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(He waved to her) (S7 E14 “Farewell, My Pet”) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in.
• 0:08
  Speaker 2: You.
• 0:17
  Speaker 3: I am all in with Scott Patterson and iHeartRadio Podcast.
• 0:20
  Speaker 1: Hey everybody, Scott Patterson, I am all in Podcast, one
• 0:23
  Speaker 1: of them productions iHeart Radio, iHeart Media, iHeart Podcast joined
• 0:27
  Speaker 1: by my Skeleton crew. Today we are minus Tara Sued
• 0:32
  Speaker 1: and Danielle. It's a crushing blow, but the good news
• 0:37
  Speaker 1: is Susanne French is here. Amy Show.
• 0:40
  Speaker 3: You're going to go to a wedding. Daniel had to
• 0:43
  Speaker 3: go to a wedding, and Tara I think has an
• 0:44
  Speaker 3: appointment for her broken foot. I think she has physical
• 0:49
  Speaker 3: therapy on her foot.
• 0:50
  Speaker 1: Hmm, well, I uh.
• 0:53
  Speaker 3: Man, did you get a little bit of a cold, Scott?
• 0:55
  Speaker 3: I felt the other day when you called me.
• 0:58
  Speaker 1: I was under the weather for a couple of days,
• 1:01
  Speaker 1: and uh battled through it and now I'm just now
• 1:06
  Speaker 1: I'm just a bit stuffy.
• 1:07
  Speaker 3: Did you give it to the family?
• 1:10
  Speaker 1: No, No, Nick gave it to me.
• 1:12
  Speaker 3: Yes, that's how usually, And I didn't.
• 1:16
  Speaker 1: Care, and I wanted it and nothing was gonna stop.
• 1:20
  Speaker 3: Have a community of colds all summer.
• 1:22
  Speaker 1: Yeah, I mean, it's like, you know, everyone is kidding me.
• 1:25
  Speaker 1: We don't care. Cold's not going to slow us down.
• 1:27
  Speaker 1: We're playing around the pool all day kidding me.
• 1:29
  Speaker 3: Come back, Are you having a heat wave? Huh?
• 1:33
  Speaker 1: I wouldn't call it a heat wave, not yet. I
• 1:36
  Speaker 1: think this weekend it's going to be in the nineties
• 1:38
  Speaker 1: time this airs.
• 1:39
  Speaker 3: We will just be pasted the heatwave.
• 1:42
  Speaker 1: You guys are suffering up there, aren't you.
• 1:43
  Speaker 3: We're having one. We don't have it yet, but this
• 1:46
  Speaker 3: Saturday is supposed to be. So we're taping this on Thursday, guys,
• 1:50
  Speaker 3: just so you know. So this Saturday, I think it's
• 1:53
  Speaker 3: going to be hot.
• 1:54
  Speaker 1: Yeah. Yeah, it's going to be hot Saturday. But I mean,
• 1:56
  Speaker 1: you know, in the Midwest, on the northeastern part of
• 1:58
  Speaker 1: the United States, it's just getting wall.
• 2:00
  Speaker 3: Yeah, I saw that, be really careful.
• 2:04
  Speaker 1: Yeah, yep.
• 2:05
  Speaker 3: It's a swim team. You don't do swim team as
• 2:08
  Speaker 3: much down there as we do up here, and it's
• 2:10
  Speaker 3: going to be a hot meat on Saturday.
• 2:12
  Speaker 4: Yeah.
• 2:12
  Speaker 1: You know what, there's not a lot of swim team
• 2:15
  Speaker 1: down here.
• 2:15
  Speaker 3: Weird considering LA is so like water polo.
• 2:19
  Speaker 1: I think they do it in Mission Viejo, but I
• 2:22
  Speaker 1: think they do it in San Diego. I don't think
• 2:25
  Speaker 1: they don't do it around.
• 2:25
  Speaker 3: All teams are like huge in Northern California.
• 2:28
  Speaker 1: I miss swim team.
• 2:29
  Speaker 3: There was like five hundred people at the swimming last night.
• 2:31
  Speaker 1: Do you know at the US national qualifying for the
• 2:35
  Speaker 1: Olympics right now going on, there are three swimmers from
• 2:40
  Speaker 1: my hometown and from my swim club.
• 2:45
  Speaker 3: Three very random even though Luke can't swim, can you?
• 2:50
  Speaker 1: Before?
• 2:51
  Speaker 4: I was a.
• 2:51
  Speaker 1: Champion breaststroker by the time I was ten.
• 2:56
  Speaker 3: How's your butterfly?
• 2:58
  Speaker 1: Butterfly got stronger as I got Yeah, it's tough. I
• 3:02
  Speaker 1: was a freestyle. My sister was a beautiful freestyler because
• 3:05
  Speaker 1: she she was she was double jointed in me.
• 3:07
  Speaker 3: She tall like you.
• 3:09
  Speaker 1: No, no, I'm the only tall one in the family. Yeah,
• 3:13
  Speaker 1: everybody's like five two, five to three.
• 3:16
  Speaker 3: I saw a cue clip going viral of you and Lauren.
• 3:20
  Speaker 3: I don't know why this is like everywhere right now,
• 3:22
  Speaker 3: but it was the one where she got a new car,
• 3:24
  Speaker 3: and she says, you made fun of her cars back
• 3:26
  Speaker 3: in the day.
• 3:28
  Speaker 1: She looks. She pulled up to the studio once in
• 3:31
  Speaker 1: a tiny, little used Porsche.
• 3:35
  Speaker 3: Oh that sounds kind of right.
• 3:37
  Speaker 1: No, no, no, And I said to her, you cannot drive
• 3:40
  Speaker 1: something like that. First of all, it has a horrible suspension,
• 3:43
  Speaker 1: So you're gonna have hemorrhoids half the time. And second
• 3:46
  Speaker 1: of all, if you get in a rack, you know
• 3:49
  Speaker 1: you're not going to be available because you need you know,
• 3:52
  Speaker 1: these huge cars on the road, all these SUVs said
• 3:55
  Speaker 1: you got to get an suv. It was very concerned.
• 3:57
  Speaker 3: Did she ever get one?
• 3:59
  Speaker 1: I don't think she listen to me, but you know
• 4:04
  Speaker 1: she did. She patted me on the head, gave me
• 4:06
  Speaker 1: a coocaine. I went away.
• 4:07
  Speaker 3: Yeah, she said, coffee, coffee, coffee. Okay, Well, here we go,
• 4:14
  Speaker 3: the three of us, and we do have producer Jackie
• 4:16
  Speaker 3: that may chime in if we need her.
• 4:19
  Speaker 1: So we've got we've got season seven, episode fourteen.
• 4:26
  Speaker 3: Pet, well, my pet or Michelle.
• 4:31
  Speaker 2: I'm sad that Danielle's not here because she was concerned
• 4:36
  Speaker 2: and when you're right when we teased this week's episode
• 4:39
  Speaker 2: that it was going to be paul Anka. So I
• 4:41
  Speaker 2: hope that she still watched the episode and she she
• 4:44
  Speaker 2: will yeah, yeah, yeah, yeah.
• 4:47
  Speaker 1: Well I'm just gonna say right now, I enjoyed this
• 4:49
  Speaker 1: episode immensely. I was laughing. I was laughing until I cried, and.
• 4:55
  Speaker 3: I did get a little emotional.
• 4:57
  Speaker 1: For I did too, sort of a mess. I got
• 5:01
  Speaker 1: emotional for her, I got emotional for Michelle. Yeah. Yeah,
• 5:06
  Speaker 1: it's a pretty strong episode. I got agree.
• 5:09
  Speaker 3: That was the reason season seven kind of gets a
• 5:12
  Speaker 3: bad rap is just because of the first few episodes
• 5:15
  Speaker 3: feel off, and then it really gets its groove and
• 5:19
  Speaker 3: it's like very Gilmoury's so right.
• 5:21
  Speaker 1: You got to get through that sandbar that is christ
• 5:24
  Speaker 1: and then then the tide can begin flowing on.
• 5:26
  Speaker 3: The new team had to get their sea legs. Like
• 5:29
  Speaker 3: that's what I think.
• 5:30
  Speaker 1: But I think it was some of the funniest stuff,
• 5:33
  Speaker 1: really great stuff, and a very very strong episode for Lauren.
• 5:37
  Speaker 1: I mean, she just killed it all. Yeah, And I
• 5:40
  Speaker 1: thought ur Alexis was great her reactions to the tag.
• 5:44
  Speaker 1: I know.
• 5:44
  Speaker 3: I want to talk about the crush a lot.
• 5:46
  Speaker 1: It's really well done.
• 5:49
  Speaker 2: Should do the.
• 5:50
  Speaker 1: Synopsis synopsisizations brought to you by Suzanne French of French
• 5:55
  Speaker 1: Industries International.
• 5:59
  Speaker 3: Just kidding, I was trying to get us a question.
