I just want to say that you know what I mean.
- 41:48Speaker 2: The little Lord put his hands on you, miss Martha McDonnell Bishop, and of course the victim, the victim of the family and so on, lay hands on them too.
- 41:56Speaker 2: But I mean, you know what I mean.
- 41:58Speaker 2: It would be nice to see Cartel free again.
- 42:02Speaker 2: If Cartel is in fact has there was anything wrong with Cartel trial?
- 42:07Speaker 2: I want to be clear, magdalene Bishop, make him a little worried here.
- 42:10Speaker 2: If there was anything wrong in the way he was tried, or if he's found to be innocent or not guilty or anything like that, I would love to see Cartel free again.
- 42:19Speaker 2: For my own selfish reasons, of course, because when Cartel was in there was a show cartel had in zen where, them days, salute to chinese laundry, chinese laundry them times used to do a concert series in zen.
- 42:37Speaker 2: It's almost like every.
- 42:39Speaker 2: It could be like a sunday night and this is what concerts need to come to right.
- 42:43Speaker 2: I'll come into that in a little bit.
- 42:45Speaker 2: But concerts now, with people who have car telling them age and era, they're attracting people who's 30 something, 40 something years old.
- 42:54Speaker 2: Even back then, laundry had the insight to use zen to do shows and not have any supporting artists.
- 43:03Speaker 2: No set of cast, no openers or anything like that.
- 43:06Speaker 2: All you're hearing basically is DJs playing and then, at about I want to say either 11pm or 1 o'clock in the morning, the artists used to come on Without fail.
- 43:17Speaker 2: It had no delays, it had no sort of standing around and waiting.
- 43:20Speaker 2: You're partying and then, when the time reached, the artists coming on.
- 43:25Speaker 2: I saw bounty killer perform there night, I saw tony materon and I saw cartel and I'll tell you that cartel and zen is one of the greatest shows I've ever seen.
- 43:33Speaker 2: They're just performing the dj right them and the dj alone.
- 43:37Speaker 2: So no ban and all that, but cartel is one of the best performers they ever had.
- 43:40Speaker 2: So it's me really selfishly hoping that cartel allow it when he sprays a mcdonald marva mcdonald bishop.
- 43:47Speaker 2: If she says school just started, it's only right.
- 43:49Speaker 2: What to tell you?
- 43:59Speaker 4: you're the foreign Sing Ring-a-ling-a-ling school bell ring.
- 44:03Speaker 4: Tell them a fight fi.
- 44:05Speaker 4: Teach a something.
- 44:05Speaker 4: Ring-a-ling-a-ling dance.
- 44:08Speaker 4: All a swing Life and fuck a fight fi dum pling Ooyaka, ooyaka.
- 44:12Speaker 4: If you do di wrong thing, my skin a fi ground span and edamame skin too.
- 44:15Speaker 4: Go di middle, shake up your property, wine up fi your body.
- 44:19Speaker 4: You both fi yekakati.
- 44:20Speaker 4: Yes, go di middle.
- 44:22Speaker 4: Shake up your property, wine up your body.
- 44:24Speaker 4: Your bossy a cockatty Poblina dance.
- 44:27Speaker 4: Kick them di wine.
- 44:28Speaker 4: Talk out your foot gal wine your body.
- 44:31Speaker 4: If a gal can't wine, she no fit for me, pop bossy style.
- 44:35Speaker 4: When you see your matey, your mate, look like she a puffs money, she a cartoon.
- 44:40Speaker 4: When you see her say, gal a get the love and you a take the money, jump up, hey, hey, hey, yalla get the love in you and keep the money.
- 44:44Speaker 4: You see, jump up, up, up, cause you're full of quality.
- 44:46Speaker 4: Eh, eh, chill and load the money.
- 44:47Speaker 4: Man pay you daily.
- 44:48Speaker 4: So me good body gal damn.
- 44:50Speaker 4: Represent for y'all gal damn.
- 44:52Speaker 4: What about the Portmore, gal damn.
- 44:55Speaker 4: And the Kingston gal damn Represent for y'all country gal damn.
- 45:20Speaker 5: I'm a Caribbean gal.
- 45:20Speaker 5: Damn, I got some of the it's only right thatba thing Suckling, sing, yard of foreign kick up Rock wine, sing, sing, dance, all in swing.
- 45:33Speaker 5: Dj Ace got up in the game, boom ridding, sing, sing, school bell, a ring Sing, knife and fork.
- 45:41Speaker 5: A fine for dumpling Booyaka, booyaka, for shabba rocking, shabba rocks.
- 45:46Speaker 5: This a purity of another man.
- 45:47Speaker 5: Change, show them all done.
- 45:49Speaker 5: I'm the general in the BJ Army.
- 45:50Speaker 5: I am cross all the things and sit all the gang, them thick and fancy and anywhere we go, gang, gang crazy.
- 46:10Speaker 5: So sing-a-ling-a-ling-ting, school bell-a-ling-ting.
- 46:13Speaker 5: I fan-fan can find me dumpling Booy-ka-booy-ka.
- 46:17Speaker 5: But some are ranking, some are ranking this is a purity of another man's chin.
- 46:20Speaker 5: So them a-de-dan.
- 46:21Speaker 5: Do the business of the king Put and the man chin-chow.
- 46:23Speaker 5: Dem a dey done, do dey busy a vicky.
- 46:24Speaker 5: Put dey down to dey key and turn em in a donkey.
- 46:25Speaker 5: Dem a dey done.
- 46:27Speaker 5: Do dey busy a vicky.
- 46:28Speaker 5: Put dey down to dey key and turn em in a donkey.
- 46:30Speaker 5: You see reggae dance, all the comprise of wine.
- 46:33Speaker 5: You see, now come pep fun, grand wine.
- 46:35Speaker 5: You see, if you can wine you call your man an interrick.
- 46:38Speaker 5: You see mad beer style.
- 46:39Speaker 5: When you see your matey, you see she's a try dress, but your mate not ready.
- 46:43Speaker 5: You see your mate look like she a boss money.
- 46:46Speaker 5: You see she a cartoon and she not ready.
- 46:48Speaker 5: Girl, I get the love in you, I get the money.
- 46:51Speaker 5: You see, come pop up a car, stay full of quality.
- 46:53Speaker 5: Tell all other girls them, you can't play, and we, the great body girls them, like Jamaican girls them and the American girls them, and the English girls them and the English girls.
- 47:05Speaker 5: What about your Canadian girls, all the Japanese girls, the Caribbean girls?
- 47:12Speaker 5: You should hear little children sing.
- 47:15Speaker 5: Wait and sing, sing-a-ling-a-ling, dance a little swing.
- 47:19Speaker 4: DJS.
- 47:20Speaker 5: Cock-a-bunny-mim-bum-a-bing, sing-a-ling-a-ling School bell ring.
- 47:25Speaker 2: I went on a little show.
- 47:25Speaker 2: I, I went a little show.
- 47:27Speaker 2: I went a little show.
- 47:28Speaker 2: I went out to see Chiny.
- 47:29Speaker 2: I understand that people went to the Savannah, where it was in the Savannah, to see big, big show, world of reggae.
- 47:35Speaker 2: So back to back in Trinidad, right, we had one weekend where we had Super Cat and the Likes having a big show.
- 47:42Speaker 2: Last week I think it was Super Cat, collie Buds, who else I miss there.
- 47:45Speaker 2: And this weekend I saw Maxi Preach, shabba, anthony B Jamison, right, the kind of thing I would have never missed.
- 47:53Speaker 2: So you know how much I beg and beg my parents.
- 47:55Speaker 2: Let me tell you what used to happen home by me, right, I know if I asked my mother to go, I could be getting blank, right, and I get blank on two levels, because, number one, I need permission to go and then I need money.
- 48:06Speaker 2: So she used to have that kind of thing where she would tell me to go but I broke into teeth.
- 48:10Speaker 2: So what I used to do, I'd start my grandmother.
- 48:12Speaker 2: I'd say, hey, mother, let's have a show.
- 48:13Speaker 2: I'd say, mother, let's have a show.
- 48:16Speaker 2: Girl, mother, go hit my laundry a little.
- 48:19Speaker 2: 200 or something.
- 48:20Speaker 2: Them, there's 80 dollars for ticket on them kind of thing too.
- 48:22Speaker 2: So once I get 100 and I could go in, I don't drink nothing, I go in these shows dry and I get into see my favorite artists.
- 48:29Speaker 2: I went to have good bits of shows.
- 48:30Speaker 2: Uh, matter of fact, over the last two weekends I think I see all these people perform live.
- 48:38Speaker 2: You know, uh, not collie buds, but jam mason, shabba, maxi priest, super cat, uh, anthony b, for sure.
- 48:46Speaker 2: I see all of them live over the years and I'll tell you this, right, what are the best shows?
- 48:50Speaker 2: If you ask people from the back in the day what was the best uh show they ever went, it will be many, many people will tell you it's banked and levy.
- 48:59Speaker 2: Right, because when banked and levy come here, I was one of the first artists I hear sing exactly like the record and mash up that stadium.
- 49:07Speaker 2: And I will tell you too that General Grant took that show too, because General Grant was one of the openers for that show.
- 49:13Speaker 2: And General Grant I always talk about General Grant coming on the stage and them days, terror Fabulous had that song Gangsters Purple, show me uno and a little ritual, remember that.
- 49:23Speaker 2: And General Grant Freestyle over that rhythm for a while.
- 49:26Speaker 2: Listen, mash up the studio and then there's Heavy Caps, gunman Bussin' and Wicked Suit.
- 49:31Speaker 2: Now it's a different time, right, but the show was over the weekend.
- 49:35Speaker 2: The show was over the weekend and I heard a lot of complaints from a lot of geriatrics, a lot of 30 pluses and 40 pluses is complaining because they went there and stand up the whole night and their back hurts and their care function, and artists coming two, three in the morning.
- 49:49Speaker 2: I heard Blaze and Miles this morning and this is what I've been saying for the longest while I say it, and I say I wasn't going back, none of them thing, you know.
- 49:57Speaker 2: But I went and see King Addy's in Songforge and I end up deaf, dumb and blind from all that noise in Songforge and I was staying up any night.
- 50:04Speaker 2: I can't do that again.
- 50:05Speaker 2: I don't understand why we're talking about baking room, right, and the idea of marketing people having a target audience.
- 50:12Speaker 2: The first thing you must understand when you're running a business is who you're trying to sell to, and if you understand their problems, you could come up with a good little business idea.
- 50:20Speaker 2: You know, because all the problems them have them looking for solution.
- 50:23Speaker 2: I think people my age still would like to see a little shabba.
- 50:27Speaker 2: Maxi priest certainly cartel on them thing right, but you had to start them shows early.
- 50:32Speaker 2: You cannot be keeping people like me out that hour.
- 50:35Speaker 2: You know how much sleep I had to sleep in the day to say I going out 10, 11, 12 in the night to wait for artists to come on and man coming on 2 o'clock in the morning.
