Latest / Murder Files Unsealed / Mom of Three Has No Idea She's About To Be Murdered
Transcript
- 0:00Speaker 1: Usually when we talk about a crime scene, there's this
- 0:03Speaker 1: underlying expectation of, I guess, ambient chaos.
- 0:07Speaker 2: Right, yeah, like a busy street or something.
- 0:09Speaker 1: Exactly. We picture a dark alley in a bustling city
- 0:13Speaker 1: or a noisy apartment building where, you know, nobody really
- 0:17Speaker 1: saw anything, but everybody heard something. We tend to think
- 0:20Speaker 1: of crimes as these events that happen in the margins
- 0:23Speaker 1: of civilization, kind of obscured by just the sheer volume
- 0:27Speaker 1: of human activity.
- 0:28Speaker 2: Which makes total sense. I mean, because... urban density, it
- 0:31Speaker 2: provides this built-in camouflage for a perpetrator. Right. You can
- 0:35Speaker 2: just blend right into a crowd, hop on a subway,
- 0:37Speaker 2: and totally disappear into the grid.
- 0:39Speaker 1: But then you step into the world of extreme environmental isolation,
- 0:44Speaker 1: specifically the desolate, freezing wilderness of the Rocky Mountains in winter.
- 0:50Speaker 2: Oh, yeah, that changes everything.
- 0:51Speaker 1: It really does. Suddenly, all those rules of criminal behavior
- 0:55Speaker 1: and investigation, they just completely change. We are looking at
- 0:59Speaker 1: a landscape that doesn't just hide a crime. It actively
- 1:03Speaker 1: traps the people involved.
- 1:05Speaker 2: Yeah, the environment itself becomes a trap. Right.
- 1:08Speaker 1: And then in this really eerie, silent way, it just
- 1:12Speaker 1: perfectly preserves every single mistake they make. So you are
- 1:16Speaker 1: listening to our latest Deep Dive.
- 1:18Speaker 2: And today we are dissecting a really gripping 2021 case
- 1:22Speaker 2: out of Colorado.
- 1:24Speaker 1: Yeah, this one is heavily documented by the YouTube channel
- 1:26Speaker 1: Crime Explorer, and it's a case that basically starts with
- 1:29Speaker 1: a vehicle stranded in the snow and ends with a
- 1:32Speaker 1: terrifying descent into drug-induced paranoia.
- 1:35Speaker 2: It is a wild sequence of events.
- 1:38Speaker 1: Truly wild. So for you listening, our goal today is
- 1:42Speaker 1: to really explore how an isolated environment acts as both
- 1:45Speaker 1: a literal trap for victims and a massive forensic canvas
- 1:49Speaker 1: that just captures the desperate mistakes of a killer.
- 1:52Speaker 2: And the psychological core of this event is what makes
- 1:56Speaker 2: it so demanding to analyze. I mean, we are forced
- 1:59Speaker 2: to look at what happens when extreme environmental pressure.
- 2:02Speaker 1: Like the cold and the isolation.
- 2:04Speaker 2: Exactly. The freezing cold, the sheer terror of being stranded
- 2:08Speaker 2: miles from help. What happens when that collides with severe
- 2:12Speaker 2: internal chemical paranoia?
- 2:14Speaker 1: OK, well, let's unpack the contradictions of this crime scene
- 2:17Speaker 1: right out of the gate, because, I mean, they are jarring.
- 2:19Speaker 2: Very much so.
- 2:20Speaker 1: You have a young mother on this totally wholesome mission
- 2:23Speaker 1: to reunite with her children. You have a remote mountain
- 2:27Speaker 1: cabin that is completely ransacked. You have thousands of dollars
- 2:31Speaker 1: in cash that's just ignored by a killer. And then
- 2:34Speaker 1: you have a suspect wandering around a freezing mountain road
- 2:37Speaker 1: in baggy pants telling wildly contradictory stories to strangers.
- 2:41Speaker 2: It completely defies the standard behavioral profile. You know, whether
- 2:45Speaker 2: you're looking at a robbery gone wrong or a premeditated hit.
- 2:48Speaker 1: Right. It just doesn't fit.
- 2:49Speaker 2: No, it doesn't. The scene is chaotic, yet the physical
- 2:53Speaker 2: clues left behind are incredibly specific. So I want you
- 2:56Speaker 2: to imagine being the caretaker of a remote cabin.
- 2:59Speaker 1: Okay.
- 2:59Speaker 2: You are miles from the nearest town. You drive up
- 3:03Speaker 2: expecting total peace and quiet, you know, maybe to do
- 3:06Speaker 2: some routine maintenance.
- 3:07Speaker 1: Just a normal Sunday.
- 3:09Speaker 2: Right, just a normal day. You turn the key, you
- 3:12Speaker 2: push the door open, and instead you step into a nightmare.
- 3:17Speaker 1: To really understand that nightmare, though, I think we have
- 3:19Speaker 1: to establish the physical geography first.
- 3:21Speaker 2: No, absolutely. The geography is central to this whole thing.
- 3:24Speaker 1: So we are talking about Alpine Plateau Road. This is
- 3:27Speaker 1: near the Uncompah Gray National Forest in Gunnison County, Colorado.
- 3:31Speaker 2: Really rugged terrain out there.
- 3:32Speaker 1: Yeah. Based on the source material, this isn't just a
- 3:35Speaker 1: snowy road. It's unpaved. It's incredibly steep. And it just
- 3:39Speaker 1: cuts right through that rugged mountain terrain.
- 3:41Speaker 2: And elevation plays a massive role here, too.
- 3:44Speaker 1: Oh, for sure.
- 3:44Speaker 2: In the summer, a driver who knows what they're doing,
- 3:47Speaker 2: you know, they might navigate it in a standard sedan
- 3:49Speaker 2: without too much trouble. But in March, in the Colorado Rockies.
- 3:53Speaker 1: The weather can just turn on a dime.
- 3:55Speaker 2: Literally on a dime. You absolutely need high clearance, aggressive tires,
- 4:00Speaker 2: and four-wheel drive. Without that, you're asking for trouble.
- 4:03Speaker 1: I kept thinking about this mountain road in winter as
- 4:06Speaker 1: almost like an hourglass.
- 4:07Speaker 2: That's a good way to put it. Right?
- 4:08Speaker 1: Like, if you're driving a standard four-door sedan, which... Is
- 4:12Speaker 1: exactly what the responding deputies found, by the way. And
- 4:15Speaker 1: you get stuck in a snowdrift up there.
- 4:18Speaker 2: The sand instantly starts falling.
- 4:19Speaker 1: Exactly. Time is running out. The temperature is dropping really fast.
- 4:23Speaker 1: The sun is going down. Cell service is likely totally non-existent.
- 4:27Speaker 1: And you are effectively trapped.
- 4:30Speaker 2: And the local deputies know that terrain intimately. I mean,
- 4:32Speaker 2: they deal with this all the time.
- 4:34Speaker 1: So the sequence of events starts when dispatch receives a
- 4:36Speaker 1: call from a passerby, right? Yes.
- 4:39Speaker 2: Someone reporting an abandoned sedan stuck in the snow.
- 4:41Speaker 1: Now, normally, I feel like a stuck car just means
- 4:44Speaker 1: someone hitched a ride to get a tow truck or something.
- 4:46Speaker 2: Usually, yeah, that would be the assumption. But when deputies
- 4:49Speaker 2: arrive to tag the vehicle, they find something concerning. The
- 4:52Speaker 2: engine's still worn.
- 4:53Speaker 1: Oh, wow.
- 4:54Speaker 2: Yeah, the engine is warm, but the car is completely empty.
