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Transcript

Sean Avery | Delivering Happiness with Nick Turturro · Delivering Happiness with Nick Turturro

• 0:00
  Speaker 1: Oh, this is great.
• 0:00
  Speaker 2: This is delivering happiness. This is great. Only this is
• 0:04
  Speaker 2: a special guest. Special pizza for my friend, Mr. Sean Avery.
• 0:08
  Speaker 2: How are you, sir? How are you, brother? Nice to
• 0:10
  Speaker 2: meet you. Should we go? How tight do we go?
• 0:14
  Speaker 2: Tight as you want. No, no, no. Is there a
• 0:16
  Speaker 2: space between us? Yeah, I think it's.
• 0:18
  Speaker 1: Good to have space. It's up to you. It's up
• 0:19
  Speaker 1: to you.
• 0:20
  Speaker 2: You know what I mean? We're just getting to know
• 0:22
  Speaker 2: each other.
• 0:23
  Speaker 1: Yeah, yeah, yeah, yeah, yeah, yeah.
• 0:27
  Speaker 2: Have you had the bar pie?
• 0:29
  Speaker 1: I had the bar pie. I don't know why he's
• 0:31
  Speaker 1: not doing it to the masses.
• 0:34
  Speaker 2: I know. You know what I mean? Well, because you
• 0:35
  Speaker 2: know why?
• 0:36
  Speaker 3: If he did it to the masses, I think, then
• 0:39
  Speaker 3: it's not as special.
• 0:40
  Speaker 1: Loses its cachet?
• 0:41
  Speaker 2: Yeah, because if you could get it anywhere, it becomes ordinary.
• 0:46
  Speaker 1: If you could have a slice of pizza in New
• 0:48
  Speaker 1: York City, where would it be?
• 0:50
  Speaker 2: Well, I have to say Prince Street, but....
• 0:55
  Speaker 1: No, no, no, I'm saying 20 years ago.
• 0:57
  Speaker 2: Oh, me? Yeah, back in the day. Where was your spot?
• 1:00
  Speaker 4: My spot growing up was a place called J &
• 1:02
  Speaker 4: S Pizza, right on the borderline of Rosedale and Valley Stream,
• 1:07
  Speaker 4: Merrick Boulevard. Fantastic, this little square that they made. Nobody
• 1:11
  Speaker 4: made a slice like J & S. They finally closed
• 1:13
  Speaker 4: their doors a few years ago, but I always wanted
• 1:16
  Speaker 4: that recipe. My dad would be like, we could get
• 1:19
  Speaker 4: the recipe. I'm like, Dad, they're never going to give
• 1:22
  Speaker 4: us the recipe. Even when they, you know, they closed
• 1:24
  Speaker 4: the shop, I tracked the guy down and he was like, eh, you.
• 1:28
  Speaker 2: Know, great idea. But, you know, people, they're never going
• 1:31
  Speaker 2: to tell you. You know what I mean?
• 1:33
  Speaker 1: He was an Italian guy?
• 1:35
  Speaker 2: I think he was. Yeah. Yeah, I mean, it was
• 1:37
  Speaker 2: great pizza. Right.
• 1:38
  Speaker 4: It was just, the sauce on it, I don't know,
• 1:41
  Speaker 4: it was just, it wasn't Sicilian, but, When you had it,
• 1:44
  Speaker 4: I took.
• 1:44
  Speaker 2: It on planes and everything.
• 1:46
  Speaker 1: Really?
• 1:47
  Speaker 2: Yeah. People were like, wow.
• 1:50
  Speaker 4: That fucking J & S pizza was so good.
• 1:53
  Speaker 1: TWA? Where'd you fly back in the day?
• 1:56
  Speaker 2: Pan Am? Pan Am. Right close to the airport, though, right?
• 2:00
  Speaker 2: He's almost landed on my house.
• 2:02
  Speaker 1: Yeah. JFK.
• 2:04
  Speaker 2: People would say, what was that? And I go, a plane.
• 2:08
  Speaker 4: My father used to curse that area. Your mother, your
• 2:11
  Speaker 4: mother picked this spot. One time, I was watching it.
• 2:17
  Speaker 4: I'm a big Yankee fan. I was watching, I think
• 2:20
  Speaker 4: it was 75. A plane went down. While I was
• 2:23
  Speaker 4: sick in bed watching the Yankee game. I don't know
• 2:25
  Speaker 4: if I heard it, but it was like in the swamps.
• 2:28
  Speaker 4: There was a guy, Wendell Ladner, played in the ABA.
• 2:32
  Speaker 4: He was like an enforcer, like in hockey. And I
• 2:34
  Speaker 4: think he was on that plane.
• 2:36
  Speaker 1: Oh, no.
• 2:36
  Speaker 2: Oh, shit. But the planes, man. Were they OK? Or
• 2:39
  Speaker 2: everyone was not? Nah, people died in that one.
• 2:42
  Speaker 1: The swamps of Queens.
• 2:44
  Speaker 3: Yeah, the swamps of Queens. That's basically what it was,
• 2:47
  Speaker 3: a dump.
• 2:48
  Speaker 2: Wow. But I love the neighborhood.
• 2:50
  Speaker 1: Yeah.
• 2:50
  Speaker 2: But I mean, over there, like where? No, no, of course,
• 2:52
  Speaker 2: it's no man's land. Yeah.
• 2:54
  Speaker 1: It's where they used to.
• 2:54
  Speaker 2: Put the bodies, right?
• 2:56
  Speaker 4: Right.
• 2:56
  Speaker 2: That's like where all like Goodfellas, you saw that movie?
• 2:59
  Speaker 1: Yeah.
• 3:00
  Speaker 4: All those gangsters were robbing, hijacking. The back of Rosedale,
• 3:04
  Speaker 4: it was like Kennedy Airport was the backdrop.
• 3:07
  Speaker 2: Right. Then they used to have the Concord would come over.
• 3:09
  Speaker 1: You could hear that.
• 3:10
  Speaker 2: Oh, you would know it's the Concorde.
• 3:12
  Speaker 1: Wow.
• 3:13
  Speaker 2: Because it had a vibration.
• 3:15
  Speaker 1: They're bringing it back.
• 3:16
  Speaker 2: Are they? Yeah.
• 3:17
  Speaker 1: I think it's starting in maybe October. Limited flights. So
• 3:22
  Speaker 1: you would hear it and it would almost be supersonic,
• 3:25
  Speaker 1: like a delayed boom?
• 3:27
  Speaker 2: You would know it was the Concorde. It had a vibration.
• 3:31
  Speaker 2: How many times a day? It wouldn't be.
• 3:33
  Speaker 4: Like, you know, a lot of times during the day.
• 3:35
  Speaker 4: It would be like, you know. Maybe once, you know,
• 3:39
  Speaker 4: but when.
• 3:39
  Speaker 1: Early morning, probably a late afternoon flight or.
• 3:42
  Speaker 2: But like, you know, my house, you know, was pretty low.
• 3:45
  Speaker 4: I mean, and then as it got more to Rosedale,
• 3:49
  Speaker 4: I lived in another place when I got older.
• 3:51
  Speaker 2: It was really right on top of me.
• 3:53
  Speaker 1: Really?
• 3:53
  Speaker 2: Like, I could almost like throw a rock at it.
• 3:55
  Speaker 2: I was like, oh, shit. That's your first apartment on
• 3:58
  Speaker 2: your own?
• 3:58
  Speaker 3: Yeah, I was like married young the first time.
• 4:01
  Speaker 2: Oh, wow, wow. Yeah. I was living right by the swamps.
• 4:05
  Speaker 2: I knew I was doomed in that marriage.
• 4:07
  Speaker 1: What were you doing then?
• 4:08
  Speaker 2: I was a doorman. In the city?
• 4:11
  Speaker 3: Yeah, in New York City. I was a doorman for
• 4:13
  Speaker 3: like 10 years.
• 4:14
  Speaker 1: Where? St.
• 4:15
  Speaker 2: Moritz on the Park. You might remember it. You lived
• 4:18
  Speaker 2: in Manhattan, right?
• 4:19
  Speaker 1: St. Moritz on the Park.
• 4:20
  Speaker 2: It became a Ritz Carlton. It was on 59th and 6th.
• 4:24
  Speaker 1: Oh, yeah, of course.
• 4:25
  Speaker 2: What do you mean?
• 4:25
  Speaker 1: That's the Ritz. That's where the Rangers stayed during the playoffs.
• 4:28
  Speaker 2: Yeah.
• 4:29
  Speaker 1: When the playoffs start in New York.
• 4:30
  Speaker 2: They start at the Ritz?
• 4:31
  Speaker 1: The team moves into the Ritz on 58th and 6th.
• 4:34
  Speaker 2: Why is that?
• 4:36
  Speaker 1: Because you don't want any, the team moves into the
• 4:40
  Speaker 1: hotel for the playoffs because they don't want any distractions. So, like,
• 4:45
  Speaker 1: if you got two newborns, you got a one-year-old and
• 4:48
  Speaker 1: a four-year-old at home. Yeah. It's the one time the
• 4:52
  Speaker 1: playoffs you go, okay, they, they, for home.
• 4:54
  Speaker 2: Games, right? When we're on the road, you're on the road.
• 4:57
  Speaker 1: But the night before a home game, they do it,
• 4:59
  Speaker 1: they do it right up until today.
• 5:01
  Speaker 2: Oh, okay.
• 5:03
  Speaker 1: So probably the last 15 years, the teams have been
• 5:06
  Speaker 1: doing that. Oh, I didn't know all the Ranger playoff
• 5:09
  Speaker 1: teams go and stay and they move into the Ritz
• 5:12
  Speaker 1: on 58. So there was a club in there.
