Latest / Get Into Gate: A Stargate Podcast / Episode 331: 'Aftermath' (SG-U 2.02)

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Episode 331: 'Aftermath' (SG-U 2.02) · Get Into Gate: A Stargate Podcast

• 0:18
  Speaker 1: Get into Gate episode 331. What is it? No, it's 331.
• 0:27
  Speaker 2: You've got one job, Mitchell.
• 0:29
  Speaker 3: Yeah.
• 0:31
  Speaker 1: Keep count. Actually, we don't care about it. You do. Yeah. Yeah.
• 0:36
  Speaker 4: When you say it, that's when I write it down
• 0:39
  Speaker 4: on the piece of paper that I've got here.
• 0:41
  Speaker 1: Oh, good man. I could say anything. It's 331, and
• 0:45
  Speaker 1: that's Mitch, Matty, and Brendan all here agreeing on that
• 0:50
  Speaker 1: number and getting you through episode two of season two
• 0:53
  Speaker 1: of Stargate Universe in this particular podcast.
• 0:56
  Speaker 5: What's doing, boys?
• 0:58
  Speaker 2: Well, I'm just sitting here in barely anything at all.
• 1:02
  Speaker 4: Just one little tug on this little ribbon on my
• 1:04
  Speaker 4: shoulder and I would be completely exposed.
• 1:08
  Speaker 2: Yeah, I mean, the pizza guy wasn't ready for that earlier, though,
• 1:11
  Speaker 2: was he?
• 1:11
  Speaker 1: Oh, he was. He was ready.
• 1:14
  Speaker 2: Yeah, Brendan and I arrive a little bit after that.
• 1:16
  Speaker 2: We're like, oh, we're interrupting something here.
• 1:18
  Speaker 1: Yep. Matty's paying for the pizza. Yeah.
• 1:20
  Speaker 2: It's like, why does your groin smell like garlic butter?
• 1:23
  Speaker 2: Slipped you a 20 and went, be good to your mother.
• 1:27
  Speaker 2: And you're like, damn it. Like, oh, my mum's dead.
• 1:31
  Speaker 4: Sorry.
• 1:32
  Speaker 1: That's a shame.
• 1:34
  Speaker 2: Sorry.
• 1:35
  Speaker 1: I'm so sorry. I couldn't help it. No, it's fine.
• 1:40
  Speaker 2: We're at a joking point now. It's fine. She'd like it. Oh,
• 1:45
  Speaker 2: Catherine Powers.
• 1:47
  Speaker 4: Oh, they're probably up in heaven together.
• 1:50
  Speaker 2: Just chilling.
• 1:51
  Speaker 1: Just comparing pitches.
• 1:52
  Speaker 6: Yeah.
• 1:53
  Speaker 1: Just going on a witch.
• 1:54
  Speaker 2: Which boudoir photo session did you go to? Oh, I
• 1:58
  Speaker 2: got this.
• 1:59
  Speaker 1: Boudoir session? Yeah.
• 2:01
  Speaker 2: Oh, I only got the emerald package. You got the
• 2:04
  Speaker 2: pearl package.
• 2:04
  Speaker 1: Oh, okay.
• 2:05
  Speaker 2: Gotcha, yeah.
• 2:06
  Speaker 1: Extra glow.
• 2:08
  Speaker 2: Just so glow. Sorry, Mitchell.
• 2:13
  Speaker 1: No, that's all right.
• 2:13
  Speaker 2: You were talking about Stargate.
• 2:14
  Speaker 1: Sure was.
• 2:16
  Speaker 2: Talking about Stargate. In particular, we're talking Aftermath. Aftermath? Aftermath,
• 2:22
  Speaker 2: I would say. I know.
• 2:23
  Speaker 1: Why did I say it like that?
• 2:24
  Speaker 2: It's like when you say staff weapon instead of staff weapon.
• 2:27
  Speaker 1: Yeah. I don't know.
• 2:29
  Speaker 2: I feel like you want to say... Still aftermath.
• 2:33
  Speaker 1: Oh, God, of course. You knew that was coming. Thank God.
• 2:35
  Speaker 1: I didn't. I had no idea. Thank God. I had
• 2:37
  Speaker 1: no idea. Aftermath. That's probably why I say it, because
• 2:40
  Speaker 1: the most I've ever heard that word is sung by
• 2:44
  Speaker 1: an American. Right. Dr.
• 2:46
  Speaker 2: Dre's record company, Aftermath Records, one of the great companies.
• 2:50
  Speaker 1: Right.
• 2:52
  Speaker 2: It's why Mitchell also says, you know.
• 2:54
  Speaker 1: What?
• 2:55
  Speaker 2: Bitches be getting sick from these.
• 2:56
  Speaker 1: No, what?
• 2:57
  Speaker 2: That's why dudes be getting drips from these bitches on
• 2:59
  Speaker 2: my dick?
• 2:59
  Speaker 1: Yeah. Yeah. I say that to my kids all the time.
• 3:01
  Speaker 2: Hey, guys, just don't forget.
• 3:05
  Speaker 1: Don't forget.
• 3:07
  Speaker 2: Actually, there you go, Brendan. There you go, Brendan.
• 3:09
  Speaker 4: There's something for you to do. You need to do
• 3:12
  Speaker 4: a cover of that. Or maybe Bal could do a
• 3:15
  Speaker 4: cover of that song. But it could be about the
• 3:17
  Speaker 4: steady drip from the bitches on his dick.
• 3:21
  Speaker 1: Oh, just quickly. I mean, I think we would have
• 3:23
  Speaker 1: covered it on the pod at some point. Well, Brendan
• 3:26
  Speaker 1: wouldn't have actually been around for it because it was
• 3:28
  Speaker 1: at the end of stage of Atlantis. But my dog,
• 3:31
  Speaker 1: my beautiful dog, had 11 puppies last year and we
• 3:35
  Speaker 1: named them all after chocolate bars because just before they
• 3:38
  Speaker 1: go off to their forever homes, it was just an
• 3:40
  Speaker 1: easy way of naming them.
• 3:42
  Speaker 2: The Siamese twins ones you named Twix.
• 3:44
  Speaker 1: Obviously, yeah.
• 3:45
  Speaker 2: Twix actually was the biggest of the lot, unsurprisingly.
• 3:49
  Speaker 1: And there's a chance, there's a chance that we're going
• 3:52
  Speaker 1: through that. Well, we've went through the early stages of
• 3:54
  Speaker 1: that happening again. She was, at time of recording, inseminated yesterday.
• 4:00
  Speaker 2: I hate that word.
• 4:01
  Speaker 1: I know it is.
• 4:02
  Speaker 2: I hate that word.
• 4:02
  Speaker 1: Well, you know what? I was also discussing my wife
• 4:05
  Speaker 1: having to sit there and watch her dog be jacked
• 4:07
  Speaker 1: off before the insemination.
• 4:08
  Speaker 4: Oh, yeah.
• 4:09
  Speaker 1: That's a thing that happened yesterday. I was unfortunately tied
• 4:12
  Speaker 1: up at work, unable to go.
• 4:14
  Speaker 2: Jacking yourself off.
• 4:15
  Speaker 1: But I was talking to my brother and I said, hey.
• 4:18
  Speaker 1: I mean, hopefully she'll have less puppies than that. I
• 4:21
  Speaker 1: reckon the next theme, we name them after system laws.
• 4:25
  Speaker 2: Excellent.
• 4:26
  Speaker 1: Because I'm just imagining a tiny little brutal puppy. Like,
• 4:29
  Speaker 1: that's Apophis.
• 4:30
  Speaker 2: Yeah.
• 4:31
  Speaker 1: That's Anubis.
• 4:33
  Speaker 2: This one's Seth.
• 4:34
  Speaker 4: He's a real worry, that one. He's the runt. No,
• 4:38
  Speaker 4: that would be Clarell. I'm putting it now.
• 4:41
  Speaker 1: Oh, Clarell.
• 4:42
  Speaker 4: If you name one of them Heru-er, I'm adopting it
• 4:45
  Speaker 4: and I'm keeping that name.
• 4:46
  Speaker 1: I said that to Link. I'm like, one's going to
• 4:48
  Speaker 1: be Heru-er.
• 4:49
  Speaker 2: Yeah, because that's going to be the command at the
• 4:51
  Speaker 2: dog park, Heru-er, attack.
• 4:52
  Speaker 1: Yeah.
• 4:54
  Speaker 2: Like, come on.
• 4:55
  Speaker 1: All right. I'm going to do it.
• 4:57
  Speaker 2: I said, look, let the number of puppies determine what we.
• 5:00
  Speaker 1: Shulva. Like if there's nine.
• 5:02
  Speaker 2: Oh, yeah.
• 5:03
  Speaker 1: If there's nine, Matty. Shulva.
• 5:04
  Speaker 2: Obviously, they'll be members of the fellowship. Absolutely not.
• 5:08
  Speaker 1: Yeah, yeah.
• 5:09
  Speaker 4: No, you can't do that because the statistics will say
• 5:12
  Speaker 4: you'll have at least one girl dog. And unfortunately, the
• 5:14
  Speaker 4: fellowship does not pass the Bechdel test.
• 5:17
  Speaker 1: No.
• 5:18
  Speaker 2: You can't do that, Mitchell, I'm afraid.
• 5:19
  Speaker 1: Well, Kate Blanchard helped out a bit. Yeah, I can
• 5:21
  Speaker 1: name one Galadriel.
• 5:23
  Speaker 2: Yeah, but she wasn't one of the Fellowship.
• 5:24
  Speaker 1: It's an alternate reality universe timeline where she was.
• 5:28
  Speaker 2: Come on, mate.
• 5:28
  Speaker 1: She was there.
• 5:29
  Speaker 2: What about that really annoying woman from Rohan? Eowyn?
• 5:33
  Speaker 1: Nah, don't worry.
• 5:34
  Speaker 4: You could have just said that one woman from Rohan
• 5:36
  Speaker 4: and that would have been the exact same way to
• 5:38
  Speaker 4: narrow it down.
• 5:39
  Speaker 2: Who saw Aragorn, she's like, marry me!
• 5:41
  Speaker 1: He's like, whoa, whoa, hey.
• 5:42
  Speaker 2: Bitch, I'm 88.
• 5:43
  Speaker 1: No thanks.
• 5:44
  Speaker 2: Is that Miranda Otto?
• 5:45
  Speaker 1: I've got a stage five clinger over here. Yeah, yes
• 5:47
  Speaker 1: it is. I made you a stew. Bitch can't even cook.
• 5:50
  Speaker 1: Are you serious? You know who I am? We watched
• 5:55
  Speaker 1: that recently. It's so funny when they're going across the country.
• 5:57
  Speaker 1: He's riding a horse. She's walking next to him.
• 6:00
  Speaker 2: The great gentleman, the magnificent Aragorn was, he's like, yeah, walk, bitch.
• 6:04
  Speaker 1: I'm just like, yep. Really? I don't remember the other
• 6:08
  Speaker 1: way around. Were they both walking? Yeah, when he was.
• 6:11
  Speaker 2: Because I know Gimli was on a horse.
• 6:13
  Speaker 1: Gimli was on a horse. I thought Aragorn was as well.
• 6:16
  Speaker 2: Was Legolas on a horse, Matty? Happy Star Trek day, everybody.
• 6:22
  Speaker 6: I'm not going to question you on your Lord of
• 6:25
  Speaker 6: the Rings knowledge, Mitch. No, I literally watched it two
• 6:27
  Speaker 6: weeks ago. We're in New Zealand and Sarah's like, this
• 6:29
  Speaker 6: is as good a time as any. I'm like, this
• 6:31
  Speaker 6: TV ain't big enough. And I don't think the volume's
• 6:34
  Speaker 6: up loud enough, but okay. We're looking over the Remarkables.
• 6:37
  Speaker 6: We may as well, you know.
• 6:38
  Speaker 2: Sure.
• 6:39
  Speaker 1: It was magic.
• 6:39
  Speaker 2: Although I have said to the kids, we are re-watching it.
• 6:42
  Speaker 4: Sorry.
• 6:42
  Speaker 1: We didn't watch it properly. Anyway, we're talking about episode two.
• 6:46
  Speaker 1: We're talking about Aftermath. Aftermath, depending on what you want
• 6:49
  Speaker 1: to call it. And the synopsis reads, according to the Stargatefandom.com, Dr.
• 6:55
  Speaker 1: Nicholas Rush discovers the bridge but keeps it secret from
• 6:58
  Speaker 1: the rest of the expedition. Suffering from a food shortage,
• 7:02
  Speaker 1: the expedition sends an ancient shuttle to a planet near
• 7:04
  Speaker 1: where destiny stops. Shuttle malfunction forces the team sent to
• 7:08
  Speaker 1: the planet to try and find a way to reactivate
• 7:11
  Speaker 1: the disabled Stargate before they get permanently left behind.
