Latest / Luke's English Podcast / FELIPE BARBIERI _ ZERO - Podpah _1083
Transcript
- 0:42Speaker 1: Hey, I'm not going to be last, huh? Last day,
- 0:45Speaker 1: last day. Bet with response. Last day, last day.
- 1:12Speaker 2: Welcome to the second.
- 1:14Speaker 3: Podpá of the week, you know?
- 1:17Speaker 4: Stay comfortable at home, ask for something to eat and
- 1:21Speaker 4: come with us, because today, this episode, I guarantee you
- 1:24Speaker 4: a lot of humor.
- 1:27Speaker 5: Perseverance.
- 1:27Speaker 3: Perseverance.
- 1:28Speaker 5: Sagacity.
- 1:29Speaker 4: Intellectual conversations and a lot of magic, okay? And then, Gão, man,
- 1:34Speaker 4: how are you? Tell me, my brother, besides beautiful. Why
- 1:36Speaker 4: did you look at me and you were surprised to
- 1:38Speaker 4: see a guy?
- 1:39Speaker 3: No, because you're wearing a nice piquadilha.
- 1:41Speaker 2: I knew you were coming like this and I wanted
- 1:43Speaker 2: to match you, man. We're together, brother. Welcome to another podcast.
- 1:46Speaker 5: Oh, thank you, welcome too, bro.
- 1:48Speaker 2: Thank you, brother.
- 1:48Speaker 3: You hit your nose on the microphone.
- 1:50Speaker 5: The guy is sensational, bro.
- 1:52Speaker 2: It's because I'm new doing this here, right, man?
- 1:54Speaker 3: This is crazy, I'm emotional. I just wanted to make.
- 1:56Speaker 2: It clear that I love this guy, bro. Seriously, register there,
- 1:57Speaker 2: I love him, bro. I love you too, I love
- 1:59Speaker 2: you too. One day we're home. But you know you're going.
- 2:03Speaker 3: To have to give us a boutique.
- 2:06Speaker 2: Us who?
- 2:10Speaker 3: We'll talk about it later.
- 2:12Speaker 2: It's full of obsessions. Let's talk about serious stuff. Let's
- 2:16Speaker 2: talk about the brands that sponsor this wonderful podcast, Mítico Jovem.
- 2:19Speaker 2: Let's go. We have a new sponsor. Aldon.
- 2:22Speaker 5: I'll explain to you what Aldon does.
- 2:23Speaker 2: What's the name? Aldon.
- 2:24Speaker 3: Oh my gosh.
- 2:25Speaker 2: Aldoni.
- 2:26Speaker 3: Aldoni.
- 2:27Speaker 2: It's serious talk for you who mess with events, corporate events,
- 2:30Speaker 2: or if you want to get people together to do...
- 2:32Speaker 2: To watch something. It's an event, right, Mítico?
- 2:36Speaker 5: Exactly.
- 2:37Speaker 2: And you know that event doesn't accept mistakes. And it
- 2:41Speaker 2: has to have sound structure, light structure, stage, scenography, and
- 2:45Speaker 2: impeccable LED panel. And who solves all this is Aldone.
- 2:48Speaker 2: You will call them, Aldone Events, and say like this,
- 2:51Speaker 2: I want to do an event like this, like that, roasted,
- 2:53Speaker 2: I don't know what, they will send you the budget,
- 2:55Speaker 2: you hire, leave everything ready, the transmission all set, they
- 2:58Speaker 2: go away and you enjoy your event at home or
- 2:59Speaker 2: at your company.
- 3:00Speaker 5: Do an event.
- 3:01Speaker 3: At home, a barbecue, an introduction.
- 3:02Speaker 2: Your house is a place where you can do an event. Palco. Palco?
- 3:07Speaker 5: Eita, quem vai cantar?
- 3:08Speaker 3: Guitarra.
- 3:09Speaker 5: Sidney Magal.
- 3:10Speaker 3: Esses moleque aí que tão cantando agora. É, os menino.
- 3:12Speaker 3: Esses menino. Esses menino youtuber. É, tão tudo em Rio.
- 3:15Speaker 5: Ah, eu também quero cantar.
- 3:16Speaker 3: Não, mas dá pra fazer em casa, né?
- 3:17Speaker 2: Por favor, vamos hoje.
- 3:18Speaker 4: Isso é o próprio evento, irmão. Chama o Doni aí,
- 3:21Speaker 4: dá mole não.
- 3:21Speaker 2: They deliver complete audiovisual production and live transmission so you
- 3:24Speaker 2: don't forget and don't shake your head with anything, okay? Aldoni,
- 3:28Speaker 2: everything ready for you to make happen. QR code on
- 3:30Speaker 2: the screen and link in the description, mythical young man.
- 3:33Speaker 2: And Sunday now has what? Sunday has a party there
- 3:37Speaker 2: at Rango Bravo Burger, Rua Purpurina. What's the number there? 500... 550.
- 3:41Speaker 2: Rua Purpurina, 500 e 500. Mentira, 550. Rua Purpurina, 550,
- 3:47Speaker 2: na Vila Madalena. Domingão agora tem Watch Party, porque o
- 3:51Speaker 2: Rango Brabo Burger é a casa do Miami Dolphins aqui
- 3:53Speaker 2: em São Paulo, aqui no Brasil. Então você acompanha o
- 3:56Speaker 2: jogo a partir das quatro da tarde, com lanches personalizados,
- 4:00Speaker 2: toda a hamburgueria personalizada, um atendimento fenomenal. Okay?
- 4:03Speaker 5: And if there's something wrong there, you can complain to
- 4:06Speaker 5: the Mythic.
- 4:06Speaker 3: He's the owner of this thing.
- 4:07Speaker 2: He's the DJ, man.
- 4:07Speaker 3: Sete da Suellen is going to be playing. So it's
- 4:09Speaker 3: a burger shop that's going to be playing.
- 4:11Speaker 2: It's Suellen mesmo.
- 4:11Speaker 3: It's going to be playing music. It's going to be
- 4:14Speaker 3: playing shit.
- 4:15Speaker 2: Robar.
- 4:16Speaker 5: Seriously?
- 4:17Speaker 3: This one I gave a raise for those who want too.
- 4:18Speaker 2: Ah, but in the music, right? The music sometimes gives
- 4:21Speaker 2: a different shake.
- 4:22Speaker 3: Go there, guys.
- 4:23Speaker 5: We're waiting for you, huh?
- 4:24Speaker 2: Let's go.
- 4:24Speaker 5: Mythic Jovem.
- 4:25Speaker 2: This sponsor is something surreal for me.
- 4:29Speaker 3: You like it, right?
- 4:30Speaker 2: Calm down, man.
- 4:30Speaker 5: I'm very happy.
- 4:31Speaker 2: You like it.
- 4:33Speaker 3: Oi, bonita, hein?
- 4:33Speaker 2: Porra!
- 4:34Speaker 5: Bembolado, você já viu Seda Rosa, Mítico Jovem?
- 4:38Speaker 6: Não, pior que não.
- 4:38Speaker 5: E Piteira Rosa, exatamente.
- 4:40Speaker 2: A Bembolado lançou a linha Pop Pink com sedas e
- 4:43Speaker 2: piteiras rosas. Inclusive, na Podpah Records, rolou um episódio patrocinado
- 4:49Speaker 2: por Bembolado Pop Pink, com Cissa, Maru 2D e Janvi,
- 4:52Speaker 2: só mulheres. Meu Deus do céu. Mano, foi um dos
- 4:55Speaker 2: melhores bases que saiu. Muzão deitou, as meninas amassaram. Jesus Christ,
- 4:59Speaker 2: so pay attention, the paper is pink, made with food pigmentation,
- 5:03Speaker 2: so everything will be fine with you and your organism, okay?
- 5:06Speaker 2: Look how cute. Every day is a day of pink,
- 5:08Speaker 2: Mítico Jorge.
- 5:08Speaker 4: If you take one of these on a tour, or
- 5:10Speaker 4: for the cat, or the cat, this is very cool,
- 5:12Speaker 4: very cute.
- 5:13Speaker 2: And this is something that even starts flirting. Ah, you
- 5:14Speaker 2: have a paintbrush there.
- 5:16Speaker 5: Take it.
- 5:17Speaker 3: Take it for you.
- 5:18Speaker 5: Combines with you.
- 5:19Speaker 3: Very beautiful. Not what I had done, right? Very cool,
- 5:23Speaker 3: very cool, that's it. Ah, don't do that again.
- 5:25Speaker 6: Sorry.
- 5:28Speaker 2: Porque todo dia é dia de rosa, abra sua cabeça
- 5:30Speaker 2: com Bem Bolado, Pop Pink, Mítico Jovem.
- 5:32Speaker 3: É isso.
- 5:33Speaker 4: Aproveita, segue eles nas redes sociais e obrigado por apoiar
- 5:36Speaker 4: sempre a gente aqui, viu, Bem Bolado?
- 5:38Speaker 2: Muito obrigado.
- 5:38Speaker 3: Amamos vocês.
- 5:39Speaker 2: Amamos vocês. Toda vez que vocês virem nos nossos eventos,
- 5:43Speaker 2: pode trazer matéria-prima. Que é o... Que é o papel, né?
- 5:48Speaker 2: Tá certo. Tá certo. Recebam com muito carinho, façam muito barulho,
- 5:52Speaker 2: batam palmas para os nossos convidados de hoje.
- 5:54Speaker 5: Meu Deus do céu!
- 5:55Speaker 2: Estamos com Zero e Felipe Barbieri!
- 5:57Speaker 3: Bate palma aí!
- 6:01Speaker 2: Sensacional!
- 6:02Speaker 5: Meus lindos amigos!
- 6:05Speaker 6: Porra!
- 6:05Speaker 5: Como é que vocês estão?
- 6:07Speaker 2: Melhor agora!
- 6:09Speaker 3: Stop being fake.
- 6:10Speaker 2: It's better now. It's so cool.
- 6:11Speaker 7: We're going to laugh, exchange ideas, be hypnotized by Barbieri.
- 6:15Speaker 2: Are you hypnotizing?
- 6:16Speaker 5: No, God bless me. Fake news me, then.
- 6:18Speaker 2: It's fake news me. It's not going to be hypnotized.
- 6:21Speaker 2: I don't have anything to do with these jokes you
- 6:22Speaker 2: made on the show. What joke, man? These things. Obsessor?
- 6:25Speaker 5: Calm down.
- 6:26Speaker 2: Ah! Which one? Things well played? Yeah, no, that's not from.
- 6:32Speaker 5: Not from Mr.
- 6:33Speaker 3: Feitio?
- 6:33Speaker 5: Not from my nature, no.
- 6:34Speaker 2: No, really?
- 6:35Speaker 5: But every time you come here, you can't go and
- 6:36Speaker 5: do something like that, huh?
- 6:38Speaker 2: Yeah, because your audience is just these guys there, right?
- 6:40Speaker 2: It's so cool.
- 6:42Speaker 4: That any movement of his you already keep looking at.
- 6:45Speaker 3: Yeah, I'm like that for him. You saw that he
- 6:47Speaker 3: did this here, you.
- 6:47Speaker 2: Already look at it.
- 6:48Speaker 5: I thought it was a pombo already, right?
- 6:50Speaker 3: Oh, there was.
- 6:53Speaker 2: A tape.
- 6:53Speaker 7: We were playing pro clubs.
- 6:54Speaker 2: FIFA.
- 6:55Speaker 5: You're addicted to that, right?
- 6:56Speaker 2: I am. Barbieri too.
- 6:57Speaker 7: And then he made a goal. And then a friend
- 7:00Speaker 7: of ours said, do the magic, then, Senna Albão. He
- 7:03Speaker 7: pressed a button that celebrated, he did this, all the
- 7:06Speaker 7: players fell on the field.
- 7:07Speaker 3: Ah, go fuck yourself.
- 7:08Speaker 7: I saw this, no, it's a celebration of the game.
- 7:10Speaker 2: Yes, it exists.
- 7:11Speaker 7: Everything happened in the perfect time. I'm going to dream
- 7:14Speaker 7: that you're going to be the king of life.
- 7:16Speaker 2: Because it was perfect.
- 7:17Speaker 7: It was perfect, so take it, and take it, and
- 7:18Speaker 7: he did it like that, all the dolls fell back, man.
- 7:20Speaker 3: Son of a bitch, right, man? It's that good anger.
- 7:22Speaker 3: Do you know that good anger? Man, what a fucking guy.
- 7:26Speaker 5: How did he do that, son of a bitch?
- 7:27Speaker 3: Son of a bitch, man.
- 7:28Speaker 2: It's the guy, man.
- 7:29Speaker 3: I miss you, man.
- 7:30Speaker 4: Babi Era, for those who have never seen him here,
- 7:32Speaker 4: you can't stop, my God.
- 7:34Speaker 3: Legendary episodes, man.
- 7:35Speaker 2: I miss you. I think it's the podcast I've seen
- 7:37Speaker 2: the most in my life. It's the most awesome, right?
- 7:40Speaker 2: It's the most awesome.
- 7:40Speaker 5: It's the only one that takes me out of the house, too.
- 7:43Speaker 2: The others I'm lazy.
- 7:44Speaker 3: How many times have you been here?
- 7:45Speaker 2: I think counting the participations, like, in 24 Hours, Rango Brabo,
- 7:51Speaker 2: the summer one, it must have.
- 7:54Speaker 3: Been about 8, 10 already.
- 7:55Speaker 2: In the first 24 Hours you came... No, only the obsessors.
- 7:58Speaker 2: Stop it, man. It's going to be a hell of
- 8:02Speaker 2: a mess. Stop it. The ninja is still there with
- 8:04Speaker 2: the pain on his back.
- 8:06Speaker 7: Wow.
- 8:06Speaker 3: I saw it up close. I always say that.
- 8:09Speaker 5: You said you saw his eye turn around, really.
- 8:11Speaker 3: He was with his head.
- 8:13Speaker 4: I imagine that scene, the ninja was like this. And
- 8:16Speaker 4: then I was looking from the side. I said, it's
- 8:18Speaker 4: paying off, right?
- 8:19Speaker 3: We YouTubers, 200 years of YouTube, it's going to pay off.
- 8:21Speaker 3: It's paying off.
- 8:22Speaker 4: But he was paying off on his own, because his
- 8:25Speaker 4: eye was.
- 8:27Speaker 2: Turning like this.
- 8:28Speaker 4: And his breathing was very strange, but the camera wasn't
- 8:31Speaker 4: capturing it.
- 8:32Speaker 3: It was only capturing him like this.
- 8:34Speaker 4: And I was next to him, and I started to
- 8:37Speaker 4: get scared. I said, he's getting possessed. He's getting possessed
- 8:41Speaker 4: by Satan.
- 8:42Speaker 3: He was strange. Then he got stranger that day. But
- 8:45Speaker 3: I think... Isn't it a kind of aura thing?
- 8:48Speaker 2: Yeah, man.
- 8:48Speaker 5: It's all about.
- 8:50Speaker 2: Zero played with hypnosis, but hypnosis plays a lot with
- 8:53Speaker 2: it too.
- 8:53Speaker 5: Suggestion, induction.
- 8:55Speaker 2: When you get high with a song, it's more or
- 8:57Speaker 2: less a similar principle.
- 8:59Speaker 5: Mentalism too?
- 9:00Speaker 2: Man, mentalism can drink a little bit of the source
- 9:04Speaker 2: of hypnosis to be a cherry on the cake in
- 9:07Speaker 2: the number of mentalism. But mentalism itself is magical. I
- 9:13Speaker 2: saw a mentalist now in the Giants, in the American
- 9:17Speaker 2: football team. Then he calls two players there, one of
- 9:20Speaker 2: them is Odell. And then he just takes a random ball,
- 9:22Speaker 2: he takes the ball and says like this, oh Deu,
- 9:24Speaker 2: throw the ball there for any player, there's no chance
- 9:27Speaker 2: of God knowing who it is.
- 9:28Speaker 5: He said, yeah, it's true, there's no chance.
- 9:30Speaker 2: He said, throw it. Then he threw it in the
- 9:32Speaker 2: guy's hand. Then the other, the thrower, said, you too,
- 9:34Speaker 2: for whoever you want.
- 9:36Speaker 5: So let's go there.
- 9:37Speaker 2: All the players, like this, available in a, in a theater.
- 9:40Speaker 2: Then he threw it. Then later he said like this, call,
- 9:42Speaker 2: come the two here. Then he took the, like a
- 9:45Speaker 2: flashlight and threw it in the ball, like this, and
- 9:47Speaker 2: the number of the, the, the number of the guys appeared. Uh-huh.
- 9:51Speaker 2: Then they were shocked. Then they said, what is this number?
- 9:53Speaker 2: Then he started to put the numbers. I don't know, 16,
- 9:56Speaker 2: I don't know what. There were three numbers like that.
- 9:59Speaker 2: Then he turned that... when Trump was at an event
- 10:19Speaker 2: in Casa Branca recently, where there was a suspect of...
- 10:22Speaker 2: There was a guy who came in shooting, and then there.
- 10:24Speaker 5: Was a video of Trump... This magician is next to
- 10:25Speaker 5: Trump in this video.
- 10:26Speaker 2: He was doing magic to Trump, mentalist, and everyone kept
- 10:28Speaker 2: asking afterwards, but the guy is mentalist because he didn't
- 10:31Speaker 2: see the value.
- 10:31Speaker 7: It's true.
- 10:31Speaker 5: Wow, he was.
- 10:31Speaker 2: But what the hell event was this? Was there a shooting?
- 10:33Speaker 6: Magic?
- 10:33Speaker 2: Trump? What's wrong with that?
- 10:34Speaker 3: What's wrong with that? What's wrong with that? What's wrong
- 10:36Speaker 3: with that?
- 10:36Speaker 2: What's wrong with that?
- 10:37Speaker 3: What's wrong with that? What's wrong with that? What's wrong
- 10:39Speaker 3: with that? What's wrong with that? What's wrong with that?
- 10:41Speaker 3: What's wrong with that?
- 10:41Speaker 2: What's wrong with that? What's wrong with that? What's wrong
- 10:43Speaker 2: with that? What's wrong with that?
- 10:44Speaker 5: What's wrong with that?
- 10:45Speaker 8: What's wrong with that?
- 10:46Speaker 5: What's wrong with that?
- 10:46Speaker 3: What's wrong with that? What's wrong with that? What At
- 10:48Speaker 3: what level are we in magic?
- 10:50Speaker 4: What is the magic being done recently that, like, holy shit,
- 10:55Speaker 4: this one is fucking awesome?
- 10:58Speaker 5: At what level are we?
- 11:00Speaker 2: Dude, magic has been trying to adapt to the.
- 11:04Speaker 5: Internet for a while now, I think. I think magic
- 11:06Speaker 5: has regressed.
- 11:08Speaker 2: It's getting more and more popular, I think. People are
- 11:12Speaker 2: seeing magic more and more because of the short videos
- 11:14Speaker 2: and such. But because of the short videos, people are
- 11:17Speaker 2: also wanting to do some quick stuff like 20 seconds,
- 11:20Speaker 2: 15 seconds for the camera, which in real life wouldn't work.
- 11:24Speaker 2: So I don't know if this movement is being positive
- 11:28Speaker 2: or negative, but more and more magic is having a
- 11:31Speaker 2: way of appearing, right? But I'm not seeing anything very
- 11:35Speaker 2: new in magic. I'm not seeing a revolution like when
- 11:39Speaker 2: it was David Blaine, for example, that the guy went
- 11:41Speaker 2: to the street to record his little series on the
- 11:43Speaker 2: street and that boomed. Since then, there hasn't been a
- 11:47Speaker 2: magician who's been so popular.
- 11:48Speaker 5: Cuisine Angel.
- 11:50Speaker 2: Pyong. Pyong Lee TV. Pyong Lee TV.
- 11:53Speaker 5: I like it when it has a nickname.
- 11:55Speaker 2: A nickname. Sorry to interrupt, I just wanted to make
- 11:58Speaker 2: this joke about Pyong, but I liked Pyong's magic. Pyong
- 12:01Speaker 2: is good, man. He's good.
- 12:02Speaker 5: But he started Hypothetical Pistols. Hypnotical Pistols.
- 12:05Speaker 2: Right?
- 12:05Speaker 7: BBBs.
- 12:06Speaker 5: I have a question for you.
- 12:08Speaker 7: Oh, then do it.
- 12:09Speaker 2: I watched the Mentalist series.
- 12:11Speaker 6: Okay.
- 12:13Speaker 7: And for me, the thing about mentalism had to do
- 12:15Speaker 7: with a guy who knows how to read human beings
- 12:18Speaker 7: and a situation to the point of creating triggers that
- 12:20Speaker 7: will induce these people to think that what is actually
- 12:24Speaker 7: happening is that thing. So, in the end, it's a trick,
- 12:26Speaker 7: it's magic.
- 12:27Speaker 6: Yeah.
- 12:27Speaker 2: I got it.
- 12:28Speaker 5: But with mentalism it's cool because, like, if I take a.
- 12:32Speaker 2: Deck and make a magic with a deck here for
- 12:34Speaker 2: you and such, you can like it and not have
- 12:36Speaker 2: the slightest idea of how it happened.
- 12:37Speaker 7: Yes.
- 12:37Speaker 2: But you will still be aware that there is a trick.
- 12:40Speaker 2: the mentality seems to be able to throw a sheet
- 12:44Speaker 2: on top of the trick, and the thing, as it
- 12:46Speaker 2: is not so visual, it is not visual, it is
- 12:48Speaker 2: inside your head that the thing happens, so inside my
- 12:52Speaker 2: head there is no way for the guy to enter.
- 12:53Speaker 2: So you think there is no trick, but we drink
- 12:56Speaker 2: from the same fountain of magic.
- 12:58Speaker 5: Man, it depends, it depends on the person.
- 13:00Speaker 2: If you are a person who has more communication skills,
- 13:04Speaker 2: you speak well, you know, improvise and such, the mentalism
- 13:07Speaker 2: can be nice for you. Now, if you're a stuck guy,
- 13:09Speaker 2: you can't speak very well, obviously you can develop that,
- 13:13Speaker 2: but then you can go for a magical musical, which
- 13:15Speaker 2: is like the guys who make things appear and don't
- 13:17Speaker 2: say anything, put a song there and go doing his act. So,
- 13:21Speaker 2: there's difficulty in all areas, it depends more... difficult for who, right? Yes,
- 13:26Speaker 2: it is that in a layman's way it seems to
- 13:28Speaker 2: me that mentalism has a higher chance of going wrong.
- 13:31Speaker 2: It has. No, and I always say mentalism, the chance
- 13:34Speaker 2: of it going wrong is high. And it can happen
- 13:36Speaker 2: here today, when I'm going to do the stops, it
- 13:39Speaker 2: can happen. Because despite having a trick, as we move
- 13:44Speaker 2: with people's minds, it's different from music, which you know
- 13:48Speaker 2: the chord from beginning to end, you can even improvise,
- 13:50Speaker 2: but it has the same structure. When I'm doing magic,
- 13:53Speaker 2: I can go to hell depending on what you say,
- 13:55Speaker 2: what you say, the hook you give me. So there
- 13:57Speaker 2: are many magicians who have a text and the guy follows,
- 14:00Speaker 2: risks that text, no matter what you say. I've tried
- 14:04Speaker 2: to be like that and it doesn't work like that.
- 14:06Speaker 2: So my business is, man, I know how to do
- 14:07Speaker 2: some stuff, but what are you going to do there?
- 14:09Speaker 2: I don't know, at the time I improvise, it depends
- 14:10Speaker 2: on what's happening. Crazy. And I think most magicians think
- 14:13Speaker 2: that's wrong. But I think it works better this way.
- 14:15Speaker 2: I think it's cool. You have to work on it.
- 14:17Speaker 7: You get there and see what happens, man.
- 14:18Speaker 2: Very cool.
- 14:19Speaker 7: I like that.
- 14:19Speaker 2: If it goes wrong, it's wrong. And I'm honest with people.
- 14:22Speaker 2: If it goes wrong.
- 14:23Speaker 4: Where did a level of mentalism come from? You can
- 14:27Speaker 4: comment on it without telling us what it is, but
- 14:29Speaker 4: you've seen it going on.
- 14:30Speaker 3: Or did you do it yourself and say, man, that's crazy.
- 14:33Speaker 2: There's a guy called Darren Brown. He's English. And he,
- 14:36Speaker 2: for me, is the best mentalist of all time. And
- 14:38Speaker 2: he's young. He shouldn't be even 50 years old. And
- 14:42Speaker 2: he has several shows that he does. And many times
- 14:45Speaker 2: he records and puts on Netflix, on Amazon Prime, on streaming.
- 14:49Speaker 2: On YouTube there are some too. And he also does documentaries,
- 14:52Speaker 2: some series and such. And there's a documentary of him
- 14:54Speaker 2: called The Push. I'm going to say that you won't
- 14:57Speaker 2: believe it, but you can look for it to see later,
- 14:59Speaker 2: who's at home too. He basically rents a hotel and
- 15:03Speaker 2: he has several, everyone who's in this hotel is an actor.
- 15:07Speaker 2: minus 5 or 6 people who will pass through the test,
- 15:10Speaker 2: one at a time. And everyone is working to create
- 15:13Speaker 2: a situation where this person who is there, who has
- 15:17Speaker 2: no criminal background, never hurt anyone, is a good person,
- 15:19Speaker 2: she will have to push a person off the building.
- 15:22Speaker 6: What?
- 15:23Speaker 5: And she pushes?
- 15:26Speaker 3: Damn, man!
- 15:26Speaker 2: And it's not combined. What's the name of the thing?
- 15:30Speaker 2: The push. The push. Where? Dude, it was on Netflix,
- 15:35Speaker 2: but they took it. Now you're going to have to
- 15:36Speaker 2: look for alternatives. Understand?
- 15:41Speaker 4: Damn, but then, like, everything was inducing people to have.
- 15:48Speaker 2: Put the person in a snooker that you at home say, man,
- 15:51Speaker 2: instead of her, I would have pushed. Netflix. You know?
- 15:54Speaker 2: Is there still Netflix? Netflix.
- 15:56Speaker 3: Wow, I'm going to see that.
- 15:57Speaker 2: I saw one, now I won't remember the name. Alex,
- 16:00Speaker 2: but it was one that we watched last year. It
- 16:01Speaker 2: wasn't about magic, but it was kind of a situation
- 16:07Speaker 2: like that. The guy had a difficulty in life, I
- 16:09Speaker 2: don't know, getting a girlfriend. Then the guy met him,
- 16:12Speaker 2: created a whole scenario, deceiving the guy, inducing him to
- 16:16Speaker 2: a situation.
- 16:16Speaker 5: And he kind of.
- 16:20Speaker 2: I like my best friend, but I just lie to him.
- 16:24Speaker 2: He thinks I work in such a profession, but that's
- 16:27Speaker 2: a lie. And then the guy creates a scenario of
- 16:30Speaker 2: the bar that they always go. It's like this, you're
- 16:33Speaker 2: going to tell him the truth here and now. But
- 16:36Speaker 2: the guy doesn't realize that he's being trained for that.
- 16:38Speaker 2: I forgot the name.
- 16:39Speaker 8: It's almost a therapy, this one. Between several quotes.
- 16:45Speaker 2: Between several quotes, yes, but it's a very crazy thing.
- 16:48Speaker 2: I won't remember now, but it's a very quiet little
- 16:50Speaker 2: guy who does it, anyway.
- 16:51Speaker 3: Do you know how to do magic?
- 16:53Speaker 7: Man, nothing. Sometimes I do, Barbeiro, I'll do the magic
- 16:55Speaker 7: with you. Then I take a deck, choose a card,
- 16:58Speaker 7: keep it in the deck, send it, do it in
- 17:00Speaker 7: the predict. I have a chance in 54?
- 17:01Speaker 6: 52.
- 17:01Speaker 2: 52. One day it will work.
- 17:02Speaker 5: One day it will work, right?
- 17:04Speaker 2: Son of a bitch, the only magic I know, he
- 17:06Speaker 2: taught me.
- 17:27Speaker 4: Your explanation, because I like to see the reaction of
- 17:30Speaker 4: people when Igão does it, you know?
- 17:32Speaker 2: Man, but it's very simple.
- 17:33Speaker 3: Because people feel very... Man, what happened? Igão doing this thing.
- 17:37Speaker 2: No, and my videos, the ones that go better is
- 17:40Speaker 2: when the person reacts well. So the video, the magic,
- 17:42Speaker 2: it's not about the magic. It's about the person surrendering
- 17:45Speaker 2: the thing.
- 17:45Speaker 3: It's about surrendering. It's like, I want to be deceived,
- 17:47Speaker 3: come on. That's it, that's it.
- 17:49Speaker 2: I think the worst thing.
- 17:50Speaker 4: For the magician is when he goes to do the
- 17:52Speaker 4: magic and there's the guy there.
- 17:53Speaker 3: No, where is he? Turn around.
- 17:54Speaker 8: No, and he keeps fiddling, how did you do it?
- 17:56Speaker 7: Enjoy the thing, it's art, man. Enjoy the thing, get
- 17:59Speaker 7: on the wave and take the cheap.
- 18:01Speaker 3: Be stupid, be stupid.
- 18:01Speaker 7: But it makes him angry because he does some things
- 18:05Speaker 7: that I say, bro, that's it, baby. I'll never know
- 18:07Speaker 7: about this thing. And he's deceiving me in a way...
- 18:09Speaker 7: And I'll never know, I think that's what's cool about it.
- 18:11Speaker 2: Yeah, bro, but when you see that everyone is getting well,
- 18:13Speaker 2: tell us, bro.
- 18:14Speaker 5: Or before you die, reveal one thing.
- 18:15Speaker 2: Or another, in the milk of death.
- 18:17Speaker 3: Before you die, reveal some cool stuff to us.
- 18:19Speaker 7: You'll be in the hospital, just us two, all the
- 18:21Speaker 7: doctors will leave, you'll tell the thing, bro.
- 18:22Speaker 2: That's it, bro.
- 18:23Speaker 3: That one there, that's it. Ana, I said, fuck, I
- 18:26Speaker 3: don't believe it.
- 18:27Speaker 2: And then I die, you can turn off the juncture,
- 18:29Speaker 2: it's over.
- 18:31Speaker 3: That's it. But the people close to you, do you
- 18:33Speaker 3: tell your wife? Ana knows, a good part.
- 18:37Speaker 5: Of course she knows, Mítico!
- 18:38Speaker 3: Because she would be so curious! No, but it's not
- 18:40Speaker 3: because of that.
- 18:40Speaker 2: It's because sometimes I do it for her and, for example,
- 18:43Speaker 2: she didn't notice and such, then I... At some point
- 18:47Speaker 2: I explain after testing and I do it again with
- 18:51Speaker 2: her knowing. And then with her knowing the trick, it
- 18:54Speaker 2: needs to be good. To see if she sees you
- 18:56Speaker 2: doing the trick.
- 18:57Speaker 3: Damn, but what a privilege, it's cool to know.
- 18:59Speaker 5: How did you two become so close?
- 19:03Speaker 2: Me and Barbies?
- 19:04Speaker 7: Guns N' Roses, man. We are fans of the same band,
- 19:07Speaker 7: and he is the only person I can talk about Guns.
- 19:09Speaker 7: And he knows from that show in 92 that Slash
- 19:11Speaker 7: hugged Axl in the song such. A guy giving a smile,
- 19:13Speaker 7: I know. We know bro, so that's it. Why does
- 19:15Speaker 7: Guns N' Roses.
- 19:16Speaker 3: Catch you so much? Man, I don't know, I think.
- 19:19Speaker 2: It was the first contact, that thing of seeing the
- 19:20Speaker 2: guys playing and seeing them as a superhero, doing a.
- 19:23Speaker 8: Guitar solo, I want to be that. This was Pivete.
- 19:32Speaker 7: I was a pivete, I'm talking about 12, 13 years old.
- 19:35Speaker 2: It's that Guns, besides being, and are still very famous, they.
- 19:39Speaker 5: Have a stereotype of rock, right?
- 19:41Speaker 2: Real rock. The Slash, that cartola and the guitar, the
- 19:44Speaker 2: face that you can't see.
- 19:45Speaker 7: And I, at 12 years old, that exploded my head
- 19:47Speaker 7: in a way that, there were other bands that were
- 19:49Speaker 7: part of my life.
- 19:40Speaker 5: I don't even know if he's alive.
- 20:01Speaker 2: And he was older.
- 20:02Speaker 7: And he was the guy who sat on the sidewalk
- 20:03Speaker 7: with the guitar and played Guns' stuff.
- 20:04Speaker 2: And then I went to the fair. On the guitar?
- 20:06Speaker 2: On the guitar.
- 20:06Speaker 7: And then I went to the fair and asked... I
- 20:08Speaker 7: sang the song to the guy. I didn't even know
- 20:10Speaker 7: the name of the album, I didn't know the name
- 20:12Speaker 7: of the band. I sang the song to the guy
- 20:13Speaker 7: from the fair. I said, do you have this CD here?
- 20:15Speaker 7: And then I sang Don't Cry from Guns to the guy.
- 20:16Speaker 7: And the guy gave me.
- 20:17Speaker 2: A CD from Guns.
- 20:18Speaker 5: How did you get to.
- 20:19Speaker 2: Calm down. You got to the barrack. I got to
- 20:22Speaker 2: the barrack.
- 20:23Speaker 7: My dad there didn't even know what I was talking about.
- 20:26Speaker 7: And then I said, do you know that song? Don't
- 20:28Speaker 7: you cry tonight? And the guy said, this is Guns
- 20:32Speaker 7: N' Roses, the guy has already changed the semblance. And
- 20:34Speaker 7: then I took that CD and it was over, bro,
- 20:37Speaker 7: it was over.
- 20:37Speaker 2: And when did you meet Guns? My brother is a rocker,
- 20:41Speaker 2: my older brother. And he took all this cool phase
- 20:45Speaker 2: of the end of the 90s, the end of the
- 20:46Speaker 2: 80s too. And then at school, guys, the CD record
- 20:49Speaker 2: company was starting. And then the guys would do that
- 20:56Speaker 2: smuggling of collectibles, of music, and my brother would come
- 20:59Speaker 2: with CDs at home, and one day he listened to...
- 21:01Speaker 2: And I didn't even start listening to rock because of Guns, I.
- 21:03Speaker 5: Started because of Offspring.
- 21:04Speaker 2: Okay.
- 21:04Speaker 3: Very good.
- 21:05Speaker 5: And then that Pretty Fly. I went to the bank,
- 21:07Speaker 5: same thing.
- 21:08Speaker 2: I want that.
- 21:09Speaker 5: It was the 4th grade, I think, of their American.
- 21:13Speaker 2: So I bought it, and my brother bought the live.
- 21:16Speaker 5: Era of Gansky on that day.
- 21:17Speaker 2: That live album.
- 21:17Speaker 5: And then it ended up that we switched.
- 21:19Speaker 2: He was listening more to Offspring, and I broke a
- 21:22Speaker 2: lot on Gansky.
- 21:23Speaker 7: With me it was the Tokyo show, it was.
- 21:24Speaker 2: The Tokyo show. Yeah, the first time I saw the
- 21:27Speaker 2: guys live, to see what their faces were like, was
- 21:29Speaker 2: at this Tokyo show in 92. Man, if you let it,
- 21:33Speaker 2: you'll talk.
- 21:34Speaker 3: It's different, man.
- 21:35Speaker 2: Why is it different, bro?
- 21:36Speaker 5: Axl's vocals are different from any other band's vocals.
- 21:40Speaker 2: It's crazy.
- 21:41Speaker 5: His stage presence is crazy. It's crazy.
- 21:43Speaker 2: The guy singing, running back and forth, with that little hair,
- 21:45Speaker 2: that little band. There was Duff, who's punk. Duff, who's punk.
- 21:49Speaker 8: Bringing all this to Glenn Hard Rock.
- 21:51Speaker 7: A punk guy using cropped, with a painted nail, and
- 21:53Speaker 7: singing rock and roll.
- 21:54Speaker 2: The other, a cartola doing a solo, that I've never
- 21:57Speaker 2: seen any other guitarist do a thing so melodic like that.
- 22:00Speaker 3: At that time, did people use this style too?
- 22:02Speaker 4: Or was it just Gunz that was so different from
- 22:05Speaker 4: having this crazy style?
- 22:07Speaker 7: No, Gunz drank from Glam, for fuck's sake, Motley Crue.
- 22:10Speaker 7: Gunz is also farofa, we can call Gunz farofa.
- 22:13Speaker 5: What would a farofa be?
- 22:15Speaker 2: Man.
- 22:16Speaker 5: Def Leppard.
- 22:17Speaker 7: When we talk about ACDC, Bon Jovi, rock farofa, rock
- 22:21Speaker 7: de velho, 80s, 90s, that saw this bunch of bands happening,
- 22:24Speaker 7: and Guns was a band that emerged in that while
- 22:26Speaker 7: the Seattle scene was happening, the grunge scene, Nirvana, Pearl Jam,
- 22:31Speaker 7: Chris Cornell, Allison Chance.
- 22:34Speaker 2: But why do people beat Guns so much today? Because
- 22:36Speaker 2: I've heard this a lot.
