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YURI REDICOPA - Podpah _1052 · Luke's English Podcast

• 1:59
  Speaker 1: Usar o cartão Mercado Pago Visa é lance pra cartão.
• 2:02
  Speaker 2: Durante a Copa do Mundo da FIFA 2026, se inscreva
• 2:05
  Speaker 2: na promoção e concorra ao ano de faturas pagas. É isso.
• 2:08
  Speaker 1: Quanto mais você usa, mais chance de ganhar.
• 2:11
  Speaker 2: Mercado Pago. Você tem tudo pra ganhar.
• 2:18
  Speaker 3: Gringos?
• 2:19
  Speaker 4: Nunca entenderão. Guaraná Antártica.
• 2:27
  Speaker 1: Sente de torcer?
• 2:28
  Speaker 4: É coisa nossa. I want to thank Brazil, we won yesterday.
• 2:35
  Speaker 4: Applause for Brazil!
• 2:39
  Speaker 1: Let's go!
• 2:40
  Speaker 4: I'm deluded, Mítico. I'm deluded.
• 2:43
  Speaker 1: Even Neymar played.
• 2:44
  Speaker 3: Neymar!
• 2:45
  Speaker 1: Damn, he cried.
• 2:48
  Speaker 5: How are you at your house?
• 2:49
  Speaker 4: Did you cry?
• 3:00
  Speaker 5: Chorei, velho.
• 3:01
  Speaker 1: Ah, tá. Chorei.
• 3:02
  Speaker 2: Eu queria ver você assumindo aqui, porque ontem eu vi
• 3:04
  Speaker 2: você chorar.
• 3:04
  Speaker 5: Você também chorou, não foi?
• 3:05
  Speaker 3: Chorei.
• 3:06
  Speaker 1: In the 42nd minute.
• 3:07
  Speaker 4: Yes, from the first time.
• 3:09
  Speaker 1: From the first time? Yes, because I was already excited there. Wow,
• 3:12
  Speaker 1: how are the people at home? Did you cry yesterday?
• 3:15
  Speaker 1: I hope so. Welcome to another Podpá. Thursday, joy, right, Igor?
• 3:21
  Speaker 2: Thursday, joy, boldness, discipline, perseverance and modesty.
• 3:26
  Speaker 1: Always. Let's go, let's go.
• 3:28
  Speaker 2: They are everything we don't have. And we are here
• 3:31
  Speaker 2: to make a wonderful episode with a wonderful guest. And
• 3:34
  Speaker 2: next to me, he is the most wonderful person in
• 3:36
  Speaker 2: the world, the mythical young man who is about to
• 3:38
  Speaker 2: make his birthday, right, mythical young man?
• 3:40
  Speaker 1: It's true, tomorrow, man. Tomorrow is your birthday.
• 3:42
  Speaker 2: How old are you going to be? Better not to say, right?
• 3:45
  Speaker 1: After 30, I start to say, whatever. Age is.
• 3:47
  Speaker 5: It's just a number.
• 3:48
  Speaker 1: It's just a number.
• 3:49
  Speaker 4: Okay.
• 3:49
  Speaker 1: 36 years old, man. I'm going to be 30, mythical. Man,
• 3:52
  Speaker 1: I met you, you were 20... I was 18. 18
• 4:00
  Speaker 1: years when you met me.
• 4:01
  Speaker 5: As life goes on, right? Yes.
• 4:05
  Speaker 4: Life goes on and so does it.
• 4:07
  Speaker 2: Before introducing our wonderful guest, I need to talk about
• 4:10
  Speaker 2: the events and the sponsors of this podcast. Including, next Tuesday,
• 4:15
  Speaker 2: at noon, I don't know if you saw the Podpah
• 4:18
  Speaker 2: Records that released last month, the Sala do Rael, which is.
• 4:23
  Speaker 4: Wonderful and impressive.
• 4:24
  Speaker 5: It hit a million.
• 4:26
  Speaker 4: It's close. I think it's close to 900,000.
• 4:29
  Speaker 2: Views will hit now that you are going to watch
• 4:31
  Speaker 2: exactly so follow it is wonderful and what I want
• 4:34
  Speaker 2: to say is that Tuesday now at noon the second
• 4:36
  Speaker 2: room of Joyce Alani comes out wonderful to sing a
• 4:39
  Speaker 2: lot for those.
• 4:40
  Speaker 1: Who don't understand that let's summarize.
• 4:42
  Speaker 2: What is the room the room is ours acoustic our
• 4:45
  Speaker 2: concert understood remember what was the acoustic MTV is the
• 4:51
  Speaker 2: room is ours With an absurd quality. Exactly, so you
• 4:55
  Speaker 2: can see your favorite artist in a different way, okay? So, Tuesday, noon,
• 4:59
  Speaker 2: Joyce Alani's room, wonderful, she sings a lot, thank you
• 5:03
  Speaker 2: very much for sticking with us.
• 5:05
  Speaker 4: It's amazing.
• 5:06
  Speaker 2: And it's us, okay? And now, Mítico Jovem, let's talk
• 5:08
  Speaker 2: about our sponsors, starting with Guaraná Antarctica, because the Guaraná
• 5:13
  Speaker 2: Antarctica roulette arrived, which is an exclusive promotion there at
• 5:17
  Speaker 2: Zé Delivery, okay?
• 5:17
  Speaker 4: Every R $ 12 spent on purchases of.
• 5:19
  Speaker 2: The Guaraná Antarctica product at Zé Delivery, you get a
• 5:21
  Speaker 2: round in the roulette. And look, week... There are three
• 5:26
  Speaker 2: in a week. PlayStation 5. Please, you must show it.
• 5:29
  Speaker 2: Because look how this PlayStation 5 is differentiated. Look at
• 5:31
  Speaker 2: this color, man.
• 5:32
  Speaker 1: I've never seen.
• 5:33
  Speaker 5: Wow, I'm staining it.
• 5:34
  Speaker 1: I've never seen this PlayStation.
• 5:35
  Speaker 2: It's that color that you're passing, it has a shine.
• 5:37
  Speaker 2: Show the control, show the control.
• 5:38
  Speaker 1: And it's slim, right?
• 5:40
  Speaker 5: It's slim, look.
• 5:40
  Speaker 4: Look at the controller. What is this?
• 5:42
  Speaker 2: So, guys, go to Z Delivery, get a drink, go
• 5:45
  Speaker 2: to Guaraná Antarctica, because every R $ 12 you spend on
• 5:49
  Speaker 2: Guaraná Antarctica, you get a spin on the roulette to
• 5:52
  Speaker 2: win this PlayStation 5, who knows, okay? So, click on
• 5:54
  Speaker 2: the screen, look at the description, the regulation, and as
• 5:57
  Speaker 2: Mítico Jovem said, don't give up, for God's sake, Mítico Jovem.
• 6:00
  Speaker 2: Follow Guaraná on social media to know all his promotions, and, man,
• 6:03
  Speaker 2: by the way.
• 6:10
  Speaker 5: Foda essa promoção, hein, mano?
• 6:11
  Speaker 1: Muito!
• 6:12
  Speaker 5: Deixa esse aqui com nós, esse PlayStation.
• 6:15
  Speaker 4: Sabe o que que é isso, Mítico? Hã? Isso é
• 6:16
  Speaker 4: lance pra merc.
• 6:18
  Speaker 2: Isso é lance pra cartão Mercado Pago Visa.
• 6:21
  Speaker 4: Estamos juntos.
• 6:22
  Speaker 2: Muito obrigado por estarem com a gente. Visa, pra quem
• 6:25
  Speaker 2: não sabe, é a patrocinadora oficial da Copa do Mundo
• 6:28
  Speaker 2: 2026 da FIFA. A gente é bonitinho, né? Você é
• 6:31
  Speaker 2: um pouco mais. Mas o que eu queria falar é
• 6:33
  Speaker 2: o quê? A cada 300 reais gastos nesse cartão em compras,
• 6:37
  Speaker 2: você concorre a um ano de faturas pagas. Um oferecimento Visa.
• 6:42
  Speaker 2: Isso é muito bom. Então, tipo assim.
• 6:43
  Speaker 1: É o sonho de todo mundo.
• 6:44
  Speaker 2: Vai rolar aquele jogo. Você vai reunir a galera. Vai
• 6:46
  Speaker 2: fazer aquele churrasco.
• 6:47
  Speaker 1: Glórias!
• 7:16
  Speaker 4: Mítico Jovem.
• 7:17
  Speaker 2: I want a lot of noise. I want real claps.
• 7:19
  Speaker 2: Receive with a lot of affection. Make a lot of
• 7:21
  Speaker 2: noise for our guest today.
• 7:22
  Speaker 4: My God, a phenomenon. Yuri Red Copa! Let's go! That's it!
• 7:25
  Speaker 4: I like that.
• 7:36
  Speaker 2: Man, that's my nickname, it's Yuri Redcopo Amparo Silva.
• 7:53
  Speaker 1: But where does a Red Copa come from?
• 7:56
  Speaker 6: It's from my mother's family, but to know where it
• 7:59
  Speaker 6: came from.
• 8:00
  Speaker 4: I don't know. You don't know? I don't know.
• 8:02
  Speaker 2: But when you, man, because when I first read your
• 8:06
  Speaker 2: name on the sound, I said, this Red Copa is
• 8:10
  Speaker 2: drawing my attention, man. But I didn't know it was
• 8:13
  Speaker 2: a nickname. And then he hit the table and said, no,
• 8:14
  Speaker 2: it's his nickname.
• 8:15
  Speaker 4: I said, no, it's a lie.
• 8:17
  Speaker 1: And you kept using him artistically because he's really crazy, right? Yes, like,
• 8:20
  Speaker 1: I only.
• 8:21
  Speaker 6: Used Yuri Red when I played, because I liked to
• 8:23
  Speaker 6: play video games, because I didn't fit the whole Red Copa,
• 8:26
  Speaker 6: you know? Ah, I said, man, I have to start
• 8:29
  Speaker 6: using this nickname here, which is different, few people have,
• 8:31
  Speaker 6: and then... I think I've never seen anyone with.
• 8:33
  Speaker 1: A Red Copa nickname.
• 8:34
  Speaker 4: Just your family.
• 8:35
  Speaker 5: Did you find.
• 8:36
  Speaker 4: Any Red Copa? I don't know, I don't know others, no.
• 8:39
  Speaker 4: It's possible. Have you ever asked your mother where this
• 8:41
  Speaker 4: comes from? No, I don't even ask.
• 8:46
  Speaker 1: How old are you, bro?
• 8:48
  Speaker 4: I'm 25.
• 8:48
  Speaker 1: You're so young. Where were you? You were in France, right?
• 8:52
  Speaker 4: Yeah, I was in France. Paris.
• 8:53
  Speaker 1: What were you doing there? We want to know about
• 8:55
  Speaker 1: your career, but I said, man, will he arrive on time?
• 8:57
  Speaker 1: Because I saw that you were there yesterday.
• 8:59
  Speaker 4: No, it took time, it took time. It was planned,
• 9:01
  Speaker 4: arrived in a hurry.
• 9:02
  Speaker 6: But I was there to be able to follow me
• 9:04
  Speaker 6: a little bit of the Fashion Week. I went to
• 9:07
  Speaker 6: the Fete de la Musique too.
• 9:08
  Speaker 4: Ah, so we can evolve, right? Where were you? Café
• 9:13
  Speaker 4: de la Musique? It's Fete de la Musique. Fete de
• 9:15
  Speaker 4: la Musique.
• 9:16
  Speaker 1: What is Fete de la Musique?
• 9:18
  Speaker 6: Man, it's like a carnival, but it's only one day
• 9:21
  Speaker 6: there in Paris, you know?
• 9:23
  Speaker 4: Man, it's very cool. Is it a street party? Yes, yes, yes.
• 9:26
  Speaker 1: But how?
• 9:27
  Speaker 4: Like, is it a lot of sound? How is it?
• 9:29
  Speaker 4: Are there things to eat?
• 9:30
  Speaker 2: What sound does it play?
• 9:32
  Speaker 4: Man, like, all of Europe touches there because at this
• 9:35
  Speaker 4: time it's summer.
• 9:35
  Speaker 6: Here it's winter in our country and there it's.
• 9:39
  Speaker 4: Summer for them. Right.
• 9:40
  Speaker 6: Then all the people from Europe stick to Paris. And, man,
• 9:45
  Speaker 6: the thing plays all kinds of music. Like, there's a
• 9:48
  Speaker 6: street that has five different nationalities parties.
• 9:51
  Speaker 4: But is there something.
• 9:52
  Speaker 2: That plays more there? That you say, man, this one
• 9:54
  Speaker 2: is playing a lot here.
• 9:55
  Speaker 4: There's a thing here, it's a kind of sound that
• 9:58
  Speaker 4: is from there, you know? What is that? With Afrobeat.
• 10:16
  Speaker 1: No way.
• 10:16
  Speaker 4: Damn, so it's very good. It's very good, very good.
• 10:19
  Speaker 4: This one plays a lot there. What's the name, bro? Buion.
• 10:21
  Speaker 1: Buion?
• 10:22
  Speaker 4: Yeah.
• 10:22
  Speaker 1: You already brought this rap for your songs.
• 10:25
  Speaker 6: Let's see if you're already thinking. On the day of
• 10:27
  Speaker 6: this Fete de la Música, we already released one, man.
• 10:30
  Speaker 4: No way. On this beat? Yeah.
• 10:33
  Speaker 1: But you haven't released it yet.
• 10:34
  Speaker 4: Have you?
• 10:35
  Speaker 1: Yes, I have.
• 10:36
  Speaker 2: Damn, the guy was there and already released it. It's
• 10:40
  Speaker 2: what we're talking about, bro. Youth works in a very
• 10:41
  Speaker 2: fast way. Damn, you said it like my uncle now.
• 10:44
  Speaker 5: You know?
• 10:44
  Speaker 4: Youth works in a very fast way. But it's true,
• 10:46
  Speaker 4: it's true.
• 10:46
  Speaker 1: We were young and worked faster. I don't even remember, bro.
• 10:49
  Speaker 4: You know?
• 10:50
  Speaker 2: Without asking anyone. You just did it and that's it.
• 10:57
  Speaker 1: So, how did it go, Brisa? Did you see this
• 11:00
  Speaker 1: musical style? Did you say, I'm going to make a sound.
• 11:02
  Speaker 4: Here and there?
• 11:03
  Speaker 6: Last year I went there, because I went to work
• 11:05
  Speaker 6: with New Balance, and then I had the opportunity to
• 11:08
  Speaker 6: stay there for a few days, not just do the
• 11:11
  Speaker 6: job and go away. Then I told a partner, bro,
• 11:13
  Speaker 6: I wanted to record this and I didn't know what
• 11:15
  Speaker 6: it was.
• 11:16
  Speaker 4: Then I made friends.
• 11:17
  Speaker 6: With some people and asked, what kind of music is this?
• 11:19
  Speaker 6: Because I had some videos recorded on my cell phone.
• 11:21
  Speaker 6: You made friends with Sonny Seizes there. Then they said, no,
• 11:23
  Speaker 6: it's this one. Then they sent me the link of
• 11:25
  Speaker 6: a song. And I was like, man, this is really cool.
• 11:28
  Speaker 6: Then there's a partner of mine who sings funk too,
• 11:31
  Speaker 6: and he's involved in fashion and music. MCZKW is his name.
• 11:35
  Speaker 6: He said, man, the name of this thing is Booyon, bro.
• 11:38
  Speaker 6: We have to do this. Then he started doing some,
• 11:40
  Speaker 6: then he touched a partner here in Brazil this year,
• 11:45
  Speaker 6: his name is Benjay, he's a producer. And he's from France,
• 11:49
  Speaker 6: and he said, bro, you have to do this too, dad.
• 11:51
  Speaker 6: And we recorded it, and this song came out.
• 11:53
  Speaker 1: Fuck, fuck, fuck.
• 11:54
  Speaker 2: I need to stop to listen, I haven't heard it yet.
• 11:57
  Speaker 4: But I've already heard this thing, I've heard it a lot, bro.
• 11:59
  Speaker 4: Let me put one here.
• 12:00
  Speaker 1: Please.
• 12:01
  Speaker 4: Oh, yes, bro.
• 12:02
  Speaker 2: And there's something you've been hearing for a while, since
• 12:05
  Speaker 2: last year.
• 12:06
  Speaker 5: Cool, I thought it was this breeze from now.
• 12:08
  Speaker 1: I was already saying, bro, later I have.
• 12:10
  Speaker 2: To remember the name of this thing.
• 12:11
  Speaker 4: I have to write here, I'm sure I'll write it.
• 12:13
  Speaker 4: I posted a video with her.
• 12:16
  Speaker 2: It's so cool, man.
• 12:17
  Speaker 4: It's cool, right? It looks like a.
• 12:40
  Speaker 1: Wow, very cool.
• 12:41
  Speaker 4: It looks like a pavotão with forró, with everything.
• 12:43
  Speaker 1: Do you have a Frenchman singing on top of this
• 12:46
  Speaker 1: beat just to see how it is caught? Of course
• 12:48
  Speaker 1: I do.
• 12:49
  Speaker 4: What is this, man?
• 12:50
  Speaker 1: Oh, how crazy, man.
• 12:54
  Speaker 4: Very crazy, man. What, hit a million in one day?
• 12:56
  Speaker 4: Is that it?
• 12:57
  Speaker 1: Is that it?
• 12:58
  Speaker 2: I'm talking to you, man. It was released two days
• 13:03
  Speaker 2: ago and it's already a million.
• 13:05
  Speaker 1: Almost 2 million views.
• 13:06
  Speaker 4: 1 million views on videos, you know? He's not streaming yet. No,
• 13:10
  Speaker 4: he's 1 million, bro.
• 13:11
  Speaker 1: 1 million is 1 million. He's crazy. He's visualizing. I'm
• 13:13
  Speaker 1: researching the one from the gringo here.
• 13:15
  Speaker 4: Man, it was the first one I heard, you know?
• 13:17
  Speaker 4: It really hit. You said, wow. Wow, I thought it
• 13:18
  Speaker 4: was crazy. But he's not very Brazilian. Very, very.
• 13:20
  Speaker 1: Yeah, so it goes a lot with us. I said, man,
• 13:23
  Speaker 1: I need to do this.
• 13:27
  Speaker 2: Ok, but when you got to France, did you feel
• 13:29
  Speaker 2: a hug from the people who make the sound there too?
• 13:32
  Speaker 2: Or did you feel a certain difficulty? Because it doesn't
• 13:34
  Speaker 2: seem to me that it was difficult for you to
• 13:36
  Speaker 2: connect and make a sound. Man, it was smooth, like,
• 13:39
  Speaker 2: I don't know how to speak English, I also don't
• 13:40
  Speaker 2: know how to speak French.
• 13:41
  Speaker 4: But you know when people feel that you are willing
• 13:43
  Speaker 4: to want to say something to them?
• 13:46
  Speaker 2: Yes.
• 13:46
  Speaker 6: Then, like, the guys were patient with me, I took
• 13:50
  Speaker 6: out the cell phone, took it, turned it around, showed
• 13:52
  Speaker 6: them what I wanted to say. And everyone was cool. Man,
• 13:57
  Speaker 6: there was a partner who was with me too.
• 13:59
  Speaker 1: He's from London.
• 14:00
  Speaker 4: He's a rapper.
• 14:01
  Speaker 6: His name is Santé. And he kept introducing me to
• 14:04
  Speaker 6: a bunch of people. He said, no, he's the bravest
• 14:06
  Speaker 6: in the country, man. This guy here, you have to
• 14:08
  Speaker 6: listen to funk, you have to listen to him.
• 14:11
  Speaker 4: What a key! And he's right. And then, like, it
• 14:14
  Speaker 4: was the first time I saw him personally, you know?
• 14:16
  Speaker 2: Ah, so you guys exchanged ideas only on the internet?
• 14:18
  Speaker 2: And he enjoyed your sound, he knew who you were.
• 14:20
  Speaker 6: Like, when a commercial came out that I participated in
• 14:23
  Speaker 6: last year, he started to follow me. Then he said, man,
• 14:25
  Speaker 6: I knew your music and I didn't know your peace.
• 14:28
  Speaker 4: Tell us what commercial you did. A Daniel Balanz commercial. Ah,
• 14:31
  Speaker 4: how cool. That was this commercial that made me travel there. Okay,
• 14:35
  Speaker 4: calm down.
• 14:35
  Speaker 2: Did they call you to do the sound of the
• 14:38
  Speaker 2: stop or did you act in the commercial?
• 14:41
  Speaker 4: I acted. What a key, man.
• 14:42
  Speaker 1: It was cool, man. And what's your opinion about them
• 14:47
  Speaker 1: listening to your funk sound?
• 14:50
  Speaker 5: What are they talking about?
• 14:51
  Speaker 6: Oh, man, people like funk a lot because of the beats,
• 14:54
  Speaker 6: it's very dancing, very volvente, people like it a lot.
• 14:57
  Speaker 6: Then I said that my lyrics were shit, so they
• 14:59
  Speaker 6: don't like it anymore.
• 15:00
  Speaker 4: They like it a lot, right? Yeah, everyone likes it, right?
• 15:03
  Speaker 2: Brother, if you don't think.
• 15:05
  Speaker 4: It's good, let's talk about it at the beginning.
• 15:08
  Speaker 2: I'll send it to you later. Okay, stay in peace. Okay, Yuri,
• 15:11
  Speaker 2: I want to know about your childhood, brother. Where are
• 15:14
  Speaker 2: you from? What did you dream of being? What did
• 15:16
  Speaker 2: you dream of being as a boy?
• 15:19
  Speaker 6: Man, I was born in Taboão da Serra, but I
• 15:22
  Speaker 6: never lived in Taboão da Serra.
• 15:23
  Speaker 4: No?
• 15:23
  Speaker 6: You were born there? I was born there and lived
• 15:26
  Speaker 6: in Budazarte. My family lives there. And then I grew
• 15:30
  Speaker 6: up there, my grandmother lived in Capão Redondo, so kind
• 15:32
  Speaker 6: of like... Yeah, my whole childhood was in Trimbo das
• 15:35
  Speaker 6: Artes and Capão Redondo. I used to stay in that truck.
• 15:38
  Speaker 6: And you dreamed of being a soccer.
• 15:40
  Speaker 4: Player, right? Childhood on the street? Yeah, that way, in
• 15:42
  Speaker 4: that model, all day.
• 15:43
  Speaker 1: Did you play?
• 15:44
  Speaker 4: Oh, I used to play, bro.
• 15:44
  Speaker 6: Even when I was about 15 years old, I started
• 15:47
  Speaker 6: playing in some clubs, in some places, I got to federate,
• 15:50
  Speaker 6: but then, when I was close to 18, my mother
• 15:51
  Speaker 6: started to give me those beatings, like, you have to cheat, bro,
• 15:55
  Speaker 6: don't do.
• 15:55
  Speaker 1: Anything, just.
• 16:00
  Speaker 5: This soccer thing is not going to work.
• 16:02
  Speaker 6: This soccer thing already has a lot of people like
• 16:04
  Speaker 6: you who are trying. You have to fix something.
• 16:06
  Speaker 2: Comparing the music, is soccer much more distant, brother? The
• 16:10
  Speaker 2: two dreams, like that.
• 16:12
  Speaker 4: Man, worse than not. Really? No, it's not much more distant, no.
• 16:16
  Speaker 2: Because in my head, it seems that soccer.
• 16:20
  Speaker 4: Is more distant. Pique, nowadays, it may be because the music.
• 16:25
  Speaker 1: Yeah, and it's.
• 16:26
  Speaker 4: Easy to access, you know?
• 16:27
  Speaker 6: If you promote your song a lot, someone will like it.
• 16:31
  Speaker 4: Yes, I got it.
• 16:32
  Speaker 5: You have to train.
• 16:34
  Speaker 4: A lot for soccer, right?
• 16:35
  Speaker 5: You have to train a lot.
• 16:37
  Speaker 2: And besides training, obviously, in music too, in art, anyway.
• 16:40
  Speaker 2: There's also the luck aspect, but I think that in soccer, man...
• 16:43
  Speaker 2: Besides the luck aspect, there's also the business aspect.
• 16:47
  Speaker 4: Yes, you have to have a good man behind you.
• 16:49
  Speaker 4: That's what's awesome.
• 16:50
  Speaker 1: Pass us some good peneira. Anyway, but you, in your childhood,
• 16:57
  Speaker 1: how was it? At school, how was it?
• 16:59
  Speaker 6: Man, I wasn't bad at school, for real. I think
• 17:02
  Speaker 6: I have, like, difficulty in staying quiet. Then I learned
• 17:08
  Speaker 6: the things and didn't let the others learn because I was.
• 17:10
  Speaker 4: Talking a lot in class. Did you like to talk
• 17:13
  Speaker 4: a lot?
• 17:13
  Speaker 6: Yes, I liked it a lot, but I liked math
• 17:15
  Speaker 6: a lot, you know? There was a teacher in my
• 17:18
  Speaker 6: childhood whose name was Mauro, don't forget, man, he was
• 17:21
  Speaker 6: very good, this.
• 17:22
  Speaker 4: Teacher was the best. I think I owe him a lot.
• 17:23
  Speaker 1: Really? In math?
• 17:24
  Speaker 4: Did he take you to school? Yes, he made me
• 17:26
  Speaker 4: learn a lot of things, you know?
• 17:28
  Speaker 5: But at school, did you already beat and sing?
• 17:31
  Speaker 6: No, no, I had a brother who was a DJ already,
• 17:34
  Speaker 6: his name was DJ Tel. He taught me how to
• 17:38
  Speaker 6: produce on YouTube. I was like, damn, bro, this is
• 17:42
  Speaker 6: very key, but it's not for me, because for me,
• 17:44
  Speaker 6: everyone who sang had to be tuned. And then, I
• 17:47
  Speaker 6: wasn't tuned and I didn't stop. Then, at that same time,
• 17:50
  Speaker 6: when my brother was a DJ, I went to church
• 17:53
  Speaker 6: with my grandmother. My grandmother went to church with her,
• 17:56
  Speaker 6: and she's from the congregation.
• 17:58
  Speaker 4: That little model. Yeah, it has to be right.
• 18:00
  Speaker 1: Right.
• 18:01
  Speaker 6: Then I started to play the violin. Then I started
• 18:05
  Speaker 6: to do violin lessons too.
• 18:06
  Speaker 5: And what was your age?
• 18:07
  Speaker 4: Ah, more or less about 12. Your brother had an MPC?
• 18:11
  Speaker 4: My brother, I think he had, he had, he even had, right?
• 18:15
  Speaker 2: Because I remember at that time, when I was about
• 18:18
  Speaker 2: that age, I needed to watch a lot of MPC
• 18:20
  Speaker 2: production videos, man. Or the guy just playing MPCs, like,
• 18:24
  Speaker 2: Magrinho Pumba La Pumba. Ah, he taught how to produce
• 18:26
  Speaker 2: on Acid, you know?
• 18:28
  Speaker 4: Wow, so you already.
• 18:29
  Speaker 2: Because of your brother, you started to.
• 18:31
  Speaker 4: To get a view of these things, but then I got... Ah,
• 18:33
  Speaker 4: it was very.
• 18:35
  Speaker 6: Very little, like that.
• 18:37
  Speaker 4: I used to go there.
• 18:38
  Speaker 6: I even got to download DAW, but I never managed
• 18:41
  Speaker 6: to produce it.
• 18:42
  Speaker 4: I was very angry, I said, man, you know what?