• 5:15
  Speaker 2: Yeah.
• 5:16
  Speaker 1: I mean, um, you worked at a nightclub in that,
• 5:18
  Speaker 1: in that building.
• 5:19
  Speaker 2: No, no, no. I'm trying to figure out. You were
• 5:22
  Speaker 2: saying 58th and 6th? 58th and 6th.
• 5:25
  Speaker 1: There's a Ritz-Carlton.
• 5:26
  Speaker 2: There was a Ritz-Carlton. Right on the corner. That was
• 5:29
  Speaker 2: across the street.
• 5:31
  Speaker 4: And then that Ritz-Carlton, I don't think, lasted.
• 5:35
  Speaker 2: It used to be right on 59th.
• 5:36
  Speaker 1: Okay, maybe it's a different... And.
• 5:39
  Speaker 2: Now the same Ritz closed their doors after I left.
• 5:43
  Speaker 4: It stayed open for a while. And now they renovate it. Still,
• 5:46
  Speaker 4: the building exists, but it's still.
• 5:48
  Speaker 1: Okay, different building.
• 5:49
  Speaker 2: Different building. Right next door, basically.
• 5:51
  Speaker 4: I know the one you're talking about. It's on 59...
• 5:55
  Speaker 4: And they have a 58 entrance, too.
• 5:56
  Speaker 2: Yes. Because there used to be a Ritz-Carlton. There was
• 5:59
  Speaker 2: the Essex House. There was a.
• 6:01
  Speaker 4: Originally, when I first went there, it was the Barbizon
• 6:03
  Speaker 4: Plaza that was then eliminated.
• 6:05
  Speaker 2: Trump took it over.
• 6:06
  Speaker 1: What year is this?
• 6:07
  Speaker 2: I became a doorman in 82. Oh, what a... 82 to, like, 93.
• 6:10
  Speaker 1: Okay.
• 6:13
  Speaker 2: But I saw a lot.
• 6:15
  Speaker 1: New York in the 80s.
• 6:16
  Speaker 4: I saw New York when it was New York. New
• 6:18
  Speaker 4: York now is bullshit New York. It's watered down.
• 6:21
  Speaker 2: You know what I mean? I saw.
• 6:23
  Speaker 1: So how would you get to work every day? You
• 6:25
  Speaker 1: take the train from.
• 6:26
  Speaker 2: I used to take.
• 6:28
  Speaker 4: I would take the subway to Queens and then I'd
• 6:35
  Speaker 4: drop my car off sometimes in Astoria.
• 6:38
  Speaker 2: Eventually I was a doorman. I started driving in I
• 6:40
  Speaker 2: would drive down because I'd watch my own car.
• 6:42
  Speaker 1: You'd park it right out front.
• 6:43
  Speaker 4: Well, because I used to make money with people's cars
• 6:45
  Speaker 4: in the loading zone. So if I wanted to, you know,
• 6:48
  Speaker 4: I would put my car there, Mickey Mantles, but I
• 6:51
  Speaker 4: would watch people's cars.
• 6:52
  Speaker 2: Like famous people, athletes. You worked there 10 years?
• 6:56
  Speaker 3: Gangsters.
• 6:57
  Speaker 2: I watched John Gotti's car one time.
• 6:59
  Speaker 1: Right out front? Right out front. He came into the club?
• 7:02
  Speaker 2: He came into the hotel. He had all his bodyguards
• 7:04
  Speaker 2: around him. I was like, oh, my God. I didn't actually, like,
• 7:07
  Speaker 2: talk to him, but I was kind of like.
• 7:09
  Speaker 1: Who'd you do the brokering with, or did they just
• 7:11
  Speaker 1: throw you the keys?
• 7:13
  Speaker 2: One of his guys. Yeah, one of the guys.
• 7:14
  Speaker 4: People would come up to me and say, hey, can
• 7:17
  Speaker 4: I get a drink over here? Give me a 10
• 7:19
  Speaker 4: spot or whatever. 20 would be great. I mean, 10
• 7:22
  Speaker 4: is big. Sometimes people would stiff you, too.
• 7:24
  Speaker 3: They're like, yeah, I got you.
• 7:25
  Speaker 2: I got you. Let me get the keys.
• 7:27
  Speaker 4: Let me get the keys because sometimes, you know, I
• 7:29
  Speaker 4: don't want to get stiffed. I remember like one time
• 7:31
  Speaker 4: I was watching like Eric Estrada or something was getting
• 7:34
  Speaker 4: on a horse and carriage and.
• 7:36
  Speaker 2: Years later I'm fucking hanging out with Eric Estrada.
• 7:38
  Speaker 4: I'm like, you know, back in the day when you
• 7:40
  Speaker 4: were a sex symbol, I was like watching your shit
• 7:43
  Speaker 4: while you got on a horse and carriage.
• 7:44
  Speaker 2: Yeah, he was a teen heartthrob.
• 7:46
  Speaker 4: Yeah, he was like a sex symbol. So I saw
• 7:49
  Speaker 4: a lot of people come and go. Billy Joel lived
• 7:51
  Speaker 4: there one time. He wrote, that's when he met Christie Brinkley,
• 7:54
  Speaker 4: the first date. I was like, Mentoring him. He was
• 7:56
  Speaker 4: like telling me I could go out with Elle McPherson.
• 7:59
  Speaker 1: Really?
• 8:00
  Speaker 2: Or Chrisky Brinkley.
• 8:01
  Speaker 1: No.
• 8:02
  Speaker 2: Yeah.
• 8:02
  Speaker 1: Stop.
• 8:03
  Speaker 2: I go, don't worry. Either one. You're all right. He
• 8:07
  Speaker 2: was like, you know what I mean? In the club?
• 8:10
  Speaker 2: In the hotel. He was like living in the hotel.
• 8:13
  Speaker 2: He was like, he was.
• 8:14
  Speaker 1: And he'd come down and break bread.
• 8:15
  Speaker 2: Yeah, he would break bread. He was writing an album there.
• 8:17
  Speaker 2: He'd come down and he goes, hey man, I wrote four.
• 8:19
  Speaker 1: Get the fuck out of here.
• 8:20
  Speaker 2: I wrote four songs.
• 8:21
  Speaker 4: And he was like, my idol. So I didn't let
• 8:22
  Speaker 4: him know. I went to all his concerts in Long Island.
• 8:25
  Speaker 4: So I was like, man, when I saw this guy,
• 8:27
  Speaker 4: I'm like, what am I going to do?
• 8:28
  Speaker 2: You played it cool. I played it cool. He's Long Island.
• 8:32
  Speaker 2: I'm Long Island, Queens. So he was like, Nick, you're
• 8:35
  Speaker 2: all right. You're all right. You too, Billy. You're okay.
• 8:37
  Speaker 1: If he saw you today, if you bumped into each other,
• 8:39
  Speaker 1: he'd go, Nick.
• 8:39
  Speaker 2: He would remember me. He mentioned me in his book.
• 8:42
  Speaker 1: Really?
• 8:42
  Speaker 2: He was a struggling young actor. I think he mentioned
• 8:45
  Speaker 2: this guy, Nick.
• 8:46
  Speaker 4: He probably saw me somewhere along the line and said,
• 8:48
  Speaker 4: That fucking kid made it. He actually made it. I
• 8:52
  Speaker 4: remember when he went out with Christie Brinkley. He was like,
• 8:54
  Speaker 4: you know who I'm going out with?
• 8:56
  Speaker 2: And I said, who? And he goes, Christie Brinkley. I go,
• 9:00
  Speaker 2: you're Billy Joel. He goes, yeah, yeah, you're right. I said, yeah,
• 9:03
  Speaker 2: don't forget that shit. You're Billy Joel, right?
• 9:05
  Speaker 1: He's one of the original short kings.
• 9:08
  Speaker 2: I know.
• 9:08
  Speaker 4: I mean, he's the man.
• 9:11
  Speaker 2: He was the man.
• 9:12
  Speaker 1: Piano man.
• 9:12
  Speaker 2: I know.
• 9:13
  Speaker 3: I'm trying to think of hockey players that I might
• 9:14
  Speaker 3: have met.
• 9:15
  Speaker 2: I probably met some Rangers.
• 9:16
  Speaker 1: What about the Yankees? Did anyone ever come in and out?
• 9:18
  Speaker 2: There were a couple of Yankees.
• 9:19
  Speaker 4: There were a couple of guys that I maybe crossed
• 9:22
  Speaker 4: paths with. Nobody that big back then, I would say. Oh, actually,
• 9:26
  Speaker 4: Mickey Mantle one morning. You met Mickey Mantle?
• 9:29
  Speaker 2: Yeah, I met him when he was hungover, pissed drunk,
• 9:31
  Speaker 2: at 7 o'clock in the morning.
• 9:34
  Speaker 1: Where?
• 9:34
  Speaker 2: At the St.
• 9:35
  Speaker 1: Moritz.
• 9:36
  Speaker 4: He was pitching pennies against the wall. It was me, him,
• 9:38
  Speaker 4: and the horse and carriage. Like 7 a.m., there's like,
• 9:41
  Speaker 4: you know, Central Park South is like quiet.
• 9:44
  Speaker 2: Beautiful. Beautiful. You know, you look, you know, it's the horse.
• 9:46
  Speaker 1: Everybody's cleaning down the sidewalk.
• 9:48
  Speaker 2: Sidewalks. And it's just me.
• 9:50
  Speaker 1: What do you mean pitching pennies?
• 9:51
  Speaker 2: He was like throwing fucking pennies against the wall.
