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114: SINNERS Break Down | #thebaldbrotherspodcast · The Bald Brothers Podcast

• 0:00
  Speaker 1: Movies, gone driving, gone dollar.
• 0:05
  Speaker 2: Movie, then video Now, I'd be like, as soon as
• 0:09
  Speaker 2: you can leave the theater, by the way, just six
• 0:12
  Speaker 2: weeks later.
• 0:13
  Speaker 3: Man, if it don't make money, it's even quicker than that. Absolutely,
• 0:17
  Speaker 3: it ain't making no money. Put it on the streams.
• 0:19
  Speaker 1: Immediately, and they don't be doing nothing there either.
• 0:21
  Speaker 3: Man, what up y'all?
• 0:22
  Speaker 4: Bob Brothers podcast kept on stage they were talking about Sinners.
• 0:26
  Speaker 4: Me and Tony didn't actually get to talk about this.
• 0:28
  Speaker 4: We are gonna get into vampire movies, but first we're
• 0:31
  Speaker 4: just gonna talk about how amazing Sinners was as a movie.
• 0:33
  Speaker 4: What's my first question to you is why you don't
• 0:35
  Speaker 4: go back to the reviews with the spoilers? Man, Just
• 0:38
  Speaker 4: put spoiler in there, because I want to know what
• 0:39
  Speaker 4: you think in the movie.
• 0:40
  Speaker 1: Man, I don't.
• 0:41
  Speaker 2: I don't need to want me to do sports. I'd
• 0:43
  Speaker 2: be wanting it and the numbers better when they want
• 0:46
  Speaker 2: to know your opinion, Like I know, not to watch
• 0:49
  Speaker 2: it until I see it. Just put spoilers because you
• 0:53
  Speaker 2: already seen it. I want to know what you thought.
• 0:56
  Speaker 2: They ain't no newspaper, so I should put the sports
• 0:59
  Speaker 2: because you be high having good insight. I want to
• 1:01
  Speaker 2: know why you got three and a half sacks on
• 1:03
  Speaker 2: the five. I want to know the plot, the story.
• 1:05
  Speaker 2: Give me the insight, man, because your senters one did crazy.
• 1:09
  Speaker 2: Oh yeah, yeah. I think it might be my most
• 1:12
  Speaker 2: watched review because.
• 1:13
  Speaker 1: I was looking up everything, you know, as soon as
• 1:15
  Speaker 1: I finished the movie, I'll.
• 1:16
  Speaker 2: Be like.
• 1:19
  Speaker 3: Concerts, yeah for sure, all that.
• 1:23
  Speaker 1: But anyway, centers man.
• 1:25
  Speaker 3: Thoughts, oh man, I loved it.
• 1:28
  Speaker 2: I loved it even more on the second view, and
• 1:30
  Speaker 2: I saw it twice in theaters.
• 1:31
  Speaker 3: I was gonna see it the third time. I just
• 1:33
  Speaker 3: never got.
• 1:33
  Speaker 2: Around to my original review of four and a half
• 1:37
  Speaker 2: went up to five.
• 1:38
  Speaker 3: There were going I was championing the five. Yeah, that's
• 1:43
  Speaker 3: the five sacks.
• 1:44
  Speaker 1: Okay, what took it up? I remember the What was
• 1:46
  Speaker 1: it that pushed the five on?
• 1:47
  Speaker 2: Just noticing, like, because anytime you watch something again, you
• 1:50
  Speaker 2: notice stuff that you missed the first time. It was
• 1:53
  Speaker 2: like little pockets and things said that I noticed the
• 1:55
  Speaker 2: second time around. I was like, oh okay, oh yeah,
• 1:59
  Speaker 2: and in this field was like, oh, I didn't even
• 2:00
  Speaker 2: noticed that the first time, because when I watched them.
• 2:03
  Speaker 2: When I go in and watch a movie for the
• 2:04
  Speaker 2: first time, I feel like it's almost impossible to pick
• 2:09
  Speaker 2: up everything on one view.
• 2:10
  Speaker 1: I couldn't agree more.
• 2:12
  Speaker 4: Sometimes you just got popcornscause I missed that the baby
• 2:16
  Speaker 4: they Annie, Annie and Smoke had a baby. Yeah, because
• 2:19
  Speaker 4: I missed the grave shot because I was, you know,
• 2:22
  Speaker 4: he was digging get getting raised that.
• 2:24
  Speaker 1: The truth is there was.
• 2:27
  Speaker 3: So I knew.
• 2:27
  Speaker 4: Somebody because he had just talked about his dad dying.
• 2:33
  Speaker 4: So I thought, you know, and then you they I
• 2:35
  Speaker 4: felt like they showed the grave before he saw.
• 2:37
  Speaker 3: And yeah, he went to the grave first, so I didn't.
• 2:40
  Speaker 4: So when I saw, I was like, oh, they were together,
• 2:43
  Speaker 4: but I had missed that. I felt like they had
• 2:46
  Speaker 4: a connection, you know, because they was doing all the stuff.
• 2:48
  Speaker 4: But I missed it. But then people was talking about it.
• 2:50
  Speaker 4: I was like, oh, because I didn't see the bottles.
• 2:52
  Speaker 4: I just I was, you know what I'm saying, candy
• 2:55
  Speaker 4: fall down. It was just it tucked it on the
• 2:57
  Speaker 4: side of the chair and went to get it. It
• 3:03
  Speaker 4: pushed further down.
• 3:05
  Speaker 2: You know, you would have missed the whole movie if
• 3:07
  Speaker 2: you never call y'all, damn listen, indeed, hold on second,
• 3:11
  Speaker 2: you have.
• 3:12
  Speaker 3: Missed the whole conversation. You do have missed him smash
• 3:15
  Speaker 3: a little. I took about forty missed the whole with them.
• 3:25
  Speaker 4: I missed a I miss a good thirty seven seconds.
• 3:28
  Speaker 4: And I just I just missed that.
• 3:29
  Speaker 3: This man is right there in the store.
• 3:31
  Speaker 1: I liked it.
• 3:32
  Speaker 3: He had that dress.
• 3:34
  Speaker 2: Un want me, she was looking right.
• 3:39
  Speaker 3: That's how you do it, y'all.
• 3:41
  Speaker 2: Y'r man, I'm saying, you get around you get around
• 3:45
  Speaker 2: each other again.
• 3:46
  Speaker 3: I miss you. I miss you too, rubbing each other.
• 3:48
  Speaker 1: Bodys just do it.
• 3:50
  Speaker 3: Manu Gmory war Montgomery.
• 3:56
  Speaker 2: Right there in her place of business. The little kids
• 3:58
  Speaker 2: in the community could have came in there.
• 4:00
  Speaker 1: That's the danger of it.
• 4:01
  Speaker 3: She didn't even hit the we cloe. She was just
• 4:04
  Speaker 3: like man hold.
• 4:08
  Speaker 2: Right in on the hot summer's day, sippy thrust southern pumps.
• 4:16
  Speaker 2: I feel like Coochie probably better in the southern South.
• 4:19
  Speaker 2: Man probably just a crop preacher. Man SEMMI. Heyn't even
• 4:25
  Speaker 2: care post walk. She was like, I walked here. I
• 4:29
  Speaker 2: don't livid tasted. That don't make me no never mind,
• 4:36
  Speaker 2: he said, I want to tell you, I walk for
• 4:38
  Speaker 2: miles ass cree lemon.
• 4:40
  Speaker 1: I love limon pepper season.
• 4:42
  Speaker 3: That got that. He even listen me.
• 4:46
  Speaker 2: She was like, hold let me wash him man, let
• 4:51
  Speaker 2: me wash up.
• 4:54
  Speaker 1: Licks.
• 4:55
  Speaker 3: It was a different times.
• 4:57
  Speaker 4: You know, we ain't nobody got time. You might miss
• 4:59
  Speaker 4: you opp you know what I mean? You know, home
• 5:01
  Speaker 4: and wash up. You got the husband back home. Also,
• 5:03
  Speaker 4: her husband was She had a knight Yo, she was
• 5:09
  Speaker 4: hit single, got her Coutier eight, then died.
• 5:12
  Speaker 2: By vam Imagine being the husband's he never seen her again?
• 5:17
  Speaker 3: Like where my wife at? Little? Do you know? Do
• 5:21
  Speaker 3: you know your.
• 5:22
  Speaker 2: Wife got her Coutier eight, She turned into a vampire
• 5:25
  Speaker 2: and she dead.
• 5:27
  Speaker 3: Imagine somebody coming in there with the school.
• 5:31
  Speaker 2: Damn you I know you've been looking for your wife.
• 5:34
  Speaker 3: Here's what happened. She went to that little juke joint
• 5:37
  Speaker 3: a had her one night on.
• 5:38
  Speaker 1: You know the Twins was back in town.
• 5:39
  Speaker 2: Oh yeah, yeah, twins. They got a little cousin you
• 5:43
  Speaker 2: know he was he's a singer. Oh okay, and your
• 5:46
  Speaker 2: wife knew him.
• 5:47
  Speaker 3: Oh, she knew the singer. She met him out in
• 5:50
  Speaker 3: front of the thing where they was promoting the jukes.
• 5:52
  Speaker 1: She loves music. You know, she has her own song.
• 5:54
  Speaker 2: Yeah, you know they was singing and they was out
• 5:58
  Speaker 2: there juking, and you know, one thing at another and
• 6:00
  Speaker 2: then you know, she let the cousin, you know, eat
• 6:04
  Speaker 2: her couchie.
• 6:04
  Speaker 1: Wait, but she she walked there.
• 6:06
  Speaker 3: She did walk there, you miles. I don't know what
• 6:09
  Speaker 3: she was doing while she was walking miles, but she
• 6:11
  Speaker 3: walked up there.
