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Nas & Dj Premier "Light Years" Album Review · Hip-Hop Now Podcast

• 0:00
  Speaker 1: Coming up on this week's episode of Hip Hop Now Podcast,
• 0:05
  Speaker 1: It's the longer waited anticipated album that we thought we
• 0:10
  Speaker 1: would never get exclusively NAS and DJ Premier. It's my review.
• 0:20
  Speaker 1: Let's get to it.
• 0:23
  Speaker 2: Welcome to jip Hop Now Podcast. Did you from the future?
• 0:30
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• 0:41
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• 0:44
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• 0:47
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  Speaker 1: this kind of content. And you know why I know
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  Speaker 1: end of twenty twenty five, It's because about ninety five
• 2:50
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  Speaker 1: K is nothing. This is all I'm saying. So without
• 3:09
  Speaker 1: further ado, let's get right into the business. Hey, look, man,
• 3:18
  Speaker 1: we've waited a very long time. There's some boomback kids
• 3:21
  Speaker 1: who have been in hybernation since the thought of a
• 3:27
  Speaker 1: Nas and premiere album was something that was on everybody's minds.
• 3:31
  Speaker 1: And for those who don't know, I'll just give you
• 3:33
  Speaker 1: a quick synopsis of where we were and how we
• 3:37
  Speaker 1: got here. But first and foremost Illmatic right Illmatic drops
• 3:45
  Speaker 1: this production from Pete Rock Large Professor, Q Tip, DJ Premier,
• 3:51
  Speaker 1: of course l Ees and what stuck with most fans
• 3:58
  Speaker 1: Illmatic being what it is, it is all time classic album.
• 4:01
  Speaker 1: You can see it right there behind me on vinyl
• 4:06
  Speaker 1: was the fact that Damn DJ Premier did New York
• 4:10
  Speaker 1: State a minor Illmatic. It was crazy. DJ Premier did
• 4:14
  Speaker 1: Memory Lane on Illmatic, it was crazy. DJ Premier did
• 4:20
  Speaker 1: Represent on Illmatic. That was crazy. And then Nas what
• 4:26
  Speaker 1: two years later drops his sophomore album It was written
• 4:31
  Speaker 1: and DJ Premier does one of the standout tracks, if
• 4:36
  Speaker 1: not the standout track, I Gave You Power, where Nas
• 4:41
  Speaker 1: is rapping from the perspective of a gun and it's
• 4:44
  Speaker 1: just like man, DJ Premier and NASA get together is magic,
• 4:49
  Speaker 1: and then you get songs like NAS's like right, and
• 4:54
  Speaker 1: you know they've done like close to ten joints.
• 4:57
  Speaker 2: I think over.
• 4:59
  Speaker 1: Time and the early years, especially the nineties, mid to
• 5:04
  Speaker 1: late nineties, Nas in DJ Premier like they couldn't miss,
• 5:09
  Speaker 1: like for example, New York State of Mind, too crazy,
• 5:13
  Speaker 1: nice flip on the piano sample NAS with the bars
• 5:17
  Speaker 1: just crazy.
• 5:19
  Speaker 2: Right. So there's this.
• 5:23
  Speaker 1: Magazine cover from I think like the early two thousands.
• 5:27
  Speaker 2: I think it's Scratch Magazine. I'm not sure. Let me well,
• 5:30
  Speaker 2: forget not being surelo, let me just look, because I
• 5:33
  Speaker 2: think I do have it.
• 5:35
  Speaker 1: Yep, Scratch Magazine two thousand and five, Nas in DJ
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  Speaker 1: Premier on the cover, and at that point everybody's like,
• 5:46
  Speaker 1: y'all gotta make it happen. We need Back then, in
• 5:50
  Speaker 1: two thousand and five, twenty years ago, we all were saying, yeah,
• 5:56
  Speaker 1: gotta at least do a nas in Primo album, like
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  Speaker 1: it has to have and the cover said Exclusive NAS
• 6:02
  Speaker 1: and DJ Premier. The inside scoop on uniting, Oh wait,
• 6:07
  Speaker 1: that's something else, but again Exclusive NAS and DJ Premier
• 6:13
  Speaker 1: felt like we were about to get an album, and
• 6:16
  Speaker 1: even two thousand and five, Nas is crazy because remember
• 6:19
  Speaker 1: still Madic already dropped where Premo did Second Childhood, which
• 6:24
  Speaker 1: was crazy. So it felt like, Yo, every time these
• 6:28
  Speaker 1: two hook up on a record, it's magic, right, No
• 6:35
  Speaker 1: pun intended, it's magic. And they've done other records obviously,
• 6:39
  Speaker 1: but this was the magazine cover that got hip hop
• 6:45
  Speaker 1: has excited for something that didn't happen. It didn't happen
• 6:51
  Speaker 1: in twenty fifteen, it didn't happen in twenty ten, it
• 6:55
  Speaker 1: didn't happen on Life's Life is Good. But then NAS
• 7:00
  Speaker 1: had to run with hit Boy from twenty twenty.