• 9:54
  Speaker 1: Like betting?
• 9:55
  Speaker 2: I don't know, betting. He was just like throwing them again.
• 9:57
  Speaker 2: I was like, oh shit, that's Biggie Mantle. Was he
• 10:00
  Speaker 2: in a suit?
• 10:00
  Speaker 3: Nah, he was like, you know, he was like from
• 10:03
  Speaker 3: the night before.
• 10:03
  Speaker 2: He was like, you could tell he was half hungover. Really?
• 10:05
  Speaker 4: Yeah, and I heard he was a miserable guy, so
• 10:08
  Speaker 4: I was like a little cautious with him.
• 10:10
  Speaker 2: But I was like, man, I got to talk to
• 10:11
  Speaker 2: this guy a little bit. So we talked. lightly, but
• 10:14
  Speaker 2: you know, he was.
• 10:15
  Speaker 1: And then he just kept moving?
• 10:16
  Speaker 4: He was there for a little, I think he was
• 10:17
  Speaker 4: waiting for his lady, finding some shit.
• 10:20
  Speaker 1: Yeah, he had somebody upstairs.
• 10:21
  Speaker 3: Because they had Mickey Mantle's, the bar, next door.
• 10:24
  Speaker 4: Ah. So when he was a young guy, him, Billy Martin,
• 10:28
  Speaker 4: Lighty Ford, they used to booze it up, get blasted,
• 10:31
  Speaker 4: and stay at.
• 10:31
  Speaker 2: The same place. Ah.
• 10:32
  Speaker 1: That was their spot.
• 10:33
  Speaker 2: That was their spot.
• 10:36
  Speaker 1: Wow.
• 10:37
  Speaker 2: But before you were working there. Oh, way before me.
• 10:39
  Speaker 1: Right.
• 10:40
  Speaker 2: So I had heard stories about him.
• 10:41
  Speaker 1: Because you started in 83 and they were.
• 10:43
  Speaker 4: Like his bar then was next door and Yankee games
• 10:46
  Speaker 4: used to be on. A lot of times I would
• 10:47
  Speaker 4: be in front of the bar watching the game. People
• 10:50
  Speaker 4: would be like, where's the doorman? They go, you see
• 10:52
  Speaker 4: the guy watching the Yankee games?
• 10:54
  Speaker 2: That would be me. You know, I mean, I was
• 10:56
  Speaker 2: a crazy doorman.
• 10:57
  Speaker 1: Who owned the hotel?
• 10:59
  Speaker 2: A lot of different people owned it. Leona Helmsley owned
• 11:01
  Speaker 2: it at one time. Actually, Trump owned it at one time. Trump.
• 11:06
  Speaker 2: Here's a little, I could talk about it now. You know,
• 11:09
  Speaker 2: he started his little shindig with Marla Maples. He was like.
• 11:12
  Speaker 1: That's where they were going.
• 11:13
  Speaker 2: He was messing around with her. I was his doorman.
• 11:16
  Speaker 1: At the St. Moritz.
• 11:17
  Speaker 2: Yeah. He said, like, that's my niece.
• 11:19
  Speaker 3: He used to come out with his coat on.
• 11:21
  Speaker 2: I'd be like, I look the other way. I never
• 11:23
  Speaker 2: ratted him out. Was his car parked out front? No.
• 11:26
  Speaker 2: He would just come out in a long coat.
• 11:28
  Speaker 1: And then just disappear?
• 11:29
  Speaker 2: And then I met him years later at the plaza.
• 11:32
  Speaker 2: He was like, hey, you made it.
• 11:33
  Speaker 4: Because he knew I worked for him. And we did
• 11:36
  Speaker 4: Drew Carey. We did Drew Carey. Him and Marla.
• 11:40
  Speaker 2: Marla, hey, honey. She remembered me well. Wow.
• 11:44
  Speaker 3: So Marla and me and Trump did Drew Carey.
• 11:48
  Speaker 4: Because I was playing James Martin, my character from NYPD Blue. Yeah.
• 11:52
  Speaker 2: How ironic, you know? Wow. That's before the apprentice and
• 11:56
  Speaker 2: his fucking, him being president.
• 11:58
  Speaker 5: Wow.
• 11:58
  Speaker 2: So I'm like, I had the goods on Trump years ago.
• 12:00
  Speaker 1: Jesus.
• 12:01
  Speaker 2: I could have buried him.
• 12:02
  Speaker 1: Jesus.
• 12:02
  Speaker 2: You know? But, you know, I was going to. Grab
• 12:06
  Speaker 2: him by the. Grab him by the whatever. That's what. Yeah, yeah.
• 12:11
  Speaker 2: He was doing it way back then. Yeah.
• 12:14
  Speaker 1: And when the park at that point.
• 12:17
  Speaker 2: Central Park.
• 12:18
  Speaker 1: Like, it was nice.
• 12:20
  Speaker 2: It was very nice.
• 12:21
  Speaker 1: In the 80s, JFK Jr. and the whole, you got
• 12:26
  Speaker 1: that whole, you saw that slide.
• 12:28
  Speaker 4: I saw the world, like, people used to come and
• 12:30
  Speaker 4: hang out with me. They'd be like, man, Nick, what
• 12:32
  Speaker 4: a spot.
• 12:33
  Speaker 2: Guests would show up.
• 12:34
  Speaker 3: People would come and hug and kiss me.
• 12:37
  Speaker 4: I mean, they would always be like, And I'd be like, hey,
• 12:40
  Speaker 4: you know, I was like, I was like, I'd open
• 12:42
  Speaker 4: the show. It was like a Broadway show. And I
• 12:44
  Speaker 4: would come out front. My bellmen were all young guys.
• 12:47
  Speaker 2: We were all wild. So we would go out afterwards.
• 12:49
  Speaker 2: You got to hire them? You did the hiring? I
• 12:51
  Speaker 2: didn't hire them.
• 12:52
  Speaker 3: No, I was just the doorman. And then there's the bellman,
• 12:55
  Speaker 3: the bell captain, this guy, Donald Karabich.
• 12:58
  Speaker 2: Is he still with us? No, he's probably gone. But
• 13:01
  Speaker 2: he was there for like 40 years.
• 13:03
  Speaker 4: He made all the money. He fucking did all the hiring.
• 13:07
  Speaker 4: I wasn't a money hungry doorman.
• 13:09
  Speaker 2: I was like very, you know. You were vibing. I
• 13:12
  Speaker 2: was vibing. I was more about vibing.
• 13:13
  Speaker 3: Then when I started acting, people were like, oh, he
• 13:16
  Speaker 3: thinks he's an actor.
• 13:17
  Speaker 2: He thinks he's an actor.
• 13:18
  Speaker 1: Wait, is that why you left the job eventually? You
• 13:20
  Speaker 1: got a real acting job?
• 13:22
  Speaker 3: I was acting for like three years on the side.
• 13:25
  Speaker 2: And I was getting work. And then I'd go back
• 13:27
  Speaker 2: to my doorman job. Right. I worked with Spike Lee.
• 13:30
  Speaker 4: I did a movie in a week. And people were like...
• 13:33
  Speaker 4: People noticed me. Matt Dillon stopped me one time. He goes, oh, shit.
• 13:36
  Speaker 2: He goes, I saw you in a movie. Hey. What
• 13:38
  Speaker 2: are you doing here?
• 13:39
  Speaker 1: Nice.
• 13:40
  Speaker 2: Oh, because you were still working. I was still a doorman. Oh,
• 13:42
  Speaker 2: my God. That's incredible. And I go, it's my day job,
• 13:46
  Speaker 2: you know. He goes, I respect that.
• 13:48
  Speaker 1: And then what was the job that finally took you
• 13:51
  Speaker 1: out of that? Took me over the edge?
• 13:52
  Speaker 2: Yeah. It was.
• 13:54
  Speaker 4: I was up for this series and then I got
• 13:57
  Speaker 4: sick and I was home waiting to see if I
• 13:58
  Speaker 4: was going to get the job and then I had
• 14:01
  Speaker 4: to take a leave of absence because I had a
• 14:03
  Speaker 4: relapse of a flu and I was waiting and waiting
• 14:06
  Speaker 4: on this fucking NYPD Blue show.
• 14:08
  Speaker 2: I didn't know it was going to be a giant show. Yeah.
• 14:10
  Speaker 4: Then finally they gave me the part and then I
• 14:13
  Speaker 4: did the pilot and I had been sick for a
• 14:15
  Speaker 4: few months so I had taken a leave of absence
• 14:17
  Speaker 4: and I said, I did the pilot and then they go, well,
• 14:20
  Speaker 4: we want to hire you.
• 14:21
  Speaker 2: For like seven out of 13.
• 14:23
  Speaker 1: Wow.
• 14:23
  Speaker 4: Which meant like I was only guaranteed seven. So if
• 14:26
  Speaker 4: they didn't like me, they could have dumped me.
• 14:28
  Speaker 2: But I figured, this is a shot. I'm working out three,
• 14:31
  Speaker 2: four years on the side. I'm working my way.
• 14:33
  Speaker 3: Because everybody was like, well, you're doing good for a
• 14:35
  Speaker 3: part-time actor.
• 14:37
  Speaker 2: I think you should commit.
• 14:40
  Speaker 4: So I was like, I'm going to turn in my.
• 14:45
  Speaker 2: I resigned. And they understood. I had a good run.
• 14:48
  Speaker 2: I had a good run.
• 14:49
  Speaker 1: Wow.
• 14:49
  Speaker 2: I had a good run.
• 14:51
  Speaker 4: I resigned early. You know, I had mixed emotions about it,
• 14:54
  Speaker 4: but I knew I was working.
