Latest / The Hauraki Big Show / OUTRO: What's On The Tin

Transcript

OUTRO: What's On The Tin · The Hauraki Big Show

• 0:00
  Speaker 1: Did you want to do the potty now?
• 0:01
  Speaker 2: Jason? Are you what's wrong with you?
• 0:03
  Speaker 1: Man?
• 0:03
  Speaker 3: Nothing, I'm going.
• 0:05
  Speaker 1: To have to do it if you're gonna be in it.
• 0:07
  Speaker 2: Did your book tickets? I'll get into.
• 0:08
  Speaker 1: It for all.
• 0:10
  Speaker 3: You med bastards loving the Big Show podcast Get Up
• 0:15
  Speaker 3: even Closer on.
• 0:16
  Speaker 2: Instagram, YouTube, and TikTok for Doggy four to seven every
• 0:21
  Speaker 2: weekday on Radioca.
• 0:24
  Speaker 3: I'll give a fellows.
• 0:27
  Speaker 1: Hello, you've got tickets? Jasmth done for the play Yeah?
• 0:33
  Speaker 3: No, not yet. Yeah, maybe tomorrow night. Yeah, maybe it is,
• 0:40
  Speaker 3: but unfortunately because my wife's scheme too. Yes, but unfortunately
• 0:44
  Speaker 3: she's kind of busy at the moment for tonight. Yes,
• 0:48
  Speaker 3: so maybe.
• 0:48
  Speaker 2: Saturday, Saturday, Sunday and Tuesday.
• 0:53
  Speaker 3: Okay, good, Yes, we're.
• 0:55
  Speaker 2: Also on Sunday or so maybe a five o'clock or
• 0:58
  Speaker 2: something like that. This is I went to last night
• 1:00
  Speaker 2: Kezy play Fight, which is from Silo Theater, which is
• 1:05
  Speaker 2: the same joint that did a View from the Bridge.
• 1:07
  Speaker 2: Jase right, having a hell of a run they are jeez.
• 1:12
  Speaker 2: It was good. Ship, It was good, Jesuise ship. It
• 1:15
  Speaker 2: was good and you should try and get your daughter
• 1:17
  Speaker 2: to go as well. My daughter absolutely you should, but
• 1:20
  Speaker 2: don't get cool. But well, I think she'd I think
• 1:23
  Speaker 2: she'd find it worth while. She'd probably be so she
• 1:25
  Speaker 2: doesn't sit next to you, right, she probably was a
• 1:28
  Speaker 2: sexual content in there. Oh yeah, yeah, because maybe your
• 1:32
  Speaker 2: daughter's going.
• 1:34
  Speaker 3: Yeah, okay, I'm just acknowledging.
• 1:36
  Speaker 2: That she would sit away from you. But it's a
• 1:39
  Speaker 2: pretty out of it set up. It's in the round, right,
• 1:42
  Speaker 2: but it's in like an old church or something.
• 1:44
  Speaker 3: In the round.
• 1:45
  Speaker 2: Does that mean that performing in the middle. That's right,
• 1:47
  Speaker 2: same as the other one. Actually view from the bridge.
• 1:49
  Speaker 3: That was more in the rectangle.
• 1:51
  Speaker 2: It was in the rectangle in the square. Come on, man,
• 1:54
  Speaker 2: And but it's in like an old I don't even
• 1:58
  Speaker 2: know what the building used to be. But maybe it's
• 2:00
  Speaker 2: a church, keezy.
• 2:02
  Speaker 1: Church, keyzy church, keezy they call it, I think because.
• 2:06
  Speaker 3: I was talking to my wife about it last night.
• 2:08
  Speaker 3: I think the silo must jump around a.
• 2:10
  Speaker 2: Bit, I think.
• 2:11
  Speaker 3: And they haven't been there very what, okay, because I've
• 2:14
  Speaker 3: heard of it up on K Road.
• 2:16
  Speaker 2: No, No, apparently it's pretty new. But it looks like
• 2:18
  Speaker 2: a like an old town hall in the middle of nowhere,
• 2:21
  Speaker 2: rural New Zealand or something like that. But very weird.
• 2:24
  Speaker 2: And then the whole place is lit, so you're lit
• 2:27
  Speaker 2: the same as the not that kind of lit key
• 2:30
  Speaker 2: the lights. Yeah, same thing you could be if you
• 2:32
  Speaker 2: wanted to be, absolutely you could, but the same as
• 2:35
  Speaker 2: the actors, you know, so you can see all the audience,
• 2:38
  Speaker 2: which is a bit disconcerning.