• 7:03
  Speaker 2: What was that?
• 7:03
  Speaker 1: Like six albums in like two and a half years,
• 7:07
  Speaker 1: and for the most part all dope. DJ Premier was
• 7:13
  Speaker 1: featured on the album, but he did not make a beat.
• 7:18
  Speaker 1: But then there was that tease again, like damn Premiere
• 7:22
  Speaker 1: is in the video he's doing the scratches I believe
• 7:26
  Speaker 1: on the record the song called Wave Guys, but hip
• 7:30
  Speaker 1: Boy made the beat and it sounds like something Premier
• 7:33
  Speaker 1: would make. And then they drop a song called definds
• 7:38
  Speaker 1: my Name. DJ Premier and Nas dropped a song called
• 7:41
  Speaker 1: Defines My Name, essentially announcing that they were gonna finally
• 7:48
  Speaker 1: work on the album together where DJ Premier is the
• 7:51
  Speaker 1: exclusive producer.
• 7:54
  Speaker 2: Of the album.
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  Speaker 1: Now granted again twenty years later when we originally wanted this,
• 8:02
  Speaker 1: where Premier was probably in a different space with its
• 8:05
  Speaker 1: production and Nas was definitely in a different space with
• 8:08
  Speaker 1: his pen. So the thing that everybody was hoping for
• 8:14
  Speaker 1: is like, you know, it's going to be crazy.
• 8:17
  Speaker 2: How could it not, you know?
• 8:19
  Speaker 1: And when you look at this being the final album
• 8:24
  Speaker 1: in the Mass Appeal rollout of seven Legends, seven Icons
• 8:28
  Speaker 1: Legend Hazard series, and it's ending with and again for
• 8:33
  Speaker 1: those who don't known, those seven Icons was Slick, Rick,
• 8:39
  Speaker 1: raykn Ghosts, Mob, Deep, Big L, Daylight, and now nasen
• 8:46
  Speaker 1: Primo And for the most part, most of those albums,
• 8:51
  Speaker 1: if not all, are good to great right surprisingly in
• 8:56
  Speaker 1: a lot of ways.
• 8:58
  Speaker 2: So if you're going to end it, if you have.
• 9:01
  Speaker 1: That run and now you're gonna end it off in
• 9:04
  Speaker 1: twenty twenty five, after twenty years of wanting this particular
• 9:08
  Speaker 1: link up between these two with Nas and DJ Premier,
• 9:12
  Speaker 1: the anticipation is through the roof. I thought the anticipation
• 9:15
  Speaker 1: was high for the clips. Now this is the close
• 9:19
  Speaker 1: out album. This album along with Conway, the Machine or
• 9:24
  Speaker 1: two of the albums I was waiting for them to
• 9:27
  Speaker 1: drop to see if I can consider them for my
• 9:31
  Speaker 1: best of the year. And we'll talk about that very
• 9:33
  Speaker 1: soon because that's right around the corner on this channel subscribe, but.
• 9:43
  Speaker 2: It's here now.
• 9:45
  Speaker 1: NAS and DJ Premier have dropped their album entitled Light Years. Now,
• 9:53
  Speaker 1: y'all know how I do when it comes to reviews
• 9:56
  Speaker 1: of albums. This one is special. That's why it has
• 9:58
  Speaker 1: a special episode all to itself. And I give an
• 10:02
  Speaker 1: album three listens, right. The first time is just impressions,
• 10:08
  Speaker 1: you know, beats, rhymes, whatever's presented, it's just all impressions.
• 10:14
  Speaker 1: The second time, I'm listening a little bit closely to
• 10:18
  Speaker 1: the bars, to the beats and how the chemistry is
• 10:23
  Speaker 1: coming together on the project. And my last listen, on
• 10:28
  Speaker 1: my third listen is just to confirm my thoughts and
• 10:32
  Speaker 1: for those who like to just know, like out of
• 10:35
  Speaker 1: a quick review, sorry you had to wait almost ten minutes,
• 10:38
  Speaker 1: but so what we're going to take our time with
• 10:40
  Speaker 1: this one. I would say this is a good album.
• 10:46
  Speaker 1: It's not crazy. It's not what I thought it would
• 10:50
  Speaker 1: have been twenty years ago, but that's almost impossible.
• 10:54
  Speaker 2: So I'm not trying to be that guy.
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  Speaker 1: I think it's just good and I'll tell you why, right,
• 11:02
  Speaker 1: So let me share my screen real quick, so you know,
• 11:06
  Speaker 1: those who don't know can get a.