• 18:45
  Speaker 6: I'm not good at singing anymore, so I'm not getting
• 18:47
  Speaker 6: those things, all in English.
• 18:49
  Speaker 1: I'm not going to learn, no. But that was in
• 18:51
  Speaker 1: the same period that you were learning the violin. Yes,
• 18:54
  Speaker 1: in the same period of the violin, yes.
• 18:55
  Speaker 6: But did you really get the violin to play? Then, look,
• 18:59
  Speaker 6: look at this thing. I was learning to play the violin,
• 19:02
  Speaker 6: but I played the ball. Then I said, bro, I'm
• 19:05
  Speaker 6: a person who has a serious problem that when I'm
• 19:07
  Speaker 6: dedicating myself to something, I really dedicate myself to one
• 19:09
  Speaker 6: thing only so as not to disturb others. And then
• 19:12
  Speaker 6: I stopped going to the violin class because I had
• 19:15
  Speaker 6: a very big hair and the brothers in the church
• 19:17
  Speaker 6: were very involved in this.
• 19:18
  Speaker 4: Big hair thing. And then one time.
• 19:20
  Speaker 6: My brother said to me, ah, this big hair there
• 19:22
  Speaker 6: is not cool. Then I said, do you want to know?
• 19:24
  Speaker 4: I'm not going to come anymore. My hair is like this, man.
• 19:42
  Speaker 2: Because the most difficult thing at this age is to
• 19:45
  Speaker 2: have a black.
• 19:46
  Speaker 1: Guy with a high point of view.
• 19:48
  Speaker 2: My hair is like that, man. Receive it.
• 19:51
  Speaker 6: And I didn't like it when I talked about my stuff.
• 19:53
  Speaker 6: I always said investment, these things. Then if someone said
• 19:56
  Speaker 6: it wasn't cool, I would say, don't irritate me, please.
• 19:58
  Speaker 4: Why did you start breaking in fashion?
• 20:02
  Speaker 6: Man, I don't know, I think it's because of my dad,
• 20:05
  Speaker 6: he already did some different things.
• 20:07
  Speaker 4: What did your dad like? That you said, this is cool, man. Man,
• 20:10
  Speaker 4: he wore some ticano clothes, you know? Those guys who
• 20:12
  Speaker 4: walk with longhiders, and I thought that was a lot more,
• 20:15
  Speaker 4: I thought it was gangster. What did he wear? Like
• 20:17
  Speaker 4: some bermudonas on the ankle?
• 20:18
  Speaker 7: Jigs, jigs.
• 20:18
  Speaker 4: Liar, the Jigs set. Yeah, regatta, tattoo on the back.
• 20:24
  Speaker 4: I was like, this guy is cool. His friends had
• 20:27
  Speaker 4: those tear-shaped tattoos. He wore a bandana. Gangsta.
• 20:31
  Speaker 6: He had to be stylish too.
• 20:33
  Speaker 1: What's that?
• 20:33
  Speaker 4: You were living in Los Santos? Yeah, I was feeling
• 20:35
  Speaker 4: like I was in GTA, you know? Man, that's cool.
• 20:38
  Speaker 4: So your reference is also your father. Yeah, yeah.
• 20:40
  Speaker 1: A lot of stuff. But it's very difficult, as a
• 20:43
  Speaker 1: child at least, I think it's.
• 20:44
  Speaker 4: Difficult for you to have a.
• 20:50
  Speaker 2: Is it an aesthetic reference? Or do you know what
• 20:52
  Speaker 2: you're doing?
• 20:52
  Speaker 6: But he already gave me some stuff like this, I'm
• 20:54
  Speaker 6: talking about when I was about 12 years old, but
• 20:57
  Speaker 6: when I was younger I already had a Nike Cortez
• 20:59
  Speaker 6: like this, which was a sneaker that normally kids my
• 21:02
  Speaker 6: age didn't.
• 21:03
  Speaker 4: Even know what it was.
• 21:05
  Speaker 6: My brother already had a Nike Shox and he is
• 21:07
  Speaker 6: 5 years older than me, so if my father gave
• 21:09
  Speaker 6: my brother something, he would give it to me. Then
• 21:11
  Speaker 6: my brother asked for a.
• 21:12
  Speaker 4: Nike Shox and I had one too.
• 21:14
  Speaker 6: It was like I had a really bad tennis in
• 21:17
  Speaker 6: the break, and a different one.
• 21:19
  Speaker 4: Intellectual.
• 21:20
  Speaker 1: So you were a little sick.
• 21:20
  Speaker 6: And my foot takes a long time to grow, so
• 21:22
  Speaker 6: I was like this, two, three years with the same tennis,
• 21:24
  Speaker 6: like the one you win at Christmas, but it lasted.
• 21:26
  Speaker 4: And then when you grew up, you used your brother's.
• 21:28
  Speaker 2: So I had practically a lot of tennis.
• 21:31
  Speaker 4: Did you have the phase of getting your brother's clothes
• 21:33
  Speaker 4: in advance?
• 21:33
  Speaker 2: No, because my brother is from a different mother.
• 21:36
  Speaker 4: From a different mother. Because he lived in another house.
• 21:43
  Speaker 4: I got it. When I was going to get something
• 21:45
  Speaker 4: from me, I was already screwed. I didn't even have
• 21:47
  Speaker 4: time to stay with me.
• 21:49
  Speaker 1: I got it. But you were saying that the guys talked.
• 21:53
  Speaker 6: About your hair. You said, fuck you, I'm going to football.
• 21:56
  Speaker 6: I started to focus on football, man.
• 21:58
  Speaker 1: How was that time of your life in soccer? Did
• 22:00
  Speaker 1: you really think you were going.
• 22:01
  Speaker 4: To be a player? I thought it was going to
• 22:04
  Speaker 4: work out, man. I was sure. What did you miss, brother?
• 22:06
  Speaker 4: Real Madrid?
• 22:07
  Speaker 6: Yeah, some things like that. I was like, man, I'm
• 22:09
  Speaker 6: going to start playing in Europe.
• 22:12
  Speaker 2: You didn't have to introduce me to PTK Bola there.
• 22:14
  Speaker 4: Yes, it was what I trained the most.
• 22:15
  Speaker 6: I recorded several videos on my relatives' cell phones. You know,
• 22:19
  Speaker 6: playing around, trying to make a little zero.
• 22:21
  Speaker 4: To do ugly, right? What did the family say at
• 22:23
  Speaker 4: that time?
• 22:23
  Speaker 1: At that time it was smooth, everyone supported me.
• 22:25
  Speaker 4: At that time I think my father used to cheat
• 22:27
  Speaker 4: in the post office. I think so. Because one hour
• 22:30
  Speaker 4: or another he used to do something there. Joke, joke.
• 22:34
  Speaker 4: But the kickers used to come there. Sometimes it wasn't
• 22:37
  Speaker 4: my number, but it used to come. He used to
• 22:39
  Speaker 4: do something.
• 22:40
  Speaker 2: He used to.
• 22:43
  Speaker 4: Say, I passed the Decathlon, but I know he didn't
• 22:45
  Speaker 4: do anything.
• 22:49
  Speaker 1: But you really dedicated yourself to soccer when you were
• 22:52
  Speaker 1: 15 years old?
• 22:53
  Speaker 5: Yeah, something like that.
• 22:54
  Speaker 6: At that time, I was 15 years old, I was
• 22:57
  Speaker 6: already in high school. I was already in high school. Man,
• 22:59
  Speaker 6: as a woman, I was soft. I never was like
• 23:02
  Speaker 6: a thug, like, stealing my thug. I really liked to joke. So,
• 23:05
  Speaker 6: I used to play soccer a lot. Then, when I
• 23:07
  Speaker 6: was in third grade... I.
• 23:08
  Speaker 4: Wanted to, but I was shy.
• 23:10
  Speaker 1: Me too.
• 23:10
  Speaker 4: Then, the most I could do.
• 23:19
  Speaker 2: At school with a girl was to sit in pairs.
• 23:21
  Speaker 1: Seriously? Or hold her purse.
• 23:23
  Speaker 4: That's it, waiting for her father to arrive. Man, I
• 23:25
  Speaker 4: was kind of an idiot, you know?
• 23:26
  Speaker 6: Because if I liked a girl a lot, I was
• 23:29
  Speaker 6: able to make fun of her to everyone and not
• 23:31
  Speaker 6: say that I liked her, you know?
• 23:32
  Speaker 4: It was your way of demonstrating interest.
• 23:34
  Speaker 1: Ah, but I think most boys do.
• 23:35
  Speaker 2: That, because we learn not to demonstrate, right? And then,
• 23:38
  Speaker 2: when we are very involved with the person, there is
• 23:40
  Speaker 2: a reason, right?
• 23:42
  Speaker 3: Yeah, yeah.
• 23:45
  Speaker 4: Then in 2018, when I was 17, I stopped playing
• 23:47
  Speaker 4: ball and I met the dance boys. Ok, calm down.
• 23:49
  Speaker 4: What was the day that you said to yourself that
• 23:50
  Speaker 4: you would quit?
• 23:51
  Speaker 2: That you gave up on your dream? The coach talked
• 23:55
  Speaker 2: about your hair. No, the worst thing is that I.
• 23:58
  Speaker 4: Went on a trip, I had played for the international
• 24:00
  Speaker 4: team in a championship. Inter from Porto Alegre? What a key.
• 24:03
  Speaker 1: But on that trip....
• 24:10
  Speaker 4: I was in reserve the whole trip, I played two games,
• 24:15
  Speaker 4: then my team was eliminated. I said, damn, Pique, I
• 24:17
  Speaker 4: traveled with the guys, I didn't go in, I didn't
• 24:21
  Speaker 4: help at all, I'm not helping at all, maybe I'm
• 24:23
  Speaker 4: not helping at all at home, maybe I'm just losing
• 24:24
  Speaker 4: weight in places.
• 24:25
  Speaker 6: I said, I'm going to stop with this tape, it's
• 24:28
  Speaker 6: not for me, there are several guys better than me.
• 24:30
  Speaker 4: It wasn't sad for you? No, for me it's smooth,
• 24:32
  Speaker 4: you know? That's good, bro. Like, man, I got injured.
• 24:34
  Speaker 4: Can you imagine? My whole life is injured.
• 24:36
  Speaker 5: I'm going to say it's because of the knee.
• 24:39
  Speaker 4: Yeah, no.
• 24:40
  Speaker 2: When did you meet the dance boys and how was that?
• 24:43
  Speaker 4: Man, I had a partner.
• 24:44
  Speaker 6: Like, I said that my grandma lived in Capão Redondo
• 24:47
  Speaker 6: and there was a partner who lived on her street
• 24:49
  Speaker 6: and I played ball with him, because on my grandma's.
• 24:51
  Speaker 4: Street there was a school. And at that school we
• 24:54
  Speaker 4: played ball.
• 24:54
  Speaker 1: Right.
• 24:55
  Speaker 4: Then I met the bro, we talked a lot on
• 24:57
  Speaker 4: Facebook too. And then I told him, bro.
• 25:00
  Speaker 6: These dances are so cool, I think they're coming out.
• 25:03
  Speaker 6: At that time, the videos of NGKS hadn't been viralized yet,
• 25:06
  Speaker 6: but the kids already knew them. It was like.
• 25:09
  Speaker 4: In the dance underground. Yeah, and the kids were in
• 25:14
  Speaker 4: the same school.
• 25:15
  Speaker 2: NGKS?
• 25:15
  Speaker 4: Yeah. Oh, they were in your school too.
• 25:18
  Speaker 6: No, they were in the same school as my friends.
• 25:20
  Speaker 6: I studied at Imbu, and my friends studied at Capão.
• 25:23
  Speaker 4: Yeah, the kids are all from Capão.
• 25:24
  Speaker 1: Yeah.
• 25:25
  Speaker 6: Then I would touch Piki at the exit of the
• 25:28
  Speaker 6: guys' school when I didn't have class to talk to
• 25:29
  Speaker 6: the kids and I would.
• 25:30
  Speaker 4: Be there as a reviewer.
• 25:31
  Speaker 6: Then Piki already knew the guys and everyone thought I
• 25:34
  Speaker 6: was studying there because they saw me at the exit
• 25:38
  Speaker 6: and thought I was from there, I didn't even live there.
• 25:40
  Speaker 6: What year was that, Yuri? Do you remember? Man, what
• 25:43
  Speaker 6: was that? At the end of 2016, 2017? Wow, that
• 25:45
  Speaker 6: was a good time, man.
• 25:49
  Speaker 1: But man, it's cool to know, I wanted you to
• 25:50
  Speaker 1: talk more about this scene, like, you saw this being.
• 25:54
  Speaker 4: Born, what was it like?
• 25:55
  Speaker 6: Yeah, I was following the growth of the kids and everything,
• 25:57
  Speaker 6: and I was already on social media. I don't know why,
• 26:00
  Speaker 6: what made me go crazy about it, but I really.
• 26:03
  Speaker 4: Wanted to be famous.
• 26:06
  Speaker 1: And it was a way for these kids, they had
• 26:08
  Speaker 1: a style, hair, dance, group, it was like, it was
• 26:12
  Speaker 1: a very cool thing, man.
• 26:13
  Speaker 4: Yes, it was.
• 26:14
  Speaker 1: Very cool, bro.
• 26:15
  Speaker 2: But you think it's not an anxiety to have a.
• 26:19
  Speaker 4: a protagonism, to be like, look at me, damn it. Possibly,
• 26:22
  Speaker 4: it must be.
• 26:23
  Speaker 6: Then, man, at that time I was kind of finishing school,
• 26:26
  Speaker 6: I was in the last year.
• 26:27
  Speaker 4: And it was the only year that I kind of
• 26:29
  Speaker 4: gave a little tumult, man. Damn, but it's very similar, man.
• 26:33
  Speaker 1: Last year, right?
• 26:34
  Speaker 2: Yeah, because my mother was very rigid, to the point
• 26:36
  Speaker 2: of me being very good at school. But then, when
• 26:39
  Speaker 2: I got older, 15, 16, I said like this, ah, okay,
• 26:41
  Speaker 2: I'll stay out of class, it won't do anything, in quotes, obviously,
• 26:45
  Speaker 2: I'm not saying that this is right, but I tried
• 26:46
  Speaker 2: the thing, I said like this, ah, I didn't die, good.
• 26:49
  Speaker 4: I can kill a class.
• 26:53
  Speaker 1: I was getting naughty. But you got naughty about mess.
• 26:56
  Speaker 6: Yeah, about tumult a lot, man. My family is very strict.
• 27:00
  Speaker 6: My father, my mother, everyone is like that. And I
• 27:04
  Speaker 6: lived in the backyard with my grandparents too. So everyone was.
• 27:10
  Speaker 4: I call my grandpa as daddy and my grandma as mommy.
• 27:12
  Speaker 4: You're a creator, right? I'm 25 years old and who
• 27:15
  Speaker 4: says I can stop calling them? You have to call
• 27:16
  Speaker 4: them as daddy. You have to call them because this.
• 27:19
  Speaker 1: Guy is too nice.
• 27:20
  Speaker 2: Yeah, they're a thousand degrees.
• 27:22
  Speaker 4: Okay, so you went to Capão to hang out with
• 27:24
  Speaker 4: the kids.
• 27:24
  Speaker 2: And what encouraged you there?
• 27:34
  Speaker 4: It was like seeing that it wasn't to make fun
• 27:37
  Speaker 4: of them, it was to resent them, you know?
• 27:39
  Speaker 2: But besides that, I'm talking about it in a more
• 27:41
  Speaker 2: poetic way, it was a thing of, like, man, it
• 27:43
  Speaker 2: was a self-esteem there, because, like, man, when I remember
• 27:47
  Speaker 2: NGKS appearing, it's a lot like what Mitko said, It's
• 27:50
  Speaker 2: a lot of black self-esteem.
• 27:52
  Speaker 4: It's dance, hair, clothes.
• 27:55
  Speaker 2: Funk, and the guys did it in a choreographed way,
• 27:57
  Speaker 2: along with the bass, recording, which made all the difference.
• 28:00
  Speaker 2: I remember that I was like this, every video of
• 28:02
  Speaker 2: the guys I stopped to watch.
• 28:03
  Speaker 4: Yes, the guys stole the scene. They stole the scene.
• 28:05
  Speaker 6: No, they didn't steal the scene, only when they were recording.
• 28:08
  Speaker 6: When I wasn't recording either, man. The guys were like...
• 28:10
  Speaker 6: Look at them over there. Look who's passing by.
• 28:12
  Speaker 4: Everyone already knows the names of everyone.
• 28:15
  Speaker 1: That's cool, man.
• 28:16
  Speaker 4: That little visor. Yeah, I used to wear it too.
• 28:19
  Speaker 1: I know, man.
• 28:19
  Speaker 4: I used to wear a t-shirt.
• 28:21
  Speaker 1: A t-shirt.
• 28:22
  Speaker 4: I was skinny.
• 28:22
  Speaker 3: 1,80m.
• 28:22
  Speaker 4: I was wearing a t-shirt XXL. Here, like this, look.
• 28:28
  Speaker 4: It was the aesthetics. It was the aesthetics. A huge
• 28:30
  Speaker 4: load of clothes, man. So you looked at these guys
• 28:32
  Speaker 4: and said, man, I want.
• 28:32
  Speaker 1: To enjoy this same life. Then it was kind of natural.
• 28:34
  Speaker 1: I started talking to this partner of his at his school.
• 28:37
  Speaker 6: Then the guys said, man, come to our group, man.
• 28:39
  Speaker 6: Then the name of the group was NGTD. Then I
• 28:41
  Speaker 6: started recording with.
• 28:42
  Speaker 4: The guys, man. Are you ashamed or not? How was it? Man,
• 28:52
  Speaker 4: I was very ashamed.
• 28:53
  Speaker 1: How were the first moments of you taking a step?
• 28:54
  Speaker 1: Because sometimes you have to look at yourself and say, man,
• 28:57
  Speaker 1: is it cool? Man, I... You have to have a
• 29:00
  Speaker 1: lot of confidence.
• 29:00
  Speaker 6: I just started recording because of a kid on my street. Like,
• 29:04
  Speaker 6: my photos already passed like 300 likes on Facebook.
• 29:07
  Speaker 4: Then the kid said to me, you're already with me,
• 29:10
  Speaker 4: I don't know what to do. Then I said, bro,
• 29:12
  Speaker 4: I'm going to start posting some videos. Then he stuck
• 29:14
  Speaker 4: it in my house. It's Marquinhos, the name of this partner.
• 29:17
  Speaker 4: He's my friend.
• 29:17
  Speaker 6: He stuck it in my house and recorded some videos
• 29:20
  Speaker 6: for me. And then it was because of these videos
• 29:23
  Speaker 6: that my partner from Capão said, bro, you already stick
• 29:26
  Speaker 6: with us here, why don't you join the group?
• 29:28
  Speaker 4: Then I got in.
• 29:29
  Speaker 2: Okay, and the group, how many people were there when
• 29:33
  Speaker 2: you got in?
• 29:33
  Speaker 4: Man, when I got in, it was a complete selection,
• 29:36
  Speaker 4: with a reserve and everything, technical commission. Good of all.
• 29:40
  Speaker 4: Today it was about 30 people when I joined the group.
• 29:42
  Speaker 4: What is that? And you were dancing in which row? There,
• 29:44
  Speaker 4: in the eighth?
• 29:44
  Speaker 6: No, I was already very lucky, because the guys already
• 29:48
  Speaker 6: let the main.
• 29:49
  Speaker 4: Ones participate when I arrived. But how did.
• 29:51
  Speaker 1: The division work like that? Did you have any initials?
• 29:56
  Speaker 1: How is that?
• 29:56
  Speaker 4: Man, it wasn't even that.
• 29:57
  Speaker 6: There were some guys who were from the group, but
• 29:59
  Speaker 6: they were kind of shy, so they didn't record the videos.
• 30:01
  Speaker 6: Or some didn't get the choreographies they were trying to do.
• 30:04
  Speaker 6: And then it ended up that, in the end, they
• 30:06
  Speaker 6: recorded from 30 to 10.
• 30:08
  Speaker 4: I got it. You know?
• 30:09
  Speaker 6: And then I always participated. Then, man, the day I
• 30:13
  Speaker 6: went to record my first video with the whole group,
• 30:15
  Speaker 6: I met the guys who are like, today is my
• 30:17
  Speaker 6: best friend to stick with me.
• 30:21
  Speaker 4: But it was a shame. I went crazy on that day.
• 30:23
  Speaker 1: I went to hang out with Novinha.
• 30:25
  Speaker 6: And then, unintentionally, I took Novinha to record the video.
• 30:29
  Speaker 4: Novinha appeared on my first video. Unintentionally? Wow, I didn't
• 30:31
  Speaker 4: even know her. I didn't even know her name. First
• 30:34
  Speaker 4: dance video?
• 30:34
  Speaker 1: Yeah.
• 30:34
  Speaker 6: On my first NGTD, you know? Ah, it was your
• 30:36
  Speaker 6: date there. No, Novinha was already thinking about it. Man,
• 30:42
  Speaker 6: it wasn't on purpose, it wasn't on purpose.
• 30:43
  Speaker 1: It was like, let's go there and see the thing, baby.
• 30:45
  Speaker 1: You're going to see my dad. Worse than it wasn't,
• 30:47
  Speaker 1: worse than it wasn't.
• 30:48
  Speaker 4: It's because, like, I only had money for two tickets,
• 30:51
  Speaker 4: one to go and one to come back. Did you
• 30:52
  Speaker 4: pay to go for both? What if I went with
• 30:55
  Speaker 4: her somewhere?
• 30:55
  Speaker 1: I couldn't. And then this video, was it good?
• 31:01
  Speaker 4: It was good, man, for fuck's sake.
• 31:03
  Speaker 6: It was at the school where the boys recorded the videos,
• 31:06
  Speaker 6: Leopoldo Santana.
• 31:07
  Speaker 2: On the stage, you know? Okay, how was it at
• 31:09
  Speaker 2: that time? Did you stay on the internet the whole day,
• 31:13
  Speaker 2: on whose channel to watch? Because I remember these dance groups, NGKS,
• 31:16
  Speaker 2: you from NGTD, I remember that the song was released,
• 31:20
  Speaker 2: with two hours of music, there was already a video.
• 31:23
  Speaker 6: Ah, Ritmo dos Fluxos, there was that channel there. Yeah,
• 31:25
  Speaker 6: we already took it, there were some DJs that we
• 31:28
  Speaker 6: already broke too.
• 31:29
  Speaker 2: I was talking about this era, because in funk, there
• 31:32
  Speaker 2: are always some steps. At least in my time, there
• 31:35
  Speaker 2: was Romano, then there was Magrão, Maloca, I remember that
• 31:37
  Speaker 2: NGKS brought them. And I was thinking, damn, each one
• 31:39
  Speaker 2: was very important. I'm trying to remember how each one
• 31:50
  Speaker 2: came up, you know? And I remember this moment of NGKS,
• 31:54
  Speaker 2: of NGTD too. It was a moment from.
• 31:56
  Speaker 4: The heart, bro.
• 31:57
  Speaker 2: I think you guys there, NGKS mainly, which was the
• 31:59
  Speaker 2: one that most pierced the bubble there. A very important
• 32:04
  Speaker 2: group for black men and women, man.
• 32:07
  Speaker 1: Yes.
• 32:07
  Speaker 2: From the outskirts, you know? Because, like, there wasn't this thing, man,
• 32:11
  Speaker 2: of walking well-dressed, stuff.
• 32:12
  Speaker 1: They became very famous, man.
• 32:13
  Speaker 6: Man, they were the Zica demais, for fuck's sake, you
• 32:15
  Speaker 6: owe a lot to them, because, like, they made a
• 32:18
  Speaker 6: big movement, which, like, wasn't just because of the dance, like, like...
• 32:21
  Speaker 6: They empowered a lot of people, you know? They made
• 32:23
  Speaker 6: a lot of people feel... Man, now I'm feeling the
• 32:26
  Speaker 6: pull here too. How many people must have let their
• 32:28
  Speaker 6: hair grow so they could have clean and dredge, bro?
• 32:31
  Speaker 6: And they did some parties, already in Quebrada, the thing
• 32:33
  Speaker 6: was already full, dude, too. It was to see that
• 32:36
  Speaker 6: they had an audience.
• 32:37
  Speaker 5: I have music with them too, man. The mythical DJ, right?
• 32:40
  Speaker 1: It was with them too. Muito chave, mano. Ferruge, who
• 32:43
  Speaker 1: was their businessman at the time, Gonçalo Ferruge. A lot
• 32:46
  Speaker 1: of good people. I saw their work there too, starting
• 32:48
  Speaker 1: when I was at KondZilla. So they were entering KondZilla too.
• 32:52
  Speaker 1: And I saw these guys and said, man, the guys
• 32:55
  Speaker 1: are different, you know? They have attitude. Then they were
• 32:58
  Speaker 1: just dancing. Then the smile started to sing. Then it
• 33:01
  Speaker 1: turned into all this phenomenon.
• 33:03
  Speaker 4: And, man, I.
• 33:04
  Speaker 1: It's hard to see a group doing what happened at
• 33:08
  Speaker 1: that time.
• 33:09
  Speaker 2: It was very genuine, man. It's what Yuri is saying.
• 33:12
  Speaker 2: It was very important for the scene. And you lived
• 33:18
  Speaker 2: that moment there. How was it to live that moment?
• 33:20
  Speaker 2: What was the feeling when you arrived at the Villa-Lobos meetings?
• 33:24
  Speaker 4: For sure, for sure.
• 33:25
  Speaker 6: And at the same time, my father already played music.
• 33:30
  Speaker 6: And then I said to my father, man, why don't
• 33:33
  Speaker 6: you become our entrepreneur so you can believe in the
• 33:37
  Speaker 6: people's dream of the street? And then, like, you see
• 33:39
  Speaker 6: what we're doing here, I can show.
• 33:43
  Speaker 4: You that there are really people here.
• 33:44
  Speaker 6: Following us, but we need help because we don't do anything.
• 33:47
  Speaker 6: We're just doing what we like here, recording the video,
• 33:50
  Speaker 6: someone got an iPhone here, we post quality stuff, but
• 33:54
  Speaker 6: we don't know, like.
• 33:56
  Speaker 4: do the real things. Can you generate.
• 33:58
  Speaker 1: Money with that? Yes.
• 33:59
  Speaker 4: Then my father started to help us.
• 34:02
  Speaker 6: We asked to be able to dance at other people's parties.
• 34:06
  Speaker 6: My father was so great at that time that my
• 34:10
  Speaker 6: father had a van, that he also did a motorist
• 34:11
  Speaker 6: job for other MCs, you know?
• 34:14
  Speaker 4: Like, he worked at GR6, at Cozila too. The guy
• 34:15
  Speaker 4: is going to do Mocorre.
• 34:17
  Speaker 3: Yes.
• 34:17
  Speaker 4: My father always did Mocorre, you know?
• 34:19
  Speaker 6: Then I said, bro, He started to take us to
• 34:25
  Speaker 6: do the free shows in the van that he took
• 34:28
  Speaker 6: the MCs.
• 34:28
  Speaker 4: So we were already coming strong. People thought, now there's
• 34:31
  Speaker 4: already a person behind them. Wow, but your father was
• 34:34
  Speaker 4: a Zica, right? Wow, it was very Mil Grau for us.
• 34:36
  Speaker 2: Because sometimes that guy from Casa de Ferreira, Espeta de Pau,
• 34:40
  Speaker 2: it's true, right? The guy does it on the street,
• 34:41
  Speaker 2: but sometimes he goes home and says, I'll take you there, Yuri,
• 34:44
  Speaker 2: for free, bro. My leave.
