Latest / The Teamup Play Show Podcast / S1-Ep.33: The Paper Dimension Pt. 1

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S1-Ep.33: The Paper Dimension Pt. 1 · The Teamup Play Show Podcast

• 0:00
  Speaker 1: You're listening to a lily Pad production.
• 0:04
  Speaker 2: This is the Team Up Play Show podcast. The mayor
• 0:36
  Speaker 2: has been defeated Wow and is being held by the
• 0:40
  Speaker 2: police in ask The people have voted for the chance
• 0:44
  Speaker 2: to elect a new leader. The True America Gang has
• 0:48
  Speaker 2: retreated to the old City Hall as their attempt to
• 0:53
  Speaker 2: destroy the Mayor's stronghold in Kno was thwarted by the
• 0:57
  Speaker 2: heroes of this city. Mayor will be elected and the
• 1:02
  Speaker 2: people will have justice. The three of you sit here
• 1:07
  Speaker 2: in Jamier's den. You have shared the findings in Manny's journal,
• 1:13
  Speaker 2: including Jamiir's sister's name, Ronnie. You've shared the final Sticky
• 1:18
  Speaker 2: note and had Sticky play it again for the boys,
• 1:22
  Speaker 2: and you turn on the news. It is full of
• 1:24
  Speaker 2: the events of yesterday, the valiant effort of the heroes,
• 1:27
  Speaker 2: the return of Everwing and bright Blade confirmed. There is
• 1:31
  Speaker 2: footage of your feats. There is footage of bright Blade
• 1:33
  Speaker 2: and rock Fast beating back TGA members and police alike
• 1:38
  Speaker 2: dodging arrest.
• 1:39
  Speaker 1: How do they get footage of our feet? I was
• 1:41
  Speaker 1: just wondering, that's sick of.
• 1:44
  Speaker 3: Sorry, I'm yucking someone else's young, but those are my
• 1:48
  Speaker 3: plasma feats.
• 1:50
  Speaker 2: Our feats other than your feet picks being out and
• 1:55
  Speaker 2: about what are the three of you talking about here?
• 2:00
  Speaker 2: After some very tense moments not only in saving the
• 2:05
  Speaker 2: city but also between you as a trio, Jamir.
• 2:09
  Speaker 1: Brings from the front door, after generously tipping the delivery
• 2:14
  Speaker 1: man some hellal homies catering trays, Hello homies, kalal homies catering,
• 2:23
  Speaker 1: and the fantasy version of this depend's highest fantasies. I'm
• 2:28
  Speaker 1: I can tip real good. Oh yeah, and again we
• 2:34
  Speaker 1: got we got we got the peta, we got hummus,
• 2:38
  Speaker 1: we got tabula, we got loaded fries, we got chicken
• 2:42
  Speaker 1: lamb shwarma, some crispy falaful, large pane of busbadi rice. Yeah,
• 2:55
  Speaker 1: there's so much sous here, all the White House you
• 3:02
  Speaker 1: could desire. And yeah, we're gonna be eaten good. We
• 3:07
  Speaker 1: might have some stuff to figure out, but Jamire looks around.
• 3:13
  Speaker 1: We made it through, guys, we all made it through.
• 3:17
  Speaker 1: We did it. We saved the city. We can retire
• 3:22
  Speaker 1: for the next couple hours. Maybe, Jason, well, what's left
• 3:27
  Speaker 1: on our list? I mean, fire slug Fire Slug's a
• 3:31
  Speaker 1: big one. I don't think. I mean, I'm worried. You know,
• 3:36
  Speaker 1: the mayor's down, but I doubt he's out. There's still
• 3:41
  Speaker 1: other people that would be happy to take over the
• 3:44
  Speaker 1: city with this power void. You know, think about the gangs,
• 3:49
  Speaker 1: et cetera. I have some personal loose ends. Some people
• 3:53
  Speaker 1: that are close to be aren't really safe right now,
• 3:57
  Speaker 1: which is terrifying. But massive wins today. Guys through it all. Yeah,
• 4:05
  Speaker 1: pretty cool? Something something good, you know, I'll take it.
• 4:10
  Speaker 1: We we did the right thing, right, I think?
• 4:13
  Speaker 3: So?
• 4:13
  Speaker 1: Yeah? Right? What what specifically are you asking out?
• 4:19
  Speaker 3: I'm I mean, I know, like what you did to
• 4:23
  Speaker 3: the mayor is basically what we did to Sabroth.
