Latest / Dubious Creatures Presents / The Vampire With No Name 1.05 - Bucket of Blood
Transcript
- 0:28The. A highway wanders through the
- 1:21desert. A tumbleweed drifts past a dusty
- 1:25dive bar. A coyote shrieks out to no one
- 1:28in particular. Someone's bleeding out in a
- 1:31bathroom stall. The stars tonight are bright,
- 1:36but not nearly bright enough. This place does not exist, and
- 1:42yet here you are. Welcome to Saint Arroyo Kindred.
- 1:49We here at Dubious Creatures present to you.
- 1:52The Vampire with no name. The Roll of Honour, or the roll
- 1:59to locals is well, it's a hole in the wall dive bar, not
- 2:06dissimilar to at least a dozen scattered throughout the city,
- 2:09not the Empire County. The role is a little different
- 2:13because the role is San Arroyo's dive bar.
- 2:18The local legend has it that it was in this spot.
- 2:22The Grim Bastards MC were originally formed in the wake of
- 2:25the Vietnam War. Or maybe that's just something
- 2:29the owners made-up to attract clientele.
- 2:33Nobody's really sure, but they are sure about how they get the
- 2:36name as you walk in. It's a small L-shaped room, the
- 2:44bar taking up 1 long corner of it, the other half dominated by
- 2:52little patched booths set up against a long wall of pictures,
- 2:59each one marked with a date. Underneath each one, a survivor
- 3:05of the infamous drinking contests sometimes take place
- 3:11here, and those that survived through that many shots of Saint
- 3:15Arroyo's signature liquor and lived to vomit another day.
- 3:19Currently, U5 entering seems to be one of the largest
- 3:23concentrations of people in the vicinity.
- 3:28There's a couple scattered late night clientele guy at the far
- 3:35corner of the bar and they're saying what looks like a seltzer
- 3:40glowers at you a bit before going back to his drink.
- 3:44An old kind of crackly TV over the bar here's to be showing you
- 3:50think it's a rerun of an old Pronghorns game.
- 3:54And most notably, far back there's a cluster rear for
- 4:00people all wearing Grim Bastards vests who appear to be in the
- 4:07midst of giving another toast before simultaneously slamming
- 4:12back shots. The woman at the bar, iron
- 4:15haired, stout, matronly woman with more ink on her arms than
- 4:22some of the bikers, kind of leans over, looks at you Ash,
- 4:28and says well hell, you didn't get enough last time darling.
- 4:34Practically killed me, but I'm tougher than that.
- 4:37I'll say you and Diego were tossing them back like someone
- 4:42was going to saw your leg off come morning.
- 4:46Well I had a lot to drink about but well came back.
- 4:53Needed some ash like makes a show clearing their throat.
- 4:59Not actually here for the vermello this time.
- 5:01Or something with actual taste. Well, you do realize this is a
- 5:07bar, yes? I mean, I do want something.
- 5:11It's just not liquor. Can we can we talk a little bit
- 5:18like they they sort of like gesture towards like the I don't
- 5:23know if there is a back to the roll of honor, but.
- 5:27There is, you know, they do have a sort of store room area.
- 5:35Give me a charisma manipulation plus persuasion as this
- 5:40bartender. She's looking at you, but she's
- 5:42also looking at some of your compatriots.
- 5:45I give her my best winning smile.
- 5:47OK, I'm gonna like. Can I use either I have one dot
- 5:53of famous face or the the looks Merrick?
- 5:56Would either one score me points here?
- 6:00Looks Merrick would. OK, 7 successes, which I I'm
- 6:05messy, critical though I'm not. Yeah, that's that's the boy.
- 6:09Did you want to keep the messy critical?
- 6:11You don't have to. Yeah, you know what?
- 6:13Let's try to re roll out of it. Well, now.
- 6:18The dice really wanted this to be a messy critical, so 6
- 6:21successes. As you lean on the bar, you feel
- 6:26almost instinctually, something radiate off of you like a heat
- 6:30wave, smoothing over the general social awkwardness, making this
- 6:37woman more pliable to an otherwise somewhat strange
- 6:41request. But as you do, you feel
- 6:43something in response churn in your gut.
- 6:48You go up to hunger. 4 You are, you know, you're starting to
- 6:54feel that gnawing in your belly that Ansel mentioned earlier.
- 7:01Ash is trying to ignore it, mostly because as they've as
- 7:07they've found recently, they are.
- 7:10They haven't found any. They haven't found their
- 7:14favorite meal yet. Every time they've drank,
- 7:17they've needed to really hold it down.
- 7:20And so there is AI think almost, they're trying to like, almost
- 7:25grind their teeth, like to stop from just like looking too
- 7:30hungry. If the bartender presses any of
- 7:35this, she doesn't show it. She throws a towel over one
- 7:38shoulder and says don't see why not.
- 7:42Hey Gabe. She calls to the man that was
- 7:45glowering at you before. Hold down to the Fort will you
- 7:50Make sure those boys in the corner don't get too rowdy.
