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Method Man Interview and More · The Breakfast Club

• 0:00
  Speaker 1: Good morning show you love that in this room anywhere else,
• 0:03
  Speaker 1: so you're friendly on Fronda House top that day you
• 0:07
  Speaker 1: get the world frost stagers want to show the cameras mother.
• 0:11
  Speaker 1: I didn't agree. What sho is Listen City South RISDJ Hanry,
• 0:18
  Speaker 1: the captain of this se usually eat the only one
• 0:20
  Speaker 1: who can keep these guys in chat. Chalomagne, the god
• 0:23
  Speaker 1: love morn by. The breath was good morning usayo yo
• 0:43
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:44
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:46
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:47
  Speaker 1: yo yo yo. Good morning age yea good morning d J.
• 0:52
  Speaker 1: Cholomagne the god peace to the planet. Here's r everybody's
• 0:57
  Speaker 1: voice right, Yeah, I was pretty good with the voices.
• 0:58
  Speaker 1: Good morning everybody. It's Friday now. Charlemagne was right behind me.
• 1:02
  Speaker 1: I think he was on the road right behind me.
• 1:04
  Speaker 1: I looked at the clock and I was like, we
• 1:05
  Speaker 1: both can't be late. So I just took off you
• 1:08
  Speaker 1: and I made it so he should be maybe five
• 1:10
  Speaker 1: steps ten steps behind me. But it is Friday, weekend
• 1:14
  Speaker 1: is here. I'm ready for the weekend too. I'm heading
• 1:17
  Speaker 1: to Toronto tonight and then Saturday, Dominican Republic. I'm doing
• 1:21
  Speaker 1: the show actually with Cardi being fabulous, so it should
• 1:24
  Speaker 1: be a lot of fun. Charlemagne just stepped in to
• 1:25
  Speaker 1: build him. Was that you behind me, Charlemagne? But the
• 1:28
  Speaker 1: road I don't know. I took off. I thought that
• 1:30
  Speaker 1: was you. I see just now driving in. You just
• 1:33
  Speaker 1: walked it. You just came in. Yeah, it's possible. I
• 1:36
  Speaker 1: thought that was you. I was like, I looked at
• 1:37
  Speaker 1: the clock. Iuse like, we both can't be late, so
• 1:38
  Speaker 1: I brought you just took off. See what the thing is, right,
• 1:42
  Speaker 1: Joe Boy might always tell y'all at the age I'm
• 1:45
  Speaker 1: an now, but I have sex after midnight. There's no
• 1:47
  Speaker 1: way that I'm getting up at for twenty in the
• 1:50
  Speaker 1: morning at the time that we have to get up
• 1:52
  Speaker 1: last night and sinks starting around a quarter to ten.
• 1:55
  Speaker 1: Oh that's your fault. Okay, should learned now. But that
• 1:57
  Speaker 1: was good though. Now he wasn't quarter to ten. Done
• 2:00
  Speaker 1: by about quarter to eleven. You know what I'm saying
• 2:03
  Speaker 1: about thirty five minutes of that is just fall play
• 2:05
  Speaker 1: for me. Okay, okay, but I'm just saying, I'm only here,
• 2:09
  Speaker 1: what a minute late, and you're still late to hold
• 2:11
  Speaker 1: to ten minutes. I'm just saying, you gotta start a
• 2:13
  Speaker 1: little early. You gotta start that truck up a little earlier,
• 2:16
  Speaker 1: you do, instead of quarter to ten to a quarter
• 2:17
  Speaker 1: to nine. You're right, because wasn't nothing on TV last night,
• 2:20
  Speaker 1: by the way, and drop on the clues bombs for scissor.
• 2:23
  Speaker 1: Uh damn it, wait at the bomb, drop on a
• 2:26
  Speaker 1: clues bombs. God damn it. I'm not working. Bomb is
• 2:28
  Speaker 1: not working this morning? All right, Well do it man Newly,
• 2:30
  Speaker 1: please just you know, right there, I need to say something.
• 2:36
  Speaker 1: I just want to, you know, say, drop on a
• 2:38
  Speaker 1: clue moms sciss because her control album is an amazing
• 2:42
  Speaker 1: album that has sex to all right, that's that is
• 2:45
  Speaker 1: a great soundtrack for sexual activity, Siss of Control. And
• 2:49
  Speaker 1: you know a lot of times albums come out and
• 2:51
  Speaker 1: it's been out for some months and you don't really
• 2:53
  Speaker 1: appreciate it. You know, things move so fast nowadays. So
• 2:56
  Speaker 1: I just want to salute Siss of Control album because
• 2:58
  Speaker 1: it's amazing. Okay, Well, messic Man will be joining us
• 3:02
  Speaker 1: this morning. Oh man, it's hard enough to be a
• 3:04
  Speaker 1: fan around me for man, at least for me anywhere,
• 3:06
  Speaker 1: Because I grew up a Woutang for that. Okay. I
• 3:08
  Speaker 1: absolutely think Woutang is the greatest hip hop group of
• 3:10
  Speaker 1: all time. Good Faith Killer is my favorite m see
• 3:13
  Speaker 1: of all time. I was even thinking yesterday, am I
• 3:15
  Speaker 1: too old for a Wu Tang clan tattoo? I'm not
• 3:18
  Speaker 1: gonna you think so, gonna put on your leg. We're
• 3:22
  Speaker 1: gonna play it because the tattoos I got now, I'm
• 3:24
  Speaker 1: getting done over. Like I got a wolverine with a
• 3:26
  Speaker 1: mic on his arm and I'm gonna get that done over.
• 3:28
  Speaker 1: You know what I'm saying that I thinking maybe I
• 3:29
  Speaker 1: can just get a little wou tanging bloom bugget. I
• 3:31
  Speaker 1: think I'm too over that. Yeah, you bugget. But all
• 3:34
  Speaker 1: the members of Woutang holding me still, they got tattoos
• 3:37
  Speaker 1: like they're not getting them now. You don't think. No,
• 3:40
  Speaker 1: you can't get no Dabtang Claan merchandise and target. I
• 3:45
  Speaker 1: know I've seen that they sell like everywhere. You can
• 3:47
  Speaker 1: get what you think. You cannot get a classic. We
• 3:51
  Speaker 1: can't get a Woutang logo. No, No, too over that.
• 3:53
  Speaker 1: You can't do that. And you can't get a Dallas
• 3:54
  Speaker 1: Cowboy logo either, like you daddy got one too my
• 3:57
  Speaker 1: daddy got a Dallas Cowboy tattoo and it says six
• 3:59
  Speaker 1: times super Bowl champion. He only got five. He's one
• 4:01
  Speaker 1: of thold. He's one of those guys. He's seeing the future.
• 4:05
  Speaker 1: He's one of those good it didn't happy. That's the nineties.
• 4:08
  Speaker 1: Oh my goodness. All right, Matthew matill be Jordan's to
• 4:10
  Speaker 1: get the show cracking front page news. We'll tell you
• 4:12
  Speaker 1: about Hurricane Nate. Also your President Donald Trump, Well he's
• 4:15
  Speaker 1: back at it. We'll give you all the updates, keeping
• 4:18
  Speaker 1: lock of his wild thoughts. It's the breakfast love, come morning,
• 4:23
  Speaker 1: another one, an, we're the best news. I don't know
• 4:32
  Speaker 1: if you can tag it. No, you want to see
• 4:35
  Speaker 1: me naked, naked naked. I want to be baby spending
• 4:39
  Speaker 1: as Zai came from May time. Oh man, morning, everybody
• 4:44
  Speaker 1: is DJ Envy Angela Ye, Charlomagne, the guy bro Man
• 4:48
  Speaker 1: to the morning Angelie. He's not here today and it's
• 4:50
  Speaker 1: a Friday. Now, let's get in some front page news.
• 4:54
  Speaker 1: I feel so bad for Tampa Bay's kickers. You still
• 4:58
  Speaker 1: watching football? I'm not watching for but I've seen on
• 5:00
  Speaker 1: the news this morning that he missed three field goals yesterday.
• 5:05
  Speaker 1: That's what happens when you don't take a knee. But
• 5:06
  Speaker 1: he missed two field goals last week. He should have
• 5:09
  Speaker 1: stood with cap. Oh my guys, and they lost. They
• 5:12
  Speaker 1: lost nineteen fourteen. So if he'd have made those two
• 5:15
  Speaker 1: or the three, they would have won. He is out
• 5:17
  Speaker 1: of here. He lost the job. I feel bad for
• 5:18
  Speaker 1: him this morning. He should have stood with a cap.
• 5:20
  Speaker 1: That's what happens when you don't boycott, and when you
• 5:21
  Speaker 1: don't stand for something and you're still out there on
• 5:23
  Speaker 1: that NFL field. Well, his name is folk, and last
• 5:26
  Speaker 1: night the Patriots BA Tampa Bay nineteen fourteen. I feel
• 5:28
  Speaker 1: bad for that kicking one and just let the record
• 5:31
  Speaker 1: show I'm only talking like that. This week of the
• 5:33
  Speaker 1: Dallas Cowboys, the two and two were coming hit three
• 5:35
  Speaker 1: and two one. Next week it might be singing a
• 5:37
  Speaker 1: different two. Well, we owned four, so I'm not I
• 5:39
  Speaker 1: don't know anything about NFL this season. Now, let's talk
• 5:42
  Speaker 1: about Tropical Storm Nate. It's a new tropical storm, killed
• 5:45
  Speaker 1: twenty people already in Central America, and it's heading towards
• 5:49
  Speaker 1: the US. It says it should expect to hit Louisiana
• 5:52
  Speaker 1: around Sunday evening tropical storms killing people. Now, yeah, tropical storm.
• 5:56
  Speaker 1: So let's have had a Category one of category two,
• 5:59
  Speaker 1: so it's a hurricane. There ain't no tropical storms. This
• 6:01
  Speaker 1: category one category too. Right, Well, let's say a category
• 6:03
  Speaker 1: one hurricane. I don't know it was a hurricane, they say.
• 6:07
  Speaker 1: If they're saying it's a category one, then it will
• 6:10
  Speaker 1: be a curricane by the time it reaches Louisiana. Storms
• 6:13
  Speaker 1: and HIV hurricane a hurricane, all right, if you look
• 6:17
  Speaker 1: at it like that. Now, Donald Trump, he's telling the press,
• 6:21
  Speaker 1: this is just the calm before the storm. He had
• 6:22
  Speaker 1: to did the last night. Boy, he don't need but
• 6:26
  Speaker 1: a couple of military people, and he says, this is
• 6:28
  Speaker 1: the come before the medio. Let's play thank you? What story?
• 6:45
  Speaker 1: You know? The thing I hate the most about this guy,
• 6:47
  Speaker 1: I mean it's I don't I don't hate anybody. That's
• 6:49
  Speaker 1: a strong word. The thing I disliked the most about
• 6:51
  Speaker 1: this guy is he's such a hypocrite. Like he same
• 6:54
  Speaker 1: guy who would say that Barack and all the president,
• 6:56
  Speaker 1: Barack Obama and all these other people would would would
• 6:59
  Speaker 1: tell the world what they're going to do, and he
• 7:01
  Speaker 1: does it all. He does it all the time. All
• 7:05
  Speaker 1: the time. Yeah, come on, I just don't understand. And also,
• 7:09
  Speaker 1: gun stores are selling out of the bump stocks. Now
• 7:11
  Speaker 1: the bump stock is what did he used to turn
• 7:13
  Speaker 1: that semi automatic rightful to an automatic rightful? I guess
• 7:16
  Speaker 1: as legal in some states, and people are buying the
• 7:19
  Speaker 1: iss out of them, so they're pretty much sold out,
• 7:21
  Speaker 1: so um and already is really they're trying to decide
• 7:24
  Speaker 1: if they should regulate it, if they should ban it,
• 7:26
  Speaker 1: but right now they are selling out like crazy. And
• 7:27
  Speaker 1: that's that little piece that can turn a semi automatic
• 7:30
  Speaker 1: weapon to an automatic weapon where he could just hold
• 7:32
  Speaker 1: a trigger and just let a clip out. Y'all need
• 7:34
  Speaker 1: to be invested in his bomb shelters. Okay, that's what
• 7:37
  Speaker 1: y'all need to do. Y'all need to be invested in
• 7:39
  Speaker 1: bomb shelters. And y'all need to have like natural disaster
• 7:42
  Speaker 1: kids all around your house, anything that got to do
• 7:44
  Speaker 1: with natural disasters, anything that can help you survive earthquakes, hurricanes, flooding.
• 7:50
  Speaker 1: That's what that's what you need right now. Okay, y'all
• 7:52
  Speaker 1: worried about the wrong things, all right, You need to
• 7:55
  Speaker 1: be worrying about bombs, bomb bomb shelters. And things that
• 7:58
  Speaker 1: can help you get through natural disasters. All right, well,
• 8:00
  Speaker 1: last front page news. Now get it off your chests.
• 8:02
  Speaker 1: Eight on drink five eight five one on five one.
• 8:04
  Speaker 1: If you're upset you need to vent, hit us up
• 8:06
  Speaker 1: right now, or if you need to spread a little positivity,
• 8:09
  Speaker 1: we all take your phone course as well. Eight hundred
• 8:11
  Speaker 1: five eight five one on five one, And don't forget
• 8:13
  Speaker 1: next hour method man of being a building, I ain't.
• 8:15
  Speaker 1: It's a breakfast club. Good morning. The breakfast club is
• 8:24
  Speaker 1: your time to get it off your chests, whether you're
• 8:26
  Speaker 1: man or blast, so we better have the same industry.
• 8:29
  Speaker 1: We want to hear from you on the breakfast club. Hello,
• 8:32
  Speaker 1: Oh hey, what's up? Man? Hey, how's it going? Get
• 8:35
  Speaker 1: it off your chests? Bro Hey man, I'm out of
• 8:37
  Speaker 1: charlotne man, okay, just continue to continue to see them.
• 8:41
  Speaker 1: What's been going on? But I'm out of Charlie charlemaie're there, yes, sir,
• 8:44
  Speaker 1: I'm right here all right. So I'm mad at you
• 8:46
  Speaker 1: because earlier this week he was going to empty for
• 8:48
  Speaker 1: changing his name when he was doing the color marketing
• 8:51
  Speaker 1: to a piece white people. Right, yes, but I read
• 8:53
  Speaker 1: your book. Opportunity comes to those who created great book.
• 8:56
  Speaker 1: By the way, you change the title of your book
• 8:58
  Speaker 1: from I don't give an in leaders should you to
• 9:01
  Speaker 1: appease your white people who said you shouldn't say in
• 9:03
  Speaker 1: the book that so it's your old age come out.
• 9:09
  Speaker 1: First of all, that is not true. And I want
• 9:10
  Speaker 1: you to really think about what you just said to me.
• 9:12
  Speaker 1: You said, I changed the name of my book to
• 9:14
  Speaker 1: appease the white people. But I changed the name of
• 9:16
  Speaker 1: my book to Black Privilege. But you still even in
• 9:19
  Speaker 1: your book you said your white publishers, you said that
• 9:24
  Speaker 1: that's not what I said. I want you to read
• 9:25
  Speaker 1: I want you to read it again. I said, I
• 9:26
  Speaker 1: thought that they were telling me I had to change
• 9:28
  Speaker 1: it because I was black. I just want to fun Friday.