• 34:46
  Speaker 4: No, he was very, very Mil Grau. And then, at
• 34:48
  Speaker 4: that time, he arrived, started to see our shows, and
• 34:51
  Speaker 4: he said... You guys are a little bad, you guys
• 34:54
  Speaker 4: make a lot of mistakes in the choreographies. But he
• 34:56
  Speaker 4: was smooth.
• 34:57
  Speaker 7: Yes, yes.
• 34:57
  Speaker 4: Then what did he achieve?
• 34:58
  Speaker 6: A thousand degree thing that was like us closing with
• 35:01
  Speaker 6: the sky, those sky schools, a space for us to
• 35:04
  Speaker 6: be able to rehearse. And then in return we had to, like,
• 35:08
  Speaker 6: when there was an event there, we would do a
• 35:11
  Speaker 6: presentation for the fans. For the kids who studied there.
• 35:16
  Speaker 4: And it was perfect for us. It was perfect for us.
• 35:19
  Speaker 6: And at the same time my dad said, now you're
• 35:23
  Speaker 6: getting better. Now you know what you're doing, you're dancing great.
• 35:26
  Speaker 6: But to do the show you need someone to sing
• 35:28
  Speaker 6: the songs. Because you're blowing up other people's songs. But
• 35:30
  Speaker 6: you need to find a way to monetize your stuff.
• 35:33
  Speaker 6: Not just posting videos on YouTube.
• 35:35
  Speaker 4: Your dad is new, right? Man, my dad is 40.
• 35:41
  Speaker 2: New.
• 35:41
  Speaker 4: You're crazy.
• 35:42
  Speaker 1: Your grandpa is 50. Younger than us, man.
• 35:44
  Speaker 4: My dad is 50, 49, I think.
• 35:45
  Speaker 1: Is it 50?
• 35:45
  Speaker 4: There, my dad is 50. I almost made a mistake, but... No,
• 35:47
  Speaker 4: but it's good. He's new. My dad is new. He's new.
• 35:49
  Speaker 4: He's whole. Look, he's the one with the glasses. Oh,
• 35:55
  Speaker 4: it's him?
• 35:56
  Speaker 1: Yeah.
• 35:56
  Speaker 4: You're with your grandpa, dad. Yeah, it's cool. Family present. Okay,
• 35:58
  Speaker 4: and he.
• 36:10
  Speaker 2: He said, ok, you guys are getting better. And then,
• 36:13
  Speaker 2: who pulled the song?
• 36:14
  Speaker 4: Was it you or not? Look at the thing.
• 36:17
  Speaker 6: NGKS already had their vocalist, who was Sorriso, Pa. They
• 36:21
  Speaker 6: already released the song.
• 36:22
  Speaker 4: I said, man, but you know what? It's going to
• 36:24
  Speaker 4: be great. It's already very compared. I said, but it's smooth.
• 36:27
  Speaker 4: Let's put everyone to sing then. Then at least we
• 36:30
  Speaker 4: don't stay the same. Because instead of being just one
• 36:32
  Speaker 4: who sings, we all go. Backstreet Boys. But it was
• 36:35
  Speaker 4: very bad, man. It wasn't all that good.
• 36:38
  Speaker 1: You guys heard it and said it wasn't good?
• 36:40
  Speaker 6: No, you can't listen to it, it's horrible, horrible, horrible.
• 36:43
  Speaker 6: But where did you record the first song? The first
• 36:45
  Speaker 6: song we.
• 36:46
  Speaker 4: Recorded was with DJ TS. How was the song? Man,
• 36:55
  Speaker 4: I don't remember, man, it was really bad. You were
• 36:58
  Speaker 4: already an asshole. No, no, no, I didn't say an asshole,
• 37:01
  Speaker 4: I was trying to talk about the steps, the stuff,
• 37:04
  Speaker 4: you know? Ah, okay, make a sound there.
• 37:05
  Speaker 6: Then our first song released by the group, we said, man,
• 37:08
  Speaker 6: let's make a song just for us, and who made
• 37:11
  Speaker 6: the first song for us was MC GP and MC
• 37:14
  Speaker 6: Murilo MT.
• 37:15
  Speaker 4: Oh, crazy, how?
• 37:17
  Speaker 6: Man, we already talked to them, and at that time
• 37:19
  Speaker 6: GP wasn't known yet, there wasn't even a Volta e
• 37:22
  Speaker 6: Paz Puta.
• 37:23
  Speaker 4: He was a great friend of ours. He was always
• 37:25
  Speaker 4: there when we had parties. He was always there.
• 37:26
  Speaker 1: It's G, man.
• 37:27
  Speaker 4: He was a thousand degrees. He was always a thousand degrees.
• 37:29
  Speaker 4: A thousand degrees. We talked to him and he said, no,
• 37:31
  Speaker 4: you're crazy. He was the one who had his hands
• 37:33
  Speaker 4: on him, right?
• 37:35
  Speaker 3: No, man.
• 37:35
  Speaker 4: I'll record it. And we said goodbye to them in
• 37:38
  Speaker 4: the name of our first song in the group. And
• 37:41
  Speaker 4: my first song singing.
• 37:47
  Speaker 4: It was in 2018, which was a rock. Ah, it
• 37:50
  Speaker 4: didn't take long then.
• 37:51
  Speaker 2: But why is it a rock? Man, I was touching
• 37:54
  Speaker 2: the center.
• 37:55
  Speaker 4: Look at the breeze, I was touching the center. São Paulo? Ah, yeah.
• 37:59
  Speaker 6: Then I was inside the bus. Then there was my
• 38:01
  Speaker 6: partner and we always downloaded several songs. We downloaded a
• 38:05
  Speaker 6: lot because we needed to have a lot of music
• 38:07
  Speaker 6: to dance. So we downloaded all the ones we saw
• 38:09
  Speaker 6: that had been released on YouTube for us to listen
• 38:11
  Speaker 6: to later.
• 38:12
  Speaker 4: Man, do this too. After I saw if it was good. Yes.
• 38:14
  Speaker 4: Then I was like, man.
• 38:16
  Speaker 1: I.
• 38:17
  Speaker 4: Listened to a song by Sete Belo, which was a rock.
• 38:19
  Speaker 4: Like the EP that DJ Guga has? Yes. So, I said,
• 38:24
  Speaker 4: what a key song, man, because I can make a
• 38:26
  Speaker 4: verse and a repetitive chorus. A verse and a repetitive chorus.
• 38:30
  Speaker 4: And you don't need to have a lot of connection
• 38:32
  Speaker 4: with each other, you know? Got it. Then I said, man,
• 38:34
  Speaker 4: I'm going to do this.
• 38:35
  Speaker 5: What did you say on that song?
• 38:37
  Speaker 4: It's like this.
• 38:38
  Speaker 6: It's the NGTD in a different way. It's the NGTD
• 38:41
  Speaker 6: in a different way. Give a slap in all the
• 38:44
  Speaker 6: asses and it will still enter your mind.
• 38:47
  Speaker 1: Give a slap in all the asses.
• 38:48
  Speaker 2: It's a lot of J Guga's prank with the PR, right, bro?
• 38:52
  Speaker 2: They did a lot of songs like that, right?
• 38:54
  Speaker 4: Then, bro, the thing got it. It was good.
• 38:57
  Speaker 6: I said, damn, I never broke in singing. I always
• 39:00
  Speaker 6: had difficulty with this tape because I said, bro... But
• 39:04
  Speaker 6: you were ashamed until then?
• 39:07
  Speaker 1: What?
• 39:08
  Speaker 6: It's absurd, we recorded this song there, the first song
• 39:11
  Speaker 6: I recorded, mine, which was Se a Rocha, was in
• 39:13
  Speaker 6: the Sound Black studio, which is there in Capão Redondo. Man,
• 39:17
  Speaker 6: I was so ashamed, but the studio owner was a partner,
• 39:20
  Speaker 6: he had a lot of patience, he said, no, sing
• 39:22
  Speaker 6: like that, you're singing too loud, you're forcing too much,
• 39:25
  Speaker 6: it won't be natural, do this, then he sped up
• 39:28
  Speaker 6: the thing, you know?
• 39:28
  Speaker 4: If it wasn't for the guy.
• 39:30
  Speaker 6: if it was like a person who doesn't eat, the
• 39:32
  Speaker 6: thing would be bad. But it was cool, it's hearable,
• 39:35
  Speaker 6: the song.
• 39:36
  Speaker 4: Hearable? Damn, man, first song, very good.
• 39:38
  Speaker 2: But, ok, you had given up football because you saw
• 39:43
  Speaker 2: that it wouldn't give you fruit, and also because you
• 39:45
  Speaker 2: weren't yet returning with resources to the house. When you
• 39:49
  Speaker 2: started singing, you couldn't do it either, right?
• 39:52
  Speaker 4: But I think my mom saw that I was doing
• 39:55
  Speaker 4: something different, and she let it go. She let it go.
• 39:57
  Speaker 4: That's what I wanted to know.
• 39:58
  Speaker 2: How did you get this anxiety to get it right,
• 40:02
  Speaker 2: or for you to have a peace of mind, of
• 40:04
  Speaker 2: actually getting better?
• 40:06
  Speaker 6: So, my mom stopped messing with me, and it ended
• 40:08
  Speaker 6: up kind of... Not that it's fast, but... I stopped...
• 40:13
  Speaker 6: I stopped playing ball in 2017, And I've already started dancing.
• 40:20
  Speaker 6: In 2018, I already had, like, some... Some 20,000 followers
• 40:24
  Speaker 6: on Instagram.
• 40:24
  Speaker 1: My mom said.
• 40:25
  Speaker 4: It's happening something. It must be doing something that will
• 40:29
  Speaker 4: be good. And then she kind of left it. The
• 40:32
  Speaker 4: only thing she said was.
• 40:34
  Speaker 6: As soon as you finish school, you have to start
• 40:36
  Speaker 6: a college.
• 40:37
  Speaker 4: Wow, my mom said the same thing. You're not going
• 40:40
  Speaker 4: to keep dancing on the street, man. You're crazy.
• 40:43
  Speaker 5: But did you go to college?
• 40:45
  Speaker 4: I did, man. What did you do? I did the DEM,
• 40:47
  Speaker 4: but then I stopped in the pandemic. Ah, because it
• 40:51
  Speaker 4: was difficult, right?
• 40:52
  Speaker 6: Man, but do you believe that I had a lineage
• 40:54
  Speaker 6: of what? It's no use for me to go to college,
• 40:58
  Speaker 6: I have the diploma and I haven't learned anything, because
• 41:01
  Speaker 6: in EAD I could paste and take 10 in all
• 41:03
  Speaker 6: the tests.
• 41:04
  Speaker 4: I spent the whole.
• 41:05
  Speaker 6: Pandemic taking a good grade and not studying anything, I
• 41:08
  Speaker 6: didn't learn anything, but I took a good grade. I
• 41:11
  Speaker 6: went and told my people, bro, I'm going to close
• 41:13
  Speaker 6: the course.
• 41:14
  Speaker 4: And when I have another opportunity, I'll come back.
• 41:18
  Speaker 2: Until the pandemic, how was your status in music, in funk?
• 41:22
  Speaker 4: How was it? How was it? Man, I was broke.
• 41:26
  Speaker 4: It was at the beginning. But we, like... With my
• 41:29
  Speaker 4: father's support, we did shows. So that's like... But shows
• 41:34
  Speaker 4: already received some cash? Yes, yes, yes. But there were
• 41:37
  Speaker 4: so many people in the group.
• 41:40
  Speaker 6: That our cashier only paid the cost.
• 41:44
  Speaker 4: For example, we had no bill for each one.
• 41:47
  Speaker 1: At that time, did you go to big places to
• 41:51
  Speaker 1: do shows?
• 41:51
  Speaker 5: No, only small ballads. We didn't go to big places.
• 41:53
  Speaker 4: To do shows. We went to many places, but it
• 41:55
  Speaker 4: didn't pay off.
• 41:56
  Speaker 6: When the pandemic came, I was already well-known, my group
• 42:11
  Speaker 6: was already well-known, let's say, there were already several videos
• 42:15
  Speaker 6: with millions, several things, then I kind of fought with
• 42:18
  Speaker 6: the kids because we were, like, in the biggest thesis
• 42:21
  Speaker 6: of making these videos, only with the kids who had
• 42:24
  Speaker 6: already arranged a girlfriend, then it was no longer the
• 42:28
  Speaker 6: same focus of when you're single.
• 42:30
  Speaker 4: Yes. I don't know if it's like that for everyone,
• 42:32
  Speaker 4: but for when it's a kid.
• 42:34
  Speaker 2: It's the first time you know the wet, right?
• 42:36
  Speaker 4: Yeah. Then it's hard to.
• 42:37
  Speaker 1: Take it out.
• 42:38
  Speaker 4: Yeah.
• 42:38
  Speaker 1: He's too passionate, he doesn't want to quit. He forgets
• 42:42
  Speaker 1: his friends, he forgets to work, he forgets to dance.
• 42:45
  Speaker 6: That stole my heart. Like I said, when I'm focused
• 42:49
  Speaker 6: on something, I'm 100% focused on that and nothing gets
• 42:51
  Speaker 6: in my way. I try not to let anything take
• 42:56
  Speaker 6: my concentration away.
• 42:57
  Speaker 4: Not even tea? Just kidding.
• 42:59
  Speaker 1: But I was like, dude.
• 43:01
  Speaker 4: I stay in that focus. The thing of, like, dude,
• 43:03
  Speaker 4: I fought with the kids. But you gave him a
• 43:05
  Speaker 4: slap in.
• 43:05
  Speaker 2: The face and you said, ah, you didn't... I.
• 43:07
  Speaker 4: Said, oh, you're crazy.
• 43:09
  Speaker 6: In the most humility, dude, you're stopping dancing because of bullshit, dude.
• 43:13
  Speaker 6: You're so fucked up. You're ruining the dream of everyone.
• 43:17
  Speaker 6: So I said, these things like that. Then I left
• 43:20
  Speaker 6: the group. I left the group, NGTD. And then I
• 43:23
  Speaker 6: already had some songs written to be able to launch
• 43:27
  Speaker 6: in the group.
• 43:28
  Speaker 4: And then I said, dude... I'm going to release.
• 43:31
  Speaker 1: Myself as an artist.
• 43:33
  Speaker 4: What year was that? That was in 2020.
• 43:37
  Speaker 6: That was in 2020. I started singing in 2018 and
• 43:40
  Speaker 6: left the group in 2020, but my name was Yuri NGTD.
• 43:42
  Speaker 6: And then I said, bro, I'm going to release myself
• 43:45
  Speaker 6: as an artist, Yuri Redicopa.
• 43:47
  Speaker 5: Were you scared? What was the feeling?
• 43:49
  Speaker 4: Didn't you think of other names? Man, I didn't try
• 43:52
  Speaker 4: to think of other names because I always.
• 43:54
  Speaker 6: Thought I was going to sing other sides, you know?
• 43:57
  Speaker 6: I wanted to sing trap, but I didn't want to
• 44:00
  Speaker 6: put MC because of that.
• 44:02
  Speaker 1: I got it. So your idea was initially trap solo.
• 44:05
  Speaker 7: Yeah.
• 44:05
  Speaker 2: You told me something that just came to my mind here.
• 44:09
  Speaker 2: When I looked at several dance groups, I said, everything
• 44:13
  Speaker 2: is enemy, right?
• 44:15
  Speaker 4: It's one against the other. Was there that or not?
• 44:17
  Speaker 6: Man, so we were so young that sometimes we were
• 44:21
  Speaker 6: paying so much attention to the comments that we didn't
• 44:23
  Speaker 6: have a fight with anyone.
• 44:25
  Speaker 4: And because of the comments?
• 44:26
  Speaker 6: But we looked at the comments and thought there was
• 44:28
  Speaker 6: a rivalry. So sometimes, for example, I was a big
• 44:30
  Speaker 6: partner of the guys from NGKS. But when we went
• 44:33
  Speaker 6: to Vila Lobos for.
• 44:34
  Speaker 4: A meeting, and then people were saying, wow, there's going
• 44:37
  Speaker 4: to be a fight, man.
• 44:37
  Speaker 6: Wow, they're going to take a fight. And we hadn't
• 44:39
  Speaker 6: even marked anything. We were already in shock.
• 44:42
  Speaker 4: Like, where the guys... Because the guys were bigger than us, bro.
• 44:46
  Speaker 4: They took us by surprise.
• 44:47
  Speaker 6: Then we ended up like this, bro, with the group, bro.
• 44:50
  Speaker 6: But we never had, like, rivalry, rivalry with anyone, no.
• 44:54
  Speaker 2: It's a thing of children, of young people. But it's
• 44:57
  Speaker 2: that I remember these little rams there, Mítico. And I,
• 44:59
  Speaker 2: at least, watched them all, bro. I don't know which
• 45:02
  Speaker 2: group it was, but there's one from NGKS in Vila Lobos,
• 45:05
  Speaker 2: that the smile gave a tumultuous.
• 45:06
  Speaker 4: Was it in you guys? Man, if you don't give
• 45:09
  Speaker 4: a fuck, there's a video where Cavalcante is serious, he
• 45:11
  Speaker 4: comes in front of my friend and does this.
• 45:12
  Speaker 1: Yes, yes, yes.
• 45:13
  Speaker 4: Wow. How were these meetings? Man, it was awesome. Every Sunday.
• 45:19
  Speaker 1: Every Sunday.
• 45:19
  Speaker 4: Every Sunday. Every Sunday. How many people do you think
• 45:21
  Speaker 4: were there?
• 45:21
  Speaker 2: Because for me, there were about.
• 45:23
  Speaker 4: A thousand people. Straight talk, more than a thousand. More
• 45:26
  Speaker 4: than a thousand, more than a thousand. What is this, man?
• 45:28
  Speaker 6: Since we're talking about this, I'll tell you. We started
• 45:30
  Speaker 6: with the Unasunasu. We started with the Unasunasu. Where did
• 45:34
  Speaker 6: you meet?
• 45:34
  Speaker 4: At Sesc Campo Limpo.
• 45:35
  Speaker 5: Wow, awesome.
• 45:36
  Speaker 6: At Sesc Campo Limpo. But that was because... Do you
• 45:39
  Speaker 6: know the partner I told you about that made me
• 45:40
  Speaker 6: join the group?
• 45:41
  Speaker 5: Yes.
• 45:41
  Speaker 4: Man, this guy is my degree. It's Pablo, man.
• 45:43
  Speaker 6: I love this guy from the bottom of my heart.
• 45:45
  Speaker 6: And a lot of things happened because of him. Like,
• 45:47
  Speaker 6: Pablo wasn't the best dancer, but he was the best.
• 45:48
  Speaker 4: He was the best.
• 45:48
  Speaker 6: He was the best dancer, but he was the best.
• 45:50
  Speaker 6: He was the best dancer, but he was the best.
• 45:51
  Speaker 3: He was the best dancer, but he was the best.
• 45:53
  Speaker 4: He was the best dancer, but he was the best.
• 45:54
  Speaker 4: He was the best dancer, but he was the best.
• 45:55
  Speaker 4: He was the best dancer, but he was the best.
• 46:13
  Speaker 6: Then Pique Nice started... Are you guys
• 46:15
  Speaker 6: moving the culture?
• 46:18
  Speaker 4: No, stop with that, bro.
• 46:20
  Speaker 6: Like, the control is running away here, the business is
• 46:22
  Speaker 6: no longer suitable for people.
• 46:24
  Speaker 1: We were fighting too much. But what happened? Was it
• 46:26
  Speaker 1: a lot of mess?
• 46:27
  Speaker 4: Yeah, because, like, it costed people younger age, then drinks, pa... Then.
• 46:31
  Speaker 6: Wanting or not, the guys don't like it, right, bro?
• 46:33
  Speaker 6: And then, Pique, the thing didn't have time to end.
• 46:36
  Speaker 6: Just to start, it was like 2pm, the sun was
• 46:38
  Speaker 6: out and everyone was dancing. You went away at what time?
• 46:40
  Speaker 6: You said, oh my god, I stayed until now.
• 46:43
  Speaker 1: I didn't have the money for the ticket back because
• 46:45
  Speaker 1: I bought something to eat at the Nino.
• 46:47
  Speaker 4: Shop next door. I was walking again, I don't know,
• 46:49
  Speaker 4: at dawn. Nossa senhora!
• 46:59
  Speaker 1: Muitas vezes!
• 47:00
  Speaker 4: Com os tornozelos cinza! Caraca! Com os pés doendo! Já
• 47:04
  Speaker 4: cheguei assim em casa também!
• 47:05
  Speaker 1: Mas quando vocês foram... They banned you from going to Ibirapuera.
• 47:09
  Speaker 6: We started going to Ibirapuera. We had a meeting there.
• 47:12
  Speaker 6: There's even a video on YouTube, on our YouTube channel.
• 47:14
  Speaker 6: The place was full of people, man. And that, like,
• 47:19
  Speaker 6: the NGKS also stuck, you know? So it made us
• 47:21
  Speaker 6: very strong too. The guys were too strong. And there were.
• 47:23
  Speaker 1: Several other groups too.
• 47:24
  Speaker 6: There were many groups, many groups, absurd, from all regions. Like,
• 47:29
  Speaker 6: East Zone, West Zone... Then we started to go there
• 47:33
  Speaker 6: in Osasco too. On Friday there was the União Shopping Mall.
• 47:38
  Speaker 4: Of course. Did you like it too?
• 47:39
  Speaker 2: Not at that time, which was already bigger, but I
• 47:43
  Speaker 2: liked it a lot at the União Shopping Mall, at
• 47:44
  Speaker 2: the Super Shopping Mall, but at my time it was just,
• 47:46
  Speaker 2: at my time it was a little tour, you know,
• 47:49
  Speaker 2: of Facebook and such, that people marked. And that was it,
• 47:52
  Speaker 2: it was just a youth wanting to meet. At my
• 47:55
  Speaker 2: time it was a Hollister shirt, colorful device.
• 47:57
  Speaker 4: I'm a little older than that.
• 48:01
  Speaker 2: I'm a role player, right?
• 48:02
  Speaker 5: You are a role player.
• 48:03
  Speaker 2: But then, who was a fan had to be angry
• 48:05
  Speaker 2: with the restart of JT Bieber and.
• 48:06
  Speaker 4: We heard everything hidden. It's part of it.
• 48:10
  Speaker 2: And then it's for the Super Shop to see people
• 48:14
  Speaker 2: lose their hats.
• 48:15
  Speaker 4: That's right, that's right. So, like, what a crazy move
• 48:18
  Speaker 4: that is, bro.
• 48:19
  Speaker 1: Very crazy. But then when you launched your career, you continued.
• 48:22
  Speaker 1: How was the scene when you left the group yet?
• 48:29
  Speaker 6: Bro, when I left the group, I was in the pandemic,
• 48:32
  Speaker 6: I wasn't having meetings, I wasn't having these things, so
• 48:35
  Speaker 6: I was kind of all digital.
• 48:37
  Speaker 2: So at this stage you went to Sesc, then you
• 48:39
  Speaker 2: went to Ibira, then you.
• 48:41
  Speaker 4: Went to Osasco, and you became a drummer.
• 48:43
  Speaker 6: After Osasco, it started, like, at that time of the
• 48:45
  Speaker 6: Osasco tour, there was already Villa Lobos too, you know?
• 48:48
  Speaker 6: I was already starting to, like, foment a lot, to fight,
• 48:51
  Speaker 6: and then we, bro... Vila Lobos started to get dangerous,
• 48:55
  Speaker 6: because the guys started to steal bikes and stuff.
• 48:59
  Speaker 4: That's what's cool, right?
• 49:01
  Speaker 2: The youth creates a genuine movement and starts to mess around.
• 49:03
  Speaker 2: That's why we need big environments for the youth to play,
• 49:06
  Speaker 2: have fun, dance, have fun. we hit the key so
• 49:12
  Speaker 2: much that we need big environments, bro, for the youth
• 49:15
  Speaker 2: to play and have fun, dance, have fun, bro, and
• 49:18
  Speaker 2: with policing, with things all right, because that's it, right, bro?
• 49:22
  Speaker 2: The movement already happens in a genuine way, but for
• 49:25
  Speaker 2: other genuine things too, unfortunately, it ends up destroying, right?
• 49:29
  Speaker 4: A movement so cool, because imagine the.
• 49:31
  Speaker 2: Anxiety that you would leave the house, take a train, full, thirsty, like, wow,
• 49:34
  Speaker 2: I'm going to go there, I'm going to break it,
• 49:35
  Speaker 2: I'm going to make such a walk, I should.
• 49:37
  Speaker 4: Be very It took me a whole week to send it,
• 49:39
  Speaker 4: it was a Sunday.
• 49:40
  Speaker 5: Do you know the names of other bands from that time?
• 49:43
  Speaker 4: There were several, BLGS, NGKS, NGTD. Were they just acronyms? Yes, Negritude.
• 49:47
  Speaker 4: All of them had a meaning.
• 49:49
  Speaker 1: What is NGKS?
• 49:50
  Speaker 4: Negrox. Negrox, it's true, Negrox. The guys are Zika, I'm
• 49:53
  Speaker 4: remembering here.
• 50:03
  Speaker 2: I think my second song that I released in funk
• 50:06
  Speaker 2: was with.
• 50:06
  Speaker 4: Them, bro.
• 50:07
  Speaker 3: That's cool.
• 50:07
  Speaker 4: Did you also play with NGKS? DJ Doglinhas.
• 50:10
  Speaker 1: What is this? We have NGKS songs, man. They're the key, bro.
• 50:13
  Speaker 2: They're monsters, bro. They jumped a lot on the ball. Like, no, Costa,
• 50:16
  Speaker 2: what are we going to do? It was the key,
• 50:17
  Speaker 2: the key for hell.
• 50:18
  Speaker 4: Okay, my brother. What is the sound?
• 50:21
  Speaker 2: That gave a little hit like that, that you said, opa,
• 50:25
  Speaker 2: Yuri Red Copa there, because there in the pandemic, I
• 50:27
  Speaker 2: imagine that you only did that, right?
• 50:29
  Speaker 4: Man, in the pandemic I broke nothing. Nothing? 2020 I
• 50:32
  Speaker 4: was off. Just lapidating.
• 50:33
  Speaker 1: Yeah, 2020 I was off, then 21 I was.
• 50:35
  Speaker 6: Doing some traps like that, focused on the traps.
• 50:39
  Speaker 1: What was the aesthetic?
• 50:41
  Speaker 4: Man, I liked drill, you know? I liked a lot
• 50:43
  Speaker 4: of drill, because.
• 50:43
  Speaker 6: I didn't need to sing anything melodic, it was just bar,
• 50:47
  Speaker 6: you know? And then, man, A friend of mine called
• 50:54
  Speaker 6: me and said, bro, you have to do funk, bro.
• 50:57
  Speaker 6: Your audience is funk, if you break you'll end up
• 50:59
  Speaker 6: doing trap, bro. Because it's cool, but no one knows
• 51:03
  Speaker 6: trap yet, but you have to do what people know.
• 51:05
  Speaker 6: Then you do what you like, you know? Then I
• 51:06
  Speaker 6: thought about it and said, let's mark it then. Do
• 51:13
  Speaker 6: you know that place in Serra de Bragança, where there
• 51:16
  Speaker 6: was the Conde Zila thing?
• 51:17
  Speaker 5: I used to live there.
• 51:18
  Speaker 4: How many times have we been there?
