Latest / Kvetch & Release / Did you see that SEARS drone video?!
Transcript
- 0:09Speaker 1: Every now and then I just I get blown away
- 0:11Speaker 1: by the musical prowess of my producer, Will Raymond, because
- 0:16Speaker 1: that's a perfect song for the segment here. It's a
- 0:18Speaker 1: segment about drone flying. It's about flying through the air.
- 0:22Speaker 1: I came across a video on Facebook that. Again, this
- 0:26Speaker 1: is an audio medium that we're using right now, so
- 0:29Speaker 1: probably not the best, but I'll do my best to
- 0:31Speaker 1: describe it right now. It's of the Sears building. It's
- 0:34Speaker 1: being demolished right now. It's a first person drone video
- 0:38Speaker 1: just whipping around this site, over the construction equipment, at
- 0:43Speaker 1: one point through a small corner that's been demolished. It
- 0:47Speaker 1: is a gorgeous video. It showcases a windsor institution that
- 0:53Speaker 1: is amidst change and demolition, and it's an incredible medium
- 0:58Speaker 1: to be able to tell a little bit of a
- 1:00Speaker 1: story from joining me right now is the film the
- 1:04Speaker 1: filmer of that, the videographer of that, Drew hit En
- 1:07Speaker 1: Rah Drew.
- 1:07Speaker 2: Hit from Hit Films joins me right now.
- 1:09Speaker 3: Hey, Drew, how you doing, Hey John, how's it going
- 1:12Speaker 3: very well?
- 1:12Speaker 2: Thanks for joining me here. Hey, so you're an incredible videographer.
- 1:16Speaker 1: Full disclosure, I know you from We went to high
- 1:18Speaker 1: school together, way too long ago now to begin to discuss,
- 1:22Speaker 1: and you know you were doing filmmaking back then. It's
- 1:25Speaker 1: no surprise that you are now a professional in your field.
- 1:28Speaker 1: This is obviously something that you did for fun at
- 1:30Speaker 1: showcases some of your skills here. Why don't you tell
- 1:33Speaker 1: people just in your own words about this video that
- 1:36Speaker 1: you put together here from the series building?
- 1:39Speaker 3: Well, thanks for having me, John. I'm been a FTV
- 1:43Speaker 3: pilot and drone operator for the past eight years and
- 1:45Speaker 3: owner of Hit Films, and we do a lot of
- 1:49Speaker 3: aerial video for our construction customers and automation clients. And
- 1:54Speaker 3: I saw the Sear's demolition happening and I thought to myself,
- 1:57Speaker 3: this would be the perfect opportunity to go FPV drone
- 2:01Speaker 3: it and it turned out awesome. I was really pleased
- 2:03Speaker 3: with how it turned out.
- 2:05Speaker 2: So FPV being.
- 2:08Speaker 3: First person view, so we fly with video goggles and
- 2:12Speaker 3: we see HD transmission of what the drone sees in
- 2:17Speaker 3: real time, and it really does feel like you're flying, so.
- 2:21Speaker 1: You actually you have goggles on that are showing you
- 2:24Speaker 1: exactly what the drone is seeing as it's flying.
- 2:27Speaker 3: Yes, in real time. We use the DJI Goggles two
- 2:30Speaker 3: and the No. Three transmission system on a ten inch
- 2:34Speaker 3: FPV quad. So this is a long range quad which
- 2:36Speaker 3: can go up to twenty kilometers away, which is pretty
- 2:39Speaker 3: wild technology. And it's just advanced so fast over the
- 2:42Speaker 3: past five years, and in the barrier to entries even
- 2:46Speaker 3: it's the lowest it's ever been, So it's a fun
- 2:48Speaker 3: hobby to get into.
- 2:50Speaker 1: Twenty kilometers is a pretty far away to go.
- 2:53Speaker 3: Yes, have you?
- 2:54Speaker 2: Have you pushed it to the limit.
- 2:56Speaker 3: I've pushed it to around eight At that point.
- 2:58Speaker 1: You're a little afraid. Eightometers is still a far.
- 3:01Speaker 3: Away away, pretty scary.
- 3:03Speaker 1: So what happens like.
- 3:04Speaker 2: If you, like, can you lose the drone?
- 3:07Speaker 1: Like, how how does it work if you are eight
- 3:09Speaker 1: kilometers away and something goes wrong?
