Latest / The Bald Brothers Podcast / 123: The Best of 1992 | #Thebaldbrotherspodcast

Transcript

123: The Best of 1992 | #Thebaldbrotherspodcast · The Bald Brothers Podcast

• 0:00
  Speaker 1: All right. By the way, Boll Brothers Tour starts at
• 0:03
  Speaker 1: the end of this month. Get your ticket.
• 0:05
  Speaker 2: Saint Louis and Nashville up first, followed by Dallas, Houston
• 0:08
  Speaker 2: and Atlanta. Atlanta probably might be sold out by this time.
• 0:12
  Speaker 2: We're shooting this in the future, for the past, I
• 0:14
  Speaker 2: don't know.
• 0:14
  Speaker 1: We're in space time. Continuing on. This is the Ball
• 0:16
  Speaker 1: Brothers Podcast.
• 0:17
  Speaker 2: I'm Kevi on stage and today we're doing the best
• 0:21
  Speaker 2: of nineteen ninety two, the best movie, hip Hop album,
• 0:27
  Speaker 2: R and B album, gospel album, music video and song.
• 0:30
  Speaker 2: Let's kick it off with the movie talk you know what.
• 0:34
  Speaker 2: I didn't ask you this, but I'm gonna ask you now.
• 0:36
  Speaker 2: Can animated movies be in Yeah? Okay, course, I'm gonna
• 0:39
  Speaker 2: let you close.
• 0:41
  Speaker 3: All right. Not just an episode of Kim Possible and
• 0:43
  Speaker 3: nothing like that.
• 0:46
  Speaker 1: Episode seven, Season three Kim Possible. Best movie in two?
• 0:52
  Speaker 1: All right, you kick it off?
• 0:55
  Speaker 2: Sister Act one. Sister Act one is a good movie.
• 1:01
  Speaker 2: It's a great movie.
• 1:04
  Speaker 1: Yeah, we know. Why do we have to do this
• 1:05
  Speaker 1: every time? Tom? I don't know.
• 1:08
  Speaker 2: Like The Black Kids No. Ninety four, huh, won't Sittart
• 1:12
  Speaker 2: two ninety three?
• 1:14
  Speaker 3: It came out quick it was right back on the Yeah,
• 1:16
  Speaker 3: that's fast. That's why I wasn't that good man.
• 1:19
  Speaker 1: Here you go with the anti black vocals on de
• 1:22
  Speaker 1: I hire podcast hosts.
• 1:24
  Speaker 3: So all right, so the best movie in ninety two,
• 1:27
  Speaker 3: Malcolm X.
• 1:28
  Speaker 1: There's no complaint.
• 1:29
  Speaker 3: Yeah, I don't even But according to y'all, since then
• 1:32
  Speaker 3: two is more relevant that not?
• 1:35
  Speaker 2: Mad I did not say it's more relevant. I said
• 1:39
  Speaker 2: you are more likely to have watched it more times.
• 1:42
  Speaker 1: No, no, no, no, that ain't what was saying that.
• 1:44
  Speaker 3: Ain't that ain't what was saying that ain't what? Yeah,
• 1:47
  Speaker 3: I don't remember. I got to go back to the tar,
• 1:49
  Speaker 3: but it wasn't presented like that.
• 1:50
  Speaker 2: Yeah, Malcolm X. For for a good amount of time,
• 1:56
  Speaker 2: Malcolm X was Denzel to me. I mean, obviously I
• 1:58
  Speaker 2: knew Denzel. I think No Better Blues was like eighty nine,
• 2:02
  Speaker 2: that was ninety was ninety Okay, that was the first
• 2:04
  Speaker 2: time I remember seeing Denzel.
• 2:06
  Speaker 1: Oh you to see Glory?
• 2:07
  Speaker 2: Oh no, definitely eighty nine, so way yeah, no better
• 2:10
  Speaker 2: Blues than any I mean Glory eighty nine, No Better
• 2:12
  Speaker 2: Blues also eighty nine, eighty nine ninety yeah, and then
• 2:16
  Speaker 2: mouth Bax ninety two.
• 2:17
  Speaker 1: Yep. Dang.
• 2:17
  Speaker 3: He was killing so ninety one than ninety two.
• 2:20
  Speaker 1: Boom.
• 2:21
  Speaker 2: Okay, for sure, Glory was the first time I saw
• 2:23
  Speaker 2: because he was he was, uh, he was mad at
• 2:26
  Speaker 2: Morgan Freeman.
• 2:27
  Speaker 1: Yeah, Grave Digger. Yeah you think you're better than me?
• 2:30
  Speaker 3: Man.
• 2:31
  Speaker 1: I was like, dang, man, he was tripping.
• 2:33
  Speaker 3: That was a good exchange between him and Morgan and
• 2:36
  Speaker 3: l Yeah.
• 2:36
  Speaker 1: Matthew Broderick was he was so baby facing them.
• 2:39
  Speaker 2: He was.
• 2:40
  Speaker 1: He kind of stood out because.
