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Is Agatha All Along Episode Three The Best Episode Three Marvel Has Made Yet? (Review & Reactions) · For All Nerds Show

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  Speaker 2: to De Shoyer and t Challabread. And this week I
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  Speaker 2: am joined by the Lovely Porsche the Divination Witch.
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  Speaker 3: Introduce yourself, worshe Hi, everyone.
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  Speaker 5: It's Porsche aka nineties Installsian Nerd aka Captain planned It
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  Speaker 5: aka Prancy Drew aka Porsche, the grown Ass Witch aka
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  Speaker 5: the Mother of Modern Totts aka Ray Kwanda Maximov.
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  Speaker 3: What did you say, Ray Kwonder Maximore? Tens tens tents
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  Speaker 3: across the board? I love you. You're that's that's fantastic that
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  Speaker 3: you wait with that one. Good job, Good job, y'all.
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  Speaker 2: We are back, obviously, but if you look at our
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  Speaker 2: especially if you're watching right now YouTube YouTube dot com
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  Speaker 2: Slash four on nerds, you see us with our Earth
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  Speaker 2: Witch and Divination which tags here because we are talking
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  Speaker 2: all things.
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  Speaker 3: Agatha all along. Last week we talked about episode one
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  Speaker 3: and two.
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  Speaker 2: This week we are talking about episode three, titled Through
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  Speaker 2: Many Miles of Tricks and Trials. I'm understanding of these
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  Speaker 2: episode titles are like that's the Witch's Road song, right,
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  Speaker 2: It's like the Ballad of Issues, So this is like
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  Speaker 2: the pieces of the song, right, the titles.
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  Speaker 5: It's also like where they are in their quest basically,
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  Speaker 5: so it's like, because you know, the ballad is spelling
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  Speaker 5: out what they got to do on their quest, So
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  Speaker 5: like each episode is like, this is this part of
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  Speaker 5: the quest.
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  Speaker 4: This is this part of the quess, basically.
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  Speaker 2: Gotta got it all right. We talked about how we are.
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  Speaker 3: We were seated. We're loving what we see so far, right.
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  Speaker 2: I told you I was a little concerned episode one,
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  Speaker 2: but then I said, oh no, y'all got me, y
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  Speaker 2: understand it. And now that we are truly in the
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  Speaker 2: thick of things, the show is on the role officially,
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  Speaker 2: and I am very happy with what they've come up
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  Speaker 2: with right now. Agatha all along is very imaginative, It
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  Speaker 2: is very fun. It has the dark comedy and dark
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  Speaker 2: humor that a lot of people will appreciate. I think
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  Speaker 2: it's something different, as we mentioned, than what Marvel has
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  Speaker 2: been doing, at least in the recent times. And it's
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  Speaker 2: a bunch of generally with I guess besides Agatha and
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  Speaker 2: a couple others, some new characters, right So I think
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  Speaker 2: that's even the more important piece to me.
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  Speaker 3: And all of these characters are very interesting.
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  Speaker 2: They all have vastly different personalities, vastly different motives, and
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  Speaker 2: they're all complex. So I am really happy with where
• 3:48
  Speaker 2: we are right now. What about you, borscha?
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  Speaker 5: Yeah, like I told you, like me and witchcraft and witches,
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  Speaker 5: things like I just like automatically, and then it's the
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  Speaker 5: season for it too, So I just feel like the
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  Speaker 5: all the vibes are coming together.
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  Speaker 4: I like the mystery components, like you don't.
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  Speaker 5: We're not getting the full picture from anyone about what
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  Speaker 5: actually is.
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  Speaker 4: Going on with them and while they're on the road.
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  Speaker 5: So I've been enjoying like unpeeling the little snippets to
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  Speaker 5: be like, wait a minute, what does that mean?
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  Speaker 4: And you're like writing that down as we go.
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  Speaker 2: To Yes, it's giving spooky season all the way, and
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  Speaker 2: I know you're very very happy you you fall Chilate people,
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  Speaker 2: congratulations not so much whatever people, Yes it's fall time.
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  Speaker 3: I just felt the chill in the air. I wasn't happy.
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  Speaker 2: Episode three, the Witches are on the Witches roll. They're
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  Speaker 2: starting to quest. It's giving ash Ketchum left his home
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  Speaker 2: at ten years old to go catch the Pokemon. What's
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  Speaker 2: interesting is it's very familiar, right, the whole idea of
• 4:56
  Speaker 2: your setting out on a quest, right, and you got.
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  Speaker 3: It, you have trials. That was a setup even before.
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  Speaker 2: They said anything, and then they just kind of reiterated.
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  Speaker 2: What I find interesting about Agatha ol Along is they're
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  Speaker 2: giving you all the answers in your face, and they're
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  Speaker 2: very explicit, obviously with setting up what's happening on screen,
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  Speaker 2: and whether you know it or not, all the fucking
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  Speaker 2: answers are there already. I watched this episode twice, and
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  Speaker 2: obviously on the second round I saw all the things
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  Speaker 2: I missed the first where I'm like, damn it, they
• 5:27
  Speaker 2: told me what was gonna happen at the end of
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  Speaker 2: the episode in.
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  Speaker 3: Like scene two, right, so.
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  Speaker 2: We have the coven on the road and they still
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  Speaker 2: have missus Hart.
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  Speaker 3: Actually her name is Sharon.
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  Speaker 2: They got her with her, and I was concerned about
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  Speaker 2: Miss Hart this entire time. I was just like, this
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  Speaker 2: lady ain't got no powers, she's not a witch, and
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  Speaker 2: she got dragged down here.
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  Speaker 3: I don't think she gonna make it.
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  Speaker 5: When you write it up last episode, I was like,
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  Speaker 5: I'm not gonna say nothing, because she's gonna We're gonna watch,
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  Speaker 5: we gonna see, and we're gonna we're gonna see what happens.
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  Speaker 5: I just wish that they had been more concerned about her,
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  Speaker 5: as like you for me, when you bring someone on
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  Speaker 5: a trip and you know they don't have the same
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  Speaker 5: like tolerance or whatever as you do. You watch out
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  Speaker 5: for them a little bit more because you're like, that's
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  Speaker 5: the person that we got to watch out for.
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  Speaker 4: She don't got it like the rest of us.
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  Speaker 3: And I feel like.
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  Speaker 4: It was kind of natural for her. She's kind of like.
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  Speaker 5: Not necessarily like the mother character, you know, like a
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  Speaker 5: mother hand of a friend group, but she kind of
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  Speaker 5: was like she was like looking out for a teen
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  Speaker 5: and the rest of them in a way that none
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  Speaker 5: of them were looking out for each other. And I like,
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  Speaker 5: I'm just like sad for her that, like she put
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  Speaker 5: more care into her interactions with them than they ever
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  Speaker 5: put into her, and they needed to have more thoughtful
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  Speaker 5: to her.
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  Speaker 3: And and that's kind of the point. Missus Hart is
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  Speaker 3: a tragic character all around.
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  Speaker 2: You saw how how she was she went through and
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  Speaker 2: Wanda vision uh even in this episode at the point
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  Speaker 2: where she's hallucinating and she's remembering that point where Wanda
• 7:03
  Speaker 2: was exphysiating her husband right joking her husband that he
• 7:06
  Speaker 2: can't breathe, and she's like, wanta want Like I just
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  Speaker 2: kept feeling like from the from the beginning, so I
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  Speaker 2: just kept feeling bad for Missus Harper. I was just like,
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  Speaker 2: she's not supposed to be here. And she cannot survive this,
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  Speaker 2: like this is not her lane whatsoever. And yeah, it's
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  Speaker 2: nice to have a little bit of comedic relief with her.
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  Speaker 2: Ass don't need to be down here, okay, Like this
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  Speaker 2: is the friend group going to Miami, and this is
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  Speaker 2: the one that ain't got the money to be.
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  Speaker 3: Down there with y'all right, this is the one that
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  Speaker 3: one hundred dollars.
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  Speaker 5: She was she didn't ask you did, because the other
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  Speaker 5: one she ain't asked to be that she was essentially
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  Speaker 5: trick to be down there.
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  Speaker 3: And this obviously is mentioned.
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  Speaker 2: This is on purpose, as mentioned of her being the
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  Speaker 2: tragic character. This is on purpose that she has been
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  Speaker 2: put into this space. Uh, this this this characterization. And
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  Speaker 2: then you as the viewer, you're latching on her. You,
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  Speaker 2: especially if you saw wanavision, you already know her plight
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  Speaker 2: and what her story was she been through, and you're
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  Speaker 2: already sympathetic towards her. And now she's thrown in the
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  Speaker 2: mix with with selfish ass Agatha and Agatha just as typical,
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  Speaker 2: and I'm sure that she'll have her heroes art, but
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  Speaker 2: as typical, she has no thought or care about the
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  Speaker 2: about the purpose or the reasoning for missus Hart. She's
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  Speaker 2: just she call him missus Hart. To me, her name
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  Speaker 2: is Sharon. I'm doing the same thing. Her name is Sharon,
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  Speaker 2: but she called her missus Heart.
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  Speaker 3: She's calling her her.
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  Speaker 2: Slave name from when she was in the next you understand,
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  Speaker 2: like it's it's it's like to your point, it's she
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  Speaker 2: was afforded so much more care. And I don't even
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  Speaker 2: blame the other members of the coven because they don't
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  Speaker 2: know that lady. They this is the first time, and
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  Speaker 2: they were saying it from the beginning when they first.
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  Speaker 3: On the roll AYO, she ain't spposed to be here,
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  Speaker 3: like Kale jen Ca.
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  Speaker 2: Miss Cale was like, oh, why is she down here?
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  Speaker 3: You know, she ain't one of us. You know, she's
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  Speaker 3: a tourist, So how are we supposed to deal with this?
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  Speaker 3: And right away she almost fucking.
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  Speaker 2: Dies in quicksand grass, like immediate And I also left
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  Speaker 2: the question for me, like why would you walk away
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  Speaker 2: from the group when you're in a place you don't know?
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  Speaker 5: But whatever she was, I feel like she was very
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  Speaker 5: much in her Like that's real quick, like that is
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  Speaker 5: the leg of the question.
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  Speaker 4: But like I also feel like part of her was
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  Speaker 4: like still.
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  Speaker 5: Stuck in this like mindset that she was like, oh,
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  Speaker 5: the only thing could be down here is like I'm
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  Speaker 5: part of the historical society.
• 9:17
  Speaker 4: It's like you know what I mean. She's like, this
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  Speaker 4: isn't real. She wasn't. She wasn't. It was clicking, but
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  Speaker 4: she was in denial. She was like.
• 9:28
  Speaker 2: Hmmm, yes, So I felt bad, like I wanted to
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  Speaker 2: mention her first, just because like she's the heart, right,
• 9:35
  Speaker 2: Miss Sharon was the heart and she was the innocent
• 9:42
  Speaker 2: and that's that to me, that's the greatest thing. She
• 9:44
  Speaker 2: has been innocent this entire time, and unfortunately, by the
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  Speaker 2: end of this episode suffers the consequences of her innocence
• 9:51
  Speaker 2: in what I believe to be I haven't seen episode
• 9:54
  Speaker 2: four yet. I believe to be her death, and I'm
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  Speaker 2: wondering what of the they recurring consequences there, well that
• 10:02
  Speaker 2: will happen to each person and also if this is
• 10:05
  Speaker 2: indeed a permanent death, how that's going to affect Agatha
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  Speaker 2: and the rest of the group.
