Latest / The Bootleg Kev Podcast / #204 - Yella Beezy

Transcript

#204 - Yella Beezy · The Bootleg Kev Podcast

• 0:00
  Speaker 1: Boutlet Cap Podcast bout Let Caps Show Special guests in here.
• 0:02
  Speaker 1: It's been a few years since I have interviewed my
• 0:05
  Speaker 1: friend right here, Yellow Beezy. The last time I saw you,
• 0:08
  Speaker 1: we were at in Miami at I don't know, Drake
• 0:12
  Speaker 1: was having some sort of thing with Future. It was
• 0:15
  Speaker 1: at a damn David Busters and I wouldn't have gotten
• 0:17
  Speaker 1: in if it hadn't been for you. I just kind
• 0:18
  Speaker 1: of attached myself here onto Rush. I said, come on in.
• 0:24
  Speaker 1: I can't let you sit outside. Yeah. It was a
• 0:26
  Speaker 1: good time, man, But how's everything been? Bro? Everything good? Up? Yo,
• 0:29
  Speaker 1: Let's talk, because I feel like I'm glad to see
• 0:32
  Speaker 1: that like some of these wild like accusations that were
• 0:35
  Speaker 1: thrown your way have been cleared up. But I feel like,
• 0:40
  Speaker 1: as man in twenty twenty two, it's unfortunate that like
• 0:44
  Speaker 1: somebody could just lie on your name and it's on
• 0:47
  Speaker 1: you to shake that. You know what I'm saying, talk
• 0:51
  Speaker 1: about what happened, and just like how you've been dealing
• 0:53
  Speaker 1: with that shit because you know the truth, your team
• 0:55
  Speaker 1: knows the truth, the motherfucking law knows the truth. But
• 0:59
  Speaker 1: once like your mugshot goes up in a certain manner
• 1:02
  Speaker 1: on some of these blogs that you have, like you
• 1:04
  Speaker 1: have that certain shit that you gotta shake yourself right basically, shit,
• 1:08
  Speaker 1: motherfucker just lied. I'm guessing you know, gotta be over
• 1:12
  Speaker 1: the money shit, but want some money probably, And I'm
• 1:14
  Speaker 1: not the type of dude who you can you know,
• 1:17
  Speaker 1: blackmail or black ball or whatever the fuck you on
• 1:19
  Speaker 1: to college, So you're gonna have to go with your move.
• 1:22
  Speaker 1: And I'm guessing, motherfucking she probably, Oh, if you can
• 1:29
  Speaker 1: shake your phone off, all right, go ahead, man. Oh,
• 1:32
  Speaker 1: I'm guessing like she thinking that she was gonna make
• 1:36
  Speaker 1: the allegation. H she was gonna go fast and all
• 1:39
  Speaker 1: this other shit. She didn't know the police had a
• 1:41
  Speaker 1: whole type of different uh swing at me for their
• 1:46
  Speaker 1: own purpose. So motherfucking it took longer than what she thought.
• 1:50
  Speaker 1: I guess she thought I was gonna reach out and
• 1:52
  Speaker 1: try to come come, uh drop it back to get
• 1:54
  Speaker 1: it to go with. Yeah, and I'm not that type
• 1:56
  Speaker 1: of nigga, and uh shit, that is what it is.
• 1:59
  Speaker 1: I let the I'll put it into the lower hands.
• 2:01
  Speaker 1: She dna came back. All that type shit. Everything they
• 2:06
  Speaker 1: just caught up in all the fucking lives she did yeah,
• 2:08
  Speaker 1: because like most people, like you said, she probably figured
• 2:12
  Speaker 1: if I throw this on them, people just want to
• 2:14
  Speaker 1: pay to get it to go away. But I feel
• 2:16
  Speaker 1: like if you do that, while it might be less
• 2:18
  Speaker 1: of a headache, it also feels like, damn, maybe he
• 2:22
  Speaker 1: did do something. And if you are really, if you're innocent,
• 2:24
  Speaker 1: you're like, nah, fuck that, let's see this shit through
• 2:26
  Speaker 1: because you ain't gonna have to deal with the headache,
• 2:28
  Speaker 1: which I understand. With me, I don't give a fuck
• 2:30
  Speaker 1: about it, Like I'm not feeling you not feel the
• 2:32
  Speaker 1: black bomb you want to try to say, I gotta
• 2:35
  Speaker 1: give you ten fifteen thousand or whatever. Can I saying?
• 2:38
  Speaker 1: That's what right what she was on. But you know
• 2:40
  Speaker 1: what I'm saying, like, that's what's gonna be. Baby, you
• 2:43
  Speaker 1: gonna have to work your move Yep. I'm differ not
• 2:45
  Speaker 1: doing it because I'm knowing like that ain't me by
• 2:48
  Speaker 1: fault one hundred percent. Has it negatively affected you at
• 2:52
  Speaker 1: all in terms of just like in a corporate where
• 2:55
  Speaker 1: you're kind of you know, people want to bag up
• 2:56
  Speaker 1: and see how the ship play out before they just
• 2:59
  Speaker 1: you know what I'm saying, either stick with you or
• 3:02
  Speaker 1: do some beatings with you for sure, right yeah, because
• 3:04
  Speaker 1: I feel like, like I said, man, it's unfortunate because
• 3:09
  Speaker 1: it's it's do You always see the accusations printed in
• 3:12
  Speaker 1: big headlines, but when it gets cleared up, it ain't
• 3:16
  Speaker 1: as big of a story because it ain't as juicy.
• 3:18
  Speaker 1: That's why you gotta go on your own presson runs
• 3:20
  Speaker 1: and you got to really just put this shit together
• 3:23
  Speaker 1: for your own benefiting prison. Because Ellie is high and
• 3:26
  Speaker 1: drive for show, the room's gonna spread ten times faster
• 3:31
  Speaker 1: than the truth one hundred percent. Man, Hey, what up
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• 4:38
  Speaker 1: a new tape on the recently he had a fifth
• 4:42
  Speaker 1: Badass Yellow Boy is a Yeah. I love the artwork.
• 4:46
  Speaker 1: I was just talking to Jid about that style of
• 4:49
  Speaker 1: artwork reminds me of like some og cash money no
• 4:53
  Speaker 1: limit shit. You know what I'm saying? What was the like?
• 4:55
  Speaker 1: Why what inspired that choice for the artwork? Manuz? Like
• 5:00
  Speaker 1: I had I already been wanting to do the Badass
• 5:03
  Speaker 1: Yellow Boy remake for the long just because my name
• 5:05
  Speaker 1: yellow Beas and you know that's like one of a
• 5:08
  Speaker 1: Texas is it They from Louisiana, But you know what
• 5:11
  Speaker 1: I'm saying, you and m V shoutout to you and
• 5:13
  Speaker 1: the m V or Peter yellow Boy, you know he
• 5:16
  Speaker 1: from Louisiana. But that ship was real big in the South. Yeah,
• 5:19
  Speaker 1: for people who don't know, n LV was the first
• 5:21
  Speaker 1: group to really pop cash Money off in the nineties. Yeah,
• 5:24
  Speaker 1: they they that song was like a big ass song
• 5:29
  Speaker 1: in the South where I know, in Texas and can
• 5:31
  Speaker 1: we get the mic in front of you a little
• 5:32
  Speaker 1: bit because you're kind of far from the in Texas
• 5:34
  Speaker 1: and Louisiana for Shure and then Juvenile redid the motherfucker
• 5:37
  Speaker 1: he did set it off, you know what I'm saying.
• 5:40
  Speaker 1: So I've been the one to redo that song for
• 5:42
  Speaker 1: the long because it just makes sense to just become
• 5:44
  Speaker 1: bad ass yellow boy type shit. So when I actually
• 5:46
  Speaker 1: had the producer to redo the beat, we I went
• 5:50
  Speaker 1: and dropped that motherfucker. And we was trying to come
• 5:52
  Speaker 1: up with the album, and at first, we're gonna drop
• 5:55
  Speaker 1: an album at first, but then we were like, man,
• 5:57
  Speaker 1: I ain't dropped in a minute, so let me just
• 5:58
  Speaker 1: war on the streets. So with a mixtape, first and
• 6:00
  Speaker 1: then we're gonna drop the album. So like they were like,
• 6:03
  Speaker 1: what you're gonna name the mixtape? I'm like, shit, I
• 6:05
  Speaker 1: just did the bad as yet boy, that's just a
• 6:07
  Speaker 1: perfect name in the cell. Yeah, yeah, it's it's you
• 6:10
  Speaker 1: got Ice on the album. Shout out to Vessel. We
• 6:12
  Speaker 1: just got a great situation over at QC. Who else
• 6:16
  Speaker 1: on the project? I think it was just him and
• 6:20
  Speaker 1: mys Yeah little mays. Uh want Finn to be one
• 6:23
  Speaker 1: of my new up becoming artists. You signing him? Yeah,
• 6:26
  Speaker 1: We're gonna sign some people from Dallas? Yeah? Nice? Do
• 6:30
  Speaker 1: you feel like, yo, Dallas is obviously you you have
• 6:34
  Speaker 1: a lot to do with it being as big on
• 6:37
  Speaker 1: the national map of hip hop as it is now,
• 6:40
  Speaker 1: because I feel like when I was kind of coming
• 6:43
  Speaker 1: up like Dallas, like we didn't there was the little
• 6:45
  Speaker 1: Will record my Dougie. There was shout out to Duro.