• 51:19
  Speaker 6: Do you know that studio on the other side of
• 51:21
  Speaker 6: the street that was small? There was a studio there
• 51:23
  Speaker 6: and the kids used to hang out there.
• 51:26
  Speaker 3: Man.
• 51:26
  Speaker 4: DJ Hamburger, Ferruge, Ferruge... The R.D. The R.D.
• 51:30
  Speaker 3: Is crazy.
• 51:30
  Speaker 1: Douglinhas.
• 51:31
  Speaker 4: Douglinhas. Then I went and started to stick here.
• 51:34
  Speaker 1: How many narguilas did I smoke there? Wow, there were
• 51:37
  Speaker 1: sessions and sessions, man.
• 51:39
  Speaker 4: Then DJ Douglinhas was cheating there at that time. For me,
• 51:42
  Speaker 4: he was the apex. Are you crazy? Then I didn't.
• 51:45
  Speaker 6: Record with him, but my friends were already good, you know?
• 51:48
  Speaker 6: Those who were there, who were kind of starting, who
• 51:51
  Speaker 6: were DJ Gouveia.
• 51:52
  Speaker 4: Gouveia is good, man. You know?
• 51:53
  Speaker 6: I already had several partners who said that I was
• 51:56
  Speaker 6: going to wash a lot. Then I started to do several, several.
• 52:00
  Speaker 6: Until one day.
• 52:01
  Speaker 2: But who called you to stick there?
• 52:03
  Speaker 4: Did you just stick?
• 52:03
  Speaker 6: Didi Gouveia called me and said, bro, you have to
• 52:05
  Speaker 6: do funk. Because he met me in the dance, he
• 52:08
  Speaker 6: also danced.
• 52:08
  Speaker 2: I understand, because in one of these, in my head,
• 52:10
  Speaker 2: it's either to be recording there, or you have to
• 52:12
  Speaker 2: be from there, or not, right? But no, you managed
• 52:15
  Speaker 2: to find it. There were several of them.
• 52:17
  Speaker 4: Calm down, until then... Until that contract appeared. Until that
• 52:21
  Speaker 4: thing appeared, you know?
• 52:23
  Speaker 5: I ran away from that contract.
• 52:25
  Speaker 2: Did you evacuate through the hall like Mítico?
• 52:28
  Speaker 3: No.
• 52:28
  Speaker 4: Mítico disappeared. The guys arrived with the contract and.
• 52:31
  Speaker 6: Mítico did this. You know when your clothes get dirty?
• 52:33
  Speaker 6: So I couldn't escape from the contract. I signed the contract.
• 52:36
  Speaker 6: You signed it.
• 52:38
  Speaker 4: For 10 years.
• 52:39
  Speaker 1: 10 years.
• 52:39
  Speaker 4: How many years are left? 6 years to go? It's
• 52:42
  Speaker 4: around there, bro. 2032.
• 52:44
  Speaker 1: Chave, but... Ah, so you had this experience of this
• 52:47
  Speaker 1: studio too.
• 52:47
  Speaker 4: Uh-huh, yes. I was like this.
• 52:49
  Speaker 1: Bro, he was the bomb.
• 52:50
  Speaker 4: Mocota, I slept there.
• 52:51
  Speaker 6: Bro, I did everything there. Miojo, lunch and dinner. Let's go.
• 52:56
  Speaker 4: Just making the sound.
• 52:57
  Speaker 1: A lot.
• 52:58
  Speaker 4: It was the time when I made the most music
• 53:00
  Speaker 4: in my life, I think.
• 53:02
  Speaker 1: Because it was a school.
• 53:03
  Speaker 4: Yeah, I learned everything. But then there were some partners that... Man,
• 53:06
  Speaker 4: I thought they were very good, because I started to
• 53:08
  Speaker 4: see some guys... developing and already stuck the MC do
• 53:13
  Speaker 4: Rio pa there also the ones here in São Paulo
• 53:16
  Speaker 4: that were already known so I learned a lot and
• 53:17
  Speaker 4: then I as my brother is to do the video
• 53:20
  Speaker 4: classes I watched what I told you I learned to
• 53:21
  Speaker 4: record me then what I did was messing with my
• 53:23
  Speaker 4: brother still messing with.
• 53:26
  Speaker 2: My brother still at that time only that.
• 53:28
  Speaker 4: It kind of got a cold, you know, and then
• 53:29
  Speaker 4: I went and said you want to.
• 53:36
  Speaker 6: I'm going to start recording the MCs that come here,
• 53:39
  Speaker 6: I'm not a DJ, so what can I do? The
• 53:40
  Speaker 6: DJs think it's boring to record the voice, because it's
• 53:43
  Speaker 6: boring there, having to pay attention.
• 53:45
  Speaker 4: So I said, man, I'm going to do this, because
• 53:48
  Speaker 4: then I learn the theses. And you fell in love
• 53:51
  Speaker 4: with the DJs. Uh-huh, and with the well-known MCs, because
• 53:53
  Speaker 4: they called me to do one. Damn, I didn't understand.
• 53:56
  Speaker 2: But, man, very light, because you... The cool thing about
• 53:59
  Speaker 2: the guys is that they just want it. Give it
• 54:06
  Speaker 2: to me, do it, please. Post it for me. Nobody
• 54:10
  Speaker 2: thinks a little bit to the side and says, okay,
• 54:13
  Speaker 2: I want this here, but what can I do.
• 54:14
  Speaker 6: To get to this, you know? Because I think that
• 54:16
  Speaker 6: was the... It was a favor exchange, because I told
• 54:18
  Speaker 6: the guys, I noticed the names of all the DJs
• 54:20
  Speaker 6: that were in the production company. Then I told the guys,
• 54:22
  Speaker 6: record a chapel like this, crammed.
• 54:25
  Speaker 4: For these guys. So, like this, for my cause, for
• 54:26
  Speaker 4: my cause, everyone had the voice, crammed.
• 54:29
  Speaker 2: So you became the king for the DJs to say
• 54:33
  Speaker 2: that you're the guy they like.
• 54:35
  Speaker 4: My DJ partners were all my brothers. Hey, Yuri, are
• 54:38
  Speaker 4: you crazy? Let's do one, man. And the voices, are
• 54:40
  Speaker 4: you having?
• 54:40
  Speaker 2: It's better to have the friendship of the DJs than
• 54:42
  Speaker 2: of the MCs.
• 54:43
  Speaker 6: Man, I've always had more friendship with the DJ, you know?
• 54:45
  Speaker 6: Until today, I talk more with the DJ. Like, there's
• 54:48
  Speaker 6: an WhatsApp that I have that's just for the producer.
• 54:51
  Speaker 4: That's key. I talk to the guys. Your deal with
• 54:53
  Speaker 4: the DJ is glued, right, man? There's no way. Okay.
• 54:57
  Speaker 2: Who was the guy that you recorded the voice and said, man.
• 55:00
  Speaker 4: I can't believe it? Setebello.
• 55:02
  Speaker 1: Wow.
• 55:03
  Speaker 4: Setebello.
• 55:04
  Speaker 5: It was fast.
• 55:05
  Speaker 4: Setebello didn't work. He broke everything. That inspired me, like,
• 55:08
  Speaker 4: in a way, because I sang kind of quiet, you know?
• 55:10
  Speaker 4: And then he already came scratchy. Turned the procedure, rules
• 55:14
  Speaker 4: in the favela.
• 55:15
  Speaker 6: Then, man, I started to say, man, I'm going to
• 55:17
  Speaker 6: have to sing like that too, do some like that.
• 55:19
  Speaker 6: And I already recorded some packs, because there were some
• 55:23
  Speaker 6: partners of mine who grew up with me there in
• 55:25
  Speaker 6: the studio, like LCK Icky. Menossante, Menodani, who sings Voltei
• 55:30
  Speaker 6: pra Cachorrada. So, there were several partners who were there
• 55:34
  Speaker 6: with me recording a lot. Then I said, man, I'm
• 55:38
  Speaker 6: going to have to start recording more aggressive ones too.
• 55:40
  Speaker 1: After you started recording aggressive, it changed.
• 55:43
  Speaker 4: Then it went.
• 55:44
  Speaker 6: Then it was in this hand that I was recording
• 55:46
  Speaker 6: a lot, MCG Daicolo in the studio, there in Rio.
• 55:49
  Speaker 4: De Janeiro he was. Then he recorded an acapella like this.
• 55:54
  Speaker 4: I said, man, this acapella is very key. I got
• 56:00
  Speaker 4: to the DJ and said, there's no way I can
• 56:04
  Speaker 4: jump on any of these. Then the DJ chose exactly
• 56:06
  Speaker 4: this one. Wow, it was God. The one you wanted.
• 56:09
  Speaker 4: Then it was my first song of a million. Where
• 56:12
  Speaker 4: did you release it? Man, I don't remember where it
• 56:16
  Speaker 4: came out from the YouTube channel.
• 56:17
  Speaker 1: There were several, right?
• 56:18
  Speaker 5: But.
• 56:20
  Speaker 4: I don't remember what was the right channel that came out,
• 56:23
  Speaker 4: it was in 2022, you know? But don't you have
• 56:24
  Speaker 4: a fear of.
• 56:24
  Speaker 2: Like, because I know that in funk it's a lot
• 56:27
  Speaker 2: like this, sometimes I leave a voice with the mythic
• 56:29
  Speaker 2: God knows who the mythic is going to put on
• 56:32
  Speaker 2: that sound But you didn't get like this, man, putting
• 56:35
  Speaker 2: it on the human sound, will he like it?
• 56:36
  Speaker 4: So, he was very my degree with me, you know?
• 56:39
  Speaker 6: And that's what was cool, because until then I didn't
• 56:42
  Speaker 6: ask the guys to put me And that day I
• 56:44
  Speaker 6: felt like I asked.
• 56:47
  Speaker 4: And then I asked DJ Furi, DJ Furi who was
• 56:49
  Speaker 4: doing this, and then he said, no, come in, come.
• 56:52
  Speaker 2: In, brother, it's going to be the key. You were
• 56:54
  Speaker 2: building a cool thing, like that thing, the kid never asked,
• 56:58
  Speaker 2: he's talking, it's... Leave it.
• 56:59
  Speaker 4: Leave it, yeah, you know?
• 57:00
  Speaker 1: And when I hit a million, how was the feeling?
• 57:01
  Speaker 4: You're crazy, I was very happy, very happy, and then
• 57:04
  Speaker 4: this song was produced by DJ Furi and DJ GFDC,
• 57:07
  Speaker 4: you know? The alpha... Look at Fado Mandela.
• 57:09
  Speaker 5: Then you said, now fuck it.
• 57:11
  Speaker 4: Now I'm going to do several. Now I'm going to
• 57:13
  Speaker 4: put the march.
• 57:14
  Speaker 2: At that time, did you already feel good for the studio?
• 57:18
  Speaker 4: Were you confident? No, not even a little. Really, brother?
• 57:21
  Speaker 4: Not even a little. As much as I was in
• 57:22
  Speaker 4: the studio all day, when I touched anyone who wasn't mine,
• 57:26
  Speaker 4: I was like, ouch. With people you didn't know. And
• 57:29
  Speaker 4: I never liked to record voice packs, you know?
• 57:32
  Speaker 2: When did you get this vision of the packs, of
• 57:35
  Speaker 2: the stuff? Because it was kind of these visions that were.
• 57:38
  Speaker 4: Yes, yes. I already recorded the MCs, they only recorded
• 57:42
  Speaker 4: a pack.
• 57:43
  Speaker 2: Explain to the people what a pack is, bro.
• 57:45
  Speaker 4: It's kind of a collection of.
• 57:47
  Speaker 6: Lyrics, I recorded everything at once, without beat.
• 57:51
  Speaker 2: And not necessarily, sometimes they make sense to each other, right?
• 57:54
  Speaker 6: No, it has nothing to do, it's like a lot
• 57:56
  Speaker 6: of loose lyrics, chorus, or just a piece, and then
• 58:00
  Speaker 6: it's kind of free for DJs to use.
• 58:04
  Speaker 4: It's the DJ who will send it there, you know?
• 58:06
  Speaker 4: If you want to use only one, it turns into
• 58:08
  Speaker 4: a song, just a marking. Then there's this in the packs,
• 58:12
  Speaker 4: you know? It's... Very crazy.
• 58:14
  Speaker 6: Man, I started recording and sent it to everyone, and
• 58:18
  Speaker 6: I would burst, because the producers' computers were open to emails,
• 58:22
  Speaker 6: you know? So there was an email from a lot
• 58:23
  Speaker 6: of DJs there, I already sent it to several DJs
• 58:25
  Speaker 6: I knew who never used it.
• 58:28
  Speaker 4: I see.
• 58:28
  Speaker 2: Ah, this happens, but when do you realize that your
• 58:30
  Speaker 2: voice is peculiar?
• 58:31
  Speaker 4: Because, like, you said, okay... I don't have.
• 58:34
  Speaker 2: The courage to sing because who sings is tuned. But
• 58:37
  Speaker 2: I think that when I hear your voice, I know
• 58:39
  Speaker 2: it's you. When you find the imposition of your voice right,
• 58:41
  Speaker 2: I'll sing like this, I'll sing like this, I'll sing high,
• 58:43
  Speaker 2: I'll sing low. Because it's something that changes everything, right?
• 58:47
  Speaker 6: It was something I learned from the kids who worked
• 58:49
  Speaker 6: with me. I started singing speed flow. And that stood
• 58:52
  Speaker 6: out when someone was singing the melody, so I tried
• 58:55
  Speaker 6: to make the lyrics very fast. But my lyrics were
• 58:58
  Speaker 6: never the highlight. It was cool because it was rhythmic.
• 59:02
  Speaker 6: but the chorus always blew up.
• 59:04
  Speaker 4: Right.
• 59:05
  Speaker 6: And then the songs started to get a million, another million,
• 59:09
  Speaker 6: but I was always the secondary artist of the song.
• 59:15
  Speaker 6: Until I released a solo with a boy who did witchcraft,
• 59:18
  Speaker 6: but he had made a rhythmized song, and then he
• 59:19
  Speaker 6: needed to put a boy who did the rhythm to
• 59:21
  Speaker 6: be able to say that it was him who did it.
• 59:23
  Speaker 6: Then we had a partner, put the partner in the
• 59:25
  Speaker 6: song and the.
• 59:26
  Speaker 4: Song went on. There was one that was like this. Sit, go, kick, go.
• 59:32
  Speaker 4: Put everything on the pick and it falls. Sit, go, kick, go.
• 59:36
  Speaker 4: Lock everything on the pick and it falls.
• 59:38
  Speaker 6: That's just yours. It exploded. It started playing at the dances,
• 59:42
  Speaker 6: at Doze do Singa, at Marconi.
• 59:44
  Speaker 4: It's important, right? When you play at a dance like that,
• 59:46
  Speaker 4: you must be very happy.
• 59:47
  Speaker 5: When did you play at Casarão?
• 59:48
  Speaker 1: I said, I'm blown away.
• 59:49
  Speaker 4: It's playing at Casarão. The song was there. Present!
• 59:58
  Speaker 1: And you didn't even ask for it and played it!
• 1:00:02
  Speaker 4: I didn't even ask for it! Another DJ played it!
• 1:00:04
  Speaker 4: Then my friends started saying, this one is awesome, man!
• 1:00:07
  Speaker 4: This one you just sang, right? Yeah!
• 1:00:10
  Speaker 6: Then I said, now I'm going to try to do
• 1:00:11
  Speaker 6: more solos, but like this, whenever I did the feat,
• 1:00:13
  Speaker 6: I wasn't the highlight, you know?
• 1:00:14
  Speaker 2: Okay, the first time I think I heard your voice
• 1:00:17
  Speaker 2: was in the feat. But it's because this song blew
• 1:00:19
  Speaker 2: up a lot! Wow!
• 1:00:20
  Speaker 4: The Mexican bitch!
• 1:00:21
  Speaker 5: Jesus, beloved Christ, God! Wonderful this song!
• 1:00:24
  Speaker 2: How was the experience of recording with Murilo MT? I
• 1:00:27
  Speaker 2: think he's much more.
• 1:00:27
  Speaker 4: It's Menor MT. Menor MT, man. He has Murilo too.
• 1:00:30
  Speaker 2: With Menor MT, he's also much more. And that song,
• 1:00:35
  Speaker 2: I understand what you said, like, the highlight of the guy,
• 1:00:38
  Speaker 2: I was a little more secondary, but in that song
• 1:00:40
  Speaker 2: you laid down, man, too. It's that the song is
• 1:00:43
  Speaker 2: very good.
• 1:00:44
  Speaker 1: Very good.
• 1:00:44
  Speaker 2: The TikTok era is 15 seconds and such, including Justin Bieber.
• 1:00:48
  Speaker 4: I'll give you some strength these days, right? Oh, you
• 1:00:50
  Speaker 4: gave me a little moral, right, bro? You're crazy, Justin. Smoking,
• 1:00:52
  Speaker 4: I don't know, shirt dancing and such.
• 1:00:54
  Speaker 2: But I want to know the experience of recording this sound,
• 1:00:58
  Speaker 2: the breeze of this sound, because when we heard this
• 1:01:00
  Speaker 2: sound for the first time, like, fucking rare, fucking Mexican.
• 1:01:04
  Speaker 1: Marvelous.
• 1:01:04
  Speaker 3: Fuck, absurd.
• 1:01:05
  Speaker 4: It's a very cool feeling to hear this sound for
• 1:01:07
  Speaker 4: the first time. Very tasty. Look at the breeze, bro.
• 1:01:10
  Speaker 1: Like, like this. OJ. What year was this song?
• 1:01:13
  Speaker 4: 2022.
• 1:01:13
  Speaker 1: Good. He was making an album.
• 1:01:14
  Speaker 4: It was the end there, right? Uh-huh, she released it, like,
• 1:01:17
  Speaker 4: I think, like, December.
• 1:01:19
  Speaker 6: In 2022, Jé was making an album and he had
• 1:01:23
  Speaker 6: put this song, MC Menor MT and MC Pelé, and
• 1:01:28
  Speaker 6: there was MC Menor Dani in the song, but then
• 1:01:30
  Speaker 6: he kept telling me, bro, I'm not breaking in the
• 1:01:32
  Speaker 6: part of Menor Dani. And then I was like, ah,
• 1:01:36
  Speaker 6: I got it, bro, let me listen to see how
• 1:01:38
  Speaker 6: it is.
• 1:01:38
  Speaker 4: And I wasn't in any of the tracks on the album.
• 1:01:42
  Speaker 4: And Jé' s album, right, bro? Yeah, his album was great,
• 1:01:45
  Speaker 4: you know? Then I went and told him.
• 1:01:48
  Speaker 1: Let me try.
• 1:01:48
  Speaker 6: Then that day he was in several neuroses and I
• 1:01:51
  Speaker 6: was exchanging ideas with him. He was with some problems
• 1:01:53
  Speaker 6: and I said, no, brother, I'll help you. We went
• 1:01:55
  Speaker 6: for a walk, went to the mall. When we came back,
• 1:01:57
  Speaker 6: he went and said, do you want to record? I said, oh,
• 1:02:04
  Speaker 6: for sure.
• 1:02:05
  Speaker 1: But, man, before you talk about how your process was,
• 1:02:07
  Speaker 1: but when you heard this sound, did you feel that.
• 1:02:09
  Speaker 4: It was going to be a good sound? No, I
• 1:02:11
  Speaker 4: thought it was very good, very good, very differentiated.
• 1:02:12
  Speaker 6: So much so that when I recorded, it passed a
• 1:02:14
  Speaker 6: few days, I already posted the preview on my Instagram,
• 1:02:17
  Speaker 6: you know?
• 1:02:17
  Speaker 4: I didn't do that, to post, like, recent, because I
• 1:02:19
  Speaker 4: make a lot of music.
• 1:02:21
  Speaker 6: And if I post, like, a preview of a song
• 1:02:23
  Speaker 6: that I make today, people will be talking to me
• 1:02:25
  Speaker 6: to release it, and I'm not going to try to
• 1:02:26
  Speaker 6: release it, because there's that little day, you know?
• 1:02:29
  Speaker 4: To get into the planning. Then I said, man.
• 1:02:31
  Speaker 6: Let me jump on this one that I'm going to unroll.
• 1:02:33
  Speaker 6: Then he left and didn't take me. He left it
• 1:02:36
  Speaker 6: in the song. But, man, this song was a thousand
• 1:02:40
  Speaker 6: wonders until it burst.
• 1:02:42
  Speaker 4: Yeah, I imagine, yeah.
• 1:02:44
  Speaker 6: Like, Didi Arana danced the song one day that she
• 1:02:47
  Speaker 6: was playing and then it exploded.
• 1:02:50
  Speaker 4: That little step, right, that he does and stuff. It
• 1:02:52
  Speaker 4: exploded too much, man. But then when the thing went,
• 1:02:56
  Speaker 4: it was a bureaucracy, it was a question of percentages,
• 1:02:59
  Speaker 4: of pita.
• 1:03:00
  Speaker 1: You know?
• 1:03:01
  Speaker 2: Because music is like a thousand.
• 1:03:04
  Speaker 6: Wonders until you know that there is money involved, you know?
• 1:03:14
  Speaker 6: you have to start learning about the tapes.
• 1:03:17
  Speaker 1: You know?
• 1:03:18
  Speaker 4: No, for sure.
• 1:03:19
  Speaker 1: But did this song also open the way for you
• 1:03:21
  Speaker 1: to start doing more shows?
• 1:03:23
  Speaker 5: How was it?
• 1:03:23
  Speaker 6: No, bro, because that's what I told you, I ended
• 1:03:27
  Speaker 6: up staying secondary, you know? So kind of like, Arana
• 1:03:31
  Speaker 6: was doing a show and put this on the repertoire,
• 1:03:33
  Speaker 6: because he was the one who broke the song, Jé
• 1:03:36
  Speaker 6: played and he was the DJ of the song, and
• 1:03:39
  Speaker 6: he also did a show, Menor MT started doing a
• 1:03:42
  Speaker 6: lot of shows, The MSPL started.
• 1:03:43
  Speaker 4: To do shows and I didn't. But I didn't bother
• 1:03:46
  Speaker 4: with that, because I preferred the digital part. Like... I
• 1:03:52
  Speaker 4: always wanted to stay in the studio. I said, man,
• 1:03:54
  Speaker 4: I'm going to do a show. But you're the son
• 1:03:56
  Speaker 4: of GW. I'm going to put people to depend on me.
• 1:03:58
  Speaker 6: Like, there's going to be a lot of people, it's
• 1:04:00
  Speaker 6: going to depend on me, DJ, producer, man. I prefer
• 1:04:05
  Speaker 6: to stay here in the studio, everything depends only on me,
• 1:04:06
  Speaker 6: you know? Here, I'm going to make music in my time, man.
• 1:04:09
  Speaker 2: Okay, but do you feel that these bars were something
• 1:04:12
  Speaker 2: that pushed you, gave you more strength, or even taught you?
• 1:04:16
  Speaker 2: Because I think some mistakes from the past, today you
• 1:04:19
  Speaker 2: don't make anymore.
• 1:04:20
  Speaker 4: Yes, I think that was very good. You're talking about
• 1:04:23
  Speaker 4: these tracks of... Of, like.
• 1:04:25
  Speaker 2: The song blew up, now it's not like this anymore,
• 1:04:28
  Speaker 2: now it's like this.
• 1:04:30
  Speaker 4: Yes, that's what made me study, you know? I started
• 1:04:32
  Speaker 4: to pay attention and started to ask, because before I
• 1:04:36
  Speaker 4: only did it, you know? Then, before doing it, I
• 1:04:38
  Speaker 4: started to talk... Man, but why such a thing?
• 1:04:42
  Speaker 1: With my pension.
• 1:04:43
  Speaker 2: Let's make this one right, this one is like this,
• 1:04:45
  Speaker 2: and I'll do it.
• 1:04:46
  Speaker 4: But I didn't like this opportunity, can we fix it?
• 1:04:50
  Speaker 2: Yeah, because we're afraid of revising our own rights, right?
• 1:04:53
  Speaker 6: I'll tell the guys like this, to the point of saying, ah, bro,
• 1:04:55
  Speaker 6: can you fix the guys? No, then take me, put
• 1:04:59
  Speaker 6: another person.
• 1:04:59
  Speaker 4: Yes, better, right? Yeah, then we're.
• 1:05:04
  Speaker 1: Still friends. That's it. But going back to this song,
• 1:05:07
  Speaker 1: it was very strong.
• 1:05:08
  Speaker 5: Absurd, absurd.
• 1:05:10
  Speaker 4: Like, bro, in less than a year, the song got
• 1:05:13
  Speaker 4: 100 million.
• 1:05:13
  Speaker 1: You know? And Justin, did he dance recently? He danced
• 1:05:17
  Speaker 1: last year, you know?
• 1:05:17
  Speaker 4: But....
• 1:05:19
  Speaker 6: They sent me a video. This video was posted last year,
• 1:05:25
  Speaker 6: you know?
• 1:05:26
  Speaker 4: But it was last year. When he was on that rhythm.
• 1:05:29
  Speaker 1: That rhythm.
• 1:05:31
  Speaker 4: That model.
• 1:05:31
  Speaker 1: That Brazilian model. But this song is very good, man. So,
• 1:05:33
  Speaker 1: how was it after that sound? You said, man, I'm
• 1:05:38
  Speaker 1: capable of doing a lot of things right.
• 1:05:40
  Speaker 6: Then the thing was cool that, like, this opened doors
• 1:05:43
  Speaker 6: for everyone to do shows.
• 1:05:44
  Speaker 4: But for me, it opened the digital door, you know?
• 1:05:47
  Speaker 6: Like, a lot of DJs called me because they liked
• 1:05:49
  Speaker 6: my capella, like you said, you know?
• 1:05:50
  Speaker 4: They said, oh, this song is very good, but I
• 1:05:53
  Speaker 4: liked your part. It's the way you rhyme, bro. Where
• 1:05:55
  Speaker 4: did you build this? Because your way of rhyming is
• 1:05:56
  Speaker 4: very peculiar.
• 1:05:57
  Speaker 5: This thing that you.
• 1:05:57
  Speaker 1: Scream!
• 1:05:58
  Speaker 4: Scream!
• 1:05:58
  Speaker 2: Do you know what you do? Where did you learn
• 1:05:59
  Speaker 2: to give that repique in the voice? So, it was
• 1:06:01
  Speaker 2: when I was starting to sing drill.
• 1:06:10
  Speaker 4: Everything makes sense.
• 1:06:12
  Speaker 6: The time I recorded Trap was what made me think
• 1:06:15
  Speaker 6: about different ways of singing in funk, you know? Even
• 1:06:18
  Speaker 6: though it took a while for me to really show
• 1:06:21
  Speaker 6: what I wanted to do and for people to understand,
• 1:06:24
  Speaker 6: because until then everyone was doing.
• 1:06:26
  Speaker 4: The chorus, then I started to make a bigger lyrics.
• 1:06:32
  Speaker 4: Then Gigi did what? Cut it and only used my chorus.
• 1:06:35
  Speaker 4: I got it, bastard.
• 1:06:36
  Speaker 6: But there was a big letter behind that, you know?
• 1:06:40
  Speaker 6: But when it started to walk, there were already some
• 1:06:43
  Speaker 6: pecs in the code sound and Gigi started to pay attention.
• 1:06:46
  Speaker 4: Wait, this is a whole letter, man. We can use
• 1:06:49
  Speaker 4: the whole thing, not just the chorus.
• 1:06:51
  Speaker 6: Then the guys started to pay attention to what I
• 1:06:53
  Speaker 6: was doing and it was different.
