Latest / Notable Nostalgia / 96. Matlock: The Photographer

Transcript

96. Matlock: The Photographer · Notable Nostalgia

• 0:04
  Hi, I'm Ali, I'm Andy, I'm Jeff, and I'm Ria.
• 0:09
  And this is notable Nostalgieff all right and nostalgia nerds. Okay, you made
• 0:18
  you seated. This is Judge Andy, and welcome to this week's exciting episode.
• 0:22
  And when you think of excitement, I know you think of matt Lock.
• 0:25
  That's what comes to my mind. Yeah. Unfortunately we don't have Ali
• 0:29
  with us today, but we do have Jeffer Maria back. Whoo, welcome
• 0:32
  back you too. We missed you last episode podcast. Yeah, okay,
• 0:36
  and we know that Ria is a huge Mattlock fan already, but I don't
• 0:39
  think we've ever talked about just a relationship with matt Lock. So did you
• 0:42
  watch this growing up? Is this your first time? Give us some details
• 0:46
  and remember, Jeff, you are under oath. Yeah, oh no,
• 0:49
  I never I never heard about matt Lock until our podcast reviewed an episode.
• 0:56
  Yeah. I never heard that word matt Lock. Like I've heard locks before.
• 0:59
  It matts like like bath mats, But I've never heard of matt Lock.
• 1:03
  Ever. That's a good name for a person to have. Matt Block
• 1:07
  spoiler. I didn't know his name was matt Lock until like further into the
• 1:11
  episode, and I was like, because I thought it had to do with
• 1:14
  like lock, something with like jail or like the I don't know, something
• 1:18
  like that. And I was like, oh, his name's Mattlock. It's
• 1:21
  like his last name Amy's. No. I never heard of this, and
• 1:23
  I didn't listen to that episode of the Matlock episode. I never watched Mattlock,
• 1:30
  so then I would have been like, I don't have no idea what
• 1:32
  they're talking about, and I don't know, but but now, yeah,
• 1:34
  Mattlock. So sorry, Jeff, did you but you watched the Simpsons,
• 1:41
  right, because yeah, Simpsons does they make Mattlock references. Abe loves him
• 1:47
  right, so many I don't remember a lot of things. And then so
• 1:53
  many times when people make jokes, I laugh along like I know what they're
• 1:59
  talking about, or I'll pivot and say something like like nastl toof and then
• 2:04
  you know, then I'll just change the subject. And there's an episode of
• 2:07
  The Simpsons where Homer goes, first you get the money, then you get
• 2:09
  the power, then you get the women. And I didn't know what that
• 2:13
  was from until I was like twenty because that's when I watched Scarface. So
• 2:16
  but I was like Oh, that's funny. I'm like, it's probably from
• 2:19
  something, but I just don't know what it was, so I like scarface,
• 2:22
  Yes, it's okay, you know, I don't know. I'm glad
• 2:24
  I didn't watch it when I was a kid, because that would have been
• 2:28
  like because I as an adult, I was like, I'm acting like I
• 2:30
  have a gun after watching it. Oh and yeah no, but yeah,
• 2:35
  I never saw Matt Locke. But then when I was watching it, I
• 2:37
  was like, oh my god, that's uh Andy Griffith. Yeah, I
• 2:40
  had no idea it like that was like when I saw that, when I
• 2:43
  realized who he was, I was like, okay, I watched Andy Griffith
• 2:46
  show. Yeah. I remember growing up a lot of kids would be like,
• 2:47
  what's up Andy Griffith, and but they weren't saying it to be mean,
• 2:51
  So I don't like, I guess my name's Andy. Yeah. Never
• 2:53
  really Goh that cool? Al right. Like a kid at work came up
• 2:58
  to me today he was like, those kids out there called you gay,
• 3:01
  and I was like, I am, like, people are bullies animys,
• 3:07
  But no, I I didn't a spoiler. I it I did too,
• 3:14
  So where do you rank this? Or I will wait till the very end.
• 3:15
  Yeah. But uh so, the reason I chose this episode is because
• 3:20
  I feel like you're kind of like an expert at Mattlock. Would you would
• 3:23
  you say? That's true? Sure? And so I always like to have
• 3:29
  an episode of something to where if we have questions, we can ask one
• 3:31
  person. And you know, we've done so many Simpson's episodes, We've done
• 3:35
  a few nine two one oero episodes. We've only done one Mattlock episode,
• 3:38
  so I thought it'd be kind of fun to do that. But the reason
• 3:42
  I chose this specific one is because I think it's a lot more fun when
• 3:45
  we have episodes that are kind of bad. So this is the second worst
• 3:49
  rated Mattlock episode of the entire series, and I loved it. It was
• 3:53
  really good. It was a really good episode. But that's why I chose
• 3:58
  this one. That totally makes sense. Roger Ebert, who No, it
• 4:01
  was on IMDb, so it was just like, yeah, okay, well
• 4:10
  before we get into this, does anybody have any more Mattlock there any more?
• 4:15
  Does anybody want to talk more about Mattlock? Nah, I'm excited to
• 4:21
  chit chat about I watched it last night and I was like did you have
• 4:25
  to watch this episode again? Rio or did you once we said it?
• 4:28
  Like, you know what funny is? I don't think I've ever seen this
• 4:30
  episode? Oh okay, perfect? Yeah, so it was good. It
• 4:34
  was really good to watch it. I definitely understand why it's one of the
• 4:40
  worst ranked ones. Like I was like, there's not really any any aspects
• 4:47
  of Mattlock that I'm used to seeing in an episode in this episode, and
• 4:53
  I was kind of bummed by that. I didn't see any hot Dog references.
• 4:58
  Yeah, there are no watch I know. Yeah that's funny. So
• 5:03
  yeah, maybe we should one, two, three, four Cass in a
• 5:05
  podcast? Andy, what's a Cold Bags? Podcast? In a podcast?
• 5:12
  His Andy What's a Cold Bags? Andy Griffinth died one hundred and thirty miles
• 5:16
  from where he was born at the age of eighty six. Andy Griffiths was
• 5:20
  worth twenty five million dollars when he died of twenty five. Ron Howard still
• 5:25
  gets royalties from the TV show that Andy Grippins show Mattlock is going to be
• 5:29
  rebooted Cathy Baits and that is set to air this year. And podcasts in
• 5:34
  a podcast, Yeah, Andy, what's a Cold Bags? Podcast? And
• 5:40
  a podcast, his Andy, what's a cold bag? It looked its terrible.
• 6:00
  Oh my god, it looks so it looks so bad. And also
• 6:03
  like there's no real connection to the old Mattlock, Like I don't understand why
• 6:12
  they're calling it Mattlock or like also she's oh, I don't know. To
• 6:16
  me, I'm just like, I'm not excited, same as same was when
• 6:19
  they rebooted Perry Mason. I was just like, but no, there aren't
• 6:23
  a lot of people besides like me who grew up watching these things I feel
• 6:29
  like, And so I think it just kind of has missed its opportunity for
• 6:33
  nostalgia and the people that I feel like as they're so everybody our age,
• 6:41
  even though I really enjoyed this episode. When you think of Mattlocke, you
• 6:43
  think of like old people boring episodes, right, Yeah, And if this
• 6:46
  show has nothing to do with the original show, why even name it that
• 6:49
  other Because everybody who watched it back, you know, thirty or forty years
• 6:53
  ago, you know, they're probably not a lot. For the most part,
• 6:57
  I don't get it. A silent majority of people that are more like
• 7:01
  Rhea that just aren't like haven't come out as Mattlock fans publicly. Yeah,
• 7:08
  so maybe there is like a lot of mouth. So you're saying there like
• 7:11
  Matt locked in the closet, Yeah, something like Verry Amazing. I thought
• 7:15
  was very Erry amazing. I thought was very attractive. Yeah, yeah,
• 7:18
  Perry as I watched a few episodes because of Rhea. Yeah, no,
• 7:21
  I would totally sit on his face. He was gay, Raymond Burg is
• 7:26
  gay? Oh no, thank you. Then, oh that's sweaty. All
• 7:35
  right. So the intra credits are just a bunch of black and white pictures.
• 7:39
  There are some shoes, some different fruits and flowers. Makes it look
• 7:43
  really artistic. And now we're actually to the real episode, and uh,
• 7:46
  we see a pretty minimally decorated art room and we see Playboy of the Year
• 7:53
  come up. He hits on a few girls, one wearing black, one
• 7:56
  wearing white. I don't know what that means, but I wonder if maybe
• 7:59
  one of them is and the other one is good. I don't know.
• 8:01
  And I wrote all these notes as I'm just going so I get that.
• 8:05
  Yeah. He then says there's a critic there that's really important to the art
• 8:09
  scene. But he looks like a fucking nerd. Doesn't he It looks like
• 8:11
  you invented Microsoft. And then a lady literally hops into the scene, which
• 8:16
  is kind of confusing, and I think it might be the playboy's girlfriend.
• 8:20
  Oh wait, another girl comes running into the scene and she is not dressed
• 8:24
  all fancy. She sneaks in and goes straight to the kitchen. And whoever
• 8:26
  this playboy is is pissed. I think he's the one who is the artist.
• 8:33
  He's mad because she wasn't on time, or was on time but didn't
• 8:35
  stay there the entire time. And I think the real reason he's pissed,
• 8:39
  though, is because she offers him a gift and he looks at it and
• 8:43
  he goes, what's that? And she goes, it's a gift. He
• 8:45
  can clearly see it's a frame. And I think if there's one person in
• 8:48
  the world that doesn't need another frame, it's probably this guy. Yeah,
• 8:52
  i'd fire her instantly. Where have you been? What I was running in?
• 9:05
  What's this? It was going to be a surprise. It's a gift.
• 9:09
  It's for you for your opening. I needed you here now, Randall.
