Latest / Vanity Farah with Chris Farah / Season 12 Episode 3 “I Manifested You” Part 1 of 2 with Jake Anthony of Reality Gays

Transcript

Season 12 Episode 3 “I Manifested You” Part 1 of 2 with Jake Anthony of Reality Gays · Vanity Farah with Chris Farah

• 0:06
  Speaker 1: Hello, everyone, Welcome back to Vanity Farah. I'm your host,
• 0:10
  Speaker 1: Chris Farah, and I have a very special guest with
• 0:13
  Speaker 1: me to break down ninety eight Fance. This is season twelve,
• 0:16
  Speaker 1: episode three. I manifested you, and I truly manifested my guess. Honey,
• 0:23
  Speaker 1: please put your hands together.
• 0:25
  Speaker 2: Just yeah, Papa, Oh there he is.
• 0:28
  Speaker 1: It's Jake slash Poodle from Reality Gaze. Hello.
• 0:32
  Speaker 2: Sorry, sorry, I just been second Dick of the Cornfield.
• 0:37
  Speaker 1: Is it a Kentucky Cornfield?
• 0:39
  Speaker 2: Oh god, Kentucky. Yeah.
• 0:44
  Speaker 3: I call this horrible, uh interweaving of his family and
• 0:50
  Speaker 3: like ex Wives, Paduca Nights, Oh my god, yeah, horrible
• 0:54
  Speaker 3: nightly soap and the dog the dogs run through it.
• 0:57
  Speaker 1: Every scene that I want, like a Gossip Girl recap
• 1:02
  Speaker 1: from the Facebook comments that like talk about what happened,
• 1:05
  Speaker 1: like in the thread of Paduca County, you.
• 1:08
  Speaker 3: Know the Facebook for it, like Grid melts down because
• 1:12
  Speaker 3: everyone knows everybody.
• 1:13
  Speaker 1: I know it. Everyone's commenting on things and then yeah,
• 1:16
  Speaker 1: liking that comment and then you just open.
• 1:19
  Speaker 2: Oh next door is insane. There, Marks Zuckerberg should get
• 1:25
  Speaker 2: down this.
• 1:25
  Speaker 1: I think it could totally be like a TV show,
• 1:27
  Speaker 1: but like, yeah, a Facebook TV show.
• 1:29
  Speaker 3: To whoever stole my cutlass Sierra out of my yard.
• 1:35
  Speaker 3: It was up on blocks and that was my mother
• 1:37
  Speaker 3: in laws.
• 1:39
  Speaker 2: Yeah.
• 1:39
  Speaker 1: And it's just like just dead deer everywhere. Yes, dead
• 1:44
  Speaker 1: bass fish Bass Pro shop should be like a sponsor.
• 1:47
  Speaker 2: Oh definitely. Oh that's too high brow.
• 1:49
  Speaker 3: I nah, I need to say that I grew up
• 1:52
  Speaker 3: in an area of deer heads and animals. This is
• 1:57
  Speaker 3: overkill for anyone. There are four deer heads in this bedroom.
• 2:02
  Speaker 1: Yeah, over kills a great word kill.
• 2:08
  Speaker 3: Yeah.
• 2:08
  Speaker 1: I have pictures, Yeah, no they Yeah, I have so
• 2:11
  Speaker 1: many picture.
• 2:12
  Speaker 2: Let's start with them.
• 2:13
  Speaker 1: We wake up, Yeah, we wake up in the church, honey.
• 2:18
  Speaker 1: I love a kitchy in, you know, it makes me
• 2:21
  Speaker 1: really happy to go to like someplace. And as a
• 2:23
  Speaker 1: theme and this Methodist church slash in has been like
• 2:26
  Speaker 1: loud as fuck all night long because annabel has been
• 2:29
  Speaker 1: taking care of her man. Yes, yes, Now I read
• 2:33
  Speaker 1: on Reddit that a lot of fans think that maybe
• 2:36
  Speaker 1: Annabelle spent some time doing some sex work in the
• 2:41
  Speaker 1: Philippines because her ain't no shame of the game, surely not.
• 2:45
  Speaker 1: But it's because of her methodology of like washing down
• 2:48
  Speaker 1: her client before being with them.
• 2:50
  Speaker 2: Like maybe that's misting.
• 2:52
  Speaker 3: Yeah, yeah, yeah, I think I also look at it
• 2:56
  Speaker 3: as there's a certain generation of It's almost like she
• 3:00
  Speaker 3: belongs to a generation of like even maybe her mother,
• 3:03
  Speaker 3: of like her seventy year old or seventy year seventy
• 3:06
  Speaker 3: five year old Filipino mother, where she they need to
• 3:09
  Speaker 3: take care of every man's thing, like every literally and figurably,
• 3:15
  Speaker 3: every every.
• 3:16
  Speaker 2: Element of their They like to dress, they like to
• 3:18
  Speaker 2: dress them.
• 3:18
  Speaker 3: It does, it does feel because we were saying before,
• 3:22
  Speaker 3: most Filipino younger generational women I know are not this submissive.
• 3:26
  Speaker 2: No, not at all. It's not we know them, we
• 3:29
  Speaker 2: saw them.
• 3:29
  Speaker 1: Not Sheena, not Anna like you.
• 3:31
  Speaker 3: No, I know no, No, that's maybe she belongs to
• 3:36
  Speaker 3: a little bit of the older generation.
• 3:37
  Speaker 2: But it could be it could be maybe she does
• 3:39
  Speaker 2: have background and the oldest profession.
• 3:43
  Speaker 3: I'm getting too tild of the oldest profession. Do you
• 3:48
  Speaker 3: know that?
• 3:49
  Speaker 2: From the Life The Life by cy Coleman. It's literally
• 3:53
  Speaker 2: a musical populated by sex workers.
• 3:55
  Speaker 3: You would love it.
• 3:57
  Speaker 1: I thought maybe you were going to say, from the
• 3:58
  Speaker 1: Littlest Whorehouse and tech.
• 4:00
  Speaker 3: No, that's another.
• 4:01
  Speaker 2: Another another musical about sex workers.
• 4:05
  Speaker 1: Yeah, is Sweet Charity about sex workers.
• 4:08
  Speaker 3: There are so many of them. She's kind of like
• 4:11
  Speaker 3: a hooker with a heart of gold though. Yeah, and
• 4:14
  Speaker 3: it's and it's kind of it's kind of soft pedaled.
• 4:17
  Speaker 2: There's also rent with Mimi.
• 4:20
  Speaker 1: Of course.
• 4:20
  Speaker 3: Yeah, yeah, yeah, there's Yeah, they're there. They populate musicals
• 4:25
  Speaker 3: all over the place.
• 4:26
  Speaker 1: Yeah, yeah, out tonight, honey, And that is what I mean,
• 4:29
  Speaker 1: you know, that's what basically Shaye was out tonight with her,
• 4:32
  Speaker 1: like they She also Danabelle loves grabbing her man's junk,
• 4:35
  Speaker 1: like in front, like on the on the confessionals, like.
• 4:38
  Speaker 2: In the bed.
• 4:39
  Speaker 1: She's always like, this worked, you know, and Shay's so
• 4:42
  Speaker 1: happy about it. And then you know, they kind of
• 4:45
  Speaker 1: talk about the fact that obviously they haven't been able
• 4:47
  Speaker 1: to like really enjoy their sexual cam because they can't
• 4:52
  Speaker 1: have phone sex. She lives with others, and she gets
• 4:55
  Speaker 1: the man out of bed, honey, she starts dressing him,
• 4:57
  Speaker 1: and then he actually says it does give him vibes
• 5:01
  Speaker 1: a little bit.
• 5:02
  Speaker 3: I don't think that's ever something you want personally. Maybe
• 5:07
  Speaker 3: I'm maybe that's me. My mother was never the kind
• 5:12
  Speaker 3: of if I was into women, my mother would never
• 5:14
  Speaker 3: be the kind of woman I would be into.
• 5:16
  Speaker 1: Now your type no more like the victim for everything
• 5:21
  Speaker 1: would be?
• 5:22
  Speaker 2: What would be your type of woman?
• 5:24
  Speaker 3: What would be Miss Jane Hathaway from the Beverly Hillbillies.
• 5:30
  Speaker 2: A Mannish woman? Okay, yeah, yeah, I can see that.
• 5:34
  Speaker 1: Yeah. I was like, you're you gonna say Ruby Rose
• 5:39
  Speaker 1: or something like that, like hot flipper.
• 5:42
  Speaker 3: I don't want them to be hotter than me.
• 5:45
  Speaker 1: Yeah, that's why I can't be. That's why I'm not
• 5:46
  Speaker 1: going to be a lesbian ever.
• 5:48
  Speaker 3: Yeah.
• 5:48
  Speaker 2: Can you imagine if they were hotter than you? I
• 5:50
  Speaker 2: can't know. You would need to be with a stone
• 5:52
  Speaker 2: cold butch.
• 5:54
  Speaker 1: I know it.
• 5:54
  Speaker 3: It's like fucking like pompadour, like Diesel.
• 6:00
  Speaker 2: Dyke, the full thing.
• 6:02
  Speaker 3: Yeah.
• 6:03
  Speaker 1: I want to be someone's little woman.
• 6:05
  Speaker 2: Me too.
• 6:07
  Speaker 3: Yeah, yeah, I would need to be. I would need
• 6:09
  Speaker 3: to be with a butcher lady, I think.
• 6:12
  Speaker 1: Yeah, we have so much in common that makes me happy.
• 6:19
  Speaker 1: So she gets in the car and they really do
• 6:22
  Speaker 1: live far away, like you know, by the time they're
• 6:24
  Speaker 1: in the car and they're.
• 6:24
  Speaker 2: Driving and they know, you know, they checked out at
• 6:26
  Speaker 2: eleven it was less than three hours.
• 6:28
  Speaker 3: Because that's that we asked that the closest international airport
• 6:31
  Speaker 3: to Paduca is Saint fucking Lewis.
• 6:34
  Speaker 2: So it's three hours by the time they arrive. It's
• 6:38
  Speaker 2: dark outside.
• 6:39
  Speaker 3: Yeah, and them dogs is waiting.
• 6:43
  Speaker 1: She doesn't mean just his feet in those sweaty ass shoes.