- 50:44Speaker 2: You can't do it no more.
- 50:45Speaker 2: Matter of fact, from the clips I see even the artists them bringing.
- 50:49Speaker 2: Can't do it no more because shabba energy You're seeing the sleeping shabba eye while you're like what are all these old people?
- 50:58Speaker 2: Late in the night them kind of show could start going back to Laundry and Zen, and even now we're thinking about that.
- 51:04Speaker 2: That was starting kind of late If you have a cast like this with so much artists that have this kind of catalog.
- 51:09Speaker 2: I watched Supercat performance from last weekend and it was an hour plus and his only hits he sing.
- 51:15Speaker 2: He could have probably stood it for three hours if he sang all his songs, but he was about an hour and a half.
- 51:21Speaker 2: That shabbo would be the same thing.
- 51:22Speaker 2: Banks and livin with the same thing.
- 51:23Speaker 2: Maxi priest, anthony b, certainly go over an hour and a half, because there's a many, many times you see anthony b book for shows and you never see him retread.
- 51:31Speaker 2: So people was glad to see him, but the average age of the audience will be will be a little older, so why not start that show any dates?
- 51:39Speaker 2: They need to do some reggae brunch in this country.
- 51:42Speaker 2: Do it as a brunch.
- 51:43Speaker 2: If this was a brunch they could have given me money and I want a place to sit down.
- 51:47Speaker 2: I want to dress up nice and I want to put shade over the brunch too, and I'm willing to stand up there and sit down and listen to Shabba or Maxi Pretty.
- 51:54Speaker 2: I can listen to them all night, but I'm not going into Savannah to stand up there Anyhow.
- 52:03Speaker 2: Newsday Jonathan Ramnanan Singh said for the second time in a week, trinidad and Tobago's youth were encouraged to turn away from violence and criminal activity by one of Jamaica's top reggae ambassadors, anthony B.
- 52:12Speaker 2: Keith Blair made an open plea to the nation's young people to stop killing each other.
- 52:17Speaker 2: I went to Lola and meet Anthony B in Abembe Tuesdays at time and I'm with Anthony B at time.
- 52:22Speaker 2: Talk to me nicely.
- 52:23Speaker 2: Anthony B made a O'Blew to the nation's young people to stop killing Each other and find ways to Resolve their differences without harming each other, the communities and the nation.
- 52:34Speaker 2: During his 45 minute set At the inaugural Wula Reggae concert on June 8th, anthony B said he was disheartened to see how tnt has changed dramatically over the years.
- 52:45Speaker 2: He said I went through the streets of tnt on saturday and usually the streets are busy and there are cars everywhere, but there's a fear in the country and we had to talk about it.
- 52:53Speaker 2: That's not tnt, he said.
- 52:55Speaker 2: When I come to tnt in the 90s the only kind of murder there was was husband and wife, jealous, jealous, sweetheart, slut.
- 53:02Speaker 2: We never know about.
- 53:03Speaker 2: No bad man, no gangster.
- 53:04Speaker 2: The late Garnet said Trinidad is like heaven.
- 53:07Speaker 2: We wish Jamaica could be like that.
- 53:09Speaker 2: He appealed to the youths involved in gang activity who were using numbers to differentiate themselves by name and territory.
- 53:15Speaker 2: So the youths in Trinidad don't kill your brother because he have a 6.
- 53:21Speaker 2: Don't kill him because he have a number 7.
- 53:22Speaker 2: Don't kill your brother because him have a six.
- 53:22Speaker 2: Don't kill him because you have a number seven.
- 53:23Speaker 2: Don't kill him because you have a number eight.
- 53:24Speaker 2: That's your brother.
- 53:25Speaker 2: We could reason it out.
- 53:26Speaker 2: If you step on my toe and we reason it out, you're still alive.
- 53:29Speaker 2: But if I kill you and tomorrow you want to say sorry, you're dead already.
- 53:33Speaker 2: The veteran crooner also urged them to stay clear of artists and music which incite violence.
- 53:38Speaker 2: In the lyrics uh.
- 53:40Speaker 2: His appeal drew a resounding applause and cheers of support from the thousands of patrons who kept the faith that the heavens would not open on their night of relaxing reggae music.
- 53:51Speaker 2: Anthony B made Claire's intention from early as he opened his set with Mr Hart.
- 53:55Speaker 2: Let's see the breakdown of the setlist right.
- 53:59Speaker 2: Anthony B is one of the greatest performers in reggae music.
- 54:01Speaker 2: I would say from my little bit of time in jamaica, I have anthony b as underrated a little bit because when I, while I was there, they didn't have shows like rebel salute and those kind of things right.
- 54:13Speaker 2: But the few big shows I went like champions in action and thing we wasn't seeing artists like anthony b like that.
- 54:20Speaker 2: A matter of fact, maybe I went at a odd time, to be honest, an odd era in dancehall or reggae music, or maybe it's just choices of the places I was going, but it was easier for us to see Ken Booth and John Holt and them at the time where they would have big shows for independents and they would perform, but you wouldn't really see somebody like Anthony B and maybe he was touring Europe or living abroad, you never know.
- 54:41Speaker 2: But he's one of the greatest performers in dancehall music.
- 54:45Speaker 2: His level of energy and it was great to see that level of energy, I mean how is he so fit over the years I even saw him on Sonny Bling at a boat ride where Anthony B came on and performed and that was I find it was.
- 54:57Speaker 2: It was refreshing to see.
- 55:01Speaker 2: Maybe a boat ride and them things could work for me too.
- 55:03Speaker 2: I want to tell the promoters something that I probably shouldn't say too right.
- 55:07Speaker 2: The little youth who was asking his grandmother for money and took out a hundred dollars on things right To go to shows.
- 55:17Speaker 2: I'm talking just about me, I'm talking about any one of the youths who was doing that and was struggling when we was 17, 18, 19, 20.
- 55:26Speaker 2: These fellas have a little bit of money now.
- 55:28Speaker 2: You know how to do these shows for 10 000 people to make money again.
- 55:34Speaker 2: You know you could actually up your price, make the thing more comfortable, make it at a better time where that little boy now who them a little boy now asking them for money for v-bucks and them kind of thing, they will say we, they will pay a little more, they will pay the little extra.
- 55:50Speaker 2: If you find the right uh, if you find the right uh format for it and a place where I could be close to my car, I don't wanna, I don't wanna, I don't wanna go anywhere.
- 56:04Speaker 2: We are so far from my car that when it's time for me to walk I think I tired, I don't want.
- 56:08Speaker 2: I always used to tell stacy I don't mind going.
- 56:10Speaker 2: I'm sure she was saying she want to go popcorn whenever you come and I say well for me to go, that I don't call umber and say umber, call me exactly when he coming on stage and I could come out, my car could walk into somewhere backstage or close to the stage or something and when he done I could head straight back to my car.
- 56:25Speaker 2: I can't do the long thing again, but salute.
- 56:27Speaker 2: They say it was a good show.
- 56:28Speaker 2: The performers were good I.
- 56:30Speaker 2: My opinion is that I was telling my barber salute reynold, but I can't go.
- 56:33Speaker 2: I show it shabba.
- 56:34Speaker 2: I really don't like to see shabba perform.
- 56:36Speaker 2: Something about the way shabba is performing songs I don't like.
- 56:39Speaker 2: He have good energy when he come out but as it progresses he's lose touch with the crowd completely and he's just be singing and it is with.
- 56:47Speaker 2: With that kind of catalog and big, big songs he's lose touch.
- 56:50Speaker 2: Anthony B is a man more always interactive with the crowd, so I'll be glad to see him.
- 56:55Speaker 2: Maxi Priest and Barrington Levy are a little too slow for me, not as I wouldn't want to see them perform, but why?
- 57:00Speaker 2: Why do?
- 57:00Speaker 2: Why?
- 57:01Speaker 2: Did somebody please just get barrington levy to come and nap on and do a show where he could sing his whole catalog?
- 57:08Speaker 2: We don't need no set of supporting acts.
- 57:10Speaker 2: Barrington levy.
- 57:10Speaker 2: I know he going through some, uh, wellness issues and things.
- 57:13Speaker 2: We wish him the best with his health and so on, but he have enough catalog to come to nap off to do two, three hours where I could read your show.
- 57:20Speaker 2: For eight o'clock he start to sing and by half past 10, 11 o'clock let me David Rudder, some of these artists we could David Rudder, maxi Priest, we could David Rudder, barrington Levy, and I think I will have a much better show.
- 57:31Speaker 2: Maybe we could David Rudder Shabba too, and I could sit down and listen to Shabba.
- 57:35Speaker 2: But I'm really happy about the appeal that Anthony B made and the other artists that did it Ramna Nansing was referring to was Sizzler the week before, right, but before I go on to Sizzler, well, a few things Sizzler was telling.
- 57:50Speaker 2: The gangs basically form themselves into non-profit organizations.
- 57:53Speaker 2: I find it's two good messages, especially because I going back to my grandmother again.
- 57:59Speaker 2: I always remember her talking about you know, talking about Jamaica, as Jamaica, the violence and the danger of Jamaica, and I always, as Trinidad, get the crime situation, start to write.
- 58:10Speaker 2: She used to say, here, coming just like Jamaica.
- 58:12Speaker 2: And now you're hearing it more and more from even the Jamaican artists who would have told here from the early 90s all the way to now, right, 30 years, are coming here and they're seeing the same thing.
- 58:24Speaker 2: They're seeing the gangs.
- 58:25Speaker 2: Anthony b know the gang numbers and the names and these fellas don't just come here and perform, all of them go into the inner cities.
- 58:32Speaker 2: They know the place.
- 58:32Speaker 2: Anthony b and them know here.
- 58:34Speaker 2: So in fact, when when jack here here, jack here's be all down south, jack, you know people, he have his own relationships and his people in in trend that sizzle.
- 58:42Speaker 2: One morning I come out my place and sizzle was driving a little one of them slingshotting right around the area here.
- 58:46Speaker 2: They have a fellow here who's a producer, so they know the community, so they're seeing it.
- 58:51Speaker 2: So sizzle made a special appeal to them and um, it's, it's.
- 58:57Speaker 2: It's funny to see it from the perspective as an adult looking at youths now, because we were all youths who was on the block and had choices to make.
- 59:06Speaker 2: Right, we had choices to make.
- 59:08Speaker 2: We could have choose to six, seven, eight and nine myself, instead of going and study or learn a craft or learn a skill or something like that.
- 59:15Speaker 2: We all had those choices.
- 59:16Speaker 2: We was outside and the thing about it is like as a youth now sorry, as I, you then I feel like sizzler and anthony b and them fellas, them save my, they help me make that choice to go ue and them things, and they have a few songs I line up here from these fellas where them.
- 59:34Speaker 2: So I always remember my partner damien.
