Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / The Saint: The Cake that Killed (EP1407)

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The Saint: The Cake that Killed (EP1407) · Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas

• 0:28
  Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This
• 0:33
  is your host, Adam Graham. If you have a comment, send it
• 0:37
  to me Box thirteen at Great Detectives dot net, follow us on Twitter at
• 0:44
  Radio Detectives, and become one of our friends on Facebook, Facebook dot com
• 0:50
  slash Radio Detectives. Before we do get started, I want to encourage you,
• 0:55
  if you've not already, to pick up your copy of my first ever
• 0:59
  mission, Law will Slime Incorporated in it. We combine a lot of stylistic
• 1:07
  ideas from the golden age of detectives along with some very modern twists. It
• 1:12
  is available as an ebook for Kindled, Nook, and iPad, and also
• 1:17
  as a paperback available through Amazon dot com, war Barnes and Noble. Well,
• 1:22
  now it's time for today's episode of The Saint and we had eight lost
• 1:26
  episodes between last week's show and this week's. The title of this week's show
• 1:32
  is The Cakes That Killed. The original air date is January the eighth of
• 1:37
  nineteen fifty. The Adventures of the Sea Starting then Some Price based on KELLYCS
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  created by Leslie Chalker, a loan familion from Brooks Magazine and Motion picture.
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  The robin Hood of Modern Crime now comes to radio Darling Hollywood's brilliant and talented
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  actor Vincent Fight as the Faint Good Evening, Sir, and welcome to the
• 2:42
  bachelors friend. I beg your pardon, I said, welcome to the backless
• 2:46
  friend. Oh, but I'm sure you'd make a very nice bachelor's friend.
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  But all I had in mind was the loaf of bread. The name of
• 2:53
  his bakery is a bachelor's friend. It was mister Vanderpoys. I was a
• 2:58
  name like that I use. He was stated to be whimsical. However,
• 3:00
  what is it if I said time and temper? Is anything wrong? No?
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  No, that kind had just stopped outside. Oh what's that your cake?
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  My cake? But I wanted a loaf of bread? Will you love
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  that ticket? Just that the kind your mother used to be. My mother
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  used to make terrible cakes. Battleships used them. Pank Hello, mister Greg.
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  We'll say hello to Peggy. Sure, mister Greg, Hello Peggy.
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  Hello, you're customers leaving Peggy. Oh yes, yes, of course he
• 3:30
  is. No I might like it here, customers leaving Martin. Like you
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  say, mister Gregg, He's done his way right now, but I feel
• 3:38
  terribly self conscious being talked about like it's a revolver Morton, a revolver loaded
• 3:45
  loaded. You're quite convinced I'm leaving. You heard what mister Gregg said.
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  I should hate to make a liar, mister Greg, you won't and keep
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  on living, and I won't. I like living. Good Night everyone,
• 3:54
  Morton. Hey am, it's the Greg. He seems like a knife chat.
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  He does one of the finest. I think perhaps to owe him a
• 4:01
  ride, you needn't bother. I get cards, say if he takes a
• 4:04
  cat mark and give the driver his instructions. Had him take our friend here
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  for a long drive to the ocean. Hey, yeah, mister Gregg,
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  it's a beautiful night. He'll enjoy his dry Come on, Mrs Cumming,
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  Ah, don't forget your kids, my kid, Oh yes, thank you,
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  take you good night. Good night, sir, eh Mixes. Yes,
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  I wouldn't toy with no boy scout ideas about doing a good deed.
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  If I would, you Nature Lovers of America with my outfit, just forget
• 4:34
  all about that blind back in the store. Well, I'll try, but
• 4:38
  I can't promise you was so or you know what I mean More than yeah,
• 4:44
  and then you're a cat. Hey, thank dee. Don't how convenience
• 4:53
  get in? Thank you? Hey? Cowboy Me, yeah, you happens
• 5:00
  to be Benny, not cowboys. So it's Benny. The gent in the
• 5:02
  back seat is going for a long drive to the ocean. He likes face.