• 7:17
  Speaker 2: I don't like that they've... I don't like that they've
• 7:19
  Speaker 2: called it the expedition. I don't like they call it
• 7:21
  Speaker 2: disabled Stargate.
• 7:22
  Speaker 1: You can't say that.
• 7:23
  Speaker 2: You can't say that these days. It's a differently abled Stargate.
• 7:25
  Speaker 2: It's the handy capable. Handy capable.
• 7:28
  Speaker 4: I mean, well, here's the thing is no Stargate is
• 7:32
  Speaker 4: handy capable because they always have those stairs in front
• 7:34
  Speaker 4: of them, even at the SGC.
• 7:36
  Speaker 1: You're right. The ancients, for as progressive as they were, mate,
• 7:39
  Speaker 1: they weren't inclusive of those who weren't able to walk.
• 7:41
  Speaker 4: Well, that's because they've probably cured that. Not that it
• 7:44
  Speaker 4: needs to be cured, mate. No, there's nothing wrong with it.
• 7:46
  Speaker 2: No, there's nothing wrong with it.
• 7:47
  Speaker 1: They were born that way. Yeah. A lot of them. Well, no.
• 7:50
  Speaker 2: See, I think the ancients probably would have bred that out. Oh,
• 7:55
  Speaker 2: you're saying eugenics are involved. Yep. Absolutely. Well, the Asgard
• 7:59
  Speaker 2: definitely did. Yeah, exactly.
• 8:01
  Speaker 1: Exactly.
• 8:01
  Speaker 4: Except ironically, they did have those little hover wheelchairs.
• 8:06
  Speaker 1: So.
• 8:07
  Speaker 2: Oh, yeah, because they were lazy. Maybe it's like my
• 8:10
  Speaker 2: clone's legs don't work. Bony little legs. I'm only on
• 8:13
  Speaker 2: the Medicare plan for one clone for six months. I'm
• 8:17
  Speaker 2: only on Medibank silver, not gold.
• 8:21
  Speaker 1: Written, guys, Robert C. Cooper and directed by William Waring.
• 8:27
  Speaker 5: Bloody Cooper!
• 8:33
  Speaker 4: Yeah, I knew there was a reason we didn't like
• 8:34
  Speaker 4: this episode. I mean, compared to the last three, I
• 8:37
  Speaker 4: actually really dig it.
• 8:39
  Speaker 5: Oh, really?
• 8:39
  Speaker 1: I was very bored.
• 8:42
  Speaker 2: Oh, come on, mate.
• 8:44
  Speaker 1: There's a death in the family.
• 8:47
  Speaker 4: Well, I mean, by family, if you mean like third
• 8:50
  Speaker 4: cousin that you see once a year at Christmas.
• 8:53
  Speaker 1: It's Riley. Yeah. I got one for you.
• 8:58
  Speaker 3: Mm-hmm.
• 9:00
  Speaker 2: Riley, Riley, Riley.
• 9:02
  Speaker 1: Oh, God.
• 9:03
  Speaker 5: Riley, Riley, Riley, Riley.
• 9:07
  Speaker 4: Well, this isn't getting a run after this episode, so.
• 9:11
  Speaker 5: Riley!
• 9:12
  Speaker 2: I mean, it's not as catchy.
• 9:14
  Speaker 1: I feel like he's not as passionate. He's definitely not.
• 9:19
  Speaker 2: I'm still not convinced that's not Brendan.
• 9:23
  Speaker 1: I am with Riley. Chloe, I'm still, the verdict's still out.
• 9:27
  Speaker 2: I'm not sure about that one. You can tell that
• 9:29
  Speaker 2: Chloe was like C, right?
• 9:31
  Speaker 1: Like he had all the energy for the third letter
• 9:33
  Speaker 1: of the alphabet. By the time he gets to R, Riley, Riley, Riley. Sorry, Zach. Zach,
• 9:40
  Speaker 1: I'm not coming back tomorrow, mate. Yeah, Zach's was just Zach. Zach.
• 9:44
  Speaker 2: Yeah.
• 9:45
  Speaker 4: Zach.
• 9:45
  Speaker 2: Well, I don't think, you know, Riley didn't sound that
• 9:48
  Speaker 2: broken up about it to me. Didn't he?
• 9:50
  Speaker 4: Well, he didn't say anything once Young started suffocating him.
• 9:55
  Speaker 2: It's all you can ask for in this life is
• 9:57
  Speaker 2: a good death.
• 9:58
  Speaker 1: Everybody's got a red shirt in their clothes. somewhere. That's
• 10:01
  Speaker 1: show business, baby.
• 10:03
  Speaker 4: Damn.
• 10:04
  Speaker 2: Smokes a fake cigar. It makes a Star Trek reference,
• 10:07
  Speaker 2: so congratulations, Riley. You son of a bitch.
• 10:12
  Speaker 4: I could have left it and just let that one
• 10:14
  Speaker 4: slide by, but I thought, no, no, it's Star Trek Day,
• 10:16
  Speaker 4: so I'll take ownership of that one.
• 10:20
  Speaker 2: That's what you'll take.
• 10:22
  Speaker 1: I'm really sorry, Brendan, but I have to ask, what
• 10:26
  Speaker 1: makes it Star Trek Day?
• 10:28
  Speaker 2: Is it just the premiere of the first episode? You
• 10:31
  Speaker 2: asked Brendan?
• 10:32
  Speaker 1: No, I'm apologising to Brendan, but I'm asking you. I
• 10:36
  Speaker 1: know you can't see because we've got our soundproofing walls
• 10:39
  Speaker 1: wrapped around our head. All right, let's go. Across the universe.
• 10:44
  Speaker 2: I just said shields up.
• 10:47
  Speaker 1: I don't know.
• 10:48
  Speaker 2: Gotta be so careful. I literally don't know why it's
• 10:50
  Speaker 2: Star Trek Day today.
• 10:51
  Speaker 1: Oh, you call yourself a Trekkie. What a fan.
• 10:54
  Speaker 2: I didn't even know it was a thing. Like, if anything... Oh, wait.
• 10:57
  Speaker 2: Is today this... Oh, in America... I know why. Oh,
• 10:58
  Speaker 2: it's Janeway's birthday? No, in America.
• 11:01
  Speaker 4: In America, it's the 7th of September. We're recording on
• 11:03
  Speaker 4: the 8th of September. In America, it's the 7th of September.
• 11:06
  Speaker 1: 7 of 9. 9-7, though. They do 9-7.
• 11:10
  Speaker 2: It's the 7th of the 9th, though.
• 11:12
  Speaker 1: Holly, can I.
• 11:13
  Speaker 2: Well, that's true.
• 11:14
  Speaker 1: Holly, can I... But they do 9-7.
• 11:16
  Speaker 5: I know.
• 11:17
  Speaker 4: I'm just saying. That's the only thing I can think
• 11:19
  Speaker 4: of as to why today would be Star Trek Day. Well,
• 11:21
  Speaker 4: I will say, Holly, I've Googled it. Why is Star
• 11:23
  Speaker 4: Trek Day today? It's not written perfectly. Now, there's a
• 11:26
  Speaker 4: Wikipedia thing. Star Trek Day.
• 11:28
  Speaker 2: The world premiere was on September 6th in Canada.
• 11:31
  Speaker 1: Oh.
• 11:32
  Speaker 2: That doesn't mean it's today. September 6th is gone.
• 11:35
  Speaker 1: Then the AI overview answer says, today is Star Trek
• 11:37
  Speaker 1: Day because it marks the exact day the original television
• 11:40
  Speaker 1: series first premiered on American television on September 8th, 1966.
• 11:43
  Speaker 2: Oh.
• 11:43
  Speaker 1: So the Canadians got it first, eh?
• 11:47
  Speaker 2: Just to trial it out.
• 11:49
  Speaker 1: Yeah.
• 11:49
  Speaker 2: Take that, Trump.
• 11:51
  Speaker 1: It's going to be New America or something soon, isn't it?
• 11:54
  Speaker 1: Just renaming shit?
• 11:55
  Speaker 2: Yeah, just name. Well, it's... President Trump, he's the president
• 12:01
  Speaker 2: of southern Canada.
• 12:03
  Speaker 1: Brilliant.
• 12:03
  Speaker 2: Or the president of northern Mexico.
• 12:06
  Speaker 1: Yeah.
• 12:07
  Speaker 2: Yeah. I'm Mexican and you can't kick me out.
• 12:12
  Speaker 4: Mexicans are the hardest working people.
• 12:17
  Speaker 2: Well, there you go. I just had to scratch the ditch.
• 12:19
  Speaker 2: Thank you for telling me.
• 12:20
  Speaker 4: See, I would have thought, yeah, 7 of 9. Because
• 12:22
  Speaker 4: that's like Trekkie's version of May the 4th.
• 12:25
  Speaker 1: May the 4th, right?
• 12:25
  Speaker 2: Yeah, it's not like the day of Premier. Yeah, but yeah,
• 12:28
  Speaker 2: knowing Americans, you're right.
• 12:29
  Speaker 4: Brendan, they'd probably want to do frigging July 9th would
• 12:33
  Speaker 4: be their 7 of 9 day.
• 12:34
  Speaker 2: What were we talking about?
• 12:36
  Speaker 1: I mean, just quite. I watched this yesterday and I
• 12:38
  Speaker 1: watched the other one today. I'm so like lost in
• 12:41
  Speaker 1: what happened. When I first read that synopsis, he discovers
• 12:43
  Speaker 1: the bridge and I'm like, that happened at the start
• 12:45
  Speaker 1: of this one. But I'm like, Yeah, somehow it's easy
• 12:47
  Speaker 1: to remember separate episodes when I watch them back to back.
• 12:50
  Speaker 1: I don't know why.
• 12:50
  Speaker 2: Yeah, it's weird. Well, that was the thing at the start, right,
• 12:57
  Speaker 2: was when he goes to the control room. Yeah, and bullies,
• 13:02
  Speaker 2: what's his name again?
• 13:02
  Speaker 1: Dr. Park.
• 13:03
  Speaker 2: Park's like, oh, there's an alert. And he's like, okay.
• 13:08
  Speaker 2: And he cancels it. And the alert was, we found
• 13:11
  Speaker 2: the bridge. But no one else could read it. He's
• 13:15
  Speaker 2: just decided, oh, there'll be a pop-up here when I
• 13:18
  Speaker 2: run the program. Oh, is that your read on it?
• 13:21
  Speaker 2: That's my read on it, yeah.
• 13:22
  Speaker 4: Oh, see, my read was that that wasn't his first
• 13:25
  Speaker 4: time at the bridge because he didn't seem excited enough.
• 13:28
  Speaker 2: Well, I think it is because he dialed in the
• 13:31
  Speaker 2: PIN number and then there was another door and he
• 13:33
  Speaker 2: kind of looked confused and then he pressed the button. Right.
• 13:36
  Speaker 4: Okay, see, my read on it was that somewhere between–
• 13:41
  Speaker 4: when he was in his head with his wife in
• 13:43
  Speaker 4: the chair, and now he's figured it out, and the
• 13:47
  Speaker 4: reason he knew how to fix the alarm and was
• 13:50
  Speaker 4: real snarky with Park is because he's been on the
• 13:53
  Speaker 4: bridge a couple of times and figured it out already.
• 13:57
  Speaker 4: But you're right, I guess, in terms of it felt
• 14:00
  Speaker 4: like this was the first time he'd encountered the vision
• 14:02
  Speaker 4: of his wife.
• 14:03
  Speaker 2: Yeah, and I think because he didn't want to explain
• 14:06
  Speaker 2: it to Park either.
• 14:07
  Speaker 1: Yeah. Yeah.
• 14:08
  Speaker 4: Yeah, so that was my read on it, is that
• 14:11
  Speaker 4: the reason he didn't want to explain it to Park
• 14:13
  Speaker 4: is because he's been to the bridge a couple of
• 14:14
  Speaker 4: times and has a few codes and stuff of what
• 14:16
  Speaker 4: he needs.
• 14:16
  Speaker 2: Let's just re-listen to the scene and then figure out
• 14:19
  Speaker 2: what we all think. Yeah.
• 14:22
  Speaker 1: He wakes up. He's had a nightmare. Maybe the ship's
• 14:26
  Speaker 1: telling him he found the bridge.
• 14:27
  Speaker 2: I thought you weren't going to.
• 14:29
  Speaker 1: Get some sleep. Yeah, so did I.
• 14:30
  Speaker 2: Maybe his wife's talking to him.
• 14:33
  Speaker 1: He sees the console.
• 14:34
  Speaker 2: Let's see if we can pause it there. I feel
• 14:35
  Speaker 2: like we'd probably need to... I mean, it all looks
• 14:37
  Speaker 2: ancient to me.