- 7:54Gabe just nods but continues to give you all the prescription
- 7:59grades. Stink guy, why are we talking
- 8:03back? Sure thing.
- 8:06Ash follows and wait and waits until they are at least decently
- 8:11away from crowd and in the back before resuming conversation.
- 8:17Yeah, as that's happening, what are the, what are the four of
- 8:20you doing? Because, well, you are just kind
- 8:24of loitering at the moment. At least go up to the bar, take
- 8:29a seat and shout up the bartender.
- 8:34Well, currently the bartender is in the backroom with.
- 8:37Whoever is like watching over I guess.
- 8:40Yeah, this Gabe Bella, who you get a little bit closer to, he's
- 8:45maybe want to say he's younger than he thought he'd be.
- 8:50You want to say maybe mid 20s Latino, got very short, almost
- 8:56buzz cut style hair and he's just wearing jeans and a cotton
- 9:00shirt. Despite his relative youth, he
- 9:03looks like the sort of guy who's seen him in a lot of life, and
- 9:06he is rather notably, again nursing a seltzer water rather
- 9:10than actually drinking. I'm going to be a little bit
- 9:13more magnetic than usual and I'm going to activate awe as I sit
- 9:18down, smile at him and just say, how's your night?
- 9:24Can you give me a manipulation plus presence rule please?
- 9:27Or successes. OK, Gee, looks like he's about
- 9:34to glower at you, but then something happens and the
- 9:39expression softens just a tad. He just shrugs.
- 9:45It's fine. Well, let's see if we can do
- 9:49something to make it maybe a little bit better than fine.
- 9:53I'm Lee, by the way. Hi Gabe, and I'm on the clock.
- 10:00I mean, I don't think it's a chat.
- 10:04I don't get paid to chat. I guess I'll find some other
- 10:10company for a little bit. Yeah, you do though.
- 10:14OK. Astor just like next to Raleigh
- 10:18and doesn't engage with the bartender, just like more
- 10:24sitting there and just observing the people around her.
- 10:28Yeah. Anyone else doing anything?
- 10:31What's the? Music situation, the bar like.
- 10:34Like what's the? What's like what?
- 10:36What are they? Like is it like country that
- 10:38they're playing? Rock?
- 10:39Like what? What are they playing?
- 10:41It's some kind of country tune that you're not familiar with,
- 10:44filtering in through a very crackly speaker system mounted
- 10:49on the bar itself. It's fine.
- 10:54It's perfectly serviceable background noise does it.
- 10:58Have like a live music section. No, it's kind of looking around
- 11:02again, it's there's barely room to swing a yeah, there's barely
- 11:06room to swing a cat in here, in all honesty.
- 11:09And you can see those guys over at the most of the noise isn't
- 11:14coming so much from the speaker or the TV, but from those guys
- 11:19in the corner. As you watch, a woman comes out
- 11:23of what looks at the restroom, dark skinned, young, very good
- 11:28looking, much to the market appreciation of the bikers.
- 11:35And she sits down very close to one of the guys in the booth
- 11:40before immediately taken slamming down a shot herself.
- 11:43Looks like they're having some kind of private party over there
- 11:46that you weren't invited to. I, I think he's, he's just going
- 11:49to kind of linger. Meanwhile, in the storeroom.
- 11:54Well, so what's so urgent? Don't tell me you need bail
- 11:58money for Diego or something. No, no, nothing that dire.
- 12:05I wanted to. I'm working a little bit of a
- 12:08side hustle right now. I wanted to ask, I know this is
- 12:11probably a little bit of a touchy subject.
- 12:13A while back. I know you filed the restraining
- 12:16order against Michael Phillips. Oh yeah?
- 12:20How did you hear about that? Believe it or not, I it's just a
- 12:25long story there. There's a couple things, but
- 12:28you're the that whole ordeal came up.
- 12:31I know Michael was a ranting about something.
- 12:34Was he like off on hand drunk or was it like was this like real
- 12:41ranting? I know Mike, the Mike.
- 12:46That's what he, that's what they said they used to call him back
- 12:49when he worked on that radio show.
- 12:53He didn't take getting laid off very well, started drinking a
- 12:56lot. And well, when he wasn't
- 12:59drinking he was yelling. Mostly yelling about that'd be
- 13:05easier to listen to this subject material.
- 13:07He didn't have a grievance 1 Endron City Council one time.
- 13:14And I swear to God this is true. He even started going off after
- 13:19several shots of the red stuff about goddamn vampires.
- 13:25Ash like makes a show of snoring and he's like, well, no sense
- 13:29for taste. And.
- 13:31Do you know where Mike's getting his getting his drinks these
- 13:35days? I had to boot his ass out after
- 13:39I 86th him the one time and he came in here I think just
- 13:43because he liked to get his ass beat.
- 13:48I don't know. He lives out in one of the
- 13:54trailer parks just past Rio Blanco.
- 14:00Sun, Sunset, no sunrise Station, I think it's called.
- 14:07Listen, I don't know if you want to go bothering him.
- 14:09He's, he's not quite tinfoil hat, but he's getting there.
- 14:14Always had these wild ideas about things.