• 2:39
  Speaker 3: It would be if I was acting. Yeah, I hate that. Yeah,
• 2:43
  Speaker 3: one of the things, Keezy hello, one of the bonuses.
• 2:48
  Speaker 3: When you're on stage, you can't see anyone. Yeah, generally speaking,
• 2:50
  Speaker 3: you're blinded by the stage lights.
• 2:52
  Speaker 1: I said that, and then I still remember when I
• 2:54
  Speaker 1: did my first stand up at sky City Theater and
• 2:56
  Speaker 1: I could see.
• 2:57
  Speaker 2: You everybody's stony faces, all.
• 3:00
  Speaker 1: Of you guys. I remember.
• 3:02
  Speaker 3: I remember actually the first play I ever did, show Boat,
• 3:06
  Speaker 3: and my director telling me the same thing and saying, Jace,
• 3:10
  Speaker 3: you're not going to actually see any audience because you're
• 3:12
  Speaker 3: blinded by the lights when you go on stage and stuff.
• 3:15
  Speaker 3: And I went, oh, okay, Opening nights. Saw every fucking
• 3:18
  Speaker 3: face there.
• 3:19
  Speaker 2: Was to see, I think, to look into the lights, yes,
• 3:22
  Speaker 2: not into the audience.
• 3:24
  Speaker 3: And there was a big crowd too, It's like four
• 3:26
  Speaker 3: five hundred people, so you were shipping yourself.
• 3:29
  Speaker 1: I remember we did our our Night of Culture comedy
• 3:33
  Speaker 1: performance we did last year. As soon as I came
• 3:36
  Speaker 1: out and lay on the ground because it starts with
• 3:37
  Speaker 1: a mind sequence that I used to do. As soon
• 3:39
  Speaker 1: as lay on the ground, had a quick sneak peak
• 3:42
  Speaker 1: and all I could see was Tony Lyle sitting at
• 3:45
  Speaker 1: the front on the ed snuck in there, didn't he
• 3:47
  Speaker 1: who was a comedian himself? So it's like, I wonder
• 3:49
  Speaker 1: who's in the art court a comedian?
• 3:51
  Speaker 2: Great?
• 3:51
  Speaker 3: Yeah, yeah, the worst kind of audiences, especially for stand
• 3:56
  Speaker 3: up as comedians.
• 3:57
  Speaker 2: But to support themselves, support their mates, yeah yeah.
• 4:02
  Speaker 1: But like at the awards night the other night, there
• 4:04
  Speaker 1: were a big crew of them, all applauding heaps.
• 4:06
  Speaker 3: I remember Johnny and I bet you guys are horrible
• 4:10
  Speaker 3: doing a show in Melbourne. Yes, and there were eight
• 4:14
  Speaker 3: count them Kiwi comedians in the audience and you'd know
• 4:18
  Speaker 3: them well, really not a titter is that therefore all yours?
• 4:23
  Speaker 3: It was a fucking good show. Not a titter. They're
• 4:29
  Speaker 3: probably on Elios D And it was so disconcerting. We
• 4:33
  Speaker 3: were like, what the fuck is going on?
• 4:36
  Speaker 1: Can we name names here?
• 4:37
  Speaker 3: No?
• 4:37
  Speaker 1: We can't, right, okay, but you were certain that your
• 4:41
  Speaker 1: show was good.
• 4:41
  Speaker 3: It was a good show. Yeah.
• 4:43
  Speaker 2: Was it a jolly good show?
• 4:45
  Speaker 3: I don't know jolly good, but it was. But you know,
• 4:48
  Speaker 3: it's one of those scenarios where if you're not getting
• 4:50
  Speaker 3: anything from the audience and you're doing comedy, it gets
• 4:53
  Speaker 3: harder and harder.
• 4:55
  Speaker 2: They are the only ones in the audience. Audience, Yeah,
• 4:57
  Speaker 2: there was eight of them.
• 4:59
  Speaker 1: We so you were doing it just to the eight
• 5:01
  Speaker 1: Kiwi comedians.
• 5:02
  Speaker 3: Yes, we did another show where well, because they were
• 5:07
  Speaker 3: the only ones that turned.
• 5:08
  Speaker 2: Up, you wouldn't do it for them, fuckers. If there's anyone,
• 5:10
  Speaker 2: what do you do?
• 5:11
  Speaker 3: But then we also had a show where there were
• 5:14
  Speaker 3: only four women in the audience who sat in the
• 5:17
  Speaker 3: front who sat in the front row, that's where Johnny
• 5:20
  Speaker 3: did the big spread eagle leg thing and as far
• 5:22
  Speaker 3: to us fell out as actual fu true story, and
• 5:25
  Speaker 3: they just cracked up laughing.