• 14:38
  Speaker 4: Yeah, I feel like we'd probably need to go further
• 14:40
  Speaker 4: forward to, like, when he's on the bridge and he
• 14:43
  Speaker 4: starts talking to Gloria.
• 14:45
  Speaker 2: I think maybe she has some information there.
• 14:48
  Speaker 1: What's going on here, then?
• 14:50
  Speaker 5: Some sort of crash.
• 14:51
  Speaker 3: The interface is frozen.
• 14:52
  Speaker 1: He knows what's going on. Yeah, why didn't you call me?
• 14:54
  Speaker 2: Well, I was going to try a restart first. That's
• 14:56
  Speaker 2: fixed it in the past. He goes to his notepad,
• 14:58
  Speaker 2: doesn't he?
• 14:59
  Speaker 1: Yeah.
• 14:59
  Speaker 2: So I feel like he already has that information that
• 15:00
  Speaker 2: he's got from the bridge.
• 15:01
  Speaker 3: What did you just do?
• 15:03
  Speaker 5: Sims have fixed the problem.
• 15:04
  Speaker 3: Yeah, I can see that.
• 15:05
  Speaker 1: How? Good night, Dr.
• 15:06
  Speaker 3: Park.
• 15:07
  Speaker 2: Glad to see you have everything well in hand.
• 15:09
  Speaker 5: Wait, where are you going? For a walk.
• 15:11
  Speaker 1: If you get into trouble next time, call me.
• 15:14
  Speaker 2: So he's pissed off that she didn't call him because
• 15:17
  Speaker 2: he could have been in the bridge two hours ago. Yeah, right?
• 15:21
  Speaker 2: Just jerking it in the chair.
• 15:22
  Speaker 4: I do actually have a clip from the previously on
• 15:25
  Speaker 4: that might help as well. Play this one for me, Brendan. Mitch,
• 15:29
  Speaker 4: I guess you'd be the best one to answer this
• 15:30
  Speaker 4: to see whether this sounds familiar to you from the
• 15:33
  Speaker 4: episode where Rush was trapped.
• 15:36
  Speaker 2: In a chair reliving his life on Earth with his wife.
• 15:39
  Speaker 2: I managed to find a clue which may give us
• 15:41
  Speaker 2: control of this ship once and for all. It's the
• 15:43
  Speaker 2: number of chromosomes in human DNA. All we have to
• 15:45
  Speaker 2: do now is run through the variations. I don't remember
• 15:48
  Speaker 2: that line.
• 15:49
  Speaker 4: I remember obviously the four and the numbers and stuff,
• 15:54
  Speaker 4: but I don't remember him connecting that to.
• 15:56
  Speaker 1: The number of chromosomes.
• 15:57
  Speaker 2: Yeah, I think they said it at the end. Right, okay.
• 16:00
  Speaker 2: Because then they kind of established that Remember, because in
• 16:04
  Speaker 2: the ancients, in the future, all of their technology is
• 16:08
  Speaker 2: designed to only use ancient DNA.
• 16:11
  Speaker 1: Oh, yep, yep, yep.
• 16:12
  Speaker 2: Which some humans do have that.
• 16:13
  Speaker 1: Yeah.
• 16:14
  Speaker 2: AKA Jack O'Neill and Shepard. Yeah, what are they called?
• 16:17
  Speaker 2: The ATA gene.
• 16:18
  Speaker 1: Yeah.
• 16:19
  Speaker 4: Yeah, I just didn't remember the line about chromosomes. But,
• 16:22
  Speaker 4: you know me, I don't really pay attention to the
• 16:23
  Speaker 4: show very much, so.
• 16:25
  Speaker 1: Yeah, I probably couldn't have... you know, sort of recited
• 16:29
  Speaker 1: it for you. But when it was in the previously
• 16:31
  Speaker 1: onto this episode, I'm like, Oh, that's right. There was,
• 16:33
  Speaker 1: there was that thing. And I was a bit low.
• 16:34
  Speaker 2: I'm like, you know what?
• 16:35
  Speaker 1: I'm just gonna wait for this episode to explain it.
• 16:36
  Speaker 1: Like for me to sort of recite that science mumbo
• 16:39
  Speaker 1: jumbo chromosomes. And that's why it's going to, I'm like, nah, just, just,
• 16:42
  Speaker 1: just show me, stop telling me, show me. Oh, that's right.
• 16:45
  Speaker 4: Cause there was that one of the clues he got
• 16:47
  Speaker 4: was like, it was the date. Wasn't it like the
• 16:49
  Speaker 4: 16th of April, even though it didn't happen on the
• 16:51
  Speaker 4: 16th of April. And then he was like, Oh, and
• 16:53
  Speaker 4: then 1 plus 6 is 7, 47. And he kept
• 16:57
  Speaker 4: finding 47 everywhere.
• 16:57
  Speaker 2: Daniel's like, not 42, the answer to the world, the universe,
• 17:01
  Speaker 2: whatever it is. Yeah. Oh, that's right, because 47.
• 17:04
  Speaker 4: Then I made a reference about a different sci-fi franchise
• 17:08
  Speaker 4: that uses 47 a lot.
• 17:09
  Speaker 2: That's right.
• 17:09
  Speaker 1: Got to be so careful.
• 17:11
  Speaker 2: Yeah, I just don't remember them saying chromosomes. So that's
• 17:13
  Speaker 2: on me. That's on me. He types in the code
• 17:17
  Speaker 2: the first time.
• 17:19
  Speaker 1: You reckon? In my opinion.
• 17:20
  Speaker 2: He just didn't seem wowed enough to me. Zooms in
• 17:28
  Speaker 2: on his face. There's wind blowing like it hasn't been
• 17:31
  Speaker 2: opened yet. Oh, is there?
• 17:32
  Speaker 1: He presses the button. That would definitely come in. Out
• 17:36
  Speaker 1: of curiosity. More wind.
• 17:40
  Speaker 2: It is very shadowy.
• 17:42
  Speaker 1: Yeah. Great music too, Joel Goldsmith. Always.
• 17:50
  Speaker 2: Better than any needle drop.
• 17:53
  Speaker 1: I'm on my way. And I think that getting their
• 17:59
  Speaker 1: arms spread over the railing and just slowly touching things,
• 18:03
  Speaker 1: that to me is a lifetime thing.
• 18:06
  Speaker 5: Okay.
• 18:07
  Speaker 2: Yeah, I didn't notice the wind.
• 18:09
  Speaker 4: The wind would definitely help for me, yeah, the difference
• 18:11
  Speaker 4: in pressure and all that kind of stuff.
• 18:13
  Speaker 2: But then he seemed to be able to, like, he
• 18:14
  Speaker 2: knew straight away to, like, raise the bridge.
• 18:16
  Speaker 3: Yeah.
• 18:17
  Speaker 1: No, I think it's automatic.
• 18:19
  Speaker 2: Oh, good call. Okay, good call. I mean, the music
• 18:25
  Speaker 2: definitely makes it feel very, you know, monumentous. Is that
• 18:29
  Speaker 2: a word? Monumentous? Monumental?
• 18:33
  Speaker 1: Momentous.
• 18:34
  Speaker 2: That was the word I was thinking of.
• 18:35
  Speaker 1: You're not going to tell anyone, are you? Gloria.
• 18:42
  Speaker 6: Your program finally worked. Unlock the master code.
• 18:49
  Speaker 3: You found the keys to controlling all of destiny's systems.
• 18:52
  Speaker 2: Everything. And you're not going to tell anyone, are you?
• 19:00
  Speaker 3: No, he's.
• 19:03
  Speaker 2: Not. No, he's not going to tell anyone. And somebody
• 19:08
  Speaker 2: dies because of that. I mean, I think, honestly, even
• 19:12
  Speaker 2: if he told everybody that he would have gone, look,
• 19:15
  Speaker 2: here's a planet. Young would have agreed, drop out of FTL,
• 19:20
  Speaker 2: let's send a ship because we're desperate.
• 19:23
  Speaker 4: Yeah, yeah, absolutely. But, yeah, it's that classic Rush thing
• 19:26
  Speaker 4: of he doesn't trust anybody. He wants to, like, have
• 19:33
  Speaker 4: the upper hand over everybody.
• 19:35
  Speaker 2: Yeah, because you know that he's going to try and
• 19:37
  Speaker 2: learn every system off by heart.
• 19:38
  Speaker 1: Yes.
• 19:39
  Speaker 2: And then everyone, it's kind of like a Rodney McKay
• 19:41
  Speaker 2: thing to do, just know everything and then they rely
• 19:44
  Speaker 2: heavily on him. And they're like, how is he such
• 19:47
  Speaker 2: a genius?
• 19:48
  Speaker 1: Yeah. Yeah. Yeah.
• 19:50
  Speaker 4: That he was so pissy with Dr. Park, I was like,
• 19:52
  Speaker 4: that's unnecessary.
• 19:53
  Speaker 2: Yeah, I think he was just, I'm not defending him,
• 19:57
  Speaker 2: but I'm just saying if that's why he was shitty
• 19:59
  Speaker 2: at her because he's like, I could have been on
• 20:01
  Speaker 2: that fucking bridge.
• 20:02
  Speaker 1: Yeah, yeah, yeah. An hour ago.
• 20:04
  Speaker 2: But she didn't call him though. No, that's why he's pissed.
• 20:07
  Speaker 2: Next time, call me.
• 20:09
  Speaker 4: Oh, you mean whatever error she was getting was stopping
• 20:13
  Speaker 4: him from... Whatever error she was getting is what he
• 20:17
  Speaker 4: just came across after he had his dream and he
• 20:19
  Speaker 4: just walked in and he's.
• 20:20
  Speaker 2: Like, what's going on here? Like he knew immediately when
• 20:25
  Speaker 2: he saw the screen that it was the program had
• 20:27
  Speaker 2: found something. Oh, that it was the master code thing.
• 20:30
  Speaker 1: Yeah, right.
• 20:31
  Speaker 2: And she's like, so what's wrong? And he's like, I'm
• 20:33
  Speaker 2: going for a walk.
• 20:34
  Speaker 1: Fuck you.
• 20:35
  Speaker 2: Right, he was just playing it off.
• 20:37
  Speaker 1: He was, yeah.
• 20:39
  Speaker 2: Being nonchalant, playing it off like an asshole, even though
• 20:42
  Speaker 2: he is an asshole.
• 20:43
  Speaker 1: Yeah. Yeah.
• 20:44
  Speaker 2: I think it, for me, it, it, it landed more
• 20:46
  Speaker 2: to asshole than it was nonchalant.
• 20:48
  Speaker 1: Yeah.
• 20:48
  Speaker 4: Like just the fact that he was just like, just
• 20:50
  Speaker 4: call me next time. And she's like, it just happened.
• 20:52
  Speaker 2: Calm down. Like, yeah.
• 20:54
  Speaker 1: And then even like, Oh, you call me so I
• 20:57
  Speaker 1: can help you. And then her going, Hey, well, what
• 20:58
  Speaker 1: did you do? I'm good night. Yeah.
• 21:01
  Speaker 2: Like from the get go.
• 21:02
  Speaker 1: And then to, to end the pre credits thing there, uh,
• 21:05
  Speaker 1: pre title sequence with the, the wife and I'll, I
• 21:09
  Speaker 1: have a question about that in a second. But going,
• 21:10
  Speaker 1: you're not going to tell anyone. And I'm like, holy shit. Like,
• 21:13
  Speaker 1: what a dick move this whole, like, two minutes has
• 21:16
  Speaker 1: been now. Yeah.
• 21:17
  Speaker 2: Where I feel like you've been making up some ground
• 21:20
  Speaker 2: over the last, like.
• 21:21
  Speaker 1: Third worth of a season, you know, worth of episodes.
• 21:26
  Speaker 1: You know, like, he was doing all right once he–
• 21:29
  Speaker 1: got towards the end of season one. For the sake
• 21:31
  Speaker 1: of the crew. For the sake of the crew. And
• 21:34
  Speaker 1: then just this in a pre-title couple of minutes, I'm like, dude,
• 21:37
  Speaker 1: you're back to, you're actually, you might be worse than this. Like,
• 21:40
  Speaker 1: I have no doubt, I don't doubt that you had
• 21:42
  Speaker 1: it in you that if you found this or you
• 21:44
  Speaker 1: found complete control of the ship that you wouldn't tell anyone.
• 21:47
  Speaker 1: But at the same time, I would expect that from,
• 21:52
  Speaker 1: lesser things than that. It's almost like this would have
• 21:54
  Speaker 1: been too great that even you in your selfishness and
• 21:58
  Speaker 1: your ambition wouldn't actually want to hide from the crew.
• 22:02
  Speaker 1: Like you just couldn't bring yourself to do it.