• 6:45
  Speaker 1: They mean those hairy ass greyhounds.
• 6:47
  Speaker 3: Those dogs, those hairy dogs. They're so poorly baved. Those
• 6:54
  Speaker 3: dogs don't ever listen. They run in the place, they
• 6:57
  Speaker 3: jump on people, they bark. He can say anything, they like,
• 7:01
  Speaker 3: go through the trash. These dogs are awful.
• 7:05
  Speaker 1: His children are horribly trained and horribly behaved.
• 7:09
  Speaker 2: Terrible daughter.
• 7:10
  Speaker 1: Oh, Alison, honey, I feel so bad for River. Okay,
• 7:13
  Speaker 1: let's get into this. So I know Annabel's wearing some
• 7:17
  Speaker 1: sort of like Wednesday Adam's outfit. It's like the black
• 7:20
  Speaker 1: and white dress with a huge, like kind of white collar.
• 7:23
  Speaker 1: Then I was kind of.
• 7:24
  Speaker 2: Like, oh, that's why he bought her all those clothes.
• 7:26
  Speaker 3: He knew it is very zoomed out doll furniture, doll
• 7:31
  Speaker 3: doll clothes.
• 7:32
  Speaker 1: Absolutely, yeah, almost like a cartoon character kind of outfit.
• 7:36
  Speaker 2: A little yeah, I agree.
• 7:38
  Speaker 1: So of course she gets in the home and guess what,
• 7:41
  Speaker 1: even though he left it relatively clean. Alison, who lives
• 7:43
  Speaker 1: next door decided to bring all of her kids all
• 7:46
  Speaker 1: of the toys and spread them out all over the
• 7:49
  Speaker 1: house and HadAM. She has one daughter, River, who's not
• 7:53
  Speaker 1: into it. And then I mean, yeah, when Annabel comes in,
• 7:57
  Speaker 1: rivers like the dogs are barking. She there's cameras there,
• 8:00
  Speaker 1: which we you know, have to think about as well,
• 8:02
  Speaker 1: and rivers like, get me away from these people.
• 8:06
  Speaker 3: I would have I was that child because I was
• 8:09
  Speaker 3: having so much anxiety in this scene because of the dogs,
• 8:12
  Speaker 3: the toys scattered slipshod everywhere. Also, there are two children.
• 8:19
  Speaker 3: Did they need eleven toys? No? Yeah, my when when
• 8:24
  Speaker 3: when my niece and nephews at my mother's house, I
• 8:27
  Speaker 3: hear all the time, put put.
• 8:28
  Speaker 2: Back what you put back the other toys.
• 8:30
  Speaker 3: If you're gonna play with one, you only have one
• 8:33
  Speaker 3: out otherwise I'll step.
• 8:35
  Speaker 2: But do you want to hurt Bebe? They call her Bebie,
• 8:38
  Speaker 2: they call her beb.
• 8:39
  Speaker 1: Yes, we be Newarth.
• 8:41
  Speaker 3: Oh my god, I like imaginef BB Newarth was my mother,
• 8:45
  Speaker 3: my mother.
• 8:47
  Speaker 2: I would be I would be even gayer than I
• 8:49
  Speaker 2: am now.
• 8:49
  Speaker 1: Yeah, oh my god, I would I mean we be
• 8:54
  Speaker 1: famous though, right, that's true.
• 8:56
  Speaker 3: I don't know if she has children.
• 8:59
  Speaker 2: Well, yes, she gave her life at the stage.
• 9:01
  Speaker 3: That's true.
• 9:01
  Speaker 2: She's married to the American theater.
• 9:05
  Speaker 1: So does Pedela Pone And does Bernette Peters have kids?
• 9:09
  Speaker 3: I don't know. They feel like people who don't because
• 9:12
  Speaker 3: they lived so much for theater. I feel like married
• 9:17
  Speaker 3: Christian Channel, does she have kids?
• 9:18
  Speaker 2: No, No, I don't think her. I don't think her
• 9:22
  Speaker 2: ovaries ever dropped.
• 9:24
  Speaker 1: That's how she has her castraty voice.
• 9:26
  Speaker 3: Yes, like women who do gymnastics, they never get their period. Oh,
• 9:31
  Speaker 3: Christian feels like that to.
• 9:33
  Speaker 2: Me, that's a stute. Yeah.
• 9:36
  Speaker 1: Annabelle like is walking around, you know, and she knows
• 9:39
  Speaker 1: that it's like dirty. She literally is like, uh oh,
• 9:42
  Speaker 1: looks dirties when she sees this home.
• 9:45
  Speaker 2: Which can we take a minute for this photo?
• 9:49
  Speaker 1: Yeah, I put up a photo. It's something kitchen. There's
• 9:51
  Speaker 1: so much there's dog there's a dog food bone bag
• 9:55
  Speaker 1: like on the table, and then the biggest amount of you,
• 9:57
  Speaker 1: by the way, that bag which looks like it's ten pounds,
• 10:00
  Speaker 1: probably last them three days with those big ass pounds.
• 10:03
  Speaker 3: That's a fifty pound bag of dog food. Dog food
• 10:06
  Speaker 3: which lasts a week.
• 10:09
  Speaker 1: Yep.
• 10:10
  Speaker 2: There there's a sign that says, gather.
• 10:12
  Speaker 3: There is the milk bones, there are place mats which
• 10:17
  Speaker 3: are definitely.
• 10:20
  Speaker 2: Dollar Tree specials. He's thirty years old. Yeah.
• 10:26
  Speaker 1: You can still tell though, that this house that we're
• 10:29
  Speaker 1: looking at was obviously decorated by his last wife, because first,
• 10:35
  Speaker 1: this is not a man's work, and this is not
• 10:37
  Speaker 1: Allison's work.
• 10:38
  Speaker 3: No, no, this is this is that kind of haunted
• 10:42
  Speaker 3: ex wife. Yes, he saw that we saw in the
• 10:46
  Speaker 3: earlier episodes. Who Nicole, who kind of wants to destroy him.
• 10:50
  Speaker 1: Yeah, because she's like she's because she's like, now you
• 10:53
  Speaker 1: get to live in my house. I decorated with all
• 10:55
  Speaker 1: of my home goods knockoffs, like.
• 10:57
  Speaker 2: The yellows to the lips and everything. It's awful.
• 11:01
  Speaker 1: You also see a part where he's like, now this
• 11:04
  Speaker 1: is your new home. Here's your new big American fridge,
• 11:07
  Speaker 1: and here's your American oven. And on the oven is
• 11:10
  Speaker 1: like a pecan pie that we're supposed to be like, oh,
• 11:12
  Speaker 1: they're down home people. And then what looks like a
• 11:15
  Speaker 1: dog hairy tablet just sitting on the electric burner.
• 11:20
  Speaker 2: That pie was bought in a store.
• 11:23
  Speaker 3: Yeah, there is no it might be sitting on said stove,
• 11:26
  Speaker 3: but there's no way it actually started there. Yes, no,
• 11:30
  Speaker 3: that is that is a store bought pie.
• 11:33
  Speaker 1: You can imagine the dog hare that's just floated and
• 11:35
  Speaker 1: sitting on top.
• 11:37
  Speaker 2: And it's a con pie, so it just all sticks
• 11:39
  Speaker 2: to it.
• 11:40
  Speaker 1: I do love the con pie though, me too.
• 11:42
  Speaker 3: You have to make it though. A little brandy makes
• 11:45
  Speaker 3: it even better.
• 11:47
  Speaker 1: Little brandy makes everything better. Oh my god, brandy and
• 11:50
  Speaker 1: like apple cider. Like my god, little brandy, it's everything better.
• 11:55
  Speaker 2: That sounds like something.
• 11:56
  Speaker 3: That like like like Susanne Flushits would say, a.
• 12:00
  Speaker 2: Little brandy makes everything better.
• 12:03
  Speaker 1: Yeah, yeah, I'm of a different time.
• 12:06
  Speaker 2: We both are too, girl.
• 12:08
  Speaker 3: We should have been born in the forties, I know it.
• 12:10
  Speaker 3: Actually we should have been born in a thirties so
• 12:12
  Speaker 3: we could have really lived lived in the forties and fifties. Yeah, yeah, yeah,
• 12:17
  Speaker 3: we wouldn't.
• 12:17
  Speaker 1: And then we would have like we wanted to bypass
• 12:19
  Speaker 1: the Great Depression.
• 12:20
  Speaker 3: Though for sure I don't. I would not have done
• 12:23
  Speaker 3: well be rationing, you know. I would not have been
• 12:28
  Speaker 3: happy with rationing. I would have wanted all the sugar.
• 12:33
  Speaker 3: No four, what do you mean I can't have cake? Yeah?
• 12:39
  Speaker 1: Let him let me eat it. That's what the quote
• 12:41
  Speaker 1: would have been was talking about food.
• 12:43
  Speaker 2: Did you like when.
• 12:44
  Speaker 1: Annabel's like, we eat a lot of rice. I love rice,
• 12:47
  Speaker 1: can't we know? Rice is life? And he's like, well,
• 12:49
  Speaker 1: let me tell you about onion rings.
• 12:52
  Speaker 2: We talked about that.
• 12:53
  Speaker 3: He listed about eleven starches that that were his, and
• 12:59
  Speaker 3: he started saying, you know, like bread and potatoes and
• 13:02
  Speaker 3: onion rings and yams and funions and French fried potato.
• 13:07
  Speaker 1: No bread, I love, you know, like Texas toast. I'm
• 13:10
  Speaker 1: surprised he said only one kind of potato because he
• 13:12
  Speaker 1: could have just been like mashed potato, gotto potato, cheesy potato,
• 13:15
  Speaker 1: French fries, the thick fries.
• 13:19
  Speaker 3: That's what I expected him to do, because you know
• 13:21
  Speaker 3: that's his primarily his diet. Yes, also and deer. I mean,
• 13:26
  Speaker 3: of course, this man is fifty four years old. That
• 13:30
  Speaker 3: is such a hard fifty four mm hm. And I'm
• 13:34
  Speaker 3: going to say this, and I don't wish any ill
• 13:36
  Speaker 3: on him.
• 13:37
  Speaker 2: That man's not living to seventy. If you are looking like.
