Latest / Sky Signal / Anunnaki DNA - The TRUE Creation Story - The Forbidden Origins of Humanity

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Anunnaki DNA - The TRUE Creation Story - The Forbidden Origins of Humanity · Sky Signal

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  Was our race genetically engineered?
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  Were we created by beings from distant space to work as
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  laborers towards some unknown end?
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  From ancient cave paintings to the conquest of space, we have
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  grappled with the truths of our beginnings.
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  But what if the question of our origin falls outside the realm
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  of social acceptability? This may be the most incredible
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  film you will ever see, but the facts that will be presented are
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  true. Human DNA contains thousands of
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  genetic sequences whose origins scientists cannot trace.
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  These unexplained genetic segments do not exist in any
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  other known primates, and no natural evolutionary mechanism
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  adequately accounts for them. Approximately 300,000 years ago,
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  Homo sapiens emerged abruptly in the fossil record with unusually
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  rapid brain growth. Evolutionary biologists still
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  cannot fully explain why or how our brains evolved so quickly
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  compared to other species. Human chromosome 2 shows clear
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  evidence of intentional fusion. It appears precisely fused from
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  2 separate primate chromosomes, a phenomenon not naturally
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  observed anywhere else in nature.
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  The earliest human civilizations universally depict beings
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  descending from the stars. These depictions frequently
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  include figures wearing what look like wristwatches, helmets,
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  carrying tool bags, and wearing suits resembling modern
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  astronauts. Ancient Sumerian texts
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  explicitly speak of beings who came from above, creating
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  humanity by merging their blood with primitive Earth creatures.
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  Archaeologists remain puzzled by the striking similarity of these
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  stories across different cultures.
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  Early humans possessed detailed astronomical knowledge about
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  planets invisible to the naked eye, such as Uranus and Neptune.
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  No conventional explanation exists for how these ancient
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  civilizations obtained such knowledge.
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  Numerous isolated cultures across the planet share
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  virtually identical flood myths describing global catastrophes.
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  Each legend involves mysterious beings guiding humans to safety
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  or assisting them in rebuilding civilization.
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  Thousands of prehistoric cave paintings depict humanoid
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  figures appearing alongside disc shaped objects or spheres.
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  Archaeologists acknowledge these depictions resemble modern
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  interpretations of extraterrestrial craft.
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  The sudden leap from simple hunter gatherers to complex
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  civilization occurred rapidly within a few centuries with no
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  clear developmental stages. Scholars find no definitive
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  explanation for this rapid societal evolution.
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  According to some researchers, the creation of Homo sapiens was
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  not a slow trickle through the eons, but a sharp, deliberate
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  incision in Earth's evolutionary timeline.
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  The Sumerian tablets were not myths but records, and they
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  described something extraordinary.
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  In the epic known as Atrahasis. The lesser gods, the Igigi, are
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  overworked. They dig mine and toil until
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  they revolt. The solution?
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  A new kind of being, a hybrid, a worker.
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  Enki, the scientist, Ninhersag, the bioengineer.
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  Together they propose creating the Lulu Amelu, the mixed
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  worker, not born, but assembled. Some scholars have interpreted
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  the phrase used in these tablets.
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  They mix the blood of the gods with the essence of the beast,
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  not metaphorically, but literally.
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  The essence in this reading refers to genetic material, DNA,
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  the spark of life. Homo erectus, our primitive
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  ancestor, became the base model. The Anunnaki provided the
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  upgrade. The first prototypes were
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  unstable, misshapen, incapable of reproduction.
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  The tablets speak of multiple trials, failed attempts to fuse
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  the divine code with earthly clay until finally they
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  succeeded. A viable model, reproductive,
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  trainable, obedient. Parallels can be drawn to
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  Genesis in the Bible. Let us make man in our image.
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  Technical language. A boardroom decision.
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  A genetic mandate. The creation of Eve from Adam's
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  rib, rooted in the Sumerian story where the goddess Ninti,
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  whose name means Lady of the Rib and Lady of Life, performs a
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  surgical procedure on the prototype male.
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  Was this myth or documentation? The rib a symbol for genetic
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  extraction, a sampling for replication?
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  If we were engineered, the evidence wouldn't be just in
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  ancient texts. It would be an us in our cells,
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  in our chemistry, in the design flaws and peculiarities that
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  science struggles to explain. Start with the blood.
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  The RH negative factor, a genetic trait that appears in a
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  small percentage of the global population yet has no clear
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  evolutionary origin. It doesn't trace neatly through
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  primate ancestry. In fact, when an RH negative
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  mother carries an RH positive fetus, her immune system may
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  attack it. Nature rarely builds in such
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  conflict, but a lab might. Why would evolution create a
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  blood type that's incompatible with its own species?