- 59:36Speaker 2: He's a deck boy and play cassettes and play reggae and thing, and just listening to some of the lyrics in those they used to call it conscious music, right, and the word conscious didn't mean anything to me at the time, it was more just a genre of music.
- 59:49Speaker 2: You know they say conscious, but when you listen to the lyrics and think lyrics cause you to connect with something deeper, to connect with even your blackness, to say, well, listen, you have pride in being black and an ambition on trying to become a better black person in society.
- 1:00:03Speaker 2: Them for those very afro conscious uh, very consciously progress you make as a society, conscious of the god that you serve and the way that you live and the way that you treat your parents and the way that you treat women and the way that you treat your children and the the.
- 1:00:20Speaker 2: The thing that is odd, now, right, is that not that they shouldn't come here and make the appeal, but they're making the appeal to the same people who listen to them and find an escape out of that or stay away from a certain life.
- 1:00:34Speaker 2: Right, in other words, they come in these concerts but they're preaching to the choir, they're pushing an open door.
- 1:00:39Speaker 2: You're preaching to the converted because we already we passed that.
- 1:00:43Speaker 2: I doubt anybody knowing.
- 1:00:44Speaker 2: And if you're joining six and seven and eight and nine at my age, you need a bull pistol and two cats and nine tails.
- 1:00:52Speaker 2: It's youth and I I don't know young people.
- 1:00:56Speaker 2: Music, good enough to me.
- 1:00:58Speaker 2: I don't want to pronounce on them, but it makes me wonder.
- 1:01:01Speaker 2: Like, who are the people who send me messages?
- 1:01:04Speaker 2: I was talking to my little sister this week.
- 1:01:05Speaker 2: Oh, by the way, somebody tell me I don't give updates on my little sister.
- 1:01:08Speaker 2: She's doing good, she's coming along, she's progressing.
- 1:01:10Speaker 2: But she was telling me about music and she was talking about k-line.
- 1:01:15Speaker 2: When you hear these youths talk about k-line, he passed away, right, uh, medical issue, no, no, no, no violence, but it seemed as though he was one of the voices of reason and you hear, even in christmas videos you hear them talking about k-lion was bringing, uh, numbers together, right, bringing rasticity and muslim together and that kind of thing, and unifying music then, and telling you that you have a bigger purpose in life than killing your brother and them, types of things.
- 1:01:38Speaker 2: I wonder how many of those types of artists they have now that's sending those kind of messages, because I could pinpoint songs by these fellas that that save me throughout different parts of my life, save me from look or looking at life a certain certain way, or even looking at your peers differently because of the choices they make.
- 1:02:01Speaker 2: And so let me, let me start with the anthony b1 right, and I saw him perform this on sunny bling boat ride.
- 1:02:06Speaker 1: It's such a powerful song, my father, don't tell I and I, everything shall fall to I and I.
- 1:02:23Speaker 1: It's a must.
- 1:02:24Speaker 1: So Babylon set the liberty.
- 1:02:26Speaker 1: Every day, another one.
- 1:02:27Speaker 1: Bite the dust, my love.
- 1:02:29Speaker 1: You don't have to say You're sorry For all the wrongs that you have done.
- 1:02:39Speaker 1: I don't want to hear sad stories, thank you.
- 1:02:58Speaker 1: Broken bones and wounds need tender repair.
- 1:03:02Speaker 1: Hang on, brother man, don't despair.
- 1:03:07Speaker 1: Although we forgive seven times seven, still the damage already done, so much damage Already done.
- 1:03:21Speaker 1: Stop and listen a while To meditation style, going straight to your mind, to your wicked and wild.
- 1:03:36Speaker 1: Only way you can deal with these vibes Is to free up your soul and mind.
- 1:03:44Speaker 1: You don't have to say you're sorry For all the wrongs that you have done.
- 1:03:55Speaker 1: I don't want to hear sad stories.
- 1:04:01Speaker 1: I know others had story Cause.
- 1:04:03Speaker 1: The damage already done, oh, the damage already done.
- 1:04:10Speaker 1: Everybody wants their peace of mind, trying to justify how they deal with mankind.
- 1:04:23Speaker 1: Sometimes I wonder how they sleep at night time when all the damage Already done, all the damage.
- 1:04:38Speaker 2: Already done.
- 1:04:40Speaker 2: One of many, many, many powerful songs by Anthony B Already done.
- 1:04:57Speaker 2: Little teenager and thing was sitting on block and them kind of thing either.
- 1:05:00Speaker 2: Because sizzler have a song and I met sizzler one time in jamaica airport and I tell him listen, thanks for singing this song.
- 1:05:06Speaker 2: That song get me through ue, because all the thing I think and I have study and ready for exams that's something I hype you up to get.
- 1:05:14Speaker 2: I remember one time in ue having five exams in four days.
- 1:05:16Speaker 2: It wasn't the roughest periods in ue.
- 1:05:18Speaker 2: And to just get yourself mentally ready not I mean you had to study and all them things right.
- 1:05:23Speaker 2: But just before the exam I remember living on the dorm and blasting out this song every time I had to go for exam.
- 1:05:29Speaker 2: Now it's funny how sometimes you had to create an enemy in your mind to motivate yourself.
- 1:05:35Speaker 2: Right, because the truth was I was in ue, my parents was paying for everything, I was, I was well taken care of, living on, living off and them things.
- 1:05:43Speaker 2: So I had no arm.
- 1:05:43Speaker 2: I had nothing holding me down but myself.
- 1:05:47Speaker 2: But it's nice to have yourself a little enemy to say somebody keeping it back and somebody fighting you down, so you gotta fight for it, and this was one of the songs you sing in my true oh, yeah, ooh.
- 1:06:13Speaker 1: They can't keep a good man down.
- 1:06:16Speaker 1: Always keep a smile when they want me to frown, keep the rhymes.
- 1:06:21Speaker 1: And I stood my vines and dice to do my crowns.
- 1:06:24Speaker 1: They will never, ever take my crown.
- 1:06:27Speaker 1: Who jump this?
- 1:06:28Speaker 1: I say no man.
- 1:06:30Speaker 1: Curse Things getting better when they thought it would be worse.
- 1:06:34Speaker 1: Here comes the officers asking for a search.
- 1:06:38Speaker 1: They found no weapon, just only a draw first.
- 1:06:41Speaker 1: But I'm so sorry, those are off.
- 1:06:44Speaker 1: They just can't stop me now.
- 1:06:46Speaker 1: Even when they set their traps, they just can't stop me.
- 1:06:53Speaker 1: Now.
- 1:06:54Speaker 1: People will say this and that they just can't stop me now.
- 1:07:01Speaker 1: Even when they set up roadblocks, they just can't stop me.
- 1:07:07Speaker 1: Now when they come with their evil assault, I just listen.
- 1:07:14Speaker 1: Whenever they talk, I use the lights into my dark, eat hot and clear all my pot.
- 1:07:18Speaker 1: They fight me without a cause, trying to make my life so hard.
- 1:07:34Speaker 2: The king of things and the lord of lords Give it all reward.
- 1:07:38Speaker 2: The truth is, nobody was trying to stop me from nothing.
- 1:07:44Speaker 2: You know right.
- 1:07:44Speaker 2: Stop me a damn cell.
- 1:07:48Speaker 2: But I'm glad that both Sizzla and 3B make that call and, as I say, it's important for somebody Because this is the thing right Anybody who are wrong.
- 1:07:57Speaker 2: They're calling themselves 6, 7, 8 or 9 or whatever gang they belong to.
- 1:08:00Speaker 2: Young people, you know what I mean.
- 1:08:01Speaker 2: When you're young, the world is yours, yours, you know.
- 1:08:03Speaker 2: You.
- 1:08:04Speaker 2: You're not listening to old people and unfortunately me.
- 1:08:07Speaker 2: Sizzler anthony, us is old people, just something like old people who don't understand what going on and I don't understand what going on on the ground.
- 1:08:14Speaker 2: And it's a waste of time not saying that we shouldn't continue to send the message, because I have many messages I was getting as a teenager that they now resonate with me, just like last year, year before, you know I mean it's only during covid.
- 1:08:24Speaker 2: I really understand some of the things uh, older people at the time was trying to instill in me.
- 1:08:29Speaker 2: But one of the parallels I saw in the states right is I remember you know killer mike.
- 1:08:35Speaker 2: There's a rapper called killer mike and he is a south rapper, if I'm not mistaken, I believe he's from atlanta.
- 1:08:42Speaker 2: But one of the things he had done and he had a reality show I think it was on hbo where he had gotten the crips to come together and do a thing called crip cola crip being one of the gangs in the stage right and they do a crip cola, which is still on the market nowadays.
- 1:08:56Speaker 2: They sell it.
- 1:08:57Speaker 2: So it's like he was basically saying okay, what y'all are gangs, instead of killing one another, let we come together so we can elevate our own circumstances, because a big part of the complaint is we are not in the government and doing nothing for we.
- 1:09:10Speaker 2: So he was basically empowering them to say all right, what y'all use a lot of is like well, let's drink a lot of soft drink.
- 1:09:15Speaker 2: All right, let me make a soft drink and and put it out there.
- 1:09:18Speaker 2: I know there's also a brand called rap snacks which several rappers get endorsements with to, to, to open.
- 1:09:24Speaker 2: I believe uh, maybe I'm wrong about that, right, but I believe that that was affiliated with the gangs as well.
- 1:09:30Speaker 2: So there's an opportunity here, not necessarily to become the old people who is just pull out a whip and a stick and point at people and say what they're doing wrong, but to get to them on their terms, whether they're six, seven, eight or nine, and show them that you're uniting for reasons that will keep all your back and keep society back.
- 1:09:52Speaker 2: But the fact that you figure out how to unite is positive.
- 1:09:55Speaker 2: And if we could, if we could hold on to that and help you to use that unity, just like corporations or conglomerates, will come together.
- 1:10:03Speaker 2: You could, you could.
- 1:10:05Speaker 2: You could reach much, much further in life than this sort of killing one another.
- 1:10:08Speaker 2: So, thanks to sizzler, thanks to anthony b, I'm hoping that they have more artists down here willing to play that role and say those things to those youths, that that that is them age, their age.
- 1:10:27Speaker 2: But I mean, the more you talk about the gangs is the more everybody's get frightened.
- 1:10:33Speaker 2: And the crime situation is in trinidad is one where I mean who wouldn't be afraid or who wouldn't be worried?
- 1:10:39Speaker 2: More and more you talk to people now, upwardly mobile people.
- 1:10:43Speaker 2: Uh, my age, so well qualified, good experience, and I'm talking to a lady in the area here, woman my age in the area here, young, young, son, baby, and she was basically saying you know it sounds so sad to hear but it's such a real statement.
- 1:10:59Speaker 2: She was basically saying, listen, I know sort of future plans for him because the way trend that going now you're wondering if you want to raise that child here.
- 1:11:07Speaker 2: So her consideration when she consider her future, her consideration is abroad.