- 14:18I get it, I just have to follow up on this for call it a lead
- 14:24but. Well, are you API all of a
- 14:26sudden? Something like that.
- 14:28Or at least I'm, I'm doing, I'm doing some legwork the, the, the
- 14:32new law firm, Gillan, they're, they're, I'm doing a little bit
- 14:36of a life reassessment right now and trying some new things.
- 14:41Because you're kind of stumbling for an excuse, you can't help
- 14:46but notice the way that the carotid artery in Chrissy's neck
- 14:54pulses ever so slightly. She's right there.
- 15:00It would be so easy. Go ahead and give me a willpower
- 15:05check. So that is 2 successes.
- 15:10That is just what you needed to resist this impulse.
- 15:16And you do resist it. You feel it clawing at your
- 15:21hindbrain. You feel too sharp.
- 15:24Points extend past your gun line, but you keep it together.
- 15:30Barely. Christina.
- 15:33Chrissy kind of looks at you quizzically.
- 15:36You all right, Ash? You're looking a bit piqued.
- 15:42Hungry more than anything. I I I probably just I, I think I
- 15:48went a little too hard at the gym, but thanks for the info.
- 15:53I I. Yeah, yeah, That was, I don't
- 15:57know nothing about macros or whatever, but I mean, it got
- 16:03half a microwave burrito if you're really need something to
- 16:06put in your stomach. Ash, Ash like like just trying
- 16:11to think of like anything but just hitting them to the hitting
- 16:16her to the wall right now. And it's like not.
- 16:20It would be so easy. Like starts like inching towards
- 16:26the toward. It's like I really have to go
- 16:28back to my friends. Really it's don't worry.
- 16:30Thank you so much. I'll try not to.
- 16:32Be a stranger. Yeah, sure, as you slip out.
- 16:38So all this is happening, Raleigh, you go ahead and give
- 16:40me a Wits Plus awareness rule. Two successes.
- 16:44There's 1B steel failure on one of the base.
- 16:47Well, it wasn't a high difficulty because as you're
- 16:50kind of looking away, not really getting anywhere with your charm
- 16:55offensive, Gabe kind of absent mindedly look in the opposite
- 16:59direction where the grims are having their little hoe down and
- 17:05you stop and stare because that woman that's partying with them,
- 17:10that's the bitch that stole your phone.
- 17:13Fuck it, I'm gonna gonna get up from where I'm sitting and turn
- 17:19to ask her and say I will be right back.
- 17:23Will you look you do you want to talk about it first?
- 17:27Like not pointing anything. You're just being like, see the,
- 17:30the, the woman over there? Mm hmm.
- 17:34Was the one the one that nicked my phone last night?
- 17:38Bitch I I would say I got your back but this isn't my best Ave.
- 17:43but I got your back. I've done this many times in
- 17:46movies before so I'm sure it'll go just fine.
- 17:49I'm going to hand asked her my phone now just in case she tries
- 17:55to tries it again. Stick it in my other butt
- 17:58pocket. OK.
- 18:01So what exactly are you planning here, Raleigh?
- 18:03I am going to go over and act like I am old friends with this
- 18:10girl. You see this girl, Kirstie,
- 18:13you've never got her name. Yeah, well, she is, let's just
- 18:18say in a level of personal contact with one of these guys
- 18:23that he is clearly enjoying. I certainly put on a bit of a
- 18:29persona as I walk over. You know, the actress thing,
- 18:33it's suddenly it's like, I'm not Raleigh.
- 18:36I'm this character I played in this one film.
- 18:39And I'm tapping back into that as I sidle up and give her a
- 18:47smile and say, holy shit, I feel like I haven't seen you in
- 18:53forever. Give me a charisma plus
- 18:56performance check. And I have a specialty in
- 19:00acting. You are acting.
- 19:02You are. You did say you are acting the
- 19:04hell out of this moment. By the way, this is around the
- 19:07same time that Ash, you've come stumbling out of the storeroom.
- 19:10So everybody's currently in the same area more or less.
- 19:13You know, just in case. And I'm going to spit a
- 19:16willpower on that. That's 4 successes.
- 19:19You say that and she looks up and your eyes me, and there's a
- 19:24moment, a moment of just a split second of surprise, but then it
- 19:30appears that you're not the only good actress.
- 19:32And then you've ever seen any. And she immediately breaks out
- 19:35in a beatific grin, says Oh my God, hi.
- 19:40Hey. I had no idea that you'd be
- 19:42slumming it too. Come here.
- 19:46She immediately gets up and just gives you a full hug.
- 19:49And I am, in this moment, glad that I handed my valuables to
- 19:53Aster. So there's nothing to There
- 19:56really isn't anything to lift on my person at the second, but
- 19:59I'll give her a hug back. Well, at the moment she doesn't
- 20:04appear to be pawing through your valuables.
- 20:06Instead, you hear her whisper in your ear.
- 20:08Not here. How are you doing?
- 20:11Wow, that that small world, right?
- 20:13Small city, I guess. Smallest.
