Latest / The Front / Dan Brown: mystery maker, or just ‘laughably awful’?
Transcript
- 0:08Speaker 1: From the Australian. This is the weekend edition of The Front.
- 0:11Speaker 1: I'm Claire Harvey. The Da Vinci Code author Dan Brown's
- 0:18Speaker 1: latest novel, called The Secret of Secrets, hit bookstore shelves
- 0:22Speaker 1: last month. The Economist has labeled the book a silly
- 0:25Speaker 1: mashup of fact and fiction. The Times in London called
- 0:28Speaker 1: it six hundred and eighty eight pages of cliche and
- 0:31Speaker 1: conspiracy theories. The Australian's own Jack Marx called it laughably
- 0:36Speaker 1: awful in both style and substance, which raises the question,
- 0:41Speaker 1: if the experts have him down as a hack, why
- 0:44Speaker 1: is Dan Brown so successful. The Da Vinci Code sold
- 0:48Speaker 1: over eighty million copies, making it one of the highest
- 0:51Speaker 1: selling novels of all time, and while the two thousand
- 0:54Speaker 1: and six movie adaptations starring Tom Hanks and Audrey Tottoo
- 0:59Speaker 1: created a cold true phenomenon and raked in seven hundred
- 1:02Speaker 1: and sixty million dollars. Rotten Tomatoes, a US based review aggregator,
- 1:08Speaker 1: has the critics score for that film at twenty five percent.
- 1:12Speaker 1: That's an F for fail. In today's episode, I literally
- 1:16Speaker 1: ateor Caroline Overington speaks with Jack Marx and if you're
- 1:19Speaker 1: a Dan Brown fan. This episode comes with a trigger
- 1:23Speaker 1: warning because Jack isn't going to hold back.
- 1:32Speaker 2: This is by far the most ambitious book I've ever attempted.
- 1:35Speaker 2: It's very intricately plotted. I also happen to think it's
- 1:37Speaker 2: the most fun.
- 1:41Speaker 1: This is Dan Brown during an appearance on Good Morning
- 1:43Speaker 1: America promoting the Secret of Secrets.
- 1:46Speaker 2: What was the most fun to write? I'm hoping it's
- 1:48Speaker 2: the most fun to read.
- 1:50Speaker 1: Is set in the world of human In some ways,
- 1:51Speaker 1: the book sounds classic Dan Brown. Protagonist Robert Langdon is
- 1:55Speaker 1: in another beautiful European city, this time Prague. It's a
- 1:59Speaker 1: thriller with a love story and a puzzle at the
- 2:02Speaker 1: center of it, with all the tantalizing symbols and clues
- 2:06Speaker 1: that Brown is famous for sprinkling throughout his novels. Only
- 2:09Speaker 1: the inspiration for Secretive Secrets came from a deeply personal place.
- 2:16Speaker 2: Among di you teen years ago. Yeah, right, as I've
- 2:18Speaker 2: started in this book and got me asking the question
- 2:21Speaker 2: that we all ask, what happens when we die? Over
- 2:25Speaker 2: the past eight years, talking to physicists, noetics, scientists, philosophers,
- 2:29Speaker 2: and reading about some of the incredible new science that's
- 2:32Speaker 2: happening in this field of thanatology and neetics, I've come
- 2:35Speaker 2: out the other side with a totally different point of
- 2:37Speaker 2: view on death. I think that consciousness survives human death.
- 2:43Speaker 1: It sounds like adul order writing one hundred and ninety
- 2:46Speaker 1: thousand word page Turner said in the World of Human Consciousness.
- 2:50Speaker 1: But if the comments from Brown's two hundred and fifty
- 2:52Speaker 1: thousand plus Instagram followers are anything to go by, the
- 2:56Speaker 1: Secretive Secrets is connecting with fans, and of course, a
- 3:00Speaker 1: series based on the book is coming to Netflix.
- 3:07Speaker 3: Jack Marks. One of the biggest selling books in the
- 3:10Speaker 3: world at the moment is Dan Brown's latest The Secret
- 3:13Speaker 3: of Secrets. Audiences or readers seem to be loving it,
- 3:17Speaker 3: But you did not like it at all?
- 3:18Speaker 1: Why not?
- 3:20Speaker 4: It's probably the silliest story I've read by an author
- 3:25Speaker 4: of notes ever, and I'm not surprised it's popular because
- 3:30Speaker 4: it's one of those books that I couldn't put down.
- 3:33Speaker 4: I became so fascinated with how bad it was, I
- 3:37Speaker 4: couldn't wait to turn the page for the next hysterically
- 3:42Speaker 4: funny fumble.
- 3:43Speaker 3: When you say it's hysterically funny, you don't.
- 3:46Speaker 5: Mean not intentionally.
