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The Way Home S4E6 · Girls Gone Hallmark | Hallmark Movie Reviews

• 0:10
  Speaker 1: Welcome to Girls Gone Hallmark, a Hallmark review podcast. I'm
• 0:13
  Speaker 1: Megan and I'm a longtime Hallmark fan. I'm Wendy. I'm
• 0:16
  Speaker 1: a former Hallmark hater. On today's episode, we are discussing
• 0:19
  Speaker 1: The Way Home Season four, episode six, titled Yes, Sir,
• 0:22
  Speaker 1: that's my baby, that's my money? Is that what that's from? Hello?
• 0:26
  Speaker 1: My baby? Hello Mony, Hello my ragtime Gal. That's like
• 0:31
  Speaker 1: a WB's yeah featuring the frog. Okay, God, we're old.
• 0:40
  Speaker 1: This episode originally aired on the Hallmark Channel on Sunday,
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  Speaker 1: May twenty fourth, and is now streaming on Hallmark Plus.
• 0:48
  Speaker 1: We have been loving your feedback on this series, and
• 0:52
  Speaker 1: you can participate in our The Way Home Mailbag episodes,
• 0:54
  Speaker 1: which drop on Friday mornings by emailing us hello at
• 0:58
  Speaker 1: Girls Gone Hallmark dot com with your thoughts, your theories,
• 1:01
  Speaker 1: and your questions, or leaving us a voicemail at nine
• 1:06
  Speaker 1: four nine three two nine eight zero nine zero Wendy
• 1:12
  Speaker 1: next here a synopsis. Elliott becomes engrossed with uncovering more
• 1:18
  Speaker 1: of his mother's secret history and recruits Cat's help, while
• 1:22
  Speaker 1: Jacob reacclimates to life in Port Haven. Hey, Wendy, what
• 1:27
  Speaker 1: is your first impression? Of the Way Home, season four,
• 1:30
  Speaker 1: episode six. At this point, I am convinced that the
• 1:34
  Speaker 1: writers listen to our show, because when Tessa says to Cat,
• 1:38
  Speaker 1: look what you've done now, it immediately activated my inner
• 1:42
  Speaker 1: Steve Erkle. I literally said out loud, Yeah, My first
• 1:50
  Speaker 1: impression is Yep, there we go. Okay, here we go.
• 2:03
  Speaker 1: We're going to start with the least clown related topics. Okay,
• 2:08
  Speaker 1: and that's Alice on her last day is spending some
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  Speaker 1: time with Max. Can I start by saying, I'm sorry,
• 2:13
  Speaker 1: what Alice is leaving already? Well, it's almost the end
• 2:16
  Speaker 1: of summer ish former episodes at least, I mean, I guess,
• 2:20
  Speaker 1: but how much time has actually passed? Sometime has obviously
• 2:24
  Speaker 1: passed between this episode and the previous one because Dell
• 2:28
  Speaker 1: is recovered and on the Men she's not under concussion
• 2:32
  Speaker 1: protocol anymore. Yes, it just feels like this snuck up
• 2:35
  Speaker 1: on me. And because this is only episode six, it
• 2:37
  Speaker 1: feels like such an obvious fake out, because no way
• 2:40
  Speaker 1: is Alice actually leaving before the season is over. It
• 2:42
  Speaker 1: was saying going anywhere nine, I'm oh, well, actually she might.
• 2:45
  Speaker 1: I don't know if she's not going to go to
• 2:49
  Speaker 1: college at this point she needs to be in poort
• 2:51
  Speaker 1: Haven for the next few episodes. Of course. Yes, Oh
• 2:55
  Speaker 1: so I wonder what the pace of the last couple
• 2:58
  Speaker 1: episodes are going to be. Then I think we're going
• 3:00
  Speaker 1: to end at the end of summer. Okay, I want
• 3:03
  Speaker 1: to talk about this Alice and Max last day before
• 3:05
  Speaker 1: college okay situation. Actually no, let me rewind that. When
• 3:09
  Speaker 1: we get the shot of Alice in her bedroom and
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  Speaker 1: it is full of stings, she's going to take the college,
• 3:13
  Speaker 1: I was like, they are listening to us. Did we
• 3:17
  Speaker 1: not reference like the Wuzoo fan of course earlier this season.
• 3:22
  Speaker 1: It's only because we're in this stage of life. You
• 3:24
  Speaker 1: did it last year. I'm sure you had like a
• 3:27
  Speaker 1: room full of stuff that you know, we all staged
• 3:29
  Speaker 1: in my garage beautifully packed. I am getting there. I
• 3:35
  Speaker 1: am already clearing a space in my home like that
• 3:37
  Speaker 1: is going to become the like staging area. I did chuckle. Yes, absolutely,
• 3:44
  Speaker 1: I'm glad they are showing a realistic TikTok version, yes,
• 3:49
  Speaker 1: of what it's like to send your kid to college.
• 3:51
  Speaker 1: And I loved cat. She was like, well, we're driving.
• 3:53
  Speaker 1: That means you could take more stuff, do we need
• 3:55
  Speaker 1: to go shopping, and that that really was our vibe,
• 3:57
  Speaker 1: like what do you need? What do you need? What
• 3:59
  Speaker 1: do you need? They're just just kept buying stuff. Yeah,
• 4:02
  Speaker 1: I can tell you haven't done it for the year.
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  Speaker 1: They don't need all of it. You're gonna need to
• 4:07
  Speaker 1: run that stuff down for The move out was a
• 4:09
  Speaker 1: lot less organized than the move in. Let me tell oh, boy, gosh, guys,
• 4:14
  Speaker 1: I'm not ready. But I did appreciate all of that.
• 4:17
  Speaker 1: I did too. I did too. There was a real
• 4:19
  Speaker 1: digit sye that moment. In this one of these opening
• 4:22
  Speaker 1: packing scenes tell me more. Alice is packing for college
• 4:25
  Speaker 1: and we see the Queen of Cup shirt that she
• 4:26
  Speaker 1: wore coming back from her internship with Rachel right on top.