• 6:50
  Speaker 1: What was the other dude who had a deal Fuck
• 6:51
  Speaker 1: I forget his name, but he had a big tuck
• 6:55
  Speaker 1: big Yeah that's d Saw dal Saw. They hear him
• 6:58
  Speaker 1: and Tom Tonge we heard they had miss pooking Miss Salucci.
• 7:05
  Speaker 1: I mean we got missed pooking Miss Salucci. Who had
• 7:08
  Speaker 1: like some big ship. Young Lad had some big ship
• 7:10
  Speaker 1: going on. They had like the Stinky Legs ship going on.
• 7:13
  Speaker 1: They had you know, my Dougie. They had mister hit
• 7:17
  Speaker 1: the whole uh and then uh walking around the club
• 7:19
  Speaker 1: for everybody and Prince Rick. I didn't even know that
• 7:25
  Speaker 1: was a Dallas record. Yeah, a little running through the
• 7:27
  Speaker 1: ass in the Circle ship. But I feel I was
• 7:31
  Speaker 1: gonna say, like, I feel like for a city that
• 7:35
  Speaker 1: is like kind of been under represented in hip hop
• 7:39
  Speaker 1: right now that y'all are on the forefront, it always
• 7:43
  Speaker 1: feels like there's some drama popping off between all the
• 7:45
  Speaker 1: artists in Dallas. Why do you think, like, is it
• 7:49
  Speaker 1: just is it just it is what it is in
• 7:51
  Speaker 1: a bucket mentality instead of like people want the shirt
• 7:54
  Speaker 1: to shine, they want to shine on themselfs. A lot
• 7:57
  Speaker 1: of mother folks just want a tension on them don't
• 8:00
  Speaker 1: know how to they don't know what she is, its
• 8:02
  Speaker 1: strength and numbers. Yeah, because it feels like it's like
• 8:05
  Speaker 1: if everyone moved in Unison, it would be a very
• 8:07
  Speaker 1: like different type of situy because you think about Atlanta
• 8:10
  Speaker 1: and you know everybody's doing records with everybody, there's shit
• 8:14
  Speaker 1: the Migos have done songs with everybody, Gucci's and songs
• 8:16
  Speaker 1: with everybody to Change. I mean could go on and
• 8:18
  Speaker 1: on and on, but there is so much young talent.
• 8:20
  Speaker 1: Obviously are a PWMO three, you know, trap boy, Freddy yourself.
• 8:23
  Speaker 1: There's so much dope talent out of Dallas that yeah.
• 8:27
  Speaker 1: I mean, I feel like I feel the same way
• 8:30
  Speaker 1: about Jacksonville because you see Jacksonville, they got a lot
• 8:32
  Speaker 1: of dope artists, but it feels like everybody's like trying
• 8:35
  Speaker 1: to tear each other down, and it's like that shit
• 8:38
  Speaker 1: just be crazy about don't niggas just I don't know,
• 8:41
  Speaker 1: it just should be have you because I feel like
• 8:44
  Speaker 1: you're kind of the first guy to really pop from
• 8:46
  Speaker 1: this new wave of Dallas artists in a way that
• 8:48
  Speaker 1: you did, Like That's on Me is a fucking smash record, right,
• 8:51
  Speaker 1: So it's like, did you feel like when you first
• 8:53
  Speaker 1: really were getting those looks and really started to get
• 8:56
  Speaker 1: that national attention, that you started to feel the most
• 8:58
  Speaker 1: hate from your hometown? Of course, Like at first, you know,
• 9:02
  Speaker 1: everybody gonna look, but I think you know, that's kind
• 9:04
  Speaker 1: of like everywhere, so I always get like talk from everybody.
• 9:07
  Speaker 1: I always say, man, that shit happened. Like they gonna
• 9:09
  Speaker 1: love you, then they gonna hate you. Then they'll probably
• 9:12
  Speaker 1: just store it back love me again, you know what
• 9:13
  Speaker 1: I'm saying. But I will get in a lot of
• 9:16
  Speaker 1: love then, you know, come to hate the crabbing the
• 9:18
  Speaker 1: barrel crabs in the burrow shit like people want to
• 9:22
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  Speaker 1: in the description of this video. Let's get back to
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  Speaker 1: the interview. Who are some of the artists beside your
• 10:52
  Speaker 1: boy mos that you're trying to sign that you're fucking
• 10:54
  Speaker 1: with out of your city. Then we got we gott
• 11:00
  Speaker 1: the little mac he Finna go crazy, I know for
• 11:04
  Speaker 1: show mis Jose Max, for sure, we're gonna We're gonna
• 11:07
  Speaker 1: fuck with them. Yeah, shout out to uh your guy mybs.
• 11:11
  Speaker 1: What's the name of the label, PMG, PMG, Yeah, PMG
• 11:14
  Speaker 1: and T. You got a tattooed? Yeah, you got a
• 11:17
  Speaker 1: few record label? Is this just two record label tattooed
• 11:19
  Speaker 1: on your arm? Just cash? You got no limit cash money?
• 11:22
  Speaker 1: You g k rap a lot, ruthless reckless. You got
• 11:25
  Speaker 1: the ruthless tattoo. I got bad boy, I got n
• 11:29
  Speaker 1: w A. You just got the rap arm trillion t
• 11:32
  Speaker 1: death row. Uh c m me, that's pretty ship. I
• 11:37
  Speaker 1: got b w A. Uh I think I got c MG.
• 11:41
  Speaker 1: I got a lot of motherfucker over. Shout out to
• 11:44
  Speaker 1: uh Kevin Gates. Yeah you got you and Kevin Gates
• 11:48
  Speaker 1: got a close relationship. Yeah that crazy, that's gott. He's
• 11:51
  Speaker 1: an interesting guy. Yeah, he's intent guy. Me and him
• 11:55
  Speaker 1: met a great interview recently. And you know we had
• 11:58
  Speaker 1: that one interview that went viral a few years ago
• 12:00
  Speaker 1: where my co host DJ had touched his arm. Oh yeah, yeah, yeah, yeah,
• 12:05
  Speaker 1: it was like, yo, don't touch me, but he just
• 12:07
  Speaker 1: got out. So it was just, it was just, it
• 12:08
  Speaker 1: was it was a lot. It was very it was
• 12:10
  Speaker 1: a very heavy situation, and uh we cleared it up
• 12:13
  Speaker 1: a few months ago and had an amazing conversation. But
• 12:16
  Speaker 1: he's in a unique individual for sure, ruthless records. Were
• 12:21
  Speaker 1: you a bone Thugs and Harmony fan? Of course? Easy
• 12:24
  Speaker 1: for sure, Easy bone Thugs I got. I got Easy
• 12:27
  Speaker 1: tell on my leg too, but I got I ain't
• 12:29
  Speaker 1: got on no shortes. I got on the Jagga pants,
• 12:31
  Speaker 1: but I got a lot of people, uh telling on
• 12:33
  Speaker 1: my leg. I mean, you're paying homage. If you had
• 12:37
  Speaker 1: to give me your like top five all time rappers
• 12:40
  Speaker 1: PMC juvenile bomb score face. What if we just combined
• 12:50
  Speaker 1: you GK, that's one slot. Okay, yeah we can do that.
• 12:52
  Speaker 1: Then what we're gonna say? U GK juvenile I mean
• 12:57
  Speaker 1: juvenile score fan? H of course I gotta go with
• 13:06
  Speaker 1: easy Easy, even though he didn't write his own rap. Yeah,
• 13:09
  Speaker 1: so it's like cute m M. I didn't say pocking
• 13:12
  Speaker 1: bigger because everybody say packing bigger. I appreciate that. Yeah,
• 13:15
  Speaker 1: everybody say packing. Everyone says poc Biggie, jay Z little wedding,
• 13:19
  Speaker 1: you got to meet too, Boost and Webby. Yeah, shout
• 13:24
  Speaker 1: out to Boozie. Hey, Boozie is also somebody who I
• 13:29
  Speaker 1: feel like when they say don't meet your heroes or
• 13:33
  Speaker 1: don't meet celebrities because they'll disappoint you, because they'll be
• 13:36
  Speaker 1: assholes or they won't be who you think they are.
• 13:39
  Speaker 1: Not the case with Boozy. You hang out with Boozy
• 13:42
  Speaker 1: and you're like, what, He's even more hilarious in real life.
• 13:45
  Speaker 1: This motherfucker's hilarious. Yeah, Boozy and Webby they gotta do.
