
Was the pop boom of 1996-2006 a comedy or a tragedy?
The teenage Michael Cragg was obsessed with the “glorious shiny ludicrous pop” of the period that began with the Spice Girls, included Hear’Say, Five, Steps, Atomic Kitten, Blue and countless others and ended with the closure of Popworld and Smash Hits ten years later, a tale less about music than the media that covered it and the machinations of the industry. All the key leading players – bands, managers, songwriters, critics – are interviewed in his sparkling and soon-to-be-published account of it all, Reach For the Stars, and our conversation with him includes … ….. why Chris Morris should…
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