Latest / The Front / Quincy Jones and me
Transcript
- 0:04Speaker 1: From The Australian. Here's what's on the front. I'm Claire Harvey.
- 0:07Speaker 1: It's Wednesday, November six. Results will start flowing in tonight
- 0:15Speaker 1: from the US election, and subscribers to The Australian will
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- 0:20Speaker 1: the US will be Donald Trump or Kamala Harris. Join
- 0:24Speaker 1: us now at the Australian dot com dot au to
- 0:27Speaker 1: make sure you don't miss a thing. The former police
- 0:32Speaker 1: officer accused of murdering two men in Sydney has not
- 0:35Speaker 1: ended a plea to the charges against him. Bo Lamar.
- 0:38Speaker 1: Condon's lawyer has withdrawn from the case and he'll now
- 0:42Speaker 1: be represented by legal aid. The matter returns to court
- 0:45Speaker 1: at the end of the month. Quincy Jones, the most
- 0:51Speaker 1: influential musical figure of our age, has died at ninety one,
- 0:55Speaker 1: amid a world's worth of tributes. Our own Jasper Leikue,
- 1:00Speaker 1: who composed the Front's theme and edited this episode, reflects
- 1:04Speaker 1: on his own moment learning at the feet of the Master.
- 1:11Speaker 2: I would like to have you meet one of the
- 1:12Speaker 2: finest musicians that I've ever known, mister Quincy Jones.
- 1:21Speaker 1: That was Frank Sinatra in the sixties introducing someone whose
- 1:25Speaker 1: imprint on American music and therefore the music of the
- 1:29Speaker 1: entire world, is indelible. Quincy Jones has died at the
- 1:34Speaker 1: age of ninety one, leaving a musical legacy that spans
- 1:37Speaker 1: the story of this century and the last, from the
- 1:44Speaker 1: legends of jazz to the titans of popular music the
- 1:54Speaker 1: blossoming of hip hop.
- 2:04Speaker 3: Quincy had about ten careers in his lifetime.
- 2:07Speaker 1: This is Jasper Leak. He's part of our team here
- 2:11Speaker 1: at the front, but Jasper is also an incredibly accomplished
- 2:15Speaker 1: musician and producer in his own right. In the naughties,
- 2:19Speaker 1: Jasper moved from Sydney to New York as a jazz
- 2:22Speaker 1: obsessed twenty something with dreams of being where the magic happened.
- 2:27Speaker 1: He toured with some of the world's biggest acts. He
- 2:30Speaker 1: also weighted plenty of tables, and then he found himself
- 2:35Speaker 1: in the orbit of Quincy Jones. Jasper was music consultant
- 2:40Speaker 1: and supervisor on Netflix's twenty eighteen documentary Quincy, for which
- 2:44Speaker 1: Jasper received an Emmy nomination.
- 2:48Speaker 2: It started with a phone call from my friend Alan Hicks,
- 2:51Speaker 2: another Australian who'd already spent a year working as a
- 2:54Speaker 2: co director on the documentary with Quincy's daughter, Rashida Jones
- 2:58Speaker 2: Al called me with an idea to score the documentary,
- 3:01Speaker 2: but only using music from Quincy's pre existing catalog. I
- 3:05Speaker 2: love the idea, and I'd been secretly hoping for this
- 3:08Speaker 2: to happen, but it was one of those situations where
- 3:10Speaker 2: my immediate response was sheer terror.
- 3:12Speaker 3: How was I going to.
- 3:13Speaker 2: Capture the career of music's most legendary figure over a
- 3:16Speaker 2: two hour documentary?
- 3:20Speaker 1: Jasper said about listening to everything Jones had ever recorded.
- 3:25Speaker 2: I was handed a hard drive with Quincy's full discography
- 3:28Speaker 2: on it, and I knew the only way I'd get
- 3:30Speaker 2: comfortable with this huge task was to listen to everything
- 3:33Speaker 2: front to back.
- 3:34Speaker 3: It was the best job I've ever had.