• 4:26
  Speaker 1: Yeah, worked great, and maybe he'll think twice before messing
• 4:33
  Speaker 1: with us, be better.
• 4:37
  Speaker 3: I guess I just thought i'd I thought I would
• 4:40
  Speaker 3: feel differently getting to this point.
• 4:44
  Speaker 1: Well, we could always, I don't know, go out and
• 4:50
  Speaker 1: do some more stuff, or we can kick back and relax.
• 4:53
  Speaker 1: What would make you feel better? Should I don't know? Oh?
• 5:03
  Speaker 1: I mean this food's good. Thanks thanks Jamir. Oh huh,
• 5:08
  Speaker 1: I got shots on my fish? Yeah? Yeah, I need
• 5:12
  Speaker 1: a print out of napkin or two mm hmm. I
• 5:16
  Speaker 1: just reach and grab a napkin. I'm like very skittish
• 5:18
  Speaker 1: to use my powers right now. I don't know. Maybe
• 5:22
  Speaker 1: maybe I'm just tired. I don't know. I just thought
• 5:25
  Speaker 1: it would feel better to know we did it. Yeah, yeah,
• 5:30
  Speaker 1: we did.
• 5:30
  Speaker 3: I am.
• 5:31
  Speaker 1: I am.
• 5:31
  Speaker 3: Don't get me wrong. I'm glad we did it. I'm
• 5:33
  Speaker 3: glad that Cordoola and Henry have a fighting chance.
• 5:38
  Speaker 1: Oh. I just remembered about swift Shot. Yeah where is she?
• 5:44
  Speaker 1: Where is she? And what is she doing? Hey, swift Shot,
• 5:49
  Speaker 1: if you're here right now, you have to tell us,
• 5:51
  Speaker 1: like like being a cop, you have to tell us
• 5:53
  Speaker 1: if you're here.
• 5:54
  Speaker 3: I think I could see her really Yeah cool, Yeah,
• 5:58
  Speaker 3: I can see her now her censor that's my way
• 6:02
  Speaker 3: of seeing.
• 6:03
  Speaker 1: Yeah.
• 6:04
  Speaker 3: Yeah, but I she's still she's still sneaky, you know.
• 6:10
  Speaker 3: But I feel like she was just like in the room.
• 6:14
  Speaker 3: I would I would know.
• 6:16
  Speaker 1: That Barney guy not saving more lives. It's really got me.
• 6:20
  Speaker 1: I don't know. I mean, Manny Ellington has done a
• 6:23
  Speaker 1: lot for us. But yeah, so Barney you're talking about
• 6:28
  Speaker 1: is that purple mech exactly? That Dyno mech that came
• 6:33
  Speaker 1: in just to save Manny Ellington? Like, what's up with that? Manny?
• 6:37
  Speaker 1: You could have had your Dino Robot Butler Barney Man
• 6:42
  Speaker 1: like do more you know, yeah, kind of weird move.
• 6:47
  Speaker 2: Yeah.
• 6:47
  Speaker 1: I guess we could call him and complain, but he
• 6:49
  Speaker 1: did vote the right way and mostly no, I mean
• 6:52
  Speaker 1: he's been a good alive. It's just weird. Just not
• 6:57
  Speaker 1: very heroic, you know much or bodyguard vibes.
• 7:03
  Speaker 3: Yeah, speaking of being heroes and what we've done, do
• 7:09
  Speaker 3: we follow through on our promises to the ones who voted? Now?
• 7:13
  Speaker 1: Oh yeah, our threats? Yeah, promises. It makes me feel better.
• 7:19
  Speaker 3: Right now, I take a pita and don't get in
• 7:21
  Speaker 3: so much to ZEKEI.
• 7:24
  Speaker 1: Oh yeah, as yeah. Jamiir holds a lay of delicately
• 7:30
  Speaker 1: a lamber chunk delicately on top of a crispy falafel.
• 7:34
  Speaker 1: I say, how far are we willing to go with
• 7:38
  Speaker 1: these clouds? Just before we go in, Jiman, did you
• 7:43
  Speaker 1: say that you think about the interaction you had the
• 7:48
  Speaker 1: night before asking to talk to the paper phantom and
• 7:53
  Speaker 1: the extent to which the phantom was willing to go.
• 7:58
  Speaker 2: And Jason, there's a lot of what happened to you
• 8:03
  Speaker 2: last night that you don't remember.