- 22:38Speaker 5: Guns is not rock and roll. Why do people say that?
- 22:42Speaker 2: The guy who says that is crazy, right?
- 22:43Speaker 7: Man, I think there are people who will say that
- 22:44Speaker 7: about everything, in any stage of life. The guy who
- 22:46Speaker 7: likes Beatles will talk to Guns and will look and
- 22:48Speaker 7: say that it's absurd. And then the guy who likes Nirvana,
- 22:50Speaker 7: who has nothing to do with Guns N' Roses, there
- 22:52Speaker 7: is this.
- 22:53Speaker 8: Guns and Nirvana.
- 22:54Speaker 2: Sometimes rock is just rock that that person likes. Yeah.
- 22:57Speaker 8: And, man, and they are aspects.
- 22:59Speaker 7: Slash is a kid of Jimi Hendrix. Then punk is
- 23:02Speaker 7: formed in Misfits. And then it joins with this guys that...
- 23:06Speaker 7: Axl Rose, who had a unique singing. And I think
- 23:08Speaker 7: one of the criticisms of Guns is Axl's voice. Nowadays,
- 23:11Speaker 7: they call him Mickey Mouse. Actually, I don't think he
- 23:14Speaker 7: took care of it, man. His singing is very physical.
- 23:16Speaker 7: It's a singing that no other person sings like. You
- 23:19Speaker 7: see a guy doing a Guns cover, but you don't
- 23:20Speaker 7: see the guy for three hours singing those songs.
- 23:23Speaker 2: Running.
- 23:23Speaker 7: Piroca on stage.
- 23:24Speaker 5: He was that way, Piroca, for three hours.
- 23:26Speaker 7: Until today.
- 23:27Speaker 2: Until today. Until today.
- 23:28Speaker 7: It's 3h15.
- 23:28Speaker 2: We saw his show at Rock in Rio, right? It
- 23:30Speaker 2: was great.
- 23:30Speaker 5: It was great. It was great.
- 23:31Speaker 3: It was great.
- 23:32Speaker 5: It was great. It was great. It was great.
- 23:35Speaker 2: It was great.
- 23:37Speaker 5: I was already in 16 shows of Guns. Then the
- 23:39Speaker 5: last one I had, I was like, damn, I'm going
- 23:41Speaker 5: to spend money again with Guns, right, man?
- 23:42Speaker 2: Then he said he was going and stuff, I said, damn,
- 23:46Speaker 2: then he changed the drummer. Then I said, damn, now
- 23:49Speaker 2: I'm going to have to go to see how it
- 23:50Speaker 2: sounds with the new drummer. And it was one of
- 23:52Speaker 2: the best shows of Guns I've ever been to. I
- 23:53Speaker 2: share the opinion.
- 23:54Speaker 7: We went without expectations, without V7 List, that fan thing.
- 23:55Speaker 7: Which song is going to play, which one is going
- 23:57Speaker 7: to open. We went virgin, like, let's see what the
- 23:59Speaker 7: guys are doing. And it was one of the coolest
- 24:01Speaker 7: shows I've ever been to from Guns too. I've been
- 24:03Speaker 7: to a part of the show, not like him, but
- 24:04Speaker 7: I've been to a part too. And it was cool.
- 24:07Speaker 5: Your favorite Guns song?
- 24:09Speaker 2: Mine is You Call Me Mine. That's nice. That's fucking nice.
- 24:12Speaker 2: That's nice. Man, I like Stranger... The Terminator 2 song, right?
- 24:15Speaker 5: That's why I know it.
- 24:16Speaker 2: And it's fucking great. The movie is great with the music.
- 24:18Speaker 2: And the music clip is great.
- 24:19Speaker 5: With the movie.
- 24:19Speaker 2: It's great. When the song comes in, it matches the situation.
- 24:24Speaker 2: And it was in this song that the drummer annoyed me.
- 24:27Speaker 2: When he called the drums, I said, ah, it's hitting soft. Yeah,
- 24:30Speaker 2: Frank played differently.
- 24:31Speaker 5: He played differently.
- 24:32Speaker 7: And playing guns, it's not playing hard, but it's playing
- 24:34Speaker 7: with pressure, which is a thing that's coming into the song.
- 24:36Speaker 7: Now I saw that there's drums here in the studio,
- 24:38Speaker 7: he takes a drum sound. But on a stage, for
- 24:41Speaker 7: two hours, playing with pressure, going down with your hand.
- 24:44Speaker 7: It's not easy.
- 24:44Speaker 2: You have to have an absurd physical preparation.
- 24:46Speaker 7: Even the ADC, which is the drum tutorial for the drummers,
- 24:49Speaker 7: it's hard for you to do two hours of show,
- 24:52Speaker 7: because it's hard, man.
- 24:53Speaker 8: The grip is hard. The thing is pressure.
- 24:55Speaker 2: It's hard.
- 24:56Speaker 5: It's hard.
- 24:58Speaker 2: The guy and Eloy must get tired of each other.
- 25:00Speaker 2: The guy has a rhythm.
- 25:02Speaker 8: So, but he prepares a lot.
- 25:03Speaker 7: The guy prepares for the tour, the guy prepares for
- 25:05Speaker 7: the gym, the diet.
- 25:06Speaker 8: It has to be.
- 25:07Speaker 7: You can't live rock and roll and play like Eloy plays.
- 25:09Speaker 2: There's no way. Who was the guy who lived rock
- 25:11Speaker 2: and roll and played hard?
- 25:13Speaker 7: Ah, there was a part, there are some out of
- 25:15Speaker 7: the curve there that are an exception.
- 25:17Speaker 3: To the rule. They're alive, I don't know how, right?
- 25:19Speaker 7: No, some are not even alive anymore.
- 25:21Speaker 2: Good part.
- 25:22Speaker 7: Good part. Man, Travis Barker is a guy who lived
- 25:24Speaker 7: rock and roll.
- 25:25Speaker 2: I started to see his documentary... This week, man. I
- 25:28Speaker 2: didn't finish, but it's cool.
- 25:30Speaker 4: I don't know where it is, because my socks are.
- 25:34Speaker 2: I got it.
- 25:36Speaker 5: You just play there and come. I'm playing there in
- 25:38Speaker 5: the paré.
- 25:39Speaker 3: Man, but they said it's really cool. It's good, man.
- 25:42Speaker 5: And there's Taylor Hawkins from Foo Fighters who died.
- 25:45Speaker 6: Another cool guy.
- 25:47Speaker 5: I don't know how they died.
- 25:49Speaker 4: There's a documentary on Netflix about them.
- 25:52Speaker 5: John was crazy.
- 25:53Speaker 7: John Fruciante, who left the band and came back, had a.
- 25:57Speaker 2: Problem with drugs in the 90s. You see when the
- 25:59Speaker 2: guys are very genius, when the music, the stories, the
- 26:02Speaker 2: guys get famous, they go crazy. John Fruciante was like that.
- 26:07Speaker 2: When Red Hot started to bomb, he went crazy. Wizzy Dugans,
- 26:10Speaker 2: same thing. No one knows where this guy is today.
- 26:12Speaker 7: Steven Edwards, Dugans.
- 26:13Speaker 3: That's crazy, man.
- 26:16Speaker 2: Man, I don't know if it has to do with it,
- 26:18Speaker 2: but I see that normally these people, famous artists, they
- 26:21Speaker 2: are introspective as fuck, they start to make their art
- 26:24Speaker 2: and that works very well. She doesn't know how to
- 26:27Speaker 2: deal with crowds, people, that... That is really sad, man.
- 26:30Speaker 2: It's very easy for people to go crazy, man.
- 26:32Speaker 7: The guy talks through art, the music talks through him,
- 26:35Speaker 7: but it doesn't... Nesse balaio, vem imprensa, vem autógrafo, vem fã,
- 26:39Speaker 7: vem multidão. E às vezes os caras não querem lidar
- 26:42Speaker 7: com essa parada. Agora é só a vida pessoal que
- 26:43Speaker 7: me importa. É, exatamente.
- 26:45Speaker 2: E aí o cara tá num.
- 26:45Speaker 7: Rolê curtindo, tão falando da vida dele.
- 26:48Speaker 8: Aí é um bagulho que é foda, mano.
- 26:49Speaker 2: É foda. Eu consigo ir.
- 26:51Speaker 8: Não dá pra julgar nada do que aconteceu.
- 26:52Speaker 2: Com esses caras, porque... Dá pra entender.
- 26:54Speaker 8: Dá pra entender, é.
- 26:56Speaker 5: Tá.
- 26:56Speaker 2: Então, como... Vocês começaram a falar sobre Guns N' Roses,
- 26:59Speaker 2: foram em show juntos e... Mas tem mais coisas em
- 27:01Speaker 2: comum aí, porque eu tô vendo que tem uma amizade forte.
- 27:02Speaker 2: Sabe o que aproximou nós? Hã? Mais... 3D printer. 3D printer.
- 27:06Speaker 8: Are you in this breeze?
- 27:07Speaker 5: We're in this breeze.
- 27:08Speaker 4: I think it's very interesting, but I say, damn, I
- 27:10Speaker 4: wanted to know how to put the little things there.
- 27:13Speaker 2: The filaments. And a slipper.
- 27:14Speaker 3: Man, it's easier.
- 27:16Speaker 2: Than you think.
- 27:16Speaker 7: Barbieri is a little faster than me. I'm the guy
- 27:18Speaker 7: who plays.
- 27:19Speaker 8: So if I can, you can, bro. Trust me, bro.
- 27:22Speaker 2: If I can, you can.
- 27:22Speaker 7: But if you have a printer to differentiate, how is it?
- 27:25Speaker 3: We have the same printer. We have the same printer.
- 27:27Speaker 2: Is it good?
- 27:30Speaker 5: Yeah, Bambuleb A1.
- 27:32Speaker 2: It's the one that people start with.
- 27:33Speaker 5: It's good because... Man, excuse the question, but is it expensive?
- 27:37Speaker 8: Five bucks, more or less.
- 27:38Speaker 2: Complete, right?
- 27:39Speaker 3: Complete.
- 27:39Speaker 5: You can get a smaller one, which is cheaper.
- 27:41Speaker 3: And you entered, before anything else, why did you enter
- 27:44Speaker 3: this business? I think it's awesome.
- 27:45Speaker 2: Me, because of the magic. Because sometimes I... I bought
- 27:49Speaker 2: a backpack and I wanted this backpack to be my EDC,
- 27:53Speaker 2: which we call it, Everyday Carry. It's a backpack that, damn,
- 27:56Speaker 2: I'm going to a barbecue, I'm going to an event,
- 27:57Speaker 2: if someone asks me for a magic, it's in my backpack.
- 27:59Speaker 5: I'll have a deck, I'll have a little thing, a
- 28:01Speaker 5: pen and such. But it was all thrown in my pocket.
- 28:04Speaker 2: I said, damn, if I have a 3D printer, I
- 28:05Speaker 2: mess with the stuff, put it in, create a support,
- 28:09Speaker 2: put it in my pocket, it will be all organized there.
- 28:11Speaker 3: And it stayed?
- 28:12Speaker 2: Until today I didn't do this shit.
- 28:14Speaker 5: Until today I didn't do it.
- 28:15Speaker 2: But now Mickey's statuette, smoking charu, that. In my house,
- 28:19Speaker 2: I made a panel the size of this TV.
- 28:24Speaker 7: I went to Leroy to get a wood of this
- 28:26Speaker 7: size and then I printed a thing called multiboard. You
- 28:29Speaker 7: know those tools panels that you go to the guy's workshop,
- 28:31Speaker 7: there's the hammer hanging, I.
- 28:32Speaker 2: Don't know what.
- 28:33Speaker 7: And then I made one of those for me that
- 28:34Speaker 7: has my tools, video game controller, guitar cable, guitar string.
- 28:37Speaker 7: And on my wall there's everything I need. I have
- 28:40Speaker 7: the feeling of having a factory.
- 28:41Speaker 2: In your house.
- 28:42Speaker 5: Zero workshop.
- 28:42Speaker 2: That's it.
- 28:43Speaker 5: Because you need to be there.
- 28:44Speaker 3: That's it.
- 28:44Speaker 5: A thing that changed my life.
- 28:46Speaker 7: I don't know if it came to print. I move
- 28:48Speaker 7: a lot while sleeping. And then I wake up with
- 28:50Speaker 7: no sheets on my bed, and I don't like the
- 28:52Speaker 7: friction between my back and the mattress.
- 28:54Speaker 5: Man, but you really move.
- 28:55Speaker 2: I move crazy. And then.
- 28:56Speaker 7: And then I printed something that you lock between the
- 29:00Speaker 7: mattress and the sheet.
- 29:01Speaker 8: And then the thing never.
- 29:02Speaker 7: Came out again, man.
- 29:04Speaker 2: You know? What do you mean, man? What is this?
- 29:06Speaker 3: It's a piece of plastic.
- 29:08Speaker 2: Imagine the mattress here like this.
- 29:12Speaker 7: The mattress. And then you put this piece here, the
- 29:14Speaker 7: sheet comes from above, and you lock it.
- 29:15Speaker 2: Later with another piece.
- 29:16Speaker 7: It doesn't come out. I tear the sheet, but it
- 29:18Speaker 7: doesn't come out.
- 29:21Speaker 3: That's it. Wow, this bothered you.
- 29:23Speaker 2: A lot, then.
- 29:24Speaker 6: A lot.
- 29:24Speaker 7: Man, the door stop thing, guitar pedalboard, I don't know,
- 29:27Speaker 7: things to make life easier. Sometimes you're hunting things to print.
- 29:30Speaker 5: I'm hunting things to print.
- 29:31Speaker 2: Sometimes I look at the printer, it's stopped there. I say, hey, man,
- 29:33Speaker 2: this is money stopped. Let's print something. Okay, but you
- 29:36Speaker 2: give a little finish, because sometimes you always....
- 29:40Speaker 7: Because sometimes it's always that little filament.
- 29:44Speaker 3: Scalpel, trash if you need it.
- 29:45Speaker 5: Is it?
- 29:45Speaker 3: Trash.
- 29:46Speaker 5: Do you have something to print there? So this is
- 29:48Speaker 5: a little support for the deck, you see?
- 29:49Speaker 2: Damn, but it's cool.
- 29:50Speaker 5: It was very good. Because normally what I see from
- 29:52Speaker 5: the guys is those thin.
- 29:53Speaker 2: No, you can make it cool. I attach it to
- 29:55Speaker 2: the belt of the pants or somewhere in the suitcase
- 29:58Speaker 2: to be able to pick it up. And besides being magical,
- 30:03Speaker 2: we keep a lot of things in the pocket. In
- 30:05Speaker 2: the pocket there is a bag, in the other there
- 30:09Speaker 2: is a pen, another cell phone, a lighter, wallet.
- 30:12Speaker 3: And then sometimes there is a pocket missing.
- 30:14Speaker 2: Then you put it there and you get rid of it.
- 30:16Speaker 2: But what was the most useful thing you did? I
- 30:19Speaker 2: think I printed Goku's doll with a horse waist. I did,
- 30:21Speaker 2: I sent you there one, I didn't bring it. But
- 30:24Speaker 2: I started developing a boost of Houdini, which is one
- 30:27Speaker 2: of the most epic magicians in history. And then I
- 30:30Speaker 2: was trying, and so, in my first month as a printer.
- 30:32Speaker 2: So I didn't know anything, I didn't know how to model,
- 30:34Speaker 2: I had never opened a 3D modeling program and such.
- 30:35Speaker 2: So even what I use, which is the Tinkercad, it's
- 30:38Speaker 2: a thing to teach 3D to small children, you know?
- 30:40Speaker 5: To teach electric.
- 30:42Speaker 2: Energy stuff, these things, for little children. And it's what
- 30:46Speaker 2: I use to this day, man. You put it there,
- 30:50Speaker 2: you put a block, but you want half of this block.
- 30:53Speaker 2: Then I make another block, which is half of this,
- 30:55Speaker 2: put it up here, press the button, it cuts. But, like,
- 30:58Speaker 2: those who really eat are other people.
- 31:00Speaker 5: There are people who print crazy stuff already. No, it's true.
- 31:03Speaker 2: No, there's a project.
- 31:04Speaker 8: A CS gun. I printed all the CS knives. Karambit, Butterfly,
- 31:07Speaker 8: I printed everything.
- 31:08Speaker 2: And it was good? It was very good. Very good.
- 31:10Speaker 2: And it takes, like, how long?
- 31:11Speaker 5: A knife like this, go.
- 31:12Speaker 2: A CS knife, about three hours. Fuck, little.
- 31:14Speaker 7: Ah, fuck. Two little colors, then you have to finish it,
- 31:17Speaker 7: glue it. And then, man, it's nice. But now, at
- 31:23Speaker 7: this moment, I'm kind of stuck with the impression, like,
- 31:25Speaker 7: but turn and.
- 31:26Speaker 8: Move, we come back, and this time of the year
- 31:28Speaker 8: is bad.
- 31:28Speaker 2: In the 3D market, everything has a programming, okay, I
- 31:30Speaker 2: want to make the knife, there has to be a
- 31:32Speaker 2: program there for him to understand what the knife is, right?
- 31:34Speaker 2: Or not?
- 31:34Speaker 7: Someone already did this for us. There's a library that
- 31:37Speaker 7: we go there, get the STL, which is the file,
- 31:39Speaker 7: and play it, basically.
- 31:40Speaker 2: The printer itself has an application that, inside this application,
- 31:43Speaker 2: already has the library.
- 31:44Speaker 3: But why, Silvano, is it fucking bad?
- 31:45Speaker 7: Moisture. The PLA, which is the material, is a plastic.
- 31:48Speaker 7: It is the easiest to work that has. However, for
- 31:51Speaker 7: those who have a printer farm that spends one kilo
- 31:53Speaker 7: per day, it is not a problem. But for us
- 31:55Speaker 7: who print 200 grams, keep the filament for a month
- 31:57Speaker 7: and re-print, The humidity becomes a problem, because when the
- 32:00Speaker 7: needle heats up, it melts the filament to make the printing.
- 32:03Speaker 7: It gathers water, it creates a bubble, and this bubble explodes,
- 32:06Speaker 7: and it sucks the printing. And then it gets stuck,
- 32:07Speaker 7: it can happen that it sticks in the middle and
- 32:10Speaker 7: turns into a lot of hair, which has already happened. Man,
- 32:12Speaker 7: everyone who has a printer has already lived a little
- 32:14Speaker 7: bit in Tupi-Ubi.
- 32:15Speaker 2: You've already woken up one day that the thing you
- 32:17Speaker 2: were printing was on the other side of the room. Exactly.
- 32:19Speaker 2: And a lot of thread.
- 32:20Speaker 3: Exactly. Besides Guns N' Roses... Impressoras 3D, what else?
- 32:25Speaker 2: We play FIFA every day. Shit, but I'm seeing that
- 32:28Speaker 2: the guys are addicted to pro clubs. What was the
- 32:31Speaker 2: championship you had?
- 32:32Speaker 8: I'm the wing or the striker.
- 32:33Speaker 2: I'm the midfielder. But what team did you play? I
- 32:37Speaker 2: played for the Caioca team. The team that was for
- 32:39Speaker 2: you to be, man. Ah, but calm down.
- 32:41Speaker 8: No, you have hesitation in this thing there.
- 32:43Speaker 5: You think, man?
- 32:44Speaker 8: I think, you had to be with us.
- 32:46Speaker 2: The Barberita? No, the guys don't call me. Magic also
- 32:49Speaker 2: doesn't have a name. Do you know what this call
- 32:51Speaker 2: was like? The guys came to me and said, do
- 32:53Speaker 2: you want to play for the club? I said, I do.
- 32:55Speaker 5: I said, when will it be?
- 32:57Speaker 2: And what time?
- 32:57Speaker 5: The guys, we don't know.
- 32:59Speaker 2: I said, okay.
- 32:59Speaker 5: Let me know when you know.
- 33:03Speaker 7: No, it's Caioca's fault, because we trained, we had a coach,
- 33:05Speaker 7: original stuff. I'm a CLT from the internet.
- 33:07Speaker 2: We were pissed off with this shit, us, the guys
- 33:08Speaker 2: who didn't play.
- 33:09Speaker 5: We just wanted to play well.
- 33:09Speaker 2: No, it was a revolt, you stopped the team. Hey,
- 33:11Speaker 2: but then, they got to where it was cool, the
- 33:13Speaker 2: participation of you.
- 33:13Speaker 5: Your participation was good.
- 33:14Speaker 2: We fell in the quarterfinals, the guys played, we.
- 33:16Speaker 4: Were like this, the two teams were very good, let's say.
- 33:19Speaker 3: So, and whoever made the first goal basically won the.
- 33:21Speaker 7: Game, because the other team would close later and it
- 33:24Speaker 7: was difficult.
- 33:33Speaker 2: And that's it.
- 33:34Speaker 7: And the guys played better, we couldn't train, there was
- 33:36Speaker 7: Rock in Rio, and then we couldn't train so much
- 33:38Speaker 7: with the team. We arrived on Monday to play and
- 33:40Speaker 7: the guys were already training, playing together. So I think,
- 33:43Speaker 7: lack of training, we didn't play so well, and the
- 33:44Speaker 7: guys were good, they won too. The guy said, like
- 33:46Speaker 7: a player.
- 33:46Speaker 3: Did you like it?
- 33:47Speaker 2: No, but he was honest. Why did they lose? Lack
- 33:48Speaker 2: of training, we didn't play so well, the team played better,
- 33:51Speaker 2: we lost. I lived a roleplay, I was the wing,
- 33:52Speaker 2: I'm going to run like.
- 33:53Speaker 7: Hell, without the ball, I turn the side, and I
- 33:54Speaker 7: was in a roleplay, I'm a player, bro.
- 33:56Speaker 3: Let's go. I swear to God.
- 34:01Speaker 2: No, it was already. Wanting to win, celebrating at home
- 34:04Speaker 2: when the goal came out. Wow.
- 34:05Speaker 7: And then the guys, some strange things happened in the
- 34:08Speaker 7: championship and we didn't have a voice.
- 34:10Speaker 8: Ah, they cheated in the championship.
- 34:11Speaker 2: Ah, I saw.
- 34:12Speaker 8: One of Dom's teams had a cheater. And then our
- 34:14Speaker 8: team had a pro.
- 34:15Speaker 7: That couldn't, we didn't know. And then when we... You
- 34:18Speaker 7: didn't know?
- 34:19Speaker 6: No.
- 34:19Speaker 7: And then what happened was, they gave us the W-1
- 34:21Speaker 7: because of this pro. The guys cheated, what did they do?
- 34:24Speaker 7: Let's redo the game. And then we were in the
- 34:26Speaker 7: biggest loss because of that.
- 34:27Speaker 5: But the owner's team wasn't eliminated because of.
- 34:29Speaker 1: No.
- 34:30Speaker 7: It was only eliminated because it wasn't competent to get to...
- 34:33Speaker 7: I understand.
- 34:34Speaker 2: But it wasn't eliminated because of that. No, but like.
- 34:37Speaker 7: Maybe if there wasn't a cheat, there wouldn't have been
- 34:39Speaker 7: a Chega.
- 34:40Speaker 2: When it arrived. But that's crazy, man. In my time,
- 34:42Speaker 2: playing a.
- 34:42Speaker 8: Game with friends was much more smooth.
- 34:44Speaker 7: I know. I'm also getting old. I said, how come
- 34:46Speaker 7: they cheated in a FIFA championship, man?
- 34:48Speaker 2: I was.
- 34:49Speaker 5: The guys want to win at all costs.
- 34:50Speaker 2: For the love of God.
- 34:51Speaker 1: No, sadness, sadness.
- 34:53Speaker 3: But do you play at a level to play in
- 34:55Speaker 3: a pro club like this?
- 34:56Speaker 8: No, it's a joke.
- 34:57Speaker 7: Reviewing, playing, second division, it's the maximum that we got.
- 35:02Speaker 3: What's your level of football?
- 35:05Speaker 5: FIFA or football-football?
- 35:07Speaker 3: Football-FIFA and football-football.
- 35:09Speaker 2: I think I'm better at FIFA than at football.
- 35:12Speaker 3: Really?
- 35:12Speaker 7: Wow, so you're very bad at playing ball.
- 35:16Speaker 5: Or like this, man. It's hard to play with them,
- 35:18Speaker 5: because he and Caio are more intertwined.
- 35:20Speaker 2: And Caio... Caio Romano. Caio Romano.
- 35:24Speaker 5: And then Caio, damn.
- 35:25Speaker 2: He misses 10 passes.
- 35:27Speaker 1: Damn, guys.
- 35:27Speaker 2: Caio is the 10th leg. My control is shit.
- 35:30Speaker 5: The button of my control is stuck. My control.
- 35:32Speaker 2: Caio is the guy, right? I pressed the thing here,
- 35:34Speaker 2: it won't go, bro. I pressed the button, it won't go, bro.
- 35:37Speaker 2: I'm in the wrong configuration here.
- 35:38Speaker 5: Then the magician missed?
- 35:39Speaker 2: Caio C misses one pass.
- 35:40Speaker 1: Wow.
- 35:41Speaker 3: An offense.
- 35:42Speaker 7: An offense.
- 35:43Speaker 2: An offense.
- 35:43Speaker 5: An offense.
- 35:44Speaker 2: The lady is my mother.
- 35:47Speaker 5: For free, like that.
- 35:47Speaker 2: Oh, Alcino.
- 35:48Speaker 6: Ahn.
- 35:50Speaker 3: Alcina is very good.
- 35:51Speaker 2: But you were talking about Guns N' Roses, rock.
- 35:53Speaker 7: Rock.
- 35:55Speaker 5: How do you want to do a show on Rock
- 35:56Speaker 5: in Rio?
- 35:56Speaker 8: I don't know yet, I'm floating, man.
- 35:59Speaker 2: How was that, brother?
- 36:01Speaker 7: What do I say?
- 36:02Speaker 5: I want you to say since the moment you were invited.
- 36:04Speaker 2: Because I want to know if it was the same
- 36:06Speaker 2: with Defante, with Lucas, that we exchanged an idea. If
- 36:09Speaker 2: you had any idea or it was the same with them,
- 36:10Speaker 2: without any pretension, and out of nowhere your phone rang.
- 36:14Speaker 2: My phone rang.
- 36:15Speaker 7: I was at a recording of Balela, and then the
- 36:17Speaker 7: invitation came up, let's play at Rock in Rio?
- 36:19Speaker 2: Ah, yes. Ah, yes.
- 36:21Speaker 7: Do Verta, who is a guy that I will be
- 36:22Speaker 7: eternally grateful, who was the guy who gave me the opportunity,
- 36:25Speaker 7: saw in me a thing that only he saw.
- 36:27Speaker 8: And then I cried, even.
- 36:30Speaker 2: In the recording already?
- 36:32Speaker 7: Yeah, no, when I received the message, I thought it
- 36:34Speaker 7: was the disclosure of Tigrinha, I started to look well,
- 36:36Speaker 7: I said, no, but who is this here? Then I
- 36:37Speaker 7: saw the guys following him, then I changed the idea,
- 36:40Speaker 7: and then the thing happened. And then I didn't have
- 36:42Speaker 7: the band, I didn't have.
- 36:44Speaker 8: There was no team, there was nothing.
- 36:45Speaker 3: You didn't have a band? There was nothing.
- 36:48Speaker 2: It was the first show of your life.
- 36:49Speaker 7: It was the first show of my life. But then,
- 36:52Speaker 7: I'm a big friend of Samuel, guitarist from Matue. Yes, Batista.
- 36:54Speaker 5: I sent a message to Samuel, he's my hero.
- 36:56Speaker 2: He's a very cool guy.
- 36:57Speaker 7: He's my hero.
- 36:58Speaker 8: He's my guitar teacher, he's my counselor, my friend, he's everything, man.
- 37:00Speaker 7: He's cool.
- 37:01Speaker 8: And then I said, Samuel, I made a show and
- 37:02Speaker 8: I don't have anyone. And then he said, man, I'll
- 37:05Speaker 8: help you.
- 37:11Speaker 7: He contacted Nick's Zapp, who has become a brother of mine,
- 37:14Speaker 7: I already love this guy, who was the guy who said, okay,
- 37:17Speaker 7: let's organize the thing. And then we set up the band,
- 37:20Speaker 7: Vitor Piraceta on the drums, Rafa Brasil on the guitar,
- 37:24Speaker 7: from Far From Alaska, I was already a fan of
- 37:25Speaker 7: the guy, and the guy played with me.
- 37:27Speaker 3: How long did it take for you to get together
- 37:28Speaker 3: with these guys?
- 37:29Speaker 8: Ah, it was about five months.
- 37:31Speaker 7: The biggest process, in fact, that took, Twin Pump, my friend,
- 37:35Speaker 7: my monster, the brain behind my songs, who has been
- 37:36Speaker 7: with me since the beginning.
- 37:39Speaker 2: And then....
- 37:43Speaker 7: Answering your question, things started to happen through WhatsApp. We
- 37:46Speaker 7: set up a group, and then who's going to be
- 37:49Speaker 7: the PA guy? Let's put it that way. Who's going
- 37:52Speaker 7: to be the guy from the monitor? And everything was
- 37:54Speaker 7: new to me, I'm a fan of these things, bro.
- 37:56Speaker 7: I had never sung Jinir in my ear, I had
- 37:57Speaker 7: to ask to do it.
- 37:58Speaker 2: What a huge show you were going to do. What
- 38:00Speaker 2: a crazy thing.
- 38:01Speaker 7: But then I got into the super focus of going
- 38:03Speaker 7: to train and get ready for it.
- 38:04Speaker 8: Because training, the insecurities go away.
- 38:06Speaker 7: And with the guys, the guys are already very good,
- 38:08Speaker 7: they are already used to doing shows.
- 38:10Speaker 8: They push me. It seems easier with them, you know?
- 38:12Speaker 2: You feel safer, right? Much safer, bro.
- 38:15Speaker 3: Much safer.
- 38:15Speaker 7: And guitar is something I do every single day. Guitar
- 38:19Speaker 7: doesn't surprise me. Now, singing is something that surprises me more.
- 38:22Speaker 7: And being a frontman, I've already done some shows, but
- 38:25Speaker 7: always playing.
- 38:26Speaker 2: Not singing.
- 38:27Speaker 7: So I prepared myself much more vocally.
- 38:28Speaker 2: But there's even the guitar that you master. Don't you
- 38:32Speaker 2: get a little afraid to say, like, fuck, but.
- 38:35Speaker 5: And I'm in front of.
- 38:36Speaker 2: I'm in Rock in Rio, man.
- 38:37Speaker 5: How can you not remember?
- 38:39Speaker 8: Man, it didn't work.
- 38:41Speaker 6: I amassed.
- 38:41Speaker 8: I don't have what to say.
- 38:42Speaker 7: On the guitar, I feel much more security because I
- 38:45Speaker 7: think it's a thing that I live much more.
- 38:47Speaker 8: And singing is that thing that I sang... Sing for consequences,
- 38:51Speaker 8: you know? Yes, I understand.
- 38:53Speaker 2: And then things came.
- 38:54Speaker 3: And then.
- 38:55Speaker 2: I went to the.
- 38:56Speaker 7: At the time, when I received the show, I wasn't
- 38:58Speaker 7: very well in my head. So I went to take
- 39:00Speaker 7: care of my head. And taking care of the head...
- 39:02Speaker 7: A lot of the gnaws disappear.
- 39:03Speaker 2: Exactly.
- 39:04Speaker 7: And then, on Rock in Rio, Balela was recording with us,
- 39:08Speaker 7: so I felt comfortable because the guys were with me.
- 39:10Speaker 7: We're going to release a video now of a day
- 39:12Speaker 7: of hold in Rock in Rio and the two guys
- 39:14Speaker 7: are going to be my hold. So the guys have
- 39:17Speaker 7: already done the recordings. Caio is editing now, at this moment,
- 39:20Speaker 7: I think, the video.
- 39:21Speaker 2: He's not. He shouldn't be.
- 39:22Speaker 5: He's probably smoking something this size.
- 39:23Speaker 2: Playing FIFA at the same time. And then, where was I?
- 39:26Speaker 2: You setting up your band and on Rock in Rio
- 39:32Speaker 2: you were very safe because you had the boys from
- 39:35Speaker 2: Balela and your band was calling you up. Perfect.
- 39:37Speaker 7: I was very safe is the strong word because among
- 39:40Speaker 7: the people who sing, for you to have the secret
- 39:42Speaker 7: of a good voice, in addition to having a diet,
- 39:44Speaker 7: hydration and exercise routine, it's sleep. You have to sleep well.
- 39:48Speaker 7: E aí a gente foi pro Rio de Janeiro na sexta-feira,
- 39:50Speaker 7: foi umas seis horas e.
- 39:51Speaker 2: Meia de van.
- 39:52Speaker 7: Chegamos na casa... No sábado. E aí, chegamos na casa,
- 39:56Speaker 7: vamos dormir. Duas da manhã é o horário que eu durmo,
- 39:58Speaker 7: vou dormir, vou acordar ali pelas oito, nove da manhã,
- 40:00Speaker 7: amanhã eu tô legal. E aí acabou a energia da casa,
- 40:03Speaker 7: começou a chover, o pernilongo começou a subir, me piscar inteiro.
- 40:07Speaker 7: And then I put the, what's my name, the blanket,
- 40:08Speaker 7: it was hot, and then I just know that I
- 40:10Speaker 7: went to sleep at 4.30 in the morning, the energy
- 40:12Speaker 7: came back with the air conditioner on, I woke up
- 40:14Speaker 7: in the morning catarrhento, fang, and I said.
- 40:16Speaker 3: Water fucked.
- 40:17Speaker 5: And you were sick last week.
- 40:18Speaker 7: And I was sick, in the month that preceded Rock
- 40:20Speaker 7: in Rio, I had a bacterian sinusite and I was fucked.
- 40:23Speaker 7: So I wasn't able to sing much these days to practice,
- 40:26Speaker 7: I was kind of without air to sing, so... I
- 40:29Speaker 7: wanted to make some noise in my head. And then
- 40:31Speaker 7: I arrived at Rock in Rio.
- 40:32Speaker 5: What noise? Of giving up?
- 40:33Speaker 2: No, of insecurity.
- 40:34Speaker 3: Oh, okay.
- 40:35Speaker 2: With the voice, mainly. Okay.
- 40:36Speaker 7: And then I arrived at Rock in Rio, I talked
- 40:38Speaker 7: to Lucas. Lucas, did you sleep or not? I talked
- 40:41Speaker 7: to Léo from Supercombo, did you sleep or not?
- 40:42Speaker 8: I said, that's it.
- 40:44Speaker 7: The world is the same in this shit, let's go. Man,
- 40:46Speaker 7: and at the time, our sound passage was late as hell.
- 40:49Speaker 7: And then we started to pass sound, there was already
- 40:52Speaker 7: a crowd forming there. And we couldn't pass the sound
- 40:54Speaker 7: on the PA, because at two in the afternoon we
- 40:56Speaker 7: had to mute the PA.
- 40:58Speaker 8: and we just passed on the headphones.
- 41:00Speaker 2: Wow, zero, what agony.
- 41:03Speaker 7: At that time, because our passage was to have been mid-15,
- 41:05Speaker 7: at that time I started to get some insecurities, but
- 41:08Speaker 7: everyone who was cheating with me, did their best for
- 41:11Speaker 7: it not to show up for me and the band,
- 41:13Speaker 7: and we stay light. And in the end, we just
- 41:16Speaker 7: passed the sound, we left the stage, when they touched
- 41:18Speaker 7: my shoulder, they said, it's time, the sound has already
- 41:20Speaker 7: been released.
- 41:21Speaker 2: I didn't have much of that... Passou o som e
- 41:23Speaker 2: fez o show.
- 41:24Speaker 8: Passou o som e fez o show.
- 41:25Speaker 7: A gente ensaiou na casa do Piraceta, que a gente
- 41:27Speaker 7: já vem ensaiando há um tempo. E o show nosso é...
- 41:31Speaker 7: A gente tá com regência no ouvido, tem clique. Então
- 41:34Speaker 7: eu tinha minhas preocupações era ficar focado pra fazer o
- 41:38Speaker 7: melhor possível na música.
- 41:39Speaker 8: E aí começou o show.
- 41:41Speaker 7: I sang the first note, my voice came out, the
- 41:43Speaker 7: crowd responded, and from there all the boredom, all the insecurity.
- 41:46Speaker 8: That I had, it disappeared.
- 41:47Speaker 5: You just needed the public's response.
- 41:48Speaker 7: And it looked like I was drugged, because my head was,
- 41:50Speaker 7: and I was 100% sober of anything.
- 41:52Speaker 2: But you were in ecstasy.
- 41:54Speaker 7: But I was in ecstasy, and I felt comfortable, and
- 41:56Speaker 7: my voice came out, and I was listening to myself,
- 41:59Speaker 7: and everything happened, and I don't regret anything.
- 42:01Speaker 8: The crowd that got there was, there was a lot
- 42:03Speaker 8: of people.
- 42:05Speaker 7: Man, it's crazy, because I lived what I always dreamed
- 42:07Speaker 7: of living, what my little boy wanted to live, since
- 42:09Speaker 7: the time I got the van.