• 6:11
  Speaker 4: She really wanted to see early morning, so I already
• 6:14
  Speaker 4: got no time for juke joint.
• 6:15
  Speaker 1: I gotta be up at sunrise.
• 6:16
  Speaker 3: She had the time. And uh he ate a couchie,
• 6:19
  Speaker 3: and uh.
• 6:20
  Speaker 2: He's still live, by the way, he's still live. If
• 6:23
  Speaker 2: you want to square it up with and uh, so
• 6:26
  Speaker 2: ate her couchie. Then it's the vampires out there. I
• 6:30
  Speaker 2: don't know if you heard the vampires, but they showed
• 6:32
  Speaker 2: her the vampires, so they be sucking blood and then
• 6:36
  Speaker 2: if they bite you, you become one of them.
• 6:38
  Speaker 1: Hold on, and this is sept from the guy that yes, it's.
• 6:42
  Speaker 2: A white man he came up there. No, the white
• 6:45
  Speaker 2: man was the vampire. Oh, so he was outside trying
• 6:49
  Speaker 2: to get in a juke joint while your wife was
• 6:50
  Speaker 2: getting a coochie ate by the by the musician, he was,
• 6:54
  Speaker 2: I don't know if you be eating your wife's coochie.
• 6:55
  Speaker 1: Like that my favorite thing to do.
• 6:58
  Speaker 3: Yeah, well, she she enjoyed or even though it was money,
• 7:01
  Speaker 3: I should have done it. Man, j he's still would
• 7:03
  Speaker 3: him be in there? So you getting too picky.
• 7:05
  Speaker 4: That's the problem, I know, Man, I just feel like
• 7:08
  Speaker 4: a man in Mississippi. Man, I can't really you know
• 7:10
  Speaker 4: what I'm saying. As a man, I like to go thrust.
• 7:12
  Speaker 4: I don't really like I respect the thrust.
• 7:14
  Speaker 2: You work all down there at the mill, Yeah, it
• 7:18
  Speaker 2: feels more manual labeled like feels more man. You gotta
• 7:23
  Speaker 2: treat like a good pot of greens and nick bone.
• 7:27
  Speaker 1: Okay, So that's how you do.
• 7:28
  Speaker 2: Yeah, you got you know how you get to meet
• 7:30
  Speaker 2: out the neck work, and if it's musty or not,
• 7:34
  Speaker 2: you got.
• 7:34
  Speaker 1: To go up. You gotta go up in there.
• 7:36
  Speaker 3: So so vampires get up in there all hell braced loose.
• 7:41
  Speaker 3: Your girl. Your girl was fighting. She was fighting the vampires.
• 7:45
  Speaker 1: Yeah, she got bit.
• 7:46
  Speaker 2: God, she got lit, she got she got lickd in
• 7:52
  Speaker 2: bit in the same night. She had the time of life.
• 7:55
  Speaker 2: But also, you know what I'm saying.
• 7:57
  Speaker 3: She died. She dead, man, she big did.
• 8:02
  Speaker 1: She's not coming back.
• 8:03
  Speaker 3: She's so she cheated on me, She cheated on you.
• 8:05
  Speaker 2: Turned into a vamp, turned into a vampire. Couldn't even
• 8:08
  Speaker 2: couldn't even stay in the vampire lane for long.
• 8:11
  Speaker 1: Died as a vampire. How she died as a vampire.
• 8:15
  Speaker 3: His son came up on her ass.
• 8:16
  Speaker 1: So wait, what the son got to do with this?
• 8:18
  Speaker 2: Well, the son, you know, the vampires burned in the sun.
• 8:22
  Speaker 2: Oh my god, she burned to a Chris.
• 8:25
  Speaker 3: She died horribly. Actually she died. She had a horrible death.
• 8:28
  Speaker 3: But but she cheated on you.
• 8:30
  Speaker 4: Maybe she deserves it. It was karma, yeah, and that's instant
• 8:34
  Speaker 4: you turned into a vampire.
• 8:35
  Speaker 2: Man concerned over the over the cause she was like,
• 8:37
  Speaker 2: where where is he at? She was concerned, but she
• 8:40
  Speaker 2: burned to death. She cared about this boy.
• 8:42
  Speaker 4: Oh, now she cares, and that's why she burned. She
• 8:45
  Speaker 4: was all concerned, you know, like garlic, she ate some garlic.
• 8:49
  Speaker 1: She's just doing she just she didn't want to do it. Now.
• 8:52
  Speaker 3: She protested.
• 8:54
  Speaker 2: And then the cousin got hit in the mouth by
• 8:55
  Speaker 2: his other cousin, Smoked, because he was just trying to
• 8:58
  Speaker 2: Hey man stole around, trying to he was trying to
• 9:01
  Speaker 2: defend her, and then Smoke was like, shut the fuck up,
• 9:04
  Speaker 2: hit him in the mouth with the gun.
• 9:05
  Speaker 4: Was this post cochi eat or before this was this
• 9:07
  Speaker 4: was after the couchie was so that's why he was Yeah, yeah,
• 9:10
  Speaker 4: he was called.
• 9:11
  Speaker 3: He was called rat. He ain't give a damn but
• 9:13
  Speaker 3: you No.
• 9:14
  Speaker 4: I didn't come up at all. Apparently she ain't never
• 9:16
  Speaker 4: thought to come check on me. I ain't got no corner,
• 9:17
  Speaker 4: but I got no business, ain't got.
• 9:18
  Speaker 3: No Your wife and fine, man, Oh yeah, she could
• 9:21
  Speaker 3: sing too. Man, she was fine as hell. So I
• 9:24
  Speaker 3: get it.
• 9:24
  Speaker 2: Man, you were slacking. You should have been at the
• 9:26
  Speaker 2: juke joint that night. I had work in the morning. Man,
• 9:30
  Speaker 2: ain't gonna mill itself. But you would have died though,
• 9:32
  Speaker 2: if you would have went. So I guess that's a
• 9:35
  Speaker 2: sivil line.
• 9:35
  Speaker 3: That's you know what I'm saying.
• 9:37
  Speaker 2: You would have died with your infidelity laced wife because.
• 9:42
  Speaker 3: Even if you went to the juke joint, she's still
• 9:44
  Speaker 3: been looking at the cousin.
• 9:45
  Speaker 1: She had to have eyes for him, for sure.
• 9:48
  Speaker 2: That's why she went to do That's why she walked
• 9:50
  Speaker 2: miles and then in the little civil rights heels she
• 9:55
  Speaker 2: walked over, knowing to get the kuchie ate.
• 9:58
  Speaker 1: Through the dirt and field fils.
• 10:01
  Speaker 3: She probably would have lived smashed all the way.
• 10:03
  Speaker 1: I don't know the fact that he had the coochie first.
• 10:06
  Speaker 1: Is he better man than me?
• 10:07
  Speaker 3: He wanted to really Nah?
• 10:09
  Speaker 4: He lied with old vampire thing. How come he ain't dead,
• 10:11
  Speaker 4: he ain't turn no vampire.
• 10:12
  Speaker 2: Nah, He's still out here, man, go go all added
• 10:15
  Speaker 2: go Holleraddy be out here playing his music with his
• 10:19
  Speaker 2: little preacher daddy.
• 10:20
  Speaker 1: If he survived that, I don't know if I would
• 10:21
  Speaker 1: have really wrong.
• 10:22
  Speaker 3: He's been through a lot. Man. He might hit you
• 10:24
  Speaker 3: with that guitar.
• 10:27
  Speaker 4: Let me tell you what I liked about Sinners. It's
• 10:29
  Speaker 4: been a minute since the vampire inviting thing.
• 10:33
  Speaker 1: I've seen it.
• 10:34
  Speaker 4: That's a big part of True Blood. That's the last
• 10:36
  Speaker 4: vampire thing I watched. Yeah, tremendously. And I didn't I
• 10:40
  Speaker 4: remember that from the old movies like Lost Boys and stuff.
• 10:42
  Speaker 4: I don't remember that he was in there.
• 10:44
  Speaker 1: Yeah I know, I know. I hadn't.
• 10:45
  Speaker 4: It's been a minute I watched. So I love the
• 10:50
  Speaker 4: fact that they didn't know what vampires were. Oh yeah right,
• 10:54
  Speaker 4: so they're like, we know the rules the boys. They
• 10:57
  Speaker 4: haven't seen no vampire movies. Okay, so they could They
• 11:01
  Speaker 4: can't go in like you got it by the vampire
• 11:03
  Speaker 4: but the thing was, I love how they the vampires
• 11:06
  Speaker 4: were smart. They ain't doing it like let me come
• 11:09
  Speaker 4: in so I can kill you, you know rymnic Remic.
• 11:13
  Speaker 4: I think Remick did it for the white people. They
• 11:15
  Speaker 4: was on the racism like perfect.
• 11:17
  Speaker 1: You know they let him in.
• 11:18
  Speaker 2: Uh uh?
• 11:22
  Speaker 1: What was the white girl's name?
• 11:24
  Speaker 3: Annie? Not Annie?
• 11:27
  Speaker 1: Married Mary?
• 11:29
  Speaker 3: So they let her in, but you don't you don't know. Yeah,
• 11:33
  Speaker 3: she was already in.
• 11:34
  Speaker 4: Yeah, it's to us, it's like, why is she even
• 11:37
  Speaker 4: asking that they ain't tripping? But Corn Brad when when
• 11:41
  Speaker 4: when he came in, wait because Annie was already onto him.
• 11:44
  Speaker 1: You know what I'm saying. She was like, they're funny
• 11:47
  Speaker 1: and this is not a comedy at all, but that
• 11:49
  Speaker 1: scene was so funny to me.