• 2:41
  Speaker 3: He was like he's like a fish out of water.
• 2:42
  Speaker 3: He did, but he was super young, and but I
• 2:45
  Speaker 3: think that was the point. No, for sure was at first, Beauty,
• 2:48
  Speaker 3: what the hell you're.
• 2:49
  Speaker 1: Doing in the Civil War? Man?
• 2:50
  Speaker 3: He looked like, man, you can't lead this.
• 2:51
  Speaker 1: He had chubby chee. Yeah, there was grizzled. Their feet
• 2:54
  Speaker 1: were all messed up in Glory, man, they had boots
• 2:57
  Speaker 1: on with no socks. What the hell's going on?
• 3:00
  Speaker 3: Carry always in there too?
• 3:02
  Speaker 2: Was it?
• 3:03
  Speaker 1: He was Matthew Broders right hand. Was is he Robin Hood?
• 3:08
  Speaker 2: Yeah?
• 3:10
  Speaker 3: Princess Bride too, she's.
• 3:12
  Speaker 1: The big little parody movie stuff.
• 3:15
  Speaker 3: Yeah. Yeah, he's a saw as well.
• 3:17
  Speaker 1: The first one he show is I didn't think they're
• 3:21
  Speaker 1: gonna make that many sas was good. The first one
• 3:24
  Speaker 1: was great. Few of them are great, but they just once.
• 3:26
  Speaker 3: She fell in the pitture syringes. Uh, she fell in that.
• 3:32
  Speaker 1: It was gory.
• 3:33
  Speaker 3: I was like, I can't do it.
• 3:35
  Speaker 1: But anyway, I feel like that that's Spikery's best movie.
• 3:42
  Speaker 2: I think, so, yeah, I don't think I'm trying to
• 3:44
  Speaker 2: think of he has a that's his magnum opus ninety.
• 3:48
  Speaker 3: Do the right thing is breathing down the neck though,
• 3:51
  Speaker 3: That's what.
• 3:51
  Speaker 1: I was trying to think.
• 3:52
  Speaker 2: Do the right thing is really good. Cultural impact is
• 3:56
  Speaker 2: like what he was saying was good too. But Malcolm
• 3:59
  Speaker 2: mag Man, Malcolm X was just that's just like and
• 4:02
  Speaker 2: the poster is so iconic with Denzel with the one finger, and.
• 4:05
  Speaker 3: Then they made a brand out of it. Man, it
• 4:07
  Speaker 3: was X hands all over. We made a brand out
• 4:10
  Speaker 3: of Malcolm.
• 4:11
  Speaker 1: X's legacy, which is beautiful. I mean that picture we're
• 4:14
  Speaker 1: looking out the window with the gun.
• 4:16
  Speaker 2: People was wearing that like we had the goatee at
• 4:19
  Speaker 2: the time with the Malcolm it was a beautiful time.
• 4:21
  Speaker 3: Many it was a beautiful time Jungle fever Man Honorable mentions,
• 4:27
  Speaker 3: Uh for the year Aladdin.
• 4:29
  Speaker 1: That's why I asked home alone. Two if you could
• 4:32
  Speaker 1: do it?
• 4:32
  Speaker 3: Okay, Batman returns, leave the Weapon, three, A few good men,
• 4:35
  Speaker 3: Reservoir Dogs. Yeah, Wayne's World, Man, you.
• 4:42
  Speaker 2: Talk about a movie that had me hook line and
• 4:44
  Speaker 2: sicker bruh. I love Wayne and guard Man.
• 4:49
  Speaker 1: Man.
• 4:50
  Speaker 2: That first one was public access television that doesn't even existed, and.
• 4:54
  Speaker 3: Then they blew Queen back up with the Bohemian Rhapsody.
• 4:58
  Speaker 1: That's how. That's how that sean was produced.
• 5:00
  Speaker 3: Me.
• 5:00
  Speaker 2: Yeah, I I didn't remember when coming up, so I
• 5:04
  Speaker 2: thought that was That's to me for many years, that
• 5:06
  Speaker 2: was the Wayne's.
• 5:06
  Speaker 1: World song just because they was all in the video.
• 5:10
  Speaker 1: I didn't know that was Queen.
• 5:12
  Speaker 3: Okay, you just thought that's just that Mike Mys and
• 5:15
  Speaker 3: Data Coffy for real? Wait, what do you mean you
• 5:19
  Speaker 3: when you saw the video? You you're still just like,
• 5:21
  Speaker 3: oh no, no, I mean like when you heard the song.
• 5:24
  Speaker 1: When I heard, did you.
• 5:25
  Speaker 3: Ever think that that song was Mike Mis and Dana.
• 5:27
  Speaker 2: Coffy For a minute, I just thought they made that
• 5:29
  Speaker 2: song up for the movie because that was weird, and
• 5:32
  Speaker 2: like that makes sense for Wayne and guard.
• 5:34
  Speaker 3: Yeah, yeah, yeah, they hell is fan dangon right. I
• 5:40
  Speaker 3: still don't do it, and then finding out that was
• 5:41
  Speaker 3: a real song.