• 13:51
  Speaker 1: I heard them talking about doing, like getting back together
• 13:54
  Speaker 1: and do something. Webby don't get enough love. Also maybe
• 13:57
  Speaker 1: a little crazy Webb Yeah, where where we're thugging though
• 14:01
  Speaker 1: where we were for sure, Like he don't get enough credit.
• 14:04
  Speaker 1: I don't. I don't think like outside the South he do,
• 14:07
  Speaker 1: but that nigga hard. You don't have a like a
• 14:12
  Speaker 1: jay Z or eminem in there though. I'm not gonna lie.
• 14:15
  Speaker 1: Like growing up, I kind of like was a big
• 14:19
  Speaker 1: south head, right I could tell. Yeah, But I did
• 14:22
  Speaker 1: love listening to like Bone thus Do or Die Ship
• 14:26
  Speaker 1: like that was crazy. Yeah, and they weren't rap a lot.
• 14:29
  Speaker 1: You were died that pop pimp and ship that whole album. Yeah,
• 14:32
  Speaker 1: I fuck with him too. But to Chicago Midwest ship
• 14:35
  Speaker 1: we we we got damn with real UGK heads. What's
• 14:40
  Speaker 1: your favorite UGK album? Come right, Okay, I gotta ask you.
• 14:44
  Speaker 1: Gotta know that. I mean, you've gotta Murderers like one
• 14:48
  Speaker 1: of my favorite. I mean, that's to me, like Quintessential.
• 14:53
  Speaker 1: If you're gonna say bun Bee is one of the goats,
• 14:54
  Speaker 1: you just press play on that, Come on, that's one
• 14:57
  Speaker 1: of the best. But I told him that ship like
• 14:59
  Speaker 1: a couple of months ago. I forgot what something he thought,
• 15:02
  Speaker 1: but I said, I think he's gotta be out of
• 15:04
  Speaker 1: Murder one of your best versus ever in on Big Pimph.
• 15:08
  Speaker 1: That's one of your big iconic But is that what
• 15:13
  Speaker 1: he said? But that Murder record is yeah, I think
• 15:16
  Speaker 1: I told him. I think he was saying, like the
• 15:20
  Speaker 1: what what you said, Big Pimph. I don't know though,
• 15:23
  Speaker 1: but that Murder, that motherfucker they gotta be. I don't
• 15:29
  Speaker 1: see how that's that's not one of the top albums
• 15:32
  Speaker 1: in the world like the To me, it's probably one
• 15:35
  Speaker 1: of the I mean four hundred Degrees should be one
• 15:38
  Speaker 1: of the two of the top both classic for sure.
• 15:42
  Speaker 1: Juve don't get enough to I don't get you know why.
• 15:46
  Speaker 1: I think because his run wasn't as long as we
• 15:52
  Speaker 1: had maybe wanted it to be, went for because there
• 15:55
  Speaker 1: was four hundred degrees, and then I feel like the
• 16:00
  Speaker 1: G Code, which was okay, but I feel like four
• 16:05
  Speaker 1: hundred degrees. You know a lot of people put out
• 16:07
  Speaker 1: an album like four hundred Degrees and it's like, where
• 16:10
  Speaker 1: do you go from here? Because it's such a perfect
• 16:11
  Speaker 1: body of work. I don't think he ever and this
• 16:14
  Speaker 1: man got one of the biggest songs in the world,
• 16:16
  Speaker 1: trending since what twenty four years now? Back that ass
• 16:20
  Speaker 1: Up is one of the greatest. It's probably the single
• 16:22
  Speaker 1: best club song of all time, of all time. No
• 16:25
  Speaker 1: matter where you are, white party, white wedding, Jewish wedding,
• 16:29
  Speaker 1: black wedding, ratchet club, bougie club, you play back that
• 16:32
  Speaker 1: ass up. It's going up. He don't give no credit
• 16:34
  Speaker 1: that man hard, but he's just a melodic flow. How
• 16:37
  Speaker 1: he went I agree. Then he bouncing to that reggae
• 16:42
  Speaker 1: type tone type of shit like us Hard one of
• 16:44
  Speaker 1: them ones, man of them I just think that, like
• 16:47
  Speaker 1: if you think of like, I think that he unfortunately,
• 16:51
  Speaker 1: I think he's falling out with the cash. Money shit
• 16:53
  Speaker 1: probably had a lot to do with his run. Being
• 16:55
  Speaker 1: like a little stinted as to where Wayne was, he
• 16:59
  Speaker 1: kind of took it and beasts niggas a dog for sure,
• 17:02
  Speaker 1: Wayne a dog. Like That's another thing, like, of course,
• 17:06
  Speaker 1: like I hate to say them nigga's name because everybody said,
• 17:09
  Speaker 1: but you gotta give credit when dude, like you gotta
• 17:11
  Speaker 1: speak when you're talking hip, you gotta say Wayne, you
• 17:14
  Speaker 1: gotta say Biggie, you gotta say pop. Yeah, you gotta
• 17:17
  Speaker 1: say whole too. You know, those are the ones that
• 17:18
  Speaker 1: are like yes, it just they give you. That's why
• 17:21
  Speaker 1: I don't like saying them so much. But you'd rather
• 17:23
  Speaker 1: listening to the like come on now, jay Z. But
• 17:26
  Speaker 1: it's that hundred bars off on God, ain't was talking
• 17:29
  Speaker 1: that ship on that he was. That's what's crazy. Wayne's
• 17:33
  Speaker 1: verse got overlooked on that record. Wayne was talking to
• 17:36
  Speaker 1: ship on the Wayne because Wayne is right, he influenced
• 17:38
  Speaker 1: all this ship going on. Say Wayne or way, ain't
• 17:41
  Speaker 1: make a motherfucker think about two weeks what the fuck
• 17:43
  Speaker 1: he was trying to say, like what was he really
• 17:45
  Speaker 1: like getting it? Like he hey, you like, what the
• 17:47
  Speaker 1: fuck was he saying? It take you that long to
• 17:49
  Speaker 1: think about it? What is your favorite Little Wayne album?
• 17:51
  Speaker 1: Favorite litt Wayne? Me personally, I like the card one
• 17:56
  Speaker 1: Actually to me it's Carter one or two. I like
• 17:59
  Speaker 1: the on the first call that's that ship? Is that
• 18:03
  Speaker 1: Birdman Jr? Birdman and Junior? I missed my dog? Missed
• 18:09
  Speaker 1: my dog? You remember that? It was? Now? What's the
• 18:14
  Speaker 1: other song? That saying on the bout something my own clique,
• 18:17
  Speaker 1: I'm my own ship. I will say fuck you, but
• 18:19
  Speaker 1: go and get your own big This this is a
• 18:23
  Speaker 1: called lady. Do you remember? Do you remember the when
• 18:28
  Speaker 1: when the missed My Dogs? There was like footage that
• 18:32
  Speaker 1: back then went viral. However, when viral is like MySpace
• 18:35
  Speaker 1: or Twitter or something of like all of the hot Boys.
• 18:38
  Speaker 1: I don't know, I b G was there. I don't
• 18:39
  Speaker 1: know if this is before went to prison, but Little
• 18:41
  Speaker 1: Wayne performed that song with juvenile and uh and I'm
• 18:45
  Speaker 1: trying to think of there was Yeah, it's it's online.
• 18:49
  Speaker 1: There was like a point in time or at least
• 18:51
  Speaker 1: Julie was there when Wayne did that record and that
• 18:53
  Speaker 1: record so crazy if you think about like then he
• 18:55
  Speaker 1: said he missed as if they were dead, but they
• 18:57
  Speaker 1: not dead. He was just saying he just missing like
• 18:59
  Speaker 1: just them being around this motherfuckers around juveniles because he
• 19:04
  Speaker 1: was a child. Yeah, Carter wentz. I respect that. You know.
• 19:08
  Speaker 1: The one thing about Wayne is that I just feel
• 19:12
  Speaker 1: like after No Ceilings, which is in nine, I just
• 19:17
  Speaker 1: never could really rock with any of his projects after that.
• 19:20
  Speaker 1: I just wasn't a fan of Carter four. I didn't
• 19:22
  Speaker 1: think it was great. There were some cool singles. Are
• 19:25
  Speaker 1: you probably getting caught up in the you got it?
• 19:28
  Speaker 1: Like if you a die Haall fan, you gonna be
• 19:30
  Speaker 1: a die Haall fan. Of course you're gonna be bis
• 19:32
  Speaker 1: at the same time. But then again, you know, like
• 19:34
  Speaker 1: I am not a human being. And the Revolver when
• 19:37
  Speaker 1: he was doing the rock shit, it just was Wane
• 19:39
  Speaker 1: being Wayne. He not playing into the sound. What's going
• 19:42
  Speaker 1: on right now? Carter five was like two discs and
• 19:46
  Speaker 1: that was recently. You know that a few I hope
• 19:48
  Speaker 1: the Carter six is man, he's still laying I got
• 19:52
  Speaker 1: one wlaye. That's going stupid. He's still waying, He's steal.
