Latest / The Bald Brothers Podcast / 85: Top 10 White People Songs that Black People Love. | #TheBadBrothersPodcast
Transcript
- 0:00Speaker 1: What have you watch boy, Kevin Stage.
- 0:01Speaker 2: Listen if you're a fan of the Ball Brothers, Me
- 0:03Speaker 2: and Tony Baker are taking the Ball Brothers Freestyle Comedy
- 0:05Speaker 2: Show on the road. First stop to come on Washington
- 0:08Speaker 2: November twenty second and twenty third Nate Jackson's Super Funny
- 0:12Speaker 2: Comedy Club.
- 0:13Speaker 1: Go to Kevin Stage dot com.
- 0:15Speaker 2: Click on tour to get your tickets, or go to
- 0:18Speaker 2: Nate Jackson's Super Funny Comedy Show dot com to get
- 0:21Speaker 2: your tickets. Linking the bio and all that jazz, you
- 0:25Speaker 2: feel me see you in the city.
- 0:28Speaker 3: People don't like people, that's what you don't like.
- 0:34Speaker 1: You like. I just don't like meet and greets on
- 0:40Speaker 1: on day people that I have to perform. If it's
- 0:44Speaker 1: just a straight meet and greet, I will be fine.
- 0:46Speaker 2: Yeah, it's the double energy. I thought pre would be
- 0:50Speaker 2: good because we did pre for the Ball Brothers. Yeah,
- 0:53Speaker 2: but it's it's still it's zaps.
- 0:55Speaker 3: Yeah, for sure.
- 0:57Speaker 1: It's a lot of it in the double handhold.
- 0:59Speaker 3: Especially when you don't like people.
- 1:01Speaker 4: Extra that lady man, Remember your brother, your brother, Yeah,
- 1:08Speaker 4: he died, remember that.
- 1:11Speaker 2: Here he is alive though right before, right before the show.
- 1:16Speaker 2: This is true story. See this picture crazy DC, have
- 1:23Speaker 2: a good show. You know why you would do that?
- 1:26Speaker 2: I remember at that moment, I said, oh, buddy, you
- 1:28Speaker 2: killed it for everybody. She was the nail in the
- 1:32Speaker 2: coffin for the world because I was like, she wasn't
- 1:36Speaker 2: even late in the process. Was early in the meet
- 1:40Speaker 2: and Greek.
- 1:40Speaker 1: And me get you now, man, that's crazy, bro. Remember
- 1:46Speaker 1: she put the phone that close to my face for
- 1:51Speaker 1: tont didn't see I how to tell him.
- 1:52Speaker 3: I was like, what I'm saying.
- 1:54Speaker 1: The lady just held the phone with the picture. Jan
- 1:56Speaker 1: I was like, what do you want me to do
- 1:58Speaker 1: with it?
- 1:59Speaker 3: I don't know what y'all be wanting us to do.
- 2:01Speaker 1: Would be like for the people, why would you bring
- 2:03Speaker 1: up a very.
- 2:05Speaker 4: It's a picture you and your son right here, right
- 2:11Speaker 4: now were pulling for you, remember your son.
- 2:14Speaker 3: That's what they were doing, like bru stop.
- 2:18Speaker 1: And I hadn't.
- 2:21Speaker 3: I have been wanting to put this on you.
- 2:24Speaker 1: Don't do it no more.
- 2:25Speaker 3: You picture you and your son.
- 2:27Speaker 1: You might do meet and greets from my books?
- 2:29Speaker 3: Did I mention a book because you don't have to perform?
- 2:32Speaker 2: That's what I'm saying, Like I can do that. It's
- 2:35Speaker 2: the before and the after is just the afters.
- 2:38Speaker 3: And you don't like people, We gather factor this in
- 2:41Speaker 3: love people.
- 2:42Speaker 1: All right, Welcome to the bar Brothers Podcast where I
- 2:44Speaker 1: love people and SODA's tonic.
- 2:46Speaker 3: I really do you don't do either?
- 2:49Speaker 1: Why you don't do it? Why don't do me? Greet
- 2:51Speaker 1: no more?
- 2:51Speaker 3: I would just be tired though.
- 2:52Speaker 1: Oh so now it's fine?
- 2:54Speaker 3: Hmm tired?
- 2:56Speaker 5: Is this?
- 2:57Speaker 1: I mean tired?
- 3:01Speaker 2: All right? Anyway, Bob Brothers Podcast, Me and Tony Baker
- 3:04Speaker 2: wax poetically on everything from movies to sex position and fatness,
- 3:10Speaker 2: as we did earlier in today's shoot day, but long
- 3:13Speaker 2: ago in the episode, today's topic top ten white people's
- 3:18Speaker 2: songs that Black people love tone You're up first first?
- 3:24Speaker 3: All right? Anything by the Red Hot Chili.
- 3:28Speaker 4: Peppers Black people rock with the red chili pepper song?
- 3:38Speaker 3: Y'all don't like the red hot chili Peppers.
- 3:40Speaker 1: I know some red hot chili pepper song.
- 3:42Speaker 3: Californication.
- 3:43Speaker 4: Is this sugar, Push sugar on star tissue, Boss up Sugar.
- 3:49Speaker 3: That's a motley Cruetley crew, So sugar, oh man, give
- 3:55Speaker 3: it away, give it away, give it away? Now, you
- 3:58Speaker 3: don't like real chili pepper whites?
- 4:00Speaker 2: I don't know their songs like that. What what's the song?
- 4:04Speaker 2: I mean, I don't know the name. I probably know
- 4:06Speaker 2: that's one.
- 4:07Speaker 4: Give it away, Give it away, Give it away now,
- 4:09Speaker 4: californiication scar tissue.
- 4:12Speaker 1: I don't know them song. Brother, I ain't gonna hold
- 4:15Speaker 1: you black folks, will y'all walking with the chip with
- 4:17Speaker 1: the Peppers? Oh yeah, I love Red Hot Pepers in
- 4:21Speaker 1: my spaghetti.