- 3:48Speaker 3: No, No, you mean that the writing is very, very bad.
- 3:53Speaker 4: Yeah, the writing it's a clumsy. His metaphors really syrupy,
- 3:59Speaker 4: and I was horrified to see he delivers online master
- 4:02Speaker 4: classes that ought to be outlawed.
- 4:05Speaker 3: Well, you know, it could be said that while he
- 4:08Speaker 3: is not perhaps a wordsmith, he is a wonderful storyteller.
- 4:13Speaker 3: People seem to like the idea that when you pick
- 4:16Speaker 3: up one of his books, you go on a chase
- 4:18Speaker 3: through history and art and religion and consciousness human consciousness
- 4:23Speaker 3: in this book with the idea of solving a puzzle,
- 4:26Speaker 3: which of course readers so loved to do. Would you
- 4:29Speaker 3: at least give him some points for being a good
- 4:32Speaker 3: storyteller or mystery maker.
- 4:34Speaker 4: Mystery maker for sure, storyteller. No, the story is terrible.
- 4:39Speaker 4: When you say puzzle, he's very good at that, Like
- 4:42Speaker 4: Rubric was with his cube and whoever the turkey was
- 4:46Speaker 4: that we in rended snakes and ladders. He belongs with them,
- 4:50Speaker 4: not next to Cormack McCarthy or even Stephen King, who
- 4:54Speaker 4: a lot of people say is crap, but he says
- 4:58Speaker 4: that himself. Stephen King's quite open about the fact that
- 5:02Speaker 4: his ideas are better than he's writing. But even Stephen
- 5:06Speaker 4: King can write when he's in the zone.
- 5:09Speaker 3: Well, then, what explains the appeal of Dan Brown. I
- 5:14Speaker 3: think we can go back to the first huge success,
- 5:17Speaker 3: which was the da Vinci Code.
- 5:23Speaker 5: Professor Langdon, the Chief of Police, would like your assistance.
- 5:28Speaker 5: I'm not sure how much help I'm going to be
- 5:30Speaker 5: here to your God.
- 5:34Speaker 3: I felt a bit nostalgic when I was reading about
- 5:37Speaker 3: Dan Brown's new book for a time when everyone was
- 5:40Speaker 3: reading the same book. You know, you get on a
- 5:41Speaker 3: plane and it was almost like you've got a copy
- 5:43Speaker 3: of the da Vinci Code with your boarding past. So
- 5:46Speaker 3: many people had a copy of it. And I understood
- 5:48Speaker 3: the appeal of that, because people are curious about Christianity
- 5:52Speaker 3: and the origins and the life of Jesus of Nazareth
- 5:54Speaker 3: and the origins of the Christian religion. And so I
- 5:58Speaker 3: understood it.
- 6:00Speaker 4: And you don't have to have been brought up Catholic
- 6:02Speaker 4: like I was to find those old Da Vinci artworks creepy.
- 6:08Speaker 4: Everyone does, and he nailed that or even beautiful, yeah,
- 6:11Speaker 4: well beautiful for sure. But also there's the old trope
- 6:15Speaker 4: about the eyes following you around the church. You know,
- 6:17Speaker 4: it's that sort of thing. So he tapped into something
- 6:20Speaker 4: great there, which was a treasure hunt. But again, even
- 6:25Speaker 4: with the da Vinci code, there are a lot of
- 6:27Speaker 4: reviewers who hold him out for not really being a
- 6:31Speaker 4: writer at all, and.
- 6:32Speaker 3: Yet it is shooting up the best seller lists, as
- 6:36Speaker 3: all his books have done. So what explains his appeal?
- 6:39Speaker 4: Well, I don't know, But that's a very trump thing
- 6:42Speaker 4: to say, isn't it. You know?
- 6:44Speaker 5: I mean, just because it's popular.
- 6:46Speaker 3: Now, that's not fair, because people are reading it presumably
- 6:49Speaker 3: because they are enjoying it, without arguing whether it's good
- 6:53Speaker 3: or bad or indifferent. People are reading it because they
- 6:56Speaker 3: are enjoying it. So what are they enjoying?
- 6:58Speaker 4: Well, when we're kids, we loved Scooby Doo and those
- 7:03Speaker 4: young adult sort of detective books in the Mystery of
- 7:06Speaker 4: the Talking Skull and all of those sorts of things,
- 7:09Speaker 4: and it's just a mature version of that. I suppose
- 7:12Speaker 4: he's a good puzzle maker. I noticed in Secretive Secrets,
- 7:17Speaker 4: every ten or twenty pages there was some puzzle that
- 7:22Speaker 4: had to be sorted out, and even though the answer
- 7:24Speaker 4: wasn't obvious, there was sort of an inner applause that
- 7:29Speaker 4: happened when Langdon solved it a few pages later, inner
- 7:33Speaker 4: applause in the reader.