- 4:57Speaker 1: And the person who called it in wasn't even the owner, right?
- 4:59Speaker 1: It was just someone driving by?
- 5:01Speaker 2: Exactly, just a random passerby.
- 5:03Speaker 1: So the deputies see this warm, empty car. My instinct
- 5:07Speaker 1: would still be to assume, hey, the driver just went
- 5:09Speaker 1: for help. Why is that an immediate red flag for them?
- 5:12Speaker 2: Because of the hostile nature of that specific environment. Leaving
- 5:16Speaker 2: a warm shelter to walk on foot in the middle
- 5:18Speaker 2: of a rocky mountain winter is completely contrary to basic
- 5:22Speaker 2: survival instincts.
- 5:23Speaker 1: You stay with the car.
- 5:24Speaker 2: Always stay with the car. Furthermore, this specific area is
- 5:27Speaker 2: highly active territory for black bears and mountain lions.
- 5:30Speaker 1: Oh, wow. I didn't even think about the wildlife.
- 5:32Speaker 2: Yeah, it's a huge factor. A local resident would know
- 5:35Speaker 2: that trekking out of there on foot is an absolute
- 5:37Speaker 2: last resort.
- 5:39Speaker 1: So they wouldn't just go for a stroll to find
- 5:40Speaker 1: a gas station.
- 5:41Speaker 2: No, not at all. So this context immediately shifts the
- 5:45Speaker 2: deputies' mindset from what should be a routine traffic assist
- 5:49Speaker 2: to a potential life-threatening emergency.
- 5:51Speaker 1: That makes a lot of sense. So the deputies are
- 5:53Speaker 1: there and they find two sets of footprints leading away
- 5:56Speaker 1: from this warm car.
- 5:57Speaker 2: Right, two separate sets.
- 5:59Speaker 1: But before they can even really start tracking them through
- 6:01Speaker 1: the snow, dispatch radios in with another call. And this
- 6:04Speaker 1: brings us back to that nightmare scenario for the caretaker.
- 6:07Speaker 2: The caretaker is a local man named Leonard. Right.
- 6:10Speaker 1: So Leonard parked his own vehicle about four miles away.
- 6:13Speaker 1: He parked at a lower elevation parking lot, presumably because
- 6:16Speaker 1: the roads were too treacherous, even for his car.
- 6:18Speaker 2: It happens a lot up there.
- 6:20Speaker 1: And then he takes his ranger, like an off-road utility vehicle,
- 6:23Speaker 1: up to this remote cabin that he manages.
- 6:25Speaker 2: So he arrives and he finds the door locked, which
- 6:27Speaker 2: is totally normal. But then he finally gets inside.
- 6:31Speaker 1: And he immediately calls 911. Yeah.
- 6:33Speaker 2: He reports that the living room is just completely ransacked,
- 6:35Speaker 2: stuff everywhere.
- 6:37Speaker 1: And then he sees a body.
- 6:39Speaker 2: Facedown by the couch.
- 6:41Speaker 1: It's a woman. So the deputies who are already on
- 6:43Speaker 1: the mountain at that abandoned sedan, they just leave the
- 6:46Speaker 1: car and rush straight to the cabin.
- 6:48Speaker 2: They drop everything and head up there. And the sensory
- 6:50Speaker 2: detail that hits them the very moment they arrive is
- 6:53Speaker 2: crucial to understanding the killer's state of mind.
- 6:56Speaker 1: Okay, what is it?
- 6:57Speaker 2: There is a distinct, really strong smell of burning.
- 7:01Speaker 1: Okay, they smell fire. They know there's a body inside.
- 7:05Speaker 1: But here is a tactical decision by law enforcement that
- 7:08Speaker 1: honestly just stopped me in my tracks.
- 7:10Speaker 2: Yeah, the entry.
- 7:11Speaker 1: Yes. The deputies make entry, but they don't announce themselves.
- 7:16Speaker 1: They don't yell police or sheriff's department.
- 7:19Speaker 2: They stay completely silent.
- 7:20Speaker 1: Which goes against everything I've seen. My entire understanding of
- 7:23Speaker 1: law enforcement is mostly from movies, you know. And in
- 7:26Speaker 1: the movies, you kick the door and you scream your identity.
- 7:28Speaker 1: Why would they stay silent?
- 7:30Speaker 2: It's literally a matter of life and death, specifically regarding
- 7:33Speaker 2: something called the fatal funnel.
- 7:35Speaker 1: The fatal funnel. Right.
- 7:37Speaker 2: When you stand in a doorway, you are a backlit
- 7:40Speaker 2: target with zero cover. You are framed perfectly for anyone
- 7:43Speaker 2: inside looking out.
- 7:45Speaker 1: Wow. Okay. So you're just totally exposed.
- 7:47Speaker 2: Exactly. If the deputies shout police, they instantly give away
- 7:51Speaker 2: their position and they lose the element of surprise.
- 7:54Speaker 1: Because they don't know who is in there.
- 7:56Speaker 2: They smell smoke. They see a ransacked room. They know
- 8:00Speaker 2: there's a victim. But Leonard, the caretaker, he didn't clear
- 8:03Speaker 2: the house. He just saw the body and ran out. Right.
- 8:06Speaker 1: He just noped out of there.
- 8:07Speaker 2: So they have absolutely no idea if a highly volatile
- 8:10Speaker 2: armed killer is hiding upstairs in the loft or maybe
- 8:13Speaker 2: tucked away in a back bedroom.
- 8:15Speaker 1: So shouting could literally turn a contained crime scene into
- 8:18Speaker 1: an ambush.
- 8:19Speaker 2: Precisely. If you corner a frantic killer in an isolated
- 8:23Speaker 2: cabin and suddenly announce your presence, it could provoke a
- 8:27Speaker 2: deadly shootout or even a hostage situation if there's someone
- 8:30Speaker 2: else in there.
- 8:31Speaker 1: So they go silent.
- 8:33Speaker 2: They perform a silent tactical clear, moving room by room,
- 8:37Speaker 2: checking corners, securing the space without making a single sound
- 8:41Speaker 2: until they are absolutely certain the cabin is empty of
- 8:43Speaker 2: any threats.
- 8:44Speaker 1: Man, the tension of that silent sweep must be palpable.
- 8:47Speaker 1: You are just waiting for a door to burst open
- 8:49Speaker 1: or a shot to ring out.
- 8:51Speaker 2: It's incredibly high stress.
- 8:52Speaker 1: But they clear the space. The cabin is empty of
- 8:55Speaker 1: the killer.
- 8:56Speaker 2: Yes.
- 8:57Speaker 1: But what they find in the center of that living room, however...
- 9:01Speaker 1: Is this macabre tableau that just demands incredibly careful forensic unraveling.
- 9:08Speaker 2: And that unraveling really has to begin with the victim
- 9:11Speaker 2: and the immediate area right around her. Because the violence
- 9:14Speaker 2: itself tells a very specific story.
- 9:17Speaker 1: So the deputies find the woman face down by the couch.
- 9:21Speaker 1: The injuries are really severe. She has a badly broken arm.
- 9:24Speaker 2: Which indicates massive blunt force trauma.
- 9:26Speaker 1: Yeah. And she has blunt force trauma to her face
- 9:29Speaker 1: and her head as well. And on top of that,
- 9:32Speaker 1: she has deep puncture wounds across the back of her neck.
- 9:34Speaker 2: It's a remarkably brutal attack.
- 9:36Speaker 1: And the weapon was actually left right there behind her.