- 4:22Speaker 3: Why they problematic?
- 4:24Speaker 1: Well, all them old white rock bands. They ain't the
- 4:26Speaker 1: best people in the world.
- 4:27Speaker 3: What they do.
- 4:29Speaker 1: They're probably all drugs and some other stuff.
- 4:31Speaker 3: Somebody has said they was problematic.
- 4:36Speaker 1: That's a green pepper. I never even seen that.
- 4:42Speaker 2: Okay, Red Hot Chili Peppers as a group. All right,
- 4:48Speaker 2: I'm gonna I'm gonna go with this.
- 4:51Speaker 1: Journey.
- 4:52Speaker 3: I knew that I wrote them down.
- 4:54Speaker 1: Don't believe. I believe.
- 4:56Speaker 3: Oh, this is a small town girl man, just a
- 4:59Speaker 3: smart living in a lonely.
- 5:05Speaker 6: On the midnight train, like, yeah, it's fine, don't stop.
- 5:22Speaker 3: He's singing. Who's asshole? What he's singing? His ass? He
- 5:32Speaker 3: killed it on We All the World to Loki.
- 5:39Speaker 4: Yeah, because he kept going in and out of the
- 5:43Speaker 4: group the whole time.
- 5:46Speaker 3: It was like and then he was like, man, I'm
- 5:48Speaker 3: sueing y'all.
- 5:49Speaker 4: Y'all keep using journey without me. What Yeah, it's complicated
- 5:54Speaker 4: with him. I just I just watched the video on
- 5:56Speaker 4: that the other day. Really yeah, Steve harry Man, but
- 6:01Speaker 4: that dude the same boy?
- 6:02Speaker 3: Wow, I did not know that.
- 6:08Speaker 1: All right, what you got?
- 6:10Speaker 3: I'm gonna Phil Collins in the air to night.
- 6:13Speaker 4: I can't feel it, come in in the air and night.
- 6:18Speaker 1: That is my hold on, Come on, comes in the
- 6:27Speaker 1: songs almost old.
- 6:28Speaker 3: I love Phil Collins man.
- 6:30Speaker 4: He easy lover, Cheeze and easy lover.
- 6:36Speaker 3: You gotta hold on. You believe it like no other.
- 6:42Speaker 3: Before you know it, you'll be on your knees. I
- 6:46Speaker 3: love Phil Collins, man, I love Jill Collins.
- 6:50Speaker 1: Mike punching that dude on the hangover to.
- 6:53Speaker 3: That song socked him out. Man, Phil Collins is my man?
- 7:02Speaker 1: Oh why God?
- 7:04Speaker 2: All right, this one this is a little cheap because uh,
- 7:10Speaker 2: I didn't know he.
- 7:10Speaker 3: Was I already knew he was coming with this, so
- 7:13Speaker 3: I left it off. Did you gonna play it? Line?
- 7:16Speaker 1: Oh wow?
- 7:18Speaker 4: The commercial messed up the whole floor on your phone, man, Man,
- 7:23Speaker 4: I thought I had a whole situation. Come now you
- 7:25Speaker 4: got to read long in your carev overa fucking man.
- 7:29Speaker 3: Oh yeah, put your phone on the mic. Man, I
- 7:32Speaker 3: want to win the Apple music. You gotta front man.
- 7:35Speaker 4: You over here Google imaging sign back?
- 7:41Speaker 3: What's the fast word? He forgot his fast Gotta get
- 7:45Speaker 3: the confirmation. Man, here we go.
- 7:49Speaker 2: Nigga's left there for sure. Didn't know he was white though,
- 7:53Speaker 2: so if it's a little bit of a cheap look
- 7:56Speaker 2: at how darky is the music video.
- 7:58Speaker 3: Of course I gave you under where I been. Okay,
- 8:05Speaker 3: this is fine.
- 8:06Speaker 7: Love with him.
- 8:08Speaker 1: I thought he was black.
- 8:11Speaker 7: I came back to Legend know.
- 8:14Speaker 4: For sure, white man, big white, and I can big
- 8:20Speaker 4: called well, know what they're wrong with me? Me in
- 8:27Speaker 4: the days for your love?
- 8:30Speaker 7: You see? And I came back to legend know.
- 8:38Speaker 1: He is such a white due and white man.
- 8:42Speaker 3: He's a white dude.
- 8:43Speaker 5: Man.
- 8:44Speaker 1: We don't care. Man, the music is right.
- 8:46Speaker 4: We don't give a ship. I ain't never gave a ship.
- 8:51Speaker 4: What I want the song to be? Good man hush
- 8:55Speaker 4: and commented his us see you in.
- 9:00Speaker 7: The lordly place? How could you be so blind?
- 9:08Speaker 1: Love it?
- 9:09Speaker 4: Come on, you're all right, I'm gonna go with it.
- 9:13Speaker 4: Could be either I keep forgetting, or what a fool believes?
- 9:18Speaker 4: Michael McDonald's keep fugging, Okay, fugging.
- 9:35Speaker 5: Man.
- 9:36Speaker 4: I love Michael McDonald, do it, brother.
- 9:41Speaker 3: Man, Come on, man, we loving it.
- 9:46Speaker 1: You love what all believe?
- 9:47Speaker 4: What a fool we believe? So as the melodies come in,
- 9:59Speaker 4: just that that due Eddy had repatting.
- 10:03Speaker 3: Little Bell on my own on mile Man, have a.
- 10:10Speaker 1: Lot of words, man, I was trying to read the
- 10:14Speaker 1: words rule it away, hold on, hold on, we gotta play.
- 10:21Speaker 3: They don't promise me a good time.
- 10:23Speaker 2: I want to read the lyrics. And I was just
- 10:24Speaker 2: like I was gonna do apparenting to it. And I
- 10:27Speaker 2: was just like, dang, man, why you write so much?