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  Some researchers suggest the RH negative bloodline may be a
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  remnant, a genetic footprint left behind by the Anunnaki's
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  own biology. Then there's our sudden
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  appearance in the fossil record. For millions of years, hominids
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  evolved slowly, cautiously. Then, almost overnight, modern
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  humans arrive. Language, article, Tools,
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  culture Not in gradual steps, but in a surge, as if a switch
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  was flipped. We suffer from chronic disease,
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  allergies, degenerative issues. To some, these are signs of a
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  body not fully optimized for this world.
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  A machine assembled from 2 incompatible operating systems.
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  Prolonged exposure to the sun damages our skin.
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  We cover ourselves, live in artificial shelters, and
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  manufacture synthetic protection.
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  Nearly every other animal on Earth is adapted to sunlight.
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  We are, by all biological logic, only half at home here, the
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  other half unaccounted for. Even our brains are suspect.
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  We are prone to anxiety, to addiction, to violent extremes.
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  We question our own existence. We look to the stars with
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  longing, not because we want to explore, but because we
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  remember. The Bible calls it Eden, but
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  before it was a garden, it was a laboratory, and before it was a
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  myth, it was a memory. In ancient Mesopotamian art, we
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  see it again and again. The tree of life, flanked by
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  winged beings, sometimes guarded by serpents, always reaching
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  upward, its roots in clay, its crown touching the stars.
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  According to the Sumerians, this was not a symbol of paradise.
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  It was a diagram of power, of encoded knowledge, of divine
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  programming. And at the center of it all,
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  Enki. He was the keeper of the me, the
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  laws, the formulas, the blueprints of civilization.
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  According to some researchers, Enki didn't just build humanity,
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  he gave us something forbidden, the ability to evolve beyond our
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  intended role. The biblical story of Eden
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  mirrors this exactly. A man and a woman placed in a
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  garden, a tree of knowledge they are told not to touch, and a
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  serpent offering truth. You shall not surely die.
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  Your eyes shall be opened. Some believe the serpent was
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  Enki, that the tree was not about fruit but about frequency,
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  a genetic upgrade, the spark of self-awareness.
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  And Yahweh, the God who banished them, was not the creator, but
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  the enforcer, perhaps En Lil, the half brother of Enki and
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  enforcer of the law of the land, who saw this awakening as
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  treason. Because in the eyes of the
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  Anunnaki, we were never meant to know.
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  We were engineered for obedience, and the moment we
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  reached for the tree of life, we became dangerous.
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  You know, it's a scandal of which we should be thoroughly
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  ashamed, that prehistoric man tamed all the domestic animals
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  we have today. We haven't added one in the last
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  5000 years. It's about time we did so.
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  And with our present knowledge of animal psychology and
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  genetics, we could certainly solve the servant problem with
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  the help of the a monkey Kingdom.
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  Of course. Eventually our super chimpanzees
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  would start forming trade unions and we right back where we
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  started. There was a time, according to
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  the old texts, when humans lived for centuries, 800 years, nearly
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  1000 years. Adam lived 930 years, Noah 950,
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  Methuselah 969. But then something changed.
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  In the book of Genesis a decree is made cold and final.
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  My spirit shall not abide in man forever, for he is flesh.
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  His days shall be 120 years. Why the sudden cap?
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  If we were hybrid beings, engineered from both Anunnaki
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  and earth borne stock, it makes sense.
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  The early models lived longer, closer to their makers.
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  But as control tightened, as rebellion stirred, the creators
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  imposed limits, not just physical, but temporal.
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  A shutdown timer. A built in expiration date.
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  And this idea isn't unique to the Bible.
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  The Sumerian King List, one of the oldest historical records on
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  earth. Details reigns that lasted 10s
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  of thousands of years. Kings who ruled for 28,800
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  years, 36,000, even 43,200. These weren't symbolic numbers,
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  they were remnants, echoes of a time when life operated on a
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  different scale. The most complete version of the
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  King list was discovered in the ancient city of Larsa, modern
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  day Iraq, and is known as the Weld Blundle Prism.
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  It is currently housed at the Ashmolean Museum in Oxford,
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  England. Other fragments of the king list
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  have been found at sites like Nippur, Sipar and Uruk,
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  suggesting it was a widely copied and revered document.
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  After the flood lifespans dropped.
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  The numbers grew smaller, decades instead of eons.
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  The Egyptian king list discovered in Thebes tells the
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  same story. It includes a section of gods,
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  demigods and spirits of the dead who ruled Egypt in the time
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  before time before the dynasties of Pharaohs.