- 20:16You know what they say. One of the grims, the
- 20:20specifically the one that she was getting no so close to the
- 20:22moment kind of sits up like listen, unless you're here to
- 20:27join in, beautiful. This is kind of a private
- 20:31occasion, so. I won't trouble you too much, I
- 20:38just wanted to say I know. You from somewhere?
- 20:42I have one of those, Yeah, yeah. This is this is an old college
- 20:46girlfriend of mine. She's just passing through, you
- 20:48know, I mean, the pronghorn's pride, right?
- 20:52Yeah. Drags you to the craziest
- 20:54places. Listen, boys, it it's it's been
- 20:58fun. But if I get any more shots and
- 21:01I'm going to do something I'm really going to regret come
- 21:04morning, You understand, right? I mean, I don't know if the
- 21:08party was just getting started personally.
- 21:10Come on, we're in mourning here. This woman flashes you to look
- 21:15like help. I swear.
- 21:20It will only be just just a minute.
- 21:23Just give us like 5 minutes to catch up and I will return her
- 21:28to you lickety split. And if I need to I will also
- 21:33turn on AWE. Absolutely.
- 21:36Give me Charisma plus Persuasion once more.
- 21:39Let's see if you're a bit more successful this time.
- 21:41Wise force success is the number of the night.
- 21:44This guy definitely looks disappointed, but at the same
- 21:47time, the amount of you could call it potential squeeing
- 21:54energy building up in the vicinity is enough to make him
- 21:57retreat back almost reflexively. All right, don't keep me waiting
- 22:04long though. I get lonely. 01 dream of it.
- 22:08Yeah, No. So please.
- 22:09How you been, girl? And she's like full on
- 22:13shepherding you back out towards the entrance.
- 22:18I will play along and follow and just be like, oh, you know, it's
- 22:22been a while, couple of days. As they exit out the bar you see
- 22:27that Gabe guy been watching them like a hawk this entire time and
- 22:32as Chrissy yourself returns he says be back in a SEC, got to
- 22:41take a phone call, stands up and after a beat follows after the
- 22:45two of them. I think Ash is going to tail,
- 22:50yeah. Right there with you.
- 22:55How obvious about this do you want to be?
- 22:57Oh, actually, if we can frame it as I am pulling as Astor pulls
- 23:01Ash outside to have their own little conversation.
- 23:06Sure, give me give me manipulation plus subterfuge.
- 23:13So I think I'll I'll, I'll I'll Ash will take the lead on that.
- 23:18You're like, come on, this is a little too stuffy, you know,
- 23:21like so yeah, let's try this. Oh, this is this is this is
- 23:25going to go so well considering of a forehugger.
- 23:28What could possibly go wrong? Don't say that.
- 23:31But I love saying it. We are not stealthy or subtle,
- 23:36so. Bad.
- 23:39OK, so well, the only people currently not engaged in some
- 23:42kind of shenanigans happen to be Crow Jeremy, who just kind of
- 23:51been people watching this point. And you see, wow, OK, well, I
- 23:56guess when it's true what they say, a force of good acting must
- 24:00be countered by an equal and opposite force of terrible
- 24:04acting. So actually Jeremy is when he
- 24:09sees how bad they, they like looks like they they're, they're
- 24:12sucking it off. He's going to stand up and he's
- 24:14basically going to reverse call attention to them and go.
- 24:18Oh come on, fuck already. At them.
- 24:21Here's the thing, those two beastial failures in a row.
- 24:24So here's what happens when the bikers noticing this
- 24:28altercation, not the guy you were previously talking to, but
- 24:30another one who's perhaps been drinking a little bit more
- 24:33conservatively, notices Ash and then calls it up.
- 24:37Hey, hey, motherfucker talking to you.
- 24:41Ash turns around. Yes.
- 24:43Remember the last time you were here?
- 24:46Vomited all over my cut. You know, it was a long night.
- 24:50I don't honestly remember any of it.
- 24:53Well, maybe you'd take you Outback, refresh your memory a
- 24:56little bit and he's crossing the room towards you and some of his
- 24:59buddies are not necessarily also getting up to mob you, but they
- 25:05are definitely at the tension. Ash leads furnaces.
- 25:11You know, I kind of would like to go Outback with you.
- 25:15I could they lean in and say I could maybe find a way to make
- 25:21it up to you. Aster just cocks an eyebrow.
- 25:25Side eyes you. And fuck it, let's, let's, let's
- 25:30try. I'm going to.
- 25:31I'm trying. I'm trying basically to judo
- 25:33this entire conversation. He was admittedly not expecting
- 25:40that kind of retort, but at the same time he's not about to let
- 25:44that slide either as he just kind of looks back.
- 25:47It's just like this fucking guy. OK, hassle, want to go round
- 25:53back? Hope you're a girl here.
- 25:56Got 911 at the ready. Ash will like gesture, do you
- 26:02know that? Do you know the local number for
- 26:05911? You can't call 911 on a cell
- 26:07phone, you know that? And like gestures towards the
- 26:11the back exit. I know the way, do you?
- 26:15Oh, the night's gonna be a fun night, my.