• 9:31
  Speaker 1: But but you were going hard at envy because something
• 9:33
  Speaker 1: he did when he was like in his teens, and
• 9:35
  Speaker 1: you're coming at him with a perspective of a thirty
• 9:38
  Speaker 1: plus year old something. You should kind of chill back
• 9:40
  Speaker 1: on that. My brother. I think you don't know what
• 9:41
  Speaker 1: you're talking about right now. I think you need to
• 9:43
  Speaker 1: read that chapter again. And how no, no, no, no,
• 9:47
  Speaker 1: I know you're right, You're right. Listen, the name of
• 9:48
  Speaker 1: the book is black village opportunity come to those creative.
• 9:50
  Speaker 1: If you haven't got it, you should pick up the book.
• 9:52
  Speaker 1: In the book, I talk about how I wanted to
• 9:54
  Speaker 1: name my book that, and they told me that I
• 9:55
  Speaker 1: shouldn't name it that because they didn't think that it
• 9:58
  Speaker 1: was market a bold, had nothing to do it anything else.
• 10:00
  Speaker 1: And I said, I thought that they were doing that
• 10:02
  Speaker 1: to me because I was black. Because a white guy
• 10:04
  Speaker 1: named Mark Manson, Salute to Mark. That's my guy named
• 10:07
  Speaker 1: his book The Subtle Arty, not given an F and
• 10:09
  Speaker 1: he sold over a million copies. By the way, But
• 10:11
  Speaker 1: I thoroughly enjoyed my title Black Privilege, because I truly
• 10:15
  Speaker 1: believe it is a privilege and an honor to be
• 10:17
  Speaker 1: in this black skin. Thank you. I'm doing a meThe
• 10:19
  Speaker 1: Man mix next time. I just want to have fun.
• 10:20
  Speaker 1: I hate this Friday. Just make sure you play the
• 10:22
  Speaker 1: woutan claim. People say, the new record, get it off
• 10:24
  Speaker 1: your chests, eight hundred and five eight five one on
• 10:26
  Speaker 1: five one. It's the breakfast Club. Good morning, the breakfast Club.
• 10:32
  Speaker 1: Pick up the mother mother phone and down this is
• 10:35
  Speaker 1: you're trying to get it off your chat nother. You're man.
• 10:39
  Speaker 1: We want to hear from you on the breakfast club,
• 10:41
  Speaker 1: so we better have the same energy. Hello, who's this aport? Jamal? Jamal?
• 10:46
  Speaker 1: Get it off your chests, bro, Man, I'm man. I
• 10:48
  Speaker 1: gotta come to work in a damn Patriot jury. My
• 10:52
  Speaker 1: team goal. Your team sucks with field goals. I mean,
• 10:55
  Speaker 1: y'all should have lost last week when you're missing two
• 10:57
  Speaker 1: in the point after then y'all y'all missed doing who's
• 11:00
  Speaker 1: the team? Yeah? I made a mini field goals with
• 11:05
  Speaker 1: Nick folk Big yesterday. That's all I gotta say. You know,
• 11:09
  Speaker 1: all you gotta do to get out of a bed
• 11:11
  Speaker 1: is when you come to work be like, Look, man,
• 11:12
  Speaker 1: I've decided to stay with CAP. I've decided to boycott
• 11:15
  Speaker 1: the NFL. I'm not wearing no NFL merchandise. They're not
• 11:18
  Speaker 1: watching the games, so you know, I'm sorry. I can't
• 11:20
  Speaker 1: onto that bed to tell people you had a revelation.
• 11:22
  Speaker 1: But chit kicker sucks, Broy. Put me on the job.
• 11:26
  Speaker 1: Put you out there, all right? Bro? Hello, who's this Hi?
• 11:29
  Speaker 1: Good morning? This is miss Kitty from Cincinnati. Miss Kitty,
• 11:32
  Speaker 1: and get go if your chest Miss Kitty. Okay, I
• 11:37
  Speaker 1: live in Cincinnati, like I said, And this is an
• 11:39
  Speaker 1: incident that happened at my fun high school, Princeton High
• 11:41
  Speaker 1: School in Cincinnati, Okay. There was apparently some kind of
• 11:46
  Speaker 1: project where the teachers were trying to do something with
• 11:49
  Speaker 1: bungee jumping, and they use barbie dolls. One of the students,
• 11:53
  Speaker 1: after the project was finished, different class took rubber bands,
• 11:57
  Speaker 1: took the rubber bands, wrapped them around the black barbie
• 12:00
  Speaker 1: doll's neck, and then wrapped him around his backpack and
• 12:04
  Speaker 1: hung her off of his debts. Who did that? The student?
• 12:08
  Speaker 1: It was a white boy. What happened? Y'all ain't beat him? Well?
• 12:10
  Speaker 1: A girl. One of his peers asked him fully different
• 12:13
  Speaker 1: time to please put it away, to tad it's offensive,
• 12:16
  Speaker 1: it's wrong, blah blah blah. The boy d he said,
• 12:19
  Speaker 1: he's getting tear and so one of another peers sitting
• 12:23
  Speaker 1: behind him took a picture posted it on social media.
• 12:25
  Speaker 1: The superintendent wasn't going to do anything about it. He said,
• 12:28
  Speaker 1: this is a good kid. He didn't mean anything. It
• 12:31
  Speaker 1: was the school project, and he'd be the same loca
• 12:34
  Speaker 1: that shoot up a school full of black kids in
• 12:36
  Speaker 1: the future exactly. And now, so they had to suspend him.
• 12:41
  Speaker 1: They had to because of the backlash because it was
• 12:43
  Speaker 1: on social media. Well, now the boy has posted on
• 12:46
  Speaker 1: snapsat I hate black people and I hope you all
• 12:49
  Speaker 1: die exactly so. So so you expel them now, and
• 12:53
  Speaker 1: hopefully you take him somewhere and help him to get
• 12:55
  Speaker 1: the help that he needs. Sound like he's dealing with
• 12:56
  Speaker 1: some mental issues. Sound like he hates himself. It sound
• 12:59
  Speaker 1: like he's suffering from low self esteem and insecurity, and
• 13:01
  Speaker 1: he's acting out with anger. And I just wasn't like
• 13:03
  Speaker 1: because borrows a word from Charlemagne. I really feel like
• 13:07
  Speaker 1: I agree with you when you say that these white
• 13:09
  Speaker 1: people that feel like this, which is their right to
• 13:11
  Speaker 1: feel that way, but they are emboldened to do these
• 13:14
  Speaker 1: kinds of things now because our president. Actually yeah, absolutely,
• 13:18
  Speaker 1: all right, well thank you mama, good luck. But you
• 13:20
  Speaker 1: can nip it in the bud with kids early. If
• 13:21
  Speaker 1: you grabbed that little boy, you really gotta. I really
• 13:23
  Speaker 1: think racism is a mental issue. I really truly feel
• 13:26
  Speaker 1: that way. I feel like any type of prejudice is
• 13:28
  Speaker 1: a mental issue. You just hate somebody because of the
• 13:29
  Speaker 1: color of that skin, of that sexuality, of the agenda.
• 13:31
  Speaker 1: So I think that you got to take them and
• 13:33
  Speaker 1: put them in some kind of rehab of something. Sit
• 13:34
  Speaker 1: there as down, let them talk to the therapist's let's
• 13:37
  Speaker 1: work through this all right. Well, thank you mama for
• 13:38
  Speaker 1: your calling. Wonderful day. I was listening to the Open
• 13:42
  Speaker 1: one three seated the Soul podcast, one of my favorite
• 13:44
  Speaker 1: podcasts out there, and she talked this morning. She was
• 13:46
  Speaker 1: talking with a Marty Singer about the thorns that are
• 13:49
  Speaker 1: in you, and she was like, you gotta push those
• 13:52
  Speaker 1: thorns out of you. But sometimes people need help pushing
• 13:55
  Speaker 1: those thorns out of them. But I just think these
• 13:57
  Speaker 1: racist people and these prejudice people need to sit down
• 13:59
  Speaker 1: with the therapist and push those storms out. But you
• 14:01
  Speaker 1: know it's not even that. I think a lot of
• 14:02
  Speaker 1: times what they're taught absolutely, you know what I mean.
• 14:04
  Speaker 1: So they have no choice because their daddy's teaching them,
• 14:06
  Speaker 1: that their mama's teaching them, that their uncle's teaching the man,
• 14:08
  Speaker 1: and then their president is teaching them. And you can
• 14:10
  Speaker 1: unlearn that behavior absolute, all behavior, anything you learned can
• 14:13
  Speaker 1: be unlearned. Trust and believe. That's that's what life is about.
• 14:15
  Speaker 1: Constant learning and constant grow All right, now, you can
• 14:18
  Speaker 1: always give us a call. Get it off your chest.
• 14:20
  Speaker 1: Eight hundred five eight five one oh five one. Now
• 14:22
  Speaker 1: Angela Yee, you got rumor report coming up. My name
• 14:25
  Speaker 1: is not Angela Ye, but she is not here, so
• 14:27
  Speaker 1: we're gonna hold the rumors down. Cam Newton, he apologized.
• 14:30
  Speaker 1: Will tell you what he had to say and why
• 14:32
  Speaker 1: he apologized. DMX. He's forty pounds heavier. We'll tell you
• 14:37
  Speaker 1: all about it. Keep it. Lock this to Breakfast Club
• 14:38
  Speaker 1: God Morning, the Breakfast Club outing up morning. Everybody is
• 14:47
  Speaker 1: DJ Envy, Angela Ye, Sholomne the guy we are the
• 14:50
  Speaker 1: Breakfast Club now Ye is not here with holding down,
• 14:54
  Speaker 1: So let's get to the rumors. Let's talk Cam Newton.
• 14:58
  Speaker 1: Oh my gosh, rumor report with angel Breakfast club Now.
• 15:06
  Speaker 1: Cam Newton got into a lot of trouble yesterday for
• 15:09
  Speaker 1: saying these remarks at a press conference. Devin Bunchis seemed
• 15:13
  Speaker 1: to really embrace the physicality of his routes and making
• 15:18
  Speaker 1: getting those extra yards because that give you a little
• 15:20
  Speaker 1: bit of an enjoyment to see him kind of trust
• 15:22
  Speaker 1: sticking people out there. It's funny to hear female talk
• 15:25
  Speaker 1: about routes like it's funny but fun It's coming along, man,
• 15:30
  Speaker 1: We're gonna we're gonna this is a big game for him.
• 15:33
  Speaker 1: That was a waste of calories. Yeah. Now he's a
• 15:35
  Speaker 1: quarterback for the Carolina Panthers. And because of that, yesterday
• 15:39
  Speaker 1: he lost his sponsorship, his agreement, his sponsorship agreement with Dannon.
• 15:42
  Speaker 1: It seems like they cut ties yesterday. Dan and yogurt Yes,
• 15:45
  Speaker 1: dand in yogurt Yes. Listen, man, if Cam wanted to
• 15:48
  Speaker 1: piss people off, cause outrage and lose endorsements, he could
• 15:52
  Speaker 1: have just took a knee on behalf of his people
• 15:53
  Speaker 1: facing injustice in America and still with cat It would
• 15:56
  Speaker 1: have been way more honorable. But he did apologize after that,
• 15:59
  Speaker 1: and this is what he say. My word choice was
• 16:01
  Speaker 1: extremely degrading and disrespectful to a woman, and to be honest,
• 16:06
  Speaker 1: that was not my intentions. What I did was extremely unacceptable.
• 16:11
  Speaker 1: I'm a father to two beautiful daughters, and at their age,
• 16:15
  Speaker 1: I try to instill in them that they can do
• 16:17
  Speaker 1: and be anything that they want to be. During this
• 16:20
  Speaker 1: whole process, I've already lost sponsors and countless fans. I
• 16:24
  Speaker 1: realized that the joke is really on me. And to
• 16:28
  Speaker 1: the young people who see this, I hope that you
• 16:31
  Speaker 1: learned something from this. As well, don't be like me,
• 16:34
  Speaker 1: be better than me. Well, if you have stood with
• 16:36
  Speaker 1: Kavin took a knee on behalf of your people, then
• 16:38
  Speaker 1: you wouldn't have to apologize for that. The main problem
• 16:40
  Speaker 1: I have with Cam is he didn't explain what he meant.
• 16:42
  Speaker 1: You can't make half ass statements like that. If you go,
• 16:45
  Speaker 1: if you're gonna say it, explain it a little more.
• 16:47
  Speaker 1: I was confused to all better. Yet a reporter should
• 16:50
  Speaker 1: have followed up and asked him what he meant? What
• 16:52
  Speaker 1: does that mean? Funny? Exactly? What do you find funny
• 16:55
  Speaker 1: about the female talking about routes? But you he should
• 16:57
  Speaker 1: know better than that. You can't be, you know, the
• 16:59
  Speaker 1: quarter back of the Carolina Pants, the quarterback for any
• 17:01
  Speaker 1: NFL team and just make a half as statement like that.
• 17:03
  Speaker 1: I find it funny a female talking about rod. But
• 17:07
  Speaker 1: don't you no, no, no, you just don't throw that
• 17:08
  Speaker 1: one there, not at all now, I see, even if
• 17:11
  Speaker 1: it's I find it funny that like anybody that asked
• 17:13
  Speaker 1: me a question doesn't know about routes if you never
• 17:15
  Speaker 1: played football, but either it just sounded stupid. As the
• 17:18
  Speaker 1: conversation I was having with my homeboys yesterday, I was like, well, hell,
• 17:21
  Speaker 1: I don't know no Dan Rods either if you don't
• 17:23
  Speaker 1: play football, if he's not a coach, or you don't
• 17:25
  Speaker 1: play Madden religiously, you probably don't know what rods either.
• 17:27
  Speaker 1: I mean whatever, now because when I played Mad, I
• 17:30
  Speaker 1: just throw hell Mary's all the time. Now, let's talk
• 17:32
  Speaker 1: play Mad no more because it's too difficult. Let's talk iggy.
• 17:34
  Speaker 1: Azalia looks like she's in a little financial problem, little
• 17:38
  Speaker 1: financial trouble. American Express is actually suing her. They want her,
• 17:41
  Speaker 1: they want day money, three hundred and thousand, three hundred
• 17:44
  Speaker 1: thousand dollars. They say she owes two hundred and fifty
• 17:47
  Speaker 1: thousand dollars and she hasn't paid her two hundred and
• 17:49
  Speaker 1: fifty thousand dollars, or they want that plus interest. Is
• 17:52
  Speaker 1: there ever a reason to have a three hundred thousand
• 17:54
  Speaker 1: dollars plus at max bill? No, I would pass out
• 17:57
  Speaker 1: three hundred? What who did that? I throw on it? Amex? Right?
• 18:00
  Speaker 1: I know, won't I guess not? But usually on an amex,
• 18:03
  Speaker 1: you pay, you charge this month, you gotta pay next month.
• 18:05
  Speaker 1: Maybe she charged all that in one month, but she
• 18:08
  Speaker 1: shouldn't she know she gotta pay that next month. Maybe
• 18:11
  Speaker 1: she ain't got it. I'm gonna be honest with you.