- 10:30Speaker 1: Michael?
- 10:30Speaker 2: He said, Man, I was writing, I just like the
- 10:34Speaker 2: movie characters like walking down the street.
- 10:36Speaker 1: What's up y'all?
- 10:39Speaker 3: Hey man, I can picture of Joseph Gordon Levitt.
- 10:42Speaker 1: Walker, Yeah, back in a long ago. That's a lot.
- 10:49Speaker 1: Just once said it.
- 10:50Speaker 3: Send them.
- 10:53Speaker 1: To recreate, Yeah, to be created. He writing, right, we
- 10:58Speaker 1: said whole life.
- 11:00Speaker 3: She musters a smile for his nostalgic tale.
- 11:04Speaker 4: It's coming complicated that I said, coming nobody.
- 11:08Speaker 3: He wanted to say. This is thick said to realize.
- 11:12Speaker 1: There's a word.
- 11:14Speaker 7: It never really was. She had a place in her life.
- 11:23Speaker 1: That's why I come in right here.
- 11:25Speaker 8: He never made her try.
- 11:32Speaker 1: As he rises to her apology, worry anybody else?
- 11:37Speaker 7: Was youly?
- 11:38Speaker 1: No minute? Fifteen? A straight how her goal?
- 11:43Speaker 3: This is complicated? What the food believe now means? He said?
- 11:52Speaker 7: The wise man has the power.
- 11:55Speaker 1: I did not know. That's what he said to reason
- 11:58Speaker 1: away on that part.
- 12:00Speaker 4: Though, one see so many words.
- 12:05Speaker 3: To be.
- 12:08Speaker 4: It's always better than nothing, nothing at all.
- 12:15Speaker 3: That is a complicated song.
- 12:18Speaker 1: That is word he wrote.
- 12:21Speaker 3: He was.
- 12:23Speaker 1: Has yet to be created. This is a script, remember
- 12:28Speaker 1: the tipe writer.
- 12:29Speaker 3: Yeah for sure. This is not no simple lyrics right yo?
- 12:35Speaker 1: Man, he was going.
- 12:37Speaker 3: He was going in depth the story. What has yet
- 12:41Speaker 3: to be created?
- 12:44Speaker 7: What's in his life?
- 12:46Speaker 1: Man should must.
- 12:49Speaker 3: A smile for nostalgic tale?
- 12:52Speaker 1: He was writing a movie, told he I want to
- 12:54Speaker 1: see his script.
- 12:57Speaker 3: This God damn he could write. Now who you get?
- 13:00Speaker 1: Uh see? I don't want to just play everyone because
- 13:05Speaker 1: it episode gonna be an hour log, but I'll go
- 13:10Speaker 1: play it. This is because of waves. Course, this is
- 13:19Speaker 1: my freaking jazz.
- 13:22Speaker 9: Queen got the multitude, they got hits, so ship we
- 13:27Speaker 9: Rock with Freddy Marcury Push Freddy Mark singing his with
- 13:33Speaker 9: the slip.
- 13:33Speaker 3: Back at one of the best voices of all time.
- 13:37Speaker 1: What do y'all want to take a quick break from
- 13:38Speaker 1: the show to tell you about one.
- 13:39Speaker 2: Of our spinecers Shopify. Okay, Shopify is integral to our business.
- 13:48Speaker 2: Matter of fact, we're just getting ready to launch new
- 13:51Speaker 2: merch this month, being.
- 13:53Speaker 1: Loaded on the Shopify as we speak.
- 13:56Speaker 2: It's amazing, man. It doesn't matter if you're selling one
- 14:00Speaker 2: shirt a month or one hundred thousand shirts a day.
- 14:04Speaker 2: Shopify is where you need to be, all right now.
- 14:10Speaker 1: Listen. It's a global commerce platform that helps you sell
- 14:13Speaker 1: at every stage of your business, from the launcher on
- 14:15Speaker 1: online shop stage to the first real life store stage
- 14:18Speaker 1: all the way to shoot. The biggest stars in the
- 14:21Speaker 1: world are using Shopify.
- 14:23Speaker 10: I mean people bigger than me, millionaires, billionaires, and they
- 14:28Speaker 10: don't ever have no issues. Okay, you do what you're
- 14:33Speaker 10: supposed to do, and they gonna do.
- 14:35Speaker 3: What they supposed to do.
- 14:37Speaker 2: I remember the first time I had like a smash
- 14:40Speaker 2: cell and the numbers were crazy. Shopify was the back
- 14:46Speaker 2: room for my business and they never let me down.
- 14:50Speaker 2: Sign up for one dollar a month trial period at
- 14:52Speaker 2: shopify dot com slash ball. Once again, go to shopify
- 14:55Speaker 2: dot com slash ball to grow your business no matter
- 14:59Speaker 2: what stage you're in fire dot com slash Bald. And
- 15:02Speaker 2: now back to the show.
- 15:03Speaker 1: Have you seen that when he was singing at Wimbley, Yes,
- 15:07Speaker 1: people look like it.
- 15:08Speaker 4: Yes, he got one of the best voices ever in music. Square,
- 15:14Speaker 4: square fighting right now.
- 15:17Speaker 1: Easy go, little light, little too low, Wayne's World World.
- 15:25Speaker 1: That's how I got introduced.
- 15:26Speaker 4: Of course, it was ninety one, nineteen ninety one, ingranding
- 15:31Speaker 4: My introduced a whole new generation of this song. It's
- 15:37Speaker 4: so epic, man, Mama, the build up.
- 15:45Speaker 1: And they just talking going through. It's not coarse like
- 15:49Speaker 1: that they was.
- 15:53Speaker 4: I remember, remember they was worried about man, the song
- 15:55Speaker 4: is too long. Man, it ain't going Mike Man six minutes.
- 16:00Speaker 3: You know what.