• 19:54
  Speaker 1: Ain't he's still I just heard some ship with him
• 19:56
  Speaker 1: and Chain got going on. I'll tell you what, probably
• 20:00
  Speaker 1: my favorite Little Wayne project since No Ceilings, the first
• 20:04
  Speaker 1: No Ceilings is probably the Two Chains Wayne project. That
• 20:07
  Speaker 1: shit was slept on, bro. Somehow, I think they have
• 20:10
  Speaker 1: something going on right now, somehow when those collab albums happened.
• 20:13
  Speaker 1: Because most of the time each artist is on their
• 20:15
  Speaker 1: own label, they never get the rightful push and they
• 20:19
  Speaker 1: always fly under the fucking radar. Like think about the
• 20:22
  Speaker 1: Wayne and two Change shit. There was some hits on
• 20:24
  Speaker 1: like that shit was crazy, but they were both. I
• 20:27
  Speaker 1: just felt like people just probably don't because he ain't
• 20:29
  Speaker 1: being consistent in the sense of just being dropping music
• 20:32
  Speaker 1: so people, and then he went through the whole like
• 20:34
  Speaker 1: you know, he's trying to get off. He was trying
• 20:36
  Speaker 1: to get I mean, there was that whole era of
• 20:38
  Speaker 1: the free wheezy era, you know what I'm saying. So,
• 20:41
  Speaker 1: but you're actually you had just told me you were
• 20:43
  Speaker 1: working with Mac Maine. Now who's helping you out? So
• 20:45
  Speaker 1: how did that happen? And shout out to Mac Maine,
• 20:46
  Speaker 1: who's a super nice guy. Religious just just digging in
• 20:49
  Speaker 1: the dirt, not digging in they're just just digging around
• 20:53
  Speaker 1: on some shit. Like he we keeping a relationship on
• 20:58
  Speaker 1: some most shit. And I'm telling like, what going on
• 21:00
  Speaker 1: me and nigga? Like, bro, I'm gonna help step in
• 21:04
  Speaker 1: on some ship. You know what I'm saying. So he
• 21:06
  Speaker 1: just one of them situations where like the relationship. That's
• 21:09
  Speaker 1: why I try to tell people all day every day,
• 21:11
  Speaker 1: like relationship is is it gets you further than money.
• 21:14
  Speaker 1: Relationships are the biggest currency, is more important. Relationships. Yeah,
• 21:19
  Speaker 1: so just me, just me being me. He brought brought
• 21:22
  Speaker 1: a couple of playing my way. Then I told him, like,
• 21:24
  Speaker 1: what the situation is going on? You're like, man, I
• 21:26
  Speaker 1: got you bro type shit. You're gonna get himuts going
• 21:28
  Speaker 1: to rap on something for you. I don't know, he said.
• 21:31
  Speaker 1: You know, I ain't heard the nigga rapp. Yeah he
• 21:33
  Speaker 1: said he uh, he said, he said he was. He
• 21:36
  Speaker 1: was fucking around with this ship. We're talking about Mac
• 21:39
  Speaker 1: Maine man mcman rap. I ain't know you did what.
• 21:42
  Speaker 1: I never heard him, bro, some of these freestyles back
• 21:44
  Speaker 1: in the day. I never heard the mixtape ship. I
• 21:47
  Speaker 1: never heard them. Yoda, Yeah, the squad Up ship. I
• 21:51
  Speaker 1: remember Club Sky in Tampa. I did an after party
• 21:53
  Speaker 1: with Wayne and Macmaine was there, and I forget what,
• 21:56
  Speaker 1: but I played a macmin freestyle because I was like, Yo,
• 21:59
  Speaker 1: if mac mahin come, I'm just gonna drop this ship
• 22:01
  Speaker 1: just so he'd be like the fun Now he said
• 22:04
  Speaker 1: the guys, he said he got someone on that court too,
• 22:06
  Speaker 1: So we're gonna see about this ship. Matter of returnment,
• 22:10
  Speaker 1: Yeah you said I will. Yeah? You know Low used
• 22:12
  Speaker 1: Tom rap two. What won't you sign him? He's been
• 22:16
  Speaker 1: riding with you this. He'm a manager man. He's saying
• 22:20
  Speaker 1: I need to manage. He don't need this. God damn hard.
• 22:24
  Speaker 1: Low's hard. For sure, Loads are real lyricists. Well, I
• 22:27
  Speaker 1: can't say well Low is a real lyrics still. Still,
• 22:32
  Speaker 1: we're about to find out when we throw this beat on.
• 22:35
  Speaker 1: You got something all of yo. So you you were
• 22:42
  Speaker 1: with hit COO? Are you still with hit co? What
• 22:43
  Speaker 1: is your label situation with Alum? You're with the Asylum
• 22:46
  Speaker 1: now shout out to Dallas who's over there by the
• 22:49
  Speaker 1: older Still yeeah. He obviously gave you a great opportunity.
• 22:53
  Speaker 1: You guys had a lot of success. How many times
• 22:56
  Speaker 1: platinum is? That's on me? Now? Is I think three right, ship,
• 22:59
  Speaker 1: that's big man. Not a lot of people can go
• 23:01
  Speaker 1: gold for sure. The remix was amazing, amazing. That was
• 23:05
  Speaker 1: one of those songs that like, yeah, it was like
• 23:08
  Speaker 1: it reminded me of like you know, like no matter
• 23:10
  Speaker 1: where you were in the country, like you would have
• 23:12
  Speaker 1: to hear that record, like how like Designer's Panda was,
• 23:15
  Speaker 1: or like jump Man from it, Like Yo, if you
• 23:19
  Speaker 1: ain't got the Yellow Beezy and your shit, you're fucking
• 23:21
  Speaker 1: crazy for sure. Is it like a gift in a
• 23:24
  Speaker 1: curse coming out swinging with a hit like that because
• 23:26
  Speaker 1: you're always kind of chasing it. I'm not. I'm never
• 23:28
  Speaker 1: not chasing it. It's just won them situations where you're like, motherfucker,
• 23:32
  Speaker 1: I got other music in his hits too, right, Like
• 23:35
  Speaker 1: you can go on my cat, I got actual hits. Yeah,
• 23:37
  Speaker 1: but that's gonna be your biggest song. They'll tell you,
• 23:40
  Speaker 1: like some of that shit like some of your coming
• 23:42
  Speaker 1: that song be your bigger song. Like I'm pretty sure
• 23:44
  Speaker 1: me can't get away from dreams of nightmares, you know
• 23:47
  Speaker 1: what I'm saying. Regardless of what he then came with
• 23:49
  Speaker 1: all his accomplishment, the first sing that's gonna be like
• 23:53
  Speaker 1: come be one, the one with no dreams and nightmares,
• 23:55
  Speaker 1: is the one that's you know, no matter where he goes,
• 23:57
  Speaker 1: that's what get played. You give. You know what I'm saying.
• 24:00
  Speaker 1: And you've had other dope records with dope features that
• 24:02
  Speaker 1: did well at radio, like you've had other joints. It's
• 24:04
  Speaker 1: just a matter of like, like you said, like you
• 24:06
  Speaker 1: that's your biggest record. I definitely ain't chasing none, though
• 24:09
  Speaker 1: you would be trying to chase that's like a Canon mount. Man.
• 24:12
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• 25:36
  Speaker 1: back to the interview. I think of like little Flip,
• 25:38
  Speaker 1: he was just up here a couple of weeks ago. Freestyling,
• 25:40
  Speaker 1: and we were talking about you know, he's obviously put
• 25:44
  Speaker 1: out so much music independently, but like shit, Game Over
• 25:49
  Speaker 1: and Sunshine, Well you know that kind of different though,
• 25:52
  Speaker 1: because well he what I'm saying, because he just had
• 25:53
  Speaker 1: tiger sample of that record, so it'd be like yo,
• 25:56
  Speaker 1: because I'd asked him. I was like, Yo, it is
• 25:58
  Speaker 1: like bro, it's twenty years later, there's similar sample and
• 26:00
  Speaker 1: my ship like it's it's a it's a forever bag. Yeah,
• 26:04
  Speaker 1: for sure, Like if she hits the fan, you could
• 26:07
  Speaker 1: perform that song forever and feed your family forever. They
• 26:10
  Speaker 1: don't understand that. So if this is the mixtape, is
• 26:14
  Speaker 1: there an album coming? For sure? What's up with the album?
• 26:17
  Speaker 1: Little Wayne's aren't? Yeah? Most definitely you get a discount
• 26:20
  Speaker 1: on the verses A free you know, whyn't fuck with me?