• 9:15
  I set the time laps camera to go off every fifteen minutes. Okay,
• 9:18
  come on, you'll have your portrait of the opening note problem, that's
• 9:22
  not the point. And you know it. You're supposed to be here when
• 9:24
  I tell you to be here. Randall, I know your dance, this
• 9:28
  is your big day. But lighting up okay. But I wouldn't fire her
• 9:31
  in the middle of an event because she could make a scene and ruined the
• 9:35
  whole event. And I fired a lot of people before in my life,
• 9:37
  and I make sure to do it at the end of the week or right
• 9:41
  before Christmas. Really, one time I had to fire like thirty five people,
• 9:46
  like two weeks for Christmas, and I was gonna die. It was
• 9:50
  like the worst fucking thing ever. I was like, oh my gosh.
• 9:52
  I'd be like, well, I will fire myself so that I don't have
• 9:56
  to do this. Right. When I worked in retail management, I would
• 10:00
  go on my break to like Antiance pretzels and get an application and put it
• 10:05
  on their bag. Oh I get it to like encourage them to like,
• 10:13
  oh, that's horrible. I remember the first person ever had to fire.
• 10:16
  I was like eighteen or seventeen something like that, and she's like, hey,
• 10:20
  I'm not on the schedule again this week. And I was too afraid
• 10:22
  to tell her that she was fired for two weeks, so I was like,
• 10:26
  yeah, it might be best if you start looking for a new job.
• 10:30
  So yeah, it's tough. But when she does make a scene,
• 10:33
  she tries to leave and he grabs her really aggressively, and then everybody in
• 10:39
  the place gets pissed, and rightfully, rightfully so because he shouldn't grab anybody
• 10:43
  like that, And his whole response is, oh, kids, Like,
• 10:48
  I don't know, that was pretty odd. She really confused me. Her
• 10:52
  character really confused me. I'm not quite sure. Was she like his assistant?
• 10:58
  I think, so I have that and down so many times I'm like
• 11:01
  his girlfriend assistant. I don't know. And then she does she live there?
• 11:05
  Because like in the next when she's when she's coming back, like I
• 11:11
  know where a couple scenes like forward, but the police ask her if she
• 11:18
  are you the girl that lives here? Yeah, and then she when they
• 11:22
  first start arguing too, she goes, so you're just gonna kick me out
• 11:24
  like that? So I think maybe she was living there, but I don't
• 11:28
  know if she was like a girlfriend. But who Also, who sets up
• 11:33
  their house like an art gallery? Like there was a furniture there was nothing
• 11:39
  in. The walls are entirely white, the floor is entirely white. I
• 11:43
  was really confused as to how this this setup. I was really lost.
• 11:48
  There's so many times ra I go and then the client who might be the
• 11:52
  girlfriend or not, because why would the cops let her back in? Why
• 11:54
  this been like a day or two cents of murder, and they're just like,
• 11:56
  yeah, go free. And then I'm like, or the apartment or
• 12:01
  maybe the art studio. I don't they don't really make that super clear.
• 12:05
  No, but uh, oh shit, he's dead. He's lying on the
• 12:09
  ground for like a really long time, and the lady that was fired comes
• 12:13
  back and sees that he's dead. She hurries and grabs a camera gear.
• 12:18
  I don't know if it's hers, maybe the dead guys. I'm not sure.
• 12:20
  I think it's not her. I don't think it's hers. Yeah,
• 12:24
  no, yeah, I think she was stealing. Yeah, okay. She
• 12:28
  runs out of the apartment and gets on a sick fucking hog, which is
• 12:33
  just some OpEd, But then she starts waiting at a pond store to open
• 12:37
  the pond for the pon stor to open up so she can pawn all this
• 12:39
  camera stuff. A young Billy Bob Thornton offers to pay two hundred and fifty
• 12:43
  bucks for all the camera stuff. Would you get your hands on stuff like
• 12:50
  this? How much two and fifty Are you serious? Take it or late?
• 13:03
  I'll take it all right. This one's got film then that you wanted
• 13:22
  the film? That would be about six hundred dollars in today's money. And
• 13:31
  then during the transaction, she remembers the film from the camera in the corner
• 13:35
  that was taking photos every fifteen minutes and runs out of the pawnshop. She
• 13:39
  runs back to the art gallery or the house, I'm not sure, because
• 13:41
  the cops say, are you the one that lives here? You the girl
• 13:45
  who lives here? Maybe that was a housewarming party. I don't really know,
• 13:48
  but it looks like they already got the film that she remembered and she
• 13:52
  sprints out. She hops on her sweet moped hog. We get a little
• 13:56
  car chase scene and we meet Matt Locke in the courthouse. She pulls up
• 13:58
  asking Matlock for help, but for help, but he declines and the episode's
• 14:03
  over. Yeah, he goes, No, I'm not gonna help you leave
• 14:07
  kid. Roll credits. Mister, mister, I need to talk to you.
• 14:15
  Well, are you all right? What can I do for you?
• 14:18
  I need a lawyer right now. Wait a minute, I hear you the
• 14:20
  best lawyer in Atlanta. What miss, I'm Amy Adler and I am in
• 14:24
  a real jam. The cops think I kill my boss. Well I'm sorry,
• 14:28
  miss. Look, mister Mattlock, I have a juvenile delinquent rap sheet.
• 14:33
  If I don't get somebody like you, I don't stand a chance.
• 14:37
  I did not kill him. Excuse me, there is your client. No.
• 14:43
  Luckily though, Mattlock was at the courthouse. But I can kind of
• 14:46
  see her reasoning because lawyer courthouse, middle of the day. It kind of
• 14:50
  makes sense. The cops arrest her and she yells to Matlock. You know,
• 14:54
  if I hadn't come looking for you, I could have been out of
• 14:56
  town right now. So how does everybody feel about this? Beginning? Real?
• 15:09
  Oh? So? So? My notes were, I do love the
• 15:11
  scenes that of the episode before it airs, and I think we should bring
• 15:16
  that back, Like I want to know what I'm getting into before I watched
• 15:22
  this episode. I don't know. Yes, that's a very good point.
• 15:24
  Actually I had two notes for this, and I forgot to add that over.
• 15:28
  Yes, because there's been a lot of movies or TV shows where I
• 15:31
  start watching something and then I'm like, ah, I wish I didn't watch
• 15:33
  this, And I'm already like halfway through, so I'm like, I'll just
• 15:35
  finish it. But if they gave you a few, like I was it
• 15:39
  like a thirty second maybe a minute clip of like just scenes at the beginning
• 15:41
  of this episode, I didn't say this earlier. They give you a few,
• 15:46
  maybe like six or seven clips of the episode before it starts, and
• 15:50
  I love that. I think that's a really cool idea. Yeah, totally,
• 15:52
  we should bring that back. The the theme song is still a banger.
• 15:58
  Yeah, eyes are terrifying. That is my was my main takeaway.
• 16:03
  I'm like, I would so the the photographer takes like close ups of eyes
• 16:08
  and they're scary. I will never look that put together, even when I'm
• 16:14
  dead. Like he looked really good, and I love that there was just
• 16:21
  like one little drop of blood, like this is prime not primetime television,
• 16:26
  but like you know, it's family television even though it's crime, and they're
• 16:30
  just like, I don't think that's what he looked like. Also, he's
• 16:36
  the best lawyer in Atlanta. They say that almost every episode. I feel
• 16:40
  like they're like, you're the best, You're the best, And then I
• 16:44
  think it's funny that she ran up to ask him for help because he is
• 16:48
  expensive. They also say that a lot in a lot of the episodes.
• 16:51
  They're like, you can't afford his fee or like, you know, it's
• 16:55
  like he typically has like a two hundred and fifty thousand dollars retainer and then
• 17:00
  Louise and then people pay. Like I was just like, you would never
• 17:03
  have access to this person, especially as a random little girl. But how
• 17:11
  how white privilege it is to just be like, no, I feel like
• 17:15
  I can't get the best attorney in Atlanta. Well, then this is an
• 17:21
  eighty five too, So like, how would she even know what he really
• 17:22
  looks like? Unless right, Like, why why would he know? Yeah,
• 17:26
  I wouldn't know, Like if I didn't know who my attorney was,
• 17:30
  I wouldn't know what he looks like. Yeah, it was kind of a
• 17:32
  weird that she went to him with all of what you all just said.
• 17:37
  I find him very endearing, but I also, throughout the episode find him
• 17:42
  a little pervy when he's like looking you know, in the future scenes when
• 17:48
  he's looking at the photos and like she has really nice eyes or whatever,
• 17:52
  or real nice smile or something like he's been a little pervy. I put
• 17:56
  on here one thing. I thought, I'm pretty confident my facts be shaky.
• 18:00
  That that courthouse, like Fulton County is where one of the Trump trials
• 18:04
  is eventually gonna happen. So that that was yeah, for the one of
• 18:08
  the election interference ones where he called the the Secretary of State to find more
• 18:14
  votes. So that's in Folk, Fulton County and Georgia. So I thought
• 18:17
  that was kind of funny. Yeah, And then I put on here that
• 18:25
  he would I think Matt Locke would be considered a polar bear in the gay
• 18:30
  community, like a bear, but you know, older and gray and like
• 18:33
  white hair bear. I think that I am. I would classify myself as
• 18:41
  probably like a cub turning into a bear. Andy would be I think like
• 18:48
  an otter. I was gonna say, I don't have any hair, Yeah,
• 18:49
  so you're like an otter. And then uh, and then Rio would
• 18:55
  be a twink. I just say the video of an otter eating stuff on
• 18:59
  his belly, So I put that on there. Okay, the most important
• 19:04
  part of this episode is the whole subplot of his obsession with his ID photo.
• 19:11
  Yes, love that, Like is that a common thing that he does?
• 19:15
  Like old man crazy shit like that? Yes, that was amazing.
• 19:22
  And then the I don't know what has changed in cinematography nowadays opposed to then,
• 19:30
  but it all it reminded me of like the same Simons up cinematography is
• 19:34
  like are you afraid of the dark? Like it's not very clean close ups.