• 8:06
  Speaker 1: Yeah, I'm fully like sitting on the couch, my legs
• 8:09
  Speaker 1: like kicking happily as I just like sauce.
• 8:14
  Speaker 2: As you smile through the sauce, you start to get
• 8:16
  Speaker 2: flashes of controlling three ring binders and paper fists and
• 8:26
  Speaker 2: beating the mayor to a pulp slow motion.
• 8:29
  Speaker 1: I drop a ramikin of of sauce. It clatters to
• 8:37
  Speaker 1: the ground. I'll fuck cart I caught that, but we
• 8:45
  Speaker 1: didn't anyone else's head hurt? Yeah? But yeah, how's your head? Yeah, buddy,
• 8:57
  Speaker 1: how's the head? No complaints is the answer, But then
• 9:00
  Speaker 1: give us the real answer. Sure, well, maybe it's because
• 9:04
  Speaker 1: I got hit with a lot of radiation recently. But oh,
• 9:07
  Speaker 1: I have a splitting headache. You mean to take a look.
• 9:12
  Speaker 1: I think, I think I got it. I think it's okay.
• 9:15
  Speaker 1: Thinks though, I start again. Like manually using paper towels
• 9:19
  Speaker 1: and napkins to clean up the sauce.
• 9:21
  Speaker 2: Quanta, you think of Jason taking an enemy of yours
• 9:27
  Speaker 2: to a place so intimate for you and your people.
• 9:31
  Speaker 2: Why would he do that? Who would do such a thing?
• 9:39
  Speaker 3: Quanta narrows her eyes at Jason using just the napkins
• 9:43
  Speaker 3: that are there and using his hands to clean up.
• 9:48
  Speaker 1: Why aren't you using your powers there? Buddy.
• 9:51
  Speaker 4: Hmm.
• 9:51
  Speaker 1: Oh, I'm just you know, just tired, long day, a
• 9:54
  Speaker 1: lot of power use.
• 9:56
  Speaker 3: Yeah, yeah, I think we're all tired.
• 10:00
  Speaker 1: I know I'm beat again. Just just I just wa act.
• 10:07
  Speaker 3: I'll just like quant extra confirmation we did the right
• 10:10
  Speaker 3: thing right, And I look in Jason's eyes.
• 10:14
  Speaker 1: Jason is like trying to avoid eye contact as hard
• 10:17
  Speaker 1: as possible, looking at sauce, looking at the ground, looking
• 10:20
  Speaker 1: at Sticky. Right, yeah, Sticky you think so? I think, yeah,
• 10:25
  Speaker 1: probably right? Borally, that's what you're a thing about. Yeah,
• 10:31
  Speaker 1: it seems good to me. Yeah, yeah, I got a
• 10:38
  Speaker 1: city metaphine, Jason. If we hadn't shown up, were you
• 10:40
  Speaker 1: going to kill him? Huh? If we hadn't shown up?
• 10:43
  Speaker 1: Were you going to kill him? Well, I can't. I'm
• 10:49
  Speaker 1: not allowed to. Well, them's the rules, Arthur and I
• 10:54
  Speaker 1: made a deal when I got my powers back. No killing.
• 11:00
  Speaker 3: Oh well that's really if you can't kill somebody.
• 11:04
  Speaker 1: Yeah, it's it's are you using sarcasm? Yes? Oh okay,
• 11:10
  Speaker 1: yes amusing sarcasm. It felt it felt scary there from
• 11:18
  Speaker 1: our perspective. And I'll be honest, I don't know how
• 11:23
  Speaker 1: much you remember, but I personally had some pretty harsh
• 11:29
  Speaker 1: words for the fans. Oh, it's coming back to me
• 11:34
  Speaker 1: in pieces you don't remember, not the whole thing just
• 11:39
  Speaker 1: sort of flashes images. I'm a little I'm a little
• 11:45
  Speaker 1: concerned perhaps about which part that maybe the I thought
• 11:54
  Speaker 1: when Arthur came into the book, that you know, we
• 11:58
  Speaker 1: had a pretty solid handle on good old original flavor
• 12:04
  Speaker 1: paper Phantom. But maybe that's not quite as true as
• 12:09
  Speaker 1: I thought.