• 6:05
  Speaker 2: I don't know where that came from, but okay. Richard
• 6:07
  Speaker 2: is on the road to recovery and Rory returns to Yale,
• 6:10
  Speaker 2: where she meets a young ta who gets her flustered.
• 6:13
  Speaker 2: Laurel and Christopher finally realized their marriage isn't working. Meanwhile,
• 6:18
  Speaker 2: Michelle holds a dog funeral for Chinchin at the Dragonfly
• 6:21
  Speaker 2: in all great, I mean.
• 6:23
  Speaker 3: Well great, yeah, all very great. Yeah.
• 6:25
  Speaker 1: I thought a great opening as well. Oh, Kit, that
• 6:29
  Speaker 1: opening encompassed everything about Gilmour. It was the family was together,
• 6:34
  Speaker 1: it was jolly, Uh, everybody was themselves. Emily was so
• 6:39
  Speaker 1: this is that the hospital? Yeah around.
• 6:43
  Speaker 2: I loved that Richard participated in laurelized little skit that
• 6:48
  Speaker 2: she was doing.
• 6:49
  Speaker 1: Absolutely.
• 6:50
  Speaker 2: I just that was so refreshing to see it because
• 6:53
  Speaker 2: usually you know, they're they're just very straight laced.
• 6:55
  Speaker 3: But possible to not get a ten out of ten
• 6:58
  Speaker 3: when we have the core four, do you know what
• 7:00
  Speaker 3: I mean? Yeah, no offense to you, Scott Slash Luke,
• 7:03
  Speaker 3: You're you're great when you're in there too.
• 7:04
  Speaker 1: But like I'm not needed, let's face it.
• 7:06
  Speaker 3: Emily, Richard, Alex sorry, Rory, Rory, Lorelei is like they
• 7:14
  Speaker 3: it just jives. Yeah, you know, it takes us back
• 7:19
  Speaker 3: to some of the best scenes in the whole series.
• 7:21
  Speaker 3: So yeah, I like the open, and it's so nice
• 7:23
  Speaker 3: to know he's doing well and it's like we're all
• 7:27
  Speaker 3: you know, giggling instead of crying.
• 7:30
  Speaker 2: Yeah, I did laugh when Emily made some comment about
• 7:35
  Speaker 2: the the flowers that she liked best were the ones
• 7:37
  Speaker 2: that Christopher sent because they were so bright and colorful,
• 7:40
  Speaker 2: And I thought to myself, you know what, I bet
• 7:42
  Speaker 2: those came from Christopher's mom. Like I have trouble picture.
• 7:47
  Speaker 1: He gets no credit, doesn't he just weird? I was like,
• 7:51
  Speaker 1: credit awkward?
• 7:54
  Speaker 3: Okay, so then what okay?
• 7:56
  Speaker 2: So we go to the Dragonfly and this is where
• 7:58
  Speaker 2: we find out that the dog pass way Chin Chin.
• 8:01
  Speaker 2: I get Papa on Chinchin confused, but paup Paul was
• 8:05
  Speaker 2: in the scene. Chin Chin is the one that passed away.
• 8:09
  Speaker 2: Laurel I makes the friendly suggestion you should have a
• 8:12
  Speaker 2: memorial service, and Michelle says, okay, can you do it
• 8:15
  Speaker 2: by tomorrow?
• 8:17
  Speaker 1: It'll be me Yeah, exactly, yeah, but you know what.
• 8:25
  Speaker 2: The two of them kind of didn't know how to
• 8:27
  Speaker 2: react to him. They're like, oh, sorry to hear that.
• 8:31
  Speaker 3: Are you going to say?
• 8:33
  Speaker 1: It was the introduction of a storyline that bore a
• 8:39
  Speaker 1: lot of fruit at the at the end of it.
• 8:43
  Speaker 1: Immediately it was a little bit annoying. Through it, there
• 8:47
  Speaker 1: was some funny stuff through it, but man, it really
• 8:50
  Speaker 1: paid off. At the end of that narrative.
• 8:53
  Speaker 3: I totally agree with you. And right when you realize
• 8:56
  Speaker 3: what's happening, I was sort of like, oh, yeah, okay,
• 9:00
  Speaker 3: it's very like, Okay, this is gonna be kind of
• 9:04
  Speaker 3: sad but funny. It's gonna have fodder for me. I
• 9:09
  Speaker 3: can't wait to talk about the dogs. The dogs just
• 9:11
  Speaker 3: sitting in.
• 9:12
  Speaker 2: The and we haven't had a good Michelle storyline for
• 9:17
  Speaker 2: a while. Like, it was good to see some meat there.
• 9:21
  Speaker 3: I even loved the record store, but we'll get to that.
• 9:23
  Speaker 1: Okay. The record store was, Oh my god, it's so good.
• 9:27
  Speaker 2: And when he said that that Paul, Paul was very
• 9:30
  Speaker 2: upset about the situation, and they cut to just a
• 9:33
  Speaker 2: face shot of the dog and he's just looking at.
• 9:35
  Speaker 3: The Okay, great casting of all the dogs in this episode,
• 9:40
  Speaker 3: because there are some great dog faces, a great dog
• 9:44
  Speaker 3: face acting happening.
• 9:46
  Speaker 2: Yeah, so we had that was a good Like, you
• 9:51
  Speaker 2: guys know, I love the town, so it was good
• 9:52
  Speaker 2: to have a good town scene there. And then we
• 9:55
  Speaker 2: go to Paris and Rory's apartment and they're catching up
• 10:00
  Speaker 2: about the grandfather's situation and everything that Paris has been doing.
• 10:04
  Speaker 3: I had on the that was the.
• 10:08
  Speaker 1: August scene that seems seemed to go on and on
• 10:12
  Speaker 1: and on and on. Yeah, and without we get.
• 10:16
  Speaker 3: The moment right where Paris sort of says, we've tamed them. Yeah,
• 10:21
  Speaker 3: you know these boys really yeah, And it's kind of
• 10:24
  Speaker 3: like that becomes important later.
• 10:26
  Speaker 2: It was a long lead up to that, though, like
• 10:29
  Speaker 2: there was really was. She had to open the box.
• 10:31
  Speaker 1: Right when she finally said that, I said, boy, they
• 10:35
  Speaker 1: could have cut out ten minutes and just gotten to
• 10:38
  Speaker 1: that a little quicker.
• 10:39
  Speaker 3: This is the gift for logan that leads to the yep, yep.
• 10:42
  Speaker 2: Yeah. And then Paris was going on about beta blockers
• 10:45
  Speaker 2: and all that kind of stuff, which she actually was correct,
• 10:48
  Speaker 2: but we didn't need to have that in although I
• 10:50
  Speaker 2: did laugh that she went to a frat party and
• 10:53
  Speaker 2: then wrote a summary of it for Rory.
• 10:57
  Speaker 3: That was classic trying to sort of a commish her
• 11:00
  Speaker 3: college bucket list is actually amusing. It actually is, like
• 11:04
  Speaker 3: it's not irritating, it's funny.
• 11:08
  Speaker 2: It was just so Paris to me to write up
• 11:11
  Speaker 2: a summary of a frat party and there's no you know, they.
• 11:13
  Speaker 3: Seem to sort of be getting along great and she's
• 11:16
  Speaker 3: Paris has really found her, Like, she's not quite as annoying. Yeah,
• 11:21
  Speaker 3: he's sort of cool in a way, in a weird,
• 11:24
  Speaker 3: peculiar way, in her weird way anyway.
• 11:27
  Speaker 2: Yeah, Rory seemed upset, or maybe not upset, but disappointed
• 11:33
  Speaker 2: when Paris made the comment that you broke him, you
• 11:37
  Speaker 2: own him. So she didn't seem happy about that.
• 11:41
  Speaker 3: No, because it's an uncomfortable thing, like you don't want
• 11:44
  Speaker 3: to feel like you you pamed your guy and forced
• 11:49
  Speaker 3: him to like you and be different. Like I got why.
• 11:52
  Speaker 3: She was like, oh, that's not what I wanted.
• 11:54
  Speaker 1: Yeah, yeah, it means that you're in a settled relationship,
• 11:57
  Speaker 1: a settled, committed relationship. Practice play with children, right, because at.
• 12:02
  Speaker 3: That point, aymore dot, it is like changing Logan, and
• 12:06
  Speaker 3: that's never what she wanted to do.
• 12:10
  Speaker 2: Well, but she did. I mean, Paris wasn't wrong.
• 12:14
  Speaker 3: Oh none, neither are wrong. Paris is right, but also
• 12:17
  Speaker 3: Rory's right to sort of feel funny about it because
• 12:19
  Speaker 3: she wanted Logan to be Logan, but to be committed
• 12:23
  Speaker 3: to her. I don't know that she's ever expected Logan
• 12:26
  Speaker 3: to suddenly be somebody totally different. She likes him, she
• 12:32
  Speaker 3: wants him to be him. But I think, yeah, I
• 12:35
  Speaker 3: just think it's a little jarring for her to think
• 12:37
  Speaker 3: like you tamed him, like you could kick him and
• 12:40
  Speaker 3: he won't go run.