• 19:38
  It's very like I don't know, it's just not crisp. But I
• 19:41
  get that it's like thirty years ago or so. But yeah, it's weird
• 19:45
  too that like we have YTVs now, so everything looks a lot different than
• 19:49
  it used to. So they serve hot dogs and like concessions at the courthouse.
• 19:53
  I've never seen one but this concessions character they do. If you go
• 19:59
  to this the Salem courthouse, they have like a like a little snack like
• 20:06
  a little stack bar that you can buy things from. M any I guess
• 20:11
  that makes sense with like people and the judges like going in and out of
• 20:15
  I don't know, but I probably wouldn't want to like be a judge and
• 20:18
  then get the same snack bar as the criminals. You know, if you're
• 20:22
  bipolar. You like boy a girl polar bears. Oh my god, that's
• 20:26
  adorable. I've been waiting for. Let's say that, since you proud of
• 20:29
  it. When she's walking up to the dead body, they like, it's
• 20:33
  really slow, right, And then there's a picture of a baby behind her,
• 20:36
  but the baby's face is fucking hideous and they keep really hitting that baby's
• 20:40
  face. I'm like, horrible. This photographer is like really popular in this
• 20:45
  universe, but I don't find it very good. It's not good. I
• 20:48
  think whoever took these pictures was like, okay, people in the art community
• 20:52
  would like this, and like I don't think they actually, you know,
• 20:56
  discussed with an artist or something. It was okay. I don't know.
• 20:57
  I didn't mind that the want to kind of like to. Actually, but
• 21:04
  we're at these so now we're at the courthouse. Uh actually, now we're
• 21:11
  at her trial, and I feel like they chose the most stereotypical or they
• 21:15
  possibly could have. And he's helping her out. He says, just take
• 21:19
  a plea. You'll get five years with good behavior, which is crazy because
• 21:22
  she murdered somebody. We cop the plea and you get five to ten years
• 21:27
  with good behavior, but I didn't do it. And like a little bit
• 21:32
  later, Mattlocke's assistant says, tha's got enough evidence to lock that up and
• 21:36
  throw away the key. Like what he's got eyewitnesses saw into the building at
• 21:41
  ten o'clock that evening. What else, Oh, not much. It's a
• 21:45
  photograph that shows your client holding the murder weapon leaning over the dead body.
• 21:51
  That is so much evidence, just for like five years of murder. And
• 21:55
  then when Matt Lock comes in and goes, hey, I'm gonna help you
• 21:57
  out, they just let her go with all the evidence. She's just free
• 22:00
  to go. She's a murderer based on what they think. That's insane to
• 22:03
  you only get five years in prison for murder, he said five to ten,
• 22:07
  But you know he's thinking probably manslaughter, manslaughters, But like that's what
• 22:15
  that's that with the evidence. I feel like that's a little you know,
• 22:19
  even though it's not real evidence. But and then they saw her show up
• 22:22
  again and then run off, like the's a lot stacked up against So she
• 22:26
  didn't if she didn't kill him, she still didn't go to the police.
• 22:32
  She stole from him and ran from the police, like she committed a lot
• 22:34
  of crimes. Yeah, yeah, for sure, but what else? Yeah,
• 22:38
  as they start talking. As Matt Locke and this new client start talking,
• 22:42
  she brings up three women that are super in love with the dead guy
• 22:45
  and always buys this picture sight unseen. But they were there at the opening
• 22:52
  of this apartment, so I'm assuming the one wearing white and the one that
• 22:56
  are wearing black and the person who jumped into the scene or three that they're
• 23:00
  talking about. He asks if she knows their numbers. She doesn't, but
• 23:03
  luckily she is really good at stealing and breaks into a filing cabinet. So
• 23:07
  I'm still a little confused if she lived there or not, because why are
• 23:11
  they just letting her and Mattlock walk around? Really, this is like the
• 23:14
  same day or the next day, so it's still a pretty fresh murder scene.
• 23:19
  They're just letting yeah go and you're fine, right, it seems like
• 23:22
  a lot. And also that it's her house and she has a filing cabinet
• 23:26
  that's luck that she can't open. I'm really confused. Yeah, I don't.
• 23:32
  I really don't understand her living situate the same. Yeah I don't.
• 23:37
  Yeah, Yeah, I'm trying to think, but I can't. I have
• 23:41
  no idea, but damn Mattlock has some game. Okay, now the plot
• 23:45
  thickens. The first girl he talks to is going to be a model.
• 23:48
  I think that's what she's doing. And she says she did not go back
• 23:51
  at the end of the murder. She went to this club until three am.
• 23:53
  He says, a lot of people, a lot of people saw you
• 23:56
  there. Huh. Someone calls her name before she can answer, tell me,
• 24:02
  miss Steve her you didn't go back to mister Proofs's loft after the murder,
• 24:06
  did you? No? No, I was at the Havelely Club until
• 24:11
  three in the morning. A lot of people saw yes. Yes, of
• 24:15
  course. Maybe you could give me some of their names. Oh, excuse
• 24:19
  me, I'm sorry. I think it was the lady in the black at
• 24:23
  the beginning. I'm still going to hold onto that prediction. Okay, person
• 24:26
  too. We are at a principal's office. She says, I'm assuming you're
• 24:30
  here to ask me questions, and he says, last time I was at
• 24:33
  a principal's office, I got my ears boxed. And that's not a question.
• 24:37
  I wish At that moment, he just got up and walked away,
• 24:40
  and she's like, oh, you know, old people like you're just frucking
• 24:45
  batshit crazy. And then I go, damn, Matlock has game on this
• 24:48
  lady as well. So she says she was at some fundraiser and there were
• 24:52
  a lot of people there and had pictures taken. Well, at the risk
• 24:56
  of being impertinent, again, where were you the knight of the murder?
• 25:00
  The evening of the seventeenth Let's see, now that's at the Junior Charity's ball.
• 25:07
  There were lots of photographers. I'm sure there must be many pictures.
• 25:11
  I must be in some of them. Well, as they say, a
• 25:15
  picture's worth a thousand words, yes they are. And then she turns around
• 25:22
  and looks at the picture on the wall, which is a shoe. So
• 25:25
  now I'm thinking the shoe probably killed that guy. I guess we'll see.
• 25:27
  Okay, So now the third lady, he thinks, is okay, this
• 25:32
  is the third lady. Now he's about to interview the third lady, who
• 25:36
  I think is like a senator or something like that, which is crazy because
• 25:38
  she's a politician and somebody that she was friends with just got murdered and nobody
• 25:45
  seems to care at all. She says she was out of rally until midnight,
• 25:48
  and there's TV cameras, so she has an alibi. Okay, So
• 25:52
  the politician has a picture on the wall of grapes, and the principal had
• 25:55
  a picture of a shoe, but the first lady didn't have any painting,
• 25:59
  so I think the model did it, but I don't know if she's wearing
• 26:02
  black or not. The politician has to leave because she has a press conference
• 26:06
  in five minutes. If I was that person and they were like, hey,
• 26:08
  there's a lawyer here to see you, I would say I wouldn't say,
• 26:12
  Okay, I have five minutes. I'll talk afterwards. He probably wants
• 26:15
  to talk about the murder of my friend. Maybe I should spare more than
• 26:18
  five minutes. I know this is a bad time, miss Warden, but
• 26:23
  I've gone to get to the bottom of this Randall Brooks murder, and I
• 26:26
  need your help. There's nothing really that I can help you with. I
• 26:30
  don't suppose you had any reason to go back for the loft that night,
• 26:33
  mister Matlock. I've told Lieutenant Davis everything. You wouldn't happen to remember where
• 26:37
  you were that evening at a rally until midnight. If you don't believe me.
• 26:41
  You can check with the TV stations. It's all on tape. If
• 26:44
  you excuse me, I do have a press conference that I have to make
• 26:45
  in five minutes. Okay, Well, now we have the three people with
• 26:53
  their alibis and the plot has officially thickened. So what's everybody when you're watching
• 26:59
  this for the first time, who were you thinking? Did it? I'll
• 27:03
  let you go first this time, Jeff, I did not know. I
• 27:07
  did not know. I thought it was maybe somebody hired somebody to kill the
• 27:14
  I still don't know. I don't know the outcome, Like, I'm pretty
• 27:17
  confident it was the model, But then, like, how did the guy
• 27:22
  get killed? Yeah, I don't know. They didn't really say. Well,
• 27:27
  they said that the police said they have a picture of the lady with
• 27:30
  a murder weapon, so maybe she had like a stick or so. I
• 27:33
  don't know. I don't really know, but there wasn't very much blood on
• 27:37
  the guys had, like Rio Sayance, I don't really know how he died.
• 27:40
  Yeah, I don't know. I'm still like, I'm just enjoyed.
• 27:42
  I feel comforted by watching this show because Matt Locke, like the gentleman,
• 27:48
  is Andy Griffith when I realized, you know, but but I was more
• 27:51
  like upset with the with the the associate of the photographer that died. I
• 27:57
  was like, she was stressing me out. I constantly like doing an illegal
• 28:02
  stuff and also not being like stressed or concerned that her landlord boyfriend boss whatever
• 28:10
  he is it got murdered and she's a suspect. Like she was more concerned
• 28:14
  about like what dress she's gonna wear, yeah, and that kind of thing.
• 28:17
  But nobody really seemed to care. But they were all like, oh,
• 28:21
  you know what, Maybe they were only nice to him because of the
• 28:25
  the blackmail. Maybe they thought if they were rude to him, they he
• 28:27
  would make them pay more. Yeah, I'm assuming they're all nice to him
• 28:33
  because they're being blackmailed. But I just didn't really find because in the very
• 28:41
  first scene where they're all at the the art gallery apartment, they were like
• 28:49
  when they all got mad because he grabbed her, I was just like,
• 28:52
  well, these are not these are clearly fake friends, and it's just I
• 28:59
  don't know, it's just just was not enough for me to buy that.