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  Speaker 5: Yeah, that was my question, Like, I don't Episode four
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  Speaker 5: does not raise any questions to her death that it
• 10:14
  Speaker 5: just continues it. So yeah, that was my questions, Like,
• 10:19
  Speaker 5: is this a permanent death, like when we get to
• 10:21
  Speaker 5: the end of the season, like is there not going
• 10:23
  Speaker 5: to be some kind of like option for resurrection or something.
• 10:27
  Speaker 5: We just don't know what the road doesn't look like.
• 10:29
  Speaker 5: And I think it's interesting two things. One, I think
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  Speaker 5: it's interesting for.
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  Speaker 4: Her to be the heart of the group and.
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  Speaker 5: To have left so early that usually that like in
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  Speaker 5: other stories, you tend to see that have some kind
• 10:44
  Speaker 5: of like lingering effect that ends up being that they
• 10:47
  Speaker 5: like have to do something around later.
• 10:50
  Speaker 3: Yeah, I think they if this is indeed the true death.
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  Speaker 2: I think she suffered enough, and they and maybe they
• 10:58
  Speaker 2: were like, you know, we're not going to drag her,
• 11:00
  Speaker 2: Like first of all, she's not let's be real, she's
• 11:01
  Speaker 2: not supposed to be down there. She's not supposed to
• 11:04
  Speaker 2: be up in witches Hell, which is Miami with the
• 11:07
  Speaker 2: rest of them, like they she and and and as
• 11:11
  Speaker 2: you think about it's like how she going to like
• 11:13
  Speaker 2: all they all you would see they did keep her.
• 11:16
  Speaker 2: It was trying to keep her alive, right, like it
• 11:18
  Speaker 2: would be constant bumbling and things happening, whereas like save
• 11:21
  Speaker 2: miss Sharon, right and and as a story, you.
• 11:25
  Speaker 3: Don't have time for that, right you gotta, you gotta.
• 11:29
  Speaker 2: We got someplace to be, literally, we got someplace to
• 11:31
  Speaker 2: be in this story, and I can understand why, and
• 11:34
  Speaker 2: the whole idea of her not suffering anymore, like she's
• 11:37
  Speaker 2: been through so much already. She's she's is as you say,
• 11:42
  Speaker 2: she's in denial. It's like clear what's happening, but she
• 11:46
  Speaker 2: don't want to believe it, and she's just thrust into
• 11:49
  Speaker 2: situations constantly. It happened for three years in WandaVision and
• 11:52
  Speaker 2: then then her her husband die, so like she's been
• 11:56
  Speaker 2: living alone and all this other stuff, and it's just
• 11:58
  Speaker 2: like it's almost a put her out of her misery
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  Speaker 2: type of thing. But it's fucked up for me.
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  Speaker 5: I'm kind of like hoping that, you know, maybe she
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  Speaker 5: if she didn't diet true death, maybe she's already back
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  Speaker 5: up as few Like maybe this was her.
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  Speaker 4: Symbolic death on which is rope.
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  Speaker 5: She's not supposed to be here, but she is in
• 12:18
  Speaker 5: a place where she's supposed to be, which is West View.
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  Speaker 4: That's that's gonna happen, I hope.
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  Speaker 3: So because she didn't she didn't deserve she deserve it.
• 12:26
  Speaker 4: And she was looking out for the kids.
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  Speaker 5: So that's One of the things that like what I
• 12:30
  Speaker 5: wanted to get into a little bit was like, what
• 12:32
  Speaker 5: do you think caused her death? Because I was watching
• 12:34
  Speaker 5: this episode and like this is like the second or
• 12:37
  Speaker 5: third time. I'm like the first time I watched it
• 12:40
  Speaker 5: through I kept going back, so it's kind of like,
• 12:42
  Speaker 5: m I don't know the third time. And I noticed
• 12:46
  Speaker 5: that when they did the potion, everyone put a hair in,
• 12:52
  Speaker 5: but no one wents to get a hair from missus Hart.
• 12:56
  Speaker 5: So did she get three times poisoned because she had
• 12:59
  Speaker 5: two cups one for her one for the teen and
• 13:02
  Speaker 5: then the antidote wasn't actually because she was breathing and
• 13:04
  Speaker 5: they were able to get hurt that like she was
• 13:06
  Speaker 5: moving whenever she like gave her the drink. So did
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  Speaker 5: her ingesting the antidote without her actual like being part
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  Speaker 5: of it.
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  Speaker 4: Did that do it?
• 13:18
  Speaker 2: I didn't even think about that port I didn't realize
• 13:20
  Speaker 2: they didn't get her hair. And you said you saw
• 13:21
  Speaker 2: it through that they didn't get her hair. That could
• 13:23
  Speaker 2: be where it's just like unless you're involved, you can't.
• 13:27
  Speaker 2: I also wanted it also because she's just not of magic, right,
• 13:30
  Speaker 2: But it's like.
• 13:31
  Speaker 5: They didn't do like she was a part of the ancidote,
• 13:34
  Speaker 5: and she needed the antidote if it's supposed to because like,
• 13:36
  Speaker 5: and that's weird that the potion glowed and like the
• 13:39
  Speaker 5: right color without her hair in it, you know what
• 13:42
  Speaker 5: I mean? Because like it was like, oh, it needs
• 13:43
  Speaker 5: the blood of an unpoisoned and then it started glowing.
• 13:47
  Speaker 5: But it why wasn't it like still like glowing because
• 13:50
  Speaker 5: the clock kept ticking because she didn't get to have
• 13:52
  Speaker 5: the antidote.
• 13:54
  Speaker 2: Oh so it's not like a hole in the story
• 13:56
  Speaker 2: because because you're like, how can it be both? How
• 13:59
  Speaker 2: can it be you who did the spell correct? Because
• 14:01
  Speaker 2: because according to miss kale I go call her Greens
• 14:06
  Speaker 2: and things.
• 14:07
  Speaker 3: According to Greens.
• 14:08
  Speaker 2: You're supposed to everything had to be in a particular order,
• 14:11
  Speaker 2: and everybody of the cup. But I think she said
• 14:14
  Speaker 2: of the cup, well, technically Sharon was.
• 14:17
  Speaker 3: Of the coven and she drank two cups.
• 14:21
  Speaker 2: And she did suffer the same poison. So you're right,
• 14:25
  Speaker 2: how can you it both be? The the antidote is
• 14:30
  Speaker 2: correct because it glued glowed the correct color, but at
• 14:32
  Speaker 2: the same time, it's incorrect because it was missing a hair.
• 14:36
  Speaker 4: Hmm.
• 14:39
  Speaker 2: Okay, I thought I also I thought about that exactly
• 14:42
  Speaker 2: how she died, but I didn't think about it that deeply.
• 14:44
  Speaker 3: You're right, that's that's weird.
• 14:46
  Speaker 2: I thought, maybe it's because she had two cups while
• 14:49
  Speaker 2: everybody else only had one, and so maybe she was
• 14:51
  Speaker 2: like extra extra poisoned and it was just too much,
• 14:54
  Speaker 2: too much time.
• 14:55
  Speaker 3: It was like too late.
• 14:57
  Speaker 2: It also could be to that point, like it doesn't matter,
• 15:00
  Speaker 2: like when they by the time they get the look
• 15:02
  Speaker 2: of down her throat, it was already at the zero mark,
• 15:06
  Speaker 2: and maybe they it wasn't a beast of what I'm
• 15:09
  Speaker 2: trying to say, a buzzer beater, Like maybe it really
• 15:12
  Speaker 2: was just too late.
• 15:12
  Speaker 3: I don't know, but your point makes a lot of sense.
• 15:17
  Speaker 4: I was looking. I was like, what is the damn?
• 15:19
  Speaker 2: I don't even thinking about that what I had said
• 15:22
  Speaker 2: earlier about like all the answers were in your face.
• 15:24
  Speaker 2: They telegraphed her death very very early on, and not
• 15:27
  Speaker 2: just from the sinking through the grass when they walked
• 15:31
  Speaker 2: up to the house and they were just like in
• 15:34
  Speaker 2: Marvel about it, Miss Sharon said this might be the end,
• 15:40
  Speaker 2: and the camera lingered on her for a little bit
• 15:43
  Speaker 2: and then lingoln on that line. I'm like, around the
• 15:45
  Speaker 2: second watch, I said, I was like, damn.
• 15:49
  Speaker 3: And then when and.
• 15:51
  Speaker 4: Then she said she wanted to die in that kitchen.
• 15:54
  Speaker 3: Then she kept that, she kept alluding to death.
• 15:57
  Speaker 2: I would die in that kitchen that for her, she's
• 16:00
  Speaker 2: sinking through and and you know she's not coming back
• 16:03
  Speaker 2: up and she's everything that. It was just like there
• 16:06
  Speaker 2: were there were at least three chances or three points
• 16:09
  Speaker 2: where and I think, you know, bad things come in
• 16:11
  Speaker 2: three cities. It was three points where it was just like,
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  Speaker 2: this is alluding, this is the telegraph.
• 16:16
  Speaker 3: To your death. And then it fucking happened.
• 16:20
  Speaker 2: And then of course, like in that same scene where
• 16:22
  Speaker 2: I mentioned where she was just like, this is the
• 16:23
  Speaker 2: end right after teen says and it was weird too.
• 16:27
  Speaker 2: Upon second watch, she's He's like, well, upon the first
• 16:29
  Speaker 2: watch it was weird. He goes, well, that would be
• 16:32
  Speaker 2: a bummer, and even Agna look at him like, nigga,
• 16:37
  Speaker 2: what you mean? Why would you not want this to
• 16:38
  Speaker 2: be the end of the road. And I'm just like, see,
• 16:41
  Speaker 2: and we gotta we're gonna talk about him next. That's
• 16:43
  Speaker 2: what I'm like, Wait a minute, there's something up with
• 16:45
  Speaker 2: this kid. There's something something not cleaning the milk on
• 16:49
  Speaker 2: this one for for obvious reasons, but also it's just
• 16:52
  Speaker 2: like he's saying weird shit. And for example, you're down
• 16:55
  Speaker 2: here in which is Miami, and you know it's like
• 16:59
  Speaker 2: the world stuff possible, Agatha don't even want to fucking
• 17:02
  Speaker 2: talk about it, which was pissing you off, because bitch you.
• 17:05
  Speaker 4: Does she not want to talk about it?
• 17:06
  Speaker 5: Or does she actually because like, here's my thing and
• 17:09
  Speaker 5: we can we're gonna.
• 17:10
  Speaker 3: I don't want to talk you keep going.
• 17:11
  Speaker 5: But like I gotta said, she did this road before.
• 17:15
  Speaker 5: I'm not casting aspersions maybe you know what I mean.
• 17:18
  Speaker 5: But here's where my doubt sets it, as she really
• 17:21
  Speaker 5: truly did the Riches Road before. Wouldn't she knows she
• 17:24
  Speaker 5: couldn't cheat because she wouldn't. She wouldn't She have had
• 17:27
  Speaker 5: gone through a trial where she tried to cheat before
• 17:29
  Speaker 5: and it didn't work, So why would she do it again?