- 26:19God. So heading in two different
- 26:22directions and again, 2 of you just observing all this code
- 26:26down, we're going to start with Raleigh to begin with.
- 26:31Yeah. So Raleigh, the moment you're at
- 26:32the entrance, she she's been on your arm the whole time, but the
- 26:38moment she's outside drops completely, you you got a bit of
- 26:46a circulation problem. You know, doctors tell me I I
- 26:51got a bit of a problem. Yeah, right.
- 26:53When was that like shears disease, right?
- 26:57Yeah, I mean. OK, OK, so you track me down.
- 27:02Impressive. What exactly is the game plan
- 27:05now? Well, I didn't actually come
- 27:08here with the with the intent of tracking you down.
- 27:13We just happened to to meet. Uh huh.
- 27:17You hear the doors open, You see that gay guy?
- 27:20You're out on the street right now, out on the sidewalk, out in
- 27:25public or as public as this part of San Arroyo gets at this time
- 27:28of night. You just kind of maybe a couple
- 27:31feet back, just stands there and crosses his arms.
- 27:36Just going to give give him a bit of a look and just say look
- 27:41at her and say boyfriend. Oh honestly not your best line.
- 27:48Well, you know, I got to work with what I have.
- 27:52Well, right now not really a lot of scenery to chew so.
- 27:56But we just part ways and call it that.
- 28:02Maybe, but you look like somebody who can, who hears
- 28:08things. What you, what you're driving at
- 28:11exactly I'm. Looking for some information on
- 28:17a relatively bit of a recluse in the area and maybe you've heard
- 28:23something. Did you not hear what she
- 28:26fucking said, lady? And she actually holds up her
- 28:30head as the guy steps forward a little bit, but she holds up her
- 28:33hands. Like a recluse, you say?
- 28:37A bit of a recluse, yeah. Having a bit of trouble tracking
- 28:40him down. Wouldn't have anything to do
- 28:44with the rave last night, would it?
- 28:47Because I think we both know that wasn't well.
- 28:52Yeah, well, the rave may or may not be a part of it.
- 28:57And what exactly are, no offense, but what exactly are
- 29:01you planning to do about it? I may have been given a task to
- 29:11find out more about what happened.
- 29:14Uh huh. OK.
- 29:16And look, lovely coincidence that I just happened to meet you
- 29:21and maybe you've heard some stuff and, you know, do you
- 29:28share a little bit what you've learned?
- 29:29And we part ways as unlikely friends.
- 29:33She you can see the Gators turning in her head.
- 29:36Go and get me a wits plus inside role.
- 29:40That's not bad. And you know what?
- 29:43I want to succeed. We're going to rouse.
- 29:46I will go up to hunger. 3 out of 3 successes.
- 29:50Like I said, you can hear practically see the gear's
- 29:54turning in her head and she seems to immediately come to
- 29:58some kind of decision. Look, I get it, You're this big
- 30:04famous somebody and I'm just some lowly little T towner,
- 30:10don't want any trouble. So tell you what, I can give you
- 30:15a location that you might find interesting.
- 30:19You do that and, or rather I give you that, and we could.
- 30:25We could. There's back towards the
- 30:29warehouse district, past, past Alvarado St.
- 30:36There's this building used to be an industrial laundromat, you
- 30:41know, back when the city actually had a hospitality
- 30:45industry. People have been, let's just
- 30:49say, disappearing in the vicinity, which is, you know,
- 30:55weird considering that building's been condemned for
- 30:59decades. Talking about chemical spillage.
- 31:02I mean, granted, they're not people that SAPD could be
- 31:08bothered to look into, but if you're so interested I'm sure
- 31:13that could be a good place to start.
- 31:15I'm sure it could be. OK.
- 31:17Yeah, I'll step back and be like or square.
- 31:21OK, I'm going to head in this direction now.
- 31:25I will head in the house direction.
- 31:27It's been lovely doing business with you.
- 31:30Sure, you see, Gabe the entire time has been watching you like
- 31:37a hawk, but he comes a little as this woman walks away from you
- 31:46and towards him, and the two of them together start walking
- 31:50further down the street. And then what?
- 31:55I guess nobody's followed me out so.
- 31:58Yeah, I wonder what's going on there.
- 32:00Speaking of which. Yeah, so Speaking of which, Ash?
- 32:07Yes. So what exactly happens when you
- 32:14walk out with this guy into the back alley with the with nothing
- 32:19but the dumpsters and a few broken bottles for company?
- 32:24Oh, so no, so so just to check, nobody is following us.
- 32:28Like I said earlier, you interrupted some kind of party,
- 32:32and it seems like the rest of the Grims are the opinion that
- 32:36whatever this beef is, it's going to be a brief intermission
- 32:38before they get back to their impromptu wake.
- 32:43Ash is going to hold up two hands, like palms up and say,
- 32:49you know, I'm willing to make amends.
- 32:51Whether that be a little bit friendlier or fisticuffs.
- 32:56That's really honestly your your choice.
- 33:00Fucking rich kids wallet. And Ash is going to just like,
- 33:06sucker punch him in the gut. Give me strengthless brawl.