• 29:02
  Like I guess maybe that's the fact that they were trying to make is that
• 29:07
  like any of them could have done it because nobody really liked him. But
• 29:11
  it to me, it just felt like there wasn't a really good setup as
• 29:15
  to who could be the murder and the whole and just skip ahead. Like
• 29:22
  the whole blackmail thing is that he has photos of them, you know whatever,
• 29:27
  but like the it's art, like the it wasn't like who cares if
• 29:33
  it's you know, pornographic, like like for jerking it or whatever, but
• 29:37
  like who cares? Like maybe it's a different time, Yeah for sure,
• 29:41
  Well this is no internet, so like I think the only way you could
• 29:42
  get porn was like magazines or the video store, I guess. But then
• 29:47
  I wasn't sure either was it like supposed to be model pictures or was it
• 29:49
  supposed to be like porn pictures. I was thinking it was like high editorial
• 29:55
  like nudes. Yeah, like like really just like fashion like like art,
• 30:00
  and it's just so interesting, Like I know it's this probably broad brush statement,
• 30:03
  but like nowadays, you know, the other Kim Kardashians and the you
• 30:07
  know, Paris Hilton's and stuff. Yeah, and times have changed. All
• 30:11
  three of those women would be like have twenty million followers on Instagram and guess
• 30:15
  this only has like five hundred you could pick some Gus guests. Oh well,
• 30:19
  thank you nice. Yeah, Like, I take so many pictures.
• 30:23
  Sorry, what go ahead? I take so many pictures of Gus and nobody
• 30:26
  ever like offers to pay me money for his pictures. Wow. Yeah,
• 30:32
  because when they're looking at the photos, Matt Luck says like, these girls
• 30:36
  are doing things they shouldn't be doing, or something to that effect, And
• 30:41
  so I assume that they were more pornographic in nature. Oh okay, I
• 30:48
  could see that then, especially if you be like, because back in the
• 30:49
  eighties of a politician had like some kind of porn, you know, background,
• 30:55
  people weren't for that. But now it seems like, hey, that's
• 30:56
  fine. Yeah, but oh my god, when he first met that,
• 31:00
  when he first saw that model, the very first one, and she like
• 31:03
  sneezed right in front of him. She did not cover her mouth, she
• 31:07
  did not. I was just I was really disgusted by that. I say,
• 31:15
  gazoom died on that sneak. Oh. Now we're back at Matlock's house
• 31:22
  or maybe his office. I'm not one hundred percent sure. Uh, I
• 31:26
  don't know. But his client comes in with a new dress and she looks
• 31:30
  very nice. And then his assistant comes in and proves that the politician and
• 31:33
  the principle, both of their alibis, did check out. His client then
• 31:38
  walks out and damn baby got back Iverybany noticed that she's Louise. Mattlock tells
• 31:44
  his client to sleep at the y, not at the loft, so I
• 31:47
  think she does live there. Based off that, I think she actually does
• 31:51
  live there, which kind of makes sense sense. That's why she can keep
• 31:55
  just going back and forth on like in a police uh you know, uh,
• 32:01
  in a crime who lives in a loft like that and doesn't have any
• 32:05
  furniture. I was, I'm still really confused, Like there was zero furniture,
• 32:10
  and it was it looked like an art gallery, like the the wall
• 32:16
  like I think it's like an art gallery, like an apartment that got turned
• 32:20
  into an art gallery. And then she has like a little, you know,
• 32:23
  large closet that's like her room, is what I thinking. Well now,
• 32:28
  and I'm thinking about it. So there is the big open room that's
• 32:30
  where all the pictures were, and then there was a kitchen in a black
• 32:34
  room, dark room, and that's so maybe I don't know. Yeah,
• 32:37
  now maybe they were gonna take everything out after the art gallery and put furniture.
• 32:44
  The whole crime scene thing doesn't make sense either, because like they didn't
• 32:46
  let like Oj go back to the crimes. I put that in my note.
• 32:51
  Look, okay, I swear it goes. That's insane. So literally,
• 32:53
  like, okay, so I think she does live there, which kind
• 32:57
  of makes sense since there's a crime scene, but she's also the main us
• 33:00
  back suspect. Imagine, let Oj sleep in Nicole's house. Yeah, so
• 33:06
  yeah, what is up? Yeah that's crazy, that's so insane. Yeah.
• 33:09
  Uh. Anyway, Mattlock's assistant is going to take her to the why,
• 33:13
  but first they're going to stop at the loft so she can get some
• 33:15
  things. She says, I'll be right back, and then runs to her
• 33:17
  house and this guy seems really impatient because he doesn't stick his head out and
• 33:22
  yell no, that's fine, you don't need to run. That's crazy to
• 33:25
  me. Oh shit, someone's already in the house. Once they hear her
• 33:30
  enter the house, they shut the lights off. They shut the lights off
• 33:34
  of the room they are in. She hears movement, She hears movement,
• 33:37
  and then she goes to investigate which is crazy because the same place her boyfriend,
• 33:43
  slash Boss was just murdered the day before, and she went in by
• 33:46
  herself and I wouldn't do that. That's really scary. The stranger attacks her,
• 33:51
  and luckily she knows his one weakness flashes of light. Mattlock's assistant comes
• 33:55
  in to fight off the creep. This part confused me because she was only
• 33:59
  in there for maybe a minute, maybe one minute. So it turns out
• 34:04
  he doesn't have any patients, because why else would he run up there.
• 34:07
  Yeah, okay, l E've ben here for one minute. Get your shit.
• 34:09
  We gotta go. Uh. The guy gets punched, and then the
• 34:14
  assistant gets punched and then thrown down on the ground, and then the stranger
• 34:16
  runs off. Matt Locke's assistant asks if she's all right, and she says,
• 34:21
  I ripped my dress. He goes. Never mind that in the fight,
• 34:25
  she was able to capture a few pictures of the bad guy. And
• 34:29
  as of right now, I'm having a lot of fun watching this episode.
• 34:31
  As I put in my notes, yeah, I was having a blast,
• 34:34
  Like I was like, I'm excited to see how this ends. I just
• 34:37
  don't try. Maybe there's more to her story or whatever. But she's like
• 34:40
  been around dead bodies because like that's booked. It's like, yeah, I
• 34:45
  get she's pissed at him, at her boss or whatever, but to be
• 34:51
  like, oh my boss is dead, I'm gonna go rob him now like
• 34:54
  he's he might still be alive. Call the police, like hide the body
• 35:00
  if you're gonna go like the criminal route, Like she should probably hide the
• 35:02
  body and like scan the like she's sworn enough's n street smart enough to know
• 35:08
  like, oh, there's a camera in the corner. I'm not I'm gonna
• 35:12
  wear gloves really quick. I'm gonna steal everything. I'm not coming back here,
• 35:15
  Like she should have leaned into the criminal shit, or she should have
• 35:19
  called the police. What if he wasn't dead? And so the next day
• 35:22
  he like wakes up and he's like, didn't I see you? Like when
• 35:25
  I was really hurt. She's like, no, didn't I see you?
• 35:30
  Take all that camera? Shit? Why didn't you call the cops? Like
• 35:31
  I was injured on the ground, Like that's because I don't think she touched
• 35:36
  him, did you know? I don't think so she should maybe they should
• 35:38
  they should have included him, like releasing his bowels, and then that was
• 35:44
  like and then that was like the sign the white tape around the body when
• 35:47
  they go back to it looks like something from Looney Tunes, like, yeah,
• 35:51
  it is that's where, that's where that Yeah, oh my gosh.
• 35:58
  Okay, So it's the next day and they're walking around around a place that
• 36:00
  has had three crimes in as many days, because I think it's only day
• 36:06
  two or day three after the crime. So murder happened, and assault happened,
• 36:08
  and a burglary happened. During this scene, they discovered that the dead
• 36:13
  guy has naked pictures of the three ladies that Mattlocke has been interviewing, and
• 36:17
  that he was blackmailing them for five thousand bucks a month. That's a shit
• 36:22
  tons of money, especially in eighty five. So if that two point fifty
• 36:27
  was about six hundred, that would be about eleven or twelve thousand dollars a
• 36:30
  month in twenty twenty four money. And was it one of them? A
• 36:32
  principal? Yeah, I mean it was a really nice school, but there
• 36:37
  still yeah, but there is a paid discrepancy between the admin at schools and
• 36:40
  the teachers. Yeah, well yeah for sure, but yeah, twelve thousand
• 36:44
  dollars a month right now is fucking insane. Yeah. Funny if like the
• 36:49
  pictures weren't them doing like nudity but like doing just like really just disgusting things,
• 36:53
  or if they were all in like Nazi propaganda and stuff they're like they're
• 36:57
  like, oh no, that's not good. I wonder about the pictures actually
• 37:00
  were of I think they're Yeah, in my head, I have it.
• 37:02
  I have a very vivid idea. Oh no, no, no, I
• 37:06
  mean like the actual pictures that they use as props because sometimes like I think
• 37:09
  I would imagine, like I'm a Hollywood insider, but uh like maybe they
• 37:14
  would do something like funny, like do like a picture of Andy Griffith,
• 37:16
  Oh right, you know what I mean, like him naked? Yeah?
• 37:19
  Yeah, I don't know. I don't find him unattractive, like when I'm
• 37:22
  sixty seventy eighty, like that's gonna be my type. Oh I see his
• 37:28
  ears are insanely long. I know, crazy happens when you get older,
• 37:31
  that's true. I mean yeah, but it's just insane. They don't they
• 37:36
  look? Yeah? Do when people get murdered? Do they? I know
• 37:39
  this is gonna sound ridiculous. Do they bring in like mediums and like psychics,
• 37:45
  because that would be like the easiest way to like figure out who killed
• 37:47
  somebody, but being like okay, like Stan, who killed who killed you?
• 37:52
  Oh? Gunther, you know what I mean, Like like that would
• 37:55
  be but I'm gun the But why don't why don't we do that? Yeah?