• 12:12
  Speaker 2: As Jason poses this, the question arises to you all,
• 12:19
  Speaker 2: who is the paper Phantom? There was a jaded and
• 12:26
  Speaker 2: twisted spirit living inside the book. That being was revealed
• 12:30
  Speaker 2: to be Brian Wright, the man who was once known
• 12:33
  Speaker 2: as the hero Spellbook. He had given up himself as
• 12:37
  Speaker 2: a barrier between the void within the book and the world,
• 12:42
  Speaker 2: but he was confronted and defeated by Arthur, the paper Wizard,
• 12:47
  Speaker 2: who now bears his burden. When Jason loses control and
• 12:53
  Speaker 2: the character that is reminiscent of the original Phantom comes out,
• 12:58
  Speaker 2: who is that?
• 13:00
  Speaker 1: What is that?
• 13:01
  Speaker 2: It's not Brian, it's certainly not Arthur. And as you
• 13:04
  Speaker 2: think this, Jason starts.
• 13:12
  Speaker 1: Shaking Fuck it, I'm taking a look, Hey, buddy, buddy,
• 13:18
  Speaker 1: jam Or grabs me, tries to keep him up.
• 13:23
  Speaker 3: In.
• 13:23
  Speaker 2: Okay, we'll do the scan first. Roll a knowledge check
• 13:26
  Speaker 2: with your scan, Quanta. This is a challenging check. I'm
• 13:30
  Speaker 2: only a D ten. Wow six, I rolled an eight.
• 13:34
  Speaker 2: You dive in trying to find out what's going on
• 13:38
  Speaker 2: in Jason's brain, and you're only met with a voice.
• 13:45
  Speaker 1: They will not welcome me here.
• 13:47
  Speaker 2: The book rattles in your chest. You think you can.
• 13:52
  Speaker 4: Hide me away, keep me separate from the rest of you. Well,
• 14:00
  Speaker 4: I've got news for you. You've created me, you've been
• 14:06
  Speaker 4: feeding me, and you can no longer keep me at bay.
• 14:11
  Speaker 4: Come on in and know me better.
• 14:15
  Speaker 2: At this grasping paper tendrils sprout viciously out of Jason's chest.
• 14:23
  Speaker 2: They surround you all and grab at you all. It
• 14:29
  Speaker 2: pulls your bodies, and as your bodies naturally resist, it
• 14:34
  Speaker 2: tears through and pulls your souls. All three of you
• 14:40
  Speaker 2: share the book in jason my soul.
• 14:45
  Speaker 1: I love the idea too, of Maria coming down seeing
• 14:47
  Speaker 1: this and just beking. Man, I'll come, I'll get more napkins.
• 14:51
  Speaker 1: Excuse me. Everybody celebrates in their own way.
• 14:56
  Speaker 2: You enter the book.
• 14:58
  Speaker 1: Did we hear that monologue?
• 15:01
  Speaker 2: Everybody heard that you went to the book that is
• 15:05
  Speaker 2: Jason's heart and soul. You are discombobulated paper fog, made
• 15:13
  Speaker 2: up of the gathering of microscopic shards of paper clears,
• 15:19
  Speaker 2: and you find yourselves being pulled, pulled through space, paper space.
• 15:26
  Speaker 2: And I say that is in like paper, outer space
• 15:30
  Speaker 2: within Jason is the paper heavens. Why you soar by
• 15:37
  Speaker 2: parchment stars and canvas asteroids? And you see Jason's worlds.
• 15:45
  Speaker 2: They are the compartments He's made a lot of It
• 15:50
  Speaker 2: is normal and healthy. For instance, you pass a small
• 15:54
  Speaker 2: world that is Jason's love of chocolate cake.
• 15:58
  Speaker 1: Oh, that's nice.
• 15:59
  Speaker 2: That is a compartment. It's a part of him, and
• 16:02
  Speaker 2: it will not touch the other compartments.
• 16:05
  Speaker 1: Lest it gets frosting upon them.
• 16:07
  Speaker 2: But then you see four worlds that are colliding within you.
• 16:14
  Speaker 2: They are smashing into each other, and there is a
• 16:18
  Speaker 2: large one from which the tendrils come that seems to
• 16:22
  Speaker 2: be devouring the others. Uh, that's not.
• 16:28
  Speaker 1: Supposed to do that, Jason, where are we? It looks
• 16:34
  Speaker 1: like the paper to mention, but also my paper dimension
• 16:41
  Speaker 1: looks what does this? What so the book in my chest?