• 18:12
  Speaker 1: You're charging that much on Ammex card, you probably ain't
• 18:14
  Speaker 1: got no money. I gonna be honest with your dad
• 18:16
  Speaker 1: asks if you talk. If you're charging three hundred thousand
• 18:18
  Speaker 1: plus dollars on an Amex card, you're thinking that a
• 18:21
  Speaker 1: big check coming next month, a big check coming in
• 18:23
  Speaker 1: the next week. Yeah, you're looking for a big check,
• 18:26
  Speaker 1: a big pay day to come in. There's no reason
• 18:28
  Speaker 1: to charge that much money on any credit card, three
• 18:30
  Speaker 1: hundred thousand plus dollars, but people do because you get
• 18:33
  Speaker 1: a lot of points, you get miles, you get a
• 18:34
  Speaker 1: lot of bonuses and things like that. There's nothing that
• 18:37
  Speaker 1: What are you buying in a month that cast three
• 18:39
  Speaker 1: hundred thousand plus dollars? I don't know. It ain't no
• 18:41
  Speaker 1: damn way in hell. But don't listen to me. I
• 18:43
  Speaker 1: still shop it talking right now, and by the way,
• 18:45
  Speaker 1: it'll talking T Shirt, the New Ones, the good Fellas
• 18:47
  Speaker 1: dropped on the clues bums for good Fellas better than.
• 18:50
  Speaker 1: I ain't saying better, I'm not I'm not saying better
• 18:52
  Speaker 1: mostly Moo is classic. All I'm saying is I went
• 18:55
  Speaker 1: and did a little experiment at talking and become me
• 18:57
  Speaker 1: a couple of good fella T shirts. Now I ain't.
• 18:59
  Speaker 1: He wasn't too disappoint And lastly, DMX looks like he's
• 19:01
  Speaker 1: doing a lot better. He's been out of rehab. He
• 19:04
  Speaker 1: had to go to court yesterday and he looked pretty good.
• 19:06
  Speaker 1: He gained about forty pounds and he looked way healthier,
• 19:09
  Speaker 1: way way health drop on the clues, bomp X shout
• 19:14
  Speaker 1: to daxin We want the best for dm Max. Absolutely,
• 19:17
  Speaker 1: Miss DMX been up in a while. Long time coming
• 19:21
  Speaker 1: home this Yeah, I reached out to X if he
• 19:23
  Speaker 1: get him up. He's been here, it's been a while.
• 19:26
  Speaker 1: You have to be don't come here on every year.
• 19:28
  Speaker 1: Mister white Man on the camera, Steve it Makes has
• 19:30
  Speaker 1: been in three times. He've been on the shows seven years.
• 19:33
  Speaker 1: So how did he come every year? Ye? All right,
• 19:36
  Speaker 1: all right, all right, all right, Well that's your rumor report.
• 19:39
  Speaker 1: When we come back, method man, will we join us.
• 19:41
  Speaker 1: We kicked him with methy Man yesterday after the show.
• 19:44
  Speaker 1: Angie Angela Ye was here, So we're gonna kick it
• 19:46
  Speaker 1: with meThe Man. He's on a new show called The
• 19:47
  Speaker 1: Douce that's on HBO. And we'll talk to him about everything.
• 19:50
  Speaker 1: So don't move. It's to Breakfast Club. Good morning. That
• 19:52
  Speaker 1: was Kendrick Lamar with Loyalty Morning. Everybody is DJ Envy,
• 19:56
  Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club.
• 19:59
  Speaker 1: We special guests in the Buildings and Meta Judy this morning. Everybody,
• 20:04
  Speaker 1: this is DJ Envy and the Building. We got a
• 20:07
  Speaker 1: special guest this morning. You've never gotten Hollywood men ever, Like,
• 20:17
  Speaker 1: no matter what you were going to act in music, superstar,
• 20:20
  Speaker 1: you never was Hollywood. I still living start now and too.
• 20:23
  Speaker 1: So yeah, I mean I stayed grounded because you know,
• 20:26
  Speaker 1: I'm still around the people that I grew up around.
• 20:28
  Speaker 1: So yeah, but you're here promoting The Deuce, a new
• 20:31
  Speaker 1: show on HBO. It's interesting because I read La Times
• 20:34
  Speaker 1: article about you and it says that you are getting
• 20:36
  Speaker 1: serious about acting. Now. Remember you have to understand it's
• 20:42
  Speaker 1: hard to do music and try and do movies or
• 20:46
  Speaker 1: television at the same time because you can't. You can't,
• 20:49
  Speaker 1: I mean too many how how they say a jack
• 20:53
  Speaker 1: of all trades master m none true. So I mean
• 20:55
  Speaker 1: you have to focus on whatever craft it is that
• 20:58
  Speaker 1: you're trying to excel at at that time, so I
• 21:00
  Speaker 1: wouldn't actually take an acting serious. I still had a
• 21:02
  Speaker 1: rap career I had to maintain, you know, I had
• 21:05
  Speaker 1: Wu Tang obligations, Redman obligations as well as solo obligations.
• 21:09
  Speaker 1: So once I got all of that out of my
• 21:11
  Speaker 1: blood and I felt like, you know, I was doing
• 21:13
  Speaker 1: hip hop because I wanted to, not because I have to.
• 21:16
  Speaker 1: That's what I said, All right, let's do his acting thing.
• 21:18
  Speaker 1: Let's get off. That's interesting because you album coming out,
• 21:21
  Speaker 1: Oh yeah, yeah, shout out to a law Math. I
• 21:23
  Speaker 1: think that's coming out the fifteen, so that the records
• 21:27
  Speaker 1: from that album sound real different, Like they sound like
• 21:30
  Speaker 1: a rejuvenated Wu Tang clan, like the like people say,
• 21:33
  Speaker 1: it's like phenomenal, like you know what. I think Math
• 21:36
  Speaker 1: had those joints, well, not the beats, but you know,
• 21:38
  Speaker 1: some of those verses from cats around for a while,
• 21:41
  Speaker 1: and he always kept that flavor. He's my DJ too,
• 21:44
  Speaker 1: by the way. He's been on the role with me
• 21:45
  Speaker 1: for like ever. He created the logo. Yeah he actually, yeah,
• 21:49
  Speaker 1: he did. He created the Wu Tang logo. We say
• 21:51
  Speaker 1: that at every show. I take that for granted. Sometimes,
• 21:54
  Speaker 1: you know, seeing people walk around with tattoos and you know,
• 21:56
  Speaker 1: shirts with something that he invented basically. But um, yeah,
• 22:00
  Speaker 1: that album. He put a lot of work into that.
• 22:02
  Speaker 1: It's been years into making and hopefully, you know, it'll
• 22:07
  Speaker 1: re established our griminess takeaway, not trying to take anything
• 22:11
  Speaker 1: away from a better small that was. You know, whatever
• 22:13
  Speaker 1: vision that was. Rest wanted to go into the lights,
• 22:15
  Speaker 1: so be it. He was in the light. But you
• 22:17
  Speaker 1: know this, I think hopefully this will bring back that
• 22:20
  Speaker 1: that grimy feel that people know. Whutang for yeah, two
• 22:23
  Speaker 1: people saying it's another record. I heard that that Red
• 22:25
  Speaker 1: Man is on Doc. All old Doc is Whutang. You know,
• 22:29
  Speaker 1: he all over the place with it. You know what
• 22:30
  Speaker 1: I'm saying, plush. You know, he worked, worked, worked worked.
• 22:33
  Speaker 1: He never stops. I'm worried about to do sometimes. You know,
• 22:36
  Speaker 1: he needs to get some rest sometimes show now to
• 22:42
  Speaker 1: but see me, like, especially with the whole Hollywood thing,
• 22:46
  Speaker 1: Doc wants to be behind the camera more. And I've
• 22:48
  Speaker 1: always felt like he was a visionary if you look,
• 22:50
  Speaker 1: if you listen to his albums from skits to songs
• 22:53
  Speaker 1: and concepts and things like that. Absolutely I really believe
• 22:56
  Speaker 1: and Red Man, that Red Man could pull this off
• 22:59
  Speaker 1: as a direct. He got a good horror movie in
• 23:01
  Speaker 1: him somewhere. All comedy. Yeah, I mean whatever really is
• 23:04
  Speaker 1: because he's so visual, So you know, I don't put
• 23:06
  Speaker 1: anything past that dude. The whole album, yeah, he produced
• 23:10
  Speaker 1: the whole thing. You know. Rizza came in as exact
• 23:12
  Speaker 1: you know, because Rizza has like this whole machine behind him. Now,
• 23:15
  Speaker 1: so why wouldn't Math, you know, incorporate all the mechanisms
• 23:20
  Speaker 1: that Rizza has as this disposal to make this album
• 23:23
  Speaker 1: go further than what he could have did by himself.
• 23:25
  Speaker 1: I just read it. But I read the Once upon
• 23:26
  Speaker 1: a Time in Shalon book. That's that's how powerful the
• 23:29
  Speaker 1: WHU thing logo is, by the way, and I read
• 23:32
  Speaker 1: that book because the logo was on it. It's not
• 23:33
  Speaker 1: a great book, but like the whole thing about y'all
• 23:36
  Speaker 1: recorded the album that ended up selling it, the Martin
• 23:38
  Speaker 1: Screlly and he was very vocal against it. Yeah, I
• 23:41
  Speaker 1: didn't have because this was what happens when the lines
• 23:44
  Speaker 1: of communication are broken. All right, Um, I didn't know
• 23:47
  Speaker 1: anything about it. I just know that when I was
• 23:49
  Speaker 1: approached about doing a few songs for a project and
• 23:53
  Speaker 1: I was paid for him. Mind you by Silver Rings.
• 23:56
  Speaker 1: I did the songs not knowing exactly what he was
• 23:59
  Speaker 1: going to do with the Most of the time, dudes
• 24:00
  Speaker 1: do that. You get a fee, you throw the songs
• 24:02
  Speaker 1: out there. You don't know what they're gonna do with
• 24:03
  Speaker 1: the next thing. You know you got You're on a
• 24:05
  Speaker 1: song with Twupac Biggie and they ain't even alive anymore,
• 24:08
  Speaker 1: and all this extra stuff. Anyway, he put this album together,
• 24:12
  Speaker 1: and by the time I found out anything about an
• 24:15
  Speaker 1: auction or a piece of art or not letting the
• 24:18
  Speaker 1: fans listen to it, you know, I got it. And
• 24:20
  Speaker 1: it's uh kind of twisted the way the information was
• 24:23
  Speaker 1: given to me. And I reacted to that information being
• 24:26
  Speaker 1: that I'm utang. But I think my reaction was more
• 24:28
  Speaker 1: out of not knowing and not being in the loop. Yeah,
• 24:32
  Speaker 1: more than the album actually being sold the way it was.
• 24:36
  Speaker 1: You shouldn't be finding that with everybody else. Yeah, did
• 24:39
  Speaker 1: you get the whole album? No, I haven't heard yet.
• 24:41
  Speaker 1: I only know the songs that I'm on. I could
• 24:42
  Speaker 1: play them if y'all want, I'll play them right now,
• 24:47
  Speaker 1: trying to resell them. Yeah, but you know when I
• 24:49
  Speaker 1: heard that that start going too well. You know, I
• 24:51
  Speaker 1: don't wish any bad on anybody, especially jail, because jail
• 24:54
  Speaker 1: is never a place to be for anyone. There's some
• 24:57
  Speaker 1: dudes that need to be there though they deserve to
• 24:59
  Speaker 1: be there, they should be in. But um, you know,
• 25:02
  Speaker 1: under the circumstances that he's in. Hopefully, you know, somebody
• 25:05
  Speaker 1: had picked the album up by it and you guys
• 25:08
  Speaker 1: would be able to hear it. I ain't really pressed, Honestly,
• 25:12
  Speaker 1: I hated the whole Shenanigans tonight, so I didn't even
• 25:15
  Speaker 1: press the right anything right. When you go on auditions,
• 25:18
  Speaker 1: is it difficult for you being method man because people
• 25:20
  Speaker 1: look at you as that. It's hard, you know, you
• 25:23
  Speaker 1: walk in the room and that's what they see. It's
• 25:25
  Speaker 1: hard to you know, shed those layers of method man.
• 25:28
  Speaker 1: Even when you actually get the job and you're in
• 25:30
  Speaker 1: front of the camera, people still see method man. But hopefully,
• 25:34
  Speaker 1: you know, they'll see my dedication to the art. They'll
• 25:36
  Speaker 1: see that, you know, I'm stepping outside of my comfort
• 25:39
  Speaker 1: zone and some of these roles and I'm ready to play.
• 25:42
  Speaker 1: But I feel like as method man, it also helps
• 25:44
  Speaker 1: as far as marketing, because when it comes to casting
• 25:47
  Speaker 1: somebody in a role, they're also like, well we can
• 25:50
  Speaker 1: also say method man's in the movie or a method
• 25:52
  Speaker 1: man's on the show. I mean that would have held
• 25:55
  Speaker 1: a little bit more waight years ago. Yeah, that was
• 26:00
  Speaker 1: dope though, but you know that that that's easy, especially
• 26:03
  Speaker 1: being a father, so you know, and m mac is
• 26:06
  Speaker 1: just what can I say? The boy? The boy is
• 26:09
  Speaker 1: for ness at his fineness. He's a he's a he's
• 26:13
  Speaker 1: a great kid. Well man, now you know I known
• 26:16
  Speaker 1: him as a kid. He's doing this thing and I
• 26:18
  Speaker 1: applaud him. Another w for stat and Allen even Tariq, Yeah, um,
• 26:22
  Speaker 1: power play yeah power. Yeah. It's interesting because you run
• 26:26
  Speaker 1: run across kids all time. They have no idea you
• 26:27
  Speaker 1: would you were ever a rival. Yeah, that's true. A
• 26:30
  Speaker 1: lot of people run up for They definitely run up
• 26:33
  Speaker 1: on me because of But don't get a twist and
• 26:35
  Speaker 1: run up on me on the wrong day. Boy, You're
• 26:37
  Speaker 1: I don't get the fire. All right. We got more
• 26:41
  Speaker 1: with met the Man when we come back. Don't move.
• 26:43
  Speaker 1: It's the Breakfast Club. Good morning, the Breakfast Club Morning.