- 9:38Speaker 2: They found it right near the body, right? The investigators
- 9:41Speaker 2: located an ice pickaxe near the body, and it's just
- 9:44Speaker 2: coated in dried blood. This is a vital piece of
- 9:47Speaker 2: the psychological puzzle here. How so? Well, an ice pickaxe
- 9:50Speaker 2: isn't a weapon you typically carry around in your pocket.
- 9:52Speaker 2: It's a tool of opportunity.
- 9:54Speaker 1: Like something you'd just find laying around?
- 9:56Speaker 2: Exactly. Something you'd find in a winter vehicle or maybe
- 9:59Speaker 2: stored in a mountain cabin. And it was turned into
- 10:01Speaker 2: an instrument of profound, frenzied violence in that moment.
- 10:05Speaker 1: But then there's the burning smell they noticed right when
- 10:06Speaker 1: they walked in.
- 10:07Speaker 2: Right. The smoke.
- 10:08Speaker 1: They trace it to the coffee table, which is literally
- 10:10Speaker 1: still smoldering. And sitting right there on the counter next
- 10:13Speaker 1: to it is a bottle of lighter fluid. The killer
- 10:15Speaker 1: actually tried to burn the cabin down.
- 10:17Speaker 2: Tried and failed. And let's pause and talk about the
- 10:20Speaker 2: cognitive load on the perpetrator at this exact moment.
- 10:24Speaker 1: Okay, let's get into the psychology of that.
- 10:26Speaker 2: We really need to break down executive function. So the
- 10:29Speaker 2: frontal lobe of your brain is responsible for planning, reasoning,
- 10:33Speaker 2: executing logical steps.
- 10:35Speaker 1: Like properly starting a fire to destroy evidence.
- 10:38Speaker 2: Right, that requires steps and patience.
- 10:40Speaker 1: But the amygdala, that is your fear center.
- 10:43Speaker 2: So basically the amygdala hijacked the brain.
- 10:46Speaker 1: That is exactly what happened.
- 10:48Speaker 2: Contrast the panic of this aborted arson attempt with the
- 10:52Speaker 2: very intimate fatal violence of the physical attack.
- 10:56Speaker 1: Swinging a pickaxe versus starting a fire.
- 10:58Speaker 2: Yes, swinging an ice pick is a primal gross motor action.
- 11:01Speaker 2: It requires rage and adrenaline, but it does not require
- 11:05Speaker 2: complex thought.
- 11:06Speaker 1: Just brute force.
- 11:07Speaker 2: But starting a fire, ensuring it catches, managing the fuel,
- 11:11Speaker 2: that requires executive function. The killer's executive function completely collapsed post-murder.
- 11:17Speaker 1: They just lost it.
- 11:18Speaker 2: They panicked. They sprayed lighter fluid everywhere. They sparked it.
- 11:22Speaker 2: And then they fled before the fire could even really
- 11:24Speaker 2: take hold. It is highly disorganized behavior.
- 11:27Speaker 1: And that frantic, disorganized panic leads directly to, I mean,
- 11:31Speaker 1: what has to be the most careless trail of breadcrumbs imaginable.
- 11:36Speaker 2: It's astounding what they left behind.
- 11:37Speaker 1: So Leonard, the caretaker, starts pointing out items to the
- 11:40Speaker 1: deputies that absolutely do not belong in his cabin. First,
- 11:44Speaker 1: there are keys just sitting right on the kitchen floor.
- 11:47Speaker 2: Just dropped right there.
- 11:49Speaker 1: And another set of keys tossed upstairs on a couch
- 11:51Speaker 1: in the loft area.
- 11:52Speaker 2: And the absolute kicker is that those keys belong to
- 11:55Speaker 2: the sedan. The four-door car stuck in the snow way
- 11:58Speaker 2: down the mountain. The killer literally dropped the keys to
- 12:01Speaker 2: the victim's car inside the murder scene.
- 12:04Speaker 1: Which provides this undeniable physical link between the two scenes.
- 12:09Speaker 1: But there are other items in the cabin that are
- 12:10Speaker 1: honestly just as telling for what wasn't touched. Right. Leonard
- 12:14Speaker 1: points out that his personal rifles, which were stored right
- 12:17Speaker 1: there in the cabin, are completely undisturbed.
- 12:20Speaker 2: Now, if I'm thinking like a criminal breaking into a
- 12:22Speaker 2: remote cabin, guns are incredibly valuable.
- 12:25Speaker 1: Oh, totally. You can sell them on the black market,
- 12:27Speaker 1: or at the very least, you can use them for
- 12:29Speaker 1: protection as you flee into the wilderness.
- 12:32Speaker 2: Leaving them behind tells me this wasn't a burglary.
- 12:35Speaker 1: But then the investigators find the absolute smoking gun of
- 12:38Speaker 1: careless mistakes. Sitting in plain sight is a Walmart receipt.
- 12:42Speaker 2: A literal receipt?
- 12:43Speaker 1: Yeah, it's from the town of Rifle, Colorado, and the
- 12:47Speaker 1: timestamp on it is exactly two days earlier.
- 12:50Speaker 2: The sheer absurdity of leaving a digital timestamp at a
- 12:54Speaker 2: physical crime scene cannot be overstated.
- 12:56Speaker 1: It's like a bank robber meticulously wiping down the vault
- 12:59Speaker 1: for fingerprints, but then leaving their personal cell phone sitting
- 13:02Speaker 1: on the teller's counter.
- 13:03Speaker 2: That's a perfect analogy.
- 13:05Speaker 1: The panic of trying to cover their tracks with the
- 13:07Speaker 1: fire actually caused them to leave behind a literal map
- 13:10Speaker 1: to their identity.
- 13:12Speaker 2: That Walmart receipt is essentially a forensic time machine. It
- 13:16Speaker 2: provides a specific location, an exact time, and an electronic
- 13:20Speaker 2: transaction record.
- 13:21Speaker 1: But before investigators even pull the camera footage from that store,
- 13:25Speaker 1: they use the keys found on the cabin floor to
- 13:27Speaker 1: run the vehicle identification number.
- 13:29Speaker 2: The VIN on the abandoned sedan.
- 13:31Speaker 1: Right, because those keys unlock that specific car. So the
- 13:35Speaker 1: deputies run the VIN through the database, and the victim
- 13:37Speaker 1: finally has a name.
- 13:39Speaker 2: Her name is Anna Riscon. She was 22 years old.
- 13:42Speaker 1: And when investigators dig into who Anna was, the tragedy
- 13:46Speaker 1: of this case just magnifies exponentially. The car was registered
- 13:49Speaker 1: to her, and she had actually been reported missing by
- 13:52Speaker 1: her family just two days prior.
- 13:55Speaker 2: Her background provides the really essential context for why she
- 13:59Speaker 2: was on that specific road on that specific day.
- 14:01Speaker 1: She was a mother of three, right?
- 14:03Speaker 2: Yes, a young mother of three. She had her first
- 14:05Speaker 2: child at 17, and she split her time between the
- 14:08Speaker 2: Grand Junction and Rifle areas in Colorado and her mother's
- 14:11Speaker 2: home down in Mexico.
- 14:13Speaker 1: She was a stay-at-home mom, currently between jobs, but she
- 14:16Speaker 1: was on this massive mission. She had just used her
- 14:19Speaker 1: tax return money to buy brand new tires for that sedan.
- 14:22Speaker 2: She was getting ready for a trip.
- 14:23Speaker 1: A huge trip. She was preparing for a nearly 800-mile
- 14:27Speaker 1: drive to Mexico to pick up her three children from
- 14:29Speaker 1: her mother's house and bring them back to the United States.
- 14:32Speaker 2: And she actually called her mother on Friday, March 5th,
- 14:34Speaker 2: and told her, I'm on my way. Oh, man. That
- 14:38Speaker 2: was the final time her mother ever heard her voice.