• 17:32
  Speaker 4: Like why would you?
• 17:34
  Speaker 3: Because she's trifling as fuck?
• 17:38
  Speaker 2: You know, Portia you maybe one hundred right, And it
• 17:40
  Speaker 2: may also just be that because that's her character. She's
• 17:43
  Speaker 2: trifle as bitch, and she that's her nature to to
• 17:49
  Speaker 2: to be to do subfuse to to cheat at shit,
• 17:54
  Speaker 2: to like because if say for example, it was real
• 17:56
  Speaker 2: that she did go down there. Well, you still needed
• 17:58
  Speaker 2: a coven to go down there the first time, right,
• 18:00
  Speaker 2: She did her niggas wrong the first time, right, so
• 18:04
  Speaker 2: she and she still got what she wanted. So what's
• 18:06
  Speaker 2: to say she's not doing that same thing again too.
• 18:09
  Speaker 2: So it could be what you're saying, or she could just.
• 18:12
  Speaker 4: Be her. But if she again, if the road won't
• 18:16
  Speaker 4: let you cheat.
• 18:20
  Speaker 3: She could be lying. She could be lying.
• 18:22
  Speaker 2: I don't know, But isn't that how she got the
• 18:24
  Speaker 2: isn't that how she got the dark Hole?
• 18:27
  Speaker 3: She took the road, and that's how she got the
• 18:29
  Speaker 3: dark holder? Is that what people saying?
• 18:30
  Speaker 2: Because I've been learning that there's lots of stories about her,
• 18:35
  Speaker 2: but not necessarily the truth, right.
• 18:37
  Speaker 4: But what.
• 18:39
  Speaker 5: The gossip that gin dropt was that her I got
• 18:42
  Speaker 5: the sacrifice, her first gotten son, uh for the dark Hole.
• 18:47
  Speaker 3: That's the story. That's what that's that's what the street says.
• 18:51
  Speaker 4: That's the gospel right on the street. Jennifer Kale is
• 18:57
  Speaker 4: Giselle from White Real House, like.
• 19:03
  Speaker 3: Word on a street, the street shut up?
• 19:07
  Speaker 4: Just so.
• 19:09
  Speaker 2: Okay, I maybe maybe, like I said, I, it could
• 19:16
  Speaker 2: go either way. You could be one hundred percent right,
• 19:18
  Speaker 2: And it could also just be that's her nature, she's
• 19:22
  Speaker 2: just gonna.
• 19:22
  Speaker 3: Keep doing it.
• 19:23
  Speaker 2: But it would make like I said, it would make
• 19:24
  Speaker 2: sense also what you're saying, because as every time they
• 19:28
  Speaker 2: were talking through doing something happened, she never fucking smoke
• 19:30
  Speaker 2: up and it still was because that's just because she's
• 19:34
  Speaker 2: strife or is it because she don't know what the
• 19:36
  Speaker 2: fuck going on?
• 19:37
  Speaker 3: To your point, right?
• 19:38
  Speaker 5: And then there's also the thing of I was gonna
• 19:41
  Speaker 5: say for I like, again, I don't know what she
• 19:44
  Speaker 5: does and doesn't know and why she's perpect like, Okay,
• 19:47
  Speaker 5: I guess you can perpatse if you want to, that's cool, fine.
• 19:52
  Speaker 4: I don't know.
• 19:53
  Speaker 5: There's just something about I Guessa's like she's like a
• 19:56
  Speaker 5: how do I She's not really like a well she
• 19:59
  Speaker 5: is like a well dug kind of person, but she's
• 20:02
  Speaker 5: not like I'm going to withhold information, especially if it's
• 20:05
  Speaker 5: gonna make me better.
• 20:06
  Speaker 4: I was gonna say that I think that, you know.
• 20:09
  Speaker 3: She wants information from other people for sure.
• 20:12
  Speaker 5: For real, but like for if it's going to make
• 20:14
  Speaker 5: you she gets to the next step, she's like, she's like,
• 20:16
  Speaker 5: let me get all these but she's in the same line,
• 20:17
  Speaker 5: so I can keep moving, you know, like but me
• 20:20
  Speaker 5: not hold us back.
• 20:21
  Speaker 2: But she's the character time, and you've seen it all
• 20:24
  Speaker 2: over the place, especially like that that middle ground person
• 20:27
  Speaker 2: who's not a hero, not necessarily a villain, where they'll
• 20:30
  Speaker 2: tell you just enough where they need you, but they're
• 20:34
  Speaker 2: not going to tell you the full story.
• 20:36
  Speaker 3: Yeah that's Agatha. Yes, so that's.
• 20:39
  Speaker 4: What she thinks.
• 20:41
  Speaker 5: Yeah, well she thinks you need is a very limited amount.
• 20:43
  Speaker 5: So it's not even like it's like she's like even
• 20:45
  Speaker 5: like a giving like she's like very I was gonna
• 20:48
  Speaker 5: say that, Like who's to say, like because she was
• 20:52
  Speaker 5: on the witch's road. She worn't on a witch's road
• 20:54
  Speaker 5: with her old coven. That was so long ago that
• 20:56
  Speaker 5: her cheating became like a thing that the road reset
• 20:59
  Speaker 5: for was like, oh hey, we'll never let that happen again.
• 21:02
  Speaker 2: That's true, because she do, she'd be outside the box
• 21:05
  Speaker 2: all the time. She don't be following the parameter, she'd
• 21:08
  Speaker 2: be doing her own thing. So that's she's an unprecedented one.
• 21:11
  Speaker 2: So you're right, this guy teen, this boy, this teen,
• 21:17
  Speaker 2: this person, this this entity. Where we spoke about who
• 21:22
  Speaker 2: he can be, who he might be, we had have
• 21:25
  Speaker 2: said early on he could be Nicholas Scratch, which in
• 21:28
  Speaker 2: the comic books, Nicholas is Agatha's son. As you heard
• 21:33
  Speaker 2: just mentioned about Jennifer Calee mentioning that oh word on
• 21:38
  Speaker 2: the street is Agatha gave up her firstborn son, her
• 21:42
  Speaker 2: only son, her only child, for the Dark Hold. And
• 21:48
  Speaker 2: also in the comic books, there's a point where like
• 21:50
  Speaker 2: Nicholas grows up right and he comes back, he comes
• 21:54
  Speaker 2: back for Agatha basically, and it's just like, bitch, you
• 21:57
  Speaker 2: left me for dead, and you know, brings her back,
• 22:01
  Speaker 2: like he brings her back with to to like basically
• 22:04
  Speaker 2: fight with the the Salem Seven, so like the people
• 22:06
  Speaker 2: who are chasing her now, And it's very different in
• 22:09
  Speaker 2: the book and in the comics books as well, Like
• 22:11
  Speaker 2: in the books, the Salem Seven are actually Nicholas's children.
• 22:16
  Speaker 2: So it's and I don't think they're gonna go that
• 22:19
  Speaker 2: route in this who knows, but because you know, the
• 22:21
  Speaker 2: MCU does stuff vastly different many times, but there there's connection,
• 22:26
  Speaker 2: there is what I'm trying to say. And then also
• 22:29
  Speaker 2: just towards teen, like again we talked about his whole
• 22:32
  Speaker 2: like we were like, what's what's the whole spell thing
• 22:34
  Speaker 2: on him where he can't anytime he says his name
• 22:36
  Speaker 2: or anything about him, Agatha couldn't hear him. Apparently witches
• 22:41
  Speaker 2: can't hear or or understand that. So what we learned
• 22:46
  Speaker 2: is that a sigils and that's what that's the term
• 22:48
  Speaker 2: they're using, has been placed on him where they're.
• 22:50
  Speaker 3: Hiding him from witches. Who would they be hiding from
• 22:54
  Speaker 3: a witch?
• 22:54
  Speaker 4: Right? Like?
• 22:54
  Speaker 3: Who, well, who's important enough to be hidden from other witches?
• 22:58
  Speaker 2: And yes, this is probably gonna be require a lot
• 23:00
  Speaker 2: more common book knowledge, but I mean looking at you
• 23:03
  Speaker 2: will see you later. But I'm just trying to understand, like,
• 23:08
  Speaker 2: because there are some clues. Like I said, we already
• 23:09
  Speaker 2: said Nigga scratch even though Agaba's rabbit is named Senor scratchy.
• 23:17
  Speaker 2: I just remember that, So that could have been that
• 23:20
  Speaker 2: could technically be her son just transfigured into a rabbit anyway,
• 23:24
  Speaker 2: could but sure, let's say teen could be him. Teen
• 23:27
  Speaker 2: could also potentially be wicked. You said that last week.
• 23:30
  Speaker 2: Wickan is one of actually Wanda's children along with I
• 23:35
  Speaker 2: don't know what I forgot his real name is, but
• 23:38
  Speaker 2: Billy And he said the billy Tommy right, he's Tommy.
• 23:42
  Speaker 5: Yeah, he's one of I think it's Billy.
• 23:46
  Speaker 2: The nigga is a is a witch, ok and he's
• 23:50
  Speaker 2: he's he's in the books. He is Scarlet Witch's son.
• 23:54
  Speaker 2: Excuse me, Wanda's son. So you know, obviously there's some
• 23:57
  Speaker 2: attagonists and stuff going on there because Zaga.
• 24:00
  Speaker 3: But and then.
• 24:01
  Speaker 2: Jennifer also mentions, you know, you could be a demon, right,
• 24:04
  Speaker 2: and that could still lead into all that other stuff
• 24:06
  Speaker 2: we just mentioned.
• 24:07
  Speaker 3: Then she said the last part, which I know niggas
• 24:10
  Speaker 3: of the comic books.
• 24:10
  Speaker 2: I was like, finally, Nigga an agent of Miss Fiststone.
• 24:15
  Speaker 3: Okay, Mephists is the mc US devil. So the devil.
• 24:19
  Speaker 5: You didn't say you could be? She said, an agent.
• 24:22
  Speaker 5: She said, I get the son could be. She said,
• 24:25
  Speaker 5: you're right, you're right. She said, she right, And she
• 24:27
  Speaker 5: said I get the would not even know her son
• 24:30
  Speaker 5: if she met him. So I think Jennifer also is
• 24:33
  Speaker 5: with us. She's also like, are you at the son?
• 24:35
  Speaker 5: Are you thank you?
• 24:39
  Speaker 2: Yeah, because she said it kind of coyly like yeah,
• 24:42
  Speaker 2: well you she wouldn't know her you you know, her
• 24:46
  Speaker 2: son could be this and looked at him like, who
• 24:49
  Speaker 2: is you, nigga?
• 24:49
  Speaker 3: You know where your mom stay at.
• 24:52
  Speaker 5: And that's the thing I think when the episode starts
• 24:54
  Speaker 5: and I have to this is what I get for
• 24:56
  Speaker 5: not looking at my notes.
• 24:57
  Speaker 4: That's how I was watching rewatching it today.
• 25:00
  Speaker 5: They're something that the team said, like early on in
• 25:03
  Speaker 5: the episode where it was like, are his parents in
• 25:07
  Speaker 5: a spelled sleep somewhere?
• 25:08
  Speaker 4: Because what he said.