• 38:00
  I don't. Yeah, maybe they do. For missing people. There
• 38:04
  are a lot of psychics and mediums who take advantage of that, like of
• 38:07
  a missing person and will be like, oh I know where your person,
• 38:12
  your child is or whatever. But eventually they get they get get caught as
• 38:17
  phonies, right yeah, oh yeah, yeah, Well I mean have you
• 38:21
  ever heard of one being right? What if there is only one that's right,
• 38:25
  like you know, much in demand, they would be in yeah,
• 38:29
  everybody would want them, But then he would probably know that everybody would want
• 38:34
  them, so then maybe they wouldn't even tell anybody that they know or they
• 38:42
  they or maybe they do. They do know, they do have that ability,
• 38:45
  but they're too busy, like you know, working at foot locker or
• 38:47
  whatever, too fun missing people. They're too busy. No, but like
• 38:52
  they don't know that they have that ability because they're too busy, like talk
• 38:57
  and It's like the episode of Are You for the Dark that we reviewed where
• 39:02
  they're talking to their coworker Phil and that Phil has been murdered. Oh right,
• 39:07
  yeah, yeah, I don't know. I think I'm gonna try to
• 39:09
  be a psychic. It wouldn't be bad. I mean, what's the worst
• 39:13
  that could happen? Tell I mean, you're a psych tell Us. I
• 39:16
  don't know. I don't know if there's like a training I can do or
• 39:20
  something, but I'm thinking about doing it. If Taylor Swift can do it,
• 39:22
  we should start a psychic training school. You guys probably get people online
• 39:25
  to sign up totally. Don't leave us a five star review, and let's
• 39:34
  see what happens. Yeah, there you go. So I have no idea
• 39:37
  what the fuck is going on? So he went to the principal's house or
• 39:42
  school or whatever wherever they're at, and now he's blackmailing her for ten thousand
• 39:46
  dollars. But I guess, oh, but then he goes, you know
• 39:51
  what, just keep the pictures. Why did he do all that? I
• 39:53
  mean, they'll probably explain it later, but right now, I can't think
• 39:57
  of one reason why Matt Wock's assistant down the guy that robbed the art loft.
• 40:02
  He says, have we met before you broke into the art place?
• 40:05
  I just want to know why, and the guy goes, I'm just gonna
• 40:07
  call the cops, which probably would have worked, especially in Atlanta, since
• 40:10
  the guy who broke in the house is white and Mattlock's assistant's black. He'd
• 40:14
  be like, hey, there's a black guy bothering me, and then the
• 40:16
  cops would probably just come and shoot him. So then the guy drives off
• 40:20
  and the client I think the client's name is Ali, I don't, oh
• 40:25
  yeah, so I keep yeah, okay. So the bad guy drives off
• 40:30
  and the client believe, oh Amy, I believe is her name is on
• 40:35
  her moped and starts chasing the bad guy. And right now I'm like,
• 40:37
  this is gonna be so fucking good, like moped chasing like a Corvette or
• 40:42
  whatever. It's like, yes, count me in. Now we're at the
• 40:45
  politician's office and blackmails herd and Mattlocks arts blackmailing her just like he did to
• 40:52
  the principal. I see what he's doing. Now, whoever can't pay is
• 40:54
  probably desperate and killed the guy. She haggles and says three thousand, then
• 41:00
  five thousand. The matlock says, heard you had a pretty big campaign fund.
• 41:04
  If you pay the stripper with your campaign funds, she won't talk.
• 41:07
  Oh wait, that's Trump. What are the odds? I picked this episode
• 41:09
  right. He's in court right now talking about that. She agrees to ten
• 41:14
  thousand dollars, but he gives the pictures back for free too. How much
• 41:17
  all it take for you to misplace these things? Well, I tend to
• 41:23
  be very organized. Three thousand dollars. You know this would make a very
• 41:30
  neat poster. Found I was reading about this huge campaign fund you've built up.
• 41:40
  Ten thousand. That's my limit, ten thousand dollars. Mm hmm.
• 41:52
  Thanks for being styled on the house. Oh. I don't understand why they
• 42:00
  gave the bad guy the Corvette car because he didn't drive fast. If he
• 42:05
  did drive fast, he would have drove too fast for the moped to keep
• 42:07
  up. Right, So, if you're the director of this, why would
• 42:12
  you give that prop to the bad guy? Because if you're trying to establish
• 42:15
  that he's a bad guy, you'd probably make him do some more bad things,
• 42:19
  like he robbed the place he attacked her. He probably drives fast,
• 42:22
  but he didn't drive fast. Why not just give him a normal car anyways,
• 42:27
  and then uh, so Amy chases him down to his business I think,
• 42:30
  or maybe house. I don't know where anybody lives in that fucking show.
• 42:35
  And it's the weirdest location of all time for a business. It's hidden
• 42:37
  away behind like some big brick buildings and stuff and over train tracks and other
• 42:44
  like dangerous terrain. I don't know why this is a big deal when she's
• 42:47
  in the place of business. They make it seem like it's part of the
• 42:51
  plot, but I have no idea why the music changed. Yeah, the
• 42:54
  music was wild during his episodes. Yeah, but what is it? Because
• 43:00
  he was a photographer, so maybe they're going like, oh, he's jealous
• 43:02
  of the original photographer. Maybe he's the killer, right, that's what I
• 43:07
  That's kind of what I got. And then when he has the black eye
• 43:09
  that like, I was like, oh, well, he must have gotten
• 43:15
  in a fight. But then but he's the one who would attack I don't
• 43:17
  know. I thought Matt Locke's assistant gave him the black eye, yeah,
• 43:22
  or did he have a black eye before? Who knows because we never seen
• 43:27
  him before. And I was like, who the fuck is this? And
• 43:31
  then I still don't know how he was connected to any of them. Same,
• 43:37
  Yes, well he met the model one I'm assuming. Yeah, Well,
• 43:44
  okay, so when she is when he's taking pictures, is the model
• 43:46
  one of the people he's taking pictures of? I don't, I don't.
• 43:51
  I don't think so. No, I don't think so. Yeah. So
• 43:53
  they made the music sound like, ah, I caught him, but he
• 43:58
  was just doing his job. So I don't really know me like the guy
• 44:01
  who was killed be the killer, yeah or something like that, or like
• 44:07
  maybe he killed his twins. I don't know, but like because I don't
• 44:09
  know, it just didn't add to me. Or maybe it's like he's a
• 44:13
  ghost and he can only give a little bit of information, Like he's also
• 44:16
  a photographer, but he uses a different lens. Okay, that's helping us,
• 44:22
  That's okay. So now we're at the model's place of business business and
• 44:25
  she tries to and then Mattlock tries to blackmail her too, but she isn't
• 44:29
  having it. This is wrong. I won't be blackmailed anymore. Is that
• 44:35
  what you told? Randall Brooks? What are you talking about it? I
• 44:39
  saw a figured it had to be you. Somebody didn't pay Randall Brooks last
• 44:45
  month. I have a hunch whoever stopped paying him is the same person who
• 44:51
  killed him. She in court, she supplies Mattlock with the most photoshoped photo
• 45:00
  of all time. She looks way too big in this photo compared to everybody
• 45:02
  else, Like maybe she's too close or too large. I don't know,
• 45:06
  just didn't compute, and Andy said. After that scene, we head back
• 45:09
  to Mattlocke's house or office. I don't know, but I feel like it's
• 45:13
  kind of late. I think it's probably his house, it's his office.
• 45:16
  I think, oh, is it okay? So yeah, yeah, he
• 45:21
  thought for sure that the model was the killer, but this picture is making
• 45:23
  him think that he is wrong. And we're back at square one. While
• 45:28
  Matt Locke and his sistant are talking, Amy sneaks out and loudly closes the
• 45:31
  door. She snuck back into the robber's place of business or house, the
• 45:38
  one that is hidden behind train tracks. We see that he is finishing up
• 45:43
  filming the two models that we saw him take pictures of earlier. The model's
• 45:47
  leave and we hear a lot of exaggerated size from him as he grabs a
• 45:51
  beer and sits down, but he sits down on like a staircase instead of
• 45:54
  like those nice the nice chairs. That's that. I was like, oh,
• 45:58
  what are you doing? Those are like ah when he sat down down
• 46:01
  on the comfy thing, why would you sit there? You saw those nice
• 46:04
  chairs too. Yeah, I don't get it. Yeah, she sneaks into
• 46:07
  his dark room, which is pretty petty if you think about it. She's
• 46:10
  like, sneak into my dark room. Huh, how do you like it?
• 46:14
  Then I wish she attacked him like he attacked her. And then one
• 46:16
  of the models like comes in and like punches her and saves him, and
• 46:19
  then she runs off. Anyways, this scene, though, I thought,
• 46:22
  was really intense when he thought he heard her because she's hiding because she's in
• 46:27
  the dark room and he walks right past her. Yeah, that seemed a
• 46:29
  while. It did, and it made me feel like what's gonna happen?
• 46:31
  I was like getting really intense, and I was like, Oh, is
• 46:34
  he gonna find her or not? And then I thought maybe he would like
• 46:36
  find her and then like kidnap her or something, But no, nothing happens.
• 46:39
  Yeah, yeah, just runs off. Uh. So we'll take a
• 46:44
  pause here, So we've got a lot of information. So now Matt Locke
• 46:47
  thinks all three of them have alibis. At this time, I know there's
• 46:52
  a lot of confusion, But who did you think did it? At this
• 46:54
  time? I thought maybe that the politician hired him to wear a wig and
• 47:01
  kill the guy. But I but that was like just a thought that I
• 47:07
  had in my head. I think that I wasn't really focused on trying to
• 47:12
  figure it out. I was more like criticizing Amy and when she like is
• 47:20
  talks about getting addressed earlier on and she's like, I can just steal one,
• 47:24
  like, yeah, you're just a mess. You're just a mess.