- 16:01Speaker 4: I just realized what I knew Mike Mins was in
- 16:04Speaker 4: that movie. But I didn't put the Wayne's World element
- 16:08Speaker 4: in there. Oh yeah, but I didn't even think about
- 16:15Speaker 4: Wayne's world.
- 16:15Speaker 3: God, I didn't even think about Wayne's either.
- 16:19Speaker 1: I just.
- 16:23Speaker 4: I wonder if that's why they did that, right, for sure,
- 16:27Speaker 4: it's crazy I put that and I did not put
- 16:30Speaker 4: the two or two.
- 16:31Speaker 3: I was just like Mike Mines is back and nothing
- 16:33Speaker 3: in a minute.
- 16:35Speaker 1: He was like, man, captain happen, Man, I ain't recovered.
- 16:39Speaker 3: Never remember that Cat Hadden in the Love Guru because
- 16:44Speaker 3: he was like, I'm done.
- 16:45Speaker 2: When I was in high school between Austin Powers and then.
- 16:51Speaker 3: Wayne's World, when Wayne's World Austin Powers, shreks.
- 16:55Speaker 1: I said, man, he at that pace, I was like, dog,
- 16:58Speaker 1: I don't know what.
- 16:59Speaker 4: Else Michaels is that dude? And then he was like
- 17:02Speaker 4: that cada hat. It was like no, and then Love Groogu. No,
- 17:09Speaker 4: we've never seen him again. We never seen him.
- 17:13Speaker 1: What you got told.
- 17:13Speaker 3: Old snap all right, got caught up in the matrix.
- 17:17Speaker 4: I don't give a damn anything by the Hall of
- 17:19Speaker 4: Oats Man Halling oates anything by Hall, any song you.
- 17:24Speaker 1: Throwing halling Oates.
- 17:29Speaker 4: Any song you want to throw in Hall, since we're
- 17:33Speaker 4: just throwing things in it.
- 17:34Speaker 1: They they kind of like into black culture. I feel
- 17:38Speaker 1: like that.
- 17:39Speaker 3: Did you see that.
- 17:39Speaker 4: Video he had on the first coat and the shades.
- 17:42Speaker 4: Oh man, he was big black pen heard.
- 17:45Speaker 1: This music video. Lit'll do Ball plays this all the time.
- 17:56Speaker 1: Darryl Hall and John Oates.
- 18:01Speaker 3: Man.
- 18:04Speaker 1: They take her. They didn't get to it.
- 18:09Speaker 3: Love this, he said.
- 18:16Speaker 1: Everything is soft, soft focused for sure.
- 18:20Speaker 3: Now you want my soul.
- 18:23Speaker 2: They're very why they come out and say no go Yeah,
- 18:29Speaker 2: I know they were from Philly.
- 18:33Speaker 7: That you want me to.
- 18:39Speaker 4: Understand that you want me to Hey man, I can't
- 18:45Speaker 4: go for that, he putting his foot down. No can't
- 18:48Speaker 4: do I can't go for that. I'll do almost anything,
- 18:52Speaker 4: but I can't go for that.
- 18:54Speaker 1: This is my jam too. I ain't gonna hold you holding.
- 18:56Speaker 3: Those guad man. Oh yeah you go.
- 18:59Speaker 7: Here's you come?
- 19:01Speaker 1: Movie? This is the eighties movie action sequence my tage old.
- 19:11Speaker 4: Found Watch up boy, chill, chew you up?
- 19:16Speaker 3: Oh here she come, here's you come?
- 19:19Speaker 7: She's a man.
- 19:20Speaker 3: Here they got they got private eye.
- 19:30Speaker 7: Private eyes.
- 19:31Speaker 1: They broke up watching you.
- 19:33Speaker 3: They probably broke up gat back together, broke up game back.
- 19:36Speaker 3: One on one is one of my favorites.
- 19:39Speaker 7: One on one.
- 19:41Speaker 3: I want to play your game tonight on Hollo nose Man.
- 19:46Speaker 1: This is to hear's jam. This is his karaoke song. Boy,
- 19:54Speaker 1: since you've been going, Oh my god, this is a
- 19:57Speaker 1: good one to hear.
- 19:59Speaker 3: The is you gotta gotta your feet together?
- 20:02Speaker 1: No, this is a hard song.
- 20:04Speaker 4: I never I never tap into because it's powerful. Dog,
- 20:08Speaker 4: I'll give you something, but it's gonna be song.
- 20:10Speaker 1: These are white people's songs for white people that that
- 20:12Speaker 1: are not for us, and we'll be.
- 20:14Speaker 7: Like, man get it, let us be in.
- 20:16Speaker 1: Hollen knows.
- 20:17Speaker 2: I feel like it was making they were shooting for
- 20:20Speaker 2: they shoot for us. Kelly Clarkson said.
- 20:22Speaker 3: This is this is my song, This is for me.
- 20:25Speaker 1: Y'all can have fun.
- 20:26Speaker 3: Though set up. I can't breathe for the first time, so.
- 20:35Speaker 8: Yeah, yeah, yeah, since you've been gone.
- 20:47Speaker 1: Negroes love it. I'm holding Negrodians.
- 20:52Speaker 4: I'm like, I ain't ship kim count me in what
- 20:57Speaker 4: you got. I'm going smells like Teensiod by Nirvana.
- 21:01Speaker 1: Man, I just heard a black dude cover this.
- 21:04Speaker 2: I'm not gonna play it, uh, but that opening core
- 21:10Speaker 2: thing is so universal. Drums man, bring this time, Kurt
- 21:20Speaker 2: coke Bain.
- 21:22Speaker 7: They slowing down on that ass.
- 21:24Speaker 4: Jay Z mentioned that little shift right there got me
- 21:28Speaker 4: the choke hold.
- 21:31Speaker 1: Grudge.
- 21:32Speaker 10: M hmm.