• 4:29
  Speaker 1: Didn't see it right on top? Oh, I love that
• 4:32
  Speaker 1: a little not. I don't think it's really that meaningful
• 4:35
  Speaker 1: than you know, we got the Tarot connection and all. Yeah,
• 4:38
  Speaker 1: but yeah, I thought it was cool. Love that, but
• 4:40
  Speaker 1: the whole Alice and Max. Yes, I'm struggling here, okay
• 4:46
  Speaker 1: with Alice and Max because it's they are telling us
• 4:49
  Speaker 1: that Alex and Max had become super close during the
• 4:52
  Speaker 1: school year. Obviously, the show takes place during the summer months. Right,
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  Speaker 1: we didn't see a whole senior school year of them
• 5:02
  Speaker 1: becoming closer. We're only being told like, oh, you were
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  Speaker 1: my tutor and we became such good friends, and this
• 5:09
  Speaker 1: whole love triangle thing happened between Max, Alice and Noah.
• 5:13
  Speaker 1: I know, it's not really a love triangle, but maybe
• 5:15
  Speaker 1: Max is in love with Alice almost said Noah, max
• 5:19
  Speaker 1: is in love, but Alex make it a triangle. No
• 5:22
  Speaker 1: I know, but like she's not like playing them both.
• 5:27
  Speaker 1: That's I agree, okay anyway, but we haven't seen any
• 5:31
  Speaker 1: of that, so it it makes it less weighty to
• 5:36
  Speaker 1: me when they have this like, let's go and do
• 5:39
  Speaker 1: all these things that we've done all year long, Like
• 5:43
  Speaker 1: you know, it's like Survivor. When in the last episodes,
• 5:46
  Speaker 1: when they go and revisit all all the moments they've
• 5:50
  Speaker 1: had shared together, they need to tell us the story
• 5:54
  Speaker 1: that they've told us happened, and they tell it through
• 5:57
  Speaker 1: exposition of their memories. It doesn't work for me, Hair,
• 6:01
  Speaker 1: It's not as impactful for me seeing it happen, but
• 6:05
  Speaker 1: it does send the message to the audience we are
• 6:09
  Speaker 1: to believe these two have this relationship. All the stories
• 6:13
  Speaker 1: they're telling we didn't see them playing chess. We didn't
• 6:16
  Speaker 1: see any of that. It would have been better if
• 6:18
  Speaker 1: we could have gotten some actual visions instead of here's
• 6:22
  Speaker 1: where we studied. If it was a memory of them
• 6:24
  Speaker 1: like sprawled out in sweats with like papers all around
• 6:27
  Speaker 1: them and their laptops on their laps, agree, and the
• 6:29
  Speaker 1: vision of them like in the park playing chess and
• 6:32
  Speaker 1: Max being like checkmate, right, that would have been the showing,
• 6:36
  Speaker 1: not telling that we want Yes, without that, we have
• 6:42
  Speaker 1: painted the picture. I think, whether effectively or not, these
• 6:47
  Speaker 1: two developed a friendship over the past year. That's obviously
• 6:50
  Speaker 1: the entire purpose for this day. Before they leave on
• 6:53
  Speaker 1: their scavenger hunt, there's a funny moment in this scene
• 6:55
  Speaker 1: that reminds me that Jacob is kind of new. He's
• 6:58
  Speaker 1: like new to the time period. He's like, I might
• 7:00
  Speaker 1: like to see New York for myself, because Thomas spoke
• 7:02
  Speaker 1: about it in his cadence and the old timiness sound
• 7:06
  Speaker 1: of his voice just was amusing to me. It was
• 7:08
  Speaker 1: a reminder that he's not of this time. And Alice
• 7:11
  Speaker 1: was like, I think maybe it's changed a little bit. Yeah,
• 7:13
  Speaker 1: I thought it was sweet. I thought I was sweet too.
• 7:16
  Speaker 1: I want to talk about Alice's really brief interaction with Casey,
• 7:23
  Speaker 1: which yes, I only gets Casey again yes, which I
• 7:27
  Speaker 1: think is what makes Alice spiral a little bit at
• 7:32
  Speaker 1: the end. Sure, Casey tells Alice trust her gut. Then
• 7:38
  Speaker 1: Alice and Max are talking, and she decides that her
• 7:41
  Speaker 1: gut is telling her New York is not for you
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  Speaker 1: right now and tells Max, I'm not going What did
• 7:47
  Speaker 1: you think about Max's reaction? That was going to be
• 7:50
  Speaker 1: my exact question to you, so I thought it was
• 7:55
  Speaker 1: unnecessarily mean me too. First of all, he calls Noah
• 7:59
  Speaker 1: the Fritter franchise king twice. Yes, and Noah's his friend.
• 8:03
  Speaker 1: And I understand that Max has these unrequited feelings for Alice,
• 8:07
  Speaker 1: or maybe not so unrequited, because Alice is clearly she
• 8:10
  Speaker 1: doesn't seem spun up solely about leaving for college because
• 8:14
  Speaker 1: she's talking to Casey, and Alice says, I'm trying to
• 8:17
  Speaker 1: figure out what's going on with me and Max. Clearly
• 8:21
  Speaker 1: Alice recognizes that there's something at play here, and she
• 8:24
  Speaker 1: doesn't put a name to it. So he says, like,
• 8:27
  Speaker 1: I'm so disappointed in you, and you're going to live
• 8:29
  Speaker 1: your small life in a small town. And I just
• 8:32
  Speaker 1: thought that's so unfair because he's missed a step. He
• 8:38
  Speaker 1: didn't say, Okay, then what do you want to do?
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  Speaker 1: He just assumes she's not going to New York. Therefore
• 8:44
  Speaker 1: she's going to stay here and work at the point
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  Speaker 1: for the rest of her life. But let me take
• 8:47
  Speaker 1: that one step further. Is it possible Max is thinking
• 8:51
  Speaker 1: she's going to stay here and then be with Noah? Sure?
• 8:54
  Speaker 1: So do you think he's worried that her staying in
• 8:57
  Speaker 1: poor Haven will then lead to Noah and or there
• 9:00
  Speaker 1: from him? Sure? But right, I don't know if that's
• 9:03
  Speaker 1: the motivation or not. I don't no idea. I don't either,
• 9:05
  Speaker 1: because he says we were supposed to do this together separately,
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  Speaker 1: like they were both moving forward even if they couldn't
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  Speaker 1: be together, they were both moving on the same path
• 9:13
  Speaker 1: in theory, And yeah, that does take her away from Noah.
• 9:18
  Speaker 1: I don't know what I want to assume about Max, Like,
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  Speaker 1: is he fully altruistic and he just wants the best
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  Speaker 1: for her? Or is there a part of him that's like, well,
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  Speaker 1: what I happen to think is the best for her
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  Speaker 1: also happens to be the best for me too. But
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  Speaker 1: I thought, I'm so disappointed in you. Was so unfair
• 9:35
  Speaker 1: because I also thought I get that Alice might feel
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  Speaker 1: I'm not ready to do this. Fine, that's terrifying as
• 9:43
  Speaker 1: the parent of a kid that age, because my next
• 9:45
  Speaker 1: question would be like, okay, then what are you going
• 9:47
  Speaker 1: to do? Yeah, because you got to do something right.