• 14:55
  Speaker 2: Yeah, you're going to go for a dream job.
• 14:57
  Speaker 1: Yeah, I'm going to try. NYPD Blue in New York.
• 15:00
  Speaker 2: In New York. I mean, you shot in LA. Oh, no, no, no.
• 15:03
  Speaker 2: I know. No. I did the pilot. You didn't even
• 15:05
  Speaker 2: get to. I did the pilot. I auditioned in New York.
• 15:08
  Speaker 4: I auditioned in, I almost didn't get the audition because
• 15:12
  Speaker 4: they only wanted to see like Puerto Rican guys or something.
• 15:14
  Speaker 2: And my agent in LA, this wild.
• 15:17
  Speaker 4: Guy, he like, the casting agent, lady in LA, they
• 15:20
  Speaker 4: came to New York and they said, you gotta see
• 15:22
  Speaker 4: this guy.
• 15:22
  Speaker 2: You gotta see Nick. Get him in.
• 15:25
  Speaker 1: He was like, they love you, honey.
• 15:26
  Speaker 2: They love you. They didn't give me the part right away.
• 15:29
  Speaker 2: And I was like, really? I went up there on
• 15:31
  Speaker 2: a break. I didn't even take it that serious.
• 15:34
  Speaker 4: I threw a sweater on and I'm in front of
• 15:36
  Speaker 4: Stephen Bochco, all these heavyweights, David Milch, I got a
• 15:40
  Speaker 4: fucking sweater on my doorman pants.
• 15:42
  Speaker 1: Walked from work over to the audition.
• 15:43
  Speaker 2: Yeah, walked up to the Gulf and Western building. Oh, yeah, yeah.
• 15:46
  Speaker 2: That was the old Paramount. I remember the old Paramount.
• 15:48
  Speaker 1: Yeah, yeah.
• 15:49
  Speaker 2: I mean, they used to own the Rangers, right? Gulf
• 15:50
  Speaker 2: and Western? Yeah, yeah, yeah, for a little bit. Or
• 15:52
  Speaker 2: the Garden or something?
• 15:54
  Speaker 1: Wow.
• 15:54
  Speaker 4: And I remember I was like, and I got in
• 15:56
  Speaker 4: the room and all these guys, the producers.
• 15:57
  Speaker 2: Were all in there.
• 15:58
  Speaker 3: And I didn't have a lot of lines.
• 16:00
  Speaker 2: I was just like playing a young cop. And I
• 16:01
  Speaker 2: was like, hands up! And I was like, and they
• 16:04
  Speaker 2: were all like looking at me like. You just hit
• 16:06
  Speaker 2: him with a hard hand. Boom.
• 16:08
  Speaker 4: I was playing him like this young urban Boy Scout
• 16:12
  Speaker 4: because I was really young.
• 16:13
  Speaker 2: I was like, I don't know if they're going to
• 16:14
  Speaker 2: hire me. And then one of the producers.
• 16:16
  Speaker 3: Said, you made a lot out of nothing.
• 16:19
  Speaker 1: Wow.
• 16:20
  Speaker 2: Which is your biggest compliment as an actor.
• 16:22
  Speaker 1: Of course.
• 16:23
  Speaker 2: Hey, I give you that much, right?
• 16:26
  Speaker 4: And you make like what I did in The Longest Shot.
• 16:29
  Speaker 4: I didn't have a lot on the page. And then
• 16:31
  Speaker 4: Adam Sandler saw it and just.
• 16:33
  Speaker 2: Kept increasing it.
• 16:35
  Speaker 1: He was like, dude, dude, you're funny.
• 16:37
  Speaker 4: This was before people even knew I was funny.
• 16:39
  Speaker 2: And they were like, you're really funny.
• 16:40
  Speaker 3: And he just kept like handing me the ball, you know?
• 16:44
  Speaker 2: And so that's what happened. And I became a full-time actor.
• 16:47
  Speaker 2: Then the show was a hit.
• 16:49
  Speaker 4: And, you know, one of the producers was like, don't
• 16:51
  Speaker 4: unpack your bags. I was like, I just got here.
• 16:53
  Speaker 4: I'm like, I wasn't thinking about it. They don't like
• 16:56
  Speaker 4: me or like me. And they were like, they love you.
• 16:57
  Speaker 2: They love you. The show's a.
• 16:59
  Speaker 4: Hit and they want to keep and pick you up
• 17:01
  Speaker 4: for the rest of the run on the first season.
• 17:03
  Speaker 2: I was like, OK.
• 17:04
  Speaker 4: I didn't even know what it meant, which was better.
• 17:06
  Speaker 4: I didn't I wasn't like I had no expectations, you know.
• 17:09
  Speaker 2: And then so you get your first paycheck.
• 17:10
  Speaker 1: Where are you? You're living in L.A. at that point
• 17:13
  Speaker 1: or you're back in New York.
• 17:15
  Speaker 2: We mean NYPD Blue. Yeah. And the money was low,
• 17:18
  Speaker 2: really low.
• 17:18
  Speaker 1: No, I know, but it's still a studio. It's a
• 17:21
  Speaker 1: big paycheck.
• 17:22
  Speaker 2: Yeah, I'm living in L.A.
• 17:23
  Speaker 1: It's the beginning.
• 17:24
  Speaker 2: You're living in L.A. I'm living in L.A. I moved
• 17:26
  Speaker 2: to L.A. I, like, fucking moved to L.A. I pack
• 17:29
  Speaker 2: everything up.
• 17:29
  Speaker 4: I mean, New York kid never been anywhere, so I
• 17:32
  Speaker 4: was like, oh, wow, resigned from my fucking job. Here
• 17:35
  Speaker 4: I am walking around Ventura Boulevard calling Pacific Bell.
• 17:38
  Speaker 2: I'm like, where the fuck am I going to live?
• 17:40
  Speaker 2: My agent's like, in the valley, baby, in the valley.
• 17:43
  Speaker 2: And I'm like living on Beverly Glen. Yeah, great. That's
• 17:47
  Speaker 2: a great, great little cross section. Yeah, and I have
• 17:49
  Speaker 2: a dog. Beverly Glen and Ventura? Yeah, I have a dog.
• 17:52
  Speaker 1: What year?
• 17:52
  Speaker 2: 93.
• 17:53
  Speaker 4: Are you kidding me?
• 17:57
  Speaker 2: Right before I met my wife on a plane.
• 17:58
  Speaker 1: The height of, that's like Heidi Fleiss, that early 90s
• 18:03
  Speaker 1: in LA.
• 18:04
  Speaker 4: Hit show, fucking earthquake, then hits. Hit show, I almost
• 18:09
  Speaker 4: got killed in the earthquake.
• 18:10
  Speaker 2: Yeah, it was crazy. Northwood Quake. All right, so we
• 18:13
  Speaker 2: had something in common. You've been interviewing me about.
• 18:16
  Speaker 4: My story from being a doorman to an actor. You
• 18:20
  Speaker 4: were a famous ranger, famous king, famous hot. We all
• 18:23
  Speaker 4: know that.
• 18:24
  Speaker 3: But now you've become an actor. Now you've segued. You've
• 18:28
  Speaker 3: moved in.
• 18:28
  Speaker 2: How did that happen? Specifically, you were in the Odyssey.
• 18:31
  Speaker 1: Yeah.
• 18:32
  Speaker 2: Which, by the way, I sat through. You did.
• 18:35
  Speaker 1: You banged it out.
• 18:36
  Speaker 2: It was good. Three hours. Yeah.
• 18:37
  Speaker 1: It's long.
• 18:38
  Speaker 2: It's long, yeah.
• 18:39
  Speaker 1: Right?
• 18:39
  Speaker 2: Yeah. You know, when we get older, it's different. Three hours. Yeah.
• 18:43
  Speaker 2: It better be good. Right. Better keep us in our seats. Absolutely.
• 18:48
  Speaker 2: Who were you in the movie?
• 18:50
  Speaker 1: I played Laudamus, one of Odysseus' guys.
• 18:54
  Speaker 2: You on the ship?
• 18:55
  Speaker 1: I'm on the ship.
• 18:56
  Speaker 2: Yeah.
• 18:57
  Speaker 1: You have to see it.
• 18:58
  Speaker 2: You know what's so funny? Yeah, I'm on the ship,
• 19:00
  Speaker 2: and we all look.
• 19:00
  Speaker 1: The exact same.
• 19:01
  Speaker 2: Right, because I'm... In the cave. Right. I throw a
• 19:05
  Speaker 2: rock at a cow. on Apollo's Island when we were
• 19:08
  Speaker 2: really hungry. How long were you there for?
• 19:11
  Speaker 1: Well, we were in Sicily. It took six months to shoot.
• 19:16
  Speaker 2: Six months? We had four breaks. Wow.
• 19:19
  Speaker 1: We had four breaks where we flew home, had three
• 19:23
  Speaker 1: weeks off, and then went back. Right. I mean, you
• 19:25
  Speaker 1: made movies.
• 19:26
  Speaker 2: You know how rare that is. So how did you
• 19:28
  Speaker 2: get into this Chris Nolan camp? Here's the funny thing.
• 19:32
  Speaker 2: When I was playing.
• 19:33
  Speaker 1: Good guy? Yeah, good guy. Yeah?
• 19:35
  Speaker 2: Yeah.
• 19:36
  Speaker 1: No, no bothersome bullshit. No, you know, undecided.
• 19:43
  Speaker 2: What are we doing here? Right.
• 19:46
  Speaker 1: Never dictates any sort of movement. Like, lets everything play
• 19:52
  Speaker 1: out naturally.