- 1:11:15Speaker 2: For her it was dubai specifically.
- 1:11:18Speaker 2: She was saying listen better, I just go dubai, you know.
- 1:11:20Speaker 2: I mean I think she works in oil and gas as well, so she have the opportunity, or probably no people working there already and have avenues or openings that she's seeing in her company that could, could head over there.
- 1:11:31Speaker 2: And you're finding more and more that our community is one way again upwardly mobile.
- 1:11:36Speaker 2: Young professionals, and two of them last year, migrate and went dubai and working over there.
- 1:11:42Speaker 2: No salute to them, guys, but I just feel like these are the people you want to keep, that is, the people that keep a society in order to turn societies around, innovate, do things, you know, I mean build a society into something great and keep it great.
- 1:11:56Speaker 2: And if we're in a situation where, like I had an uncle salute to my uncle or cousin, I think I think it is Ronnie right.
- 1:12:03Speaker 2: When I was younger, in my 20s, I think, he used to always tell me he said you know, all the gangsters in St James make three and four and five churen and only the ones have no churen.
- 1:12:13Speaker 2: And when we started our churen, all these are one right, and it's such a real statement to me now because you had to consider okay, if we only make one and then make five and six and seven and eight, what is the future?
- 1:12:24Speaker 2: Trinidad and Tobago.
- 1:12:25Speaker 2: We're leaving our children in All this other insurance we're paying for when we go on and this other land and house we want to invest in and make sure the children have this and the education we're paying for the children and all them set a karate class and piano class and football and all them plans and things you're trying to do for your child.
- 1:12:49Speaker 2: What society we leaving them in when we go on right, when we close our eyes where they living, where the gangsters is eight to one.
- 1:12:51Speaker 2: You know what I mean.
- 1:12:52Speaker 2: The six, seven and eight and nine.
- 1:12:54Speaker 2: Outnumbering, no pun intended, outnumbering the good youths, pun intended, right.
- 1:12:59Speaker 2: It's such a frightening thought when you, when you think about that young trend and if, if you make sure any yet you must, this must be on your mind.
- 1:13:09Speaker 2: How you're pulling out.
- 1:13:10Speaker 2: This must be on your mind.
- 1:13:12Speaker 2: The the, the idea that you wouldn't leave this world when you, when you, when your child grew up, where the orderly, progressive, educated, bright, skilled, well-trained minority and being governed by those who 6, 7, 8, and 9.
- 1:13:33Speaker 2: It's a sad thought.
- 1:13:37Speaker 2: You know what I mean.
- 1:13:37Speaker 2: Just food for thought, right.
- 1:13:38Speaker 2: And in the midst of all that you have Rush and Parry and Kamala fighting one another Kamala looking sad, rowley getting right.
- 1:13:41Speaker 2: And in the midst of all that you have russian parry and kamala fighting one another, kamala looking sad rowley getting little kicks.
- 1:13:45Speaker 2: In the parliament, uh, guy griffith who to me the other day, along with michaela pandey, both said in their political parties that they will be fighting all 41 seats.
- 1:13:54Speaker 2: It seems as though everybody's starting to jockey for a, uh, people's partnership type arrangement again, because you have farley who we don't know how he'll go in tobago, or watson, if he going.
- 1:14:06Speaker 2: I saw kizel jackson, if you're following her.
- 1:14:09Speaker 2: There's a salute to karen etty and their current friend.
- 1:14:11Speaker 2: Uh, she's forming her party and taking nominations, billboard on the highway and so on.
- 1:14:18Speaker 2: You know I mean good money in that, good money invested there already.
- 1:14:22Speaker 2: And uh, michaela pandey, as well as gary having well claiming to be aiming to have full slates, while unc election will come to a close soon and we know who went and who went and run them and lead them into the election.
- 1:14:36Speaker 2: But in the midst of all that headline here from the guardian says gary tells pm he's willing to assist in crime fight.
- 1:14:43Speaker 2: I can help bring back order.
- 1:14:44Speaker 2: I say so.
- 1:14:47Speaker 2: It's about time people know gary, popularity people, people love gary.
- 1:14:53Speaker 2: Griffith right, and from a political standpoint it makes sense for gary to offer himself every two, three months or so and literally say no because it it makes from, from the, from the uh, just from the standpoint of the popularity.
- 1:15:09Speaker 2: Every time rowley say no to gary, I think he's looked bad among the populace.
- 1:15:15Speaker 2: You know, I mean the, the, the social media populace, then the popululists is a word the social media folks.
- 1:15:23Speaker 2: Right, he's looked bad because they genuinely believe Gary is the man to solve the crime situation.
- 1:15:29Speaker 2: And when Rowley say no to Gary, it seem as though and Gary don't have to say anything.
- 1:15:35Speaker 2: When he say no, it seem as though Rowley benefiting from the crime, so he don't want somebody there to fix it because the crime is part of the part of the game for them.
- 1:15:45Speaker 2: So, from Gayle Alexander, national Transformation Alliance leader, gary Griffith, who was this country's police commissioner from 2018 to 2021, has offered his help to Prime Minister Dr Keith Rowley to deal with the crime situation in a video statement yesterday Gary, gary.
- 1:16:00Speaker 2: Like a video statement in a video statement yesterday, gary, gary.
- 1:16:01Speaker 2: Like a video statement In a video statement yesterday, griffith said we have a nation to defend.
- 1:16:05Speaker 2: This is not about Keith versus Gary.
- 1:16:07Speaker 2: This is about good versus evil, right?
- 1:16:09Speaker 2: See what I mean.
- 1:16:10Speaker 2: Once you say that and then the person say no, it mean that you're positioning yourself like if all right, he want the evil to continue.
- 1:16:17Speaker 2: We don't have to be friends, keith, but we can both be patriots.
- 1:16:21Speaker 2: He pointed out that in 2013 to 15, when he was national security minister, there was the highest reduction in serious crimes In 31 years, and three years ago, there was the highest reduction in violent crime in 17 years.
- 1:16:34Speaker 2: I can't come to a new world.
- 1:16:36Speaker 2: Three years ago we were in 2014, 2023, 2022, 2021.
- 1:16:41Speaker 2: That's three years ago.
- 1:16:42Speaker 2: So, covid COVID is the highest reduction in violent crime and he happened to be there at the time.
- 1:16:49Speaker 2: All right, take credit for that.
- 1:16:50Speaker 2: He didn't get it wrong at all.
- 1:16:51Speaker 2: And he said 13 to 15, when he was National Security Minister Highest reduction in serious crime.
- 1:16:59Speaker 2: He said I can help bring back the order we had in 2020.
- 1:17:02Speaker 2: All right, gary, highest reduction in serious crime.
- 1:17:03Speaker 2: You say I can help bring back the order we had in 2020.
- 1:17:06Speaker 2: Like you could use your messaging.
- 1:17:08Speaker 2: I can't be a politician, you know because, why I can't just say, well, it was covid and it was locked down, and you know I mean, but they?
- 1:17:14Speaker 2: But maybe he writes yes, because the truth is too that covid fresh on our mind right now, but 10 years from now, when nobody in study nor remember in covid and he claimed to have the lowest murder rate, somebody could just Google that and realize, oh good guy really had the country under control and might not.
- 1:17:29Speaker 2: You know the way he's doing research now.
- 1:17:31Speaker 2: It was your show.
- 1:17:32Speaker 2: But so to my guy he said Martin, here's saying the rankings.
- 1:17:37Speaker 2: These rankings are based on statistics for the first calendar year of all seven police commissioners since 2024.
- 1:17:43Speaker 2: Number of murders from lowest to highest right, so they rank everybody.
- 1:17:48Speaker 2: I want to give you the rankings real quick.
- 1:17:50Speaker 2: In terms of number of murders within the first year, dwayne Gibbs in 2011 was 352.
- 1:17:56Speaker 2: 2005,.
- 1:17:57Speaker 2: Trevor Paul was 386.
- 1:17:58Speaker 2: Stephen Williams in 2013 was 408.
- 1:18:00Speaker 2: And Gary Griffith number four in 2019, was 386.
- 1:18:01Speaker 2: Stephen Williams in 2013 was 408.
- 1:18:03Speaker 2: And Gary Griffith number four in 2019 with 539.
- 1:18:06Speaker 2: Now, gary Griffith, go take some credit for Stephen Williams right, because if I'm not mistaken, he would have been the Minister of National Security.
- 1:18:12Speaker 2: Was Gary Griffith there when Dwayne Gibbs was there?
- 1:18:15Speaker 2: I want to say yes or no.
- 1:18:18Speaker 2: Dwayne Gibbs was under the People's Partnership and Gary Griffith, during some period under the partnership rule, was Minister of National Security.
- 1:18:26Speaker 2: I don't know if he took over the whole time, but Gary could make some claim there.
- 1:18:31Speaker 2: He fought and all this Murder detection rate he lost.
- 1:18:36Speaker 2: He's number seven on that, his own is 12.9, while the highest was Trevor Paul, who's 24.4.
- 1:18:43Speaker 2: Number of burglaries and break-ins big problem down here too, right, people?
- 1:18:45Speaker 2: In just studying, I think, is it.
- 1:18:49Speaker 2: Is it your opinion?
- 1:18:50Speaker 2: Because when I talk to people that is the sense I get the, the lack of safety in trend that have to do with two things, not so much the, the murder rate or the murder toll or whatsoever you're supposed to call it, but the fact that it happened in broad daylight, brazen like that, and you could end up being by the hospital and get shoot, or not.
- 1:19:11Speaker 2: Just gonzalez.
- 1:19:12Speaker 2: But there was another one, I want to say, in chase village just last night or night before, where they shoot up the place and a whole set of people get killed.
- 1:19:18Speaker 2: You could be the wrong place in the wrong time and innocently get hit.
- 1:19:21Speaker 2: And this other one is the thing the burglaries and the breaking in your house or going with your car or taking a car gun point.
- 1:19:27Speaker 2: That's where people, very, very fearful people here, seem to have resigned themselves to say gang activity is gang activity and I'm not in no gang so that didn't go affect me.
- 1:19:37Speaker 2: But now the gang gang activity coming out in mall, car parks, all Oliver Tong, wherever any bar you could be by, and so on.
- 1:19:44Speaker 2: But the burglaries and break-ins, the kicking in your door is an issue.
- 1:19:47Speaker 2: Erla Herewood, christopher, has the lowest number of door kick-ins right, 1,633 in her first year.
- 1:19:55Speaker 2: Guy Griffith was third with 2,217, more than 600 more over the same period.
- 1:20:01Speaker 2: Right that is the number of offenses that happen.
- 1:20:06Speaker 2: In terms of the detection rate.
- 1:20:07Speaker 2: The great mcdonald jacob is at 20 percent.
- 1:20:11Speaker 2: A good bad talk.