• 26:24
  Speaker 1: What's free? Nice? Were you in the studio when he
• 26:27
  Speaker 1: did it? I wouldn't, but I walked there. I can't
• 26:29
  Speaker 1: say that. Niggas a solid motherfucker just like just one
• 26:33
  Speaker 1: of them people like you know how like you said,
• 26:34
  Speaker 1: you look up the people coming up, so you don't
• 26:36
  Speaker 1: know like how they're gonna act. He kept it solid
• 26:38
  Speaker 1: out like ouf the dribble, Like what's fucking when they
• 26:41
  Speaker 1: called me like heyo, like me and him just like
• 26:45
  Speaker 1: kicking it and be texting on like the most. You
• 26:47
  Speaker 1: ain't gotta be doing nothing with music. Can be about
• 26:49
  Speaker 1: basketball because we're gonna talk shit because he you know
• 26:52
  Speaker 1: how he feel about the math. We're gonna talk ship
• 26:54
  Speaker 1: on the Cowboys. And he a fucking Green Bay Packers fan,
• 26:58
  Speaker 1: so you know we go ahead Packers. He a real
• 27:01
  Speaker 1: Packers fan. I mean, I feel like Wayne b my
• 27:04
  Speaker 1: Greta he been like that. No. I know he's a
• 27:06
  Speaker 1: hardcore Packers fan, but I also feel like i'll see
• 27:09
  Speaker 1: him at Like you know how Snoop Dogg will just
• 27:12
  Speaker 1: wear anyone's jersey like shout out to Snoop legend, but
• 27:15
  Speaker 1: like Snoop will wear anybody's jersey if he's a friend
• 27:18
  Speaker 1: with the player on the team, like Snoops is Stealers
• 27:20
  Speaker 1: fans man. I tell all, I tell all my NFL people,
• 27:26
  Speaker 1: like my partners, you better be my son playing for
• 27:29
  Speaker 1: the team with you. I'm gonna support your jersey for sure.
• 27:35
  Speaker 1: Only time I'm going against you is when we played
• 27:38
  Speaker 1: when y'all played together. You're wearing Eagles Jersey. I never
• 27:41
  Speaker 1: said that. If your friends on the Eagles, I got
• 27:44
  Speaker 1: a home with that. Just let my partner j Mills
• 27:48
  Speaker 1: was on the he played for the when you play
• 27:50
  Speaker 1: in New England. Now that's one of my childhood friends. Okay,
• 27:53
  Speaker 1: well what about if he plays for the Giants. That's
• 27:56
  Speaker 1: listen man, or the Redskin Listen, Listen, listen, listen, Like,
• 28:00
  Speaker 1: are you gonna people that play for the jibt you ever?
• 28:03
  Speaker 1: So you have a good I ain't never done it.
• 28:05
  Speaker 1: I'm saying I will, though, so you would rock at
• 28:07
  Speaker 1: Giants Jersey as a cowboys. You're trying to start some
• 28:10
  Speaker 1: ship because that's a that's a I mean, that's the
• 28:14
  Speaker 1: NFC West or the NFC eastrather, that's a very You know,
• 28:17
  Speaker 1: I haven't done it, but if I funk with you,
• 28:20
  Speaker 1: enough our world Jersey. But at the same time, just
• 28:22
  Speaker 1: like I told who I told this ship the other day,
• 28:25
  Speaker 1: Deebo Samuels said, hey, and me and him like we
• 28:28
  Speaker 1: just like super duper cool though you know we fuck
• 28:30
  Speaker 1: with each other. But I talked about like, the only
• 28:31
  Speaker 1: time I'm going against you is Dallas. It's Dallas. I
• 28:35
  Speaker 1: tell everybody give a fuck the Niners I'm not gonna
• 28:38
  Speaker 1: say that. I will because I'm a Cardinals fans. It's
• 28:41
  Speaker 1: tattered on my body. So you know where y'all quarterback from? Then,
• 28:44
  Speaker 1: right he's from? Of course? Come on, man, you know
• 28:46
  Speaker 1: every time he goes to Jerry Land he likes that
• 28:48
  Speaker 1: bitch up like we let you all didn't count. Oh
• 28:53
  Speaker 1: we had mayor two years ago. Didn't count when it
• 28:55
  Speaker 1: was regular season two years ago. Whenever, it's the picture
• 28:57
  Speaker 1: of the fan, like we've fuck y'all up. Shout out
• 29:01
  Speaker 1: to dad, his daddy. His daddy cuts us out, his daddy,
• 29:03
  Speaker 1: his daddy gonna talk ship. He cussed me out, he
• 29:06
  Speaker 1: cussed They say that Kyler, they say Kyler Murray is
• 29:10
  Speaker 1: the greatest football player in Texas history. I would you
• 29:15
  Speaker 1: know him? I mean, I know what. I don't know
• 29:18
  Speaker 1: him personally, but I funk with his daddy. You know,
• 29:20
  Speaker 1: his dad be doing coaching with the little league players
• 29:23
  Speaker 1: and all type of ship is his dad because I
• 29:26
  Speaker 1: know he's biracial, is it dad blackers? Is that the Asian?
• 29:30
  Speaker 1: That's usually how it goes, right, We're just being honest.
• 29:35
  Speaker 1: Ain't he a solid one? But he gonna cust your
• 29:37
  Speaker 1: ass out when it comes when it comes to his sons.
• 29:39
  Speaker 1: How do you feel about the Cowboys? But like this year,
• 29:42
  Speaker 1: how we feeling it's looking? I don't know. Let's be honest,
• 29:45
  Speaker 1: Mike McCarthy is the only thing y'all got to get
• 29:47
  Speaker 1: rid of because he's a fucking terrible head coach. I'm
• 29:49
  Speaker 1: gonna just say this, We're gonna be good. The line
• 29:54
  Speaker 1: now that I heard about about Tyron, you know, and
• 29:56
  Speaker 1: then you know, I was thinking about the receiver Cord.
• 29:59
  Speaker 1: But I know c he gonna do his thing for sure.
• 30:02
  Speaker 1: Cee Lamb's a beast. He's gonna he gonna. I'm gonna
• 30:05
  Speaker 1: play the part, bro. I just I just we just
• 30:07
  Speaker 1: need to shoot. Uh Cooper less right? Didn't he leave?
• 30:10
  Speaker 1: That's a doubt. Yeah, he left in damn all for
• 30:14
  Speaker 1: just Sean to just go habitually get tugs, you know
• 30:17
  Speaker 1: what I'm saying. And now he's got Jacobe Burssett for
• 30:20
  Speaker 1: fourteen weeks. He not gonna play this. I think he's no, no, no,
• 30:24
  Speaker 1: they pushed they made it more. I think it's eleven
• 30:26
  Speaker 1: or twelve for real. Yeah, that's crazy. You ever hang
• 30:30
  Speaker 1: out with Shaun Watson in h town? Uh? Uh? I
• 30:33
  Speaker 1: ain't never made bro, Yeah, you'd have to be hanging
• 30:35
  Speaker 1: out at a massage probably with him. Meet him. Man,
• 30:38
  Speaker 1: y'all don't know what this ship, so you got to
• 30:40
  Speaker 1: this is my thing. I think what actually happened was
• 30:44
  Speaker 1: he's probably just a normal dude who was like paying messuses,
• 30:50
  Speaker 1: whether or not those messuses were actual massuses or women
• 30:54
  Speaker 1: who you know, how you go to get massages. I'm
• 30:59
  Speaker 1: not saying me, but fucker's getting missages that they're getting
• 31:01
  Speaker 1: happy ending. And then I think that that lawyer they had,
• 31:04
  Speaker 1: like a lawyer who found like one of these chicks
• 31:07
  Speaker 1: and then like put the word out to everybody. And
• 31:09
  Speaker 1: then like now if there's just women coming out the
• 31:11
  Speaker 1: fucking woodworks and it's a bag fan, he usually be
• 31:13
  Speaker 1: some bullshit like that. And like you said, bro, like
• 31:16
  Speaker 1: you said, back to your situation, like not saying that
• 31:17
  Speaker 1: they're the same, but like we don't even know all
• 31:20
  Speaker 1: the facts. Like he's literally got nine figures on the
• 31:24
  Speaker 1: line for him, it makes sense just to get it
• 31:26
  Speaker 1: to go away, even if it's bullshit and he's claiming
• 31:30
  Speaker 1: that's a big a hustle in that lane versus my
• 31:32
  Speaker 1: for sure, for sure, because you're dealing with someone who's
• 31:34
  Speaker 1: like a lot of people that came when I was
• 31:36
  Speaker 1: even going through that bullshit. What's athletes mm hmm. Couple
• 31:40
  Speaker 1: because rapper freestyle, you know, they'll go through a shit,
• 31:42
  Speaker 1: but a lot of athletes and they say the same thing.
• 31:44
  Speaker 1: They they for sure didn't do it, but they were like, man,
• 31:47
  Speaker 1: just to get that shit on them. I paid, I said,
• 31:49
  Speaker 1: I'm not doing that because even more so than in
• 31:51
  Speaker 1: hip hop, if you're an athlete, your public image is
• 31:55
  Speaker 1: so much more of whether or not a team will
• 31:56
  Speaker 1: even sign you. Sure right, it's like it don't matter
• 31:59
  Speaker 1: if it's that's what's crazy about, Like you said, the
• 32:02
  Speaker 1: athlete shit. I feel really bad for those guys if
• 32:04
  Speaker 1: they really didn't do anything wrong. It's a lot of them.