• 9:50
  Speaker 1: So I feel like it was unfair for him to
• 9:53
  Speaker 1: make that giant leap. I think there was a way
• 9:56
  Speaker 1: he could have pushed her to think about her future
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  Speaker 1: in a way that wasn't so condemning. Yes to meaning
• 10:03
  Speaker 1: great word, My next question for you. In the scene
• 10:07
  Speaker 1: where Alice want she turns and says, I'm I'm gonna
• 10:10
  Speaker 1: walk home, and he's like, no, let me take you home.
• 10:12
  Speaker 1: It's not safe. Yeah, Do you think there's anything there? When?
• 10:19
  Speaker 1: Is Port Haven not safe? Or is it just not
• 10:22
  Speaker 1: safe to walk? You know, Colton was hit by a
• 10:25
  Speaker 1: car on those roads. I know, so I noticed that too,
• 10:29
  Speaker 1: and maybe it's just a maybe you shouldn't be walking
• 10:32
  Speaker 1: home in the dark on these countryish roads. The thing
• 10:35
  Speaker 1: I noticed about that scene, though, is when he insists
• 10:37
  Speaker 1: on driving her home, there's a small moment where he
• 10:40
  Speaker 1: appears to start to be walking to open her door,
• 10:43
  Speaker 1: and she just waves him off. And to me, that
• 10:44
  Speaker 1: sets up so much about their relationship, like, Hey, that's
• 10:48
  Speaker 1: who he is, Like I'm Madie, but I'm still going
• 10:49
  Speaker 1: to open your door and be She knew exactly what
• 10:52
  Speaker 1: he was doing because it must be something he does
• 10:54
  Speaker 1: all the time, right, I thought it was a nice
• 10:56
  Speaker 1: little moment there. It's the same. I think that's it.
• 10:58
  Speaker 1: On my thoughts about Alice's Trajeck, I'm really curious if
• 11:01
  Speaker 1: she had any thoughts beyond well it's not New York,
• 11:04
  Speaker 1: because I'm thinking, well, maybe it does make sense for
• 11:07
  Speaker 1: her to go to Toronto with Max, because I don't
• 11:09
  Speaker 1: think it makes sense for her to stay in Port Haven,
• 11:11
  Speaker 1: although Colton did and he lived a life that he
• 11:14
  Speaker 1: was proud of, so and I don't think there's any
• 11:17
  Speaker 1: shame in living a quote small light. I don't think
• 11:20
  Speaker 1: so either. And if she's not ready to leave, she's
• 11:24
  Speaker 1: not ready to leave.
• 11:25
  Speaker 2: Yeah.
• 11:25
  Speaker 1: Yeah, Well let's talk about Cat and Elliott and their
• 11:29
  Speaker 1: time traveling trip. Okay, first, I want to say, Cat,
• 11:32
  Speaker 1: your kids leaving in a day, and you're really going
• 11:33
  Speaker 1: to jump in the pond, Like is this wise decision making. Well,
• 11:36
  Speaker 1: that's why is Alice supposed to be leaving In the
• 11:39
  Speaker 1: next day, Kat says, my kids, I'm driving my kid
• 11:42
  Speaker 1: to college in two days. When she's talking about it
• 11:44
  Speaker 1: was oh, yes, okay. I thought the Laurel I Gilmour
• 11:49
  Speaker 1: would be spent it all day with Rory right packing
• 11:52
  Speaker 1: her up and driving around to get her last minute
• 11:53
  Speaker 1: supplies and doing there, let's have our our last milkshake.
• 11:57
  Speaker 1: At the point I thought most were so we're well,
• 12:02
  Speaker 1: especially dangerous to going to a time where she knows
• 12:06
  Speaker 1: she is in danger there and what if she got
• 12:10
  Speaker 1: caught there in prison? Yeah? Boy, cut operating, she asks
• 12:16
  Speaker 1: before she thinks she's way too impulsive. She thinks she's
• 12:20
  Speaker 1: doing good and she really MUCKs it all up every
• 12:24
  Speaker 1: single time. When is she going to learn her lesson?
• 12:27
  Speaker 1: Not in this episode? God, it's so frustrating. Francisco way
• 12:32
  Speaker 1: in friends send us an email. I can just see
• 12:35
  Speaker 1: Francisco at the end of this episode being like, no,
• 12:38
  Speaker 1: what are you seriously? So Elliott is lying to Cat.
• 12:45
  Speaker 1: He has not told her of his investigating and he
• 12:50
  Speaker 1: is a man on a mission. We see him and
• 12:51
  Speaker 1: he's like his eyes are wide excessively right. His eyes
• 12:55
  Speaker 1: are wild when he's looking at those newspapers and he's
• 12:58
  Speaker 1: making photo copies, and it seems like he's discovered something,
• 13:01
  Speaker 1: although that never plays out. It never plays out because
• 13:04
  Speaker 1: kat is the one who shows up and she's like
• 13:07
  Speaker 1: Madam Futura or whatever her name is, uh huh, Contessa
• 13:11
  Speaker 1: and then they see it, says and he's like, Knantessa
• 13:13
  Speaker 1: for Tura, that's Auntie Coop. She was at the right
• 13:16
  Speaker 1: all everyone from episode one feels vindicated that Tessa was
• 13:22
  Speaker 1: the fortune teller in that first episode. So whatever Elliot
• 13:26
  Speaker 1: had discovered when his eyes got real wide and it was,
• 13:30
  Speaker 1: we don't learn what it is. No. Also, perhaps related
• 13:34
  Speaker 1: to that, before they jump, Elliot's like, no matter what happens,
• 13:36
  Speaker 1: you take care of yourself, and she's like, I'm not
• 13:38
  Speaker 1: gonna do that, and you think back to our listener mailbag,
• 13:40
  Speaker 1: episode Listener pointed out Elliott is in danger in the past.
• 13:45
  Speaker 1: Whether or not he goes to the past, his future
• 13:48
  Speaker 1: is in danger. Something happens to the Augie Boys. Mm hmmm,
• 13:52
  Speaker 1: something happens to Elliott while he's there, So maybe one
• 13:55
  Speaker 1: of the papers says something about the the Augie Boys
• 13:59
  Speaker 1: maybe it was maybe you know, and he's like, oh, man, like,
• 14:03
  Speaker 1: if that happens, then that's going to change my future.