• 5:06
  Oh shit, a long drive, see him? Yeah? Him,
• 5:12
  But he's gone for a long drive. It's all right. Well you better
• 5:14
  be sure he don't change his mind and come right back here otherwise, otherwise
• 5:18
  there'll be one dead gent and also one dead jitney jockey. Me. Yeah,
• 5:24
  you now, get out of head and fast. I've been gone at
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  all. Benny, No, no, no, no, I don't know
• 5:31
  if I should talk to you. Well, don't talk to me. Listen.
• 5:34
  We're not going for that drive what the fellow with the canon said,
• 5:38
  But it's more important. I hate what he said. We're going for a
• 5:41
  drive to the ocean. But thank you. The girl back at the baker
• 5:44
  she's in danger. We've got to help her. I don't like goyl losses.
• 5:46
  I like better. How would you like to broken arm right a let
• 5:51
  bro? I wouldn't, but that log has got a gun. I'm closer
• 5:56
  to you than here. Okay, we're going back. That's that sort.
• 6:12
  Friend and me and married man. Hey the joints darp. Yes, and
• 6:17
  we've been gone only a few minutes. You better come with me. Sure,
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  What have I got to lose? Whoop? My life? And the
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  stir is dark all right and the door is locked. Now you see,
• 6:30
  everybody went home where you ought to go home, to your home. My
• 6:34
  wife don't like it. There's something wrong. I can't see you. Maybe
• 6:39
  that was Peggy. He's got a nice voice, but I think she was
• 6:41
  off. See there maybe another answer. Back firing. That's all backfiring.
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  The bread is backfiring. That there are people inside. We've got to get
• 6:47
  in me. I think a nice long drive to the ocean would be nice.
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  Hey, hey, hey, what are you dragging the handkerchief out for?
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  You're gonna sneeze now, I'm gonna wrap it around my fist and mash
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  the glass. And if I want to be a law against that, and
• 7:01
  I just repealed it now to reach in and yeah, yeah, yeah,
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  a little dark. Yeah the back room. Perhaps you know there's a light
• 7:13
  shining along the floor over there. Yeah, I said, then they well
• 7:15
  look waiting, wait a minute, look before you open that door. You
• 7:18
  you didn't bulletproof plate? Now, Uh, joints empty. He's a small
• 7:27
  room window probably overlooks an alley. Yeah, the alley's empty too. You
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  see, like I told you, everybody went by by and it's it's what
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  he's fair and I behind this dance. Look for yourself, John, My
• 7:45
  name is Benny, and like I shot, oh, one of the little
• 7:49
  playmates the love. He got tired and laid down, and you haven't looked
• 7:54
  closely enough, Benny. He's lying down alright, but not because he's tired.
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  He's dance. Okay. So I followed the cops like you said,
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  they'll be very glad to drop in right away. Good find out anything.
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  Morton's dead. Yeah, there's much have ducked out the back window and there's
• 8:24
  nothing more to be discovered here. Therefore, wait a minute, where do
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  you leave him? I'm afraid I am if the cops are not gonna be
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  happy about them, well, they don't like me anyway. My wife don't
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  like me. I don't mean I can walk out on that. Yes,
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  but you see you married your wife. I didn't marry the police. You've
• 8:37
  got something there. It's good night, and give the police. You're not
• 8:41
  sure, I'll give it. Wait a minute. Long from home? You
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  did, mister Price, well cause it may be an optical allure time,
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  All optics should have such illusions, Yellow Peggy, I am, I'm here
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  and I know this. Should you be here in my apartment? Why not?
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  The explanation could lead to trouble out And then he wants for January?
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  Isn't it? Did you very wrong for January? What brings you here?
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  What's a very nice apartment? No? Etching all the dead catcher o,
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  Peggy? How did you get in here? Janet? To let me in?
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  He did? Why? No? I told him I was your sister.
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  I have already told him I an nominally child. Then he's probably into
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  some No, he's nearly having low thoughts matter the fact that nicely having low
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  thoughts too, very nice, but that that I'm the high mind the type.
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  Uh what of'em? To your little friend m Miter, Greg and Morton?
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  I don't know. They got into a terrible ig. Did you the
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  test argument? Uh? Huh? So I went out the back end,
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  jam right. You shouldn't have you missed something I did? Definitely? What
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  did I At the end of the argument, Morton law, Oh this isn't
• 10:01
  the hard lady was shot not by me? You think he was shot dead?