• 11:09
  Speaker 2: Good look at what we have here.
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  Speaker 1: So here you have it, right, Light Years DJ Premier Nas,
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  Speaker 1: there's a nice description here, really quick, Let's just go
• 11:25
  Speaker 1: over the first paragraph. Any telling of NAS's story would
• 11:28
  Speaker 1: be woefully incomplete without mentioning DJ Premier. Back in the day,
• 11:33
  Speaker 1: the steam gangstar producer Lace the then rising Queensbridge MC
• 11:39
  Speaker 1: with three Beats that made his game change in nineteen
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  Speaker 1: ninety four debut Ellmatic. That professional connection continued with placements
• 11:48
  Speaker 1: on albums like I Am and a triumphant Still Madic,
• 11:53
  Speaker 1: further linking the two artists in the Annals says Annals,
• 11:58
  Speaker 1: all right, Paul's in hip hop history. As such, the
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  Speaker 1: arrival of Light Years, fully produced by Primo, at the
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  Speaker 1: virtual halfway point of na Sears improbable twenty twenties run,
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  Speaker 1: seems like the fulfillment of rap destiny. I'm just here
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  Speaker 1: to tell you it is not. It is also not
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  Speaker 1: light years ahead of anything. But what I do like
• 12:30
  Speaker 1: about it that I didn't like in my first listen,
• 12:35
  Speaker 1: is that it's a certain vibe with this album that's
• 12:40
  Speaker 1: unlike the hit Boy Run, that's unlike any Gangstar album
• 12:44
  Speaker 1: or NAS album you've heard before.
• 12:47
  Speaker 2: Even though there are.
• 12:49
  Speaker 1: Specific songs that are callbacks, they are even mixes and
• 12:53
  Speaker 1: cuts that are callbacks to their connection. I don't like
• 12:57
  Speaker 1: it as much as I thought I was, because it
• 13:01
  Speaker 1: feels like, well, yeah, we've been listening to those songs
• 13:04
  Speaker 1: from y'all for like twenty.
• 13:06
  Speaker 2: Years or more.
• 13:08
  Speaker 1: You know, we don't need it to be on the
• 13:10
  Speaker 1: new stuff. But I get why they did it. You know,
• 13:14
  Speaker 1: some of us just you know, we still bump the
• 13:16
  Speaker 1: old stuff. So let's start to go track for track,
• 13:21
  Speaker 1: and I'll just say this just as again to summarize.
• 13:25
  Speaker 1: I felt like with this album, I was going from
• 13:30
  Speaker 1: hit miss hit miss hit miss hit miss right on
• 13:33
  Speaker 1: the first listen, like I don't know about that one,
• 13:36
  Speaker 1: I don't know about this one.
• 13:38
  Speaker 2: None of it had to really do with Naza's pen.
• 13:41
  Speaker 1: In most cases, there were times where I was like,
• 13:45
  Speaker 1: bit that, like saying baby mice on that on this
• 13:49
  Speaker 1: album's kind of crazy, Like.
• 13:52
  Speaker 2: I know, but you know, these guys are older.
• 13:55
  Speaker 1: You know they say things, you know, it's the same
• 13:58
  Speaker 1: minor grapes I had were like ghost Face with the
• 14:01
  Speaker 1: dated references. I'm saying now some people hear dated references
• 14:05
  Speaker 1: and they get nostalgic, So I get it, but that's nitpicking.
• 14:10
  Speaker 1: The one thing about this project is what I was
• 14:14
  Speaker 1: saying before it dropped. That was probably my greatest fear,
• 14:19
  Speaker 1: and that was DJ Premier sounding like.
• 14:23
  Speaker 2: He only has one formula. He only has one mode,
• 14:27
  Speaker 2: and he's going to go there and want and for
• 14:30
  Speaker 2: anybody who wants to jump in and say yo, but
• 14:33
  Speaker 2: that's what made him famous. You are not a Gangstar fan.
• 14:36
  Speaker 2: You can't be. You're not a fan of the group
• 14:39
  Speaker 2: Home album.
• 14:40
  Speaker 1: You're not a fan of Jay Ruse music stuff he's
• 14:43
  Speaker 1: there with Biggie, like kicking the door, stuff he's done
• 14:46
  Speaker 1: with jay Z. Because those beats never sound the same.
• 14:51
  Speaker 1: Even the records he's done with NAS, they never sound
• 14:54
  Speaker 1: the same. It was just that at a certain point
• 14:57
  Speaker 1: in DJ Premier's career, he began to just sound redundant
• 15:02
  Speaker 1: in his production choices, the scratches, blah blah blah. I'm
• 15:07
  Speaker 1: here to say, there's not that much of that on here,
• 15:10
  Speaker 1: and I applaud him for that. But I still don't
• 15:13
  Speaker 1: like some of the beats. So let's start at the top.