- 1:20:12Speaker 2: Mcdonald jacob, with the uninspiring self and earlier right behind him and both uninspiring and breaking detection rate at 18.3 percent.
- 1:20:19Speaker 2: Guy griffith, number three day at 13 number of rubries.
- 1:20:23Speaker 2: Guy griffith falling in at number four robbery detection griffith is at four.
- 1:20:27Speaker 2: Total serious crimes griffith is at four serious crime detection rates griffith is at three.
- 1:20:33Speaker 2: So when he touting himself as the best to ever do it and he not ranking number one in any category, at least the categories on this list, he may be able to give me some other categories where he ranked number one, uh, he barely in the top three in any it it it makes you wonder.
- 1:20:54Speaker 2: And again, the police commissioner irresponsible for crime.
- 1:20:57Speaker 2: But the response to crime is one that will always lay at the feet of the police, and I think collectively, for the last since Y2K.
- 1:21:09Speaker 2: The confidence in the police service is something not there, not to detect crime, not to prevent crime, not to react to crime.
- 1:21:15Speaker 2: It's not there, and I'm not sure that the commissioner or any one policeman to blame for it to be lasting so much years and be such a problem for so much, or it on this list.
- 1:21:26Speaker 2: It's a bright people, white people, it have every, every kind of person on everybody on this, man, woman and child.
- 1:21:34Speaker 2: Nobody can seem to go in there and solve this problem as as police commissioner.
- 1:21:38Speaker 2: So it's.
- 1:21:39Speaker 2: It had to be systemic, right.
- 1:21:40Speaker 2: Well, we had to re-look at the way police hired to relook at the way police hired, relook at the way police deployed, look at policing again, which I remember Gibbs and Iwotski saying.
- 1:21:49Speaker 2: Gibbs and Iwotski said that we do have enough police or man to be sitting down in station whole day and, um, playing, playing roomie and these kinds of things or whatever it'd be doing in the station when they, when they had no car or nothing like that.
- 1:22:06Speaker 2: And he was trying to set up a precinct type thing where you have major police posts or precincts and the police get the cars that they could, because the police driving, a regular commercial police driving around for them guys and it can't, it can't be good.
- 1:22:13Speaker 2: So gary offered himself, whether you want, whether whether them stats have anything to say with anything about him being number one or not, gary offered himself and he said but I want you to remember that, gary and Rowley, it's not just like political differences.
- 1:22:30Speaker 2: Rowley is accusing Gary of wrongdoing and having to go to court for the whole FUL situation.
- 1:22:36Speaker 2: Right, it's not just two men who can't get along, right?
- 1:22:40Speaker 2: So he said I just want to take a step back.
- 1:22:44Speaker 2: Well, from K Marie Fletcher in the Guardian, the PM condemns murders and wants public help to fight crime.
- 1:22:51Speaker 2: Prime Minister Dr Keith Rowley says the time has come for the entire society to review its relationship with the criminal elements in the country.
- 1:22:57Speaker 2: Speaking out against Sunday's quadruple murders, which began in Gonzales and the Atlantic Policy and General Hospital, dr Rowley called for the public's help to fight crime and appealed to people to share pertinent information through anonymous channels available, while offering condolences to the families and victims.
- 1:23:13Speaker 2: Via statement on his social media, rowley said the government stands ready to discuss Sunday's mass shootings with similar initiatives of the opposition, if only they will see it as their job.
- 1:23:24Speaker 2: He added that he added that he expected swift processing in the court system instead of managed automatic delays, which also helped to close the revolving doors.
- 1:23:35Speaker 2: The prime minister was responding to the killing.
- 1:23:37Speaker 2: So the the same thing we spoke about last week with the killings in the hospital.
- 1:23:40Speaker 2: Well, that started in gonzalez and ended with the slaying of an individual in the hospital, right.
- 1:23:46Speaker 2: So Rowley's basically saying he needs help from the public.
- 1:23:50Speaker 2: But pretty much any of the 1.34 people we have here any of them 1.3 million people, except Gary Griffin If the opposition come, we could work with them.
- 1:24:02Speaker 2: We see how that turned out before the operation must be.
- 1:24:05Speaker 2: Last year the opposition and prime minister was supposed to meet and the whole crimes.
- 1:24:09Speaker 2: I don't know what, what become of that?
- 1:24:11Speaker 2: So, even even as we talk about police being a systemic issue, it seemed as though the, the, the, the politicians and the politics or those who making, governing and making the laws, that as systemic as it gets.
- 1:24:24Speaker 2: You know, I mean, we're still in the same position and we gazing up, we gazing up for election here and I don't see anything.
- 1:24:32Speaker 2: But I mean, if nothing else, railroad paving right, gotta give them credit for that.
- 1:24:36Speaker 2: It's smooth sailing.
- 1:24:38Speaker 2: For ambulance, when innocent people get shoot on them, think at least the ambulance go to the hospital.
- 1:24:43Speaker 2: That's why I don't talk about crime too much.
- 1:24:45Speaker 2: I really just come to line up a few SocaStars songs that I could play for you throughout the episode, a few of them.
- 1:24:55Speaker 2: I'd have one fellow who's almost synonymous with SocaStar, probably because he was the first winner right, and he's a man who nobody can forget One of the biggest songs and I want to tell him too.
- 1:25:08Speaker 2: You see, fireball, we miss Fireball in the mix for Carnival.
- 1:25:11Speaker 2: Carnival, better when people like Fireball.
- 1:25:14Speaker 2: Again, this girl, this girl, she's always teasing me.
- 1:25:49Speaker 1: But she looks so fine.
- 1:25:51Speaker 1: Yeah, Baby, tonight you will be pleasing me, Maybe tonight yeah.
- 1:26:16Speaker 2: Now I can't remember which one of them, even so, cast out right, so we got to take in a few.
- 1:26:25Speaker 5: Hey, oh, yes, introducing the one and only yeah, yeah, what?
- 1:26:32Speaker 4: do you hear the voice that call?
- 1:26:33Speaker 4: What do you hear?
- 1:26:34Speaker 4: The youth man ball.
- 1:26:35Speaker 4: Ask the ceiling, the floor and the wall.
- 1:26:37Speaker 4: Music from songs, just like a ball.
- 1:26:39Speaker 4: What do you shout?
- 1:26:40Speaker 4: What do you call Young and old, but they love the ball?
- 1:26:43Speaker 4: Who's the youth to run the dance hall?
- 1:26:45Speaker 4: Well, his name is.
- 1:26:46Speaker 4: My name is Magelo.
- 1:26:48Speaker 4: What do you call a young and old man that love the water?
- 1:26:49Speaker 4: Who's the youth to run the dance floor?
- 1:26:49Speaker 4: Well, you see me.
- 1:27:06Speaker 1: I'm gonna start this off by telling you the way I am.
- 1:27:09Speaker 1: I've been in love with music ever since I was one year young.
- 1:27:12Speaker 1: The more fight I get, the stronger I will become.
- 1:27:15Speaker 1: Soon the world will know who I am.
- 1:27:18Speaker 1: My name is Fireball Fireball Fireball Fireball Fireball Fireball Fireball Fireball, fireball, fireball, fireball, fireball, fireball, fireball, fireball, fireball.
- 1:27:27Speaker 2: Fireball, fireball.
- 1:27:27Speaker 2: I'm pretty sure it wasn't that right, because I never heard no Ziggy ranking in the beginning.
- 1:27:31Speaker 2: It could have been this one.
- 1:27:47Speaker 1: I went across the co-fest just here on a night, ended up seeing this girl who was looking so nice, I decided to get a few bites, get myself some sweet wine.
- 1:27:56Speaker 1: Then a big, strong, long man comes from the other side.
- 1:27:59Speaker 1: When I look at his face I see water running out the eyes and, to my surprise, man fell out.
- 1:28:05Speaker 1: A long night I was so run from in life.
- 1:28:07Speaker 1: Life Said pretty girl was his wife.
- 1:28:10Speaker 1: That night, when I was home, I sat down by myself on the water.
- 1:28:15Speaker 1: Look at that.
- 1:28:15Speaker 1: One dancer, a stranger, could have made me a dumb sex beat from that.
- 1:28:18Speaker 1: Could have defined myself every day.
- 1:28:19Speaker 1: Come alone, he come with two hands at the bottom.
- 1:28:21Speaker 1: But if I'm not telling myself I say Boy, I was surrounded by danger.
- 1:28:25Speaker 1: All around me was danger.
- 1:28:26Speaker 1: I was surrounded from danger.
- 1:28:27Speaker 1: All around me were danger.
- 1:28:28Speaker 1: I'm surrounded by danger.
- 1:28:29Speaker 1: Time is so dangerous.
- 1:28:29Speaker 1: All around me were danger.
- 1:28:31Speaker 1: Now I'm surrounded by danger All because of a stranger.
- 1:28:34Speaker 1: Take me to get dangerous.
- 1:28:35Speaker 1: Danger, danger, danger.
- 1:28:39Speaker 1: All around me, danger, danger, danger.
- 1:28:42Speaker 1: Now I'm surrounded by danger, danger, danger, danger.
- 1:28:46Speaker 1: All around me, danger, danger, danger, all around me, danger, danger, danger.
- 1:28:49Speaker 1: Last.
- 1:28:50Speaker 1: Then, the next week, I decided to go down by me, good friend, while me and she lying in a hand that seemed to match man.
- 1:28:56Speaker 1: But I recognized one of them so I suspected no problem.
- 1:29:00Speaker 1: Then I noticed one of them heading my direction.
- 1:29:03Speaker 1: When I make up my mind, I'm running from no match man.
- 1:29:06Speaker 1: Then I see something long and signed in one of them hands One for the next fifteen seconds.
- 1:29:11Speaker 1: I don't pass as a two bullion.
- 1:29:13Speaker 1: That night when I was home, I wondered why them fellas went for me, and what surprised me more is how them walk with them and check for me.
- 1:29:22Speaker 1: I was that hungry so I whipped two people and I licked their neck for me.
- 1:29:25Speaker 1: And all this time I think and I say bye.
- 1:29:40Speaker 2: What's around me might be danger.
- 1:29:42Speaker 2: Danger All around me.
- 1:29:43Speaker 2: Danger gimmicky right when?
- 1:29:44Speaker 2: So?
- 1:29:44Speaker 2: Uh, fireball was there, but I don't know if people remember trinidad killer being in there.
- 1:29:48Speaker 2: I believe he was in the same year with umi makano.
- 1:29:51Speaker 2: Kimba sazano.
- 1:29:52Speaker 2: Make it out today.
- 1:29:52Speaker 2: There was fertile ground for a lot of youths to do something positive but also could have find a career.
- 1:29:58Speaker 2: I want to play a little clip for you here and it will tell me if you know who this is from soca studies hello, is the boy voicing and logged.
- 1:30:06Speaker 2: Log down to B-Mobile, tnt's number one mobile network.
- 1:30:12Speaker 4: You take a ride on a alien.