• 14:07
  Speaker 1: So maybe he feels like but it has already happened. Yeah,
• 14:11
  Speaker 1: I know, And this is where my brain hurts on things.
• 14:15
  Speaker 1: Did you find that the circus had ominous vibes when
• 14:17
  Speaker 1: they arrived, Yeah, a little bit, especially some of the
• 14:20
  Speaker 1: some of the elements of the circus they showed, like
• 14:24
  Speaker 1: the fire breathing characters of the circus, like yeah, and
• 14:29
  Speaker 1: a creepy yeah.
• 14:30
  Speaker 2: Yeah.
• 14:30
  Speaker 1: They weren't leaning fun clown. They were leaning a little
• 14:32
  Speaker 1: bit creepy clown. And the music was incredibly ominous. Yeah,
• 14:36
  Speaker 1: here's what I thought was interesting when they first bought
• 14:38
  Speaker 1: the Augie Boys with Grayson Cat calls them by their names,
• 14:42
  Speaker 1: and Elliot's like, this is brand new information. That's my
• 14:45
  Speaker 1: great grandfather. Why are we acting so they're Augustine's of
• 14:49
  Speaker 1: course they're related to you. Yeah, I don't understand why
• 14:51
  Speaker 1: he was so surprised. Yeah, duh, I mean, I guess
• 14:54
  Speaker 1: it's weird seeing them, But you didn't say little Mo,
• 14:59
  Speaker 1: that's my great grandfather, Well Mo, which I thought was
• 15:04
  Speaker 1: the little guy, but it was actually the bigger guy's name,
• 15:06
  Speaker 1: Little Moue and the little ones Percy. Yeah, yeah, yeah,
• 15:12
  Speaker 1: Elliott is somebody wrote in our mail bag about how
• 15:18
  Speaker 1: the writers change Elliott to serve the narrative of the story. Yeah,
• 15:23
  Speaker 1: and I do see that in this episode, because he
• 15:27
  Speaker 1: is acting so emotional and reckless, like running after well.
• 15:34
  Speaker 1: I guess you know, he was like, oh, watch the
• 15:36
  Speaker 1: Augie Boys and you go and find Tessa and then
• 15:40
  Speaker 1: he gets in a fight, which the fight scene I
• 15:42
  Speaker 1: did enjoy a little bit because you know, Elliott's like
• 15:46
  Speaker 1: I knocked him out, like he was excited about it.
• 15:49
  Speaker 1: But this whole Elliott stuff was so interesting to me
• 15:54
  Speaker 1: in this episode. I think so too. He's many different
• 15:57
  Speaker 1: people to me. I loved his little right hook. Thought
• 16:00
  Speaker 1: it was funny and he's like, oh, poor Elliott. I'm sorry.
• 16:04
  Speaker 1: Evan Williams, Okay, there's a lot going on in this
• 16:09
  Speaker 1: time period. There's a lot to cover. There's a lot
• 16:11
  Speaker 1: to cover. So Fern and Grayson and Cliff, we're really establishing,
• 16:16
  Speaker 1: like the Cliff flirtation moment of it all, Like Cliff
• 16:19
  Speaker 1: comes in and does like the strong man bell when
• 16:21
  Speaker 1: Grayson couldn't do it, and Farn seems to be openly
• 16:24
  Speaker 1: flirting with Cliff in front of Grayson, and there's one
• 16:27
  Speaker 1: point where Grayson's like, oh, take care of her, and
• 16:29
  Speaker 1: she puts her arm through Cliff purpose. So on purpose,
• 16:33
  Speaker 1: ferns in on on the distraction, that's my takeaway of it.
• 16:39
  Speaker 1: Good point, Yeah, the distraction happening down at the cove.
• 16:43
  Speaker 1: Good point. Yeah, Like she's oh, oh that was so sweet.
• 16:47
  Speaker 1: Oh you need to take care of me, you know.
• 16:50
  Speaker 1: She I think, realizes that Cliff is into her, and
• 16:53
  Speaker 1: so she plays up to it. Then she can distract
• 16:54
  Speaker 1: him and then Grayson can do whatever. Yeah that makes
• 16:58
  Speaker 1: a lot of sense. Whatever, that makes a lot of sense,
• 17:00
  Speaker 1: Thank you. I like the fortune telling scene in the tent.
• 17:03
  Speaker 1: I like the staging of it. I like that all
• 17:05
  Speaker 1: of our players are there. I like that there's lots
• 17:06
  Speaker 1: of extra ten crowd. It's tense, Cliffs kind of pacing
• 17:12
  Speaker 1: in the background. I find Cliff amusing. Elliott is reacting
• 17:16
  Speaker 1: with these big facial reactions the entire time, and and
• 17:19
  Speaker 1: of course a cat bumbles herself on stage.
• 17:22
  Speaker 2: She's like, this is what I'm talking about, Like, she's
• 17:26
  Speaker 2: driving me crazy, and she's like, we have to get
• 17:32
  Speaker 2: in front of in front of everybody, a little more subtle.
• 17:37
  Speaker 1: My gosh, I have here from the future. No freaking finesse,
• 17:41
  Speaker 1: can't there's no finesse. You are right, You're so right,
• 17:46
  Speaker 1: You're so right. And then there's there's something so on
• 17:49
  Speaker 1: the nose scenes Tessa is like, I see much danger
• 17:51
  Speaker 1: in your life. You'll visit many lands yet remain in
• 17:54
  Speaker 1: one place. Curious. Yeah, and then of course Grace and
• 18:00
  Speaker 1: being like, hmmm, poor Haven. She'll have a festival and
• 18:03
  Speaker 1: I shall be in the fall to extend the season,
• 18:05
  Speaker 1: and we'll call it the Fall. I just was like, kay, yeah, okay.
• 18:09
  Speaker 1: Before we talk about the end of their time there,
• 18:11
  Speaker 1: I want you to talk about some of your did
• 18:13
  Speaker 1: you see that moments from this time? No, no, okay,
• 18:17
  Speaker 1: literally watching this and I send Meghan, did you go whoa? Yes?
• 18:24
  Speaker 1: In this I'm sure I'm not the only one to
• 18:26
  Speaker 1: see it, But Megan did not see it. No, I
• 18:27
  Speaker 1: did not, And I watched this twice. So when Kat
• 18:30
  Speaker 1: and Elliott arrive at the circus and they stop and
• 18:33
  Speaker 1: they watch the fire breather behind her. Behind her is
• 18:39
  Speaker 1: advertisement for the Great Calvert and his disappearing coins. Y'all.