• 11:50
  Speaker 3: Man, I love that scene. You know, we're supposed to be,
• 11:53
  Speaker 3: you know, being god. I don't want to know she
• 11:56
  Speaker 3: said that.
• 11:57
  Speaker 4: It was like.
• 12:00
  Speaker 3: I just slammed it there. If I said, we're supposed
• 12:02
  Speaker 3: to be kind to one another kind you know, we.
• 12:08
  Speaker 1: Ain't supposed to be doing we do. Del was like,
• 12:11
  Speaker 1: and what is it we're supposed to be doing that?
• 12:13
  Speaker 3: Nigga came back with big kind of one another? My
• 12:20
  Speaker 3: bad nigga is ripping.
• 12:23
  Speaker 2: That was.
• 12:23
  Speaker 3: It sounded so odd man, that giving away.
• 12:30
  Speaker 1: What the hell you talking about?
• 12:33
  Speaker 3: Did you just come in yourself. You've been coming in
• 12:35
  Speaker 3: and out there all night. Just walk right in.
• 12:39
  Speaker 2: I had to go to the bathroom because you're using
• 12:41
  Speaker 2: that old grease. I ain't never used no old reason.
• 12:43
  Speaker 3: You know it?
• 12:46
  Speaker 2: Dog?
• 12:46
  Speaker 1: That was.
• 12:51
  Speaker 3: Look, I ain't never used the old grease on my catfish.
• 12:53
  Speaker 3: Don't even try and forgot all about the vampires and everything.
• 12:59
  Speaker 3: Use old ass grease. You lying what's going on? I
• 13:03
  Speaker 3: don't get that. All lives at Risks.
• 13:05
  Speaker 2: One thing you ain't gonna do is try to say
• 13:06
  Speaker 2: I'm a bullshit cook. No, not no frying fish, not
• 13:10
  Speaker 2: in the stuff, not having that.
• 13:12
  Speaker 3: No, we could no hold up, shout, hold up, hold up,
• 13:15
  Speaker 3: give you no, no old grease. I ain't gonna have that.
• 13:19
  Speaker 2: How long it's been sitting in your spirits? Matter of fact,
• 13:21
  Speaker 2: come in there so I can tell you how I
• 13:22
  Speaker 2: really feel.
• 13:24
  Speaker 3: He come in on that.
• 13:27
  Speaker 1: He was like, we'll pay me my money. Yeah, and
• 13:30
  Speaker 1: that man when he grabbed that arm, dog, it was great.
• 13:34
  Speaker 3: They was quick on that shot.
• 13:35
  Speaker 1: They was outside that Oh yeah.
• 13:38
  Speaker 3: The iris was going off. They was jamming, jamming that
• 13:41
  Speaker 3: little slow song they was singing.
• 13:42
  Speaker 2: I was like.
• 13:44
  Speaker 3: This, Oh yeah, I was all in on that sound.
• 13:47
  Speaker 3: That's what I'm saying. So the movie had the.
• 13:49
  Speaker 2: Great music, great great characters, great character development within the
• 13:54
  Speaker 2: short window of time.
• 13:56
  Speaker 1: And also enough mystery. They didn't explain everything they did
• 13:59
  Speaker 1: in Chicago. Man, we was out there.
• 14:01
  Speaker 3: We get it. We know they was working with the Italians,
• 14:03
  Speaker 3: Lien with the Irish Boom were back then. That's all
• 14:11
  Speaker 3: we need. We didn't need all of the man.
• 14:14
  Speaker 2: So, so I ain't seen you since you went off
• 14:17
  Speaker 2: to the military and then you joined that special unit
• 14:19
  Speaker 2: where you know y'all was an assassin's fire and then
• 14:22
  Speaker 2: you took your brother with you just so you can
• 14:23
  Speaker 2: keep eye on him. And then y'all had all those
• 14:25
  Speaker 2: battles in France and Germany. And now now you're back here.
• 14:29
  Speaker 4: Like, man, we get it, man, we got time for
• 14:33
  Speaker 4: the whole back through. The twins are on their back.
• 14:35
  Speaker 4: They did some some shady stuff. They got enough money,
• 14:39
  Speaker 4: but not plenty.
• 14:39
  Speaker 2: It's good to see y'all back from Chicago. And I
• 14:41
  Speaker 2: heard you was up there working with our component. He
• 14:43
  Speaker 2: was also working with these other cats.
• 14:45
  Speaker 3: Too as well. And then I heard you you almost.
• 14:48
  Speaker 2: Lost your life down there that you joined then and
• 14:50
  Speaker 2: they almost kid you and they found out you were
• 14:52
  Speaker 2: still in the wine.
• 14:54
  Speaker 3: I ain't seeing your sist then, and then that character
• 14:57
  Speaker 3: just leaves. Don't need all that.
• 15:00
  Speaker 2: I see you enough married talking again, because you know
• 15:03
  Speaker 2: what I'm saying. Marriag's mom had raised y'all since y'all
• 15:05
  Speaker 2: was kids, and I was like, man, a white woman
• 15:07
  Speaker 2: raising the kids. And then I heard y'all had something
• 15:10
  Speaker 2: going on. You you know, you know, I knew something
• 15:14
  Speaker 2: was going on. She been passing and one that's.
• 15:18
  Speaker 3: Crazy quadroon might know marriage the quadron, but she was raised.
• 15:21
  Speaker 2: With the black and I know it's been tough on
• 15:23
  Speaker 2: you know your brother's smoke because you know they lost
• 15:25
  Speaker 2: that baby down there, you know her him and an then, man,
• 15:28
  Speaker 2: I know they lost the baby.
• 15:29
  Speaker 3: Man, the baby was just a baby. When when they lost.
• 15:32
  Speaker 3: It's good that y'all hanging in there, you keeping your head.
• 15:34
  Speaker 3: And he left, you know, it's been weird since they
• 15:36
  Speaker 3: both lost the baby. They just know how to coach.
• 15:38
  Speaker 3: So he left and then he came back. That's crazy.
• 15:42
  Speaker 1: Anyway, I gonna get up on out of here.
• 15:43
  Speaker 4: But before man, tell me more about why you don't
• 15:47
  Speaker 4: want to take Plantation Nickels man, because you know that's
• 15:49
  Speaker 4: part of the fabric of the community. Man, think about
• 15:51
  Speaker 4: Plantation Nickels and you had her own money system with
• 15:54
  Speaker 4: this lame thing I about to have. Actually the US
• 15:55
  Speaker 4: government dollars, man, they have their own system. So tell
• 15:58
  Speaker 4: me how you expect to make that when you got
• 15:59
  Speaker 4: you got to the wine and the US dollars.
• 16:01
  Speaker 2: You know, I was confused on that as well, But
• 16:04
  Speaker 2: until I had the conversation with the Asian folks that
• 16:06
  Speaker 2: was here, you know, the Chinese Americas. They was here,
• 16:08
  Speaker 2: you know what I'm saying, setting up a shopping because
• 16:10
  Speaker 2: you know, the white folks don't want to sell to us.
• 16:11
  Speaker 2: But they came here and they had they had a
• 16:13
  Speaker 2: white store and the regular store across the street.
• 16:16
  Speaker 4: And they settled down and they, you know, the Asian
• 16:18
  Speaker 4: community and the black community kind of grew up together. Yeah,
• 16:20
  Speaker 4: and we're gonna showcase that in the film that you're watching.
• 16:22
  Speaker 4: They just break the football Asian community.
• 16:25
  Speaker 1: You gotta understand.
• 16:26
  Speaker 4: They sell them the Mississippi Delta in eighteen forty six
• 16:29
  Speaker 4: and now today still they have a Mississippi actor you
• 16:32
  Speaker 4: can't even tell you can't even tell you what I
• 16:34
  Speaker 4: was think about. That is This also happened in San Francisco.
• 16:37
  Speaker 4: Later on in America, the same thing with the anti
• 16:39
  Speaker 4: immigrant policy affected the Chinese. America's in a whole movie
• 16:43
  Speaker 4: called uh uh, the one actual with the the Chinese dude.
• 16:46
  Speaker 4: You know, the Asian population also built the railroad tracks
• 16:49
  Speaker 4: in America because they was they were skilled lebras, but
• 16:52
  Speaker 4: they were woulding to work for less than the white men. Yes,
• 16:54
  Speaker 4: so it caused a lot of anti immigration policies. They're
• 16:56
  Speaker 4: mad the Chinese, but the Chinese took less. They didn't
• 16:58
  Speaker 4: say much. He hire white man, white men. They don't
• 17:01
  Speaker 4: work as hard and they expect more money.
• 17:03
  Speaker 3: It's the same thing.
• 17:04
  Speaker 1: At the top of the day, you blame the immigrant.
• 17:05
  Speaker 3: At the end of the day, the white liber doesn't
• 17:07
  Speaker 3: want to work as hard workers. Hard man. Eight hours
• 17:11
  Speaker 3: now and I'm also in school, peeps.
• 17:15
  Speaker 2: Sorry to interrupt the flow, butter you know, vegetarian, mostly vegan.
• 17:22
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• 17:31
  Speaker 2: Protein is very important. It's vital to us for many
• 17:34
  Speaker 2: for many reasons. But people always want to focus on
• 17:36
  Speaker 2: that when you tell them you don't eat meat, like
• 17:39
  Speaker 2: that's your only source of protein.
• 17:41
  Speaker 3: You know what I'm saying. And y'all know me.