- 1:30:13Speaker 4: Take a ride on a alien.
- 1:30:15Speaker 4: Take a jam on a alien take a jump with a alien get this wind up on strange man stop this wind up on big rants, so it's nothing to take a ride on a alien you ever ride on a rocket?
- 1:30:26Speaker 2: I don't know?
- 1:30:27Speaker 2: Well, you tell me if you know that verse.
- 1:30:29Speaker 2: No pun intended, right Before I get to Angus.
- 1:30:34Speaker 2: Even the Soka Warriors, right Today, they say it's International Doubles Day.
- 1:30:39Speaker 2: Right, it's International Doubles Day and, to tell you the truth, whoever they are listening to this, make that your International Doubles Day, right.
- 1:30:47Speaker 2: Going from Trinidad Express here.
- 1:30:49Speaker 2: This is from Satish Maharaj.
- 1:30:52Speaker 2: Is his name Satish, no Kabir, right, satish Maharaj, londoners are calling him the official doubles ambassador.
- 1:31:02Speaker 2: It's an auspicious title.
- 1:31:04Speaker 2: Chef Sham Mahabir carries with great pride in his popular Lyman South Bank restaurant.
- 1:31:10Speaker 2: Located in the upper ground on London's famous South Bank of the Thames River In an area known as the heart of the city's cultural scene.
- 1:31:21Speaker 2: Chef Mahabir's popular Lyman establishment brings a unique Caribbean pulse and distinct Trinbagonian flavor to life in London.
- 1:31:26Speaker 2: Londoners and people in general are curious about food.
- 1:31:29Speaker 2: Trinbego food is unknown.
- 1:31:32Speaker 2: I refer to it as the undiscovered food of the Caribbean.
- 1:31:35Speaker 2: In addition to our local means sorry, in addition to our location.
- 1:31:41Speaker 2: In addition, our location means we get many United Kingdom and international tourists, and people love trying new food, mahabir quipped during a WhatsApp exchange with Kitchari recently.
- 1:31:54Speaker 2: On Sunday, the Sandy Grandi restauranteur invited members of the Trinidad and Tobago High Commission in the UK to mingle with his regulars for a preview of the fifth edition of his International Doubles Day event.
- 1:32:06Speaker 2: Chef Mahabir served his guests classic doubles as well as versions with mortani curry, chicken curry, goat and masala fish.
- 1:32:13Speaker 2: I don't find all of the goat hunting is doubles, but we're with you.
- 1:32:17Speaker 2: Among the guests were Trinidad and Tobago Minister of Works and Transport, rohan Sinan and Vishnu Danpal, from the former High Commission for TNT to the UK.
- 1:32:25Speaker 2: As the creator of International Doubles Day, I feel proud that I am bringing awareness to our humble and beloved street food, said Mahabir, who hosted the first edition of the annual celebration in London in 2019.
- 1:32:37Speaker 2: Kichuri was there on that May 30th to observe and report on the small celebration in the old Spitalfields Market in London five years ago.
- 1:32:48Speaker 2: Since then, his brainchild has picked up.
- 1:32:50Speaker 2: Virtually everywhere Doubles is sold, including New York, miami and here in TNT, where its celebration aptly coincides with Indian Arrival Day.
- 1:32:58Speaker 2: Makes sense, makes sense.
- 1:33:00Speaker 2: Now I have some gripes about Doubles as a market, as an industry, as a business.
- 1:33:07Speaker 2: I feel like to have Dou doubles as street food is great.
- 1:33:14Speaker 2: The backstory of doubles where somebody's riding on a bike or set up a spot and selling what you call a single barrow.
- 1:33:20Speaker 2: Or they say it starts off with China alone and then they add a little barrow to make some dates and then people used to ask for a double and it become doubles and it's stuck.
- 1:33:28Speaker 2: Now that is a part of the identity of trinidad and tobago.
- 1:33:31Speaker 2: You will hear many, many people who come here from all walks of life vloggers, youtubers, artists, uh, business people.
- 1:33:39Speaker 2: They come trinidad.
- 1:33:40Speaker 2: They say well, I officially, I try, I try doubles, you know, I mean, and um, just to take a step back right, the design of that airport that has starbucks in the middle of the atrium but doubles quite outside tells you a story about how we value ourselves and what we have right.
- 1:33:58Speaker 2: But anyway, I digress.
- 1:34:01Speaker 2: The idea behind doubles and what it, what it means as being a part of our culture, always wonder why the doubles market or the doubles vendors or the doubles entrepreneurs like failing to evolve, the evolution of it.
- 1:34:15Speaker 2: I guess men making enough money, yes, you see all that sort of talk and thing about theory and that's a book.
- 1:34:20Speaker 2: Send something about the views on the come here and talk about every week.
- 1:34:23Speaker 2: If I said about doubles cars and I'm making enough money, what the hell?
- 1:34:26Speaker 2: I listen to a man who comments it's up but who never run a shop before.
- 1:34:29Speaker 2: But I just feel as though there's no single doubles in the country yet where the bag branded.
- 1:34:35Speaker 2: When I buy KFC, everybody knows KFC I'm working with.
- 1:34:38Speaker 2: When I order Subway, people know it's Subway.
- 1:34:40Speaker 2: The bag sits around the paper how the name on it.
- 1:34:42Speaker 2: There's no doubles in the country that I know Like correct me if I'm wrong where simple things like the brand remember the same baking room thing we start off with right and why the student contribution class was so important.
- 1:34:55Speaker 2: Where KFC is such a big, reputable, established brand that while they might take a hit if something go wrong, they're not going to close down.
- 1:35:02Speaker 2: I wonder sometimes about the branding only being on the doubles box and on the jersey and thing.
- 1:35:09Speaker 2: And I wonder if people you know they have a thing that's called the doubles factory, so most doubles men not doing the thing home again.
- 1:35:17Speaker 2: You just go by the doubles factory and work out your formula for them.
- 1:35:20Speaker 2: You could buy a channel, all your sources, you could buy the box from them, apparently to help you with the food badge and everything.
- 1:35:25Speaker 2: So if you want to set up a doubles cart, it's relatively easy help you with the food badge and everything.
- 1:35:28Speaker 2: So if you want to set up a doubles cart, it's relatively easy and I like that kind of business model to it where the doubles factory now them don't have to fight up with taste and preference and which street corner and what time to come out and think them, just open and supplying all doubles men.
- 1:35:41Speaker 2: I like it a lot.
- 1:35:45Speaker 2: Let me give credit to darren's doubles, right, I believe I hope I didn't forget to talk about it.
- 1:35:49Speaker 2: I think I had it on the list on some week and I hope I did talk about it.
- 1:35:52Speaker 2: But I saw them in the new on the southern side of El Securo where they have a Starbucks there and they just pop extra foods In the car park.
- 1:36:01Speaker 2: They are pulling up there and they're hungry and I see Darren's have a spot, If I'm not mistaken.
- 1:36:10Speaker 2: Um, somebody had messaged me, I believe if it's not randy sudarsing people tell me stop saying the whole name here, but I'm not a young man, but somebody was talking about darren's doubles before.
- 1:36:15Speaker 2: But, uh, I went to.
- 1:36:18Speaker 2: I went there and I was glad to see number one, that they're taking links right and we're not depending on having to get cash to go for the level I find so backward.
- 1:36:26Speaker 2: You couldn't pay links and tap by them easy and pay a bill and cut.
- 1:36:30Speaker 2: And they had a little more than just a doubles card.
- 1:36:34Speaker 2: They had a little bit of a, I want to say it trended towards a small restaurant, right.
- 1:36:41Speaker 2: At least they had a proper counter, they had a proper thing for you to sit down and eat if you wanted to sit down and eat.
- 1:36:46Speaker 2: I know all I'm going to say.
- 1:36:47Speaker 2: They are one percent in and I'm bougie and thing, but it's so much easier if you could sit down and eat the doubles.
- 1:36:52Speaker 2: And they start by the side of the road fighting up.
- 1:36:54Speaker 2: I'm a clumsy fella, you know.
- 1:36:55Speaker 2: So I just feel like why we don't have things like doubles, to have a dine-in type establishment where you could get your doubles in a different kind of setting and environment to order doubles I was talking about baking room and them.
- 1:37:09Speaker 2: I use food drop a lot and I'll order from anybody on food drop could get my money because the food coming home here the delivery likes to buy just close one iron bite, right.
- 1:37:18Speaker 2: But I ain't driving quite on the road if I don't need to and I always think, like what is stopping a doubles cart from getting food drop, like if.
- 1:37:27Speaker 2: If you establish the way Darren's established, I understand why the man who's standing by the cart can't do it right, but if Darren's established enough and they have a little point-of-sale system, which they do right they were cashing on an iPad when I went there or a device like that Then couldn't they get the same little information from food drop that they get?
- 1:37:45Speaker 2: And you just get somebody to pick up that and drop it.
- 1:37:47Speaker 2: I don't see it as any and I know it has some people here listening and it's like what kind of man you me?
- 1:37:53Speaker 2: I don't care, I don't care about what.
- 1:37:54Speaker 2: Everything have its tradition, but everything that is traditional changes and could be very, very commercial and sell as well.
- 1:38:02Speaker 2: You know, I mean they did not.
- 1:38:04Speaker 2: And routine the same button is like there's not a single roti shop I could find on any of the food drop apps and students was telling me they have one in the east.
- 1:38:12Speaker 2: Uh, not hello foods, but she said they are one of them.
- 1:38:16Speaker 2: That attached to is it juman's roti?
- 1:38:19Speaker 2: Because, like I, I just before I start here, right, which I'm just I'm telling you now.
- 1:38:22Speaker 2: I'm looking forward to it.
- 1:38:23Speaker 2: I'm hungry like to death doing this here and I order subway.
- 1:38:28Speaker 2: This I Subway is one of the most complicated places to order from.
- 1:38:31Speaker 2: I find there's a lot of questions just to get a sandwich.
- 1:38:34Speaker 2: Sometimes.
- 1:38:34Speaker 2: I just want to tell them just make a sandwich for me now, your choice, dealer's choice.
- 1:38:38Speaker 2: Because you have to say what kind of bread do you want Parmesan, italian.
- 1:38:42Speaker 2: And then you have to say lettuce, tomatoes, onions, pickles, cucumbers, pineapp, tomatoes, onions, pickles, cucumbers, pineapple.
- 1:38:45Speaker 2: It's like, oh god, well, put something now, man, make a sandwich for your boy, make a sandwich, size me up and make me some.
- 1:38:51Speaker 2: I said make my nice man, sort out nice.
- 1:38:53Speaker 2: I see an old man in front of me in subway.
- 1:38:55Speaker 2: He didn't know the format right.
- 1:38:58Speaker 2: So every time they ask him he says sort out the old man.
- 1:39:02Speaker 2: Now, man, give the old man something now, I find.
- 1:39:04Speaker 2: So give me some nice to eat, give me some.