• 5:42
  Speaker 1: I was like that, ain't Wayne's World the soundtrack.
• 5:44
  Speaker 3: It's also basic instinct, the leg cross, the.
• 5:49
  Speaker 1: League of their own. I love a league of their own.
• 5:53
  Speaker 3: Boomerange Man Can't Jump was cracking.
• 5:57
  Speaker 1: Man, Well, I saw White Man Can't Jump in theaters
• 5:59
  Speaker 1: with my mom.
• 6:00
  Speaker 3: Death becomes her Beethoven.
• 6:03
  Speaker 1: They don't make that type of movie no more.
• 6:05
  Speaker 3: Mighty Ducks don't.
• 6:07
  Speaker 1: They don't make that type of movie no more. Either.
• 6:09
  Speaker 1: They don't make the Little twin kid film.
• 6:12
  Speaker 2: They don't do the Little Giants, Sandlight goonies. It's Toy
• 6:17
  Speaker 2: Story's fault, Man, Toy Story. I've done a research after
• 6:20
  Speaker 2: Toy Story came out, that type of movie was out.
• 6:23
  Speaker 1: Man, get it out of here, man, I love little
• 6:25
  Speaker 1: Giants and things like that. Man, we was the annotation
• 6:28
  Speaker 1: of Puerto Rico.
• 6:28
  Speaker 3: Man, I feel like the last movie we had like that,
• 6:31
  Speaker 3: but it was gritty, was horrible.
• 6:32
  Speaker 2: I was gonna hard. I was like two thousand and
• 6:34
  Speaker 2: three and g Baby died. No, we're not asking for that, man,
• 6:38
  Speaker 2: we want a.
• 6:39
  Speaker 1: Little heartfelt stuff. G Baby died and then you got
• 6:42
  Speaker 1: You Got Served, which is kind of like that and
• 6:44
  Speaker 1: Little Saint dies. Man.
• 6:45
  Speaker 2: I remember nobody dies in Little Giants. Man, they just
• 6:49
  Speaker 2: gotta beat the cowboys.
• 6:50
  Speaker 3: When they killed. When they killed g baby, I was like,
• 6:53
  Speaker 3: what the fuck man? They was gonna overcome adversity. I
• 7:02
  Speaker 3: thought it was just gonna be. I was like, yo,
• 7:04
  Speaker 3: I did not see the death of one of the
• 7:06
  Speaker 3: kids coming. I was like, what waitute what we're doing.
• 7:12
  Speaker 1: Brian Robbins directed that. He created all that. Now he
• 7:16
  Speaker 1: runs Paramount Pictures.
• 7:19
  Speaker 2: Really yeah, he directed Norbit What now he's a studio
• 7:23
  Speaker 2: head pictures. Ain't that crazy? He directed Jay Jay's first
• 7:27
  Speaker 2: YouTube video, which spoke of reasons, wow is he black?
• 7:31
  Speaker 1: He's white?
• 7:31
  Speaker 2: Black wife though? Oh really black wife? And now he's
• 7:36
  Speaker 2: a studio head. And he directed the boy's first YouTube video.
• 7:39
  Speaker 3: Wow.
• 7:40
  Speaker 1: And I was like, this is crazy. I used to
• 7:41
  Speaker 1: watch all that and he was like cut. He was
• 7:44
  Speaker 1: good too.
• 7:45
  Speaker 2: I remember thinking, man, this guy's really skilled to be
• 7:47
  Speaker 2: like directing a YouTube video.
• 7:49
  Speaker 1: But he was like, I want to make sure it's good. Okay.
• 7:51
  Speaker 1: It was crazy.
• 7:52
  Speaker 3: That's wild.
• 7:53
  Speaker 1: That's a good year for movies.
• 7:54
  Speaker 3: Ninety two was cracking. Juice also came out. Naty gotta
• 7:59
  Speaker 3: throw that in there, and Spike Lee.
• 8:01
  Speaker 2: Still that Malcolm xIC the best movie on that list.
• 8:04
  Speaker 2: A few good Men, if you good Men was but
• 8:07
  Speaker 2: you can't handle the truth.
• 8:08
  Speaker 1: I love that movie, man, It's a good movie. Cruise
• 8:11
  Speaker 1: was young. Jack Nicholson never really looked that young to
• 8:14
  Speaker 1: me though, even like he's.
• 8:17
  Speaker 3: Never looked young, even when you go all the way
• 8:20
  Speaker 3: back to Easy Rider, he still looked like a grown man.
• 8:24
  Speaker 2: And Morgan Freeman have that like, yeah we old, we
• 8:27
  Speaker 2: old time, We've been old the whole time.
• 8:31
  Speaker 1: It was like, how old was he acting now?
• 8:33
  Speaker 3: Is he?
• 8:34
  Speaker 2: Yeah?
• 8:35
  Speaker 1: He's been now in a minute. Nah, I think I
• 8:37
  Speaker 1: feel like he retired. He's sick, is he? I don't know.