- 3:36Speaker 2: I'd wake up in the morning and for eight hours
- 3:38Speaker 2: a day, I'd listen to Quincy's discography in chronological order,
- 3:42Speaker 2: which was an incredible education in itself, and as I listened,
- 3:45Speaker 2: I made the whole thing searchable. I set up a
- 3:48Speaker 2: spreadsheet and identified little snippets from all these tracks that
- 3:52Speaker 2: I imagined would come in handy during the editing process, and
- 3:54Speaker 2: I'd tag them all according to era.
- 3:56Speaker 3: Mood style and genre.
- 3:58Speaker 2: It was more than three thousand and songs across about
- 4:01Speaker 2: three hundred albums. So eventually, if al Or Rashida needed
- 4:05Speaker 2: music for a scene and asked me for something that
- 4:07Speaker 2: was introspective and bluesy from the fifties recorded by a
- 4:11Speaker 2: small ensemble, I could find it straight away. With the
- 4:17Speaker 2: exception of Quincy himself, I'm probably the only person who's
- 4:20Speaker 2: listened to his full discography, So I was learning at
- 4:22Speaker 2: the feet of the master. I knew who he was,
- 4:27Speaker 2: of course, but I became overwhelmed at the volume of
- 4:29Speaker 2: work that he'd produced in his lifetime. Not just the volume,
- 4:33Speaker 2: but how ambitious a lot of it was too, and
- 4:35Speaker 2: the genres he spanned. There were film scores with full orchestration,
- 4:39Speaker 2: records that were quite experimental. He did one gospel album
- 4:43Speaker 2: with Little Richard. Michael Jackson's Thriller is a great example
- 4:50Speaker 2: of Quincy's ambition.
- 4:51Speaker 3: It was a lot more than.
- 4:53Speaker 2: Taylor to write a great song and recorded in a
- 4:55Speaker 2: studio with a great band like Artistically, it was really
- 4:58Speaker 2: ambitious music video that was the longest music video ever
- 5:02Speaker 2: at the time. Quincy had the vision to bring that
- 5:05Speaker 2: team together, Rod Tempert and the songwriter with the director
- 5:09Speaker 2: John Landis who directed The Blues Brothers and choreographer Michael Peters.
- 5:14Speaker 2: Quincy achieved so much in his lifetime that you can
- 5:17Speaker 2: draw inspiration from him, but it'd be impossible to try
- 5:20Speaker 2: and model your career after his. He was beyond prolific.
- 5:24Speaker 2: I was trying to carve out this career for myself
- 5:26Speaker 2: as a musician, as a songwriter and a producer, but
- 5:30Speaker 2: when you see what he did with those elements, it
- 5:32Speaker 2: was beyond humbling.
- 5:36Speaker 1: While this was going on, Jasper's father, Bill Leak, died.
- 5:40Speaker 1: Bill was the Australian's legendary cartoonist and a celebrated artist
- 5:45Speaker 1: in his own right.
- 5:47Speaker 2: I spent a lot of time thinking about my dad
- 5:49Speaker 2: during work on the documentary, and something I loved about
- 5:52Speaker 2: the project was that it was Rashida's tend to tribute
- 5:55Speaker 2: to her father.
- 5:56Speaker 4: To have somebody who's created music that breast a certain
- 6:00Speaker 4: emotion and then to be able to pair about with
- 6:02Speaker 4: an emotional moment in his life as a real huge blessing.
- 6:06Speaker 1: He's Rashida Jones talking to The Hollywood Reporter about the documentary.
- 6:12Speaker 4: That being said, it's spanned so many decades and there's
- 6:16Speaker 4: so many different types of genres, and so the music
- 6:18Speaker 4: selection became essential to the storytelling.
- 6:23Speaker 1: Coming up how Jones helped Jasper find his own roots.
- 6:41Speaker 1: Join Beet for one of the most memorable nights of
- 6:44Speaker 1: the year as we honored the icon hit maker and
- 6:46Speaker 1: musical legend Quincy Jones. This was no ordinary eighty fifth
- 6:52Speaker 1: birthday party. It was a musical tribute to Jones at
- 6:55Speaker 1: a theater in downtown, LA with American Musical Royalty playing
- 7:00Speaker 1: in his honor, John Legend, LL Cool, j Gladys Knight,
- 7:04Speaker 1: Gloria Estefan.