- 21:34Speaker 1: I love this his voice.
- 21:36Speaker 3: Man, it's so I pulled up on his house when
- 21:41Speaker 3: I was up this year.
- 21:43Speaker 1: Yeah, what's his mom?
- 21:45Speaker 4: You can It's hard to see the full house because
- 21:48Speaker 4: they got the wall up. But uh, it wasn't nothing crazy,
- 21:51Speaker 4: but it was a nice size and they got like
- 21:53Speaker 4: they got two benches outside where you can leave you
- 21:58Speaker 4: and stuff like that.
- 21:58Speaker 3: Yeah, I straighten up. The neighborhood was beautiful though.
- 22:02Speaker 1: Uh I don't you.
- 22:07Speaker 3: Know who directed this video? David Fincher really, no way,
- 22:14Speaker 3: he directed mad videos.
- 22:17Speaker 4: I did not know that, but he directed this one.
- 22:20Speaker 4: If you look at it, this typical David Fincher.
- 22:22Speaker 3: What Derek? It is?
- 22:24Speaker 1: All right? Now let me. I don't know, Blacks if
- 22:28Speaker 1: this is all you, all of us, but I know
- 22:32Speaker 1: it's me and I'm going I'm gonna tell you right now.
- 22:35Speaker 1: I'm gonna have a hard time even stopping this song.
- 22:38Speaker 2: Negroes and Paramore, Peter Butter and Jelly is Paramore the
- 22:45Speaker 2: only exception?
- 22:46Speaker 1: Tone, Blacks, are you with me? What is this? You're
- 22:53Speaker 1: the only exception?
- 22:55Speaker 7: When I was younger, song my dad.
- 23:00Speaker 1: He cried and curse sad the wind.
- 23:04Speaker 3: You don't know this, No, it's not ringing the bell. Yeah,
- 23:07Speaker 3: I'm gonna wait to the chorus. Give me that cord me.
- 23:11Speaker 7: A sim blad. You don't know this myself never love her?
- 23:22Speaker 7: So forget.
- 23:26Speaker 11: Black people love hermore. Haley is cool with us if
- 23:33Speaker 11: it does not exist, darning go.
- 23:39Speaker 3: Is this the corn?
- 23:40Speaker 1: Ye?
- 23:40Speaker 3: I never heard this ship a day in my life.
- 23:43Speaker 2: All right, let me give you one more paramore because
- 23:45Speaker 2: you're killing the vibe.
- 23:47Speaker 3: I don't know this.
- 23:47Speaker 1: Let me play this one for you.
- 23:50Speaker 3: I ain't never heard it, but I'm not.
- 23:52Speaker 12: You know.
- 23:55Speaker 1: You know this, Tony, You don't know.
- 24:03Speaker 3: You don't know. I don't know what this ship is.
- 24:10Speaker 3: What I got nothing on this?
- 24:17Speaker 1: You've never heard this? You?
- 24:22Speaker 3: I thought the eyes was good?
- 24:24Speaker 12: Ain't it fun?
- 24:27Speaker 7: Lived in that big wall.
- 24:31Speaker 3: That sounds kind of familiar?
- 24:33Speaker 1: Man? What you got, ton just what you got there?
- 24:36Speaker 4: I got careless whisper George Michael, georgege Michael, he got
- 24:43Speaker 4: an assword and he got it.
- 24:45Speaker 1: Honestly, every George Michael song that's big.
- 24:56Speaker 3: Cool man sucks.
- 25:00Speaker 13: He came here, he came here, Saxo fifth Avenue on
- 25:04Speaker 13: their ass.
- 25:05Speaker 1: Oh, George Michael, rest man, it's got one billion views
- 25:15Speaker 1: in these seven billion.
- 25:17Speaker 3: I need every person on earth to play.
- 25:19Speaker 1: This at these one eyebrows on George Man. He was,
- 25:25Speaker 1: wasn't it?
- 25:25Speaker 3: Yeah?
- 25:27Speaker 4: He got a song with Wham that's fired too to
- 25:29Speaker 4: the black said all not all that she wants.
- 25:32Speaker 3: Uh huh uh huh huh uh huh.
- 25:41Speaker 4: Dance again, guilty feet and god know what a great line.
- 25:51Speaker 7: I know.
- 25:51Speaker 3: Man, that's bought up.
- 25:54Speaker 1: Freddy. He was kissing women in here.
- 25:58Speaker 4: Man, it was the way I danced with you.
- 26:05Speaker 3: Come on back up in there. Oh no, no yet,
- 26:07Speaker 3: oh man, that little that's a perfect song. Man. I
- 26:13Speaker 3: was like, everybody right here, right now, all right now.
- 26:18Speaker 1: I'm not gonna say blacks, okay, and now you tell
- 26:23Speaker 1: me that I'm not. But I do need to throw
- 26:26Speaker 1: in one just for me.
- 26:28Speaker 3: I think that paramore was just for you.
- 26:30Speaker 1: No, no, no, blacks was in there. Not as many
- 26:34Speaker 1: blocks as I would have liked, but blacks in there.
- 26:37Speaker 1: But this song. I got in trouble for singing this
- 26:42Speaker 1: loud in the back of my church when I thought
- 26:44Speaker 1: the passway here.
- 26:45Speaker 3: Yeah, this is good, dog, this.
- 26:49Speaker 1: Is the movie plot to this. Who cares?
- 26:53Speaker 2: But I was all, man, it's ridiculous, but was we
- 26:57Speaker 2: need it? We need oil thriller for an as sure.
- 27:03Speaker 2: We can teach astronauts in a week, and I can't
- 27:06Speaker 2: teach people to all drill. No, that's crazy. Nah, we
- 27:09Speaker 2: can't do that when when Brad I mean, uh, Bruce
- 27:12Speaker 2: Willis pushed Ben Affleck back in the dork lyft Tyler Daddy.