• 26:49
  Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne, the guy. We
• 26:53
  Speaker 1: are the Breakfast Club. We have met the Man. In
• 26:55
  Speaker 1: the building. He's on a new series called The Deuce
• 26:58
  Speaker 1: on HBO. Now on to Douce. You're a pip. Yeah, Now,
• 27:01
  Speaker 1: did you have to practice for this role or prepare
• 27:03
  Speaker 1: for this role? Yeah? Any role? Yeah, yeah, yeah, you
• 27:06
  Speaker 1: gotta have that. I had to watch like, um, I
• 27:10
  Speaker 1: watched some pimp documentaries. I ain't gonna lie macum actually
• 27:14
  Speaker 1: a pimp called Snooki and um Sun has him. He
• 27:18
  Speaker 1: has some nice colloquialisms. Is that is that a good
• 27:22
  Speaker 1: that's a good word. You explain that for me? Bro
• 27:23
  Speaker 1: on something like he says something like, you know, uh, myself,
• 27:29
  Speaker 1: everything I own smell like that's dope. You don't even
• 27:37
  Speaker 1: gotta say nothing else off that. But I didn't want
• 27:40
  Speaker 1: to do a caricature of a pair, especially in the audition,
• 27:43
  Speaker 1: because I would have blew it um and um seeing
• 27:47
  Speaker 1: how you know, especially knowing someone like don Bishop magic
• 27:50
  Speaker 1: one and how he moved and everything. You don't want
• 27:53
  Speaker 1: to put it in a bad light, even though I
• 27:56
  Speaker 1: mean that that's that's ludicrous in itself to even say
• 27:58
  Speaker 1: something like that, putting been in a bad light. But
• 28:01
  Speaker 1: the guys, for the guys that live that lifestyle, you
• 28:03
  Speaker 1: don't you want some kind of authenticity that they can
• 28:06
  Speaker 1: look at it and be like you, I'm gonna ride
• 28:08
  Speaker 1: with that when I'm gonna coach on that. You know,
• 28:10
  Speaker 1: it's interesting you say that because you are like a
• 28:12
  Speaker 1: nice pimp on the Duce. I was watching it, right, Yes,
• 28:15
  Speaker 1: he's like a nice you know he is. But that's
• 28:18
  Speaker 1: part of the hook. Even before I saw the show,
• 28:21
  Speaker 1: because when I was reading about it that it was
• 28:22
  Speaker 1: coming out, I think people have this idea in their
• 28:25
  Speaker 1: heads like, oh my god, this is going to be exploiting.
• 28:27
  Speaker 1: Wo man, you have pimps, you have prostitutes, because the
• 28:29
  Speaker 1: show is about how you know, it's in New York
• 28:32
  Speaker 1: and the pimps and the procetutes and how that turned
• 28:34
  Speaker 1: into the porn industry, right right. But then you see
• 28:37
  Speaker 1: it and you understand more. Like there's one scene that
• 28:40
  Speaker 1: I thought was really good where um, she was getting
• 28:43
  Speaker 1: in the car with somebody who she thought was a cop.
• 28:44
  Speaker 1: She thought she was under arrest, right, and her pimp
• 28:47
  Speaker 1: actually comes and saves her, and anything could have happened
• 28:49
  Speaker 1: to her if her pimp wasn't there because he understood
• 28:52
  Speaker 1: the game of what was going on absolutely. But that's
• 28:56
  Speaker 1: that's that's all part of it right there. I mean,
• 28:59
  Speaker 1: the best thing could have as a chick below selfisting
• 29:03
  Speaker 1: and no ambition. What you gotta have some ambition ors
• 29:05
  Speaker 1: she can't use now as far as the dudes goes,
• 29:10
  Speaker 1: I mean, yes, on the outer layer, it's pimps, holes,
• 29:14
  Speaker 1: pawn industry. But when you start peeling those layers apart
• 29:17
  Speaker 1: and start getting into characters. That's why I take my
• 29:20
  Speaker 1: hat off to Maggie gillen Hall because she's like anchoring
• 29:24
  Speaker 1: this show right there. We then she doesn't get an
• 29:26
  Speaker 1: Emmy nod Emmy's es fake news. Yeah, she's great. She
• 29:30
  Speaker 1: actually doesn't have a pimp on the show. All men
• 29:33
  Speaker 1: got a little pimping in him though, Like, even if
• 29:35
  Speaker 1: you're not an official pimp, I guess so we all
• 29:37
  Speaker 1: aspire to have some type Yeah, you're right, some type
• 29:39
  Speaker 1: of pim bones. And then you are absolutely right, especially
• 29:42
  Speaker 1: when approach your women. Every guy wants to be seen
• 29:44
  Speaker 1: as some kind of ladies man, where as on the
• 29:46
  Speaker 1: opposite spectrum, the women want to be seen as hard
• 29:50
  Speaker 1: to get and non approachable at time. Is this based
• 29:53
  Speaker 1: on a true story, because I remember forty second straight
• 29:56
  Speaker 1: used to be in the seventies and eighties in New York.
• 29:59
  Speaker 1: It the story about how that whole industry turned into
• 30:02
  Speaker 1: the point industry, and women kind of led the way
• 30:04
  Speaker 1: with that. Yeah, those twins that James Franco portrays on
• 30:07
  Speaker 1: the show their act two actual guys that got into
• 30:11
  Speaker 1: the point industry. Don't ask me how I didn't look
• 30:13
  Speaker 1: up the history. I didn't want to, you know what
• 30:15
  Speaker 1: I'm saying. But yeah, yeah, do you think these period
• 30:18
  Speaker 1: pieces are necessary or why do you think they're necessary? Well,
• 30:21
  Speaker 1: for for one, you know, in the in the society
• 30:24
  Speaker 1: we're living now here we go. Society we're living now,
• 30:26
  Speaker 1: especially in the two thousands, since two thousand started, and
• 30:29
  Speaker 1: you know, we we've got all this information at our fingertips.
• 30:33
  Speaker 1: It's nice for the young uns to be able to
• 30:35
  Speaker 1: look back and see where their grandparents came from, where
• 30:38
  Speaker 1: their parents came from, and how you know, we always
• 30:41
  Speaker 1: tell them this was a struggle them, we had to
• 30:43
  Speaker 1: do this that in the third and they can't picture
• 30:45
  Speaker 1: it because they didn't live that struggle whatever, whatever. But
• 30:47
  Speaker 1: this gives them some type of light and perspective on
• 30:51
  Speaker 1: part partly of what it was back then, because all
• 30:53
  Speaker 1: those days weren't bad. When I ain't don't even lie.
• 30:56
  Speaker 1: You know, I grew up in some very broke neighborhoods,
• 30:59
  Speaker 1: very poor, but me as a child being in these environments,
• 31:03
  Speaker 1: I knew we were poor, but we didn't feel poor
• 31:06
  Speaker 1: because everybody around us was in the same situation. We
• 31:09
  Speaker 1: always love in those communities. That's what people fail to understand.
• 31:13
  Speaker 1: You know, Yes, we are living in deplorable conditions at times,
• 31:17
  Speaker 1: and yes, sometimes a parent maybe on drugs or a
• 31:20
  Speaker 1: father incarcerated. But when that family unit is strong and
• 31:24
  Speaker 1: that village comes in to help raise those kids, that
• 31:26
  Speaker 1: is unstoppable. And that's a crazy part about social media
• 31:29
  Speaker 1: because I know some of these kids are still living
• 31:31
  Speaker 1: in those conditions, but you don't ever see that reflective
• 31:33
  Speaker 1: via Instagram or snaps. Everybody could rich. Yes, Cribs and
• 31:40
  Speaker 1: he had him in his house and it was all
• 31:42
  Speaker 1: you know, everybody has to be magnificent, but it was
• 31:47
  Speaker 1: all everybody else has to be all glamorous on Cribs
• 31:49
  Speaker 1: and then red Man brings him in his house. Has
• 31:51
  Speaker 1: always been Doc. That's why people love Doc. Doctor is
• 31:54
  Speaker 1: the anti to the pro You know what I'm saying
• 31:57
  Speaker 1: is if you go on left, Doc gonna go right.
• 32:00
  Speaker 1: Just who he is. But you've been there. You've always
• 32:02
  Speaker 1: been that way too, especially with the industgram fish. I
• 32:04
  Speaker 1: think that's why y'all meshed. Yeah, I mean, that's why
• 32:06
  Speaker 1: we clicked so well, because we we mesh on a
• 32:08
  Speaker 1: lot of different levels, you know, especially at shows. If
• 32:11
  Speaker 1: you haven't seen a Red Man and Method Man show,
• 32:12
  Speaker 1: make it on your bucket list. Come see us. We
• 32:15
  Speaker 1: throw it down. Even back in the day, used to
• 32:17
  Speaker 1: rebel against the whole sex symbol status. Well you know
• 32:20
  Speaker 1: what that was because I didn't see any um uh.
• 32:24
  Speaker 1: All I seen was the bottom to that, you know.
• 32:26
  Speaker 1: And and I mean not taking anything away from Christopher Williams,
• 32:30
  Speaker 1: you know, brother, I'm just saying no, And I seen
• 32:35
  Speaker 1: the pictures and yeah, y'all clown you aging pretty good,
• 32:43
  Speaker 1: you know what I mean. You know that whole sex
• 32:48
  Speaker 1: symbol thing. It's like that clock is ticking on, you
• 32:50
  Speaker 1: know when you're gonna just start looking more fed up
• 32:53
  Speaker 1: every day. Man, just fat. And I didn't want to
• 32:56
  Speaker 1: be in that realm. I just want to be judged
• 32:58
  Speaker 1: on for my skill. That's as the bottom. No, that's
• 33:01
  Speaker 1: real because I say that with women all the time,
• 33:03
  Speaker 1: to all these women that are getting paid off their
• 33:05
  Speaker 1: looks and their bodies, like you're going to age. It's
• 33:07
  Speaker 1: not gonna stay that way, right, But I mean some
• 33:10
  Speaker 1: women are aging gracefully. There's a few of them truth
• 33:13
  Speaker 1: checking the giants, and they're in the gym taking care
• 33:16
  Speaker 1: of the bodies. And yeah, you look at people like
• 33:19
  Speaker 1: angels everybody. That's good because I think that that makes
• 33:25
  Speaker 1: her go even harder in the gym, and I need
• 33:26
  Speaker 1: some of that now. I want to ask the three
• 33:29
  Speaker 1: of you a question. After watching The Duce, there's one
• 33:32
  Speaker 1: scene where a kid loses his virginity to a prostitute.
• 33:36
  Speaker 1: How common is something like that? It's funny you brought
• 33:38
  Speaker 1: that up, you know what. I love the ship. No,
• 33:42
  Speaker 1: I didn't lose it to a scripple. I lost my
• 33:43
  Speaker 1: virginity to a young lady. But I used to go
• 33:45
  Speaker 1: to her house every day after school. So it was
• 33:48
  Speaker 1: around like three o'clock, two thirty and metha man, bring
• 33:51
  Speaker 1: the paved. They're used to always being serious serious. That's
• 33:57
  Speaker 1: romantic song. To lose me and my wife, our wedding
• 34:01
  Speaker 1: song was all I needed to remix nice that's a fact.
• 34:04
  Speaker 1: That's first only Union and Dwayne Wade played it at
• 34:08
  Speaker 1: their wedding too. I don't know if it was their
• 34:09
  Speaker 1: dance song, but she told me they played it there.
• 34:11
  Speaker 1: That's good, classic number, hip hop, R and B love song.
• 34:16
  Speaker 1: All right, but let's get into a method man mini mix.
• 34:18
  Speaker 1: Keep it locked as the breakfast clok the morning morning.
• 34:20
  Speaker 1: Everybody is DJ N v Angela, Yee Sholomagne the guy.
• 34:24
  Speaker 1: We are the breakfast club. Method Man's in the building. Now,
• 34:27
  Speaker 1: have you ever been with a process who No, he's
• 34:31
  Speaker 1: just sexing, but he never had some you're so crack door, right, Yeah,
• 34:34
  Speaker 1: so he slept with a fee for money. You let
• 34:36
  Speaker 1: a fee give you something that, yeah, sound different. Yeah,
• 34:40
  Speaker 1: it's funny because but I got a crack story telling,
• 34:48
  Speaker 1: all right, crack story check it out. Okay, So around
• 34:51
  Speaker 1: my way, it was a little area where we used
• 34:53
  Speaker 1: to hustle that and um cars will come through. Anybody
• 34:56
  Speaker 1: used to run into the cars. And you know, if
• 34:58
  Speaker 1: you got fifteen people hustling in the same spot, first
• 35:00
  Speaker 1: one nigget to sale, and you gotta literally put your
• 35:03
  Speaker 1: head in the window, you know, get to sail. So
• 35:05
  Speaker 1: I'm out there by myself this night. I know this thing.
• 35:07
  Speaker 1: He pulls up. How many of you want, I put
• 35:10
  Speaker 1: my head inside, drop my hand like this, what's good?
• 35:13
  Speaker 1: How many of you want? All up? And smacks my
• 35:14
  Speaker 1: hand up? Whoa takes off of the car with all
• 35:19
  Speaker 1: all my stuff? Yeah, yeah, yeah, but you know it
• 35:22
  Speaker 1: was a lesson to learn that will never happen again.
• 35:24
  Speaker 1: Well you don't have to tell, but yeah, But it's
• 35:27
  Speaker 1: funny because we were still even when we did the
• 35:29
  Speaker 1: source pitches where we got the Columbia raining suits on,
• 35:33
  Speaker 1: we still saw a crack. So at what point did
• 35:35
  Speaker 1: y'all really start making money? Like, well, the cal album
• 35:39
  Speaker 1: came out, you know, it was still a little tough,
• 35:41
  Speaker 1: still learning after all albums to tours, and I was
• 35:44
  Speaker 1: getting solo money then, so I don't know what the
• 35:46
  Speaker 1: rest of the dudes was doing. I was getting solo money,
• 35:49
  Speaker 1: and it was like I was getting twenty five the
• 35:51
  Speaker 1: show when All I Need came out. I was getting
• 35:54
  Speaker 1: all these freaking shows back to back to back to
• 35:55
  Speaker 1: back to back back, And I told Muke, raised the
• 35:58
  Speaker 1: peffin thrice man, because I'm getting too many shows. If
• 36:01
  Speaker 1: I'm getting that many shows, it's because they know on
• 36:03
  Speaker 1: bagging basement right now, raise the price. So it's all
• 36:07
  Speaker 1: learning experience yeah, so we might achieved ourselves out of
• 36:10
  Speaker 1: some money occasionally hearing there from lack of knowledge of
• 36:14
  Speaker 1: the business. Do you think being broke makes you make
• 36:16
  Speaker 1: better music? I don't know. You have more time to
• 36:18
  Speaker 1: focus on more things, because if you broke, you ain't
• 36:20
  Speaker 1: got no job and you gotta find other things to
• 36:25
  Speaker 1: wrap about. Like this area is all a lot of
• 36:27
  Speaker 1: it is all money, material stuff. I mean it's It's
• 36:30
  Speaker 1: always been like that, and that's always been a great
• 36:32
  Speaker 1: element to have in hip hop, the same way it
• 36:35
  Speaker 1: is in boxing. You can't have everybody just be a
• 36:37
  Speaker 1: brawler and go up there and give whack interviews. You
• 36:39
  Speaker 1: gotta have a Floyd made whatever the spice things up.
• 36:42
  Speaker 1: You know what I'm saying. We can't have a wouchang
• 36:45
  Speaker 1: without a Biggie or jay Z showing that that luxurious
• 36:48
  Speaker 1: life because that's what we all aspire to and I
• 36:50
  Speaker 1: love seeing brothers like that. You do remember back when
• 36:54
  Speaker 1: a lot of the underground artists didn't like the biggies though,
• 36:57
  Speaker 1: all the jay Z's I remember Jerru the damage of
• 36:59
  Speaker 1: Boo Can Click. They they weren't feeling and that was
• 37:01
  Speaker 1: part of that fashionable trending Again now Boot Camp. On
• 37:04
  Speaker 1: the other hand, they had their own reasons whatever that was.