• 13:41
  Speaker 1: That, why do you think Annabel's there?
• 13:43
  Speaker 2: Egg exactly, let's hope.
• 13:46
  Speaker 3: So, I mean he looks rough and all that drinking,
• 13:50
  Speaker 3: every spending every Saturday and Sunday at the lake.
• 13:54
  Speaker 1: Yeah, and not just drinking, still doing those weird beer funnels,
• 13:59
  Speaker 1: like as if he doesn't even it's not even the
• 14:02
  Speaker 1: enjoyment of alcohol. It's like the just put as much
• 14:05
  Speaker 1: as you can and me.
• 14:07
  Speaker 3: Yeah, it's it's still living like he's in a frat.
• 14:10
  Speaker 3: But she'd never had I know, he do you who
• 14:13
  Speaker 3: do you think would be able to drink more?
• 14:14
  Speaker 2: Kim or Katie?
• 14:18
  Speaker 3: Well probably Katie, but she'd never remember because she's already
• 14:22
  Speaker 3: blacked out.
• 14:22
  Speaker 1: Yeah, he does a look out. He remembers everything.
• 14:25
  Speaker 2: That's true.
• 14:26
  Speaker 3: I don't know what I would want to have because
• 14:28
  Speaker 3: a lot of times I would not want to remember
• 14:30
  Speaker 3: what I did drug.
• 14:34
  Speaker 2: That one.
• 14:34
  Speaker 3: God, we'll talk about her. God, what a fucking miss I.
• 14:38
  Speaker 1: Know, I know it, I know it, I know it.
• 14:40
  Speaker 2: But the thing is they were both.
• 14:42
  Speaker 1: It's funny because she gets a lot of hate online
• 14:44
  Speaker 1: and he doesn't get the hate for the alcohol. And
• 14:46
  Speaker 1: it's like what he he looks like. He he presents
• 14:51
  Speaker 1: that he can take care of his ship more.
• 14:53
  Speaker 2: Than a boozer.
• 14:54
  Speaker 3: He's a big boozer, and he the whole thing about
• 14:57
  Speaker 3: you know, so what about kiss.
• 14:59
  Speaker 2: A girl at the lake?
• 15:00
  Speaker 3: And you know, sometimes she gotta put their hand between
• 15:03
  Speaker 3: your legs and you know when I guarantee it's not
• 15:07
  Speaker 3: just kissing. Oh yeah, this is this guy's this is
• 15:11
  Speaker 3: this guy says he's a good guy and he's a
• 15:13
  Speaker 3: complete gross uh like just letch he's gross. Yeah, it's
• 15:20
  Speaker 3: it's a you know, it's another it's another ninety day
• 15:24
  Speaker 3: like gross male at this garden variety.
• 15:28
  Speaker 2: Yeah, yep.
• 15:30
  Speaker 1: Anyway, so basically, obviously Annabel gets the tour of her
• 15:36
  Speaker 1: new home and you know, she's not happy about it,
• 15:38
  Speaker 1: and Alison uh and her going to Shay's bedroom and
• 15:42
  Speaker 1: which I now guess is Annibel's bedroom, and we see
• 15:45
  Speaker 1: we see a lot, We see a lot of deer
• 15:47
  Speaker 1: heads there. He is like there's one in every corner,
• 15:50
  Speaker 1: not just that, there's even the you know, there's even
• 15:55
  Speaker 1: the acts that like he used to just chop off
• 15:59
  Speaker 1: the head. I mean, yes, he is like so proud
• 16:02
  Speaker 1: of how he kills. There's basses, there's just so many
• 16:07
  Speaker 1: poor deer. And she touches the head and is like
• 16:09
  Speaker 1: this is so weird. Why are you doing this? Why
• 16:12
  Speaker 1: are there so many dead animals? And he's just like
• 16:15
  Speaker 1: he almost is like blind to he.
• 16:16
  Speaker 2: Was like animals, that's what we do here.
• 16:21
  Speaker 1: Think about how much space each head's taking up, because
• 16:24
  Speaker 1: it's true.
• 16:25
  Speaker 2: Think about it, and also look at his furniture.
• 16:27
  Speaker 1: It's just of a specific time and place, you know,
• 16:31
  Speaker 1: like it looks he has an armoire that would look
• 16:33
  Speaker 1: like it would be in like beating the Beast's castle.
• 16:36
  Speaker 3: Yeah, yeah, a lot of a lot of hardwood. That bed,
• 16:40
  Speaker 3: by the way, is probably that's at least fifty years old. Yeah,
• 16:45
  Speaker 3: it's probably like it belonged to someone. He someone died
• 16:49
  Speaker 3: in that bed. Oh yeah, yeah, yeah, it's it's the
• 16:52
  Speaker 3: other thing about this is imagine putting all those deer
• 16:56
  Speaker 3: heads in your bedroom and not your living room. You
• 17:00
  Speaker 3: usually if they're for a lot of people, they're trophies.
• 17:03
  Speaker 3: Why are they in your bedroom? Is it because you
• 17:07
  Speaker 3: need to that where you bring people in to show
• 17:09
  Speaker 3: them the trophies? Hm? I don't know.
• 17:12
  Speaker 1: Do you want to see my dear heads? Sure, they're
• 17:14
  Speaker 1: in my bedroom, but that's fine, you know, yeah, it's
• 17:16
  Speaker 1: a technique.
• 17:17
  Speaker 3: N Yeah, he decided, Yeah that's deer heads.
• 17:25
  Speaker 1: Yeah, just one right above my bed. Do you get
• 17:27
  Speaker 1: the best view? You have to get on my bed,
• 17:29
  Speaker 1: take off your clothes to really.
• 17:30
  Speaker 2: See it, sit on my face.
• 17:32
  Speaker 3: Uh yeah, ros you want to see my bass e.
• 17:38
  Speaker 1: Yeah, this is where he shows off all the jewelry
• 17:42
  Speaker 1: he got her. At one point, I feel like he
• 17:44
  Speaker 1: said he got her a I think he tried to
• 17:47
  Speaker 1: see the name.
• 17:48
  Speaker 3: It's specially be a bull of a watch, but I
• 17:50
  Speaker 3: think he said boulevard.
• 17:52
  Speaker 2: I was like, what did you just say?
• 17:54
  Speaker 1: Like it's also crazy just to give someone a watch,
• 17:57
  Speaker 1: just hand it over to them like no care, nod,
• 18:01
  Speaker 1: like just it was.
• 18:01
  Speaker 2: It felt like it was hot and off the street.
• 18:03
  Speaker 3: I think this was due to the fact that there
• 18:06
  Speaker 3: were cameras in and they were needing to do a
• 18:08
  Speaker 3: lot at one time, but it did feel like a
• 18:10
  Speaker 3: forced thing.
• 18:11
  Speaker 2: He's like, here's watch, here's diamond earrings.
• 18:14
  Speaker 3: Daughter is watching her like a hawk over there, and
• 18:20
  Speaker 3: and he's.
• 18:20
  Speaker 2: Like, well, my dad gives me gifts like this. I
• 18:22
  Speaker 2: feel like I'm in competition.
• 18:24
  Speaker 3: They don't get married, she needs to go back to
• 18:26
  Speaker 3: wherever her country is.
• 18:28
  Speaker 2: And I'm like, you're such a bitch. You're, first of all,
• 18:32
  Speaker 2: you're not in competition with his partner. Mm hmm, you moron.
• 18:36
  Speaker 2: You spoiled brat.
• 18:38
  Speaker 1: Truly, I don't I didn't remember. By the way, that
• 18:41
  Speaker 1: in the first episode if she said she had kids.
• 18:44
  Speaker 1: So when they dropped, they're like, yeah, my daughter Alison
• 18:46
  Speaker 1: and her kids. I was like, Allison has kids, Like
• 18:49
  Speaker 1: I was taken aback by that because of.
• 18:51
  Speaker 3: Her demeanor, and of course she does. Of course I
• 18:54
  Speaker 3: know at least two or three.
• 18:56
  Speaker 1: Yeah, no, I know, Core River, so bah exactly what happens.
• 19:01
  Speaker 1: She gets upset over the things like and also I
• 19:04
  Speaker 1: wanted a cloth that Annabelle thought that the diamond earrings
• 19:06
  Speaker 1: weren't actually diamonds, and I agree with her.
• 19:10
  Speaker 3: I at this point, I believe anything about this guy.
• 19:14
  Speaker 3: I just I I he's he's he's trying too hard
• 19:19
  Speaker 3: to be a good guy.
• 19:20
  Speaker 2: This is a really this is a.
• 19:22
  Speaker 3: Real typical Southern thing, especially when they're when they're featured
• 19:25
  Speaker 3: on camera or when they they they want to be
• 19:28
  Speaker 3: the good guy among all their friends. That's Shay, but
• 19:32
  Speaker 3: everyone also knows that he's a womanizer around him. So
• 19:36
  Speaker 3: but all the crazy things, you know, your town is
• 19:39
  Speaker 3: too small. When all these thirty year old women are
• 19:42
  Speaker 3: trying to fuck guys like this, your town is too small.
• 19:48
  Speaker 1: I'm assuming that that means that the men that are
• 19:51
  Speaker 1: these women's age are so shitty that perfect that they
• 19:54
  Speaker 1: are living with their parents, they don't mean have anything
• 19:56
  Speaker 1: to show. So these women are like, do I fuck
• 19:58
  Speaker 1: someone my age who can't, you know, know, buy me
• 20:00
  Speaker 1: a drink? Or do I fuck someone who can buy
• 20:02
  Speaker 1: me a drink every now and then?
• 20:04
  Speaker 2: Here's the difference. What Shay's maybe gonna be handsy, but
• 20:08
  Speaker 2: he's not going to date rape you like most of Paduca.
• 20:12
  Speaker 3: So I'm sorry to go there, but that's probably what's
• 20:15
  Speaker 3: what the situation is like, Yeah, at.
• 20:18
  Speaker 2: Least you might have a little bit more decorum.
• 20:22
  Speaker 1: It's interesting because I really want to talk to his
• 20:25
  Speaker 1: friend Greg, who's the father of that other girl.