- 27:22Speaker 1: I was in the back of my church singing this
- 27:24Speaker 1: doing a clothes.
- 27:28Speaker 7: Doing a fall.
- 27:30Speaker 11: Asleep guys in mission mabe and I don't want to
- 27:34Speaker 11: miss a thing.
- 27:38Speaker 3: I like, man, Jane's got a gun as my ship.
- 27:41Speaker 2: When I walked out, my pastor was like, he was like, hey,
- 27:44Speaker 2: I was like, and this is like penecostal, penecostal, But
- 27:51Speaker 2: I thought I was by myself.
- 27:52Speaker 4: I got you, sorry, sir, all.
- 27:57Speaker 1: Right, what you got? So?
- 27:58Speaker 3: How deep is your love?
- 27:59Speaker 1: By the b G?
- 28:00Speaker 7: How deep is your love?
- 28:02Speaker 1: How do you know what? I've been listening to PJ.
- 28:06Speaker 1: Morten's Virgin with Ye for so long.
- 28:10Speaker 3: They got a few that black folks rock with. Black
- 28:13Speaker 3: folks rock with the BG's more than a woman as well,
- 28:17Speaker 3: more than a woman, more than a woman to me.
- 28:24Speaker 4: Yeah, BG is killing in the black community. Then floy
- 28:31Speaker 4: Head Waiting Man was all lived hauling those as well.
- 28:38Speaker 1: So let me listen. The BGS is not for us.
- 28:44Speaker 1: We just rocking him.
- 28:47Speaker 3: Man.
- 28:47Speaker 1: I just like Yellow's versions so much.
- 28:49Speaker 3: Man, don't bring them blacks in it.
- 28:54Speaker 7: To shut up. How deep is your love?
- 28:57Speaker 1: Is your love?
- 28:58Speaker 3: How the is y'all was killing man?
- 29:03Speaker 1: Now this is a black person. We have accepted her
- 29:06Speaker 1: as us. She was, She's just she was with us,
- 29:10Speaker 1: she was she Now this ain't this for us.
- 29:14Speaker 2: We ride for Tina Marie as the black her name
- 29:18Speaker 2: Tina Marie, that's a black name.
- 29:20Speaker 1: The way they spelled her with to ease.
- 29:21Speaker 4: I would, I would look her dead in her white
- 29:24Speaker 4: face and be like you, black woman, she's black.
- 29:30Speaker 1: She look how white she is on the cover, So.
- 29:32Speaker 3: Saying she's black, this is very much they was.
- 29:38Speaker 1: Everybody was.
- 29:41Speaker 7: Yeah man.
- 29:45Speaker 1: Every time here now.
- 29:52Speaker 3: Tell the fact.
- 29:53Speaker 1: It was all the big movement. Yeah man, shoulders and neck.
- 30:02Speaker 7: Squab, square beans.
- 30:04Speaker 1: They was going in on square bears.
- 30:09Speaker 3: Tina Marie. You know how some people don't like interracial days,
- 30:15Speaker 3: Tina Marie.
- 30:17Speaker 4: If a black dude was with Tina Marie, black women
- 30:19Speaker 4: be liker. They're not even gonna it's not even gonna register.
- 30:26Speaker 4: That's a good couple right there.
- 30:29Speaker 1: Every time I understand, shoot.
- 30:35Speaker 3: Tied now right, the choreography gonna get your ass lopsid?
- 30:40Speaker 4: What you got jump around? House of pain. They were white,
- 30:46Speaker 4: big white, big white.
- 30:48Speaker 1: They were white.
- 30:49Speaker 4: I'll save your ass like John McEnroe. If your girl
- 30:52Speaker 4: steps up, I'm smacking the hope.
- 30:54Speaker 1: This is so integral to hip hop. I look, you
- 30:58Speaker 1: forgot they were white, big white?
- 31:01Speaker 3: Pack it up, pack it.
- 31:02Speaker 1: In, Let me begin, let me begin.
- 31:05Speaker 3: How came the wain battle me?
- 31:06Speaker 1: That's a sin?
- 31:07Speaker 3: This song give me hyped to be forgot? Now in time.
- 31:11Speaker 4: He is a white man, big white, all them casts
- 31:15Speaker 4: way what? And then I take them punks home feeling funking.
- 31:23Speaker 4: I got moinized by the duncan. I don't think they're
- 31:26Speaker 4: from Boston mill, but this is this is very a
- 31:29Speaker 4: Boston vibe. Yeah, he was doing this, so get Johnson's
- 31:32Speaker 4: even jump around, jump around, you know what I'm saying.
- 31:36Speaker 4: Jumble around, Okay, jumble around, jump up, jump up and
- 31:42Speaker 4: get down.
- 31:43Speaker 3: Dang ton.
- 31:43Speaker 2: I forgot the even white people man, big way. Now
- 31:46Speaker 2: this person is white.
- 31:49Speaker 3: I love that. Oh hell yeah, hell yeah mm hmm.
- 31:57Speaker 1: He had to. He had the chintz drap and the
- 32:00Speaker 1: for sure, but he was like he was.
- 32:02Speaker 3: He was with us.
- 32:03Speaker 1: That's what I'm saying. Whole sound like a white song.
- 32:07Speaker 2: God, make it out of here, John b get gone man.
- 32:14Speaker 1: All there's one more.
- 32:15Speaker 3: I would to play.
- 32:18Speaker 1: This. Listen loves this song. List loves this song. Man,
- 32:26Speaker 1: I don't even know it.
- 32:27Speaker 5: You know.
- 32:28Speaker 3: As soon as I let you get the artists, I'm like,
- 32:29Speaker 3: I got nothing.
- 32:31Speaker 1: You don't know that.
- 32:31Speaker 3: I don't think so.
- 32:34Speaker 7: Right now.
- 32:37Speaker 1: Walking on the street in Nashville with a bat.