• 17:43
  Speaker 2: I'm a Cereal guy. I'm a Cereal guy. So that's
• 17:48
  Speaker 2: why magic spoon is dope. Magic spoon makes high protein,
• 17:53
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• 17:58
  Speaker 2: that's re in the Because I grew up man, Cereal
• 18:01
  Speaker 2: was life. I was a two bowler. I came up
• 18:04
  Speaker 2: on frosty flakes. You know what I'm saying, Captain Crunch,
• 18:08
  Speaker 2: I like crisp picks Life, the checks, the rice checks, oh,
• 18:15
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• 18:24
  Speaker 3: Y'all Cereal.
• 18:25
  Speaker 2: Y'all don't know nothing about cereal, but now you do, man,
• 18:28
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• 18:31
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• 18:35
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• 18:45
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• 18:52
  Speaker 2: And they come in mouth of watering flavors like marshmallow,
• 18:55
  Speaker 2: chocolate peanut butter. Chocolate peanut butter that's a duo made
• 19:03
  Speaker 2: in Heaven right there, and dark chocolate. Both are great
• 19:07
  Speaker 2: on the go, pre impost workout, or as a midnight snack.
• 19:13
  Speaker 3: You know, some people call me a midnight snack.
• 19:19
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• 19:26
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• 19:36
  Speaker 3: For five dollars off. Now back to the Ball Brothers
• 19:39
  Speaker 3: Mad exposition.
• 19:40
  Speaker 4: We kill somebody Man Man and the other thing I
• 19:44
  Speaker 4: like about Sinners that I haven't seen in a while.
• 19:47
  Speaker 1: Ryan Coogler the music scene tearing the veil.
• 19:52
  Speaker 2: That was I.
• 19:53
  Speaker 3: I was crying. I imagine like that.
• 19:59
  Speaker 1: I was over whelmed because it was like, you know,
• 20:02
  Speaker 1: I be on Twitter a lot. You don't be on Twitter.
• 20:05
  Speaker 1: There's always a diaspora wars, and black people always.
• 20:08
  Speaker 4: Get you don't know your country you don't know your background.
• 20:10
  Speaker 4: Youn't know your history, you don't know your tribe. You'll
• 20:11
  Speaker 4: know nothing about yourself. Ma ain't nothing but Americans. Then
• 20:13
  Speaker 4: you can't trace your genealogy back. So the fact that
• 20:16
  Speaker 4: that scene showed that, you know, the culture is within
• 20:20
  Speaker 4: us always and the connection from you know, our ancestors,
• 20:25
  Speaker 4: you know on the continent of Africa, all the way
• 20:27
  Speaker 4: to the future of hip hop and even other cultures.
• 20:31
  Speaker 4: All the dancing you can see shouting music the way
• 20:33
  Speaker 4: black people shout in church. It's similar to tribe, how
• 20:36
  Speaker 4: tribes dance, twerking. Everything we do you can trace it
• 20:41
  Speaker 4: back to Africa or early America.
• 20:45
  Speaker 1: So like the culture in history is there.
• 20:47
  Speaker 4: And then just the way the music and then Miles
• 20:50
  Speaker 4: Caton is singing like he's fifty eight years old, he
• 20:55
  Speaker 4: was like nineteen. He literally was the perfect casting for
• 20:59
  Speaker 4: like what that character represented, Like that Nigga's voice don't
• 21:01
  Speaker 4: go like the way michaela be Jordan I think it
• 21:03
  Speaker 4: was he was.
• 21:10
  Speaker 3: It was so in that scene.
• 21:12
  Speaker 1: It was like the first time.
• 21:13
  Speaker 4: I remember when the first time I saw Spike Lee's
• 21:16
  Speaker 4: Double Dolly shot. I remember being like, oh, that's I
• 21:20
  Speaker 4: ain't seen nothing like that before. Maybe it's been done before.
• 21:22
  Speaker 4: I don't remember seeing it until Spike did it, but
• 21:25
  Speaker 4: Ryan and I've seen Ryan's movies before. He's also five
• 21:28
  Speaker 4: for five in my books, Undefeated, five for five. I
• 21:33
  Speaker 4: want to do some research on, like, has anybody had
• 21:35
  Speaker 4: a better five film debut directing wise than Ryan Coogler?
• 21:38
  Speaker 4: Because from from fruit Val to Creed Black Panther one
• 21:42
  Speaker 4: and two to Sinners, that's in a row. You gotta
• 21:47
  Speaker 4: be scared to make your six things because Nigga like
• 21:51
  Speaker 4: and on the Black Panther, I give him double because
• 21:53
  Speaker 4: the lead actor passed away, so now you got to
• 21:55
  Speaker 4: rewrite with the grief and Chadwick was a private person,
• 22:00
  Speaker 4: so the movie ends up being a public funeral and
• 22:03
  Speaker 4: a movie.
• 22:05
  Speaker 1: And you pulled that off and then hit us with centers.
• 22:07
  Speaker 3: After that, After that scene, Nigga, this nigga, he.
• 22:12
  Speaker 1: Was like, he's he's cracking in to the top directors.
• 22:16
  Speaker 3: To me, for sure, he's cracking in.
• 22:18
  Speaker 4: He undefeated and he's doing all that with the Barry accent,
• 22:21
  Speaker 4: with the full Imax explanation that nigga probably sold more
• 22:25
  Speaker 4: Imax tickets than anybody else off of one video. I
• 22:29
  Speaker 4: said Nigga Imax movies. I only see them because it's
• 22:33
  Speaker 4: a good time, like time. I just want the good sound,
• 22:36
  Speaker 4: the biggest He broke it all the way down, and
• 22:38
  Speaker 4: lay were just like, oh, that's what's going on, said man.
• 22:44
  Speaker 4: I was tough after so.
• 22:47
  Speaker 3: Even when i Oppenheimer came out, I was just like,
• 22:49
  Speaker 3: I just want to see it.
• 22:50
  Speaker 1: Yeah, I just likes bid stuff, but I don't know
• 22:54
  Speaker 1: what I'm looking.
• 22:55
  Speaker 3: Bryan Coogler was like, no, let me let me touch
• 22:57
  Speaker 3: the people with the with the you know, the accident.
• 23:01
  Speaker 1: Going accent full there. It's very black. But he's also
• 23:05
  Speaker 1: technically skilled.
• 23:06
  Speaker 4: He's actually the reason I feel like I can't direct
• 23:08
  Speaker 4: because I've been watching his videos. His attention to detail.
• 23:10
  Speaker 4: I'd be like, I just don't care about Oh guess
• 23:13
  Speaker 4: you guys.
• 23:13
  Speaker 3: Yes.
• 23:13
  Speaker 4: I was watching his Black Panther video and he talked
• 23:16
  Speaker 4: about the door Melange's first five sequence in the thing.
• 23:19
  Speaker 1: He was like, in her costume, she had a little
• 23:21
  Speaker 1: red we had paying a little homage.
• 23:23
  Speaker 4: To Nigeria, and or maybe the green was Nigeria and
• 23:26
  Speaker 4: the red was for the blood that they spelled and
• 23:27
  Speaker 4: the dorma loza and I was just.
• 23:28
  Speaker 2: Like the best directors are very meticulous. They don't just
• 23:33
  Speaker 2: come in there just be like, all right, we're gonna
• 23:34
  Speaker 2: do this scene. The star directors, I'm talking about the
• 23:38
  Speaker 2: star directors said the movie because they are very meticulous, yes,
• 23:43
  Speaker 2: where every every visual that you see is there for
• 23:47
  Speaker 2: a reason. Or if they're not even visually meticulous, they're
• 23:51
  Speaker 2: meticulous about if they're a writer director like a Quentin yep,
• 23:54
  Speaker 2: they're very meticulous.
• 23:57
  Speaker 3: Tour Wes Anderson is like the visual Yes, everything you see.
• 24:02
  Speaker 1: Tour, yes, like that is a Wes Anderson movie. Yes,
• 24:06
  Speaker 1: you can see. You could almost tell a Wes Anderson
• 24:08
  Speaker 1: movie from the poster.
• 24:10
  Speaker 3: That's all I need to see is one steal and
• 24:12
  Speaker 3: I'm like that easy. He's probably the only director.
• 24:15
  Speaker 4: Like that that you can see visually easily. I can
• 24:18
  Speaker 4: tell Tarantino from the dialogue that Speed and Nigga. Uh
• 24:22
  Speaker 4: he I didn't know he was writing those movies. Yeah,
• 24:25
  Speaker 4: he wrote Nigga is up and through that movie.
• 24:29
  Speaker 1: Up and through.
• 24:30
  Speaker 4: But Spike Lee you can tell from the shot. But
• 24:33
  Speaker 4: Wes Anderson you can tell from the color composition and.
• 24:36
  Speaker 1: How the characters move.
• 24:37
  Speaker 4: Like remember he had a whole trend on TikTok or
• 24:39
  Speaker 4: people were doing like Wes Anderson, things like that's a
• 24:42
  Speaker 4: crazy he don't he don't have no blacks in that
• 24:43
  Speaker 4: movie like that which is Find West. You don't say
• 24:46
  Speaker 4: do your thing.
• 24:46
  Speaker 3: I ain't even trip.
• 24:47
  Speaker 2: He'll be throwing one or two, one or two and
• 24:51
  Speaker 2: then uh, Jeffrey Wright was in something.
• 24:55
  Speaker 3: Yeah.
• 24:56
  Speaker 4: Yeah, we don't want to me ask you this. This
• 24:57
  Speaker 4: is a big debate that I've been asking everybody. Grace okay, yes,
• 25:04
  Speaker 4: And I'm not gonna give you my opinion.
• 25:08
  Speaker 1: Do you think she is she made her choice to
• 25:13
  Speaker 1: invite the vampires in because she was anti black? No, okay,
• 25:18
  Speaker 1: what what do you think?
• 25:19
  Speaker 3: I think it was purely for selfish reasons. In terms
• 25:24
  Speaker 3: of her family, I think it was that.