• 19:53
  Speaker 4: Right.
• 19:53
  Speaker 1: And if there's a minor tweak, like, hey, we got
• 19:55
  Speaker 1: too many guys over here. I need something. It's just, he's,
• 20:02
  Speaker 1: it's exactly how I think it should be.
• 20:04
  Speaker 5: Right.
• 20:04
  Speaker 2: Like a coach. Yeah. Like, how can a coach, you
• 20:08
  Speaker 2: can't draw out plays.
• 20:10
  Speaker 1: Mm-hmm. I mean, football has plays, I know, but the
• 20:13
  Speaker 1: natural athleticism.
• 20:15
  Speaker 2: Let them play the game.
• 20:16
  Speaker 1: Yeah. Feel a scene.
• 20:17
  Speaker 2: They're there for a reason.
• 20:18
  Speaker 1: Yeah.
• 20:19
  Speaker 2: And then when you need to tweak something, you tweak it.
• 20:22
  Speaker 1: Yes. So anyways, when I was still playing, I used
• 20:26
  Speaker 1: to joke and say, don't ever let me do Dancing
• 20:28
  Speaker 1: with the Stars. I retire two years later. They're like, ah,
• 20:32
  Speaker 1: it's $ 125, 000. I can go to L.A. for six weeks.
• 20:36
  Speaker 2: I go, ah, what the hell?
• 20:38
  Speaker 1: Right.
• 20:38
  Speaker 2: All right? If I get kicked off, I still get
• 20:40
  Speaker 2: the money. Right. And I still get to stay. It's
• 20:44
  Speaker 2: a win-win.
• 20:46
  Speaker 1: One of the producers, Valerie Papsadera, me and her hit
• 20:51
  Speaker 1: it off, and I'm fighting with everybody else, but she
• 20:53
  Speaker 1: was my go-to, you know? Ends up, her husband is
• 20:59
  Speaker 1: the biggest casting director in Hollywood, and after I did
• 21:03
  Speaker 1: Dancing with the Stars, I went back to New York.
• 21:05
  Speaker 2: John Papsadera?
• 21:06
  Speaker 1: John Papsadera, yeah. Yeah.
• 21:08
  Speaker 2: Yeah. So that was the connection.
• 21:10
  Speaker 1: And then five years later, after I had been taking
• 21:13
  Speaker 1: classes and like trying to figure out how to do
• 21:15
  Speaker 1: this shit, I picked up the phone and called John
• 21:18
  Speaker 1: and said, you know, I want to, how do I
• 21:21
  Speaker 1: do it? Right. Give me something to chew on. And
• 21:24
  Speaker 1: then he started sending me auditions.
• 21:27
  Speaker 2: John?
• 21:28
  Speaker 1: Yeah.
• 21:28
  Speaker 2: The casting guy? Yeah. You didn't even have an agent.
• 21:31
  Speaker 2: I don't think in the beginning, no.
• 21:33
  Speaker 1: No?
• 21:34
  Speaker 2: So what was your first acting job?
• 21:35
  Speaker 1: Well, my buddy Pete Berg put me in a movie. Pete?
• 21:39
  Speaker 1: You know Pete.
• 21:40
  Speaker 2: Yeah, I know Pete. I knew him when he was
• 21:41
  Speaker 2: an actor.
• 21:42
  Speaker 1: Right. Chicago Hope. Chicago Hope? Yeah. Pete put me in
• 21:46
  Speaker 1: Patriot's Day.
• 21:48
  Speaker 2: Wohlberg?
• 21:49
  Speaker 1: Yeah.
• 21:50
  Speaker 2: What'd you do in that?
• 21:51
  Speaker 1: I gotta go, I'm one of the Watertown police officers
• 21:54
  Speaker 1: when the brothers are hiding in the boat. I'd never
• 21:58
  Speaker 1: been on a movie set. First of all, Pete put
• 22:00
  Speaker 1: me in a red warming coat. Everyone else's warming coats
• 22:03
  Speaker 1: are black. He put me in a red warming coat.
• 22:07
  Speaker 1: I looked like a giant cherry tomato. Okay.
• 22:11
  Speaker 2: Yeah. I got to run up to the wall.
• 22:15
  Speaker 1: And go, I think he's in the boat. Freeze.
• 22:20
  Speaker 2: That's your line.
• 22:21
  Speaker 1: And that's my line. And it was the most exhilarating experience.
• 22:26
  Speaker 2: Of my life. I mean, Oh, I think I remember that.
• 22:29
  Speaker 1: It's when they brothers are hiding in the backyard.
• 22:32
  Speaker 2: That's you. And I run up. I didn't have a
• 22:34
  Speaker 2: beard back then. I was young. Yeah.
• 22:36
  Speaker 1: Yeah.
• 22:36
  Speaker 2: Clean cut. Right.
• 22:37
  Speaker 4: Yeah.
• 22:37
  Speaker 1: It looked like a cop, like a Watertown, Boston cop.
• 22:40
  Speaker 2: Yeah. And he said... Irish kid, right?
• 22:44
  Speaker 1: Yeah, yeah, yeah.
• 22:45
  Speaker 2: But, you know, I don't talk like those guys.
• 22:47
  Speaker 4: No.
• 22:47
  Speaker 2: They got their own speech. Oh, they have their own language.
• 22:50
  Speaker 2: Who knows what they're saying. I know. So that was it.
• 22:54
  Speaker 1: And then two years later, Pete put me in his second,
• 22:59
  Speaker 1: another movie that he did called Mile 22, which had
• 23:01
  Speaker 1: Ronda Rousey in it and Wahlberg's in it again. Yeah.
• 23:06
  Speaker 1: And then I just, you know, that was kind of,
• 23:08
  Speaker 1: that gave me the juice to go and get an agent.
• 23:11
  Speaker 2: Right. And then that started kind of. You're getting serious
• 23:14
  Speaker 2: about it.
• 23:14
  Speaker 1: Yeah, now I can actually maybe do this.
• 23:16
  Speaker 2: Right.
• 23:17
  Speaker 4: When did you consider yourself, like, how long did it
• 23:21
  Speaker 4: take you to consider yourself to say, wow, I feel like.
• 23:24
  Speaker 2: After the Odyssey. I'm kind of like an actor now.
• 23:26
  Speaker 2: I feel like I've.
• 23:28
  Speaker 1: After the Odyssey.
• 23:29
  Speaker 3: After the Odyssey, like you've earned your stripes and you
• 23:31
  Speaker 3: feel like you've, like, arrived.
• 23:33
  Speaker 4: Like, that first couple of movies, after, like, Jungle Fever,
• 23:36
  Speaker 4: I was like, wow, I think I could do this.
• 23:38
  Speaker 1: Yeah, because.
• 23:40
  Speaker 2: I guess now.
• 23:42
  Speaker 1: I could have the confidence to walk on set and
• 23:45
  Speaker 1: make my own choice on something.
• 23:46
  Speaker 2: Right.
• 23:47
  Speaker 1: Whereas before, I'm sure your first couple of movies... Well,
• 23:51
  Speaker 1: you didn't know what I was doing. Yeah, I'm just like.
• 23:53
  Speaker 2: And I'm kind of there. Yeah. And you're just going
• 23:56
  Speaker 2: by instinct.
• 23:57
  Speaker 1: Yeah.
• 23:57
  Speaker 2: And you're watching other people going, wow, look how good that... Yes.
• 24:01
  Speaker 2: I said, we're in a scene with Denzel Watt, my
• 24:03
  Speaker 2: first movie, and I'm like, wow, this fucking guy is good.
• 24:06
  Speaker 2: I better act like I belong here and I don't suck.
• 24:09
  Speaker 1: Yes.
• 24:10
  Speaker 2: You know, because this guy's coming in correct.
• 24:12
  Speaker 1: Yes.
• 24:12
  Speaker 2: He's coming in like with blazing.
• 24:14
  Speaker 1: So sick.
• 24:15
  Speaker 2: And I'm like, wow.
• 24:16
  Speaker 1: Yeah.
• 24:17
  Speaker 4: I got to, you know, now you've got to raise
• 24:20
  Speaker 4: the level of what you're doing.
• 24:21
  Speaker 1: Yep.
• 24:22
  Speaker 2: To kind of hang in this even early NYPD Blue.
• 24:25
  Speaker 4: I saw all these people and I was like, these
• 24:27
  Speaker 4: were all polished, really.
• 24:29
  Speaker 1: You had killers.
• 24:30
  Speaker 2: They were a few years, but I was still pretty new.
• 24:32
  Speaker 1: Yeah.
• 24:32
  Speaker 2: So I was like a sponge. I was like, man,
• 24:34
  Speaker 2: these fucking guys are good.
• 24:36
  Speaker 1: Yeah, yeah.
• 24:36
  Speaker 2: So I got to kind of figure out who my
• 24:39
  Speaker 2: guy is.
• 24:39
  Speaker 1: Who's the tall Tony Smiths?
• 24:44
  Speaker 2: Jimmy Smiths?
• 24:45
  Speaker 1: Jimmy Smiths.
• 24:46
  Speaker 2: And before him, David Caruso, who was a little reddish guy.
• 24:49
  Speaker 2: Of course, I know Caruso.
• 24:51
  Speaker 1: Great. And the older... Dennis Franz, the Chicago guy. Wow.
• 24:55
  Speaker 2: What the fuck? Those fucking guys were... Murderers row. Fucking killers.
• 25:00
  Speaker 1: The TV actors nowadays couldn't hang with them.