- 3:12Speaker 3: Well with these ones versus other DJI drones, This one's
- 3:15Speaker 3: a kind of a custom built one from Eye Flight,
- 3:18Speaker 3: and there's not as many redundancy like backup systems like
- 3:24Speaker 3: the other drones have, But this does have a GPS
- 3:26Speaker 3: returned to home, so if there's an emergency, or if
- 3:28Speaker 3: there's a loss of signal or loss of video feed,
- 3:32Speaker 3: you can hit a button on your controller and it'll
- 3:34Speaker 3: reverse and head back home and land generally where you
- 3:37Speaker 3: took off. But this is this is all manual, right,
- 3:39Speaker 3: So you're you're flying all the input that you give
- 3:44Speaker 3: the sticks, the drone is going to react to that.
- 3:45Speaker 3: So if I let go of the controller, the drone
- 3:48Speaker 3: will keep going that direction, versus other hobbyist drones and
- 3:52Speaker 3: a DGI drone you can pick up at best BUYE.
- 3:56Speaker 1: Wow, it's amazing how the areas to access are as
- 4:01Speaker 1: low as you said that they are. So I've used
- 4:04Speaker 1: obviously different technology, but virtual reality goggles, and I've played
- 4:08Speaker 1: some games where I've been in simulated height right, and
- 4:12Speaker 1: I've had my stomach drop out from me because I'm
- 4:15Speaker 1: generally afraid of heights. Do you like, would you ever
- 4:19Speaker 1: be afraid of heights while wearing these goggles? Like?
- 4:21Speaker 2: Do you ever feel like, Oh no.
- 4:23Speaker 3: I'm not necessarily afraid of heights, but it does give
- 4:26Speaker 3: you that feeling of that, you know, I pit in
- 4:28Speaker 3: your stomach. So when flying FPV is suggested to sit down,
- 4:32Speaker 3: I can get out a nice chair, sit down, and
- 4:34Speaker 3: by the time I'm done flying, I'm leaning all the
- 4:37Speaker 3: way to the left or all the way to the right.
- 4:39Speaker 3: It can be a little disorientating.
- 4:42Speaker 2: That's so interesting stuff.
- 4:44Speaker 1: So how did you first get into FPV?
- 4:46Speaker 2: Was it just like for fun?
- 4:50Speaker 3: Originally I was building drones back in I don't know,
- 4:54Speaker 3: twenty sixteen, larger quads for aerial use for the video
- 4:58Speaker 3: production company. And FTV became more affordable and I started
- 5:03Speaker 3: working with some companies in China that manufactured them, so
- 5:05Speaker 3: we were making promotional videos for them. So I was
- 5:08Speaker 3: getting a lot of free drones of the time in
- 5:10Speaker 3: exchange for videos, and we ended up I just fell
- 5:13Speaker 3: in love with with it. And back then we were
- 5:15Speaker 3: flying analog, right, So imagine looking through a TV, an
- 5:18Speaker 3: old TV set with the static on the screen and
- 5:22Speaker 3: being able to go from analog to digital and HD video.
- 5:25Speaker 3: It's it's a whole new, whole new game.
- 5:29Speaker 2: Oh for sure. How fast do these things get going?
- 5:33Speaker 3: Some of my five inch squads can go up to
- 5:35Speaker 3: two hundred kilometers an hour. What they're flying almost completely,
- 5:39Speaker 3: you know, up and down.
- 5:42Speaker 1: Two hundred kilometers an hour? Yes, And what's the distance
- 5:46Speaker 1: on those ones?
- 5:47Speaker 3: The distance something those is a little less and your
- 5:49Speaker 3: flight time is only around four minutes on a four
- 5:52Speaker 3: s lightpo It drains the battery pretty quick. But that's
- 5:55Speaker 3: more for FTV racing and that's been a big thing
- 5:57Speaker 3: too with the Drone Racing League and sports based FPV
- 6:03Speaker 3: racing on television, which is kind of cool how it's
- 6:06Speaker 3: become mainstream.
- 6:07Speaker 1: And so talk a little bit about the racing a
- 6:10Speaker 1: bit more so, how like what are the tracks?
- 6:14Speaker 2: Like am I saying like is it a track?
- 6:15Speaker 3: Yeah? Yeah, it's tracks and gates and different gaps to
- 6:19Speaker 3: fly through, and it can be anywhere, you know, even
- 6:23Speaker 3: on on on TV where they have these drone racing
- 6:25Speaker 3: legs that they're in like modified stadiums and and you know,
- 6:30Speaker 3: power plants and really cool locations to fly and uh,
- 6:34Speaker 3: it's all about speed and it's just it's it's a
- 6:38Speaker 3: very futuristic way of seeing point of view racing.
- 6:42Speaker 1: And so are people racing like with the goggles on?