• 8:42
  Speaker 1: He's eighty eight, right.
• 8:46
  Speaker 2: Nicholson's son was just a uh smile to that's him.
• 8:52
  Speaker 2: You saw smiled too, No, No, I saw the poster.
• 8:54
  Speaker 2: Yeah he's on the poster. I didn't recognize that he
• 8:57
  Speaker 2: was in something else? Is he Ray Nicholson? He born
• 9:01
  Speaker 2: in ninety two? The son, Yeah, yep, that's him, ninety
• 9:05
  Speaker 2: two Raymond good Bill.
• 9:06
  Speaker 3: But he has a because he was in something else. Oh,
• 9:10
  Speaker 3: he was in a movie where he was like a villain. Yes,
• 9:17
  Speaker 3: that's what it was.
• 9:17
  Speaker 1: Novacame I was like, you know, he was good in
• 9:19
  Speaker 1: that too. Jack Nicholson was born in nineteen thirty seven.
• 9:22
  Speaker 3: Wow, he up there, he.
• 9:27
  Speaker 1: He is, he's been old. Where's his phomography? He's eighth
• 9:33
  Speaker 1: eighty eight?
• 9:33
  Speaker 3: This easy work, My dad's eighty eight.
• 9:36
  Speaker 1: Man. He was so good in the Departed. Oh he
• 9:38
  Speaker 1: except forget the accent though.
• 9:39
  Speaker 3: He was like, man, you know who did a great
• 9:42
  Speaker 3: Boston accent playing that same character as Johnny Depp in
• 9:46
  Speaker 3: Black Mass. I didn't see it, like, oh, just watching
• 9:50
  Speaker 3: for Johnny Depp's performance alone.
• 9:52
  Speaker 1: Who was he?
• 9:53
  Speaker 3: He played Whitey Bulger? They playing the same character Johnny.
• 9:58
  Speaker 1: Depp and uh, Jack was Whitey Bulger and Departy.
• 10:03
  Speaker 3: Supposed to be they changed the name, but that's who
• 10:05
  Speaker 3: he bolder.
• 10:07
  Speaker 1: I thought it was in like the alcohpoone time. No, No,
• 10:10
  Speaker 1: he was recent.
• 10:11
  Speaker 3: Yeah, he got killed nothing long ago.
• 10:14
  Speaker 1: Really he died hard, he shot to death.
• 10:18
  Speaker 3: No, he got killed in prison. They was looking for
• 10:21
  Speaker 3: him for mad long he got eighteen. Yeah he was,
• 10:25
  Speaker 3: he was. He was evasive for years and then a
• 10:29
  Speaker 3: neighbor just saw him in Cali somewhere and reported him.
• 10:32
  Speaker 3: And then that's how he got caught. What and then
• 10:35
  Speaker 3: as soon as he went to jail though it was over.
• 10:38
  Speaker 1: Got his ass.
• 10:41
  Speaker 3: Know as soon as he got up in there, like, man,
• 10:43
  Speaker 3: what are we having for lunch?
• 10:49
  Speaker 1: Ship? Man?
• 10:50
  Speaker 3: Let me let me at least get one lunch in
• 10:52
  Speaker 3: this bitch. Nah, Man, we got you all right?
• 10:57
  Speaker 1: Hip hop album tone hip what you got peeps?
• 11:01
  Speaker 3: Sorry to interrupt, man, you know what I'm saying. I
• 11:03
  Speaker 3: got a hole in my sock right now. But that's
• 11:05
  Speaker 3: neither here nor there. Man, listen, fellas talking to the
• 11:08
  Speaker 3: fellas on this one. Man, guys, enter the room. Dick first,
• 11:13
  Speaker 3: dunk first.
• 11:14
  Speaker 1: I want you to enter the room. Man. Blue Choo
• 11:16
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• 11:20
  Speaker 3: Stronger, harder, longer lasting, like someone gave your downstairs at
• 11:23
  Speaker 3: pep talk and a gym membership. Okay, blue Choo is
• 11:26
  Speaker 3: the original brand offering chewable tablets for better sex. Let
• 11:31
  Speaker 3: me tell you something, man, I try Blue Choo New York.
• 11:36
  Speaker 3: Twas a good time. I was able to hang in there.
• 11:40
  Speaker 3: That's all I'm gonna say. That's all I'm gonna say.
• 11:43
  Speaker 3: A time was had in New York.
• 11:46
  Speaker 1: That's all.
• 11:50
  Speaker 3: That's all I'm gonna say. Man, I ain't gonna say
• 11:53
  Speaker 3: no more. Man. That's it, guys, this isn't just about performance.
• 11:56
  Speaker 3: This is about legacy or third leg See give her
• 12:01
  Speaker 3: groot chat something to talk about. You know, when you
• 12:04
  Speaker 3: lay it down, they're talking about how it gets up.
• 12:06
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• 12:12
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• 12:15
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• 12:33
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• 12:36
  Speaker 3: the code ball. Now back to the ball runs. So
• 12:44
  Speaker 3: I have the chronic Doctor Dre.