• 22:04
  Speaker 4: Especially when you think about the fact that the whole
• 22:06
  Speaker 4: thing with the illusion Alliance taking over the ship has
• 22:08
  Speaker 4: just happened.
• 22:09
  Speaker 1: Yeah.
• 22:09
  Speaker 4: That wouldn't have happened if young didn't save Russia's life.
• 22:14
  Speaker 4: The whole reason he didn't vent the, um, the gate
• 22:18
  Speaker 4: room when they all came on board is, is because
• 22:21
  Speaker 4: Rush came through with them.
• 22:22
  Speaker 2: But it was Telford's body. That's what it urged me
• 22:26
  Speaker 2: about the last episode of last season was he had
• 22:29
  Speaker 2: control of the stones the entire time, Young. He could
• 22:32
  Speaker 2: have unplugged it at any moment. No, no, I get that.
• 22:35
  Speaker 4: But I'm just saying, like, when Young killed Telford, like,
• 22:41
  Speaker 4: to break the brainwashing, Rush died as well.
• 22:44
  Speaker 2: Yeah, it was Rush's body. Yeah.
• 22:47
  Speaker 4: But Rush in Telford's body back on Earth with Kiva
• 22:49
  Speaker 4: died as well.
• 22:50
  Speaker 2: She was like, oh, you're back.
• 22:51
  Speaker 4: So it's like Young saved Rush's life through all that
• 22:57
  Speaker 4: and lost, you know, a couple of other people of
• 23:00
  Speaker 4: the Destiny crew.
• 23:01
  Speaker 1: Including his daughter. Yeah.
• 23:03
  Speaker 2: God, I didn't even think about that.
• 23:06
  Speaker 4: So after all that, Rush is still hiding.
• 23:09
  Speaker 2: Shit from people? Well, he doesn't trust Young. He said
• 23:12
  Speaker 2: it in this episode. He's like the guy, he's unstable.
• 23:15
  Speaker 1: Oh, did he?
• 23:17
  Speaker 2: He cannot be allowed to be in charge of the crew.
• 23:19
  Speaker 1: Yeah, right.
• 23:21
  Speaker 2: Maybe it might be next week. Now that Telford's on
• 23:25
  Speaker 2: board and they kind of trust him, or at least
• 23:28
  Speaker 2: trust him enough as much as you trust Tilk after
• 23:33
  Speaker 2: his brainwashing is removed, he should be in charge after
• 23:38
  Speaker 2: everything that Young's done. I like Young as a character,
• 23:42
  Speaker 2: but he made too many mistakes.
• 23:44
  Speaker 1: Yeah, just use him as a catalyst. You had the
• 23:46
  Speaker 1: experience up there, but Telford was supposed to be in charge. Yeah. Okay,
• 23:50
  Speaker 1: he's back. Yep, well, look, he's up there.
• 23:51
  Speaker 2: And then he can be kind of this kind of
• 23:53
  Speaker 2: wiry character in the background talking shit. Maybe, I don't know,
• 23:57
  Speaker 2: if Telford dies or whatever, and then he can be
• 24:00
  Speaker 2: back in charge. But it's like he has to make
• 24:05
  Speaker 2: up for his mistakes somehow. Well, isn't there a line?
• 24:08
  Speaker 4: I've seen next week's episode, so it'll either be like
• 24:09
  Speaker 4: this week or next week, where he says something about
• 24:12
  Speaker 4: he doesn't believe that Telford will put the lives of
• 24:18
  Speaker 4: the crew before the mission. or something along those sort
• 24:21
  Speaker 4: of lines. Because, yeah, but at the end of the day,
• 24:24
  Speaker 4: it's not his decision. It's Homeworld Command's decision on who
• 24:27
  Speaker 4: they want. So, like, yeah, now that Telford is there,
• 24:30
  Speaker 4: it would be very easy. Maybe it's a Jack thing.
• 24:32
  Speaker 4: Maybe in the background Jack's being like, no, no, I
• 24:35
  Speaker 4: want to give him a chance here.
• 24:37
  Speaker 2: I imagine it is a Jack thing because I reckon
• 24:39
  Speaker 2: more so that he does, not young, but he doesn't
• 24:42
  Speaker 2: trust Telford 100%.
• 24:43
  Speaker 1: Yeah, yeah.
• 24:45
  Speaker 4: Because it would be so easy for, I mean, an
• 24:47
  Speaker 4: IOA person or Jack, because I'm just going to be like, Okay, well,
• 24:49
  Speaker 4: Telford's on the ship now. So he was initially supposed
• 24:51
  Speaker 4: to be in command of this expedition.
• 24:53
  Speaker 1: So away he goes.
• 24:56
  Speaker 2: Oh, I used expedition.
• 24:57
  Speaker 5: Damn it.
• 24:58
  Speaker 1: Basil. Baby.
• 25:00
  Speaker 2: So you know the control room? I don't know if
• 25:04
  Speaker 2: you guys know this, but they call it the Apple call.
• 25:09
  Speaker 4: Oh.
• 25:10
  Speaker 2: There's a little keynote here I've got. That's less funny
• 25:13
  Speaker 2: in a post-Mac world. I'm pretty sure Apple's around then. Oh, yeah,
• 25:19
  Speaker 2: it was. That's what I mean.
• 25:21
  Speaker 1: This is the keynote. And then, down this corridor, we
• 25:31
  Speaker 1: have what we like to call the Apple Corps. Please
• 25:34
  Speaker 1: don't call it that.
• 25:36
  Speaker 6: What?
• 25:38
  Speaker 1: Apple Corps? It's called the Control Interface.
• 25:42
  Speaker 4: What?
• 25:43
  Speaker 3: It's where we come to interface with the ship's controls.
• 25:46
  Speaker 3: It's what the ancients named the room.
• 25:48
  Speaker 5: Well, it's boring.
• 25:49
  Speaker 1: You're boring.
• 25:50
  Speaker 5: Guys.
• 25:52
  Speaker 1: Lisa, what's this?
• 25:54
  Speaker 5: You mean the Apple Corps.
• 25:57
  Speaker 1: Oh, for God's sake. We're scientists.
• 26:00
  Speaker 3: We apply the principles of reasoning to the observation and
• 26:02
  Speaker 3: investigation of natural phenomena in order to formulate hypotheses and
• 26:06
  Speaker 3: draw conclusions.
• 26:07
  Speaker 1: Let's be serious, people.
• 26:09
  Speaker 3: Volker, back me up here.
• 26:10
  Speaker 5: What do you call this?
• 26:11
  Speaker 1: Oh, it's Brody.
• 26:12
  Speaker 2: The APLCR unit.
• 26:14
  Speaker 1: APLCR.
• 26:17
  Speaker 2: Apple core? Pretty much. Eli's not a scientist. He's a gamer. Oh,
• 26:25
  Speaker 2: so what? He's saying we're scientists. We should be naming
• 26:29
  Speaker 2: these things properly.
• 26:30
  Speaker 4: Yeah, but that's what I mean. I'm just trying to think.
• 26:31
  Speaker 4: It's like APLCR. Well, like the CR could be control
• 26:35
  Speaker 4: rooms and A could be ancient.
• 26:37
  Speaker 1: Oh, yeah.
• 26:37
  Speaker 2: So what is PL? Apple. I don't know. I was
• 26:43
  Speaker 2: just trying to.
• 26:44
  Speaker 1: It's funny.
• 26:44
  Speaker 2: For the first half of that, I thought that was
• 26:46
  Speaker 2: Riley saying that, but it's Brody. Yeah, Brodie was like,
• 26:48
  Speaker 2: please don't say that.
• 26:49
  Speaker 6: Yeah.
• 26:50
  Speaker 2: For God's sake, Eli. Yeah, no, I'd hate that. Put
• 26:52
  Speaker 2: your video camera away.
• 26:53
  Speaker 4: The only thing I ever would have accepted is that
• 26:55
  Speaker 4: meme from years and years ago where they said, why
• 26:59
  Speaker 4: isn't a power cable for an Apple device called Apple Juice?
• 27:04
  Speaker 2: That's the only one that I would accept.
• 27:08
  Speaker 1: Great call.
• 27:09
  Speaker 5: Yeah.
• 27:12
  Speaker 2: I have a few issues with your beloved Riley.
• 27:16
  Speaker 1: Why do you love him so much, Brendan?
• 27:18
  Speaker 4: Yeah, why do you fucking love Rob so much?
• 27:23
  Speaker 5: Oh, just because, you know.
• 27:27
  Speaker 4: Look, I won't say that I got hard when I
• 27:29
  Speaker 4: saw him getting suffocated, but I won't not say that.
• 27:31
  Speaker 4: My lesser two of the two gripes that I have
• 27:37
  Speaker 4: from this episode was him asking about God in a
• 27:41
  Speaker 4: franchise that's like, been pretty adamant that any being with
• 27:45
  Speaker 4: like abilities we can't explain doesn't make them a.
• 27:48
  Speaker 2: God except for the christian god yeah there's only one
• 27:53
  Speaker 2: god sir.
• 27:55
  Speaker 4: Yeah like i just i don't know it just felt
• 27:57
  Speaker 4: same like back in like what season nine of sg1
• 28:00
  Speaker 4: or season 10 when sam was dying in that cot
• 28:03
  Speaker 4: and she started asking about god i was like absolutely
• 28:05
  Speaker 4: the not that just it was just weird But the
• 28:09
  Speaker 4: real issue I took with Riley is right at the
• 28:12
  Speaker 4: end in his posthumous little like video thing. And he's
• 28:15
  Speaker 4: talking about, yeah, you know, it's just the simple things
• 28:18
  Speaker 4: you miss. Like taking your nephew to school on his
• 28:23
  Speaker 4: first day.
• 28:23
  Speaker 1: It was very specific. And like, you know what?
• 28:26
  Speaker 2: What the fuck?
• 28:27
  Speaker 5: You know what?
• 28:28
  Speaker 1: Actually, you know what? I could, not because I don't.
• 28:33
  Speaker 1: Not for me, but I've heard Lincoln talk about stuff
• 28:36
  Speaker 1: that's important to him.
• 28:37
  Speaker 2: And a lot of it comes down to my kids.
• 28:39
  Speaker 1: And he will say doing little things like, not as
• 28:42
  Speaker 1: specific as taking them, walking them to school on their
• 28:44
  Speaker 1: first day. But at the same time, I agree with you.
• 28:47
  Speaker 1: When he said that, I sort of, I took pause, Matthew.
• 28:50
  Speaker 1: And I was like, oh.
• 28:51
  Speaker 2: I'm a funcle. I've been an uncle since I was 10.
• 28:54
  Speaker 2: You know what I mean? So, like, I love my nieces.
• 28:57
  Speaker 2: You know, I'll fucking do anything for them. They're the...
• 29:00
  Speaker 2: What do you call it? They're my next of kin
• 29:02
  Speaker 2: in my will.
• 29:02
  Speaker 4: Like if I got hit by a bus tomorrow, my
• 29:04
  Speaker 4: nieces are the ones that inherit everything I own.
• 29:06
  Speaker 2: Where's your will? I've actually got to get one done.
• 29:08
  Speaker 2: Note to self, become friends with nieces.
• 29:11
  Speaker 1: Oh, no, no.
• 29:12
  Speaker 4: You and Lincoln are bequeathed all my Power Rangers stuff.
• 29:16
  Speaker 1: Thank God.
• 29:16
  Speaker 2: You just have to fight over it. All my lightsabers
• 29:19
  Speaker 2: and stuff.
• 29:19
  Speaker 1: Yeah, you guys get all that. Brendan, you get the
• 29:20
  Speaker 1: Star Trek DVDs.
• 29:21
  Speaker 2: Yeah, you get everything Star Trek that I own. All
• 29:25
  Speaker 2: the figurines, all that kind of stuff.
• 29:28
  Speaker 1: You get my Janeway jacket. Yeah.
• 29:30
  Speaker 2: I actually don't have a Janeway jacket. I do have
• 29:32
  Speaker 2: a Janeway mug, though.
• 29:33
  Speaker 5: Black.
• 29:33
  Speaker 2: I have a Janeway mug.
• 29:34
  Speaker 4: She loves it black. Is it one of those mugs
• 29:36
  Speaker 4: that when you pour hot water in, she... No, it's
• 29:39
  Speaker 4: worse than that. It's the one that's, like, shaped of
• 29:41
  Speaker 4: her face. It's like a mould of her face that
• 29:43
  Speaker 4: you can drink out of.
• 29:46
  Speaker 1: Why would they do that to Kate? Yeah, I know.
• 29:51
  Speaker 2: But, yeah, I just thought... But would.
• 29:53
  Speaker 4: Would the thing Lincoln missed most be taking your kids
• 29:57
  Speaker 4: to school on their first day of school?
• 30:01
  Speaker 1: No, that's not what I mean.