• 1:06:56
  Speaker 1: Okay.
• 1:06:56
  Speaker 2: After that sound, I remember hearing your voice again. I
• 1:06:59
  Speaker 2: still didn't know your face. I listened to your voice
• 1:07:03
  Speaker 2: again on the album, on Musão' s EP.
• 1:07:05
  Speaker 1: Wonderful.
• 1:07:06
  Speaker 4: Wow. Am I right? He liked it a lot.
• 1:07:09
  Speaker 1: I love you.
• 1:07:10
  Speaker 4: I love you a lot.
• 1:07:11
  Speaker 1: I posted.
• 1:07:11
  Speaker 4: Because you posted my songs a lot of times, bro.
• 1:07:14
  Speaker 1: I posted.
• 1:07:14
  Speaker 4: A lot of times. That's us, man.
• 1:07:16
  Speaker 1: We're together, bro.
• 1:07:17
  Speaker 4: For real. Musão showed this album to us, and then
• 1:07:19
  Speaker 4: we got.
• 1:07:19
  Speaker 2: Kind of crazy, first on the beat, and your voice
• 1:07:21
  Speaker 2: got really good. And then he said, this boy, pay
• 1:07:23
  Speaker 2: attention to this boy. And he spoke very well of you,
• 1:07:32
  Speaker 2: but I still didn't know you, you know?
• 1:07:34
  Speaker 4: And man, this session was very crazy, because someone gave
• 1:07:36
  Speaker 4: me a G-Darjean selfie. Then he said, hey, do you
• 1:07:39
  Speaker 4: want to record with Muzão? Then I was like, bro, Muzão?
• 1:07:43
  Speaker 4: My brother, he made some videos that he visited the
• 1:07:49
  Speaker 4: producers and showed how to make a musical production, you know? Like,
• 1:07:52
  Speaker 4: how did he make such a hit?
• 1:07:54
  Speaker 2: Yes.
• 1:07:55
  Speaker 6: And then he had done it with Muzão and Kian,
• 1:07:57
  Speaker 6: I was a big fan of the guys. Then I
• 1:07:59
  Speaker 6: asked my brother, hey, let me go. Then my brother, damn,
• 1:08:02
  Speaker 6: I can't, bro. I'm going to take the man who records.
• 1:08:04
  Speaker 6: And then I kept.
• 1:08:05
  Speaker 4: Thinking, damn, bro. I couldn't go anymore, but now I'm
• 1:08:08
  Speaker 4: going to make a song, bro. What a mess! I
• 1:08:11
  Speaker 4: went there and touched him and we made this song
• 1:08:13
  Speaker 4: with him.
• 1:08:14
  Speaker 5: How was the first impressions? The song is a legend, right?
• 1:08:17
  Speaker 4: A thousand degrees and very firm, you know?
• 1:08:19
  Speaker 6: Like, the guy is good, but there are a lot
• 1:08:21
  Speaker 6: of people that we break the face of, like, saying, wow,
• 1:08:23
  Speaker 6: this person is very f * * * ed. And
• 1:08:24
  Speaker 6: when you meet the person, you see the brooch, you know?
• 1:08:27
  Speaker 6: And then it was like, bro, Muzan is really cool. Man,
• 1:08:30
  Speaker 6: Muzan is really cool.
• 1:08:33
  Speaker 2: He's cool at an absurd level. You know that cool level? Like,
• 1:08:36
  Speaker 2: at this level here, quiet, calm, good.
• 1:08:39
  Speaker 4: And that was what? 2023 already? I think so. His album?
• 1:08:41
  Speaker 4: I think it's 2023. 2023, I was already like this.
• 1:08:43
  Speaker 4: Not that I was.
• 1:08:47
  Speaker 6: But you were already on your way. But I was like, man,
• 1:08:50
  Speaker 6: now I can record anywhere. You were already shameless. I
• 1:08:53
  Speaker 6: was already in several studios, you know? At that time
• 1:08:56
  Speaker 6: I had a PCX, so I was rolling. I was rolling.
• 1:08:59
  Speaker 4: You were already... Mano, agora eu consigo gravar em qualquer lugar.
• 1:08:52
  Speaker 2: Já tava sem vergonha.
• 1:08:53
  Speaker 6: Eu já encostava em vários estúdios, tá ligado? Nessa época
• 1:08:55
  Speaker 6: eu tinha uma PCX, então eu roletava.
• 1:08:59
  Speaker 2: Você já tava confiante também pra canetar na hora?
• 1:09:01
  Speaker 6: Sim, eu sempre canetei na hora, tá ligado? Todas as
• 1:09:03
  Speaker 6: vezes que eu faço, nem uma de free. Só faço
• 1:09:05
  Speaker 6: canetando Nutella.
• 1:09:07
  Speaker 4: E aí, pique, mano.
• 1:09:08
  Speaker 6: Falei, é, vou fazer as puras com eles aqui. Não
• 1:09:11
  Speaker 6: vou perder essa oportunidade, não. And then he said to me,
• 1:09:14
  Speaker 6: it's on my album.
• 1:09:15
  Speaker 4: Wow, what a key. This album was very heavy.
• 1:09:20
  Speaker 2: I don't remember the name. I remember the name of
• 1:09:22
  Speaker 2: the sound, Putaria Alucinógena. I don't know what, instigating.
• 1:09:25
  Speaker 4: It's very good, man. It's very good, this sound. Man,
• 1:09:27
  Speaker 4: it's very cool to.
• 1:09:28
  Speaker 1: Know about your trajectory. Do you remember the name of
• 1:09:36
  Speaker 1: the album? Man, this album is hard to find on Spotify.
• 1:09:58
  Speaker 1: It's called No Susto.
• 1:09:59
  Speaker 4: It's January 25th, 2023. So we recorded it in 2022.
• 1:10:02
  Speaker 4: Romantic illusion, hallucinogenic. So, look at this, this year was.
• 1:10:05
  Speaker 6: Perfect for me, 2022. It was like this, a year
• 1:10:07
  Speaker 6: of blessing. I released an album and then I did
• 1:10:08
  Speaker 6: an audition, you know? And at that time, there weren't
• 1:10:11
  Speaker 6: many funk artists who did auditions.
• 1:10:13
  Speaker 1: No.
• 1:10:13
  Speaker 4: Then you guys already stuck in the woods?
• 1:10:15
  Speaker 1: Already.
• 1:10:15
  Speaker 4: Man, we got crazy there, like that, absurd. And few
• 1:10:23
  Speaker 4: people knew my face in public. Did you have this fear, brother?
• 1:10:29
  Speaker 6: That's why I didn't sell the show, you know? Because
• 1:10:32
  Speaker 6: I always liked to go out and I always had
• 1:10:34
  Speaker 6: the vision of the public. And then I said, bro,
• 1:10:37
  Speaker 6: I'm going to make a show for people to stand
• 1:10:39
  Speaker 6: up for me, bro. Because I'm not going to be valued,
• 1:10:42
  Speaker 6: you know? I still don't have a solid fan base
• 1:10:43
  Speaker 6: to be able to make me a show. So I'm
• 1:10:46
  Speaker 6: going to sell a cheap.
• 1:10:47
  Speaker 4: Show to spend time, make people leave the house.
• 1:10:52
  Speaker 6: And then Piki said, man, it's not viable for me. Then,
• 1:10:55
  Speaker 6: on the day I did this audition, I said, I
• 1:10:56
  Speaker 6: can do something. Because, like, we got a lot there,
• 1:10:59
  Speaker 6: stuck some artists that, like, I had invited on Instagram,
• 1:11:03
  Speaker 6: but you know when you invite?
• 1:11:05
  Speaker 4: Take it with the caravan. Yeah, take it so that
• 1:11:07
  Speaker 4: he just sees the message, at least. Yes, yes. Then
• 1:11:09
  Speaker 4: Piki stuck everyone, man.
• 1:11:11
  Speaker 5: Who stuck there?
• 1:11:12
  Speaker 6: Piki, the original Negão was there on the track, he
• 1:11:15
  Speaker 6: was not yet known.
• 1:11:16
  Speaker 4: Hey, Free, original Negão.
• 1:11:18
  Speaker 3: Yeah, right.
• 1:11:19
  Speaker 1: It's true.
• 1:11:20
  Speaker 4: It's true.
• 1:11:20
  Speaker 5: Today.
• 1:11:20
  Speaker 1: Today.
• 1:11:21
  Speaker 5: And then who else?
• 1:11:22
  Speaker 6: Man, there were several, Arana. Man, Coloa Buda, Dudu, like,
• 1:11:27
  Speaker 6: they didn't know me, you know? They showed up there,
• 1:11:29
  Speaker 6: you know? I don't even know if they remember that,
• 1:11:32
  Speaker 6: but I saw them there.
• 1:11:33
  Speaker 4: Rio de Janeiro had just exploded.
• 1:11:35
  Speaker 2: And you were going to show how many sounds there? Huh?
• 1:11:37
  Speaker 6: You were going to do an audition of how many sounds? So,
• 1:11:40
  Speaker 6: I did, I was smart, the audition, I put it
• 1:11:42
  Speaker 6: up there, and down there I did a show.
• 1:11:44
  Speaker 1: Damn, so there were people for fuck's sake.
• 1:11:48
  Speaker 4: So, like, people kind of watched my show, That was
• 1:11:52
  Speaker 4: for sale. You listened to your song and then listened
• 1:11:54
  Speaker 4: to your show, right?
• 1:11:55
  Speaker 6: Yeah, and the people who were my guests were listening
• 1:11:57
  Speaker 6: to my songs that I was releasing, you know? That's awesome, bro.
• 1:11:59
  Speaker 6: This thing was very cool for me. You spent your
• 1:12:01
  Speaker 6: shot at the right time, right?
• 1:12:02
  Speaker 4: Yes, it was perfect. And then, in that same year,
• 1:12:04
  Speaker 4: the Mexican whore blew up. I stayed strong. I stayed
• 1:12:11
  Speaker 4: strong until the end of the year when we went
• 1:12:13
  Speaker 4: to Guarujá. You drank a lot.
• 1:12:15
  Speaker 1: Sitting on the beach here.
• 1:12:17
  Speaker 4: Just watching the cars.
• 1:12:18
  Speaker 1: Passing by and listening to your song.
• 1:12:20
  Speaker 4: Look there, look there.
• 1:12:22
  Speaker 6: I was with my partner, Maze. My partner who recorded
• 1:12:26
  Speaker 6: the stuff for me.
• 1:12:27
  Speaker 1: That's cool, man.
• 1:12:28
  Speaker 4: Brother, this is very cool.
• 1:12:29
  Speaker 2: I'll also keep talking about Muzão, because I remember when
• 1:12:32
  Speaker 2: this EP of Muzão came out. I don't know if
• 1:12:34
  Speaker 2: it was the EP or the album, but when this
• 1:12:36
  Speaker 2: track came out, What caught my attention the most was Muzão.
• 1:12:40
  Speaker 2: Everyone knows he's very well connected, he can record whatever
• 1:12:44
  Speaker 2: he wants. And I think it's really cool that he put...
• 1:12:47
  Speaker 2: Not 100% of the underground, even because you weren't, but
• 1:12:49
  Speaker 2: what I want to say is... He doesn't want to
• 1:12:52
  Speaker 2: put the most famous people on his EP. No, I
• 1:12:54
  Speaker 2: want to put whoever I like, it's good and that's it. No,
• 1:12:56
  Speaker 2: he's a thousand degrees, he's.
• 1:12:58
  Speaker 4: A thousand degrees.
• 1:12:59
  Speaker 6: He already stuck there like that, he'd give me a
• 1:13:01
  Speaker 6: shout out and say, hey, I'm stupid.
• 1:13:02
  Speaker 4: Do you want to stick there in the studio?
• 1:13:04
  Speaker 6: He stuck there in the studio with us, because he
• 1:13:06
  Speaker 6: was already in rhythm, you know? We were recording some
• 1:13:11
  Speaker 6: cool stuff. That's why I got into the album. It's
• 1:13:14
  Speaker 6: in the MPB Vol.
• 1:13:15
  Speaker 1: 1 album.
• 1:13:16
  Speaker 6: He opened a lot of doors for me. I'm very
• 1:13:20
  Speaker 6: grateful to Muzão. He appeared in several moments of my career.
• 1:13:25
  Speaker 4: That's crazy. Which others? I was his fan.
• 1:13:27
  Speaker 2: Right.
• 1:13:28
  Speaker 4: I listened to his songs. I was making music, I
• 1:13:31
  Speaker 4: was rapping. He appeared.
• 1:13:33
  Speaker 6: He gave me a shout out and we did one.
• 1:13:35
  Speaker 6: And he entered my album. A few months later, I
• 1:13:38
  Speaker 6: got on his album.
• 1:13:40
  Speaker 4: Foda. Very cool.
• 1:13:42
  Speaker 6: And then, I came here to Podpá, it was his Podpá.
• 1:13:45
  Speaker 4: He invited you, how was it? Man, this day was crazy, huh?
• 1:13:47
  Speaker 4: For me too, it was absurd. That day, Podpá Records.
• 1:13:51
  Speaker 2: Was practically born.
• 1:13:52
  Speaker 4: It was.
• 1:13:52
  Speaker 2: And his program was born too, Podpá Records, which is
• 1:13:56
  Speaker 2: the base.
• 1:13:56
  Speaker 1: Which, by the way, is a good program, right? Very cool, man.
• 1:13:58
  Speaker 1: Very cool. But then, how was it? Did he invite
• 1:14:05
  Speaker 1: you that day? How was that day, man?
• 1:14:07
  Speaker 4: Man, that day I had nothing to do. Nothing, nothing, nothing.
• 1:14:11
  Speaker 6: And then I was like, hunting what to do.
• 1:14:13
  Speaker 4: And I wake up a little late.
• 1:14:14
  Speaker 6: And then, the restaurants were already closed.
• 1:14:18
  Speaker 4: I went to have an açaí. You woke up at
• 1:14:20
  Speaker 4: 4 o'clock, right? Yeah, that's it. I had an açaí.
• 1:14:22
  Speaker 4: Then I touched the barbershop. You can see that I
• 1:14:26
  Speaker 4: was hunting, right?
• 1:14:27
  Speaker 1: You were hunting the subject.
• 1:14:28
  Speaker 4: I hit Tevito. Tevito said, what's up? I'm going to
• 1:14:32
  Speaker 4: touch there at Podpá. So I said, man, I'll go.
• 1:14:37
  Speaker 4: You can go, man, you can go. Then I said,
• 1:14:41
  Speaker 4: but can I go in?
• 1:14:42
  Speaker 6: Then he said, no, I'm going to talk to the
• 1:14:44
  Speaker 6: guys to see if they can.
• 1:14:48
  Speaker 4: Then I said, man, I'm wearing flip-flops, man. How can
• 1:14:51
  Speaker 4: I go there like that, man? Man, there's a kit
• 1:14:53
  Speaker 4: here in my bag.
• 1:14:53
  Speaker 5: That's cool, man.
• 1:14:55
  Speaker 1: There's a kit here in my.
• 1:14:56
  Speaker 4: Bag, there's a tennis. I said, that's it, brother, let's go. Man,
• 1:15:00
  Speaker 4: what luck. Then I stuck with Tevito, you know?
• 1:15:03
  Speaker 6: The reception was great, everyone was great. A few days
• 1:15:08
  Speaker 6: after that, we had recorded a Grimeset, which was from
• 1:15:11
  Speaker 6: Vitorilep and Survival, you know? I think Kian liked it
• 1:15:15
  Speaker 6: and said, man, we could do this.
• 1:15:17
  Speaker 2: I sent a message to Kian, because they wanted to
• 1:15:21
  Speaker 2: do the episode of Two Intelligent Breakers, or I don't
• 1:15:25
  Speaker 2: remember now. Anyway, they wanted to do an EP of
• 1:15:27
  Speaker 2: their project.
• 1:15:29
  Speaker 4: And I said, no, it's closed, bro.
• 1:15:30
  Speaker 2: But they had exchanged an idea with us, there wasn't
• 1:15:32
  Speaker 2: that much time. I said, tell the musician to bring
• 1:15:35
  Speaker 2: the controller and call the guys to rhyme, bring the
• 1:15:38
  Speaker 2: guys from X to rhyme.
• 1:15:39
  Speaker 3: Fuck.
• 1:15:39
  Speaker 4: That's it, I said.
• 1:15:41
  Speaker 2: And then in the end, we exchange an hour and
• 1:15:43
  Speaker 2: a half of chat, and in the end it's a
• 1:15:44
  Speaker 2: half hour of sound.
• 1:15:45
  Speaker 1: Uh-huh.
• 1:15:47
  Speaker 2: But, bro, that was the thought. What happened there was, like, perfect, bro.
• 1:15:50
  Speaker 4: Perfect. Was it here in this studio?
• 1:15:52
  Speaker 5: No, it was in the other.
• 1:15:53
  Speaker 4: It was in the other.
• 1:15:54
  Speaker 5: It was on.
• 1:15:56
  Speaker 4: The other one.
• 1:15:56
  Speaker 2: So the base that he records is also on the
• 1:15:58
  Speaker 2: other studio?
• 1:15:58
  Speaker 4: It's on the other one too.
• 1:16:00
  Speaker 2: So what happened there, bro, it was perfect, because I
• 1:16:04
  Speaker 2: remember that you sang, Kalel sang, Tevito sang, Kian sang,
• 1:16:09
  Speaker 2: everyone sang and I remember there was.
• 1:16:12
  Speaker 2: A lot of cuts of this thing on TikTok and
• 1:16:16
  Speaker 2: viralize it a.
• 1:16:16
  Speaker 1: Lot, man.
• 1:16:17
  Speaker 6: Wow, I froze, I froze on that day, straight talk,
• 1:16:19
  Speaker 6: I had recorded the thing, for me it had been good, cool.
• 1:16:22
  Speaker 4: Yes, it was very cool.
• 1:16:24
  Speaker 6: No, in a little while, someone from your team called
• 1:16:26
  Speaker 6: me and said like this, pass your arroba there, that
• 1:16:29
  Speaker 6: we will call you for collaboration.
• 1:16:31
  Speaker 4: And when did the break come?
• 1:16:34
  Speaker 6: When did the break come? I was just going to
• 1:16:36
  Speaker 6: cut my hair, man. My foot is still dirty, man.
• 1:16:39
  Speaker 6: But I'm going back to.
• 1:16:40
  Speaker 1: The pot now. Man, but you crushed a lot. How
• 1:16:43
  Speaker 1: does your head work at this moment? You were already
• 1:16:46
  Speaker 1: with the letter in your mind.
• 1:16:48
  Speaker 5: How was that breeze?
• 1:16:49
  Speaker 4: Man, I liked.
• 1:16:50
  Speaker 1: You said, I'm going to throw.
• 1:16:51
  Speaker 5: Which one, man? I'm going to throw which one?
• 1:16:52
  Speaker 4: I really liked Brasil Grammy Show, you know? I didn't
• 1:16:54
  Speaker 4: like it, I like it. It's a monster.
• 1:16:56
  Speaker 5: Very good.
• 1:16:56
  Speaker 4: And then it was very windy in the rhymes of
• 1:16:58
  Speaker 4: the guys, man.
• 1:17:00
  Speaker 6: And then I always struggled to try to do this thing,
• 1:17:02
  Speaker 6: and I started to realize that the guys did it
• 1:17:05
  Speaker 6: with lyrics that already existed. So I always struggled to
• 1:17:08
  Speaker 6: try to fit my lyrics in a beat that is
• 1:17:10
  Speaker 6: not from.
• 1:17:10
  Speaker 4: My song, you know?
• 1:17:12
  Speaker 1: Very cool.
• 1:17:12
  Speaker 6: And according to what the beats were playing, I said,
• 1:17:14
  Speaker 6: this lyrics here is going to be.
• 1:17:16
  Speaker 4: Cool, let's try.
• 1:17:16
  Speaker 2: But there was a beat there that Muzão released from.
• 1:17:20
  Speaker 4: Ah, from what? You had already done something, right?
• 1:17:22
  Speaker 6: It was from the beat of Menão Magrinho, and I
• 1:17:24
  Speaker 6: have a song with this melody, which is Bebê Tá Solta.
• 1:17:28
  Speaker 4: And he released it on purpose, you noticed, right?
• 1:17:30
  Speaker 1: Muzão made the move.
• 1:17:31
  Speaker 4: He's my style, he's my style, my truta, my close-up.
• 1:17:33
  Speaker 4: It shines, it shines, it shines. So that's what I
• 1:17:35
  Speaker 4: looked at.
• 1:17:35
  Speaker 2: And what I think is very cool, very beautiful about
• 1:17:38
  Speaker 2: the kids, you know?
• 1:17:39
  Speaker 4: Quinhana, Muzão, all of their guys.
• 1:17:40
  Speaker 2: But talking about the two of them, who are the artists,
• 1:17:43
  Speaker 2: it's like... Did you see that Quinhana has... You know?
• 1:17:46
  Speaker 2: He said, do this, go, jump on the thing, because...
• 1:17:49
  Speaker 2: We see, bro, we're with the artist all the time.
• 1:17:52
  Speaker 4: Like, the guys....
• 1:17:55
  Speaker 2: It's not even jealousy, it's like you can't see another
• 1:17:58
  Speaker 2: person prosper, even if it's not him at that moment.
• 1:18:00
  Speaker 4: But they are very humble, bro.
• 1:18:01
  Speaker 6: They don't have ego, bro. Kian is a very humble person.
• 1:18:04
  Speaker 6: I was with him on this trip, I hit him,
• 1:18:06
  Speaker 6: I was traveling with the family. I sent him a message,
• 1:18:08
  Speaker 6: I said, bro, I won't be able to hit you.
• 1:18:09
  Speaker 4: I'm traveling with the family.
• 1:18:10
  Speaker 6: Then I touched the first pin with my neck and
• 1:18:13
  Speaker 6: I hit the guy. Then we were in the clothing store,
• 1:18:16
  Speaker 6: the gringos told us to get.
• 1:18:18
  Speaker 4: Some kits there.
• 1:18:22
  Speaker 6: Man, I'm not going to get anything, I'm just going
• 1:18:25
  Speaker 6: to get a pickaxe.
• 1:18:26
  Speaker 4: I said, man, now you've got me, but if you're
• 1:18:28
  Speaker 4: going to get just a pickaxe, I can only get one, man.
• 1:18:31
  Speaker 4: I agree with you. Then he went and said to
• 1:18:35
  Speaker 4: me like this, man, get several. Then I'm going to
• 1:18:37
  Speaker 4: say it's for me. It's going to be cool on you, man.
• 1:18:39
  Speaker 4: What a key, man. He's a lot like Mil Grau, man.
• 1:18:41
  Speaker 4: He's a lot like Mil Grau.
• 1:18:41
  Speaker 6: Like, this is one of the moments that he was
• 1:18:43
  Speaker 6: like Mil Grau, but there are several that are like
• 1:18:44
  Speaker 6: Mil Grau with me. Like, he goes to the studio,
• 1:18:46
  Speaker 6: he's going to make a song, he changes his mind,
• 1:18:47
  Speaker 6: he asks how I'm doing. It's not just a moment
• 1:18:51
  Speaker 6: where these things come out, you know? He's a really
• 1:18:53
  Speaker 6: cool person.
• 1:18:53
  Speaker 4: And he's pure. He's very pure.
• 1:18:54
  Speaker 1: I love you, my brother.
• 1:18:56
  Speaker 4: I love you so much.
• 1:18:57
  Speaker 2: Sometimes he sends me messages and says, let's play FIFA
• 1:18:59
  Speaker 2: and drink some ice cream?
• 1:19:00
  Speaker 1: There, look. That day was a very special day, because
• 1:19:07
  Speaker 1: you weren't.
• 1:19:07
  Speaker 2: Counting on all that. It was a perfect day. A
• 1:19:10
  Speaker 2: lot of things happened. I believe that a good part
• 1:19:14
  Speaker 2: of the people knew your face. How was the post
• 1:19:16
  Speaker 2: of that?
• 1:19:16
  Speaker 4: It was crazy. People even knew that I was an MC.
• 1:19:29
  Speaker 6: But like, several partners didn't even know any of my songs.
• 1:19:32
  Speaker 4: They were like, you nailed it, when are you going
• 1:19:34
  Speaker 4: to release it?
• 1:19:34
  Speaker 1: I had already.
• 1:19:35
  Speaker 4: Released it, you know?
• 1:19:36
  Speaker 1: But it's very crazy, very crazy. And it went viral.
• 1:19:40
  Speaker 5: I remember going on TikTok.
• 1:19:41
  Speaker 4: Yes, a lot of cuts.
• 1:19:43
  Speaker 1: A lot of cuts. I remember a cut.
• 1:19:44
  Speaker 2: Where he was singing Bebê Tá Solta, and then Leo
• 1:19:46
  Speaker 2: came and said, if her father knew... I said, man,
• 1:19:48
  Speaker 2: you have to do this. You have to do this.
• 1:19:49
  Speaker 4: Dude, with Leo, you can't.
• 1:19:51
  Speaker 2: And, by the way, once again, on that day, Base
• 1:19:53
  Speaker 2: was born, Podipá Records was born, and we thought about
• 1:19:55
  Speaker 2: making the show for Musão to lead it, And Musão,
• 1:20:07
  Speaker 2: with us, he was very affectionate, you know? From the
• 1:20:09
  Speaker 2: first episode, being you, Nanda, and GW, you know? He
• 1:20:12
  Speaker 2: did it on purpose. And that was a union... I
• 1:20:16
  Speaker 2: wish you could tell us a little bit about that day,
• 1:20:19
  Speaker 2: because I was watching you three, and I.
• 1:20:21
  Speaker 4: Was like, thank you for what's happening.
• 1:20:23
  Speaker 1: I was very happy.
• 1:20:24
  Speaker 4: Look what's coming up.
• 1:20:25
  Speaker 1: The show was coming up. There was an aura. There
• 1:20:29
  Speaker 1: was a very cool aura there. If you were happy,
• 1:20:32
  Speaker 1: imagine me, who's a fan of him. Imagine Ananda, who's
• 1:20:35
  Speaker 1: also a fan of him.
• 1:20:37
  Speaker 4: That moment between the two of you, changing. Man, for me,
• 1:20:44
  Speaker 4: that was... I won't say.
• 1:20:45
  Speaker 6: That's it, but at that moment I was already thinking,
• 1:20:49
  Speaker 6: I've already zeroed everything I had to zero, you know?
• 1:20:51
  Speaker 4: I had to make a song that the guy that
• 1:20:53
  Speaker 4: I'm the most fan of all. And, man, that's it.
• 1:20:55
  Speaker 4: It was very key, really. I wanted to thank you
• 1:20:57
  Speaker 4: very much for the opportunity to be there. Thank you, Musão, too.
• 1:21:01
  Speaker 1: And, man.
• 1:21:10
  Speaker 4: That helped me a lot in my career, you know?
• 1:21:12
  Speaker 4: The bass too? Yes, yes, yes, a lot.
• 1:21:16
  Speaker 6: Because a lot of people say that they started listening
• 1:21:19
  Speaker 6: to me, or like, I traveled now and I got
• 1:21:20
  Speaker 6: several Brazilians who live there, you know? And then, like,
• 1:21:23
  Speaker 6: oh man, I spend the whole day listening to your
• 1:21:26
  Speaker 6: bass with Hernando and Musão, you know?
• 1:21:27
  Speaker 4: It's just that.
• 1:21:28
  Speaker 2: That stuff was a lot more, thank you very much, brother,
• 1:21:30
  Speaker 2: and like, I understand the gratitude, but that's your merit, man.