• 15:16
  Speaker 1: My life is real.
• 15:18
  Speaker 2: When I first heard this, I was like, Okay, this
• 15:21
  Speaker 2: is different Preme. I like it. And then when Nads
• 15:23
  Speaker 2: started rhyming and you know.
• 15:26
  Speaker 1: References of the Massive Hill Run, I was like, I
• 15:29
  Speaker 1: like this joint. I was a little iffy the first
• 15:32
  Speaker 1: listen because again, my anticipation is fighting with what I'm hearing,
• 15:37
  Speaker 1: and I'm trying to pull back and say, yo, chill man,
• 15:40
  Speaker 1: let's just listen to what they got. So eventually when
• 15:44
  Speaker 1: I heard it, I was like, Nah, that song's kind
• 15:45
  Speaker 1: of crazy. I ain't gonna front the beat, the way
• 15:48
  Speaker 1: nas is rapping, I like it. Get Ready, I like
• 15:52
  Speaker 1: this one off the first listen. Off the first listen,
• 15:55
  Speaker 1: I was like, I like it. New York State of
• 15:58
  Speaker 1: Mind Part three. We could have left this one off,
• 16:01
  Speaker 1: fan it is something. It's something about put it this way.
• 16:07
  Speaker 1: Shout out to kill because I was on this podcast
• 16:10
  Speaker 1: couple of hours right before this and he said this,
• 16:16
  Speaker 1: Even though I disagreed. He said, like, you know, a
• 16:18
  Speaker 1: lot of times when you hear a part two or
• 16:21
  Speaker 1: three or whatever, all he could do is compare it
• 16:24
  Speaker 1: to the best version, but I was saying, well, Part
• 16:27
  Speaker 1: one and Part two were both crazy in production and lyrically,
• 16:33
  Speaker 1: so if they decide to do a part three, it
• 16:36
  Speaker 1: gotta be just as crazy.
• 16:38
  Speaker 2: It is not.
• 16:40
  Speaker 1: It is the weakest of the three and the other
• 16:44
  Speaker 1: two are far more superior in lyrics and raps. And
• 16:49
  Speaker 1: I think what I don't necessarily care for is the production.
• 16:56
  Speaker 1: Just there's something about it, like it this is That's
• 17:00
  Speaker 1: what it is. It's the title. If this was called
• 17:04
  Speaker 1: something else, I probably like it a little bit more,
• 17:07
  Speaker 1: But because it's New York State of Mind, Part three,
• 17:09
  Speaker 1: it just feels a little unnecessary.
• 17:13
  Speaker 2: So if it wasn't on the album, I wasn't a
• 17:15
  Speaker 2: bit mad. Welcome to the Underground.
• 17:18
  Speaker 1: Now, this was a snippet that went around and I
• 17:21
  Speaker 1: like the beat, but when Nad starts rapping on it
• 17:24
  Speaker 1: and I think this is the one where he say
• 17:26
  Speaker 1: baby mice. When I started rapping on it, it just
• 17:31
  Speaker 1: didn't feel right, if that makes sense, And again that
• 17:36
  Speaker 1: could be nitpicking, but I just didn't care for it.
• 17:40
  Speaker 2: Even on the third listen.
• 17:42
  Speaker 1: It was just like I could see myself skipping those
• 17:45
  Speaker 1: two records.
• 17:46
  Speaker 2: Now again, sometimes time heals all wounds. I might like
• 17:52
  Speaker 2: both of them, you know, I may understand the goal
• 17:56
  Speaker 2: a little bit more, but from what I can hear
• 17:58
  Speaker 2: after listening three times, I don't like him. Man. I
• 18:01
  Speaker 2: don't have to like everything. You don't have to like everything.
• 18:05
  Speaker 1: Madman was the record that kind of brought me back, like, Okay,
• 18:10
  Speaker 1: I kind of rock with this joint. I love pause tapes,
• 18:15
  Speaker 1: not those paws, but pause tapes. Primo says it in
• 18:19
  Speaker 1: the very beginning what a pause tape is. Now the
• 18:24
  Speaker 1: beat is a little bit it almost sounds like a
• 18:26
  Speaker 1: pause tape, and maybe that was on purpose, And I
• 18:30
  Speaker 1: think I like that about it.
• 18:32
  Speaker 2: So I like that.
• 18:33
  Speaker 1: Writers might low key be my favorite NAS rapping about
• 18:39
  Speaker 1: graffiti artists and naming some from you know, back in
• 18:43
  Speaker 1: the days and on. This is reminds me of like
• 18:48
  Speaker 1: godsn Nas where he had like a round book like
• 18:51
  Speaker 1: it just reminds me of the Nas that he's he's
• 18:55
  Speaker 1: even better when he has a concept and he goes in.