• 16:46
  Speaker 1: It how's like we've traveled through paper before paper? All
• 16:49
  Speaker 1: paper is connected in space and time. But the book
• 16:53
  Speaker 1: specifically that's where the void lives, which is the realm
• 16:56
  Speaker 1: of annihilation. Arthur's supposed to be guarding it. He was
• 17:00
  Speaker 1: having roommate drama with the paper phantom. Maybe it got
• 17:04
  Speaker 1: out of hand.
• 17:07
  Speaker 2: Everybody, roll a check here to see if you can
• 17:12
  Speaker 2: gather what's going on. Roll separately and tell me kind
• 17:15
  Speaker 2: of what you're rolling and how you're rolling to figure
• 17:17
  Speaker 2: out this whole fucking thing.
• 17:19
  Speaker 1: Sure you want spirit, I'm assuming.
• 17:22
  Speaker 2: Potentially, unless you're trying to find out something different. I
• 17:26
  Speaker 2: like i'd take knowledge or maybe investigation.
• 17:29
  Speaker 1: Yeah, I think Rajill is just gonna take breath, send
• 17:35
  Speaker 1: out some flight stars, have them as bright as they
• 17:37
  Speaker 1: could be, and try to again discern what's going on
• 17:43
  Speaker 1: and how to get out of here.
• 17:45
  Speaker 3: Ye as we're hurtling along having this conversation and being
• 17:49
  Speaker 3: pulled along by these paper tentacles, I think I just
• 17:54
  Speaker 3: try to consider what I know about the brain and
• 17:57
  Speaker 3: connections and what I have I've seen when I have
• 18:01
  Speaker 3: gone in Jason's mind, like when I tried to blind him,
• 18:05
  Speaker 3: and or not what I tried to blind him?
• 18:07
  Speaker 1: What accidentally blind that was?
• 18:11
  Speaker 3: That was accidental outcome to try to make sense of
• 18:14
  Speaker 3: what now I'm seeing with my eyes here.
• 18:18
  Speaker 1: Yeah, and I'm just trying to trying to understand as well.
• 18:21
  Speaker 1: I did knowledge just to see if I know, if
• 18:24
  Speaker 1: this seems familiar to me or it's new new territory.
• 18:27
  Speaker 2: Okay, I'm rolling.
• 18:29
  Speaker 1: This would be knowledge again for me.
• 18:30
  Speaker 2: Okay, I'm rolling.
• 18:31
  Speaker 1: I'm good spirit.
• 18:33
  Speaker 2: I'm rolling a difficult check for all of yous A
• 18:35
  Speaker 2: D twelve.
• 18:37
  Speaker 1: May I add my scan?
• 18:39
  Speaker 2: Yes, I rolled a short top one, So which is
• 18:44
  Speaker 2: a one? Nice short top seven?
• 18:48
  Speaker 1: I got a seven? I got a seven.
• 18:49
  Speaker 2: Okay, so step long top ones, step crit The boys
• 18:53
  Speaker 2: rolled long top one?
• 18:54
  Speaker 1: And what is it? A gentleman's I tot five seven people.
• 19:03
  Speaker 2: Way to keep dressing? Five is the people's seven? I
• 19:08
  Speaker 2: got it. N Okay, We'll start with Jason. You wrote
• 19:12
  Speaker 2: a knowledge check, jimmyir what you rolled a spirit check?
• 19:15
  Speaker 2: Spirit Jason, you look at the worlds that are colliding.
• 19:20
  Speaker 2: They are each made up of the pages of a book,
• 19:25
  Speaker 2: large and scrawled and torn together and stitched together. They
• 19:30
  Speaker 2: are planets and their stories and their books all at once.
• 19:34
  Speaker 2: It is what is inside of Jason, these compartments that
• 19:37
  Speaker 2: you've been making. I think on your success, you get
• 19:40
  Speaker 2: a title for each of these worlds. The titles are
• 19:46
  Speaker 2: a lover of Page, a son of Arthur, a hero
• 19:51
  Speaker 2: in himself, and a bringer of pain and a giver
• 19:55
  Speaker 2: of death.
• 19:58
  Speaker 1: Giver of pain and a sorry Giver of death is
• 20:01
  Speaker 1: one title.