• 20:28
  Speaker 3: That's a sketchy situation too. Yeah, yeah, that's it because
• 20:33
  Speaker 3: he's gotta he's got a wife in the Philippines and
• 20:36
  Speaker 3: lives there. Halftime maybe for text purposes, yeah.
• 20:42
  Speaker 1: Uh huh.
• 20:43
  Speaker 3: Things are Things are sketchy in Paduca on Paduca Nights.
• 20:46
  Speaker 2: Yeah. I know it isn't a good TV it is
• 20:49
  Speaker 2: it is.
• 20:50
  Speaker 3: It would only do well in the South, but still
• 20:55
  Speaker 3: want to make it and in my home.
• 20:57
  Speaker 1: Yes, So basically Allison, you know, shuttles off to her
• 21:02
  Speaker 1: own home. You know that is right next door.
• 21:06
  Speaker 2: And before before getting money?
• 21:10
  Speaker 1: Can I have some Can I have some cash? And
• 21:12
  Speaker 1: I mean Shay just gives her ten dollars, which to
• 21:15
  Speaker 1: me is like why are even asked for cash if
• 21:18
  Speaker 1: you're gonna get ten dollars?
• 21:20
  Speaker 2: Agree, it's I was like, just get it, don't just
• 21:24
  Speaker 2: don't just get money, get it all.
• 21:26
  Speaker 1: She's like, you can get some biscuits tomorrow, Like I'm like, wait,
• 21:29
  Speaker 1: I mean maybe a KFC just like a side of biscuits.
• 21:32
  Speaker 2: You can't even get a meal, you know, that's true.
• 21:34
  Speaker 3: They could probably get butter biscuits at Hardy's, which is
• 21:39
  Speaker 3: do you know what do you know Hardy's that is?
• 21:40
  Speaker 2: I've heard of it.
• 21:41
  Speaker 1: I haven't been there.
• 21:42
  Speaker 2: It's Carl's Junior.
• 21:43
  Speaker 3: It's the version of Carls Junior that you see in
• 21:45
  Speaker 3: the South specifically, but they're known for their biscuits.
• 21:50
  Speaker 1: I love Popeye's Chicken like I love it or whatever,
• 21:53
  Speaker 1: and so, I you know, I have a lot of
• 21:55
  Speaker 1: like Popeye's biscuits in my life, Like I mean, we don't.
• 21:59
  Speaker 1: We live in LA and there's just not really a
• 22:00
  Speaker 1: Popeyes around us, as much as I wish there was.
• 22:04
  Speaker 1: So I mean, I definitely love a biscuit. I definitely
• 22:06
  Speaker 1: love putting some honey on it. But annabel clocks this,
• 22:10
  Speaker 1: and you know, then she gets really really upset. And
• 22:13
  Speaker 1: a lot of this conversation, this whole episode is about
• 22:16
  Speaker 1: like money transference from family member to family.
• 22:21
  Speaker 2: Right into it. Yeah, yeah, and who's upset?
• 22:24
  Speaker 1: Obviously Alison doesn't want really to have her dad give
• 22:29
  Speaker 1: Annabelle money. Annabel gets upset that Shay give gave his
• 22:33
  Speaker 1: daughter ten dollars, which also is low key for his grandchildren.
• 22:38
  Speaker 1: And I'm like, well, Annabelle, show up, let's let him
• 22:40
  Speaker 1: give ten dollars to his fucking brand kids. What are
• 22:42
  Speaker 1: you talking about?
• 22:43
  Speaker 3: I think it for Annabelle, it represents what is happening,
• 22:47
  Speaker 3: because remember she even says, so she's just got a
• 22:50
  Speaker 3: free house in the back. Yeah, what this represents is
• 22:53
  Speaker 3: no boundaries, Yeah, the queene. So she's worried that she's
• 22:57
  Speaker 3: going to have to come in there and find some
• 23:00
  Speaker 3: way to exist among this really in mesh relationship. So
• 23:03
  Speaker 3: I think she's pointing it out. I don't think Annabelle
• 23:06
  Speaker 3: is going to have a problem putting to put down.
• 23:09
  Speaker 2: So you think that he'll listen to Annabelle.
• 23:11
  Speaker 3: Uh, he has to because she washes his penis.
• 23:17
  Speaker 2: Yes, yeah, but.
• 23:18
  Speaker 1: He can also slip his daughter money, like in any
• 23:21
  Speaker 1: sort of way he'll do that.
• 23:22
  Speaker 2: He will.
• 23:22
  Speaker 3: This guy will lie and this this he's going to
• 23:26
  Speaker 3: be living another life for his daughter. They will have
• 23:29
  Speaker 3: to do things behind Annabell's back. That's what's gonna happen.
• 23:33
  Speaker 1: We are no stranger on the show to people getting
• 23:36
  Speaker 1: mad at people for giving their family money.
• 23:38
  Speaker 2: You know, like usually you know Trope.
• 23:41
  Speaker 1: Right, like we had the Sheena's we had that, We've had,
• 23:43
  Speaker 1: We've had this a lot. We're gonna have it with Rashat.
• 23:45
  Speaker 1: But basically, I think that if you enter in a
• 23:48
  Speaker 1: relationship where someone already has a sort of contract with
• 23:52
  Speaker 1: their family, that stuff has already been transferred or that's
• 23:55
  Speaker 1: what happens in them, you kind of have to sort
• 23:59
  Speaker 1: of I think.
• 24:00
  Speaker 2: Blending, like allow it. It's like it's like.
• 24:04
  Speaker 1: Changing any other part of your lover's life, like if
• 24:07
  Speaker 1: they are into doing this or if they do it
• 24:10
  Speaker 1: unless they're telling you, like I am, I have a
• 24:13
  Speaker 1: gun to my head, I don't want to do this.
• 24:14
  Speaker 2: Like it seems like.
• 24:15
  Speaker 1: When people give someone else money, like in their family,
• 24:19
  Speaker 1: if they do it over and over again, there's a
• 24:21
  Speaker 1: lot of other ideas involved, that it makes them feel good,
• 24:24
  Speaker 1: that it like you know, like it, maybe it it
• 24:26
  Speaker 1: appeases their own guilt, or it makes them feel useful
• 24:30
  Speaker 1: or whatnot. So I think that I am sort of
• 24:33
  Speaker 1: like always mad at someone for getting mad at someone
• 24:36
  Speaker 1: for that.
• 24:37
  Speaker 3: I think the trick here is she is Annabelle is
• 24:41
  Speaker 3: coming into a situation where there's there's no real room
• 24:47
  Speaker 3: for her in this relationship between this daughter and the father,
• 24:53
  Speaker 3: and so she's gonna have to make It's going to
• 24:55
  Speaker 3: create space for it. And then what's going to happen is,
• 25:00
  Speaker 3: because he's a good guy, is going to try to
• 25:03
  Speaker 3: make both people happy all the time while trying to
• 25:07
  Speaker 3: make his crazy, haunted ex wife Nicole also happy. Yeah,
• 25:13
  Speaker 3: which will backfire spectacularly.
• 25:16
  Speaker 1: So yeah, if annabel wants my advice, it would be
• 25:20
  Speaker 1: you have to get Alice and married off one hundred percent.
• 25:24
  Speaker 3: Yeah. I don't know if she would.
• 25:27
  Speaker 2: If she.
• 25:29
  Speaker 3: I don't know if that would would get her gone though,
• 25:32
  Speaker 3: because this woman is irrationally attached to her father.
• 25:36
  Speaker 2: So yeah, the other thing is it doesn't seem like
• 25:39
  Speaker 2: the other sister.
• 25:40
  Speaker 1: Here's the thing.
• 25:40
  Speaker 3: Alice is a fuck up mm, because the other sister's
• 25:43
  Speaker 3: not and you're fuck, she's not the.
• 25:45
  Speaker 1: Baby, she's she's also yeah, she's the middle child.
• 25:48
  Speaker 3: Yep, yep, yep, yep. Go on.
• 25:50
  Speaker 2: I No, that's it, that's all I have to say. Yeah. Absolutely.
• 25:55
  Speaker 1: I also I also want to like know their mom
• 25:58
  Speaker 1: because we've been Nicole and Nicole's the the mother of
• 26:00
  Speaker 1: the last child that we haven't met yet.
• 26:03
  Speaker 2: Yeah, so there's.
• 26:04
  Speaker 1: Lots of There's a lot more people in Shay's life
• 26:06
  Speaker 1: that hopefully we'll get introduced to.
• 26:08
  Speaker 2: We'll meet the rest of the cast of Paduca Knights.
• 26:11
  Speaker 2: I'm telling you it is. It's a it's a rogues gallery.
• 26:15
  Speaker 3: It's we're gonna be meeting different We're gonna be meeting uh,
• 26:18
  Speaker 3: We're gonna meet in drunken Pete, the lady sits at
• 26:23
  Speaker 3: the end of the bar, who they just call mo.
• 26:26
  Speaker 2: Yeah, we're gonna meet all these people.
• 26:28
  Speaker 1: I can't wait to go to the bar that he
• 26:30
  Speaker 1: gets a couple of drinks and listens to bands at.
• 26:32
  Speaker 2: Good Lord, what a bleak, what a bleak life.
• 26:36
  Speaker 3: I just can't see it.
• 26:38
  Speaker 2: I like to think the bands are good.
• 26:39
  Speaker 3: I like it, but they it's always at the lake,
• 26:42
  Speaker 3: and it's always some bad jam band playing at a
• 26:45
  Speaker 3: lake house.
• 26:46
  Speaker 1: My mind, it's like really good blue grass. But no,
• 26:49
  Speaker 1: you're you're incorrect. I'm sorry, Okay, I give him too
• 26:54
  Speaker 1: much grace. Let's move on to a shorter segment. And
• 26:57
  Speaker 1: that's Katie, who we've already kind of touched on. Not
• 27:00
  Speaker 1: a lot happens here because she's so hungover. They could
• 27:03
  Speaker 1: really film that day.
• 27:05
  Speaker 2: She's like, I was just puking in between segments.
• 27:09
  Speaker 3: Can we just can we just establish this this person
• 27:12
  Speaker 3: is an alcoholic, besides the OCD, besides what I call
• 27:17
  Speaker 3: the fruit cocktail of issues that are there present, I
• 27:21
  Speaker 3: could rail them off. I'm not I'm not going to
• 27:23
  Speaker 3: diagnose her, but y'all there's at least six other things.