• 19:00
  Speaker 1: And I loved the track. I felt like the track
• 19:02
  Speaker 1: fit the vibe, and that's what I mean it. When
• 19:05
  Speaker 1: you listen to this album, it feels like there were
• 19:08
  Speaker 1: a lot of ideas and there was a lot of
• 19:12
  Speaker 1: like old school nostalgia and a lot of what they
• 19:15
  Speaker 1: were doing, and that's cool, but I don't like all
• 19:21
  Speaker 1: of it that's on here. But when I heard Pause
• 19:24
  Speaker 1: Tapes and Writers, I was like, this is this is.
• 19:28
  Speaker 2: More in line.
• 19:29
  Speaker 1: Even though I didn't see these two records, you know,
• 19:34
  Speaker 1: I'm going to say, coming pause, I like that's here.
• 19:40
  Speaker 1: I think that I think those records are dope. Sons,
• 19:43
  Speaker 1: Young King, this is another sequel. When I looked at
• 19:47
  Speaker 1: the track listing first, I didn't really I didn't even
• 19:50
  Speaker 1: see that song until it started playing. I was like, oh,
• 19:53
  Speaker 1: this is a sequel to Daughters, you know, because Nas
• 19:56
  Speaker 1: has a daughter and he has a son. It's oh,
• 20:01
  Speaker 1: it's nothing that great. I think Daughters was better. I
• 20:07
  Speaker 1: have only I only have sons, so I was like, yeah,
• 20:10
  Speaker 1: let it get it. Na's made one for me. Because
• 20:13
  Speaker 1: I liked Daughters, I was like, that's dope, but I
• 20:14
  Speaker 1: don't have daughters. I don't like this one that much.
• 20:18
  Speaker 1: I don't, but for the positivity in the lyrics, I
• 20:23
  Speaker 1: think it's a dope record. I think it probably should
• 20:28
  Speaker 1: have been a little closer to the end. Considering I
• 20:30
  Speaker 1: feel like the album what I was on a roller
• 20:34
  Speaker 1: coaster a little.
• 20:34
  Speaker 2: Bit with the album and what I liked and didn't like.
• 20:38
  Speaker 1: It's time I like to beat, and that was just
• 20:40
  Speaker 1: the old school part of me, just like I like
• 20:43
  Speaker 1: to beat. Okay, So I think that record was dope.
• 20:48
  Speaker 1: Nasty Esco and Na see it. At first I was listening,
• 20:52
  Speaker 1: I was like, oh, yeah, this is cool. But then
• 20:54
  Speaker 1: I wasn't paying attention on the first listen, and then
• 20:58
  Speaker 1: I caught it somewhere toward the end, and I'm like, oh,
• 21:02
  Speaker 1: Nasty Nas, Escobar, and Nasia all on the same track,
• 21:08
  Speaker 1: and it's almost as if he closes them out or
• 21:12
  Speaker 1: kills Nasty Nas and Escobar for Nazia, and he talks
• 21:16
  Speaker 1: about who Nasia was versus who Escobar was versus who
• 21:20
  Speaker 1: Nasty Nas was. And I kind of like it because
• 21:22
  Speaker 1: when he starts rapping like Nasty Nas, it almost sounds
• 21:26
  Speaker 1: like illmatic Nas.
• 21:28
  Speaker 2: All of a sudden.
• 21:30
  Speaker 1: But I felt look as an Esco fan, I feel
• 21:34
  Speaker 1: like Esco Nas is the best nas.
• 21:38
  Speaker 2: Like Lebron in Miami.
• 21:41
  Speaker 1: I feel like that Lebron and Miami slash Back to
• 21:46
  Speaker 1: Cleveland is like peak Lebron, right. I feel like Esco
• 21:51
  Speaker 1: pen wise is peak Nas, and I kind of felt
• 21:56
  Speaker 1: like Esco was summed up as mafia guy, even though
• 22:02
  Speaker 1: he kind of was. But when you look at the
• 22:06
  Speaker 1: records that he released as Esco penwise, it is unmatch.
• 22:11
  Speaker 1: And I'm even talking about over illmatic. But in general,
• 22:16
  Speaker 1: I like the song. I know, I think Tracy Lee
• 22:20
  Speaker 1: on his debut album had a similar record, but I
• 22:23
  Speaker 1: don't really compare it to considering NAS's career, his status,
• 22:29
  Speaker 1: the fact that anybody who's a real fan of Nas
• 22:33
  Speaker 1: from the beginning can identify Nasty Nas versus Esco versus
• 22:38
  Speaker 1: Nazia or who we have today. So dope record, dope concept.