• 20:02
  Speaker 2: Bringer of Pain and Taker of life is actually the
• 20:05
  Speaker 2: last one, and that is one. Giver of pain and
• 20:09
  Speaker 2: Taker of life. Jimir, you are trying to gather here
• 20:16
  Speaker 2: what's going on spiritually in Jason. You look at this
• 20:21
  Speaker 2: paper cosmos and it is vast and it is broad,
• 20:25
  Speaker 2: but there should only be one thing here where these
• 20:30
  Speaker 2: planets are colliding. Four things can't fit here, and Jason
• 20:36
  Speaker 2: has attempted to try to make them all fit, but
• 20:40
  Speaker 2: they don't. You asked for a way to get back,
• 20:43
  Speaker 2: to get home, to get out. I think you gather
• 20:46
  Speaker 2: here that the way is to help your friend. And
• 20:51
  Speaker 2: if you're going to there has to be one world here.
• 20:56
  Speaker 2: One part of Jason has to survive this Quanta. Compartmentalization
• 21:05
  Speaker 2: is generally a thing that happens psychologically. Yes, it can
• 21:12
  Speaker 2: have physical outcomes by building pathways in the brain or
• 21:19
  Speaker 2: habit those kind of things. And you're pretty familiar with
• 21:22
  Speaker 2: that with your understanding of the brain and the work
• 21:25
  Speaker 2: you've done with Jillian and the work you've done as
• 21:27
  Speaker 2: your reading is your read wizard thing. Yeah, wizard, Ronnie
• 21:32
  Speaker 2: the read wizard. But because of Jason's connection to the
• 21:37
  Speaker 2: void and the raw creative power and energy that that
• 21:43
  Speaker 2: is when he compartmentalizes, he's building actual worlds that are physical, spiritual,
• 21:52
  Speaker 2: and mental, and that is what is raging within him.
• 21:58
  Speaker 2: The large one that you are all getting pulled to
• 22:02
  Speaker 2: is the world of the phantom, and you gather in
• 22:07
  Speaker 2: this moment that that's not the one that you all
• 22:10
  Speaker 2: want to go to first, that you need to make
• 22:12
  Speaker 2: your way to the others first.
• 22:15
  Speaker 1: I don't feel great about this. Let's get out here.
• 22:19
  Speaker 3: I would like to grab hold of the paper that's
• 22:22
  Speaker 3: holding me and create a spark so that it burns,
• 22:28
  Speaker 3: to try to burn.
• 22:31
  Speaker 1: Burn it. Yeah, okay it let's go.
• 22:34
  Speaker 2: Roll a ready check plus your control lightning or control
• 22:39
  Speaker 2: electricity average check. I'm only a D eight twelve. I
• 22:43
  Speaker 2: rolled a seven, which is also called a long top one.
• 22:47
  Speaker 1: You burn your.
• 22:51
  Speaker 2: Tendril and you are floating in paper space.
• 22:54
  Speaker 1: Don't let it.
• 22:54
  Speaker 5: Pull you in?
• 22:56
  Speaker 1: Uh paper bending? Go can I paper bend in here.
• 23:00
  Speaker 2: Yeah, absolutely, I feel the paper respond to nice. All right, Yeah,
• 23:05
  Speaker 2: I'm gonna cut cut my tentacle. Same check, only got
• 23:12
  Speaker 2: a four. I rolled it one short top long short
• 23:15
  Speaker 2: top seven.
• 23:17
  Speaker 1: Yeah, Rigel's tag along, So I'm following you, and I'll
• 23:22
  Speaker 1: just try to rip my tentacle and then flight Star
• 23:26
  Speaker 1: following quant.
• 23:27
  Speaker 2: Okay, roll your mite and strength. Same check. I rolled
• 23:31
  Speaker 2: it too. That's a FOURT T. Yeah, you rip your
• 23:34
  Speaker 2: tendril easily. They all slither back into the mighty world
• 23:38
  Speaker 2: that is attempting to take over Jason's soul.
• 23:43
  Speaker 1: I mean, when, what is I gonna have time for therapy? Guys,
• 23:46
  Speaker 1: don't look at me like that. Come on, we were
• 23:49
  Speaker 1: We've been so busy, hey, but the only way we
• 23:53
  Speaker 1: get out of here is with you. I appreciate that.
• 23:57
  Speaker 1: I want it to be known too that I didn't
• 23:59
  Speaker 1: do this on per I'm not trying to We know,
• 24:03
  Speaker 1: right going, we know this is yeah, we know. I'm
• 24:08
  Speaker 1: still sorry though it is my fault.