- 1:39:06Speaker 2: You're you working in a restaurant, like when you go somewhere and you tell the waiter well, what would you recommend?
- 1:39:11Speaker 2: I matter of fact, I'm doing that next time, watch out for my subway.
- 1:39:15Speaker 2: I'm gonna say they say honey, oat, parmesan, italian.
- 1:39:20Speaker 2: I say what would you recommend?
- 1:39:22Speaker 2: And they say lettuce, tomato.
- 1:39:23Speaker 2: I say what do you recommend?
- 1:39:24Speaker 2: I ain't answering so much question just to get a sandwich again.
- 1:39:27Speaker 2: But when I went on the food drop app you could see, like your onions pickles, you just a check box right here and and and and they get the order and they they bring it home.
- 1:39:39Speaker 2: You see it, I go to starbucks way too often and you always see people collecting their starbucks as food drop drivers and a lot of people.
- 1:39:46Speaker 2: It's a good little hustle to wear because a good bit of people I know uh sign up for as a driver on food drop in the dong time or whatever way they could pick up them orders and and drop it.
- 1:39:57Speaker 2: For people it's safer.
- 1:39:59Speaker 2: I find a lot of women do it too like it's safer than um, than the regular drop taxi or ttrs where you had to take on a passenger and carry them somewhere right, safer for women.
- 1:40:09Speaker 2: You run by starbucks.
- 1:40:10Speaker 2: You get a thing, you drop some coffee, you drop that by office, somebody pay you and you and you collect the money on your own.
- 1:40:15Speaker 2: You know no change in our money or anything like that.
- 1:40:17Speaker 2: It'd make perfect sense and I wonder, like, who is?
- 1:40:21Speaker 2: Who is going to be the doubles man?
- 1:40:22Speaker 2: Obviously you have international doubles day and look at how doubles being celebrated in london.
- 1:40:27Speaker 2: They're calling the um high commissioner here and the low commissioner so on them coming and I don't know if the knife and forking is or the finger, well, eating it to the hands.
- 1:40:36Speaker 2: Pause, I don't know how they're approaching it, but you could see that the chef mahabiru, talking here, have an establishment.
- 1:40:44Speaker 2: So suppose I you know why, why we don't have local indian cuisine.
- 1:40:48Speaker 2: Look at palkis.
- 1:40:49Speaker 2: The arguments I usually hear is that people want to stand up and eat a thing and when man go and buy roti they want to see fly flying in glass case and they want to see somebody thing.
- 1:40:59Speaker 2: And I want to see the real city roti making.
- 1:41:01Speaker 2: And I don't think any of that is true.
- 1:41:02Speaker 2: We go by palkis and passage to asia.
- 1:41:05Speaker 2: We don't see the kitchen, we don't see how the curry making, we don't see no pumpkin layout, no way, and them kind of thing.
- 1:41:09Speaker 2: Maybe there's a personal gripe, right, because the rain was falling really heavy and I had to go around by Sham's, the Curry Duck Kings at Trinidad and Tobago, and I wish Sham's would just join food drops so I could just order the roti.
- 1:41:21Speaker 2: I want Wyatt to leave home.
- 1:41:22Speaker 2: That can't be right.
- 1:41:24Speaker 2: Anyway, time to get out of here.
- 1:41:26Speaker 2: But I can't get out of here.
- 1:41:27Speaker 2: Before I praise, listen, I don't know what to do with Soka Warriors.
- 1:41:34Speaker 2: The Soka Warriors are a difficult team to support.
- 1:41:35Speaker 2: I give a real mentor who is back West Indies, because I'm a lover of West Indies cricket, despite popular belief.
- 1:41:42Speaker 2: But I can't take them.
- 1:41:44Speaker 2: I can't take them.
- 1:41:45Speaker 2: I can't take that losing attitude thing.
- 1:41:49Speaker 2: And I went in the stadium, as I always do, to see Soka Warriors play against Grenada and my expectation was that we were going to beat Grenada handily.
- 1:41:56Speaker 2: We played against Guyana Guyana is not easy opposition for Trinidad and Tobago anymore but we beat them back-to-back games.
- 1:42:02Speaker 2: I think we beat them 2-1 the first time and 2-0 the second time, you know.
- 1:42:05Speaker 2: I mean we didn't look we're not looking like the greatest team.
- 1:42:10Speaker 2: I said it here like when, when I looked at at that game, I didn't feel like if that was a team that could beat jamaica or or costa rica or any other team with panama the stronger teams that we're going to have to beat if we had to qualify for the world cup this year.
- 1:42:26Speaker 2: I didn't see them as as strong as that, but I didn't see them as a team who would have any kind of trouble with grenada and the truth is, the game starts off in a way where it looked like we was handling them.
- 1:42:39Speaker 2: We had we had them, we had them in a chokehold and little by little, we allow grenada to build confidence and get into the game.
- 1:42:46Speaker 2: Because I don't know what was going on in that stadium, zachary and all see it and was upset.
- 1:42:50Speaker 2: Well, we was just getting the ball in the back, grenada was pressing or they was pulling out the defense and then they was playing it long.
- 1:42:56Speaker 2: It had to be deliberate, it had to be a tactic by Angus Eve.
- 1:43:01Speaker 2: I see the team play enough to know that the preference is counter-attacking football, but I always feel like it works well.
- 1:43:10Speaker 2: I remember we had to beat the States here by a big margin for a chance to get into a Copa America or a Copa Cup or something like that.
- 1:43:16Speaker 2: I think we beat them 2-1 or 3-1 in the end, but counter-attacking is how we beat them, if I remember right.
- 1:43:24Speaker 2: I seem to remember them playing a little bit of a game where the us was coming at us and we we sit back and we counter, attack them and we catch them a couple times on the, on the counter and we have a couple very quick strikers who could do that.
- 1:43:36Speaker 2: It clearly was not working.
- 1:43:38Speaker 2: Against green it wasn't working.
- 1:43:39Speaker 2: We had no midfield, there was no attempt to play for through the midfield at all and we were just booming it up there to the strikers and hoping for the best, and we come and concede a goal through a penalty that looked a little dodgy, and then a second goal where, like we were still, you know, they say the the time you concede is when you just score or you just concede.
- 1:44:00Speaker 2: Well, that's exactly what happened to us.
- 1:44:01Speaker 2: We was looking a little flat and we come and get a next goal.
- 1:44:04Speaker 2: Credit to them.
- 1:44:04Speaker 2: They fight back to two all, which is a another trend on the angus eve where it's hard to attack football.
- 1:44:10Speaker 2: We can't win no game easy.
- 1:44:12Speaker 2: It's always had to be close and it's a fight, so we leave the two to all, and people was upset, including myself.
- 1:44:18Speaker 2: It's like dude why we can't just make this easy.
- 1:44:20Speaker 2: But, in fairness to them, they went to st kitts and they play against bahamas, who throw us out of the world cup sometime ago.
- 1:44:26Speaker 2: I want people to remember that there was a group with Bahamas and Puerto Rico and we couldn't get out of the group.
- 1:44:30Speaker 2: But salute to the soccer warriors who did what needed to be done against Bahamas.
- 1:44:36Speaker 2: And hey them.
- 1:44:38Speaker 2: A quick wait was 6-1 or 7-1.
- 1:44:40Speaker 2: I think it was 7-1 in the end.
- 1:44:41Speaker 2: Uh, bahamas look very much like a schoolboy team.
- 1:44:44Speaker 2: Them fellas now come from work.
- 1:44:46Speaker 2: It had a not a man feeling shut and tight.
- 1:44:47Speaker 2: He's still now taking off his shut and tight.
- 1:44:49Speaker 2: They never look good.
- 1:44:50Speaker 2: They look like a real schoolboy team.
- 1:44:52Speaker 2: But the truth is that I've seen Trinidad and Tobago play against teams over the last 10 years who's schoolboy teams and still can't score.
- 1:45:01Speaker 2: So we do what was needed.
- 1:45:03Speaker 2: Salute to Angus, salute to Aubus, salute to aubrey david and the whole trinidad and tobago team, because at least what, what had to be done, was done and we said seven one.
- 1:45:14Speaker 2: We don't have to see them again till the next year for world cup qualifying.
- 1:45:17Speaker 2: I'm kind of grateful for that too.
- 1:45:18Speaker 2: I need my heart to resuscitate.
- 1:45:21Speaker 2: I need, I need, I need time to breathe and catch myself and, as I'm gonna see, if, say, the team ain't gelling right yet, I think so.
- 1:45:27Speaker 2: If it is so.
- 1:45:28Speaker 2: If it is, he needs the team to be together for a little longer for them to gel better, then let that be the case.
- 1:45:35Speaker 2: We have a year, we have a few other tournaments in between that year to start looking good.
- 1:45:39Speaker 2: But at this point in time I do not think that team has what it takes to beat bigger teams in Conqueror.
- 1:45:48Speaker 2: They're looking a little and by a little I mean very, very suspect, and I'm not sure where goals will come from.
- 1:45:58Speaker 2: I'm not sure where goals will come from against these stronger teams, because without a midfield I'm thinking it will be bad.
- 1:46:04Speaker 2: So that's where we are.
- 1:46:06Speaker 2: Salute to them.
- 1:46:07Speaker 2: We're second place to Costa Rica in the group, the second place in the group going forward to the next round qualifying and, as I say, world Cup 2026 is the name of the game.
- 1:46:16Speaker 2: Now, I started this episode with some tune from Duke, right, did I?
- 1:46:19Speaker 2: I think I play at Duke, yeah, thunder, and I want to end this episode with a couple of my Duke favorites.
- 1:46:25Speaker 2: Every now and again I just and you know, I was just driving in the car the other day with Stacy and that Thunder come on and I forget how much of a vibe that Duke Thunder is.
- 1:46:36Speaker 2: And there's another one I want to give you that there's a complete vibe to from Duke Boy, yo, yo, thank you, thank you.
- 1:47:33Speaker 1: Thank you.
- 1:47:33Speaker 1: Well, this is a bad one, baby.
- 1:47:35Speaker 1: This is a bad one.
- 1:47:37Speaker 1: This party gonna drive you crazy.
- 1:47:39Speaker 1: This is a bad one.
- 1:47:41Speaker 1: Anything you flaunt is valid in here.
- 1:47:44Speaker 1: Pick up who you want and jam anywhere.
- 1:47:47Speaker 1: It's total disorder.
- 1:47:48Speaker 1: If you're social, don't bother.
- 1:47:49Speaker 1: I live in here.
- 1:47:49Speaker 1: Pick up who you want and jam anywhere.
- 1:47:49Speaker 1: It's total disorder.
- 1:47:51Speaker 1: If you're social, don't bother.
- 1:47:53Speaker 1: Total disorder.
- 1:47:54Speaker 1: Tonight I tell you to blow.
- 1:47:57Speaker 1: Blow your whistle, blow when you're tired.