- 7:35Speaker 3: When I spoke to Dan Brown, because we were lucky
- 7:37Speaker 3: enough to get an interview with him ahead of the release.
- 7:39Speaker 5: Of the book, it must have been call my review ran.
- 7:43Speaker 3: He said, he opens the book with Robert Langdon in love,
- 7:47Speaker 3: and this is the first time that he's done that.
- 7:50Speaker 3: He was joking with me and he said, I don't
- 7:51Speaker 3: think I was very good at the sex scenes. Well,
- 7:54Speaker 3: what did you think of the sex scenes?
- 7:56Speaker 4: Well, when I was a really, really young boy less
- 7:59Speaker 4: than ten, reading Playboy magazine, this mental fantasy of me
- 8:04Speaker 4: being a handsome debon there taking all these girls out,
- 8:08Speaker 4: and the romantic dialogues and situations that Dan Brown described
- 8:13Speaker 4: very much like the ones I thought of when I
- 8:15Speaker 4: was nine.
- 8:16Speaker 5: But as you.
- 8:17Speaker 4: Mature a little bit, I think by the time I
- 8:19Speaker 4: hit sixteen, I thought, Jez, that was never got offly.
- 8:22Speaker 4: But in Dan Brown's universe, you know, the most intelligent
- 8:26Speaker 4: man in the world, this Robert Langdon, hybrid of Stephen
- 8:30Speaker 4: Hawking and macdiver. Even he's a romantic income book.
- 8:36Speaker 3: One of the other things about Dan Brown's career is
- 8:39Speaker 3: that he is credited with, well, firstly, a renaissance in
- 8:43Speaker 3: interest in the origins of the Christian religion, but also
- 8:46Speaker 3: with the Renaissance in tourism to both France and Italy
- 8:49Speaker 3: back in the year two thousand and three, I think
- 8:52Speaker 3: when the Da Vinci Code first came out. This book is,
- 8:55Speaker 3: of course set in Prague. Did you leave the book thinking, Wow,
- 8:59Speaker 3: I'd like to be a.
- 9:00Speaker 5: Park, No, because I already have.
- 9:02Speaker 4: He was talking about every shop he walked past on
- 9:05Speaker 4: every street in Prague. You know, a simple walk down
- 9:09Speaker 4: to the bay would take twenty pages, as he name
- 9:13Speaker 4: checked everything in sight, and I thought, yeah, well, being
- 9:17Speaker 4: Dan brownie would have been to Prague. But I could
- 9:19Speaker 4: do the same thing with Google Maps, Speaking of which
- 9:23Speaker 4: you could do this book with chat GPT.
- 9:26Speaker 3: Well, you tried tell me what happened.
- 9:29Speaker 4: Yeah, what I said was give me the first three
- 9:31Speaker 4: hundred words in Dan Brown's style center the action in Prague,
- 9:39Speaker 4: and without me prompting it, AI put Robert Langdon in there,
- 9:44Speaker 4: referred to his jacket, the brand of his jacket, and
- 9:47Speaker 4: the brand of his tie, and the.
- 9:49Speaker 5: Brand of his underpants and everything.
- 9:50Speaker 4: Else, and did exactly what the opening of the book was,
- 9:55Speaker 4: except that, like a monkey at the keyboard, AI cost
- 10:01Speaker 4: out one kind of graceful metapor and I thought Dan
- 10:05Speaker 4: Brown can't do AI actually did Dan Brown better than
- 10:10Speaker 4: Dan Brown could do Dan Brown.
- 10:12Speaker 3: Well, I have to play the devil's advocate here because
- 10:14Speaker 3: if chat gpt was able to punch out a paragraph
- 10:19Speaker 3: in the style of Dan Brown, then actually we have
- 10:22Speaker 3: to be on the side of Dan Brown, because that
- 10:25Speaker 3: means that AI has stolen his work, scraped and stolen
- 10:29Speaker 3: them off the Internet and is now able to produce
- 10:33Speaker 3: a reasonable facsimile of his work, which is actually devastating
- 10:38Speaker 3: for artists, because if they can do it to Dan Brown,
- 10:41Speaker 3: they can probably do it to anyone.
- 10:42Speaker 4: Now, it's devastating for artists. You said you can't have
- 10:45Speaker 4: it both ways, see the artist or Dan Brown.
- 10:48Speaker 3: You are very cheeky.
- 10:50Speaker 1: There more of Caroline and Jack on Dan Brown The
- 11:00Speaker 1: Secret of Secrets after the Break.