• 37:08
  Speaker 1: I don't know. I don't get into all that because
• 37:10
  Speaker 1: I was cool with both sides. But that's just going
• 37:12
  Speaker 1: against the norm. It's like saying, you know, knowing that
• 37:15
  Speaker 1: Jay been putting it down for years. If you're sitting
• 37:18
  Speaker 1: in a room full of people and you know, they're
• 37:20
  Speaker 1: like who the best, and you say, jay Z is
• 37:22
  Speaker 1: such an obvious answer that everybody gonna hate on it.
• 37:26
  Speaker 1: You know. It's just it's just cool to go against,
• 37:29
  Speaker 1: you know. And I mean I get it, but I'm
• 37:32
  Speaker 1: not for it. I don't mind applauding excellence at all.
• 37:36
  Speaker 1: What do you think of music now? Some of the
• 37:38
  Speaker 1: young kids that come out now, I think they're doing
• 37:40
  Speaker 1: that thing. Let them have what they're doing. We have
• 37:43
  Speaker 1: fun when we did it. Let them have fun. I mean,
• 37:45
  Speaker 1: it's different. And as it goes on and on, them
• 37:48
  Speaker 1: learning more and more about where they're at with it,
• 37:50
  Speaker 1: it's a different different any what meaning they're they're making,
• 37:54
  Speaker 1: like boot Tank for instance, not taking nothing away from
• 37:57
  Speaker 1: my catalog, but the song, you know, could be about anything,
• 38:01
  Speaker 1: and one name is something like Dakare's on a Snowfall
• 38:05
  Speaker 1: has nothing to do with that. These kids are making
• 38:07
  Speaker 1: these I mean the sounds like songs man, and then
• 38:10
  Speaker 1: I mean Auto two and there not. They're singing and
• 38:12
  Speaker 1: they're actually sitting down writing and creating songs, and the
• 38:17
  Speaker 1: youth are reacting to it. Who are we to say
• 38:19
  Speaker 1: that that movement ain't the movement? Right now? You know,
• 38:21
  Speaker 1: we've had our time. What do you think about writing
• 38:24
  Speaker 1: your own music? Because you guys have always written all
• 38:26
  Speaker 1: your own lyrics. You had people in our era that
• 38:30
  Speaker 1: didn't write their own lyrics. You know what I'm saying, Dre,
• 38:32
  Speaker 1: I don't think Dre wrote any Oh yeah, but you
• 38:36
  Speaker 1: guys that will consider them seese. We never looked at
• 38:38
  Speaker 1: Dregs and them. See. Oh man, this Drake thing. I like, Drake,
• 38:46
  Speaker 1: I'm thinking about you, Like, what do you think about
• 38:48
  Speaker 1: Can you be considered a great lyricist if you don't
• 38:50
  Speaker 1: write your own lyrics? No? No, I mean that's been
• 38:52
  Speaker 1: answered already a many times. No, there's no way. How
• 38:54
  Speaker 1: could you be a great lyricist if you're not writing it.
• 38:56
  Speaker 1: It's the person behind you that's writing that. They must
• 38:59
  Speaker 1: be great. Do you look get artists different? If you're like, okay,
• 39:01
  Speaker 1: they didn't write that no as a hip hop artist, No,
• 39:05
  Speaker 1: I like good music since hip hop has come to
• 39:08
  Speaker 1: the forefront, and you can't look at the charts that
• 39:10
  Speaker 1: without seeing a hip hop record on their rap record
• 39:13
  Speaker 1: on there. It's paw for the course, it's called elevating,
• 39:18
  Speaker 1: it's called growth. Jazz was big at a time and
• 39:21
  Speaker 1: Miles Davis, nobody could tell me wasn't the baddest man
• 39:23
  Speaker 1: on the planet, even when as many people weren't listening
• 39:26
  Speaker 1: to jazz anymore, But there was always that crowd that
• 39:30
  Speaker 1: would show up for those venues. Me and Red Man
• 39:33
  Speaker 1: have that now. I like to equate it to that
• 39:35
  Speaker 1: because when we go on the road, it's a lot
• 39:38
  Speaker 1: of kids there, but a lot of older people from
• 39:41
  Speaker 1: our era are there also, and it's great to transcend
• 39:44
  Speaker 1: between each generation. And because when you do that, it's
• 39:49
  Speaker 1: like you're giving them another look at what hip hop was,
• 39:54
  Speaker 1: and they're giving them a look at what hip hop
• 39:56
  Speaker 1: could be, which is great. Is it ever intimidating for
• 39:58
  Speaker 1: other artists that have to be shows with you in
• 40:00
  Speaker 1: Red Man, because you guys have a lot of energy
• 40:03
  Speaker 1: would without any special effects or anything. So imagine, you know,
• 40:06
  Speaker 1: you see a lot of hip hop. Artists that go
• 40:08
  Speaker 1: out there, they just kind of walked back have some effects.
• 40:10
  Speaker 1: I've seen them fly across the stage room different though.
• 40:13
  Speaker 1: We had to keep up with those gouls. They were
• 40:15
  Speaker 1: you know what I'm saying, So they was definitely flying
• 40:16
  Speaker 1: through that. I wouldn't be intimidated, especially if the show
• 40:19
  Speaker 1: that I've been doing is a good show and it's
• 40:22
  Speaker 1: and it's going across with the crowd. Only people that
• 40:24
  Speaker 1: would be intimidated by that as people that already put
• 40:26
  Speaker 1: on bad ships. You know, there's some headliners out there
• 40:30
  Speaker 1: that they don't look like they do well. Their videos
• 40:33
  Speaker 1: aren't that interesting, so imagine what their shows are gonna
• 40:35
  Speaker 1: look like. You know. And I'm not taking anything away
• 40:37
  Speaker 1: from anybody, but in the same sense, taking everything away
• 40:40
  Speaker 1: from everybody. You know, most artists don't want to open up,
• 40:43
  Speaker 1: but y'all opened up that tour. Y'all didn't have a
• 40:45
  Speaker 1: problem opening up that toil Most people the other want
• 40:47
  Speaker 1: to open up. I'm not open up the show, but
• 40:48
  Speaker 1: you guys didn't had no problems. I didn't say it
• 40:53
  Speaker 1: was ice. We went on where the lights were still on,
• 40:56
  Speaker 1: you know, DJ Clue was still up there. You know,
• 40:58
  Speaker 1: people were still trying to get to their seats type
• 41:01
  Speaker 1: of thing at the concession stand, but no Line and
• 41:04
  Speaker 1: Jay could attest to this. By the end of our set,
• 41:08
  Speaker 1: it was bad and they were enjoying themselves. So I say, yeah,
• 41:14
  Speaker 1: put on a dope, open and act whatever the hell
• 41:18
  Speaker 1: it is. If we're gonna go out here, we're gonna
• 41:19
  Speaker 1: rocket to make sure that these dudes got the best
• 41:22
  Speaker 1: crowd when they come out here. We ain't gonna kill
• 41:24
  Speaker 1: the height. But I think worry got out that y'all
• 41:27
  Speaker 1: was the first people up, so people started getting there. Yeah,
• 41:31
  Speaker 1: because they heard we were flying. They wanted to see
• 41:32
  Speaker 1: how do you do flying? They how they how they flying?
• 41:35
  Speaker 1: You know what? They said? They were trying to make
• 41:36
  Speaker 1: it to the shows, which is good too. I don't know,
• 41:40
  Speaker 1: but I won't be there. You're not gonna be there now,
• 41:43
  Speaker 1: right math Oh, I got other obligations. I got the
• 41:46
  Speaker 1: TV shows and things I have to do now, you
• 41:48
  Speaker 1: know working on that producer credit. Well, at this point
• 41:51
  Speaker 1: in your life, what do you enjoying more acting or rapping?
• 41:53
  Speaker 1: I guess clearly acting acting acting. I ain't gonna lie.
• 41:56
  Speaker 1: I mean hip hop is what is term? Then? Too?
• 42:00
  Speaker 1: I mean just the whole entertainment business on the whole
• 42:02
  Speaker 1: what has turned into y'all. Y'all are guilty of it too.
• 42:05
  Speaker 1: You know. It's like, um, I don't know what it
• 42:08
  Speaker 1: is anymore. It's like the whole voyeuristic society. Like everybody's
• 42:12
  Speaker 1: in anybody's business. That's why I tend to just stick
• 42:15
  Speaker 1: to my own and my my own damn business man.
• 42:19
  Speaker 1: Now you're right, you're absolutely right. Now everything's more tabloid
• 42:23
  Speaker 1: than reputable. Lose. Yeah, I mean some of yourself is reputable,
• 42:26
  Speaker 1: thank you. No, I'm gonna keep it on hunting. Like
• 42:29
  Speaker 1: I said, I applaud excellence, and some of you are
• 42:31
  Speaker 1: darky of the days. You put those words together, really good, brother.
• 42:36
  Speaker 1: A lot of colloquial, you know, But I mean, especially
• 42:43
  Speaker 1: when it's on um, you know, especially when it comes
• 42:45
  Speaker 1: to our culture and you're speaking on people that attack
• 42:51
  Speaker 1: our culture from our culture, you know, I feel like
• 42:54
  Speaker 1: that's needed. We need voices like that. I don't like
• 42:57
  Speaker 1: being asked political questions. I would rather someone like you know,
• 43:00
  Speaker 1: brother Cornell West speak for me on those matters because
• 43:03
  Speaker 1: he could be more eloquent than I can. Because for me,
• 43:07
  Speaker 1: it's it's just raw emotion. For him, it's more thought
• 43:09
  Speaker 1: out and you know his history. As far as our
• 43:13
  Speaker 1: culture goes, he's on it, man, and and our applaud
• 43:16
  Speaker 1: brothers like that. Man. I would rather they come into
• 43:18
  Speaker 1: the forefront and speak for us rather than them asking
• 43:20
  Speaker 1: a rapper what do they think of Donald Trump? Or
• 43:22
  Speaker 1: what do they think of immigration and stuff like that,
• 43:25
  Speaker 1: because our our emotions are going to be raw, raw
• 43:32
  Speaker 1: emotion more Yeah, but it makes it more accessible for
• 43:35
  Speaker 1: people to feel like, Okay, metha man is talking about it.
• 43:38
  Speaker 1: And sometimes best it can be distuted, it can be
• 43:42
  Speaker 1: disputed because when it comes down to facts, people love
• 43:45
  Speaker 1: facts and they're right at your fingertips. Now. I like
• 43:48
  Speaker 1: someone that can just give you the truth and it's undisputable,
• 43:54
  Speaker 1: not that hard all. Ye gotta m be down passed Sunday,
• 44:03
  Speaker 1: Monday Night, Sunday Night nine, Sunday Nights at nine. The dudes,
• 44:07
  Speaker 1: not the man. It's the breakfast Club. Good morning, the
• 44:10
  Speaker 1: Breakfast Club DJ M V Angela Yee, Charlomagne, the guy.
• 44:16
  Speaker 1: We are the Breakfast Club. Let's get to the rumors.
• 44:20
  Speaker 1: We gotta talk creative rap names. This is the rumor
• 44:24
  Speaker 1: Report with Angela Ye Breakfast Clubs Now. Comedian Michael Blackson
• 44:34
  Speaker 1: said he might start to rap and he needed some
• 44:37
  Speaker 1: rap names. I've heard of the Michael blacks and Guy
• 44:39
  Speaker 1: my Guy. Now. He asked his social media crowd to say, hey,
• 44:42
  Speaker 1: can you give me some advice on some blacks, on
• 44:45
  Speaker 1: some rap names. And these are the names that they said.
• 44:48
  Speaker 1: I ask my fellow was for some rackfast names, and
• 44:50
  Speaker 1: these are the names that gave me. MC night Night,
• 44:52
  Speaker 1: Joe Limoton two, Big and Black, just black, Black is
• 44:56
  Speaker 1: Black in the Black Basement, Black Pitch, black Burn, Crispy
• 45:00
  Speaker 1: a fun Year Raising, MC night Night eleven fifty nine,
• 45:03
  Speaker 1: twelve one, twelve three, twelve four, There's as Dark Knight,
• 45:07
  Speaker 1: Gunner's Nightmare, straight out of the Matter, Got Scout, Faith
• 45:10
  Speaker 1: to Black, Little Darky, Little Black, Ammtle uzy Burn twenty one,
• 45:14
  Speaker 1: Darkness twenty one, Shadow, Coot that Blacker, it set Burn,
• 45:19
  Speaker 1: I love twenty one Shadow, I love little Ouzy Burnt.
• 45:23
  Speaker 1: I like Faith to Black. Somebody should have called him
• 45:25
  Speaker 1: a little dukey vert, little dukey vert, and I can't
• 45:28
  Speaker 1: believe nobody didn't say Jay Charcoal, Jay charcoal baby dukey
• 45:33
  Speaker 1: black too. All right, Well, good luck to him in
• 45:35
  Speaker 1: his rap career now, young FuG was online yesterday and
• 45:39
  Speaker 1: he was bagging for his baby back. Let's hear the audio. Man,
• 45:44
  Speaker 1: give me a chance, I promes on women's on no more.
• 45:46
  Speaker 1: Everybody tell her to give me one chance. Try to
• 45:48
  Speaker 1: give me one more chance, and I promesone women so
• 45:51
  Speaker 1: ever again, Then weren't even my fault? Man like six
• 45:55
  Speaker 1: be using that phone. Man, see why you had to
• 45:56
  Speaker 1: say it was bombs for young Doug. Every man has
• 46:01
  Speaker 1: told the woman they love at least three times in
• 46:04
  Speaker 1: their life. Ladies, you know, hey, you know I messed up.
• 46:07
  Speaker 1: I'll never do it again. All right, y'all know we retarded.
• 46:10
  Speaker 1: We learned from all mistakes after a few thought, a
• 46:12
  Speaker 1: few times, young thug learning. But I'm gonna tell you
• 46:15
  Speaker 1: something that if you just said it's true. Man, after
• 46:17
  Speaker 1: you say y'all never do it again, don't come with
• 46:21
  Speaker 1: the other lie. Yeah, I'm going to lie. That wasn't
• 46:24
  Speaker 1: your phone. Just take the as take it right. You're
• 46:28
  Speaker 1: contradicting yourself anyway. You just said I'll never do it again,
• 46:31
  Speaker 1: But then you turn around and say it wasn't my phone.
• 46:33
  Speaker 1: You know, mad people'll be using that phone either. You
• 46:35
  Speaker 1: lead with the lie and stick with the lie all.
• 46:37
  Speaker 1: You just come clean and say, look, baby, y'all, never
• 46:39
  Speaker 1: do it again. All right, you'll be fine. Man, get
• 46:42
  Speaker 1: that man another chance, men learn from the mistakes. She'll
• 46:45
  Speaker 1: give him another chance, and she should. All right now. Lastly,
• 46:49
  Speaker 1: tyre Reese, it seems like he's mad at the Rock
• 46:51
  Speaker 1: and it's all coming together now, all right now, the Rock.