• 5:28
  Speaker 2: That's just concerning too, when you've got four women in
• 5:30
  Speaker 2: the front row all cracking up laughing that you're cough
• 5:33
  Speaker 2: the whole.
• 5:34
  Speaker 1: Lucky Big Show one days from four on Radio Hurdarchy.
• 5:40
  Speaker 3: Big Show podcast, they were giggling their whole way through
• 5:43
  Speaker 3: the show. We felt like strippers.
• 5:45
  Speaker 1: Bad strippers, but also because it involved a lot of
• 5:48
  Speaker 1: stripping as well, and it.
• 5:50
  Speaker 3: Was and they were just giggling the whole way through it,
• 5:52
  Speaker 3: and we were like, fuck, this is weird.
• 5:54
  Speaker 2: You would feel like a stripper if you've got your
• 5:55
  Speaker 2: dick out in front of four woman.
• 5:57
  Speaker 3: Honestly, just that he was wearing tights, but he was
• 6:00
  Speaker 3: wearing boxes and he do just this big spread eagled
• 6:05
  Speaker 3: Shakespearean thing, and the boxes opened up and and as
• 6:10
  Speaker 3: Fatous came forth, and then he realized what he had
• 6:14
  Speaker 3: done and immediately clutched himself and stared at me. Yeah,
• 6:21
  Speaker 3: what are you doing? Sorry?
• 6:22
  Speaker 2: John got his corn. We've got that on video too.
• 6:28
  Speaker 1: Someone was video can you you put it up on Insta?
• 6:33
  Speaker 3: John?
• 6:38
  Speaker 2: Anyway, But back to that, just because I do want
• 6:40
  Speaker 2: to promo it. It's got mirror Bye Peas Peace, Oh
• 6:45
  Speaker 2: God live Parker who's on Slippery Treasure Island there and
• 6:51
  Speaker 2: Anna Scotney and it was brilliant. Five five buzzies get along.
• 6:56
  Speaker 2: It finishes on Wednesday.
• 6:58
  Speaker 3: Good stuff.
• 6:59
  Speaker 2: I'm not really telling you guys, but the audience, you know, yeah, yeah,
• 7:02
  Speaker 2: because I know you won't get well, you would understand.
• 7:05
  Speaker 1: I'm actually going to a show this weekend. Oh right,
• 7:08
  Speaker 1: going to a Show's a friend of mine in a show.
• 7:11
  Speaker 1: She's in a musical. Oh, and so this is why
• 7:15
  Speaker 1: we are heading down no and so this is why
• 7:17
  Speaker 1: we're heading down the homeways because she's in a show.
• 7:23
  Speaker 1: And we've always wanted to watch her in a show
• 7:24
  Speaker 1: because I know that she's a very, very talented performer.
• 7:26
  Speaker 2: She's got a great voice, and it's musical, got a
• 7:29
  Speaker 2: bad feeling.
• 7:30
  Speaker 1: And we caught up with her the other night. We're like, hey,
• 7:33
  Speaker 1: bought tickets to your show, and she's just like, oh god,
• 7:36
  Speaker 1: the whole thing's been an absolute debarcle. The director is this,
• 7:39
  Speaker 1: this person's sick. This person he has been put in
• 7:42
  Speaker 1: she's intentionally not letting this person do that. And she's like,
• 7:44
  Speaker 1: the whole thing has been the worst show experience of
• 7:47
  Speaker 1: my life.
• 7:48
  Speaker 2: So she's put shifting blame onto those around her.
• 7:51
  Speaker 1: Now because she's always wanted us to come see a show,
• 7:54
  Speaker 1: and like she did Cats and a few other ones,
• 7:56
  Speaker 1: and then.
• 7:56
  Speaker 3: She's freaking out that you're actually coming to see it.
• 7:59
  Speaker 1: She was a freak. She's literally like, so now you
• 8:01
  Speaker 1: know who look out for look out for this girl,
• 8:03
  Speaker 1: look out for this girl. When the director comes out,
• 8:05
  Speaker 1: you boo her right. Sounds like she's a nuts.
• 8:07
  Speaker 3: Sounds like your classic sort of production. Really yeah, God,
• 8:10
  Speaker 3: it's always terrible, always fucking drama.
• 8:13
  Speaker 1: And you're not getting paid for it. She's driving an
• 8:16
  Speaker 1: hour to get to it every however, many days for rehearsal.