- 42:10Speaker 2: With the guys in the band. That's why it was
- 42:11Speaker 2: so good.
- 42:12Speaker 7: Man, and I got to enjoy it a lot, and
- 42:14Speaker 7: I feel that every day that passes after Rock in Rio,
- 42:17Speaker 7: The more cool things get.
- 42:18Speaker 8: Because when we're there, it's.
- 42:19Speaker 2: Hard to have this... Assimilate, right? This click.
- 42:21Speaker 7: Because I'm focused on doing the right thing, because we left. So,
- 42:24Speaker 7: after everything is over, and the guys change ideas, and
- 42:27Speaker 7: the people come to give feedback on what they thought
- 42:30Speaker 7: of the show, at that time, wow, very cool, man.
- 42:31Speaker 5: How long was the show, Zanin?
- 42:33Speaker 2: It was 30 minutes. Fuck, man.
- 42:34Speaker 5: It was 30 minutes.
- 42:34Speaker 2: Wow, I was going to be pissed. Man.
- 42:36Speaker 3: What was the coolest moment there that you.
- 42:39Speaker 7: Ah, when I did the guitar solo on the face
- 42:43Speaker 7: of the crowd.
- 42:43Speaker 2: Wow, wow, wow, wow, wow, wow, wow.
- 42:45Speaker 7: That's cool.
- 42:47Speaker 8: And the crowd screaming.
- 42:48Speaker 7: And when you're on stage, we didn't have a microphone
- 42:51Speaker 7: as a reference. So we were listening to a studio
- 42:53Speaker 7: sound here and we didn't hear a lot of people screaming.
- 42:55Speaker 7: And then we had to take out the headphones and
- 42:56Speaker 7: the crowd made a noise and the stuff is crazy.
- 42:58Speaker 7: You look, it's a lot of people.
- 43:00Speaker 2: And since the.
- 43:01Speaker 7: Rock in Rio gate opened at 2 p.m., there were
- 43:03Speaker 7: a lot of people that I saw there later who
- 43:05Speaker 7: said they couldn't see my show.
- 43:07Speaker 8: And even so, there were a lot of people. That
- 43:09Speaker 8: was the coolest thing.
- 43:10Speaker 6: So.
- 43:10Speaker 5: Did you see the show?
- 43:12Speaker 2: Barbieri was there. What was your perspective? It was crazy, man.
- 43:16Speaker 2: When he started to get emotional, I was already crying together.
- 43:20Speaker 2: It's crazy, man.
- 43:20Speaker 5: Seeing your friends like that.
- 43:22Speaker 7: Man, I almost cried a few times. You look at
- 43:24Speaker 7: it and say, it's not possible, what's going on? You
- 43:27Speaker 7: have to look at it from the bottom, right?
- 43:29Speaker 2: Focus, because you have to sing.
- 43:30Speaker 7: And I was kind of sick, I took the microphone
- 43:32Speaker 7: out of my mouth, I coughed and came back, let's go,
- 43:34Speaker 7: rock and roll.
- 43:36Speaker 4: It's cool to see that, because you've always made videos
- 43:41Speaker 4: with music, you've always been singing, you've always been playing.
- 43:45Speaker 8: I think I'm more of a musician.
- 43:46Speaker 2: Than a YouTuber, because the YouTuber came.
- 43:49Speaker 7: But I was already a musician before, I played in
- 43:51Speaker 7: the church, I already had a garage band with friends,
- 43:54Speaker 7: so the internet gave me a structure and a privilege
- 43:59Speaker 7: To be able to make my music the way I wanted,
- 44:02Speaker 7: you know? To make things happen the way they had
- 44:04Speaker 7: to happen, I think. And I think it didn't happen
- 44:07Speaker 7: before because, I don't know, the universe didn't want it.
- 44:09Speaker 7: I'm even being mystical about it. Because everything happened at
- 44:12Speaker 7: the perfect time. I was well in my head, with
- 44:13Speaker 7: the right people.
- 44:15Speaker 5: Rock in Rio, man.
- 44:16Speaker 2: Rock in Rio. This can't come out of... Crazy, man.
- 44:19Speaker 2: From the plate, you know?
- 44:20Speaker 8: And all the backstage.
- 44:22Speaker 7: to see this tour happening behind the stage, the people
- 44:24Speaker 7: having fun and enjoying themselves, it was all new to me.
- 44:26Speaker 5: And didn't you bring some crazy bands there? On the
- 44:28Speaker 5: backstage of life?
- 44:30Speaker 7: On the backstage of the stage we were, there was me,
- 44:32Speaker 7: MC Taia, which was a very cool surprise that I
- 44:34Speaker 7: met at Rock in Rio, Lucas and Super Combo. So
- 44:38Speaker 7: all these people were there, and the people who work
- 44:40Speaker 7: with these people. And then later, I was cheating at
- 44:43Speaker 7: Rock in Rio, so I couldn't... I enjoyed it a lot.
- 44:46Speaker 7: And then when the Elizeiro hit, I said, I just
- 44:47Speaker 7: want to go home and watch Rock in Rio on TV.
- 44:49Speaker 7: And then I went home, we ate some things and
- 44:51Speaker 7: we kept watching from there.
- 44:53Speaker 2: It rained too. It rained too. But still, this Saturday
- 44:56Speaker 2: is a day that you relive every day, I imagine.
- 44:59Speaker 7: Every day I relive, I'm watching. The baby, my friend,
- 45:01Speaker 7: he recorded the whole show. And since there was no broadcast,
- 45:03Speaker 7: he filmed everything for us. And every day I stay
- 45:06Speaker 7: there coming back and watching. I'm already having several clicks
- 45:09Speaker 7: of things that I have to learn and improve. Things
- 45:11Speaker 7: to evolve. Redundancy, in case one problem has another. Several learnings, man.
- 45:17Speaker 7: And I feel that I live a dream at this moment,
- 45:21Speaker 7: because Balela... Despite not being a band, I feel like
- 45:24Speaker 7: being in a band. We do things as a band,
- 45:26Speaker 7: you know? We're together, we record, we're partners, we live
- 45:28Speaker 7: as a band, we're friends. You have an idea and
- 45:31Speaker 7: you execute it already.
- 45:33Speaker 5: And now with Balela and with the shows.
- 45:35Speaker 7: If everything goes well, it's the life I've always wanted.
- 45:40Speaker 7: And from time to time I do some live, because live,
- 45:42Speaker 7: I get tired, you know? And when you're not in.
- 45:45Speaker 2: The thing, you're not there. So.
- 45:49Speaker 5: The people can see, right?
- 45:49Speaker 2: The people can see.
- 45:50Speaker 7: And I wasn't so much in the lives. And now
- 45:52Speaker 7: when I do it once in a while.
- 45:53Speaker 2: It's always cool.
- 45:54Speaker 5: How cool, Zeron. My congratulations, bro, for having played in
- 45:56Speaker 5: a tour.
- 45:57Speaker 6: Man, thanks.
- 45:57Speaker 2: This is surreal. It was very cool, bro. And I
- 45:59Speaker 2: think this has to be normalized, because there are fucking talents.
- 46:02Speaker 2: I don't know, we talked about Lucas, Defante, you.
- 46:05Speaker 5: Oh, Defante, the Lucas was.
- 46:06Speaker 8: One of the craziest things, bro.
- 46:07Speaker 5: The Lucas show was one of the craziest.
- 46:09Speaker 8: Things I've ever seen in my life, bro. There were
- 46:11Speaker 8: a lot of people, bro.
- 46:12Speaker 2: A lot of people, bro.
- 46:13Speaker 7: It was a thing of... Defante, I wasn't there in
- 46:15Speaker 7: the day, I just saw him accompanying. But he also
- 46:18Speaker 7: blew the balloon's mouth, bro. And it's awesome, because, like,
- 46:22Speaker 7: there are criticisms from a group that have a foundation,
- 46:25Speaker 7: these criticisms, because, man, the guys are youtubers, they're gaining
- 46:28Speaker 7: the voice, and then, man, they're youtubers, they're gonna play
- 46:30Speaker 7: at Rock in Rio.
- 46:31Speaker 5: But where does it have a foundation, Zerão?
- 46:33Speaker 2: Let's discuss that.
- 46:33Speaker 7: Because, like, I feel that it's a privilege, we're ahead
- 46:36Speaker 7: of the other bands, because we already have a community.
- 46:38Speaker 2: It's okay, it's okay.
- 46:39Speaker 5: You know?
- 46:39Speaker 2: But they built it. But that's what I was gonna say,
- 46:41Speaker 2: the musician is totally right, your privilege is... É diferente
- 46:46Speaker 2: se o cara só te tira da sua casa, ah,
- 46:47Speaker 2: o Zero é filho do fulano de tal, vamos lá.
- 46:50Speaker 2: Mas o seu privilégio você construiu, entendeu? Tipo, o que
- 46:53Speaker 2: eu quero dizer, você foi fazendo suas lives, você foi
- 46:54Speaker 2: mostrando que você é músico. E o Rock in Rio,
- 46:57Speaker 2: como uma empresa, entendeu que seria interessante. Então, porra, assim
- 47:01Speaker 2: como eles achavam que contratar o Offspring, o Guns N' Roses,
- 47:04Speaker 2: também era. Então, a galera tem que... to applaud more,
- 47:08Speaker 2: to think it's cooler, because.
- 47:10Speaker 3: People didn't even go and talk about it.
- 47:12Speaker 2: The chance of you being there is also higher when
- 47:15Speaker 2: it starts to happen. Rock is a very big tree.
- 47:17Speaker 8: But to be very honest, just to.
- 47:18Speaker 2: Conclude this subject, guys who do this, try to look
- 47:21Speaker 2: from afar, from afar, because it sounds like envy, okay?
- 47:25Speaker 5: And it usually is.
- 47:26Speaker 6: Yes.
- 47:26Speaker 2: So, there are a lot of people in the running, who.
- 47:29Speaker 7: Sometimes, because they don't have the numbers of an influencer, Man,
- 47:37Speaker 7: I can understand that this thing happens. But that doesn't
- 47:43Speaker 7: take away the fact that what we built, we built too.
- 47:46Speaker 7: It was a job done over the 15 years that
- 47:47Speaker 7: we've been on the internet. It doesn't take away your merit.
- 47:51Speaker 2: I don't think so either. But rock fans.
- 47:53Speaker 8: Guns fans don't like Bon Jovi fans. Nirvana fans don't
- 47:57Speaker 8: like Guns fans.
- 47:58Speaker 7: And in the end, people have to understand that when
- 48:00Speaker 7: everyone is together... Look at rap, how it is today.
- 48:02Speaker 7: Trap on the mainstream. And it's because the thing creates
- 48:05Speaker 7: a community, creates a scene.
- 48:06Speaker 2: Exactly.
- 48:07Speaker 7: And it's hard to have a scene in rock if
- 48:08Speaker 7: we don't support each other. If we don't stick to
- 48:10Speaker 7: each other and stick to the show of the partner bands.
- 48:13Speaker 7: and not support the friends who are making music, because
- 48:15Speaker 7: rock is hard, it's hard to live from rock. But
- 48:18Speaker 7: the people have to help each other, the CDC fan
- 48:20Speaker 7: who is 50 years old, sometimes the guy says, this
- 48:22Speaker 7: guy who is singing the stuff has nothing to do,
- 48:24Speaker 7: but he has to, if he looks at the context, man,
- 48:28Speaker 7: but they are doing something bigger.
- 48:31Speaker 2: How many young people do you communicate, bro? You, Defante Lucas,
- 48:33Speaker 2: you know? And you're talking about rock, bro, nowadays it's
- 48:37Speaker 2: a world I live in, it's much more normal, A
- 48:40Speaker 2: molecadinha tá ouvindo rap e funk, que é o que
- 48:42Speaker 2: eu ouço. Sim. Então ter uma nova geração falando de rock,
- 48:47Speaker 2: mostrando rock, essa galera tinha que ficar feliz.
- 48:50Speaker 5: Na minha cabeça é isso.
- 48:51Speaker 8: E ficam, viu, mano? São poucas pessoas que de fato
- 48:53Speaker 8: vai por esse caminho.
- 48:54Speaker 5: É que eu acho que vocês não podem se apegar.
- 48:56Speaker 2: Ah, nem fodendo.
- 48:57Speaker 5: Porque, sei lá, eu tava até falando.
- 48:58Speaker 2: Disso com o Mítico. Entrei no Twitter esses dias e falei, cara,
- 49:01Speaker 2: o Lucas nunca foi um moleque que nunca se envolveu
- 49:03Speaker 2: com nada pra galera encher o saco dele. Ele fez
- 49:06Speaker 2: um show foda no Rock in Rio.
- 49:07Speaker 6: Ah! Ah!
- 49:08Speaker 2: Ah!
- 49:09Speaker 5: Ah, porra, para um pouco.
- 49:10Speaker 7: Mas eu gosto do desafio também de se provar pra
- 49:12Speaker 7: essa galera. Vamos trabalhar, vamos deixar o tempo falar, tá ligado?
- 49:15Speaker 2: Do caralho.
- 49:15Speaker 7: Não vamos brigar, não vamos sair arrumando treta, mas.
- 49:18Speaker 8: Vamos, deixa eu trabalhar mais.
- 49:19Speaker 2: Do caralho.
- 49:10Speaker 7: Oh, but I like the challenge too, to prove ourselves
- 49:11Speaker 7: to these people. Let's work, let's let time talk, you know?
- 49:14Speaker 7: We don't need to fight, we don't need to get
- 49:15Speaker 7: out of trouble, but let's work harder, who knows in
- 49:17Speaker 7: the future we'll win. For sure, that's cool, but I
- 49:20Speaker 7: just don't want that.
- 49:21Speaker 2: I don't want that to disturb you mentally. No, no, no,
- 49:23Speaker 2: the head is focused in another place.
- 49:26Speaker 7: You're doing some very absurd stuff, and you can't, that's.
- 49:29Speaker 5: Sometimes what locks everything, you know?
- 49:34Speaker 2: I think it's cool that Zero is now starting to
- 49:37Speaker 2: do shows, Lucas is doing it, Defante is doing it too. Man,
- 49:41Speaker 2: it starts to open up space sometimes for a new
- 49:43Speaker 2: band to open the show. For sure. It's a scene
- 49:46Speaker 2: that Defante, making music, he can say that he listened
- 49:49Speaker 2: to the album of such and such band and liked it,
- 49:52Speaker 2: and the people who like Defante go there with this band.
- 49:54Speaker 2: Zero talks about his references, sometimes a national band is
- 49:57Speaker 2: a reference.
- 49:57Speaker 5: Even older, younger.
- 49:58Speaker 2: Don't you think there are great chances that a Zero's
- 50:01Speaker 2: writer is opening his show soon? Exactly.
- 50:03Speaker 6: 100%.
- 50:03Speaker 7: Man, what a kid already got on a guitar by
- 50:05Speaker 7: the influence of the lives, these things like that, and
- 50:07Speaker 7: I think this is the most beautiful thing of all.
- 50:09Speaker 2: É o que ele faz com uma camágica.
- 50:11Speaker 7: Impactar o molequinho de 15 anos, de 16 anos, a
- 50:14Speaker 7: pegar no instrumento igual o Slash me impactou. Se eu
- 50:17Speaker 7: conseguir fazer isso com uma meia dúzia de pessoas, é nóis, irmão.
- 50:20Speaker 7: Tamo feio, tá parado e tá legal.
- 50:22Speaker 2: Foda.
- 50:22Speaker 7: Oi, eu queria anunciar a parada aqui que é exclusivo.
- 50:25Speaker 5: Então olha lá e anuncia. Posso anunciar, espião?
- 50:28Speaker 2: Espião?
- 50:29Speaker 5: Aí é bom.
- 50:29Speaker 2: Ele é o espião, ele é o espião. Caralho.
- 50:32Speaker 8: Inclusive, vocês vão estar lá, eu não quero nem saber.
- 50:34Speaker 5: Fechou.
- 50:35Speaker 7: No dia 30 de outubro, no Carioca Club, show meu
- 50:37Speaker 7: em São Paulo.
- 50:38Speaker 2: Ah, isso.
- 50:40Speaker 7: Carioca Club, Pinheiros, the debut of my album, I'll play
- 50:45Speaker 7: it all there, there will be the whole crowd, there
- 50:49Speaker 7: will be a feat, Cabeça de Morcego Decapitada, which is
- 50:51Speaker 7: the band of Balela, there will be some other special
- 50:54Speaker 7: feats there too, which I will not talk about yet.
- 50:57Speaker 2: Will Caio sing?
- 50:58Speaker 7: Caio will sing. He'll put Caio to sing a sertanejo
- 51:00Speaker 7: at a rock concert, because we're crazy.
- 51:03Speaker 2: But I think that's it, man. That's it.
- 51:06Speaker 5: That's it, because.
- 51:06Speaker 2: It's like Defante, who says, who likes Slipknot, Caio.
- 51:09Speaker 6: He sings.
- 51:10Speaker 2: No, man, bro.
- 51:10Speaker 3: Very good, man.
- 51:11Speaker 5: But that's it, man.
- 51:12Speaker 2: You have to normalize, because every time you say, no,
- 51:16Speaker 2: I only listen to rock.
- 51:17Speaker 5: Fuck, lie, fuck. I'm sure Barbeiro likes a sertanejo, likes,
- 51:20Speaker 5: I don't know, a funk, a forró.
- 51:22Speaker 2: I listen to a lot of Sertanejo, bro. I listen
- 51:23Speaker 2: to a lot of Sertanejo.
- 51:24Speaker 7: It's not even a joke, I listen to it a lot,
- 51:26Speaker 7: even frequently.
- 51:27Speaker 2: Do you listen to any kind of music? I, from Sertanejo,
- 51:31Speaker 2: I like the music of Caipira.
- 51:32Speaker 5: Chico Rei Paraná.
- 51:33Speaker 2: Perfeito, seu Sertanejo, né, mano?
- 51:35Speaker 3: Tônico Tinoco.
- 51:36Speaker 5: My grandfather used to play the viola.
- 51:38Speaker 3: A rhythm that people would never think you listen to? Damn,
- 51:40Speaker 3: I like reggae.
- 51:42Speaker 5: I've been.
- 51:42Speaker 2: Reggae is good as hell. I've been into electronics, too. Like... Credo.
- 51:47Speaker 2: 20 years ago, like, I don't know. I'm disgusted by
- 51:49Speaker 2: these people, bro. I've listened to Scassi, Infected Mushroom.
- 51:54Speaker 3: I've seen it too.
- 51:54Speaker 2: Scassi is very good. I've seen it too. It's crazy.
- 51:59Speaker 2: Today I'm listening to some calmer songs, like Ed Vedder,
- 52:03Speaker 2: Alice in Chains.
- 52:04Speaker 7: Then you go and come back to things.
- 52:06Speaker 3: Do you play with the instrument?
- 52:07Speaker 5: I've tried to play, I think, all.
- 52:09Speaker 3: Not even a guitar?
- 52:10Speaker 2: I know half a dozen songs and that's it.
- 52:13Speaker 3: Ivaninha, Mano Gans... Half a dozen of Gans.
- 52:15Speaker 2: What else? I had a band already, but... What was
- 52:19Speaker 2: the name of the band? Pnotize me!
- 52:21Speaker 5: Kids Backpack.
- 52:22Speaker 2: It was Mochila de Criança in English.
- 52:25Speaker 3: Damn! Where did you get that name?
- 52:27Speaker 5: From the children's backpack, Satan!
- 52:29Speaker 2: Bad thing! It's thick, it's skin!
- 52:33Speaker 3: Crazy stuff, deep darkness!
- 52:35Speaker 2: Swordfish! Skull paw! Man, every time I do magic with
- 52:39Speaker 2: people who are from content creation and the fuck, there's
- 52:43Speaker 2: always a comment from a son of a bitch saying
- 52:45Speaker 2: that it was combined.
- 52:46Speaker 5: I thought of something for us to do.
- 52:48Speaker 2: Here, that even if you can't control anything, let me
- 52:53Speaker 2: just take the jokers out of here. He won't use it. Zero.
- 52:57Speaker 5: Toss these cards here. Leave it to me.
- 52:58Speaker 2: Mythic. Toss these cards here.
- 53:00Speaker 3: Leave it to me.
- 53:00Speaker 2: When you finish to put here.
- 53:02Speaker 3: If you want to make me a clown, you're fucked today.
- 53:04Speaker 3: If you don't leave, you can leave today.
- 53:06Speaker 2: Hey, I like to be made of clowns.
- 53:07Speaker 7: Talk about clowns.
- 53:08Speaker 2: I'll do it too.
- 53:08Speaker 3: I'll do it too.
- 53:08Speaker 2: I'll do it too.
- 53:09Speaker 3: I like it too.
- 53:10Speaker 2: My favorite moment has arrived, bro.
- 53:12Speaker 3: To feel like an idiot and say, how come I
- 53:14Speaker 3: didn't see?
- 53:15Speaker 5: Miki here is getting cool.
- 53:17Speaker 2: Toss eight times. I've tossed, I've tossed too. I'll do
- 53:19Speaker 2: the following. Man, there's no way you have control of anything.
- 53:25Speaker 2: I'll leave it like this, very, very messed up. Zerão,
- 53:28Speaker 2: you're going to get some cards from the middle of
- 53:29Speaker 2: this pile here, you can get it. You can get
- 53:32Speaker 2: it from the top, from the bottom, from the middle,
- 53:33Speaker 2: as many as you want. No, more, half a dozen,
- 53:35Speaker 2: a block, as many cards as you want. You're going
- 53:38Speaker 2: to turn them all up. I got here one, two, three.
- 53:41Speaker 5: No, no, take more, take more.
- 53:42Speaker 2: I take more, so I take more.
- 53:44Speaker 5: Stay with them in hand, like this, take them. Turn
- 53:46Speaker 5: them up, put them in the middle of.
- 53:48Speaker 2: This pile here. I'm being made an idiot now. Take more,
- 53:50Speaker 2: it took a while, bro.
- 53:51Speaker 5: Now take half a dozen from this deck here.
- 53:53Speaker 2: Now I take half a dozen from the bottom, from
- 53:54Speaker 2: the top. From wherever you want.
- 53:55Speaker 3: I'm going to fuck with your magic, bro. That's what
- 53:58Speaker 3: I want. Turn the other way around.
- 54:00Speaker 5: Turn the other way around and put it in the middle.
- 54:03Speaker 5: Put it in the middle of this one, yeah. You
- 54:04Speaker 5: already understood the pattern. Wow, it's going to be a salad,
- 54:07Speaker 5: it's going to be a salad. Do it one more
- 54:08Speaker 5: time with this one here. Take a little more? Take
- 54:10Speaker 5: a little more.
- 54:10Speaker 2: It can be a card that is turned up too,
- 54:12Speaker 2: if you have it. I'll take this 10 here. That,
- 54:14Speaker 2: take it. Go, look. It was turned like this. So
- 54:16Speaker 2: I left it like this. That's it.
- 54:18Speaker 5: Man, to stay... To not have a pattern, to have
- 54:20Speaker 5: some up and some down.
- 54:21Speaker 2: You have to turn, don't you? I do. So turn
- 54:23Speaker 2: and put it.
- 54:24Speaker 3: My God, what a salad. Take a little.
- 54:27Speaker 2: Bit of this, just to finish. Take a little bit.
- 54:29Speaker 5: Take a lot, take a lot, take a lot.
- 54:31Speaker 2: Don't be crazy. Turn everything up. Put it down here.
- 54:34Speaker 5: It was in the middle, I mean.
- 54:36Speaker 2: Crazy.
- 54:36Speaker 6: Crazy.
- 54:37Speaker 1: Okay.
- 54:37Speaker 2: I don't know anything, guys. Look, before starting the program,
- 54:41Speaker 2: actually I didn't eat what I was asking for without Wi-Fi.
- 54:43Speaker 2: It was to post a prediction on my Instagram.
- 54:47Speaker 5: Ah, lie.
- 54:47Speaker 2: No, don't go in yet. Calm down, calm down.
- 54:52Speaker 5: Man, I've been with him for a long time.
- 54:54Speaker 2: The card is turned down, the card is up, everything mixed.
- 54:58Speaker 6: Here too.
- 54:59Speaker 2: Turned upside down.
- 55:00Speaker 3: In this case, you already posted on Instagram.
- 55:03Speaker 5: I already posted.
- 55:04Speaker 3: Ah, so it's going to be... Now you can fight.
- 55:06Speaker 3: It's exactly 4h26.
- 55:07Speaker 2: Man, I'm going to confirm the hour here.
- 55:09Speaker 3: 4h26.
- 55:09Speaker 5: Did you show it?
- 55:09Speaker 9: 4h26.
- 55:09Speaker 3: 4.26 here too.
- 55:12Speaker 2: Thank you.
- 55:12Speaker 7: We're together.
- 55:13Speaker 3: 4.26, that's right.
- 55:15Speaker 2: I swear to God, guys.
- 55:17Speaker 7: If you want to open it, you can open it.
- 55:18Speaker 2: But you haven't loaded your stories yet. No, it's not
- 55:21Speaker 2: in the story, it's in the feed. Can I open
- 55:23Speaker 2: it here too? You can open it too.
- 55:25Speaker 5: See what's written there.
- 55:27Speaker 2: I swear to God, man.
- 55:28Speaker 5: Can I read it here?
- 55:30Speaker 2: You can read it. It's written here.
- 55:34Speaker 5: 23 turns down. 23 turns down, zero.
- 55:35Speaker 2: No, no. Go picking up, just if they're turned down,
- 55:37Speaker 2: go pushing there. I don't even want to touch it. 1, 2, 3, 4. 1, 2, 3, 4, 5, 6.
- 55:40Speaker 2: Can I separate them? Yes, you don't need to. 6, 7, 8, 9, 10, 11, 12, 13, 14.
- 55:41Speaker 7: It's not possible. 15, 16, 17, 18.
- 55:53Speaker 10: 19... 20, 21.
- 56:09Speaker 2: How many did we combine?
- 56:13Speaker 6: 23.
- 56:13Speaker 2: We combined.
- 56:13Speaker 5: I'm going to count again.
- 56:15Speaker 3: Did I miss the count?
- 56:17Speaker 2: I don't know, I don't know.
- 56:19Speaker 7: Maybe there was something wrong.
- 56:20Speaker 2: 21?
- 56:20Speaker 5: We had counted 21. 2, 23, 24. But count again,
- 56:22Speaker 5: count again.
- 56:22Speaker 2: I'm going to count again. I don't know what happened,
- 56:25Speaker 2: but let's go. 1, 2, 3.
- 56:31Speaker 10: 4, 5, 6, 7, 8, 9, 10. 5.
- 56:47Speaker 11: 6, 7, 8, 9, 10, 11, 12.
- 57:06Speaker 2: How many black cards?
- 57:08Speaker 3: 12.
- 57:08Speaker 1: 13, right? Yeah.
- 57:10Speaker 5: So there's one more black card.
- 57:15Speaker 2: It was here that it went bad. Some black card
- 57:19Speaker 2: got in here in the middle of the way. It's
- 57:20Speaker 2: all right. You're making one mistake for me and this
- 57:23Speaker 2: one is still fucked up. I'm not going to use
- 57:25Speaker 2: the black cards. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12.
- 57:27Speaker 2: Now I got it, Tim. Good. I got it.
- 57:29Speaker 1: I got it.
- 57:30Speaker 2: 11 will be reds. You screwed my magic, I don't
- 57:35Speaker 2: know if you can see it.
- 57:36Speaker 7: It was bad, bro.
- 57:36Speaker 3: 11 will be reds.
- 57:37Speaker 2: We didn't plan it either.
- 57:38Speaker 7: Yeah, it wasn't planned.
- 57:39Speaker 2: Yeah, if we didn't plan it 10 minutes earlier.
- 57:40Speaker 7: Count the reds, see if the reds were. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11.
- 57:49Speaker 2: Yeah, he said 11, he didn't put it. There won't
- 57:52Speaker 2: be any figure between the reds. Lady Valete Rei.
- 57:55Speaker 7: There won't be any figure between the reds.
- 57:59Speaker 2: No, there isn't. No, there isn't. There are only numbers.
- 58:01Speaker 2: There are only numbers. There are only numbers, guys. There's
- 58:03Speaker 2: nothing else.
- 58:03Speaker 5: There's nothing else. There's nothing else. All the numbers will
- 58:06Speaker 5: be even.
- 58:06Speaker 2: All the conferences. It's not possible. There's only one. There's
- 58:09Speaker 2: only one. Give me the fuck.
- 58:10Speaker 7: Eight, four, six, six, ten, two, eight, four, ten, two.
- 58:15Speaker 2: Oh, okay. Less than five cups that someone's pointing. You
- 58:18Speaker 2: matched it there.
- 58:22Speaker 7: Too. Who matched it?
- 58:23Speaker 2: It's posted here, bastard.
- 58:24Speaker 5: What is it?
- 58:31Speaker 2: Oh, come on, my spine is shivering.
- 58:32Speaker 7: Give me the thing.
- 58:33Speaker 2: Give me the thing. Oh, how was that?
- 58:35Speaker 8: Did you understand what happened or didn't you understand?
- 58:39Speaker 3: Yes, yes. He left this 5 out, but.
- 58:40Speaker 7: And he said there, less the 5 of cups.
- 58:43Speaker 2: He said the 5 of cups, man.
- 58:44Speaker 3: No, I'm still confused.
- 58:45Speaker 2: He said the 5 of cups 50 and a few
- 58:47Speaker 2: minutes ago.
- 58:47Speaker 8: I'm thinking you didn't miss anything.
- 58:49Speaker 7: It was the final plan to get to the 5
- 58:50Speaker 7: of cups.
- 58:51Speaker 2: Son of a bitch.
- 58:52Speaker 4: No, and the worst is the mess of the deck
- 58:54Speaker 4: that was in the beginning.
- 58:55Speaker 8: And you saw the surubão that was, right?
- 58:56Speaker 6: So....
- 59:00Speaker 7: Caralho, Barbieri.
- 59:01Speaker 2: Desgraça. Eu gosto dos fãs do Barbieri na hora que
- 59:03Speaker 2: ele postou.
- 59:04Speaker 5: Os cara, lá vem ele.
- 59:05Speaker 2: Lá vem ele.
- 59:05Speaker 6: Um.
- 59:05Speaker 2: Que desgraça.
- 59:00Speaker 7: Damn it, Barbieri.
- 59:01Speaker 2: I like the Barbieri fans when he posts, the guys,
- 59:03Speaker 2: there he comes. Remember I said that sometimes the guys
- 59:05Speaker 2: think it's a deal? No, it wasn't.
- 59:09Speaker 5: You're going to choose a card without seeing, you're not
- 59:12Speaker 5: going to look, you're going to be turned down.
- 59:18Speaker 2: And you'll put this card here inside this little box
- 59:20Speaker 2: and you'll leave it closed.
- 59:21Speaker 5: No one should know which card it is.
- 59:23Speaker 2: Any one, from any place? I'll even turn around so
- 59:24Speaker 2: no one finds out. Guys, I don't know anything.
- 59:27Speaker 7: I swear to God, I'm not in character.
- 59:29Speaker 8: I took this card here. I didn't show it to anyone.
- 59:31Speaker 2: No, to no one. Not even to the public.
- 59:33Speaker 7: I didn't show it to anyone.
- 59:35Speaker 8: I didn't even see it.
- 59:36Speaker 2: I don't know. Put it inside the little box.
- 59:38Speaker 8: Barbies, it's inside the closed box.
- 59:39Speaker 7: Can I turn around?
- 59:40Speaker 2: You can. Is there any way... Is there any way
- 59:43Speaker 2: for me to look inside this little box?
- 59:48Speaker 5: Só abrindo ela.
- 59:49Speaker 2: Vê aí, zero.
- 59:50Speaker 7: Nenhuma.
- 59:50Speaker 6: Nenhuma.
- 59:51Speaker 7: Nenhuma.
- 59:51Speaker 2: Ninguém vê, galera. Ninguém. Desgraça. Vai lá.
- 59:54Speaker 5: Você não viu também.
- 59:55Speaker 9: Não.
- 59:56Speaker 2: Então não tem como eu ler a mente do zero,
- 59:57Speaker 2: por exemplo. Ele nem.
- 59:58Speaker 5: Tanto é que ele nem viu a carta.
- 1:00:00Speaker 2: Eu não vi a carta.
- 1:00:03Speaker 5: Zero.
- 1:00:04Speaker 3: Lá vem.
- 1:00:04Speaker 2: Tá tendo calor em mim já. Vai lá. Conta pra
- 1:00:10Speaker 2: mim até dez. Um, dois, três. Um.
- 1:00:13Speaker 7: 2, 3, 4, 5, 6, 7, 8, 9 and 10
- 1:00:21Speaker 7: in sequence.
- 1:00:22Speaker 2: Now say to me, Valete, Lady, King.
- 1:00:25Speaker 8: Valete, Lady, King.
- 1:00:27Speaker 2: This is the way Zero talks without having any information
- 1:00:30Speaker 2: in his head about the card. One more thing, say
- 1:00:32Speaker 2: the naipes to me, Paus, Copas, Espada, Ouros. Paus, Copas, Espada, Ouros. Okay.
- 1:00:37Speaker 2: You're going to spy on your letter. Don't let anyone
- 1:00:39Speaker 2: see it. Look here, on your neck. Don't let anyone
- 1:00:41Speaker 2: see it. I just need you to know this information
- 1:00:43Speaker 2: and no one else can know.
- 1:00:44Speaker 5: Can I see the letter?
- 1:00:45Speaker 8: Yes, you can.
- 1:00:46Speaker 5: Now I need you to think about it. Is the
- 1:00:47Speaker 5: cameraman filming me here?
- 1:00:48Speaker 8: He's filming you.
- 1:00:49Speaker 2: I'm going to give him a punch. Closed.
- 1:00:50Speaker 6: Closed?
- 1:00:50Speaker 2: No one.
- 1:00:54Speaker 3: Else saw this shit?
- 1:00:55Speaker 5: No one else saw it.
- 1:00:56Speaker 7: I saw it.
- 1:00:57Speaker 6: The camera didn't catch it either.
- 1:00:58Speaker 5: Count to ten again.
- 1:00:59Speaker 7: One. 2, 3, 4, 5, 6, 7, 8, 9, 10.
- 1:01:04Speaker 7: It wasn't any of those cards.
- 1:01:10Speaker 5: It wasn't any A's, no 1's, no 2's. So it's
- 1:01:14Speaker 5: probably a figure.
- 1:01:15Speaker 2: Say it, Valete, Queen, Queen.
- 1:01:17Speaker 7: Valete, Queen, Queen.
- 1:01:21Speaker 2: Queen. Queen? Uh-huh. Oh, no, what's that? Say the four
- 1:01:24Speaker 2: knives for me. Gold, sword, cups and zap. Paus, I mean.
- 1:01:35Speaker 5: Dama de Espadas.
- 1:01:35Speaker 2: Is it Dama de Espadas? Yeah, bro.
- 1:01:39Speaker 9: Fuck, bro.
- 1:01:40Speaker 2: Guys, Dama de Espadas, bro.
- 1:01:41Speaker 8: It's going to get in your ass.
- 1:01:43Speaker 5: What the fuck is this, bro?
- 1:01:44Speaker 2: It was two boxes full of cards, bro.
- 1:01:46Speaker 7: There's a camera in here.
- 1:01:48Speaker 3: Bro, there was nothing, bro.
- 1:01:51Speaker 7: Congratulations, you're very good at what you do.
- 1:01:53Speaker 5: Damn, that was really cool.
- 1:01:56Speaker 3: No, that was cool.
- 1:01:56Speaker 2: I caught you, really cool.
- 1:01:59Speaker 7: Guys, I swear to God.
- 1:02:00Speaker 5: But it's very difficult. It's the first time I've done
- 1:02:02Speaker 5: this in my life, this one.
- 1:02:04Speaker 2: Really?
- 1:02:04Speaker 5: I was shaking all over.
- 1:02:05Speaker 2: You didn't see me getting scared here?
- 1:02:07Speaker 5: Man, it's very difficult.
- 1:02:08Speaker 7: Man, I want to make it clear that I swear
- 1:02:09Speaker 7: for everything that is more sacred. I'm not crossing any
- 1:02:11Speaker 7: of my members. That I didn't combine anything with this guy, man. Nothing, nothing.
- 1:02:16Speaker 7: We were back there just doing other things. Picking pipes,
- 1:02:18Speaker 7: but we weren't combining magic.
- 1:02:21Speaker 2: I swear.
- 1:02:22Speaker 5: But I combined a magic with Caio.
- 1:02:24Speaker 6: His house? Yeah.
- 1:02:25Speaker 2: Wait a minute. I don't like this stuff. I don't
- 1:02:27Speaker 2: like it. I'll take an old one.
- 1:02:29Speaker 5: In my heart, I don't change a little. I want
- 1:02:31Speaker 5: him to do it with me.
- 1:02:32Speaker 2: But if there's anything dangerous, today it's with Mítico, okay?
- 1:02:35Speaker 5: With Mítico. Put the needle in Mítico' s ass.
- 1:02:37Speaker 2: Put the needle in my ass.
- 1:02:39Speaker 3: Man, he put the needle.
- 1:02:40Speaker 5: In my neck.