• 1:21:35
  Speaker 2: Everything that happened was because of the moment, we try
• 1:21:37
  Speaker 2: to be a very cool showcase. And thanks for that,
• 1:21:39
  Speaker 2: but it was very absurd, the episode went on a lot,
• 1:21:41
  Speaker 2: you know? And it was the first one, right? It
• 1:21:43
  Speaker 2: was the first one, and I remember that when it
• 1:21:45
  Speaker 2: was released, I know you had already released this song,
• 1:21:49
  Speaker 2: but what my friends and I started to listen to,
• 1:21:52
  Speaker 2: that version of Pepe there, man, in Bilibau.
• 1:21:54
  Speaker 1: It's true, man.
• 1:21:56
  Speaker 4: It was really good.
• 1:21:57
  Speaker 6: I can also give a spoiler. You can do whatever
• 1:21:59
  Speaker 6: you want. Taking advantage of it, guys. Soon the Podpah
• 1:22:03
  Speaker 6: version will be released.
• 1:22:04
  Speaker 5: Yes.
• 1:22:04
  Speaker 4: I know. Have you recorded it?
• 1:22:06
  Speaker 1: I have.
• 1:22:07
  Speaker 4: He's a jerk. He won't release it yet. Soon, guys.
• 1:22:13
  Speaker 1: Soon. We created Podpah Records for this.
• 1:22:15
  Speaker 4: Podpah Records doesn't have a direction. It's a place.
• 1:22:25
  Speaker 2: Where people meet and do what they want. I love
• 1:22:29
  Speaker 2: it when I see the Puro Roxo's friends around. When
• 1:22:31
  Speaker 2: you come to record the bass, you have all the friends.
• 1:22:33
  Speaker 2: Because I think it's a lot of that, you know?
• 1:22:36
  Speaker 2: You had this... I was like that too. I wanted
• 1:22:38
  Speaker 2: to go to a place, but I had to fool
• 1:22:40
  Speaker 2: the others. Imagine doing this, cheating. There's a cool place
• 1:22:42
  Speaker 2: to stick. For me, it's fucking awesome.
• 1:22:45
  Speaker 1: It's like a crazy universe, you know?
• 1:22:47
  Speaker 5: You leave here, you.
• 1:22:48
  Speaker 1: See a really cool artist passing by, and you come here,
• 1:22:50
  Speaker 1: and like... That energy, man.
• 1:22:52
  Speaker 4: Tell me that, these days I'm here in your Jorge's hands, man.
• 1:22:55
  Speaker 4: You're crazy. I've been here for two days without washing
• 1:22:57
  Speaker 4: my hands, and I'm cleaning my hands these days, man.
• 1:22:58
  Speaker 1: It's Zika, man.
• 1:22:59
  Speaker 5: It's Zika, right, man?
• 1:23:00
  Speaker 4: Did you see him on Funk? Who doesn't want to
• 1:23:03
  Speaker 4: be me? It was awesome, right? DJ Topo did it, man.
• 1:23:06
  Speaker 4: DJ Topo is Zika, man.
• 1:23:07
  Speaker 1: And your Jorge is a reference for you?
• 1:23:09
  Speaker 4: Awesome.
• 1:23:10
  Speaker 5: Man, he's a monster, right?
• 1:23:11
  Speaker 4: Awesome. Hey, who was it that ended up... that became
• 1:23:15
  Speaker 4: a part of you, right? The Funk Hall.
• 1:23:17
  Speaker 1: Oh, man.
• 1:23:18
  Speaker 4: Oh, I'm going to tell you the story of this.
• 1:23:20
  Speaker 4: The thing is crazy. Who was it that stopped you?
• 1:23:22
  Speaker 4: Because this is wonderful.
• 1:23:23
  Speaker 5: Tell us this story.
• 1:23:24
  Speaker 6: Oh, we said that I do the acapella tramps, you know?
• 1:23:27
  Speaker 6: I've always released acapella a lot. And I try to
• 1:23:30
  Speaker 6: release at least one acapella pack of 30 minutes every
• 1:23:32
  Speaker 6: three months, you know?
• 1:23:33
  Speaker 4: Wow, that's a lot. It's a lot of music, you know?
• 1:23:36
  Speaker 4: And then.
• 1:23:38
  Speaker 6: Mano, ano passado, não acertei nenhum trampo. Até metade do ano.
• 1:23:45
  Speaker 6: Porque eu tava focado em fazer meu álbum. Falei, mano, fodeu.
• 1:23:50
  Speaker 4: Aí fiz o comercial com a New Balance, viajei pra fora. Falei,
• 1:23:55
  Speaker 4: preciso lançar coisas boas, mano. Porque, tipo assim, tô fazendo
• 1:23:58
  Speaker 4: um álbum, preciso de lançar o álbum. Aí não consegui
• 1:24:00
  Speaker 4: lançar o álbum. Aí, pela bênção de Deus, eu fiz
• 1:24:04
  Speaker 4: os bagulho com vocês também. Chave. Deu bom. So I
• 1:24:07
  Speaker 4: wasn't forgotten, I was remembered. The machine kept spinning.
• 1:24:10
  Speaker 6: People were waiting for me to release something awesome.
• 1:24:14
  Speaker 4: The DJ W-Boy.
• 1:24:16
  Speaker 6: Shout out to the DJ W-Boy. You're in my heart, brother.
• 1:24:19
  Speaker 6: Thank you so much for using my acapellas. He did
• 1:24:24
  Speaker 6: a dance hall.
• 1:24:25
  Speaker 4: With my voice. What was the first one? Hoje na
• 1:24:28
  Speaker 4: casa do seu Zé. This one is fucking awesome, man.
• 1:24:31
  Speaker 1: When you heard it for the first time, even you said,
• 1:24:34
  Speaker 1: damn it!
• 1:24:34
  Speaker 4: I said, this one is really cool, you know?
• 1:24:36
  Speaker 6: But I was so focused on my album that I said, man,
• 1:24:38
  Speaker 6: I don't know if I'm going to be able to
• 1:24:39
  Speaker 6: get the most attention in the world. But I had
• 1:24:43
  Speaker 6: recorded a clip of a song called Faz Assim.
• 1:24:46
  Speaker 4: Where is it? Was that it, bro? Is that it?
• 1:24:50
  Speaker 1: The line?
• 1:24:50
  Speaker 6: I had recorded a song called Faz Assim. And until, like, man, September,
• 1:24:56
  Speaker 6: I hadn't even hit a million song. Then I hit
• 1:24:58
  Speaker 6: the first one. Then I hit one, but this one
• 1:25:01
  Speaker 6: does like this and started to go well. Then I said, bro,
• 1:25:03
  Speaker 6: I'm going to invest in the clip, I made the clip.
• 1:25:07
  Speaker 6: Then the song started to go. I made a.
• 1:25:10
  Speaker 4: Me and Mazi, who is the boy who records my
• 1:25:14
  Speaker 4: editing videos, my brother. My black belt. I told him, bro,
• 1:25:17
  Speaker 4: let's make this song here.
• 1:25:18
  Speaker 6: Given what the boy had done. I took it, cut
• 1:25:21
  Speaker 6: a piece of the clip and put.
• 1:25:23
  Speaker 4: A legend, we played on TikTok. Ah, you did an
• 1:25:24
  Speaker 4: edit yourself. The other day, the thing went.
• 1:25:27
  Speaker 1: Mano, but I remember that at the same time that
• 1:25:29
  Speaker 1: this song was hitting, the way you were promoting it
• 1:25:32
  Speaker 1: also became a way for the scene to be promoted.
• 1:25:35
  Speaker 4: Then look at this thing there. He was already doing
• 1:25:38
  Speaker 4: several edits of mine that way. With subtitles and the
• 1:25:41
  Speaker 4: videos on the side. Mano, the thing started to appear
• 1:25:45
  Speaker 4: several after that. Because of the packs that were already
• 1:25:48
  Speaker 4: on the street.
• 1:25:49
  Speaker 6: That kind of combined, that was kind of the same BPM.
• 1:25:54
  Speaker 2: Mano.
• 1:25:55
  Speaker 6: I was posting like 5 or 6 per day. And
• 1:25:56
  Speaker 6: fuck it. But they were all good, man. Walking a lot.
• 1:25:59
  Speaker 7: And.
• 1:25:59
  Speaker 4: A extra sagacity from the DJ. Because he thinks.
• 1:26:03
  Speaker 1: In this whole group.
• 1:26:17
  Speaker 2: From Seu Zé' s house, with this beat, only voice.
• 1:26:19
  Speaker 4: No.
• 1:26:19
  Speaker 5: What is this?
• 1:26:20
  Speaker 1: It was genius.
• 1:26:20
  Speaker 4: Who was the bigot of JW Boy? If you don't know,
• 1:26:23
  Speaker 4: you have to know. What a key, brother.
• 1:26:25
  Speaker 2: Okay, you record a lot of acapella, I imagine that
• 1:26:28
  Speaker 2: there must be a lot of things that you also
• 1:26:30
  Speaker 2: say like this, Wow!
• 1:26:33
  Speaker 4: How do you filter this?
• 1:26:34
  Speaker 2: You sometimes see a path and enter the creative process
• 1:26:37
  Speaker 2: there with the DJ and say, Man, this is awesome,
• 1:26:39
  Speaker 2: but if you.
• 1:26:39
  Speaker 4: Do this here.
• 1:26:40
  Speaker 6: So, the problem... There are a lot of them that
• 1:26:43
  Speaker 6: only come to release.
• 1:26:45
  Speaker 4: I got it. It's ready to go up, you know? So, like...
• 1:26:47
  Speaker 4: You don't have what to do. You don't have what
• 1:26:49
  Speaker 4: to do. And then, bro, I tell the guys, sometimes
• 1:26:54
  Speaker 4: I send a message to one or the other, I say, oh,
• 1:26:56
  Speaker 4: this is cool, but if you fix the time of
• 1:26:58
  Speaker 4: my voice, leave this here, or stop cutting my acapella
• 1:27:02
  Speaker 4: a lot, or move my voice presets, it will be
• 1:27:05
  Speaker 4: more cool, it will be more cool, you know? Oh, cool, bro.
• 1:27:08
  Speaker 5: So there is this conversation.
• 1:27:10
  Speaker 6: Yes, I try to give as much attention as possible,
• 1:27:12
  Speaker 6: you know? Talk to as many music producers as I can,
• 1:27:14
  Speaker 6: you know? I even apologize to someone who must be
• 1:27:16
  Speaker 6: watching and I couldn't answer.
• 1:27:18
  Speaker 4: Yeah, I imagine it's an absurd amount too, right?
• 1:27:19
  Speaker 5: Brother, we joked the other day, I was.
• 1:27:21
  Speaker 2: Here with Pereira and we said, bro, MCGW's chapel school, right, bro?
• 1:27:31
  Speaker 2: Vuk Vuk, Pedrinho... The guys built... It's the street, right, bro?
• 1:27:36
  Speaker 2: You put, in quotes, a lot of quotes, the street there,
• 1:27:38
  Speaker 2: to cheat for you, because... Sometimes we won't be with
• 1:27:41
  Speaker 2: all the visions of the world, and the guy has
• 1:27:44
  Speaker 2: a fucking fucking chapel. I don't know, I think it's
• 1:27:47
  Speaker 2: something that GW left a very fucking aprendizado. I don't
• 1:27:50
  Speaker 2: know if it was him who started, but he's maybe
• 1:27:52
  Speaker 2: the most famous, who had the most chapel used.
• 1:27:54
  Speaker 6: I think it wasn't GW who invented it, but it
• 1:27:55
  Speaker 6: was the side of Rio. The MCs of Rio that
• 1:27:58
  Speaker 6: started with this, you know? Because the guys don't leave
• 1:28:00
  Speaker 6: their hill... to record in another studio.
• 1:28:03
  Speaker 4: For example. So I think the voice pack helped that.
• 1:28:06
  Speaker 2: Man, I was the other day watching the G.W. 's
• 1:28:09
  Speaker 2: funk circle, there in Rio de Janeiro, a long time ago.
• 1:28:12
  Speaker 2: It's the sound he sings today, man.
• 1:28:15
  Speaker 4: It's the same acapella, man. It's the same sound. But
• 1:28:18
  Speaker 4: he releases new ones.
• 1:28:19
  Speaker 1: And you keep releasing new ones, Yes, yes, yes.
• 1:28:21
  Speaker 7: Yes, yes, yes.
• 1:28:22
  Speaker 1: Yes, yes, yes. No.
• 1:28:31
  Speaker 4: No?
• 1:28:31
  Speaker 2: No.
• 1:28:31
  Speaker 4: I don't use the capella because I only have another pet.
• 1:28:34
  Speaker 3: No, no, no.
• 1:28:35
  Speaker 2: But let's say that this is GW's launch. Sometimes he
• 1:28:38
  Speaker 2: knows that he has a good rhyme and they haven't
• 1:28:41
  Speaker 2: used it yet. That's what I'm saying.
• 1:28:44
  Speaker 4: I've already sent that good one. Until they've used it too.
• 1:28:48
  Speaker 4: Sometimes I say, man, this one didn't go the way
• 1:28:51
  Speaker 4: it should. I bet on it. I put it on
• 1:28:53
  Speaker 4: the pack. There was one that you.
• 1:28:55
  Speaker 1: Didn't put much faith in and it went too. Man,
• 1:28:57
  Speaker 1: the baby is loose.
• 1:28:59
  Speaker 4: It was my first solo song that went a lot. Like,
• 1:29:04
  Speaker 4: to the point of, like, running a lot, going over
• 1:29:06
  Speaker 4: 10 million.
• 1:29:07
  Speaker 2: Wow.
• 1:29:07
  Speaker 1: Wow.
• 1:29:07
  Speaker 2: Do you think about doing a Funk Hall project?
• 1:29:10
  Speaker 4: Man, I think, I think, I think.
• 1:29:13
  Speaker 6: Only about Funk Hall I think a lot, huh? But
• 1:29:16
  Speaker 6: then I wanted to do a collaborative EP with W-Boy.
• 1:29:19
  Speaker 4: It has to be, right?
• 1:29:20
  Speaker 1: You know?
• 1:29:20
  Speaker 2: Because he helped me a lot.
• 1:29:22
  Speaker 4: Okay, but... These your.
• 1:29:24
  Speaker 2: These your Funk Halls... They brought some kind of problem?
• 1:29:28
  Speaker 2: Because I saw that many of them are used, like...
• 1:29:31
  Speaker 2: other people's chapel, a very famous song.
• 1:29:34
  Speaker 6: Man, the only problem that I had was that there
• 1:29:37
  Speaker 6: was a song that talked about Lança, you know? Ah,
• 1:29:39
  Speaker 6: I saw you talking about it. And then, like, they
• 1:29:42
  Speaker 6: don't like it when they talk about cocaine and Lança perfume.
• 1:29:46
  Speaker 4: And then, fuck it, you know? I had released the preview,
• 1:29:49
  Speaker 4: but without any evil.
• 1:29:50
  Speaker 6: And then I tried to explain that, like, it's not
• 1:29:53
  Speaker 6: me who records on the beat, you know? The guys
• 1:29:55
  Speaker 6: take my voice... And put it. But who has to go...
• 1:30:00
  Speaker 6: There's a direction too, it's me, you know? So I
• 1:30:02
  Speaker 6: had to pronounce myself there. Then the song ended up
• 1:30:05
  Speaker 6: not releasing and this song was going to go, huh?
• 1:30:06
  Speaker 5: It was, right?
• 1:30:07
  Speaker 2: Oh, it didn't go because of that? The song didn't
• 1:30:09
  Speaker 2: launch because of that?
• 1:30:10
  Speaker 3: Yeah.
• 1:30:10
  Speaker 1: Okay, I got it.
• 1:30:11
  Speaker 6: I also respect where I'm stepping, because it wasn't a
• 1:30:14
  Speaker 6: business that I sought to have a knowledge, to say, wow,
• 1:30:18
  Speaker 6: I'm breaking a lot in Dance Hall and I'm going
• 1:30:20
  Speaker 6: to start releasing Funk Hall.
• 1:30:22
  Speaker 4: No, it was Didi who did it, put my voice
• 1:30:25
  Speaker 4: there and it's kind of like... I turned the face
• 1:30:28
  Speaker 4: of that there, so I have to understand the place
• 1:30:30
  Speaker 4: where I'm walking.
• 1:30:31
  Speaker 1: But man, how does your process work when you're going
• 1:30:36
  Speaker 1: to record the chapels? How do you create it, let's say?
• 1:30:39
  Speaker 6: Man, Didi puts the beat there and I think about
• 1:30:42
  Speaker 6: the biggest thing.
• 1:30:44
  Speaker 4: I can do there, you know? The most absurd thing.
• 1:30:46
  Speaker 4: Usually it's like this.
• 1:30:48
  Speaker 1: But you can do some very well rhymed shit, some
• 1:30:50
  Speaker 1: funny shit, some heavy shit, it's very cool, man. Man,
• 1:30:52
  Speaker 1: I like it a lot, you know? Like, several tapes
• 1:30:55
  Speaker 1: that I like drawing, man.
• 1:30:56
  Speaker 2: Yeah?
• 1:30:56
  Speaker 6: Animated drawing makes you have the creativity of crazy, because
• 1:30:59
  Speaker 6: a lot of things happen.
• 1:31:01
  Speaker 4: A madness. Sometimes it's something that doesn't make.
• 1:31:04
  Speaker 1: Sense with the other, but you make it make sense.
• 1:31:10
  Speaker 1: So sometimes you said some things that just came out and.
• 1:31:13
  Speaker 6: You said, bro, look what I said.
• 1:31:16
  Speaker 4: Yeah, bro, yeah.
• 1:31:16
  Speaker 2: And do you always record everything in the same BPM?
• 1:31:19
  Speaker 4: Do you open a beat just there? Normally 130, you know?
• 1:31:20
  Speaker 4: Which is kind of the universal BPM of funk.
• 1:31:22
  Speaker 2: Because people can also do any BPM from there, right?
• 1:31:25
  Speaker 6: But I record a lot of exclusive songs too, you know? Like, look,
• 1:31:31
  Speaker 6: as I record a pack every three months, I record
• 1:31:34
  Speaker 6: a set a day.
• 1:31:36
  Speaker 4: I see. Yeah, of the others, you know? Wow! But
• 1:31:39
  Speaker 4: what's your frequency in the studio? I have a studio
• 1:31:42
  Speaker 4: at home, you know? I record at home.
• 1:31:45
  Speaker 1: Now it's easier.
• 1:31:45
  Speaker 5: And how is your current moment, brother? Your career?
• 1:31:49
  Speaker 4: I'm very happy, very cool, several things like that that
• 1:31:51
  Speaker 4: are happening. Man, sometimes I even shiver, like, there's a lot.
• 1:31:56
  Speaker 6: Of things that I dreamed of, but there's something that
• 1:31:59
  Speaker 6: goes beyond what I dreamed of, you know? And then
• 1:32:02
  Speaker 6: I picked to do shows online with a very famous person,
• 1:32:06
  Speaker 6: like these days I posted a photo of BK sleeping
• 1:32:09
  Speaker 6: on the plane.
• 1:32:09
  Speaker 4: Like, man, Brizzo a lot on BK, you know?
• 1:32:12
  Speaker 6: Then I went to share the line with him, and
• 1:32:13
  Speaker 6: when I get on the plane, the guy is sleeping
• 1:32:15
  Speaker 6: on the plane, man.
• 1:32:16
  Speaker 4: Key. Is there anyone who knows Brizzo?
• 1:32:19
  Speaker 2: I talked about this with Pereira, and he had a
• 1:32:21
  Speaker 2: very good answer at the tip of his tongue. A
• 1:32:23
  Speaker 2: person who doesn't record funk, you say, if this son
• 1:32:25
  Speaker 2: of a bitch, this son of a bitch, recorded funk,
• 1:32:27
  Speaker 2: it would change everything.
• 1:32:29
  Speaker 4: Pereira said FK. The FK? Dude, it's because the FK
• 1:32:32
  Speaker 4: is universal, you know? Wherever he records it, it's gonna
• 1:32:35
  Speaker 4: be good. For sure.
• 1:32:36
  Speaker 1: Because he's really good.
• 1:32:38
  Speaker 6: That guy's voice is not good, right? But I wanted
• 1:32:40
  Speaker 6: to put a person who wouldn't record at all, you know? Like, bro,
• 1:32:43
  Speaker 6: imagine Pericles singing a funk.
• 1:32:45
  Speaker 1: He would record.
• 1:32:46
  Speaker 4: Bro, but like a whore, a crackhead. Maybe not. Got it?
• 1:32:52
  Speaker 1: That's what I'm talking about. Imagine him talking.
• 1:32:53
  Speaker 4: You have to do it like Roberto Carlos talking in
• 1:32:55
  Speaker 4: the pub, you know? Fuck, he rolls over to the
• 1:32:59
  Speaker 4: fat man. That's what I'm talking about. Roll over to
• 1:33:01
  Speaker 4: the Tantan. Man, someone who messes with Iá, do Pericles
• 1:33:03
  Speaker 4: in the pub.
• 1:33:04
  Speaker 1: Man, there will be people who will come, man.
• 1:33:06
  Speaker 5: Pericles will come to the pub.
• 1:33:07
  Speaker 1: Pericles and Mr. Jorge. Wow, Mr.
• 1:33:10
  Speaker 4: Jorge, his voice would be very key, man.
• 1:33:13
  Speaker 1: Imagine the nonsense he would say in the funk.
• 1:33:15
  Speaker 4: He comes with a hard perioca.
• 1:33:18
  Speaker 1: Wow, very good, man. So, man, you're in a wonderful moment,
• 1:33:21
  Speaker 1: you're doing a show, you're living.
• 1:33:23
  Speaker 6: Yes, man, like, not only in music, I'm still having
• 1:33:26
  Speaker 6: some opportunities in fashion too, it's very cool, this one.
• 1:33:29
  Speaker 4: And do you like it, brother? Since always, right? Oh,
• 1:33:32
  Speaker 4: I've always been crazy, you know? Man, and it's cool fashion,
• 1:33:36
  Speaker 4: you know?
• 1:33:36
  Speaker 6: The guys let me choose the kits I want to
• 1:33:38
  Speaker 6: be able to dress me, sometimes I don't need to
• 1:33:40
  Speaker 6: use their stylish, you know?
• 1:33:42
  Speaker 4: Wow, this is good, right? I suffer when I have
• 1:33:45
  Speaker 4: to wear.
• 1:33:45
  Speaker 5: Other people's clothes, right?
• 1:33:48
  Speaker 1: Wow, you're a hipster. But then you also do fashion tricks.
• 1:33:51
  Speaker 1: You're sick of your clothes.
• 1:33:53
  Speaker 5: How is it?
• 1:33:53
  Speaker 1: Do you have stylists or not? No.
• 1:33:55
  Speaker 5: It's just you.
• 1:33:56
  Speaker 6: It's just me, man. Because sometimes I suffer. Sometimes I
• 1:33:59
  Speaker 6: do a... I suck at the skits.
• 1:34:02
  Speaker 1: Ah, normal.
• 1:34:03
  Speaker 4: It's authenticity. You're learning, right? It's not that I suck,
• 1:34:05
  Speaker 4: I'm authentic. You're always learning, right?
• 1:34:07
  Speaker 5: It's normal, sometimes we think it's ok, but it's not.
• 1:34:09
  Speaker 1: It's all right.
• 1:34:09
  Speaker 5: But it's aligned, man.
• 1:34:11
  Speaker 1: If there are some brands that you want to work with,
• 1:34:13
  Speaker 1: that you wish to work with, let's play for the universe.
• 1:34:16
  Speaker 1: It would be cool if you made a campaign for them.
• 1:34:20
  Speaker 1: I think that Breezin now wishes to work with the brand.
• 1:34:22
  Speaker 4: R & D, you know? Like, imagine, like yesterday, there
• 1:34:25
  Speaker 4: was a Louis Vuitton show. It's crazy, man. They had
• 1:34:27
  Speaker 4: a show.
• 1:34:34
  Speaker 5: You should have these experiences too.
• 1:34:36
  Speaker 4: Today I had a meeting with Amiri, he showed me Rickiões.
• 1:34:39
  Speaker 4: You know, I think it's really cool because... Farrell, man,
• 1:34:42
  Speaker 4: he started producing.
• 1:34:43
  Speaker 2: More producing than making his own sound, you know?
• 1:34:46
  Speaker 4: He's a totally involved guy who knows a lot.
• 1:34:49
  Speaker 2: Two gringos that I take as a reference to him, Tyler,
• 1:34:52
  Speaker 2: as a gringo, you know?
• 1:35:01
  Speaker 1: He's an absurd.
• 1:35:03
  Speaker 6: Farrell and Tyler, the Creator. Two gringos that I take
• 1:35:06
  Speaker 6: as a reference. I try to have more Brazilian references.
• 1:35:09
  Speaker 4: Man, I was a fan of Tyler, the Creator.
• 1:35:10
  Speaker 2: For you to have an idea, it wasn't even because
• 1:35:14
  Speaker 2: of his face sound. I remember it was 2016 or 2017,
• 1:35:17
  Speaker 2: I was... I don't know if you'll remember this time.
• 1:35:20
  Speaker 4: I think you do.
• 1:35:20
  Speaker 2: He launched Loja Kings, everywhere. And then I remember that
• 1:35:25
  Speaker 2: I pasted... It was a novelty, there were some different kits,
• 1:35:27
  Speaker 2: some hats... With feathers, crazy stuff. And then I remember
• 1:35:34
  Speaker 2: seeing a shirt of Tyler there. I didn't even know
• 1:35:38
  Speaker 2: who he was. But it was a yellow shirt, full
• 1:35:41
  Speaker 2: of his face and making a face.
• 1:35:43
  Speaker 4: You know?
• 1:35:43
  Speaker 2: So much so that Julio later made one of his.
• 1:35:46
  Speaker 5: Inspired.
• 1:35:47
  Speaker 2: Inspired by Canal Canal, inspired by that shirt of mine.
• 1:35:49
  Speaker 2: And then I really liked that shirt and I said, man,
• 1:35:52
  Speaker 2: who is this guy? Then one time a person came
• 1:35:53
  Speaker 2: up to me with that shirt and said, are you
• 1:35:55
  Speaker 2: a fan of him?
• 1:35:56
  Speaker 4: I said, no, who is he? Then you started.
• 1:35:58
  Speaker 2: Telling me that he was, I went to see a
• 1:35:59
  Speaker 2: clip of him, it was a clip that he was like,
• 1:36:01
  Speaker 2: I don't remember if it was set up in a
• 1:36:03
  Speaker 2: giant cockroach, I don't know, a lot of stuff.
• 1:36:05
  Speaker 4: But he was already in that Igor aesthetic then?
• 1:36:08
  Speaker 2: No, no, it was before, man, it was before, at
• 1:36:11
  Speaker 2: the very beginning, not at the beginning, but he was
• 1:36:13
  Speaker 2: not one of those successions of now, no.
• 1:36:16
  Speaker 4: And then I started to follow and I paid a.
• 1:36:17
  Speaker 2: Lot for the artist that he is, I found out
• 1:36:20
  Speaker 2: later on. I didn't even know he was a rapper.
• 1:36:24
  Speaker 2: I didn't even know it was his. I just thought
• 1:36:26
  Speaker 2: it was crazy. So I think it's a way of
• 1:36:29
  Speaker 2: being in the culture in every way. You're expanding your
• 1:36:35
  Speaker 2: self in every way. You sing, you dance, you're the same.
• 1:36:37
  Speaker 5: Do you want to act too?