• 8:19
  Speaker 1: It sounds like an absolute shambles. But she'll be good
• 8:22
  Speaker 1: at it. Yeah, it's good, but you're more excited to
• 8:25
  Speaker 1: see it.
• 8:26
  Speaker 3: Did your wife forgive you when you got home for
• 8:28
  Speaker 3: dissing the meal? Her meal? Her box?
• 8:33
  Speaker 1: She said, what's wrong with burrito bowls? And I just
• 8:37
  Speaker 1: said that fine. I just rather in a wrap and
• 8:39
  Speaker 1: then I opened the wraps and I had that, and
• 8:41
  Speaker 1: then good news, fellas, there was left over mints. So
• 8:43
  Speaker 1: we're having it again tonight.
• 8:45
  Speaker 2: Good But he goes by like half a kilo.
• 8:49
  Speaker 1: Half a kilo of mints. I tell your fellows, and
• 8:51
  Speaker 1: you pour like a tinned corn into it, and and
• 8:55
  Speaker 1: then you mix in likes and some stock, and you'll
• 9:00
  Speaker 1: see if that ship up.
• 9:01
  Speaker 2: When we come over to your joint keys, there'll be fuman.
• 9:03
  Speaker 1: I'm going to turn corn corn.
• 9:06
  Speaker 3: Can I anything anything?
• 9:09
  Speaker 2: Pretty much?
• 9:10
  Speaker 3: Any vegetable? Good?
• 9:13
  Speaker 1: You guys are a fussy. It's not fuss. It seems
• 9:16
  Speaker 1: like I.
• 9:16
  Speaker 3: Don't mind a kidney bean. It's tenned.
• 9:19
  Speaker 2: Well, that's right. I mean I've never I don't think
• 9:21
  Speaker 2: I've had a kidney bean any other way. No, could
• 9:24
  Speaker 2: I say that?
• 9:24
  Speaker 3: You can buy them dry, of course, and then moisturize them.
• 9:28
  Speaker 1: You're moisten them, Yes, moisten those beans.
• 9:31
  Speaker 3: Another fascinating thing today happened. It's not really that fascinating,
• 9:39
  Speaker 3: but it's fascinating to me in the city. Right outside
• 9:42
  Speaker 3: my apartment now I live next to a very Actually,
• 9:48
  Speaker 3: maybe i'll save this with the shot the show. Yeah, okay,
• 9:51
  Speaker 3: I'll make.
• 9:51
  Speaker 2: Out a dry man and your beans wet.
• 9:54
  Speaker 1: See that to my daughter today, that very free You
• 9:56
  Speaker 1: said keep your beans wet.
• 9:57
  Speaker 3: No, I said keep your powder dry. Right, good bit
• 10:01
  Speaker 3: of fatherly advice there.
• 10:03
  Speaker 1: What was she about to talk about? Something on your podcast?
• 10:06
  Speaker 2: Far off canon?
• 10:07
  Speaker 3: She's human. I'll just say that, man, who I'm not
• 10:10
  Speaker 3: going to say any more than that.
• 10:11
  Speaker 1: Is it a radio content?
• 10:13
  Speaker 2: No sounds like radio content.
• 10:14
  Speaker 3: No, No for out No, No, well, maybe she's feman.
• 10:20
  Speaker 2: Something I've said.
• 10:21
  Speaker 3: No, it's nothing you've said it is It is not
• 10:24
  Speaker 3: our show. Related at all?
• 10:26
  Speaker 1: Could it be though, if we offer this in Toledos.
• 10:31
  Speaker 3: No, I don't know that this daughter's ever listened to
• 10:35
  Speaker 3: my show.
• 10:36
  Speaker 2: Oh wow, of course she is.
• 10:38
  Speaker 1: She loves it. No, this daughter is it your youngest.
• 10:41
  Speaker 3: No, I'm not going to even specify what daughter it is.
• 10:43
  Speaker 1: Oh wow, the one eight chance here. Listen to The
• 10:48
  Speaker 1: Big Show for fifteen four to seven every weekday. And
• 10:52
  Speaker 1: if you want to hear Jason's amazing what Happened outside
• 10:55
  Speaker 1: his house thing, listen to the Best of podcast.
• 10:57
  Speaker 3: It's more of a podcast chat, which I'll do in
• 11:00
  Speaker 3: another podcast.
• 11:01
  Speaker 1: You did a shock, the one you just tease for
• 11:03
  Speaker 1: the radio shot?
• 11:04
  Speaker 3: Yeah, I know, but I realized that it's going to
• 11:06
  Speaker 3: be quite long, and it's actually not that interesting, right
• 11:08
  Speaker 2: It's perfect for the podcast, just the usual one.