• 32:06
  Speaker 1: That's a lot of them. If that's a hustle bro
• 32:08
  Speaker 1: that's a broke bitch hustle. Broke bitch hustle for sure,
• 32:11
  Speaker 1: broke bitch hustle. That's why when they try to and
• 32:14
  Speaker 1: like I say, right now, I can be one of
• 32:16
  Speaker 1: them people who kind of like blindside about the shit
• 32:19
  Speaker 1: because my situation a motherfucker not saying him in particular,
• 32:23
  Speaker 1: but I'm gonna give a motherfucker the benefit of the doubt,
• 32:27
  Speaker 1: just because I know I've been through that same situation,
• 32:30
  Speaker 1: and I know how people can try to curl and
• 32:33
  Speaker 1: keep on coming with bush I'm talking about just and
• 32:35
  Speaker 1: they'll just keep on posting the bullshit. It'll make it
• 32:38
  Speaker 1: look like you just a fucking animal, bro. So I
• 32:40
  Speaker 1: know what broke going through when it comes to that shit.
• 32:43
  Speaker 1: And he probably literally didn't do nothing. I'm not saying
• 32:45
  Speaker 1: he did, but based on his side, he didn't do
• 32:49
  Speaker 1: nothing right. So and and I know in my situation,
• 32:54
  Speaker 1: I ain't doing a motherfucking thing, and they and they
• 32:56
  Speaker 1: trying to dig for it, and they gonna paint you
• 32:58
  Speaker 1: to be something that you ain't for show? Are you gonna?
• 33:02
  Speaker 1: Because I feel like what I love. Recently, I don't
• 33:06
  Speaker 1: know if you've noticed, Cardi B has been suing blogs
• 33:08
  Speaker 1: that have been posting fake shit about her, and she
• 33:11
  Speaker 1: sued some lady and got like a suitor for three
• 33:13
  Speaker 1: million dollars pretty much bankrupted this blog for posting scene.
• 33:17
  Speaker 1: But I feel like, low key the way to combat
• 33:20
  Speaker 1: that kind of behavior is to make sure that those
• 33:22
  Speaker 1: people who accuse you of some bullshit or about you
• 33:27
  Speaker 1: like sue the funk out of them. They posted this ship.
• 33:30
  Speaker 1: I don't even mean the blogs. I mean like the
• 33:32
  Speaker 1: lady who accused you can't you suer for show like
• 33:36
  Speaker 1: the character. I don't give a fuck if you ain't
• 33:37
  Speaker 1: got no but glass water. I want the cup. Give
• 33:39
  Speaker 1: me the cup of water. Yeah, a couple of water.
• 33:42
  Speaker 1: I want your new balances. I want your motherfucking what
• 33:45
  Speaker 1: you you gotta fucking you got a way to ultimate?
• 33:48
  Speaker 1: Give me the old weight ultimate. Yeah, give me seventy
• 33:51
  Speaker 1: five percent of the only fish they're bowing and ship
• 33:55
  Speaker 1: being them bitch, don't even get motherfucking in trouble for
• 33:58
  Speaker 1: the ship. Them motherfucker just gets to go about their
• 34:00
  Speaker 1: lives and go try to do it to another motherfucker
• 34:03
  Speaker 1: and John Dowash in another city. You know what I'm saying,
• 34:06
  Speaker 1: That's exactly what they be doing. Like they need to
• 34:08
  Speaker 1: make this ship to work. If the bitches do that
• 34:11
  Speaker 1: ship and they get counting their lives, them whole needs
• 34:13
  Speaker 1: to be prosecuted. They need to. If you can't tell
• 34:18
  Speaker 1: me your nigga, yeah, nigga, can uh watch out who
• 34:21
  Speaker 1: you walk with and be less trying to all Yeah,
• 34:25
  Speaker 1: I agree with all that. If you falsely accused somebody
• 34:29
  Speaker 1: of something. If you're if you find out that you
• 34:31
  Speaker 1: are being lied, you need to be charged with the
• 34:33
  Speaker 1: same amount of jail time as if fast as for
• 34:35
  Speaker 1: the crime person. To stop a lot of this broke
• 34:38
  Speaker 1: bitch hustle ship that they're doing, they'll stop a lot
• 34:40
  Speaker 1: of false allegation. People want to do this ship just
• 34:44
  Speaker 1: to get the money. They'll stop a lot of this ship.
• 34:45
  Speaker 1: Make the whole pay for their consequence. That's yeah, I agree, man,
• 34:48
  Speaker 1: I agree hundred percent. Uh so your album coming soon.
• 34:53
  Speaker 1: Little Wayne's on the album, right right, Okay, anybody else,
• 34:57
  Speaker 1: I ain't gonna tell you all love. I slipped up
• 34:59
  Speaker 1: and told you that ship. Yeah, well man, me and
• 35:02
  Speaker 1: Wayne got one. Yeah, so we know the Little Wayne's
• 35:04
  Speaker 1: on the album. And now you and you're just gonna
• 35:07
  Speaker 1: bring back man and and him out of retirement over there.
• 35:09
  Speaker 1: Yeah for sure. You know. Uh j I d just
• 35:12
  Speaker 1: got the president of Dreamville to rap on his album. Yeah,
• 35:19
  Speaker 1: he been on He's a Dreamville He just put out
• 35:23
  Speaker 1: in my opinion top three album of the year. Yeah,
• 35:26
  Speaker 1: j D jed he's from Atlanta. Yah know, I know
• 35:29
  Speaker 1: what he's fired. Yeah, you gotta listen to the albums
• 35:31
  Speaker 1: all the Forever story. I think, if I want to,
• 35:35
  Speaker 1: I think his manager or used to be. I don't
• 35:39
  Speaker 1: know who it was. It was a dude. His girl
• 35:41
  Speaker 1: would used to be like a p OFR for me.
• 35:44
  Speaker 1: That's how I that's how I got got up on him. Right,
• 35:49
  Speaker 1: I forgot I think I forgot dude name. I forgot
• 35:53
  Speaker 1: his name, but the girl used so she used to
• 35:56
  Speaker 1: be due pr work for me, And that's how I
• 35:57
  Speaker 1: got up on him. Uh. When yo, when MO three
• 36:00
  Speaker 1: was alive, you guys didn't get along much, right or
• 36:03
  Speaker 1: Am I wrong about that? You wrong? I'm wrong? You
• 36:05
  Speaker 1: guys did get along. We ain never had no problem.
• 36:07
  Speaker 1: You never had no problem, Okay, because okay, I was
• 36:09
  Speaker 1: gonna ask you. Like MO three is passing, it feels
• 36:12
  Speaker 1: like nationally he finally got the love that like he
• 36:18
  Speaker 1: deserved when he was alive. But it took him dying
• 36:20
  Speaker 1: for people to come to his ship and really like
• 36:22
  Speaker 1: dive into his ship. Like how big of a loss
• 36:25
  Speaker 1: was MO three? Uh, to the city of Dallas. It
• 36:28
  Speaker 1: was a big he made it was that was a
• 36:29
  Speaker 1: big impact for him, like on the whole city, like
• 36:33
  Speaker 1: and then the ship, like the song which shout out
• 36:36
  Speaker 1: to Olji Baba Biggs. You know that's really that's his
• 36:38
  Speaker 1: song and ship. But he's from Dallas as well, of course,
• 36:41
  Speaker 1: of course. Yeah, and that's uh, that's another nigga that's
• 36:44
  Speaker 1: going craziness. He's a super nice guy. Yeah, cool, mother
• 36:46
  Speaker 1: fucking yeah. So that mother fuck that ship. That's like,
• 36:49
  Speaker 1: that's one up for them, boy, bro, Like real talk,
• 36:52
  Speaker 1: But it made an impact in the city for sure. Yeah.
• 36:54
  Speaker 1: Do you feel like it kind of like it sucks
• 36:55
  Speaker 1: because I even feel like, obviously Nipsey was was bigger
• 36:58
  Speaker 1: than Mo three when he was alive, but like I
• 37:00
  Speaker 1: feel like the impact of Nipsey's music wasn't really felt
• 37:03
  Speaker 1: and appreciated, right, It felt similar where it's like, damn
• 37:07
  Speaker 1: now people like are really fucking with Nipsey that weren't
• 37:11
  Speaker 1: even listening to his ship when he was alive, you
• 37:13
  Speaker 1: know what I mean? It sucks that, like, sometimes you
• 37:14
  Speaker 1: got to see somebody pass to really get the love
• 37:17
  Speaker 1: and respect that they deserve and this rap shit. Sure,
• 37:20
  Speaker 1: that's how that shit goes, bro. Yeah, a lot of
• 37:22
  Speaker 1: people don't get appreciated. It pays it just it always
• 37:25
  Speaker 1: gotta be some type of bullshit for a lot of
• 37:27
  Speaker 1: people to get their flowers though, you know what I'm saying,
• 37:29
  Speaker 1: sometimes so just always just I guess it's part of
• 37:32
  Speaker 1: the game. You've obviously had some like close call situations
• 37:35
  Speaker 1: when it comes to just being back home or just
• 37:37
  Speaker 1: getting into issues. Are you pretty conscious about just moving
• 37:42
  Speaker 1: like a different way now that you kind of realize
• 37:45
  Speaker 1: not only can your life get lost, but also you
• 37:48
  Speaker 1: can have some randomized bitch try to take your freedom away.