• 18:48
  Speaker 1: It is Sam who is featured on this poster. It's cartoony,
• 18:53
  Speaker 1: but it is Sam. Yes, And they show it not once,
• 18:56
  Speaker 1: not twice, but three or four times. When Kat runs
• 19:02
  Speaker 1: after the woman in the red cloak, she turns around,
• 19:04
  Speaker 1: she's in front of that same It's a poster like
• 19:07
  Speaker 1: an advertisement. That's all I can think about. A billboard.
• 19:10
  Speaker 1: I sent Meg and a text. I was like, oh
• 19:11
  Speaker 1: my god, that's Sam. I sent you like three pictures
• 19:14
  Speaker 1: because it was obvious to me. It looks like Sam.
• 19:16
  Speaker 1: Like the guy has white hair like Sam. And I
• 19:18
  Speaker 1: can't remember when Sam came onto the show, if it
• 19:20
  Speaker 1: was season two or season three. Do you recall the coins?
• 19:25
  Speaker 1: Is it the season two finale? Because he's there before
• 19:28
  Speaker 1: Jacob comes home? Okay, they talk at the dinner table.
• 19:31
  Speaker 1: Somebody brings up something about coins and he's like, what coins.
• 19:36
  Speaker 1: This is the confirmation that I needed that Sam is
• 19:39
  Speaker 1: a player in this. I mean, obviously, I think I
• 19:42
  Speaker 1: suspected because that time where he sees them at the
• 19:44
  Speaker 1: poll and he has this weird smirk and like he's
• 19:47
  Speaker 1: there and he's not there, and how this is going
• 19:50
  Speaker 1: to unfold, I don't know, but I want to know
• 19:54
  Speaker 1: if anybody else caught it, and I have pictures. I'm
• 19:57
  Speaker 1: going to put him in our show notes. Fy John
• 20:00
  Speaker 1: Calvert serves as the primary series producer. Is that how
• 20:04
  Speaker 1: they use that name? Oh, that's funny, he's a producer
• 20:07
  Speaker 1: on that I had I was trying to I know
• 20:09
  Speaker 1: you had looked. I also looked to see if there
• 20:12
  Speaker 1: was any connection in names Calvert with Sam's name, which
• 20:16
  Speaker 1: is Sam Bishop. And then it had me thinking, I
• 20:19
  Speaker 1: know we had talked in previous seasons about the name
• 20:22
  Speaker 1: Bishop and chess. You said from last season I think
• 20:27
  Speaker 1: it was last season. They found a chess piece, Max
• 20:32
  Speaker 1: Evi's right, Uh huh. They find a white Bishop chess
• 20:36
  Speaker 1: piece and an old cell phone, remember, and the cell
• 20:39
  Speaker 1: phone was did Casey tell them it was theirs? I
• 20:43
  Speaker 1: can't remember about the cell phone, but I just thought
• 20:47
  Speaker 1: it was so interesting that we had a chess talk
• 20:50
  Speaker 1: in this episode. Yeah, and we arrived with Max and
• 20:54
  Speaker 1: Alice and their chess. Yes. So maybe I'm a clown.
• 21:02
  Speaker 1: I don't know. I don't know either, But this this
• 21:05
  Speaker 1: element of the show ends with the ultimate did I
• 21:07
  Speaker 1: do that moment? Yes, where they have this realization. Cat
• 21:11
  Speaker 1: flashes back, She's like, it's a distraction. The circus is
• 21:14
  Speaker 1: a distraction there. The shipment is going right now out
• 21:17
  Speaker 1: of the cove and they run down and they see
• 21:19
  Speaker 1: the Augie Boys and they see Tessa, and we hear
• 21:22
  Speaker 1: them talk about Capone. They say Capone's gonna love you.
• 21:25
  Speaker 1: Cat spots Tessa and has absolutely no chill stop running
• 21:31
  Speaker 1: out of the trees. Then they call Tessa boss and
• 21:35
  Speaker 1: Kat's boss. Tessa levels her gun at Cat and then Elliott,
• 21:40
  Speaker 1: for the second time in the episode, plays the hero
• 21:41
  Speaker 1: and he's like, no, no, Mom, it's me. It's Elliott.
• 21:44
  Speaker 1: I'm your son. Tessa gives a nod to Little Mo
• 21:49
  Speaker 1: and Little Mo wax it Elliott on the back of it.
• 21:52
  Speaker 1: He gets clocked on the head. Then feed to Black,
• 21:54
  Speaker 1: you're right. So she knows Elliott, her son is standing
• 21:58
  Speaker 1: in front of her and has him taken out. It
• 22:00
  Speaker 1: hasn't knocked out. Yeah, So is that another distraction where
• 22:07
  Speaker 1: she's trying to get the Augie Boys off of her scent?
• 22:10
  Speaker 1: Is she really a bad guy or is she like,
• 22:13
  Speaker 1: I gotta protect Elliott if they know who he is,
• 22:16
  Speaker 1: I gotta pretend like I want to get him out
• 22:18
  Speaker 1: of here too. You know, that's a good question. Because
• 22:22
  Speaker 1: in my mind, I'm like, well, Tessa's bad. Yeah, but
• 22:26
  Speaker 1: maybe you're right, maybe this is just a distraction. Like
• 22:29
  Speaker 1: she's like, Okay, well, I got to act. I'm going
• 22:31
  Speaker 1: to protect Elliott here because the Augie boys could hurt him.
• 22:36
  Speaker 1: So I don't know. I guess that was kind of
• 22:40
  Speaker 1: didn't see that coming of Tessa being the boss. Uh huh.
• 22:44
  Speaker 1: I didn't see it coming at all. I don't know
• 22:46
  Speaker 1: how I feel about it. I don't either. I don't either.
• 22:49
  Speaker 1: But I am just trying to go along for the
• 22:51
  Speaker 1: ride right now. I am trying to enjoy the ride.
• 22:54
  Speaker 1: Let's take a quick break and we're going to come
• 22:56
  Speaker 1: right back to continue discussing the way home. Let's talk
• 23:07
  Speaker 1: about Dell and Stormy again. Our girl Stormy got four
• 23:09
  Speaker 1: scenes in this episode. Four four horse scenes. Stormy is
• 23:12
  Speaker 1: a male horse, Okay, our guy Stormy, My dude's Stormy.