• 30:01
  Speaker 2: I mean, it's not Riley. We're talking about Lincoln, not Riley, right?
• 30:04
  Speaker 4: Yeah, but no, I'm just saying like taking your child
• 30:09
  Speaker 4: to school on their first day is a parent thing.
• 30:13
  Speaker 4: Like a couple of months ago, I had to take
• 30:15
  Speaker 4: Craig's son to school because Craig had a meeting early
• 30:17
  Speaker 4: in the morning, so I picked up Michael from his
• 30:19
  Speaker 4: place and took him to school.
• 30:20
  Speaker 1: That's fine.
• 30:21
  Speaker 2: It wasn't his first day of school.
• 30:23
  Speaker 1: Well, I will say that Lincoln, four kids now have
• 30:26
  Speaker 1: their first day at school. He's been there for the
• 30:28
  Speaker 1: first day of every single one of them.
• 30:30
  Speaker 5: Really?
• 30:30
  Speaker 1: Sophie was there, what, six months ago, her first day,
• 30:33
  Speaker 1: and Lincoln, he lived on the Goldie, so he's like
• 30:35
  Speaker 1: an hour and 20 away. I mean, if you're invited. Yeah, well, maybe, yeah,
• 30:39
  Speaker 1: not like– Boots Riley, who probably isn't.
• 30:43
  Speaker 2: Yeah, I guess maybe.
• 30:44
  Speaker 1: Like Link drove up the night before so that he
• 30:45
  Speaker 1: could wake up like 10 minutes down the road and
• 30:47
  Speaker 1: be there, you know, for 7.30 so that he could
• 30:50
  Speaker 1: get out of our way so that we, you know,
• 30:52
  Speaker 1: we could do the thing, but he could also be there.
• 30:54
  Speaker 2: Oh, so he was at your house, but he didn't
• 30:56
  Speaker 2: go to the school.
• 30:57
  Speaker 1: No, he wanted to be there. He literally drove up
• 30:59
  Speaker 1: from the Gold Coast just to get a photo and
• 31:01
  Speaker 1: give her a kiss and say, have fun.
• 31:02
  Speaker 2: Yeah, but at your house.
• 31:03
  Speaker 1: Yeah.
• 31:04
  Speaker 2: That's cute.
• 31:04
  Speaker 4: But he didn't take her to school on her first day.
• 31:07
  Speaker 4: That's what I meant. The way Riley worded it.
• 31:09
  Speaker 1: So what you're saying is Riley's assuming that his sister
• 31:13
  Speaker 1: is going to go, do you want to come with us?
• 31:16
  Speaker 1: And it's like, don't presume, Riley.
• 31:17
  Speaker 2: Well, no, he said.
• 31:18
  Speaker 1: No one wants you, you weirdo.
• 31:20
  Speaker 2: It sounds to me like he's already done it.
• 31:22
  Speaker 4: He said taking your nephew to school on his first day.
• 31:26
  Speaker 2: I read it the other way is that the nephew
• 31:29
  Speaker 2: was meant to start school.
• 31:30
  Speaker 1: Yeah.
• 31:31
  Speaker 2: He was going to go there and he missed out.
• 31:33
  Speaker 1: Yeah.
• 31:34
  Speaker 2: Okay.
• 31:34
  Speaker 1: He's thinking about all the things that are happening without him.
• 31:37
  Speaker 1: That's how I took it.
• 31:38
  Speaker 4: But again, it's, it's, but that's not taking him. You're just,
• 31:40
  Speaker 4: you're just along for the ride. It's the parent that
• 31:43
  Speaker 4: took it.
• 31:43
  Speaker 2: It just, I don't know. It just, it's a petty thing,
• 31:45
  Speaker 2: but I was just like, ew, it just felt, it
• 31:48
  Speaker 2: felt weird.
• 31:49
  Speaker 4: Like, Yeah, if I'm, you know, stuck on the other
• 31:51
  Speaker 4: side of the galaxy and I'm thinking about all the
• 31:53
  Speaker 4: things that I am missing, I love the shit out
• 31:56
  Speaker 4: of my nieces, but I haven't taken a single one
• 31:58
  Speaker 4: of them to school.
• 31:59
  Speaker 2: Like, I never changed a nappy either my entire life. So, yeah,
• 32:06
  Speaker 2: I don't know.
• 32:06
  Speaker 1: It's not that hard.
• 32:09
  Speaker 4: Yeah, just, I don't know, you just, The way he
• 32:10
  Speaker 4: worded it just felt very weird. And of all the
• 32:12
  Speaker 4: other things that he listed off, it was like, oh,
• 32:14
  Speaker 4: you know.
• 32:14
  Speaker 2: Walking your dog. Walking your dog.
• 32:16
  Speaker 1: Picking up dog poo.
• 32:17
  Speaker 4: You know, smelling the roses. You know, getting butterfly kisses
• 32:20
  Speaker 4: on your face. Taking my nephew to his first day
• 32:23
  Speaker 4: of school.
• 32:24
  Speaker 2: Like, what? We barely know Riley and now we have
• 32:27
  Speaker 2: to think about his fucking nephew? Like, what are we doing?
• 32:31
  Speaker 2: Paying your college tuition.
• 32:33
  Speaker 5: Yeah, right.
• 32:34
  Speaker 2: Well, I suppose. Maybe now that we're like.
• 32:36
  Speaker 5: Mom, where's Uncle Riley?
• 32:39
  Speaker 2: In the same way, um.
• 32:41
  Speaker 4: Matt's forwarding a bunch of his money to his illegitimate child, then, yeah,
• 32:44
  Speaker 4: Riley's nephew's going to get a free ride.
• 32:49
  Speaker 2: So, yeah, fuck Riley, basically. I'm, you know, I'm not
• 32:52
  Speaker 2: going to miss him. Do you know what I am? Well,
• 32:55
  Speaker 2: you know what? You know what we'll do? You know
• 32:57
  Speaker 2: what we'll do?
• 32:58
  Speaker 4: Everyone on the show, they all had that little toasted Riley.
• 33:02
  Speaker 4: Let's all just do a foreskin shot for Riley.
• 33:04
  Speaker 1: Foreskin what?
• 33:06
  Speaker 2: We'll just do a foreskin shot for Riley.
• 33:08
  Speaker 1: Okay.
• 33:08
  Speaker 2: Yeah.
• 33:09
  Speaker 1: Why?
• 33:09
  Speaker 2: I don't know. Oh. He's Canadian, isn't he? I think
• 33:15
  Speaker 2: I heard about that on the Gibson Brothers podcast. Oh,
• 33:17
  Speaker 2: foreskin shots? Shots, shots, shots, shots. No, we were talking
• 33:21
  Speaker 2: about it. Someone was talking about it. I've heard that
• 33:23
  Speaker 2: story before.
• 33:25
  Speaker 1: Great.
• 33:26
  Speaker 2: That was at Australian University.
• 33:28
  Speaker 1: Oh.
• 33:28
  Speaker 2: Well, it's better than a belly button shot. Pouring booze
• 33:34
  Speaker 2: onto their schlongs and then someone else drinking it.
• 33:38
  Speaker 1: Yeah. Well, I mean, you've got to. Like a fountain.
• 33:40
  Speaker 4: Yeah, well, you've got to open up the foreskin just
• 33:43
  Speaker 4: to make like a cup.
• 33:45
  Speaker 1: Oh, right. No, this is a different thing. You've got
• 33:47
  Speaker 1: to stretch it out. See, I'm cut, so I can't
• 33:50
  Speaker 1: be invited to those parties is what you're saying.
• 33:51
  Speaker 2: Well, you can drink out of mine. I can do
• 33:53
  Speaker 2: the drinking.
• 33:54
  Speaker 1: Yeah, you can drink.
• 33:54
  Speaker 2: I mean, I can't drink out of mine, Mitchell. I mean,
• 33:56
  Speaker 2: we need someone to drink. Yeah.
• 33:59
  Speaker 1: So open it up.
• 34:01
  Speaker 4: It's a very different kind of lip-sip-suck situation.
• 34:05
  Speaker 1: Is it what?
• 34:06
  Speaker 4: If you're doing a body shot. You've got to be
• 34:08
  Speaker 4: careful where you put the salt, though, in that situation.
• 34:12
  Speaker 4: But I am currently holding a wedge of lime in
• 34:16
  Speaker 4: my butt crack.
• 34:16
  Speaker 2: Just to freshen things up a little bit, you know?
• 34:19
  Speaker 5: Yeah.
• 34:26
  Speaker 2: Do you know what I'll miss more than Riley? The shuttles.
• 34:30
  Speaker 2: We've got no shuttles now. That's it. I'm sure Cooper
• 34:34
  Speaker 2: will get one back.
• 34:34
  Speaker 4: We only had two shuttles, and we left one on
• 34:37
  Speaker 4: the god planet. That was the broken one. Remember that
• 34:40
  Speaker 4: was one that had something wrong with it. And then, yeah,
• 34:44
  Speaker 4: we crashed this one and didn't get it back.
• 34:45
  Speaker 1: So that's it.
• 34:46
  Speaker 2: We've got no shuttles. Now I'm no pilot, but I've
• 34:51
  Speaker 2: always said that. Why is he flying so close to
• 34:55
  Speaker 2: a mountain?
• 34:58
  Speaker 1: Okay. The engines died, right? But yeah.
• 35:02
  Speaker 2: Are we assuming there's no rudder or anything like that?
• 35:06
  Speaker 2: It's shaped like a brick.
• 35:09
  Speaker 1: I love it.
• 35:09
  Speaker 2: It was so 1980s how it crashed as well. Like
• 35:13
  Speaker 2: it went through the mountain, didn't deviate. One millimetre.
• 35:17
  Speaker 1: To be honest, I was obviously hoping that shuttle would
• 35:20
  Speaker 1: be able to fly again. So when you could see
• 35:23
  Speaker 1: the little wing that was going to hit it, I'm like, oh,
• 35:25
  Speaker 1: don't break off. And it just like busts through it.
• 35:27
  Speaker 1: I'm like, yeah, that's some ancient technology. That's some strong shit.
• 35:32
  Speaker 2: As you said, Brendan.
• 35:33
  Speaker 1: No engine.
• 35:34
  Speaker 4: As you said, Brendan, you are no pilot. What exactly
• 35:38
  Speaker 4: do you think a rudder is going to do in space?
• 35:41
  Speaker 1: They're in the atmosphere. Yeah, but it's a space shuttle.
• 35:44
  Speaker 1: Just in case.
• 35:46
  Speaker 2: But it's a space shuttle.
• 35:47
  Speaker 1: Amen. Yes, but they've got a stargate on board, right?
• 35:50
  Speaker 1: So the shuttles usually go to planets.
• 35:53
  Speaker 2: Yeah, and they use their jets, but the jets were out,
• 35:57
  Speaker 2: so why would it have rudders? Just in case.
• 36:01
  Speaker 1: Is that a boat thing? You'd rather have it and
• 36:04
  Speaker 1: not need it than need it and not have it.
• 36:06
  Speaker 2: Did the puddle jumper have rudders?
• 36:08
  Speaker 1: I'm sorry. Your second favourite Batman movie, ten minutes into it,
• 36:11
  Speaker 1: they click their heels together and ice skates come out.
• 36:13
  Speaker 2: When the f * * * does Batman need ice skates?
• 36:16
  Speaker 2: When he's fighting an ice-themed villain, obviously.
• 36:19
  Speaker 1: How often does he need it? Like one out of
• 36:21
  Speaker 1: every hundred? Mr.
• 36:22
  Speaker 2: Freeze, Captain Cold, Icicle, Icicle Jr.
• 36:27
  Speaker 1: How often are they going, hey, you know what? Last
• 36:28
  Speaker 1: time I saw this motherfucker have ice skates, let's put
• 36:31
  Speaker 1: ice in the ground so he can get over here faster.
• 36:34
  Speaker 2: Wouldn't have thought so. I'm just saying.
• 36:36
  Speaker 1: Batman has them there and he doesn't actually need them,
• 36:38
  Speaker 1: but he has them just in case.
• 36:39
  Speaker 2: But that's Batman. He's ready for any scenario.
• 36:42
  Speaker 1: What, the ancients weren't?
• 36:43
  Speaker 2: No, they died.
• 36:44
  Speaker 5: They created a gate network, mate.
• 36:46
  Speaker 1: They've been shooting stargates across the universe.
• 36:48
  Speaker 5: For millions of years.
• 36:49
  Speaker 1: They created the Wraithies.
• 36:51
  Speaker 2: Yeah, but they couldn't beat the Wraith. They couldn't beat
• 36:53
  Speaker 2: the Wraith. They couldn't beat each other.
• 36:56
  Speaker 4: They couldn't beat the plague. They couldn't beat the plague.
• 36:59
  Speaker 4: They couldn't beat the Wraith. They couldn't beat the Azurans.