• 46:54
  Speaker 1: I guess they asked him to do with the Hobbes movie,
• 46:56
  Speaker 1: which is a solo movie from Fast and Furious, and
• 47:00
  Speaker 1: he agreed to do it. In Tyrese is pissed. He's saying, hey,
• 47:03
  Speaker 1: you don't break up the crew because he's doing the
• 47:05
  Speaker 1: Hobbs movie. It seems like everybody else's career when it
• 47:08
  Speaker 1: comes to Fast and Furious is put on hold into
• 47:11
  Speaker 1: the Hobbs movie comes out, and he is pissed off. Yeah,
• 47:13
  Speaker 1: because I mean, you know, Tyrese, Ludacrius vends where they
• 47:16
  Speaker 1: all get paid off that Fast and Furious movie. They're
• 47:18
  Speaker 1: not going to make another one until two dollars and
• 47:20
  Speaker 1: twenty if they do the Hobbing movie. So that's a
• 47:22
  Speaker 1: couple of years where they ain't getting any Fast and
• 47:24
  Speaker 1: Furious check. But I'm gonna tell you something what's that, Tyrese.
• 47:27
  Speaker 1: She's gonna keep balking up that rock tree, and that
• 47:28
  Speaker 1: rock Tree gonna fall on you. Now when Rock Tree
• 47:30
  Speaker 1: challenge you, When the Rock challenge you to a duel
• 47:32
  Speaker 1: at WrestleMania, you better had that same the same manage.
• 47:37
  Speaker 1: You better had that same manage when the Rock challenges
• 47:39
  Speaker 1: you to a duel at SummerSlam. What's the next w
• 47:42
  Speaker 1: W event? I don't know, or the Royal Rumble, whatever
• 47:45
  Speaker 1: it is the Rock, I mean, Tyrese better had that
• 47:47
  Speaker 1: same and you when the Rock challenges him to a duel.
• 47:50
  Speaker 1: All right, Okay, that's your rumor report. Angelis out wire
• 47:53
  Speaker 1: holding it down. But you got don't get a day
• 47:54
  Speaker 1: coming up? Yes, man, don't get it? Did is going
• 47:56
  Speaker 1: to my guy? Kenyan Martin. Kenyan Martin is our guy.
• 47:58
  Speaker 1: We what do you do that sit man? Donkey to
• 48:01
  Speaker 1: day does not discriminate. We need Kenyan to come to
• 48:03
  Speaker 1: the front of the congregation where you like to have
• 48:04
  Speaker 1: a word with him. Now, you know, Kenyan a little cuckoo.
• 48:07
  Speaker 1: I'm a little Google too, Okay, but ken you don't
• 48:09
  Speaker 1: understand this one. I'm sure he's looking at him his
• 48:11
  Speaker 1: arms just wanted to say, now, why did I say that. Okay,
• 48:14
  Speaker 1: we'll talk about it when we come back. Keep it locked.
• 48:15
  Speaker 1: It's a breakfast club. Good morning, Charlemaine, say the gang.
• 48:20
  Speaker 1: Don't get the shape man you are, don't you? Donkey
• 48:27
  Speaker 1: Today does not discriminate. I might not have the song
• 48:30
  Speaker 1: of today, but I got the donkey that gay. So
• 48:32
  Speaker 1: if you ever feel I need to be a Donkey man,
• 48:34
  Speaker 1: hit it with the breakfast club bitch. I just don't
• 48:38
  Speaker 1: kive Today Today. Wow at Sharon Dunkey Today for Friday,
• 48:43
  Speaker 1: October six goes to former NBA star Kenyan Martin. Drop
• 48:46
  Speaker 1: on the clues bombs for Kenyan Martin, great guy, He's
• 48:50
  Speaker 1: been here to the breakfast club before. But Donkey to
• 48:52
  Speaker 1: day does not discriminate. Now. I'm not sure exactly when
• 48:54
  Speaker 1: this happened. I just heard about it this morning. I'll
• 48:57
  Speaker 1: be disconnected from social media. I don't have so media
• 49:00
  Speaker 1: on my phone and step Instagram, so I miss a
• 49:02
  Speaker 1: lot and I'm not mad at missing it at all. Now.
• 49:05
  Speaker 1: Kenyon Martin had some things to say about Jeremy Lynn's hair.
• 49:08
  Speaker 1: If you don't know who Jeremy Lynn is, He's a
• 49:10
  Speaker 1: guard for the Brooklyn Nets who happens to be Asian
• 49:12
  Speaker 1: American and Jeremy Lynn has been sporting a new hairstyle,
• 49:15
  Speaker 1: and that hairstyle is dreadlocks. So of course an Asian
• 49:18
  Speaker 1: American with dreadlocks is gonna cause someone to call him
• 49:21
  Speaker 1: out for cultural appropriation. And one of those persons happened
• 49:24
  Speaker 1: to be Kenyon Martin. Let's hear what Kenyan had to say. Police,
• 49:27
  Speaker 1: Do I need to remind this damn boy to his
• 49:29
  Speaker 1: last name Lynn? Come on, man, let's stop this man.
• 49:34
  Speaker 1: There's no way possible. Man, he would have made it
• 49:36
  Speaker 1: on one our teams man with that boy going on
• 49:39
  Speaker 1: on his head, man, like, somebody really need to tell him.
• 49:42
  Speaker 1: All right, all right, bro, we get it, We get it,
• 49:45
  Speaker 1: like you want to be black, like, we get it.
• 49:47
  Speaker 1: But the last name is Dan. But that's Kenyan's opinion.
• 49:50
  Speaker 1: He's entitled at me personally, I don't give a damn
• 49:53
  Speaker 1: what Jeremy Lynn does his hair. The only thing I
• 49:55
  Speaker 1: care about is that Jeremy Lynn pays homage to the
• 49:57
  Speaker 1: culture that dreadlocks derived from. That's it form of appropriation.
• 50:01
  Speaker 1: That's all I care about. I hate when hairstyles and
• 50:03
  Speaker 1: trends that have been happening in our culture for years
• 50:05
  Speaker 1: get accredited to other coaches simply because the people appropriating
• 50:09
  Speaker 1: don't pay homage. But the reason Kenyon Martin is getting
• 50:11
  Speaker 1: donkey the days because Jeremy Lynn left a comment on
• 50:14
  Speaker 1: Kenyan Martin's Instagram and I'm gonna read this comment verbatim, okay,
• 50:18
  Speaker 1: because it's a bar hit in this comment that should
• 50:21
  Speaker 1: actually make Kenyon Martin shut the f up fever on
• 50:24
  Speaker 1: this situation. Okay, Jeremy Lynn wrote, Hey man, it's all good.
• 50:29
  Speaker 1: You definitely don't have to like my hair and are
• 50:31
  Speaker 1: definitely entitled to year opinion. Actually, I am legit grateful
• 50:35
  Speaker 1: for you sharing it. To be honest, at the end
• 50:37
  Speaker 1: of the day, I appreciate that I have dreads and
• 50:40
  Speaker 1: you have Chinese tattoos. I repeat, Jeremy Lynn, repeat. Jeremy
• 50:47
  Speaker 1: Lynn told Kenyan Martin, I appreciate that I have dreads
• 50:50
  Speaker 1: and you have Chinese tattoos. Okay, I think we gotta
• 50:53
  Speaker 1: win their ladies and gets all right, let me finish,
• 50:57
  Speaker 1: Let me finish Jeremy Lynne's statement. He continues, I think
• 51:00
  Speaker 1: it's a sign of respect, and I think it's minorities.
• 51:02
  Speaker 1: The more that we appreciate each other's cultures, the more
• 51:05
  Speaker 1: we influence mainstream society. Thanks for everything you did for
• 51:08
  Speaker 1: the nets and hoops had you posted up on my
• 51:10
  Speaker 1: wall growing up end quote trapping the clues bombs for
• 51:13
  Speaker 1: Jeremy Lynn. Okay, that is what you call sophisticated shade.
• 51:18
  Speaker 1: That is a prime example. That was going. That is
• 51:20
  Speaker 1: a prime example of learning to destroy your enemies by
• 51:23
  Speaker 1: opening holes in their reputations. Then stand aside and let
• 51:26
  Speaker 1: public opinion hang them. Kenyon, you didn't think this one through.
• 51:29
  Speaker 1: You can't call out an Asian American like Jeremy Lynn
• 51:33
  Speaker 1: for rock and dreadlocks, saying he can't do that because
• 51:35
  Speaker 1: he's not black. But then you, as a black man,
• 51:37
  Speaker 1: have a sleeve full of Chinese words on your arms.
• 51:40
  Speaker 1: You can't criticize someone for a so called fault you
• 51:43
  Speaker 1: also possessed by your logic, Kenyon. If Jeremy Lynn can
• 51:47
  Speaker 1: rock dredge, you can't rock Chinese letters. This is a
• 51:50
  Speaker 1: prime example of the pot calling the kettle black, and
• 51:52
  Speaker 1: in this case, it's a prime example of the paper
• 51:55
  Speaker 1: plate at the barbeque calling the fine china white. Please
• 51:58
  Speaker 1: give Kenyan Martin the biggest he hard play. That's that's
• 52:03
  Speaker 1: that's that was easy. I was light working with Jeremy Lincoln.
• 52:06
  Speaker 1: He got him. Come on, that was light work. You
• 52:11
  Speaker 1: didn't think that went through at all? All right, not
• 52:13
  Speaker 1: even a little bit. Thank you for that dunk today. Now, wait,
• 52:16
  Speaker 1: where do you want to go today? Because it's Friday?
• 52:19
  Speaker 1: So you know what that means. Wait? Wait, wait, wait
• 52:21
  Speaker 1: wait wait wait, we gotta wait, we gotta pull it up.
• 52:24
  Speaker 1: Wait what a second, we don't have a freaky Friday?
• 52:26
  Speaker 1: Time talks amongst yourselves for a second. We don't have
• 52:29
  Speaker 1: a top here we do. You're gonna tell us the story?
• 52:31
  Speaker 1: What story? Wait? Wait? Soon as we get this beat?
• 52:34
  Speaker 1: Hell are you talking about? Hold on, man, we gotta
• 52:36
  Speaker 1: wait this beat, it's coming, is coming? You got it.
• 52:39
  Speaker 1: I'll come in and tell you I had sexistist or
• 52:41
  Speaker 1: last night? Now you wanted to tell stories? A Right?
• 52:42
  Speaker 1: Here we go. It's Friday, so here. You know what
• 52:44
  Speaker 1: that means. It's freaky, freaky freaky Friday. Now, um, last Friday?
• 52:52
  Speaker 1: You went out last Friday? Didn't you last Friday? What
• 52:55
  Speaker 1: was last Friday? Last Friday? Would you go you went
• 52:57
  Speaker 1: to a concert? Did you go to concert last Friday?
• 52:59
  Speaker 1: What was last Friday? At last Friday? Oh? Yeah, I
• 53:01
  Speaker 1: went to Sharon of the Buckley. Shout to Ed, Shearon,
• 53:03
  Speaker 1: Now you went to go see Ed Sharon before? How
• 53:06
  Speaker 1: was the concert? I said it was great. That is
• 53:07
  Speaker 1: an amazing performance if you've never seen that perform and
• 53:10
  Speaker 1: comes out there with his guitar. He pleads to beat
• 53:12
  Speaker 1: himself and then to beat loops back and he does
• 53:14
  Speaker 1: his own background vocals in the background vocals, loop backle.
• 53:17
  Speaker 1: He's a one man band, dropped on a clue's bomb.
• 53:19
  Speaker 1: F sharing, great guy. Shout to Ed, shear, my, dude,
• 53:21
  Speaker 1: I don't care about the concert. I want to know
• 53:23
  Speaker 1: what you did after the concert. What are you talking about?
• 53:25
  Speaker 1: What you do after the concert? I seen the picture
• 53:26
  Speaker 1: that you took with that Sharon. We were playing pool, okay,
• 53:30
  Speaker 1: And what happened at that pool place that you guys
• 53:32
  Speaker 1: were playing pool? What you mean what happened? We ate pizza,
• 53:35
  Speaker 1: ain't pizza? Um, Ed bought out the ball you drank,
• 53:38
  Speaker 1: Ed bought out the bar. Yeah, my wife had a
• 53:40
  Speaker 1: good time. Ed said it was his friend's birthday, so
• 53:43
  Speaker 1: he wanted to do something. All of this stuff. Wax
• 53:46
  Speaker 1: was there with you, man, Wax was there with you.
• 53:49
  Speaker 1: So I want to see how honest you're gonna be.
• 53:51
  Speaker 1: Let's see how she's gonna be. All right, now, go ahead, now,
• 53:55
  Speaker 1: now it was Ed Sharon's friend's birthday, so he bought
• 53:57
  Speaker 1: out the ball. All right, listen, it was Ed shar
• 54:00
  Speaker 1: It was Ed Sharon's mates birthday. Is one of his
• 54:03
  Speaker 1: best friends from where he's from in the UK. His
• 54:06
  Speaker 1: friend had never been to America. Okay, his friend's girlfriend
• 54:09
  Speaker 1: was there and um Ed told me. Ed was like, look,
• 54:12
  Speaker 1: things are gonna get crazy tonight. You know, my mate
• 54:14
  Speaker 1: has never been to America. And you know, Ed was
• 54:16
  Speaker 1: playing a joke on his mate. So Ed said, look,
• 54:18
  Speaker 1: I'm gonna have you know, some scrippers come and dance
• 54:21
  Speaker 1: on him. All right, So you had some strippers there,
• 54:23
  Speaker 1: now you you went your wife for you by yourself
• 54:25
  Speaker 1: and my wife, my wife in waxing page. And I'm like,
• 54:27
  Speaker 1: all right, cool, it's all good. He goes, but here's
• 54:29
  Speaker 1: the kicker. All right, stop the music. The script was
• 54:32
  Speaker 1: a male because it was a joke. It was a gag.
• 54:35
  Speaker 1: You know what I'm saying. I'm sure something with gagging
• 54:36
  Speaker 1: in there. All right. He had he had three male
• 54:39
  Speaker 1: scrippers coming head. His friend had no idea. His friend
• 54:42
  Speaker 1: was a good sport. You know, his friend was turning red,
• 54:44
  Speaker 1: but he went along with it. It was I think
• 54:47
  Speaker 1: it was two white scrippers and one black script and
• 54:49
  Speaker 1: one black scripper saw me and was like, oh my god,
• 54:51
  Speaker 1: this Charlomagne. Oh boy, he didn't he didn't expect to
• 54:53
  Speaker 1: see me in there, all right, okay, And you know
• 54:56
  Speaker 1: he was just like, yo, let's take it. He was like,
• 54:57
  Speaker 1: I want to take a picture more though I got
• 54:58
  Speaker 1: my clothes on. He's trying. I'm trying to little extra said, brother,
• 55:01
  Speaker 1: do your thing. Okay, okay. So you left? Oh why
• 55:03
  Speaker 1: would I leave? Oh you stay? Yeah, okay, laughed, watched it,
• 55:08
  Speaker 1: enjoyed it. I did enjoy it. About doing it through
• 55:11
  Speaker 1: one of my people's right, Okay, I think that's a
• 55:13
  Speaker 1: nice little gag to pull on one of your people.