• 27:26
  Speaker 2: Yeah.
• 27:26
  Speaker 1: I'm not a doctor too, but she's but you know, yeah,
• 27:29
  Speaker 1: she seems like do you know also maybe a little
• 27:30
  Speaker 1: autistic or ADHD.
• 27:33
  Speaker 2: Yeah, autistic.
• 27:34
  Speaker 3: There's also I think there's I also believe because of
• 27:38
  Speaker 3: how the hyper sexuality manifests. I think there's trauma. Yeah,
• 27:46
  Speaker 3: I'm telling you, there's so many things here. OCD is
• 27:50
  Speaker 3: just a part of it's just a planet in the
• 27:54
  Speaker 3: Solar system.
• 27:56
  Speaker 2: And I also believe that. She she's she has been
• 27:59
  Speaker 2: tested for more things. But and I said this on
• 28:01
  Speaker 2: our show. She's like, I have ADHD.
• 28:04
  Speaker 3: They're like, and this producer is, we did that one already,
• 28:06
  Speaker 3: and she's like, I've also been diagnosed as autism. We
• 28:09
  Speaker 3: did that last season. Sorry, it's gotta be something else.
• 28:11
  Speaker 3: Oc perfect, you're the OCD girl.
• 28:15
  Speaker 2: That's a stute. That's that's what I think.
• 28:18
  Speaker 3: I think she probably told them all that and they're like, yeah,
• 28:20
  Speaker 3: we just did that one. Damn. We just need someone
• 28:24
  Speaker 3: with like bipolar disorder and we'll get the trifecta next season.
• 28:28
  Speaker 1: Suppose. I mean, you know, Lisa was like, I have VPD,
• 28:31
  Speaker 1: but they just never talked about it.
• 28:32
  Speaker 3: I think it's because it's considered a really because I
• 28:35
  Speaker 3: think when people say bipolar, they think they immediately go crazy.
• 28:40
  Speaker 3: That's a word that you could say OCD. People don't
• 28:43
  Speaker 3: say crazy. Yeah, so it's like it's a stigma kind
• 28:48
  Speaker 3: of thing.
• 28:48
  Speaker 2: I think.
• 28:49
  Speaker 1: So yeah, yeah, I mean next.
• 28:52
  Speaker 3: Next season will be I have triskadecaphobia, fear of thirteen.
• 28:57
  Speaker 1: She's like, yeah, how does that manifest it? It's can't
• 29:00
  Speaker 1: the number.
• 29:01
  Speaker 3: I'm not sure there's a play on Broadway right now,
• 29:03
  Speaker 3: called with Adrian Birdie.
• 29:05
  Speaker 1: I know, but I don't like him.
• 29:09
  Speaker 3: I don't either.
• 29:09
  Speaker 2: I don't either. My friends saw the play and said
• 29:12
  Speaker 2: it was good, though, are you gonna do? I know.
• 29:18
  Speaker 1: So it starts and he's, you know, Josh is folding
• 29:21
  Speaker 1: things and she's like, just step it in and he's like,
• 29:24
  Speaker 1: I like to fold and she's like, you fall very
• 29:26
  Speaker 1: British and you pat like a British person, which just
• 29:29
  Speaker 1: means I'm drunkie.
• 29:30
  Speaker 2: Yeah, that's what I would say. She's like, I am
• 29:33
  Speaker 2: hung I'm hungover.
• 29:35
  Speaker 1: So he goes and gets her some just lukewarm tapwater,
• 29:37
  Speaker 1: and I'm like, if you aren't gonna throw up already,
• 29:40
  Speaker 1: I mean, give me.
• 29:41
  Speaker 2: Some give me some pedia lt or don't give me anything.
• 29:45
  Speaker 1: Oh pedia light's so yummy, or yeah, like the power
• 29:48
  Speaker 1: aid like yes, sigh or yeah, yeah, I need some
• 29:51
  Speaker 1: sweet honey to wake my ass up like that. I
• 29:53
  Speaker 1: need like young.
• 29:54
  Speaker 3: Warm lukewarm tapwater gives me nause're right now? Yeah, if
• 29:59
  Speaker 3: I have been hungover, I can feel it now, or
• 30:01
  Speaker 3: at least with a cube of ice.
• 30:03
  Speaker 1: Yeah, I mean the whole hotel room is decorated horribly.
• 30:07
  Speaker 1: I hate all that purple. It's such a weird hotel room.
• 30:09
  Speaker 1: But you know, they did have a kitchen, which I
• 30:11
  Speaker 1: thought was nice. Yeah, we start to like he says
• 30:15
  Speaker 1: he sort of is okay to me. Josh dances around things,
• 30:20
  Speaker 1: like he uses so many words, like I think that
• 30:22
  Speaker 1: sometimes some things are obvious when it comes to respect
• 30:25
  Speaker 1: and disrespect, and Katie doesn't always understand when something to
• 30:29
  Speaker 1: me should be obvious. But like he sort of then
• 30:33
  Speaker 1: brings up stability and how she views things. But again,
• 30:37
  Speaker 1: no one's saying, Katie, maybe you shouldn't drink.
• 30:40
  Speaker 3: Yeah, he is debilitatingly polite and to a level that
• 30:46
  Speaker 3: is going to probably.
• 30:50
  Speaker 2: It'll be responsibility for ending.
• 30:52
  Speaker 3: It's responsible for Indy's relationship because he can't actually and
• 30:55
  Speaker 3: that maybe the British thing, but he's an extreme.
• 30:57
  Speaker 2: Form of that from British people that I've that there.
• 31:01
  Speaker 3: Uh he is, really he is. He's a British British person,
• 31:06
  Speaker 3: like he's a windsor I'm just kidding, but uh, I
• 31:13
  Speaker 3: was said, without without all the affairs and without the
• 31:16
  Speaker 3: without the family baggage, we don't know what he has,
• 31:19
  Speaker 3: though he's never said he wanted to be a tampon
• 31:23
  Speaker 3: and allegedly allegedly that's so crazy. You've heard that, right, yeah, girls, yeah,
• 31:31
  Speaker 3: with with with with Camilla. Yeah, that's which you now
• 31:34
  Speaker 3: would never want to be Camilla's tampon.
• 31:37
  Speaker 1: No, my god, it's so yeah. I mean it was
• 31:42
  Speaker 1: so dry up there. I mean, you know, just like
• 31:44
  Speaker 1: it's gonna be like sandpaper around here all the time.
• 31:47
  Speaker 2: I can't spare the moisture.
• 31:49
  Speaker 1: Oh my god.
• 31:51
  Speaker 3: Anyway, but yeah, it's I think, did you catch her
• 31:56
  Speaker 3: just kind of when she's talking about blacking out, She
• 31:58
  Speaker 3: she's done this so much, y'all. She explains her drinking,
• 32:03
  Speaker 3: which is it's absolutely chilling, and she explains why she's
• 32:07
  Speaker 3: afraid and how she's afraid of being like and like
• 32:11
  Speaker 3: you any I think anyone who has experienced alcohol abuse
• 32:15
  Speaker 3: is like check check check check check going down her
• 32:19
  Speaker 3: behavior and it's like it's nuts that. No, none of
• 32:23
  Speaker 3: her friends are like saying, yeah, we kind of think
• 32:26
  Speaker 3: she's a big old ALKI, but.
• 32:28
  Speaker 2: Maybe they are too.
• 32:29
  Speaker 3: Portland's a big drink in town.
• 32:32
  Speaker 1: I mean this, I truly think there should be an
• 32:34
  Speaker 1: intervention for her on the show, you know, like that
• 32:36
  Speaker 1: should be.
• 32:36
  Speaker 2: There might be.
• 32:37
  Speaker 1: Yeah, I could see it because yeah, exactly. He's like,
• 32:40
  Speaker 1: well it was crazy. Yeah, you're the one that got
• 32:41
  Speaker 1: drunk at my welcome part. She said, well, I had
• 32:43
  Speaker 1: that drink in the beginning, and then I had that
• 32:45
  Speaker 1: drink in also the beginning, and.
• 32:46
  Speaker 2: Then shounting her shots. She loves shots, y'all.
• 32:49
  Speaker 1: Yeah, shot shots, shot, shot shot, And then she's like, yeah,
• 32:53
  Speaker 1: I didn't even remember getting in the taxi or the
• 32:55
  Speaker 1: car ride home, and then yes, exactly how you say.
• 32:57
  Speaker 1: She's like, she keeps asking him was annoying last night?
• 33:00
  Speaker 2: Did I ann anyone? Did I offend anyone last night?
• 33:02
  Speaker 1: And he's like, well, you know, just you keep asking
• 33:04
  Speaker 1: me that, and she's like, well yeah, And she gives
• 33:06
  Speaker 1: the confessional where she's like, every time I drink, I
• 33:09
  Speaker 1: wake up and I sort of shudder to myself thinking
• 33:14
  Speaker 1: of what I did and what and even making up
• 33:17
  Speaker 1: things that didn't happen where I offended people. And I'm like, Okay,
• 33:22
  Speaker 1: here's the point now, Josh, where you can be like, hey,
• 33:24
  Speaker 1: hey babe, maybe you shouldn't drink anymore. But he never.
• 33:26
  Speaker 3: Says it, Yeah totally. It's it's that politeness thing. And
• 33:30
  Speaker 3: all I could think of when she's doing that is
• 33:32
  Speaker 3: you can tell someone may have a problem or substance
• 33:35
  Speaker 3: abuse when all of those things they're they're talking about
• 33:40
  Speaker 3: it and they can't go So maybe I should quit
• 33:44
  Speaker 3: alcohol for a while.
• 33:45
  Speaker 1: Yeah.
• 33:47
  Speaker 3: Yeah, that that's that's the crazy part. So, yeah, you
• 33:53
  Speaker 3: may have a problem.
• 33:55
  Speaker 1: He's like, well, I just I really care about stability,
• 33:59
  Speaker 1: and he brings up like you know what happens, you know.
• 34:02
  Speaker 2: Like if we have children.
• 34:03
  Speaker 1: She's like, well, I don't think about that because that's
• 34:05
  Speaker 1: the future.