• 1:36:39
  Speaker 1: I do. I want to do some acting stuff too.
• 1:36:41
  Speaker 1: But I'm a little ashamed, you know?
• 1:36:43
  Speaker 4: Because you're partners and I can let go.
• 1:36:50
  Speaker 6: Normally, I would have gagged about 100 times. It must
• 1:36:53
  Speaker 6: have happened, I don't understand. No, no, no, it's smooth.
• 1:36:55
  Speaker 1: But also, fuck, if you gagged, it's normal. The human
• 1:36:58
  Speaker 1: being is like that, bro.
• 1:36:59
  Speaker 4: Like, I've already made a movie.
• 1:37:02
  Speaker 1: You've already done it, internet or movie?
• 1:37:06
  Speaker 5: You've never seen this?
• 1:37:08
  Speaker 4: No, for the love of God.
• 1:37:09
  Speaker 5: Internet or movie, watch.
• 1:37:11
  Speaker 4: Yeah, you can watch it with me.
• 1:37:12
  Speaker 1: If you can watch it.
• 1:37:13
  Speaker 4: In 10 minutes... Don't do this. If you can watch
• 1:37:15
  Speaker 4: it in 10 minutes, I'll pay you 12 fiascos.
• 1:37:16
  Speaker 1: It's a great movie, bro, a great movie.
• 1:37:19
  Speaker 4: I'll watch it.
• 1:37:20
  Speaker 2: It's complicated, but I think it all depends on you
• 1:37:23
  Speaker 2: getting older, gaining maturity, a cool team behind you, it
• 1:37:26
  Speaker 2: does everything, bro, you have to play yourself, man.
• 1:37:28
  Speaker 1: Do you have other desires to do what else?
• 1:37:30
  Speaker 6: Man, I think like this, when I get very famous,
• 1:37:33
  Speaker 6: when I get very famous, I'll start doing something that
• 1:37:36
  Speaker 6: has nothing to do with it.
• 1:37:37
  Speaker 1: Like?
• 1:37:38
  Speaker 6: Like Bolt became a soccer player once, you know?
• 1:37:42
  Speaker 4: You have a desire to do it? MC Livinho too. Man,
• 1:37:44
  Speaker 4: I have a desire to do something like.
• 1:37:46
  Speaker 1: This, man. From nothing to become a golf player.
• 1:37:49
  Speaker 4: Yeah, imagine playing golf from nothing, professional. Dedicating yourself and
• 1:37:55
  Speaker 4: fuck it.
• 1:37:55
  Speaker 2: This is really cool, from nothing to go on a.
• 1:37:58
  Speaker 1: Career on the other side.
• 1:37:59
  Speaker 4: You guys would do what?
• 1:38:00
  Speaker 3: Boxing.
• 1:38:01
  Speaker 1: Oh no, man.
• 1:38:02
  Speaker 4: The ears are already ugly. No, man.
• 1:38:07
  Speaker 1: But he's doing it.
• 1:38:08
  Speaker 4: Yeah, but professional, you've seen. No, professional, no. The thing
• 1:38:11
  Speaker 4: already blows everything, man. Let me see, professional, mind what
• 1:38:13
  Speaker 4: you want to want.
• 1:38:15
  Speaker 1: Man, I wanted to be a driver. A car driver.
• 1:38:19
  Speaker 4: A car driver. You know that Porsche thing?
• 1:38:21
  Speaker 5: That's it, Porsche Cup.
• 1:38:22
  Speaker 4: I want to have a team.
• 1:38:23
  Speaker 5: I'm more afraid to run than to get punched. I
• 1:38:27
  Speaker 5: prefer to run.
• 1:38:28
  Speaker 3: That's crazy.
• 1:38:30
  Speaker 4: Porsche Cup, if you hit too hard, you'll just hurt
• 1:38:32
  Speaker 4: your ribs.
• 1:38:36
  Speaker 1: He already knows, it's only Costello who plays, man, you know?
• 1:38:39
  Speaker 1: Just kidding!
• 1:38:40
  Speaker 6: I just said that, because that day I went to
• 1:38:41
  Speaker 6: record something, the guy was with the Costello used and
• 1:38:44
  Speaker 6: I asked why, and he said, I'm going to the
• 1:38:45
  Speaker 6: Parche Cano.
• 1:38:46
  Speaker 1: God forbid, man! You're just messing with Costello.
• 1:38:48
  Speaker 3: There, man!
• 1:38:49
  Speaker 4: I think that's your limit!
• 1:38:50
  Speaker 1: No, no, but really, boxing is awesome, man, you're going
• 1:38:52
  Speaker 1: to get beaten up a lot.
• 1:38:54
  Speaker 6: No, there are some guys here from the fight, the
• 1:38:56
  Speaker 6: thing doesn't get messed up in the ear, man.
• 1:38:58
  Speaker 2: It's not so much in boxing, because what gets the
• 1:39:01
  Speaker 2: most messed up in the ear is jiu-jitsu, right, man?
• 1:39:03
  Speaker 4: That rips the knee, that explodes the cartilage of the ear.
• 1:39:06
  Speaker 1: Nossa Senhora! No, but it's hard.
• 1:39:29
  Speaker 4: But it's hard, man.
• 1:39:29
  Speaker 6: You chose a team that is suffering. If the guys
• 1:39:32
  Speaker 6: did that and let you beat the catipati afterwards.
• 1:39:34
  Speaker 1: Yes, that's true. You would take a shit afterwards.
• 1:39:36
  Speaker 4: If you brought this to a smaller team, second division.
• 1:39:38
  Speaker 1: I wanted to beat the Corinthians, you hit the Kings League,
• 1:39:41
  Speaker 1: broke your knee, fell like a son of a bitch there,
• 1:39:44
  Speaker 1: respect for Corinthians. But I wanted to.
• 1:39:46
  Speaker 4: Ah, okay, it's true, right?
• 1:39:47
  Speaker 5: It's a hypothesis.
• 1:39:48
  Speaker 4: It's a hypothesis, it's a thought. The other day you
• 1:39:51
  Speaker 4: were talking about... Man, it ended my dream.
• 1:39:54
  Speaker 1: No, but.
• 1:39:54
  Speaker 4: I'm a Santista. No, Santista I respect, man. And you're
• 1:39:57
  Speaker 4: watching the World Cup? Man, watching the World Cup, I
• 1:39:59
  Speaker 4: just didn't watch it yesterday.
• 1:40:01
  Speaker 1: Because it ended up that I was kind of on
• 1:40:02
  Speaker 1: the flight at the time of the game.
• 1:40:04
  Speaker 5: Ah.
• 1:40:10
  Speaker 5: But do you like it?
• 1:40:11
  Speaker 1: What a problem, right?
• 1:40:12
  Speaker 4: I don't want to say this, but it's not roncando,
• 1:40:14
  Speaker 4: I was angry. Where are you coming from? So, see?
• 1:40:16
  Speaker 4: From Paris. I was coming back from Paris, guys. I
• 1:40:20
  Speaker 4: didn't watch the game. When the plane landed, the guy said,
• 1:40:23
  Speaker 4: 3x0 for Brazil.
• 1:40:23
  Speaker 1: Then everyone.
• 1:40:24
  Speaker 4: What a key, bro. It was a key yesterday, we
• 1:40:25
  Speaker 4: played well, bro. I'm addicted already.
• 1:40:28
  Speaker 1: You have to watch.
• 1:40:33
  Speaker 4: I think there's a possibility. Of course, I'm a big
• 1:40:37
  Speaker 4: fan of his. Neymar makes a fit with you.
• 1:40:39
  Speaker 3: Really?
• 1:40:40
  Speaker 4: Gabigol does. Gabigol does.
• 1:40:42
  Speaker 1: Gabigol does, I think. Neymar too.
• 1:40:43
  Speaker 4: Really, bro?
• 1:40:44
  Speaker 1: You became a Santista because of Neymar.
• 1:40:48
  Speaker 4: Will Neymar become a rapper, a funk fan? After he stops?
• 1:40:52
  Speaker 2: For sure. For sure.
• 1:40:54
  Speaker 5: Poker player, funk fan.
• 1:40:56
  Speaker 1: Narguileiro. Joy.
• 1:40:58
  Speaker 6: I feel like smoking a cigarette with Neymar.
• 1:41:01
  Speaker 4: I blow. You stretch it, it's cute. I throw a
• 1:41:06
  Speaker 4: lot of spurs. With Neymar, I don't think I'd play
• 1:41:09
  Speaker 4: Kenny Mint.
• 1:41:09
  Speaker 1: He's a player, right?
• 1:41:10
  Speaker 4: I'd have to play a mix.
• 1:41:12
  Speaker 1: A mix.
• 1:41:13
  Speaker 4: How many carbon? Three carbon, right? Three carbon. But then
• 1:41:18
  Speaker 4: we throw a peneirinha with the carbon in the corner. Okay.
• 1:41:20
  Speaker 3: Okay.
• 1:41:21
  Speaker 2: Come with the plate, Neymar is at home.
• 1:41:23
  Speaker 1: Wow!
• 1:41:24
  Speaker 4: It would be cool.
• 1:41:26
  Speaker 1: Wow, man.
• 1:41:27
  Speaker 2: I would like to live a roll of adega with
• 1:41:30
  Speaker 2: Neymar too. Look at Jadé Guinha, so he can see
• 1:41:33
  Speaker 2: some Megatron robots.
• 1:41:34
  Speaker 4: Bro, it's worse than Neymar.
• 1:41:36
  Speaker 1: It's like.
• 1:41:36
  Speaker 6: Neymar's can is so well known that you can't take
• 1:41:40
  Speaker 6: it anywhere.
• 1:41:41
  Speaker 4: He has an old mask. He does? Imagine an old
• 1:41:42
  Speaker 4: man smoking in Neymar's corner. A lot of keys. This
• 1:41:45
  Speaker 4: must be unbearable, Mítico.
• 1:41:52
  Speaker 5: You don't... He doesn't hide.
• 1:41:54
  Speaker 1: He's not off.
• 1:41:55
  Speaker 4: It's like that Justin Bieber video. He never wants to
• 1:41:57
  Speaker 4: record like that.
• 1:41:58
  Speaker 1: No, he was all over the place. It's not the
• 1:42:01
  Speaker 1: time to record. It's true. He must be full of
• 1:42:03
  Speaker 1: himself sometimes, right? Like, fuck, I can't do anything without
• 1:42:07
  Speaker 1: anyone looking at me.
• 1:42:08
  Speaker 4: In no place in the world.
• 1:42:09
  Speaker 1: No place in the world, man. Horrible.
• 1:42:11
  Speaker 4: Stop, man. Stop doing that.
• 1:42:12
  Speaker 2: Man, seriously, the cell phone should be banned in the world.
• 1:42:15
  Speaker 4: In the world.
• 1:42:16
  Speaker 1: To record?
• 1:42:17
  Speaker 2: Let's go back to... No, to everything. There are no
• 1:42:20
  Speaker 2: cameras anymore.
• 1:42:22
  Speaker 4: Let's go back to the 70s. I miss it.
• 1:42:24
  Speaker 1: I'm not from there.
• 1:42:27
  Speaker 2: The technology was good, but it brought a lot of
• 1:42:30
  Speaker 2: bad things.
• 1:42:31
  Speaker 1: It brought the lack of freedom. And how are you
• 1:42:34
  Speaker 1: dealing with fame?
• 1:42:35
  Speaker 4: Man, I think it's cool.
• 1:42:36
  Speaker 6: I think in my life a lot of things happened naturally.
• 1:42:40
  Speaker 4: And it still happens.
• 1:42:41
  Speaker 2: It's because you know how to respect the moment of things.
• 1:42:45
  Speaker 4: Of everything you said, like....
• 1:42:48
  Speaker 2: You can see that obviously you have an anxiety to win,
• 1:42:50
  Speaker 2: like everyone else, but like, I'm not going to do
• 1:42:52
  Speaker 2: a show now, it's not the moment, I'm not going
• 1:42:54
  Speaker 2: to do this, it's not the moment, I'm going here,
• 1:42:55
  Speaker 2: it's not the moment.
• 1:42:56
  Speaker 4: Like, I think it's a lot of your.
• 1:42:58
  Speaker 2: Because you're realizing that our creation is very similar, like,
• 1:43:01
  Speaker 2: having peace and a rigid voice inside the house. Like, obviously,
• 1:43:05
  Speaker 2: I don't know if you looked at it as a
• 1:43:06
  Speaker 2: bag filling, I looked at the old ones, but later, more.
• 1:43:09
  Speaker 4: Grown up, I saw it as, like....
• 1:43:12
  Speaker 2: Oh, I got it, because my mom insisted on me
• 1:43:14
  Speaker 2: going to college. She just wanted me not to go
• 1:43:16
  Speaker 2: to the streets. She just wanted me to have a response.
• 1:43:19
  Speaker 2: So this thing made me respect.
• 1:43:20
  Speaker 4: The time of things.
• 1:43:21
  Speaker 2: I wasn't a 15-year-old boy anxious to do things at 20,
• 1:43:24
  Speaker 2: you know?
• 1:43:24
  Speaker 4: Sorry, I talked a lot, but it was.
• 1:43:27
  Speaker 1: No, that's right.
• 1:43:27
  Speaker 4: And even today I also find myself that way, you know?
• 1:43:30
  Speaker 4: I don't have a rush of anything. I have an
• 1:43:32
  Speaker 4: album that's like.
• 1:43:34
  Speaker 6: I think that since you guys met me, I'm saying
• 1:43:36
  Speaker 6: that I'm going to release it and I don't release it.
• 1:43:39
  Speaker 5: But are you going to release it?
• 1:43:40
  Speaker 4: I'm going to release it. But I'm going to stop
• 1:43:42
  Speaker 4: talking about the date, you know?
• 1:43:43
  Speaker 2: But you didn't release it because you're still lapidating it.
• 1:43:45
  Speaker 4: No, I think there are things to happen. And I
• 1:43:49
  Speaker 4: think it's a very good project for me to release
• 1:43:53
  Speaker 4: it anyway, so.
• 1:43:53
  Speaker 2: You want to wait until that moment that you will
• 1:43:55
  Speaker 2: release it.
• 1:43:56
  Speaker 4: Yes, yes, because it's an album, you know?
• 1:43:58
  Speaker 5: But it's already ready.
• 1:43:58
  Speaker 1: It's a song project, yes.
• 1:44:00
  Speaker 6: I think the visual part is something I want to
• 1:44:03
  Speaker 6: work on better, you know?
• 1:44:03
  Speaker 4: Got it.
• 1:44:04
  Speaker 2: Okay, but that shows a affection, a care for the thing,
• 1:44:07
  Speaker 2: because I hit this key a lot with Mítico, like, man,
• 1:44:09
  Speaker 2: the guys got into a rhythm of releasing the song
• 1:44:12
  Speaker 2: very fast, which I understand, that sometimes you have to
• 1:44:15
  Speaker 2: deliver there, you closed with a Warner, The Masonic has
• 1:44:18
  Speaker 2: to deliver some things, but the people need to get
• 1:44:22
  Speaker 2: the vision that the faster the art gets, the more
• 1:44:26
  Speaker 2: it will do things that are temporary. The more it
• 1:44:31
  Speaker 2: will do things that will not.
• 1:44:33
  Speaker 4: Penetrate the public.
• 1:44:34
  Speaker 2: It can even be good, but the public will listen
• 1:44:36
  Speaker 2: there and then they will want the next one.
• 1:44:37
  Speaker 4: And fuck it. Yes, yes, yes. People are doing a
• 1:44:40
  Speaker 4: lot of disposable things. And that's bad, you know?
• 1:44:45
  Speaker 6: My songs, I feel that they are a little disposable too,
• 1:44:49
  Speaker 6: because they are momentary songs. My songs are for when
• 1:44:53
  Speaker 6: people are enjoying it. So if I make a song
• 1:44:56
  Speaker 6: that goes viral very quickly, it goes by very quickly too.
• 1:44:59
  Speaker 4: So I have to make a consistent project. Showing your identity,
• 1:45:02
  Speaker 4: your stuff.
• 1:45:03
  Speaker 6: Nowadays I'm not in such a hurry to release stuff,
• 1:45:06
  Speaker 6: even because, bro, if you go to my Spotify, it's
• 1:45:10
  Speaker 6: at least.
• 1:45:11
  Speaker 1: 1 to 5 per day.
• 1:45:12
  Speaker 5: Five a.
• 1:45:15
  Speaker 4: Day? Yeah.
• 1:45:16
  Speaker 6: So, to release an authorial project, I can take a while,
• 1:45:19
  Speaker 6: but I know that it's good.
• 1:45:21
  Speaker 4: You'll be the first trillion-dollar fan.
• 1:45:24
  Speaker 3: Really?
• 1:45:25
  Speaker 4: For sure. Because the billionaire is GW.
• 1:45:26
  Speaker 2: We already know that. He doesn't tell anyone. GW is
• 1:45:31
  Speaker 2: a model, a little.
• 1:45:31
  Speaker 4: Slipper, or a hole in the house, which I know
• 1:45:35
  Speaker 4: he has. But he tells a lot. As the years
• 1:45:37
  Speaker 4: go by, he only tells.
• 1:45:41
  Speaker 5: Glory to God, brother.
• 1:45:42
  Speaker 4: Glory to God.
• 1:45:43
  Speaker 1: Glory to God.
• 1:45:43
  Speaker 5: God is with us.
• 1:45:44
  Speaker 2: Mítico, Yuri, I have some questions for you to answer
• 1:45:48
  Speaker 2: in a faster way.
• 1:45:49
  Speaker 4: Can I? Sure. And then you have the courage to
• 1:45:52
  Speaker 4: make a sound? Of course, for sure.
• 1:45:54
  Speaker 5: He's a cute guy.
• 1:45:55
  Speaker 4: He's a good guy.
• 1:45:56
  Speaker 5: He's a good guy, isn't he?
• 1:45:57
  Speaker 1: A nice guy.
• 1:45:59
  Speaker 4: A random dream.
• 1:46:04
  Speaker 1: Smoking in Guilico, Neymar.
• 1:46:05
  Speaker 4: Smoking in Guilico, Neymar.
• 1:46:06
  Speaker 2: A random dream.
• 1:46:08
  Speaker 4: Smoking in Guilico, Neymar.
• 1:46:11
  Speaker 2: A flaw in someone you hate.
• 1:46:14
  Speaker 4: A flaw in someone I hate?
• 1:46:16
  Speaker 5: Yeah.
• 1:46:16
  Speaker 4: A flaw in someone I hate?
• 1:46:17
  Speaker 2: No, no, no. A flaw in someone you hate. Not
• 1:46:21
  Speaker 2: someone you hate, but a person who has a flaw
• 1:46:23
  Speaker 2: that you hate.
• 1:46:24
  Speaker 4: Man, who do I hate?
• 1:46:25
  Speaker 1: A lot.
• 1:46:26
  Speaker 4: Man, I have a friend of mine who is very slow, man.
• 1:46:28
  Speaker 4: I hate people very slow.
• 1:46:29
  Speaker 6: Even if I'm not slow now, but he's very slow
• 1:46:31
  Speaker 6: to think things through, you know?
• 1:46:33
  Speaker 4: Very slow?
• 1:46:33
  Speaker 1: Very, man. The slowness makes you laugh.
• 1:46:36
  Speaker 4: But is he slow for external things? Yeah, yeah, yeah.
• 1:46:38
  Speaker 1: Okay.
• 1:46:41
  Speaker 4: A historical event that you would like to witness? Brazil
• 1:46:45
  Speaker 4: winning the World Cup. It could be that I.
• 1:46:48
  Speaker 1: Witness it, right?
• 1:46:49
  Speaker 4: Who would you play in a movie? Michael B. Jordan.
• 1:46:54
  Speaker 1: Damn!
• 1:46:54
  Speaker 2: You have to suck, bro.
• 1:46:57
  Speaker 4: I'll suck, I'll suck. A famous and platonic crush? Mano,
• 1:47:04
  Speaker 4: I don't know, bro. Tell a girl that I.
• 1:47:06
  Speaker 2: You weren't in love with anyone in your childhood.
• 1:47:09
  Speaker 4: Yeah, so tell a girl so I can say it.
• 1:47:11
  Speaker 4: There's no such thing, bro. A famous girl.
• 1:47:13
  Speaker 3: No, there is, there is.
• 1:47:13
  Speaker 2: I saw that there is, but the guys want it
• 1:47:15
  Speaker 2: to stay like that.
• 1:47:16
  Speaker 4: Because the partner did it like this, look.
• 1:47:17
  Speaker 2: A famous girl that I was already in love with,
• 1:47:19
  Speaker 2: there's no such thing.
• 1:47:20
  Speaker 4: You can get it soon, right? It may happen soon, right? No, no,
• 1:47:22
  Speaker 4: there's no such thing, there's no such thing. You weren't
• 1:47:24
  Speaker 4: in love with anyone on TV? No, no, I wasn't, bro.
• 1:47:27
  Speaker 1: Maisa, no, bro.
• 1:47:29
  Speaker 4: You weren't? I wasn't, I wasn't.
• 1:47:30
  Speaker 3: Man, in my time.
• 1:47:30
  Speaker 4: Did you go for someone on TV, Místico? In your time,
• 1:47:33
  Speaker 4: did you come on TV like that?
• 1:47:34
  Speaker 2: I remember when I watched the Bondi and Companion of Jack,
• 1:47:36
  Speaker 2: I said, wow, Jack.
• 1:47:37
  Speaker 4: Do you remember Jack?
• 1:47:39
  Speaker 5: Of course I remember Jack. Man, I'm trying to remember
• 1:47:43
  Speaker 5: here from my time, because I'm older.
• 1:47:44
  Speaker 4: You're from the time of the witch, right, brother?
• 1:47:46
  Speaker 1: Tiazinha.
• 1:47:49
  Speaker 4: Tiazinha.
• 1:47:49
  Speaker 3: Tiazinha.
• 1:47:50
  Speaker 4: Tiazinha. Tiazinha.
• 1:47:52
  Speaker 1: Tiazinha.
• 1:47:52
  Speaker 4: Tiazinha.
• 1:47:54
  Speaker 1: Tiazinha. I was in love with Juliana.
• 1:47:57
  Speaker 2: Paz in that soap opera and Debora Seco. Debora Seco
• 1:48:00
  Speaker 2: was a huge crush. Oh, so she was a young girl? Yeah,
• 1:48:02
  Speaker 2: she was.
• 1:48:02
  Speaker 1: She was young.
• 1:48:03
  Speaker 4: She even looked at me. Man, if you film your friends,
• 1:48:07
  Speaker 4: they're all like this. I love it, guys. A song
• 1:48:10
  Speaker 4: from wanted to be yours.
• 1:48:20
  Speaker 2: Man, I even wanted to write this shit.
• 1:48:23
  Speaker 4: I don't know, man.
• 1:48:24
  Speaker 1: I think.
• 1:48:25
  Speaker 6: Some forrós, like, Briso, a lot of forrós, I think,
• 1:48:29
  Speaker 6: several of.
• 1:48:31
  Speaker 4: I like the one with the black shirt. Several, Zé Vaqueiro, like,
• 1:48:35
  Speaker 4: would be mine, you know? Do you want to write
• 1:48:39
  Speaker 4: other genres? Other genres? For sure!
• 1:48:42
  Speaker 2: Because you have the facility to do it.
• 1:48:44
  Speaker 6: I really want to sing with people from other genres.
• 1:48:47
  Speaker 6: I've always had a hard time not to sing just
• 1:48:51
  Speaker 6: Mandela because of the public's acceptance, you know? But I
• 1:48:56
  Speaker 6: think the time is coming for me to be able
• 1:48:58
  Speaker 6: to make videos.
• 1:48:59
  Speaker 4: With these people.
• 1:49:00
  Speaker 1: It will happen.
• 1:49:00
  Speaker 2: What?
• 1:49:04
  Speaker 4: Filho do Piseiro? It would be Chave, right?
• 1:49:06
  Speaker 5: Wow, it's wonderful.
• 1:49:08
  Speaker 1: It's a thousand degrees, right?
• 1:49:10
  Speaker 2: Man, where there is a low medium is in the ballrooms, right? Look,
• 1:49:12
  Speaker 2: I'm able to do it, my ear is exploding.
• 1:49:14
  Speaker 4: Would you.
• 1:49:16
  Speaker 2: Exchange 2 cm of peak for 10 million in the account?
• 1:49:20
  Speaker 4: Yes, yes, there is a lot of peak.
• 1:49:22
  Speaker 2: So now what everyone wants to know... Now what everyone
• 1:49:27
  Speaker 2: wants to know, best Play 2 game?
• 1:49:30
  Speaker 4: Guitar Hero 3.
• 1:49:31
  Speaker 5: But you play with that little guitar?
• 1:49:33
  Speaker 4: Of course, I have a guitar controller, man. It's the
• 1:49:35
  Speaker 4: only video game that I.
• 1:49:37
  Speaker 6: Now I bought a Nintendo Switch OLED, you know?
• 1:49:40
  Speaker 4: But until then it was Play 2, my last video game.
• 1:49:43
  Speaker 1: So you love Play 2.
• 1:49:46
  Speaker 2: So top 3 Play 2 games.
• 1:49:48
  Speaker 4: Ah, God of War 2. Need for Speed Carbon.
• 1:49:53
  Speaker 1: Damn, Carbon.
• 1:49:54
  Speaker 4: He knows. GTA San Andreas. No, Top 5. Guitar Hero 3. And...
• 1:50:03
  Speaker 4: Midnight Club, right? I can't choose.
• 1:50:05
  Speaker 2: Is it Midnight Club or Need for Speed?
• 1:50:08
  Speaker 4: I'll choose, but I had both. Okay, I know, but
• 1:50:10
  Speaker 4: I want only one from this niche.
• 1:50:12
  Speaker 6: So, let's choose. I can't choose between the two. Carbon
• 1:50:16
  Speaker 6: is very good in Need for Speed. So, I won't choose.
• 1:50:19
  Speaker 6: I'll leave it and choose Midnight.
• 1:50:20
  Speaker 4: Damn. Def Jam. Def Jam? Zika. Def Jam. What was it?
• 1:50:27
  Speaker 2: There was a race that was about breaking someone's car.
• 1:50:30
  Speaker 2: It was Burnout.
• 1:50:31
  Speaker 1: Burnout.
• 1:50:31
  Speaker 4: This was crazy.
• 1:50:32
  Speaker 1: It's true.
• 1:50:32
  Speaker 5: PlayStation 2, man.
• 1:50:33
  Speaker 1: I miss it. It should have stopped at 2.
• 1:50:34
  Speaker 4: Too, man.
• 1:50:35
  Speaker 1: Ah, no, no, no. It's going to launch GTA 6.
• 1:50:37
  Speaker 4: I'm going to buy a video game, too, man. I'm
• 1:50:38
  Speaker 4: in the mood to buy a video game to play
• 1:50:41
  Speaker 4: GTA 6, man. No, buy it now, because it's going
• 1:50:44
  Speaker 4: to be more expensive. And this Guarana GTA 5 is
• 1:50:45
  Speaker 4: going to sell? This guy believed it. I believed it
• 1:50:55
  Speaker 4: and I opened my eyes.
• 1:50:59
  Speaker 1: I can't, I'm asking Guaraná for this.
• 1:51:02
  Speaker 2: Yeah, he asked us for this video game and we said, no, no,
• 1:51:05
  Speaker 2: just advertising.
• 1:51:06
  Speaker 1: Just show it.
• 1:51:07
  Speaker 4: I'm crazy, Guaraná. Hey, Guaraná, are you okay?