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  Oh I'm sorry, Boudja. Why did you shoot it? Of course
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  not? But you see, mister Gregg and Morton were fighting over me where
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  they and you found it. If you don't believe me, may you become
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  wits fighting me? O? I do? Then why are you buying my
• 10:24
  ways? We mustn't forget that we're brother and sisters. Joy And besides,
• 10:28
  if I ain't not to say, well, but they deaf me. If
• 10:33
  greg and Morton were fighting over you, then obviously bothered and believed you were
• 10:35
  worth fighting over. And at the moment Morton is dead, that frightened.
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  You're terrified? Man? Oh you a man? Or are you a man?
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  Well? I like Geeve and then supposed to get the whole thing.
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  I just made a mistake about you, which reminds me I made another mischieve,
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  which one that cake I gave you which didn't belong to you. I
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  didn't I for you, I know, but I was a little contusion.
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  I want the kids to please the case. Oh yeah, that's the cake,
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  Simon, Are you darling? No, No, I'm trying to remember
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  what happened to her? Simon? You don't have a cake with you,
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  so you can search me. But I want you to think, Simon,
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  what happened to that cake? I must have forgotten it in the cab.
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  In the cab, Simon, what kind of a cab was it? The
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  kind was a meeter? Oh you, I'm going to just dropped badly.
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  Goodbye, Tgky. I hope that Danne can tell your wife about your sister,
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  and I hope your wife Jos you don't have a sister. I don't
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  have a wife. I oh, I hate you. Mister Greg. You're
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  not leaving? Well I'm not. Come on and get back inside. All
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  right, it's Greg, you know, gentlemen, I take a pop.
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  You're appointed. There's the hor Yes I am. That's the one with which
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  she shot Morton. As it happens, I didn't WoT Peggy doing. You're
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  a papa. Nothing important, you see. She's my sister real and her
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  brother Peggy. His name's Simon Temple, Temple, not really. It's only
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  that my etchings are at the it's long, thank you, but it's if
• 12:03
  you ink the couch because all right, but you don't mind if I removed
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  the cushion. I fat cushions, therefore, have one I need. Sorry,
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  the cushion hits you in the pace. Perhaps I can do even better
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  with this. Ooh ooh, my hand hurt. Simon, what a beautiful
• 12:24
  right to the jaw. Thank you. I don't like to do it very
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  often. It's so hard on the hands. But uh, i'd better get
• 12:31
  his gun. I had this lamballtick out. Get him with Simon, thanks
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  for bending over. Oh oh, I'm dead, alright, alright, oh
• 12:58
  Simon, the two headed boy, he's begin see John Hopkins have a swinging,
• 13:05
  swinging canto. Already got a ringing in my head, both my head.
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  So he come in because ring nobody was answering, and nobody was answering.
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  No, no, my heads were answering. That's true. But why
• 13:18
  did you come here in the first that I am the other? I wondered
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  how long it would be for you identify your mister temper. You know me,
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  I'm not in my present condition. You're no one is telling me how
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  you're an only child, and you goded wondering about my sister. Yeah,
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  I beg your pardon. Yeah, well I suppose that's true too, But
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  she's drawn to my just never mind, pay, it's so, it's so,
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  it's too bad, it's not so bad. Maybe perhaps you'd better run
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  along, And the next time she shows up, I'll introduced that. It's
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  not why I am coming here. Pardon my diggression, but why are you
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  coming here? Why are you making say things from diapastang thang? I mean
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  like people are shooting real, lots of people waiting, lots of other people
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  on the john on the head And don't you are holding in your head?
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  Oh yes, yes, I just got around and noticing it a revolver,
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  the revolver me. It's bang bang true, Oh fad, we'd better get
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  into the living room. And oh that's that twenty carricter Peggy way to don
• 14:22
  me. Hey, I'm spending it's something end Yeah, gun powder meaning someone's
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  recently fired a gun here and oh good blown. Yeah, it's Greig on
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  the road. He is try he here bank bah true, two bullets in
• 14:39
  his chair. Hm, he's dead. You shoot him? Oh thanks for
• 14:43
  the question mark at the end of that. No, I I didn't.