• 25:10
  Speaker 2: Because he said when they was like, because Jennifer says,
• 25:14
  Speaker 2: like in a like in a in a sliding kind
• 25:17
  Speaker 2: of way, where are your parents? Just like that, and
• 25:19
  Speaker 2: he goes, they're probably asleep. He said a real like
• 25:23
  Speaker 2: regular dagla, they probably asleep. See poor show you this
• 25:27
  Speaker 2: is why you're the divination, which you'd be divine and shit,
• 25:30
  Speaker 2: that's what's happened.
• 25:31
  Speaker 3: You're right.
• 25:32
  Speaker 2: They could he could be on the goddamn spell a
• 25:34
  Speaker 2: spell of what who put him under?
• 25:36
  Speaker 3: What's going on? Who does this boy?
• 25:38
  Speaker 2: When when he's trying to speak his name again, the
• 25:40
  Speaker 2: sigel appeared. I was looking at the schedule again before
• 25:43
  Speaker 2: I just just basically saw it as, oh, it's just stitching.
• 25:47
  Speaker 2: But it was a very particular type of swiggle, and
• 25:50
  Speaker 2: it was giving a letter M a bit.
• 25:52
  Speaker 4: It was.
• 25:55
  Speaker 2: It was giving M for maximum or M four from
• 25:58
  Speaker 2: a phisto. Okay, now this is me like, can.
• 26:01
  Speaker 4: He wind up maximumfits could be n.
• 26:04
  Speaker 2: W way Okay I was I'm reaching like it's fantastic
• 26:07
  Speaker 2: right now. I'm just saying there could be a correlation.
• 26:11
  Speaker 2: I'm just saying, but he's been saying some weird stuff
• 26:15
  Speaker 2: and increasingly saying more and more questionable things to where
• 26:19
  Speaker 2: you are having reactions from the other characters now, including
• 26:23
  Speaker 2: Agatha looking at him like why would you say that?
• 26:25
  Speaker 2: You know what I mean, like stuff like yo, we're
• 26:27
  Speaker 2: trying to get off this road. Why would you be
• 26:28
  Speaker 2: upset that it ended?
• 26:30
  Speaker 3: When you know?
• 26:30
  Speaker 2: And he's extremely knowledgeable, not that you can't be a
• 26:33
  Speaker 2: knowledgeable team, but he's more knowledgeable than maybe the next team.
• 26:40
  Speaker 2: So I was just like, are you just are you
• 26:42
  Speaker 2: truly just a stand or is there something more?
• 26:46
  Speaker 5: I just want to note that, like, Okay, this is
• 26:50
  Speaker 5: and this I don't want to We'll go where it goes.
• 26:52
  Speaker 5: But when he's talking to Alice, the protection witch on
• 26:58
  Speaker 5: the couch, so what do we see the teen doing
• 27:03
  Speaker 5: is ingratiating himself with every witch in the coven in
• 27:08
  Speaker 5: a way where they're kind of like, you know, are
• 27:10
  Speaker 5: kind of like they kind of have warm at least
• 27:12
  Speaker 5: non Agatha emotions towards that. I Geta has also warmed up, yes,
• 27:17
  Speaker 5: but like like really quick for some reason. Not how
• 27:19
  Speaker 5: they like, not how they feel towards Agatha, Like they
• 27:22
  Speaker 5: have a different cause like Agatha introduced them to him.
• 27:25
  Speaker 4: They could like put like her.
• 27:26
  Speaker 5: They're saying like ugh for Agatha onto him, but they
• 27:29
  Speaker 5: like are solely warming up to him where they don't have.
• 27:32
  Speaker 4: Not to Agatha yet.
• 27:33
  Speaker 5: Right, And when he's talking to Alice, Alice is like yeah,
• 27:40
  Speaker 5: she opens up and she says something very like she
• 27:43
  Speaker 5: had got her mother made her get a tattooed when
• 27:45
  Speaker 5: she was thirteen, right while they were on the road,
• 27:48
  Speaker 5: and Team says, I also had something very traumatic happened
• 27:51
  Speaker 5: to me when I was thirteen, boy sixteen, peep.
• 27:55
  Speaker 4: This three years ago? Was Wanda and Westfield?
• 28:01
  Speaker 3: That's wicked?
• 28:03
  Speaker 4: Or was he one of the children.
• 28:05
  Speaker 5: Whose parents are still did did his parents not wake up?
• 28:10
  Speaker 4: After wan Dove? Like, what is what's happening?
• 28:17
  Speaker 3: Damn?
• 28:17
  Speaker 2: Pusha context cruise is amazing, nigga, ah shit.
• 28:25
  Speaker 3: This is good. This is this is why I like
• 28:27
  Speaker 3: this show.
• 28:27
  Speaker 2: Okay, it's making you think even though there's so many
• 28:29
  Speaker 2: things being thrown at you with like the answers, it's
• 28:32
  Speaker 2: still done pretty artistically in a way where it's like
• 28:36
  Speaker 2: it could lead to a lot of potential answers.
• 28:39
  Speaker 3: Right, I like this.
• 28:41
  Speaker 2: Another thing that was thrown at us from the very
• 28:45
  Speaker 2: beginning was.
• 28:46
  Speaker 3: The nature of this trial.
• 28:47
  Speaker 2: So as we learn that as they're gonna be going
• 28:51
  Speaker 2: down this road, they're gonna be facing a trial that
• 28:54
  Speaker 2: tests each one of the witches specific specialty.
• 28:58
  Speaker 4: Right.
• 28:58
  Speaker 2: This first trial was about the potions, because we were
• 29:01
  Speaker 2: talking about poisons and antidotes and whatnot, and and and
• 29:05
  Speaker 2: and greens was up first?
• 29:09
  Speaker 5: Oh wait, wait, sorry, what's the last thing? Yeah, before
• 29:12
  Speaker 5: we get away from like a teen and his sidual. Yeah,
• 29:15
  Speaker 5: like you mentioned, what they say is that every witch
• 29:21
  Speaker 5: is unable to hear him.
• 29:23
  Speaker 3: Every witch, Sharon, But did she walk away that back?
• 29:28
  Speaker 4: But she had walked.
• 29:29
  Speaker 5: Away very conveniently, very conveniently, and now she did.
• 29:36
  Speaker 2: You're right, she could have heard and understood all of
• 29:40
  Speaker 2: that because she's not a witch.
• 29:43
  Speaker 3: I hate them so bad. I hate what were you saying?
• 29:48
  Speaker 2: Yes, back to the whole trial and the whole purpose
• 29:50
  Speaker 2: of the TRIALM what this is about? And and going forward,
• 29:52
  Speaker 2: every last witch is going to come to their own
• 29:55
  Speaker 2: version of a trial right away. Again, upon second watch,
• 29:59
  Speaker 2: I was like, it was right there the whole time
• 30:01
  Speaker 2: they told you these bitches about to drown, Okay, when
• 30:05
  Speaker 2: they've pulled up to this house, it's this big, beautiful,
• 30:08
  Speaker 2: very stufford wise summer house, right and they even change
• 30:11
  Speaker 2: up And you talked about J Crew last week, they
• 30:13
  Speaker 2: turned straight up J Crew and all the time.
• 30:15
  Speaker 3: And I see why you said that.
• 30:17
  Speaker 4: Can I also say that, yeah?
• 30:19
  Speaker 5: As an ABC Fanney Revenge, it's said Long Island and
• 30:28
  Speaker 5: that looks like the summer home of like the rich
• 30:31
  Speaker 5: people that Emily van Camp who is Sharon Carter that
• 30:35
  Speaker 5: she was messing with and Revenge, it looks just like
• 30:38
  Speaker 5: their house.
• 30:38
  Speaker 4: I'm like, is that the same set?
• 30:40
  Speaker 3: Yes?
• 30:41
  Speaker 4: And I'm fine recycled girl, let's get the planet friendly.
• 30:45
  Speaker 4: But it was it was like, wow, are.
• 30:47
  Speaker 2: We It might be because that is what the show
• 30:50
  Speaker 2: is also imbuing, literally is imbuing when we talk about
• 30:53
  Speaker 2: magic and we talk about just practicality, they're imbuing from
• 30:57
  Speaker 2: the credits.
• 30:57
  Speaker 3: You see that all the stories and.
• 31:00
  Speaker 2: And and pop culture witches and things, and there's things
• 31:03
  Speaker 2: that they say and do within the episode. Each episodes
• 31:07
  Speaker 2: that are actually callbacks or references to other stuff we mentioned.
• 31:11
  Speaker 2: The craft, we mentioned obviously, the the toile in Trouble,
• 31:15
  Speaker 2: which is the witches going down, you know through the
• 31:18
  Speaker 2: that scene of the witch I think it's from Sleeping
• 31:20
  Speaker 2: Beauty or whatever when she goes down into the floorboards
• 31:24
  Speaker 2: so white, right right right right right, like and yes,
• 31:29
  Speaker 2: damn near all of them are all like potentially ABC
• 31:32
  Speaker 2: slash Disney owned so and some type of connection. So, yes,
• 31:38
  Speaker 2: good observation, that house being very all of that, very revenge,
• 31:44
  Speaker 2: very separate, you know, very hampty, Yeah, very sag harbor. Yes,
• 31:48
  Speaker 2: that's all beachfront. That's all beachfront. That in the back
• 31:52
  Speaker 2: of the house. When they look at the back of
• 31:52
  Speaker 2: the house, there's like two unbrothers. They at the goddamn beach.
• 31:55
  Speaker 2: On the porch, there's like a pillow that has a
• 31:58
  Speaker 2: picture of a crab on it. In the house as
• 32:01
  Speaker 2: you're I'm looking without the scenes, all the photos on
• 32:04
  Speaker 2: the walls are women in water floating or like kind
• 32:09
  Speaker 2: of like descending in the water. It's all like, I
• 32:14
  Speaker 2: was just like shit, they sharing before they even got
• 32:18
  Speaker 2: to the house, was sinking, Okay, there are there are
• 32:23
  Speaker 2: signs and symbols of water and and and and being in.
• 32:27
  Speaker 3: The water and going potentially down.
• 32:28
  Speaker 2: In the water all over and even people saying words
• 32:32
  Speaker 2: like sinking and stuff like that.
• 32:33
  Speaker 3: So like it. They gave it to us right away
• 32:36
  Speaker 3: at what this was about. But this was to be about.
• 32:39
  Speaker 2: And then as you saw towards the end of this trial,
• 32:42
  Speaker 2: how the house was magically underwater all of a sudden.
• 32:45
  Speaker 5: So Agatha tried to whenever she got caught out for
• 32:48
  Speaker 5: trying to like cheek out for trying to cheat, she
• 32:53
  Speaker 5: tried she like was like throwing she's trying to break
• 32:55
  Speaker 5: a window. The first thing that happened that same window
• 32:58
  Speaker 5: she was trying to crack open. It's the same one
• 33:00
  Speaker 5: that started slowly cracking and leaking water.
• 33:02
  Speaker 3: Into the collos oil.
• 33:03
  Speaker 2: And and and maybe like you know, if we go
• 33:05
  Speaker 2: about your thought notion that they redid they redid the
• 33:10
  Speaker 2: trials to like a compensate for for Agatha's treachery. They
• 33:14
  Speaker 2: was just like, oh, no, bitch, anything you do, you're
• 33:16
  Speaker 2: gonna put your your your cruel.