• 25:03
  Speaker 2: No. No, these guys were... Those guys were... These guys
• 25:05
  Speaker 2: are like lightweights. Yeah. You know, like I know. I've
• 25:09
  Speaker 2: guest thought on things and I'm like, some of these guys,
• 25:11
  Speaker 2: I go like this. I literally go like this.
• 25:14
  Speaker 1: Yeah. You were in the dragon's den of TV.
• 25:17
  Speaker 2: I've been with fucking heavyweights.
• 25:18
  Speaker 1: Killers.
• 25:19
  Speaker 2: Those guys were killers. That's why I can go in
• 25:21
  Speaker 2: and people go.
• 25:22
  Speaker 4: Oh wow, and I'm like, I've worked with fucking great people.
• 25:25
  Speaker 4: I know what that feels like. So that's why when
• 25:29
  Speaker 4: I come in, I like to come in with like,
• 25:31
  Speaker 4: one time I was doing SVU and fucking Ice-T goes, man,
• 25:36
  Speaker 4: he's sitting in the side with one line. He's like,
• 25:38
  Speaker 4: yo man, you look like you could bring it. I
• 25:41
  Speaker 4: turned around, I love Ice-T, and I said, yeah, I
• 25:44
  Speaker 4: could bring it. I could fucking really bring it.
• 25:48
  Speaker 2: Okay? Well, it was Damon, man. Yeah, I mean, that's the...
• 25:57
  Speaker 2: He fucking brought it, right?
• 25:59
  Speaker 1: There was a moment where it was late, time was
• 26:05
  Speaker 1: not on our side, and he had a big one,
• 26:08
  Speaker 1: and he had three takes, and I saw him just
• 26:10
  Speaker 1: do one of those little... Adjustment. Just a little bit
• 26:13
  Speaker 1: in between each one.
• 26:14
  Speaker 2: Yeah.
• 26:15
  Speaker 1: And I was like, whoa. Whoa.
• 26:18
  Speaker 2: Whoa.
• 26:19
  Speaker 1: That's what this whole thing's about.
• 26:22
  Speaker 2: That's why he is who he is. Look at the
• 26:24
  Speaker 2: physical shape that he got into, right? Oh, no.
• 26:27
  Speaker 1: He was... He was insane.
• 26:28
  Speaker 2: I mean, at this... I don't even know if.
• 26:30
  Speaker 1: At my age, and I'm 10 years younger than him,
• 26:33
  Speaker 1: if I could get in that good of shape at
• 26:34
  Speaker 1: this point now. I mean, he was just.
• 26:37
  Speaker 4: And, you know, you're a different species because professional athletes.
• 26:41
  Speaker 2: A little bigger.
• 26:42
  Speaker 3: Yeah, but I'm just saying professional athletes are different fucking birds.
• 26:46
  Speaker 1: Yeah.
• 26:46
  Speaker 2: They are. And not to mention, you know, hockey players.
• 26:49
  Speaker 1: Yeah, of course. Yeah. Well, I think hockey players are
• 26:51
  Speaker 1: the best rounded athletes.
• 26:54
  Speaker 2: They are, right?
• 26:55
  Speaker 1: Yeah. I mean, we do what we do on skates.
• 26:58
  Speaker 2: On skates. It blows my mind.
• 27:00
  Speaker 1: And moving at the same time. Yeah. So baseball, you're
• 27:03
  Speaker 1: standing stationary.
• 27:04
  Speaker 2: Right. You got cleats on. You're on the ground.
• 27:07
  Speaker 1: We're going 60, 70 miles an hour on these tiny
• 27:11
  Speaker 1: little blades.
• 27:13
  Speaker 2: Plus, we're holding the stick. The puck, we got to
• 27:16
  Speaker 2: do it. And then.
• 27:17
  Speaker 1: In our sport, you're basically allowed to do whatever you want.
• 27:21
  Speaker 1: I mean, we can certainly fight, but you can hurt people.
• 27:25
  Speaker 2: Right. And you go much faster on skates. People don't realize.
• 27:30
  Speaker 1: Everyone's like football, the collisions. And football's fast, no question
• 27:36
  Speaker 1: about it. And the guys are big. But hockey, you're
• 27:39
  Speaker 1: like a moving car because when you step on the
• 27:42
  Speaker 1: ice and you're not moving, you're still moving. Everything is...
• 27:46
  Speaker 1: It's like when you put rollerblades on. All of a sudden,
• 27:49
  Speaker 1: you get this feeling like, holy shit. It's like being
• 27:51
  Speaker 1: on the escalator at the airport when you step on
• 27:54
  Speaker 1: the walking one and it pulls you forward. Skating, you're just...
• 27:58
  Speaker 1: So it's an incredible sport. I think it's the best
• 28:03
  Speaker 1: sport to watch live.
• 28:04
  Speaker 2: In person, I agree. For some reason, I wish television
• 28:09
  Speaker 2: doesn't capture... It's so fast. It just doesn't capture the.
• 28:14
  Speaker 1: You remember they did the light-up puck, though, remember?
• 28:17
  Speaker 2: Yeah.
• 28:17
  Speaker 1: Fox. And it just didn't catch on. It's... You have
• 28:24
  Speaker 1: to train your eye a little bit for it.
• 28:26
  Speaker 5: Yeah.
• 28:27
  Speaker 1: You know?
• 28:28
  Speaker 2: You do, right?
• 28:28
  Speaker 1: Tennis, it's easy. You just go, here we go.
• 28:31
  Speaker 2: You grew up on skates? Yeah, yeah. Like, in Canada?
• 28:34
  Speaker 1: Yeah, yeah.
• 28:34
  Speaker 2: About five years old?
• 28:35
  Speaker 1: Yeah, probably three.
• 28:37
  Speaker 2: Yeah? Yeah.
• 28:38
  Speaker 1: We used to skate to school. The sidewalks would freeze.
• 28:40
  Speaker 2: So it's like, that's a norm, right?
• 28:42
  Speaker 1: Totally normal, yeah. All the girls could skate. Our class
• 28:46
  Speaker 1: trips would be to the skating rink.
• 28:48
  Speaker 2: Yeah. It's part of the culture.
• 28:49
  Speaker 4: Going back to the Odyssey, this was the first feature
• 28:53
  Speaker 4: that was filmed on the.
• 28:55
  Speaker 2: Fully.
• 28:56
  Speaker 1: What?
• 28:56
  Speaker 2: Fully.
• 28:57
  Speaker 4: Fully filmed on IMAX 70.
• 29:01
  Speaker 2: Did that feel any different or it didn't matter to
• 29:03
  Speaker 2: you what they were filming?
• 29:03
  Speaker 1: No, you know what I learned? What? Now I understand
• 29:07
  Speaker 1: what being soft means. Soft? Like, I understand focus and
• 29:15
  Speaker 1: depth perception now.
• 29:17
  Speaker 2: Okay.
• 29:18
  Speaker 1: And, like, the language of the lens and whether they're
• 29:23
  Speaker 1: shooting on something and we're just going to be an
• 29:25
  Speaker 1: object in the background or this time, like, we're close
• 29:28
  Speaker 1: enough and, you know, because it changes everything.
• 29:31
  Speaker 2: Right.
• 29:32
  Speaker 1: So I didn't know what being out of focus meant. Yeah.
• 29:36
  Speaker 2: I didn't know, like, what do you mean? I'm standing
• 29:38
  Speaker 2: a foot behind him. It's so specific.
• 29:40
  Speaker 1: You don't see my face, but you can see, like,
• 29:44
  Speaker 1: my body moving. I didn't understand any of that. So
• 29:48
  Speaker 1: now I always, I like being soft until I don't
• 29:52
  Speaker 1: need to be. It's like a metaphor for life.
• 29:56
  Speaker 2: Yeah. Yeah.
• 29:57
  Speaker 1: Right?
• 29:58
  Speaker 2: Yeah.
• 29:58
  Speaker 1: But why the fuck... I'm not going to chew the
• 30:00
  Speaker 1: scenery up. Like, I'm a shape back there. I know
• 30:04
  Speaker 1: what the purpose is right here. And then at some point,
• 30:07
  Speaker 1: then you get to come in and do your thing.
• 30:10
  Speaker 1: Everybody's so... They want to chase the fucking camera.
• 30:13
  Speaker 2: Yeah.
• 30:14
  Speaker 3: I mean, you know, you don't want to mug it,
• 30:16
  Speaker 3: but you.
• 30:16
  Speaker 2: Want to be present. Right.
• 30:18
  Speaker 1: Right.
• 30:18
  Speaker 2: You know what I mean? Yeah. What was the Trojan
• 30:21
  Speaker 2: horse like?
• 30:22
  Speaker 1: Terrible. Terrible.
• 30:23
  Speaker 2: Yeah?
• 30:23
  Speaker 1: Shit. Piss.
• 30:24
  Speaker 2: Piss.
• 30:26
  Speaker 1: Yeah, it was pretty much real.
• 30:28
  Speaker 2: Yeah.
• 30:28
  Speaker 1: I mean, we were covered. You know when they cover
• 30:30
  Speaker 1: you with fucking mud. Right. And it's freezing. Morocco is
• 30:34
  Speaker 1: not a warm place. People think Morocco is hot. It's
• 30:36
  Speaker 1: hot certain times, but at night it is freezing cold there.
• 30:41
  Speaker 2: Man.
• 30:42
  Speaker 1: Freezing cold. It's like the desert. Right. We were up
• 30:45
  Speaker 1: in Wazizat where they filmed Lawrence of Arabia.
• 30:49
  Speaker 2: Oh, my God.
• 30:50
  Speaker 1: You would not like Morocco.
• 30:51
  Speaker 2: No, huh?
• 30:52
  Speaker 1: No, no, no. Yeah. There's nothing there for you. Unless
• 30:56
  Speaker 1: you're getting paid.