• 14:45
  I was knocked out, Greg was shot, and then the revolver was put
• 14:48
  in my hand. Eventually I spose the police were suppsed to arrive, find
• 14:52
  Greg dead, the murder weapon, calling with my fingerprints and it's best.
• 14:56
  Yeah it's not good, y'all. The but you do now? I don't
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  know, of course. Think he wanted to know who the cab driver was,
• 15:05
  what cast the one who cook the cake? Mister templey a saut the
• 15:11
  police. I had better not bother them. What you're going to do.
• 15:15
  Find a murderer for them before they decide they've found one in me? Man,
• 15:31
  Hey ya, Red Devil Cats Company. That's what you wanted, That's
• 15:33
  what I wanted here. You are don't buy any yards? Why should I
• 15:39
  already got one? Yeah? What can I do for you? Are you
• 15:48
  in charge here of the garage and cam flee? You could say that?
• 15:52
  Is that what you're looking for? Well, actually I'm looking for Benny,
• 15:54
  one of your cab drivers. Benny what just Benny? Oh him, get
• 15:58
  out of here. And I'm not joking. The license plate number of the
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  cab he was driving with X forty three seventy six No gag, no gags.
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  Hold on a second check Oh thank you X se fast to see Yeah,
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  yeah, Denny Scott. Is he in the garage now? No?
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  No, he's out of his cat he'd you into. Yeah, tour is
• 16:17
  over then, then he's over to you far. You can't say that he
• 16:19
  might have got a fair out of the suburbs or something in some place.
• 16:22
  Would you mind if I waited for him? Hey, what's he done?
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  It's not what he's done, it's important what may be done to him.
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  I've been here for more than an hour. Yeah, then he isn't usually
• 16:41
  this late for boy, excuse you that Devil Cab company Golden speaking. But
• 16:45
  one of our cabs is parked in front of your driveway. Well, lady,
• 16:48
  you just tell the drivers it's no drive in us. Lady, that's
• 16:52
  impossible, all right. So you live in Oceans Drive Avenue. I know
• 16:56
  it's a very nice neighborhood, so maybe number five it's the unusual nice But
• 17:00
  lady, our drivers don't leave their cabs in front of the driveway. It's
• 17:03
  a company rule. Good nise. How do you like that? Hey,
• 17:08
  Benny, Benny, I've already thought of that five three six Ocean Drive Avenue.
• 17:14
  Man, I'll go right out there, But oh Gogan, could you
• 17:17
  tell me where I might be able to get a cab? Five hundred blocks
• 17:29
  and yes, uh stop now, Uh, Denny's cab is here. He's
• 17:33
  look sensed it a driver hang around for a while. Okay, thanks,
• 17:41
  Yeah, there's no one in the back of the cab. Hey, Benny,
• 17:48
  go lie one is I didn't touch a drop. Furthermore, I never
• 17:51
  drink can beside you? You ain't my wife? No? Then, who
• 17:56
  hit me in my head? A friend of yours? Oh no, my
• 17:59
  friends. Don't go on it in my head. You know it's too soft.
• 18:00
  It's wait a minute, where's the blonde? Well? I don't have
• 18:06
  her on me. I'm beginning to remember now. She hailed a cab,
• 18:08
  got in, and then she started asking me about some cake. Dear Peggy
• 18:12
  told me to pull over to the cookee. She kept talking about cake,
• 18:15
  and then she hit me on my head. And I don't need to like
• 18:18
  cake the temple, I don't get it. No, but Peggy didn't.
• 18:32
  Huh, I meant the cake. What's with the cake? Me? I'm
• 18:33
  strictly the right red type. And Peggy remembering her figure. Oh, let
• 18:37
  us remember this for a while, thickly a rye kick type. Therefore your
• 18:41
  own man. She didn't want the cake to eat? Why not? Because
• 18:47
  you can't have your cake and eat it? Is that supposed to mean something?
• 18:51
  Not to you? Here, Benny, and don't buy its I already
• 18:55
  got a yacht. How did you know what I was going? I listened
• 18:57
  to the radio. What do you think it's a temple? Oh, well,
• 19:10
  you spend much of your time working in vestibule loads. I'm crazy about
• 19:12
  residue, and that's nights. I'll lead you to this one just a moment.