• 23:17
  Speaker 1: You're right, she calls him boy. Got four scenes. Stormy
• 23:21
  Speaker 1: is a storytelling tool here. We need to understand. Stormy
• 23:26
  Speaker 1: is a metaphor for Jacob. Yes, she's trying to make
• 23:32
  Speaker 1: herself okay with the idea that Jacob may not be
• 23:36
  Speaker 1: here to stay throughout this episode and I think she
• 23:40
  Speaker 1: does that by continuing to put it out there that
• 23:44
  Speaker 1: she understands that he might not be staying, and she
• 23:46
  Speaker 1: kind of does it like she says to Jacob like,
• 23:49
  Speaker 1: I don't want you training the horse. I don't want
• 23:50
  Speaker 1: him getting attached to you, and then you leave again,
• 23:52
  Speaker 1: and what's that going to do to him? That was
• 23:54
  Speaker 1: season one, Dell. She was mean. Yes, I thought she
• 23:57
  Speaker 1: was really mean. And then she in talking with Alice
• 24:01
  Speaker 1: earlier in the episode, Alice is like, you know, Jacob's
• 24:06
  Speaker 1: just back. I don't know if I'm ready to leave you,
• 24:07
  Speaker 1: and Belle's like, who knows how? That's how long that's
• 24:10
  Speaker 1: gonna last? And I feel like she puts it out
• 24:12
  Speaker 1: there in a joking way, almost to just build up
• 24:14
  Speaker 1: this armor, Like the more she says Jacob might leave,
• 24:17
  Speaker 1: the more likely she is to be okay with it
• 24:19
  Speaker 1: when it happens. And then, of course, at one point
• 24:22
  Speaker 1: while training Stormy, she says, don't you leave me too? Yeah.
• 24:26
  Speaker 1: I think this is really kind of the emotional thesis
• 24:30
  Speaker 1: of the entire episode of like, don't leave me, don't
• 24:33
  Speaker 1: it's focused at the horse, but it's really about Jacob.
• 24:38
  Speaker 1: M h. Yeah, Maybe if she can get Stormy to
• 24:40
  Speaker 1: come back to her, or maybe it's like I just
• 24:42
  Speaker 1: got to hold onto something, like I'm losing everything. I
• 24:45
  Speaker 1: did look up the term joining up, because she says
• 24:48
  Speaker 1: to Jacob, I tried to get him to join up
• 24:51
  Speaker 1: like my writing instructure, Tommy, And it's exactly what she
• 24:54
  Speaker 1: was doing. You get them to move around the ring,
• 24:56
  Speaker 1: you change directions, and then you stop and wait for
• 24:58
  Speaker 1: the horse to come to you to build trust with
• 25:00
  Speaker 1: the trainer. I think the horse people might enjoy that.
• 25:04
  Speaker 1: It's kind of crazy, how like Stormy charges at her
• 25:07
  Speaker 1: at one point. It was a little scary. Yeah, I'm
• 25:09
  Speaker 1: not doing much these past two episodes to assuage your
• 25:12
  Speaker 1: fears of horses, oh mine. Yeah, now, I'm like, hmm,
• 25:15
  Speaker 1: I'm not afraid of horses. But it's not working. The
• 25:18
  Speaker 1: cinematic music did swell as Stormy joins Dell in the
• 25:20
  Speaker 1: center of the rank. Yeah, I was sweet. It was
• 25:22
  Speaker 1: a nice moment for Dell, and then Dell and Jacob
• 25:27
  Speaker 1: have the nice moment at the end that kind of
• 25:29
  Speaker 1: mirrors in Jacob's like, I'm you know, we'll get to
• 25:34
  Speaker 1: Jacob's decision and how he comes to his decision, but
• 25:37
  Speaker 1: at the end like he's like, I'm here, I'm here,
• 25:41
  Speaker 1: I'm here. So gives her a little bit of peace. Well,
• 25:44
  Speaker 1: let's talk about Jacob, all right. First let's talk about Danny.
• 25:49
  Speaker 1: Danny is so suspicious to me, and I don't know
• 25:53
  Speaker 1: is that purposeful? It's got to be purposeful, right, I
• 25:57
  Speaker 1: assume First of all, I was wondering, like, where's Danny.
• 26:01
  Speaker 1: Let me remind myself, Danny's working at Goodwin's good wine vineyard, right, Yeah,
• 26:06
  Speaker 1: the vineyard that Jacob tried to burn down. Correct? And
• 26:09
  Speaker 1: then Jacob goes over there and he's like, hey, I'm
• 26:11
  Speaker 1: back in town, like, I'm here to help you. Why
• 26:14
  Speaker 1: would they ever all out with Jacob? That's what I
• 26:16
  Speaker 1: thought too, he said, I thought I might. I want
• 26:18
  Speaker 1: to get my hand thirty jump back into things. Do
• 26:21
  Speaker 1: you think they're gonna let you back in Goodwin's vineyard? Right?
• 26:24
  Speaker 1: Danny seems hesitant the entire conversation. The vibes are off. Now.
• 26:30
  Speaker 1: I think Danny is only here just as a reminder
• 26:34
  Speaker 1: that Danny exists. Okay, because Jacob in this early scene
• 26:40
  Speaker 1: back at home, he makes several comments about how he's
• 26:42
  Speaker 1: not sure how long will be here. I don't know
• 26:44
  Speaker 1: what my future plans are, and he and Kat at
• 26:47
  Speaker 1: the kitchen table. Jacob's asks like, why did you let
• 26:50
  Speaker 1: the threatening letters drop? And Kay's like, well, that was
• 26:53
  Speaker 1: mom's doing. But she's like, insertingly enough, they just they
• 26:56
  Speaker 1: stopped after you left. I think the only reason Dany
• 27:00
  Speaker 1: these heroes to remind us like, oh, we're a little
• 27:01
  Speaker 1: suspicious of Danny. Danny has a typewriter. Oh, these threatening
• 27:04
  Speaker 1: letters were here. That's weird. What's going on? I think
• 27:08
  Speaker 1: that's the purpose Danny service. I think Kat is always
• 27:11
  Speaker 1: pursuing the wrong things. She should have pursued the letters
• 27:15
  Speaker 1: over and I think it's so many. He's like, I
• 27:17
  Speaker 1: thought you were this great investigator. I know some shady shit.
• 27:21
  Speaker 1: Brothers and sisters sadie each other.
• 27:23
  Speaker 2: Right.