• 12:42
  Speaker 1: She doesn't. She doesn't. She doesn't want all the power.
• 12:44
  Speaker 1: You know.
• 12:45
  Speaker 3: That's right. That's exactly right. There you go, that's right,
• 12:47
  Speaker 3: that's right.
• 12:48
  Speaker 4: Yeah.
• 12:49
  Speaker 1: Yeah, so that's it.
• 12:51
  Speaker 3: Mm hmmm. So I thought her portrayal of being kind
• 12:56
  Speaker 3: of uh yeah, yeah, was what we wanted.
• 13:02
  Speaker 2: Yeah, I can see that. I guess Paris. I don't
• 13:05
  Speaker 2: think she necessarily meant it in a negative way, though.
• 13:09
  Speaker 3: Well, Paris is proud of it. She's stopd Paris is
• 13:12
  Speaker 3: like I tamed that. First of all, she's comparing Doyle
• 13:14
  Speaker 3: to Logan, which is just like, well, yeah, they tamed
• 13:17
  Speaker 3: these guys, and it's like cool apples oranges. But hm,
• 13:20
  Speaker 3: but she's talking about how Doyle's in bed thinking of
• 13:22
  Speaker 3: baby names, and she's like happy about it, whereas Rory's
• 13:28
  Speaker 3: like not so sure.
• 13:30
  Speaker 2: Yeah, I mean he's he definitely changed away from you know,
• 13:35
  Speaker 2: his philandering way. I mean, filandering is not the right word.
• 13:39
  Speaker 2: I'm having trouble with vocabulary.
• 13:40
  Speaker 3: He was he was a cheating cat and around dude.
• 13:44
  Speaker 2: And but he he changed for her. I mean so
• 13:48
  Speaker 2: that I don't know. That's just is a good thing.
• 13:50
  Speaker 1: So I it.
• 13:51
  Speaker 2: Seems in a positive way, but Rory took it in
• 13:56
  Speaker 2: a negative way. So that's all I'm.
• 13:58
  Speaker 1: But I think there's there's so up this Logan Roy
• 14:01
  Speaker 1: relationship as as a potential lifelong relationship. It's the potential. Yeah,
• 14:07
  Speaker 1: you know, this is a serious relationship and this could potentially.
• 14:11
  Speaker 3: Soil in Paris, which we do eventually find out what
• 14:15
  Speaker 3: happens with them, yeah, thing, which is also a critique
• 14:19
  Speaker 3: of a book. People are now also don't know if
• 14:22
  Speaker 3: they want us to call it movies or mini series,
• 14:24
  Speaker 3: but it seems that they're okay with movies. Scott, what
• 14:27
  Speaker 3: would what did they call them when you did them? Movies?
• 14:31
  Speaker 1: Episodes? Okay, they always wanted to call them episodes for
• 14:35
  Speaker 1: some reason and not movies, but they were movies. They
• 14:37
  Speaker 1: were hour and a half movies out commercial interruption.
• 14:41
  Speaker 2: I mean on Netflix they're called episodes.
• 14:44
  Speaker 3: So maybe so the people are right yelling at me
• 14:46
  Speaker 3: about calling them movies. To me, they're movies for movies,
• 14:49
  Speaker 3: but you know, okay.
• 14:51
  Speaker 1: They are feature length of romantic comedy films.
• 14:55
  Speaker 3: Yeah, yeah, they for to keep everyone happy, we'll call them.
• 14:59
  Speaker 1: For all intents and purpose. But there are episodes as well,
• 15:01
  Speaker 1: and I think, so, yeah, we do very long episodes.
• 15:05
  Speaker 3: What happens with Paris and Doyle, But we won't get
• 15:07
  Speaker 3: into that right now.
• 15:17
  Speaker 2: So then it goes back to the Dragonfly and this
• 15:21
  Speaker 2: is where Christopher shows up.
• 15:23
  Speaker 1: Mm hmm.
• 15:26
  Speaker 2: I had some I had a bone to pick with
• 15:28
  Speaker 2: Christopher on this scene.
• 15:30
  Speaker 3: Give it yeah, I think it's so.
• 15:33
  Speaker 2: He comes yeah, well the first that first, but he
• 15:36
  Speaker 2: comes in and is he's defensive from the get go,
• 15:39
  Speaker 2: and he's basically I needed space Lorelei, which was ridiculous
• 15:45
  Speaker 2: because she told him in the beginning she needed time
• 15:48
  Speaker 2: to kind of get used to the whole thing, and
• 15:50
  Speaker 2: he said okay, and then he pushed, pushed, pushed her
• 15:52
  Speaker 2: into getting married and wanting to have kids and blah
• 15:55
  Speaker 2: blah blah. So he's you're married, you have to give
• 15:58
  Speaker 2: her time, but she's expected to give him time.
• 16:00
  Speaker 1: I had a.
• 16:00
  Speaker 3: Paye're married, you'll get to just disappear. Yeah, but he
• 16:06
  Speaker 3: do what.
• 16:06
  Speaker 1: He did as a rocketn't he that guy? That's the
• 16:10
  Speaker 1: kind of thing you want to hang your hat on.
• 16:12
  Speaker 2: And she nailed it when she said I wasn't surprised
• 16:16
  Speaker 2: that you weren't there. And he's like, that's not fair.
• 16:18
  Speaker 2: I'm like what you know, I even said to my hazar,
• 16:20
  Speaker 2: I'm like, well, but it's true, Like it's.
• 16:21
  Speaker 1: Not it's just right. It's not unfair that.
• 16:26
  Speaker 3: He should have just shown up at her work. That's challenging.
• 16:31
  Speaker 1: Yeah, yeah, yeah, he's acting like he plays the victim
• 16:35
  Speaker 1: very very well, like I'm being whipsawed in between you
• 16:38
  Speaker 1: and your life and your emotions and Luke and all
• 16:41
  Speaker 1: of this, and I can't.
• 16:42
  Speaker 3: Hit play the victim.
• 16:44
  Speaker 1: He really does. He always turns it back on him.
• 16:48
  Speaker 1: It's about him all the time and his feelings. It's
• 16:52
  Speaker 1: uncomfortable to watch, you know.
• 16:54
  Speaker 2: Yeah, And he is uncomfortable to have to.
• 16:58
  Speaker 1: Manage this guy, right, he's really he's a he's a
• 17:02
  Speaker 1: full time job.
• 17:04
  Speaker 2: Yeah. And he's trying to say, well, you know, he
• 17:08
  Speaker 2: wasn't there because he didn't want to see Luke. I
• 17:10
  Speaker 2: mean that's completely yes.
• 17:11
  Speaker 3: Like that's so amazing.
• 17:12
  Speaker 2: You don't worry about that when you have a family
• 17:14
  Speaker 2: price at all.
• 17:15
  Speaker 3: So really, a full total of ten minutes right out
• 17:20
  Speaker 3: of like days and hours what?
• 17:23
  Speaker 1: Yeah, it's just beyond the pale.
• 17:27
  Speaker 2: Yeah, and about the work thing, it just shows that
• 17:31
  Speaker 2: like again, everything is on his timeline what works for him,
• 17:36
  Speaker 2: and it doesn't like occur to him that you know,
• 17:38
  Speaker 2: maybe Lorelai is, you know, working when she's at work,
• 17:41
  Speaker 2: maybe she doesn't want to talk to you at work.
• 17:43
  Speaker 2: But it's like he wanted to go right then, so
• 17:46
  Speaker 2: he didn't.
• 17:47
  Speaker 3: I didn't want to treat it in in the diner
• 17:49
  Speaker 3: as not workplaces, do you know what I'm saying? Like
• 17:52
  Speaker 3: they are, of course, but like everybody just goes into
• 17:55
  Speaker 3: the diner and you know, here's my baby, like, here's
• 17:58
  Speaker 3: my drama say thing at the like, oh, well, I
• 18:02
  Speaker 3: know you're working, but you must have all the time
• 18:05
  Speaker 3: in the world to deal with my problems, you know whatever,
• 18:08
  Speaker 3: Paris haven't lunch. The whole thing.
• 18:09
  Speaker 1: It's really but I will say, expertly played by David Suckcliffe.
• 18:13
  Speaker 1: I mean he really really commits to that. You really
• 18:17
  Speaker 1: feel these feelings towards that character. That's because he's he's.
• 18:22
  Speaker 3: Always played that guy. Really, am I right?
• 18:25
  Speaker 1: Like he's really good? Yeah, he really is. Yeah, he's
• 18:28
  Speaker 1: really skilled.
• 18:30
  Speaker 2: Yeah, I thought I thought he did a good job
• 18:32
  Speaker 2: in this episode.
• 18:33
  Speaker 1: I mean, geez, he doesn't shy away from the job
• 18:37
  Speaker 1: that he knows that he has to do to contribute
• 18:40
  Speaker 1: to this storytelling.