• 25:28
  Speaker 1: Let me ask you this. I'm not giving away my position.
• 25:31
  Speaker 4: What do you think about the fact that remix threat
• 25:36
  Speaker 4: they haven't nothing about the movie showed that they would
• 25:39
  Speaker 4: go and find her daughter, so she should have known
• 25:44
  Speaker 4: that he was bluffing.
• 25:45
  Speaker 3: No, she don't know.
• 25:46
  Speaker 1: That's why you My nigga told me not to hell.
• 25:49
  Speaker 3: She don't know that.
• 25:51
  Speaker 2: Her husband is gone, That's what I said. And her
• 25:54
  Speaker 2: husband knows exactly where they live. I heard with her
• 25:58
  Speaker 2: not even knowing about the hive mind. She knows her
• 26:01
  Speaker 2: husband could just go and turn.
• 26:02
  Speaker 4: The daughter is speaking Mandarin and talking about how there's
• 26:06
  Speaker 4: a lot of coutchie looking in this movie. Also because
• 26:08
  Speaker 4: I just realized he brought it up as well. I
• 26:10
  Speaker 4: know how she likes to be living the niggas with
• 26:12
  Speaker 4: that cut you back in the day is fun. I
• 26:15
  Speaker 4: like it, But I said, dogg, y'all, I think you're reading.
• 26:18
  Speaker 4: And also Ryan Coogler agreed with this. Later on, I said,
• 26:21
  Speaker 4: if you are a parent, right, that kid was ten twelve? Yes, Max,
• 26:27
  Speaker 4: home alone, home alone, Okay.
• 26:29
  Speaker 1: That man is like, if you don't do this, we
• 26:31
  Speaker 1: gonna kill your baby.
• 26:32
  Speaker 3: Yeah, everything else is out, everything else out, And she
• 26:38
  Speaker 3: had I.
• 26:38
  Speaker 4: Don't agree with what she did, but I don't need
• 26:42
  Speaker 4: to agree with the character. The character's decision needs to
• 26:44
  Speaker 4: make sense.
• 26:45
  Speaker 3: Her decision makes hundred.
• 26:47
  Speaker 1: She was like, what are we gonna do in here?
• 26:49
  Speaker 4: She don't know about the sun, Like we watched the
• 26:51
  Speaker 4: vampire movie with our full knowledge of vampires they have
• 26:54
  Speaker 4: never heard of.
• 26:55
  Speaker 1: The only person who even had an idea was Annie.
• 26:57
  Speaker 2: Nobody even mentioned daylight is gonna kill him? No know,
• 27:01
  Speaker 2: nobody said they can me stand out here forever. All
• 27:04
  Speaker 2: Grace knows is my husband is gone. He knows exactly
• 27:08
  Speaker 2: where we live.
• 27:10
  Speaker 3: I can't.
• 27:10
  Speaker 2: I can't lose my daughter. Also, and he has the
• 27:13
  Speaker 2: car and he got the whip and he gets down there.
• 27:16
  Speaker 2: There's no if if that's me, and he's like right,
• 27:23
  Speaker 2: And there's also there's like what was like ten or
• 27:27
  Speaker 2: twelve of them in the juke joint. At that point,
• 27:30
  Speaker 2: you don't even know how many people are out there.
• 27:32
  Speaker 2: You just seen some crazy and y'all are not dying.
• 27:35
  Speaker 2: I don't know what's happening, but y'all are not dying. Yeah,
• 27:38
  Speaker 2: y'all coming back to life.
• 27:41
  Speaker 4: I I disagree with why she did it, but you
• 27:43
  Speaker 4: ain't gotta be anti black, you just gotta be black.
• 27:46
  Speaker 3: Is a stretch, and Ryan Cookler was like, no, no, they.
• 27:49
  Speaker 1: Are in community together. His appearance in that moment, she
• 27:53
  Speaker 1: was just like my family. And the thing is people
• 27:57
  Speaker 1: are selfish, yes, especially in the dark circumstances.
• 28:02
  Speaker 3: Don't think I'm gonna just sit in the room be
• 28:04
  Speaker 3: like they have my daughter.
• 28:06
  Speaker 2: But he's sticking together. I'm sticking with y'all. I know
• 28:09
  Speaker 2: y'all a little bit, but loyalty I don't even know him.
• 28:12
  Speaker 2: I don't know who that is.
• 28:13
  Speaker 3: But loyalty right.
• 28:15
  Speaker 2: No, man, here's what I might do knowing me. Okay,
• 28:19
  Speaker 2: big Tom, what you doing? I might try to scramble.
• 28:25
  Speaker 2: I can't even go get the car keys because the
• 28:27
  Speaker 2: husband had the car keys.
• 28:28
  Speaker 4: She's out of options she has, and I feel like
• 28:33
  Speaker 4: the movie did a good job of that.
• 28:34
  Speaker 1: I can't. I can't have no option.
• 28:36
  Speaker 3: I can't just sit and let my daughter perish. I
• 28:39
  Speaker 3: know I can't do that. I can't. I can't, just
• 28:43
  Speaker 3: like I can die.
• 28:45
  Speaker 1: I don't want to go.
• 28:45
  Speaker 2: Out there and commit suicide. My main objective would be
• 28:49
  Speaker 2: how can I save my daughter? Yes, so I'm gonna
• 28:52
  Speaker 2: just be sitting there cooking up ways to be like.
• 28:56
  Speaker 3: How I'm gonna get my daughter. I'm gonna be zoned out. Yes.
• 29:00
  Speaker 3: And she's the mother.
• 29:01
  Speaker 4: I think it was so smart to make it the
• 29:03
  Speaker 4: mother versus the father because they have the like I
• 29:05
  Speaker 4: literally cared you. That's like mothers protect even more than
• 29:10
  Speaker 4: father in nature and offen in life. You know, they
• 29:13
  Speaker 4: got that bond like that mother's love. I don't care,
• 29:16
  Speaker 4: Ma'm a cup, I'm killing you. Every time they say
• 29:18
  Speaker 4: the animals if it's the mother.
• 29:20
  Speaker 3: You take the cup. It's all I'm gonna kill. It
• 29:22
  Speaker 3: becomes to my children. You people in this room are
• 29:25
  Speaker 3: expendable to me.
• 29:26
  Speaker 1: Everybody die. I'm sorry.
• 29:28
  Speaker 3: Sorry, I'm not sorry.
• 29:29
  Speaker 2: If it's my daughter or y'all, y'all want to do
• 29:32
  Speaker 2: it individually or as a group, do we do this
• 29:36
  Speaker 2: or that?
• 29:37
  Speaker 3: My daughter wins every time? Every time, y'all, y'all know
• 29:41
  Speaker 3: we read too much into it. Hold on, Yeah, it's
• 29:45
  Speaker 3: as simple as that. Man.
• 29:47
  Speaker 2: You know what I'm saying this or that your daughter
• 29:49
  Speaker 2: or you know what I'm saying, silkie slim my daughter,
• 29:53
  Speaker 2: your daughter, or smoke my daughter, your daughter, or Annie
• 29:58
  Speaker 2: my daughter. So yeah, that anti black thing, I'm not
• 30:02
  Speaker 2: buying it. Purely a selfish reaction to what was going on.
• 30:08
  Speaker 3: That's my take on it. And it sucks.
• 30:11
  Speaker 2: But a lot of y'all will probably do the same.
• 30:15
  Speaker 2: You're gonna be a team player. Oh it was a
• 30:17
  Speaker 2: team player. So my daughter is a vampire.
• 30:20
  Speaker 3: Now I had to stay with the group. No, man,
• 30:22
  Speaker 3: fuck that. That ain't enough for me. I'm gonna try
• 30:29
  Speaker 3: to figure out a way I can get my daughter.
• 30:32
  Speaker 2: And then people was like, well, she should have just
• 30:34
  Speaker 2: should have just sacrificed her own life and then and
• 30:38
  Speaker 2: then what your daughter's still done? Your goal is to
• 30:42
  Speaker 2: be like, how can I how can I figure out
• 30:45
  Speaker 2: a way to get my daughter out of this predicament?
• 30:49
  Speaker 2: What she did do she ended up killing her husband
• 30:54
  Speaker 2: and herself, and in her mind, Okay, I killed my husband.
• 30:59
  Speaker 3: Now they don't know where we live. So in her mind, she.
• 31:04
  Speaker 2: Actually did the best that she could and it was
• 31:06
  Speaker 2: a good move if you didn't know that they had
• 31:08
  Speaker 2: a high mind, which she didn't know. So in my eyes,
• 31:12
  Speaker 2: in my opinion, she did the right move. She was
• 31:16
  Speaker 2: just like, all right, man, I'm gonna kill the husband.
• 31:18
  Speaker 2: I hate to do it, but he's already gone. I'm
• 31:23
  Speaker 2: gonna sacrifice my life for my child and then boom,
• 31:26
  Speaker 2: And that's what she did.
• 31:27
  Speaker 3: So I'm not that mad at her.
• 31:30
  Speaker 2: Man, have some grace for Grace, Okay, give Grace some grace.
• 31:34
  Speaker 2: And that's why her name is Grace. Give Grace some grace, y'all.
• 31:40
  Speaker 2: She just wanted to protect her child.
• 31:43
  Speaker 3: That's it.
• 31:44
  Speaker 1: That's that.
• 31:45
  Speaker 2: So, yeah, did you think about that care she actually
• 31:50
  Speaker 2: she killed her husband, Grace. Yeah, she staked them through
• 31:55
  Speaker 2: the heart and they burned together. So in her mind,
• 31:58
  Speaker 2: she was like, if I take the they won't know
• 32:00
  Speaker 2: where we live.