• 37:02
  Speaker 4: What could they do?
• 37:03
  Speaker 1: Ascend.
• 37:04
  Speaker 2: Exactly, and run away.
• 37:05
  Speaker 1: Get the f * * * out of here when
• 37:06
  Speaker 1: things go hard.
• 37:06
  Speaker 2: Yeah, exactly.
• 37:08
  Speaker 4: That's what I do when I set a forest fire.
• 37:11
  Speaker 4: I ascend back to my house. What are we talking about?
• 37:17
  Speaker 4: Imagine if Batman ascended.
• 37:19
  Speaker 2: Holy shit.
• 37:20
  Speaker 4: Dan, that would be scary as fuck. That would be it.
• 37:24
  Speaker 2: It'd be done. It'd be sorted.
• 37:26
  Speaker 1: Swear to me. Oh, wait. Wait.
• 37:29
  Speaker 2: Give me Chipmunk.
• 37:30
  Speaker 1: Uh-oh.
• 37:33
  Speaker 2: Where is she? I was born in the dark.
• 37:40
  Speaker 1: That's all I know. That's better. I don't mind Bane
• 37:42
  Speaker 1: chipmunk yet.
• 37:43
  Speaker 2: I don't know any other Bane phrases.
• 37:49
  Speaker 1: Just say, do you feel in charge? Do you feel
• 37:53
  Speaker 1: in charge? That's actually very close to how he sounded.
• 37:57
  Speaker 1: Like of all three lines that you've said, that's the
• 38:00
  Speaker 1: closest to how Tom Hardy sounded.
• 38:01
  Speaker 4: Well, I mean, Tom Hardy also sounds very much like
• 38:04
  Speaker 4: Patrick Stewart in a certain film.
• 38:06
  Speaker 1: Mitch, I gave you a. Well moved on.
• 38:10
  Speaker 2: I've given you one of these generic buttons.
• 38:14
  Speaker 1: Okay. The modulators.
• 38:15
  Speaker 2: Okay. I don't know if you're going to enjoy it
• 38:18
  Speaker 2: or not. But I found it kind of funny.
• 38:20
  Speaker 1: Are we going to test now?
• 38:20
  Speaker 2: Let's do it.
• 38:21
  Speaker 1: Okay. Is there anything I should say?
• 38:26
  Speaker 2: Just say get into gate episode 313 or whatever it is.
• 38:30
  Speaker 6: Okay.
• 38:33
  Speaker 1: Get in a gate, episode 331.
• 38:34
  Speaker 5: It's a megaphone.
• 38:38
  Speaker 4: We're off to the races here.
• 38:41
  Speaker 5: Racing now down the sideline.
• 38:43
  Speaker 1: I guess they've got the grey, grey hound coming down
• 38:45
  Speaker 1: to send his little helper.
• 38:46
  Speaker 5: Oh, no, he's f * * * ing someone in
• 38:47
  Speaker 5: the middle of the course. Oh, that's going to bring
• 38:49
  Speaker 5: about some little puppies.
• 38:52
  Speaker 2: We'll name them after the system lords.
• 38:55
  Speaker 1: I'm going to name them after the little ball clones,
• 38:57
  Speaker 1: those ones, yes. And to you in the second row. Mmm,
• 39:01
  Speaker 1: bring those little titties and a cup of beer up here, please.
• 39:04
  Speaker 1: A cup of beer. Mmm, lock the.
• 39:06
  Speaker 5: Commentary box door behind you.
• 39:08
  Speaker 4: Do you know what I just realised with you going
• 39:10
  Speaker 4: back to your puppies, Mitch, is if there's enough and
• 39:14
  Speaker 4: one of them does get named Bal, if there's another
• 39:17
  Speaker 4: one that looks a lot similar to it, you've got
• 39:20
  Speaker 4: to name it cloth oh that's so good yeah like
• 39:24
  Speaker 4: that's a cheap deep cut yeah the clone yeah cloth simone.
• 39:29
  Speaker 1: And i can only call it in a south african accent.
• 39:31
  Speaker 2: Yeah cloth go sit in the corner you must come
• 39:34
  Speaker 2: here you must sit you must sit.
• 39:37
  Speaker 1: You must come here come on cloth now man.
• 39:43
  Speaker 2: We go pee pee outside yeah i must rub your
• 39:46
  Speaker 2: nose in it.
• 39:50
  Speaker 1: Can you call one Eli's mum?
• 39:53
  Speaker 2: No, that one's got to have AIDS, so you can't.
• 39:56
  Speaker 2: She's got the city drip, man.
• 40:02
  Speaker 4: On the crash, though, that you guys were talking about
• 40:04
  Speaker 4: with the shuttle crash, apparently they said in the audio
• 40:07
  Speaker 4: commentary some of those shots were actually a physical model.
• 40:10
  Speaker 2: It wasn't all just CG. They actually did.
• 40:12
  Speaker 4: Which takes me back to, what was it, season five
• 40:15
  Speaker 4: of SG-1 with Summit and Last Stand when the.
• 40:18
  Speaker 2: When Cooper crashed. Yeah, the cargo ship. Cooper used the
• 40:23
  Speaker 2: whole budget for the cargo ship crash.
• 40:25
  Speaker 1: Yeah. Oh, did he?
• 40:26
  Speaker 2: Was it the whole budget?
• 40:26
  Speaker 1: That's what you said. Oh, God, I don't remember.
• 40:28
  Speaker 2: I don't remember what I said in this podcast. I
• 40:30
  Speaker 2: just remember the episode. You know, a lot of people
• 40:33
  Speaker 2: would take what you say seriously. They absolutely shouldn't. Well,
• 40:37
  Speaker 2: I've made sure they don't take me seriously.
• 40:39
  Speaker 1: Yeah, yeah, yeah. You've got a problem here.
• 40:42
  Speaker 4: Is it too late to call the podcast off?
• 40:47
  Speaker 1: With Rush, just while we're talking about it before, him
• 40:51
  Speaker 1: making these decisions that he's making and deciding not to
• 40:54
  Speaker 1: tell anyone and something as monumental as this and keeping
• 40:58
  Speaker 1: it to himself, knowing what Rush was for most of
• 41:02
  Speaker 1: season one, And then even a little bit of the
• 41:04
  Speaker 1: backstory that we've seen, even though it was deviated to
• 41:06
  Speaker 1: what actually happened, it was kind of still along the
• 41:08
  Speaker 1: same lines. Us knowing what Rush is and has been
• 41:12
  Speaker 1: for a long time, would he have always done this
• 41:15
  Speaker 1: when he found the bridge and got arguably control over
• 41:19
  Speaker 1: everything over the ship? Or has this been, is this
• 41:24
  Speaker 1: like the next step that he otherwise wouldn't have, the
• 41:26
  Speaker 1: line that he wouldn't have crossed until the last couple
• 41:30
  Speaker 1: of episodes, like you were saying, Brendan, where... Young is
• 41:33
  Speaker 1: out there making stupid decisions and foregoing control of the
• 41:37
  Speaker 1: ship to the Lucians and all that sort of shit.
• 41:40
  Speaker 1: Is that why he's done what he's done? Or would
• 41:42
  Speaker 1: he have always done it regardless of the Lucian scenario,
• 41:46
  Speaker 1: do you reckon?
• 41:47
  Speaker 2: For me, he would have always done it. This seems
• 41:49
  Speaker 2: very on brand for him. It does.
• 41:51
  Speaker 4: It seems like he's regressing in terms of, you know,
• 41:54
  Speaker 4: for the sake of the crew and all that stuff. Um,
• 41:57
  Speaker 4: but for me, it's like, yeah, he, he still wants
• 42:00
  Speaker 4: absolute control. And this, this is the ace up his
• 42:02
  Speaker 4: sleeve to give him absolute control. And that's what he's doing. He's,
• 42:05
  Speaker 4: he's waiting until he knows everything. It's almost like in
• 42:08
  Speaker 4: the same way he tried to, uh, organize the, the
• 42:11
  Speaker 4: coup with, um, Camille. It's like, well, once he has
• 42:16
  Speaker 4: the bridge control sorted, he can do that. Well, he
• 42:18
  Speaker 4: could just lock out everybody and just do his own thing.
• 42:20
  Speaker 4: So for me, at least it felt very, um, in
• 42:24
  Speaker 4: character to who he is at his core.
• 42:26
  Speaker 2: What about you, Brennan? Yeah, I think so. Unless, you know,
• 42:32
  Speaker 2: the original crew who was supposed to be on Destiny
• 42:34
  Speaker 2: was there. That's the only reason he wouldn't.
• 42:37
  Speaker 1: Oh, I hadn't thought about that.
• 42:41
  Speaker 2: Because they would have been doing, they would have. He
• 42:43
  Speaker 2: would have had more authority over it? Well, I think
• 42:47
  Speaker 2: Telford would have been on his case. I think he
• 42:49
  Speaker 2: would have had the appropriate science team with him.
• 42:52
  Speaker 1: They would have.
• 42:53
  Speaker 2: He might have had cigarettes and coffee and wouldn't have
• 42:57
  Speaker 2: been such an irritable prick.
• 42:59
  Speaker 4: Like we said early on too, it's like we feel
• 43:00
  Speaker 4: like he wanted Telford because he knew he could manipulate him.
• 43:04
  Speaker 1: Yeah.
• 43:04
  Speaker 4: So, yeah, so like he probably wouldn't have had to
• 43:07
  Speaker 4: have hid it from Telford. He could have, you know,
• 43:09
  Speaker 4: just manipulated Telford.
• 43:12
  Speaker 1: Yeah, I mean.
• 43:13
  Speaker 4: Just given Telford the chair and turn all the controls
• 43:16
  Speaker 4: off the chair and let Telford sit and think he's
• 43:19
  Speaker 4: in command.
• 43:20
  Speaker 2: Even in that situation, I still think he would have
• 43:23
  Speaker 2: done what he did this episode and kind of had
• 43:25
  Speaker 2: the moment for himself.
• 43:28
  Speaker 1: Oh, yeah, a thousand percent. And then bring everyone in. Like, yeah.
• 43:32
  Speaker 1: In turn.
• 43:33
  Speaker 2: Not to ruin anything for Mitch.
• 43:35
  Speaker 1: Had he have been on there with the crew that
• 43:38
  Speaker 1: was supposed to be there and the science team around
• 43:40
  Speaker 1: him that was always supposed to be there. So arguably,
• 43:43
  Speaker 1: as he keeps reminding us, better people than what he's
• 43:47
  Speaker 1: surrounded by now would he have been in a slightly,
• 43:51
  Speaker 1: or rather a different irritable situation because he would have
• 43:55
  Speaker 1: had people that knew they knew what they were talking about.
• 43:58
  Speaker 1: Whereas at least now he's kind of got the, you know,
• 44:01
  Speaker 1: the high ground of being like, I'm better than you.
• 44:03
  Speaker 1: I'm smarter than you because you guys don't know what
• 44:05
  Speaker 1: you're doing. And they only know as much as what
• 44:07
  Speaker 1: they do because he's allowed them to learn like by necessity.
• 44:12
  Speaker 1: It's almost like, yeah, if it would have been Telford,
• 44:14
  Speaker 1: he could have controlled Telford a little bit more, but
• 44:16
  Speaker 1: I reckon he would have had, in a way less
• 44:19
  Speaker 1: breathing room by people that were more his equal than
• 44:22
  Speaker 1: what he's surrounded by now.
• 44:23
  Speaker 3: Yeah.
• 44:24
  Speaker 2: I guess to play devil's advocate though, if.
• 44:28
  Speaker 4: The mission had gone the way it was supposed to
• 44:29
  Speaker 4: with Telford and all the other people, Rush, I think
• 44:34
  Speaker 4: never would have sat in the chair. He would have
• 44:36
  Speaker 4: had a lemming sit in the chair and then he
• 44:41
  Speaker 4: wouldn't have the master control. The only, it was only
• 44:43
  Speaker 4: because he was able to, like he had to sit
• 44:45
  Speaker 4: in the chair and, And I don't know that if
• 44:48
  Speaker 4: he had, you know, everything he needed, I don't know
• 44:50
  Speaker 4: that he ever would have actually been the person to
• 44:52
  Speaker 4: sit in the chair.
• 44:53
  Speaker 2: Well, they did put Franklin in.
• 44:54
  Speaker 5: Yes.
• 44:55
  Speaker 2: And then that's when they realised, oh, we have to
• 44:56
  Speaker 2: really slow down the flow of this thing. You turn
• 44:59
  Speaker 2: into bloody Robert De Niro in Awakening. But yeah, wasn't
• 45:05
  Speaker 2: Rush wanting to put someone else in the chair after that?
• 45:11
  Speaker 2: I feel like he and Young had a situation about it.