• 34:06
  Speaker 3: Yeah, she'll say the same thing in a year. Yeah,
• 34:09
  Speaker 3: that's what I think. I think.
• 34:11
  Speaker 2: I don't think this person.
• 34:13
  Speaker 3: I wonder if they've talked about children or she kicks
• 34:17
  Speaker 3: it down the road when they do. So, when people
• 34:20
  Speaker 3: are in the throes of addiction like that, they can't
• 34:22
  Speaker 3: think about the future. So maybe she can't even verbalize
• 34:28
  Speaker 3: what the future is for herself.
• 34:31
  Speaker 1: I also would love Josh and be like, hey, Katie,
• 34:34
  Speaker 1: do you have that therapists appointment today?
• 34:36
  Speaker 2: Right?
• 34:36
  Speaker 1: Yeah?
• 34:37
  Speaker 2: I remember this is day two or like something like that,
• 34:42
  Speaker 2: this is day two.
• 34:44
  Speaker 3: What is their life realistically going to look like? Maybe
• 34:47
  Speaker 3: they don't drink, Maybe she doesn't drink. In the next step,
• 34:49
  Speaker 3: they don't go to a bar in the next episode,
• 34:51
  Speaker 3: but in episode four she's gonna be drinking again, or
• 34:54
  Speaker 3: episode five, she's gonna be drinking again.
• 34:56
  Speaker 1: We've already seen the clips of there's a moment where
• 35:00
  Speaker 1: she has that makeup all over her face and she
• 35:02
  Speaker 1: has her tongue down someone's throat in front of Oh god,
• 35:07
  Speaker 1: well he tap dance around that too. Excuse me, babe?
• 35:10
  Speaker 2: Do you know me? Paul me? Would you mind not
• 35:12
  Speaker 2: putting your tongue in his mouth while I'm here?
• 35:15
  Speaker 1: You can wait till I go to the bathroom, and
• 35:16
  Speaker 1: then I won't see it.
• 35:17
  Speaker 2: I won't Yeah, exactly exactly.
• 35:20
  Speaker 3: After a while, it's gonna be like, fool me once,
• 35:25
  Speaker 3: shame on family. Once, Shame on you. Fool me twice
• 35:27
  Speaker 3: shame on me. You know, get out of the way,
• 35:30
  Speaker 3: get out of here.
• 35:31
  Speaker 2: She doesn't need me in a relationship.
• 35:32
  Speaker 1: Also, Josh, you know you saw her the first night
• 35:36
  Speaker 1: where she made out with three of your friends, and
• 35:38
  Speaker 1: then you were like, that's the girl from me. So
• 35:40
  Speaker 1: at some point, what did you expect to happen?
• 35:43
  Speaker 2: Like?
• 35:44
  Speaker 1: Did I mean? You meet someone and they show you
• 35:47
  Speaker 1: who they are, and then you decide you know that
• 35:50
  Speaker 1: they're hot enough, and you're bored enough and you haven't
• 35:52
  Speaker 1: had enough sexual experience enough or no hot girl likes
• 35:54
  Speaker 1: you enough for you to be like, this is it
• 35:56
  Speaker 1: for me? I'm going to put up with this.
• 35:59
  Speaker 3: Also, Uh, here's the thing. She is his manic pixie
• 36:04
  Speaker 3: dream girl that straight men meet and they think, this
• 36:08
  Speaker 3: is the quirky girl that's gonna teach me about life
• 36:11
  Speaker 3: and not to be so in myself and this and
• 36:14
  Speaker 3: this is is going to bring the life out of me.
• 36:17
  Speaker 3: The problem is you can't marry that girl because she's
• 36:22
  Speaker 3: she's on a she she leaves you somewhere on a boat.
• 36:30
  Speaker 1: How Laura was so mad that Michael left her, like
• 36:32
  Speaker 1: in like a canoe in the middle of the water. Yeah,
• 36:35
  Speaker 1: Like that's she is like a tinker bell. Yeah, And
• 36:37
  Speaker 1: you're absolutely right. There is a bunch of guys like
• 36:39
  Speaker 1: I've never felt more alive than I'm with her. She her,
• 36:43
  Speaker 1: She's a magical being that like makes my life interesting
• 36:45
  Speaker 1: or we have such adventures to get the crazy things
• 36:48
  Speaker 1: happen when I'm with her, and when I'm not with her,
• 36:50
  Speaker 1: I'm just sitting on my thumb.
• 36:53
  Speaker 2: That wears off.
• 36:54
  Speaker 3: Though unfortunately, you do not propose to your manic Pixie
• 36:58
  Speaker 3: dream girl.
• 36:59
  Speaker 1: That's problem.
• 37:01
  Speaker 2: So it's gonna be interesting.
• 37:03
  Speaker 3: How we extricate ourselves from the premises because I can't
• 37:06
  Speaker 3: see this going forward, absolutely not. I think, in fact,
• 37:10
  Speaker 3: I think this is going to end early. I think
• 37:13
  Speaker 3: he's going to go back.
• 37:15
  Speaker 2: Yeah.
• 37:15
  Speaker 1: If he doesn't go back after the scene that we
• 37:18
  Speaker 1: have seen previews of, come on, then he's then he's
• 37:22
  Speaker 1: a little bit.
• 37:23
  Speaker 2: Of a cock totally. It's it's very cock energy, the
• 37:26
  Speaker 2: whole thing.
• 37:27
  Speaker 1: Yeah. Yeah, anyway, I love having you. Okay, good love it.
• 37:32
  Speaker 2: Let's move on to Marissa please.
• 37:36
  Speaker 1: Yes, honey, Marissa, who did you see my video where
• 37:39
  Speaker 1: I said that she no longer works at.
• 37:41
  Speaker 2: Cleiinfeld's I did hear that? Yes?
• 37:43
  Speaker 3: Yes, Now she's wonder if she's still a busy, busy,
• 37:47
  Speaker 3: corporate working mom of two.
• 37:49
  Speaker 2: As that's her interview. That's how she's always phrases herself.
• 37:53
  Speaker 1: She has a consulting business, you know, like a business
• 37:56
  Speaker 1: consulting situation.
• 37:58
  Speaker 2: But I didn't, you know, we didn't.
• 37:59
  Speaker 1: I didn't realize until this episode that her wealth wasn't
• 38:03
  Speaker 1: just man her maid. But she we.
• 38:06
  Speaker 2: Did not either. I did not know that either. So
• 38:10
  Speaker 2: she didn't pull herself up by her bootstraps.
• 38:14
  Speaker 3: Yeah.
• 38:14
  Speaker 2: M she doesn't need that job.
• 38:16
  Speaker 3: And you know what, she does stink of kind of
• 38:21
  Speaker 3: old money a little bit, just in the attitude like,
• 38:24
  Speaker 3: you know, his problems aren't like my problems. That that
• 38:29
  Speaker 3: that y'all was there from the beginning and that's not
• 38:33
  Speaker 3: going to go away.
• 38:34
  Speaker 2: I also think that when she was thinking, well.
• 38:38
  Speaker 3: We met it her ex husband, she was she was like,
• 38:41
  Speaker 3: you know what, I'm worried about what he's gonna.
• 38:42
  Speaker 2: Say and blah blah blah.
• 38:44
  Speaker 3: The thing is, it seems like you have more of
• 38:47
  Speaker 3: a problem than the ex husband does.
• 38:49
  Speaker 1: Mm hmm. So anyway, as you were saying no, you're
• 38:52
  Speaker 1: absolutely writing it was such an interest. This was illuminating
• 38:55
  Speaker 1: this season.
• 38:55
  Speaker 3: We just said this for I think this season is
• 38:57
  Speaker 3: good and actually really thought provoking.
• 39:01
  Speaker 1: Exactly me too. Her kids are going to camp, which
• 39:04
  Speaker 1: I was like, how long am I going to camp for?
• 39:05
  Speaker 1: You know, only because is it like a day camp?
• 39:08
  Speaker 2: Yeah?
• 39:08
  Speaker 1: Yeah, you know, because like that happens a lot in
• 39:12
  Speaker 1: the East Coast. I mean, I think I think on
• 39:14
  Speaker 1: the West Coast, not a lot of kids go like
• 39:17
  Speaker 1: away to camp, as much as I feel like it's.
• 39:19
  Speaker 2: A bigger East Coast culture.
• 39:20
  Speaker 3: It's very much in New York Tri state area. All
• 39:24
  Speaker 3: kids go to camp and they all go it's upstate
• 39:26
  Speaker 3: New York and western Massachusetts.
• 39:28
  Speaker 1: Yeah, Pennsylvania looks beautiful, by the way, it's such a
• 39:32
  Speaker 1: lush green.
• 39:34
  Speaker 3: Yeah.
• 39:34
  Speaker 1: Part of town that they're in or.
• 39:35
  Speaker 2: Whatever, there's some lovely love the Is it blue Mountain
• 39:40
  Speaker 2: state or is that something else?
• 39:42
  Speaker 1: I don't know.
• 39:43
  Speaker 3: I'm terrible at state nicknames.
• 39:45
  Speaker 1: Oh, blue Mountain, Okay, that's what they honey. I don't
• 39:48
  Speaker 1: know what I think of that.
• 39:49
  Speaker 2: Bell that bell state.
• 39:53
  Speaker 1: Yeah, the one with the bell crack.
• 39:55
  Speaker 2: The one with the bell. It's like a friend's episode,
• 39:59
  Speaker 2: the one with the Oh my god, it is it is?
• 40:03
  Speaker 1: That's so true. I have something to bring up to you,
• 40:06
  Speaker 1: and I'm sure you talked about it on your podcast
• 40:09
  Speaker 1: Reality Gaze, but we miss a lot. Let's talk about
• 40:12
  Speaker 1: her ex with and without a hat.
• 40:14
  Speaker 2: Oh oh bitch. We discussed this.
• 40:18
  Speaker 3: That motherfucker put that hat on, and I went, okay,
• 40:22
  Speaker 3: you just went to fuckable.
• 40:24
  Speaker 2: He in that hat into.
• 40:27
  Speaker 1: It, young looks hot and you're like, oh my god,
• 40:32
  Speaker 1: and then same like this is this is literally ten
• 40:34
  Speaker 1: seconds afterward?