• 12:47
  Speaker 1: You're gonna be mad at mind Criscross totally crossed out.
• 12:52
  Speaker 1: Sure jump now, I wasn't listening to the chronic. I
• 12:55
  Speaker 1: ain't gonna sit here now you got to make it.
• 12:57
  Speaker 1: But I have my shirt on background jump one of
• 13:05
  Speaker 1: the bunny backyards.
• 13:08
  Speaker 2: I thought they were so fresh, though my mom would
• 13:11
  Speaker 2: not let me wear stuff back then. But I would go,
• 13:13
  Speaker 2: but I just had regular shirts from playing.
• 13:16
  Speaker 3: The jerseys looked so fresh.
• 13:20
  Speaker 1: I was like, man, look at the dress weed whack.
• 13:24
  Speaker 1: I was liting the chronic man. Man, they was so clean,
• 13:28
  Speaker 1: was criss crossed, throw it through.
• 13:30
  Speaker 3: I was I was the chronic man.
• 13:33
  Speaker 1: We was having a different times when Doctor.
• 13:36
  Speaker 3: Drake came up and the hood ass house and Snoop
• 13:38
  Speaker 3: was just sitting in there with the bed waiting on them.
• 13:41
  Speaker 3: One they just left in the street, and.
• 13:46
  Speaker 1: That was that, I can't right like this somebody trying
• 13:49
  Speaker 1: to right if they can't, so that they can.
• 13:53
  Speaker 3: Because jumping is fire riding my bike? Yeah, I get.
• 13:58
  Speaker 3: It was like Snoop Murder quadruple platinum, quadruple Yes, they
• 14:04
  Speaker 3: sold like hockey. They outsold the chronic.
• 14:07
  Speaker 1: That's right, kids like me, Mom, don't be wiggy Wiggy, Wiggy, Wiggy.
• 14:12
  Speaker 3: We could whag. But the Chronic was a game change. Sure,
• 14:17
  Speaker 3: did it really change the game?
• 14:18
  Speaker 1: Can the Little Braids? Did they really?
• 14:20
  Speaker 3: Because they've been Snoop style after that?
• 14:23
  Speaker 1: What was after that?
• 14:24
  Speaker 3: The bomb and they changed their whole style up and
• 14:27
  Speaker 3: with Super West Coast they try to be like Snooping
• 14:29
  Speaker 3: them because the Chronic, the Chronic Game Impact.
• 14:32
  Speaker 1: Man. I was like, come on, man, jump y'all. That's
• 14:35
  Speaker 1: all I ever wanted.
• 14:37
  Speaker 3: They would sound like West Coast from Atlanta. Man, why
• 14:40
  Speaker 3: you sound like Snoop?
• 14:41
  Speaker 1: Jamaina pre wrote that, didn't he? Yeah? Yeah, he wrote
• 14:44
  Speaker 1: their whole verses. Man, shut up and say this kids.
• 14:47
  Speaker 3: He found him in the mall. He was just like, man,
• 14:50
  Speaker 3: how come everybody out in your face? He was like, no,
• 14:52
  Speaker 3: we just cool.
• 14:53
  Speaker 1: That's what it was.
• 14:54
  Speaker 3: That's what the That's what the boys said. They're like, y'all,
• 14:57
  Speaker 3: y'all not do no, we just cool.
• 15:00
  Speaker 1: He was like, do something with that. Do something with
• 15:03
  Speaker 1: these kids. They were just hanging out of them.
• 15:05
  Speaker 3: They was at the mall and it was like all
• 15:07
  Speaker 3: kind of like people around them, and they were just.
• 15:09
  Speaker 1: Like and they were just regular children.
• 15:12
  Speaker 3: They ain't even they ain't even come to j D
• 15:14
  Speaker 3: like your signus or nothing. JD was like, then, what's
• 15:16
  Speaker 3: going on over here?
• 15:18
  Speaker 2: Just left foot Locker and Chris Cross just like, yeah,
• 15:21
  Speaker 2: I'm Chris and I'm Chris And he was like, what
• 15:23
  Speaker 2: y'all doing?
• 15:24
  Speaker 1: We just cool, man, y'all just cool, just cool.
• 15:28
  Speaker 3: Hot Dog on the Stick were here, Julius.
• 15:33
  Speaker 1: Were just cool.
• 15:34
  Speaker 3: That's a crazy star was getting t l C started,
• 15:39
  Speaker 3: Chris crossed simultaneously g l C Man and then you
• 15:42
  Speaker 3: know what I'm saying, My god, yeah the minus touch.
• 15:47
  Speaker 4: Who t o c Oh yeah, red Light Special Man.
• 15:52
  Speaker 4: T l C is a good look to look up
• 15:54
  Speaker 4: the TV when when their stuff. I was like, you
• 15:58
  Speaker 4: can see t boys and nipples.
• 16:00
  Speaker 1: I was looking.
• 16:01
  Speaker 3: I was like, I paused it. I went, I went
• 16:04
  Speaker 3: to extra mile.