• 22:44
  Speaker 1: My story, your story featuring az Preme could have gave
• 22:48
  Speaker 1: him a better beat. And again some people may say, yo,
• 22:53
  Speaker 1: I like that beat, though it needs some more on it,
• 22:56
  Speaker 1: because I like the fact that Nas and as they
• 23:00
  Speaker 1: they back and forth thing it sounds dope.
• 23:02
  Speaker 2: But that beat is so It's almost like you.
• 23:07
  Speaker 1: In the studio and they're getting a cipher together and
• 23:11
  Speaker 1: they just need a beat that everybody could rap to.
• 23:15
  Speaker 1: The beat doesn't need to do anything special, just put
• 23:17
  Speaker 1: on the beat that we all can rap too, and
• 23:19
  Speaker 1: we just take turns and I just felt like the
• 23:22
  Speaker 1: beat was taken away from the performance a better beat,
• 23:27
  Speaker 1: Like I would love for Permit to just remix this
• 23:29
  Speaker 1: whole damn album, to be honest, because maybe we'll just
• 23:33
  Speaker 1: get different versions, especially New York State of Mind part three.
• 23:39
  Speaker 1: I feel like the way Nas is rapping that was
• 23:42
  Speaker 1: a different beat at one point, and if that beat
• 23:45
  Speaker 1: is better, man put that on here. But nevertheless, the
• 23:49
  Speaker 1: joint where Az is hot because of their back and forth,
• 23:52
  Speaker 1: I just feel like their performances aren't strong enough to
• 23:56
  Speaker 1: make up for the beat. Even though the he's not whack,
• 24:01
  Speaker 1: I just feel like it's really it could have been
• 24:06
  Speaker 1: a little bit better. And again, some people may say,
• 24:09
  Speaker 1: I mean, come on, give prem a chance.
• 24:12
  Speaker 2: Prem raised this bar.
• 24:13
  Speaker 1: I'm sorry he raised the bar for himself and for
• 24:19
  Speaker 1: anyone to make it seem like you're asking a guy
• 24:24
  Speaker 1: who played in the league for fifty years to now
• 24:27
  Speaker 1: do a windmill three sixty dunk. No man just be
• 24:32
  Speaker 1: inspired in different ways. And again exhibit A Pete Rock
• 24:37
  Speaker 1: and Cock. Pete Rock was getting busy, so that's what
• 24:40
  Speaker 1: I'm saying. All right, we almost.
• 24:41
  Speaker 2: Finished Bouquet to the ladies.
• 24:44
  Speaker 1: This is sort of like the Sun's record This is
• 24:47
  Speaker 1: dedicated to the ladies of hip hop. I swear Na's
• 24:51
  Speaker 1: names every female MC ever known to man. We're not
• 24:55
  Speaker 1: talking about You're under the underground chicks because.
• 24:58
  Speaker 2: We don't know them. But I like it. I like
• 25:03
  Speaker 2: the like the Sun's record. I like the sentiment. It's
• 25:07
  Speaker 2: a positive record.
• 25:10
  Speaker 1: It might be the longest record on the album except
• 25:13
  Speaker 1: for writers, but they both do the same thing where
• 25:17
  Speaker 1: Na spends a good portion of the record shouting out
• 25:20
  Speaker 1: people and I.
• 25:22
  Speaker 2: Thought it was cool. Maybe could have ended that way.
• 25:27
  Speaker 1: I don't know, but it's gonna get skipped. I'm not
• 25:31
  Speaker 1: even gonna lie you. It's gonna get skipped. The more
• 25:33
  Speaker 1: I listen to this, Junkie is dope. But I feel
• 25:38
  Speaker 1: like in some ways this ground already covered by some
• 25:42
  Speaker 1: of his lyrics on this album.
• 25:44
  Speaker 2: He's saying he's a junkie.
• 25:45
  Speaker 1: For hip hop, and it feels like it's really dope
• 25:49
  Speaker 1: in the beginning as far as concept and the beat
• 25:52
  Speaker 1: is cool also, but somewhere in there it kind of
• 25:57
  Speaker 1: loses me a little bit.
• 25:59
  Speaker 2: Again. And I don't feel like anything on here is whack.
• 26:04
  Speaker 2: New York State of Mind Part three might be close.
• 26:07
  Speaker 1: I just feel like there's a chemistry issue with what
• 26:13
  Speaker 1: nas is talking about, how he's rhyming and Premiere in
• 26:18
  Speaker 1: some cases sounding limited. And I know he went on,
• 26:23
  Speaker 1: you know, he did some interviews and was like yo,
• 26:25
  Speaker 1: changing up the formula.