• 24:13
  Speaker 3: How about how about we deal with this and then
• 24:16
  Speaker 3: we'll deal with I point to the planets. We'll deal
• 24:19
  Speaker 3: with this, and then we'll deal with this. And I
• 24:22
  Speaker 3: gestured to all of us after.
• 24:26
  Speaker 1: Sounds good. Bos Are we really here?
• 24:30
  Speaker 3: I mean, I know, at least parts of us, But
• 24:32
  Speaker 3: I like, touch my body, kind of slap my legs
• 24:37
  Speaker 3: in my arm.
• 24:38
  Speaker 2: Yeah, I think without a role, you gather that you
• 24:41
  Speaker 2: are here spiritually, but you do have a form here.
• 24:46
  Speaker 2: And as you look down, you notice that you are
• 24:48
  Speaker 2: all paper people.
• 24:50
  Speaker 1: Oh shit, I knew this was magic, but I guess
• 24:55
  Speaker 1: it is paper magic. Yeah, everything here is paper. My
• 25:00
  Speaker 1: paper's shiny, it's kind of cool. It's lots of kinds
• 25:04
  Speaker 1: of paper.
• 25:05
  Speaker 3: Okay, I know we don't want to go to that one,
• 25:08
  Speaker 3: the big one chocolate cake. No, we should have hit
• 25:13
  Speaker 3: that on our way out. But the phantoms that one's dangerous.
• 25:18
  Speaker 3: It's been compartmentalized very intentionally. Yeah, you could say, got
• 25:23
  Speaker 3: a sweet tooth, got a bit of a sweet taoth.
• 25:28
  Speaker 3: I bunny, I know you're you said no therapy, but
• 25:32
  Speaker 3: I think you might need to do some digging. What
• 25:37
  Speaker 3: what do we need to do here?
• 25:39
  Speaker 1: Uh? I wish I could give you a clear answer.
• 25:43
  Speaker 1: I caught the titles of some of the books on
• 25:45
  Speaker 1: our way in. Okay, I would guess that we don't
• 25:50
  Speaker 1: want to bline it for Taker of Life, or giver
• 25:54
  Speaker 1: of pain. Those ones are probably not as fun A
• 25:57
  Speaker 1: high a degree of difficulty for maybe ye lover of
• 26:02
  Speaker 1: page feels personal. Yeah, but that, I mean, this is
• 26:08
  Speaker 1: all pretty personal. We're in you, sure, we're in you
• 26:13
  Speaker 1: right now. Maybe just to ease into that one, we
• 26:16
  Speaker 1: could always start with I'm a fan of the title
• 26:20
  Speaker 1: of this one. Son of Arthur. Yeah, yeah, good call,
• 26:26
  Speaker 1: because maybe he can help us too. He knows about
• 26:28
  Speaker 1: magic and ship and I don't. Usually he's in here,
• 26:31
  Speaker 1: so maybe find Arthur there. Okay, let's let's let's go
• 26:35
  Speaker 1: for it. You head to I think forward. How do
• 26:43
  Speaker 1: I make a sale out of my body?
• 26:46
  Speaker 2: How do you do it?
• 26:48
  Speaker 1: I just think like sail? And then my hand is.
• 26:52
  Speaker 2: My flight star paper. Yes, everything is paper, okay, yeah,
• 26:58
  Speaker 2: I can.
• 26:58
  Speaker 1: Use my lightning paper.
• 27:00
  Speaker 3: I try to create a lighteningle whoah, I mean I
• 27:04
  Speaker 3: created fire though.
• 27:05
  Speaker 1: How did I do that? Paper? Fire? Yeah? Whoa? This
• 27:09
  Speaker 1: place is wild. Yeah, it's sort of whatever, your creativity,
• 27:14
  Speaker 1: your imagination, it's all possible in the world of books.
• 27:18
  Speaker 1: You guys don't read a lot. That's sort of the vibe. No, sorry,
• 27:22
  Speaker 1: that's okay. I watched just giving me real, real paper
• 27:25
  Speaker 1: Mario vibes. I listened to some VHSS.
• 27:29
  Speaker 3: I listened to Shrek the audio book of Shrek's Really
• 27:33
  Speaker 3: Good and Monsters Inc.
• 27:35
  Speaker 1: The audiobook of Monsters Inc. Yeah, we talked about Mike
• 27:38
  Speaker 1: was Ansky.
• 27:38
  Speaker 3: Yeah.