- 1:02:40Speaker 2: He made me slap him in a steel thing, but
- 1:02:43Speaker 2: there was nothing.
- 1:02:45Speaker 5: I put Mítico in the guillotine. In the guillotine, but
- 1:02:48Speaker 5: he's already 6 years old. He's thinking of going through
- 1:02:50Speaker 5: a hard.
- 1:02:50Speaker 2: Time, man. What a crazy man. Look, he's getting anxious
- 1:02:54Speaker 2: in the body.
- 1:02:54Speaker 3: I'm here for entertainment.
- 1:02:56Speaker 2: Man.
- 1:02:57Speaker 4: You just don't put anything on my neck.
- 1:02:59Speaker 2: Or on my waist. It also messes with me, now
- 1:03:01Speaker 2: that I didn't mess with you anymore. This mess is cheaper.
- 1:03:04Speaker 5: This one is from the bar.
- 1:03:05Speaker 2: We're going to tear it up soon. And whoever gives
- 1:03:07Speaker 2: us the instructions for this magic, will be Caio Romano.
- 1:03:10Speaker 2: Do you think... So you're going to distribute, Igão, four
- 1:03:13Speaker 2: cards for each one. Four for Mítico, four for you,
- 1:03:16Speaker 2: four for Zero. If Alex wants to participate, he can
- 1:03:18Speaker 2: also give the card to Alex. No, Alex wants to participate.
- 1:03:20Speaker 2: Alex wants to. If everyone is here with their hands free,
- 1:03:22Speaker 2: you can participate.
- 1:03:22Speaker 3: Alex is a son of a bitch, he will participate.
- 1:03:25Speaker 5: Let me open Caio's audio.
- 1:03:26Speaker 2: Holy shit, I'm still fucked up with his magic.
- 1:03:29Speaker 3: No, that was crazy.
- 1:03:30Speaker 2: Crazy. Can I look? You can look. Can I show
- 1:03:34Speaker 2: it to the camera? For you, no.
- 1:03:35Speaker 3: No, it doesn't matter.
- 1:03:37Speaker 2: It doesn't matter.
- 1:03:38Speaker 5: Can I show it to the camera?
- 1:03:39Speaker 3: You can, you can.
- 1:03:39Speaker 2: For me?
- 1:03:40Speaker 5: Caio got jealous of not being called. Caio didn't come
- 1:03:44Speaker 5: here ever again.
- 1:03:45Speaker 2: Yeah, I know. He said, man, but I want to
- 1:03:47Speaker 2: participate in the same way and I'm going to send
- 1:03:49Speaker 2: a magic for audio to you. So... I'll put it
- 1:03:54Speaker 2: here on the microphone for everyone to hear. Ok.
- 1:03:58Speaker 6: Hi guys, Caio Romano on the right voice. Guys, I'm
- 1:04:01Speaker 6: going to teach you a fucking magic. Turn it off.
- 1:04:05Speaker 6: I'm going to give you some time to do the things.
- 1:04:08Speaker 5: I'm just going to pause and put it here on
- 1:04:10Speaker 5: the table, because I can do it with you.
- 1:04:13Speaker 2: I broke it, I broke it, cool. No, it didn't break.
- 1:04:16Speaker 6: Hold them horizontally.
- 1:04:17Speaker 7: Horizontal.
- 1:04:18Speaker 2: Horizontal is lying, zero.
- 1:04:20Speaker 7: I know.
- 1:04:22Speaker 6: Now, you tear all of them in the middle.
- 1:04:24Speaker 2: Tear all of them in the middle.
- 1:04:26Speaker 6: Go.
- 1:04:26Speaker 5: Man, I don't even have the strength for this.
- 1:04:28Speaker 6: There are two blocks.
- 1:04:29Speaker 2: I think it's useless.
- 1:04:30Speaker 8: Can I tear one by one or does it have
- 1:04:31Speaker 8: to be original?
- 1:04:32Speaker 2: Do it like this, look. Can't you tear it? No.
- 1:04:34Speaker 2: So you're going to take all of them on the table. No,
- 1:04:38Speaker 2: put it on the table, put it on the table.
- 1:04:39Speaker 2: Tear one by one. Take one, tear it, separate it.
- 1:04:42Speaker 3: Man, it's just shit.
- 1:04:43Speaker 5: There.
- 1:04:44Speaker 2: Take the other one, tear it, separate it like this.
- 1:04:48Speaker 3: But it's hard too.
- 1:04:49Speaker 5: Put it on top, put it on top of the
- 1:04:50Speaker 5: other one.
- 1:04:50Speaker 3: Follow the protocol to the end.
- 1:04:52Speaker 6: Look.
- 1:04:52Speaker 2: You're good at tearing. One half in each pile.
- 1:04:54Speaker 5: Perfect?
- 1:04:54Speaker 2: Can I look at my card again? I already forgot.
- 1:04:57Speaker 2: You don't need to remember. I'm not judging. It's here.
- 1:05:14Speaker 2: Are you done? Do you have two little bags? Let's
- 1:05:16Speaker 2: go back here.
- 1:05:16Speaker 6: Two cards in your hands. Put them together. Put any
- 1:05:19Speaker 6: one on top of the.
- 1:05:20Speaker 9: Other, on the bottom of the other, it doesn't matter.
- 1:05:23Speaker 9: Leave everything turned down. Now take three cards from.
- 1:05:25Speaker 1: The top and put it in the middle.
- 1:05:27Speaker 2: Take the top card.
- 1:05:27Speaker 6: Wait, wait, Caio.
- 1:05:28Speaker 9: Three cards from the top, put it in the middle.
- 1:05:32Speaker 6: Three from the top.
- 1:05:33Speaker 2: Three from the top. In the middle, right? No, no,
- 1:05:35Speaker 2: it doesn't matter.
- 1:05:36Speaker 6: Okay.
- 1:05:44Speaker 5: The one from zero is going to suck, but it's okay.
- 1:05:45Speaker 5: Did you put the top three in the middle?
- 1:05:49Speaker 6: Uh-huh.
- 1:05:49Speaker 2: Okay.
- 1:05:50Speaker 6: Without looking, sit on it. And put it in the middle.
- 1:05:56Speaker 6: Take the top card without looking.
- 1:05:59Speaker 2: The top card without looking and sit on it, I
- 1:06:02Speaker 2: think I'm.
- 1:06:03Speaker 6: Going to say.
- 1:06:03Speaker 2: And sit on it. And sit on it. I put
- 1:06:07Speaker 2: it in my kitchen.
- 1:06:09Speaker 9: Now take a card from above. Or two cards from
- 1:06:13Speaker 9: the top. Or take three cards from the top.
- 1:06:16Speaker 6: I don't know, and put them.
- 1:06:17Speaker 2: In the middle.
- 1:06:18Speaker 6: Now take the card that's on the top and exchange
- 1:06:20Speaker 6: it with someone. Yes, exchange it with someone. Take the
- 1:06:25Speaker 6: card they gave you and put it in the middle.
- 1:06:26Speaker 2: Put it in the middle, put it in the middle. Wait, Caio, fuck!
- 1:06:29Speaker 2: Put it in the middle. Put it in the middle. Okay,
- 1:06:31Speaker 2: I put it in the middle. You exchanged it, you
- 1:06:33Speaker 2: exchanged it, put it in the middle. Now take the
- 1:06:35Speaker 2: card from the top.
- 1:06:35Speaker 6: Or two.
- 1:06:36Speaker 2: One or two. Man, you can take three too. One,
- 1:06:39Speaker 2: two or three cards from the top. It doesn't matter, man.
- 1:06:41Speaker 6: Throw it away.
- 1:06:41Speaker 2: I don't know, guys.
- 1:06:43Speaker 6: I think I got lost here, bro. Three cards. Throw
- 1:06:44Speaker 6: it away. I'll throw it on the floor.
- 1:06:46Speaker 2: Now, take the card that's on top and put it
- 1:06:47Speaker 2: on the bottom. You just need to spell a magic
- 1:06:48Speaker 2: word to work.
- 1:06:49Speaker 6: On top. Each letter of the word, put a card
- 1:06:51Speaker 6: from top to bottom. So, he's going to spell a
- 1:06:54Speaker 6: word and each letter of the word, we're going to
- 1:06:56Speaker 6: take a card from top to bottom.
- 1:06:58Speaker 7: Okay.
- 1:06:58Speaker 6: Okay?
- 1:06:58Speaker 2: Okay.
- 1:06:58Speaker 6: The word is Ângela. Then you say the letters. A, L, G.
- 1:07:13Speaker 2: E, L, A. Calm down, calm down, guys. Pause.
- 1:07:16Speaker 6: Angela. Angela.
- 1:07:18Speaker 2: Wow, mine fucked up here. Mine will go wrong. Mine too.
- 1:07:21Speaker 2: Igor's will go wrong too.
- 1:07:22Speaker 5: No, it's because I counted it right. A, that's.
- 1:07:25Speaker 8: It, you want to do it? Yeah. N, G, E, L, A.
- 1:07:30Speaker 2: That's it. I think mine will go wrong, yours will
- 1:07:34Speaker 2: go wrong. I'm focused. I know you cut it, bro. Oh, fuck.
- 1:07:40Speaker 2: No one heard, right?
- 1:07:42Speaker 5: No.
- 1:07:43Speaker 2: Let's find out if she'll come back to me. Do
- 1:07:44Speaker 2: you want to do this?
- 1:07:45Speaker 6: Let's do this. Let's go. Do you want to do this?
- 1:07:48Speaker 6: Put a card from.
- 1:07:49Speaker 3: Top to bottom.
- 1:07:49Speaker 9: Do you want to do this?
- 1:07:53Speaker 3: Take it from top and throw it away.
- 1:07:55Speaker 6: Do you want to do this? Take it from top
- 1:07:56Speaker 6: and throw it away. Do you want to do this?
- 1:07:59Speaker 6: Take it from top and throw it away. Do you
- 1:08:02Speaker 6: want to do this? Take it from top and throw
- 1:08:05Speaker 6: it away.
- 1:08:09Speaker 9: Do this until there's only one letter left.
- 1:08:11Speaker 2: Bain me care.
- 1:08:12Speaker 7: Bain me care.
- 1:08:13Speaker 6: Don't look at this letter yet.
- 1:08:14Speaker 3: Don't me care.
- 1:08:14Speaker 2: There's one left.
- 1:08:15Speaker 3: There's one left.
- 1:08:16Speaker 2: There's one left.
- 1:08:17Speaker 6: Now take the letter that you're sitting on. Stop.
- 1:08:19Speaker 2: Stop. And if destiny.
- 1:08:21Speaker 9: So shows us, Angela, my ex, will come back to me.
- 1:08:26Speaker 9: You can look at the letters. Taking your Cumberbatch.
- 1:08:32Speaker 6: Crazy. Caralho!
- 1:08:34Speaker 2: Caralho! Caralho!
- 1:08:52Speaker 5: But do Caio go, apparently. Do Caio go.
- 1:08:54Speaker 2: If you're at home and want to go back to
- 1:08:57Speaker 2: the episode, get four cards and try to do the
- 1:08:59Speaker 2: same thing. But he was a monster.
- 1:09:01Speaker 3: This was fucking.
- 1:09:03Speaker 4: I wasn't putting faith. I thought in the end he
- 1:09:06Speaker 4: would laugh and say, I'm crazy, I'm drunk. Caio is angry.
- 1:09:09Speaker 5: You underestimate him.
- 1:09:10Speaker 2: Just because you sent him away from the podcast, you
- 1:09:12Speaker 2: think the guy didn't get a job later?
- 1:09:14Speaker 5: We didn't send him away. He went to something better.
- 1:09:17Speaker 7: But he stole yours.
- 1:09:18Speaker 2: No. We stole. No. No.
- 1:09:20Speaker 3: He saw a better opportunity and went there. Got it.
- 1:09:23Speaker 7: Got it.
- 1:09:23Speaker 3: What a crazy man.
- 1:09:24Speaker 2: But this is similar to that one from... You wanted
- 1:09:27Speaker 2: the letter?
- 1:09:27Speaker 5: No, it was a.
- 1:09:30Speaker 2: Shock, son of a bitch. I was shocked?
- 1:09:31Speaker 3: Yeah.
- 1:09:32Speaker 5: Lean on him.
- 1:09:35Speaker 2: I was shocked.
- 1:09:36Speaker 5: You're giving a shock.
- 1:09:37Speaker 2: It's not possible.
- 1:09:40Speaker 5: Once I leaned on your dick and it was a shock.
- 1:09:42Speaker 2: Yeah, man. I say that you have to ask for
- 1:09:43Speaker 2: forgiveness first, right? Permission. Sorry.
- 1:09:45Speaker 3: Oh, but.
- 1:09:46Speaker 2: Can I continue? I'm loving this one. No, it's good.
- 1:09:50Speaker 2: I'm loving this one.
- 1:09:50Speaker 8: No, don't stop, man.
- 1:09:51Speaker 2: I want to go back. I'm addicted to magic, man.
- 1:09:53Speaker 2: Me too, let's go.
- 1:09:53Speaker 3: I think it's enchanting.
- 1:09:54Speaker 5: I'll do the following. This one was wonderful.
- 1:09:57Speaker 2: I'm happy because of yesterday, you know why? Corinthians? And
- 1:10:01Speaker 2: I remembered that I have on my cell phone a
- 1:10:02Speaker 2: list with 100 names of the greatest players of Corinthians,
- 1:10:06Speaker 2: in my opinion. Let's go.
- 1:10:07Speaker 5: But it's not very in order.
- 1:10:08Speaker 6: Okay.
- 1:10:08Speaker 5: Say a number from 1 to 99.
- 1:10:10Speaker 2: 98.
- 1:10:10Speaker 5: Check it out.
- 1:10:15Speaker 1: My list.
- 1:10:16Speaker 3: Here it is.
- 1:10:18Speaker 2: The biggest Corinthians players.
- 1:10:19Speaker 5: Can you see it?
- 1:10:20Speaker 2: Yes, I can.
- 1:10:20Speaker 5: Did you open it?
- 1:10:21Speaker 6: Yes.
- 1:10:21Speaker 2: Let me see which one is the 98. Ah, you're
- 1:10:24Speaker 2: going to get fucked.
- 1:10:25Speaker 5: Before that, let me... I separated a prediction. You're going
- 1:10:29Speaker 5: to get fucked.
- 1:10:30Speaker 3: No, no. Which one is the 98?
- 1:10:32Speaker 2: Can I see it? I separated two predictions. The 1
- 1:10:34Speaker 2: and the 2 we'll open later. Look, it's all full
- 1:10:35Speaker 2: of maracutai.
- 1:10:37Speaker 3: Full of maracutai.
- 1:10:38Speaker 2: Can you say it?
- 1:10:40Speaker 5: It's Tevez.
- 1:10:40Speaker 2: Tevez. Okay. Man, look, I said that it's not in
- 1:10:45Speaker 2: the order of preference, because Tevez is one of my... No,
- 1:10:47Speaker 2: see the others, see if there's more Tevez.
- 1:10:49Speaker 5: No, the 97 for me was wonderful, there's no more Tevez,
- 1:10:51Speaker 5: there's only one time written Tevez. The 97 for me
- 1:10:53Speaker 5: is wonderful.
- 1:10:54Speaker 4: For those who don't know, Igor talks about Tevez a
- 1:10:57Speaker 4: lot here.
- 1:10:57Speaker 2: Guess who's the 97?
- 1:10:58Speaker 6: Ronaldo.
- 1:10:59Speaker 5: Goiano, it's Goiano.
- 1:11:01Speaker 3: It's because Igor always talks about Tevez here.
- 1:11:03Speaker 2: But I'm a big fan of Tevez, 98. No, me too,
- 1:11:05Speaker 2: me too. No, but I liked that your list goes
- 1:11:08Speaker 2: up to 98.
- 1:11:08Speaker 5: Yeah, around there.
- 1:11:10Speaker 2: I didn't complete it yet. I want to make like
- 1:11:14Speaker 2: 200 players. It's hard to have a new one to
- 1:11:18Speaker 2: enter the list. Anyway, I left a forecast here that
- 1:11:21Speaker 2: I brought. We were talking about a 3D printer, right?
- 1:11:24Speaker 2: And I brought a.
- 1:11:25Speaker 5: Little picture for you.
- 1:11:30Speaker 2: Oh, man.
- 1:11:35Speaker 5: For you to hang in your bathroom.
- 1:11:37Speaker 2: Dude! No, calm down, calm down.
- 1:11:38Speaker 7: Fuck, man.
- 1:11:39Speaker 2: No, it's going to stay here in a pot of straw, man.
- 1:11:41Speaker 5: It's going to be... What's this? I made a 3D printer, Sude.
- 1:11:45Speaker 2: What do you mean, man?
- 1:11:47Speaker 3: Oh, no, no, no. This was very strange. Hey, guys,
- 1:11:51Speaker 3: there's nothing else in here, man.
- 1:11:54Speaker 2: Maybe so.
- 1:11:55Speaker 5: But how?
- 1:11:57Speaker 8: Man, and the list you saw is not full of Tevis.
- 1:11:58Speaker 3: There's not, there's.
- 1:12:00Speaker 5: Only one Tevis. But look, Tigão, stay with this next
- 1:12:05Speaker 5: one here, but don't open it yet, okay?
- 1:12:08Speaker 7: It's a 100, guys.
- 1:12:09Speaker 2: What a crazy thing.
- 1:12:10Speaker 5: Look at the laser, look.
- 1:12:11Speaker 2: At the return there.
- 1:12:15Speaker 5: And he still says 1 of 1 is 99. There's
- 1:12:16Speaker 5: Jaú there, do you know the story of Jaú?
- 1:12:18Speaker 2: 15 of Jaú? So, this Jaú there was a guy
- 1:12:21Speaker 2: who had a very high impulse. He was on the
- 1:12:23Speaker 2: team of the first championship that Corinthians won. I think
- 1:12:26Speaker 2: it was a Paulista championship in 1930 and a little.
- 1:12:29Speaker 5: And then, I'm from Jaú, right?
- 1:12:32Speaker 2: And Jaú is Jaú because of João Ribeiro de Barros' plane,
- 1:12:36Speaker 2: who was the first one to cross the Atlantic Ocean
- 1:12:39Speaker 2: in a plane. He's a Brazilian from Jaú. He's buried there.
- 1:12:42Speaker 2: There's a mausoleum of him in Jaú. There's a video
- 1:12:46Speaker 2: of Lito talking about this story, which is really cool.
- 1:12:48Speaker 2: A big hug to Lito. And Jaú was a player
- 1:12:52Speaker 2: with a very high impulse. So people called him Jaú
- 1:12:55Speaker 2: because Jaú was the name of an airplane at the time.
- 1:12:57Speaker 5: It's really cool.
- 1:12:59Speaker 2: Ah, but you're not going to explain anything to us, right?
- 1:13:02Speaker 2: I'm in shock.
- 1:13:03Speaker 3: What was that? Magic?
- 1:13:05Speaker 2: Mentalism.
- 1:13:06Speaker 3: Brucharia, mentalism.
- 1:13:07Speaker 2: Brucharia for me, bro. It's mentalism with a little bit
- 1:13:08Speaker 2: of obsession, of obsessors.
- 1:13:10Speaker 3: It's crazy, bro. No, this was very crazy, bro.
- 1:13:12Speaker 2: Man, if I didn't play as much FIFA as we play,
- 1:13:13Speaker 2: I would do some much better, I think. The problem
- 1:13:17Speaker 2: is that.
- 1:13:17Speaker 8: You spend time with FIFA.
- 1:13:18Speaker 5: There's no discipline, there's no discipline.
- 1:13:19Speaker 2: There's no discipline, I hate to work. I'm your Madruna,
- 1:13:23Speaker 2: I hate to work. Who likes? No, I've done a
- 1:13:25Speaker 2: lot of magic too, RBR. Wow, I was.
- 1:13:28Speaker 5: I was even telling the kids, no, you weren't.
- 1:13:30Speaker 2: I was at Rock in Rio and there was a
- 1:13:32Speaker 2: moment when we said that Zero opened the Mount show.
- 1:13:35Speaker 2: Because when the Zero show ended, the kids saw the
- 1:13:38Speaker 2: Mount with us, wow, and it became meet and greet, right?
- 1:13:40Speaker 2: And then Maldonado, with our friend Carioca, organized a line
- 1:13:43Speaker 2: and started, look, who's going to take a picture with
- 1:13:45Speaker 2: the Mount, come to this line. There were 15, 20
- 1:13:46Speaker 2: people in line. The moment he said Mount, whoever was
- 1:13:48Speaker 2: leaving looked and said like this.
- 1:13:50Speaker 5: I also want.
- 1:13:50Speaker 2: I also want a picture with the Mount. Then it became, bro,
- 1:13:53Speaker 2: a line like this. And then it started to agglomerate,
- 1:13:56Speaker 2: and the guys took a picture with Cauê and such,
- 1:13:58Speaker 2: and I was in the corner there. I went to
- 1:14:01Speaker 2: eat something, man, a girl sits next to me and says,
- 1:14:03Speaker 2: my boyfriend said that you are magical, and I with
- 1:14:05Speaker 2: the hamburger in my hand, like this. Then I went
- 1:14:08Speaker 2: to bite there, man, make a magic there. Yeah, it's official, right?
- 1:14:16Speaker 2: What's the feeling of that?
- 1:14:18Speaker 8: Because people expect that from you, whether.
- 1:14:19Speaker 2: You want it or not. I don't judge, I don't judge. But, man,
- 1:14:22Speaker 2: I take the medicine to hell for anxiety to deal
- 1:14:24Speaker 2: with it and I don't deal with it like that.
- 1:14:26Speaker 5: It's f * * * ed.
- 1:14:27Speaker 3: But did you do it?
- 1:14:28Speaker 2: I didn't do it, fuck the state I was in.
- 1:14:32Speaker 2: You can't ask for a performance from someone who's eating
- 1:14:35Speaker 2: at the festival. But you don't even walk with a stick. No,
- 1:14:38Speaker 2: I walk, I walk. When I go to places, I
- 1:14:39Speaker 2: take it and stuff. But it's not every time I'm
- 1:14:41Speaker 2: in the mood to do it.
- 1:14:41Speaker 3: You know?
- 1:14:42Speaker 2: Sometimes I'm just in the mood to keep exchanging ideas
- 1:14:45Speaker 2: and stuff. And there are times that I'm wanting to
- 1:14:47Speaker 2: do it and the people aren't... The tour isn't really.
- 1:14:50Speaker 5: In the mood, you know? But this is the showman's honor.
- 1:14:52Speaker 2: Right, man? Yeah, it's crazy, man.
- 1:14:54Speaker 5: And the people want to see... The people don't want
- 1:14:56Speaker 5: to see a... Fuck, choose a card, a card... Because
- 1:15:01Speaker 5: every time.
- 1:15:02Speaker 2: I call you... I don't know, a simpler magic, like...
- 1:15:04Speaker 2: Every time I call you... People see me here doing
- 1:15:05Speaker 2: the stuff that I... Fuck, when you call me to
- 1:15:07Speaker 2: come to PodPay, I stay months preparing what I'm going
- 1:15:10Speaker 2: to do here. Yes, yes. It's not like... And I
- 1:15:13Speaker 2: don't like to talk about it because I like the
- 1:15:16Speaker 2: mysticism of... No, man, he does it like this, he
- 1:15:18Speaker 2: does the stuff. Okay, think like that. I prefer it
- 1:15:20Speaker 2: to be like that. But there's a thing behind it
- 1:15:23Speaker 2: that is, man... Very studied, right? It's bullshit, it's bullshit. Technique, training.
- 1:15:26Speaker 2: But every time I trolled you like this, casually, in
- 1:15:28Speaker 2: a barbecue, I always.
- 1:15:30Speaker 5: Kept looking at you like this. Man, he's going to
- 1:15:32Speaker 5: do the stuff in a minute.
- 1:15:33Speaker 2: You started talking and you were like.
- 1:15:35Speaker 5: And he was talking normal, talking about Corinthians. Corinthians, right?
- 1:15:39Speaker 2: And I'm the opposite, I'm on a tour with the guys,
- 1:15:41Speaker 2: which is online and such, I say, bro, I'm not
- 1:15:42Speaker 2: going to rent the guys to do the stuff, record here, because, man,
- 1:15:46Speaker 2: the guys want to be good and such. You can
- 1:15:48Speaker 2: rent me, too. Yeah, me too. If you see that
- 1:15:52Speaker 2: I'm there, it's me. It's me. I'm inside.
- 1:15:54Speaker 5: I like magic a lot, man.
- 1:15:56Speaker 6: A lot.
- 1:15:56Speaker 3: I think it's one of the best things of the
- 1:15:57Speaker 3: human being to do entertainment.
- 1:15:59Speaker 5: Well, it's a Marvel anniversary, of course.
- 1:16:01Speaker 3: It's magic, bro. It's magic.
- 1:16:02Speaker 5: Has it been a magical anniversary? The anniversary of the
- 1:16:04Speaker 5: rich neighbors?
- 1:16:06Speaker 4: No.
- 1:16:06Speaker 2: Man, I'm not here, man. The magicians were cool, but
- 1:16:09Speaker 2: the kids were like, my God, it's Pombo. Cartolas and stuff.
- 1:16:15Speaker 3: I like magic.
- 1:16:16Speaker 5: It's nice to talk about this subject of Pombo, Cartola
- 1:16:18Speaker 5: and such.
- 1:16:19Speaker 2: My Trampo, as I have a lot of reference from
- 1:16:22Speaker 2: rock that we were talking about, I have a thing
- 1:16:25Speaker 2: inside of me that is a thing of criticism. I
- 1:16:29Speaker 2: was never punk, you can't say I was punk, but
- 1:16:31Speaker 2: I drank.
- 1:16:32Speaker 5: A lot from the source of punk.
- 1:16:34Speaker 2: And punk is do-it-yourself, man. You go there and do it,
- 1:16:36Speaker 2: do the thing the way you know how to do
- 1:16:38Speaker 2: it and do it, you know? And I have a
- 1:16:41Speaker 2: lot of that from magic too. Sometimes I don't... Your
- 1:16:44Speaker 2: magicians criticize me a lot. No, because he messes up wrong, no,
- 1:16:47Speaker 2: because he takes the wrong card, he does it wrong. Man,
- 1:16:50Speaker 2: I do it the way I know how to do it.
- 1:16:53Speaker 2: And you want to do it too. And the way
- 1:16:54Speaker 2: my audience likes to see it. I understood what I
- 1:16:57Speaker 2: like to do, what my audience likes. And then I
- 1:16:59Speaker 2: try to do it that way... And the rebellion of
- 1:17:02Speaker 2: rock in my magic doesn't come much in the text.
- 1:17:05Speaker 2: I'm not going to do a political magic here to
- 1:17:08Speaker 2: make a social criticism and such. But the fact that
- 1:17:12Speaker 2: I just don't use the cartola anymore, don't do magic
- 1:17:16Speaker 2: with animals, with pigeons... And try to democratize the thing.
- 1:17:20Speaker 2: For those who want to learn, also learn. Don't close
- 1:17:21Speaker 2: the door in the face of anyone. There are a
- 1:17:23Speaker 2: lot of people who want to learn and don't have
- 1:17:25Speaker 2: money to do the magic course.
- 1:17:26Speaker 5: Pica and such. So on YouTube it's free.
- 1:17:28Speaker 2: So I feel like I bring a little bit of
- 1:17:30Speaker 2: rock in this thing of raw magic. That's what you did, man.
- 1:17:35Speaker 2: Because I think if you stay only in... Se o
- 1:17:38Speaker 2: mágico fizer mágica só pra mágicos, vocês vão conversar entre.
- 1:17:41Speaker 3: Vocês só, mano.
- 1:17:41Speaker 2: É isso, é isso. E a mágica que o mágico
- 1:17:43Speaker 2: gosta de ver não é a mesma mágica que o
- 1:17:45Speaker 2: público gosta de ver na maioria das vezes. Qual que
- 1:17:47Speaker 2: é a mágica que o mágico gosta de ver? Qual?
- 1:17:51Speaker 2: Eu ia com você, eu ia com você.
- 1:17:53Speaker 5: Essa daqui que eu fiz pra você vai fuder uma
- 1:17:56Speaker 5: galera aí. É?
- 1:17:57Speaker 2: Vai, vai fuder uma galera. Já fudeu, já.
- 1:17:59Speaker 3: Qual? Da carta da caixinha?
- 1:18:01Speaker 2: Só ele viu a carta e tal. Absurdo, absurdo. É.
- 1:18:04Speaker 5: But the magician likes the magic that makes him think
- 1:18:09Speaker 5: for a moment that he knows what the trick is.
- 1:18:11Speaker 2: So I start to do the magician... When I see
- 1:18:14Speaker 2: some magicians... When I see some magicians spitting, I start like... Ah, ok, ok,
- 1:18:18Speaker 2: I know where he's going. Holy shit, no, he didn't
- 1:18:20Speaker 2: go there. No, but ok, now I'm... Ah, ok, now
- 1:18:22Speaker 2: he's going... Holy shit, he didn't go there.
- 1:18:24Speaker 5: But they're things that the public... That's not magic.
- 1:18:26Speaker 2: That's not magic, it doesn't make the slightest sense, it
- 1:18:28Speaker 2: doesn't work, and... So.
- 1:18:30Speaker 5: The magic works.
- 1:18:32Speaker 2: But in the mind of the magician and the lay people,
- 1:18:34Speaker 2: completely different things will happen. Wow, I'm going to ask you.
- 1:18:37Speaker 5: A question now, maybe it's controversial, but it's out of curiosity.
- 1:18:40Speaker 2: Go ahead, send the ball.
- 1:18:42Speaker 5: Do they use magic tricks in churches?
- 1:18:43Speaker 2: Wow.
- 1:18:43Speaker 5: I saw these days a guy doing one of growing
- 1:18:47Speaker 5: the girl's arm. And I've seen coach do this shit.
- 1:18:49Speaker 5: I've seen pastor.
- 1:18:49Speaker 2: It's crazy. It's crazy, man.
- 1:18:52Speaker 5: And there's also some suggestion stuff.
- 1:18:54Speaker 2: That a lot of people do.
- 1:18:57Speaker 5: Most of the hypnologists, at the beginning of the show,
- 1:19:00Speaker 5: they're going to do something to stick their hand. Everyone's
- 1:19:05Speaker 5: going to do it together.
- 1:19:08Speaker 2: Those who stick their hands together are probably the most
- 1:19:11Speaker 2: likely to fall into hypnosis. I've seen people using this
- 1:19:15Speaker 2: thing in the church, I've seen coaches, that thing of
- 1:19:18Speaker 2: walking on glass.
- 1:19:19Speaker 5: No, concentrate, you'll be able to walk on glass. Scream,
- 1:19:23Speaker 5: I am capable!
- 1:19:24Speaker 2: Go there and walk on glass and such. Dude, magicians
- 1:19:28Speaker 2: have been doing this since the 50s, or even before.
- 1:19:32Speaker 2: It's physical, it's physical, it's not even magic, it's physical.
- 1:19:36Speaker 5: And so... Man, it's the most common.
- 1:19:38Speaker 2: And in the church they use a trick, there are
- 1:19:40Speaker 2: the hymns that also move there in your subconscious, that organ.
- 1:19:44Speaker 7: And there's science in it, the music moves with our head,
- 1:19:46Speaker 7: there's science, the BPM is right, the major and minor chords.
- 1:19:49Speaker 2: I'm not saying that every church does that, I went
- 1:19:51Speaker 2: from the church until I was 18, 20 years old
- 1:19:52Speaker 2: and I never saw this kind of thing there. And
- 1:19:54Speaker 2: I asked you to demonize churches, I just asked because
- 1:19:59Speaker 2: sometimes I see things and I say like this.
- 1:20:01Speaker 5: Then you tell me the things here, I said.
- 1:20:03Speaker 2: Man, I linked at the time. I'm seeing a lot
- 1:20:06Speaker 2: on Instagram now too, some content that people sell themselves.
- 1:20:10Speaker 2: And then you take a deck of cards or anything else, newspaper, magazine,
- 1:20:14Speaker 2: take it in your hand and say, ah, this is
- 1:20:16Speaker 2: an Ice of Swords, this is a forum magazine, this
- 1:20:18Speaker 2: is I don't know what there, with the eye sold
- 1:20:22Speaker 2: in the content.
- 1:20:23Speaker 5: Then people ask me, how does she do this, man?
- 1:20:25Speaker 2: Is this really telepathy? Is it precognition? I don't know
- 1:20:29Speaker 2: what it's called.
- 1:20:30Speaker 5: Man, there's no way I know, because it's a 15-second
- 1:20:33Speaker 5: video that the person is recording himself. He may have
- 1:20:35Speaker 5: decorated the sequence of.
- 1:20:36Speaker 2: He may have decorated the thing, there may be someone
- 1:20:38Speaker 2: talking to her, she may have dubbed herself, there may
- 1:20:40Speaker 2: be a lot of things. There's a video of mine
- 1:20:42Speaker 2: that went viral, where I get a dice, and I'm
- 1:20:43Speaker 2: throwing the dice, and before I throw the dice, I
- 1:20:46Speaker 2: say the number that's going to fall.
- 1:20:47Speaker 5: I say, I'm going to throw now, it's going to
- 1:20:49Speaker 5: fall 6. What did I do?
- 1:20:51Speaker 2: I just... I just recorded it without saying anything, and
- 1:20:56Speaker 2: then I dubbed it.
- 1:20:57Speaker 5: Son of a bitch.
- 1:20:58Speaker 2: 10 seconds.
- 1:20:59Speaker 5: I have a question for you. It's hard to analyze
- 1:21:01Speaker 5: these things.
- 1:21:01Speaker 3: Go ahead.
- 1:21:04Speaker 7: Speak for yourself, not speaking for the other magicians. Most
- 1:21:09Speaker 7: of the mentalistic magicians, they are skeptical to the point
- 1:21:13Speaker 7: of not believing in anything. For knowing everything behind it,
- 1:21:17Speaker 7: and respecting the laws of physics, and knowing that there
- 1:21:19Speaker 7: is no magic, despite there being magic.
- 1:21:22Speaker 2: Man, in Brazil, Brazil is kind of out of the curve,
- 1:21:26Speaker 2: I think, at this point. Here, the magicians are, in
- 1:21:30Speaker 2: the whole world.
- 1:21:30Speaker 5: The majority are men, the majority are white, the majority
- 1:21:33Speaker 5: are in the standard and such.
- 1:21:35Speaker 2: I think that out there, it's a little bit more
- 1:21:37Speaker 2: of that. Out there, I always use as an example Europe,
- 1:21:39Speaker 2: the United States, because it's where the magic is more.
- 1:21:43Speaker 2: Hot. Popular, hot, there's a market, there's dedicated spaces, there's shows. Man,
- 1:21:47Speaker 2: we went.
- 1:21:50Speaker 5: No, I was alone.
- 1:21:51Speaker 2: I went to Los Angeles now, recently to make a
- 1:21:54Speaker 2: trip to the Copa and such, and I found out
- 1:21:56Speaker 2: that there's a castle there that's just magic. Magic Castle. Yeah.
- 1:21:59Speaker 2: Very foda. Man, you have to be dressed as a
- 1:22:01Speaker 2: gala to see the image show.
- 1:22:03Speaker 5: And it's not just anyone who comes in.
- 1:22:05Speaker 2: So I was aware of that. Then I said, no,
- 1:22:06Speaker 2: next time I'll try to come and see a show
- 1:22:08Speaker 2: like this. She said, oh, it's not that easy, but
- 1:22:10Speaker 2: if you can, you'll see something absurd.
- 1:22:12Speaker 5: Yeah, there will only be the best there. I said,
- 1:22:14Speaker 5: but like who? She said, Penn and Teller. I said, seriously?
- 1:22:17Speaker 2: I said, yeah, here the guys.
- 1:22:17Speaker 3: The guys that fly, that.
- 1:22:19Speaker 5: I don't know, sorry to cut you off.
- 1:22:20Speaker 2: No, and it's a beautiful stage, made for magic, at
- 1:22:22Speaker 2: the right angle that magic likes. These days I went
- 1:22:25Speaker 2: to do a show, I'm with a show called Baseado
- 1:22:26Speaker 2: em Mágica, which is a show only for maconheiros, right? Bastard.
- 1:22:29Speaker 2: And then I went to the club in Bixiga, which
- 1:22:31Speaker 2: is a cool club and such, but the places we
- 1:22:33Speaker 2: have to show up in most of the time is
- 1:22:35Speaker 2: a place that is either theater, normal, which is easy
- 1:22:38Speaker 2: to do, but most of the time it's like a
- 1:22:40Speaker 2: comedy club. And the comedian, he doesn't need an angle,
- 1:22:43Speaker 2: he doesn't need to worry about the angle that the
- 1:22:45Speaker 2: guy is watching his show, because there's nothing to show,
- 1:22:48Speaker 2: it's his voice, if the guy is listening, he's going
- 1:22:51Speaker 2: to enjoy a good part of the show. Man, I
- 1:22:53Speaker 2: got there, the angle was 180 degrees, I had the
- 1:22:54Speaker 2: chair almost behind me, like this. And it's not even
- 1:22:58Speaker 2: a matter of the trick, the person won't understand the
- 1:22:59Speaker 2: magic there, you know?