• 37:50
  Speaker 1: Sh It can happen anywhere, but you still just got
• 37:52
  Speaker 1: to move more careful, like you're gonna get more hate
• 37:55
  Speaker 1: in your in your crib for sure. But like I say,
• 37:58
  Speaker 1: anything and happen like that's that shit happened anywhere. You
• 38:01
  Speaker 1: just gotta it ain't just where you move, how you
• 38:03
  Speaker 1: move when you see just how you move, just periods anywhere, Yeah,
• 38:06
  Speaker 1: just everywhere, because anything a bitch can act like she
• 38:10
  Speaker 1: trying to get a picture which and get a hugging
• 38:13
  Speaker 1: try to say you touched on. You know, it's our
• 38:14
  Speaker 1: type of word ship in this world, you know what
• 38:17
  Speaker 1: I'm saying. Or a nigga can be just trying to
• 38:18
  Speaker 1: kiy just because they are trying to ride because you
• 38:20
  Speaker 1: got your jairo on they don't feel like you got
• 38:22
  Speaker 1: no streuss to someone. Yeah, it just feels like when
• 38:24
  Speaker 1: we see artists, you know, for the most part recently,
• 38:27
  Speaker 1: you know, obviously Dolph died in his hometown, Nipsey died
• 38:29
  Speaker 1: in his hometown. Xxxadas Young he got murdered in his hometown.
• 38:34
  Speaker 1: You know what I mean. It just feels like, like
• 38:36
  Speaker 1: I was saying earlier, it just feels like damn Like
• 38:38
  Speaker 1: it's like the people who hate you the most are
• 38:39
  Speaker 1: always where you're from, be they feel like they should
• 38:41
  Speaker 1: be where you're at. A lot of shit that is true,
• 38:44
  Speaker 1: for sure, but a lot of shit just knows it'd
• 38:46
  Speaker 1: be like more of the smaller cities, because like, if
• 38:48
  Speaker 1: a nigga from La, you can still stay in La
• 38:51
  Speaker 1: and be off in the cut and be cool where
• 38:53
  Speaker 1: you're from. And Dallas, Dallas is huge. People don't understand
• 38:56
  Speaker 1: Dallas's fifth part, but celebrities like that, right, So we
• 39:00
  Speaker 1: just ain't got to live like niggas from New York
• 39:02
  Speaker 1: and live in New York, be from New York and
• 39:04
  Speaker 1: stay in New York in Jersey, you know what I'm saying.
• 39:08
  Speaker 1: Dallas is similar. Yeah, I had there's a twin peaks
• 39:14
  Speaker 1: and Plano, Texas that I had a good time with
• 39:18
  Speaker 1: the young lady who worked there back in the day.
• 39:21
  Speaker 1: Shout out to Plano, good, good city. I don't know
• 39:23
  Speaker 1: much about it outside of I stayed in the hotel
• 39:25
  Speaker 1: and there was a twin Peaks in the parking lot
• 39:27
  Speaker 1: and the talent is love. BI ain't no Texas big ship,
• 39:32
  Speaker 1: it is huge. Yeah. What is the drive from Texas
• 39:35
  Speaker 1: to Houston. It's not too far. Half four hours Dallas
• 39:40
  Speaker 1: Houston is what I meant to say, Texas to Houston,
• 39:42
  Speaker 1: Jesus zero hours and that yo, West Texas. I always here,
• 39:45
  Speaker 1: which is obviously not where you're from. But like, I'm
• 39:48
  Speaker 1: sorry East Texas rather like when you get closer to Louisiana.
• 39:51
  Speaker 1: When I drove from Phoenix to Tampa. Uh, me and
• 39:55
  Speaker 1: two of my boys who were of color were with
• 39:58
  Speaker 1: me and my homies from Texas for like whatever you do,
• 40:02
  Speaker 1: drive straight through East Texas because it's racist as fuck.
• 40:06
  Speaker 1: Is talking about like in Thailand ship and like a
• 40:09
  Speaker 1: little small small country town. Here's a city that starts
• 40:11
  Speaker 1: with a V that they specifically I think it's uh
• 40:14
  Speaker 1: your Valdi Texas? Is that something right? Valdi? No? No,
• 40:20
  Speaker 1: that was yeah, I'm tripping. No, there's another city. There's
• 40:22
  Speaker 1: a city where like they have like fucking billboards, like
• 40:25
  Speaker 1: white supremacist billboards and ship in Texas. What is it maybe?
• 40:31
  Speaker 1: But yeah, I don't know. I don't know. Texas is
• 40:34
  Speaker 1: just a It's like it's like it's like a very
• 40:36
  Speaker 1: so me, but it's seated that I'm still learning and
• 40:39
  Speaker 1: I'm been like literal all my life, like for real,
• 40:43
  Speaker 1: Like I just heard of another spot the other day
• 40:45
  Speaker 1: my home and them say he's staying on his wife
• 40:47
  Speaker 1: from She said it, and I was like, but I
• 40:49
  Speaker 1: ain't never heard that ship a day in my life.
• 40:51
  Speaker 1: You hear like you you do? You like run the
• 40:53
  Speaker 1: gauntlet though you go to like Corpus CHRISTI, you go
• 40:55
  Speaker 1: to like McCallen, get you something from like get That's
• 40:58
  Speaker 1: what I mean? Yeah, yeah, I be. I be in
• 41:02
  Speaker 1: this the long they got the money. I'm there. It
• 41:04
  Speaker 1: was the most random place you've gonna show at random.
• 41:08
  Speaker 1: Sisby Chessa was gangstery Man Silsby chases fucking gangster. I
• 41:13
  Speaker 1: ain't gonna lie. Nigga was on one way Street. One way.
• 41:17
  Speaker 1: The street by probably the size of this table seemed
• 41:20
  Speaker 1: like you can only go one way. This ship was packed.
• 41:23
  Speaker 1: I know, like the building was so fucking it was.
• 41:26
  Speaker 1: It was. It was big in the inside, but it
• 41:28
  Speaker 1: was like real small though it seemed like type shit,
• 41:31
  Speaker 1: but the street was small as shit. Long story short,
• 41:36
  Speaker 1: we I'm performing on the stage with my burner, with
• 41:38
  Speaker 1: my pistol in my hand, and in Texas, that's okay, yeah,
• 41:42
  Speaker 1: but it's not normal just for a motherfucker just perform.
• 41:45
  Speaker 1: There was so many niggas behind us were guns out.
• 41:48
  Speaker 1: That was like just some gangst ass shit, Like I
• 41:51
  Speaker 1: swear the guy like them niggas, it's gangst I fuck
• 41:54
  Speaker 1: with this shit. So you performed holding your gun, gun
• 41:56
  Speaker 1: in my hand, My uncle Em and everybody else behind
• 41:59
  Speaker 1: me head they straps at niggas behind school. We didn't
• 42:01
  Speaker 1: even know hit they guns out, So I'm knowing, I
• 42:03
  Speaker 1: ain't no telling how many niggas in front of us
• 42:05
  Speaker 1: got straps and ship. Then we get up at them up.
• 42:07
  Speaker 1: It took us about like an hour to get up
• 42:09
  Speaker 1: after their motherfucker. It was just so smart, like everybody
• 42:11
  Speaker 1: they just in Texas. It's like by Beaumont. It's right
• 42:15
  Speaker 1: beside beam Beaumont's near Houston, right right, Yeah, So or
• 42:19
  Speaker 1: something like that, right, Yeah, yeah, some ship like that.
• 42:22
  Speaker 1: So yeah, matter of fact, I think has been Beaumont
• 42:25
  Speaker 1: getting into it. They supposed to got some type of
• 42:27
  Speaker 1: beef I get so I don't know, but I just
• 42:30
  Speaker 1: know we using that motherfucker. It took a long time
• 42:34
  Speaker 1: to get out there, motherfucker. We finally when we literally
• 42:37
  Speaker 1: hit the street and made the right cause we had
• 42:40
  Speaker 1: like it was like in a neighborhood residential area type shit.
• 42:44
  Speaker 1: Niggas was sitting outside on there, like the building where
• 42:48
  Speaker 1: they live. It was sitting like in the front yard
• 42:51
  Speaker 1: and everything just posted sitting on their cars and everything.
• 42:53
  Speaker 1: So we see nigga im talking about they got big
• 42:55
  Speaker 1: old lass choppers and ship. Like we looking at the
• 42:57
  Speaker 1: nigga with this, I'm like, man, what the fuck? Like,
• 43:00
  Speaker 1: what the fuck is we doing? Like these niggas gangster
• 43:04
  Speaker 1: in them bitch. Soon as we turned out the street,
• 43:11
  Speaker 1: letting it go, Jesus, that's crazy, they start letting them
• 43:14
  Speaker 1: motherfucker go, not at us. They hear some more beef
• 43:17
  Speaker 1: going on, but at least you got up out of there. Yeah, Silvere,
• 43:20
  Speaker 1: the motherfucker. Have you met the White Jordan yet? Luca? Luca,
• 43:25
  Speaker 1: uh it look like once or twice? How was that cool?