• 26:27
  Speaker 2: But like I said before, like I said before, if
• 26:31
  Speaker 2: you look at what prem has done in his history anyway,
• 26:37
  Speaker 2: he was never redundant with the beats.
• 26:40
  Speaker 1: You didn't know what you were going to get on
• 26:42
  Speaker 1: a premiere track. It was always different. It's just in
• 26:46
  Speaker 1: recent years it's changed. And I got another point to
• 26:49
  Speaker 1: make with that that is recent. Sean Together is a
• 26:55
  Speaker 1: cool record, but again, it feels like the album.
• 27:00
  Speaker 2: Was winding down in a way that I'm not gonna lie.
• 27:04
  Speaker 1: It made me forget about what I had heard and
• 27:06
  Speaker 1: I was like, damn is this album why? Like I
• 27:09
  Speaker 1: couldn't remember, But it's okay. Third Childhood another song that's
• 27:17
  Speaker 1: a sequel?
• 27:18
  Speaker 2: What is that? Three sequel records on hair? I believe.
• 27:25
  Speaker 1: I like it, you know why, because he my anticipation
• 27:35
  Speaker 1: was an extension of Second Childhood. But in Second Childhood,
• 27:40
  Speaker 1: if you heard that record, it was it was almost
• 27:43
  Speaker 1: like a disc record to guys who who didn't want
• 27:47
  Speaker 1: to grow up. You know what, I'm saying, but he
• 27:50
  Speaker 1: suffered my expectations because Third Childhood is more so like, hey,
• 27:55
  Speaker 1: look these other genres of music they dressed this way.
• 27:59
  Speaker 1: Nobody said as anything. You know what I'm saying, Like,
• 28:02
  Speaker 1: now he said what he say? He said, somebody still
• 28:06
  Speaker 1: paintstain nails black. And I'm like, wait a minute, he
• 28:09
  Speaker 1: passed away, does not now does not know that. I
• 28:14
  Speaker 1: forget who it was, but you know, leave it in
• 28:16
  Speaker 1: the conversation below. But regardless, I like the fact that
• 28:19
  Speaker 1: he flipped it so instead of it being like, oh, Hige,
• 28:24
  Speaker 1: he won't talk.
• 28:25
  Speaker 2: About Jimmy on this one.
• 28:26
  Speaker 1: It's like, no, Second childhood fits Jimmy like a glove
• 28:31
  Speaker 1: talking about jim Jones for those who don't know. But
• 28:34
  Speaker 1: Third Childhood he's more so talking about himself and some
• 28:38
  Speaker 1: of the things that he still likes to do that
• 28:43
  Speaker 1: some people may say.
• 28:44
  Speaker 2: You know, like oh, you know, the why you and
• 28:47
  Speaker 2: Jordan's grow up, why you have an army suit on?
• 28:50
  Speaker 2: Grow up?
• 28:51
  Speaker 1: And he's saying, you know, he's pointing out the fact
• 28:53
  Speaker 1: that there are people from other generations older than us
• 28:56
  Speaker 1: that still do the things, do some things for their youth,
• 29:01
  Speaker 1: and people think it's cool.
• 29:03
  Speaker 2: So that was it.
• 29:05
  Speaker 1: Like, there's fifteen songs in total, forty eight minutes of listening,
• 29:11
  Speaker 1: one feature in asy and again there might be three
• 29:18
  Speaker 1: skips on here. Who knows what had happened. Maybe well
• 29:22
  Speaker 1: I'm not even I'm lying, it might be four. But
• 29:25
  Speaker 1: they're fifteen tracks. There may be songs that I'm saying
• 29:29
  Speaker 1: I'll skip that, you know, keep listening, may let it
• 29:33
  Speaker 1: rock a little bit. But I feel like with this
• 29:37
  Speaker 1: project what brings it down a notch for me is
• 29:42
  Speaker 1: the production. It's hit or miss, and one of the
• 29:46
  Speaker 1: reasons why I feel like it could have been better
• 29:52
  Speaker 1: because again there's the Flowers dudes. There's a dude who,
• 29:56
  Speaker 1: like people from the old school, can't do no wrong,
• 30:01
  Speaker 1: whether it's NAS and Premiere or somebody else. I mean,
• 30:05
  Speaker 1: listen to that Mob Deep in Daylight album, like those
• 30:11
  Speaker 1: those don't sound like anything old. They don't in Daylight
• 30:15
  Speaker 1: came out before NAS. They don't sound old, you know
• 30:19
  Speaker 1: what I'm saying. But with this, I feel like the
• 30:21
  Speaker 1: production leaves something to be desired. In most cases, well
• 30:27
  Speaker 1: not most cases some cases. In most cases it's cool,
• 30:32
  Speaker 1: but for example, for those who don't know, because everybody
• 30:36
  Speaker 1: doesn't listen to everything. If you go listen to DJ
• 30:40
  Speaker 1: Premier and Rock Marciano's Ormani Section or Ransom and DJ
• 30:46
  Speaker 1: Premier's Amazing Grace Right, both epis dropped this year, but
• 30:53
  Speaker 1: those songs in particular, I thought those beats were crazy.