- 32:40Speaker 3: Right now, don't speak no doubt. That's a good one, man.
- 32:44Speaker 1: I love going Stefanie, me too.
- 32:47Speaker 3: I had a crush on her for a while.
- 32:49Speaker 1: Just pretty. You don't notice now yet she does have
- 32:58Speaker 1: the bath. I thought I would make that up.
- 33:01Speaker 3: This accurse. Oh, I definitely don't know this.
- 33:05Speaker 2: They know it big big carry, not big carry. She'd
- 33:16Speaker 2: be singing her butt off.
- 33:18Speaker 3: Yeah, I'll know this, Johns.
- 33:20Speaker 1: How about before she all right? What you got left home?
- 33:25Speaker 1: You got anything?
- 33:26Speaker 2: You'll want to take a quick bak from the show
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- 34:48Speaker 4: Podcast Hear me out. If we go on country, Oh Country,
- 34:54Speaker 4: my next clique. I don't because it's very personal. And
- 35:01Speaker 4: I hope you dance by lee Ane Womack. I don't
- 35:03Speaker 4: know if the Black rock with it. They do, but
- 35:06Speaker 4: I did what. I hope you dance by me and
- 35:10Speaker 4: Womack is my favorite country song.
- 35:13Speaker 3: Green.
- 35:16Speaker 4: I love this song so goddamn. The bottle, yes, the
- 35:22Speaker 4: bottle on the fingertip, the lyrics, this song just driss.
- 35:29Speaker 1: It tears me up.
- 35:32Speaker 4: Man, this song is beautiful. Of this song, here we go,
- 35:37Speaker 4: She's about to kick him.
- 35:41Speaker 2: Her eyes are so green. She should have been on
- 35:45Speaker 2: the best eyeballs.
- 35:46Speaker 3: Let me see her.
- 35:50Speaker 4: Oh damn big you know yeah, looking at us?
- 35:55Speaker 1: That baby thirty three right now?
- 35:57Speaker 3: Please keep that hunger.
- 36:00Speaker 6: Man bars one.
- 36:05Speaker 1: Two words, leave and not le ass hand dude.
- 36:12Speaker 4: The bars in this still feel small when you stand
- 36:17Speaker 4: beside the ocean.
- 36:19Speaker 1: Is it a breakup song?
- 36:20Speaker 3: I don't know what it is.
- 36:22Speaker 4: I hold one more opens the bars, give faith the
- 36:29Speaker 4: fighting chance. But if you get the choice to sit
- 36:35Speaker 4: it out or dance, I.
- 36:37Speaker 12: Hope you dance that dammit dance baby, that baby grown.
- 36:55Speaker 3: Man, I love that song.
- 36:56Speaker 1: Man all right?
- 36:56Speaker 2: Keeping it with Big White big white, big country negro love. Okay,
- 37:03Speaker 2: we we ride for this one.
- 37:06Speaker 1: Oh snight, Twayne. That don't impress me five.
- 37:12Speaker 3: Don't get me wrong.
- 37:14Speaker 1: She was five twin, big fine from Canada.
- 37:19Speaker 4: You could have got my panties. She can have them
- 37:23Speaker 4: right now. I don't know what she looks like now
- 37:26Speaker 4: I don't care.
- 37:27Speaker 1: She still looks good.
- 37:36Speaker 3: That don't impress me much.
- 37:41Speaker 1: Yeah, she mac a little bit, but you know what
- 37:44Speaker 1: I'm saying.
- 37:46Speaker 3: Don't get it wrong.
- 37:48Speaker 1: Everything is all right.
- 37:53Speaker 4: Hell yeah, man, you gotta know when to hold them,
- 37:56Speaker 4: know when to fold them. Kenny Rodgers, Man, we rocked
- 37:58Speaker 4: with that as well. That you you gotta know when the.
- 38:02Speaker 3: Whole No, when the food, no, when the wall away?
- 38:07Speaker 1: Is that the Gambler?
- 38:08Speaker 4: You gotta count it might be turn No, that ain't
- 38:15Speaker 4: Kenny Rogers chicken, he sure.
- 38:19Speaker 3: Is It called the Gambler? Is that the name of
- 38:21Speaker 3: the song must be? It is?
- 38:22Speaker 2: When I googled no one to hold him know one
- 38:24Speaker 2: fun of him and said the Gambler. But it makes
- 38:26Speaker 2: sense though.
- 38:27Speaker 4: Oh yeah, because he's talking about gambling. I never knew
- 38:31Speaker 4: that was the name of the song.
- 38:32Speaker 1: Neither.
- 38:33Speaker 3: Yeah, he passed away.
- 38:34Speaker 1: He don't want to be with him.
- 38:36Speaker 3: Turn Yeah, he passed away recently.
- 38:47Speaker 1: They're gonna tell you a story, Oh for sure.
- 38:49Speaker 4: This country man coming in story first song later man story,
- 38:56Speaker 4: first story, first song later.
- 39:04Speaker 3: Kenny ro My mom loved Kenny Rogers. My mom loved
- 39:07Speaker 3: me with beards. It's the builder. He taking the sweet
- 39:15Speaker 3: the video? Did you taking the judge off?
- 39:18Speaker 1: He started with the hat.
- 39:20Speaker 2: Let me just opposite of mister Rogers like me is
- 39:28Speaker 2: a home. Wait, dude, when the minute twelve the window fall,
- 39:38Speaker 2: no wind to run.
- 39:42Speaker 13: He still he didn't even sat down yet since your
- 39:45Speaker 13: ass now kidding Rod, not going on, man, I've.
- 39:52Speaker 3: Never seen this video or day in my life. Was
- 39:54Speaker 3: the fact that he taking his sweet ass time half over.
- 39:57Speaker 3: He just sat He just sat down at the table.
- 40:00Speaker 2: Now this is just me personally, man, forget y'all. And
- 40:02Speaker 2: I don't care because when I worked at the bank,
- 40:04Speaker 2: they played this once an hour, every hour.