• 18:41
  Speaker 3: And it's just her, She's just Lauren Graham is.
• 18:45
  Speaker 1: Like, oh yeah, I mean just she's in every scene
• 18:48
  Speaker 1: and she's crushing it every single scene, every scene. You
• 18:51
  Speaker 1: know what tiring that is, you know, exult you know
• 18:54
  Speaker 1: what's focus and concentration that takes. It's it's exhausting. Here
• 18:58
  Speaker 1: is that her calling? Did you are you actually?
• 19:08
  Speaker 2: I mean Scott Sullivan's crossing must be like that too, right,
• 19:12
  Speaker 2: because Sully it has a lot of emotions.
• 19:15
  Speaker 1: Yeah, but I'm not in every scene.
• 19:18
  Speaker 2: Yeah, that's true.
• 19:19
  Speaker 1: I mean I'm not carrying that thing. The lead is
• 19:21
  Speaker 1: like really, you know, to be the lead on Gilmour
• 19:26
  Speaker 1: Girls is to She's practically in every scene. They were
• 19:29
  Speaker 1: practically in every scene. Those two yeahs.
• 19:32
  Speaker 3: Are like three times what a normal.
• 19:34
  Speaker 1: Right, And it was exhausting. It's the amount of focus
• 19:39
  Speaker 1: and endurance that that took to get through a to
• 19:44
  Speaker 1: get through a day, much less a week or a
• 19:46
  Speaker 1: month or an entire season.
• 19:48
  Speaker 3: It's just, oh my god, were you like exhausted when
• 19:50
  Speaker 3: you came home? Like would you just like crash, yes, yeah,
• 19:55
  Speaker 3: and did anyone now.
• 19:56
  Speaker 1: On this episode, I just had to show up and
• 19:58
  Speaker 1: wave so I hate But.
• 19:59
  Speaker 3: And then did you ever nap in your trailer? I
• 20:01
  Speaker 3: would think people would have to like lay down and
• 20:03
  Speaker 3: take a little nap. Yet, oh yeah, because it's like
• 20:04
  Speaker 3: so gnarly.
• 20:05
  Speaker 4: Yeah.
• 20:06
  Speaker 1: I would often fall asleep with food in my mouth,
• 20:08
  Speaker 1: which is not as.
• 20:11
  Speaker 3: Long as it's not gum.
• 20:13
  Speaker 1: Yeah.
• 20:13
  Speaker 3: I always like spear gum out before you sleep.
• 20:16
  Speaker 1: She was like a couple of French fries hanging out
• 20:17
  Speaker 1: of my mouth.
• 20:19
  Speaker 3: Yeah, okay, So then what happened?
• 20:21
  Speaker 2: So after the so they argue with the dragonfly, and
• 20:25
  Speaker 2: then the very next scene, Laura I turns around and
• 20:28
  Speaker 2: is defending Christopher when she's talking to Rory on the phone.
• 20:31
  Speaker 3: Oh, she just can't. She's not going to throw the
• 20:33
  Speaker 3: dad under the bus.
• 20:34
  Speaker 1: And I respect it.
• 20:35
  Speaker 3: It's like, you know what, She's just always going to
• 20:37
  Speaker 3: protect her dad no matter what, and she's been doing
• 20:42
  Speaker 3: it since he didn't show up. So yeah, I get it.
• 20:45
  Speaker 3: I'm all for it.
• 20:46
  Speaker 2: I mean, but at the same time, like Rory is
• 20:49
  Speaker 2: twenty two now, she can.
• 20:50
  Speaker 3: Still the kid's going on. I don't care when you're fifty.
• 20:53
  Speaker 3: You should not throw the other parent under the bus.
• 20:56
  Speaker 3: It's just like, let's not be doing that. And I'm
• 20:58
  Speaker 3: all for team Laura on that most of the time
• 21:03
  Speaker 3: does take the high road.
• 21:05
  Speaker 1: Classy move, class move, Yeah, yeah, you don't. You don't
• 21:10
  Speaker 1: pollute your kid with that stuff. Parents should not do that.
• 21:16
  Speaker 2: And so this is when we meet the Ta. So
• 21:20
  Speaker 2: she walks in. I thought this, this was a little
• 21:26
  Speaker 2: over the top that.
• 21:29
  Speaker 1: I think, good, so good.
• 21:33
  Speaker 3: Dorky and doopy. And my thing is like, the Ta
• 21:37
  Speaker 3: is great, but is he warranting all that? Yeah, I
• 21:43
  Speaker 3: mean it's a funny.
• 21:44
  Speaker 1: Bit, but why not, I mean, why not?
• 21:49
  Speaker 3: And she's like, yeah, you know, yeah, it's a funny
• 21:53
  Speaker 3: sort of lever bit that we've never really seen Rory
• 21:58
  Speaker 3: that much before. We've little bit where she's mixed, but
• 22:02
  Speaker 3: like it's cute.
• 22:03
  Speaker 1: She acted that beautifully instant attraction, instant gobsmacked, just great.
• 22:09
  Speaker 3: Yeah, just actively goofy, dorky.
• 22:11
  Speaker 1: Yeah, yeah, loved it.
• 22:13
  Speaker 4: Loved it.
• 22:14
  Speaker 1: And then and then and then and then and then
• 22:17
  Speaker 1: and then Paris comes around the corner and tries to
• 22:19
  Speaker 1: tell her something. She said, what's wrong with you?
• 22:21
  Speaker 3: Sort of not quite as good as I carried a watermelon.
• 22:25
  Speaker 3: Do you guys know I carried a watermelon? Okay, So
• 22:28
  Speaker 3: in Dirty Dancing, when Baby meets Patrick Swayzee for the
• 22:35
  Speaker 3: first really meets him for the first time, she comes
• 22:38
  Speaker 3: to a party with like his cousin or something. Somehow
• 22:42
  Speaker 3: she gets into this party that's really just the staff
• 22:44
  Speaker 3: at Dirty Dancing, and she He's like, how'd you get
• 22:48
  Speaker 3: in here? And she's like, I carried a watermelon and
• 22:51
  Speaker 3: she's literally like like anyone who's seen it knows that's
• 22:56
  Speaker 3: exactly what Rory's doing. Like right after she's just like,
• 22:59
  Speaker 3: oh my god, like it just deliver.
• 23:03
  Speaker 1: Yeah, good stuff.
• 23:06
  Speaker 2: And then one little side thing I laughed at in
• 23:10
  Speaker 2: that episode was or in that scene, was when Rory
• 23:13
  Speaker 2: made a comment I'm sorry, Laura. I made a comment
• 23:16
  Speaker 2: about how she doesn't know how to program her speed
• 23:19
  Speaker 2: dial something like that, but then she had programmed Luke's
• 23:23
  Speaker 2: speed dial back in sixth and seasonally.
• 23:28
  Speaker 1: Will issue the appropriate I know.
• 23:30
  Speaker 2: I can't help it. Somebody said I was too nitpicky, but.
• 23:35
  Speaker 3: We live for that.
• 23:36
  Speaker 1: We live and we will, we will, we will assign
• 23:41
  Speaker 1: penalties with interest.
• 23:43
  Speaker 2: It's just how I am. You can ask my family.
• 23:48
  Speaker 2: So then we go to Laurea Liy's house and Christopher
• 23:50
  Speaker 2: is in the house, which I thought was interesting. And
• 23:54
  Speaker 2: did you notice.
• 23:55
  Speaker 3: Wolf girl that I actually I did, I did, I did.
• 23:59
  Speaker 3: Good guy girl was sitting there in that weird basket
• 24:02
  Speaker 3: kind of right.
• 24:03
  Speaker 2: Yeah, it was like a bath always.
• 24:05
  Speaker 3: Yeah, and I sort of expected him to be there
• 24:09
  Speaker 3: and this is his house sort of right.
• 24:11
  Speaker 2: Now, Yeah, I mean I guess technically he does still
• 24:14
  Speaker 2: live there.
• 24:15
  Speaker 3: It's true. I don't think she's fully thinks they're over,
• 24:18
  Speaker 3: so yeah, And this is then he tells her he
• 24:22
  Speaker 3: got in the fight with Luke at the gazebo, so
• 24:25
  Speaker 3: kind of random. I'm glad we sort of acknowledged it,
• 24:28
  Speaker 3: but like we would have kept that to myself father,
• 24:31
  Speaker 3: I know. I was like, why Father.
• 24:33
  Speaker 2: Really served him to mention that to her? No, I agree,
• 24:40
  Speaker 2: And this is where he finally admits that he pushed
• 24:43
  Speaker 2: her into marriage. So that was a turning point for me,
• 24:49
  Speaker 2: is that he's finally admitting that he was kind of
• 24:53
  Speaker 2: the aggressor in this situation.
• 24:57
  Speaker 3: And she went along with it. I don't blame him
• 25:00
  Speaker 3: for that. I don't blame him for like he wanted it,
• 25:07
  Speaker 3: so he pushed for it, and she did it. I'm
• 25:09
  Speaker 3: not going to blame him for her doing it.