- 14:41Speaker 2: The next morning, Ana tried to call a cousin, but
- 14:43Speaker 2: the call didn't connect. After that, it was total silence.
- 14:46Speaker 1: So her family must have been panicking.
- 14:49Speaker 2: Absolutely. They immediately began calling hospitals, calling jails, and begging
- 14:54Speaker 2: the Rifle Police Department to conduct a welfare check.
- 14:56Speaker 1: Now, for you listening, you might hear that and wonder, well,
- 14:59Speaker 1: if she was so fiercely devoted to getting to her kids,
- 15:02Speaker 1: how on earth did she end up stuck on a
- 15:04Speaker 1: mountain road in Gunnison County? Right.
- 15:06Speaker 2: It's nowhere near her route.
- 15:07Speaker 1: Exactly. Exactly. To understand that, we really have to look
- 15:10Speaker 1: at the whole picture of Anna's life in the months
- 15:12Speaker 1: leading up to the strife. Because despite this deeply wholesome mission,
- 15:17Speaker 1: she had recently hit some incredibly dark times.
- 15:20Speaker 2: This is where investigations require a high degree of nuance.
- 15:24Speaker 2: As investigators or analysts, we have to hold conflicting truths simultaneously.
- 15:30Speaker 1: So what was happening in her life?
- 15:32Speaker 2: After a really difficult breakup with the father of her
- 15:34Speaker 2: youngest child, Anna became highly isolated.
- 15:38Speaker 1: And by November of 2020, which is just a few
- 15:41Speaker 1: months before the murder, she had fallen into heavy drug use.
- 15:45Speaker 2: She was battling severe depression and immense financial pressure.
- 15:49Speaker 1: At one point, she was even looking into becoming a
- 15:51Speaker 1: long-haul trucker just to make ends meet. She traveled to
- 15:54Speaker 1: Idaho to meet with transport brokers, but backed out.
- 15:58Speaker 2: She backed out because she realized the job would keep
- 16:00Speaker 2: her away from her children for too long.
- 16:02Speaker 1: Which, again, shows her devotion to her kids.
- 16:05Speaker 2: Yes, we must synthesize these two realities. She was a
- 16:08Speaker 2: devoted mother doing everything she could to reunite with her children.
- 16:12Speaker 2: And she was a vulnerable young woman battling a heavy
- 16:15Speaker 2: recent addiction.
- 16:16Speaker 1: You cannot understand the mechanics of this case without accepting
- 16:19Speaker 1: both of those facts.
- 16:20Speaker 2: No, you really can't.
- 16:21Speaker 1: This duality is the exact reason she deviated from her
- 16:24Speaker 1: route to Mexico and ended up on a frozen mountain
- 16:27Speaker 1: road with a killer.
- 16:28Speaker 2: It's absolutely heartbreaking.
- 16:30Speaker 1: It really is. She's got the new tires. She's packed
- 16:32Speaker 1: for the trip. Investigators search her abandoned car and it's
- 16:35Speaker 1: just filled with clothes, blankets, four different charging devices. I mean,
- 16:40Speaker 1: everything you need for a multi-day interstate drive.
- 16:43Speaker 2: But here's where the evidence completely upends the initial theory
- 16:46Speaker 2: of the crime.
- 16:47Speaker 1: Right. We are looking at a classic motive paradox here.
- 16:51Speaker 2: The money.
- 16:52Speaker 1: The money. So investigators are searching this car. They find
- 16:55Speaker 1: loose change and dollar bills sitting right out in the
- 16:57Speaker 1: open console.
- 16:58Speaker 2: Just right there to grab.
- 17:00Speaker 1: But then they check her personal bag. Inside, they find
- 17:03Speaker 1: over $ 1, 500 in cash. And as they process the rest
- 17:07Speaker 1: of the vehicle, they eventually find nearly $ 3, 000 in total cash.
- 17:11Speaker 2: Let's pause and weigh that against the crime scene we
- 17:13Speaker 2: just talked about. Okay. The cabin was completely ransacked. The
- 17:17Speaker 2: victim was brutally murdered with an ice pick. The killer
- 17:20Speaker 2: attempted arson to cover their tracks. Right.
- 17:24Speaker 1: If the cabin was torn apart and she was killed
- 17:26Speaker 1: so violently, why on earth would the killer leave three
- 17:29Speaker 1: grand in cash and multiple expensive electronic devices just sitting
- 17:32Speaker 1: in her car?
- 17:33Speaker 2: It makes no sense for a robbery.
- 17:35Speaker 1: Or ignore the valuable rifles in the cabin, for that matter.
- 17:39Speaker 1: Leaving three grand in cash completely shatters the robbery theory.
- 17:42Speaker 1: If you're a thief, you do not leave cash and guns.
- 17:45Speaker 2: It forces a total pivot in the psychological profile of
- 17:47Speaker 2: the suspect. It entirely eliminates robbery as the primary motive.
- 17:52Speaker 1: So it wasn't just a random attack. No.
- 17:55Speaker 2: If this were a crime of opportunity, say a stranger
- 17:58Speaker 2: just stumbling upon a stranded car, that cash would be gone.
- 18:02Speaker 2: The guns would be gone.
- 18:03Speaker 1: They'd take the valuables and run.
- 18:05Speaker 2: The fact that high-value, easily portable items were left behind
- 18:09Speaker 2: points directly toward a highly personal, emotional, or paranoia-driven interpersonal conflict.
- 18:16Speaker 1: The killer didn't want her property. They wanted her dead. Exactly.
- 18:19Speaker 2: Exactly.
- 18:20Speaker 1: So if it wasn't a random robber who left that
- 18:23Speaker 1: second set of footprints leading away from the stuck car?
- 18:26Speaker 2: Well, the answer to that question wasn't hiding in the
- 18:28Speaker 2: shadows at all.
- 18:29Speaker 1: The answer was literally wandering down the mountain in broad daylight,
- 18:32Speaker 1: leaving a trail of absolutely bizarre interactions with strangers.
- 18:36Speaker 2: We need to rewind the timeline a bit to the
- 18:38Speaker 2: day before Anna's body was discovered, Saturday, March 6th.
- 18:42Speaker 1: So the car is stuck. Anna is presumably already dead
- 18:45Speaker 1: in the cabin, and the suspect is on the move.
- 18:47Speaker 2: And this guy is making quite the impression on anyone
- 18:50Speaker 2: who sees him. The source material outlines these eyewitness encounters
- 18:54Speaker 2: and they are wild.
- 18:56Speaker 1: Let's go through them. Witness number one is a woman
- 18:58Speaker 1: driving down Alpine Plateau Road. She sees a Hispanic man
- 19:01Speaker 1: in his 20s walking down the snowy unpaved road.
- 19:05Speaker 2: His physical presentation is really striking. The witness notes he
- 19:08Speaker 2: has brown teeth, a prominent gap between his front teeth.
- 19:12Speaker 1: And he's wearing baggy blue pants and a blue plaid
- 19:15Speaker 1: fleece lined coat.
- 19:16Speaker 2: And Crucially, he has no gloves.
- 19:19Speaker 1: Let's think about the physiology of that for a second.
- 19:21Speaker 1: It's freezing winter weather at high elevation, and he's just
- 19:24Speaker 1: carrying a water bottle. No gloves.
- 19:26Speaker 2: He's totally unprepared for the elements.
- 19:29Speaker 1: So the woman stops and asks what he's doing. He
- 19:31Speaker 1: claims he's lost. She asks, do you have a car?