• 32:01
  Speaker 3: So she did the right thing. She didn't know about
• 32:04
  Speaker 3: the hive mine.
• 32:05
  Speaker 1: But how was she put that together at all?
• 32:07
  Speaker 2: Yeah, it was like she sacrifice us for our daughter,
• 32:11
  Speaker 2: which which is what most parents would do.
• 32:13
  Speaker 1: Anyway, my daughter is still on my daughter, Lee was
• 32:18
  Speaker 1: in the conversation.
• 32:19
  Speaker 4: Yeah, and that's all I'm saying, like, and listen, movies
• 32:22
  Speaker 4: are open to your own interpretation. That was just the
• 32:24
  Speaker 4: wrong interpretation. We was putting all this stuff on there.
• 32:27
  Speaker 4: And I think people got forget in a good movie,
• 32:32
  Speaker 4: the character only knows what the character knows, not what
• 32:35
  Speaker 4: the audience knows. The audience knows everything that's happened in
• 32:38
  Speaker 4: the movie. The character only knows what the character knows.
• 32:41
  Speaker 4: And they was not they was finding about all that stuff. Really,
• 32:44
  Speaker 4: I think she Annie thought it was something else for
• 32:45
  Speaker 4: a while. She was like, I don't think it wasn't
• 32:48
  Speaker 4: a vampire.
• 32:49
  Speaker 1: At first. She was like, I can't remember the name,
• 32:51
  Speaker 1: but she was like, it's something else. It was like undead.
• 32:52
  Speaker 1: She was in another term saying she knew.
• 32:55
  Speaker 3: Yeah, because there was the hive mind, right, Like Renick
• 32:58
  Speaker 3: was the one who.
• 32:58
  Speaker 1: Was like your daughter aint thank you.
• 33:02
  Speaker 4: Yes, because he spoke to Mandarin or I don't know
• 33:05
  Speaker 4: if it's manner in her Chinese. So she knew yeah,
• 33:09
  Speaker 4: m hmm, she knew what though she knew about the
• 33:13
  Speaker 4: High mind or she knew he knew, Remick knew.
• 33:18
  Speaker 3: Well, I know Remick new, But did she know that
• 33:21
  Speaker 3: whatever the husband knows him.
• 33:25
  Speaker 2: I think she knew that, Yeah, because she tells them
• 33:29
  Speaker 2: like he knows Bo's memories.
• 33:33
  Speaker 1: Yeah, didn't Remick say that though, I thought he when
• 33:38
  Speaker 1: he was explaining it.
• 33:39
  Speaker 4: It's kind of fuzzy now. No, when he explained, like, oh, yeah,
• 33:44
  Speaker 4: once I know all this stuff about you. Everything your
• 33:46
  Speaker 4: husband knows I know. So that's where they knew, Like oh,
• 33:48
  Speaker 4: snap returned so and then the move was pointless. Yeah,
• 33:54
  Speaker 4: that's what I'm saying. Her reasoning was dumb, but her
• 33:59
  Speaker 4: reason what's smart. Yeah, like she's back against the wall.
• 34:04
  Speaker 4: I gotta say, my baby, But like nigga that you
• 34:08
  Speaker 4: run out there.
• 34:08
  Speaker 3: Then, but for what though? I try to if you,
• 34:15
  Speaker 3: if you run out there solo.
• 34:17
  Speaker 4: You.
• 34:19
  Speaker 1: Big and bad. You want to say, but it's not.
• 34:21
  Speaker 3: It's not about being bigger bad. It's being desperate to
• 34:24
  Speaker 3: save your dog.
• 34:24
  Speaker 1: So what does she think the invitation what she were
• 34:29
  Speaker 1: just gonna fight, y'all.
• 34:32
  Speaker 2: Yeah, it's it's like, all right, the best we get,
• 34:34
  Speaker 2: the best we can do is take them out.
• 34:38
  Speaker 3: Yeah yeah, because sitting here we did there.
• 34:42
  Speaker 4: It's not gonna that's what That's what I agree with.
• 34:45
  Speaker 4: But they also in the in a impossible situation. They
• 34:51
  Speaker 4: it's anak and I have the high ground like you're done,
• 34:56
  Speaker 4: but you got smoke man smokedn't do it.
• 34:59
  Speaker 3: When the smoke bigger bad, Yeah, and we got a shot.
• 35:02
  Speaker 1: That brother part at the end. I was just like,
• 35:04
  Speaker 1: y'all doing the brother stuff a little thick now.
• 35:07
  Speaker 4: When smoking stack was brothers and he was trying to
• 35:10
  Speaker 4: he thought he might have to kill him.
• 35:12
  Speaker 1: He's like here my brother.
• 35:13
  Speaker 4: I was just like, oh yeah, oh yeah, all right.
• 35:15
  Speaker 4: I'm gonna try to move off this morning. A little
• 35:17
  Speaker 4: sensitive to this. Also, let me go back.
• 35:21
  Speaker 1: I'm in to say it. At the very beginning, Michael B.
• 35:24
  Speaker 1: Jordan took a leap.
• 35:25
  Speaker 3: Oh yeah.
• 35:25
  Speaker 1: As an actor, I and I mean quickly, this is
• 35:29
  Speaker 1: what I'm telling y'all.
• 35:30
  Speaker 3: Man in this podcast, I'll be like Michael B. Now,
• 35:36
  Speaker 3: y'all see it. Now, y'all that was clown to me before.
• 35:39
  Speaker 1: Man, But now tone I'm talking about.
• 35:43
  Speaker 2: Listen, y'all. Life doesn't happen bi weekly, man. Sometimes you
• 35:48
  Speaker 2: wish you did, but it doesn't. Life doesn't happen bi weekly.
• 35:51
  Speaker 2: Life happens second by second, minute by minute, hour by hour,
• 35:55
  Speaker 2: d by d Okay, So why should pay that?
• 35:59
  Speaker 3: All?
• 35:59
  Speaker 2: Right?
• 35:59
  Speaker 3: Then? You earn can me in your hands today with
• 36:02
  Speaker 3: earn in.
• 36:02
  Speaker 2: Earn In is an app that gives you access to
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• 36:16
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• 36:22
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• 36:26
  Speaker 2: have been vital to me when I was working at
• 36:28
  Speaker 2: Dairy Queen or Emerged, or at the Activity Center or
• 36:32
  Speaker 2: at best Buy or in Hastings you know what I'm saying,
• 36:35
  Speaker 2: Or at McDonald's. You know this would have been vital
• 36:40
  Speaker 2: then because you know I needed that money. I needed
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  Speaker 2: under podcast when you sign up. It will really help
• 37:15
  Speaker 2: this show, as Ball Brothers on the podcast. Okay, earn
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  Speaker 2: the cash out User agreement for details. Services not available
• 37:40
  Speaker 2: in all states.
• 37:42
  Speaker 3: Now back to the Ball brother.
• 37:46
  Speaker 1: Maybe the first scene smoking stack word.
• 37:48
  Speaker 2: Yeah.
• 37:50
  Speaker 4: First of all, when they cross frame, I said, hold on, y'all,
• 37:54
  Speaker 4: I ain't never seen the two people playing one person
• 37:56
  Speaker 4: go around, right.
• 37:58
  Speaker 1: They did to dap up and I'm like, oh, hey.
• 38:02
  Speaker 4: When they did it on on TGI Fridays, the person
• 38:05
  Speaker 4: stand on this side is clear clear.
• 38:08
  Speaker 2: Hey, you in the car and is a clear separation
• 38:11
  Speaker 2: in the car. I remember Back to the Future did
• 38:13
  Speaker 2: that with Bill.
• 38:14
  Speaker 4: We ain't seen no crossing the frame. And they they
• 38:19
  Speaker 4: had different mannerisms. Yeah, uh, different character motives like Stack,
• 38:24
  Speaker 4: his name is Stack. He's trying to stack money. He's
• 38:26
  Speaker 4: the one's pure money. Smoke, he smokes. You know what
• 38:29
  Speaker 4: I'm saying. He's he got the even the news Bill
• 38:32
  Speaker 4: cap versus the like Italian mob cap like one of
• 38:35
  Speaker 4: them looked like Chicago mob.
• 38:37
  Speaker 3: One of the Loo looked like the Irish mob.
• 38:41
  Speaker 4: Like you could see maybe I was working for different
• 38:43
  Speaker 4: mobs in Chicago. But as an actor, he he did it.
• 38:48
  Speaker 2: He and it was it was It was subtle. It
• 38:51
  Speaker 2: was subtle differences, yes, like you can tell them apart.
• 38:54
  Speaker 2: But it wasn't like because sometimes you play two characters,
• 38:57
  Speaker 2: you feel like one has to be drastically different than
• 39:00
  Speaker 2: the other.
• 39:00
  Speaker 3: Like when you think of Tom Hardy in that movie.
• 39:03
  Speaker 1: Uh, well he played the twins, the Irish twins.
• 39:07
  Speaker 3: Oh god, they were London whatever. Legend, legend, legend, legend.
• 39:13
  Speaker 2: One was absolutely crazy, and the other dude was like
• 39:16
  Speaker 2: chill Ronnie and something.
• 39:18
  Speaker 3: So they were they were jarringly different or even Mark Ruffalo.
• 39:21
  Speaker 1: And no, he would not get an oscar. No, that's
• 39:23
  Speaker 1: nothing to do. Somebody said, we get an oscar.
• 39:26
  Speaker 3: You don't think so.
• 39:27
  Speaker 4: No, they don't do them for horror movies. They just
• 39:29
  Speaker 4: be like, I think he might get do you really
• 39:33
  Speaker 4: I don't think so.
• 39:33
  Speaker 3: I think I think I think sinners might be able.
• 39:37
  Speaker 1: To what this is not saying he's not worthy.