• 33:18
  Speaker 3: You want to put your gang.
• 33:19
  Speaker 2: In danger, right but yang and danger yourself as well,
• 33:22
  Speaker 2: because it's your fault.
• 33:24
  Speaker 4: You're in it.
• 33:24
  Speaker 3: You're with them, right, this is all your fault. You're
• 33:26
  Speaker 3: not gonna win the trial.
• 33:28
  Speaker 5: I think that, like I'm interesting, Like I really like that,
• 33:32
  Speaker 5: like the Battle of Witch's Road does kind of spell
• 33:34
  Speaker 5: out like how the sequence of the trials and like
• 33:37
  Speaker 5: the different things people are gonna do. I think it's
• 33:40
  Speaker 5: also interesting that each person's motivation, you know, for like
• 33:46
  Speaker 5: why they're on the Liters Road is tied to like
• 33:50
  Speaker 5: what trial they're gonna have to go through and like
• 33:52
  Speaker 5: what they need to do to move on. So like
• 33:55
  Speaker 5: Jennifer's problem is that she's her magic has been bound
• 33:59
  Speaker 5: and she's trying to bind it. So for her to
• 34:02
  Speaker 5: craft potion, she has to think reverse engineer. When she's
• 34:06
  Speaker 5: given the antidote, she has to unbind and unbind her
• 34:09
  Speaker 5: mind and like remember and like find an education. For Alice,
• 34:16
  Speaker 5: she has like protection magic, and so she's on the road.
• 34:21
  Speaker 5: Her motivation to be on the road is to find
• 34:23
  Speaker 5: her mother, who's supposed to be her protector, so that's
• 34:27
  Speaker 5: like an ongoing thing.
• 34:28
  Speaker 4: And then for divination like.
• 34:33
  Speaker 5: The Diffnation, which like Lilia, she has to think through
• 34:38
  Speaker 5: like reversal of fortunes, like how like you know, like
• 34:43
  Speaker 5: knowing the because so she says in the episode two
• 34:47
  Speaker 5: that one thing about knowing the future is that she
• 34:50
  Speaker 5: was actively run out of town. She's like, she's also
• 34:53
  Speaker 5: a tragic figure like from Greek myth Cassandra, where every
• 34:59
  Speaker 5: she was very accurate in her predictions, but they would
• 35:01
  Speaker 5: run her out of town or just completely ignore her,
• 35:05
  Speaker 5: and then whenever something happened, they'd be like, oh, she's
• 35:08
  Speaker 5: and then they'd runt her out of town kind of thing.
• 35:11
  Speaker 5: And so for her, I feel like what we're going
• 35:14
  Speaker 5: to see, like when we see each trial happen, it's
• 35:16
  Speaker 5: gonna be that person having to do the opposite of
• 35:19
  Speaker 5: what their like training is to do or whatever.
• 35:22
  Speaker 4: Like you're like, oh, Jennifer has to reverse engineer, Like
• 35:26
  Speaker 4: what is protection going to look like?
• 35:29
  Speaker 5: You know, especially if she's looking for her mother and
• 35:32
  Speaker 5: then divination, what is like the opposite of like knowing
• 35:35
  Speaker 5: the future are going to be like rooted in the past.
• 35:37
  Speaker 5: We did see her past as her vision the hallucination.
• 35:43
  Speaker 2: Let's talk about their hallucinations actually, because to the idea,
• 35:48
  Speaker 2: these are very distinct and very let's face it could
• 35:52
  Speaker 2: be terrifying, terrifying visions that you see traumatized and that's
• 35:56
  Speaker 2: the better word, traumatizing visions who have the visuals. So
• 36:00
  Speaker 2: so again I feel so bad from Miss Sharon, Miss
• 36:04
  Speaker 2: Sharon seeing her like she's back in that and the heck,
• 36:08
  Speaker 2: seeing her husband getting choked out like.
• 36:11
  Speaker 5: And she's unconscious, like she's like she's not even like
• 36:14
  Speaker 5: in a state where she can like you know, trying
• 36:16
  Speaker 5: to get her mind.
• 36:16
  Speaker 2: Off of it, and her that broke my heart, her
• 36:20
  Speaker 2: saying Wanda, Wanda, please let him go.
• 36:22
  Speaker 3: Please. That broke my damn heart. I was just like,
• 36:25
  Speaker 3: not again, right? Who then?
• 36:27
  Speaker 2: Then?
• 36:27
  Speaker 3: Who else had the visions?
• 36:29
  Speaker 2: Then?
• 36:30
  Speaker 5: Then I think the next so they slit off and
• 36:32
  Speaker 5: it's very Scooby Doo.
• 36:34
  Speaker 3: It is very Scooby. All right, we're gonna go you
• 36:39
  Speaker 3: go over you over there, we're gonna find the bad guy.
• 36:41
  Speaker 2: I don't remember the exact order, but you just whoever
• 36:43
  Speaker 2: comes to mind for it, you can just mention them.
• 36:46
  Speaker 5: Yeah, so I think they go the two. So I
• 36:49
  Speaker 5: thought it was interesting that the two who were so
• 36:52
  Speaker 5: Jen is on her own because she's putting in the
• 36:53
  Speaker 5: pushings together and Agatha and Lily I go off together,
• 36:59
  Speaker 5: and I got, that's the one who's going to have
• 37:00
  Speaker 5: a dilayed reaction to the postion because she did. She
• 37:03
  Speaker 5: just drink it before they went off, and then ten
• 37:05
  Speaker 5: and Alice go off and teen didn't drink. So they
• 37:07
  Speaker 5: made sure that the person who was going to have
• 37:09
  Speaker 5: a delayed reaction, it's with the person who's going to
• 37:12
  Speaker 5: have a licination basically, right. And so I think the
• 37:16
  Speaker 5: first one we start seeing might be Gens. We just
• 37:19
  Speaker 5: get like a little inkling of like suddenly the yeah,
• 37:22
  Speaker 5: what the fuck, room turns blue or something, and she's
• 37:25
  Speaker 5: like she thinks she sees her mom, but it's not
• 37:27
  Speaker 5: her mom.
• 37:28
  Speaker 2: Well no, Jen, Jen, well you oh, you're talking about
• 37:31
  Speaker 2: the Asian lady were talking about.
• 37:34
  Speaker 4: Like whatever. Because she was like because the first time she.
• 37:36
  Speaker 3: Says mom, Jen hit sees a man the first thing
• 37:38
  Speaker 3: she said.
• 37:39
  Speaker 4: But she says mom. And then she's like, wait a minute, I.
• 37:41
  Speaker 3: Didn't ever say mom. She said mom. She said mom,
• 37:44
  Speaker 3: mm hmm, okay, I don't recall that.
• 37:48
  Speaker 2: I remember her going to the room turned blue and
• 37:51
  Speaker 2: it was like she was in a lab, she thought,
• 37:53
  Speaker 2: or there was a guy. It was the kitchen still,
• 37:55
  Speaker 2: but that guy who was in that white robe looking thing. Now,
• 37:59
  Speaker 2: at first I said a lab because it looked like
• 38:01
  Speaker 2: a like an old school.
• 38:02
  Speaker 3: Type chemist type ship.
• 38:04
  Speaker 2: But then it also kind of was giving priests a
• 38:06
  Speaker 2: little bit like when you baptizing somebody.
• 38:09
  Speaker 3: Yeah, I was sure, but he did.
• 38:11
  Speaker 4: I think he gave more chemists, like I think chemist.
• 38:14
  Speaker 2: Right, or chemists or something like that. So he definitely baptized.
• 38:18
  Speaker 2: That's probably why I thought that way. But I did
• 38:22
  Speaker 2: think she was about to say something like dad or mom,
• 38:26
  Speaker 2: you know, like to your point, I think maybe it
• 38:28
  Speaker 2: looked like she was about to say because someone else
• 38:31
  Speaker 2: had mentioned mom. I think that was right after the
• 38:34
  Speaker 2: protection which saw her mother, and that's probably why it
• 38:37
  Speaker 2: just carried over to the next thing.
• 38:39
  Speaker 4: I just thought that it was I think it because
• 38:41
  Speaker 4: I think they did that. I think they did like they.
• 38:42
  Speaker 3: Were like they did they did it side by side
• 38:45
  Speaker 3: and then they did that whose nigga is that?
• 38:49
  Speaker 5: So that's my thing is again because like they're facing
• 38:53
  Speaker 5: their trial, like their like worst fears or big trials.
• 38:56
  Speaker 5: Her big trial is that her magic was bound. So
• 38:58
  Speaker 5: my theories that that the guy who bound her magic
• 39:01
  Speaker 5: he was.
• 39:02
  Speaker 2: When he said I'm disappointing you. I don't fuck with you.
• 39:04
  Speaker 2: He was like he said something particularly.
• 39:06
  Speaker 4: You're very you're very inconvenient.
• 39:09
  Speaker 3: Oh you're an inconvenient woman. Saw might wait a minute.
• 39:12
  Speaker 3: Who talks like that? Usually it is like a partner
• 39:13
  Speaker 3: that like, but he said like that.
• 39:15
  Speaker 5: But he like, again, we know that Gen's magic has
• 39:18
  Speaker 5: been bound for one hundred and fifty years. That's the
• 39:20
  Speaker 5: sort of like lingo of someone one hundred and fifty
• 39:23
  Speaker 5: years ago is to cause someone.
• 39:25
  Speaker 3: And they looked old timy.
• 39:26
  Speaker 5: It looked old timy like a chemist instead of like
• 39:30
  Speaker 5: an apothecary or whatever, you.
• 39:32
  Speaker 3: Know, like maybe she was working someplace.
• 39:34
  Speaker 4: And she felt like that's the person who.
• 39:37
  Speaker 3: Had feelings for him or something.
• 39:39
  Speaker 5: And I don't know if she have feelings for him,
• 39:40
  Speaker 5: because I know that being traumatized, you're going to react
• 39:44
  Speaker 5: to someone even if he once loved them, like m
• 39:47
  Speaker 5: But she didn't react in a way that she was
• 39:48
  Speaker 5: like initially like happy to see him.
• 39:50
  Speaker 3: She was like she was scared.
• 39:51
  Speaker 2: But I just want to abuse of type relationship non relation.
• 39:55
  Speaker 2: I don't know, to be okay, fine, protection which we
• 40:02
  Speaker 2: see she seen him another heartbreaking and she like that's
• 40:07
  Speaker 2: another heartbreaking imagery, just because we know her whole point
• 40:12
  Speaker 2: of being here is to find her mother disappear without
• 40:14
  Speaker 2: a trace, nothing right, you got nothing to go by,
• 40:17
  Speaker 2: and there's and obviously she's kind of at a dead
• 40:20
  Speaker 2: end in her life where she nothing's moving the daughter right,
• 40:22
  Speaker 2: so for her to see her mom after all this time,
• 40:25
  Speaker 2: it's like, you know, you think it's real. And then
• 40:28
  Speaker 2: her mom is crying distraught, talking about your grandmother died
• 40:31
  Speaker 2: the day and she's thousand miles away, and I still
• 40:33
  Speaker 2: felt it, right, and I'm just like, okay, there's some
• 40:34
  Speaker 2: witch shit going on. And then her mom just yelling out,
• 40:39
  Speaker 2: I can't protect you, and another just a tragic, hard
• 40:46
  Speaker 2: thing to deal with. I just I just I don't
• 40:49
  Speaker 2: even know because I'm just thinking about that and that
• 40:51
  Speaker 2: was me and my mom said that to me.