• 30:57
  Speaker 2: Yeah. But you never know. I'd have to be getting paid. Yeah, yeah, yeah. Otherwise,
• 31:02
  Speaker 2: I'd be miserable.
• 31:03
  Speaker 1: Uh-huh.
• 31:04
  Speaker 2: I get depressed easy.
• 31:05
  Speaker 1: Mm-hmm. Well. I don't know.
• 31:07
  Speaker 4: Those kind of places. I mean, did you have your
• 31:10
  Speaker 4: family with you? Anybody with you?
• 31:12
  Speaker 1: Just the guys.
• 31:13
  Speaker 2: That's it? But. You're married, right? Yeah. Where was your wife?
• 31:18
  Speaker 1: They were here.
• 31:19
  Speaker 2: Oh.
• 31:19
  Speaker 1: Yeah. Yeah. What the fuck? Why does somebody, nobody wants
• 31:23
  Speaker 1: to go to Morocco.
• 31:24
  Speaker 2: Yeah, what are they going to do there?
• 31:25
  Speaker 1: Stand around.
• 31:26
  Speaker 2: Right.
• 31:27
  Speaker 1: It's not like we get days off.
• 31:28
  Speaker 2: No.
• 31:29
  Speaker 1: I think we got a couple of days off.
• 31:31
  Speaker 2: And then what do you do?
• 31:32
  Speaker 1: Nothing.
• 31:32
  Speaker 2: There's nowhere to go.
• 31:33
  Speaker 1: You go to a, all they do is they drink
• 31:37
  Speaker 1: sugar tea and watch soccer on patios.
• 31:40
  Speaker 2: Oh, man.
• 31:41
  Speaker 1: And smoke.
• 31:42
  Speaker 2: That's it? Marlboros. Heavy. How long were you in Morocco?
• 31:48
  Speaker 1: I think we were there seven weeks. Two different locations.
• 31:52
  Speaker 2: That must have felt like eternity, huh? Over there, yeah. Yeah.
• 31:56
  Speaker 1: Yeah.
• 31:56
  Speaker 2: I mean, it's heavy over there.
• 31:57
  Speaker 1: Call to prayers. There's, you know, it's a different world.
• 32:01
  Speaker 1: It's too hot during the day. They all come out
• 32:04
  Speaker 1: at night. The shops open at night. It's a wild place.
• 32:07
  Speaker 4: Even though it's a big Hollywood movie, I heard the
• 32:12
  Speaker 4: feeling was like, you know, nothing was glamorous. And it
• 32:15
  Speaker 4: felt like almost an indie. Did it have that kind
• 32:19
  Speaker 4: of feel? Or was it like you were not in
• 32:21
  Speaker 4: a big Hollywood movie?
• 32:22
  Speaker 1: Yeah, no, absolutely. I mean, I think locations were so
• 32:26
  Speaker 1: remote in some places, there weren't even hotels. Yeah. So
• 32:30
  Speaker 1: in Iceland, we stayed in Winnebago's, which was incredible.
• 32:33
  Speaker 2: You guys were in Winnebago's?
• 32:34
  Speaker 1: Yeah. Imagine a movie that big. We were in Winnebago's.
• 32:39
  Speaker 1: And it was so much fun.
• 32:41
  Speaker 2: Was it?
• 32:41
  Speaker 1: Oh, it was so much fun. Not only Winnebago's, You
• 32:45
  Speaker 1: showered at the local, we were in a park. So
• 32:50
  Speaker 1: people camping in the park, we would go and shower
• 32:53
  Speaker 1: and there would just be like regular people in the
• 32:55
  Speaker 1: communal showers.
• 32:56
  Speaker 2: Yeah. Ooh. I can't do that. I was doing a
• 33:02
  Speaker 2: long show and all these guys were trying to get
• 33:04
  Speaker 2: me in the shower.
• 33:04
  Speaker 1: I said, come on, Nicky, come on.
• 33:06
  Speaker 2: I said, no, no, no, no.
• 33:08
  Speaker 4: I won't be showering with all you guys. I got
• 33:11
  Speaker 4: to keep some of my ego. These guys will be
• 33:13
  Speaker 4: having conversations, you know.
• 33:15
  Speaker 1: I was showering with the grips the first time I
• 33:17
  Speaker 1: ever met a grip. I'm standing beside him showering. You were?
• 33:20
  Speaker 2: He goes, hey, nice job out there. You're okay, huh? Yeah,
• 33:23
  Speaker 2: you're okay, huh?
• 33:24
  Speaker 4: Yeah, well, you know, you're a professional hockey player. It's
• 33:28
  Speaker 4: okay for you to shower.
• 33:31
  Speaker 2: That's too personal for me.
• 33:32
  Speaker 1: You're right, you're right.
• 33:33
  Speaker 2: We grew up totally normal.
• 33:35
  Speaker 1: Yeah.
• 33:36
  Speaker 2: Some people, it's traumatizing. I know.
• 33:39
  Speaker 1: They would shower in the Winnebago and then they'd run
• 33:41
  Speaker 1: out of water and they couldn't flush their toilets.
• 33:44
  Speaker 2: See, I said, fuck that. Yeah.
• 33:46
  Speaker 1: I'll take a toilet over a shower. Shower's right there.
• 33:49
  Speaker 1: I just need a toilet.
• 33:50
  Speaker 2: Yeah. You got it. You know, on the ground. Yeah.
• 33:54
  Speaker 1: Yeah.
• 33:54
  Speaker 2: Not like those fucking in the campus.
• 33:56
  Speaker 1: Those are.
• 33:57
  Speaker 2: No. I hate shitting in those things. No. You want
• 33:59
  Speaker 2: to get on some hard surface. I need a hard surface.
• 34:02
  Speaker 2: Feet on the ground.
• 34:03
  Speaker 1: Yeah.
• 34:04
  Speaker 2: That's your grounding. That's my grounding. Yeah.
• 34:07
  Speaker 4: Even though we're, you know, having the bar pie, the
• 34:10
  Speaker 4: whole Prince Street connection.
• 34:11
  Speaker 2: Like, I know my connection. How did you find it?
• 34:14
  Speaker 1: So Lawrence Longo of Prince Street Pizza fame. Lawrence and
• 34:20
  Speaker 1: I played hockey against each other when we were young kids, 8, 9, 10, 11, 12.
• 34:27
  Speaker 1: And we've been friends for, I don't know, 30 years now.
• 34:32
  Speaker 1: I'm the one that introduced him to Frank. Frank is
• 34:36
  Speaker 1: the original founder of Prince Street, the first location in
• 34:39
  Speaker 1: New York, which you guys know, Mulberry Street. Right in
• 34:43
  Speaker 1: the village, Soho, whatever you call it now.
• 34:47
  Speaker 2: Yeah.
• 34:47
  Speaker 1: The reason I know Frank is I got into a fight.
• 34:50
  Speaker 1: I fought three guys in front of Prince Street Pizza,
• 34:52
  Speaker 1: the original location in New York.
• 34:54
  Speaker 2: I think I heard that.
• 34:55
  Speaker 1: And Frank and Dom were at the shop that night,
• 35:00
  Speaker 1: and they saw the fight going on. And I don't
• 35:03
  Speaker 1: know if it was after the fight or maybe a
• 35:05
  Speaker 1: couple days later, because I lived in Soho. I lived
• 35:07
  Speaker 1: at Mercer, and I lived at.
• 35:13
  Speaker 1: Fucking Grand and Mercer, sorry, for a long time, 10 years.
• 35:17
  Speaker 1: So I was in the neighborhood. They go, holy shit, man,
• 35:21
  Speaker 1: what the fuck? That fight was wild. You fought three
• 35:25
  Speaker 1: guys and then we became friends and then I wouldn't
• 35:27
  Speaker 1: have to wait in line because the lines were crazy
• 35:30
  Speaker 1: back then at Prince Street. I'm sure they still are. Anyways,
• 35:33
  Speaker 1: a couple years later, I go, Lawrence Longo, you should
• 35:38
  Speaker 1: meet Frank and they've just run away with this incredible partnership.
• 35:44
  Speaker 1: Now the bar pies, which I don't even think they're
• 35:48
  Speaker 1: selling outside of this bar, which is a separate business,
• 35:52
  Speaker 1: but under the umbrella, what's this place called?
• 35:54
  Speaker 2: The Bar Next Store. Yeah. All right.
• 35:56
  Speaker 1: This is in LA. We're in LA. We're on the
• 35:59
  Speaker 1: Sunset Strip. What's the address? 9159 Sunset Boulevard. They got
• 36:04
  Speaker 1: these bar pies. I watched the Dave Portnoy pizza reviews.
• 36:09
  Speaker 1: I've never had a bar pie from Massachusetts or This
• 36:14
  Speaker 1: is my favorite bar pie I've ever had. This is
• 36:16
  Speaker 1: a vodka fucking bar pie pizza.
• 36:19
  Speaker 2: It's great, right? Fabulous. The burnt, crispy edges.
• 36:23
  Speaker 1: I mean, we're eating these on our own.
• 36:25
  Speaker 3: Yeah, I mean, this is like, you know, the more
• 36:27
  Speaker 3: you eat it, the more you want it.
• 36:29
  Speaker 2: It's addicting.
• 36:30
  Speaker 1: Yeah.
• 36:30
  Speaker 2: And you're right. I mean, this Portnoy guy, he should
• 36:33
  Speaker 2: review this thing.
• 36:34
  Speaker 1: He should come and do a review on these.
• 36:35
  Speaker 3: He's one of these big bar pie guy experts, so.