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  Egypt was ruled by the Shem SU Hor, the followers of Horus.
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  Their reigns, too, spanned thousands of years.
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  Not dozens, thousands. These weren't myths, they were
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  memories, recorded histories of beings who lived far longer than
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  humans now do. According to the tablets, the
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  Anunnaki themselves could live 10s of thousands of Earth years,
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  either due to long orbital cycles or biology.
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  So when they engineered us, the earliest humans retained some of
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  that longevity. But over time it was taken away,
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  cut down, restricted. What was once an immortal frame
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  became a disposable 1. And the reason?
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  Control. Longer life spans meant deeper
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  memory, a wider lens, a connection to the past.
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  But with short lives, knowledge fades, wisdom is lost,
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  generations forget, and the experiment resets.
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  We once walked with gods, not for decades, but for ages, until
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  they clipped our years and severed our timeline.
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  Now we live just long enough to forget.
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  Despite medical advances, clean water, and global science, the
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  maximum human lifespan has never surpassed 120 to 125 years in
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  any reliable record. No one breaks it.
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  No one even really gets close. We don't die because we're
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  unlucky. We die because we're programmed
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  to. Some researchers point to
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  telomeres, the protective caps on the ends of our chromosomes.
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  Every time a cell divides, these caps shorten.
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  When they're gone, the cell stops functioning.
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  It ages. It breaks down.
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  Our telomeres seem built for about 120 years of use after
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  that system failure. If we began as hybrid beings,
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  part Anunnaki, part terrestrial, then early humans may have
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  carried Anunnaki level longevity.
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  That's what we see in Genesis. Adam 930, Methuselah 969, Noah
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  950. But those weren't just stories.
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  They were early models, and early models are always closer
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  to the source code. As time passed, and as the gods
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  imposed limits, that code degraded.
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  The long years collapsed, inward lifespans compressed, the divine
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  half faded. We still carry traces of that
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  ancient DNA, but the clock they embedded has been counting down
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  ever since. Modern averages prove it.
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  Around the world, the average human lifespan hovers between 70
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  and 80 years, but the ceiling remains the same, 115, maybe
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  120. No upgrades, no mutations, no
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  exceptions. It's as if something or someone
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  locked the system, hard coded the limit, and once set we've
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  never been able to break it. The Sumerian tree of life.
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  The branches don't sprawl, they form nodes, circuits, connection
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  points. Some twist like strands, some
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  bend like chains. It looks less like a plant and
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  more like a process. The figures beside it, they hold
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  tools. One grips a pine cone.
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  Symbol of life, yes, but also of control.
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  Genetic activation. The spark.
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  The other, a small bucket, a container of something precious.
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  A sample, a serum. The substance of creation.
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  And above it all, the winged disc.
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  Watching, hovering. Not a God, not in the way we
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  think. An observer, a celestial
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  overseer, maybe even a monitoring station.
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  Some say the two figures are Apkalu, ancient sages, half God,
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  half man. Others see Enki and Ninhersag,
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  the geneticists of the Anunnaki project, the architects of the
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  Lulu Amelu, the ones who took clay and gave it blood.
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  And the tree. The tree was their record of the
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  operation. What if the tree of life wasn't
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  a metaphor? What if it was a literal map of
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  DNA? The Helix, the symmetry, the
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  twin chains, the coded spark, the replication sequence?
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  We see the same patterns in Kabbalah, in Egyptian symbology,
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  even in the pineal gland, our own internal receiver.
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  Everywhere the message repeats, something inside us was
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  activated, switched on, grown beyond its programming, The Tree
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  of Life wasn't a gift. It was a technology, a
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  controlled growth. And we are its branches.
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  17,000 years ago someone descended into the dark and left
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  behind a message. Not on paper, not on stone
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  tablets, but on the walls of a cave in images that still defy
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  explanation. The Lasko Caves in France are
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  some of the most mysterious prehistoric sites on earth.
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  Over 600 animals are painted across the walls.
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  Bulls, horses, deer. But deep in the shaft of the
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  dead man, there's something different, Something that
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  doesn't belong. A figure, human shaped, but with
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  the head of a bird. Who was this Birdman?
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  Why is he the only human figure in the entire cave system?
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  Why the bird's head? And why does he appear in what
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  looks disturbingly like a ritual scene, perhaps even a death or
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  transformation moment? Most archaeologists offer
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  silence, a shrug. It's symbolic, they say.
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  Shamanic. Thousands of years later and
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  thousands of miles away, the Sumerians carved their gods into
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  stone. Some were human.
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  Others had the heads of birds, beaks, feathers, eyes that never
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  blink. The Annunaki.