- 40:09Speaker 1: This was my jam, Leah, and you told me to
- 40:16Speaker 1: be easy for a while. Breathing gets harder even I
- 40:24Speaker 1: know that I was in the bank like you were
- 40:28Speaker 1: twenties or five. What is this? I'm not gonna write
- 40:31Speaker 1: you a love song tone because you asked for it.
- 40:35Speaker 1: Because you need one.
- 40:37Speaker 3: Hard to hold on to.
- 40:45Speaker 1: Ring pages. Almost this is like say, it's like the Bill.
- 40:50Speaker 4: I don't know this, huh.
- 40:56Speaker 2: I'm not gonna write you a love song because you
- 41:00Speaker 2: ask for a minute, because.
- 41:01Speaker 1: You need Tony you're white.
- 41:05Speaker 3: I don't know this. I don't dream you know?
- 41:10Speaker 1: You know this Leah? Who is he? Standing on a
- 41:24Speaker 1: blank page before you opening up the Dirty Window?
- 41:29Speaker 3: What's the chorus? Okay, she got a fantastic cheek bones.
- 41:35Speaker 3: Who is this woman?
- 41:36Speaker 1: Natasha bettenfield Man? She's cute right here?
- 41:41Speaker 2: Tom standing at the black page before you opening up
- 41:46Speaker 2: the Dirty Window?
- 41:47Speaker 7: Relief beading god dancets.
- 41:57Speaker 4: Wait a minute, Yeah, yeah, there we go. Yeah, the
- 42:08Speaker 4: beach Vine young this Okay, I didn't know that's what
- 42:15Speaker 4: that want? Okay, where the bes?
- 42:20Speaker 2: This is the other one that's kind of in that
- 42:23Speaker 2: vein to me? Oh yeah, this is White Chicks. Really
- 42:29Speaker 2: is White Chicks? Terry Crews this song.
- 42:34Speaker 4: I was loving it before White Chicks. Yeah, I just
- 42:36Speaker 4: want the record to reflect we all was.
- 42:38Speaker 1: That's why it works.
- 42:39Speaker 3: Yeah.
- 42:40Speaker 1: Also it's a very cool music video with her on
- 42:42Speaker 1: the piano, like, yeah.
- 42:44Speaker 4: Looking my way downtown walking fast face is passing them
- 42:48Speaker 4: home down.
- 42:50Speaker 1: Terry Crews was so funny.
- 42:53Speaker 4: I love piano, staring ahead, making my way.
- 42:59Speaker 3: She work in that piano.
- 43:00Speaker 1: Man, she looks so young.
- 43:05Speaker 2: Because I need you and I miss you.
- 43:11Speaker 7: You know.
- 43:14Speaker 3: It's like far into the sky. We passed me.
- 43:23Speaker 4: By, I walking thousand miles.
- 43:30Speaker 1: See yeah, man, what's your teenager? I don't know. She
- 43:37Speaker 1: looks young.
- 43:38Speaker 3: I don't know.
- 43:38Speaker 4: Blacks rock with this what you Got Dreams by Fleetwood Man.
- 43:43Speaker 3: What I'm just making sure because it's my favorite song.
- 43:47Speaker 3: I don't want to make sure blacks is.
- 43:49Speaker 1: They was breaking up singing this.
- 43:50Speaker 3: Yeah it was. It was all kinds of stuff going
- 43:52Speaker 3: on with the fleet.
- 43:52Speaker 1: Oh that's live manked what you want to do?
- 43:55Speaker 3: I want to the studio.
- 43:56Speaker 2: Yeah, Negroes love Fleetwood Man. That's that's here told bottle
- 44:07Speaker 2: of the figure. See, I know how all the Tony songs.
- 44:13Speaker 5: Now here you go again. You sing you want your freeze?
- 44:19Speaker 5: When in the wound? Who in I to keep you down?
- 44:24Speaker 3: This is one of the best songs ever made all time.
- 44:29Speaker 4: This song the word you should play away your feet.
- 44:36Speaker 7: Listen. Can't believe to the sound. Lo's like a hobby. Guys.
- 44:50Speaker 3: The background singers is on point.
- 45:00Speaker 1: She's a beautiful voice, and I love Stevie Nicks.
- 45:03Speaker 3: Man.
- 45:04Speaker 1: They broke up, right, she didn't went on solo.
- 45:06Speaker 4: Well, she did solo and then they got back together
- 45:08Speaker 4: and then under only half his win is rain Man.
- 45:16Speaker 7: Players only love when they play.
- 45:23Speaker 5: Say you when they will come man, they would go.
- 45:32Speaker 3: When they rain want sees you clean?
- 45:35Speaker 4: You know, I just want the record to reflect I
- 45:39Speaker 4: love this song for years, before before the before the
- 45:44Speaker 4: Cranberry and the skateboard video.
- 45:47Speaker 1: Wait, that video went viral because of the song.
- 45:51Speaker 2: The people already knew that song, and he kind of
- 45:54Speaker 2: like encompassed the vibe of the song.
- 45:56Speaker 1: It was like the perfect song to that video, not like,
- 45:59Speaker 1: oh what is it a song?
- 46:01Speaker 2: This song also feels familiar if you don't know you
- 46:03Speaker 2: know it, you know, like it feels like a like
- 46:06Speaker 2: a time period.
- 46:07Speaker 4: That came out the year I was born. That's why
- 46:09Speaker 4: I'm connected to itself.
- 46:11Speaker 3: It might have been.
- 46:12Speaker 4: Probably I'm sure it was on the radio with my
- 46:15Speaker 4: mom was delivering me. So I got a connection to dreams.
- 46:21Speaker 4: All right, Yeah, that's good.
- 46:23Speaker 1: That was a good time. Good wow, all right, next time, man,
- 46:27Speaker 1: both brothers, we