• 55:15
  Speaker 1: So it didn't bother it one bit. You was comfortable
• 55:17
  Speaker 1: in your skin, and you wanted to watch male strippers,
• 55:19
  Speaker 1: so you watch male strippers. Why would male scrippers make
• 55:22
  Speaker 1: me uncomfortable? My wife was right there with me make
• 55:26
  Speaker 1: me uncomfortable. By the way, I noticed that a lot
• 55:29
  Speaker 1: of women don't care for male scrippers. By the way, No,
• 55:31
  Speaker 1: I mean, a lot of women don't care for male scrippers,
• 55:33
  Speaker 1: and male scrippers do make some men uncomfortable. But I mean,
• 55:36
  Speaker 1: if it's if you're at a party right full of
• 55:39
  Speaker 1: men and women, and somebody brings some male scrippers in,
• 55:42
  Speaker 1: like like like ed Shearon did the dance on his
• 55:44
  Speaker 1: friend as a joke. It what's the problem? I shouldn't
• 55:47
  Speaker 1: make you uncomfortable. I'm not gonna lie. When I heard
• 55:49
  Speaker 1: the story, I said, yeah, I would be a little
• 55:51
  Speaker 1: uncomfortable because I'm gonna tell you why. A part of
• 55:54
  Speaker 1: the stories that you're leaving out is that these male
• 55:56
  Speaker 1: strippers would throw in their schlung on the man's face.
• 55:59
  Speaker 1: Male scrippers were doing what they would do to anybody
• 56:04
  Speaker 1: they was dancing for. So yeah, they was getting crazy.
• 56:06
  Speaker 1: One time they picked the guy, poor guy up and
• 56:08
  Speaker 1: they was like sixty nine and in the air without
• 56:10
  Speaker 1: actually sixty nine. But they had to put a position downpack.
• 56:14
  Speaker 1: But things happened, don't happen, So is it true they
• 56:17
  Speaker 1: were throwing the meeting the man face, say what they
• 56:19
  Speaker 1: would meet in a man's face, And they were doing
• 56:23
  Speaker 1: the same thing they would be doing to a woman.
• 56:25
  Speaker 1: It was a joke. Okay, that's how white people play.
• 56:29
  Speaker 1: Is that how they played? Okay, even white people from
• 56:31
  Speaker 1: the UK, that's how they played. I don't think it
• 56:34
  Speaker 1: didn't make me feel uncomfortable. Okay, it was funny. Let's
• 56:37
  Speaker 1: open up the phone lines. Eight hundred five eight five
• 56:39
  Speaker 1: one oh five one. Then if there were male strippers
• 56:44
  Speaker 1: around dancing, throwing their schlogs and other men's faces, maybe
• 56:49
  Speaker 1: your face, no no, no, no no no, now you're
• 56:51
  Speaker 1: swaying the jury. No no no no no no no
• 56:53
  Speaker 1: no no no men was slinging songs in anybody's face.
• 56:56
  Speaker 1: They were on the specific guy. It was a joke.
• 56:59
  Speaker 1: It was as Sharing's friends born day. He was playing
• 57:02
  Speaker 1: a joke on his friends, and his friend was a
• 57:04
  Speaker 1: great sport. All right, where'd you feel comfortable? Eight hundred
• 57:07
  Speaker 1: five eight five one oh five one? And ladies, if
• 57:09
  Speaker 1: your man feels comfortable around that, is that okay with you?
• 57:12
  Speaker 1: We had a ball, okay, I bet you did a
• 57:15
  Speaker 1: ball everywhere? Five five bombs at Sharing again, that's my guy.
• 57:21
  Speaker 1: One oh five on is freaky, freaky, freaky Friday morning.
• 57:25
  Speaker 1: Everybody is DJ Envy Angela Ye, Charlomagne, the guy. We
• 57:29
  Speaker 1: are the breakfast club is Friday. So you know what
• 57:31
  Speaker 1: that means. It's freaky, freaky freaky Friday. And the freaky
• 57:35
  Speaker 1: freaky Friday question comes from Charlomagne. This is actually a
• 57:38
  Speaker 1: great conversation, to be honest with you. I didn't even
• 57:41
  Speaker 1: think about it, you know. Yeah, last Friday, I was
• 57:43
  Speaker 1: hanging out with my guy, yes sharing. I went to
• 57:44
  Speaker 1: go see that sharing at the ball Cliff Center and
• 57:47
  Speaker 1: went to a little dive ball. You know, a little
• 57:48
  Speaker 1: dive ball in Brooklyn might have been like forty fifty
• 57:50
  Speaker 1: people there, maybe a little more, okay, And you know,
• 57:53
  Speaker 1: he was drinking and he was eating pizza, and it
• 57:55
  Speaker 1: was edged friend's birthday right at. Trent had never been
• 58:00
  Speaker 1: to America. Okay, you know what I'm saying. So Ed's
• 58:01
  Speaker 1: friend was in America. He was dead with his girlfriend. Okay,
• 58:04
  Speaker 1: So I got some scrippers coming that that are gonna
• 58:06
  Speaker 1: surprise him and dance on him. But the kicker is
• 58:09
  Speaker 1: they're male scrippers. Okay, that's that's the joke. That was
• 58:12
  Speaker 1: the gag. And I was like, okay, that should be funny,
• 58:15
  Speaker 1: you know what I mean. So we sat and then
• 58:17
  Speaker 1: the male scrippers came in. They grinded all over the dude.
• 58:20
  Speaker 1: They danced, the dude tossed him up in the air.
• 58:22
  Speaker 1: The dude was turning red, but he was a good sport.
• 58:24
  Speaker 1: He was laughing with it. Everybody was laughing. It was
• 58:26
  Speaker 1: actually funny. Okay, So I'm having this conversation with you
• 58:29
  Speaker 1: know y'all, and y'all are like that would have made
• 58:31
  Speaker 1: y'all uncomfortable. I don't know why would have made you
• 58:35
  Speaker 1: uncomfortable with the guys were dancing on you, or just
• 58:37
  Speaker 1: to sit there and watch. No, no, I mean to
• 58:39
  Speaker 1: sit there and watch is funny. But let's say he says,
• 58:41
  Speaker 1: you know, you're laughing, and then he wants to be like, oh,
• 58:43
  Speaker 1: you think it's funny, and then he starts coming on you. Well, no,
• 58:45
  Speaker 1: that's not what happened. The two it was three male scrippers. Uh.
• 58:49
  Speaker 1: I think two of them are white. Maybe one might
• 58:51
  Speaker 1: have been a Latino, but one was definitely black and
• 58:52
  Speaker 1: the black one, the black one wasn't expecting to see
• 58:54
  Speaker 1: no black people. That's what it was. That's what it was.
• 58:57
  Speaker 1: The black people person wasn't expecting this. The black male
• 58:59
  Speaker 1: scriple was this and to see no other black people there,
• 59:01
  Speaker 1: right so when he saw black people and the wonder
• 59:02
  Speaker 1: black people had was me, he was like, oh man,
• 59:04
  Speaker 1: that's Arlomagne. So that he came with him like I'm
• 59:06
  Speaker 1: trying to make as he was like, he was like,
• 59:09
  Speaker 1: can we take a picture after him? Have my clothes?
• 59:10
  Speaker 1: I'm like, yo, brother, it's all good. Go do your thing,
• 59:12
  Speaker 1: have fun. So I personally, it didn't make me uncomfortable.
• 59:15
  Speaker 1: In fact, at sharing that taught me a new trick
• 59:19
  Speaker 1: that I planned to use over the holidays. The one
• 59:21
  Speaker 1: of my cousins who ain't been acting right, all right,
• 59:24
  Speaker 1: I got a gag for him. I think that is
• 59:25
  Speaker 1: a great gag. All right, I'm gonna set mine up
• 59:28
  Speaker 1: a little different tho. I'm gonna have the female scrippers
• 59:30
  Speaker 1: dance on him, handcuffed him, then leave the room and
• 59:32
  Speaker 1: have the male scrippers walk in here. Dirty. That's that's dirty. See,
• 59:35
  Speaker 1: I don't play He'm gonna play those games. Hello, Hey,
• 59:37
  Speaker 1: what's going on? Fellas? What's your name? Bro? My name
• 59:39
  Speaker 1: is Adrian? Ain't Adrian? Now with that? Would you be
• 59:42
  Speaker 1: comfortable with that? Man? Hey, listen, if it was something
• 59:45
  Speaker 1: I did not expect, that's to be uncomfortable. So stripper
• 59:47
  Speaker 1: just bust out the room shaking. They need all over
• 59:49
  Speaker 1: the play see that. It's just a little weird. But
• 59:52
  Speaker 1: that's why Ed told me beforehand. Ed told right beforehand
• 59:57
  Speaker 1: because he didn't know how I was gonna react to it.
• 59:59
  Speaker 1: I'm people was gonna react to us, So he just
• 1:00:01
  Speaker 1: let me know. And I was like, Bro, I don't
• 1:00:03
  Speaker 1: I know. That's how white folks play like. I know
• 1:00:05
  Speaker 1: that's time. My wife, my white boys they played the
• 1:00:06
  Speaker 1: same way. So man, my man, my wife would have
• 1:00:09
  Speaker 1: we would have just slotted on exit. We would have
• 1:00:10
  Speaker 1: exited the smooth. I got you, b I'm not no problem.
• 1:00:15
  Speaker 1: I thought it was funny. Hello, who's this? Hey? This
• 1:00:18
  Speaker 1: deal from Detroit? Many? What's up? Bro? Now you had
• 1:00:22
  Speaker 1: a ball a male strip of pops out and starts
• 1:00:24
  Speaker 1: dancing on the dude. And then do you leave or
• 1:00:26
  Speaker 1: or you comfortable or uncomfortable? If he's dancing right next
• 1:00:29
  Speaker 1: to me? I gotta go. I ain't gonna lie. I'm
• 1:00:31
  Speaker 1: jump playing around like that. I don't know y'all playing
• 1:00:34
  Speaker 1: too much. And the man was trying to hide it
• 1:00:36
  Speaker 1: like you wasn't trying to come off with it. And
• 1:00:38
  Speaker 1: then you just kind of fishy bro, like you if
• 1:00:40
  Speaker 1: you're thinking your time, he would ask you about it
• 1:00:41
  Speaker 1: you took your time and answer no. I really had
• 1:00:43
  Speaker 1: to remember that to remember, be honest with you, I
• 1:00:46
  Speaker 1: wasn't thinking about eight hundred and five eight five, one
• 1:00:48
  Speaker 1: oh five one. I might have slid out there too,
• 1:00:50
  Speaker 1: because the way I'm thinking is if he's gonna dance
• 1:00:52
  Speaker 1: with the white boy, he gonna come at me next.
• 1:00:55
  Speaker 1: Why because it's funny. He's not getting paid to dance
• 1:00:57
  Speaker 1: on you, because it's funny. He got paid the dance
• 1:00:59
  Speaker 1: on the Ed Sharon's friend. And that's what they did.
• 1:01:02
  Speaker 1: Because if I was there with you, I tell the
• 1:01:03
  Speaker 1: black ship I'm black. Look, I gave the extra huney
• 1:01:05
  Speaker 1: go dance on Charlottage. That's what I would have did,
• 1:01:07
  Speaker 1: no doubt. And I would have gave him five hundred
• 1:01:09
  Speaker 1: and said, you put that meat in Envy's face, all right,
• 1:01:12
  Speaker 1: and that's but that's fun. But then tell me all
• 1:01:14
  Speaker 1: jokes aside. Is that not fun? And that's what in
• 1:01:17
  Speaker 1: my face is not fun? But back, you know, but
• 1:01:19
  Speaker 1: that's what Ed was doing. This homeboy, that's fun. That's funny.
• 1:01:22
  Speaker 1: Trust me. Holidays is right around the corner. I got
• 1:01:24
  Speaker 1: plans for one of my cousin and he has no idea.
• 1:01:28
  Speaker 1: I got the mail scrippers on deck, all right, I'm
• 1:01:30
  Speaker 1: gonna have the female scrippers coming the room, dance with him,
• 1:01:33
  Speaker 1: handcuff him, and then have the mail scrippers coming there
• 1:01:35
  Speaker 1: and grind to him to pretty ricky, I'm gonna lock
• 1:01:37
  Speaker 1: here because that's kidnapping. That's you. Damn you locked me
• 1:01:41
  Speaker 1: up and kidnap me. Eight hundred and five eight five
• 1:01:43
  Speaker 1: one oh five one. It's the Breakfast Club. Goodmorn now
• 1:01:45
  Speaker 1: if he just joined us with taking your calls. It's Friday,
• 1:01:48
  Speaker 1: so you know what that means. Freaky freaky, freaky Friday.
• 1:01:51
  Speaker 1: And it comes from Charlomagne and his uh what it
• 1:01:55
  Speaker 1: out tracking weekend? I mean, it wasn't excribing it. Man.
• 1:01:58
  Speaker 1: This was last Friday, me and my guy at Sharon
• 1:02:01
  Speaker 1: After that Sharon's concert. We was hanging out, you know,
• 1:02:03
  Speaker 1: a playing pool to a dive. Boy was at Sharon's
• 1:02:06
  Speaker 1: best friend from the UK's birthday. He's never been to
• 1:02:08
  Speaker 1: America and he wanted to play a gag on him.
• 1:02:10
  Speaker 1: He wanted to play a joke on you guys. Ran
• 1:02:12
  Speaker 1: out of poolstick, so he decided to stop it. The
• 1:02:15
  Speaker 1: joke was that he was gonna have some male scrippers
• 1:02:17
  Speaker 1: come in and dance on his homeboard, and that's what happened.
• 1:02:20
  Speaker 1: And you know, I thought it was funny. But I'm
• 1:02:23
  Speaker 1: having conversations with my conglomerate right here right envying my gang,
• 1:02:28
  Speaker 1: and they like that would have made me uncomfortable. I'm like,
• 1:02:29
  Speaker 1: you what, let's just sit there and watch some male
• 1:02:32
  Speaker 1: scrippers dance on the dude. It was funny. The curve
• 1:02:36
  Speaker 1: penis would have pointed at me might have came at
• 1:02:37
  Speaker 1: me right after out of pass, And I realized that
• 1:02:39
  Speaker 1: ladies don't really like male scrippers, not too man. So
• 1:02:42
  Speaker 1: I don't know what male I don't know what male
• 1:02:43
  Speaker 1: scrippas with their places in the equal system game in
• 1:02:48
  Speaker 1: at Sharon's homeboy in game, I don't know. Hello, who's
• 1:02:50
  Speaker 1: this from? Chris Man? Would you feel comfortable, uh, with
• 1:02:55
  Speaker 1: a bunch of chipps dancing around you? Brother? I literally,
• 1:02:59
  Speaker 1: y'all all the time, think Charlemagne, it's hilarious. But you
• 1:03:02
  Speaker 1: know what, Charlomagne be given to that donkey or to day,
• 1:03:05
  Speaker 1: but you won't bring up the topic that you was
• 1:03:07
  Speaker 1: getting donkey of to night man how you had men
• 1:03:09
  Speaker 1: to ship you upside down and you stay and sharing
• 1:03:13
  Speaker 1: I'm in love with the shape for you and you
• 1:03:15
  Speaker 1: got This is how black people in Turkey things. I
• 1:03:21
  Speaker 1: never said it was me, I specifically saying it was
• 1:03:25
  Speaker 1: Ed Shearing's homeboy's birthday. His homeboys from the UK never
• 1:03:29
  Speaker 1: been to America. Ed had the male scrippers come in
• 1:03:32
  Speaker 1: and dance on his homeboy. Charlemagne was not involved in that.