- 33:13Yeah, let's do this. Sure.
- 33:15You know what? Fuck up, I'm going to eat
- 33:17anyways. No surprise.
- 33:19Surprise. All right.
- 33:21That is five successes. He was so self confident, so
- 33:26sure that he was basic. This was going to be not a beat
- 33:30down, but a shaped down. Then he'd punch him right in the
- 33:34gut. And The thing is, you're a
- 33:38trained boxer. You know where to hit someone
- 33:40where it really hurts in the body.
- 33:44But something happens, something that neither of you expected.
- 33:48Your blow impacts right under his ribs, and you feel it
- 33:53sinking further. And if you something rupture
- 33:58something deep inside, you see his face just go fully white
- 34:03with pain and he stumbles back a few steps, collapses under his
- 34:10knees, and then just starts packing up blood onto the ground
- 34:14in front of him. Ash is going to bite.
- 34:22He is. With the amount of damage he
- 34:25just took in a single hit, he is not in any good position to
- 34:33defend himself. But well, First off, need to
- 34:38make one more willpower check. Well, it's only two.
- 34:43Something about this feels right.
- 34:45Ash lifts him and pin and like pins him like stomach first
- 34:50against a nearby wall. Yeah, when he does that, he
- 34:56practically vomits up another stream of deep red arterial
- 35:00spray and, well, now he's just wasting your food and you bite
- 35:07in. And Ash Oh, I guess my question
- 35:12was going to be how does this taste?
- 35:18Raw and powerful and angry and full of bravado and cocksure
- 35:26assurance, with just a little bit of extra seasoning thanks to
- 35:32the cheap Vermelo they were all Downing earlier tonight.
- 35:37Ash like. Fangs sunk into him is in
- 35:43delight. Blood has never tasted this good
- 35:46before. They moan against his neck as
- 35:52they keep drinking. This feels right, this you
- 35:57earned this every drop, and you keep drinking and keep taking
- 36:04every little bit of authority that he thought he had into
- 36:09yourself. And by the time you're done, by
- 36:13the time you're full, so blissfully full, stagger back
- 36:21almost a little, drunkenly wiping at your mouth, grin
- 36:26plastered across your wet face, and you look down and you
- 36:33realize he's not moving. Do you?
- 36:41You have violated one of the Chronicle tenants.
- 36:44Yeah, baby. Do you think your conviction can
- 36:49mitigate this? Ash half of Ash's conviction is
- 36:54no surrender, and I do think that, at least in some part,
- 37:00there was never any chance that Ash was going to back down to
- 37:07this frankly asshole lowlife. Very well then you will only
- 37:14take one stain because but you may have acted in accordance
- 37:21with your convictions. This death didn't need to
- 37:25happen, and you have never actually killed anyone before.
- 37:31No. And I think Astor and Crow and
- 37:36Jeremy come back out into the back alley just in time to see
- 37:41this, because he was taking a minute and you were getting
- 37:44worried. You good buddy.
- 37:49Oh no. I'm great.
- 37:51He's not. Somebody help me move him.
- 37:56I can try, yeah. Just at the legs.
- 38:01Careful, he's slippery, Astrid goes.
- 38:05To like grab his legs and raise that she's strong enough to lift
- 38:10this guy. Yeah, Ash.
- 38:13Ash is going to do most of the lifting I imagine, and is going
- 38:17to like gnaw their head towards the the nearest dumpster so that
- 38:23they can quickly huff. Hey, man.
- 38:29Wait. Is there a storm drain nearby?
- 38:34Give me a what's what? Streetwise check. 2 successes.
- 38:39Wasn't a hard difficulty. There are large San Arroyo
- 38:43actually has some surprisingly robust sewer infrastructure
- 38:46based on other events that happened on his history.
- 38:49So there is a rather large great the storm drain nearby.
- 38:56And Jeremy's like wincing. And.
- 38:58Like looks down and away and says I just throw out and throw
- 39:03him in there. OK, like Astra pulls out her
- 39:07knife and just slices real deep. Oh Jesus, you actually did it.
- 39:11OK. You you said to.
- 39:14Do it. You cut and there's no blood.
- 39:18That's that's that's how you throw them in the surgery
- 39:21because it'll. Wash away and it'll just slow
- 39:23down and the laptop there's no blood, won't matter.
- 39:27But we're in so much fucking trouble.
- 39:31It's fine we because I didn't do shit.
- 39:34This is actually why I don't feed on them.
- 39:41You walked into there. What, once the body is yeah
- 39:48down? Deep into those infamous flood
- 39:51tunnels you always hear urban legends about, it's.
- 39:55Not going to be a problem if everybody keeps their mouth
- 39:57shut. Anyways, there's problem now.
- 40:01I'm not going to say shit. Raleigh After a bit of
- 40:07searching, you find them clustered around a storm drain
- 40:10for some reason. Yeah, everything good back here.
- 40:17Itchy. Great, I think I found us a
- 40:21lead. Fantastic.
- 40:23Awesome, we should get the fuck out of here.