- 1:23:00Speaker 5: You're seeing your elbow, right?
- 1:23:01Speaker 2: Then we had a race, we reformulated the whole stick,
- 1:23:04Speaker 2: the shell there, and it worked. So, man, I don't
- 1:23:06Speaker 2: even know why I'm saying this, but Magic Castle is
- 1:23:08Speaker 2: already made for everyone to have the best possible vision
- 1:23:12Speaker 2: of the stage. If the guy is going to make
- 1:23:13Speaker 2: magic cards on a table, everyone will be able to
- 1:23:16Speaker 2: see it, because... It was made by magicians, right?
- 1:23:18Speaker 3: What is the purpose of your show and why does
- 1:23:19Speaker 3: it have this name?
- 1:23:20Speaker 4: And if you could demonstrate something that you do at
- 1:23:22Speaker 4: the show here for us too.
- 1:23:24Speaker 2: So, this one I did here, I do at the show,
- 1:23:26Speaker 2: but instead of Caio Romano in the voice, it's Bob
- 1:23:28Speaker 2: Marley teaching magic. Cool, cool. Bob Marley.
- 1:23:32Speaker 3: And does everyone do this at the show? Everyone does.
- 1:23:35Speaker 2: Everyone, when they enter the show, has a little drum
- 1:23:37Speaker 2: in the chair and such. But I did.
- 1:23:39Speaker 5: This show only twice.
- 1:23:40Speaker 2: Can I tell you a story? You can, you can.
- 1:23:43Speaker 5: At the show... No, calm down.
- 1:23:44Speaker 2: Ah!
- 1:23:45Speaker 3: At the show.
- 1:23:48Speaker 2: It complicates me, Igor. Cavalari.
- 1:23:51Speaker 3: Yeah, right?
- 1:23:52Speaker 2: But the person can consume to go and watch.
- 1:23:54Speaker 5: The idea is that.
- 1:23:54Speaker 3: Wow, it must be.
- 1:23:55Speaker 5: Without encouraging anyone.
- 1:23:57Speaker 3: It must be.
- 1:23:57Speaker 5: You can only get in the top 18. It's already consumed.
- 1:23:59Speaker 3: There are some who don't even.
- 1:24:02Speaker 2: Understand the magic. Man, but... Pass the point, right?
- 1:24:05Speaker 5: Pass the point.
- 1:24:06Speaker 2: Ah, but I think the clubs should encourage. The guys
- 1:24:09Speaker 2: will consume more.
- 1:24:10Speaker 5: And the owner of Bixiga, the guy who was there,
- 1:24:13Speaker 5: he liked it a lot. Man, let's do more, let's
- 1:24:15Speaker 5: do more. But this was a show I was very
- 1:24:16Speaker 5: nervous to do.
- 1:24:19Speaker 2: Because I really wanted it to work, because it's a
- 1:24:22Speaker 2: show of my universe. Besides this show based on magic,
- 1:24:25Speaker 2: I'm also doing a show called Impossível, which is in theater,
- 1:24:29Speaker 2: but it's for all ages.
- 1:24:30Speaker 5: Children, parents, everyone can go to the theater.
- 1:24:34Speaker 2: Why the name? Impossível, because we do the impossible. It
- 1:24:37Speaker 2: comes from there. And I share the stage with other
- 1:24:41Speaker 2: two magicians, Diego Costa, who is a Brazilian champion of magic,
- 1:24:44Speaker 2: and Lucas Toledo, who is on TV all the time,
- 1:24:46Speaker 2: my friend and such. She participated with me, we can
- 1:24:49Speaker 2: talk about this later, at Imperatriz, where I did the
- 1:24:52Speaker 2: carnival concert at the beginning of this year. And it's
- 1:24:55Speaker 2: a show that I get very stuck, man, because I
- 1:24:57Speaker 2: can't say a word, I can't do most of the
- 1:24:59Speaker 2: jokes I make, and I naturally only say shit. When
- 1:25:05Speaker 2: I'm not.
- 1:25:05Speaker 5: Talking about shit, I'm talking about politics, which is also
- 1:25:08Speaker 5: not cool to talk about at a show, I like
- 1:25:10Speaker 5: to follow and such, and my references are these, so
- 1:25:13Speaker 5: my improvisation gets stuck, you know? I can't improvise right.
- 1:25:16Speaker 2: Until the other day, the guy said a city, he
- 1:25:19Speaker 2: said Pindamuiangaba, the first thing I said, damn, the city
- 1:25:22Speaker 2: of Geraldo Alckmin there, right?
- 1:25:23Speaker 3: There was a silence in the theater, like.
- 1:25:25Speaker 5: That, there was a silence in the theater, I said, wow,
- 1:25:27Speaker 5: I had nothing to do with.
- 1:25:28Speaker 2: This, right?
- 1:25:28Speaker 5: The closest reference was this.
- 1:25:29Speaker 2: It came, it came, it came. Why do I know
- 1:25:31Speaker 2: that the vice president is Pindamuiangaba? I have no idea. Anyway,
- 1:25:35Speaker 2: so I thought, if this show works, it will be
- 1:25:37Speaker 2: a show that I will be very calm to do,
- 1:25:39Speaker 2: because anything that goes wrong, I laugh and say, it
- 1:25:42Speaker 2: was good, guys, I'm chapped.
- 1:25:44Speaker 5: And the audience too. The audience was very happy there,
- 1:25:47Speaker 5: it was a very cool show, and then I saw
- 1:25:50Speaker 5: that it worked, I said, okay, it worked, but there's
- 1:25:52Speaker 5: a lot to improve, I need to put music.
- 1:25:54Speaker 2: So as not to be silent, I need to improve
- 1:25:56Speaker 2: a lot of things. And then they started saying, no,
- 1:25:59Speaker 2: now come and do it here in Sorocaba, come here
- 1:26:01Speaker 2: and do it in Santos, come and do it in... No, no,
- 1:26:03Speaker 2: calm down, calm down, let me, I tested it, I'm
- 1:26:04Speaker 2: going to improve the show and then we'll be back.
- 1:26:06Speaker 3: Man, if it goes well in São Paulo, call us,
- 1:26:08Speaker 3: we'll touch it.
- 1:26:08Speaker 2: It's going to go well, it's going to.
- 1:26:10Speaker 3: Go well, for sure. Vigão touches it easy too.
- 1:26:12Speaker 2: Right, Vigão?
- 1:26:13Speaker 5: Ah, yes, I like him a lot. No, but look,
- 1:26:15Speaker 5: there were people who didn't smoke there too, you know?
- 1:26:17Speaker 3: So, I think we're going to.
- 1:26:17Speaker 2: They called us to the stage and said, yeah, you
- 1:26:19Speaker 2: can rest easy, Vigão, you're going to... You're going to
- 1:26:22Speaker 2: be represented. It's going to be smooth, it's going to
- 1:26:23Speaker 2: be smooth.
- 1:26:24Speaker 5: Are you serious?
- 1:26:24Speaker 2: I'm serious.
- 1:26:25Speaker 7: I'm going to put on makeup now.
- 1:26:26Speaker 2: There are other places, other arts, other things that we
- 1:26:30Speaker 2: can't even imagine, but that have fucking magic tricks.
- 1:26:32Speaker 5: Damn, Carnival.
- 1:26:36Speaker 2: Seriously? Carnival, bro.
- 1:26:37Speaker 5: Carnival has fucking magic.
- 1:26:38Speaker 2: What did you do, Emperor? The Empress this year was
- 1:26:42Speaker 2: honoring Neymato Grosso. What the fuck? Monster.
- 1:26:44Speaker 6: Bro.
- 1:26:45Speaker 2: It was absurd. When they called me, I couldn't believe it.
- 1:26:48Speaker 2: It was the same thing. I thought it was the
- 1:26:50Speaker 2: tiger thing. And then it closed. I was going to
- 1:26:54Speaker 2: take care of the front commission of the Empress. The
- 1:26:58Speaker 2: Empress is.
- 1:26:59Speaker 5: Already champion several times.
- 1:27:01Speaker 2: The ruler is already there. Very high. And you were
- 1:27:04Speaker 2: talking about Rock in Rio. This thing was my Rock
- 1:27:06Speaker 2: in Rio. Because Carnival is the entertainment event. The biggest
- 1:27:11Speaker 2: show on planet Earth. And Rock in Rio... I don't
- 1:27:15Speaker 2: know if it still is, but for a long time
- 1:27:16Speaker 2: it was the.
- 1:27:17Speaker 5: Biggest festival on planet Earth.
- 1:27:18Speaker 2: So I was very nervous, I had never done this
- 1:27:22Speaker 2: magic style, which is great illusions, right? Which is like smoke, explosions,
- 1:27:27Speaker 2: and people just appear there. My thing is to go
- 1:27:29Speaker 2: on the street, to do magic, it's the simplest thing there,
- 1:27:31Speaker 2: it's at most in a theater. Man, and now?
- 1:27:35Speaker 5: Then I started to set up a team, same thing
- 1:27:36Speaker 5: as you. I talked to Henrique, who is my businessman.
- 1:27:39Speaker 2: Who we call to take care of this part, this part,
- 1:27:42Speaker 2: then I stuck Matheus Laurini. Lucas Toledo, who plays with
- 1:27:46Speaker 2: me now in the theater, Bernardo Sérgio de Lacek, who
- 1:27:49Speaker 2: I'm a big fan.
- 1:27:50Speaker 5: Of, a friend of mine too.
- 1:27:51Speaker 2: And then we went working, working, working, and we got
- 1:27:55Speaker 2: to a one-minute show, which is the duration of the magic,
- 1:27:58Speaker 2: the front commission, I think it was five minutes in total,
- 1:28:01Speaker 2: three or five, and the magic happened there in a
- 1:28:04Speaker 2: minute and a half. So Nemato Grosso disappeared from one place,
- 1:28:06Speaker 2: appeared in another, And then he would pass through the
- 1:28:09Speaker 2: middle of the arena and go out with the costume
- 1:28:12Speaker 2: of another Neymatogross. So we played a lot with this
- 1:28:15Speaker 2: transition of the Neymatogrosses, right? Of his phases.
- 1:28:18Speaker 5: What about Kunamão?
- 1:28:19Speaker 2: But what about Butico, my friend?
- 1:28:20Speaker 5: Yeah, at the time... Like this... Now, Hippocrates!
- 1:28:24Speaker 3: Nice!
- 1:28:24Speaker 7: And there are factors that are out of your control, right, bro?
- 1:28:27Speaker 2: It rained... I don't know, maybe the poor Neymatogross is tripping. No,
- 1:28:31Speaker 2: but Ney wasn't in our car. Ney paraded back there.
- 1:28:34Speaker 2: Ah yes, the dancers who were doing the naysayers.
- 1:28:37Speaker 5: And it happened. There was a dancer who went up.
- 1:28:56Speaker 2: Man, we started working in September of last year.
- 1:29:01Speaker 7: Wow, I remember you commenting on the Gansk show that
- 1:29:04Speaker 7: you were about to.
- 1:29:05Speaker 2: Roll this thing. Yeah, that's right, that's right. And then,
- 1:29:08Speaker 2: in January, we had the last magic, which was the
- 1:29:10Speaker 2: most impressive, Ney went up on the piano, then the
- 1:29:12Speaker 2: empress's flag went up, covered Ney like this, he went disappearing, disappearing, disappearing,
- 1:29:18Speaker 2: suddenly this flag came flying, it went up there from
- 1:29:21Speaker 2: the allegorical car, it came out a smoke and Ney
- 1:29:24Speaker 2: appeared up there from the allegorical car. And then, man,
- 1:29:27Speaker 2: it involves CO2, which is a peak to work with this,
- 1:29:31Speaker 2: that you have to, bro, load those CO2 tanks, cylinders,
- 1:29:35Speaker 2: expensive as fuck, you have to do this in rehearsals,
- 1:29:38Speaker 2: you have to do this in tests, you have to
- 1:29:41Speaker 2: do this, and you're spending CO2, which is a peak,
- 1:29:43Speaker 2: it's a peak. And then the guy who took care
- 1:29:44Speaker 2: of the CO2 fell, I don't know what, on his head,
- 1:29:46Speaker 2: there in the day, a tile, I don't know, the
- 1:29:48Speaker 2: guy had to go to the hospital, then there was
- 1:29:51Speaker 2: left for us.
- 1:29:53Speaker 5: To take care of the thing. And then, there's CO2,
- 1:29:55Speaker 5: and it rained in the day.
- 1:29:56Speaker 2: I don't remember if it was at the main parade
- 1:29:59Speaker 2: or at the Campeãs parade, but there was a day
- 1:30:03Speaker 2: when it rained. And the cars were all lined up
- 1:30:05Speaker 2: in an avenue, next to the Sambódromo. And in this
- 1:30:08Speaker 2: avenue there's a lot of viaduct, pass. So if your
- 1:30:11Speaker 2: allegorical car is too high, at the time of passing there,
- 1:30:14Speaker 2: you have to disassemble it and assemble it. But the
- 1:30:18Speaker 2: allegorical car only walks when the school in front of
- 1:30:21Speaker 2: you is parading.
- 1:30:21Speaker 6: So.
- 1:30:24Speaker 2: You have to be on time so you don't get late,
- 1:30:25Speaker 2: you don't waste time. From the time it passes under
- 1:30:28Speaker 2: the viaduct, it disassembles, passes, goes up, and only 15
- 1:30:32Speaker 2: minutes to get into the thing.
- 1:30:33Speaker 5: And in one of these, it disconnected our CO2 cable.
- 1:30:35Speaker 2: And then, in the first parade of ours, the smoke
- 1:30:39Speaker 2: didn't come out. And then the other one, the activation
- 1:30:43Speaker 2: of the flag thing didn't work either because of bad contact.
- 1:30:46Speaker 2: And on the other one it rained and, man, ten
- 1:30:48Speaker 2: minutes before entering, we were with Rodo cleaning the thing,
- 1:30:51Speaker 2: I took off my shirt, with my shirt drying the shit.
- 1:30:53Speaker 5: It's crazy, man, there's no glamour at all working at
- 1:30:58Speaker 5: the carnival, but it was the greatest learning in my life.
- 1:31:00Speaker 5: That's crazy.
- 1:31:01Speaker 2: And this flag thing, I went to Las Vegas in January,
- 1:31:06Speaker 2: I did a back and forth just to meet the
- 1:31:09Speaker 2: creator of this technique. who is a consultant for Chris
- 1:31:14Speaker 2: Angel and all that stuff.
- 1:31:15Speaker 5: Are these people accessible? For other magicians, yes. For other magicians, yes.
- 1:31:20Speaker 2: I didn't know the guy, but Bernardo, who was working
- 1:31:22Speaker 2: with us.
- 1:31:23Speaker 5: A friend of a friend.
- 1:31:23Speaker 2: He's a friend of the guy, he knows him, he
- 1:31:25Speaker 2: already made the bridge and such. And then I wouldn't go,
- 1:31:27Speaker 2: because I thought I was without a visa, and he's
- 1:31:29Speaker 2: another guy. And then I looked at my passport, unintentionally,
- 1:31:33Speaker 2: one day, and I thought my visa had ended two
- 1:31:36Speaker 2: or three years ago, and it had been three or
- 1:31:37Speaker 2: four years.
- 1:31:38Speaker 5: I said, no, then I'll go there.
- 1:31:38Speaker 2: Then I was lucky, the day I got to have
- 1:31:41Speaker 2: a show with David Blaine, in Las Vegas, something that
- 1:31:44Speaker 2: rarely happens. And I still went to his show, I
- 1:31:46Speaker 2: got the stuff with the guy, met the guy, he
- 1:31:47Speaker 2: showed me his shed full of magic, magic from the 60s, 70s,
- 1:31:50Speaker 2: Siegfried and Roy, the guys who did with the lions,
- 1:31:53Speaker 2: with the white tigre and such.
- 1:31:59Speaker 5: He showed me the equipment, it looked like.
- 1:32:01Speaker 2: A museum, the guy's shed. Man, I went there, in
- 1:32:03Speaker 2: Las Vegas, I went back and forth, I went one day,
- 1:32:05Speaker 2: I went back to the other. You lived, you lived.
- 1:32:07Speaker 2: I was seeing crazy stuff, and I brought two heavy
- 1:32:10Speaker 2: stuff in my bag to use at the carnival. And
- 1:32:13Speaker 2: then I arrive in São Paulo, I already take the car,
- 1:32:15Speaker 2: I take the stuff to Rio and take it to
- 1:32:18Speaker 2: the shed. Then you get in the shed, that fucking heat,
- 1:32:20Speaker 2: the people sticking shoe glue, like this, and you already
- 1:32:23Speaker 2: get out with that head ache.
- 1:32:24Speaker 5: Man, it's a trap to make the carnival happen, right?
- 1:32:27Speaker 5: 24 hours a day, 24 hours a day. It's the
- 1:32:29Speaker 5: life of people there, right?
- 1:32:30Speaker 2: Any time I went there, there was a woman sticking
- 1:32:33Speaker 2: a pen on the bird.
- 1:32:34Speaker 3: And you have to have love, right, man? It looks
- 1:32:36Speaker 3: like it's just a man to stay in that spot.
- 1:32:37Speaker 2: And I never, I wasn't from Carnaval. I had to
- 1:32:40Speaker 2: find out everything, how the score works, how the penalty
- 1:32:43Speaker 2: works and such. The parade and everything. And man, it's
- 1:32:49Speaker 2: a crazy amount of people who work at Carnaval.
- 1:32:56Speaker 5: There are people who say, ah, the city hall spends
- 1:32:58Speaker 5: I don't know how much. It's the carnival party.
- 1:33:00Speaker 2: My friend, you have no idea how many people are
- 1:33:02Speaker 2: employed at the carnival, man. And here I'm saying that
- 1:33:05Speaker 2: I saw people directly working, but there's the whole environment
- 1:33:09Speaker 2: of the Samba city.
- 1:33:10Speaker 5: And the guys work all year, right?
- 1:33:11Speaker 2: All year, man.
- 1:33:12Speaker 1: All year.
- 1:33:12Speaker 5: And the Samba city there is gigantic too.
- 1:33:15Speaker 2: Man, congratulations for where your magic is coming from, because
- 1:33:17Speaker 2: this is very fucking, right, man?
- 1:33:19Speaker 5: The most popular party in Brazil so far.
- 1:33:21Speaker 2: It's a fucking school doing a fucking fucking magic, calling you.
- 1:33:25Speaker 5: And it was cool.
- 1:33:26Speaker 2: There was a mistake here, another there, which is ours.
- 1:33:32Speaker 2: Error of all, you know? And I cheated with Leandro,
- 1:33:36Speaker 2: who is the carnavalesco there. I learned a lot from him.
- 1:33:40Speaker 5: Did you meet the bicheiros?
- 1:33:43Speaker 2: Let's change the subject.
- 1:33:45Speaker 8: I watched the series Vale o Escrito. Are you aware
- 1:33:47Speaker 8: of what I'm talking about?
- 1:33:49Speaker 6: Yes.
- 1:33:49Speaker 7: Crazy.
- 1:33:50Speaker 3: The guys are original gangsters. They are, right?
- 1:33:53Speaker 5: Brazilian. Rio de Janeiro is crazy.
- 1:33:56Speaker 2: It's crazy, man. This is the first time I saw
- 1:33:58Speaker 2: things I didn't see. Every time I went to Rio,
- 1:34:00Speaker 2: I was like, I'm going to do a show, I'm
- 1:34:01Speaker 2: going to an event, I'm going to Rock in Rio,
- 1:34:04Speaker 2: and I came back. I didn't live in Rio de Janeiro.
- 1:34:05Speaker 2: Or go to tourism, it was only in the South
- 1:34:07Speaker 2: Zone and such.
- 1:34:08Speaker 5: Man, for me, from Vale Esquita, the craziest story is
- 1:34:10Speaker 5: from Maninho.
- 1:34:10Speaker 2: From Maninho. From Maninho.
- 1:34:12Speaker 3: I'm connected. Where is this series?
- 1:34:13Speaker 5: Globoplay.
- 1:34:14Speaker 2: Globoplay, I think. It's good as fuck. If you want
- 1:34:17Speaker 2: to see it together, son.
- 1:34:18Speaker 8: It's good.
- 1:34:19Speaker 7: Man, you see the same thing happening with Jogo do Bicho. Yeah,
- 1:34:22Speaker 7: and how the guys were gangs, the true gangs that
- 1:34:25Speaker 7: are in Brazil were these guys, man.
- 1:34:26Speaker 3: I want to see.
- 1:34:27Speaker 5: Are you hyped for GTA 6?
- 1:34:28Speaker 6: Wow.
- 1:34:28Speaker 2: I'm fucking hyped.
- 1:34:28Speaker 3: Me too, bro.
- 1:34:29Speaker 2: This is the 16th, 17th, right?
- 1:34:30Speaker 5: November?
- 1:34:31Speaker 3: I don't know.
- 1:34:32Speaker 5: I'm not that hyped.
- 1:34:33Speaker 7: I'm on vacation on the 15th.
- 1:34:34Speaker 2: November 19th, right? November 19th?
- 1:34:35Speaker 5: I'm on vacation on the 15th.
- 1:34:37Speaker 3: I want to stay at home for a week just playing, bro.
- 1:34:40Speaker 2: Wow, I want to reset, have the opportunity to reset
- 1:34:43Speaker 2: without turning off the video game.
- 1:34:46Speaker 3: Just keep playing.
- 1:34:47Speaker 2: There will be people who will do that. Oh, but
- 1:34:49Speaker 2: the game... Do you guys believe that it's going to
- 1:34:53Speaker 2: be a similar impact to GTA V? And what I
- 1:34:55Speaker 2: want to say about that is that GTA V introduced
- 1:34:57Speaker 2: new influencers, the game made it possible for many people
- 1:35:02Speaker 2: on YouTube to work with their own game. I don't know, man,
- 1:35:04Speaker 2: the GTA V, after it appeared, it opened a world.
- 1:35:06Speaker 7: I lived from GTA to RP for a long time,
- 1:35:07Speaker 7: about three years there, I lived only from RP.
- 1:35:09Speaker 2: No, but before RP, I remember the... I don't know.
- 1:35:13Speaker 2: GTA Online, right?
- 1:35:14Speaker 3: Sunny, right?
- 1:35:15Speaker 2: Vilena doing acrobatics with Morph. Everything went viral on GTA 5.
- 1:35:19Speaker 8: Man, there was Samp. Do you remember Samp?
- 1:35:21Speaker 2: That was on GTA San Andreas.
- 1:35:22Speaker 3: I remember it a lot, too.
- 1:35:23Speaker 2: The MTA, too.
- 1:35:24Speaker 8: That was those crazy car races in the space. That
- 1:35:26Speaker 8: came for 5, too.
- 1:35:26Speaker 2: I'm thinking that GTA 6 will be similar to 5
- 1:35:29Speaker 2: in this aspect.
- 1:35:29Speaker 5: I think so, too.
- 1:35:31Speaker 2: The content creators will just talk about it, the universe
- 1:35:33Speaker 2: of the game will bring different things that we haven't seen,
- 1:35:35Speaker 2: and there are people who will become famous, we will
- 1:35:38Speaker 2: be introduced to new people because of the game. For sure,
- 1:35:40Speaker 2: for sure.
- 1:35:40Speaker 7: And I think that when the RP comes out on
- 1:35:42Speaker 7: the 6, the thing will be original.
- 1:35:45Speaker 2: But I'm saying that the 6 already comes with an RP.
- 1:35:48Speaker 7: Man, but it's because a lot of what GTA 6
- 1:35:51Speaker 7: has that are talking about this RP is that they
- 1:35:54Speaker 7: got it from the Five M guys, who are not
- 1:35:56Speaker 7: even Rockstar employees.
- 1:35:57Speaker 2: Who implemented the RP? Was it the Brazilians? Man, no.
- 1:36:00Speaker 8: I don't know exactly where it came from.
- 1:36:02Speaker 7: I know that there's the NoPixel, which is a foreigner's server,
- 1:36:05Speaker 7: which is a pioneer, which is kind of the reference,
- 1:36:07Speaker 7: I don't know if it still is, but that was
- 1:36:09Speaker 7: in my time.
- 1:36:10Speaker 8: And it's a thing that.
- 1:36:12Speaker 7: There are a lot of developers that modify the game to, like,
- 1:36:16Speaker 7: a place that in GTA V you don't enter, there
- 1:36:18Speaker 7: you will enter... You will have a glove box in
- 1:36:20Speaker 7: the car, you will feel hungry, you will feel thirsty,
- 1:36:22Speaker 7: your car will run out of gasoline. This in GTA
- 1:36:24Speaker 7: V already has it for fuck's sake, and now this
- 1:36:25Speaker 7: will come to 6.
- 1:36:26Speaker 2: And it's a.
- 1:36:27Speaker 7: Os caras aprenderam as coisas boas do RP e trouxeram
- 1:36:29Speaker 7: pros seis, então.
- 1:36:30Speaker 2: Mas isso que eu pago pro Papa Rockstar, eles gostam
- 1:36:32Speaker 2: de aprender com a comunidade, eles já vinham reformulando pra comunidade, ah,
- 1:36:35Speaker 2: a comunidade gosta de corrida no GTA, vou melhorar. A
- 1:36:37Speaker 2: comunidade gosta disso, vou fazer. Eu gosto muito do fanservice deles,
- 1:36:41Speaker 2: tá ligado?
- 1:36:41Speaker 7: Cara, e eu acho que quando tiver o RP vai
- 1:36:43Speaker 7: ser da hora o negócio, porque o RP... For it
- 1:36:46Speaker 7: to be cool, you can't play one hour a day,
- 1:36:48Speaker 7: you have to live, because it's kind of a roleplay
- 1:36:51Speaker 7: of the second life there.
- 1:36:52Speaker 2: Man, but do you think people... There are people who
- 1:36:54Speaker 2: will live the.
- 1:36:55Speaker 8: First life like this. Man, I lived the first life
- 1:36:57Speaker 8: for a while.
- 1:36:58Speaker 3: It's more cool there, right?
- 1:36:59Speaker 7: It was 12 o'clock, so I was a singer there,
- 1:37:01Speaker 7: I was doing a show. And then out of nowhere
- 1:37:02Speaker 7: I was robbing the bank, running away from the police.
- 1:37:04Speaker 2: Giving shots to the others.
- 1:37:06Speaker 3: Laughing like hell.
- 1:37:07Speaker 8: I was a flight pilot from the ghetto.
- 1:37:09Speaker 3: Look at that.
- 1:37:10Speaker 2: Alceu was Alceu.
- 1:37:10Speaker 3: Alceu.
- 1:37:11Speaker 2: I was good, in a motorcycle, not much, but in
- 1:37:13Speaker 2: a motorcycle I was good.
- 1:37:14Speaker 3: Alceu was normal.
- 1:37:14Speaker 8: It was me talking, right?
- 1:37:16Speaker 3: But you were more abused?
- 1:37:17Speaker 7: Man, at the beginning I tried to get crazy, but
- 1:37:21Speaker 7: after a while I was just myself.
- 1:37:24Speaker 3: You enter the.
- 1:37:25Speaker 7: Business, you want to sell the content for live and such,
- 1:37:28Speaker 7: but you don't know how the RP works.
- 1:37:30Speaker 2: The people who are there, they live the mess.
- 1:37:31Speaker 7: I have a friend who is the cousin, shout out
- 1:37:34Speaker 7: to the cousin, that he and his cousin, who is
- 1:37:38Speaker 7: his wife, met at the RP, they dated at the
- 1:37:41Speaker 7: RP and today they are dating, they.
- 1:37:42Speaker 2: Are together until today.
- 1:37:43Speaker 5: And it's very cool when I enter the Discord, I
- 1:37:44Speaker 5: enter both of them. It's not just one, it's always two.
- 1:37:47Speaker 2: Oh, they have Facebook together, these things.
- 1:37:51Speaker 3: Almost that.
- 1:37:52Speaker 7: And we lived the RP.
- 1:37:53Speaker 2: Man, and it was great.
- 1:37:54Speaker 3: You played GTA, you got.
- 1:37:55Speaker 2: I didn't play RP.
- 1:37:56Speaker 5: I didn't play RP either.
- 1:37:58Speaker 4: One time I played and I saw that I was
- 1:38:00Speaker 4: getting very inside, trafficking, making an assault, and then children
- 1:38:05Speaker 4: fighting with me. Then I started to say, man, calm down, man.
- 1:38:08Speaker 2: I stopped playing Valorant because of that. Because, wow, the
- 1:38:11Speaker 2: minorities of the kids there... I used to curse.
- 1:38:16Speaker 7: Curse.
- 1:38:16Speaker 6: No, no, no.
- 1:38:16Speaker 3: Kids curse a lot.
- 1:38:17Speaker 2: You understand the minority, right?
- 1:38:18Speaker 6: Uh-huh.
- 1:38:18Speaker 7: I understand.
- 1:38:19Speaker 2: The minority doesn't respond.
- 1:38:20Speaker 5: We curse the majority.
- 1:38:22Speaker 2: Oh, Mythic. I.
- 1:38:23Speaker 7: The RP, the lore of GTA V, talks about the Creeps,
- 1:38:26Speaker 7: the Bloods, the Los Angeles gangs.
- 1:38:28Speaker 2: And then, because of.
- 1:38:29Speaker 7: the RP, I went to study this, and then I
- 1:38:31Speaker 7: found out where the rap was born, I got to
- 1:38:34Speaker 7: know Compton, I understood the movement behind it, because of
- 1:38:38Speaker 7: the RP, to do the coolest thing, you know? And
- 1:38:39Speaker 7: then each, each, there were the three gangs, right? There
- 1:38:41Speaker 7: were the Ballas, the Feminis and the Vagos. And no
- 1:38:44Speaker 7: one would stick to the street, they couldn't escape in
- 1:38:46Speaker 7: the ghetto, otherwise the guys would go after them. You know?
- 1:38:49Speaker 7: They would take a lot of stuff and it was
- 1:38:50Speaker 7: really cool. And we became friends with the guys. And then,
- 1:38:53Speaker 7: I would go to jail, and I would pull and say,
- 1:38:55Speaker 7: I left a guitar in the cellar. I would sing
- 1:38:57Speaker 7: to the police. And I would earn money in jail
- 1:38:59Speaker 7: while I was in jail. Because the police would give
- 1:39:01Speaker 7: me money to sing for them.
- 1:39:02Speaker 8: Good people.
- 1:39:03Speaker 3: Good people.
- 1:39:04Speaker 7: Man, it was really cool, man.
- 1:39:05Speaker 2: Everything becomes content. You were in jail, it's content.
- 1:39:07Speaker 8: There are times when you don't.
- 1:39:08Speaker 2: Like being in jail.
- 1:39:09Speaker 5: In real life, that's happening too.
- 1:39:10Speaker 9: Yeah.
- 1:39:11Speaker 2: It's worse, man.
- 1:39:12Speaker 6: Worse, right?
- 1:39:13Speaker 3: Imagine, I don't know what you're going to do.
- 1:39:15Speaker 7: Man, it's going to change my life. That's what you said.
- 1:39:16Speaker 7: A lot of people are going to take off.
- 1:39:18Speaker 2: A lot of people are.
- 1:39:19Speaker 3: Going to prefer to live there, bro. They're going to say,
- 1:39:21Speaker 3: my life is much better here.
- 1:39:22Speaker 5: The Jesse Linger of these days was... No, it wasn't
- 1:39:25Speaker 5: the Linger, it was the Zacharia Labiar. Labiar, Zabiar. He
- 1:39:29Speaker 5: was at Gaviões da Fiel, there in the RP, hitting
- 1:39:31Speaker 5: the Corinthians player.
- 1:39:32Speaker 8: That's it, bro.
- 1:39:33Speaker 5: The Corinthians player hitting the Mancha Verde. He got hurt.
- 1:39:35Speaker 2: He hurt his ugly knee now in a game. Then
- 1:39:37Speaker 2: he was playing in the GTRP, out of nowhere, Gaviões
- 1:39:39Speaker 2: da Fiel versus Mancha Verde.
- 1:39:40Speaker 5: And he was there in the middle.
- 1:39:42Speaker 2: Hahaha. Man, it's crazy. GTA is going to be awesome.
- 1:39:45Speaker 2: Tell me about games that are emotional for you.
- 1:39:46Speaker 5: Ah, CS, for sure, I think.
- 1:39:47Speaker 2: A lot? My whole life, yeah.
- 1:39:48Speaker 5: You asked me, I forgot to give it to you.
- 1:39:50Speaker 2: God bless you.
- 1:39:52Speaker 8: He always has this, right?
- 1:39:54Speaker 2: Here, it's saved here. Focou, focou, focou. Bem bolado.
- 1:40:06Speaker 3: Você fez uma moda que eu acho que nem... Qual
- 1:40:08Speaker 3: que era?
- 1:40:09Speaker 7: O papo mesmo?
- 1:40:09Speaker 5: Não sei, fiquei hipnotizado.
- 1:40:11Speaker 7: Jogos.
- 1:40:11Speaker 3: Jogos.
- 1:40:11Speaker 2: Vou deixar aqui no meu bolso. Não, deixa... É cênico.
- 1:40:16Speaker 2: Depois vamos ali conversar. É cênico. É cênico. Ah, sim.
- 1:40:20Speaker 5: Cigarim de teatro.
- 1:40:22Speaker 3: É teatro.
- 1:40:23Speaker 2: É cumbaiá.
- 1:40:25Speaker 5: Bata! You were asking about emotional games. Oh, emotional memory,
- 1:40:30Speaker 5: that's it. Let's start with the Mind Trigger games.
- 1:40:33Speaker 7: Oh, let's go back?
- 1:40:34Speaker 5: Yeah, let's go back. You played something called Death Rally.
- 1:40:37Speaker 7: Death Rally?
- 1:40:38Speaker 2: It was a PC game. It was a race that
- 1:40:40Speaker 2: you had to shoot at the other cars. You started
- 1:40:42Speaker 2: with a fuzz, you were kind of... I played Road Rash.
- 1:40:44Speaker 5: The vision was from above. It was a motorcycle, you
- 1:40:45Speaker 5: ran into the others. I know, I know this one.
- 1:40:47Speaker 2: What's the name of this one? I remember the video
- 1:40:48Speaker 2: from 2008. It was like Rock and Roll Racing, wasn't it?
- 1:40:51Speaker 2: I think.
- 1:40:52Speaker 3: What's the name of the game you mentioned?
- 1:40:53Speaker 2: Death.
- 1:40:54Speaker 5: I forgot Death Rally Death Rally Death Rally Death Rally.
- 1:40:58Speaker 7: Oh, by the way, I'm full of simulators I got
- 1:41:00Speaker 7: into the simulators' stack of emulators, actually So I'm playing
- 1:41:04Speaker 7: the Play 1 game Yesterday I was playing Metal Slug,
- 1:41:06Speaker 7: just so you know Oh, Metal Slug is awesome You
- 1:41:08Speaker 7: know the.
- 1:41:08Speaker 5: Racing simulator, right?
- 1:41:16Speaker 7: The entertainment and the place where
- 1:41:18Speaker 7: I'm being a tryhard is in racing simulators.
- 1:41:20Speaker 5: Wow, I'm addicted to Formula 1.
- 1:41:22Speaker 2: Yeah!
- 1:41:22Speaker 8: Man, you have to go to iRacing, bro.
- 1:41:24Speaker 2: Which one?
- 1:41:25Speaker 8: That's the simulator Verstappen trains.
- 1:41:27Speaker 5: I don't like this guy.
- 1:41:29Speaker 7: It's not possible. Ah, it's a fucking shit there.
- 1:41:32Speaker 2: It's a lie, guys.
- 1:41:35Speaker 7: There's a kid, Gustavo Ariel, who is the number one
- 1:41:38Speaker 7: iRacing pilot.
- 1:41:39Speaker 8: And he's from Verstappen's team.
- 1:41:41Speaker 2: But it's very crazy, Verstappen is the champion... In the
- 1:41:44Speaker 2: real world and in the simulator.
- 1:41:46Speaker 7: And in the simulator. But it's that the simulator is
- 1:41:49Speaker 7: very simulator. The Formula 1, people call it Simcade. You
- 1:41:52Speaker 7: play in the simulator, but it's still arcade. The car
- 1:41:54Speaker 7: doesn't behave as the car would behave. And it's not racing,
- 1:41:57Speaker 7: it's a platform that you pay, it's not a game,
- 1:42:00Speaker 7: you pay per month, the cars and the tracks you buy,
- 1:42:02Speaker 7: you go up to your wallet, there's a whole ranking scheme,
- 1:42:04Speaker 7: and there the guys scan the track in 3D.
- 1:42:07Speaker 2: And you play online, how is it?
- 1:42:09Speaker 7: Online, there's the training, you play online, you run with
- 1:42:11Speaker 7: the guys and you go up to your wallet. So
- 1:42:13Speaker 7: I want to race Formula 1, I can't, because I
- 1:42:14Speaker 7: don't have a wallet, I can race Formula 4. And
- 1:42:17Speaker 7: then I have to race to get there.