• 1:03:36
  Speaker 1: I did not get turned upside down. Nobody was looking
• 1:03:39
  Speaker 1: at me singing I'm in love with the shape for you.
• 1:03:41
  Speaker 1: How did we turn? It been ten minutes? How did
• 1:03:44
  Speaker 1: that story flip that fast? I like his story better? Hello?
• 1:03:47
  Speaker 1: Who's this spring Shaw day game showing? Now we're talking
• 1:03:51
  Speaker 1: about male strippers? Would that make you feel comfortable or uncomfortable?
• 1:03:54
  Speaker 1: If they were dancing in the vicinity? If you're around
• 1:03:56
  Speaker 1: where you were? That would make me want to fight
• 1:03:58
  Speaker 1: whoever had to do with it. Why now you want
• 1:04:01
  Speaker 1: to fight? No? No, no, you mean you would want
• 1:04:02
  Speaker 1: to fight if it was happening to you. Yeah, of course, Okay,
• 1:04:05
  Speaker 1: yeah no, Because I was telling I was telling Wax.
• 1:04:07
  Speaker 1: I was like, I'm gonna do this to such and
• 1:04:09
  Speaker 1: such over the holidays, and he was like that boy
• 1:04:11
  Speaker 1: gonna shoot man. My question to yours, how was it do?
• 1:04:18
  Speaker 1: Was he just sitting there giggling about it? It was funny.
• 1:04:21
  Speaker 1: He was read, it's a joke, that's how it's I mean, listen, man,
• 1:04:24
  Speaker 1: that they played different than we play, y'all might have
• 1:04:27
  Speaker 1: pulled down some information out of him that he ain't
• 1:04:30
  Speaker 1: wasn't really ready to release it yet. All right, thank you.
• 1:04:32
  Speaker 1: Now let's go to one more. Caller asked me, good morning,
• 1:04:35
  Speaker 1: good morning, how you going? Asked me? If you and
• 1:04:37
  Speaker 1: your man was there right and the stripper was dancing
• 1:04:39
  Speaker 1: on another man, male scripper, male stripper, how how would
• 1:04:42
  Speaker 1: you feel? I don't feel completely uncomfortable? Why? And because? No,
• 1:04:48
  Speaker 1: if you see two men grinding on each other, he
• 1:04:51
  Speaker 1: asked a question his sexuality completely joke. No, it's okay
• 1:04:58
  Speaker 1: for two women, but two men not at all. That
• 1:05:01
  Speaker 1: was completely gay. Well now I know why. Now I
• 1:05:04
  Speaker 1: know why, Ed Sharon told me beforehand, because you probably
• 1:05:06
  Speaker 1: thought I was gonna feel like every single one of
• 1:05:09
  Speaker 1: our callers that called in here this morning. I hate
• 1:05:12
  Speaker 1: this term, but I can cut to toxic masculinity in
• 1:05:15
  Speaker 1: this room with a knife, right, now, Jesus Christ, I
• 1:05:20
  Speaker 1: just know if they are there to do that, I
• 1:05:22
  Speaker 1: might be next. It was a specific joke. It was
• 1:05:27
  Speaker 1: Ed Sharon's friend's birthday. The guy's girl was dead with him.
• 1:05:31
  Speaker 1: He had the male Scrippers come out dance on his
• 1:05:35
  Speaker 1: best friend. I thought it was funny. I thought it
• 1:05:37
  Speaker 1: was hilarious. And the holidays are right around the corner,
• 1:05:40
  Speaker 1: and I can't wait to do the same thing to
• 1:05:42
  Speaker 1: one of my cousins in Mon's Corner, South Carolina. Oh,
• 1:05:44
  Speaker 1: already got it all played out. I'm gonna have the
• 1:05:46
  Speaker 1: female Scripples danced with him handcuff and make him feel
• 1:05:49
  Speaker 1: real comfortable. They have the male Scripples come in and
• 1:05:52
  Speaker 1: grind all over his ass. And I'm gonna be playing
• 1:05:54
  Speaker 1: b two k bump bump bump. I'm gonna play pretty
• 1:05:57
  Speaker 1: Ricky grind with me. I'm gonna play all Kelly bump grind,
• 1:06:01
  Speaker 1: all right, I mean, I mean, I would definitely call
• 1:06:03
  Speaker 1: the police and said you kidnap me, but you would
• 1:06:04
  Speaker 1: have to put a mask of horn first. Now you
• 1:06:06
  Speaker 1: gotta put a mask on and then bring him in,
• 1:06:09
  Speaker 1: let him grind, and then take the mask off. Okay, see,
• 1:06:11
  Speaker 1: now you're thinking about it. Now, you see the humor
• 1:06:13
  Speaker 1: in this. All right, he's gonna fight you boy. The
• 1:06:15
  Speaker 1: mother of the story is dropped on the clue's bombs
• 1:06:17
  Speaker 1: for edge shearing. That's my guy. All right. Had a
• 1:06:19
  Speaker 1: great time last Friday, me and my wife and my
• 1:06:21
  Speaker 1: my conglomerate. We had a great time. All right. Now
• 1:06:24
  Speaker 1: when we come back, we got rumors on the way,
• 1:06:25
  Speaker 1: we'll tell you about Iggy Azea. She owes three hundred
• 1:06:29
  Speaker 1: thousand dollars. I'll tell you to who and how they're
• 1:06:31
  Speaker 1: trying to get their money back. So don't move. It's
• 1:06:33
  Speaker 1: to breakfast club the morning putting. Everybody is DJ Envy,
• 1:06:36
  Speaker 1: Angela Yee, Charlemagne, the guy we are the breakfast club.
• 1:06:39
  Speaker 1: Let's get to the rumors. Iggy Azaia is being sued
• 1:06:42
  Speaker 1: for three hundred thousand dollars. It's about is the rumor
• 1:06:50
  Speaker 1: report Angela Yee on the breakfast club Now. According to
• 1:06:57
  Speaker 1: American Express, Iggy Azelia is being sued for three hundred
• 1:07:02
  Speaker 1: thousand dollars. Now they're saying that she spent two hundred
• 1:07:06
  Speaker 1: and fifty thousand dollars and they won three hundred thousand,
• 1:07:08
  Speaker 1: which includes legal fees and some interest could you imagine
• 1:07:11
  Speaker 1: what she spent for te yard of thousand. Well, first
• 1:07:13
  Speaker 1: of all, you know, I don't know it gets his
• 1:07:15
  Speaker 1: financial situation. But if you put three hundred thousand dollars
• 1:07:18
  Speaker 1: on an AMAX card, you're probably not doing too good financially.
• 1:07:21
  Speaker 1: She probably thought a big check was coming in in
• 1:07:23
  Speaker 1: a couple of weeks, saw a big check was coming
• 1:07:25
  Speaker 1: in in the next thirty days. So let me go
• 1:07:27
  Speaker 1: ahead and just charge up this stuff and I'll take
• 1:07:29
  Speaker 1: care of it next month. But it don't look too
• 1:07:31
  Speaker 1: good man, when you ain't had it hit in a minute,
• 1:07:33
  Speaker 1: and you know, you really can't get nothing popping and
• 1:07:35
  Speaker 1: the label like, you know, def jam thing. They're not
• 1:07:37
  Speaker 1: spending no more money on you, and they ain't looking
• 1:07:39
  Speaker 1: too good for a year. Yeah, but you know, the
• 1:07:41
  Speaker 1: only thing is, you know, people use their points in
• 1:07:43
  Speaker 1: the American Expressed to buy other things sometimes. So I
• 1:07:45
  Speaker 1: don't need three hundred thousand dollars Weber points bro not
• 1:07:47
  Speaker 1: a month. I ain't putting three hundred thosand dollars in
• 1:07:50
  Speaker 1: a year on my AMAX card. Yeah. I guess you're right,
• 1:07:53
  Speaker 1: but don't listen to me. I'll still shop at Target,
• 1:07:55
  Speaker 1: all right, I'll buy T shirts from Target. Slut to
• 1:07:57
  Speaker 1: good Fellas. They had a new T shirt line in there,
• 1:08:00
  Speaker 1: not must. I'm not saying better, but I ain't mad
• 1:08:03
  Speaker 1: at him. Okay, all right, now, Cam Newton, Now he
• 1:08:06
  Speaker 1: was in the news for saying this to a female reporter.
• 1:08:09
  Speaker 1: Devin Funis seemed to really embrace the physicality of his
• 1:08:13
  Speaker 1: routes and making getting those extra yards because I give
• 1:08:16
  Speaker 1: you a little bit of an enjoyment to see him
• 1:08:18
  Speaker 1: kind of trust sticking people out there. It's funny to
• 1:08:21
  Speaker 1: hear female talk about routes like it's funny. Well, now,
• 1:08:26
  Speaker 1: Kim would have liked to apologize, of course, it seems
• 1:08:28
  Speaker 1: like he lost an endorsement Dan and Yogurt, And now
• 1:08:31
  Speaker 1: he's very very sorry for making these comments. And this
• 1:08:33
  Speaker 1: is what he said. Now. My word choice was extremely
• 1:08:36
  Speaker 1: degrading and disrespectful to a woman, and to be honest,
• 1:08:40
  Speaker 1: that was not my intentions. What I did was extremely unacceptable.
• 1:08:45
  Speaker 1: I'm a father to two beautiful daughters, and at their age,
• 1:08:49
  Speaker 1: I try to instill in them that they can do
• 1:08:51
  Speaker 1: and be anything that they want to be. During this
• 1:08:54
  Speaker 1: whole process, I've already lost sponsors and countless fans, I
• 1:08:58
  Speaker 1: realized that the joke is really on me, and to
• 1:09:02
  Speaker 1: the young people who see this, I hope that you
• 1:09:05
  Speaker 1: learned something from this as well. Don't be like me,
• 1:09:08
  Speaker 1: be better than me. Oh here's the thing, man, I
• 1:09:11
  Speaker 1: feel like if cam Newton wanted to cause outrage and
• 1:09:15
  Speaker 1: if he wanted to lose endorsements, he should have just
• 1:09:18
  Speaker 1: took a knee. He should have just took a knee
• 1:09:20
  Speaker 1: on behalf of his people that are facing injustices in America.
• 1:09:23
  Speaker 1: And he should have just stood with Kaepernick. That would
• 1:09:25
  Speaker 1: have been more honorable than this. Correct. This is just
• 1:09:27
  Speaker 1: a waste of calories right here. I'm gonna be honest
• 1:09:29
  Speaker 1: with Yeah, I really don't know where he was going
• 1:09:32
  Speaker 1: with it, Like I don't understand, and I'm mad. No
• 1:09:34
  Speaker 1: reporter followed up. A reporter should have followed up and said,
• 1:09:36
  Speaker 1: what do you find funny about females discussing routes? Like
• 1:09:40
  Speaker 1: you can't just you can't just make a statement like
• 1:09:42
  Speaker 1: that and leave it hanging in the air. Even if
• 1:09:44
  Speaker 1: he said, I find it funny that all you reporters
• 1:09:47
  Speaker 1: that don't play football asked me about routes. But the
• 1:09:49
  Speaker 1: way he said that it was nothing was funny about.
• 1:09:51
  Speaker 1: And it was also incredible to me because Cam Newton
• 1:09:53
  Speaker 1: has been playing football his whole life. You never had
• 1:09:54
  Speaker 1: a sports journalist ask you a question that was a woman.
• 1:09:57
  Speaker 1: You've never had a woman reporter talk to you your
• 1:09:59
  Speaker 1: whole life playing football. Now, well would have been what
• 1:10:01
  Speaker 1: would have surprised us all if this woman would have
• 1:10:04
  Speaker 1: said she actually ran routes right, all right? If she
• 1:10:06
  Speaker 1: actually said she ran route out there with the guys
• 1:10:08
  Speaker 1: and she called the football in that'thing like why because
• 1:10:11
  Speaker 1: if she was young, may remember young and may played football.
• 1:10:14
  Speaker 1: Here you go as a little one, Well, that's expected anyway.
• 1:10:17
  Speaker 1: And lastly, ll cool J is the only rapper to
• 1:10:21
  Speaker 1: get twenty eighteen Rock and Roll nomination, So congratulations to him.
• 1:10:25
  Speaker 1: He's nominated for twenty eighteen the Rock and Roll Hall
• 1:10:27
  Speaker 1: of Fame. Thank this, nineteen other candidates rage against the machine,
• 1:10:31
  Speaker 1: Kate Bush, radio Head, Nina Simone, and ll cool I
• 1:10:34
  Speaker 1: never celebrate that. And the reason I don't celebrate that
• 1:10:36
  Speaker 1: is because ll COOLJ is not rock and roll. Ll
• 1:10:38
  Speaker 1: cool jas hip hop. Hip hop is the biggest genre
• 1:10:41
  Speaker 1: of music you know in the country right now. It's
• 1:10:43
  Speaker 1: the most influential genre of music ever, and ll Coolja
• 1:10:47
  Speaker 1: is one of the pioneers and the founders of that.
• 1:10:49
  Speaker 1: So you know, I'm not celebrating the fact that the
• 1:10:51
  Speaker 1: Rock and Roll Hall of Fame wants LL COOLJ. Of
• 1:10:53
  Speaker 1: course they want ll COOLJ. What we need is a
• 1:10:55
  Speaker 1: hip hop Hall of Fame, all right, that's what we need.
• 1:10:58
  Speaker 1: I thought they have it. Maybe they don't, but we'll
• 1:11:00
  Speaker 1: see what it be. A hip hop you need, like
• 1:11:02
  Speaker 1: a here's the thing, because it's hip hop. There's R
• 1:11:04
  Speaker 1: and B, Like yeah, I guess hip hop is all
• 1:11:06
  Speaker 1: that hipop culture. And then what they said, and they
• 1:11:07
  Speaker 1: said Llo is nominated, Yeah, nominated. Nina Simone is nominated.
• 1:11:11
  Speaker 1: Like both of them are legends. They shouldn't be nominated
• 1:11:14
  Speaker 1: for anything. They should be automatic inductions, right, first ballot,
• 1:11:19
  Speaker 1: Hall of Famers, and whatever musical genre category you want
• 1:11:24
  Speaker 1: to put them in. But rock and roll, nah, man,
• 1:11:26
  Speaker 1: that's like, nah, it ain't us hip hop? Baby with you?
• 1:11:29
  Speaker 1: All right? Well that is your rumor report. Angela Yee
• 1:11:32
  Speaker 1: is out. But the mixes up next eight hundred five
• 1:11:35
  Speaker 1: A five one on five one. Let me know what
• 1:11:36
  Speaker 1: you want to hear in the mix. Shout to all
• 1:11:38
  Speaker 1: my HBCUs. I let me know what college you went to,
• 1:11:41
  Speaker 1: and I will shout your college out this morning, right now,
• 1:11:44
  Speaker 1: shout to revote. We'll see you guys on Monday. Everybody
• 1:11:47
  Speaker 1: else to People's Choice mixes up next at dj NBA
• 1:11:49
  Speaker 1: eight hundred five A five one or five one is
• 1:11:51
  Speaker 1: the Breakfast Club. Good morning,