- 19:34Speaker 1: He says no. She notices he's acting extremely erratic, so
- 19:38Speaker 1: she just flat out asks him, are you drunk?
- 19:41Speaker 2: His response is this incredible deflection. He says, yeah, I
- 19:45Speaker 2: might have been drunk.
- 19:46Speaker 1: Might have been.
- 19:46Speaker 2: It's an admission of impairment, sure. But it's really meant
- 19:49Speaker 2: to explain away his bizarre behavior without inviting any further scrutiny.
- 19:54Speaker 1: Like, oh, I'm just drunk. Leave me alone.
- 19:56Speaker 2: Right. But the witness is so unnerved by his demeanor
- 19:59Speaker 2: that she actually drives off while he is still mid-sentence.
- 20:02Speaker 1: She just hits the gas. Yeah.
- 20:03Speaker 2: And crucially, she calls the police to report him.
- 20:06Speaker 1: Which is a good thing she did. So the suspect
- 20:08Speaker 1: keeps walking. And that leads to witnesses two and three,
- 20:12Speaker 1: Billy and Roger.
- 20:13Speaker 2: Right, the lodge workers.
- 20:15Speaker 1: These two guys work at a local lodge on the mountain.
- 20:17Speaker 1: They are driving up to work, and they actually pass
- 20:20Speaker 1: the stuck Acura sedan first. And then a few miles later,
- 20:24Speaker 1: they encounter our suspect in the baggy blue pants.
- 20:26Speaker 2: Now, mountain etiquette dictates that if you see someone walking
- 20:29Speaker 2: in the snow, you pull over to offer help.
- 20:31Speaker 1: Because exposure kills quickly up there.
- 20:33Speaker 2: Exactly. It would just leave someone stranded. So they stop
- 20:36Speaker 2: and ask him, hey, is that your car stuck down there?
- 20:38Speaker 1: And his response is this really rapid fire denial. He says, no, no, no.
- 20:41Speaker 1: But then, mid-conversation, he completely pivots.
- 20:45Speaker 2: Just changes the story entirely.
- 20:47Speaker 1: He says, yeah, that is my car. I came up
- 20:49Speaker 1: here and got jumped by some people and they took
- 20:51Speaker 1: my keys.
- 20:52Speaker 2: Notice the cognitive dissonance there. He needs to explain why
- 20:55Speaker 2: he's walking away from a vehicle without any keys. So
- 20:58Speaker 2: his brain just invents a phantom group of attackers.
- 21:01Speaker 1: He just makes up a mugging.
- 21:03Speaker 2: He is building a narrative of victimization on the fly.
- 21:07Speaker 2: to justify his bizarre circumstances to these strangers.
- 21:11Speaker 1: But his fabricated story falls apart instantly when Billy and
- 21:15Speaker 1: Roger offer him a lifeline. They say, look, we're heading
- 21:17Speaker 1: up to the lodge. We can give you a ride there.
- 21:19Speaker 1: You can use the phone to call for help.
- 21:21Speaker 2: And the suspect is visibly terrified by this offer.
- 21:24Speaker 1: He literally says, there's a lodge?
- 21:27Speaker 2: He is shocked that civilization is nearby.
- 21:29Speaker 1: Which is the opposite reaction of someone who actually needs help. Right.
- 21:33Speaker 2: And instead of getting in the warm truck to go
- 21:35Speaker 2: to the phone... He turns around and starts walking in
- 21:37Speaker 2: the exact opposite direction.
- 21:39Speaker 1: It's so bizarre. It's like watching a glitching video game NPC.
- 21:43Speaker 1: You walk up to him. He gives you contradictory dialogue.
- 21:46Speaker 1: He walks in circles. And when you offer him actual
- 21:48Speaker 1: help to solve his problem, his programming just breaks and
- 21:51Speaker 1: he runs away.
- 21:52Speaker 2: The environment is forcing him into these interactions that he
- 21:54Speaker 2: simply lacks the cognitive bandwidth to handle. He's likely from
- 21:58Speaker 2: a town or a city completely out of his element
- 22:00Speaker 2: in the wilderness.
- 22:01Speaker 1: Right. He doesn't know the protocol out here.
- 22:03Speaker 2: And his inability to maintain a single cohesive cover story
- 22:06Speaker 2: really highlights the frantic, disorganized state of his mind post-murder.
- 22:10Speaker 1: So that's witness two and three. But the definitive sighting
- 22:13Speaker 1: comes a bit later from a fourth witness, Melinda.
- 22:17Speaker 2: Melinda is key. She is Billy's mother and she is
- 22:20Speaker 2: riding with Roger.
- 22:22Speaker 1: Melinda is crucial because she actually saw the preamble to
- 22:25Speaker 1: this whole mess. Before the suspect started his wandering glitch walk,
- 22:29Speaker 1: Melinda had seen him with the victim.
- 22:31Speaker 2: She had driven past the stuck car earlier in the
- 22:33Speaker 2: day and saw the suspect standing right by the driver's door.
- 22:36Speaker 1: And standing right there with him was Anna.
- 22:38Speaker 2: Melinda's description of Anna is perfectly accurate, too. She describes
- 22:41Speaker 2: her as very skinny, straight black hair, wearing black rimmed glasses.
- 22:46Speaker 1: So this definitively places the suspect at the vehicle with
- 22:48Speaker 1: the victim shortly before the murder.
- 22:50Speaker 2: It anchors him to her.
- 22:52Speaker 1: Later on, Melinda and Roger are driving back down the
- 22:54Speaker 1: mountain and they see the suspect again. This time, they
- 22:57Speaker 1: actually give him a ride. He climbs into the back
- 23:00Speaker 1: bed of their pickup truck.
- 23:01Speaker 2: They are heading toward the highway at this point.
- 23:04Speaker 1: Melinda gets a very close look at him through the
- 23:06Speaker 1: rear window of the cab. She notes a specific tattoo
- 23:09Speaker 1: on the right side of his neck. And she gets
- 23:13Speaker 1: this overwhelming visceral gut feeling about him.
- 23:16Speaker 2: She tells investigators later he was crazy.
- 23:20Speaker 1: She just senses this erratic, dangerous energy from him.
- 23:24Speaker 2: While in the truck, he asks them to take him
- 23:26Speaker 2: to Grand Junction. But he seems entirely confused about which
- 23:29Speaker 2: direction that even is. His geographic disorientation is just profound.
- 23:34Speaker 1: They drop him off near the highway, and Melinda watches him.
- 23:37Speaker 1: She notes that instead of heading toward town, he acts
- 23:40Speaker 1: like he's going to turn around and walk right back
- 23:42Speaker 1: up the alpine plateau.
- 23:44Speaker 2: Back into the freezing wilderness.
- 23:46Speaker 1: Now, gut feelings are great for survival, but they obviously
- 23:48Speaker 1: don't hold up in court. The police knew that to
- 23:50Speaker 1: prove a murder, they couldn't rely on Melinda's intuition. They
- 23:53Speaker 1: needed the mountain to give up a physical piece of
- 23:56Speaker 1: this suspect.
- 23:57Speaker 2: Eyewitness testimony, especially from passing vehicles, is notoriously fallible. Investigators
- 24:02Speaker 2: need hard, irrefutable physical proof to tie this erratic man
- 24:07Speaker 2: to the horrific violence inside that cabin.
- 24:09Speaker 1: Which brings us back to the forensic evidence and how
- 24:12Speaker 1: the net really begins to close around him. Step one
- 24:15Speaker 1: is identification. Right.
- 24:17Speaker 2: They need a name.
- 24:18Speaker 1: Detectives sit down with Melinda. They show her a photograph
- 24:21Speaker 1: of Anna and she identifies her instantly with zero hesitation.