• 39:40
  Speaker 3: Here's what makes me lose confidence.
• 39:42
  Speaker 1: Y'all going tweet this.
• 39:43
  Speaker 4: I just they be doing comic book movies and horror movies.
• 39:46
  Speaker 4: They pretend they don't exist when it comes to Ostro, but.
• 39:50
  Speaker 3: They threw they've been they've been throwing comic book movies
• 39:52
  Speaker 3: in there now.
• 39:53
  Speaker 1: Because Lupeter getting animated for them or us.
• 40:00
  Speaker 2: No, she didn't.
• 40:02
  Speaker 1: I thought she should. And that's the other thing.
• 40:03
  Speaker 3: What's the name you should have to? Uh, tony collect?
• 40:09
  Speaker 2: She should have got nominated for Hereditary But they was
• 40:12
  Speaker 2: just like she was God. The only thing that that
• 40:19
  Speaker 2: that messes it up is that it came out too
• 40:22
  Speaker 2: early in the year. They tend to focus on movies.
• 40:26
  Speaker 1: Outside it's wet. Yeah, the movie's blue.
• 40:30
  Speaker 2: But this movie made such a title wave of just
• 40:34
  Speaker 2: like critical acclaim, box office, that they can't ignore it.
• 40:38
  Speaker 2: So because Black Panther got nominated for Best Picture, it
• 40:41
  Speaker 2: came out in February, and this is the same type
• 40:43
  Speaker 2: of situation here. It came out April, came out April. Yeah,
• 40:48
  Speaker 2: so I think it's gonna get a late April, early April,
• 40:53
  Speaker 2: mid April.
• 40:54
  Speaker 1: It was like, yeah, it's around mid April's roights time.
• 40:56
  Speaker 3: I think it's gonna get nominated for Best Picture. I
• 40:58
  Speaker 3: think Michael B. Jordan's might get an.
• 41:00
  Speaker 1: As for supporting or lead, lead, lead, and maybe lead
• 41:05
  Speaker 1: and support.
• 41:06
  Speaker 3: Well nothing, they're not gonna nominate Come.
• 41:08
  Speaker 1: On, man, smoking off stack gonna do all that.
• 41:12
  Speaker 3: I think Ryan Coogler might get a nomination.
• 41:14
  Speaker 4: For Best Better for that scene alone, if the movie
• 41:16
  Speaker 4: was just that scene that was as good as Viola
• 41:19
  Speaker 4: davids Is scene in Doubt when she got nominated for
• 41:22
  Speaker 4: that one scene with her and Meil Street. And when
• 41:25
  Speaker 4: I was watching that movie, I was like, I'm sorry,
• 41:28
  Speaker 4: what is she No, she can't be saying, oh she
• 41:32
  Speaker 4: is saying that.
• 41:33
  Speaker 3: I said. Meryl Street was like that scene was so
• 41:37
  Speaker 3: tough man.
• 41:39
  Speaker 4: Because mother's love man. He screwed either way. But the
• 41:44
  Speaker 4: daddy gonna beat him, maybe kill him. Let that man
• 41:47
  Speaker 4: touch him if he can go away to that school.
• 41:49
  Speaker 3: And I know what's wrong.
• 41:50
  Speaker 4: I know you ain't gotta make this choice, mayl you
• 41:52
  Speaker 4: ain't got to deal with this. This is what I
• 41:53
  Speaker 4: gotta do with this boy is gay at the time when.
• 41:54
  Speaker 1: You can't be gay.
• 41:55
  Speaker 4: And he's gay and black and his daddy's homophobic. Ain't
• 41:58
  Speaker 4: no pride month. He can't go down to the gap
• 41:59
  Speaker 4: and get a room bow shirt. They're gonna be dead.
• 42:01
  Speaker 4: So if the man got to touch them, man gotta
• 42:03
  Speaker 4: touch them.
• 42:03
  Speaker 3: And I don't like it.
• 42:04
  Speaker 4: I'm not saying I like it, man, And I said,
• 42:06
  Speaker 4: dang viola, but I feel you again. I don't agree
• 42:09
  Speaker 4: with the character, but she what am I gonna do?
• 42:12
  Speaker 1: What am I gonna do?
• 42:13
  Speaker 2: And I'm a woman, I can't work, I can't leave,
• 42:15
  Speaker 2: and I'm.
• 42:16
  Speaker 4: Black, so I'm worse off than him. At least he's
• 42:18
  Speaker 4: a man. I'm stuck Oscar. Now for that scene, Ryan Coogler,
• 42:23
  Speaker 4: that scene, I mean, it was the theme of the movie.
• 42:27
  Speaker 4: It was the moment, it was the music. It was
• 42:31
  Speaker 4: he better get it. I want Michael Jordan to do it.
• 42:33
  Speaker 1: I just don't think they don't do horror every bullshing.
• 42:36
  Speaker 3: But I feel like now you can't deny.
• 42:38
  Speaker 1: Now you and you can believe and listen. I love
• 42:42
  Speaker 1: Michael Jordan. He only loses me a little bit every movie.
• 42:45
  Speaker 4: When he got he do something, I can't believe him,
• 42:48
  Speaker 4: he screamed, and I'll be like out black Panther, is
• 42:50
  Speaker 4: this your king?
• 42:51
  Speaker 3: I just this is a classic line.
• 42:54
  Speaker 1: I just didn't. I didn't all the way in the
• 42:58
  Speaker 1: Move the Museum, I bought.
• 43:00
  Speaker 3: It, so it was something you didn't buy me in
• 43:02
  Speaker 3: the sentence.
• 43:03
  Speaker 1: No, he leveled up.
• 43:07
  Speaker 4: He has gotten better as an actor, and I loved
• 43:10
  Speaker 4: him as in the Wire as Wallace. I mean, just
• 43:13
  Speaker 4: the perfect example of like he's not really a street kid,
• 43:16
  Speaker 4: but he's in the world where you have to be
• 43:18
  Speaker 4: and you can't even straddle, you can't be scared, you
• 43:20
  Speaker 4: can't make a mistake.
• 43:21
  Speaker 1: You are in the street by the street, the side
• 43:23
  Speaker 1: you street.
• 43:24
  Speaker 4: Person based on where you're born. And it caught him up,
• 43:26
  Speaker 4: and then the young kids got to do it like perfect.
• 43:29
  Speaker 1: You know what I'm saying. He's not a bad actor.
• 43:30
  Speaker 1: I love him, but Sinners.
• 43:33
  Speaker 2: I was like, Yo, I'm telling y'all, Michael, Michael, this
• 43:39
  Speaker 2: episode after episode.
• 43:41
  Speaker 1: Where's Wallace string? Where's no man Man?
• 43:47
  Speaker 3: I don't know.
• 43:50
  Speaker 4: I love that about the Wire. We should talk about
• 43:52
  Speaker 4: that one day. The theme of the Wire is set
• 43:55
  Speaker 4: up in the pilot, but we didn't know.
• 43:56
  Speaker 1: I didn't notice it.
• 43:58
  Speaker 4: D'Angelo is teaching him through chess, and he's talking about pawns,
• 44:03
  Speaker 4: kings and queens. We're all just pieces on the chessboard.
• 44:06
  Speaker 4: And by the end of the movie, I mean the
• 44:08
  Speaker 4: end of the series, everybody's been replaced. There's a new pawn,
• 44:13
  Speaker 4: there's a new king, there's a new bishop something, there's
• 44:16
  Speaker 4: Mike becomes omar Uh. Dookie becomes Bubbles. Name is the
• 44:22
  Speaker 4: only one that gets out. Naming gets out.
• 44:25
  Speaker 3: What's his name?
• 44:25
  Speaker 4: We don't know what he gonna Randy Randy becomes he
• 44:28
  Speaker 4: becomes another street person.
• 44:31
  Speaker 1: Carver becomes he might be Carver becomes Mignot.
• 44:35
  Speaker 4: Like I'm gonna Playing by the rules doesn't work, so
• 44:38
  Speaker 4: I gotta go not play by the rules.
• 44:41
  Speaker 1: And the Greek there's always the Greek.
• 44:45
  Speaker 4: There's always a connect, there's a prop Joe died Marlo
• 44:49
  Speaker 4: got the connect.
• 44:50
  Speaker 1: He died. This person got the connect.
• 44:52
  Speaker 3: Gonna be the next monster, the one that killed Omar.
• 44:56
  Speaker 4: Yes, Canar. I thought he was gonna be the next Omar,
• 45:01
  Speaker 4: But he's the next He's the next monster like marlow level.
• 45:05
  Speaker 3: He could be the next Marlowe.
• 45:07
  Speaker 4: Yes, because he cold heartless. Mike was smart, calculating. You
• 45:12
  Speaker 4: know what I'm saying. He had the hidest family the
• 45:14
  Speaker 4: same way Omar did. All pieces on the chessboard man
• 45:17
  Speaker 4: in the media, from the police, to the politicians to
• 45:19
  Speaker 4: the drugs. I was just like, dang, That's why I
• 45:23
  Speaker 4: ranked so highly. For me, it's the best, It's the best,
• 45:26
  Speaker 4: man the best Breaking Breaking Back. My problem is it's
• 45:31
  Speaker 4: how you break it up. Breaking Back is the greatest
• 45:35
  Speaker 4: single character arc in TV history, for sure, from a
• 45:38
  Speaker 4: chemistry teacher to a cold blooded billion dollar villain. And
• 45:44
  Speaker 4: if you go from episode one to the last episode,
• 45:46
  Speaker 4: you're like, ain't no way either way, it's the same guy.
• 45:48
  Speaker 1: There's no way.
• 45:49
  Speaker 3: And that was that was his intent the whole time.