• 47:29
  Have more of a character than just like a thief. And then also when
• 47:31
  sidebar, when they are the police probably would have found that the nudy photos
• 47:38
  when they were investigating. They didn't investigate shit. They didn't investigate the filing
• 47:43
  cabinet. They didn't look into a place where he keeps his reviews and nudie
• 47:47
  pics. I guess those are horrible cops. Yeah, I I so I
• 47:54
  thought this guy was the murderer because they didn't did they ever really establish the
• 48:00
  it was a female who murdered him. They didn't really say like who the
• 48:05
  type of suspect they were looking for. Well, at the beginning they said
• 48:08
  that the baker across the street saw a female go in. Oh yeah,
• 48:13
  but I was like, maybe they just put a wig on him to try
• 48:15
  to throw him off, right, But also she lives there, so like
• 48:20
  why why wouldn't she be there? And she did and she did come back
• 48:25
  ye right, So like the whole witness thing, like, yeah, he
• 48:30
  could have easily somebody could have seen her go back because she did go back
• 48:34
  when she discovered the body. Yeah, exactly. And the mattlog goes,
• 48:37
  didn't she say? You came in through the back though, And she goes
• 48:38
  yeah, and he goes with the bakery is up front, so they couldn't
• 48:40
  have seen you, I guess. Does he wear the same suit like all
• 48:45
  the time? Yes, because okay, that's like his jam Okay, yeah,
• 48:49
  So what's he doing with all his money? Do they talk about his
• 48:51
  personal life a little? Yeah? And you see it there? Uh you
• 48:54
  see his house His house is pretty nice, I mean for the time period,
• 49:00
  and he has a nice car. Is he married? No, he's
• 49:06
  a single single man. Yeah, no kids or anything. He has two
• 49:13
  daughters okay, yeah, and they they actually come back and are in the
• 49:21
  future episodes. Again, this is why I'm not a big fan of this
• 49:23
  episode and why I understand because like usually Tyler his assistant, is more involved,
• 49:31
  and there's usually really good witty banter between Mattlock and Tyler or Mattlock and
• 49:37
  his daughter Charlene. Like there's just I'm missing a whole bunch of classic Mattlock
• 49:46
  tropes, I guess. And then really the only the only gag that you
• 49:51
  get because it's a really kind of cute and funny show. Uh, because
• 49:54
  I mean Andy Griffith was kind of a comedian. I guess you would p
• 50:00
  him in that considering he was in the Andy Griffiths Show. But the only
• 50:05
  the only gag you really get is the driver's license one, which is great,
• 50:08
  but usually there are more than that, and there featured more prominently.
• 50:14
  Yeah, with the as somebody who never saw this before the driver's license storyline,
• 50:21
  and then him having a reputation for making a lot of money but taking
• 50:25
  on this young lady's case, and then how he investigated it by blackmailing these
• 50:30
  three women. He doesn't seem very he's losing it, and maybe he's maybe
• 50:37
  he used to hide his perversion and now he's like he's unable to hide it
• 50:42
  because he's kind of maybe losing it, losing it with age. Sure,
• 50:46
  because yeah, it's it's it's bizarre how he handles things in this episode.
• 50:52
  Yeah, yeah, No, when he was blackmailing them at first too,
• 50:55
  I knew that he wasn't going to blackmail them for money, but I thought
• 50:58
  he was going to blackmail them for answers. And I was like, well,
• 51:00
  that's not very good, Like that's kind of a fuck that thing to
• 51:02
  do too. Although he does redeem himself by giving the pictures and the negatives,
• 51:07
  you know, free to them, but at first, like you're putting
• 51:09
  him through that, you know, And I see why he did it,
• 51:12
  but it still seems a little he Yeah, he did something nice by giving
• 51:15
  them the negatives and the photos and not charging them, but he still put
• 51:19
  them through additional trauma. Yeah, so I thought that was a little a
• 51:22
  little fooked. Yeah, for sure. And I can totally see where you're
• 51:25
  coming from Ria about like not having all the dialogue with Tyler and all the
• 51:29
  little jokes, because that kind of expands the universe more. And so once
• 51:32
  you expand the universe, more you get a better idea of who Mattlocke is.
• 51:36
  But without all of that, you're just like, Okay, well he
• 51:39
  seems like a kind of like a crotchety, mean old man, Like why
• 51:43
  are we kind of rooting for him? And then he but he's doing it
• 51:45
  for pro bono, so you are rooting for him, of course. But
• 51:47
  yeah, no, I think you're right. I think if they did expand
• 51:50
  on the universe more on this episode, it would have been better, for
• 51:52
  sure. Yeah. Yeah. Throughout this whole episode, I was just like,
• 51:55
  especially this one, because all the evidence that she steals in him blackmailing
• 52:00
  everybody, I was like, well, none of this evidence would be admissible
• 52:05
  in court, Yeah for sure, So yeah, exactly. Okay, So
• 52:09
  luckily Amy knew those pictures were photoshopped and stole the real negative so they could
• 52:15
  prove that they were fake. But I don't really feel like it was necessary
• 52:20
  to find those negatives because that picture looks fake as shit. Yes, So
• 52:22
  I don't know, like a jury that'd be like, oh this might well,
• 52:25
  I guess in the eighties, I don't know how easy it was to
• 52:30
  do stuff like that, so maybe, but I don't know. I feel
• 52:32
  like yeah, I don't know. And then two, how did she know
• 52:37
  that that photographer was dating the model? Where would she even know to look
• 52:39
  for that? Right? So I don't know. Oh so now they're at
• 52:45
  court and he's trying to prove that the model is the killer, and I
• 52:47
  feel like he's doing way too much. Like, just prove that your client
• 52:51
  isn't the murderer, right he fails to make Yeah, because if he fails
• 52:54
  to make her look like the murderer, the jury are going to have doubts
• 52:58
  about him. Now, like you on this one, how can we trust
• 53:02
  you that this person isn't the murderer? So, like, just focus on
• 53:05
  your client and then maybe go about this later, right, Because like she
• 53:07
  when she brings him the negatives, he says, she's like, well,
• 53:12
  see we have proof now, And he said, well, like you need
• 53:14
  in a court of law, you need to prove that the person actually committed
• 53:16
  the crime. And I wrote in my notes, I'm like, for her
• 53:21
  defense, all he needs to do is create a reasonable doubt that she committed
• 53:24
  the crime. He doesn't need to find the killer. That's not his job.
• 53:29
  Yeah, exactly. Yeah, So you're doing too much, man,
• 53:30
  Just kind of chill out focus on your client and then maybe tell someone else,
• 53:35
  like, hey, I think this person killed him. You know,
• 53:37
  yeah, I don't know. Uh. It turns out the photographer is dating
• 53:39
  the model, which is new information to us. Or maybe it isn't.
• 53:43
  Maybe I missed that somewhere. I'm not a hunt sure, but we find
• 53:47
  out that we find out that he is dating her. You know a model
• 53:52
  named Whitney Seever, I've heard the name. I answer the question, do
• 53:57
  you know Whitney c Yes? Uh, you and uh Whitney Siver are having
• 54:04
  a relationship. Isn't it true? Objection? The details of mister Jacob's personal
• 54:08
  life have no bearing on these proceedings, So I guess that's why he broke
• 54:12
  into the art gallery. But what was he originally looking for? Was he
• 54:15
  looking for those naked pictures? I think it's just weird that, like she
• 54:22
  goes, hey, you know, I'm glad that we're dating. This is
• 54:25
  really cool. Hey, this guy's in blackmailing me. I didn't pay him
• 54:29
  last month. Maybe we should kill him and take the pictures or something like.
• 54:30
  I don't know. This seems a little gypsy Rose. Don't know who
• 54:37
  that is? That woman the girl who was like made to believe that she
• 54:42
  had issues, like health issues. He was on Netflix. Yeah, and
• 54:45
  then she convinced a guy to kill her mom. You know it's funny.
• 54:49
  I know that name because Kathy just watched that show like a month ago,
• 54:52
  so I knew it was a person, but I didn't know like what they
• 54:53
  were. So okay, So this is like Gypsy Rose's origin story. Yeah,
• 54:58
  Matt Lock. People kill people like way too often. Yeah, but
• 55:06
  like not a lot, I would say. I was literally driving home and
• 55:08
  I was thinking, like, a lot of people get murdered, but like
• 55:12
  not as many as they I feel like, you think a lot more people
• 55:15
  would get murdered for how like angry everybody is, Like, I don't know,
• 55:21
  it just blows my mind. I was like, Lily, there's not
• 55:22
  more murders here because everybody seems really pissed off. I'm glad that it's not
• 55:25
  five to ten years because that if we make it, there's probably a lot
• 55:30
  more murders. Yeah. I think in Canada, I think twenty five years
• 55:32
  is the max for a murder. Jesus wow. But they don't have people
• 55:37
  murdering people like crazy there, so I don't know. So it turns out,
• 55:40
  Okay, Mattlock proves that the picture of the model or Matlock proves that
• 55:45
  the picture the model gave him earlier to prove that she is at the club
• 55:50
  is false because the shadows don't match. But also the photo just looks fake
• 55:54
  as shit. And not only that, Mattlock also tells everyone that she is
• 56:00
  been blackmailed by naked or from naked pictures. So now we have a motive.
• 56:04
  And he calls her new employer and asks how much she makes and they're
• 56:07
  like, ah, probably three hundred thousand, which is fucking crazy to me.
• 56:12
  Could you imagine if I just called your work right now, Jeff,
• 56:14
  and I was like, Hey, how much money does Jeff making? And
• 56:15
  they're like, oh, I you know, three hundred thousand. Uh So,
• 56:17
  the final dagger for matt Locke to prove his client's innocence is by proving
• 56:22
  that the model is the killer. He had enlarged the role of film that
• 56:25
  the cops had. We see the crime scene before the murder, and she
• 56:30
  is the one in black nailed it. Anyways, when we see the lady
• 56:35
  leaning over that had bought the dead body, there's a single earring on the
• 56:38
  ground, and then later there isn't an earring on the ground, and it
• 56:42
  turns out that's the same air and earring that the model had on that night.