- 24:25Speaker 1: That was the girl standing by the car.
- 24:27Speaker 2: She is certain.
- 24:28Speaker 1: Then they show Melinda a six-person photo lineup to try
- 24:31Speaker 1: and ID the suspect. She looks at it, but she
- 24:34Speaker 1: actually can't make a positive ID.
- 24:36Speaker 2: Which honestly is common and perfectly understandable. Seeing someone in
- 24:40Speaker 2: the back of a truck bed while you're driving isn't
- 24:42Speaker 2: the same as staring at a stagnant 2D mugshot. Right.
- 24:46Speaker 1: It's totally different context. But they show the exact same
- 24:49Speaker 1: lineup to Roger, the driver.
- 24:51Speaker 2: And Roger hits. He points to one of the photos
- 24:54Speaker 2: and says he's 80% confident that's the guy who rode
- 24:57Speaker 2: in his truck bed.
- 24:58Speaker 1: That 80% confidence is enough to finally put a name
- 25:01Speaker 1: to this erratic suspect on the mountain. He is 23-year-old
- 25:05Speaker 1: Jorge Solis.
- 25:06Speaker 2: Jorge Solis.
- 25:08Speaker 1: Let's talk about Jorge Solis for a second because his
- 25:10Speaker 1: background doesn't exactly scream ice pick murderer. He's known locally
- 25:14Speaker 1: to law enforcement as a petty thief.
- 25:17Speaker 2: He has a history of heavy drug use.
- 25:18Speaker 3: But crucially, he has absolutely no known history of violent crime.
- 25:23Speaker 3: And as we discussed earlier, petty thieves don't usually escalate
- 25:27Speaker 3: to brutally murdering someone and leaving $ 3, 000 behind.
- 25:31Speaker 2: The profile just doesn't match the crime scene. He's a
- 25:33Speaker 2: property offender, an addict. But now he is the prime
- 25:37Speaker 2: suspect in a brutal homicide.
- 25:39Speaker 1: So the detectives have a name. But they still need
- 25:42Speaker 1: that physical anchor to tie him to the crime. They
- 25:45Speaker 1: turn their attention back to Anna's abandoned sedan.
- 25:48Speaker 2: They process this car piece by piece.
- 25:51Speaker 1: Remember, it's packed for a long trip. There are clothes, blankets,
- 25:55Speaker 1: bags everywhere. They are digging through the messy backseat, and
- 25:59Speaker 1: buried underneath a pile of blankets, they find a cap,
- 26:03Speaker 1: a hat.
- 26:04Speaker 2: Now, at first glance, finding a hat in a car
- 26:05Speaker 2: full of clothes means absolutely nothing. Investigators actually assumed it
- 26:10Speaker 2: was Anna's.
- 26:11Speaker 1: It's just a hat in a messy car. But then
- 26:14Speaker 1: they pull the thread on that Walmart receipt they found
- 26:16Speaker 1: sitting in plain sight in the smoldering cabin.
- 26:19Speaker 2: They contact the Colorado Bureau of Investigation, the CBI.
- 26:23Speaker 1: What exactly is the CBI doing in a case like this?
- 26:26Speaker 2: The CBI acts as the state's central repository for complex
- 26:30Speaker 2: forensic analysis and digital evidence gathering. Local sheriff's departments often
- 26:35Speaker 2: just don't have the manpower or the tech to rapidly
- 26:38Speaker 2: process digital footprints like that.
- 26:40Speaker 1: So the CBI agents take the exact timestamp and transaction
- 26:44Speaker 1: number on that thermal paper receipt and they use it
- 26:46Speaker 1: to pull the CCTV surveillance footage from the rifle Walmart
- 26:50Speaker 1: on March 5th.
- 26:51Speaker 2: Which is two days before the murder.
- 26:53Speaker 1: They pull the video and it is an absolute goldmine.
- 26:56Speaker 1: The footage shows Anna walking through the store. She is
- 26:59Speaker 1: wearing the exact same clothes she would later be found
- 27:02Speaker 1: dead in.
- 27:02Speaker 2: But she isn't alone.
- 27:04Speaker 1: Walking right beside her, captured in high definition, is Jorge Solis.
- 27:09Speaker 2: And look at what he's wearing in the video.
- 27:10Speaker 1: It's incredible. He is wearing the exact same baggy blue
- 27:14Speaker 1: pants and the blue plaid fleece line jacket that all
- 27:17Speaker 1: the mountain witnesses described.
- 27:19Speaker 2: Every detail matches.
- 27:20Speaker 1: And on his head... He is wearing the very cap
- 27:22Speaker 1: that investigators just dug out of the backseat of Anna's car.
- 27:25Speaker 2: The chain of evidence is just locking into place perfectly.
- 27:28Speaker 1: It's so tight.
- 27:29Speaker 2: The receipt found next to the victim's body leads to
- 27:32Speaker 2: video footage. The video footage links the victim directly to
- 27:35Speaker 2: the suspect. The video also links the suspect's specific clothing
- 27:39Speaker 2: to the witnesses on the mountain.
- 27:41Speaker 1: And the suspect's hat links him back to the victim's
- 27:43Speaker 1: abandoned car. It's an airtight circle. I am in awe
- 27:47Speaker 1: of the investigative work here. It is so methodical. They
- 27:51Speaker 1: connected a partially burned piece of paper in a remote
- 27:54Speaker 1: cabin to a hat buried under blankets in a frozen
- 27:56Speaker 1: car to a CCTV camera miles away in a completely
- 28:00Speaker 1: different town.
- 28:01Speaker 2: It really highlights how nearly impossible it is to commit
- 28:03Speaker 2: a crime and walk away clean in the modern era,
- 28:06Speaker 2: especially when a suspect is acting erratically and leaving what
- 28:09Speaker 2: is essentially a massive debris field of physical and digital evidence.
- 28:13Speaker 1: And the forensics division was honestly just getting started.
- 28:17Speaker 2: They were.
- 28:18Speaker 1: Right, because they go back to the cabin, they dust everything,
- 28:22Speaker 1: And they pull a pristine fingerprint off a bottle left
- 28:25Speaker 1: inside the crime scene. Yes. How does a fingerprint even
- 28:28Speaker 1: survive in a freezing, smoke-damaged cabin?
- 28:31Speaker 2: Fingerprinting in cold environments is actually quite reliable. Latent prints
- 28:35Speaker 2: are primarily made of sweat and sebum, basically body oils. Okay.
- 28:40Speaker 2: In a hot environment, those oils can degrade or evaporate
- 28:42Speaker 2: relatively quickly. But extreme cold essentially freezes those lipids in place,
- 28:47Speaker 2: preserving the print beautifully. Wow.
- 28:49Speaker 1: So the cold helped them.
- 28:50Speaker 2: Yes. When investigators use powder or cyanoacrylate fuming, which is
- 28:56Speaker 2: superglue fuming, that preserved oil reacts perfectly. The PRID they
- 29:00Speaker 2: pulled was a flawless match for Jorge Solis.
- 29:04Speaker 1: And they don't stop there. They go to Roger's pickup truck,
- 29:07Speaker 1: the one Jorge rode in the back of, and they
- 29:10Speaker 1: swap the truck bed. They recover Jorge's DNA and fingerprints there, too.
- 29:14Speaker 2: Another solid match.
- 29:15Speaker 1: And now wait, how does DNA survive in the open
- 29:17Speaker 1: bed of a pickup truck?
- 29:18Speaker 2: Typically, UV light from the sun is the absolute biggest
- 29:21Speaker 2: destroyer of DNA in an outdoor environment. It just breaks
- 29:24Speaker 2: it down.