• 16:06
  Speaker 1: I was loving.
• 16:09
  Speaker 3: I didn't have the slow mo, so I had to
• 16:11
  Speaker 3: pause it. Jess Ray, how did you pause on that TV?
• 16:14
  Speaker 3: We boarded the video and I was like, I knew
• 16:18
  Speaker 3: the exact part. I was like, it's nippling there, it's
• 16:22
  Speaker 3: nipple and there all in dup.
• 16:27
  Speaker 1: I love that video, man, love it all right. So
• 16:31
  Speaker 1: we're good on.
• 16:32
  Speaker 2: We're moving on the cross Stout all right, ninety two
• 16:38
  Speaker 2: R and B album.
• 16:40
  Speaker 3: Oh before we move on from rap mention that up
• 16:46
  Speaker 3: h m hm honorable mentions of that year. We're going
• 16:50
  Speaker 3: with the far side, macing the soul brother about Pete
• 16:56
  Speaker 3: Rock and see her smoothing about that. It was a
• 16:59
  Speaker 3: good day on the Predator album. I Ice Cube Redman.
• 17:03
  Speaker 1: Debut that year. What his album was called?
• 17:06
  Speaker 3: What the album the album does Effects was killing fax.
• 17:11
  Speaker 1: Man. I used to listen to them or him. It's
• 17:14
  Speaker 1: two of them them.
• 17:17
  Speaker 3: They one of the facts effects. Uh, DJ quick U
• 17:21
  Speaker 3: G K are being rock can put something out E
• 17:26
  Speaker 3: P M D.
• 17:27
  Speaker 1: But anyway, on R and B albums, I'm gonna go
• 17:34
  Speaker 1: Mary J. Blige, what's the four one one? You know what?
• 17:39
  Speaker 1: That was gonna be my pick too, But then I
• 17:41
  Speaker 1: did a pivot. What you pivot to? Tong a T
• 17:45
  Speaker 1: C tip?
• 17:45
  Speaker 3: Because man, I love it, What's the four one one album?
• 17:48
  Speaker 3: But I had to because it was the four one one? Man.
• 17:52
  Speaker 3: You had you remind me, then you had to you
• 17:55
  Speaker 3: remind me, remix, and then you have reminisce. You have
• 17:59
  Speaker 3: real love, be loved.
• 18:00
  Speaker 1: And she was so like mysterious sexy she was.
• 18:03
  Speaker 2: She had to like remember, she wouldn't show her eyes
• 18:05
  Speaker 2: and she had to have on even on the album covered.
• 18:09
  Speaker 1: She just like I was like, man, what's behind the man?
• 18:11
  Speaker 3: What's you gonna do with mind?
• 18:13
  Speaker 1: What's going on with the eyes? Watch out man? Nobody
• 18:16
  Speaker 1: knows what's going on with the eyes?
• 18:19
  Speaker 3: Man?
• 18:20
  Speaker 1: You can't see me gum shoes.
• 18:22
  Speaker 3: She had that song with Casey, Yeah, that's one of
• 18:26
  Speaker 3: my favorite albums. But but Shot, they loved the looks man,
• 18:33
  Speaker 3: I shot.
• 18:34
  Speaker 1: They love the looks I do.
• 18:36
  Speaker 3: Hell, I gotta give it the shot and love the
• 18:39
  Speaker 3: luks Man Kiss a Life, no Ordinary Love Man, Cherish Today.
• 18:45
  Speaker 3: It's all on this album Cherish Today.
• 18:48
  Speaker 1: Robert Glasper has a great cover of.
• 18:49
  Speaker 3: That You love Get in to her my brother, my
• 18:56
  Speaker 3: oldest brother.
• 18:57
  Speaker 2: Man, that's that'll do it. That was the whatever your
• 19:00
  Speaker 2: her brother thinks, it's cool, it's cool.
• 19:02
  Speaker 3: He was Shayday McGee man. He had the poster and everything,
• 19:06
  Speaker 3: so we was always listening to. That was his crush
• 19:09
  Speaker 3: to this day. That's why I've never lusted after shot
• 19:12
  Speaker 3: like that. That's my brother's cracked.
• 19:14
  Speaker 1: My brothers. You ain't JT.
• 19:17
  Speaker 3: You ain't ain't gonna take my brother's girl.
• 19:20
  Speaker 1: That's hilarious.
• 19:21
  Speaker 3: Yeah, but they loved the lux for me. But but
• 19:24
  Speaker 3: what's the forward? One is the close second? Honorable mentioned
• 19:27
  Speaker 3: the Boomerange soundtrack, Oh on the TLC two on the
• 19:30
  Speaker 3: TLC tip keep it keep it going on by high five.
• 19:33
  Speaker 3: The Bodyguard soundtrack was going crazy Shy s w V Jade,
• 19:40
  Speaker 3: Shante Moore, That precious album Tony Loans controlled by Silk
• 19:46
  Speaker 3: R and b was cracking uh portrait.