• 25:12
  Speaker 1: She did it. He did it out of desperation, mask as.
• 25:17
  Speaker 3: She was a strong woman who could have been like
• 25:20
  Speaker 3: this is way too soon. No, well, yeah, I mean.
• 25:24
  Speaker 2: To some extent, but she did tell him in Paris
• 25:27
  Speaker 2: that she didn't want to get married without Rory.
• 25:29
  Speaker 3: Then she did it.
• 25:30
  Speaker 2: She was in a vulnerable moment, she was not handcuffed.
• 25:34
  Speaker 3: She did it.
• 25:36
  Speaker 1: He was shooting, he was shooting his shot, and she
• 25:39
  Speaker 1: did it.
• 25:40
  Speaker 3: So I took Yeah, ultimately that's not on him, but
• 25:44
  Speaker 3: you know, there's a lot on him, but that one.
• 25:46
  Speaker 3: I'm like, what, she did it?
• 25:48
  Speaker 1: All right? So he said, kits, Yeah.
• 25:54
  Speaker 3: It's making me think of the line. Don't let me
• 25:56
  Speaker 3: forget to really talk about the line, she says at
• 25:58
  Speaker 3: the end, because I want to talk about that, but anyway,
• 26:00
  Speaker 3: go ahead.
• 26:02
  Speaker 2: So then they go from kind of the arguing scene
• 26:06
  Speaker 2: where now she's trying to convince him that they can
• 26:09
  Speaker 2: work it out because he's he says, I don't think
• 26:12
  Speaker 2: this can work. I that didn't feel genuine to me
• 26:17
  Speaker 2: when she was trying to convince him that they can
• 26:19
  Speaker 2: work this out. I don't know why it didn't really
• 26:22
  Speaker 2: read true.
• 26:23
  Speaker 1: It didn't feel genuine for me what he was saying
• 26:26
  Speaker 1: to her, Thank you, Scott. I told thought he was
• 26:29
  Speaker 1: being manipulated. I thought he was being manipulative. I totally
• 26:32
  Speaker 1: agree that's that's a victim mentality right there.
• 26:36
  Speaker 3: I agree. It's like, this guy, this is all you wanted,
• 26:38
  Speaker 3: this is all you've ever wanted. Now you have it,
• 26:41
  Speaker 3: and you're throwing in the towel like so easily, even
• 26:44
  Speaker 3: though she's there saying we can work this out, like
• 26:47
  Speaker 3: he should be like all right, let's try. Like I
• 26:49
  Speaker 3: don't get it. I don't find him to be I
• 26:52
  Speaker 3: find him to be like now I feel like, okay,
• 26:55
  Speaker 3: hurry up, let's get rid of this guy. That's a
• 26:56
  Speaker 3: little bit how I feel like, Okay, yeah, on your episode,
• 27:00
  Speaker 3: we've had this storyline. Let's get you out of here.
• 27:03
  Speaker 3: It's just labor.
• 27:05
  Speaker 1: It's like getting too whimpy for words. It's like, yeah, okay,
• 27:07
  Speaker 1: go away, you know with this Yeah yeah.
• 27:12
  Speaker 2: And so then he decides to go back to his mom's,
• 27:16
  Speaker 2: which I mean, if you want to try to work
• 27:19
  Speaker 2: things out, you would stay there.
• 27:24
  Speaker 3: And he's just so like giving up, which is just
• 27:28
  Speaker 3: doesn't track whatever okay, fine, bye Christopher. You know I'm
• 27:33
  Speaker 3: kind of done with you too. Yeah, thanks for coming.
• 27:37
  Speaker 2: So the next scene, I I wasn't a fan of
• 27:41
  Speaker 2: this scene. Michelle was really mad at Laura Lai because
• 27:44
  Speaker 2: they hadn't done enough work on the funeral in his opinion,
• 27:47
  Speaker 2: and the way he screamed at her, I didn't like caustic.
• 27:51
  Speaker 1: Wait a minute, wait was this at the front desk? Yes,
• 27:54
  Speaker 1: when she snapped at him and said, listen, I got
• 27:56
  Speaker 1: a lot going on in yeah, I laughed so hard.
• 28:01
  Speaker 1: When he's his I had one hit one of the
• 28:03
  Speaker 1: greatest lines. He got very quiet, and he said, I
• 28:06
  Speaker 1: will try to plan the next death so it's more
• 28:09
  Speaker 1: convenient for you. I mean, it was just I thought
• 28:13
  Speaker 1: the scene was like it was a little cliched. I've
• 28:17
  Speaker 1: seen that scene.
• 28:18
  Speaker 3: Yeah, yeah, yeah, you've seen the.
• 28:20
  Speaker 1: Scene a million times before. But it just them, those
• 28:22
  Speaker 1: two doing it.
• 28:24
  Speaker 3: Yeah, no one could be that mad at somebody that's
• 28:27
  Speaker 3: sort of trying to do them a favor like he.
• 28:30
  Speaker 3: But but it is a little bit Michelle wish.
• 28:32
  Speaker 1: So wait a minute, in his world, that's not just
• 28:36
  Speaker 1: as that's his child. That does right, that's a big deal.
• 28:40
  Speaker 1: You know, that's a big deal and he wants to
• 28:43
  Speaker 1: take it there. So I got the anger. I didn't
• 28:45
  Speaker 1: mind the anger. He just because he needed that anger
• 28:49
  Speaker 1: to deliver that line to he needed they needed the
• 28:52
  Speaker 1: anger so she would snap at him so he could
• 28:53
  Speaker 1: say the line, I've seen it.
• 28:56
  Speaker 3: With Suki and Lorelia. That's coming.
• 28:58
  Speaker 2: That's that's two scenes away.
• 29:01
  Speaker 1: So funny, that's the red meat I want from Michelle. Yah. Yeah, great,
• 29:08
  Speaker 1: just turning great lines like that.
• 29:12
  Speaker 2: Yeah, I think that like to get to that, the
• 29:17
  Speaker 2: delivery of that line. Yes, But I just thought he
• 29:21
  Speaker 2: was just a little I don't know his anger level.
• 29:25
  Speaker 2: I guess I just didn't. I mean, you're giving this
• 29:29
  Speaker 2: person less than twenty four hours to put together a funeral,
• 29:32
  Speaker 2: and you're upset that they're not doing it fast enough.
• 29:34
  Speaker 1: I don't know. I don't blame him. He's in a
• 29:36
  Speaker 1: state of mourning. This is his quote unquote family. His
• 29:39
  Speaker 1: child has died. He wants sympathy and action and love
• 29:44
  Speaker 1: and support, and he didn't feel like he was getting it.
• 29:46
  Speaker 1: I think from his point of view, it's all justified.
• 29:50
  Speaker 1: You know, maybe yeah, we we he thinks so, of course,
• 29:53
  Speaker 1: right right. So that's what I love about it because
• 29:56
  Speaker 1: he just let himself go, right. He wasn't yi, there
• 30:00
  Speaker 1: wasn't judging that he was in a uh, you know,
• 30:03
  Speaker 1: a dramedy or he wasn't in some kind of show,
• 30:06
  Speaker 1: and you know, and so he had to he had
• 30:08
  Speaker 1: to restrain himself.
• 30:09
  Speaker 4: A little bit.
• 30:10
  Speaker 1: He just went there, you know. And that's what makes
• 30:12
  Speaker 1: the show so great because people just go there. You know,
• 30:15
  Speaker 1: it kind of breaks out of what you think it
• 30:18
  Speaker 1: might be this idyllic, sweet little shell, and things can
• 30:21
  Speaker 1: get intense once in a while, which and I'm not
• 30:24
  Speaker 1: mad about that, you know. Love that. Love that ye
• 30:29
  Speaker 1: love that scene. Love that scene.
• 30:40
  Speaker 2: Then we go to the bookstore, bookstore or library. I'm
• 30:44
  Speaker 2: not sure. I thought they were at the bookstore.
• 30:47
  Speaker 1: And.
• 30:48
  Speaker 2: This is where they Rory Robrary.
• 30:51
  Speaker 4: Yeah.
• 30:51
  Speaker 3: I think it's the library because it's really like the
• 30:53
  Speaker 3: Dewey decimal system. It's kind of mentioned. I think they're
• 30:56
  Speaker 3: at one of the Yale libraries.
• 30:59
  Speaker 2: Okay, because I thought she was getting her books for
• 31:01
  Speaker 2: the for the that's a little correct.
• 31:04
  Speaker 3: It's a little blurry because she's looking for a certain
• 31:07
  Speaker 3: book and then they're all out of order. Yeah, it
• 31:09
  Speaker 3: felt more like a library.
• 31:11
  Speaker 1: There was a bookstore next to the library.
• 31:13
  Speaker 3: Sometimes the bookstore is near the library, so it could
• 31:16
  Speaker 3: be kind of a flowing situation. But yes, I know
• 31:19
  Speaker 3: exactly what we're talking about. It was looking for that book.