• 56:45
  Uh. And by the way, they just like really, they keep
• 56:47
  showing this dead body to everybody dead body, Like fine, show them up.
• 56:53
  You know what I think. I think you lost your earring and your
• 56:58
  struggle with Randall Brooks, and when Amy Adler entered the loft, it hid
• 57:07
  and you had to wait till she left to pick up your earring. You
• 57:12
  were in the loft after Amy left, weren't you? And you did kill
• 57:20
  Randall Brooks, didn't you? No further questions I finished. The model just
• 57:30
  been like, nah, it's yeah, that's my ear ring. But I
• 57:32
  was at that party. There's so much such if she yeah, she could
• 57:37
  have just been like, that's not me in the picture and you'd be like,
• 57:39
  oh but what yeah yeah, or like the yes, that's my earring.
• 57:44
  That thief who saw the dead body of her boss boyfriend guy and stole
• 57:50
  his cameras probably stole my earring too. It's a nice earring. I'm a
• 57:54
  model that makes here in two thousand, year and eighty five, which is
• 57:57
  you know, like almost a million dollars. But then so she could have
• 58:00
  just been like, no, I don't know anything about a blackmail. Are
• 58:02
  you the one blackmailing me? Why do you have pictures of me naked?
• 58:07
  There's a lot of shit I feel like she could have done to get out
• 58:08
  of this. Yeah, Block probably should have told the cops about the nude
• 58:13
  pictures. That's what he says. He goes, I can tell them if
• 58:15
  I show everybody. That's why if you get arrested, everybody, don't say
• 58:19
  a fucking word ever, don't say anything to anybody. Just wait until your
• 58:22
  lyric gets there. Well, and then the prosecution or what wait the prosecution.
• 58:27
  Yeah, the prosecution was sounding a lot like the defense attorney for the
• 58:31
  model. Yes, and they objected three times, and every single time the
• 58:37
  judge is like, now we're gonna hook up Matt Locke. But then they
• 58:38
  were trying to make it seem like the prosecutor was a bad guy, and
• 58:42
  he's like, look, I'm just trying to find this person's Yeah, yeah,
• 58:45
  I'm sorry I got assigned to this case. It's not like I have
• 58:49
  a big stake in it, but somebody killed this person. The prosecution guy,
• 58:57
  I'm like, pretty confident is Caliber in Halloween Town and Halloweentown two,
• 59:02
  Calibar's Calibar Calamari. Yeah, I haven't seen I saw him a long time
• 59:10
  ago. Oh there are right. You were so funny the mom in Halloween
• 59:15
  Town, not Wie Roynds as the grandma, the mom in it. She
• 59:19
  played April from Ninjas Hurtles, like the first one or maybe the second one
• 59:22
  of the live action Turtles really from like eighty nine. Ye yeah, oh
• 59:27
  wow. She goes to conventions and it's to promote, you know, to
• 59:32
  the nostalgia for Turtles, but also for Halloween Town. I'm like, you
• 59:36
  weren't good in Halloween Town. Yeah, you were the sour puss, like
• 59:39
  like, you know, unfun mom. So she's like the prosecutor of Matt
• 59:44
  Locke for Halloween Town. Yeah. It's like people go to those conventions like
• 59:49
  for random ass roles they do. Yeah, Amy Joe Johnsons I heard no,
• 59:53
  No, that's Kimberly j. Brown is Halloween Town and Halloween Town two.
• 1:00:00
  Anyways, And then I got in trouble patrolling her on Instagram. But
• 1:00:02
  I'm turning over a new leaf because I'm not going to control people anymore.
• 1:00:06
  On Instagram or Facebook or Twitter or TikTok. Oh, that's gonna be tough.
• 1:00:09
  Yeah you can do it. No I can't. No, I'm gonna
• 1:00:13
  be a good person. Now. No, that's I'm like, you can
• 1:00:15
  do it by not do it like I can. You can control yeah yeah,
• 1:00:20
  yeah, I'm rising above. Or I'm gonna like have like a fake
• 1:00:23
  account and do it on that. Yeah. Yeah. Anyways, So hows
• 1:00:29
  everybody feel about the wrap up of this episode? Again, it wasn't great.
• 1:00:34
  I really I really like in the later episodes, like the courtroom scenes
• 1:00:38
  are really great because he usually he has a he has a monologue where he
• 1:00:42
  just goes, you know, off and like really proves it. And it's
• 1:00:49
  funny because there's a he would just memorize those monologues and just keep going and
• 1:00:55
  they would just film them and not he wouldn't take breaks. But yeah,
• 1:01:01
  this was overall not a great definitely not a great Mattlock episode. I actually
• 1:01:08
  had more fun watching this one than that first one I did. And I
• 1:01:10
  think it's just because I like the whole who done it aspect of it,
• 1:01:14
  because it's you know, like those murder mystery dinners, Like it's always like,
• 1:01:16
  oh, what's their motive? Like, I had a lot of fun
• 1:01:19
  watching this because then I was like, Okay, I think it's the person
• 1:01:22
  in black, but no, that's a little too convenient. Why would they
• 1:01:25
  do that? Okay, maybe not, you know. And then and then
• 1:01:28
  the dialogue between matt Lock and the model. At first I was like,
• 1:01:30
  there's no way she murdered him, you know what I mean. Like,
• 1:01:32
  so I had a lot of fun with this episode. There's I just felt
• 1:01:36
  like there's too many holes overall. Yeah, for the episode, but it's
• 1:01:39
  it was still a fun time though, And I should have said this at
• 1:01:43
  the beginning. So if you do want to watch this episode, if you
• 1:01:45
  google it, it's like episode twenty two. If you watch it on two
• 1:01:51
  B, it's episode twenty one or something, and then if you go to
• 1:01:53
  IMDb, it's episode twenty three, but it's called The Photographer. Yeah.
• 1:01:59
  I thought when I was watching this show, I thought I saw instances when
• 1:02:04
  typically we would have like a computer nearby, Like when he's at the DMV,
• 1:02:07
  they have a computer when he's you know, it's just like, how
• 1:02:13
  did society work without computer? So much paper, so much, so much.
• 1:02:17
  The ending was so adorable when he was throughout the show trying to like
• 1:02:22
  have her not commit crimes, but actually throughout the episode she's committing crimes.
• 1:02:27
  Yeah, she broke into the photographer's apartment twice, and yeah, just did
• 1:02:31
  a bunch of crimes. And then he tries to get he talked, like
• 1:02:35
  makes a quiff quiff up quip, makes a quip up equip about uh changing
• 1:02:43
  the license. Yeah yeah, yeah, So I thought that was like weird.
• 1:02:47
  That's like making a joke about like an alcoholic, Like she's gone through
• 1:02:53
  a bunch of stuff and she's obviously had to pass. She's like a juvenile
• 1:02:58
  criminal, you know. At one point he's like, so, how'd you
• 1:03:00
  learn how to do that? And she goes, you don't want to know,
• 1:03:02
  So probably something pretty bad if she doesn't want to talk about it,
• 1:03:06
  you know, especially with the person that's trying to save your life. I
• 1:03:08
  did like the dynamic together, though I wish that he would have hired I
• 1:03:12
  don't Maybe he does, I don't know, but I wish he would have
• 1:03:14
  hired her and worked it for him as well. Oh like a doctor who
• 1:03:16
  kind of thing where he doesn't seen doctor who. Everybody, Yeah, that's
• 1:03:22
  funny. I doesn't say something else, but I forgot. What do you,
• 1:03:30
  uh Rea like like about the show in general? Is it like purely
• 1:03:35
  like more like nostalgia or do you still like like what? What? What
• 1:03:39
  draws you to it? I really enjoy sort of the who done it aspect
• 1:03:45
  of it and the and how he finds them, how he finds out who
• 1:03:51
  the killer is. I really like so after Tyler leaves, he gets Conrad,
• 1:04:00
  and that's who I met. Was Conrad on the episode we did?
• 1:04:02
  Yeah? Yeah, And I prefer Conrad a lot more. I just like
• 1:04:06
  him. He's a more developed character, I think in my mind, and
• 1:04:14
  I just really like he's really funny. He provides a lot of comedic relief,
• 1:04:18
  and they get along really well and have really good banters. So I
• 1:04:21
  like that aspect of it. I really like he is kind of a crotchety
• 1:04:25
  old man, and I really like that as well. Like in most episodes,
• 1:04:29
  especially in the later seasons, you'll hear he's always like jackass, Like
• 1:04:32
  he always calls everybody a jackass, and he's just he is vain. Like
• 1:04:38
  this whole driver's license thing plays on this idea of like him being really vain
• 1:04:44
  about his appearance and he's he is like that in a lot of the episodes
• 1:04:47
  too. He's just like very concerned with his money and like he's like a
• 1:04:54
  whole dollar for like a hot dog, Like, oh my god, I
• 1:04:57
  can't imagine paying that, even though he's a multi millionaire I assume, you
• 1:05:03
  know, being the top lawyer in Atlanta. Yeah, so I just really
• 1:05:08
  like, I think he's really funny, I guess, because that's like how
• 1:05:12
  I am. Now. I'm a crotchety old man who would but I would
• 1:05:15
  just love to get away with calling people jackass. Yeah. Well, I
• 1:05:21
  think it shows something to Andy Griffith just in general. Because this had nine
• 1:05:26
  seasons and then The Andy Griffith Show had eight seasons. That's seventeen years of
• 1:05:32
  being on TV. That's a long freaking time. And then if you think
• 1:05:36
  about it, each season had like twenty episodes of both shows a lot.