• 1:51:11
  Speaker 1: If you stay here, this thing won't come back. Magic.
• 1:51:16
  Speaker 1: Fala Igão Underground, you're fucking awesome.
• 1:51:18
  Speaker 4: Are we going to music?
• 1:51:19
  Speaker 1: Of course.
• 1:51:20
  Speaker 4: Would you send us some, brother? For sure. Are you crazy?
• 1:51:22
  Speaker 2: I waited so long for this moment. Brother, if you
• 1:51:24
  Speaker 2: want to call.
• 1:51:26
  Speaker 4: All the guys to make a moment here. It's to
• 1:51:28
  Speaker 4: stick everyone.
• 1:51:29
  Speaker 1: A round of applause for everyone.
• 1:51:33
  Speaker 2: Come, come, come, without shyness. Igor Bueno, you can come
• 1:51:36
  Speaker 2: in too, he's around. What's up man, how are you?
• 1:51:39
  Speaker 2: You're laughing a lot, right? Are you okay? In peace? Calm, man.
• 1:51:44
  Speaker 2: You and this moleta, okay?
• 1:51:46
  Speaker 1: I'm fine, brother.
• 1:51:49
  Speaker 4: You can, you can.
• 1:51:50
  Speaker 1: Look at the elegance.
• 1:51:50
  Speaker 4: You have to learn here, okay?
• 1:51:52
  Speaker 3: Yeah?
• 1:51:52
  Speaker 1: Feel free.
• 1:51:53
  Speaker 4: Hey, Ney, how are we going to do with Mike there?
• 1:51:56
  Speaker 2: Yeah?
• 1:51:57
  Speaker 4: Do you want me to go there? I need to let.
• 1:52:01
  Speaker 1: Him go here, look.
• 1:52:18
  Speaker 4: I need to release a... I need to release more here.
• 1:52:38
  Speaker 4: He said there's a lot to show, he'll.
• 1:52:42
  Speaker 1: Sing in this beat.
• 1:52:43
  Speaker 3: Look, look.
• 1:52:43
  Speaker 4: Of course, you can do whatever you want, bro, you're crazy.
• 1:53:09
  Speaker 6: So let's go, let's go, in that little climate of
• 1:53:12
  Speaker 6: Brazilian shit. Eu tô namorando ela ao mesmo tempo, amiga
• 1:53:19
  Speaker 6: dela Sou Yuri, rei de copo, queridinho entre elas Pau,
• 1:53:23
  Speaker 6: pato e pata, colega, Gabriela, Isabela Trepa por cima da
• 1:53:28
  Speaker 6: pica e sai de cima, é a vez dela Poupe
• 1:53:31
  Speaker 6: me beber, tá solta, se solta na pica Louca e
• 1:53:34
  Speaker 6: se eu te dar o que tu quiser, cê trepa
• 1:53:37
  Speaker 6: na rola com força Poupe me beber, tá solta, se
• 1:53:40
  Speaker 6: solta na pica Louca e se eu te dar o
• 1:53:42
  Speaker 6: que tu quiser, cê trepa na rola What's up Dona Voice?
• 1:53:47
  Speaker 8: You want to order ours, bro? But it's not over yet.
• 1:54:13
  Speaker 8: It's not over yet.
• 1:54:18
  Speaker 4: It's not over yet. It's not over yet. It's not
• 1:54:21
  Speaker 4: over yet. It's not over yet. It's not over yet.
• 1:54:24
  Speaker 4: It's not over yet. It's not over yet. It's not
• 1:54:30
  Speaker 4: over yet. It's not over yet.
• 1:54:32
  Speaker 9: It's not over yet.
• 1:54:32
  Speaker 1: It's not over yet.
• 1:54:40
  Speaker 9: I'm younger than my ass, I'm dating other girls, but
• 1:54:43
  Speaker 9: I only remember girls without clothes, and sitting with a car.
• 1:54:46
  Speaker 9: I confess, you're pretty crazy, you even bought me without
• 1:54:48
  Speaker 9: a boyfriend, and then you didn't have sex again. She
• 1:54:51
  Speaker 9: says she only thinks about me, I know that's not true.
• 1:54:54
  Speaker 1: You fool me, I swear, I believe, it's always in
• 1:54:58
  Speaker 1: the evil.
• 1:55:04
  Speaker 4: Short and short with the ass out.
• 1:55:05
  Speaker 7: Come play, it's not your time I recuse and stay
• 1:55:08
  Speaker 7: in my boot By the dance, don't hold me, let
• 1:55:10
  Speaker 7: me go Baby, I know you're hot Ask for a
• 1:55:11
  Speaker 7: tribute with a nice meal But then you get jealous,
• 1:55:13
  Speaker 7: even if I'm thin Enough, I'm always tired of this
• 1:55:16
  Speaker 7: story But fights in the office always come back Every
• 1:55:18
  Speaker 7: night I remember the memories Baby, sei que você na
• 1:55:27
  Speaker 7: cama é fogosa Pede homenagem, fica meio gostosa Mas depois
• 1:55:31
  Speaker 7: fica com mó.
• 1:55:32
  Speaker 1: Ciúme Chega sempre, tô cansado dessa história Mas brigarzinho eu.
• 1:55:34
  Speaker 4: Fiz em privado Lembro das memórias You charge me without
• 1:55:42
  Speaker 4: taking into account the amount of girls you have in contact.
• 1:55:44
  Speaker 4: It's been a while since I'm just one. Without attachment
• 1:55:48
  Speaker 4: I've become a mime.
• 1:55:48
  Speaker 6: There's no fault in my behavior and you talk about
• 1:55:50
  Speaker 6: the bitches who want to be on the side.
• 1:55:52
  Speaker 4: I rented one just now and now tell me who's attached.
• 1:55:54
  Speaker 4: Without any feeling that's not f * * * ed
• 1:55:55
  Speaker 4: for fun on my part. There's no attachment but I
• 1:55:58
  Speaker 4: catch you in the mattress that whines. When she moves
• 1:56:00
  Speaker 4: I don't shake my heart. But she comes back every
• 1:56:10
  Speaker 4: night to show me her.
• 1:56:11
  Speaker 7: Gift She says she only thinks about me This is
• 1:56:14
  Speaker 7: not true!
• 1:56:14
  Speaker 3: It's over!
• 1:56:15
  Speaker 4: It's a little bit like, damn it! Satisfaction, my brother!
• 1:56:19
  Speaker 4: Continue the game there, brother! I wanted to introduce my
• 1:56:22
  Speaker 4: partners who are present here too This one is Osares,
• 1:56:27
  Speaker 4: you know? He also sends a song Big hug, my brother!
• 1:56:29
  Speaker 4: This one is Teguil Teguil? Teguil.
• 1:56:39
  Speaker 1: Teguil, man.
• 1:56:40
  Speaker 4: But we called him Neguil, you know? This one is Paul.
• 1:56:46
  Speaker 6: This one is a gift from my career, all the
• 1:56:50
  Speaker 6: time we were talking.
• 1:56:51
  Speaker 4: I love DJ, man. I said it, the guy already
• 1:56:53
  Speaker 4: gave an info. This one is Kawhi, my brother.
• 1:56:55
  Speaker 1: Monster.
• 1:56:56
  Speaker 5: He was afraid to give his answer here.
• 1:57:00
  Speaker 4: This is Igor Bueno. Igor Bueno who sold more molletons than...
• 1:57:04
  Speaker 4: What is this?
• 1:57:04
  Speaker 2: I didn't even have yours left on that day I came.
• 1:57:07
  Speaker 1: Safari.
• 1:57:08
  Speaker 4: Igor Bueno brought me to his show. Satisfaction. Satisfaction. You
• 1:57:13
  Speaker 4: brought your man too.
• 1:57:14
  Speaker 6: This is Isaac, who, man, all the time we were
• 1:57:16
  Speaker 6: talking about NGTD, he was also from NGTD, you know?
• 1:57:18
  Speaker 6: So drop the MCD for the guys to dance.
• 1:57:21
  Speaker 4: I'm kidding.
• 1:57:22
  Speaker 2: So, what are we going to do? I had to
• 1:57:23
  Speaker 2: send the pass.
• 1:57:24
  Speaker 4: While I sing a humor, Isaac dances.
• 1:57:26
  Speaker 3: Closed, closed.
• 1:57:31
  Speaker 1: Isaac! Isaac! Isaac!
• 1:57:33
  Speaker 3: Isaac!
• 1:57:34
  Speaker 4: Isaac!
• 1:57:35
  Speaker 3: Isaac!
• 1:57:35
  Speaker 1: Isaac!
• 1:57:35
  Speaker 4: Isaac!
• 1:57:59
  Speaker 3: Hey!
• 1:57:59
  Speaker 4: Hey! Hey!
• 1:58:01
  Speaker 1: Hey!
• 1:58:00
  Speaker 4: That's it.
• 1:58:29
  Speaker 1: You're crazy, the kid is light.
• 1:58:31
  Speaker 4: Damn, I felt like I was in a family house
• 1:58:33
  Speaker 4: that day when the guy.
• 1:58:34
  Speaker 3: Here, look.
• 1:58:35
  Speaker 2: Fuck!
• 1:58:35
  Speaker 4: Sweet dreams.
• 1:58:35
  Speaker 3: The kid is light.
• 1:58:36
  Speaker 4: It was sensational, this one. It was sensational. It was sensational.
• 1:58:41
  Speaker 8: Are you also knowing how to do the steps?
• 1:58:44
  Speaker 4: I think I still know.
• 1:58:45
  Speaker 1: I want to see, go.
• 1:58:46
  Speaker 4: Rallinha. Rallinha?
• 1:58:58
  Speaker 3: Rallinha, yeah!
• 1:59:00
  Speaker 2: So play the song. I want to hear the ralla.
• 1:59:02
  Speaker 4: I don't want to know anything.
• 1:59:03
  Speaker 2: The guys are saying they activated the Prime.
• 1:59:04
  Speaker 1: Activated the Prime?
• 1:59:05
  Speaker 4: Activated the Prime?
• 1:59:06
  Speaker 1: Ah, no, the guys are too aurous, man. Farmando Aura.
• 1:59:35
  Speaker 3: Hey! Hey! Hey!
• 1:59:35
  Speaker 1: Hey!
• 1:59:36
  Speaker 2: Hey!
• 1:59:36
  Speaker 1: Hey! We made the guy dance, bro.
• 2:00:07
  Speaker 2: No, I danced for a long time and I didn't dance.
• 2:00:10
  Speaker 4: Really? Big hug, NGTD. We're together.
• 2:00:11
  Speaker 2: Guys from NGKS, everyone there.
• 2:00:12
  Speaker 1: A shout out to Pablo, a shout out to Denaro,
• 2:00:14
  Speaker 1: a shout out to Vitinho, a shout.
• 2:00:16
  Speaker 4: Out to Abacaxi. Let's go, my brother. That's it. Do
• 2:00:19
  Speaker 4: you want to put another song in?
• 2:00:21
  Speaker 1: Put as many as you want. I'm going to put
• 2:00:24
  Speaker 1: some previews here.
• 2:00:24
  Speaker 3: Please.
• 2:00:25
  Speaker 1: Do it, do it. You've danced, you've sung, you're the best.
• 2:00:33
  Speaker 4: You're tired, right? You're tired, right?
• 2:00:37
  Speaker 1: Is it water? It's water, man. The guy didn't drink
• 2:00:39
  Speaker 1: a drop of water in the whole show, man.
• 2:00:40
  Speaker 4: What did you think this was, man?
• 2:00:42
  Speaker 1: It's a camel, right? Oh, and this moment was key, huh? Oh,
• 2:00:44
  Speaker 1: did you like it?
• 2:00:45
  Speaker 2: For fuck's sake, I wanted to have knees for these things.
• 2:00:48
  Speaker 4: I was just... But you know how to dance, bro.
• 2:00:57
  Speaker 4: Eu sei rebolar. É diferente. Por favor.
• 2:00:59
  Speaker 1: Eita.
• 2:01:08
  Speaker 4: Hey!
• 2:01:08
  Speaker 3: Hey!
• 2:01:08
  Speaker 4: Hey!
• 2:01:08
  Speaker 1: Hey! Hey!
• 2:01:09
  Speaker 2: Hey!
• 2:01:09
  Speaker 1: Hey! Hey!
• 2:01:10
  Speaker 3: Hey!
• 2:01:10
  Speaker 1: Hey!
• 2:01:10
  Speaker 3: Hey!
• 2:01:36
  Speaker 1: N.P.
• 2:01:36
  Speaker 4: Nova Bala, jogamo na rua, trago gelado na cera.
• 2:01:39
  Speaker 1: Tem grama, tô no peito pela abiatura, onde tem baile cê.
• 2:01:42
  Speaker 3: Vai ver minha banca.
• 2:01:43
  Speaker 4: Fit nós ganha, kit nós não compra, bebê rara, quebrada coleciona,
• 2:01:47
  Speaker 4: lembra né, como era antes, hoje ela fica, outro dia esplana,
• 2:01:51
  Speaker 4: quando ela vê que a Yuri nos cai, a bunda
• 2:01:53
  Speaker 4: automaticamente balança, ela escuta, já entra na dança. Call a
• 2:01:57
  Speaker 4: friend to follow you. When you see this shit in
• 2:01:59
  Speaker 4: the game, you can get crazy and throw it.
• 2:02:02
  Speaker 3: You want to play for Barcelona? All attacking terror in Europe.
• 2:02:05
  Speaker 4: Calm down, baby, it's just starting. Let the Pia show
• 2:02:08
  Speaker 4: you how it works. Don't get excited, it's just starting.
• 2:02:11
  Speaker 4: And Yuri shows you how we work. Calm down, baby,
• 2:02:13
  Speaker 4: it's just starting. Let the Pia show you how it works.
• 2:02:16
  Speaker 4: Don't get excited, it's just starting. And Yuri shows you
• 2:02:19
  Speaker 4: how we work. Turn the globe and the.
• 2:02:21
  Speaker 3: Flash for us. Let the troop that plays on.
• 2:02:23
  Speaker 4: The street make a noise with the process.
• 2:02:25
  Speaker 3: We'll be right back.
• 2:02:43
  Speaker 4: We'll be right back.
• 2:03:14
  Speaker 3: Crizzinha? Wow, very cool.
• 2:03:15
  Speaker 4: Very cool.
• 2:03:16
  Speaker 3: Very heavy beat.
• 2:03:17
  Speaker 4: Man, there are some things, huh?
• 2:03:42
  Speaker 2: Hey, show it to us. But don't ruin the deal, right?
• 2:03:47
  Speaker 2: But show what you want, for the love of God.
• 2:03:49
  Speaker 1: Feel free, bro. Are you going to show another one
• 2:03:51
  Speaker 1: of the album or what is the breeze?
• 2:03:52
  Speaker 4: Man, I'm going to show you one here. I'm going
• 2:03:54
  Speaker 4: to put it in a project that's about to come out.
• 2:03:55
  Speaker 4: This project is about to come out. More recent. It's
• 2:03:58
  Speaker 4: an EP.
• 2:03:58
  Speaker 1: But it's going to come out.
• 2:04:00
  Speaker 4: You know the partner Santé that I told you that
• 2:04:02
  Speaker 4: he introduced me to the people?
• 2:04:03
  Speaker 1: Yes. Then I made a rabbit, look.
• 2:04:08
  Speaker 4: Hey, if I was a magician.
• 2:04:15
  Speaker 3: There wouldn't be drugs or drugs.
• 2:04:16
  Speaker 4: Yo, mama and coach, I throw that for fella with good.
• 2:04:18
  Speaker 4: All my energy matching with good. When my family call me, stay.
• 2:04:22
  Speaker 2: I know they're going.
• 2:04:24
  Speaker 4: To talk, because I'm throwing my water.
• 2:04:38
  Speaker 2: We'll be right back.
• 2:04:59
  Speaker 4: I don't know. I don't know.
• 2:05:19
  Speaker 3: Wow!
• 2:05:19
  Speaker 4: What is this?
• 2:05:20
  Speaker 3: Sensational!
• 2:05:22
  Speaker 4: Magic of bones! Are you crazy?
• 2:05:49
  Speaker 3: Brizinha, brizinha, brizinha.
• 2:05:50
  Speaker 4: Brizassa?
• 2:05:51
  Speaker 2: Nossa senhora. Aí quer mandar a última pra nós encerrar
• 2:05:55
  Speaker 2: com chave de ouro?
• 2:05:55
  Speaker 4: Pode ser.
• 2:05:56
  Speaker 6: Vou mandar aqui, ó.
• 2:05:58
  Speaker 8: Vou mandar aqui, ó.
• 2:06:01
  Speaker 1: Sai louco, cara. É agora.
• 2:06:04
  Speaker 4: Aí.
• 2:06:05
  Speaker 1: Pode, pode. Oxi.
• 2:06:07
  Speaker 4: Toma água aí, neguinho.
• 2:06:08
  Speaker 1: Tá louco?
• 2:06:09
  Speaker 3: Aí, neguinho.
• 2:06:10
  Speaker 1: Calma aí, neguinho, caralho. Aguinho, aguinho. Aguinho, aguinho.
• 2:06:15
  Speaker 4: Aí, esse daqui é solo, tá ligado? O nome é Barilotadão.
• 2:06:20
  Speaker 6: I told you, this is an EP, you know? I
• 2:06:23
  Speaker 6: didn't even end up commenting. This is an EP that....
• 2:06:28
  Speaker 4: It's going to be like... For people to realize that
• 2:06:31
  Speaker 4: it's not always that I need to send shit, you know?
• 2:06:34
  Speaker 4: It's going to.
• 2:06:35
  Speaker 1: Be you talking about other things.
• 2:06:37
  Speaker 4: Yeah.
• 2:06:38
  Speaker 5: About love, feelings.
• 2:06:39
  Speaker 4: No, it's kind of overcoming, you know? Very cool. This
• 2:06:42
  Speaker 4: song with Santei is absurd. The beat, the beat... I
• 2:06:44
  Speaker 4: broke everything, bro. Did you break the beat?
• 2:06:46
  Speaker 1: I broke it. I broke it to hell.
• 2:06:47
  Speaker 4: I hope you enjoyed it, huh?
• 2:06:49
  Speaker 1: You're crazy, you're a monster. For the love of God,
• 2:06:51
  Speaker 1: stop talking and play it.
• 2:06:52
  Speaker 4: Yeah, so this one is cool.
• 2:06:55
  Speaker 3: Hey, like this. You know.
• 2:07:00
  Speaker 4: Uh-huh.
• 2:07:02
  Speaker 1: Uh-huh.
• 2:07:25
  Speaker 3: We'll be right back. We'll be right back.
• 2:07:50
  Speaker 1: Bye. Bye.
• 2:08:08
  Speaker 4: VIVENDO MUITO AVANÇADO IN VULTURIAMENTE BRILHANTE PRINCIPAL NÃO SOU QUADIUVANTE
• 2:08:13
  Speaker 4: COM PAPEL DE ME TORNAR GIGANTE SÃO VARIAS RESPONSAS NUNCA
• 2:08:16
  Speaker 4: VAI SER FÁCIL SEMPRE GUSTEI DE JOGAR NO DIFÍCIL VIR
• 2:08:19
  Speaker 4: MEU HOBBY VIRAR MEU OFÍCIO MINHA ARTE TÁ CAUSANDO VÍCIO
• 2:08:22
  Speaker 4: E A CARA VENDENDO IGUAL DROGA NA BOCA ELA QUER
• 2:08:24
  Speaker 4: MINHA BOCA PERTO EM ONDA DELA ENGRAÇADO QUE ELA NÃO
• 2:08:27
  Speaker 4: QUERIA QUANDO O MENÓZÃO TAVA SÓ DE MAGRELA OI BAILE
• 2:08:31
  Speaker 4: LOTADÃO VOU COLAR PODE PÁ DE MOTO POTENTE DIFÍCIL.
• 2:08:38
  Speaker 1: Foda.
• 2:08:38
  Speaker 3: Que louco, irmão. Molecão, velho.
• 2:08:40
  Speaker 4: Puta que pariu, velho. And I liked that it's a
• 2:09:07
  Speaker 4: great song, but it's still funk.
• 2:09:09
  Speaker 1: What can you say about this EP? How many tracks
• 2:09:11
  Speaker 1: will it have? What's the hype?
• 2:09:12
  Speaker 4: There are about seven tracks, you know? It's short, you
• 2:09:14
  Speaker 4: can listen to it a lot of times.
• 2:09:16
  Speaker 1: And do you have a prediction of when it.
• 2:09:18
  Speaker 4: Will be released? It's close, it's finishing the visual part.
• 2:09:21
  Speaker 1: Yeah, it's close, it's close.
• 2:09:24
  Speaker 4: Can you guys show up, any insert? Oh, please, I
• 2:09:26
  Speaker 4: want to be there. My image is already updated.
• 2:09:29
  Speaker 2: You can use it.
• 2:09:31
  Speaker 4: Wait a minute, I'll show you the preview of the
• 2:09:33
  Speaker 4: clip so you can show up.
• 2:09:34
  Speaker 3: Really?
• 2:09:35
  Speaker 4: This clip that I just showed you. Ah, what a key!
• 2:09:37
  Speaker 1: Can you do it before it's over? How is it?
• 2:09:39
  Speaker 4: You guys show up. No, ah, there's already a clip
• 2:09:41
  Speaker 4: ready that doesn't show up.
• 2:09:43
  Speaker 1: It doesn't show up, okay, man, let's go, you're crazy.
• 2:09:46
  Speaker 2: It's not IA, my brothers. Dependendo do que tá fazendo aí, assim.
• 2:09:54
  Speaker 1: Dependendo do quê. Se for igual rebolando, é verdade. É verdade.
• 2:09:59
  Speaker 4: Ah, é o clima do cara que você acabou de mostrar. Cara,
• 2:10:05
  Speaker 4: é muito bonito o acordo que você fez, irmão. You
• 2:10:16
  Speaker 4: won't see it.
• 2:10:17
  Speaker 7: I won't show it to you.
• 2:10:21
  Speaker 4: You'll see it when I leave. Man, it got very aesthetic, right?
• 2:10:37
  Speaker 2: What a key, the pictures with us.
• 2:10:38
  Speaker 4: We're together, my brother. You're going to fuck, Yuri. Thank you,
• 2:10:41
  Speaker 4: you honored me. I'm going, I'm going.
• 2:10:43
  Speaker 1: Thank you, okay?
• 2:10:43
  Speaker 4: Fuck, it's absurd. Hey, brother, register, huh?
• 2:10:46
  Speaker 1: Represented there the Podpah, huh?
• 2:10:47
  Speaker 4: Fuck, you're going to fuck. Look, I want another one
• 2:10:50
  Speaker 4: to close, then. To close up there.
• 2:10:52
  Speaker 2: He said that the Noepena will have whorehouse, but I
• 2:10:54
  Speaker 2: want it to end with whorehouse.
• 2:10:55
  Speaker 4: Here it has to have, right?
• 2:10:57
  Speaker 1: Please.
• 2:10:58
  Speaker 2: Here is the place of Brazilian whorehouse.
• 2:11:00
  Speaker 1: What is it, Igão? Speak like that in the Podpah, man.
• 2:11:02
  Speaker 4: Let's go.
• 2:11:02
  Speaker 1: Mythic.
• 2:11:04
  Speaker 4: This was built on top of whorehouse. Then you said
• 2:11:07
  Speaker 4: something real. Can I put it on the table?
• 2:11:09
  Speaker 2: Sure!
• 2:11:09
  Speaker 4: Hey!
• 2:11:09
  Speaker 2: Hey! Hey!
• 2:11:09
  Speaker 3: Hey!
• 2:11:10
  Speaker 2: Hey!
• 2:11:29
  Speaker 4: Hey!
• 2:11:29
  Speaker 2: Hey! Hey!
• 2:11:30
  Speaker 3: Hey!
• 2:11:30
  Speaker 2: Hey!
• 2:11:30
  Speaker 3: Hey!
• 2:11:30
  Speaker 7: Hey!
• 2:11:31
  Speaker 3: Hey!
• 2:11:31
  Speaker 1: Hey!
• 2:11:31
  Speaker 2: Hey!
• 2:11:32
  Speaker 3: Hey!
• 2:11:32
  Speaker 1: Hey!
• 2:11:32
  Speaker 4: Hey!
• 2:12:00
  Speaker 1: Now it's time.
• 2:12:08
  Speaker 6: We'll punch you in the face, get involved, get in trouble,
• 2:12:10
  Speaker 6: in the mess that she's here, she's here, she's there,
• 2:12:12
  Speaker 6: she's there, I saw her right in the club, with
• 2:12:14
  Speaker 6: the pot of powder, there was no way, I put
• 2:12:16
  Speaker 6: it on her, I'm here, soon it will be, go, roll,
• 2:12:18
  Speaker 6: don't stop, Navarra, you make a mess, I threw milk
• 2:12:20
  Speaker 6: on your face, it's a gift from my cacete, go, roll,
• 2:12:22
  Speaker 6: don't stop, Navarra, you make a mess, I threw milk
• 2:12:25
  Speaker 6: on your face, it's a gift from my cacete, roll,
• 2:12:27
  Speaker 6: don't stop, don't stop. Aê, give it a like, subscribe,
• 2:12:34
  Speaker 6: follow Yuri Red Cop on all social media.
• 2:13:02
  Speaker 4: Vambora! Vá aos shows! Ouça no Spotify!
• 2:13:05
  Speaker 1: E você, DJ?
• 2:13:08
  Speaker 2: Work, the man is just waiting for you. I'm enjoying it,
• 2:13:11
  Speaker 2: I don't.
• 2:13:11
  Speaker 4: Want to stop.
• 2:13:12
  Speaker 1: He's extending his speech because the beat is in the background.
• 2:13:15
  Speaker 2: It's nice, I don't want you to stop. Mítico Jove,
• 2:13:18
  Speaker 2: do your honors, did you.
• 2:13:19
  Speaker 1: Enjoy it, my brother? I enjoyed it, my brother.
• 2:13:21
  Speaker 4: I'm very happy, I'm not even going to sleep.
• 2:13:23
  Speaker 1: Clap your hands, guys. On the moral, wonderful. What a guy.
• 2:13:26
  Speaker 1: He deserves all the success, brother. We're together.
• 2:13:30
  Speaker 4: We're together, my brothers. You're in my heart, really.
• 2:13:33
  Speaker 3: Call.
• 2:13:33
  Speaker 4: Record here, fuck it. I don't want to know anything.
• 2:13:36
  Speaker 1: Here's your house too, brother. Oh, you're crazy. I'm glad
• 2:13:40
  Speaker 1: Potiphar is part of this guy's story. We're together.
• 2:13:42
  Speaker 4: And he's ours, right?
• 2:13:43
  Speaker 1: Dignity already. It's us. Usar o cartão Mercado Pago Visa
• 2:13:55
  Speaker 1: é lance pra cartão.
• 2:13:56
  Speaker 2: Durante a Copa do Mundo da FIFA 2026, se inscreva
• 2:13:59
  Speaker 2: na promoção e concorra ao ano de faturas pagas.
• 2:14:01
  Speaker 1: É isso. Quanto mais você usa, mais chance de ganhar.
• 2:14:05
  Speaker 4: Mercado Pago.
• 2:14:06
  Speaker 2: Você tem tudo pra ganhar.
• 2:14:12
  Speaker 3: Gringos?
• 2:14:14
  Speaker 4: Nunca entenderão. Guaraná Antártica.
• 2:14:21
  Speaker 1: Sente de torcer?
• 2:14:22
  Speaker 4: É coisa nossa.