• 45:13
  Speaker 2: I think he was kind of backed into a corner
• 45:14
  Speaker 2: where he was just going to lose complete control, so
• 45:16
  Speaker 2: he just took the risk. But that's what I mean.
• 45:19
  Speaker 4: So, like, if he had Telford and the original crew,
• 45:22
  Speaker 4: he never would have been backed into that corner, so
• 45:23
  Speaker 4: he never would have sat in the chair, I don't think.
• 45:25
  Speaker 2: No, I don't think so. So he never would have had.
• 45:27
  Speaker 2: Or at least not the third or fourth time.
• 45:29
  Speaker 4: Yeah, he would have gone through five or six other
• 45:31
  Speaker 4: people before he maybe goes, okay, now I have to
• 45:34
  Speaker 4: sit in it because everyone else is too dumb. Yeah.
• 45:36
  Speaker 2: So, yeah, yeah, that's not a bad thought.
• 45:37
  Speaker 5: Yeah.
• 45:40
  Speaker 1: Yeah.
• 45:41
  Speaker 2: I think that's basically it.
• 45:44
  Speaker 1: Yeah. What did you.
• 45:46
  Speaker 2: Oh, sorry. No, just there was a bit in the
• 45:50
  Speaker 2: episode where Jyn, that's the red-headed bird, who came into
• 45:55
  Speaker 2: last episode. I think it's technically Gyn. Gyn? Yeah, I believe. Oh,
• 45:59
  Speaker 2: that's a shame. Yeah.
• 46:01
  Speaker 1: I love a Jyn.
• 46:02
  Speaker 2: I love a red Jyn. Well, I love a pink Jyn,
• 46:04
  Speaker 2: but that sounds dirty when I say it that way. Oh,
• 46:06
  Speaker 2: say it again then. Pink Jyn. She had a bit
• 46:10
  Speaker 2: of a... A knowledge bomb early on in the episode,
• 46:13
  Speaker 2: which completely is the first time I remember hearing it.
• 46:18
  Speaker 2: I assume because it was directly after they found the bridge.
• 46:23
  Speaker 2: But anyway, this is what she has to say to Camille.
• 46:26
  Speaker 2: Ancient legend said the address led to great understanding. It
• 46:30
  Speaker 2: could make you as powerful as the gods.
• 46:33
  Speaker 1: Which gods?
• 46:36
  Speaker 2: Don't ask me. I assume it meant godlike power. Like
• 46:41
  Speaker 2: the Ascended Ancients. If you could control time and space... Wait.
• 46:47
  Speaker 6: You think that destiny is capable of that?
• 46:50
  Speaker 4: I don't know.
• 46:52
  Speaker 2: That's what the legend said. You asked me why the
• 46:58
  Speaker 2: Lucian Alliance wanted the ship so badly. Why are you here? Okay.
• 47:09
  Speaker 2: Time and space. I mean, that was a weird... That's
• 47:12
  Speaker 2: their legend. Yeah, that's an interesting wording, isn't it? And
• 47:17
  Speaker 2: why do they know about the 9 Chevron address if
• 47:19
  Speaker 2: we had no idea about it until we went to it?
• 47:21
  Speaker 2: Until very recently, yeah.
• 47:24
  Speaker 4: Or could you buy that back by saying, well, Telford
• 47:29
  Speaker 4: would have given that information?
• 47:31
  Speaker 2: Yeah, but she said it was a legend. Oh, specifically
• 47:36
  Speaker 2: about the ship though, yeah, wasn't it? Yeah, about the
• 47:38
  Speaker 2: 9 Chevron address. They didn't know it was a ship.
• 47:41
  Speaker 1: Yeah.
• 47:42
  Speaker 2: Yeah, I just was like, oh, okay. That's kind of
• 47:45
  Speaker 2: a bit of a law building, but. Yeah, that doesn't
• 47:48
  Speaker 2: really get a payoff, does it, as far as I
• 47:50
  Speaker 2: can remember. Not really.
• 47:51
  Speaker 1: Interesting. Yes and no.
• 47:53
  Speaker 4: The thing that I thought was interesting was part of
• 47:56
  Speaker 4: Gin's sort of speech through there as well, was she
• 47:59
  Speaker 4: mentioned stuff about, or maybe it was last week's episode
• 48:01
  Speaker 4: where she was talking about, like, she was basically coerced
• 48:05
  Speaker 4: into joining the Lucian Alliance.
• 48:07
  Speaker 1: Yeah.
• 48:08
  Speaker 2: That's what they all say when they get caught.
• 48:11
  Speaker 4: Yeah, like, oh, you know, they threatened to kill every
• 48:13
  Speaker 4: member of my family if I didn't join and blah, blah, blah, blah, blah.
• 48:17
  Speaker 2: Those corn-eating motherfuckers.
• 48:20
  Speaker 4: Which, you know, gave Camille, like, started to feel sorry
• 48:22
  Speaker 4: for her and stuff like that. Yeah, it was an
• 48:25
  Speaker 4: interesting way to sort of build out the Lucian Alliance
• 48:27
  Speaker 4: to know that, yeah, they're not all complete fucktards.
• 48:32
  Speaker 2: So at the end of this, they just dumped a
• 48:35
  Speaker 2: bunch of people off The ship, right? They only kept
• 48:39
  Speaker 2: like six. They kept teabag. Have you guys not seen
• 48:45
  Speaker 2: Prison Break?
• 48:46
  Speaker 1: This guy's bad news.
• 48:48
  Speaker 2: What I thought was.
• 48:49
  Speaker 4: Interesting with Gin, actually, I do want to look her up.
• 48:54
  Speaker 4: I remember her being really big at this time. She'd
• 48:56
  Speaker 4: just come off Mad Men, which I've never seen.
• 48:59
  Speaker 5: Who did?
• 49:00
  Speaker 1: The redhead.
• 49:01
  Speaker 2: The redhead, Gin, yeah.
• 49:02
  Speaker 1: I've seen her. I don't remember.
• 49:04
  Speaker 4: Um, she did this, she did Supernatural at the same
• 49:07
  Speaker 4: time or around about the same time, or maybe even
• 49:09
  Speaker 4: after this.
• 49:10
  Speaker 2: She had a bit of a recurring.
• 49:11
  Speaker 4: Run in early, when I say like maybe season four
• 49:14
  Speaker 4: or five, she was one of the angels.
• 49:17
  Speaker 1: Spoiler alert.
• 49:20
  Speaker 2: To Supernatural.
• 49:21
  Speaker 1: I've only seen halfway through season three, mate.
• 49:23
  Speaker 6: Jesus.
• 49:24
  Speaker 2: That's all you need to see. Just finish season three
• 49:26
  Speaker 2: and you can be done. Season five. Are you joking? Yeah,
• 49:31
  Speaker 2: it was okay. Dude, that was like the Eric Kripke
• 49:35
  Speaker 2: ending was awesome. Yeah, but then they f * *
• 49:37
  Speaker 2: * ed the ending by having old mate come back. Yes,
• 49:40
  Speaker 2: but that wasn't Kripke. You just said it was Kripke.
• 49:43
  Speaker 2: That's what I mean.
• 49:44
  Speaker 1: Kripke's five.
• 49:46
  Speaker 2: Yeah, no, that's what I mean, though.
• 49:47
  Speaker 4: They did, like, a post-credits scene where Dean's, like, waiting outside,
• 49:51
  Speaker 4: which Kripke didn't want.
• 49:54
  Speaker 2: I think one, two, and three are perfect. I didn't
• 49:55
  Speaker 2: get into the whole angels and demons thing. That was
• 49:57
  Speaker 2: boring for me. No, I think that's what I got.
• 50:00
  Speaker 2: I liked season three. That is a series I want
• 50:03
  Speaker 2: to do, though, just as a podcast.
• 50:04
  Speaker 1: I can't believe Blah ended with, And you can just
• 50:08
  Speaker 1: insert your own continuity.
• 50:10
  Speaker 2: Yeah.
• 50:11
  Speaker 1: I can't believe Supernatural ended with season five.
• 50:14
  Speaker 2: Here we go.
• 50:17
  Speaker 5: So, yeah.
• 50:17
  Speaker 2: So, Julie McNiven. Okay.
• 50:21
  Speaker 4: She plays a character called White Woman in something called
• 50:24
  Speaker 4: The Sleeping Negro. I'm just going to scroll straight past that.
• 50:26
  Speaker 1: Jesus. I thought it was bad enough at White Woman. Delay. Sorry.
• 50:32
  Speaker 2: She did six episodes.
• 50:33
  Speaker 1: That dump button needs work.
• 50:35
  Speaker 2: Of Doom Patrol.
• 50:38
  Speaker 1: Sea Patrol? Doom Patrol.
• 50:40
  Speaker 4: If she was in Sea Patrol, I'd have known about it, buddy.
• 50:46
  Speaker 2: The Night Shift Resolving Isles.
• 50:50
  Speaker 1: Yeah, that was kind of it.
• 50:51
  Speaker 2: Just a lot of little bit parts. NCIS, Hawaii Five-0,
• 50:54
  Speaker 2: you know, a little one episode. You know, House MD. Yeah.
• 51:03
  Speaker 4: She played a character named Hildy in Mad Men. I
• 51:07
  Speaker 4: remember the character. Season one, two, and three. 20 episodes.
• 51:11
  Speaker 2: She must have been one of the secretaries.
• 51:14
  Speaker 1: Which season?
• 51:15
  Speaker 2: One, two, and three.
• 51:15
  Speaker 1: Oh, yeah.
• 51:16
  Speaker 2: Did women get any other jobs in that show besides secretary?
• 51:19
  Speaker 1: Yes, mate. Progressive. It was with Moss' character from the start.
• 51:24
  Speaker 1: It was about her becoming a madman.
• 51:27
  Speaker 2: Oh, all I know about it is Jon Hamm smoking cigars.
• 51:30
  Speaker 2: That's all I know about it.
• 51:31
  Speaker 1: That's what that show could have been called. Cigarettes, yeah. Oh, cigarettes.
• 51:34
  Speaker 1: Smokers who drink and cheat on their wives.
• 51:35
  Speaker 3: Drink and.
• 51:38
  Speaker 2: During the day, guys. It's 11 o'clock, is it? Yeah,
• 51:41
  Speaker 2: you want a scotch?
• 51:42
  Speaker 1: Shit, yes.
• 51:43
  Speaker 2: I'm making heaps of coins. Like a full glass? A
• 51:45
  Speaker 2: full glass. And we're going to have seven of them.
• 51:47
  Speaker 2: Should we sleep on our couches now in our office? Yeah, yeah.
• 51:50
  Speaker 1: She would be one of the sex for sure.
• 51:52
  Speaker 2: One of the sex? I don't think you can.
• 51:54
  Speaker 1: Say it like that. You actually can't.
• 51:55
  Speaker 2: The old sexies.
• 51:56
  Speaker 1: Yeah.
• 51:57
  Speaker 2: I wouldn't have said one of the sex. They're called EA,
• 52:00
  Speaker 2: isn't it? Executive assistants. Oh, I thought it was office manager.
• 52:05
  Speaker 1: OM, yeah.
• 52:06
  Speaker 2: Russia's miso.
• 52:08
  Speaker 1: Oh, that's right.
• 52:08
  Speaker 2: You mentioned something about her before. God, she is annoying,
• 52:10
  Speaker 2: isn't she? Gloria, Gloria, I think you're dead from cancer.
• 52:16
  Speaker 1: Gloria. Oh, Jesus. He refers to it at one point going, oh,
• 52:22
  Speaker 1: this is the ship or you're the ship trying to blah, blah, blah. Yeah.
• 52:26
  Speaker 1: Is it as simple as that or is it like,
• 52:28
  Speaker 1: because I was like, is he just having a full
• 52:30
  Speaker 1: mentee bee and this is, you know, his own conscious,
• 52:34
  Speaker 1: you know, sort of.
• 52:36
  Speaker 4: Well, I mean, wasn't technically Gloria when he was in
• 52:40
  Speaker 4: the chair, like that was the ship as well?
• 52:43
  Speaker 1: Yeah. I was just wondering, like, he's not in the
• 52:46
  Speaker 1: chair anymore. I mean, I know he went and sat
• 52:48
  Speaker 1: down and that was when he first sort of heard
• 52:49
  Speaker 1: her again. But I was just wondering whether, like, it was,
• 52:53
  Speaker 1: it's almost like now that that was in his memory,
• 52:57
  Speaker 1: like that was just something in the back of his
• 52:58
  Speaker 1: brain that, it would almost act as his conscience and help,
• 53:03
  Speaker 1: you know.
• 53:04
  Speaker 4: I mean, it could be because he does have that
• 53:06
  Speaker 4: line about like, because, hey, it's Franklin, shows up as well.