• 19:49
  Speaker 1: Actually that was Tony Box. That was her promo album
• 19:51
  Speaker 1: before this came in ninety three. All Right, gospel music.
• 19:55
  Speaker 3: This way, this is where I come in. That's what
• 20:00
  Speaker 3: I come man, care you go first?
• 20:03
  Speaker 2: Nineteen ninety two, that's the only album that matters. Kirk
• 20:06
  Speaker 2: Franklin in the family. That's just changed the game.
• 20:11
  Speaker 3: That's what started up. That's what was Tell him what
• 20:13
  Speaker 3: the name of the album was. It's Kirk frank yep,
• 20:16
  Speaker 3: self titled man.
• 20:17
  Speaker 2: Because when you think introduced somebody who's mixing hip hop
• 20:21
  Speaker 2: with gospel music was doing it. Man, you don't get Mary, Mary,
• 20:26
  Speaker 2: you don't get tied tripping, you don't get none of
• 20:28
  Speaker 2: them people without Kurt.
• 20:29
  Speaker 1: This is the nucleus, right. Kirk was like with the
• 20:33
  Speaker 1: when he still had the.
• 20:35
  Speaker 3: The but the sharp point the Widows Widows Young Kirk
• 20:41
  Speaker 3: with the fro a little bit. Yeah, I was all
• 20:45
  Speaker 3: in on that album. I couldn't stop.
• 20:46
  Speaker 1: I didn't see what the name of those songs hold on.
• 20:51
  Speaker 3: I couldn't stop playing that album.
• 20:53
  Speaker 2: Man, why we're seeing he's able? Silver and gold yeah,
• 20:57
  Speaker 2: silver and gold man, yeah, bro god.
• 21:02
  Speaker 3: Man. Well, yeah, he did a lot of people know
• 21:07
  Speaker 3: that he sure did have that real love. He talked
• 21:10
  Speaker 3: about christ Love. You ain't no Yeah, that album out early,
• 21:24
  Speaker 3: I ain't know yet early though he was in there.
• 21:27
  Speaker 1: That was the R and B. All right, moving out,
• 21:31
  Speaker 1: We're going to music videos, all right, okay, now were
• 21:37
  Speaker 1: probably gonna have the same video. Well, jumpers jumpers in there,
• 21:40
  Speaker 1: but I'm not gonna.
• 21:41
  Speaker 3: Jump jump jump was crazy though, But you remember the time, man,
• 21:47
  Speaker 3: you know what about this remember theme this time in
• 21:50
  Speaker 3: my life.
• 21:50
  Speaker 1: I used to spend the summers in Atlanta with my cousin.
• 21:52
  Speaker 2: I feel like the music videos had what we all
• 21:55
  Speaker 2: knew when you was gonna debut it, and we got
• 21:58
  Speaker 2: together and watched and I remember seeing uh Addie Murphy,
• 22:04
  Speaker 2: who is a girl, Emon Magic Johnson, Michael Jackson dancing
• 22:11
  Speaker 2: turning into dust bro.
• 22:14
  Speaker 3: It was. It was because Michael Jackson gave you the
• 22:16
  Speaker 3: event premiere. Like musicians wasn't doing it. You just saw
• 22:19
  Speaker 3: a new new video and they popped up. Michael Jackson
• 22:22
  Speaker 3: was like, yo, on March ninth, seventh.
• 22:26
  Speaker 1: My video is to the TV.
• 22:29
  Speaker 2: This is in the event and you gotta watch it
• 22:31
  Speaker 2: because otherwise at that time people are gonna be talking
• 22:33
  Speaker 2: about it and you ain't seeing it.
• 22:36
  Speaker 3: Fear missing now what it's coming on again exactly?
• 22:39
  Speaker 1: I mean, we know what you feel me still to
• 22:41
  Speaker 1: this day. One of my favorite music videos.
• 22:43
  Speaker 3: It's a great video. My only note, what is it?
• 22:46
  Speaker 3: It's just Michael's pants, that's my only note. No video.
• 22:53
  Speaker 3: They was just too modern. Man. It didn't fit these Yeah,
• 22:57
  Speaker 3: they didn't fit the aesthetic of what was going on.
• 23:00
  Speaker 3: Just regular black jeans.
• 23:02
  Speaker 1: Man.
• 23:04
  Speaker 3: He got regular black jeans on with the boots and
• 23:06
  Speaker 3: the buckles on them. But nothing nothing about that outfit
• 23:11
  Speaker 3: says we in Egypt. The top, the top does, but
• 23:15
  Speaker 3: the bottoms is pure. You know what I'm saying. Contemporary jeans.
• 23:20
  Speaker 3: I'm just like, wait a minute, show us them legs.
• 23:23
  Speaker 1: Michael Johnson was ripped at that time. Show us them legs.
• 23:32
  Speaker 3: He got black, he got black jeans.
• 23:35
  Speaker 1: But he got the little thing over it.
• 23:37
  Speaker 3: Man, he should have gave us the legs. Bring them
• 23:41
  Speaker 3: Egyptian legs out. Everybody else, everybody else got their legs out.