- 29:25Speaker 1: But this is winter. Right.
- 29:26Speaker 2: The UV index is much lower. The temperatures are freezing.
- 29:30Speaker 2: And the biological material, whether it's skin cells or saliva,
- 29:33Speaker 2: is preserved much longer than it would be on, say,
- 29:35Speaker 2: a 90-degree summer day.
- 29:37Speaker 1: So they have placed him in the victim's life. via
- 29:40Speaker 1: the CCTV, in the victim's car via the hat, in
- 29:44Speaker 1: the pickup truck escaping the mountain via DNA, and crucially,
- 29:48Speaker 1: inside the locked cabin where the murder occurred via his fingerprint.
- 29:52Speaker 2: They have the who, the what, and the how.
- 29:55Speaker 1: Ten days after Anna's body was found on March 17th,
- 29:59Speaker 1: Police spot Jorge Solis just walking the streets in town.
- 30:03Speaker 1: They arrest him.
- 30:04Speaker 2: And when they search his backpack, he is literally carrying
- 30:08Speaker 2: items stolen from the caretaker's cabin. He is caught totally red-handed.
- 30:12Speaker 1: Now they have all the evidence they need for a conviction.
- 30:14Speaker 1: But what they don't have is the why. Why did
- 30:17Speaker 1: a petty thief brutally murder a young mother?
- 30:21Speaker 2: And that leads us right into the interrogation room, which
- 30:23Speaker 2: is where the psychological profile of this crime truly comes
- 30:26Speaker 2: into focus.
- 30:27Speaker 1: It is a Total cat and mouse game. Jorge is
- 30:30Speaker 1: brought into the interview room and his entry is incredibly combative.
- 30:34Speaker 2: He's on the defensive immediately.
- 30:36Speaker 1: He sits down handcuffed and immediately starts posturing with the detective.
- 30:40Speaker 1: He says, you're not going to scare me, man. Keep
- 30:43Speaker 1: staring at me, bro.
- 30:45Speaker 2: He is instantly trying to establish dominance or at least
- 30:48Speaker 2: project this shield of defiance.
- 30:49Speaker 1: Like I'm not intimidated by you.
- 30:51Speaker 2: Exactly. It's the defensive posturing of someone who knows they
- 30:54Speaker 2: are in deep, deep trouble, but thinks they can maybe
- 30:57Speaker 2: bluff their way out of it.
- 30:58Speaker 1: But the detectives, they don't take the bait. They adopt
- 31:00Speaker 1: a very calm, almost administrative tone. Just making sure you're okay, Jorge.
- 31:06Speaker 2: They understand the psychology of interrogations perfectly. You do not
- 31:10Speaker 2: meet aggression with aggression. You establish a baseline.
- 31:13Speaker 1: You want them to feel relaxed.
- 31:14Speaker 2: You want the suspect comfortable enough to just keep talking
- 31:17Speaker 2: because eventually they will contradict themselves.
- 31:20Speaker 1: So they start asking about Anna and Jorge immediately plays dumb.
- 31:23Speaker 1: He says, what happened? I don't know what happened. He
- 31:26Speaker 1: claims she's just his, quote, homegirl, that he only met
- 31:28Speaker 1: her two or three months ago and that he only
- 31:30Speaker 1: heard about her death on the news.
- 31:32Speaker 2: Now, that timeline he offers is actually highly significant. He
- 31:35Speaker 2: says they met two or three months ago. That exactly
- 31:37Speaker 2: aligns with November 2020, which is precisely when Anna's family
- 31:41Speaker 2: said she began struggling with heavy drug use.
- 31:44Speaker 1: So their relationship was entirely founded on and bonded by narcotics.
- 31:48Speaker 2: Yes.
- 31:49Speaker 1: The detectives ask him about the day before the murder.
- 31:52Speaker 1: And Jorge uses this maddening tactic. He just gives the
- 31:55Speaker 1: shortest possible answers to build a wall.
- 31:58Speaker 2: He's being evasive.
- 31:59Speaker 1: He shuts down completely any time the detectives mention the
- 32:02Speaker 1: town of Grand Junction, which is where Anna's family lived.
- 32:05Speaker 2: He's compartmentalizing. He thinks if he doesn't acknowledge the geography,
- 32:08Speaker 2: he can't be tied to the timeline of the crime.
- 32:11Speaker 1: But the detectives are well prepared. They don't need him
- 32:13Speaker 1: to confess to the murder right away. They just need
- 32:15Speaker 1: him to admit he was with her on that mountain.
- 32:18Speaker 2: And this is exactly where they spring the trap. They
- 32:21Speaker 2: pivot to a Seemingly minor detail.
- 32:24Speaker 1: They bring up a makeup kit. They found it inside
- 32:26Speaker 1: Anna's packed car. They tell Jorge that they know Anna
- 32:29Speaker 1: drove to a friend's house in the town of Montrose
- 32:32Speaker 1: to pick up the specific makeup kit the very day
- 32:35Speaker 1: before she died.
- 32:36Speaker 2: Why focus on a makeup kit, of all things?
- 32:40Speaker 1: Because it's the anchor to their undeniable proof. Jorge is
- 32:44Speaker 1: sitting there, probably thinking, why do I care about a
- 32:46Speaker 1: makeup kit? But then the detectives drop the hammer.
- 32:50Speaker 2: They reveal the footage.
- 32:52Speaker 1: They reveal that the friend in Montrose has surveillance cameras
- 32:54Speaker 1: on their house. And the detectives have the video of
- 32:58Speaker 1: Anna pulling up to get the makeup kit. And Jorge
- 33:01Speaker 1: is sitting right there in the passenger seat of her car.
- 33:04Speaker 2: The wall just cracks at that moment. He can no
- 33:06Speaker 2: longer deny being with her the day of the murder.
- 33:09Speaker 1: Faced with the video evidence, Jorge finally admits they were together.
- 33:12Speaker 1: But he adds context that paints a really grim picture
- 33:15Speaker 1: of their mental state. He admits that they were both
- 33:17Speaker 1: extremely high on drugs that day.
- 33:19Speaker 2: And to corroborate that, we look at toxicology. Toxicology reports
- 33:24Speaker 2: postmortem analyzed blood, urine and tissue to determine what substances
- 33:29Speaker 2: were in the body at the time of death.
- 33:31Speaker 1: And Anna's report confirmed this, right?
- 33:33Speaker 2: Yes. Anna's report later confirmed that she was heavily intoxicated
- 33:37Speaker 2: by multiple substances on the day she died. So Jorge
- 33:40Speaker 2: isn't lying about that detail. They were profoundly under the influence.
- 33:44Speaker 1: Jorge admits they were driving up the mountain. They got
- 33:47Speaker 1: the car stuck in the snow and it was freezing.
- 33:49Speaker 1: He claims she was driving, she got it stuck, and
- 33:52Speaker 1: they couldn't get it out.
- 33:53Speaker 2: So he finally admits that they walked to the empty cabin,
- 33:56Speaker 2: broke in, and hid there to escape the brutal cold.
- 33:59Speaker 1: He's given them the timeline, the location, and his presence
- 34:02Speaker 1: at the scene. But he absolutely refuses to admit to
- 34:06Speaker 1: the murder itself.
- 34:07Speaker 2: Now, this is where you might assume someone else was there.
- 34:09Speaker 2: I mean, drug deals go bad all the time. Couldn't
- 34:13Speaker 2: a third party have shown up?
- 34:14Speaker 1: But the physical evidence shuts that down entirely. There were
- 34:17Speaker 1: only two sets of footprints leading away from the car,
- 34:20Speaker 1: and only one set of footprints wandering the mountain afterward.