- 1:42:18Speaker 2: Ah, so that when you can drive in F1, it's
- 1:42:20Speaker 2: a good one. Don't sabotage the guys, that's it. The
- 1:42:22Speaker 2: thing is very serious, bro.
- 1:42:23Speaker 7: There's no crazy thing about braking inside the curve and
- 1:42:25Speaker 7: killing everyone and getting out.
- 1:42:27Speaker 2: Of the shit. Is it just PC or what? It's
- 1:42:30Speaker 2: just PC.
- 1:42:31Speaker 7: It's iRacing the name.
- 1:42:32Speaker 2: Of the thing.
- 1:42:33Speaker 7: Wow, I'm going to change, I'm going to buy a cockpit,
- 1:42:35Speaker 7: I'm going to ask for help. Bro, we go on
- 1:42:36Speaker 7: Discord and we're going to have fun. And then, in
- 1:42:38Speaker 7: the beginning, you start running with the guide line to
- 1:42:40Speaker 7: help you. After a while, you have references. 50 meters,
- 1:42:44Speaker 7: you brake. You point at these ribs, you eat inside.
- 1:42:45Speaker 7: And then you start to hear the sound of the tire.
- 1:42:47Speaker 7: You start to prepare your car in its setup.
- 1:42:50Speaker 2: You start to, like.
- 1:42:52Speaker 8: The.
- 1:42:53Speaker 5: Dedication of zero in the game is.
- 1:42:55Speaker 2: How much gasoline does it have? How much pressure on
- 1:42:58Speaker 2: the tire? Because I got addicted to the arcade, imagining
- 1:43:01Speaker 2: that I was doing something more like that.
- 1:43:02Speaker 5: So imagine when it's for this.
- 1:43:04Speaker 7: Man, and you'll already have the base, so you won't
- 1:43:05Speaker 7: get lost. You know that to make a curve you
- 1:43:07Speaker 7: have to brake. Fuck the people who come from Need
- 1:43:09Speaker 7: for Speed, which is a game that you make curves anyway.
- 1:43:11Speaker 3: Don't criticize Need for Speed.
- 1:43:12Speaker 2: No, I love it, I love it a lot.
- 1:43:13Speaker 3: Okay, okay.
- 1:43:14Speaker 7: But it's two stops, you know? the arcade-zão, arcade-zás, let's go.
- 1:43:17Speaker 2: Yeah, when the kids get home and see the cockpit,
- 1:43:19Speaker 2: they let me play. Then they say, ah, it's bad,
- 1:43:22Speaker 2: I say, why do you have to drive?
- 1:43:24Speaker 3: Yeah.
- 1:43:24Speaker 7: And in the simulator, it's for boxing, bro, the race
- 1:43:27Speaker 7: is over, you're there, it's a race that you waited
- 1:43:29Speaker 7: an hour for it to happen, you're training, in the
- 1:43:32Speaker 7: first curve, an accident happened, the race is over, it
- 1:43:33Speaker 7: was already. But if they don't let you.
- 1:43:35Speaker 5: Be cautious, it makes you pilot, right?
- 1:43:37Speaker 7: Of course, I worry a lot with who's on the side,
- 1:43:40Speaker 7: who's not, even to.
- 1:43:43Speaker 8: To be fun for everyone.
- 1:43:44Speaker 2: Didn't you want to go for a quick ride in,
- 1:43:45Speaker 2: I don't know, Interlagos?
- 1:43:47Speaker 7: That's what I want the most. I say this all
- 1:43:50Speaker 7: the time. I want to go to Interlagos one day.
- 1:43:52Speaker 7: The guys fell in a Formula 1600 there. Because it's
- 1:43:55Speaker 7: a car that I already.
- 1:43:56Speaker 2: Run in the simulator. Please.
- 1:43:57Speaker 8: And let me see what happens. If I die, I
- 1:43:59Speaker 8: don't think I'll die.
- 1:43:59Speaker 2: If I die, I don't die.
- 1:44:01Speaker 5: You're prudent.
- 1:44:02Speaker 7: But I wasn't going to kill it either, because I
- 1:44:04Speaker 7: went to run kites with my friends. And I kept saying, wow,
- 1:44:07Speaker 7: I'm going to kill you guys because I play with
- 1:44:08Speaker 7: the simulator. I got there, the adrenaline thing, I felt scared.
- 1:44:10Speaker 7: I yelled to make the curve, I didn't have the physique.
- 1:44:13Speaker 3: Did you send it well or not?
- 1:44:14Speaker 7: Nothing.
- 1:44:14Speaker 3: Didn't it help you?
- 1:44:15Speaker 7: There's a friend of mine that I stage, he vomited
- 1:44:17Speaker 7: and stayed in front of me. But it's not because
- 1:44:20Speaker 7: I sent it badly. Because at the end of the race,
- 1:44:22Speaker 7: I hit it. And then I went to the grass,
- 1:44:24Speaker 7: until I came back, and I wasn't so bad. But
- 1:44:26Speaker 7: then the mess that was there, that I was fucking bad.
- 1:44:28Speaker 7: And every time I talk about karting, my friends all
- 1:44:30Speaker 7: mocked me. Because I talked to hell and got there
- 1:44:32Speaker 7: and gave a shit.
- 1:44:33Speaker 3: About the guy.
- 1:44:34Speaker 4: I thought that this also translates into real life. Who
- 1:44:36Speaker 4: is very good at the game, in real time, he
- 1:44:39Speaker 4: kind of already has a notion.
- 1:44:41Speaker 7: Yes, but I think the fear factor, you have to
- 1:44:44Speaker 7: deal with your head, man. Because in the race, if
- 1:44:47Speaker 7: you hit it, you reset. If you hit it, it's fucked, man.
- 1:44:50Speaker 5: Look at the Mitiqueira there in Miami.
- 1:44:52Speaker 2: What track is this? Man, it wasn't a track from Miami.
- 1:44:56Speaker 2: Sometimes I know, depending. But it was Formula 4, man.
- 1:45:01Speaker 2: You ran in Formula 4? We ran, man.
- 1:45:03Speaker 3: We ran.
- 1:45:03Speaker 2: Very crazy.
- 1:45:04Speaker 4: Look at the side of the car. Recently I rode
- 1:45:06Speaker 4: a motorcycle in Interlagos too.
- 1:45:08Speaker 2: Really? Do you like motorcycles too?
- 1:45:11Speaker 3: I like, man.
- 1:45:11Speaker 8: I like to see motorcycles.
- 1:45:13Speaker 7: I don't feel like it.
- 1:45:14Speaker 2: Very dangerous.
- 1:45:14Speaker 5: I bought a motorcycle, I spent a year with my
- 1:45:16Speaker 5: motorcycle and sold it, man.
- 1:45:18Speaker 2: I fell three times, stopped. Man, that's awesome.
- 1:45:22Speaker 7: Man, this is a dream come true for me when
- 1:45:23Speaker 7: this happens.
- 1:45:24Speaker 8: He said that I also piloted and I screamed, he said, man.
- 1:45:27Speaker 5: I screamed and cried.
- 1:45:28Speaker 2: I screamed and cried, tears came out, not that tear of.
- 1:45:30Speaker 4: Only tears came out of so much adrenaline and happiness. No,
- 1:45:33Speaker 4: and the brake, which is fucking hard. And driving with
- 1:45:35Speaker 4: the butt on the floor is different, man.
- 1:45:37Speaker 8: It's the downforce, it's different.
- 1:45:38Speaker 7: You drive kind of lying down, man.
- 1:45:39Speaker 5: It's very crazy, man.
- 1:45:46Speaker 7: The people who drive a normal car and go to
- 1:45:48Speaker 7: the simulator always complain that the brake is very hard.
- 1:45:51Speaker 7: But the brakes of the simulators are even harder, because
- 1:45:53Speaker 7: it's because of the pressure that it does the braking.
- 1:45:56Speaker 2: Man, I see Rubinho driving in the simulator, Verstappen himself, man,
- 1:46:01Speaker 2: you have to drive with.
- 1:46:02Speaker 8: A shoe, with gloves.
- 1:46:03Speaker 7: Exactly, shoes, gloves, reference.
- 1:46:04Speaker 8: If you get home, will you.
- 1:46:06Speaker 3: Be wearing shoes, gloves? Not yet, I want to get there, man.
- 1:46:09Speaker 7: I want to get there, I want to sell a
- 1:46:12Speaker 7: car that I have there in Taubaté to make the
- 1:46:14Speaker 7: simulator more cool.
- 1:46:16Speaker 2: I swear. No, calm down. Now my head went to hell.
- 1:46:19Speaker 2: You want to sell the real life to buy it
- 1:46:21Speaker 2: in the video game.
- 1:46:22Speaker 8: Man, I bought a Civic, just like Velocity Furious.
- 1:46:24Speaker 3: And fuck it, you're going to sell it.
- 1:46:26Speaker 2: Do you want to buy it? After the conversation?
- 1:46:30Speaker 8: Do you want to buy it together? Man, mine is
- 1:46:34Speaker 8: the EJ1.
- 1:46:34Speaker 2: EJ1.
- 1:46:34Speaker 3: This Civic is a scumbag.
- 1:46:35Speaker 5: It's a 16-inch engine.
- 1:46:36Speaker 7: Doesn't it catch fire?
- 1:46:37Speaker 2: It catches fire from the exhaust. It's going to kill itself. No,
- 1:46:41Speaker 2: it won't.
- 1:46:42Speaker 7: It won't kill itself.
- 1:46:43Speaker 8: It's just aesthetic.
- 1:46:43Speaker 2: The Civic is small.
- 1:46:44Speaker 5: It's small.
- 1:46:44Speaker 2: What is Civic?
- 1:46:46Speaker 8: Man, put the J195, it's the Velocity Furious one.
- 1:46:48Speaker 4: I saw it when you bought it, I told you,
- 1:46:50Speaker 4: I said, wow, what a delight this car is.
- 1:46:52Speaker 7: Velocity Furious, when they're going to steal the truck and
- 1:46:55Speaker 7: go downstairs, mine is white.
- 1:46:57Speaker 2: Man, the car is.
- 1:46:58Speaker 3: You want to count this shit on Pix now?
- 1:46:59Speaker 7: Later we're going to talk. Man, I bring it as
- 1:47:02Speaker 7: a guincho for you, it's still perfect, leave it in
- 1:47:03Speaker 7: your house.
- 1:47:04Speaker 3: But he walks and he gets all the problem.
- 1:47:09Speaker 8: Man, so, it's a lasagna.
- 1:47:11Speaker 7: The car's engine was automatic, it was changed, it has
- 1:47:14Speaker 7: a short shift, the car is all moved.
- 1:47:15Speaker 2: So, once or twice, you have to take a look.
- 1:47:18Speaker 7: Because of the pressure on the engine being bigger, you
- 1:47:20Speaker 7: need to see if the armrests are all holding, because
- 1:47:22Speaker 7: sometimes it pinches the little eye.
- 1:47:24Speaker 8: But it's not a car that will leave you in.
- 1:47:25Speaker 2: The hand, no.
- 1:47:26Speaker 8: If it's right, it will walk quietly.
- 1:47:28Speaker 7: It's low, you can't walk anywhere. This is a peak
- 1:47:31Speaker 7: that you have to think about.
- 1:47:32Speaker 8: Because São Paulo doesn't have a ladder, there's a valet,
- 1:47:35Speaker 8: there's a hole.
- 1:47:35Speaker 2: Yeah, I sold a low car that I had because
- 1:47:37Speaker 2: of that. So, this is one of the things that.
- 1:47:41Speaker 7: This is one of the things that, like, there in
- 1:47:43Speaker 7: Taubaté is foda. To get out of where I live,
- 1:47:45Speaker 7: you have to go to a place that sometimes rips.
- 1:47:48Speaker 8: And then these things gave me a bruise.
- 1:47:49Speaker 7: And now in the simulator, I sell the Civic, build
- 1:47:52Speaker 7: the simulator and more.
- 1:47:53Speaker 3: Do you have photos of the Civic there?
- 1:47:55Speaker 7: I have all that you need.
- 1:47:57Speaker 3: Updated?
- 1:47:57Speaker 7: Updated.
- 1:47:58Speaker 2: Banking, comma. Only this year. Solar ceiling working.
- 1:48:01Speaker 3: This bank there, when I saw it, I said, look,
- 1:48:03Speaker 3: only this son of a bitch has this. It's good,
- 1:48:05Speaker 3: I like it.
- 1:48:06Speaker 7: And his old owner is a guy who liked it
- 1:48:08Speaker 7: a lot, restored the car, spent a lot of money
- 1:48:10Speaker 7: on the.
- 1:48:10Speaker 2: Car, left it cool.
- 1:48:11Speaker 5: And the current owner?
- 1:48:11Speaker 7: And the current owner is leaving it in the garage, man.
- 1:48:14Speaker 7: He needs to be with someone who wants to.
- 1:48:16Speaker 5: Who will give it a go, right?
- 1:48:17Speaker 2: Who will give it a go. But it's a fucking car,
- 1:48:19Speaker 2: you know?
- 1:48:35Speaker 3: Then you just tell me the price and.
- 1:48:37Speaker 2: I'll let you see the pictures.
- 1:48:39Speaker 5: Barbeiro, the document is right, there's no B.O.
- 1:48:43Speaker 6: 95.
- 1:48:43Speaker 8: EJ1 motor D16, for those who like it.
- 1:48:44Speaker 2: Best console of all time.
- 1:48:47Speaker 8: Dreamcast, I don't hesitate to answer.
- 1:48:48Speaker 7: Dreamcast.
- 1:48:48Speaker 2: Dreamcast.
- 1:48:49Speaker 8: I didn't have Dreamcast.
- 1:48:50Speaker 2: Maybe because of nostalgia.
- 1:48:51Speaker 3: I didn't have it, man. I always wanted to have
- 1:48:53Speaker 3: this video game.
- 1:48:54Speaker 2: This video game was from Calado, man. The video game
- 1:48:57Speaker 2: that I played, that impressed me the most, of evolution,
- 1:49:00Speaker 2: was Play 2, man. Play 2 for me too, but
- 1:49:02Speaker 2: I remember that I didn't play the game at all.
- 1:49:05Speaker 2: Nintendo 64, with analogs, with colorful controls.
- 1:49:08Speaker 7: Giant, I didn't even fit my hand in the controller
- 1:49:11Speaker 7: at the time.
- 1:49:11Speaker 2: Playing GoldenEye with four friends, I didn't see anything on
- 1:49:14Speaker 2: TV and I killed it.
- 1:49:15Speaker 3: But it was a lot of Playboy and Nintendo 64.
- 1:49:17Speaker 6: It was.
- 1:49:17Speaker 7: You were Playboy then, right?
- 1:49:19Speaker 2: It was from my brother, actually.
- 1:49:21Speaker 5: But I remember my brother using my father for two
- 1:49:23Speaker 5: years to win this shit.
- 1:49:24Speaker 6: So.
- 1:49:25Speaker 2: My mom took the Nintendo 64 from my aunt. She
- 1:49:27Speaker 2: took it out of the cart and didn't pay.
- 1:49:29Speaker 3: How much was the 64? 90 and something. I have
- 1:49:30Speaker 3: no idea, man.
- 1:49:31Speaker 8: I don't even know how much it was. I'm going
- 1:49:33Speaker 8: to guess. How much was it?
- 1:49:34Speaker 2: 200 reais. 90 and something, right? I think it was 500.
- 1:49:38Speaker 2: 90 and something.
- 1:49:39Speaker 3: No, it wasn't 500.
- 1:49:40Speaker 7: No, I think the minimum wage at that time was 280.
- 1:49:42Speaker 2: I remember.
- 1:49:43Speaker 6: What?
- 1:49:43Speaker 2: 600 and I don't know what the Play 2 was
- 1:49:44Speaker 2: at the time. The Nintendo 64 cost 200 dollars in
- 1:49:46Speaker 2: the United States.
- 1:49:47Speaker 8: Man, it was expensive.
- 1:49:55Speaker 5: Between R $ 640 and R $ 700 in Brazil.
- 1:49:56Speaker 2: Damn, it was expensive. The T-Cast was R $ 200. It
- 1:49:58Speaker 2: was a lot of boy, man.
- 1:49:58Speaker 3: I'm 36, so I saw the little kids, I just
- 1:50:00Speaker 3: kept looking.
- 1:50:01Speaker 2: I remember that we bought from a Japanese.
- 1:50:02Speaker 3: The game was all Japanese. The legends, the things, everything. Yeah,
- 1:50:05Speaker 3: all Japanese.
- 1:50:06Speaker 2: No, so it was a boy's video game.
- 1:50:07Speaker 5: Play 2, I think, is the most.
- 1:50:17Speaker 2: Man, the minimum wage in 96 was 112 reais. Look
- 1:50:20Speaker 2: at that. It was 7 times, practically, 6, 7 times.
- 1:50:24Speaker 2: That's why the dollar at that time was 1 for 1. Yeah.
- 1:50:26Speaker 3: Fuck, imagine the minimum wage.
- 1:50:29Speaker 7: Ah, the real plan happening there at the beginning.
- 1:50:31Speaker 2: Yeah, yeah.
- 1:50:32Speaker 3: But he released it in 94, right?
- 1:50:34Speaker 2: The Play 2, the 64. It could have been, and
- 1:50:39Speaker 2: you came to Brazil in 1996, I don't know. I
- 1:50:40Speaker 2: didn't win when I left, no. My brother won, I
- 1:50:43Speaker 2: think we won, I don't know, five years ago. Yeah,
- 1:50:45Speaker 2: I played football in 1998 and 2009.
- 1:50:47Speaker 5: Yeah, that's right. And I started playing 64 on the
- 1:50:49Speaker 5: locker room. I was going to play that free fight
- 1:50:55Speaker 5: that you could take.
- 1:50:56Speaker 2: The chair from the wall. I played in the locker room.
- 1:50:59Speaker 2: The locker rooms were a very cool place. It was
- 1:51:02Speaker 2: very cool. It changed my character, bro. It changed my character.
- 1:51:05Speaker 7: Lan House, CS, FIFA, I played in the Win Eleven
- 1:51:08Speaker 7: championship at the time.
- 1:51:09Speaker 2: Yes, very good, bro.
- 1:51:10Speaker 8: I remember when the locker room I used to go
- 1:51:12Speaker 8: to launched.
- 1:51:12Speaker 5: The Nintendo Wii.
- 1:51:16Speaker 2: Wow.
- 1:51:17Speaker 3: Did the guys play?
- 1:51:19Speaker 2: Oh, I already had... Imagine in Osasco, the thing arrived
- 1:51:22Speaker 2: and the video game responds by movement. My God.
- 1:51:24Speaker 5: And the time is.
- 1:51:27Speaker 2: R $ 2. The time is R $ 2. The time is
- 1:51:28Speaker 2: R $ 2. No, I got in the house that the
- 1:51:30Speaker 2: time was R $ 1.
- 1:51:31Speaker 3: Played GTA.
- 1:51:33Speaker 2: And my cousin played Perfect World. I remember. In the
- 1:51:37Speaker 2: LAN house, if you didn't play CS, the guys would
- 1:51:39Speaker 2: slap you. But the GTA divided the LAN house at
- 1:51:41Speaker 2: the time.
- 1:51:41Speaker 7: There were people from GTA and people from CS. If
- 1:51:43Speaker 7: you wanted to play.
- 1:51:44Speaker 2: GTA, you would get slapped.
- 1:51:45Speaker 7: I remember the codes of GTA San Andreas until today,
- 1:51:47Speaker 7: from the beginning, man, from PC.
- 1:51:49Speaker 3: What were they?
- 1:51:49Speaker 7: Rezoin, Colette Arma, Jump Jet, you took the backpack, the
- 1:51:55Speaker 7: little thing.
- 1:51:55Speaker 2: Jetpack? Yeah.
- 1:51:56Speaker 7: Panzer, it was the war tank. Bago Vix, it was...
- 1:51:59Speaker 7: It recovered your whole life.
- 1:52:01Speaker 2: Wow. Remember Bago Vix? I remember some.
- 1:52:06Speaker 5: I remember Rosebud, it was from The Sims.
- 1:52:07Speaker 2: It was R $ 1, 000.
- 1:52:08Speaker 5: I didn't have a lot of The Sims, man. I
- 1:52:09Speaker 5: didn't have a lot.
- 1:52:11Speaker 8: I had to make houses, you know?
- 1:52:12Speaker 4: My job was to fill up the money, expand the
- 1:52:14Speaker 4: maximum and make a lot of.
- 1:52:16Speaker 3: Houses, man.
- 1:52:16Speaker 4: Do you need to criticize me, man? I used to
- 1:52:22Speaker 4: play Stardoll with my sister, you know? I don't know
- 1:52:25Speaker 4: what Stardoll is, but the name.
- 1:52:32Speaker 3: Sardom, right?
- 1:52:33Speaker 2: Sardom.
- 1:52:33Speaker 5: I chose the outfit, I chose the makeup.
- 1:52:36Speaker 3: From a doll? Yeah, like from a doll.
- 1:52:38Speaker 2: It was that, right? We lost a lot of money there.
- 1:52:41Speaker 2: You were good?
- 1:52:42Speaker 3: Ah, I liked it, man.
- 1:52:44Speaker 5: It's that there's no way to be good.
- 1:52:46Speaker 8: It's that there's no way to be good. You go
- 1:52:47Speaker 8: for the pink outfit.
- 1:52:48Speaker 5: Yeah, you choose, you personalize.
- 1:52:50Speaker 3: You have to be good and make a look, right?
- 1:52:51Speaker 5: Ah, I was already close.
- 1:52:53Speaker 7: So.
- 1:52:53Speaker 2: You have to have the style to.
- 1:52:56Speaker 5: Flipperamas, I used to play a lot of L-Foot, Champions
- 1:53:00Speaker 5: League Manager, Football Manager.
- 1:53:01Speaker 7: Tony Hawks changed my musical taste too, he helped me
- 1:53:04Speaker 7: a lot.
- 1:53:04Speaker 8: Tony Hawks had.
- 1:53:06Speaker 5: A lot of rock, right?
- 1:53:07Speaker 10: He had.
- 1:53:07Speaker 5: Linkin Park.
- 1:53:08Speaker 7: The Pro Skater 2 in particular, I remember, damn, the
- 1:53:11Speaker 7: soundtrack is impeccable, it's very hardcore.
- 1:53:14Speaker 2: Bad Religion.
- 1:53:15Speaker 4: At that time you would take the CD and put
- 1:53:16Speaker 4: it on the CD to listen to music, it would
- 1:53:19Speaker 4: roll the same way.
- 1:53:20Speaker 2: It would roll.
- 1:53:21Speaker 3: Yeah, so it was very cool.
- 1:53:21Speaker 2: I listened to the song on the video game. And
- 1:53:23Speaker 2: the songs from Need for Speed, damn. I also listened
- 1:53:25Speaker 2: to the song on the Play 2. Man, the Play 2,
- 1:53:28Speaker 2: when I told my mom, I said, mom, please, video game,
- 1:53:30Speaker 2: this and that. Ah, but Igor, I said, mom, the
- 1:53:32Speaker 2: video game, watch DVD, play music, and I still play
- 1:53:35Speaker 2: my video game.
- 1:53:36Speaker 5: Look.
- 1:53:38Speaker 3: That's what guaranteed several mothers and fathers to buy.
- 1:53:40Speaker 5: Man, because we were.
- 1:53:42Speaker 2: The video game was used a lot at home, the
- 1:53:44Speaker 2: Playstation 2, you know? When I wasn't playing, my dad
- 1:53:46Speaker 2: would always be very enthusiastic about piracy, right, bro?
- 1:53:49Speaker 5: So I would come home and.
- 1:53:50Speaker 2: Oh, it's the Elite Squad! So I would play it
- 1:53:52Speaker 2: on the Playstation and watch it. So imagine watching a
- 1:53:54Speaker 2: pirate Elite Squad, recorded from inside the cinema, on the
- 1:53:57Speaker 2: Playstation 2, unlocked, bro.
- 1:53:58Speaker 5: There I would use it.
- 1:53:59Speaker 2: Wonderful.
- 1:53:59Speaker 5: And when you didn't get it.
- 1:54:00Speaker 7: You would turn it upside down, and then he would
- 1:54:03Speaker 7: get it.
- 1:54:03Speaker 8: You didn't have that?
- 1:54:04Speaker 5: Yeah, if you weren't looking at the TV.
- 1:54:06Speaker 8: You can't look at the TV depending on it.
- 1:54:07Speaker 2: It's true.
- 1:54:08Speaker 3: You have to hope for the little noise.
- 1:54:12Speaker 8: Or good moments, but let's talk about it.
- 1:54:14Speaker 2: The game was 5 points, right? and I was naughty,
- 1:54:17Speaker 2: I would go to the bench and say, damn, I
- 1:54:18Speaker 2: didn't get it but I had already copied the game
- 1:54:21Speaker 2: and the game was difficult.
- 1:54:22Speaker 7: I'm playing the old emulators now I was playing Metal Gear,
- 1:54:25Speaker 7: the thing is difficult Mario World is difficult it's difficult
- 1:54:27Speaker 7: but like this, a lot of these things stay in
- 1:54:28Speaker 7: nostalgia when we play it again and revisit it, it's
- 1:54:30Speaker 7: not so good.
- 1:54:31Speaker 2: It's foda.
- 1:54:41Speaker 8: At least for me it was cool.
- 1:54:42Speaker 2: Which one wasn't so cool?
- 1:54:43Speaker 8: No, like, it was, but I didn't... It's not the
- 1:54:44Speaker 8: same thing.
- 1:54:44Speaker 3: It's not the same thing.
- 1:54:45Speaker 2: I went to see Dragon Ball Z these days. Then
- 1:54:47Speaker 2: I said... It's not possible. Ah, the rhythm is too slow.
- 1:54:50Speaker 4: But you went to watch which Dragon Ball, clown?
- 1:54:54Speaker 2: The Z.
- 1:54:54Speaker 4: The Z.
- 1:54:54Speaker 2: Since when he falls from the planet, he still has
- 1:54:58Speaker 2: his tail. That's what I watched the most. Then I
- 1:55:00Speaker 2: went to see the rhythm, I said, damn, but it
- 1:55:02Speaker 2: takes eight episodes for this to happen.
- 1:55:04Speaker 3: He ate rice.
- 1:55:05Speaker 2: Yeah, man.
- 1:55:06Speaker 3: It's hard.
- 1:55:07Speaker 2: It's slow. Are you from the anime? Not much.
- 1:55:09Speaker 3: Only Pokémon, only.
- 1:55:11Speaker 2: But first season.
- 1:55:12Speaker 5: I also didn't... When it started to have Pokémon Watch,
- 1:55:15Speaker 5: I stopped.
- 1:55:15Speaker 2: Is it serious that there are Pokémon like that now?
- 1:55:19Speaker 2: Nowadays there must be. Don't do that, man.
- 1:55:21Speaker 8: Don't mess with the thing.
- 1:55:23Speaker 2: I never introduced it. I tried.
- 1:55:24Speaker 5: The thing is Dragon Ball Z.
- 1:55:25Speaker 3: It's the same, man.
- 1:55:28Speaker 7: I've never watched Naruto. Me neither.
- 1:55:29Speaker 5: I've never watched One Piece.
- 1:55:30Speaker 3: I've never watched One Piece.
- 1:55:32Speaker 2: Man, I watched Death Note.
- 1:55:32Speaker 5: I watched Cavaliers of Zodiac because my brother liked it.
- 1:55:35Speaker 2: Cavaliers of Zodiac. Ah, but I watched it on TV.
- 1:55:36Speaker 7: I watched it on TV.
- 1:55:37Speaker 2: Super Champions, I watched it on TV. I watched it.
- 1:55:39Speaker 2: That Futurama.
- 1:55:40Speaker 8: The whole culture, man.
- 1:55:41Speaker 2: I watched everything that happened in the culture. Little is
- 1:55:45Speaker 2: said about the service that the culture did to children
- 1:55:48Speaker 2: in Brazil, right, man?
- 1:55:49Speaker 5: The Hotimbum, X-Tudo.
- 1:55:50Speaker 2: The Rat Music.
- 1:55:50Speaker 5: The first magic I learned was in X-Tudo.
- 1:55:53Speaker 2: There was a guy who taught me magic in X-Studio,
- 1:55:56Speaker 2: a little magic with a straw and stuff. That's where
- 1:55:58Speaker 2: I learned. Man, Hatimbu... There was culture, the drawings were
- 1:56:03Speaker 2: very cool. Caillou.
- 1:56:03Speaker 5: Caillou, little bear. Brother bear. Seven little monsters.
- 1:56:07Speaker 2: Wow, seven little monsters, man. Pikidikidu. Or Chao Carneiro, remember this?
- 1:56:12Speaker 2: Chao Carneiro, fuck, obviously I remember. What were those three
- 1:56:15Speaker 2: twins there?
- 1:56:16Speaker 5: Three twins?
- 1:56:16Speaker 3: Dudu and Edu. No.
- 1:56:18Speaker 2: No, but that's not culture.
- 1:56:19Speaker 5: But it was good to talk about. The three twins. Ah,
- 1:56:21Speaker 5: but it's not culture.
- 1:56:22Speaker 2: But it was culture, right?
- 1:56:23Speaker 5: It was in SBT.
- 1:56:25Speaker 2: Family I don't know what there. Okay, I don't remember,
- 1:56:27Speaker 2: but it's also... Fantastic World of Bob.
- 1:56:30Speaker 5: Wow. He's even tattooed.
- 1:56:31Speaker 2: Fantastic World of Bob.
- 1:56:32Speaker 3: Here, look.
- 1:56:33Speaker 2: It was good, man.
- 1:56:34Speaker 8: It was missing from school.
- 1:56:36Speaker 5: I had to watch it.
- 1:56:37Speaker 2: I had an educational song, Dona da Vianina, De Onde Vem.
- 1:56:40Speaker 2: I was like, man, where did it come from?
- 1:56:41Speaker 6: Cocoricó.
- 1:56:41Speaker 2: Cocoricó was awesome.
- 1:56:42Speaker 3: Cocoricó. The songs of Cocoricó.
- 1:56:44Speaker 2: How old are you, Zé?
- 1:56:45Speaker 6: 31.
- 1:56:45Speaker 2: I'm old, man. No, you're not.
- 1:56:46Speaker 3: Man, you don't look like it.
- 1:56:48Speaker 2: You don't look like it.
- 1:56:50Speaker 3: What is this? How many do you.
- 1:56:51Speaker 7: Think I have?
- 1:56:52Speaker 3: In moral?
- 1:56:53Speaker 5: Ah, I was going to say about 28.
- 1:56:54Speaker 2: And do the smoke, I'm kidding.
- 1:56:57Speaker 5: What about you, Barbera?
- 1:56:58Speaker 6: 37.
- 1:56:58Speaker 2: It's good.
- 1:56:58Speaker 5: It's smooth too, man.
- 1:56:59Speaker 2: It's smooth, it's smooth. Rolling with the muncher tire, but
- 1:57:01Speaker 2: it's good.
- 1:57:02Speaker 3: How old are you?
- 1:57:03Speaker 2: 30. Are we staying? Did it hit differently for you
- 1:57:08Speaker 2: to do 30? For me it hit, bro. It hit.
- 1:57:09Speaker 8: It gave me a strange thing, bro.
- 1:57:11Speaker 5: It hit because the 30, he said like this, adult, man.
- 1:57:14Speaker 7: Yeah, and I'm not an adult, bro.
- 1:57:16Speaker 2: Go adult, man.
- 1:57:17Speaker 8: I'm the same child, it seems.
- 1:57:18Speaker 5: Like, I can't stay fiddling, rambling, using.
- 1:57:21Speaker 2: A lot of money, right?
- 1:57:21Speaker 3: Making a kid, making some kids.
- 1:57:23Speaker 7: But it's also nice, people say it's nice because you
- 1:57:25Speaker 7: start to appreciate the other side of life.
- 1:57:28Speaker 2: So, but depending on what you're talking about, people come
- 1:57:31Speaker 2: and say, how many years do you have?
- 1:57:33Speaker 7: Then you say, the thing I'm doing now, do you
- 1:57:34Speaker 7: want me to answer? In a younger kid's wheel, these
- 1:57:36Speaker 7: guys are 22, we talk about the refs and they
- 1:57:39Speaker 7: don't get it.
- 1:57:40Speaker 2: It's fucked.
- 1:57:41Speaker 5: But I feel like I'm much better at 30 than
- 1:57:43Speaker 5: at 20.
- 1:57:43Speaker 7: Me too, without a shadow of a doubt. At 20
- 1:57:46Speaker 7: I was fucked in the head, fucked with money.
- 1:57:48Speaker 2: Wow.
- 1:57:49Speaker 5: And now you're talking about the head.
- 1:57:50Speaker 3: Now you're talking about the head.
- 1:57:52Speaker 2: Fucked in the head.
- 1:57:52Speaker 8: No, I'm fine in the head, a little fucked with
- 1:57:54Speaker 8: money too, again.
- 1:57:55Speaker 3: But are you doing some therapy? Are you taking care
- 1:57:57Speaker 3: of it? It's good, right?
- 1:57:58Speaker 7: Yeah. Man, and now that I've played myself in music,
- 1:58:01Speaker 7: I'm feeling, I don't know, it seems like a void
- 1:58:05Speaker 7: that the internet has never filled, now I feel like
- 1:58:07Speaker 7: it's being filled.
- 1:58:07Speaker 2: And then I'm living the music again, I'm playing.
- 1:58:00Speaker 7: Mano.
- 1:58:30Speaker 7: I feel like we're living a dream, because the ballet
- 1:58:33Speaker 7: is really cool, we laugh when we record it, A
- 1:58:35Speaker 7: gente se diverte, a gente é amigo de fato. Igual
- 1:58:38Speaker 7: vocês são amigos, vocês estão fazendo o bagulho. Não teria
- 1:58:39Speaker 7: como fazer se vocês não se aguentassem mais.
- 1:58:41Speaker 2: Não, mano.
- 1:58:42Speaker 7: E a gente briga, mano. Eu tenho certeza que vocês
- 1:58:44Speaker 7: já brigaram.
- 1:58:45Speaker 2: Também a gente briga.
- 1:58:46Speaker 7: Não, galera, a gente já brigou.
- 1:58:47Speaker 5: Ah, mas acho que vocês estão... Mas assim.
- 1:58:49Speaker 7: A gente troca ideia e sai mais amigo. E sai
- 1:58:52Speaker 7: mais amigo ainda, tá ligado?
- 1:58:53Speaker 2: Ah, então essas brigas são boas.
- 1:58:54Speaker 7: E não é uma briga de eu não gosto do
- 1:58:56Speaker 7: que você falou. É mais um bagulho, às vezes, de.
- 1:58:58Speaker 2: Discordei de você.
- 1:58:59Speaker 7: Discordei de você, exato. E, mano, é muito legal porque
- 1:59:03Speaker 7: a gente... It became a gang, you know? Not just
- 1:59:06Speaker 7: the three of us in the front, but all the
- 1:59:07Speaker 7: people behind us. It's always the same people from the
- 1:59:09Speaker 7: beginning who are doing things with us. And it's really cool,
- 1:59:12Speaker 7: because the world is infinite of things that we can
- 1:59:15Speaker 7: still record in this format that we do. So we
- 1:59:18Speaker 7: just want to do more, go back to the old
- 1:59:20Speaker 7: way now. And there will be.
- 1:59:22Speaker 8: A new video of the road in Rock in Rio.
- 1:59:24Speaker 7: I already gave a spoiler, I don't know if I could.
- 1:59:26Speaker 5: You talked about the show in São Paulo, but you
- 1:59:27Speaker 5: didn't talk about.
- 1:59:28Speaker 2: How people buy it. Oh, guys, that's my friend.
- 1:59:32Speaker 5: Carioca Club.
- 1:59:33Speaker 7: On my social media, all the necessary information will come out.
- 1:59:37Speaker 7: You can buy online, everything is fine. On the 30th?
- 1:59:40Speaker 7: On the 30th of October, it's a Friday at Carioca Club,
- 1:59:43Speaker 7: which is located in Pinheiros. Cordeal do Marco Verde, something
- 1:59:48Speaker 7: like that.
- 1:59:48Speaker 2: Cordeal Arco Verde. Yeah, that's it.
- 1:59:52Speaker 7: And then it's going to be awesome, man. It's going
- 1:59:54Speaker 7: to be a big show.
- 1:59:55Speaker 2: There will be friends. I almost got there.
- 1:59:57Speaker 4: Yes, yes.
- 1:59:58Speaker 2: Codial, right? Let me understand. Let's stick it there, damn it. No,
- 2:00:04Speaker 2: you're going to stick it, right?
- 2:00:06Speaker 3: A lot of music, a lot of joy.
- 2:00:07Speaker 8: A lot of music. My friend DJ Luqueira is going
- 2:00:09Speaker 8: to be opening.
- 2:00:10Speaker 2: Nice. Then we're going to play. Luqueira is a monster, dude.
- 2:00:12Speaker 2: Luqueira is a monster.
- 2:00:12Speaker 7: But then in the end he won't play. It's going
- 2:00:14Speaker 7: to be the DJ because he's going to enjoy it
- 2:00:15Speaker 7: with us, you know?
- 2:00:15Speaker 2: Ah, yes.