• 31:21
  Speaker 3: And then we see the Ta again and then yeah,
• 31:23
  Speaker 3: then we.
• 31:23
  Speaker 2: See the Ta. There's more like gigly teenagers just done
• 31:29
  Speaker 2: by that.
• 31:30
  Speaker 3: Yeah, and then she goes back to Paris with the
• 31:33
  Speaker 3: grin and like Paris is like what is right?
• 31:36
  Speaker 2: And she wasn't listening to what Paris was saying.
• 31:39
  Speaker 1: Yeah, that was.
• 31:40
  Speaker 3: Funny, all cute and good. Yeah, I mean it's sort
• 31:42
  Speaker 3: of a Rando storyline, but like cute, fine, yeah.
• 31:45
  Speaker 4: He was cute.
• 31:46
  Speaker 3: Yeah, it sort of leads to an interesting conversation with Logan.
• 31:49
  Speaker 3: It's all kind of light but like good.
• 31:53
  Speaker 1: Yeah.
• 31:54
  Speaker 3: And then.
• 31:56
  Speaker 2: Now Kirk is delivering the flowers.
• 31:59
  Speaker 3: This made me laugh when he pass at Kirk he.
• 32:02
  Speaker 2: Wants a tip even though he's a volunteer. I'm not
• 32:05
  Speaker 2: volunteering for you. And this is this is where Suki
• 32:11
  Speaker 2: Laurel I have that conversation about because Laurel I says,
• 32:16
  Speaker 2: I'm going to have to cut Luke out of my
• 32:17
  Speaker 2: life entirely because Christopher can't deal. I mean, the ship
• 32:22
  Speaker 2: has already sailed. Cutting Luke out is not going to
• 32:25
  Speaker 2: patch up the relationship with Christopher.
• 32:27
  Speaker 3: He's trying really hard to be like do you want Luke?
• 32:32
  Speaker 3: Like really kind of like, what are you doing? I
• 32:35
  Speaker 3: thought subtly she was very much sort of going, you
• 32:38
  Speaker 3: should really think all about what you're doing right. What
• 32:42
  Speaker 3: are you doing right?
• 32:43
  Speaker 2: Because those feelings don't just vaporize over like they go somewhere.
• 32:49
  Speaker 2: So and so she was kind of the voice of
• 32:52
  Speaker 2: reason when she says, like, if there was no Luke
• 32:54
  Speaker 2: at all, would Christopher be the one or is he
• 32:57
  Speaker 2: just the default? And that's what really you know, you
• 33:01
  Speaker 2: can see lorelized wheels kind of start to turn at
• 33:04
  Speaker 2: that point.
• 33:05
  Speaker 3: Good face acting.
• 33:06
  Speaker 2: I was annoyed by the dishwasher, and you see this
• 33:11
  Speaker 2: all the time on that show. They have that that
• 33:14
  Speaker 2: like industrial dishwasher and they put like fruit and vegetables
• 33:18
  Speaker 2: and stuff on the top of it, like where the
• 33:19
  Speaker 2: steamy could be very.
• 33:20
  Speaker 3: Strange kind of note I have to take a gander
• 33:24
  Speaker 3: at that.
• 33:25
  Speaker 1: And this is the scene where she yelled at the
• 33:27
  Speaker 1: two employees to get out of there, but then got
• 33:29
  Speaker 1: really nice, go get out, but you're doing great jobs.
• 33:33
  Speaker 1: And I really appreciate you. There were so many great
• 33:38
  Speaker 1: laughs in this episode.
• 33:40
  Speaker 3: There were.
• 33:43
  Speaker 2: Some good parts. So then we go to the music store.
• 33:47
  Speaker 2: I was very sad that we didn't see Carol Key
• 33:50
  Speaker 2: and got a.
• 33:51
  Speaker 3: Great a great scene between the three Michelle laurelized Zach
• 33:56
  Speaker 3: and Zach just kind of crushing it. And also we
• 33:59
  Speaker 3: get a sort of a foreshadowing.
• 34:03
  Speaker 2: Yes, they mentioned a song for shadowing.
• 34:05
  Speaker 3: Ye, it was.
• 34:06
  Speaker 2: I even pointed that out to my husband. It's like, oh,
• 34:08
  Speaker 2: I didn't even hear it. I have a flag on
• 34:11
  Speaker 2: the pink hat she was wearing, though.
• 34:13
  Speaker 1: I did not like it right. It was it wasn't on,
• 34:17
  Speaker 1: It wasn't on right. It was like, but when she
• 34:20
  Speaker 1: walked out of the store, it's like they adjusted it
• 34:22
  Speaker 1: was better.
• 34:23
  Speaker 2: Yeah, it was up to something or too high on
• 34:26
  Speaker 2: her forehead.
• 34:27
  Speaker 1: That was it just weird. I wasn't And when she
• 34:30
  Speaker 1: walked out it looked good because it was down, yeah,
• 34:33
  Speaker 1: round her eyebrows. Yeah.
• 34:35
  Speaker 2: But when they were in the store talking, I'm like,
• 34:37
  Speaker 2: there's something weird. Maybe that was it. It was too high,
• 34:40
  Speaker 2: but a little wrong with that pink hat.
• 34:42
  Speaker 1: I don't too much forehead. You don't want to do
• 34:45
  Speaker 1: that with a.
• 34:46
  Speaker 2: I'm going to throw my favorite line in in here
• 34:48
  Speaker 2: because it was from this scene when when Michelle said
• 34:53
  Speaker 2: he wanted a Celine Dion song and Zach says, please
• 34:56
  Speaker 2: don't make me do that.
• 34:59
  Speaker 3: Zach was awesome in the scene. Was really so good.
• 35:03
  Speaker 3: He's so so good.
• 35:06
  Speaker 1: And then and then lorelized comments about all the songs
• 35:08
  Speaker 1: with hearts Heart to You. It's like it was great stuff.
• 35:16
  Speaker 1: That was good dialogue and funny stuff. And then when
• 35:21
  Speaker 1: they at least expected the Gilmore girls can get laughs
• 35:24
  Speaker 1: at it anything. It's just such a joy, such a joy.
• 35:29
  Speaker 2: And when they walked out of the music store and
• 35:32
  Speaker 2: they're walking down the street and then Michelle tells that
• 35:35
  Speaker 2: really weird story about a troop of mimes. What he
• 35:41
  Speaker 2: was trying to understand what they were pointing at. And
• 35:44
  Speaker 2: then he had to go to Luke's Diner because he
• 35:46
  Speaker 2: needed comfort, Like what the heck.
• 35:49
  Speaker 1: To order a hamberg ordered a hamburger?
• 35:52
  Speaker 3: Is that he got the burger and Papa love it,
• 36:00
  Speaker 3: and so he's going to go get a burger Chinchin, sorry,
• 36:05
  Speaker 3: my bad to go get the burger to eat in
• 36:08
  Speaker 3: honor of Chinchin loving that burger. Now, really it's so
• 36:13
  Speaker 3: that we can get the wave right.
• 36:15
  Speaker 2: Yes, that was the entire point. It just was such
• 36:19
  Speaker 2: a randomly random story about Mime's staying at the end.
• 36:23
  Speaker 3: I kind of didn't pay any attention to that part.
• 36:26
  Speaker 2: It was it was funny, and so I think that
• 36:30
  Speaker 2: I think that was the only time we saw Luke
• 36:32
  Speaker 2: in this episode.
• 36:33
  Speaker 1: So yeah, it was.
• 36:35
  Speaker 3: It was the wave.
• 36:37
  Speaker 1: Yeah, but did hang on? Did I did I steal
• 36:41
  Speaker 1: the episode?
• 36:42
  Speaker 3: Or it's an important moment? It was. I'll give you that.
• 36:47
  Speaker 3: It's an important moment.
• 36:49
  Speaker 1: Hey man, what a joy to show up one one
• 36:52
  Speaker 1: for a couple hours, not even to talk. Hey guys.
• 36:56
  Speaker 2: Yeah, and.
• 36:59
  Speaker 3: She had kind of the look on her face.
• 37:02
  Speaker 2: She would have gone in to say hi, but she's now,
• 37:04
  Speaker 2: you know, she's made the decision that now she has
• 37:06
  Speaker 2: to cut Luke out. So but yes, stay on opposite
• 37:10
  Speaker 2: sides of the glass, I guess. So, yeah, it was.
• 37:13
  Speaker 2: It was poignant, It was symbolic.
• 37:15
  Speaker 3: Yeah, yeah, very very important.
• 37:16
  Speaker 2: Yeah. Okay, so then Logan surprises Rory at her apartment,
• 37:22
  Speaker 2: like how many This is like the third or fourth
• 37:24
  Speaker 2: time we've seen that.
• 37:26
  Speaker 3: Yeah, the third might be more right.
• 37:28
  Speaker 2: Yeah, So okay, we've done that.
• 37:31
  Speaker 3: That's how we bring him back.
• 37:33
  Speaker 2: Fine, Yeah, I guess he just you know, he's logan.