- 34:24Speaker 2: Jorge's DNA and fingerprints are the only ones at the scene.
- 34:27Speaker 2: There are no phantom attackers. Exactly.
- 34:30Speaker 1: The detectives know he did it. They are watching him closely,
- 34:34Speaker 1: and they notice something fascinating about how Jorge reacts to
- 34:37Speaker 1: the information they possess.
- 34:39Speaker 2: He is stunned by how much they know. The Walmart video,
- 34:42Speaker 2: the Montrez video, the makeup kit.
- 34:44Speaker 1: He asks the detectives, how do you know all this?
- 34:48Speaker 1: And then his logic takes this terrifying, twisted turn. When
- 34:53Speaker 1: they mention the friend in Montrose that Anna got the
- 34:55Speaker 1: makeup from, Jorge suddenly looks at the detectives and asks
- 34:59Speaker 1: if Anna was a cop.
- 35:01Speaker 2: Why on earth would he think a 22-year-old mother of
- 35:03Speaker 2: three was an undercover police officer?
- 35:06Speaker 1: We really have to dive into the biological mechanism of
- 35:10Speaker 1: drug-induced psychosis to understand this.
- 35:12Speaker 2: Okay, let's break that down.
- 35:13Speaker 1: When someone heavily abuses stimulants like methamphetamine, for example, their
- 35:18Speaker 1: brain is just flooded with dopamine.
- 35:21Speaker 2: And that's not a good thing in those quantities.
- 35:23Speaker 1: No. Over time, this extreme dopamine surplus hyper-stimulates the brain's
- 35:29Speaker 1: pattern recognition centers. The brain starts connecting dots that simply
- 35:33Speaker 1: aren't there.
- 35:34Speaker 2: It's finding meaning in random events.
- 35:36Speaker 1: Exactly. Add in sleep deprivation, which totally destroys cognitive reasoning.
- 35:42Speaker 1: And the brain begins to manufacture these intense persecutory delusions.
- 35:47Speaker 1: So his brain is literally creating enemies. You have two people,
- 35:50Speaker 1: both highly intoxicated. They get trapped in the snow in
- 35:53Speaker 1: freezing temperatures.
- 35:54Speaker 2: And hypothermia also severely impairs judgment.
- 35:57Speaker 1: They break into a strange, dark, unfamiliar cabin. The isolation
- 36:01Speaker 1: just acts as an echo chamber for his delusions.
- 36:04Speaker 2: He confessed his ultimate fear to the detectives. He said
- 36:07Speaker 2: he believed the remote cabin they broke into was secretly bugged.
- 36:11Speaker 1: He thought someone was listening.
- 36:12Speaker 2: He became absolutely convinced that Anna wasn't just a friend,
- 36:15Speaker 2: but a police informant or an undercover cop who had
- 36:18Speaker 2: intentionally driven him up that mountain to trap him.
- 36:20Speaker 1: He tells the detectives, people sacrifice, right? That could have
- 36:24Speaker 1: been me. He thought she was setting him up to
- 36:26Speaker 1: be killed or captured.
- 36:27Speaker 2: In his drug-addled, paranoid mind, Anna wasn't a stranded mother
- 36:32Speaker 2: seeking shelter. She was a lethal threat. He truly believed
- 36:35Speaker 2: he was in imminent danger of being sacrificed.
- 36:37Speaker 1: So the horrific violence in the cabin, the brutal attack
- 36:40Speaker 1: with the ice pickaxe, was in his distorted reality an
- 36:44Speaker 1: act of preemptive self-defense against a phantom conspiracy.
- 36:47Speaker 2: That is a terrifying glimpse into a broken mind. He
- 36:50Speaker 2: manufactured a deadly threat out of thin air, fueled entirely
- 36:54Speaker 2: by the drugs and the eerie isolation of that cabin.
- 36:56Speaker 1: And honestly, it explains everything. It explains why he didn't
- 36:59Speaker 1: take the $ 3, 000 cash.
- 37:01Speaker 2: You don't rob an undercover cop who is setting you
- 37:04Speaker 2: up for an ambush.
- 37:06Speaker 1: You neutralize the threat, you try to burn the evidence,
- 37:08Speaker 1: and you run for your life.
- 37:10Speaker 2: It explains the aborted fire.
- 37:12Speaker 1: It explains why he left the valuable rifles.
- 37:14Speaker 2: It explains his frantic, terrified interactions with witnesses on the road.
- 37:18Speaker 1: He was a man fleeing a monster that only existed
- 37:21Speaker 1: in his own head.
- 37:22Speaker 2: This tragic delusion is the why.
- 37:24Speaker 1: And it leads directly to the final legal resolution of
- 37:27Speaker 1: this nightmare. Jorge Solis was initially charged with second-degree murder
- 37:31Speaker 1: and booked into the Mesa County Detention Center on five
- 37:34Speaker 1: total charges.
- 37:35Speaker 2: With a bond set at nearly $ 300, 000.
- 37:38Speaker 1: But the trial actually never happens. The forensic and circumstantial evidence,
- 37:42Speaker 1: the DNA, the fingerprints, the CCTV, the eyewitness timelines, is
- 37:47Speaker 1: simply too overwhelming to fight in court.
- 37:50Speaker 2: Almost exactly two years later, on March 3rd, 2023, Jorge
- 37:55Speaker 2: Solis accepts a plea agreement.
- 37:57Speaker 1: He is sentenced to 42 years in prison. And that
- 38:00Speaker 1: is where the legal story ends.
- 38:02Speaker 2: But the heartbreak of this case just lingers.
- 38:05Speaker 1: It really does. You have Anna Rescon, a 22-year-old mother
- 38:08Speaker 1: who's really just trying to drive to Mexico to bring
- 38:11Speaker 1: her children home.
- 38:12Speaker 2: She made a single, fateful decision to take a detour
- 38:15Speaker 2: with a friend to use drugs.
- 38:17Speaker 1: And it placed her in a snowy trap with a
- 38:19Speaker 1: man rapidly losing his grip on reality.
- 38:22Speaker 2: If we step back and look at the broader implications,
- 38:24Speaker 2: I think the most lingering takeaway is the role of
- 38:27Speaker 2: the environment itself.
- 38:29Speaker 1: The wilderness.
- 38:30Speaker 2: Yeah. When a horrific act happens in a crowded city,
- 38:33Speaker 2: the evidence often just washes away in the rain or
- 38:35Speaker 2: gets trampled by a thousand feet. But in total chaos,
- 38:39Speaker 2: Freezing isolation. The landscape becomes the ultimate, unyielding witness.
- 38:44Speaker 1: The snow held the exact shape of their footprints. The
- 38:47Speaker 1: freezing cold immobilized her car, preserving it like a time
- 38:49Speaker 1: capsule with the cash and the cap inside.
- 38:52Speaker 2: And the deep, remote silence of that mountain didn't just
- 38:55Speaker 2: hide them. It amplified Jorge's internal paranoia until it reached
- 38:59Speaker 2: a fatal crescendo that destroyed them both.
- 39:02Speaker 1: The environment didn't just host the crime. It catalyzed it
- 39:06Speaker 1: and then preserved the evidence of it perfectly.
- 39:09Speaker 2: So true.
- 39:10Speaker 1: For you listening, the next time you find yourself looking
- 39:13Speaker 1: out over a beautiful, desolate, snowy landscape, maybe a mountain
- 39:17Speaker 1: pass or a quiet, frozen forest, ask yourself, what other secrets,
- 39:22Speaker 1: what other perfectly preserved tragedies are out there just waiting
- 39:27Speaker 1: for the ice to thaw?