• 27:25
  Speaker 1: We talked about Jacob running into Alice at the point,
• 27:30
  Speaker 1: and while Jacob is there, he sees Casey out the window,
• 27:33
  Speaker 1: and while he's chasing off after them, he runs into
• 27:37
  Speaker 1: miss old school Abby Abby. Pretty coincidental cate fate maybe
• 27:44
  Speaker 1: or a sign. Okay, When Jacob and Abby tell each other, oh,
• 27:48
  Speaker 1: our families are home from here, mine too. It is
• 27:50
  Speaker 1: the world's largest omission that neither of them says, who's
• 27:54
  Speaker 1: your family? I know, but I didn't even like clock it,
• 27:58
  Speaker 1: not at all. He was like eight people I know,
• 28:01
  Speaker 1: and we have three main families. I just thought, Hello,
• 28:04
  Speaker 1: obviously she's gonna be from We're gonna have beef. Did
• 28:07
  Speaker 1: we know that Max had an older sister? I don't know.
• 28:10
  Speaker 1: I wasn't saying we should have made the connection. I
• 28:12
  Speaker 1: just thought, oh, it's my sister. Oh you're that landry
• 28:15
  Speaker 1: you're trying to burn to hown my dad's worm. Oh
• 28:17
  Speaker 1: you're a goodwin. Okay, I mean fine. I just was like, yeah,
• 28:21
  Speaker 1: I know, I understand. Okay. Jacobren's it to Casey in
• 28:24
  Speaker 1: the barn, Yes, and Casey's like, I don't know what
• 28:27
  Speaker 1: I'm doing here. I tried to go home and the
• 28:28
  Speaker 1: pond wouldn't let me. I'm trying to figure it out.
• 28:30
  Speaker 1: In this moment, Abby arrives, and Abby and Jacob have
• 28:34
  Speaker 1: a conversation through the window and Casey disappears. Does this
• 28:40
  Speaker 1: give you any indication or any thoughts about who Casey
• 28:45
  Speaker 1: is in relation to Jacob and Abby. To me, it
• 28:48
  Speaker 1: screams that Casey is the child of Abby and Jacob.
• 28:52
  Speaker 1: I think so too. Yeah, because Casey was not able
• 28:55
  Speaker 1: to leave after telling Alice follow your gut, because Casey goes, yeah,
• 29:00
  Speaker 1: maybe that's it. I'll go try and jump back in
• 29:01
  Speaker 1: the pond, and then Casey's still there. So then Casey
• 29:06
  Speaker 1: tells Jacob what does a name matter in the end,
• 29:08
  Speaker 1: and Jacob says, so you're not a good Win. And
• 29:11
  Speaker 1: then that's when Abby shows up. No, they're a Landry,
• 29:15
  Speaker 1: Casey Landry. They are a good Win. Yeah, a good
• 29:19
  Speaker 1: with Landry. Yeah, yes, I think so. I think that.
• 29:24
  Speaker 1: To me, it felt like, oh, this is okay. Yeah,
• 29:29
  Speaker 1: I don't mind that. I don't mind Casey being the
• 29:32
  Speaker 1: child of these two. Oh no, me neither. I did
• 29:35
  Speaker 1: have this thought though, while watching this scene, the two
• 29:40
  Speaker 1: interactions Casey with Alice Casey with Jacob. This is the
• 29:43
  Speaker 1: most open a time traveler has been. Yeah, i'man from
• 29:47
  Speaker 1: the past, right, So we have Casey obviously from the future,
• 29:52
  Speaker 1: time traveling to the past. Why do any of our
• 29:56
  Speaker 1: current twenty twenty six time travelers never have? They're not
• 30:02
  Speaker 1: be so open? Cat and Fern, Yes, yes, but they're
• 30:05
  Speaker 1: only open with other time travelers. Casey is open with
• 30:10
  Speaker 1: Jacob and Alice, who are both time traveler. Okay, but
• 30:13
  Speaker 1: Colton was a time traveler. Yes, and they could have
• 30:16
  Speaker 1: been open with Colton. Yes, and ultimately they are. But yes, yes, yes,
• 30:24
  Speaker 1: I just thought it was interesting. I think it's interesting
• 30:27
  Speaker 1: too once Casey was discovered, because I think Alice is
• 30:30
  Speaker 1: the one, like I know you're a time traveler, I
• 30:32
  Speaker 1: know you're jumping in the pond. Perhaps Casey was left
• 30:36
  Speaker 1: with no choice. I think if Colton had confronted Alice
• 30:38
  Speaker 1: in the past and then like, I know who you are,
• 30:41
  Speaker 1: maybe that would have been a differen since. Yes, anyway,
• 30:44
  Speaker 1: I have one more comment about this scene. Yes, slightly
• 30:47
  Speaker 1: tangentially related. Jacob goes to tell Dell that he's decided
• 30:52
  Speaker 1: to stay, and he says, my battle is not without
• 30:57
  Speaker 1: but within. I gotta deal with this myself doesn't have
• 31:02
  Speaker 1: anything to do with the external. Yes. It reminds me
• 31:06
  Speaker 1: of a line, okay, from one of my favorite movies,
• 31:08
  Speaker 1: Oh Ten Things I Hate About You Okay, where the
• 31:11
  Speaker 1: character of Patrick Verona, who interestingly enough, is named after
• 31:14
  Speaker 1: a Shakespeare character played by Heath Ledger, talking to Kat
• 31:17
  Speaker 1: played by Julius Styles, Cat but by Julius Styles, and
• 31:22
  Speaker 1: Kat's like everybody loves Bianca, like Beyonca's you know, she's
• 31:25
  Speaker 1: so pretty and she's so popular, and she's like so
• 31:27
  Speaker 1: whatever classically, and Patrick says to her, she's without and
• 31:31
  Speaker 1: that has stuck with me, like she's not all that,
• 31:33
  Speaker 1: Like you're the unique, interesting one that I'm into. I've
• 31:36
  Speaker 1: never heard someone use without as an adjective, that's all.