• 19:15
  That's not my elbow in your ribs, and I don't tell me.
• 19:18
  Let me guess that you're to be a maxim. It's a revolver. It
• 19:21
  makes a loud noise, and its tires bullets. Oh, you wouldn't be
• 19:23
  happy if I shot you? Neither would I? Well, why not take
• 19:26
  the gun out of my ribs and make us both delirious with joy? I
• 19:30
  shall as soon as I have my cake your case. I am Hector Vanderpoort,
• 19:33
  Hector b Oh, the owner of the Bachelor's Friend Bakery. How cunning
• 19:38
  of you to remember, well I don't have your case. You might be
• 19:41
  hitting I never did. It's not quit. Neither is murder. But I
• 19:45
  shall murder you unless in your apartment, if you please of course he's just
• 19:52
  fier and the living room. Now see there's no one here. Where are
• 19:56
  The two were being very naive, aren't we? The diamonds, my friend,
• 20:02
  the diamond the lovely white diamonds, dear Peggy gave you. Peggy must
• 20:06
  have forgot how No, she gave you the cake, so she did the
• 20:10
  diamonds. I'm pretending you don't know we're in that cake. But why do
• 20:14
  diamonds make a cake taste better? Where are they? You're rapidly losing your
• 20:18
  windsor you know? Why is the interested? I arrange their thefts, my
• 20:22
  good man, a great inconvenience to myself, and with considerable effort. I
• 20:25
  don't contend to give them up. Well, how did they get into that
• 20:27
  cake? Peggy? It would appear she decided to double cross me. Therefore
• 20:32
  she hid the diamonds in the cake and slipped the cake to you, right
• 20:33
  under Gregg's and Morton's nose. They each had a note to themselves. I
• 20:37
  find I'm tiring of wit. I'm beginning not to be amused nor amusing.
• 20:44
  Therefore, you will either hand over the diamond at once all or else die.
• 20:48
  But I get over to the side temper near the windows. Well I've
• 20:51
  already seen that. Well you instead, and it gets you out of the
• 20:53
  way. And now then you're heading from my bedroom. Now only the door.
• 20:57
  Oh dear Peggy, watch your fleet join up. Well I was only
• 21:02
  she was only being assisted to me when I came back to go to Hanna.
• 21:06
  I'm afraid of them. You're here because you're obviously working with Templar for
• 21:08
  that night's work, if I can get it. But Reagan Morton are both
• 21:11
  said I shall miss them. Well I have nothing to do. I shall
• 21:15
  miss them, but I won't miss you. Where are the diamonds? I
• 21:19
  don't know. I'll have perhaps a few seconds left of life. Oh I,
• 21:23
  I'll give them to you. They're here in my bag. The don't
• 21:26
  hand out of that bag, but the diamonds. Opportunity not to go in
• 21:32
  the proverb, But what it takes care of? Hegy you shot me s
• 21:41
  H. I think I'm going to talk m living room's cluttered with bodies,
• 21:48
  I must say, Peggy's naser, but a freshman. I think everybody's going
• 21:55
  to live for a while. The revolve. Yes, Since then a helping
• 22:00
  hand and you're on your feet again. You I probably am and I certainly
• 22:06
  did. However, I have the gun. You you're going to show me
• 22:08
  answers? Why should I? Because then you and Peggy can keep the dam
• 22:12
  You forget the costs, don't you? Mister Greg and Morton? The police
• 22:15
  are going to want a murderer for that well if Peggy kills them, So
• 22:19
  if you forget, I'm being a brother to hey. Look look, will
• 22:22
  you please please get it over with now? Don't rush me? You Greg
• 22:26
  and Morton were jewel peeve If the bakery perd is the front, the diamonds
• 22:30
  and the cake were supposed to be Greg and Morton's share, right, Yes,
• 22:33
  yes, but the Greg and Marton are both dead. If you had
• 22:34
  the jewels, baby, all be yours now, wouldn't they? Yes?
• 22:38
  If I had the jewels and he wasn't supposed to know anything about them,
• 22:41
  that's why you baked them into that case. We both know all that.