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  Why would an Ice Age hunter in France with no cities, no
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  written language and no civilization paint the same
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  being a bird headed entity in a cave deep underground where no
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  light reaches? Were these bird headed figures
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  bioengineered avatars, symbols of genetic control?
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  Or were they literal, the form chosen by beings who didn't look
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  like us and didn't need to? Many of them were depicted as
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  Beltman with with wings people. People that look like us.
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  Not with little orange or green people.
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  They look that look like us started to come between their
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  planet and Earth about 450,000 years ago.
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  Why do they look like us? We look like them because if you
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  know the Bible which is based on the Sumerian tales, at some
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  point they engaged in genetic engineering and mixed their
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  genes with the genes of Homo erectus.
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  We can use various scientific terms, but let's say with with
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  early hominids to bring about Homo sapiens us.
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  It is a commonly accepted view in mainstream archaeology that
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  civilization started in ancient Mesopotamia with the great
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  civilization of summer in what is now modern day Iraq.
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  However, at the beginning of the 20th century, archaeologists
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  excavating at Talalu Bayid in Iraq made an unusual discovery
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  when they unearthed several 7000 year old artifacts which appear
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  to represent humanoid figures with reptilian features.
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  The Ubaid culture is a prehistoric culture in
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  Mesopotamia that dates between 5500 and 4000 BC.
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  As with the Sumerians, the origins of the Ubaid people are
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  unknown. They lived in large village
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  settlements in mud brick houses and they had developed
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  architecture, agriculture and farmed the land using
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  irrigation. The domestic architecture of the
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  Ubaid included large T shaped houses, open courtyards, paved
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  streets, as well as food processing equipment.
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  According to the Metropolitan Museum of Art, some of these
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  villages began to develop into towns.
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  Temples began to appear as well as monumental buildings such as
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  in Eridu, UR and Uruk, the major sites of the Sumerian
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  civilization. Sumerian texts explain that UR
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  was believed to be the first city.
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  The main site where the unusual artifacts were discovered is
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  called Tell al Ubaid, although figurines were also found in UR
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  and Idu. The Ubaid site is a small mound
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  of about half a kilometer in diameter and two meters above
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  ground. First excavated by Harry
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  Reginald Hall in 1919. Male and female figurines were
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  found in different postures. Most of the figurines appear to
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  be wearing a helmet and have some kind of padding on the
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  shoulders. Other figurines were found to
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  hold a staff or scepter, possibly as a symbol of justice
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  and ruling. Each figurine has a different
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  pose, but the strangest of all is that some female figurines
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  hold babies suckling milk, with the child also represented as a
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  lizard type creature. The figurines are presented with
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  long heads, almond shaped eyes, long tapered faces and a lizard
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  type nose. What exactly they represent is
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  completely unknown. According to archaeologists,
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  their postures, such as a female figure breastfeeding, do not
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  suggest that they were ritualistic objects.
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  So what did these abide lizard men represent?
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  Whatever they were, they appear to have been important to the
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  ancient obeyed people. We know that the serpent was a
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  major symbol used in many societies to represent a number
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  of gods, for example the Sumerian God Enki, and the snake
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  was used later on as the symbol for the brotherhood of the
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  Snake, supposedly an ancient secret society.
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  Is there a link between these representations of lizard like
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  gods in the Anunnaki? For now these questions remain
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  unanswered. Figurines carved with precision,
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  made in clay with reptilian features, long skulls, slit
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  eyes, elongated limbs. Some wear helmets, some cradle
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  infants, some sit in Thrones. They are not animals.
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  They are beings, and they are not human.
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  Archaeologists don't know what to make of them.
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  They call them lizard people, but shrug it off as symbolic.
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  Maybe fertility idols, they say. Maybe deities.
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  But none of them look divine. They look clinical, functional,
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  designed. This isn't how you depict the
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  gods. This is how you record something
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  you saw. If they mix their DNA with
• 25:25
  Earth's primates. If they created us, these
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  figurines might be the source form, unmasked, undiluted.
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  This might be what they actually looked like.
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  The Obeid culture came before the ziggurats, before writing,
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  before even the kings. And yet they left us these
• 25:43
  figures as if to say, this is who came first.
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  And then they disappear. The figurines vanish from the
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  record. No more are made.
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  No stories explain them, no religion preserves them.
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  As if someone scrubbed the memory clean.
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  The avatars, the masks, the myths.
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  But here, here we may be seeing the unfiltered truth.
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  For certainly out there among the 100,000 million other Suns
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  of our universe, there must be many civilizations, perhaps far
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  higher than our own. Music.
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  O. The.
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  None.