• 43:28
  Speaker 1: But it won't like no, just no super duple like
• 43:32
  Speaker 1: I could really talk. We was at the game type ship.
• 43:34
  Speaker 1: He's that motherfucker. Yeah that mother Yeah, y'all fucking fucked
• 43:38
  Speaker 1: my son's up. Bro yet Game seven was the worst
• 43:40
  Speaker 1: day of my life. And then we got boy over
• 43:42
  Speaker 1: there and there who Well, y'all got Javela McGee now
• 43:46
  Speaker 1: on the Mavericks. You know he makes beats. Yeah, he
• 43:49
  Speaker 1: hear me, that's what. Matter of fact, I got a
• 43:51
  Speaker 1: candor nigga won't matter her because I think he had her,
• 43:53
  Speaker 1: but he moved into that. He had hit me the
• 43:55
  Speaker 1: other day. So he's on the Mavericks now, you guys
• 43:57
  Speaker 1: got him. You also let Jalen br And walk right
• 44:00
  Speaker 1: out that fucking door. That was true. That was why
• 44:03
  Speaker 1: did they do that? Well, he want consistent enough something. Well,
• 44:06
  Speaker 1: he's got family that's wrapped up in the Knicks organization.
• 44:08
  Speaker 1: That's why Mark Cuban is going after Uh. There was
• 44:12
  Speaker 1: like tampering going on pretty much, Mark Cuban saying they
• 44:15
  Speaker 1: never had a chance to keep him because he'd already
• 44:17
  Speaker 1: made his mind if he was going to the Knicks.
• 44:18
  Speaker 1: Oh so basis. That was just his It's like his
• 44:20
  Speaker 1: dad or his brother, some ship or both are like
• 44:23
  Speaker 1: a part of the Knicks organization. And but yeah, y'all
• 44:26
  Speaker 1: have not had the greatest offseason. I had expected y'all
• 44:29
  Speaker 1: to like land the name. I mean, Javel's a great
• 44:32
  Speaker 1: got got what's what's bro from Houston? We got? We
• 44:35
  Speaker 1: got somebody from Houston who uh the center? Right center
• 44:39
  Speaker 1: from Houston for the Rockets. I don't know if there's
• 44:43
  Speaker 1: we got somebody right before him, right before McGee. I
• 44:47
  Speaker 1: don't know what what's brother? Look look that ship up.
• 44:52
  Speaker 1: I know this. I know that y'all need another fucking
• 44:55
  Speaker 1: score at least Tim Hardaway. Yeah, Tim Hardaway. I feel
• 44:58
  Speaker 1: bad for Luca. Luca reminds you know that meme Remember
• 45:01
  Speaker 1: during the Popeye's Chicken Craze, there's that meme of that
• 45:03
  Speaker 1: lady sitting out of Popeye is as tired as fuck.
• 45:06
  Speaker 1: I feel like I feel like that's Luca. He's just
• 45:08
  Speaker 1: carrying the whole team, you know what I'm saying. But y'all,
• 45:10
  Speaker 1: y'all beat us. Jason Kidd is a fucking hell of
• 45:12
  Speaker 1: a coach. Coach j Kidd, Man, do you have like
• 45:16
  Speaker 1: season tickets to the Mavericks of the Capital Christian Wood.
• 45:21
  Speaker 1: Christian Wood. Okay, that's fair, great pickup. That's what we
• 45:24
  Speaker 1: got christian Wood Center power for you. I forgot Christian Wood.
• 45:28
  Speaker 1: Yeah for show. I mean he's hard No, he's great,
• 45:32
  Speaker 1: but he but he's not like a ball handler. Man,
• 45:34
  Speaker 1: we could get out of that ship. Who's the back
• 45:37
  Speaker 1: of point guard. Who's the fucking shooting guard? It's Tim Hardaway.
• 45:39
  Speaker 1: Who's else handling? Who else is handling the Mark? And
• 45:41
  Speaker 1: I'm gonna say, I'm gonna give him some Can you
• 45:44
  Speaker 1: call Mark Cuban? I really can't want to see a
• 45:46
  Speaker 1: taste miss Yeah, show me that tell that motherfucker come
• 45:50
  Speaker 1: on to my show. I met Mark Cuban when I
• 45:52
  Speaker 1: was like, and you know what's crazy? He another person, Bro,
• 45:55
  Speaker 1: I don't never think that actor even takes a column
• 45:58
  Speaker 1: and have conversation. And he literally if I was shooting
• 46:01
  Speaker 1: the ticket, he'd like shoot back. That's amazing. That's crazy, right.
• 46:05
  Speaker 1: Does he ever give you any investment advice? No? I
• 46:07
  Speaker 1: ain't never ask. That's where you're sucking up. Not shit,
• 46:10
  Speaker 1: I haven't done it. Just be like, hey, man, I'm
• 46:12
  Speaker 1: trying to see we'd be talking a little bit on
• 46:14
  Speaker 1: no motherfucker. Oh you Mark Cuban got Green Bubbles, Boys,
• 46:17
  Speaker 1: Green Bubbles. He got that Android, Green Bubbles. Mark Cuban
• 46:22
  Speaker 1: got that Android. I probably got the Android. Shit, I
• 46:25
  Speaker 1: don't know you have you have three? Well, you have
• 46:27
  Speaker 1: two phones? Are they both iPhones? Yeah? Okay, so you
• 46:32
  Speaker 1: don't even fuck with the Androids ever in life? Yeah,
• 46:35
  Speaker 1: but I got an iPhone probably like two thousand into
• 46:40
  Speaker 1: two than sixty sixteen. Yeah. I was team Android for
• 46:44
  Speaker 1: so long. And to change once in one of his
• 46:46
  Speaker 1: songs said trapping on my two. Change said trapping on
• 46:49
  Speaker 1: my Android in like twenty twelve, and I was like, yes, yeah.
• 46:53
  Speaker 1: And then the next time I saw him he had
• 46:54
  Speaker 1: an iPhone and I was like, bro, what the fuck?
• 46:58
  Speaker 1: I thought you were trapping on your fucking Android. Time change,
• 47:00
  Speaker 1: my brother. I mean I got a niphone now. So
• 47:03
  Speaker 1: there's that, all right. So mixtape is out, music videos out,
• 47:07
  Speaker 1: new album on the way, Asylum Records, New Situation, anything
• 47:15
  Speaker 1: else going on. There's a lot of big big baggs,
• 47:19
  Speaker 1: torn Ship Finna go jump off everything can jump off me.
• 47:21
  Speaker 1: TV show I'm doing all this? What kind of tv
• 47:24
  Speaker 1: A you're doing? Like reality you're doing acting or doing
• 47:25
  Speaker 1: something I ain't doing the reality TV. I don't want
• 47:27
  Speaker 1: to see you on the Zeus network beating up somebody. Yeah,
• 47:30
  Speaker 1: we ain't doing that. I feel like I'm gonna be
• 47:32
  Speaker 1: in the seacomb before I be in the goddamn reality TV.
• 47:36
  Speaker 1: Shout out to goddamn. I don't. I don't. I don't
• 47:38
  Speaker 1: even know what the Zeus network is or the for
• 47:40
  Speaker 1: US Bias network. I just know, like Hollywood Unlocked and
• 47:44
  Speaker 1: like all the blogs, all they do is post clips
• 47:47
  Speaker 1: for these shows on these networks, and then the shows
• 47:49
  Speaker 1: look fucking insane. It's like Krishawn Rock beating the ship
• 47:52
  Speaker 1: out of like seven girls at once with one two.
• 47:55
  Speaker 1: It's fucking crazy. Shout out to Kashan Rock, her and
• 47:59
  Speaker 1: blue Face got Seriosh, that's what it is. Yeah, Yeah,
• 48:01
  Speaker 1: that's serious romance. Have you ever had a romance like
• 48:07
  Speaker 1: that that was like you knew it wasn't good for you,
• 48:09
  Speaker 1: but you just fought through it anyway. I mean, I
• 48:12
  Speaker 1: think we outn't done that. Of course. It's the most
• 48:15
  Speaker 1: toxic ship, most toxic ship. I had a tear. I mean,
• 48:19
  Speaker 1: my son's mom was just just god awful human being
• 48:22
  Speaker 1: and got tracks on the court. Oh wow. Well you know,
• 48:25
  Speaker 1: now with those new Apple tags, that's actually not hard
• 48:27
  Speaker 1: to pull off. Just throw that bitch in the back seat. Yeah,
• 48:31
  Speaker 1: be careful out here. Toxic as fuck, toxic baby. There
• 48:35
  Speaker 1: it is, yellow run up as ship. Yeah, appreciate you.
• 48:39
  Speaker 1: Oh Cliff in the motherfucking building