• 23:46
  Speaker 3: He out here with the black pants on, man, black pants.
• 23:50
  Speaker 3: I know his legs was pale. Give it, give it
• 23:52
  Speaker 3: to us, give it to because it just didn't master
• 23:55
  Speaker 3: the rest.
• 23:58
  Speaker 2: Jeans.
• 23:58
  Speaker 3: You know, what I'm saying, he made a conscious decision,
• 24:02
  Speaker 3: like so, Mike, you know we got the whole Egyptian
• 24:04
  Speaker 3: instead of going you want to change the peand now
• 24:06
  Speaker 3: I'm gonna go with these, I'm gonna go with these.
• 24:08
  Speaker 3: He's still firm on that. I know he did, because
• 24:12
  Speaker 3: I know the wardrobe people was like they brought out
• 24:14
  Speaker 3: the options. Legs, oh Man were in the egypt Man.
• 24:19
  Speaker 3: Legs is out.
• 24:20
  Speaker 1: Michael Jackson, give me two, y'all.
• 24:24
  Speaker 3: Give me those wranglers. Give me the wranglers. Man, Let's
• 24:27
  Speaker 3: get the wranglers going.
• 24:29
  Speaker 1: Oh my god.
• 24:30
  Speaker 3: That's my only note though, other than that perfect video. Okay,
• 24:34
  Speaker 3: I can't argue with you the best video of the
• 24:36
  Speaker 3: year for the year for sure. All right, let's move
• 24:39
  Speaker 3: on to song. Song of the year in nineteen ninety two,
• 24:43
  Speaker 3: you'll enjoy my pick.
• 24:44
  Speaker 1: Let's hear it.
• 24:45
  Speaker 3: Jump criss Cross Bill Bill Bim. It was either gonna
• 24:52
  Speaker 3: be this or nothing.
• 24:53
  Speaker 1: But the g thing old really is jump, Yeah, it
• 24:56
  Speaker 1: really is jump.
• 24:57
  Speaker 3: Oh no, no, it's jump.
• 25:01
  Speaker 1: I always love you. But Bodyguard, Oh yes, one, that's
• 25:03
  Speaker 1: a bigger way bigger.
• 25:05
  Speaker 3: It is bigger. It's one of the biggest songs of
• 25:07
  Speaker 3: all time. Yeah, man, but Jump had your boy and.
• 25:11
  Speaker 1: You got Kevin Cossa running down the ice thing.
• 25:15
  Speaker 3: I forgot, man, I forgot about it. That what you do,
• 25:18
  Speaker 3: is that what you want to hear. But for me,
• 25:20
  Speaker 3: though it's for me, it's not. It's not for the
• 25:23
  Speaker 3: this personal picks. For me, Jump was just harder hitting
• 25:27
  Speaker 3: then I would always love Yeah, man, my child man romance.
• 25:33
  Speaker 3: You think I'm picking romance over and jo.
• 25:35
  Speaker 1: My Baby got back. Nah. That's a big song, all
• 25:39
  Speaker 1: the huge, but not for me. Yeah, I would listen
• 25:42
  Speaker 1: to it, but I never cue that.
• 25:44
  Speaker 3: You put that Baby get Back on even in the
• 25:46
  Speaker 3: prime when it was hot, and that wasn't like put
• 25:48
  Speaker 3: that Baby get Back on. That was just a song
• 25:50
  Speaker 3: that came on im like here we are.
• 25:53
  Speaker 1: I ain't never cue that.
• 25:57
  Speaker 3: And your care put that maybe get back on?
• 26:01
  Speaker 1: Man, just listen to that. It just comes on. I
• 26:03
  Speaker 1: just kind of dum you got Yeah, man, he's a
• 26:08
  Speaker 1: nice dude.
• 26:09
  Speaker 2: Actually, yeah, he'd be in Takoma and Seattle, he'd be
• 26:12
  Speaker 2: out so he still live up there.
• 26:13
  Speaker 1: With Yeah, he's part of a car club. You'll see him.
• 26:16
  Speaker 2: He's just being regular process Tacoma, not even like they
• 26:19
  Speaker 2: call him his first I think his real name is
• 26:20
  Speaker 2: Anthony or something.
• 26:21
  Speaker 3: Oh, really, Anthony's a good dude, man, you know what
• 26:24
  Speaker 3: I'm saying. Thirty fifth and Jackson, we're looking at yeah, man, good.
• 26:29
  Speaker 1: Yeah, a good regular dude, and he'd just be living
• 26:32
  Speaker 1: in the world.
• 26:32
  Speaker 3: He had one of the biggest songs of all time
• 26:34
  Speaker 3: and probably still getting paid off for sure.
• 26:36
  Speaker 2: Absolutely, all right, y'all, that's nineteen ninety two man, moving
• 26:40
  Speaker 2: on to nineteen ninety three next week.
• 26:42
  Speaker 1: We'll see you there and buy your tickets. My pass
• 26:44
  Speaker 1: is on Broadway.