- 2:00:16Speaker 7: And then we're going to stay there to enjoy. And
- 2:00:18Speaker 7: after the show, the show starts.
- 2:00:20Speaker 2: Isn't it?
- 2:00:21Speaker 5: And there, the Mythic is close, you'll be able to
- 2:00:23Speaker 5: kiss his mouth there.
- 2:00:24Speaker 7: You will, you'll be able to kiss his mouth. He
- 2:00:26Speaker 7: goes up on stage and arranges it on time.
- 2:00:28Speaker 3: If you need it. Wow, what is this? I wanted
- 2:00:30Speaker 3: to know that.
- 2:00:31Speaker 5: So, it's good, thank you. So, you'll go up on
- 2:00:33Speaker 5: stage on October 30th.
- 2:00:35Speaker 2: So, girls who want to kiss the Mythic, listen to Alcino.
- 2:00:39Speaker 2: And listen to Didi Luqueira. This is the day for you.
- 2:00:41Speaker 3: This is the day.
- 2:00:42Speaker 8: And Alcino became the name of the album.
- 2:00:44Speaker 2: Put faith.
- 2:00:45Speaker 3: What a beautiful name, damn it!
- 2:00:47Speaker 7: Man, but it's a redemption thing for me, because I
- 2:00:49Speaker 7: always hated Alcino, man. I wanted to change the name, man.
- 2:00:52Speaker 2: Look, I'm not talking about here, calling you Alcino, no.
- 2:00:54Speaker 2: I know, no, no, no.
- 2:00:55Speaker 8: Nowadays, it's reversed.
- 2:00:56Speaker 7: All my friends, most of them, when they don't call
- 2:00:59Speaker 7: me Zero, call me Alcino. And the name of my
- 2:01:01Speaker 7: album turned into this, even for me to test a
- 2:01:03Speaker 7: thing that I have, that when you get a bad name,
- 2:01:05Speaker 7: because I don't think Alcino is legal, in fact. But
- 2:01:07Speaker 7: when you get a bad name and it attracts something legal,
- 2:01:10Speaker 7: if you repeat this many times, I think it can.
- 2:01:12Speaker 2: Become a legal name.
- 2:01:13Speaker 5: But what would be a legal name, Vai Zero? Ah,
- 2:01:15Speaker 5: I don't know.
- 2:01:16Speaker 8: I think the neighbor's gram is greener.
- 2:01:18Speaker 2: It's not, man.
- 2:01:18Speaker 5: Alcino is your name.
- 2:01:19Speaker 8: I know, but the trauma I had when I was
- 2:01:21Speaker 8: a kid was crazy.
- 2:01:22Speaker 2: I got it.
- 2:01:23Speaker 5: But today, a 30-year-old guy, you said it was different, right?
- 2:01:25Speaker 2: Alcino Junior.
- 2:01:27Speaker 7: Alcino is f * * * ed.
- 2:01:28Speaker 2: It's us.
- 2:01:28Speaker 5: Because Alcino is you. It's me. Like, do you have Junior?
- 2:01:32Speaker 2: Tiago, like... My dad is Alcino's dad.
- 2:01:33Speaker 7: You kick a stone, there are 14 Tiago.
- 2:01:36Speaker 8: Alcino, at most, will find me.
- 2:01:38Speaker 3: No, and Alcino Junior is f * * * ed.
- 2:01:39Speaker 3: Alcino Junior.
- 2:01:40Speaker 8: My name is composed, I discovered. Alcino Francisco.
- 2:01:43Speaker 5: You discovered it live, right?
- 2:01:44Speaker 2: I discovered it live.
- 2:01:45Speaker 5: But how did you discover it? How did you discover.
- 2:01:47Speaker 3: The name live?
- 2:01:48Speaker 7: Man, calm down.
- 2:01:49Speaker 2: João Guilherme.
- 2:01:50Speaker 8: My name is João Guilherme, call me João. My name
- 2:01:52Speaker 8: is Alcino Francisco de Gouveia Jr.
- 2:01:54Speaker 7: And then in school it was Alcino, in my neighborhood
- 2:01:56Speaker 7: it was Juninho, because I didn't like Alcino. And then
- 2:01:59Speaker 7: I discovered that Alcino Francisco is like João Guilherme, Alcino Francisco.
- 2:02:03Speaker 2: And I discovered that.
- 2:02:04Speaker 5: He thought it was a nickname.
- 2:02:05Speaker 2: It's been a year since I discovered this thing. It's
- 2:02:06Speaker 2: going to be fucked.
- 2:02:07Speaker 3: Nice name, nice name.
- 2:02:09Speaker 2: It's two times.
- 2:02:10Speaker 8: And we already have friends who call him Chico because
- 2:02:12Speaker 8: of Francisco.
- 2:02:13Speaker 2: Chiquinho is good. Chiquinho is good, man.
- 2:02:14Speaker 3: Oh, but what are you.
- 2:02:16Speaker 5: This I was going to ask.
- 2:02:17Speaker 2: Ah, it's true, right? Wow, there's more magic.
- 2:02:19Speaker 3: With this envelope 2 here.
- 2:02:20Speaker 2: This is a thing, a pira, that on this trip
- 2:02:24Speaker 2: that I went to Las Vegas, I met some magicians
- 2:02:27Speaker 2: and such, and the guys gave me a book. And
- 2:02:31Speaker 2: it's a crazy book. You'll understand why. But to make sense,
- 2:02:35Speaker 2: take everyone's cell phone, Open it on the calculator. There
- 2:02:38Speaker 2: it goes. This disgrace. Open it on the calculator. If
- 2:02:41Speaker 2: you're there and want to open the calculator too, if
- 2:02:44Speaker 2: you're at home, you can check it out. I'm on
- 2:02:45Speaker 2: the calculator.
- 2:02:46Speaker 6: Zero, right?
- 2:02:46Speaker 5: Let it zero.
- 2:02:47Speaker 2: Zero. Zero, zero. Mítico, close your eyes and type a
- 2:02:52Speaker 2: number of three or four digits without seeing it. Why?
- 2:02:56Speaker 2: If I tell Mítico, say a number, we'll see what's combined.
- 2:02:59Speaker 5: So, without seeing it, you can look now.
- 2:03:02Speaker 4: What number did it give?
- 2:03:04Speaker 2: 2,131. So, put it all.
- 2:03:04Speaker 5: 2,131.
- 2:03:06Speaker 2: E trinta e um.
- 2:03:07Speaker 5: Dois um três um.
- 2:03:08Speaker 2: Dois um três um. Tá?
- 2:03:09Speaker 6: Aham.
- 2:03:11Speaker 2: Igão.
- 2:03:14Speaker 5: Faz a mesma coisa aí.
- 2:03:15Speaker 2: Sei lá. Fecha os olhos e digita o número de
- 2:03:17Speaker 2: três dígitos. Foi? Mano.
- 2:03:22Speaker 5: Você apagou o bagulho.
- 2:03:25Speaker 2: Não, eu posso apagar um porque eu digitei três dígitos
- 2:03:28Speaker 2: e a porcentagem, se você quiser. Pode ser, pode ser.
- 2:03:31Speaker 2: Eu digitei um oito cinco. Ficou dois... Um oito cinco.
- 2:03:35Speaker 5: Ficou dois... 1, 3.
- 2:03:37Speaker 2: 1... Ah, I forgot to say to put more.
- 2:03:39Speaker 5: Ah, I'm sorry, I'm sorry.
- 2:03:41Speaker 2: So it's 2, 1, 3, 1, plus... What number did
- 2:03:44Speaker 2: you type? Plus 85, as 1 was... 85? And I
- 2:03:46Speaker 2: do it here too? It can be.
- 2:03:48Speaker 5: Yeah, everyone does 2, 1, 3, 1, plus 85.
- 2:03:50Speaker 2: Yeah, because the other was the percentage and I deleted
- 2:03:53Speaker 2: it so I wouldn't count.
- 2:03:54Speaker 5: Mitiqueira, deliver the book to zero. And the zero, you'll
- 2:03:58Speaker 5: keep the book in your hand. And to leave, put equal,
- 2:04:02Speaker 5: let's see how much it gives, just to see if
- 2:04:03Speaker 5: everyone is equal. 2, 2, 16. Zero, now you're going
- 2:04:05Speaker 5: to type without seeing.
- 2:04:06Speaker 2: Do it like this with your finger, holding the book
- 2:04:09Speaker 2: in one hand.
- 2:04:10Speaker 5: Let me see if you can leave it there. Okay,
- 2:04:12Speaker 5: hold it in one hand. And here you're going to type.
- 2:04:14Speaker 2: 3 or 4. I'm going to close my eye here.
- 2:04:16Speaker 5: Guide me here to get there.
- 2:04:18Speaker 6: There.
- 2:04:18Speaker 2: Okay? Was it 4? 4, it was 4.
- 2:04:19Speaker 6: Okay.
- 2:04:19Speaker 2: Can I open my eye? You can. Check here? You did...
- 2:04:31Speaker 2: I put more, right? So 2, 2, 1, 6, plus 5, 6, 7, 5, right? 5, 6, 7, 5.
- 2:04:34Speaker 2: So everyone puts plus.
- 2:04:35Speaker 5: 5, 6, 7, 5. 5, 6, 7, 5 is the
- 2:04:36Speaker 5: end of the phone, huh?
- 2:04:37Speaker 6: Plus.
- 2:04:37Speaker 2: It is. 5, 6, 7, 5. Say it again, Numa.
- 2:04:38Speaker 5: Plus 5, 6, 7, 5. 5, 6, 7, 5. How
- 2:04:39Speaker 5: much did it give?
- 2:04:39Speaker 2: Put equal.
- 2:04:40Speaker 3: 7,891. 7,891.
- 2:04:40Speaker 2: I swear to God, baby. That's it, man. Crazy.
- 2:04:44Speaker 5: Fuck. Open the book.
- 2:04:45Speaker 2: Open the package.
- 2:04:59Speaker 5: This book is a book of... It's a book of
- 2:05:03Speaker 5: the number pi. Do you know the number pi?
- 2:05:05Speaker 2: 1,23... 3,14... 2,3... 3,14... Yeah, 14. This book, it has...
- 2:05:08Speaker 2: It has... After 14... It has all the numbers, because
- 2:05:17Speaker 2: pi doesn't fit in 14, it's 14... It's a decimal, right?
- 2:05:20Speaker 2: It has all the 50,000 numbers that follow pi, because
- 2:05:23Speaker 2: pi is almost infinite, right? If I'm not mistaken, maybe...
- 2:05:27Speaker 2: I think it's infinite. It has 50,000 numbers after pi
- 2:05:29Speaker 2: in this book. Can I get the book?
- 2:05:33Speaker 5: You can get the book.
- 2:05:34Speaker 2: You can check it. Show it to me.
- 2:05:36Speaker 6: Guys.
- 2:05:37Speaker 3: Os números, porra.
- 2:05:39Speaker 2: De 50 mil decimal place.
- 2:05:40Speaker 7: Ou seja, do pi para 50 mil em casas decimais.
- 2:05:44Speaker 2: Eu acho que é a tradução. Mostra dentro.
- 2:05:46Speaker 5: Dentro dele é só número.
- 2:05:47Speaker 2: É só número. Ah, tá. É só número. É só número.
- 2:05:52Speaker 5: E dentro desse livro, com certeza, tem o número.
- 2:05:55Speaker 2: 7.891.
- 2:05:55Speaker 5: Procura aí.
- 2:05:56Speaker 2: Ah, mano. Here's an easier way to find out.
- 2:06:03Speaker 8: Yeah, that's what I was going to say.
- 2:06:05Speaker 2: If there's a way.
- 2:06:07Speaker 8: Because here it takes time.
- 2:06:07Speaker 2: There was another prediction I made of Tevez. Remember?
- 2:06:13Speaker 3: I swear to God, bro.
- 2:06:14Speaker 2: 98 the number, I still remember. It's here, look. The position,
- 2:06:16Speaker 2: it's here.
- 2:06:16Speaker 6: Here, look.
- 2:06:17Speaker 2: If you turn it.
- 2:06:19Speaker 5: Upside down, Tevez forms the number 22, 12, 7.
- 2:06:29Speaker 2: I talked about this with him now. But 22, 12,
- 2:06:32Speaker 2: 7 is not the number. 7, how is it? 7, 8, 9, 1. 7, 8, 9, 1.
- 2:06:33Speaker 5: Here it is 2, 2, 1, 2, 7. Open page 22.
- 2:06:35Speaker 6: Man.
- 2:06:35Speaker 2: Page 22.
- 2:06:36Speaker 5: Count 12 lines, go to line 12.
- 2:06:37Speaker 2: Here, guys, I'm counting, look. 1, 2, 3, 4, 5, 6, 7, 8, 9.
- 2:06:52Speaker 7: 10, 11, 12. Now, go to the seventh, right?
- 2:07:00Speaker 2: 22, 12, 7.
- 2:07:00Speaker 7: Go to the seventh digit.
- 2:07:03Speaker 2: I count first.
- 2:07:04Speaker 5: Count first. 1, 2, 3, 4, 5, 6, 7. What
- 2:07:05Speaker 5: number is there? 7, 8, 9, 1.
- 2:07:06Speaker 2: Man!
- 2:07:06Speaker 5: I swear to God, guys.
- 2:07:07Speaker 2: Camera, come here and show this here, camera.
- 2:07:10Speaker 5: Come here, please.
- 2:07:25Speaker 7: Do it again. 7, 8, 9, 1. I counted 12
- 2:07:28Speaker 7: houses like this and 7 to the front. And then
- 2:07:30Speaker 7: I got here at 7 to the front. Where is it? 7, 8, 9, 1.
- 2:07:33Speaker 7: On the cell phone that we made the count.
- 2:07:34Speaker 2: Look at the number.
- 2:07:35Speaker 8: Go take it in your ass.
- 2:07:36Speaker 2: Show it here.
- 2:07:39Speaker 5: I don't wanna come here to tell you say.
- 2:07:40Speaker 2: I don't know if you don't know if you don't
- 2:07:44Speaker 2: know if you don't know if you What the fuck
- 2:07:51Speaker 2: is this?
- 2:07:51Speaker 7: It's one of the craziest things I've ever seen in
- 2:07:53Speaker 7: my life, I think. It's on the list, I swear
- 2:07:54Speaker 7: to God.
- 2:07:55Speaker 2: Take it in your ass.
- 2:07:56Speaker 3: It's a bad word.
- 2:07:57Speaker 2: No, you can say it.
- 2:07:58Speaker 7: Buceta.
- 2:08:01Speaker 2: Buceta is a word. Ah, it's a verb.
- 2:08:04Speaker 3: It's a verb.
- 2:08:04Speaker 2: It's ugly to say, right? It's a verb.
- 2:08:06Speaker 5: Sometimes if I said a word at home, my parents
- 2:08:08Speaker 5: are believers, right?
- 2:08:09Speaker 2: Ah. So if I said a word at home, I couldn't. Like,
- 2:08:12Speaker 2: a whore that gave birth. It can't, it's ugly. Okay.
- 2:08:14Speaker 2: You say buceta.
- 2:08:16Speaker 1: It's ugly.
- 2:08:17Speaker 7: It's ugly.
- 2:08:17Speaker 2: There are the most dangerous ones, right?
- 2:08:19Speaker 5: The most dangerous words.
- 2:08:20Speaker 7: But I use a fucking obucita when it goes wrong.
- 2:08:23Speaker 2: No, it's the worst. It's when it goes fucking wrong.
- 2:08:25Speaker 3: What the fuck book is this, man?
- 2:08:27Speaker 5: Read this one, Mítico.
- 2:08:30Speaker 2: It's Nuno do Pi, man. This shit is 3,14. Fuck, man.
- 2:08:33Speaker 4: What a fucking magic.
- 2:08:35Speaker 3: What a fucking magic.
- 2:08:37Speaker 2: Zero, think of a reference that changed your life, your career,
- 2:08:41Speaker 2: but don't go to Exo or Paul McCartney, it's too
- 2:08:43Speaker 2: easy for me.
- 2:08:44Speaker 9: Okay.
- 2:08:44Speaker 2: Did you think of one? I'm going to show you something,
- 2:08:47Speaker 2: the camera is there, I'm going to take advantage of.
- 2:08:49Speaker 5: The fact that the camera is there. Open your cell
- 2:08:52Speaker 5: phone's Wi-Fi, check it out. Can you see the camera here?
- 2:08:55Speaker 6: Here, look.
- 2:08:55Speaker 5: Show the Wi-Fi networks here of Podpah, look.
- 2:08:58Speaker 2: Podpah 5, Unify Identity, I don't know what else. Check
- 2:09:01Speaker 2: it out, look. Zero, think of the person who was
- 2:09:03Speaker 2: a reference for you.
- 2:09:04Speaker 7: I'm seeing it here already.
- 2:09:05Speaker 2: Check it out. It's bugging the entire Podpah Wi-Fi. Oh, shit. Brino?
- 2:09:17Speaker 1: Was it Brino?
- 2:09:18Speaker 5: It was Brino. It was Brino? It changed your life.
- 2:09:21Speaker 2: Applause to Brino.
- 2:09:23Speaker 5: Applause to Brino. But it's on my cell phone, it's
- 2:09:24Speaker 5: on yours too. Because Wi-Fi is public here, right?
- 2:09:28Speaker 2: It's Wi-Fi for everyone. Wow, the guy hacked my Wi-Fi, bro.
- 2:09:31Speaker 2: How is that? No, it wasn't me, it was Brino.
- 2:09:32Speaker 2: He sent a message to me and said, do this
- 2:09:34Speaker 2: here tomorrow that I'm going to hack the Wi-Fi of
- 2:09:36Speaker 2: the guy. He sent Brino to go away already, bro.
- 2:09:38Speaker 3: Thank God.
- 2:09:39Speaker 5: So, he's kind of angry, it seems.
- 2:09:41Speaker 2: The guy is awesome, right, bro?
- 2:09:44Speaker 5: He called the guy to do magic.
- 2:09:46Speaker 2: No seu foi também? Aqui foi.
- 2:09:48Speaker 8: Aqui é a par de brino.
- 2:09:49Speaker 2: Aqui também é a par de brino. Desgraçado.
- 2:09:54Speaker 5: Não rola uma reconciliação, Zero?
- 2:09:55Speaker 2: Não, o desgraçado Barbieri faz essa mágica.
- 2:09:58Speaker 3: Caralho, que brisa louca isso aqui. Esse é iluminati, irmão.
- 2:10:03Speaker 8: You're closed with bad stuff, bro.
- 2:10:06Speaker 2: No, with good stuff too, right?
- 2:10:08Speaker 5: With good stuff.
- 2:10:08Speaker 2: With good stuff? It's not possible. I'm closed with bad
- 2:10:11Speaker 2: stuff and good stuff. You're from Centrão.
- 2:10:13Speaker 4: You're from Centrão. You're for everyone.
- 2:10:16Speaker 5: I don't want to be like Faustão, but if there's
- 2:10:18Speaker 5: one more.
- 2:10:19Speaker 2: It's very.
- 2:10:19Speaker 5: Good, right?
- 2:10:20Speaker 2: You're wrong.
- 2:10:22Speaker 3: Wait, I lost my set list.
- 2:10:23Speaker 5: He always does the charm, bro.
- 2:10:29Speaker 2: I think this is already part of the magic.
- 2:10:31Speaker 5: It really is.
- 2:10:32Speaker 7: Man, it's hard.
- 2:10:33Speaker 2: The magic is mysterious.
- 2:10:34Speaker 8: Man, he's the only guy that comes in here before us.
- 2:10:37Speaker 2: I got here and he was crouched. I said, there's
- 2:10:39Speaker 2: one that's not very magical, but I never did it
- 2:10:41Speaker 2: for zero.
- 2:10:41Speaker 5: I think he's going to like it.
- 2:10:43Speaker 2: Nice. I have the touch of the hammer. This is
- 2:10:53Speaker 2: the only magic that my mother doesn't let me do.
- 2:10:55Speaker 2: She gets angry when I do it.
- 2:10:57Speaker 5: No, no, you're not going to do what I'm imagining.
- 2:10:59Speaker 2: And she's watching, she's watching. You're not going to do
- 2:11:02Speaker 2: what I'm imagining.
- 2:11:02Speaker 6: No.
- 2:11:02Speaker 2: Barbieri, no one's going to get hurt here.
- 2:11:05Speaker 7: I apologize to my mother.
- 2:11:06Speaker 2: God bless your mother, mother. God bless her.
- 2:11:08Speaker 3: Uriza.
- 2:11:08Speaker 6: What?
- 2:11:08Speaker 2: Uriza.
- 2:11:08Speaker 7: Uriza.
- 2:11:09Speaker 1: Dona Uriza.
- 2:11:10Speaker 2: Dona Uriza, Dona Uriza. Monster. What do I do with
- 2:11:12Speaker 2: this here?
- 2:11:12Speaker 3: Just see if you.
- 2:11:13Speaker 2: It's a real Marcelo.
- 2:11:14Speaker 7: We have a nail here, look.
- 2:11:15Speaker 2: The difference between a screw and a nail there.
- 2:11:17Speaker 6: Got it?
- 2:11:18Speaker 2: For those who don't know. If it was with the screw,
- 2:11:21Speaker 2: it would be bad. It's a big nail.
- 2:11:22Speaker 7: And the hammer, I don't need to hit it anywhere
- 2:11:24Speaker 7: to prove that it's real, but feel the weight here,
- 2:11:26Speaker 7: a real hammer.
- 2:11:27Speaker 2: There, look.
- 2:11:28Speaker 5: It was from Mr.
- 2:11:28Speaker 2: Sebastião, my grandfather.
- 2:11:29Speaker 3: It's a beautiful hammer, huh? Beautiful from Marcelo.
- 2:11:32Speaker 2: And a beautiful nail too, son. Listen to the noise there, look.
- 2:11:35Speaker 6: It's iron.
- 2:11:36Speaker 3: It's not foldable. Nice. There it goes.
- 2:11:42Speaker 2: Then, how do you do vocal warming?
- 2:11:46Speaker 6: Brrrr.
- 2:11:48Speaker 7: I stay in posture, release the sound in S and
- 2:11:50Speaker 7: do it with the mouth.
- 2:11:51Speaker 2: With the mouth. To breathe better, sometimes before I go
- 2:11:55Speaker 2: to bed, before the show, I do this to open
- 2:11:56Speaker 2: the nostrils. BBR, for the love of God, BBR. I
- 2:11:59Speaker 2: can't look.
- 2:11:59Speaker 7: I'll do it.
- 2:11:59Speaker 2: Is the angle of the camera good here? It's good.
- 2:12:04Speaker 2: It's good, huh, the angle? It's good.
- 2:12:19Speaker 7: For God's sake, Barbieri.
- 2:12:22Speaker 2: Holy shit!
- 2:12:23Speaker 3: Holy shit, I'm seeing this up close.
- 2:12:28Speaker 2: Barbieri, for God's sake.
- 2:12:29Speaker 3: This isn't magic, this is crazy. Have you ever.
- 2:12:30Speaker 7: Done, what's the name of the thing in your brain?
- 2:12:38Speaker 2: Lobotomy. Wow, get out of here.
- 2:12:40Speaker 5: I'll tell you that today it's... I'm going to have sinusitis,
- 2:12:44Speaker 5: I don't know. Okay, Barbieri.
- 2:12:49Speaker 3: Fuck, man. I'm seeing this... You're seeing it at home, guys.
- 2:12:53Speaker 3: I'm seeing this here in front of me.
- 2:12:54Speaker 2: Original, right?
- 2:12:55Speaker 3: You're seeing the original.
- 2:12:55Speaker 7: It's crooked to the wrong side.
- 2:12:57Speaker 6: Wow!
- 2:12:57Speaker 2: Nice. Let's go. I'm all screwed up.
- 2:13:03Speaker 3: I'm all.
- 2:13:10Speaker 2: Regretful, man. Man! Ah, he sent it in there!
- 2:13:19Speaker 8: The nail disappeared!
- 2:13:22Speaker 2: Barbieri from heaven.
- 2:13:24Speaker 5: Can you see him moving?
- 2:13:29Speaker 2: Man.
- 2:13:30Speaker 3: Look, it's coming back.
- 2:13:31Speaker 2: With the tongue.
- 2:13:35Speaker 5: But this guy, only the nose comes out, the earring,
- 2:13:42Speaker 5: the nail.
- 2:13:43Speaker 8: The nail, the rabbit.
- 2:13:49Speaker 1: Maldito.
- 2:13:52Speaker 2: Ah, isso é nada a ver, mano. Que doidinho. Cara,
- 2:13:55Speaker 2: tem que bater palma, mas... Mano, repita isso em casa. No, man,
- 2:14:00Speaker 2: for the love of God.
- 2:14:01Speaker 5: If you were younger, then.
- 2:14:02Speaker 2: You're free. How did you train to do this and
- 2:14:05Speaker 2: realize that you.
- 2:14:06Speaker 3: Could do it?
- 2:14:08Speaker 4: And how was the beginning to do this? Do you
- 2:14:11Speaker 4: know what I mean?
- 2:14:13Speaker 3: Like, look at the nail, I'm going to stab it
- 2:14:15Speaker 3: in the nose. Can I do it? What time did
- 2:14:16Speaker 3: you hit.
- 2:14:17Speaker 2: The 9 o'clock?
- 2:14:18Speaker 8: I'm going to hit the nail in the nose.
- 2:14:19Speaker 3: I trained with... With Cotonete.
- 2:14:22Speaker 2: Because Cotonete has the... I'm not talking about... Don't do
- 2:14:30Speaker 2: it like that, I was just kidding. Don't give us
- 2:14:32Speaker 2: a problem here. No, no, no.
- 2:14:33Speaker 7: No one is going to do it. The guy is
- 2:14:34Speaker 7: a professional, the guy is a technician.
- 2:14:36Speaker 2: Professional. Man... With the cotton swab, as it has the
- 2:14:41Speaker 2: cotton swab on top, the cotton, that gives.
- 2:14:44Speaker 5: A protection for the thing not to tear your nose in.
- 2:14:47Speaker 5: With the nose in, it is very sensitive. Any vein
- 2:14:48Speaker 5: like that, it already spoils.
- 2:14:50Speaker 2: And then I started with the cotton swab, pen charge,
- 2:14:53Speaker 2: and it's a shit because, like, you put it, you spit.
- 2:14:56Speaker 2: You put anything in your nose, you spit it. And
- 2:14:59Speaker 2: the risk of this magic is, if I sneeze with
- 2:15:01Speaker 2: the nail inside, the nose makes a movement that the
- 2:15:05Speaker 2: nail won't let it do when you sneeze. And then
- 2:15:07Speaker 2: my nose breaks.
- 2:15:08Speaker 5: It's going to give a shit.
- 2:15:08Speaker 6: Yeah.
- 2:15:08Speaker 2: So the only thing I can't do is sneeze. Have
- 2:15:11Speaker 2: you ever put the nail in your nose and it's
- 2:15:14Speaker 2: already like that? I already took it out fast. You're
- 2:15:17Speaker 2: going to fuck yourself.
- 2:15:18Speaker 3: Man, that was animal.
- 2:15:20Speaker 5: Oh, did Spooky House process you?
- 2:15:22Speaker 2: That time, there.
- 2:15:23Speaker 5: Mother's daughter, right?
- 2:15:24Speaker 2: I lost, but it's like... You lost? I lost. Why
- 2:15:26Speaker 2: did you lose? Porque eu supostamente associei ele ao podcast
- 2:15:35Speaker 2: do Charla, que eles botaram um latão lá. Sim.
- 2:15:40Speaker 5: E aí eu associei, não podia ter associado.
- 2:15:42Speaker 2: Mas, porra... Mas também ele gastou mais com o advogado
- 2:15:45Speaker 2: do que eu paguei pra ele. Paguei dois pau pra
- 2:15:47Speaker 2: ele de multa.
- 2:15:48Speaker 5: Just?
- 2:15:48Speaker 2: Just two. Ah, so just two. Because, like, it's a
- 2:15:51Speaker 2: whole peak there, but he says he won me over,
- 2:15:53Speaker 2: that I can't talk about him anymore, that this, that that,
- 2:15:56Speaker 2: I don't know where he took that from in the process, because, like,
- 2:15:58Speaker 2: I've read it, ten lawyers friends of mine have read it.
- 2:16:01Speaker 2: But he's the one who raised that ball again, didn't he? Yeah, so,
- 2:16:04Speaker 2: recently there was a problem there. He made a video
- 2:16:07Speaker 2: where a guy reacted to his reclame aqui. Inclusive, he's
- 2:16:11Speaker 2: not going to enter the reclame aqui and look for
- 2:16:12Speaker 2: Spook House, he doesn't like it. Yeah, yeah. No, no,
- 2:16:16Speaker 2: you can't do that.
- 2:16:17Speaker 3: The guy is mad.
- 2:16:18Speaker 2: The guy is mad, don't do that. But another guy
- 2:16:21Speaker 2: did this react. And he went to answer this other guy,
- 2:16:23Speaker 2: who is also magical, and cursed at me together. And
- 2:16:28Speaker 2: I hadn't said anything. But he didn't just curse at me.
- 2:16:30Speaker 2: If he had just cursed at me, fuck it. The
- 2:16:32Speaker 2: problem is that, man, I don't know, he's kind of
- 2:16:35Speaker 2: screwed up. You know when you have an audience and
- 2:16:37Speaker 2: then your audience leaves because maybe the guys have fallen
- 2:16:40Speaker 2: for real? He got a little out of control and
- 2:16:42Speaker 2: he started associating me to pedophilia crimes, you know?
- 2:16:48Speaker 3: What is that?
- 2:16:49Speaker 2: Wow! Sexual abuse crimes, and like, based on nothing at all.
- 2:16:54Speaker 2: He basically goes into the GPT chat and asks the
- 2:16:57Speaker 2: GPT chat, what magical crimes do you commit? And then
- 2:17:01Speaker 2: the GPT chat invented some stuff, the magic box crime,
- 2:17:03Speaker 2: you put your money there and it disappears.
- 2:17:06Speaker 5: And he reads this, like, you see? Magic is all bandit.
- 2:17:10Speaker 5: And I was like, ah, until then it was funny.
- 2:17:12Speaker 2: Then out of nowhere he takes the case of Copperfield,
- 2:17:14Speaker 2: I don't know if you guys know, but he's on
- 2:17:16Speaker 2: the Epstein list, David Copperfield. And because of that, all
- 2:17:21Speaker 2: the magicians are the same thing that Copperfield is because
- 2:17:24Speaker 2: he's on the Epstein list. And like, remember him that
- 2:17:27Speaker 2: João de Deus was also not a very cool guy, right?
- 2:17:29Speaker 2: And they have similar work, so calm down, I'm not
- 2:17:32Speaker 2: going to associate the guy to the crimes of another
- 2:17:35Speaker 2: guy just because they have the same profession.
- 2:17:37Speaker 5: I thought this was basic. And then he did it.
- 2:17:40Speaker 5: And then I got pissed, but I said, man, if
- 2:17:42Speaker 5: I make a video response, it's what he wants, because
- 2:17:45Speaker 5: the guy doesn't make more views, he only makes views
- 2:17:47Speaker 5: when the others die, he makes videos of the deaths
- 2:17:48Speaker 5: of the others. deaths of the others. He made 16
- 2:17:51Speaker 5: videos of the death of the bodybuilder there.
- 2:17:53Speaker 2: Lies.
- 2:17:54Speaker 5: 16, I exaggerated, but 5 were.
- 2:17:55Speaker 2: No, not only him, he.
- 2:17:57Speaker 5: Did it on the PC, he did it on the
- 2:18:00Speaker 5: plane from Sertaneja that fell.
- 2:18:02Speaker 2: Yeah, the guy is... Ethical.
- 2:18:05Speaker 5: Ethical, that's the word that was missing for me.
- 2:18:08Speaker 2: And then I said, okay, but if I'm going to answer,
- 2:18:11Speaker 2: I'm going to answer in a different way. And then
- 2:18:14Speaker 2: I made a video, I showed the shit he said,
- 2:18:17Speaker 2: and like, oh, I don't even need to answer this,
- 2:18:18Speaker 2: but I want to take advantage of the fact that
- 2:18:20Speaker 2: we're talking about this subject, I knew it was Davil.
- 2:18:23Speaker 2: I made a mini documentary about a guy named James Randi.
- 2:18:27Speaker 2: James Randi, he was a guy who, he researched paranormal phenomena,
- 2:18:32Speaker 2: he was a magician too, The Amazing Randi was his name.
- 2:18:36Speaker 2: o artístico.
- 2:18:37Speaker 5: E aí eu falei, porra, ninguém conhece direito a história
- 2:18:39Speaker 5: do Randy, o Randy era um cara foda, era um barbudão,
- 2:18:41Speaker 5: barba branca, parecia o Papai Noel, assim.
- 2:18:44Speaker 2: E aí eu conto toda a história do James Randy,
- 2:18:46Speaker 2: que ela envolve um mágico estudando fenômenos paranormais, e 99,9%
- 2:18:51Speaker 2: das vezes ele encontrava o quê?
- 2:18:54Speaker 5: Truque de mágica.
- 2:18:55Speaker 2: Porque o Spook fala que eu não tenho formação acadêmica
- 2:18:59Speaker 2: pra contrapor o que ele diz.
- 2:19:01Speaker 5: E primeiro, eu tenho, Only in advertising, so fuck it.
- 2:19:04Speaker 2: But fuck it if I don't have academic information in
- 2:19:06Speaker 2: the area that he thinks he has.
- 2:19:08Speaker 5: But he didn't take your challenge?
- 2:19:09Speaker 2: No, not until today. Not until today. Anyway, and then
- 2:19:12Speaker 2: I tell the whole story of Randy with... How he...
- 2:19:16Speaker 2: There were some studies of paranormality in the United States once.
- 2:19:21Speaker 2: And that Randy sent a message to the guy and
- 2:19:23Speaker 2: said like this. If you don't put a magician to
- 2:19:24Speaker 2: evaluate these guys who are saying they are paranormal, they
- 2:19:26Speaker 2: will deceive you. And the guys didn't take it. And
- 2:19:29Speaker 2: then what did Randy do? He took two beginner magicians,
- 2:19:31Speaker 2: who were mad... and signed the guys in this research
- 2:19:35Speaker 2: they were doing about Paranormals.
- 2:19:37Speaker 5: And the research lasted four years.
- 2:19:39Speaker 2: The guys deceived the scientists and researchers and neuropsychologists for
- 2:19:46Speaker 2: four years.
- 2:19:46Speaker 5: Two 18, 19-year-old magicians. And then Randy tells this whole story,
- 2:19:51Speaker 5: then he goes to the public and says, look, these
- 2:19:53Speaker 5: two who think they're Paranormals are magicians, the guys took
- 2:19:56Speaker 5: over and stuff. It was called Projeto Alpha.
- 2:19:58Speaker 3: Did it give any kind of buzz to these guys?
- 2:20:00Speaker 5: No, no, quite the opposite.
- 2:20:01Speaker 2: It was... It was a big hit. It was a
- 2:20:03Speaker 2: big hit. It was famous all over the world. And
- 2:20:04Speaker 2: then it started to appear here in Brazil. Thomas Green Morton,
- 2:20:07Speaker 2: who was the man of Ha! He used to do Ha!
- 2:20:09Speaker 2: And then.
- 2:20:10Speaker 5: He.
- 2:20:10Speaker 2: Would flash a light. And he also won a lot
- 2:20:14Speaker 2: of celebrities at the time. Baby do Brasil, too. This
- 2:20:16Speaker 2: one falls in all, right? I've never seen so much
- 2:20:20Speaker 2: fake news falling like Baby do Brasil. Sérgio Reis has
- 2:20:24Speaker 2: an interview of him talking about this guy.
- 2:20:26Speaker 5: Anyway, a lot of global. And then they.
- 2:20:28Speaker 2: Found out that it was all fake. James Rand challenged him,
- 2:20:32Speaker 2: he ran away and such. Even Thomas Green Mortis, Barbiere
- 2:20:34Speaker 2: is arrested. But not for that, for other worse crimes. Oh, Barbiere,
- 2:20:38Speaker 2: but I'm sorry, I believe in the cleaning of the
- 2:20:41Speaker 2: Spook House. When he took Lucas Lira's video and sent
- 2:20:45Speaker 2: Ramon Valdez to heaven.
- 2:20:47Speaker 5: I believed.
- 2:20:47Speaker 2: We have to praise this man.
- 2:20:49Speaker 5: You really believed?
- 2:20:50Speaker 6: Yes.
- 2:20:54Speaker 2: Nice.
- 2:20:54Speaker 3: Nice.
- 2:20:54Speaker 2: Nice. Nice. Nice. Nice. I think I'm a little more
- 2:21:18Speaker 2: comfortable with this subject today. At the time I was
- 2:21:21Speaker 2: sure that what he was doing was wrong, that he knew.
- 2:21:24Speaker 2: Today I even give the benefit of the doubt. Man,
- 2:21:26Speaker 2: I don't know, sometimes he really believes. It's okay, there's
- 2:21:29Speaker 2: no problem, do it. I just think it's bizarre when
- 2:21:32Speaker 2: it involves diseases. These things I think are kind of delicate.