- 40:27Yeah, yeah, we should. There's a a laundromat in the
- 40:31district where a lot of people have been going missing and it's
- 40:35not the kind of people that the police investigate.
- 40:37So. What's that?
- 40:43Feeling better at least. Amazing.
- 40:48Yeah, Jobs. How is Ash feeling?
- 40:53Cloud 9 right now, they are humming.
- 40:57They feel strong. Like realistically, like this is
- 41:03the best buzz. Like this is the best they've
- 41:06felt since they died. OK, so piling once more into
- 41:12Crow's ride. Yep.
- 41:15OK, Yep. Where are we going?
- 41:18You head the direct in the direction of the address that
- 41:25was supplied to you by this mysterious woman.
- 41:29Crow, I assume you're driving. Yes.
- 41:33In that case, could you please give me a wits plus awareness
- 41:35role? 3 successes Doesn't take long to
- 41:42find this large Adobe and brick building fenced off from the
- 41:52surrounding area, almost taking up an entire like corner of the
- 41:57street. Old, slightly battered chain
- 42:03link fence surrounding the exterior and appearing against
- 42:11the little bit of illumination you get from the street lights.
- 42:14You can see very, very old faded lettering across the top
- 42:25entrance of the building that says Alvarado Industrial
- 42:30Laundromat. You also see the signage, also
- 42:38quite battered and derelict looking on the chain link fence
- 42:42warning of toxic chemical spillage and authorized
- 42:48personnel only looks like it's that particular warning, whether
- 42:54or not it's been heeded. Been there for a while.
- 42:59Astrid makes so many scrunchy faces.
- 43:02Well, it's great that we're all dead, so.
- 43:05You don't have to worry about toxins.
- 43:09I. Guess this is what we're doing
- 43:11now. I'm going.
- 43:13To. Pull out one of the stakes and
- 43:16Jeremy's actually going to tuck it into like the back of his
- 43:19belt underneath his his shirt and he's going to like pull his
- 43:21shirt out. So it's just kind of hanging
- 43:23like near his spine, like under his clothes.
- 43:28I'll strap on the the sword so I have it just in case and
- 43:34depending on how many stakes are there are I'll also take one.
- 43:37There are 4. And I will definitely take one
- 43:39because I think I I might it's either Ash or I will have the
- 43:42best pool to actually use one. Yeah, I would say Ash definitely
- 43:47gets 1. You definitely get 1.
- 43:49Astor will offer one to grow. I'll.
- 43:53Take it, I'll see what I can do. No promises.
- 43:56It's. Better to be safe than sorry.
- 44:01Well. Ash, how do you want to do this?
- 44:04We go in. Get on a flashlight.
- 44:09Yeah, flashlight's good. Don't know for sure that this is
- 44:14their place, so try to be quiet and if there is something here,
- 44:19let's try not to wake it up. Yeah, agreed.
- 44:23I'd like to activate Eyes of the Beast as well now that we're in
- 44:26here. Absolutely.
- 44:28As you all see out of the blue, crow's eyes suddenly turn 8
- 44:35beastly, almost faintly glowing red.
- 44:39It's a fairly simple matter, even for the least athletic of
- 44:42you, to clamber up the fence. And make it look easy.
- 44:46There's some remnants of barbed wire, but this you are clearly
- 44:51not the first people to enter onto the premises clearly, as
- 44:56most of it has either been stripped away or flattened to
- 44:59the point of not even being a a useful deterrent anymore.
- 45:03Getting up to the building itself, it looms, but you check
- 45:11the door and it is open. There isn't even a padlock.
- 45:16I feel so safe. Definitely pinging the creepy
- 45:20vibes. Yeah.
- 45:25Just open it up as carefully as you can, despite the protest of
- 45:29rusty hinges as you begin to enter into the main cavernous
- 45:35area. It is pitch dark in here.
- 45:41The only one who can see unassisted without a flashlight
- 45:47would be Crow. As to you, the darkness isn't so
- 45:52dark after all. But even still, being able to
- 45:55see the inside of the laundromat doesn't bring much comfort these
- 46:04the space is bare concrete, dominated by massive top loaded
- 46:14industrial washing machines. Almost like these giant vats,
- 46:20some in various states of disrepair, some, it looks like,
- 46:24been completely removed altogether, leaving just pieces
- 46:30of rivets and girders sticking up from the ground like spikes.
- 46:35Dark. The air is stale and smells like
- 46:41smells like old metal and even older chemicals, but despite you
- 46:49not having to breathe, still leads an unpleasant taste in the
- 46:53back of your throat. You're not really sure where you
- 46:58should even start. What?
- 47:00Are we supposed to be looking for?
- 47:05I think anything that connects Mesab to this place and it was
- 47:11going to make the joke of gang, this is where we all split up,
- 47:14but we should not do that. We should definitely not.
- 47:17That's a bad idea. Agreed.
- 47:20I was wondering or more I've been thinking about it and
- 47:25wondering how this person is getting around unseen.
- 47:30And I'm sure that's their ways to do that.
- 47:34Vaguely gestures at everyone's cool abilities.