• 36:38
  Speaker 1: Yeah.
• 36:39
  Speaker 2: Dave... Are you taking a shot at him? No, I'm not.
• 36:41
  Speaker 2: I'm just saying. Dave Portnoy, come review the bar pie.
• 36:46
  Speaker 1: Yeah, I agree.
• 36:47
  Speaker 2: This is right up your alley.
• 36:48
  Speaker 1: You guys would get along, I think.
• 36:50
  Speaker 2: No, we'd be all right. Well, you're a fucking OG
• 36:53
  Speaker 2: New Yorker.
• 36:53
  Speaker 1: I'm OG New York.
• 36:54
  Speaker 2: He's a Boston guy.
• 36:55
  Speaker 1: People should, they sort of should kiss the ring. If
• 36:59
  Speaker 1: you have any nostalgia or life inside of you, and
• 37:04
  Speaker 1: we're talking about that story earlier.
• 37:06
  Speaker 2: Yeah.
• 37:06
  Speaker 1: You're working at that hotel, the St. Moritz, in the 80s.
• 37:10
  Speaker 1: And then you book a fucking TV show.
• 37:13
  Speaker 2: Like, you're one of the OGs. Thank you. Yeah?
• 37:16
  Speaker 1: Yeah.
• 37:17
  Speaker 2: I've earned my stripes.
• 37:18
  Speaker 1: You're right.
• 37:19
  Speaker 2: You're right.
• 37:20
  Speaker 1: You go back, they still yell your name on the corners?
• 37:22
  Speaker 2: Absolutely. They love me there.
• 37:27
  Speaker 4: Since this is delivering happiness, Sean, what makes you happy, buddy?
• 37:31
  Speaker 4: What brings you happiness?
• 37:33
  Speaker 2: Sean Avery.
• 37:34
  Speaker 1: You know what?
• 37:34
  Speaker 2: When you wake up, like, what is it? Now, as
• 37:38
  Speaker 2: I get older? Yeah.
• 37:40
  Speaker 1: I get really excited about people around me succeeding. Because
• 37:46
  Speaker 1: I understand the more that they succeed, then I flourish.
• 37:52
  Speaker 2: Right.
• 37:54
  Speaker 1: Lawrence is going to send me a check for a
• 37:56
  Speaker 1: million dollars one day once he sells Prince Street Pizza.
• 38:00
  Speaker 2: Wow. Why would I root against anyone?
• 38:02
  Speaker 4: Right.
• 38:02
  Speaker 1: I want all my friends to do well. To do good.
• 38:04
  Speaker 1: So I can pick up the.
• 38:05
  Speaker 2: Phone and go, yo, you're doing that fucking movie? Right.
• 38:09
  Speaker 2: You're in New Mexico. You got anything for me? Right. Yeah, yeah, yeah.
• 38:13
  Speaker 2: There's a couple days.
• 38:14
  Speaker 1: Let's go.
• 38:15
  Speaker 2: That's what I want. Right.
• 38:16
  Speaker 6: That's what makes me happy. See that? That's a good guy.
• 38:21
  Speaker 6: That's a guy that's like, you know, he's not a hater.
• 38:24
  Speaker 6: He's rooting for people. because it puts him over more.
• 38:27
  Speaker 6: I feel the same way.
• 38:28
  Speaker 2: But a lot of people are not like that. A
• 38:30
  Speaker 2: lot of people, you know, you get a lot of.
• 38:31
  Speaker 4: People that like, you know, they're always like hating on
• 38:34
  Speaker 4: you or hating on your success.
• 38:35
  Speaker 2: And I'm like, why?
• 38:37
  Speaker 4: When I was doing good, I fucking shared it with
• 38:39
  Speaker 4: all you motherfuckers.
• 38:41
  Speaker 2: I did. I wanted to.
• 38:43
  Speaker 4: Share my happiness and my success with you in one
• 38:46
  Speaker 4: way or another.
• 38:47
  Speaker 2: Not everybody does that. Yeah.
• 38:49
  Speaker 1: No, they don't.
• 38:49
  Speaker 2: Not everybody does that. Or, you know, you'd be happy
• 38:52
  Speaker 2: for people.
• 38:53
  Speaker 1: Yeah.
• 38:53
  Speaker 2: But, you know, sometimes that makes you a little angry
• 38:55
  Speaker 2: when people are like that. Well, I think it's the process. Yeah.
• 38:58
  Speaker 3: But you've got to weed those people out.
• 39:01
  Speaker 2: Because you know the people that are truly happy. You should.
• 39:03
  Speaker 2: You could count them on your finger.
• 39:06
  Speaker 1: Absolutely.
• 39:07
  Speaker 2: Absolutely.
• 39:08
  Speaker 1: I auditioned for NCIS LA today. why aren't you on
• 39:13
  Speaker 1: one of these fucking NCIS shows? Like just bossing people
• 39:16
  Speaker 1: around in a cage somewhere.
• 39:18
  Speaker 2: You know what I mean?
• 39:19
  Speaker 1: I know.
• 39:20
  Speaker 2: You know what it is.
• 39:21
  Speaker 1: You get that old head in there and you go,
• 39:23
  Speaker 1: just let Nicky fucking boss everyone around and he's the
• 39:27
  Speaker 1: grumpy guy that they got to check in before the operation.
• 39:29
  Speaker 2: Exactly. Exactly.
• 39:31
  Speaker 4: If anything, I've been underused on a certain level because
• 39:35
  Speaker 4: some of these people, I could wax them. But they
• 39:40
  Speaker 4: hire a lot of generic kind of people. And I
• 39:43
  Speaker 4: think mediocrity gets... Like, mediocrity gets celebrated. Like, one time
• 39:48
  Speaker 4: I was reoccurring on this cop show that was very popular,
• 39:52
  Speaker 4: and people were like, your character's fantastic on this.
• 39:54
  Speaker 2: Blue Bloods show.
• 39:55
  Speaker 5: And people were like, one guy goes to me, I
• 39:58
  Speaker 5: think you're almost too, you're not trying to be too good,
• 40:02
  Speaker 5: but the guy goes to me, you're almost outshining other people.
• 40:06
  Speaker 2: And I'm like, I'm not here to outshine you. I'm
• 40:08
  Speaker 2: here to just contribute to make the show better. I'm
• 40:11
  Speaker 2: not here to be funnier than you. If I am,
• 40:13
  Speaker 2: you know what one guy said to me? He goes,
• 40:15
  Speaker 2: You know what? He goes, you're funny. I go, yeah, thanks.
• 40:20
  Speaker 2: And he goes, no.
• 40:21
  Speaker 4: He goes, I know you're laughing. And he goes, no,
• 40:24
  Speaker 4: I was eating food on the show a lot. I
• 40:26
  Speaker 4: was making a lot of things funny that weren't funny, but.
• 40:28
  Speaker 2: In a real way. Not in like, you know, like
• 40:31
  Speaker 2: in a real way. In the ground. And he goes, no, no, no,
• 40:34
  Speaker 2: I'm paying you a call. He goes, because you're making
• 40:35
  Speaker 2: things that are not funny, funny. I go, well, isn't
• 40:39
  Speaker 2: that good? What the fuck is wrong with you? Isn't
• 40:42
  Speaker 2: that good? And what did he say?
• 40:45
  Speaker 4: Yeah, he goes, you're a really talented actor. And I
• 40:49
  Speaker 4: was like, yeah, but did I get celebrated for it?
• 40:51
  Speaker 4: I get kicked to the side because like, whoa, you know,
• 40:54
  Speaker 4: it's like, I just don't understand it.
• 40:57
  Speaker 2: I don't understand that.
• 40:58
  Speaker 1: It all comes in cycles.
• 40:59
  Speaker 2: I know, but you know what?
• 41:00
  Speaker 1: I want to see you in a pit bossing somebody around,
• 41:03
  Speaker 1: you know, going.
• 41:04
  Speaker 2: Listen, it ain't over yet. And I still got, I
• 41:07
  Speaker 2: got still more in the tank. Lots of juice left. Yeah.
• 41:09
  Speaker 2: Lots of juice.
• 41:10
  Speaker 3: But I'm saying sometimes being good sometimes doesn't.
• 41:13
  Speaker 2: Always work in your favor.
• 41:14
  Speaker 4: You see people that are like, they work for years,
• 41:17
  Speaker 4: and they're like, they're not that memorable.
• 41:18
  Speaker 2: I'm not hating on them, but I'm just like, who's that?
• 41:21
  Speaker 1: Yeah, yeah, yeah.
• 41:22
  Speaker 2: I wouldn't know who that is.
• 41:23
  Speaker 1: Nobody wants to live. We don't want to live like that.
• 41:25
  Speaker 2: No. I want to be fucking remembered. Yeah. I want
• 41:29
  Speaker 2: to be remembered. The worst thing is like unmemorable.
• 41:33
  Speaker 1: Yeah.
• 41:34
  Speaker 2: You're not memorable. Yeah. I don't want to be that. Yeah, yeah.
• 41:37
  Speaker 2: If that ever happens, put me in a fucking box.
• 41:40
  Speaker 1: Yeah.
• 41:40
  Speaker 2: You know what I mean? That ain't going to happen.
• 41:42
  Speaker 1: Out in the marshland of Queens.
• 41:44
  Speaker 2: Yeah.
• 41:45
  Speaker 1: Right?
• 41:46
  Speaker 2: I'm in the swamps over there.
• 41:47
  Speaker 1: Yeah.
• 41:48
  Speaker 2: 147th in Brookville. 147th in Brookville. Sean Avery. Ladies and gentlemen,
• 41:54
  Speaker 2: it's a good man.