- 11:18Speaker 3: His background is very interesting. I think he grew up
- 11:21Speaker 3: with a mathematician as a father, and his mother was
- 11:24Speaker 3: a devout Christian who also was a music composer. So
- 11:28Speaker 3: I think that explains a lot of the themes in
- 11:30Speaker 3: his books, you know, the maths and the puzzles and
- 11:33Speaker 3: the music and the art. And he studied art history
- 11:36Speaker 3: at university which again explains a lot of the themes.
- 11:39Speaker 3: But also when he was a small boy, because his
- 11:42Speaker 3: father was a maths teacher, he lived on the campus
- 11:45Speaker 3: of the boarding school, so all of his babysitters and
- 11:49Speaker 3: all of the people around him were international students interested
- 11:52Speaker 3: in art history and Christian theology and symbols, and I
- 11:57Speaker 3: think it explains some of why he goes off down
- 11:59Speaker 3: those rabbit holes that people love so much.
- 12:02Speaker 4: That's one thing I will give him is all those
- 12:04Speaker 4: little tributaries that run away in his book.
- 12:08Speaker 5: They never really get boring.
- 12:10Speaker 3: Well, hang on, haven't you just admitted there then that
- 12:13Speaker 3: he is an excellent storyteller.
- 12:15Speaker 4: No, that's not storytelling. That's sort of like one of
- 12:19Speaker 4: those guys who can recite every winner of the Melbourne Cup.
- 12:24Speaker 4: He's a factoid, dude. You know that's kind of interesting
- 12:28Speaker 4: at the pub if you're pretty drunk. But it ain't not.
- 12:32Speaker 3: Well, well, tell me, honestly, did you learn nothing? Because
- 12:37Speaker 3: I read the book and there were things that I learned.
- 12:39Speaker 3: For example, I did not know what the world's most
- 12:42Speaker 3: famous religious symbol was until I read The Secret of Secrets.
- 12:47Speaker 3: I assumed, and he guesses himself in the book that
- 12:50Speaker 3: it's going to be the Crucifix, and.
- 12:52Speaker 4: It's not according to Dan Brown. But do remember that
- 12:57Speaker 4: on a leaf page at the beginning of Da Vinci
- 12:59Speaker 4: Code he said everything in here is true and it
- 13:02Speaker 4: wasn't correct, but absolutely wasn't. He put the same little
- 13:07Speaker 4: prologue at the beginning of Secret of Secrets. So I
- 13:10Speaker 4: don't trust a single damn thing I read in there.
- 13:13Speaker 3: Well, I think he says that the organizations are true.
- 13:16Speaker 4: Well that's not true either, some of them marked some
- 13:19Speaker 4: of them, you know, obviously the CIA and Polish secret
- 13:22Speaker 4: police exist, and some nefarious underworld's organizations that he mentioned. Yeah, sure,
- 13:29Speaker 4: but the things that he attributes to them, it's not
- 13:34Speaker 4: true at all. It's like me saying, this is a
- 13:37Speaker 4: book about McDonald's, who really exists, and then write a
- 13:41Speaker 4: book about how McDonald's as a front for an enormous pedophile.
- 13:45Speaker 5: Read it's not.
- 13:47Speaker 4: The organization I've described does not exist.
- 13:51Speaker 3: I see your point. Well, then, as a final question,
- 13:54Speaker 3: if the world's libraries are blown to smithereens and the
- 13:58Speaker 3: only book that survives because of its sheer volume of
- 14:02Speaker 3: sales is The Da Vinci Code by Dan Brown, what
- 14:07Speaker 3: do we as humanity do do we read it or not?
- 14:09Speaker 4: No, because you are what you consume. If you're talking
- 14:15Speaker 4: about some dystopian future where we grow out of Dan
- 14:20Speaker 4: brown book, absolutely not. I'd be getting on the nearest
- 14:24Speaker 4: pod to one of the moons of Jupiter if that
- 14:28Speaker 4: was Earth's future, start all over again with grunts and
- 14:32Speaker 4: I want that apple and we'll go from there.
- 14:35Speaker 3: Jack Marx, I always appreciate your point of view. Thank
- 14:38Speaker 3: you for joining us.
- 14:39Speaker 5: Pleasure Carol.
- 14:45Speaker 1: Caroline Overington is The Australian's literary editor, and Jack Marks
- 14:48Speaker 1: is a regular contributor to the Australian. You can read
- 14:51Speaker 1: Jack's recent peace on Dan Brown's latest novel anytime at
- 14:55Speaker 1: the Australian dot com dot are you. This episode of
- 14:58Speaker 1: the Front was hosted by Fane Claire Harvey and produced
- 15:01Speaker 1: by Jasper League, who edited the episode and also wrote
- 15:04Speaker 1: our theme. Thanks for joining us on the Front this week.
- 15:07Speaker 1: Our team also includes Kristin amiot Leat, Sammaglue, Tiffany Demack,
- 15:12Speaker 1: Joshua Burton and Stephanie Comes