• 37:36
  Speaker 2: He likes to make the gestures.
• 37:38
  Speaker 3: Well he's broken, get them together to have the big talk.
• 37:41
  Speaker 1: Yeah broken, she fixed them, she broke, yes, but.
• 37:46
  Speaker 3: We got to have the talk, the big talk.
• 37:50
  Speaker 2: So this is I did.
• 37:55
  Speaker 3: Did you find the farr?
• 37:56
  Speaker 2: It was odd and I know she leads, she leads
• 38:00
  Speaker 2: into it by saying it was because of Marty, but.
• 38:04
  Speaker 3: I don't know.
• 38:05
  Speaker 2: It just felt weird to me that she was so
• 38:07
  Speaker 2: worked up about it.
• 38:08
  Speaker 1: Right, I mean, it was kind of refreshingly honest.
• 38:12
  Speaker 3: Yeah, yeah, yeah, And he's so cool.
• 38:14
  Speaker 1: And he's so cool about it, and it really brought
• 38:17
  Speaker 1: out great sides of both of them. But in the
• 38:20
  Speaker 1: in the.
• 38:20
  Speaker 3: Realm, sometimes it makes sense, like sometimes you have a
• 38:24
  Speaker 3: little like maybe she's feeling guilty and it's gonna help
• 38:28
  Speaker 3: her guilt to be able to tell him so.
• 38:30
  Speaker 2: Because he did kind of get it. He did kind
• 38:33
  Speaker 2: of give her crap about the Marty situation when we
• 38:36
  Speaker 2: were in the cafeteria and he's like, well, why didn't
• 38:38
  Speaker 2: you tell me what you know? Are you hiding something?
• 38:40
  Speaker 2: Do you have feelings? Like he was a little accused
• 38:43
  Speaker 2: for me in that scene, so I can see why
• 38:46
  Speaker 2: she might have been like, Okay, I'm just gonna err
• 38:49
  Speaker 2: on the side of telling too much because I don't
• 38:52
  Speaker 2: want to be accused of holding something back later. So
• 38:55
  Speaker 2: I do kind of get that.
• 38:56
  Speaker 1: But yeah, I think it did show her affection to
• 39:00
  Speaker 1: him and her trust in him. Yeah, yeah, but it
• 39:05
  Speaker 1: was it did. It was a little I don't know.
• 39:07
  Speaker 2: It was kind of making a mountain out of a molehill.
• 39:09
  Speaker 1: I thought, yeah, I don't think about it.
• 39:14
  Speaker 3: It was fine.
• 39:15
  Speaker 2: I mean, it ended up in a good conversation because
• 39:18
  Speaker 2: they both decided they're okay.
• 39:20
  Speaker 1: It definitely displayed virtue, right, Yeah, it kind.
• 39:25
  Speaker 3: Of took their relationship to a next level with that
• 39:28
  Speaker 3: open communication, very like adult and it's okay, And yeah,
• 39:33
  Speaker 3: I didn't mind it. But it was a little weird.
• 39:36
  Speaker 3: It was a hit weird.
• 39:37
  Speaker 2: Yeah, and a funny moment at the end when uh,
• 39:42
  Speaker 2: when he was like, well, why aren't we watching Paris
• 39:45
  Speaker 2: Belly Dance, they take off to go see that, which
• 39:49
  Speaker 2: which probably would have been fun to watch. I can't
• 39:52
  Speaker 2: blame them for that. And then uh, so then we
• 39:56
  Speaker 2: go to the actual funeral. Oh my god, oh my gosh,
• 40:01
  Speaker 2: so much going on. So we saw Lane. That's the
• 40:03
  Speaker 2: only time we saw.
• 40:05
  Speaker 3: She looked really cute and it was kind of obviously
• 40:08
  Speaker 3: she was there for Michelle, but really for Zach is
• 40:10
  Speaker 3: what I came like, you know, because he's doing the performance.
• 40:14
  Speaker 2: And all the dogs that attend.
• 40:17
  Speaker 3: Oh my god, the dogs and the face acting. This
• 40:20
  Speaker 3: scene's basically all about face acting because the dogs faces.
• 40:24
  Speaker 2: And then Laura lives, yeah, and you can see like
• 40:29
  Speaker 2: everything that's going like you could almost like see the
• 40:33
  Speaker 2: thoughts just passing across her face like she as she
• 40:37
  Speaker 2: was kind of processing what Suki had said, and then
• 40:41
  Speaker 2: you know, the conversation she's going to have to have with.
• 40:44
  Speaker 3: Yeah and what she's really feeling.
• 40:46
  Speaker 2: Right, So then she comes home, she's a little sniffy,
• 40:51
  Speaker 2: and she says the funeral was sad, and then this
• 40:57
  Speaker 2: is this is you know, kind of where it all unravels,
• 41:01
  Speaker 2: and yeah, she says I jumped. He says I pushed you.
• 41:07
  Speaker 2: She was legit crying in the seat like that was Ye.
• 41:11
  Speaker 3: She was amazing in this scene. Just the one line, So.
• 41:17
  Speaker 4: Go for it.
• 41:18
  Speaker 3: What is the exact line. You're the man I want
• 41:22
  Speaker 3: to want to want.
• 41:23
  Speaker 1: Yes, you're the man I want to want.
• 41:26
  Speaker 3: I don't like even what she meant was.
• 41:30
  Speaker 1: You are not worthy. You're not the kind of man
• 41:34
  Speaker 1: that I would want. You haven't turned into somebody that
• 41:38
  Speaker 1: I want to want you, but you're not worthy of
• 41:41
  Speaker 1: wanting that much. Yeah, that's what I think. Trying to say.
• 41:46
  Speaker 3: Him right, it's almost like saying I would.
• 41:50
  Speaker 1: It's a it's a real bad the.
• 41:51
  Speaker 3: Guy, but I wish you were the guy, right exactly.
• 41:54
  Speaker 1: It's like, you think you're the man, but you ain't
• 41:56
  Speaker 1: the man, buddy.
• 41:57
  Speaker 2: Yeah, yeah, And she said.
• 41:59
  Speaker 1: And I wish you were because you're the because because
• 42:01
  Speaker 1: it it complicated for the.
• 42:03
  Speaker 3: Father of me, and there's a lot of good things
• 42:07
  Speaker 3: about you, but like, you're not the guy. So I
• 42:09
  Speaker 3: just did I don't love that line. I get the
• 42:12
  Speaker 3: whole sentiment, and I get the conversation, and like, ultimately
• 42:16
  Speaker 3: this relationship is played.
• 42:17
  Speaker 1: Maybe they could put us in a little box explaining
• 42:20
  Speaker 1: what she meant during the episode.
• 42:24
  Speaker 3: So it's not like that line didn't wow me. It
• 42:26
  Speaker 3: wasn't like it didn't have sort of that punch that
• 42:29
  Speaker 3: I was like, oh, oh you know, yeah, it just
• 42:33
  Speaker 3: was okay.
• 42:34
  Speaker 2: I mean, because she says that he was always this
• 42:37
  Speaker 2: wonderful possibility, but now she realized that that possibility in
• 42:45
  Speaker 2: and of itself is not enough to be with this
• 42:48
  Speaker 2: guy for the rest of your life.
• 42:50
  Speaker 4: Yeah.
• 42:50
  Speaker 3: Yeah, and all that they hope that they can be,
• 42:56
  Speaker 3: they can't be, do you know what I mean? No
• 42:58
  Speaker 3: matter how much both of them want it, it just
• 43:01
  Speaker 3: isn't right.
• 43:04
  Speaker 2: Right, Like there, you know, they have a kid together
• 43:07
  Speaker 2: and all this, but that doesn't change the fact that
• 43:11
  Speaker 2: when it comes down to it, but she doesn't want him
• 43:14
  Speaker 2: like she thought she could want him, but she doesn't
• 43:17
  Speaker 2: want him. So I think that's where that line comes from,
• 43:20
  Speaker 2: that she wants to want him, right, She wants to
• 43:24
  Speaker 2: want him because everybody has been saying, oh, you guys
• 43:28
  Speaker 2: should be together and you know, blah blah blah. But
• 43:30
  Speaker 2: then but there's not enough there to hold a relationship
• 43:33
  Speaker 2: together enough times.
• 43:34
  Speaker 3: Now we're done, Yeah to do this, because even I
• 43:39
  Speaker 3: as a viewer, wasn't totally sure, but now I'm like, yeah, done.
• 43:44
  Speaker 1: Yeah, he's just not on her level. Yeah, emotionally speaking,
• 43:50
  Speaker 1: he's not an emotionally mature or emotionally intelligent person. He's
• 43:56
  Speaker 1: just yes, agreed, it's a case of arrested emotional development
• 44:02
  Speaker 1: with this guy, and he just has this pensiant because
• 44:07
  Speaker 1: of this pregnancy and his child and how he responded
• 44:12
  Speaker 1: to it. He just this is who he is, This
• 44:14
  Speaker 1: is how he rolls, and you can't depend on him.