• 53:10
  Speaker 4: And he does have that line about how Franklin seems
• 53:13
  Speaker 4: to be more helpful. But Franklin also kind of, quote unquote,
• 53:17
  Speaker 4: disappeared into the ship.
• 53:18
  Speaker 1: Yeah.
• 53:19
  Speaker 4: So that could be. The actual Franklin's consciousness in the ship.
• 53:24
  Speaker 1: He's inside the computer.
• 53:26
  Speaker 2: He's in the ship.
• 53:27
  Speaker 5: It's so simple.
• 53:28
  Speaker 2: Files are in the computer. I don't know what that
• 53:31
  Speaker 2: reference is.
• 53:32
  Speaker 1: Zoolander. Oh, okay.
• 53:34
  Speaker 4: Yeah, so maybe you're right. Maybe Gloria is something else.
• 53:41
  Speaker 4: Or maybe that is the remnant from his experience and
• 53:44
  Speaker 4: Franklin is actually, you know, part of the ship actively helping.
• 53:48
  Speaker 1: Whereas, yeah. I mean, I kind of want to hope
• 53:51
  Speaker 1: it's the ship because otherwise he does imagine her to
• 53:53
  Speaker 1: be nothing but smug.
• 53:55
  Speaker 2: Do you think Rush is going to marry someone who
• 53:57
  Speaker 2: isn't smug?
• 53:59
  Speaker 5: Well....
• 54:02
  Speaker 1: The.
• 54:03
  Speaker 5: Yeah.
• 54:04
  Speaker 1: I'm good, mate. Thanks. With the.
• 54:06
  Speaker 5: Oh, well, with the.
• 54:07
  Speaker 1: Sorry, guys, on set now, we're talking about the buried gate.
• 54:11
  Speaker 5: The buried gate. What do we think about the buried gate?
• 54:13
  Speaker 1: Buried gate was good, but my whole concern about minimizing
• 54:18
  Speaker 1: the universe and downplaying the isolation-ness of this whole show
• 54:24
  Speaker 1: that they got left there with a buried gate, and
• 54:27
  Speaker 1: they're like, nah, we'll just unbury it and then hope
• 54:30
  Speaker 1: that we're still in range.
• 54:32
  Speaker 5: I'm sure we'll be fine. And then half an episode later.
• 54:35
  Speaker 1: They were back on the ship, no problems, no questions asked.
• 54:40
  Speaker 2: Yeah, well, it gave very strong kind of 100 days.
• 54:47
  Speaker 1: Buried gate.
• 54:49
  Speaker 2: And you're giving, you're giving, actually Eli gets some credit
• 54:54
  Speaker 2: in this.
• 54:54
  Speaker 1: Okay, Destiny just jumped.
• 54:58
  Speaker 3: This is not good.
• 54:59
  Speaker 5: Try not to panic. Experience tells me that this is
• 55:03
  Speaker 5: a very good time to panic. What are the odds
• 55:05
  Speaker 5: it'll still be in range next time it drops out?
• 55:07
  Speaker 2: It's impossible to know.
• 55:13
  Speaker 5: I found it.
• 55:16
  Speaker 2: No, your mum. They didn't know that Rush had control
• 55:21
  Speaker 2: of the ship, obviously. I guess what I was going
• 55:24
  Speaker 2: to talk about before was Young wanted to suffocate Riley.
• 55:30
  Speaker 2: I mean, of all the things, I'd just like suffocate.
• 55:34
  Speaker 2: You went with suffocate. I would have chosen to bleed out,
• 55:36
  Speaker 2: to be honest. Like suffocating with someone's hand over your mouth.
• 55:42
  Speaker 2: Like let him bleed out or actually give him a
• 55:44
  Speaker 2: fresh wound.
• 55:45
  Speaker 1: No, I.
• 55:47
  Speaker 2: Mean like lift up the thing and put something under
• 55:50
  Speaker 2: it just to let him bleed out. I don't know
• 55:52
  Speaker 2: if that would be more painful, but I can't think
• 55:55
  Speaker 2: of anything worse.
• 55:56
  Speaker 1: Oh, yeah.
• 55:57
  Speaker 2: Like the fact that he's there nodding, like do it.
• 56:00
  Speaker 1: And I'm like, yeah, I reckon two seconds into that.
• 56:02
  Speaker 2: Like, obviously, survival instincts kick in. And, I mean, his
• 56:05
  Speaker 2: body didn't flap around as much as what I thought
• 56:07
  Speaker 2: it was going to.
• 56:08
  Speaker 1: Yeah, it should have. But, I mean, yeah, bad choice
• 56:12
  Speaker 1: or not, that was brutal. Just the, like, non-breaking of
• 56:15
  Speaker 1: eye contact. And it was so silent. It wasn't like
• 56:18
  Speaker 1: he was sitting there making muffled, you know, like, it's like,
• 56:22
  Speaker 1: is he in pain or is he, like, regretting his
• 56:24
  Speaker 1: decision of saying, euthanize me?
• 56:27
  Speaker 2: And, well, I don't think he thought that he was
• 56:30
  Speaker 2: going to get suffocated. That's what I thought. He's like, yeah,
• 56:33
  Speaker 2: so just do it and go. What are you doing, bro?
• 56:38
  Speaker 2: Give me your gun. I already said, give me your gun.
• 56:40
  Speaker 2: Apologies to Matty, who's probably listening in the room somewhere.
• 56:43
  Speaker 1: I apologize, mate. But I'm going to reference a J.J.
• 56:46
  Speaker 1: Abrams show in Lost. But there was a guy that
• 56:48
  Speaker 1: was like, I don't know if he was bleeding out,
• 56:50
  Speaker 1: but he was dying a slow death. And the like. J.J. Abrams.
• 56:57
  Speaker 2: The dick in the group, the likable anti-hero in Sawyer.
• 57:01
  Speaker 1: You hear this gunshot and he comes out, he's like,
• 57:04
  Speaker 1: I did what you couldn't. I put him out of
• 57:06
  Speaker 1: his misery.
• 57:07
  Speaker 2: And then like 30 seconds later, you just hear.
• 57:09
  Speaker 1: This groaning from inside like the little makeshift tent they've got.
• 57:12
  Speaker 1: They're like. where did you shoot him? And he goes, oh,
• 57:15
  Speaker 1: I shot him in the heart. And they're like, why
• 57:17
  Speaker 1: would a, you've obviously fucking missed his heart. You've punctured
• 57:19
  Speaker 1: his lung, whatever they've done. Like, why wouldn't you just
• 57:21
  Speaker 1: shoot him in the head and put him out of
• 57:24
  Speaker 1: his misery? Which is, yeah, probably what Young could have
• 57:26
  Speaker 1: just like done something a little bit simpler. But now
• 57:29
  Speaker 1: even like Riley aside, Young, you know, he's killed people before.
• 57:34
  Speaker 2: He tried to kill that Lucian Alliance guy earlier in
• 57:37
  Speaker 2: the episode.
• 57:38
  Speaker 1: Oh God.
• 57:39
  Speaker 2: He's like, hang on a sec. I'll save this for
• 57:41
  Speaker 2: one of my crew.
• 57:41
  Speaker 1: Yeah. Now, I guess I'm going to have to ask you,
• 57:44
  Speaker 1: because on that, when I was talking last week about.
• 57:45
  Speaker 2: Sorry, mate.
• 57:46
  Speaker 1: No, no, I just remember Matty was the one to say,
• 57:49
  Speaker 1: I'll wait until next week, when I was talking about
• 57:53
  Speaker 1: young reacting or not reacting for the loss of his
• 58:00
  Speaker 1: unborn child. And then I got to this, and I
• 58:04
  Speaker 1: didn't really take... I didn't know whether Matty was just
• 58:06
  Speaker 1: having me on, or it was... I didn't take any
• 58:09
  Speaker 1: of this as being like... oh, it's because of that.
• 58:12
  Speaker 1: I'm like, I just took it as different sort of
• 58:15
  Speaker 1: frustrations or moments or anything like that. But, yeah, I mean,
• 58:18
  Speaker 1: him walking away like, holy shit, I just had to
• 58:21
  Speaker 1: choke a bloke out. A guy that doesn't believe in
• 58:25
  Speaker 1: God all of a sudden asking about God, that type
• 58:27
  Speaker 1: of guy, this type of death.
• 58:30
  Speaker 2: I think at that moment you're like, ah, should I?
• 58:35
  Speaker 1: Should I have? Yeah.
• 58:43
  Speaker 3: You know, I think I remember reading somewhere that a
• 58:46
  Speaker 3: big enough explosion close enough.
• 58:48
  Speaker 1: To a Stargate can detonate the superconductive material that it's
• 58:51
  Speaker 1: made of. The resulting explosion can take a chunk out
• 58:55
  Speaker 1: of a planet. Well, it's not.
• 58:58
  Speaker 2: Going to be that big.
• 59:01
  Speaker 3: You sure?
• 59:01
  Speaker 1: We don't have much of a choice, do we? It
• 59:05
  Speaker 1: could take weeks to dig this thing out.
• 59:08
  Speaker 5: Hopefully the blast won't damage the gate. Do you want
• 59:12
  Speaker 5: me to flip the switch or not?
• 59:14
  Speaker 6: Yeah.
• 59:15
  Speaker 1: I'm flipping the switch.
• 59:20
  Speaker 2: That was actually kind of funny. I like that. Yeah,
• 59:24
  Speaker 2: with the buried gate, when we see it, right, it.
• 59:26
  Speaker 1: Is on its side. Yeah, it's standing up. But when
• 59:30
  Speaker 1: they unearth it and they all... No, it's.
• 59:31
  Speaker 2: Standing up on... The whole time? Yeah, when Greer... It
• 59:34
  Speaker 2: does look like the first time you see it that
• 59:37
  Speaker 2: it's flat, like in 100 days, but it's not.
• 59:39
  Speaker 1: It's actually standing vertically. Because I'm like, jeez, they lifted
• 59:42
  Speaker 1: that really easily and put it back into place. Okay,
• 59:45
  Speaker 1: that makes more sense. I'm like, that's why it was
• 59:47
  Speaker 1: obviously going to take a week to get it out.
• 59:50
  Speaker 2: Yeah, there must have been like a landslide or something
• 59:52
  Speaker 2: that buried it.
• 59:54
  Speaker 1: How long do you think it'll last? I don't know.
• 1:00:05
  Speaker 4: How much time until destiny jumps?
• 1:00:08
  Speaker 1: We're good.
• 1:00:08
  Speaker 2: We're fine.
• 1:00:09
  Speaker 1: I don't want you to worry. We're okay. I'd ask
• 1:00:13
  Speaker 1: for your gun, but I don't want them to blame you. Please.
• 1:00:21
  Speaker 1: I'm in pain.
• 1:00:37
  Speaker 4: Okay, TJ. No.
• 1:00:48
  Speaker 2: Pretty sure Young's a full-blown serial killer.
• 1:00:57
  Speaker 1: That look. is so good, like when he comes and
• 1:01:00
  Speaker 1: he says, he's gone, TJ's straight away like, oh, you
• 1:01:04
  Speaker 1: killed him. Like, there might have been a few other
• 1:01:07
  Speaker 1: people there that were like, yeah. Yeah, dude.
• 1:01:25
  Speaker 2: She's going to go in and be like, yeah, he's suffocated.
• 1:01:26
  Speaker 2: You can see it in his eyes.
• 1:01:29
  Speaker 1: Why are his nostrils still stuck to the inside of
• 1:01:31
  Speaker 1: his nose? What's the handprint over his face? Is he
• 1:01:36
  Speaker 1: working for Saruman?
• 1:01:41
  Speaker 2: Yeah, that's what I honestly thought Riley was going to
• 1:01:44
  Speaker 2: ask TJ for one.
• 1:01:47
  Speaker 1: You might as well. Hey, you can't get it done
• 1:01:49
  Speaker 1: by HR. What did you say?
• 1:01:56
  Speaker 2: You do it at the same time.
• 1:01:58
  Speaker 4: Autoerotic asphyxiation, where you choke yourself and jerk off at
• 1:02:01
  Speaker 4: the same time.
• 1:02:01
  Speaker 2: I learned that from an Aidan Christensen movie, that Life
• 1:02:05
  Speaker 2: is a House.
• 1:02:06
  Speaker 1: Oh, yeah?
• 1:02:06
  Speaker 2: Yeah, where he hangs himself in his wardrobe and huffs
• 1:02:09
  Speaker 2: spray paint.
• 1:02:10
  Speaker 1: Oh, that's right.
• 1:02:11
  Speaker 2: Is that Jumper?
• 1:02:13
  Speaker 1: I wish.
• 1:02:14
  Speaker 2: Get into the gig.
• 1:02:16
  Speaker 6: Ah, I understand.
• 1:02:19
  Speaker 1: Get into the gig, you crazy, crazy kids.