• 30:58
  Speaker 2: At no point here.
• 31:01
  Speaker 1: Did I feel like I was listening to something that
• 31:04
  Speaker 1: was crazy. But clearly DJ Premier has the capability to
• 31:11
  Speaker 1: do that, because I felt that way when I heard
• 31:14
  Speaker 1: him and Rock Marcis Amarny exchange, I was like, damn
• 31:17
  Speaker 1: this Premier. And again, sure it kind of does sound
• 31:21
  Speaker 1: like what you know from Premier, but it's not. He's
• 31:25
  Speaker 1: approaching it in a different way, and I feel like
• 31:28
  Speaker 1: my life is real feels like that. When it starts,
• 31:30
  Speaker 1: it's like, oh, this one kind of crazy Premier, But
• 31:34
  Speaker 1: then some of the beats don't really even feel like Premier.
• 31:40
  Speaker 1: So this is not a bad review, but I can
• 31:44
  Speaker 1: tell you this much, I don't think it will be
• 31:47
  Speaker 1: in my top five of the year. I think there's
• 31:51
  Speaker 1: enough here for it to be best of the year.
• 31:53
  Speaker 1: I think what Nas is doing with some of his
• 31:56
  Speaker 1: writing on here is dope. Again, making a song for
• 32:01
  Speaker 1: sons is a dope idea. Making a song for ladies
• 32:04
  Speaker 1: of hip hop is a dope idea. Having Nasty Nas
• 32:08
  Speaker 1: and Escobar and NA see it kind of all battle
• 32:12
  Speaker 1: out and talk shit and the form of a song
• 32:14
  Speaker 1: is a dope idea. There's enough creativity here from a
• 32:20
  Speaker 1: pen game situation for me to like the album. But
• 32:25
  Speaker 1: as far as waiting twenty years for a DJ Premier
• 32:30
  Speaker 1: and NAS record, and again not expecting them to tap
• 32:35
  Speaker 1: into what they did in the past, because that was
• 32:38
  Speaker 1: twenty years ago, it's difficult to even know what you
• 32:43
  Speaker 1: were thinking, and you know, unless you have it documented
• 32:47
  Speaker 1: back then. Like so, I didn't have any expectations for
• 32:53
  Speaker 1: this to be, you know, anything like represent NAS's like
• 32:59
  Speaker 1: those records were those records. But I feel like from
• 33:02
  Speaker 1: a production standpoint, it could have been a little bit better.
• 33:08
  Speaker 1: And that's what That's what I feel. So, what do
• 33:10
  Speaker 1: you think about the brand new NAS DJ Premier Light
• 33:15
  Speaker 1: Years album?
• 33:17
  Speaker 2: Leave your review in the common section below.
• 33:21
  Speaker 1: Hold up, let's let's just stop sharing real quick, uh,
• 33:26
  Speaker 1: and let me know what you think about the production.
• 33:29
  Speaker 1: What do you think about the concepts NAS is rapping?
• 33:33
  Speaker 1: Remember NAS wrapped on every one of the albums that
• 33:38
  Speaker 1: came out during this massive appeal rollout of Legend has it.
• 33:44
  Speaker 2: I have a review of.
• 33:45
  Speaker 1: That entire rollout happen and really soon, so stay tuned
• 33:50
  Speaker 1: for that. And where does this album land for you?
• 33:53
  Speaker 1: When it comes to those rollouts of albums you know?
• 33:56
  Speaker 1: Do you like it though? Do you feel like how
• 33:59
  Speaker 1: do you feel Primo Dig versus any of the nons
• 34:04
  Speaker 1: and hip boy records that we got since twenty twenty.
• 34:08
  Speaker 1: Leave your comments of the comments section below. Will follow
• 34:10
  Speaker 1: me on social media at Vegas World. I NC subscribe
• 34:14
  Speaker 1: to the podcast and audio phone wherever you get your
• 34:16
  Speaker 1: podcast listening, but also subscribe right here on YouTube Hip
• 34:22
  Speaker 1: Hop Now Pod. Become a member click the link in
• 34:26
  Speaker 1: the description of the episode, but more importantly shared this
• 34:30
  Speaker 1: podcast for people you know enjoyed this kind of content.
• 34:34
  Speaker 2: Until next time, y'all. I'm not a critic, I'm a
• 34:38
  Speaker 2: fan piece.