- 7:08Speaker 2: There was an after party at a Hollywood bar, and
- 7:11Speaker 2: there was this extended jam session with people like Usher
- 7:14Speaker 2: was singing in the band and Herbie Hancock was playing keyboards.
- 7:17Speaker 2: Dave Chappelle got up and spoke, I mean, it was
- 7:20Speaker 2: the who's who of American culture in this little bar.
- 7:23Speaker 2: But Quincy was the last man standing. He always was
- 7:27Speaker 2: by that stage of his life. He'd given up drinking,
- 7:29Speaker 2: but he was nocturnal. He'd spend the night doing puzzles.
- 7:32Speaker 2: He never switched off.
- 7:35Speaker 1: Born in nineteen thirty three in Chicago, Quincy Jones was
- 7:38Speaker 1: directly descended from enslaved people.
- 7:43Speaker 2: One of the first times I met him, he asked
- 7:45Speaker 2: me about my own racial background. He said, I look
- 7:48Speaker 2: like a Richie, one of Lionel Richie's kids. He said,
- 7:51Speaker 2: you got some gumber going on, by which he meant
- 7:54Speaker 2: I looked like a mixture of a few different heritages.
- 7:57Speaker 2: Quincy was really into genealogy, ding his own family story.
- 8:02Speaker 2: I told him I didn't know a huge amount about
- 8:04Speaker 2: my mum's heritage. She's German, but she grew up in
- 8:06Speaker 2: children's homes and never found out who her biological father was.
- 8:10Speaker 2: Quincy leaned over and said, look into your roots, man.
- 8:14Speaker 2: I got my mum a DNA kit for a next birthday,
- 8:16Speaker 2: and it came back with the results that her jeans
- 8:19Speaker 2: were seventy five percent Western European twenty five percent West African,
- 8:23Speaker 2: which suggests her father was half West African. Our family's
- 8:27Speaker 2: theory is that maybe her father was an ex American
- 8:30Speaker 2: military person in Germany after the war.
- 8:37Speaker 1: Jones's mum was a talented singer who taught him her
- 8:41Speaker 1: love of music, and in his teens he was in
- 8:43Speaker 1: a band with a young friend, Ray Charles. By his
- 8:47Speaker 1: early twenties, Jones was a gifted young trumpet player and
- 8:51Speaker 1: an arranger with the Lionel Hampton Big Band, playing alongside
- 8:55Speaker 1: artists like Tommy Dorsey, Elvis Presley, and Dinah Washington.
- 9:01Speaker 3: That could have been it for him.
- 9:02Speaker 2: He was at the top of his craft, but before long,
- 9:05Speaker 2: Quincy became one of the world's most in demander arrangers.
- 9:08Speaker 2: He got a call out of the blue one day
- 9:10Speaker 2: from Frank Sinatra, which led to work with Sinatra and
- 9:12Speaker 2: the Count Bassi Orchestra.
- 9:15Speaker 1: From that moment on, Quincy Jones was at the center
- 9:18Speaker 1: of whatever was happening in music. He won twenty eight
- 9:21Speaker 1: Grammys from the Et soundtrack with Michael Jackson to Harry
- 9:27Speaker 1: Stiles's Album of the Year in twenty twenty three for
- 9:30Speaker 1: a baseline sample on the track Daydreaming. One of Jones'
- 9:40Speaker 1: last Grammys was in twenty nineteen, You Guys Are Ready
- 9:45Speaker 1: for That documentary Jasper worked on with his friend Alan.
- 9:49Speaker 5: The Grammy Goes Too, Quincy Jones.
- 9:58Speaker 1: Alan collected the award with Quincy's daughter, Rashida.
- 10:05Speaker 4: When my dad first watched the film, he said, I
- 10:09Speaker 4: wish I could live forever, and if anyone is going
- 10:12Speaker 4: to be able to be the first to do that,
- 10:13Speaker 4: I believe it's going to be hens.
- 10:15Speaker 5: So Dad, I hope you live forever. Thank you so much,
- 10:17Speaker 5: thank you, thanks.
- 10:28Speaker 1: For joining us on the front. Election results from the
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