- 1:48:00Speaker 1: Blow, blow your whistle, blow, pull it out and blow.
- 1:48:04Speaker 1: Blow your whistle, blow, let me see you throw.
- 1:48:11Speaker 1: Blow your whistle, blow your whistle.
- 1:48:13Speaker 1: Blow your whistle, blow your whistle, because it's a total disorder.
- 1:48:18Speaker 1: If you're social or border, total disorder tonight, thank you.
- 1:48:23Speaker 1: The jam is the hardest ever.
- 1:48:58Speaker 1: This is a bad one.
- 1:48:59Speaker 1: Who created really clever?
- 1:49:01Speaker 1: This is a bad one.
- 1:49:03Speaker 1: Woman with a husband we had to sow.
- 1:49:06Speaker 1: Let's bring the outside man.
- 1:49:09Speaker 1: I'll come in and blow.
- 1:49:10Speaker 1: It's total disorder.
- 1:49:13Speaker 1: It is social disorder, total disorder.
- 1:49:17Speaker 1: Tonight I'll tell you to blow.
- 1:49:19Speaker 1: Blow your whistle, blow when you're tired, blow.
- 1:49:23Speaker 1: Blow your whistle, blow, flip it out and blow.
- 1:49:26Speaker 1: Blow your whistle, blow, let me see out and blow.
- 1:49:28Speaker 1: Blow your whistle, blow.
- 1:49:29Speaker 1: Now they see you, trump.
- 1:49:30Speaker 1: Throw your bricks up.
- 1:49:32Speaker 1: Trump, because this is total disorder If your social go border Total disorder.
- 1:49:39Speaker 1: Tonight I tell you to party like you want.
- 1:49:43Speaker 1: Tonight we go really get on board.
- 1:49:48Speaker 1: I tell you to go.
- 1:50:13Speaker 2: I'm going to close with the one that I feel is the sweetest Duke I know.
- 1:50:16Speaker 2: Right, this is a song that any opportunity I get to play this I always play it.
- 1:50:21Speaker 2: I've played it many times before but it's the sweetest one.
- 1:50:23Speaker 2: But I want to play one in between for all you here that I'm not sure if people know I know much of, if it was the most popular or if all you ever hear it, but this one is by Duke called Freakin' Streakin' you know it.
- 1:51:01Speaker 5: Hear the listen lyrics now.
- 1:51:02Speaker 5: Eh, I'm a man in the nude walking down the street.
- 1:51:10Speaker 1: Just around the time, people going to eat.
- 1:51:16Speaker 5: I'm a man in the nude stepping down the street.
- 1:51:18Speaker 1: I turn my head left, I turn my head right.
- 1:51:23Speaker 1: I can't see not one policeman inside Traffic jam from park to salva People making smoke lads are fighting.
- 1:51:26Speaker 1: You see, I can't see not one policeman inside traffic jam from park to salva gory People making skunk lather fighting, you see.
- 1:51:31Speaker 1: Well, look here.
- 1:51:33Speaker 5: Some girls turn they face, some cover they eyes.
- 1:51:36Speaker 5: One say bye, he waste, and next one say bye.
- 1:51:43Speaker 1: A lovely vendor with us all six chair say she know the fella, come way back where, take a towel and throw it wrong.
- 1:51:48Speaker 1: He waste, please.
- 1:51:49Speaker 1: She husband say no, let the man take breezy to see him.
- 1:51:52Speaker 2: Streakin' Freakin'.
- 1:51:53Speaker 2: What were you doing?
- 1:51:55Speaker 1: Freakin'.
- 1:51:56Speaker 1: Streakin' Look how we're posin' Streakin' Freakin'.
- 1:52:03Speaker 1: Look how we're walkin' Freakin' Streakin'.
- 1:52:06Speaker 1: Look how we posing streaking, freaking.
- 1:52:08Speaker 1: Look how we walking freaking, streaking.
- 1:52:12Speaker 1: Well, there's big, big commotion now in the town.
- 1:52:19Speaker 5: People running up, people running down, a taxi driver stretching his neck to see what he can write inside Marat's jewellery.
- 1:52:35Speaker 2: Mistress Macintosh, a big socialist, said my gosh, my gosh, tell me what is this.
- 1:52:40Speaker 1: I don't believe a big man walking about this way.
- 1:52:42Speaker 1: I just feel he's a damn skinny.
- 1:52:44Speaker 5: Avond.
- 1:52:46Speaker 1: That day was coming in a magnitude, all spectators, well-dressed, this man in the nude, the ladies inspecting from head to toe, some saying oh my, and some saying oh, this time the madman like he love the publicity If you see how he make in the gallery, if you see it sitting freaking the gallery, if you see it.
- 1:53:09Speaker 1: Streaking, streaking.
- 1:53:11Speaker 1: Look how we posing Freaking, streaking.
- 1:53:16Speaker 1: Look how we doing Streaking, streaking.
- 1:53:21Speaker 1: Watch how we walking Freaking, streaking.
- 1:53:26Speaker 1: If you see the crowd can't speak a thing, some laughing along and some giggling.
- 1:53:35Speaker 1: A fella tip a jeep and driving away.
- 1:53:41Speaker 1: Mashie breaks to pee.
- 1:53:44Speaker 1: They jam him right there.
- 1:53:48Speaker 1: A woman they bite.
- 1:53:50Speaker 1: They call Madam Trim.
- 1:53:51Speaker 1: Take off she hair tie to cover it.
- 1:53:54Speaker 1: Put this wrong.
- 1:53:54Speaker 1: You waste man.
- 1:53:55Speaker 1: Have some respect.
- 1:53:56Speaker 1: Inna di hair.
- 1:53:59Speaker 1: Inna di tie.
- 1:53:59Speaker 1: Inna run A bank club name.
- 1:54:01Speaker 1: Anne In big trouble now Because she recognize the man.
- 1:54:08Speaker 5: But shame to the home.
- 1:54:10Speaker 1: He's is a big business man is all she admits she fantasies, but like he business drop.
- 1:54:17Speaker 1: So before he says he just advertising Freakin'.
- 1:54:20Speaker 2: Freakin'.
- 1:54:20Speaker 2: What are we forzin'?
- 1:54:23Speaker 1: Freakin' Freakin'.
- 1:54:25Speaker 1: Look what we're doin' Freakin' Freakin'.
- 1:54:29Speaker 1: Look what we are doin' Freakin' Freakin'.
- 1:54:42Speaker 1: Watch how we move it, and it's Freakin' Freakin'.
- 1:54:46Speaker 2: Watch how we move it and it's Freakin' freaking and he's streaking and he's freaking streaking the only man to win for Calypso Monarch.
- 1:54:55Speaker 2: Back to back to back to back to back to back.
- 1:54:57Speaker 2: How much have I made up for?
- 1:54:58Speaker 2: Right?
- 1:54:58Speaker 2: I ain't so good with the counting Well, you know that already, right, but this one to me, and the freaking streaking, I mean the music behind that is a nice, nice piece of music.
- 1:55:06Speaker 2: I hope you enjoy that.
- 1:55:13Speaker 2: If you didn't know it now, you know I was gonna say, like daniel, last one on the list, and I will see you all in next week.
- 1:55:15Speaker 2: I'll leave it only with this, right, as I say, I looking at weather forecast and thinking I'm seeing where it's tropical wave or storm or whatsoever it might be.
- 1:55:22Speaker 2: And you know I mean we had a buckle up, stay safe.
- 1:55:24Speaker 2: You know, I mean all in the low line.
- 1:55:26Speaker 2: There's flood.
- 1:55:27Speaker 2: If you can work from home, work from home, secure batteny hatch if it's.
- 1:55:30Speaker 2: I was just do hatni batch or batteny hatch, whichever one of the ones I had to do you had to do stay safe and stay clean.
- 1:55:36Speaker 2: This is a long week, right, we're working for five days this week.
- 1:55:39Speaker 2: We're working whole week.
- 1:55:40Speaker 2: I know next week.
- 1:55:41Speaker 2: We have a short week again.
- 1:55:42Speaker 2: You know, I mean it's holiday landing.
- 1:55:44Speaker 2: It's a holiday landing joke, but I want to leave you with this one, which, again, any chance I get to play this, I will.
- 1:55:52Speaker 2: This is not going to be named.
- 1:55:53Speaker 2: Work it Up by the great Kelvin Pope.
- 1:55:55Speaker 2: Thank you, I'm Chris, you gotta work it.
- 1:56:00Speaker 2: Work it for me, spin it round for me.
- 1:57:14Speaker 1: Groove it down for me, girl, this thing that you're doing.
- 1:57:19Speaker 1: You don't know what you're causing.
- 1:57:21Speaker 1: Feel me hard, I'll beat it.
- 1:57:24Speaker 5: I'll call you to wine.
- 1:57:25Speaker 5: If you're whining, work it up for me.
- 1:57:30Speaker 1: Work it.
- 1:57:31Speaker 1: Work it for me, girl.
- 1:57:34Speaker 1: Do the thing for me.
- 1:57:34Speaker 1: Make it sweet for me.
- 1:57:41Speaker 1: Work it up for me.
- 1:58:00Speaker 1: I'm going to go to the bathroom Evening.
- 1:58:03Speaker 1: When you do the freak Darling that does get me weak.
- 1:58:05Speaker 1: Every hair does start to raise.
- 1:58:28Speaker 1: It will sweat and hide for days, and just so me skin does crawl as it knows to stop and go.
- 1:58:34Speaker 1: You gotta work it up for me.
- 1:58:37Speaker 1: Work it up for me.
- 1:58:39Speaker 1: You gotta work it.
- 1:58:40Speaker 1: Work it for me.
- 1:58:41Speaker 1: Work it up for me.
- 1:58:43Speaker 1: Make it sweet for me.
- 1:58:46Speaker 1: Work it up for me.
- 1:58:47Speaker 1: Gotta do the thing for me.
- 1:58:48Speaker 1: Work it up for me, girl.
- 1:58:49Speaker 1: Do the thing for me.
- 1:58:50Speaker 1: Work it up for me.
- 1:58:51Speaker 1: Work it.
- 1:58:54Speaker 1: Work it for me.
- 1:58:54Speaker 1: Work it up for me.
- 1:58:56Speaker 1: Spin it round for me.
- 1:58:58Speaker 1: Work it up for me.
- 1:59:00Speaker 1: Groove it down for me.
- 1:59:03Speaker 1: Work it up for me, girl.
- 1:59:05Speaker 1: This thing that you're doing.
- 1:59:06Speaker 1: You don't know what you're forcing.
- 1:59:09Speaker 1: Feel me, I know you need it.
- 1:59:11Speaker 1: Wine wine, wine wine.
- 1:59:14Speaker 5: Walk it up for me.
- 1:59:18Speaker 1: Walk it.
- 1:59:19Speaker 1: Walk it for me, spin it round for me, groove it down for me.
- 1:59:43Speaker 1: Bye.