- 47:39But there's got to there's got to be a way right?
- 47:43There's there's got to be something more that.
- 47:46Would be the storm. Drains.
- 47:49Storm drains, yeah, I'm relatively sure that there's
- 47:53something we can do that makes us less noticeable.
- 47:59Bunch of weird shit. I mean, see if this place
- 48:03connects to any storm drains and see if there's any, even if you
- 48:10know, they are lost to their beast.
- 48:14And Rally makes quote. Fingers probably lived here for
- 48:19a while. Maybe they have some sort of
- 48:23living space that has something. I guess we should look for super
- 48:30boarded up rooms, although this place looks pretty boarded up
- 48:33already. Yeah, look for the most secure
- 48:38area. Everyone go ahead and give me
- 48:44wits plus either awareness or investigation.
- 48:49Oh my God, that's a beast deal failure for me.
- 48:54Well then. We're so good at our job.
- 48:58It's still 0 successes. Fuck you, dice.
- 49:01OK. So Jeremy surges to look and
- 49:06doesn't get hungry or still. I'm still at hunger.
- 49:08One and gets 5 successes. I have successes from Crow. 2
- 49:14successes. One of you far more observant of
- 49:20the abandoned places of the world, and one of you just more
- 49:25observant in a different way, is Jeremy.
- 49:28Oh no. That plucking of strings, that
- 49:32horror tenor, it's back. It's back with a vengeance.
- 49:39I I think rather than like going in a specific direction, Jeremy
- 49:42actually moves to like the nearest wall and actually like
- 49:45slides. Down it and has is.
- 49:47Like lifting his hands up and is covering his.
- 49:48Ears. Crow, meanwhile, you probably
- 49:53the best view of everything thanks to your eyes.
- 49:57There's a lot of debris, but aside from potentially inside
- 50:00one of these massive machines, not a lot of places to hide.
- 50:05Maybe if you headed towards the back rooms, maybe there's some
- 50:09sort of catwalk access, maybe a storage area, an office or some
- 50:14description. And you're trying to think, if I
- 50:19had to hide from the day, where would I be?
- 50:22When you start to progress further in almost kind of
- 50:25heedless of your new companions who are for the most part just
- 50:29kind of bumbling around rally. Yeah.
- 50:35Stumble forward a little bit, trying not to jump at shadows.
- 50:40You get into the main row of machines and you smell something
- 50:49foul. Faint, but foul.
- 50:52And you turn and you look at one of these almost huge boxy
- 50:58apparatuses, like the gigantism ridden cousins to the
- 51:03conventional home washer dryer, these massive almost Volt door
- 51:10like front interfaces, the one that you're immediately next to,
- 51:15it's slightly ajar. And the smell that is that is
- 51:21rank, it smells like death. That's really the only way you
- 51:28can describe it. Yeah, slowly reach out and you
- 51:37should push the door or whatever open.
- 51:42Open it up and shine your light on.
- 51:48At first you're not quite sure what you're looking at.
- 51:51It's the mass of red and brown and tan, all jammed and packed
- 51:58and crushed and mushed. And you realize those shapes.
- 52:04You see an arm, what's left of a torso, a head with a mop of
- 52:13blonde dirty hair. Another head, this one with
- 52:17black hair. A third one.
- 52:20Except this is, well, no telling what it's hair color was,
- 52:25because there's not enough of it left.
- 52:28A Press of bodies of corpses, all jam packed a human jigsaw
- 52:39puzzle of awful rest into the interior of this washing unit
- 52:46and you drop your flashlight and just shock.
- 52:52I need you to give me a willpower check.
- 52:56Well, let's hope that Anderson stubbornness doesn't give out
- 53:03now. 5 successes with the critical.
- 53:06You, you keep it together, keep it together even though what
- 53:09you're looking at is, well, what is Raleigh thinking as she looks
- 53:17at this slaughter pit? I'm thinking about that if I was
- 53:26still alive, I probably would be sick at the sight of this.
- 53:30It's horrifying, it's monstrous, it's disgusting.
- 53:38It is something that a person doesn't do.
- 53:42This is the work of a monster. And I think before I managed to
- 53:48master myself and all of this, I did let out a probably a what
- 53:54would have become a scream had I not clamped down on that, but
- 53:59like a sort of loud noise and then step back.
- 54:04And, you know, I don't need to breathe far enough away that I
- 54:09don't smell it as much. I'm taking deep breaths, just
- 54:14trying to just clear the scent from my nostrils of.
- 54:19Course, do you hear this commotion?
- 54:20You turn around. The flashlight has fallen in
- 54:23just a way that it perfectly illuminates the horror show
- 54:26within. I I think we might have the
- 54:31right place. Oh yeah.
- 54:37Yeah, don't, don't go in there. Something shifts.
- 54:43A head drops out of the morass, drops down, rolls not even a few
- 54:48feet away from you, eyes gone, jaw listing.
- 54:52And you're looking at it, and you look up, and you see in the
- 54:59middle of that morass, a pair of eyes open.
- 55:07Blood red beastial eyes.