• 40:53
  Speaker 3: I'll just be on the floor right like, I don't know.
• 40:56
  Speaker 3: And this is the I mean, the road is abusive,
• 40:59
  Speaker 3: but goddamn.
• 41:00
  Speaker 4: And I feel like these hallucinations aren't just like.
• 41:04
  Speaker 5: You know how whatever you dream and things don't make
• 41:07
  Speaker 5: sense and they just gonna come together like you know
• 41:08
  Speaker 5: what they mean sometimes because you like, you know where
• 41:11
  Speaker 5: this is coming from, but at the same time, you're like,
• 41:13
  Speaker 5: this doesn't make any sense. These hallucinations feel more like memories,
• 41:17
  Speaker 5: like they're kind of just.
• 41:18
  Speaker 3: Like memories, memories, any fun facts or fun note.
• 41:24
  Speaker 2: When I look back at what they were drinking, I
• 41:27
  Speaker 2: was just looking at the label. I don't know what
• 41:28
  Speaker 2: language is in, but it basically says rain I Roja
• 41:33
  Speaker 2: Red Queen, red Witch, scarlet witch.
• 41:36
  Speaker 3: They drinking. Now they on that Wanda, Okay, they on.
• 41:41
  Speaker 2: The reality distortion. Okay, just like when they walked in
• 41:45
  Speaker 2: the spot and they all all they hold.
• 41:47
  Speaker 3: Drip change like reality distortion, so all that. Who else
• 41:53
  Speaker 3: got to think? Okay, this was the most interesting to me. Laila, La, Lilia,
• 41:57
  Speaker 3: Lilith whatever, home girl.
• 42:02
  Speaker 2: She's from Italy or whatever the fut Cicily she's from.
• 42:05
  Speaker 3: She's from some dynasty or some shit. She have the
• 42:09
  Speaker 3: most wild.
• 42:10
  Speaker 2: You know, Assassin's Creed type scenery to me, because I
• 42:16
  Speaker 2: was like, but wait a minute, who's this little princess?
• 42:18
  Speaker 2: And she started speaking in Italian and and like what
• 42:22
  Speaker 2: was what was her situation about? I feel like you
• 42:24
  Speaker 2: might got a better insight than me, but I was
• 42:26
  Speaker 2: just very intrigued, like, well, what's so propera are we
• 42:28
  Speaker 2: in right now?
• 42:29
  Speaker 5: I was looking at like, you know, look, I dabbled
• 42:35
  Speaker 5: in like historical like fiction and like something in fashion,
• 42:39
  Speaker 5: like I dabbled there, do I do.
• 42:42
  Speaker 3: I live there?
• 42:44
  Speaker 5: It was getting up, it was giving like you know,
• 42:46
  Speaker 5: like Renatorian area. It was given a Renaissance Renaissance even
• 42:52
  Speaker 5: before all that, like for Borgias, like like Renaissance era Renaissance.
• 42:56
  Speaker 3: Okay, oh so like da Vincian on him, yeah.
• 42:59
  Speaker 5: But a little bit before that girl but before well
• 43:04
  Speaker 5: but anyways, but it gets so it gave like possibly
• 43:10
  Speaker 5: the timing of the Inquisition because like you know, the
• 43:12
  Speaker 5: Spanish or the Inquisition, but so that the Italians and
• 43:15
  Speaker 5: she's a witch.
• 43:16
  Speaker 3: She's a witch with that's when it was burning. It
• 43:20
  Speaker 3: was burning them less.
• 43:22
  Speaker 5: And it's and it's funny but not funny, hauhuh when
• 43:25
  Speaker 5: she talks about like because like at the end of
• 43:27
  Speaker 5: the episode, they get out because the gate out of
• 43:30
  Speaker 5: the house is through an oven, and she says, I
• 43:34
  Speaker 5: once had a friend who died in an oven, and
• 43:39
  Speaker 5: it's right, but at the same time they be burning
• 43:42
  Speaker 5: witches and she lived through the Inquisition then and then
• 43:46
  Speaker 5: also there's an illusion I don't I can't remember if
• 43:49
  Speaker 5: the actors is Jewish, but that might also be.
• 43:52
  Speaker 2: Like oh my god, please don't please, I really don't
• 43:55
  Speaker 2: want that to be a Holocaust reference.
• 43:58
  Speaker 4: I fat it was. It was like just like trying
• 44:01
  Speaker 4: to be light, but like I.
• 44:02
  Speaker 3: Really hope not.
• 44:04
  Speaker 2: Back to just one thing I had just said about,
• 44:07
  Speaker 2: I immediately got the reference to Hansel and Gretel because
• 44:09
  Speaker 2: in a story, the witch is trying to eat them
• 44:12
  Speaker 2: and they end up defeating her and pushing her ass
• 44:14
  Speaker 2: in of and so that's why I thought they was
• 44:15
  Speaker 2: getting at again another Yeah.
• 44:16
  Speaker 5: That's why that's exactly where I went. But I'm like, also, like,
• 44:18
  Speaker 5: there's so many different layers to that, and I'm like,
• 44:22
  Speaker 5: I don't know. I also think that to the point
• 44:25
  Speaker 5: of like Hansel and Gretel, I think every episode that
• 44:28
  Speaker 5: we've had so far you could probably tie to a
• 44:30
  Speaker 5: different fairy tale. Like yeah, there's just so many different
• 44:33
  Speaker 5: aspects of like and that's the thing that's really really
• 44:35
  Speaker 5: cool about uh which stories is that they have been
• 44:40
  Speaker 5: around for so long, They've been integrated into like the
• 44:43
  Speaker 5: mythost for so long that like, yes, they're on the
• 44:49
  Speaker 5: road and it's like the yellow bick road and you
• 44:50
  Speaker 5: gotta stay on path and you can't go off of it,
• 44:54
  Speaker 5: and there's just so many really cool things. And I'm like,
• 44:58
  Speaker 5: I like that there are leading to like the things
• 45:01
  Speaker 5: that like again if it's the inquisician, like like that's
• 45:04
  Speaker 5: something that we like really haven't seen a lot of.
• 45:06
  Speaker 4: So that's like a good like tying, especially she's that old.
• 45:09
  Speaker 4: And then like she lift.
• 45:10
  Speaker 5: Through that, like her trauma's real big trauma and that
• 45:13
  Speaker 5: her scene was the scariest scene.
• 45:14
  Speaker 2: It was very I mean it started with like a
• 45:17
  Speaker 2: nun or something like like a scary looking undead nun
• 45:20
  Speaker 2: or something, and that was a lot like death coming
• 45:22
  Speaker 2: behind her was like I thought it was one of
• 45:25
  Speaker 2: the de mentors, the one of the sailing the mentors
• 45:28
  Speaker 2: behind her.
• 45:28
  Speaker 3: What I don't lit it. I was just like, we
• 45:31
  Speaker 3: gotta go. I just can't. I'm not into that. We
• 45:34
  Speaker 3: gotta go and.
• 45:35
  Speaker 4: Had her celto up.
• 45:36
  Speaker 5: She was speaking in Sicilian to Agatha and a yeah.
• 45:41
  Speaker 3: She was shaking and you know, and she also be
• 45:43
  Speaker 3: be just saying shit.
• 45:44
  Speaker 2: Anyway, when what she said earlier in the in the group,
• 45:47
  Speaker 2: she was like, oh, you gotta protect Agatha, right, and
• 45:50
  Speaker 2: Aga was like great, thanks, and then what else she
• 45:52
  Speaker 2: said she says something else She just blurted out. She'd
• 45:54
  Speaker 2: just be blurting out shit that obviously is going to
• 45:57
  Speaker 2: be foresight into what's going to be happening soon, right
• 46:02
  Speaker 2: wild Also, you last week when you were talking about
• 46:07
  Speaker 2: the credits, how the credits have images and what's about
• 46:09
  Speaker 2: to happen and different people were gonna meet and stuff,
• 46:12
  Speaker 2: there is a very particular striking image of the protection
• 46:16
  Speaker 2: which is Mom in the credits. So now we actually
• 46:19
  Speaker 2: get to see her in this episode. So we said
• 46:23
  Speaker 2: teen didn't drink, so he didn't see anything, and then
• 46:25
  Speaker 2: the last person to see something get the vision is
• 46:28
  Speaker 2: Agatha and it goes back to what they were like
• 46:31
  Speaker 2: about her baby, right like maybe she she traded in
• 46:34
  Speaker 2: her baby for the dark cold and her vision is
• 46:37
  Speaker 2: of well, we hear is baby crying and she.
• 46:42
  Speaker 3: Immediately melts like, oh my god. You know what if
• 46:44
  Speaker 3: that goes towards it removes.
• 46:46
  Speaker 2: The blanket thing and it's a baby and it's just
• 46:48
  Speaker 2: the dark cold and she's you know, screaming, and I'm
• 46:51
  Speaker 2: just like, well, damn visions, you really did trade your
• 46:54
  Speaker 2: son and for this or was it like you had
• 46:57
  Speaker 2: to make a choice and you chose the book, Like
• 46:59
  Speaker 2: what did you do?
• 47:02
  Speaker 3: What? What did you do? You know what streacherous what
• 47:04
  Speaker 3: you do?
• 47:05
  Speaker 2: Or am I supposed to feel bad for you at
• 47:07
  Speaker 2: by the end because I'm gonna find out something else happened.
• 47:10
  Speaker 4: Am I supposed to feel bad because I don't.
• 47:13
  Speaker 3: Am I supposed to feel bad for that bitch, you know,
• 47:15
  Speaker 3: the lady of the wheelchair? But I don't know. I
• 47:19
  Speaker 3: don't know.
• 47:19
  Speaker 2: And also like at the end of the day, like
• 47:21
  Speaker 2: you do, Agatha is likable, I will say that, just yeah.
• 47:28
  Speaker 4: That people can relate to, like your selfish part of you.
• 47:31
  Speaker 5: You know, you have a selfish part of yourself, and
• 47:33
  Speaker 5: so when you see someone acting from a place of selfishness,
• 47:36
  Speaker 5: you're like, I don't love it, but I see where
• 47:39
  Speaker 5: it's coming from.
• 47:39
  Speaker 4: Like it's like a it's relatable on that way.
• 47:42
  Speaker 5: Right right, I don't know if she's Yeah, she's really
• 47:44
  Speaker 5: I don't I don't know if likable is part of it.
• 47:46
  Speaker 4: Possibly, but she's relatable.
• 47:49
  Speaker 3: Yeah, you're right, she's relatable. I say, I like that,
• 47:53
  Speaker 3: but that bitch is crazy.
• 47:55
  Speaker 2: But she's more relatable than anything to like the d right,
• 47:58
  Speaker 2: the part of your what they said, you have your
• 48:00
  Speaker 2: ego and the it and all that stuff, the one
• 48:02
  Speaker 2: that's all about whatever you want in the selfishness, that
• 48:05
  Speaker 2: repellian brain.