- 6:44Speaker 3: Like you you said, Yeah, they're all racing with analog
- 6:47Speaker 3: goggles because analog has less latency, so you want your
- 6:52Speaker 3: reaction time to be super fast when you're when everything's
- 6:54Speaker 3: happening in real time. So they're flying old school with
- 6:57Speaker 3: analog and it's pretty exciting.
- 7:00Speaker 1: Lunch and you're using what a controller like an Xbox
- 7:03Speaker 1: controller or something.
- 7:04Speaker 3: Yeah, similar to an Xbox controller. They make specific controllers
- 7:08Speaker 3: for aerial use and for FPV flying a little different,
- 7:14Speaker 3: but it's generally the same idea.
- 7:16Speaker 1: So you're doing this for fun obviously, but also for
- 7:18Speaker 1: commercial purposes as you said, So you've got a bunch
- 7:20Speaker 1: of clients.
- 7:22Speaker 3: Yeah, absolutely, Like we're at hit films or industry leaders
- 7:27Speaker 3: and producing commercials and corporate videos for the machine automation
- 7:30Speaker 3: and robotics industries and windsor and typically we don't really
- 7:35Speaker 3: do the FPV stuff for paid customers because it can
- 7:39Speaker 3: be a little a little bit much versus you know,
- 7:41Speaker 3: more cinematic shots with the other aerial rakes, but it
- 7:44Speaker 3: definitely adds a unique perspective to fly through an excavator
- 7:49Speaker 3: or fly through these cool locations.
- 7:51Speaker 1: Oh, absolutely for sure. I mean I just again just
- 7:54Speaker 1: watching through this video right now. You chose the perfect
- 7:56Speaker 1: time of day at sunset, either sunset or sunrise.
- 8:00Speaker 3: Yeah, it was sunset sunset Golden hour, that's when it
- 8:03Speaker 3: looks the best.
- 8:04Speaker 1: It is absolutely just a gorgeous video that you've put
- 8:08Speaker 1: together here. It's so cool that you've got clients that
- 8:10Speaker 1: you're doing this for, not necessarily with the FPV but
- 8:13Speaker 1: more of the cinematic stuff. I just I find it
- 8:16Speaker 1: to be so interesting that something that one it wouldn't
- 8:21Speaker 1: have been possible to do something like this, you know,
- 8:23Speaker 1: in the past, the closest that you could get would
- 8:25Speaker 1: be renting a helicopter, right and then doing a bunch
- 8:28Speaker 1: of video editing to try to mimic it. But it's
- 8:31Speaker 1: incredible what you're able to do with As you said, how.
- 8:34Speaker 2: Big was this drone?
- 8:35Speaker 3: This is a ten inch quad copter, so with as
- 8:41Speaker 3: yeah about it's yeah about ten inches.
- 8:44Speaker 1: Well, just super cool stuff. Where is the coolest place
- 8:47Speaker 1: that you've ever FPVD?
- 8:50Speaker 3: Oh that's a good question. I've fpv'd windmills and factories.
- 8:58Speaker 2: Like windmills between the blades.
- 9:00Speaker 3: Yeah, well within within reason. You gotta fly safe and
- 9:07Speaker 3: you know, be safe about it, oh for sure.
- 9:10Speaker 2: But it's still a cool story to tell.
- 9:12Speaker 3: Absolutely.
- 9:12Speaker 1: Hey Drew, I want to thank you so much for
- 9:14Speaker 1: your time. I really appreciate it. This is really cool.
- 9:16Speaker 1: People can check this out. What's your website.
- 9:19Speaker 3: Hytt dot ca or on Instagram Drew h y Tt awesome.
- 9:24Speaker 1: Go check him out, Like, share and subscribe. Drew, thanks
- 9:27Speaker 1: so much for your time.
- 9:28Speaker 3: Thanks John, I appreciate it cheers.
- 9:29Speaker 1: That is Drew hit from Hit Films. Go check out
- 9:32Speaker 1: that Searies video. We're gonna take a quick break right now,
- 9:35Speaker 1: and when we get back on the other side, tell
- 9:36Speaker 1: you what we're gonna do.
- 9:37Speaker 2: We're just gonna open up.
- 9:38Speaker 1: The phone lines again and uh, you got a comment,
- 9:40Speaker 1: you got a question, you want to chat about, something,
- 9:42Speaker 1: you want to riff, Give me a call five one
- 9:44Speaker 1: nine seven nine two c KLW five one nine seven
- 9:47Speaker 1: nine two two five five nine.
- 9:48Speaker 2: We'll be back after this, and I'll still be John Lidkey.