• 22:45
  No, up until this moment, I didn't know that the jews has been
• 22:48
  baked in the case. Therefore I that's we're not kidding what is because you
• 22:52
  see the police are going to take care of that, all right. Well,
• 23:11
  there go to the police and mister vanderpoor but Simon. I just know,
• 23:15
  Peggy, you're adorable. You're a liar and I don't mind explaining.
• 23:19
  M Vanderpoort killed greg and Morton. How did I know? Now you're supposed
• 23:26
  to say yes, Simon, How did you know? Yes? Simon?
• 23:27
  How did you know? And I'm glad you asked me. I knew because
• 23:30
  Vanderpoor showed up at this apartment. How did he know about it? Greg
• 23:34
  and Morton had followed you from the bakery. You knew about it because I
• 23:38
  told you my dad. Ye. But Vandercour had no way of knowing,
• 23:41
  and that secretly he was at the bakery at the time of Morton's death and
• 23:45
  here when Gregor was killed. Oh, and his motive work to keep all
• 23:49
  the jewels to himself. True. You know, I'm hungry. Would you
• 23:52
  mind getting that cake? Now? Where'd you have it? In the bread
• 23:56
  box the kitchen? Yes? Thank you, my love. You know you
• 23:59
  may be under the impression that you're a crook that you did that. Huh.
• 24:03
  Van Derbourne knew if you remember that the jewels weren't in your bag before
• 24:07
  you opened it. Huh? How simple he knew you didn't have the jewels?
• 24:12
  How did he know? That simple. Again, he hadn't put the
• 24:15
  jewels in the cake at all. His double cross had started before your attempt
• 24:18
  at hijacket. So there are no jewels in the apartment's baggers. I guess
• 24:26
  I'm not a good crook act. Okay, I'll get the cake and you
• 24:30
  can eat it. Mm. The important question now being is the cake any
• 24:34
  good? Well, all, here was our star of empty price, ladies
• 24:57
  and gentlemen. Our friend Peggy might have done better had she chosen her friends
• 25:02
  more carefully. As a matter of fact, she might have chosen her cake
• 25:06
  more carefully too, had she heeded the words of Margaret E. Sangster,
• 25:10
  who said, Oh, cakes and friends, we should choose with care.
• 25:14
  Not always the finest cake that there is, the best to eat, and
• 25:18
  the plainest friend is sometimes the finest one. In the end, it is
• 25:22
  Vincent Price inviting you to join us again next week at the same time for
• 25:26
  another exciting adventure of the Saint good Night like Strips of the Plaints was written
• 25:48
  by Lewis CDs arc Assens, with the Betty lou Gerson, Peter Leeds,
• 25:52
  Zannel Hurlahee, Larry Dobkul and Ed Bonells. A music was composed and conducted
• 25:56
  by Harry Zimmerman. Well Saints based on created by Lestlie talking of it that
• 26:02
  the James Out Sappier production, and it was directed by Tomma Dame activity Winston
• 26:07
  Price destined to be seen in Robert Lickart's production of The Ban of Arizona.
• 26:11
  All your Saint fans will be glad to know that the Saint's coming book are
• 26:14
  unsabled. All you attend you're an on their mail, right, this is
• 26:18
  a mutual broadcount things a film welcome back. Well, since she wasn't behind
• 26:41
  the case, I guess she could say in the end that she got her
• 26:44
  just deserves. Okay, I know all around the world people groaning as that
• 26:48
  overall this is just This was a fun episode. Was a lot of suspects.
• 26:52
  The only thing that felt rushed was the killer revealing that he was a
• 26:59
  jewel thing when it seems like he could have avoided that, but he did
• 27:03
  believe Templar knew anyway. Well, that will actually do it for today.
• 27:07
  We will be back tomorrow with Crime in Peter Chambers and next Monday another episode
• 27:14
  of The Saint. In the meantime, I do want to remind you you
• 27:18
  can now mail me at peel box one five nine one three Boise, Idaho
• 27:25
  eight three seven one five. That's peel box one five nine one three Boise,
• 27:30
  Idaho eight three seven one five. Also, you can follow us on
• 27:33
  Facebook at Radio Detectives and on Twitter at Radio Detectives. But from Boise,
• 27:40
  Idaho, this is your host, Adam Grahamson and off