• 45:51
  Speaker 3: The creator of the show. He was like, I'm gonna
• 45:53
  Speaker 3: make him.
• 45:54
  Speaker 1: Decision by this city. You remember how scared he was
• 45:56
  Speaker 1: in the pilot. He was in his drama.
• 45:59
  Speaker 4: And then the first person he killed, his mistake, and
• 46:01
  Speaker 4: then he didn't really kill Jesse's girlfriend, he just let
• 46:03
  Speaker 4: her die, and then he killed and then along the
• 46:06
  Speaker 4: way the money don't even matter.
• 46:08
  Speaker 3: But now pride and now you're because you you already
• 46:11
  Speaker 3: were not.
• 46:11
  Speaker 1: The thing I love about Breaking Back the most is
• 46:14
  Speaker 1: he actually got away. He got the cabin, he got
• 46:17
  Speaker 1: the money, he has all the stuff. Was the pride.
• 46:22
  Speaker 1: Now his pride and egoists.
• 46:24
  Speaker 3: No, man, No, he's he's heat.
• 46:27
  Speaker 4: He's Robert de Niro. He can't let Wayne Grow go. Bro,
• 46:30
  Speaker 4: you're there, you are at the airport. He's like, that's
• 46:36
  Speaker 4: Tony Baker. I'll be sending that when he don't let
• 46:38
  Speaker 4: them go. I just send him a picture of Wayne Grow.
• 46:40
  Speaker 4: He was like, man had the cabin, girl in the
• 46:45
  Speaker 4: passenger seat.
• 46:48
  Speaker 3: No, man, I can't let it go.
• 46:55
  Speaker 4: He's the tourst probably Niberg hors rising and cancer stuff though.
• 47:02
  Speaker 1: No, yeah, I let some stuff go. That whole grudges, man, hold.
• 47:09
  Speaker 3: You robber than narrow as well.
• 47:10
  Speaker 1: Put my grudges in that night, and I say good
• 47:13
  Speaker 1: night to each of my grudges.
• 47:14
  Speaker 4: Rights TV grudge for seven years.
• 47:21
  Speaker 1: Then let the boys go. I checked their views. I
• 47:23
  Speaker 1: was like, they're going down. Awesome TV.
• 47:27
  Speaker 3: Good night.
• 47:30
  Speaker 1: Y'all.
• 47:30
  Speaker 4: Ever, don't hire my kids again. I'll show you off
• 47:33
  Speaker 4: this TV. But yeah, we was gonna talk about more
• 47:36
  Speaker 4: vampire movies, but we ran out.
• 47:40
  Speaker 1: I'm not even eating, you know.
• 47:42
  Speaker 4: I got my protein shakes, that's crazy, got for rice cakes,
• 47:49
  Speaker 4: got my yoga, you my tears. The most boring stuff, no, man,
• 47:54
  Speaker 4: because that's the key to me boring. At least when
• 47:59
  Speaker 4: boring I found, I don't have to think about it. Yeah,
• 48:02
  Speaker 4: I just run out of yogurt.
• 48:04
  Speaker 1: Cry go to instacart ralphs four four cans of protein
• 48:10
  Speaker 1: yogurt granola.
• 48:12
  Speaker 3: So you don't even like this stuff. It's all business.
• 48:15
  Speaker 4: I saw video ruming rains he was eating. He had
• 48:18
  Speaker 4: a little tupperware. It's like half grilled chicken and half broccoli.
• 48:21
  Speaker 1: They're like, man, what's the secret? Man, how do you
• 48:23
  Speaker 1: eat this and stuff? He said, Man, I hate it.
• 48:26
  Speaker 1: I just eat it. I don't like it.
• 48:28
  Speaker 3: I don't care.
• 48:29
  Speaker 4: I just know I have to eat it, so I
• 48:31
  Speaker 4: eat it. This is how this is my job. And
• 48:34
  Speaker 4: he was so dead behind the eyes. It's just like
• 48:37
  Speaker 4: chicken and broccoli. I ain't had a candy in years,
• 48:41
  Speaker 4: and I'm just like, bro, I've been talking to listen.
• 48:45
  Speaker 4: She's like, I couldn't believe this. She's like she never
• 48:47
  Speaker 4: thinks about food. See I need that, And I'm like
• 48:51
  Speaker 4: constantly always thinking about I'm like, man, I might go
• 48:55
  Speaker 4: to Jersey mis Nah, Kevin.
• 48:56
  Speaker 1: You've been doing good. It's like that green dollard mask's tall.
• 49:00
  Speaker 2: Sure you know I have with peanut butter, like that
• 49:05
  Speaker 2: that peanut butter be sitting there on the counter and
• 49:07
  Speaker 2: be like tyn, Yeah, looking good. Brother, man, Oh what
• 49:12
  Speaker 2: are you doing here? I just came by to say hello.
• 49:16
  Speaker 2: It's me Crunchy with a hint of honeys. Remember that town.
• 49:21
  Speaker 2: I was like, come on, man, you know I'm just.
• 49:23
  Speaker 3: Trying to trying to what leave me alone? You're trying
• 49:26
  Speaker 3: to what town? I'll be like, man, come on, man,
• 49:32
  Speaker 3: peanut butter man toy said he had game six pounds.
• 49:35
  Speaker 1: It was mostly peanut butter. I was like, man, how
• 49:36
  Speaker 1: much peanter butter.
• 49:37
  Speaker 3: Are you eating?
• 49:37
  Speaker 1: He was like, okay, I was going in man. It
• 49:40
  Speaker 1: was peanut butter balls, pet balls with a smoothie place.
• 49:43
  Speaker 2: I had the peanut butter balls and then I would
• 49:45
  Speaker 2: have the peanut butter and I'll get.
• 49:47
  Speaker 1: A spoonful eat peanut butter.
• 49:49
  Speaker 3: Row Man, it would show man, it would show.
• 49:54
  Speaker 1: Six pounds, oh, six pounds.
• 49:57
  Speaker 3: It was six pounds of fat.
• 50:00
  Speaker 1: That was a pure peanut butter.
• 50:01
  Speaker 2: Man.
• 50:02
  Speaker 3: They had to get my I had to get it together.
• 50:04
  Speaker 1: Though it's a sneaky calorie, it's good on the protein.
• 50:07
  Speaker 2: But they mount seventy services two tablespoons of peanut butter.
• 50:13
  Speaker 2: You're looking at one seventy and then then the fat
• 50:15
  Speaker 2: is like between thirteen and sixteen grands of fat and
• 50:18
  Speaker 2: you got two point three two point five saturated.
• 50:22
  Speaker 3: I know the stats.
• 50:23
  Speaker 4: You sound like a sound like an NFL draftscout. It's
• 50:27
  Speaker 4: giving out the combine numbers.
• 50:28
  Speaker 3: I know the stats.
• 50:30
  Speaker 4: You knew he was down to the saturating. And also, guys,
• 50:33
  Speaker 4: fun fact, peanut butter is not made with peanuts and butter.
• 50:35
  Speaker 4: The thing about it is peanut butters are naturally oil.
• 50:39
  Speaker 4: So really all you gotta do is you put the
• 50:41
  Speaker 4: peanuts in and you mix it and it will become
• 50:43
  Speaker 4: the reason it's called butter. Honestly, a lot of people
• 50:46
  Speaker 4: get mistaken it's called butter because of how it spreads.
• 50:49
  Speaker 4: People get mistaken to think, oh, they mix butter with peanuts. No,
• 50:52
  Speaker 4: not so fast, my friend, not true spread aspect of it.
• 50:56
  Speaker 4: So yeah, you can go down to Costco and just
• 50:57
  Speaker 4: get raw peanuts, take it home. You shake it up
• 51:00
  Speaker 4: fast enough, it'll become peanut butter.
• 51:02
  Speaker 1: You don't have to have anything.
• 51:03
  Speaker 3: Those who don't know what's going on, man cave swom
• 51:06
  Speaker 3: up and down.
• 51:06
  Speaker 2: You made peanut butter with butter butter like he couldn't.
• 51:11
  Speaker 2: He couldn't grass when you put the butter in.
• 51:14
  Speaker 3: No, there's no, there's no butter. It's just so.
• 51:19
  Speaker 2: Wait a minute, So you mean to tell me there's
• 51:21
  Speaker 2: no there's no butter in peanut butter. No, it's it's
• 51:24
  Speaker 2: just the peanuts in the oil. Sometimes but and then
• 51:28
  Speaker 2: the butter man.
• 51:30
  Speaker 4: In my mind, you just cut off a little, a little,
• 51:35
  Speaker 4: You get it in the mix, just to get it going.
• 51:37
  Speaker 4: I was like, you mean to tell me dry peanuts
• 51:41
  Speaker 4: and you mixed it up oil. There was like, yes,
• 51:44
  Speaker 4: so so so the butter just in the net, It
• 51:46
  Speaker 4: told him, was like the butter's house spread.
• 51:48
  Speaker 3: No, no, no, I hang it all that.
• 51:49
  Speaker 4: I get that, but I feel like it tastes buttery.
• 51:52
  Speaker 4: Also as well, No care, that's just the salt peanut butter.
• 51:55
  Speaker 4: Peanuts naturally oily and salty. So you mean to tell
• 51:58
  Speaker 4: me almonds if you did AARM, it's the same way
• 52:01
  Speaker 4: if you make almond butter.
• 52:03
  Speaker 3: Yes you did. That sets you the picture of the
• 52:05
  Speaker 3: grind machine. Where's coming out?
• 52:08
  Speaker 1: Cash?
• 52:08
  Speaker 3: Cash, where's the butter?
• 52:10
  Speaker 1: Oh?
• 52:11
  Speaker 3: That was funny?
• 52:11
  Speaker 1: All right, man? Were done with this