• 40:35
  Speaker 2: Ready, Oh it's gone. The hat gone. He looks so
• 40:41
  Speaker 2: sad that I don't add divorced dad. Yes, I don't
• 40:44
  Speaker 2: even know why.
• 40:45
  Speaker 1: It isn't like I don't like ball guys, I in
• 40:47
  Speaker 1: fact do, but like there's something about his face, there's
• 40:51
  Speaker 1: something about.
• 40:51
  Speaker 2: His whole demeanor. He's like a geno.
• 40:53
  Speaker 3: No, no, I know it, give it, give it the
• 40:56
  Speaker 3: hat again.
• 40:58
  Speaker 1: It's like the power of this man has in this hat.
• 41:01
  Speaker 1: It is his samson in the you know, Delilah situation.
• 41:05
  Speaker 2: I know it's jarring.
• 41:08
  Speaker 3: It's jarring listening to the audio this She is continuously
• 41:13
  Speaker 3: showing me the hat and then the bald pate.
• 41:15
  Speaker 2: Yeah, no, no, just it's it's crazy.
• 41:20
  Speaker 1: It's just crazy how hot he is with that fucking
• 41:22
  Speaker 1: backwards hat.
• 41:23
  Speaker 2: But even hulking in.
• 41:24
  Speaker 3: That picture over that chair, just like he could hulk
• 41:26
  Speaker 3: over her posterior while he's railing.
• 41:29
  Speaker 2: I know.
• 41:30
  Speaker 1: And in this picture it looks like you found him
• 41:33
  Speaker 1: just like on a seventy two hour porn bender. And
• 41:35
  Speaker 1: he feels bad about.
• 41:36
  Speaker 3: It at his divorced dad apartment at Ramsgate or one
• 41:41
  Speaker 3: of those terrible apartment complexes where your where your where
• 41:44
  Speaker 3: your dad moves out to.
• 41:46
  Speaker 1: Yes, it's so sad for him. It's also it's interesting
• 41:51
  Speaker 1: because then he also drops like, look, he's the one
• 41:55
  Speaker 1: that's like your family's wealthy, and I don't know if
• 41:57
  Speaker 1: she was, like.
• 41:58
  Speaker 2: I was trying not to talk of her.
• 42:02
  Speaker 1: Yeah, And he's like, and I understand, Edward, because she's
• 42:05
  Speaker 1: working class, like I am. Well, he says this kind
• 42:08
  Speaker 1: of like and I know how hard it was for
• 42:09
  Speaker 1: me and your family.
• 42:11
  Speaker 2: I can't believe that this guy who we thought.
• 42:14
  Speaker 3: She's basically saying, this guy is gonna be a blowhard
• 42:16
  Speaker 3: and he's like a like a toxic guy.
• 42:19
  Speaker 2: He's empathizing with her new fiance. Mm hmmmm hmm. That's
• 42:24
  Speaker 2: not the guy you sold us, not at all. So
• 42:28
  Speaker 2: it's is he kind of a dick?
• 42:30
  Speaker 3: Yeah?
• 42:30
  Speaker 2: But I feel like all men from that area is.
• 42:34
  Speaker 1: Kind of like absolutely absolutely, that's what women find hot
• 42:38
  Speaker 1: over there exactly, you know, Like, I don't know, she
• 42:42
  Speaker 1: looks someone else. Carmen, my one of my subscriber and listeners,
• 42:46
  Speaker 1: told me she looks like Lindsay Lohan's mom, And I
• 42:49
  Speaker 1: can't not not see that now.
• 42:50
  Speaker 2: Totally see it.
• 42:51
  Speaker 3: I have a theory that if she colored her hair dark,
• 42:54
  Speaker 3: she would look eight.
• 42:55
  Speaker 1: Years oh older.
• 42:57
  Speaker 3: Right, I'm saying younger, younger, me too, Yeah, because the
• 43:00
  Speaker 3: extensions she's got in her hair. I keep saying, it
• 43:02
  Speaker 3: looks heavy and it looks it looks overly done.
• 43:07
  Speaker 2: For her age, and it actually ages her.
• 43:10
  Speaker 1: Absolutely.
• 43:10
  Speaker 3: I think she's a beautiful woman.
• 43:13
  Speaker 2: She went dark, I promise you it would be I don't.
• 43:16
  Speaker 3: I don't.
• 43:16
  Speaker 2: Maybe that's her regular hair coloring or something. She's not
• 43:19
  Speaker 2: a blonde.
• 43:20
  Speaker 3: But I I just if she she just let her
• 43:23
  Speaker 3: hair go dark or diyed it, I think she looks
• 43:25
  Speaker 3: so much better.
• 43:27
  Speaker 1: I was like, is she Italian? I think so, yeah,
• 43:30
  Speaker 1: so do I yeah?
• 43:33
  Speaker 2: And then yeah so I mean yeah. I just I
• 43:36
  Speaker 2: think of like obviously real health as with New Jersey,
• 43:38
  Speaker 2: which she looks like that's exactly it.
• 43:43
  Speaker 1: Anyway. So that's just one thing. But yeah, like Edward
• 43:46
  Speaker 1: has already told us he's not there to take the
• 43:48
  Speaker 1: place of the of the father, Like no part of
• 43:51
  Speaker 1: Edward's demeanor would also give me that this man's about
• 43:54
  Speaker 1: to like come in and insert himself, you know, in
• 43:57
  Speaker 1: an awkward way. He's been so loving and respectful. So
• 44:01
  Speaker 1: like that's why Marissa made it seem like it was
• 44:04
  Speaker 1: her ex and she also sort of does it in this.
• 44:06
  Speaker 2: So she's like, I've seen him be aggressive and it's not.
• 44:11
  Speaker 3: And the thing is, I'm gonna say this now, this
• 44:13
  Speaker 3: is all in nothing burger. They're gonna get along fine.
• 44:17
  Speaker 3: I I think it's gonna be fine.
• 44:19
  Speaker 2: They're gonna team up against her exactly, and that would
• 44:23
  Speaker 2: be interesting. You can already tell the kids just from her,
• 44:28
  Speaker 2: which I thought.
• 44:28
  Speaker 3: Was a good conversation last week with the kids about
• 44:30
  Speaker 3: you know, it was handled well, but you can kind
• 44:33
  Speaker 3: of tell how the kids are already good at suggesting
• 44:37
  Speaker 3: to their mom about how things are gonna go mm hmm,
• 44:41
  Speaker 3: and uh, they're already kind of you can tell the
• 44:45
  Speaker 3: kids kind of get their way, and so it's gonna
• 44:48
  Speaker 3: be it's it's gonna be interesting. I think this season.
• 44:51
  Speaker 3: I think we saw some things in later in the
• 44:53
  Speaker 3: season where she's like.
• 44:54
  Speaker 2: I don't even know who I am anymore, and I was.
• 44:56
  Speaker 3: Like, my my theory is she's not ready for this
• 44:59
  Speaker 3: guy to come into her life because she's talking before
• 45:01
  Speaker 3: it's like my last.
• 45:01
  Speaker 2: Night, step in of bed, and I'm you know, I'm
• 45:03
  Speaker 2: really nervous.
• 45:04
  Speaker 3: The nerves that you're feeling is the nerves about sharing
• 45:07
  Speaker 3: your life with someone because you're a control freak and
• 45:10
  Speaker 3: you're really worried about it, And that's fine.
• 45:12
  Speaker 2: I understand that.
• 45:14
  Speaker 3: But I think the problem is you going to be
• 45:19
  Speaker 3: moving someone into your life. And and also I still
• 45:25
  Speaker 3: don't know if she wants to make make him feel
• 45:27
  Speaker 3: like he's on an even field with her even playing
• 45:32
  Speaker 3: field the allowance.
• 45:33
  Speaker 1: Do you think she's gonna give him an allowance?
• 45:35
  Speaker 3: I don't know.
• 45:36
  Speaker 2: I don't know.
• 45:37
  Speaker 3: I think she was really happy having him down there
• 45:40
  Speaker 3: as her boy in the South.
• 45:43
  Speaker 1: Her southern, her good old southern boy, just like.
• 45:46
  Speaker 3: She could go and go see him and get railed
• 45:50
  Speaker 3: and come back.
• 45:52
  Speaker 2: And now.
• 45:54
  Speaker 3: I think she's like, oh, I love story. This might
• 45:57
  Speaker 3: be fun. And I think she's having second thoughts. Yeah, yeah,
• 46:01
  Speaker 3: she's Yeah.
• 46:02
  Speaker 2: It's interesting.
• 46:03
  Speaker 3: I I have a I have a feeling that I
• 46:05
  Speaker 3: think the fandom is gonna turn on her. She it's
• 46:08
  Speaker 3: just a little bit of an inkling I have. I
• 46:11
  Speaker 3: just I feel like she's she's not gonna get the
• 46:13
  Speaker 3: edit she wanted.
• 46:15
  Speaker 1: Especially she like brings up money over and over again.
• 46:19
  Speaker 2: Yep, that's that's gonna be it.
• 46:21
  Speaker 3: That's gonna be it. And also if she if she
• 46:22
  Speaker 3: talks to him like she thinks she's better than him.
• 46:26
  Speaker 2: I I just there's a couple of little things she
• 46:30
  Speaker 2: starts seeing, so we'll see.
• 46:31
  Speaker 3: I just don't think she's I don't think she's gonna
• 46:33
  Speaker 3: be happy with her edit.
• 46:35
  Speaker 1: Just have a feeling. No, no, but I don't think really,
• 46:37
  Speaker 1: I don't know who is happy with her edit on
• 46:39
  Speaker 1: the show.
• 46:40
  Speaker 2: That's true, Yeah, Pedro, Yeah, maybe you're right, but it
• 46:47
  Speaker 2: is fun. Yeah.
• 46:50
  Speaker 1: Oh my god, I haven't watched the tell All part
• 46:52
  Speaker 1: too yet.
• 46:52
  Speaker 3: I can't.
• 46:53
  Speaker 2: Oh, it's so good. It's so good, that's all. I'll say.
• 46:58
  Speaker 3: It's the tall, the Tall, the tell All for tell
• 47:00
  Speaker 3: we're talking about a single life Tello to tell All
• 47:02
  Speaker 3: for the Single Life, both parts best tell All in
• 47:07
  Speaker 3: two three years.