• 48:06
  Speaker 3: Of yours, right like she she feeds right into that.
• 48:09
  Speaker 2: Yeah, but this was all like the first like very
• 48:13
  Speaker 2: horror type entry into the series and makes sense, you know,
• 48:18
  Speaker 2: with it tracking towards Halloween and all this other stuff.
• 48:23
  Speaker 2: Like I said, there were just throughout the episodes, there
• 48:25
  Speaker 2: was a lot of random Easter eggs and things in
• 48:27
  Speaker 2: there and just references right, Like, I don't know specificly
• 48:31
  Speaker 2: what this was for, but like when she did she
• 48:33
  Speaker 2: picked up when I got to pick up the object
• 48:34
  Speaker 2: to try to break out of the house, she picked
• 48:36
  Speaker 2: up a white queen.
• 48:38
  Speaker 3: She picked up a giant chest piece which was the
• 48:41
  Speaker 3: queen piece.
• 48:42
  Speaker 2: And I don't know that meant something or anything like that.
• 48:44
  Speaker 2: I already told you about the red Queen wine that
• 48:46
  Speaker 2: they drank. The fact that the wine refilled itself, that's
• 48:52
  Speaker 2: just on some magic, creepy shit. But that's also like
• 48:55
  Speaker 2: to be like I'll say, don't say Jesus turned water
• 48:58
  Speaker 2: into wine.
• 49:00
  Speaker 5: The call back to Steven strange with Thor like whenever,
• 49:05
  Speaker 5: like Thor's like at the like the segments Totorum and
• 49:08
  Speaker 5: like Thor's and he's like he just keeps refeeling like
• 49:12
  Speaker 5: more me right right right right, and and Thor's just
• 49:16
  Speaker 5: like okay, and he's like I feel like.
• 49:18
  Speaker 4: He's also like he took it like a challenge. He
• 49:19
  Speaker 4: was like, you think I can't finished this? I got it.
• 49:21
  Speaker 3: Right right right right right. No, it was giving that
• 49:24
  Speaker 3: you're right, You're right.
• 49:26
  Speaker 5: And I wanted to I did not I miss this note.
• 49:28
  Speaker 5: I'm sorry to the comic fans. You're gonna have more
• 49:31
  Speaker 5: on this than I do. But I did look up
• 49:34
  Speaker 5: Lilia when I saw like like those like components of
• 49:37
  Speaker 5: her story that I'm like, is this related to the Inquisition?
• 49:41
  Speaker 5: And I think you mentioned last episode that she's a
• 49:43
  Speaker 5: descendant of kali Astro, like as in the Book of Caliostro,
• 49:49
  Speaker 5: which which we saw and the Multiverse's madness, like we
• 49:53
  Speaker 5: saw like that's the sparkling book they were trying to
• 49:56
  Speaker 5: go after. So like if that is a big like
• 50:02
  Speaker 5: factor in her story, and like we have the dark Hold,
• 50:05
  Speaker 5: it is like the anti book and then the big
• 50:08
  Speaker 5: Calros the other one.
• 50:10
  Speaker 4: What is that gonna cut tie into?
• 50:12
  Speaker 5: And like how you know scary her story is also
• 50:16
  Speaker 5: I think she says, h no, her last thing is
• 50:22
  Speaker 5: Caldera or like she says something like they're talking and
• 50:25
  Speaker 5: they keep mentioning caldera and that is cauldron.
• 50:30
  Speaker 3: In Spanish, or and they turn the sink into a cauldron.
• 50:37
  Speaker 4: Mm hmm oh.
• 50:38
  Speaker 2: And also about the whole water thing, miss Green's almost
• 50:42
  Speaker 2: drowning being dunked in the water all that ship and
• 50:46
  Speaker 2: also like which is green? Yeah, yeah, And also that's
• 50:49
  Speaker 2: one way to kill a witch, right to drown her.
• 50:51
  Speaker 4: So I mean, it's the way to it's not.
• 50:54
  Speaker 5: The lovely thing about the witch trials is like all
• 50:56
  Speaker 5: the ways that they like go to like try to
• 50:59
  Speaker 5: kill you, so which is like if you're not yeah,
• 51:02
  Speaker 5: and you're just if you're a human, big, this is
• 51:05
  Speaker 5: how you.
• 51:05
  Speaker 2: Die, right, this is how you go And and interestingly,
• 51:08
  Speaker 2: I mean and also it's obviously it's all related and
• 51:10
  Speaker 2: and interrelated just the ways of with at which witch.
• 51:16
  Speaker 3: Is damn another time twister can die.
• 51:18
  Speaker 2: They're all related to very base elements, right, water, fire,
• 51:23
  Speaker 2: I don't know if air is one of them, but
• 51:25
  Speaker 2: like you know, you could burn a witch, you could
• 51:27
  Speaker 2: drown a witch and some other shit. You could probably
• 51:29
  Speaker 2: you can bind them with certain certain metals stone.
• 51:32
  Speaker 4: Which is their air. So you're like cutting off their
• 51:34
  Speaker 4: air when you're stone.
• 51:35
  Speaker 3: Them bot the ofpting on Earth. But yeah, that too,
• 51:38
  Speaker 3: damn damn, this is fucked up.
• 51:42
  Speaker 2: Another reference, Oh, one of the cats when they first
• 51:45
  Speaker 2: walk into the house, they say huge tiny lies, right
• 51:50
  Speaker 2: little Yeah, they say huge time Like that was direct
• 51:53
  Speaker 2: reference to Big Little Lies the actual TV show Starrying
• 51:56
  Speaker 2: our friend Nicole Kidman here, And I don't know if
• 51:59
  Speaker 2: you ever watched that show. I have, I don't, Okay,
• 52:02
  Speaker 2: I don't know if I like, maybe I watched a
• 52:03
  Speaker 2: few episodes.
• 52:04
  Speaker 3: But again when.
• 52:05
  Speaker 2: I talked about how they told you in the beginning
• 52:08
  Speaker 2: with this was about like it takes big little lies.
• 52:10
  Speaker 2: The whole show takes place in a beach front town, right,
• 52:13
  Speaker 2: so I'm just like, and there's all these treachery and
• 52:16
  Speaker 2: different things going on between the mothers of the town
• 52:18
  Speaker 2: and whatnot, and that's what you end up seeing here?
• 52:22
  Speaker 3: What else? What else? In just terms of.
• 52:25
  Speaker 2: Any Easter Eggs references, callbacks or mages, obviously, the.
• 52:31
  Speaker 3: Way their dressed is something.
• 52:33
  Speaker 2: I know, Kales is something about she looks like one
• 52:35
  Speaker 2: of her customers.
• 52:39
  Speaker 5: I think I told you last episode, like since I
• 52:41
  Speaker 5: saw the nails in the end credits, so like that's
• 52:47
  Speaker 5: something that they actually did make sure that when they
• 52:50
  Speaker 5: had their like reality work, everyone was with a cute
• 52:53
  Speaker 5: little French set with either a square or an oval
• 52:57
  Speaker 5: cut like nail set or whatever, and then as soon
• 52:59
  Speaker 5: as they came back on.
• 53:00
  Speaker 4: The road they had their regular degular nels.
• 53:02
  Speaker 3: You're right, because Acta did have her nails, and I
• 53:04
  Speaker 3: was I was checking out.
• 53:06
  Speaker 5: Jennifer, so all of them, even Alice, she had like
• 53:09
  Speaker 5: they all had their nails. I don't I didn't see
• 53:11
  Speaker 5: the teens, but everyone else had their nails.
• 53:12
  Speaker 2: Then I think no, because they just made him all
• 53:14
  Speaker 2: because they got rid of his eyeliner and everything else, right,
• 53:16
  Speaker 2: they just made him like Super j Crew, right, So okay,
• 53:21
  Speaker 2: and what what else did I see there? I don't
• 53:24
  Speaker 2: know if you saw anything else where, and even like
• 53:27
  Speaker 2: just any inklings about what's gonna happen.
• 53:30
  Speaker 3: I mean you, I don't know if you saw all
• 53:31
  Speaker 3: of episode. For you, I think you did, so obviously
• 53:34
  Speaker 3: don't tell me anything. But like at the end, besides
• 53:41
  Speaker 3: Sharon being dead.
• 53:42
  Speaker 4: Now what.
• 53:44
  Speaker 3: Like what and what do they do with her body?
• 53:46
  Speaker 6: Like, oh Jesus that and like I like, now that
• 53:52
  Speaker 6: we've seen their traumas, what what did we actually know
• 53:58
  Speaker 6: about these folks and what do they like are they
• 54:00
  Speaker 6: going to share with each other?
• 54:02
  Speaker 4: Because while they saw what they went.
• 54:04
  Speaker 5: Through, the teen makes like an active effort to ask
• 54:08
  Speaker 5: Agatha what she saw and she don't tell him nothing,
• 54:12
  Speaker 5: and I don't I don't think the rest of the
• 54:15
  Speaker 5: crew actually says what they saw yet.
• 54:17
  Speaker 4: I mean they're trying to move, so they don't really
• 54:19
  Speaker 4: have a moment.
• 54:20
  Speaker 2: Yeah, well, well what's her name says tells Tin that
• 54:23
  Speaker 2: she saw her mom.
• 54:25
  Speaker 5: Elic's pretty forthcoming though, like if all the witches else
• 54:28
  Speaker 5: has been like the most like straightforward so far, I think.
• 54:33
  Speaker 2: And also they didn't have time to like really have
• 54:35
  Speaker 2: a therapy session right, like they were trying to get
• 54:38
  Speaker 2: their stuff together.
• 54:40
  Speaker 3: I did find it.
• 54:41
  Speaker 2: Interesting that Agtha was being has has been and is
• 54:45
  Speaker 2: particularly in this episode, being very detective of Teen, Like
• 54:51
  Speaker 2: at first she was just kind of It's like on
• 54:53
  Speaker 2: one hand, like she was just kind of being, you know,
• 54:55
  Speaker 2: negligent mother when he.
• 54:56
  Speaker 3: Was like can I have a drink? And she was
• 54:58
  Speaker 3: like yeah, right, and everybody I was.
• 55:00
  Speaker 4: Like no, and then share it, right because she was
• 55:02
  Speaker 4: being the mother hen.
• 55:03
  Speaker 3: It was like got it, like let me take it.
• 55:05
  Speaker 2: But then fast forward to almost the end when when
• 55:09
  Speaker 2: they were like, nah, you gotta drink this, Agatha, and
• 55:12
  Speaker 2: he was just like, you know, well if.
• 55:14
  Speaker 3: You don't do it, I will, and she was just
• 55:16
  Speaker 3: like no.
• 55:17
  Speaker 2: And she said no with a very forceful tone, like
• 55:20
  Speaker 2: and to me, a protective tone. And Cale looked at
• 55:22
  Speaker 2: her like, okay, bitch, you know like you care about
• 55:25
  Speaker 2: this one, like why does it matter?
• 55:27
  Speaker 4: So?
• 55:27
  Speaker 2: And Cale's clocking it all because you know, she had
• 55:29
  Speaker 2: that side conversation with teens. So I'm trying to see
• 55:33
  Speaker 2: how that's gonna be a play as well that I
• 55:35
  Speaker 2: could see that being a big play.