• 44:17
  Speaker 1: And yeah, and nobody's surprised in the audience, And now
• 44:22
  Speaker 1: she's not surprised. I wasn't surprised that I felt this
• 44:24
  Speaker 1: way that I couldn't.
• 44:26
  Speaker 3: I think that it's an important she really had to
• 44:30
  Speaker 3: get there.
• 44:31
  Speaker 1: Yes, I mean, just think of the commitment that she
• 44:35
  Speaker 1: has made her whole adult life, practically and even even
• 44:39
  Speaker 1: as a teenager to get that child into a safe
• 44:42
  Speaker 1: place and raise her the right way with a community
• 44:46
  Speaker 1: and surrounded by love and solid people instead of that dysfunctional,
• 44:50
  Speaker 1: toxic thing she came from. And I mean, talk about
• 44:55
  Speaker 1: a strong woman and a righteous woman. And and then
• 45:00
  Speaker 1: you got this clown coming in out of your life
• 45:03
  Speaker 1: who happens to be the baby daddy but just scrambling
• 45:06
  Speaker 1: everybody's eggs all the time. And it's like, guy, you know,
• 45:13
  Speaker 1: you get you know, you get to get into the
• 45:15
  Speaker 1: party because you know you're kind of responsible for this
• 45:18
  Speaker 1: part way.
• 45:19
  Speaker 2: But all bad too.
• 45:20
  Speaker 3: There are redeeming things better, there are I know you
• 45:24
  Speaker 3: guys maybe don't agree as much, but there are a
• 45:26
  Speaker 3: lot of redeeming things also, like that connection. You always
• 45:31
  Speaker 3: kind of like, I just don't love the line, but
• 45:34
  Speaker 3: I know what she's saying. It's like, of course, it'd
• 45:37
  Speaker 3: be great if your high school sweetheart that is your soulmate,
• 45:42
  Speaker 3: but like she just isn't.
• 45:44
  Speaker 1: Let's look at it from an analytical standpoint about the
• 45:47
  Speaker 1: effect that this relationship between her mother and her biological
• 45:51
  Speaker 1: father are having on her own relationships, Rory's own relationships.
• 45:58
  Speaker 1: I mean that's a whole discussion, right, I.
• 46:00
  Speaker 3: Mean, yeah, yeah.
• 46:02
  Speaker 1: You know, and how it's going to call her the
• 46:04
  Speaker 1: rest of her life and towards her attitudes towards men. Yeah,
• 46:08
  Speaker 1: that's right, right, So yeah.
• 46:12
  Speaker 3: Yeah, her relationship and not relationship and sort of sporadic
• 46:17
  Speaker 3: relationship with her father will definitely impact her, right yeah.
• 46:22
  Speaker 1: Yeah.
• 46:23
  Speaker 2: But I was just excited to finally put a nail
• 46:26
  Speaker 2: in that coffin and be like okay, like we're we
• 46:28
  Speaker 2: popped a couple beers open, and we're like all right bye, Christopher.
• 46:32
  Speaker 2: So I was I was happy during that last thing.
• 46:34
  Speaker 2: I wasn't sad for anybody.
• 46:36
  Speaker 1: I was.
• 46:36
  Speaker 2: I was pretty excited.
• 46:37
  Speaker 1: Put him on the boat. Light the torch just pushed
• 46:40
  Speaker 1: the canoe out into the lake and watch it.
• 46:44
  Speaker 3: It's a good episode. It's not super controversial, you know.
• 46:47
  Speaker 3: I think most people sort of are like, Okay, this
• 46:49
  Speaker 3: is played out. Okay.
• 46:51
  Speaker 2: Yeah. It was good because she had to get that
• 46:53
  Speaker 2: out of her system. Like, like she said, he was
• 46:56
  Speaker 2: always a possibility, and so she had to get to
• 46:59
  Speaker 2: the point where she tried out that possibility and figured
• 47:03
  Speaker 2: out that it wasn't right in the long term, right, yeah, yeah, yeah,
• 47:07
  Speaker 2: because if she had married Luke and then he you know,
• 47:10
  Speaker 2: came back around, who knows what would have happened. But
• 47:12
  Speaker 2: she needed to have some.
• 47:13
  Speaker 1: Closure there, right. You have to respect the process that
• 47:16
  Speaker 1: she the processes she went through to try to get
• 47:19
  Speaker 1: him back into their both of their lives. Mm hm,
• 47:22
  Speaker 1: you know, you have to respect that. But anyway, I'm
• 47:25
  Speaker 1: really excited, and I'm not just saying yeah, you know,
• 47:29
  Speaker 1: I'm excited to see what happens because I don't know,
• 47:32
  Speaker 1: I don't know how how or if Luke and Laurels
• 47:35
  Speaker 1: are coming back together in this season. I'm really eager
• 47:38
  Speaker 1: to see that, you know.
• 47:40
  Speaker 2: Yeah, Like for me, this episode is sort of a
• 47:43
  Speaker 2: turning point in season seven, because now I feel like
• 47:46
  Speaker 2: for the rest of the season, now we're cooking with
• 47:49
  Speaker 2: gas like these, that these are where the episodes get
• 47:51
  Speaker 2: really good for me. Once we get Christopher out of
• 47:54
  Speaker 2: the picture and his whiny neediness. Now we can you know,
• 47:58
  Speaker 2: move on with some good stuff.
• 48:00
  Speaker 3: What she wants, and so we're going to see what
• 48:02
  Speaker 3: that is.
• 48:03
  Speaker 1: Yeah, yeah, I'm eager to see that. Anyway, what are
• 48:08
  Speaker 1: we giving this? Uh, Suzanne, what do you think?
• 48:12
  Speaker 2: I Am going to give this nine inspirational plaques that
• 48:18
  Speaker 2: we got friends.
• 48:20
  Speaker 3: Yeah, I'm going to give this eight point eight q
• 48:25
  Speaker 3: t as, gotcha?
• 48:28
  Speaker 1: Uh hm, I'm going to get up there in the
• 48:32
  Speaker 1: nines too, because it just relaxed me and I enjoyed
• 48:35
  Speaker 1: the heck out of this.
• 48:37
  Speaker 3: I'm going to agree with that word choice. It's a
• 48:39
  Speaker 3: very easy blowy.
• 48:42
  Speaker 1: Oh god, yeah, all of these pleasant, great performances, all
• 48:47
  Speaker 1: of this funny stuff. Yeah, you know, it just got
• 48:50
  Speaker 1: dramatic just enough, not too too much.
• 48:53
  Speaker 3: But goofy just enough. Yeah, I agree.
• 48:56
  Speaker 1: I mean I really got a sense of what, you know,
• 48:59
  Speaker 1: the the potential of what the show could always be
• 49:02
  Speaker 1: and at its best, I'm gonna go nine point I
• 49:09
  Speaker 1: liked this episode a lot. Let's give it a nine
• 49:16
  Speaker 1: to five five. God you know doggie photos or doggie
• 49:29
  Speaker 1: photos of Paul Paul chin Chin right, yeah, uh not.
• 49:35
  Speaker 3: Yeah, it's an easy, nice, no fighting. We're all kind
• 49:38
  Speaker 3: of on the same page on it and stuff. Yeh,
• 49:41
  Speaker 3: see you next week. Kayak what is it? Kayak something?
• 49:44
  Speaker 2: What I'm a kayak? Hear me roar.
• 49:51
  Speaker 1: And that is gonna analogy.
• 49:53
  Speaker 2: There's a good analogy behind that title.
• 49:55
  Speaker 1: You're going to find out anyway. Thank you ladies, Thank you, Susan,
• 49:58
  Speaker 1: thank you Amy. You will see uh Tara and Danielle
• 50:02
  Speaker 1: soon hopefully yea. And Jackie hell of a job filling
• 50:06
  Speaker 1: in for those two. Boy, I tell you, thanks.
• 50:13
  Speaker 3: You break any kind of time.
• 50:16
  Speaker 4: I good.
• 50:18
  Speaker 1: You're doing right. No, you know the unsung hero of
• 50:20
  Speaker 1: the podcast is it's Jackie Rodriguez for sure. Anyway, Again,
• 50:27
  Speaker 1: a delightful episode. Best fans on the planet. Keep the
• 50:30
  Speaker 1: cards and letters coming. They keep us honest, they keep
• 50:32
  Speaker 1: us sane. They make us insane sometimes, but that's not
• 50:35
  Speaker 1: a bad thing. We love you guys, more than you know,
• 50:38
  Speaker 1: more than you'll ever know, and much appreciated. And remember
• 50:43
  Speaker 1: we and I am all in we'll see you next time.
• 50:45
  Speaker 4: Stay sick, hey.
• 51:15
  Speaker 1: Everybody, and don't forget. Follow us on Instagram at i
• 51:18
  Speaker 1: Am All In Podcast and email us at Gilmore at
• 51:23
  Speaker 1: iHeartRadio dot com