• 31:41
  Speaker 1: So Jacob's gonna stick her around. He'll stick around and
• 31:44
  Speaker 1: let fate happen. And evidently Abby's gonna stick around to apparently,
• 31:49
  Speaker 1: So yeah, I don't. I don't hate those two together. No,
• 31:52
  Speaker 1: I like it, but I got four episodes, so no,
• 31:56
  Speaker 1: But I was like, well, I don't believe in fate,
• 31:58
  Speaker 1: but I do believe in sign. I was like, it's
• 32:00
  Speaker 1: the same thing. Yeah, exactly exactly. I do have one thought,
• 32:06
  Speaker 1: at what point does trying to fix the past become
• 32:11
  Speaker 1: an inability to accept life as it happens. I can't
• 32:16
  Speaker 1: help but think about this because Cat is always trying,
• 32:19
  Speaker 1: like she's most addicted to fixing things. Yes, And we
• 32:23
  Speaker 1: hear Fern tel Cat time and time again like this
• 32:27
  Speaker 1: season like not everything is yours to fix? So is
• 32:32
  Speaker 1: this where the series ends? The Landry is just deciding
• 32:36
  Speaker 1: we're done We're just gonna let life happen as it is,
• 32:39
  Speaker 1: hopefully with the resolution of the Tessa story. Yes, because
• 32:45
  Speaker 1: I understand Jacob was a mystery that needed to be solved.
• 32:48
  Speaker 1: Tessa is a mystery that needs to be solved. Alice's
• 32:51
  Speaker 1: time traveling is more. I've made these connections and I
• 32:53
  Speaker 1: don't want to leave them behind. These are people who
• 32:55
  Speaker 1: deserve my time. Like you said, she and Alice, Cat
• 32:58
  Speaker 1: and Alice travel for different I would kind of like
• 33:02
  Speaker 1: to see them be done. Me too, Me too. I
• 33:08
  Speaker 1: also have another question. This is what I love. But
• 33:10
  Speaker 1: here's the thing. We know we're not done because Casey
• 33:14
  Speaker 1: is traveling from the future. Yes, but that doesn't mean
• 33:17
  Speaker 1: that Cat and Alice have to travel. Sure. Yes, hopefully
• 33:21
  Speaker 1: Cat and Alice are a rap on time travel. The
• 33:23
  Speaker 1: legacy of time travel with the Landrys can continue. Yes, yes, yes,
• 33:27
  Speaker 1: you want our current players to be done. When do
• 33:29
  Speaker 1: they decide we don't need to go back and like
• 33:33
  Speaker 1: fix every little thing I'm envisioning, like middle aged Alice
• 33:39
  Speaker 1: making one last jump and it's too Evelyn in her
• 33:43
  Speaker 1: last day, oh okay, and she can say, look at
• 33:47
  Speaker 1: the wonderful life I built with your grandson Max, I
• 33:51
  Speaker 1: need you to explain to me, like a five year old,
• 33:58
  Speaker 1: the math on Tessa's age. I need to understand how
• 34:05
  Speaker 1: old she was when she left and what year she left,
• 34:07
  Speaker 1: and then where did she go and get stuck because
• 34:09
  Speaker 1: she's aging in real time. Yeah, in nineteen twenty five,
• 34:14
  Speaker 1: she's probably Dell's age seventy ish, right, mm hmm. She's
• 34:18
  Speaker 1: been gone for how long? So I just need to know, like,
• 34:21
  Speaker 1: where did she go back to that she has been
• 34:24
  Speaker 1: able to age. We discussed it eighteen and why that year?
• 34:30
  Speaker 1: Why did they go to that year? Well, that's where
• 34:34
  Speaker 1: the pun sent them. We don't know that. I need
• 34:36
  Speaker 1: some explanation on that. Yeah, So there's no explanation on
• 34:39
  Speaker 1: why they went to that year other than that it
• 34:41
  Speaker 1: was forty two years and they were it's Tessa and somebody.
• 34:47
  Speaker 1: We don't know Tessa and who but it is? Do
• 34:50
  Speaker 1: we know for sure? Griffin? We don't know for sure
• 34:53
  Speaker 1: for sure? We're operating under that assumption. Yeah. So I
• 34:57
  Speaker 1: was just like, it's so complicated to me. I'm having
• 35:01
  Speaker 1: the hardest time wrapping my head around it. I think
• 35:05
  Speaker 1: Tessa's story is as we understand it. There, Listener, Mailbag
• 35:09
  Speaker 1: did posit that Tessa is from the future nineteen eighty three,
• 35:14
  Speaker 1: wasn't her present time? I don't know, but I think
• 35:16
  Speaker 1: if you accept the story as we've been given it,
• 35:19
  Speaker 1: Tessa was in her early twenties in nineteen eighty three,
• 35:23
  Speaker 1: jumped back to the eighteen hundreds, and then just lived
• 35:25
  Speaker 1: the next forty two years. Correct, I'm trying to figure
• 35:28
  Speaker 1: out the year that she jumped to. Yeah, we don't
• 35:30
  Speaker 1: know what the rivence is there. We don't know anything
• 35:32
  Speaker 1: about the relevance at that time. Okay at all? All right,
• 35:37
  Speaker 1: we still got to know what the heck is going
• 35:38
  Speaker 1: on with Sam. We still need to know who Casey is.
• 35:41
  Speaker 1: Is that a rap on the horse? Is not a
• 35:43
  Speaker 1: rap on the horse? What's the five win? In four
• 35:46
  Speaker 1: came out? Is Tessa truly good? Is Tessa truly bad?
• 35:52
  Speaker 1: Where were they in the beginning of episode one in
• 35:56
  Speaker 1: the future? There are so many questions?
• 35:58
  Speaker 2: Right?
• 35:58
  Speaker 1: So many? How many we have four episodes to go.
• 36:02
  Speaker 1: I was glad to see Casey return, and in fact,
• 36:05
  Speaker 1: I saw Von Murray's name in the opening credit. I
• 36:09
  Speaker 1: was like, yes, they're back. I hope that's not just
• 36:14
  Speaker 1: it though, No, no, I read that the writers did
• 36:18
  Speaker 1: say we get resolution on Casey this season? Excellent, folks,
• 36:21
  Speaker 1: Thank you for listening to this episode of Girls Gone Hallmark.
• 36:23
  Speaker 1: If you love this podcast, we do love your five
• 36:26
  Speaker 1: star ratings and reviews. Drop them right there in the
• 36:29
  Speaker 1: Apple Podcast app, and we'll be back next time with
• 36:31
  Speaker 1: more Hallmark reviews. Goodbye bye all right friends, Before we go,
• 36:46
  Speaker 1: just a quick heads up, you're about to hear some ads.
• 36:48
  Speaker 1: These little gems help us keep the show running and
• 36:50
  Speaker 1: the Hallmark love flowing. So do with that info what
• 36:54
  Speaker 1: you will grab as neack, hit the skip button, or
• 36:57
  Speaker 1: maybe just maybe listen in and discover your new favorite product.
• 37:02
  Speaker 2: Ma