• 55:37
  Speaker 3: I just need to know who this boy is.
• 55:39
  Speaker 4: That's the that's important question in the room. Here's my thing.
• 55:44
  Speaker 4: I do think that it's like a worthy like mystery.
• 55:47
  Speaker 4: I do you think he's doing that.
• 55:48
  Speaker 5: We're gonna like it's gonna be a payoff, It's gonna
• 55:51
  Speaker 5: be good, it's gonna be worth knowing. But here's my
• 55:54
  Speaker 5: thing about having a mystery presented to you from the
• 55:58
  Speaker 5: beginning is usually hiding and there's something else you're supposed
• 56:02
  Speaker 5: to be paying attention to you as well.
• 56:04
  Speaker 3: The answer what Ben has always said.
• 56:06
  Speaker 2: He says they they the answer is given to you
• 56:09
  Speaker 2: from the beginning, Like they're not gonna introduce somebody random
• 56:12
  Speaker 2: and say, oh, that was the answer.
• 56:14
  Speaker 3: Like the answer is there, and we just don't attention.
• 56:18
  Speaker 4: That's one mystery?
• 56:20
  Speaker 5: Is there a bigger mystery that we're not paying much
• 56:23
  Speaker 5: attention to you? Because everyone's eyes are on this one?
• 56:26
  Speaker 5: Like what are we That's why I'm like, this is
• 56:28
  Speaker 5: a clue over here for something else. Here's another clue.
• 56:31
  Speaker 5: Why don't we know as much about this person? What's
• 56:32
  Speaker 5: going on over here?
• 56:33
  Speaker 3: We know act have to hide and stuff, and we know,
• 56:36
  Speaker 3: like and like.
• 56:37
  Speaker 5: What's being set up is like the ties to the teens,
• 56:40
  Speaker 5: like identity Basically it's like, oh is he her son?
• 56:45
  Speaker 4: Right?
• 56:45
  Speaker 5: Like so it's kind of interrelated to the teen mystery,
• 56:48
  Speaker 5: but it's like what are we missing?
• 56:50
  Speaker 4: Is there something about the Witches Road that we're missing?
• 56:53
  Speaker 5: And like these particular witches and their questioning like is
• 56:56
  Speaker 5: there there's something?
• 56:58
  Speaker 2: And I also feel like they're not gonna It's like
• 57:00
  Speaker 2: as much as everything's being given to you, I also
• 57:03
  Speaker 2: don't think they're not gonna be that obvious, like for
• 57:06
  Speaker 2: it to be the sun right, Like of course we're
• 57:08
  Speaker 2: gonna suspect him to be the sun, right, and if
• 57:12
  Speaker 2: that does become the thing, it's like, okay, it's obviously,
• 57:14
  Speaker 2: but to your point, it's gonna be another twist there
• 57:16
  Speaker 2: that we've were missing completely.
• 57:18
  Speaker 5: Especially is I get to truly say on this road
• 57:25
  Speaker 5: when the uh the Salem seven are breathing got her
• 57:28
  Speaker 5: neck and they're also a coven possibly.
• 57:31
  Speaker 2: So oh them niggas was gonna it will be there
• 57:33
  Speaker 2: by now, like they reopening that door, like at first,
• 57:36
  Speaker 2: you know, they close the door on it, and it
• 57:37
  Speaker 2: just seem like they'd be good. But I'm like, to
• 57:38
  Speaker 2: your point, they are whole ass coven too. They could
• 57:40
  Speaker 2: open that bitch easy. I thought that was one of
• 57:43
  Speaker 2: them in the hallucination that Lilian had or Lilith so
• 57:47
  Speaker 2: whatever her name is.
• 57:48
  Speaker 3: So I m who knows who? Girl who knows?
• 57:55
  Speaker 2: I'm seated. I like the show they're doing the thing.
• 58:00
  Speaker 2: I loved all the tiktoks and people like getting into
• 58:03
  Speaker 2: it when they were singing the song to get into
• 58:06
  Speaker 2: you know, Hell's Miami so so to speak. But yeah,
• 58:11
  Speaker 2: I'm good. I just need them to be careful with
• 58:15
  Speaker 2: the with the scary not as long as it's not gory.
• 58:17
  Speaker 3: And bloody and stuff like that. I'm good, but you.
• 58:19
  Speaker 4: Know, are you like a Freddy Cat?
• 58:22
  Speaker 3: No, I just don't like it. Think it's disgusting. I
• 58:24
  Speaker 3: don't like the.
• 58:26
  Speaker 5: Yeah.
• 58:27
  Speaker 2: No, like I'm not like most horror movies don't scare me.
• 58:30
  Speaker 2: In fact, I think they're silly. I don't find that scary.
• 58:34
  Speaker 2: I just I also, I just particularly don't like coore
• 58:37
  Speaker 2: and just nasty forsake and nasty.
• 58:39
  Speaker 3: It's not my thing.
• 58:39
  Speaker 4: Oh I don't either.
• 58:40
  Speaker 5: I like, I like creepy things, so like I like
• 58:42
  Speaker 5: things that are like, actually, it's gonna be interesting, like
• 58:48
  Speaker 5: I hopefully they don't put too many like.
• 58:51
  Speaker 4: Fear factorque things in there.
• 58:53
  Speaker 3: You know, please don't. I don't want to. I don't
• 58:55
  Speaker 3: want to, please don't.
• 58:59
  Speaker 2: I'm more the things that that are more scary to me,
• 59:01
  Speaker 2: or like stuff like Final Destination type shit where it's
• 59:04
  Speaker 2: just like, yeah it's improblem but it's like this could happen,
• 59:06
  Speaker 2: but it could.
• 59:07
  Speaker 5: And I love I love how tiutize our generation is
• 59:10
  Speaker 5: like anytime a lock to everybody's like nope.
• 59:12
  Speaker 2: I've literally if I see a truck full of anything
• 59:16
  Speaker 2: that looks kind of funny, I am not driving nowhere
• 59:19
  Speaker 2: near behind that truck and fat, I'm getting the fuck
• 59:21
  Speaker 2: out the way of the moment.
• 59:22
  Speaker 3: I can not doing it. Y'all got it?
• 59:25
  Speaker 5: And I'm not in the fair factor stuff because I
• 59:27
  Speaker 5: think that Jennifer Kales she kind of plays around with that.
• 59:29
  Speaker 5: When she's like saying the ingredients for things, She's like
• 59:32
  Speaker 5: the excretions of a like a social insect or whatever.
• 59:37
  Speaker 2: And the inclusion social insects some shit like that. I'm like,
• 59:40
  Speaker 2: huh and honey, and that's what I'm saying. The team
• 59:43
  Speaker 2: knows too much for him to be like, oh you mean, honey, nigga,
• 59:47
  Speaker 2: how you what?
• 59:49
  Speaker 5: The team is carrying a notebook too, like they have
• 59:52
  Speaker 5: like so whenever they had their outfit changes. I guess
• 59:55
  Speaker 5: that kept her broach Alice was able to make her tabulous.
• 59:59
  Speaker 4: Yeah.
• 59:59
  Speaker 5: And then and the teen is like, wait, where's my notebook?
• 1:00:02
  Speaker 5: And he had his notebook on him.
• 1:00:04
  Speaker 3: That's his amulet, dark.
• 1:00:09
  Speaker 4: Notebook coming ambulet and viewed with powers. What are we doing?
• 1:00:14
  Speaker 3: That's suspicious? Suspicious?
• 1:00:18
  Speaker 2: Oh and just the last point. I don't know if
• 1:00:20
  Speaker 2: you had any more notes or anything, but the last one. Uh,
• 1:00:23
  Speaker 2: the couse they keeps is a different song at the
• 1:00:25
  Speaker 2: end of each episode.
• 1:00:27
  Speaker 3: This song was heads Will Roll by Yeah Yeah yeahs.
• 1:00:31
  Speaker 4: I don't know, so that was the.
• 1:00:32
  Speaker 3: I love yeah yeah.
• 1:00:33
  Speaker 2: By the way, like I recognized I think Karen. I
• 1:00:36
  Speaker 2: recognize Karen at least there. I recognize her voice right away.
• 1:00:39
  Speaker 2: But heads Will Roll and it's about death.
• 1:00:43
  Speaker 4: I don't know. So that was my thing? Is that?
• 1:00:45
  Speaker 4: Like initially when I first watched him, I was like,
• 1:00:47
  Speaker 4: are they all different songs?
• 1:00:48
  Speaker 1: Like?
• 1:00:48
  Speaker 4: But the first two episodes are the Ballad of which.
• 1:00:51
  Speaker 5: Yeah, the first two episode yeah, and I don't I
• 1:00:54
  Speaker 5: couldn't tell if it was a different versions. And then
• 1:00:57
  Speaker 5: if you notice on YouTube they released Disney released the
• 1:01:03
  Speaker 5: Ballad of which is Road, the Sacred Chant version.
• 1:01:06
  Speaker 3: Mmmmm, might you talked about that?
• 1:01:08
  Speaker 5: So after they after it dropped the episode or whatever
• 1:01:10
  Speaker 5: I want to say, like earlier this week they dropped
• 1:01:12
  Speaker 5: this one.
• 1:01:12
  Speaker 4: So does that mean next.
• 1:01:13
  Speaker 5: Week we're gonna get another version of or the next
• 1:01:16
  Speaker 5: time we hear about it, which is road, we're gonna
• 1:01:18
  Speaker 5: have another version dropped on YouTube like a week or
• 1:01:21
  Speaker 5: so after?
• 1:01:23
  Speaker 3: You know what they said, Like when it was on
• 1:01:25
  Speaker 3: the road, there was nothing there.
• 1:01:25
  Speaker 2: They turned around the house with there they said, was
• 1:01:27
  Speaker 2: that there before Agatha says, stop asking that question, and
• 1:01:30
  Speaker 2: that's what's happening.
• 1:01:31
  Speaker 3: But something like these news is gonna lie to us
• 1:01:35
  Speaker 3: up and down during this series.
• 1:01:36
  Speaker 2: It's gonna be sleight of hand tricks, misdirection, treachery, it's
• 1:01:43
  Speaker 2: going to be subterfuge, all of the words. We're gonna get,
• 1:01:47
  Speaker 2: all of it, all of the magicians, strict shit we're
• 1:01:50
  Speaker 2: gonna get. And I think it's gonna be a fabulous time.
• 1:01:54
  Speaker 2: That said, thank y'all so much for listening to us.
• 1:01:56
  Speaker 2: This has been our review of Agatha All Along episode three.
• 1:02:01
  Speaker 2: You have been listening to four All Nerds f O
• 1:02:04
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• 1:02:07
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  Speaker 3: You probably get first dips on things.
• 1:04:44
  Speaker 2: Like giveaways or access to like screenings, things like that,
• 1:04:48
  Speaker 2: and you're usually the first to know any big news
• 1:04:50
  Speaker 2: in general. So please consider joining the Patreon. And other
• 1:04:55
  Speaker 2: than that, I just want to say thank y'all for listening,
• 1:04:57
  Speaker 2: appreciate you. We're gonna be back next week with more Agatha,
• 1:04:59
  Speaker 2: all alone, motion Out against more jokes.
• 1:05:02
  Speaker 3: All that we love you, bros.
• 1:05:10
  Speaker 4: Shol