• 47:08
  Speaker 1: Yeah, because I've well Ross's question Yeah, Ross's questions were
• 47:12
  Speaker 1: just like the kind of questions that someone who like
• 47:14
  Speaker 1: watches it, we want.
• 47:15
  Speaker 2: To ask any and he's kind to them. He also
• 47:19
  Speaker 2: nails them to the wall.
• 47:21
  Speaker 1: Yeah.
• 47:22
  Speaker 2: And what he did, Tony, oh, oh just way do
• 47:26
  Speaker 2: what do you see?
• 47:26
  Speaker 1: What he does?
• 47:26
  Speaker 3: Did you know you have no idea?
• 47:29
  Speaker 2: Oh my god, you're not ready. You're not ready, You're
• 47:32
  Speaker 2: not ready. I can't say a word.
• 47:35
  Speaker 1: Coming like, well, I can't wait to watch it. Jacob,
• 47:37
  Speaker 1: I have nothing to do tonight.
• 47:41
  Speaker 3: Okay, So uh, it was a sad thing when you're like, oh,
• 47:45
  Speaker 3: I don't have a thing to do tonight now, and
• 47:46
  Speaker 3: I'm like, I have nothing to do tonight. Yeah, that's y'all.
• 47:50
  Speaker 3: That's life in your late thirties and forties. When you've
• 47:53
  Speaker 3: got nothing to do, it's the best thing in the world.
• 47:57
  Speaker 1: Yeah, you get to catch up on everything. All my
• 47:58
  Speaker 1: skincare I get to do all my Yeah, honey, a mask,
• 48:01
  Speaker 1: my hair mask. I'll do my nails, you know whatever. Genius,
• 48:05
  Speaker 1: just be on Reddit for as long as I want.
• 48:07
  Speaker 1: Perfect We get a little airport moment where she'd, you know,
• 48:11
  Speaker 1: obviously the night before, as you said, She's like, I'd
• 48:13
  Speaker 1: never get to sleep in my cow king by myself anymore.
• 48:16
  Speaker 1: I'm gonna have like a snoring big man in it
• 48:19
  Speaker 1: now with like a with a circumcised d. I'm gonna
• 48:22
  Speaker 1: have to like touch that d every.
• 48:23
  Speaker 2: Night, which I had no I had no hand in.
• 48:27
  Speaker 2: He said he wanted to do it himself.
• 48:31
  Speaker 1: Okay, do you think that she was just like, that's
• 48:34
  Speaker 1: that's an ugly dick, And.
• 48:36
  Speaker 3: It was all microaggressions about an uncircumcised d one hundred percent,
• 48:42
  Speaker 3: because she made.
• 48:43
  Speaker 1: It seem like he was like, you know what, I'm
• 48:44
  Speaker 1: doing it for the men in the locker room.
• 48:47
  Speaker 3: Yeah, yeah, it's no, it was. It was so she
• 48:50
  Speaker 3: told him about the men in the locker room. That's
• 48:52
  Speaker 3: the thing.
• 48:54
  Speaker 2: This is.
• 48:55
  Speaker 3: I'm not trying to demonize her. I think he's probably
• 48:57
  Speaker 3: a fine person. Her story, her story is not going
• 49:01
  Speaker 3: to play well on this show.
• 49:03
  Speaker 2: It's just I've seen it happen before.
• 49:07
  Speaker 3: Danielle, miss aka miserable Bitch, tried to do this too.
• 49:10
  Speaker 3: Now do I think there are any No, even though
• 49:13
  Speaker 3: they're both they're both dating in with the dr. Danielle
• 49:15
  Speaker 3: was a special kind of horrible like that doesn't cover,
• 49:20
  Speaker 3: that doesn't come along every day. That that that is,
• 49:24
  Speaker 3: that is miserable bitchery to the level you can't even imagine.
• 49:29
  Speaker 1: But you know what she's doing now, right, she's selling
• 49:32
  Speaker 1: women's retreats or something, yes, five like thousand dollars to
• 49:36
  Speaker 1: go to Balie and be in her spiritual every morning,
• 49:41
  Speaker 1: seeing her and doing yoga with her, and then paying
• 49:44
  Speaker 1: so much money for.
• 49:45
  Speaker 3: That fucking grifter. I she'd have to pay me five
• 49:49
  Speaker 3: thousand dollars to tolerate her for a day.
• 49:52
  Speaker 1: And again I'd be like, no, too cheap. I can't
• 49:55
  Speaker 1: do it a day a day. Think about really a day,
• 49:59
  Speaker 1: a whole day with her only five k I mean talk.
• 50:02
  Speaker 2: I mean my price is going up.
• 50:04
  Speaker 3: Occasionally she will, she'll uh will in our comments. She'll
• 50:08
  Speaker 3: just pop up like a troll and she'll sit and
• 50:11
  Speaker 3: I'm like, I'm not I'm not engaging.
• 50:14
  Speaker 2: But there's always some listener who does and fights with her.
• 50:20
  Speaker 3: I'm like, I'm not going and I'm not going there.
• 50:22
  Speaker 3: You can't feed the trolls. But if you give a
• 50:25
  Speaker 3: mass a cookie.
• 50:26
  Speaker 2: Exactly, they'll lead another cookie.
• 50:30
  Speaker 1: Yeah, you gotta take the whole chips. Ahoy bag. I
• 50:35
  Speaker 1: will say, I like her dress at the airport's good.
• 50:38
  Speaker 2: Her style is great.
• 50:39
  Speaker 1: Yeah, I know she dresses very well. You know, we
• 50:42
  Speaker 1: have I don't know if this season is sponsored by
• 50:45
  Speaker 1: Louis Vuitton, but we definitely get a lot of bags
• 50:48
  Speaker 1: of Louis Vuitton on this episode.
• 50:50
  Speaker 3: Debbie, I doubt they. I doubt real sponsored by them.
• 50:54
  Speaker 1: I know, I know, but yeah, Debbie's I don't know
• 50:56
  Speaker 1: if her debbies are real, and I guess I'm I'm
• 50:58
  Speaker 1: gonna have to assume.
• 50:59
  Speaker 2: That, yeah, that Marissa's are hers, even though.
• 51:03
  Speaker 1: She puts her whole bag on the airport or leaves
• 51:09
  Speaker 1: it there. I too, add like the bag on the
• 51:14
  Speaker 1: floor of the airport. Just that's how you know, there's
• 51:16
  Speaker 1: so many like camera people around that you would just
• 51:19
  Speaker 1: be like, I'm okay doing this at JFK.
• 51:22
  Speaker 3: I I've never seen my mother put not put down
• 51:27
  Speaker 3: her purse in a place that's a chair or.
• 51:30
  Speaker 2: Something like that. I've never seen. I don't. You don't
• 51:33
  Speaker 2: see women put their person on the floor really right.
• 51:37
  Speaker 1: No, it's like a red alarm if you do, like
• 51:40
  Speaker 1: is there a body around, like what happened about her?
• 51:42
  Speaker 2: You know, is there an emergency?
• 51:44
  Speaker 1: There's a woman's purse on the floor, Yeah, purse goes
• 51:48
  Speaker 1: in a chair, yeah yeah, but or even and if
• 51:53
  Speaker 1: none option is there, then you put it in your
• 51:55
  Speaker 1: lap or the back of your chau We're waiting for.
• 52:01
  Speaker 2: Him to come in, and they just keep giving us
• 52:02
  Speaker 2: this shot.
• 52:03
  Speaker 1: And I just thought this was interesting because they blurred
• 52:05
  Speaker 1: out almost every person's face except for this one family
• 52:09
  Speaker 1: that are all wearing shorts and a big bag of
• 52:11
  Speaker 1: cheese its And I just kept looking at it and
• 52:12
  Speaker 1: being like, I have those cheese its like it's cheese.
• 52:15
  Speaker 2: It's sponsoring because I could see the cheese.
• 52:16
  Speaker 1: It's whole ass logo.
• 52:18
  Speaker 3: You see him kind of coming in in this out Yeah, interesting,
• 52:22
  Speaker 3: that's funny.
• 52:24
  Speaker 2: But we get you.
• 52:25
  Speaker 1: Know, their reunion, and I do like her like kind
• 52:28
  Speaker 1: of different tope, beige, white body, con collar, blocked dress.
• 52:34
  Speaker 1: So that's my I like it.
• 52:36
  Speaker 2: I think she looked good.
• 52:37
  Speaker 1: Yeah. Yeah, her confessionals that like, you know, mock neck,
• 52:42
  Speaker 1: a silk yep, gorgeous.
• 52:44
  Speaker 2: It's great.
• 52:45
  Speaker 3: Yeah, her tael all looks gonna be uh. It could
• 52:49
  Speaker 3: go either way, it could be too much, but I
• 52:52
  Speaker 3: think it's gonna be good. I have a feeling this.
• 52:54
  Speaker 3: That's her game. Her Her whole thing is women's apparel.
• 52:58
  Speaker 1: I know. I think she has a stylist she has.
• 53:00
  Speaker 1: It's like, you know, yeah, it's.
• 53:00
  Speaker 2: Gonna look good. She's gonna look good.
• 53:02
  Speaker 1: Not to jump back to the single life, but welcome
• 53:04
  Speaker 1: my life. I loved Courtney's outfit. That green Oh.
• 53:06
  Speaker 3: Best thing we've seen on a tell all is so long.
• 53:09
  Speaker 3: Ye remember remember how far she's come from.
• 53:13
  Speaker 2: The tight sport.
• 53:14
  Speaker 1: Yeah, when she was wearing like the.
• 53:15
  Speaker 2: Kind of the opera gloves. Yeah. Oh, she looked the worst.
• 53:19
  Speaker 2: She going for the worst the best.
• 53:21
  Speaker 1: Yeah, she deserves surprise.
• 53:23
  Speaker 2: She does all right.
• 53:25
  Speaker 1: Guys, that's part one of this mega recap with Jake.
• 53:29
  Speaker 2: Don't even worry about it.
• 53:31
  Speaker 1: We have so much coming, so please go ahead and
• 53:34
  Speaker 1: listen to part two immediately