• 1:05:41
  That's a lot of fucking episodes. That's a lot of time to be on
• 1:05:44
  the air, from like nineteen sixty to you know, nineteen ninety five,
• 1:05:46
  So the show was on for for both of his shows started in like sixties
• 1:05:50
  and then ended in the nineties. So for those thirty years he was on
• 1:05:54
  more than half the time of TV. That's insane. That's crazy. And
• 1:05:58
  that's not even including all like you know, all those guest appearances or other
• 1:06:00
  shows. You know, that's insane. Yeah. So no, he was
• 1:06:03
  very fun to watch. I think he's a good actor, Like I like,
• 1:06:05
  he's great. Yeah, yeah, I'm ambivalent. Yeah, I think
• 1:06:13
  we should watch one of like a really good Mattlock episode. I'll find one
• 1:06:17
  that has like all of the elements that I love watch that. This was.
• 1:06:25
  I enjoyed it. I was like, I'm gonna I'll watch more of
• 1:06:28
  that. Yeah, I would definitely watch this. Yeah, I wish it
• 1:06:30
  was not as good, just because I think our episode when something's really cheesy
• 1:06:33
  or bad is a little bit funnier. But overall, I really it's a
• 1:06:36
  good show like this. Yeah, i'd give it a Matt Loke out of
• 1:06:40
  a Matt Locke. Oh nice. I don't know what I would rate this
• 1:06:44
  out of, like out of ten, I would say probably like a seven
• 1:06:49
  out of Like, I'll watch it. I don't really watch many things.
• 1:06:53
  I don't know what I do when I'm not like at work or sleeping,
• 1:06:57
  But but yeah, I would watch this again. So it's at least a
• 1:07:00
  seven or an eight. Yeah, I give I give it a six out
• 1:07:01
  of seven. Technically nice, Yeah, and I think he's a try and
• 1:07:08
  totally attractive. Yeah, I feel like he's obtainable. Not now I think
• 1:07:13
  he's probably dead, right, he's dead twenty twelve Yeah, long oh ship
• 1:07:17
  twenty twelve. Yeah. Eight, that at eighty six, that was like
• 1:07:20
  when the world was going to end. At least his dead. Oh maybe
• 1:07:24
  they just saw Andy Griffin. Yeah, what about you? Yeah, what'd
• 1:07:30
  you read? On a scale of one to five Matlocks, I would probably
• 1:07:34
  say this is probably a two. This was an okay episode, but it
• 1:07:41
  just was not for me, a classic Matlock episode. What about just TV
• 1:07:46
  in general? Then TV in general, I would say it's probably a seven
• 1:07:51
  out of ten. Okay, who was a better attorney? Perry Mason or
• 1:07:57
  Matt Lock. They're so diff they're so different. Alie asked me this too,
• 1:08:03
  and I was just like, I don't think that I could. So
• 1:08:10
  they're just different. They're just different. Like Perry Mason was very straight laced
• 1:08:14
  and like, we're going to get to the bottom of this, whereas Mattlock
• 1:08:18
  is just a very different crotchet is. Perry is Perry Mason, a defense
• 1:08:27
  attorney. So who would you want defending you? Ooh mh. I'm gonna
• 1:08:39
  say, you're running from the cops and you have a you have a courthouse
• 1:08:44
  to go to. Are you're running to his to bake him for for advice
• 1:08:49
  or representation? I'm gonna go I have to go with the O G.
• 1:08:54
  I have to go with Perry. Yeah, yeah, that's tough. I
• 1:08:58
  think I might go with it's Andy Griffith just because I also am a big
• 1:09:02
  fan of hot dogs. I would go with Perry Mason because it was black
• 1:09:08
  and white back then, and I just I feel like that's some more sophisticated
• 1:09:12
  and Perry the other guy, Mattlock, seems like he is he's got a
• 1:09:15
  couple of marbles loose. Yeah, he does have a couple of marbles loose,
• 1:09:18
  but it's that's what makes him Mattlock. Yeah. So I just looked
• 1:09:24
  up loke in Urban Dictionary. There's two meanings. Loke means loke like loco,
• 1:09:28
  like crazy. That's like the slang, but it also means lots of
• 1:09:30
  cock, depending how you're using it. So, yeah, that's that's funny.
• 1:09:35
  Looak, Like I how would you use that like I need some loake.
• 1:09:40
  Uh, that guy has loke, has lots of cock. I guess
• 1:09:45
  I don't know. Yeah, that's weird. So this was filmed in North
• 1:09:51
  Carolina, Uh, which is weird. I just bought a document from seventeen
• 1:10:00
  ninety four and I was really pumped and I was like, oh cool.
• 1:10:02
  And so I was looking at it and I looked up the guy and I
• 1:10:03
  was like, Oh, he's from North Carolina, so he's probably like really
• 1:10:06
  into slavery. I amn't. I have like a bias. I think,
• 1:10:13
  like I really don't like states that are like north and south, like South
• 1:10:18
  Carolina North Carolina, I don't. I also don't like West Virginia Virginia because
• 1:10:24
  it should be East Virginia, right. So I just don't like any of
• 1:10:27
  that mess that come up with your own. Do you think they should be
• 1:10:29
  one state or do you think they should have two different names? Now?
• 1:10:31
  If you were in control right now, oh you do well, technically,
• 1:10:34
  I would say they should be one state, because I think you should have
• 1:10:39
  if you have two senators for each state, it should be based on population
• 1:10:42
  and not statehood. But I understand like the racist of the country like it,
• 1:10:45
  you know, that way. But I think from a creative standpoint,
• 1:10:50
  I would want to know what those other names would be, Yeah, like
• 1:10:54
  North Carolina, South Carolina. What if one of them's like Jeff Carolina or
• 1:10:58
  something like or a word that we don't know yet, like like I don't
• 1:11:02
  know what that means. But if one of them was Dakota Johnson and the
• 1:11:06
  other one was Dakota Fanning, so you wouldn't want to live there. No,
• 1:11:12
  No, I'm Dakota Johnson just because of Don Johnson Melanie Griffith. But
• 1:11:15
  I cannot stand the Fanny is she is she their kid? Yeah? She
• 1:11:20
  is? Yeah? Yeah, not make Ryan Melanie Griffith and John Johnson had
• 1:11:28
  Dakota Johnson. She's a nobody in my opinion, But oh shit, I'm
• 1:11:31
  not supposed to do that. Well, Like, what has she been in
• 1:11:34
  that's good? I don't know. I guess that News Spider Madame Webb is
• 1:11:39
  pretty bad. Yeah, but like no one's ever like, oh, I
• 1:11:41
  have to go see the new Dakota Johnson movie. No one ever says that
• 1:11:43
  she was very good in Peanut Butter Falcon. I don't like, I don't
• 1:11:48
  know, but I like, like, I don't I think she's talented.
• 1:11:51
  I don't know, I don't know. No, I'm I'm being positive nowadays.
• 1:11:56
  But I cannot stand the Fannings. And that's that's where I get my
• 1:11:59
  card. Like I want to toss them off, toss them. I can't.
• 1:12:02
  They're not lead material. No, no, they were fine. It's
• 1:12:05
  like the screaming girl like in the whatever. What's the Denzel Washington who has
• 1:12:11
  like the symmetry thing going on anyways, man on fire or something like that.
• 1:12:15
  Yeah, oh yeah, yeah, he has like perfect symmetry. His
• 1:12:18
  like face does like scientifically or something. He is fucking fine. Yeah,
• 1:12:24
  Denzel's dope, and I want him to be my attorney. Yeah all right,
• 1:12:28
  okay, I see what you did there? There we go. Uh.
• 1:12:32
  I always tell people, if you ever have to give a speech,
• 1:12:34
  just think of like being Denzel Washington because he's like the coolest motherfucker ever.
• 1:12:39
  So just think of like being up there giving your speech and just being coolest
• 1:12:43
  ship. And then it like helps me when I have to like do public
• 1:12:45
  speaking. I'm like, how Denzel do this? And I'm like, all
• 1:12:47
  right, okay, I'm gonna do that every every time in my life.
• 1:12:51
  When they're like seven eleven or something. I'll just I got Denzel the Ship.
• 1:12:56
  Yeah yeah, I love that so much. Alright, well, somebody
• 1:13:00
  have any final thoughts on Matt Walk before we get the fuck out of Yeah?
• 1:13:02
  It was locking yeah, yeah right, yeah, locked up. We
• 1:13:05
  got this episode locked up. Yeah, I'm standing, I'm standing on a
• 1:13:09
  Matt kind of or yeah. All right, all right, that's it.
• 1:13:15
  Yeah, I can't think. Do you have anything to promote or whatever?
• 1:13:17
  I don't need to say the war whatever part. No, not really,
• 1:13:23
  We're about to start recording. I know I keep saying this. We're about
• 1:13:26
  to start recording Average season two. I have a really cool premise for this
• 1:13:29
  whole season, but I got to run it through with everybody. But just
• 1:13:31
  listen to Averager season one to get ready for it and be prepared for Average
• 1:13:35
  season two. Nice. If you all want to look at pictures of my
• 1:13:39
  dog, Gus Gus Guscus underscore the Dog on Instagram and I'm all sell pictures
• 1:13:45
  of him for five thousand dollars apiece, monthly, monthly, monthly install monthly
• 1:13:48
  installments, and they're nude pictures of him. Most of them are nude.
• 1:13:54
  Yeah, anyway, do you have anything to like chat about, of course,
• 1:13:59
  not I have no life and no I haven't. Oh my god,
• 1:14:05
  that's what I'm gonna do after this episode. Yeah cool, all right and
• 1:14:10
  nos als the nerds Well Court has been adjourned. I'm Andy Griffith, I'm
• 1:14:15
  Jeff, and I'm Maria. Until now, lot of your time. I'm
• 1:14:20
  not good at the thingies like you do. Notable Nostalgia is a production of
• 1:14:26
  Big Door Prize Media. You can find us links to our social pages and
• 1:14:30
  other podcasts on the network at Bigdoor Prize dot com slash podcasts. This podcast
• 1:14:35
  is produced by me Ali and edited by both myself and Andy. Our logo
• 1:14:41
  was created by Aaron Ugghock of uglyhawk dot com. If you can share with
• 1:14:45
  a friend or leave us review so more folks can find us. Thanks for
• 1:14:47
  listening, Big Door, Big Prize Meedia.