- 2:21:36Speaker 2: But otherwise, clean the house of others. My car is
- 2:21:37Speaker 2: dirty as hell if he wants too. I don't like
- 2:21:39Speaker 2: it when the person says like this. Tem problema na família? Tem. Tem, né?
- 2:21:48Speaker 3: Tô cheio de bilho, cheio de problema.
- 2:21:50Speaker 5: Não deixa sua mãe subir em moto não, viu?
- 2:21:52Speaker 2: Nossa senhora!
- 2:21:53Speaker 5: Sua mãe vai morrer!
- 2:21:54Speaker 3: Nossa senhora!
- 2:21:57Speaker 8: Ai, caralho!
- 2:22:00Speaker 6: É isso?
- 2:22:01Speaker 2: Tá vendo?
- 2:22:01Speaker 5: Você sentiu os bagulhos.
- 2:22:03Speaker 4: Tem alguém passando dificuldade na sua família, né?
- 2:22:05Speaker 3: Isso é foda, né?
- 2:22:06Speaker 2: Entendeu, mano? É foda. Você sentiu muita dor na coluna,
- 2:22:09Speaker 2: no peito, ou nas costas, ou na perna, ou no.
- 2:22:11Speaker 5: Ombro esses dias aí, né?
- 2:22:12Speaker 2: A unha também conta.
- 2:22:13Speaker 3: Esse ano? Senti, esse ano eu senti. É? Esse ano
- 2:22:16Speaker 3: eu senti. Mador, over here.
- 2:22:18Speaker 2: I feel Mador kind of over here, like this.
- 2:22:21Speaker 5: Then the person speaks on the back, he stops.
- 2:22:23Speaker 2: Here on the back, right?
- 2:22:25Speaker 5: Here, I'm feeling it here.
- 2:22:26Speaker 2: I don't know anything. Not him, I'm talking about him
- 2:22:28Speaker 2: in general, right? People of the branch, like this. For sure. Crazy, crazy.
- 2:22:32Speaker 2: But it happens.
- 2:22:33Speaker 3: Okay.
- 2:22:33Speaker 2: It's part, guys, it's part.
- 2:22:35Speaker 7: I like those when he goes.
- 2:22:36Speaker 5: Come, come listen. The person who died is talking here
- 2:22:39Speaker 5: with me. I put it on the recorder, you hear one. Ah,
- 2:22:43Speaker 5: this is awesome. Chester did it with Chester and Linkin Park.
- 2:22:45Speaker 2: Ah, what did he say?
- 2:22:45Speaker 5: He said it's hurting, it's hard. Then you'll hear the audio,
- 2:22:48Speaker 5: the audio is like this.
- 2:22:48Speaker 3: You're not afraid of ghosts?
- 2:22:50Speaker 7: Man, it's a video that we were going to do
- 2:22:52Speaker 7: in Balela, hunting ghosts.
- 2:22:54Speaker 5: These guys are crazy.
- 2:22:55Speaker 7: And we held on because I didn't want to be
- 2:22:56Speaker 7: the guy, because in Balela I was going to be
- 2:22:58Speaker 7: the guy who was going to challenge.
- 2:23:00Speaker 8: I said, man, I don't believe in anything. You want
- 2:23:02Speaker 8: me to go there, I'll go.
- 2:23:03Speaker 2: But there was the guy who hunted the ghost there.
- 2:23:05Speaker 2: Are you going to copy the guy?
- 2:23:10Speaker 6: Who?
- 2:23:10Speaker 2: Yeah, so. Go hunt ghosts, bro.
- 2:23:14Speaker 3: I wanted to laugh at you hunting ghosts. If the
- 2:23:16Speaker 3: devil appeared.
- 2:23:17Speaker 4: The plot is that I don't want to disrespect the
- 2:23:19Speaker 4: guys who do this.
- 2:23:20Speaker 7: If the devil is so powerful, he will appear in the.
- 2:23:23Speaker 2: YouTube video, bro.
- 2:23:24Speaker 5: Got it, bro?
- 2:23:24Speaker 2: I'll say hi there in the video that the guys
- 2:23:27Speaker 2: went to the hospital two years ago.
- 2:23:33Speaker 3: But you're not afraid of.
- 2:23:34Speaker 7: Nothing.
- 2:23:34Speaker 2: Man, put.
- 2:23:35Speaker 7: I'm afraid of people, I'm afraid of animals, of things... But, like,
- 2:23:38Speaker 7: afraid of... Physical things, right?
- 2:23:39Speaker 6: Yeah.
- 2:23:39Speaker 2: Now, let's go to a place that they say is haunted.
- 2:23:42Speaker 8: Go there and stay... Man, I'm going soft.
- 2:23:44Speaker 7: There's a city nearby that.
- 2:23:47Speaker 2: Would be cool for you to record. I think it's Paranapiacaba. Paranapiacaba.
- 2:23:50Speaker 2: Silent Hill, Brazil.
- 2:23:51Speaker 7: Yeah, cool.
- 2:23:52Speaker 3: Holy shit.
- 2:23:53Speaker 7: Because there's... I don't know the place where it is.
- 2:23:57Speaker 7: There's a lot of fog. And then the place is full.
- 2:23:59Speaker 7: It looks like it's in England.
- 2:24:00Speaker 2: It's 100% gray.
- 2:24:01Speaker 3: And you would?
- 2:24:02Speaker 2: I would. Man, it's... It's f * * * * *.
- 2:24:03Speaker 7: Because I'm a s * * t in this stuff,
- 2:24:06Speaker 7: so I think my head doesn't even let me create
- 2:24:08Speaker 7: something for it, you know?
- 2:24:08Speaker 8: I understand, I understand.
- 2:24:10Speaker 7: I go to the farm, they tell me to walk
- 2:24:11Speaker 7: on the dirt road, in the dark I'll walk, I
- 2:24:13Speaker 7: won't have a problem.
- 2:24:14Speaker 2: I don't believe it, but I'm afraid because I'm a
- 2:24:16Speaker 2: f * * * * * of everything.
- 2:24:16Speaker 5: But I'm going to hear.
- 2:24:17Speaker 8: A noise in the woods, I'm not going to think
- 2:24:18Speaker 8: that the.
- 2:24:20Speaker 7: Bicho papão, eu vou achar que é um animal, dessas coisas,
- 2:24:24Speaker 7: eu vou ter medo igual todo mundo. É, você vai
- 2:24:25Speaker 7: fazer um raciocínio lógico, né?
- 2:24:27Speaker 2: Barulho na floresta. E você, Babel?
- 2:24:28Speaker 3: Você tem medo do culto? Você tem medo de fantasma?
- 2:24:32Speaker 3: Medo do.
- 2:24:32Speaker 2: Eu acho que é nessa beira do zero aí.
- 2:24:33Speaker 5: Eu não gosto de tomar susto. Eu não gosto de
- 2:24:35Speaker 5: tomar susto, eu.
- 2:24:36Speaker 3: Tô com ser.
- 2:24:36Speaker 7: Eu não gosto de tomar susto.
- 2:24:37Speaker 5: Eu não gosto de tomar terror por causa do susto.
- 2:24:39Speaker 8: Eu também.
- 2:24:40Speaker 3: He's going to get you ready for the fucking scare.
- 2:24:41Speaker 5: Yeah, I know I'm going to get scared.
- 2:24:43Speaker 2: And I do. Psychological terror is cool.
- 2:24:45Speaker 8: Now, the jump scare terror in your face, I don't
- 2:24:47Speaker 8: like it.
- 2:24:47Speaker 2: I don't like it either.
- 2:24:48Speaker 7: Now, that terror that cooks you and the plot is
- 2:24:50Speaker 7: always real.
- 2:24:51Speaker 5: The hereditary one.
- 2:24:52Speaker 2: I like it.
- 2:24:52Speaker 7: That mid-summer, I like it.
- 2:24:53Speaker 2: Isn't this a kind of crazy movie?
- 2:24:56Speaker 3: It's crazy.
- 2:24:59Speaker 8: But I think it's from the same director, if I'm
- 2:25:00Speaker 8: not talking nonsense.
- 2:25:02Speaker 2: I don't think so.
- 2:25:03Speaker 5: You never talk nonsense.
- 2:25:04Speaker 2: Oh, I do.
- 2:25:05Speaker 4: You do?
- 2:25:05Speaker 2: I do. But I like it. Confirmed?
- 2:25:07Speaker 3: Confirmed. That's it then. What's your level of talking nonsense?
- 2:25:10Speaker 2: Zero, right?
- 2:25:11Speaker 8: No, I think it's the original, man.
- 2:25:13Speaker 3: Damn, that was good, huh?
- 2:25:13Speaker 6: Sorry.
- 2:25:14Speaker 8: No, but I talk nonsense about air plays. I don't
- 2:25:16Speaker 8: talk nonsense.
- 2:25:17Speaker 2: Wow, he talked a shitload of shit. I talk nonsense
- 2:25:19Speaker 2: about air plays. No, bobeira, right? It's nonsense. Bobeirinha, bobeirinha.
- 2:25:22Speaker 5: Bobeirinha, bobeirinha.
- 2:25:23Speaker 2: I'm good at that.
- 2:25:24Speaker 6: Yeah?
- 2:25:24Speaker 2: Uh-huh. So I want to see.
- 2:25:26Speaker 6: I'm not.
- 2:25:26Speaker 5: Best band of all time?
- 2:25:28Speaker 2: Beatles. It was bad, bro. Is it better for me? Yeah,
- 2:25:31Speaker 2: for you. For you.
- 2:25:33Speaker 6: For you.
- 2:25:33Speaker 2: Beatles, I keep it. I'm Rolling Stones in this shit, too.
- 2:25:35Speaker 2: I want you to fuck off. Would you lend.
- 2:25:38Speaker 5: Money to Fiuk?
- 2:25:40Speaker 7: If he recorded a video with us on Balela teaching
- 2:25:43Speaker 7: how to do drift, I would record it.
- 2:25:44Speaker 8: I already sent him some messages. I said, Fiuk, I
- 2:25:46Speaker 8: know you're hard. Let's do a Balela.
- 2:25:47Speaker 2: But he didn't even answer, bro.
- 2:25:48Speaker 5: So it's not that hard. Yeah.
- 2:25:49Speaker 2: Would you lend money to Fiuk? I'm not fucking hard.
- 2:25:52Speaker 2: I'm harder than him. Fiuk, come here on Podpaz, we're
- 2:25:57Speaker 2: going to do.
- 2:25:58Speaker 3: An online vaquinha for you.
- 2:26:00Speaker 2: Oh, seriously, let's bring Fiuk.
- 2:26:02Speaker 3: Here to have a chat.
- 2:26:03Speaker 8: He looks like a Brazilian.
- 2:26:04Speaker 2: He's awesome. Tell him to record a ball with us
- 2:26:06Speaker 2: doing drift.
- 2:26:07Speaker 3: Record a ball with the guys doing drift, fuck.
- 2:26:08Speaker 2: I've already done drift with Fiuk. He's awesome, man. He's good, man.
- 2:26:11Speaker 3: Fiuk, we want you here, Fiuk.
- 2:26:13Speaker 5: Best larica for dawn.
- 2:26:14Speaker 6: Ah.
- 2:26:19Speaker 7: Mano, um ovo maltino que tem em pasta, que é
- 2:26:21Speaker 7: aquele que.
- 2:26:22Speaker 2: Puta que pariu. Só ele, original. É bom pra caralho,
- 2:26:26Speaker 2: só que o foda é, tipo assim, você aguentar só
- 2:26:28Speaker 2: comer uma colher. É, mano, você vai comer o potinho todo, assim,
- 2:26:31Speaker 2: o bagulho... Eu lembro da.
- 2:26:32Speaker 7: Primeira vez que eu comia, eu comemorava de comer o bagulho.
- 2:26:36Speaker 5: Imagina a Nutella de ovo maltino.
- 2:26:38Speaker 8: Exato.
- 2:26:39Speaker 2: Bagulho era bom. É bom pra caralho.
- 2:26:41Speaker 7: Não sei se tem hoje em dia.
- 2:26:42Speaker 2: Tem, tem.
- 2:26:43Speaker 5: Em casa, às vezes, tem.
- 2:26:45Speaker 3: Coisa boa, vou atrás disso.
- 2:26:46Speaker 5: Pizza de brigadeiro.
- 2:26:48Speaker 7: It's good.
- 2:26:49Speaker 2: Cool. I'm not going to add anything else.
- 2:26:52Speaker 5: The ice cream is good.
- 2:26:53Speaker 2: The ice cream is good, but when it gets hot,
- 2:26:55Speaker 2: it's good too.
- 2:26:56Speaker 5: You just kneaded a calabresa, and then you remember, there's
- 2:26:59Speaker 5: still a bit of brigadeiro.
- 2:27:01Speaker 2: It's good.
- 2:27:02Speaker 5: There's a scheme.
- 2:27:03Speaker 3: You're fat and naughty, huh? You're thin.
- 2:27:05Speaker 2: There's a pizzeria that you can choose the border you want.
- 2:27:08Speaker 2: So then you ask for, I don't know, calabresa, and
- 2:27:10Speaker 2: the border you ask for chocolate. Then it becomes a mess.
- 2:27:13Speaker 2: Then my brain doesn't follow. It becomes a mess. No, but...
- 2:27:16Speaker 2: I think it's a mess.
- 2:27:17Speaker 5: I think it's a mess.
- 2:27:17Speaker 2: But you're eating here. Okay, then you keep the border.
- 2:27:21Speaker 2: It's a dessert.
- 2:27:22Speaker 7: But the onion passed over the border, that you're going
- 2:27:24Speaker 7: to eat the stuff.
- 2:27:25Speaker 8: Calabresa with cheese.
- 2:27:26Speaker 2: Good, man.
- 2:27:30Speaker 5: My ala and all the cheese. You got it?
- 2:27:31Speaker 2: The brotinho doce.
- 2:27:32Speaker 7: And the salgada will be salgada.
- 2:27:33Speaker 3: Let's organize this food.
- 2:27:34Speaker 2: Let's organize.
- 2:27:35Speaker 5: Best pizza flavor.
- 2:27:37Speaker 8: Calabresa with cheese.
- 2:27:39Speaker 2: Man, Portuguese. I'm going to change.
- 2:27:41Speaker 8: Portuguese.
- 2:27:42Speaker 1: Okay.
- 2:27:43Speaker 2: Portuguese and calabresa there, go. It was just one that
- 2:27:46Speaker 2: you asked for. Fuck. How do you call that flavor
- 2:27:49Speaker 2: that goes peachy?
- 2:27:50Speaker 5: Peachy?
- 2:27:51Speaker 2: Peachy.
- 2:27:52Speaker 5: And it's good?
- 2:27:52Speaker 2: But what is it?
- 2:27:53Speaker 5: Caramelized onion, peachy. Borda de champignon, catupiry.
- 2:28:01Speaker 7: It's a mess for me.
- 2:28:02Speaker 2: What is this?
- 2:28:02Speaker 3: It's a salad. It's crazy.
- 2:28:03Speaker 2: But what is it?
- 2:28:04Speaker 3: More sweet or more... No, it's more.
- 2:28:06Speaker 5: Salty, right?
- 2:28:06Speaker 2: It's that she doesn't like peach, so it's hard for
- 2:28:10Speaker 2: me to order this. I don't like this.
- 2:28:12Speaker 5: What's your favorite?
- 2:28:13Speaker 2: What's your favorite flavor of pizza?
- 2:28:15Speaker 3: I think it's catupiry. Caipiras.
- 2:28:18Speaker 2: You too?
- 2:28:19Speaker 5: I like corn with catupiry too.
- 2:28:20Speaker 2: I like... It's that I don't know the name of
- 2:28:21Speaker 2: this pizza, because it was from a pizzeria there in Osasco,
- 2:28:25Speaker 2: which is their house pizza, which was... Calabresa, cream cheese
- 2:28:29Speaker 2: e tomate. Legal.
- 2:28:30Speaker 7: Mano, é bom pra caralho.
- 2:28:32Speaker 2: Iria dentro.
- 2:28:33Speaker 3: Pizza é bom demais.
- 2:28:34Speaker 5: Manda pra casa lá, mano. Eu gosto muito de pizza.
- 2:28:36Speaker 5: Melhor sabor de pastel?
- 2:28:37Speaker 2: É pizza.
- 2:28:38Speaker 8: É foda.
- 2:28:41Speaker 3: Mas é bom, mano.
- 2:28:42Speaker 2: Pra mim é carne.
- 2:28:43Speaker 3: Carne com queijo.
- 2:28:44Speaker 2: Eu sou de quatro queijos. Ninguém ganha do carne.
- 2:28:45Speaker 7: Mano, é que tipo assim, a discussão pra mim tinha
- 2:28:47Speaker 7: que ser nos lanches, porque lá em Taubaté tem pizza,
- 2:28:49Speaker 7: tem boas pizzarias. But there is the culture of the
- 2:28:52Speaker 7: podrão of Taubaté. And it's a thing that all my
- 2:28:54Speaker 7: friends from São Paulo, when they go to Taubaté, they
- 2:28:57Speaker 7: go away later to be able to ask for the podrão.
- 2:29:00Speaker 5: How is the ideal podrão, then, for you?
- 2:29:02Speaker 8: Man, it's foda, because I don't know if you're going to.
- 2:29:04Speaker 2: Have the references that I'm going to talk about.
- 2:29:06Speaker 8: You're messing with me that I'm what, man?
- 2:29:07Speaker 2: Because the thing is more from Taubaté, you have to
- 2:29:09Speaker 2: go there to eat to understand.
- 2:29:10Speaker 5: I'm going there to eat, man.
- 2:29:10Speaker 2: It's a hamburger bread.
- 2:29:12Speaker 5: Okay, I have this reference.
- 2:29:13Speaker 2: But it's a big.
- 2:29:13Speaker 7: Hamburger bread, you're not seeing anything gourmet, it's the original.
- 2:29:17Speaker 3: Bread.
- 2:29:17Speaker 5: Two meats.
- 2:29:20Speaker 3: Take it.
- 2:29:20Speaker 7: Mayonnaise.
- 2:29:21Speaker 8: And then you put the podre on top of it.
- 2:29:23Speaker 7: You're going to want a cheese bacon, you're going to
- 2:29:24Speaker 7: want a cheese salami, but the thing is.
- 2:29:26Speaker 3: Put eggs if you want.
- 2:29:27Speaker 7: Put eggs if you want. If you ask for French bread,
- 2:29:29Speaker 7: you won't be able to eat. You're going to ask
- 2:29:31Speaker 7: for half, you're going to eat now. The other you're
- 2:29:34Speaker 7: going to have lunch tomorrow.
- 2:29:35Speaker 2: And it's cheap, man. It's not expensive.
- 2:29:36Speaker 5: R $ 12, R $ 18 or more.
- 2:29:38Speaker 7: And Taubaté has the culture of the snack carts, I
- 2:29:40Speaker 7: don't know, I've been to several places and I've never
- 2:29:43Speaker 7: seen what's in Taubaté.
- 2:29:45Speaker 8: I've seen gourmet snacks, I've seen all kinds of snacks.
- 2:29:47Speaker 2: Let's go to Osasco, brother. I don't know, Osasco, I.
- 2:29:49Speaker 7: Know that there's the Dogão da Giovana, which I know
- 2:29:50Speaker 7: is famous. There's that pizzeria there.
- 2:29:53Speaker 2: Da Giovana must be angry, but in Osasco, any Dogão
- 2:29:56Speaker 2: is foda.
- 2:29:57Speaker 8: That's what Taubaté has with Podrão, you know?
- 2:29:59Speaker 3: Mayonnaise and green.
- 2:30:00Speaker 2: Mayonnaise and green.
- 2:30:01Speaker 8: What you have with Cachorro Quente, we.
- 2:30:03Speaker 2: Have with Podrão.
- 2:30:04Speaker 3: And say Podrão right there.
- 2:30:06Speaker 2: Mano, a gente fala lanche.
- 2:30:07Speaker 7: Podrão fala mais aqui, aí eu falo pra situar a
- 2:30:09Speaker 7: galera do que que é.
- 2:30:10Speaker 3: Pra galera saber o que que é. Maravilhoso.
- 2:30:12Speaker 5: Um hábito de velho que possuem.
- 2:30:15Speaker 6: Ah.
- 2:30:18Speaker 2: Eu sou chato, se pá. Eu sou ranzinza.
- 2:30:20Speaker 7: Não, eu não sou ranzinza, não.
- 2:30:21Speaker 6: Vai.
- 2:30:22Speaker 3: Falaram que é assim.
- 2:30:23Speaker 8: Fala aí, ô. Um hábito de velho que eu tenho.
- 2:30:26Speaker 2: Como de colher. I eat with a spoon.
- 2:30:29Speaker 5: I also like to eat with a spoon. Your mother
- 2:30:30Speaker 5: said that you have all the habits of old.
- 2:30:32Speaker 2: All, man.
- 2:30:32Speaker 5: All.
- 2:30:32Speaker 2: I'm unbearable.
- 2:30:33Speaker 3: Another one that you say, ah, I'm old. Reclamão, ranzinza.
- 2:30:36Speaker 5: Tentadora no copo.
- 2:30:37Speaker 2: Pain in the back. Pain in the back.
- 2:30:38Speaker 5: Scream when you sit. Scream when you get up.
- 2:30:40Speaker 2: Resmungar, right? When you sit, get up. Seriously?
- 2:30:42Speaker 5: You're the one who.
- 2:30:43Speaker 2: Ui! Ui! Wow, man. I'm this now, man. I think
- 2:30:46Speaker 2: I don't even know how to sit without screaming. I'm
- 2:30:49Speaker 2: looking for Pilates. Calm down.
- 2:30:51Speaker 3: I'm looking for Pilates to fix the pain in the back.
- 2:30:53Speaker 2: And it's good, huh? It's good. It's hot. It stretches
- 2:30:56Speaker 2: you all day, man.
- 2:30:57Speaker 3: Please.
- 2:30:57Speaker 5: Best panicking scene on TV.
- 2:30:59Speaker 2: I'll bring it to you, I'll bring it to you.
- 2:31:05Speaker 2: I liked the... Oh, Impostor. Ah, with Daniel Zuckerman. Man, Impostor... Man, Impostor... Man, Impostor....
- 2:31:22Speaker 5: It's because he used to do surreal things.
- 2:31:23Speaker 2: Yeah, the impostor was.
- 2:31:24Speaker 5: Michael Jackson's menorah.
- 2:31:25Speaker 2: Man, I'll go impostor with you.
- 2:31:26Speaker 3: I liked Maridou.
- 2:31:27Speaker 2: I liked.
- 2:31:28Speaker 5: Wow.
- 2:31:28Speaker 2: Too good. Powerful Kastiga was good too, after that.
- 2:31:31Speaker 3: The one with the silver one, that mess.
- 2:31:34Speaker 5: Yeah, so I liked a lot of Stablish, man.
- 2:31:35Speaker 2: Anything that was... Urchin and fine people. Urchin and fine
- 2:31:38Speaker 2: people were absurd. Very good.
- 2:31:40Speaker 5: The silver one was also.
- 2:31:41Speaker 3: Very good.
- 2:31:42Speaker 5: Maliza, the girl.
- 2:31:42Speaker 7: Well, Balela drank a lot of this nonsense of panic
- 2:31:45Speaker 7: at the time, man.
- 2:31:46Speaker 2: Ah, who doesn't, man?
- 2:31:47Speaker 7: Bagulho era, nossa, eu lembro de pegar um domingo, pedir
- 2:31:49Speaker 7: um lanche lá em Tabaté e eu assisti o bagulho
- 2:31:52Speaker 7: do começo ao fim, mano.
- 2:31:53Speaker 2: Minha avó era minha parceira, porque minha avó deixava de
- 2:31:54Speaker 2: assistir o Silvio Santos pra deixar eu assistir o Pânico.
- 2:31:57Speaker 2: Porque na minha casa, minha avó falou, não, domingo a
- 2:31:59Speaker 2: TV é nossa, cara, você quer uma TV só, teu cu.
- 2:32:02Speaker 5: Minha avó fazia a boa pra mim.
- 2:32:03Speaker 3: E ela não entendia, com certeza.
- 2:32:04Speaker 2: Não, ela só falava, eu odeio que ele se bate,
- 2:32:06Speaker 2: eu odeio isso, Igor, mas deixava eu ver. Eu odeio,
- 2:32:08Speaker 2: que merda, meu Deus, isso aqui é uma bosta.
- 2:32:10Speaker 5: Chave ou Chapolin?
- 2:32:11Speaker 8: Chave, 100%.
- 2:32:13Speaker 2: But nowadays, I think I watch more Chapolin. Because as
- 2:32:15Speaker 2: I decorated, Chapolin is more new to me. There's more
- 2:32:18Speaker 2: stuff I haven't seen in Chapolin. Chapolin is good, man.
- 2:32:20Speaker 5: A toy that they wanted a lot and never won.
- 2:32:23Speaker 7: Man, Lava Rápido Hot Wheels. It was my dream to
- 2:32:26Speaker 7: have this thing there.
- 2:32:26Speaker 5: The one from Tubarão.
- 2:32:27Speaker 3: Yeah, that's it.
- 2:32:28Speaker 2: Thanks for watching!
- 2:32:45Speaker 7: Man, there were some little toys, I can't remember the name,
- 2:32:48Speaker 7: that were.
- 2:32:49Speaker 2: Hot Wheels?
- 2:32:49Speaker 7: No, military, some little toys that had war tanks, there
- 2:32:51Speaker 7: was a helicopter... It was all military toys, right?
- 2:32:54Speaker 5: They were the Commandos, right?
- 2:32:55Speaker 2: Commandos in action.
- 2:32:55Speaker 3: Commandos in action.
- 2:32:57Speaker 8: And it was a pika collection, too, that I didn't have.
- 2:32:59Speaker 7: And I remember the My Boy T cousins.
- 2:33:01Speaker 2: I wanted the Pula Pula from Gugu.
- 2:33:03Speaker 3: Opa Opa.
- 2:33:03Speaker 2: Opa Opa was good. He rubbed his face too, right? Pogobol. Pogobol,
- 2:33:07Speaker 2: the one that did like this? No, that's another one.
- 2:33:09Speaker 2: Pogobol is like a... You send the ball over there
- 2:33:14Speaker 2: and send it over there. It's a platform and you
- 2:33:16Speaker 2: keep jumping like this. Ah, I got it.
- 2:33:17Speaker 7: It's not the one you stretch and it goes like
- 2:33:19Speaker 7: this and then.
- 2:33:19Speaker 2: You send it to me again.
- 2:33:21Speaker 3: This is another one.
- 2:33:22Speaker 5: What toy did you want and didn't have?
- 2:33:23Speaker 2: You talked about Hot Wheels, which I wanted. Ah, Game Boy.
- 2:33:29Speaker 5: Game Boy.
- 2:33:29Speaker 8: I didn't have any of that either.
- 2:33:31Speaker 2: I played Pokemon on PC, right?
- 2:33:32Speaker 5: I downloaded emulator on PC and played on PC.
- 2:33:33Speaker 2: PC and piracy like this. Yeah, you couldn't reset it
- 2:33:36Speaker 2: because you had to change the Pokemon and the guys.
- 2:33:38Speaker 2: And to change it was just the link cable, so.
- 2:33:43Speaker 2: That's it, my brothers.
- 2:33:44Speaker 5: Did you enjoy today's chat?
- 2:33:46Speaker 7: It was beautiful, guys.
- 2:33:47Speaker 3: Let's go. It was incredible, this here. Chats and magic.
- 2:33:50Speaker 2: And on the 30th, you have a commitment with me.
- 2:33:52Speaker 2: On the 30th of October, at Carioca Club, on Arco
- 2:33:53Speaker 2: Verde Street, right? That's it.
- 2:33:55Speaker 5: In Pinheiros. What time does the tour start?
- 2:33:58Speaker 8: What time does it start?
- 2:34:00Speaker 2: 8 p.m.
- 2:34:01Speaker 5: And the show is at 10.30 p.m.
- 2:34:02Speaker 3: 8 p.m.
- 2:34:02Speaker 2: Starts.
- 2:34:03Speaker 3: Show 10h30.
- 2:34:03Speaker 2: And show 10h30. So, I'll tell you, 8h30 is a
- 2:34:04Speaker 2: good time to be there. It's a good time to
- 2:34:06Speaker 2: be there. Because the DJ is going to be there.
- 2:34:08Speaker 2: He's going to be there.
- 2:34:09Speaker 7: And if you want to.
- 2:34:10Speaker 2: Stay close to Zé Herada, you have to get there early, right, brother?
- 2:34:13Speaker 5: That's it. Enjoy the bar.
- 2:34:13Speaker 2: And it's going to be full of friends there.
- 2:34:16Speaker 5: The guys from Balela are going to be there, for sure.
- 2:34:18Speaker 2: It's going to be.
- 2:34:19Speaker 8: All the friends are going to be there. It's going
- 2:34:20Speaker 8: to be cool as hell.
- 2:34:21Speaker 2: Felipe Barbieri.
- 2:34:22Speaker 3: Smile and joy. He'll be there.
- 2:34:24Speaker 5: Felipe Barbieri, where are your shows, please?
- 2:34:26Speaker 2: I'm trying to get here.
- 2:34:27Speaker 5: Jabazinho.
- 2:34:28Speaker 2: I'm trying to get here.
- 2:34:29Speaker 5: Look, I know there's... Dia 10, 11 e 12, ou 11,
- 2:34:35Speaker 5: 12 e 13. Entra em felipebarbiere.com.br, quem é da região
- 2:34:41Speaker 5: serrana ali do Rio, essas porra. Porque eu mudei meu
- 2:34:44Speaker 5: site hoje, meu site foi pro caralho. O site do
- 2:34:47Speaker 5: meu curso foi pro meu site do show, acabei de
- 2:34:49Speaker 5: ver aqui que deu essa merda. E aí eu não
- 2:34:51Speaker 5: tenho a lista aqui, mas Petrópolis tem.
- 2:34:56Speaker 2: Puta merda, agora eu... Mancado, hein?
- 2:34:59Speaker 5: I thought it was impossible, I'll post it on my
- 2:35:01Speaker 5: stories there, because I lost the agenda here.
- 2:35:03Speaker 3: No, follow him on his social media and you'll see.
- 2:35:05Speaker 2: I know it's Petrópolis, São Gonçalo, Nova Friburgo, this region
- 2:35:10Speaker 2: will have a lot of show, huh?
- 2:35:12Speaker 5: It will have. 10, 11, 12 of October you.
- 2:35:14Speaker 2: Will be seeing.
- 2:35:15Speaker 5: In São Paulo, I think it will be there for
- 2:35:19Speaker 5: the day... 3, 2, 2 in São Paulo. From 11
- 2:35:22Speaker 5: to 4... Ah, ok. This one is over.
- 2:35:23Speaker 2: 11 to 4 is over.
- 2:35:24Speaker 3: So, so.
- 2:35:26Speaker 2: It's crazy, I could have written it down before I came, right?
- 2:35:28Speaker 2: But the guys want to stay.
- 2:35:29Speaker 8: No, but I don't judge, right?
- 2:35:30Speaker 7: I would do the same.
- 2:35:31Speaker 8: It's a good thing I only had one date to decorate.
- 2:35:33Speaker 3: No, and it was full of magic to do too.
- 2:35:35Speaker 2: Full of magic.
- 2:35:36Speaker 5: You're worried about not missing the magic, right? Then I'll
- 2:35:39Speaker 5: see here if Pac is at Simpla. If it's at Simpla,
- 2:35:43Speaker 5: it's a success, because everyone will appear. But it can
- 2:35:45Speaker 5: be at ingresso.com too. Look, I found it here at
- 2:35:48Speaker 5: digital ingresso. What day is it? October 12th.
- 2:35:51Speaker 2: This one will have, this one will have. at 4pm
- 2:35:55Speaker 2: do you want to see what I have on Instagram?
- 2:35:59Speaker 5: Imperial Theater Imperial will be cool Petropolis Petropolis, yeah.
- 2:36:08Speaker 3: It's only there on your Instagram, it'll be on the bio,
- 2:36:10Speaker 3: everything there.
- 2:36:11Speaker 5: I'll put it.
- 2:36:11Speaker 2: I'll put it.
- 2:36:12Speaker 3: You have to put it.
- 2:36:13Speaker 2: No, it's on the bio, it's on my site, and on.
- 2:36:14Speaker 5: My site there was a show agenda.
- 2:36:15Speaker 2: But since you changed my site of the courses, you
- 2:36:18Speaker 2: changed it together with this one that had nothing to
- 2:36:20Speaker 2: do with the story.
- 2:36:20Speaker 5: But that's it, go to the shows, man. Consume the
- 2:36:22Speaker 5: people you like, you know?
- 2:36:23Speaker 2: And go out a little bit of home, the antisocial,
- 2:36:25Speaker 2: the orange finger of Dorito do Carai, take a sun, fuck. Oh,
- 2:36:28Speaker 2: it's really cool, a lot of people who go to
- 2:36:29Speaker 2: the magic show there say, man, I've never been to
- 2:36:30Speaker 2: a magic show, I need to go more times, where
- 2:36:32Speaker 2: is it? It's cool, it's a thing that in Brazil
- 2:36:33Speaker 2: we're not very used to, and not only my show,
- 2:36:35Speaker 2: but all the magicians who hate me, go to their
- 2:36:37Speaker 2: show too. Do the magicians hate you? It's a pain
- 2:36:39Speaker 2: in the ass, this shit. But I don't care anymore either.
- 2:36:42Speaker 6: Okay.
- 2:36:42Speaker 2: I'm good.
- 2:36:43Speaker 5: You had to come here and do an X1 of magic, bro.
- 2:36:46Speaker 2: By hand?
- 2:36:46Speaker 5: By hand.
- 2:36:50Speaker 7: Cool, if you start training boxing, will it be a
- 2:36:53Speaker 7: magic X1 or in the fight?
- 2:36:54Speaker 2: I suggested in the magic, but he already wanted a fight,
- 2:36:56Speaker 2: I already like it more.
- 2:36:57Speaker 3: It's cool, go in the fight.
- 2:36:58Speaker 2: I'll do an X1 of each too.
- 2:36:59Speaker 8: Wow, but you won't give up, you're going to lose, baby.
- 2:37:01Speaker 7: I'll lose.
- 2:37:02Speaker 2: You're crazy, man, you don't know how it works.
- 2:37:04Speaker 5: No, but wait, I'll tell you something.
- 2:37:05Speaker 2: I'll tell you something, I'm vice-champion of jiu-jitsu.
- 2:37:08Speaker 3: My son.
- 2:37:08Speaker 2: Tell us the end of the story now. You know, right?
- 2:37:10Speaker 2: I know. Tell us the end of the story now.
- 2:37:11Speaker 2: It looks like my uncle doing the piano. But I
- 2:37:14Speaker 2: have the medal there, I have the medal there.
- 2:37:16Speaker 5: Man, a friend of this, nothing. É melhor ter nada.
- 2:37:19Speaker 5: É melhor ter nada.
- 2:37:19Speaker 2: Calma aí também. Calma aí também.
- 2:37:22Speaker 5: Curtiu, Zé, não?
- 2:37:23Speaker 2: Curtiu pra caralho. É nóis, galera. Satisfação total.
- 2:37:25Speaker 3: Obrigado.
- 2:37:26Speaker 5: Sempre bom voltar, gente. Obrigado por tudo aí.
- 2:37:23Speaker 7: .
- 2:37:33Speaker 2: Se gostou, deixa o
- 2:37:47Speaker 2: seu like, se inscreva no canal, siga o Zero e
- 2:37:48Speaker 2: o Barbieri nas redes sociais, vão estar.
- 2:37:50Speaker 5: Aí na descrição.
- 2:37:51Speaker 2: Dia 30 de outubro, Carioca Clube, lá em Pinheiros. Vá
- 2:37:55Speaker 2: no show do Zero. E... In the middle of October,
- 2:38:00Speaker 2: you from Rio de Janeiro, Barbiere show, impossible.
- 2:38:03Speaker 5: Stick it, bro. Buy tickets.
- 2:38:05Speaker 2: We're together, leave your like, subscribe to the channel, follow
- 2:38:07Speaker 2: Mítico Jovem, because he's fucking beautiful. Follow Graudio too. Let's go,
- 2:38:11Speaker 2: you can get 11 million subscribers. Let's go, Mítico Jovem.
- 2:38:14Speaker 3: Let's go. What a wonderful episode. You're giving me a shock.
- 2:38:18Speaker 4: Get out, get out.
- 2:38:19Speaker 2: Look at the noise.
- 2:38:19Speaker 6: Wow.
- 2:38:21Speaker 2: On the neck it's more violent. Wow.
- 2:38:23Speaker 3: Dignity forever. That's it.
- 2:38:25Speaker 2: Pass it, Mítico.
- 2:38:26Speaker 5: Pass it.
- 2:38:28Speaker 7: Ha ha ha.
- 2:38:55Speaker 1: We have days for your independence.
- 2:38:57Speaker 6: Bet.
- 2:38:57Speaker 1: Easy Lot of Independence. September 15th. Estimated prize, 300 million. Hey,
- 2:39:00Speaker 1: I'm not going to be last, huh? Bet with Responsa.