• 27:39
  Speaker 2: You head to the world that is the son of Arthur,
• 27:43
  Speaker 2: and as you enter the world, it's not like entering
• 27:47
  Speaker 2: the atmosphere of a planet or what you would imagine
• 27:50
  Speaker 2: that would be. Like, it's like waking up and the
• 27:55
  Speaker 2: three of you find yourselves in provincial rush uh in
• 28:01
  Speaker 2: a tavern. The lights are dim, the floor is muddy,
• 28:06
  Speaker 2: and the bartender's breath smells like spirits.
• 28:11
  Speaker 1: What is this place? This isn't any part of New
• 28:14
  Speaker 1: Babbel m Yeah, it looks like Europe to me, based
• 28:18
  Speaker 1: on the architecture. Whoa old Europe. The three of you
• 28:22
  Speaker 1: sit here, you wear frocks and waistcoats. The three of
• 28:26
  Speaker 1: you find that you're related to each other. You have
• 28:29
  Speaker 1: a really special braid there, buddy, Is this like what
• 28:33
  Speaker 1: Arthur did to us before?
• 28:35
  Speaker 2: Mm hmm.
• 28:36
  Speaker 1: It's not a memory. If it is, it's not mine.
• 28:40
  Speaker 1: I think it's more like a vibe. Is some people
• 28:45
  Speaker 1: dress outside of New babbyl based on what I've read. Wow,
• 28:49
  Speaker 1: it's interesting. Yeah, we all have. We all have the
• 28:52
  Speaker 1: same mustache. We're all related. It's like looking in a mirror.
• 28:58
  Speaker 2: The door of the tavern bursts so but you see
• 29:01
  Speaker 2: Grigory burst through the door. Gregory is the most faithful
• 29:05
  Speaker 2: and elder servant of your father's house. He looks at you,
• 29:09
  Speaker 2: Jason and says, how could you Dmitri? I heard your
• 29:15
  Speaker 2: words you would take violence upon your own father. Who
• 29:20
  Speaker 2: did you hire to do this? Great question? Grigory, thank
• 29:24
  Speaker 2: you for asking. H I look around context clues. Does
• 29:31
  Speaker 2: any of this make any sense to me? Roland knowledge check, Jak.
• 29:35
  Speaker 2: This is a challenging check. I'm rolling a D ten
• 29:38
  Speaker 2: plus paper cents.
• 29:39
  Speaker 3: Yes, Quanta is drinking in the surroundings now being like.
• 29:43
  Speaker 1: This is what the world outside is like. I wroted
• 29:47
  Speaker 1: a one, I got a five. Ragel's unimpressed.
• 29:51
  Speaker 2: You find you and your friends in the story of
• 29:54
  Speaker 2: their Brothers Karamatsov. These names start to ring bills and
• 30:01
  Speaker 2: you as a book. Maybe you've not read, but maybe
• 30:05
  Speaker 2: you have, or maybe you skimmed over it with your
• 30:09
  Speaker 2: paper sense.
• 30:09
  Speaker 1: At one point in the library, we'll say I've skimmed
• 30:12
  Speaker 1: it a while ago. Aren't you going to go to him? Dmitri?
• 30:18
  Speaker 1: Aren't you going to stop what you've started? Now? What
• 30:21
  Speaker 1: are you going to do? Dmitri?
• 30:22
  Speaker 3: Uh?
• 30:23
  Speaker 1: Yes, me and my siblings here filled with great Russian
• 30:28
  Speaker 1: ramois das vidania. We're going there. As I was leaving,
• 30:34
  Speaker 1: I saw I saw it a phantom sneaking through the woods.
• 30:38
  Speaker 1: Oh that's definitely not in the book a phantom. You say, yes,
• 30:43
  Speaker 1: are we in a book? I whispered really loudly to Rachel. No,
• 30:48
  Speaker 1: we're ill ja the books in me? Guys? Are we
• 30:51
  Speaker 1: in the story that's in him? Oh? Look you're asking
• 30:54
  Speaker 1: me like I know. I hope we get to go
• 30:56
  Speaker 1: to Monsters Inc. Next. Oh yeah, that's a great book. Yeah.
• 31:00
  Speaker 1: Anything else? Uh? We need from you Greek? Or can
• 31:07
  Speaker 1: we funk off to the woods? We need to be
• 31:09
  Speaker 1: careful in the woods or that's where we're heading. Is
• 31:11
  Speaker 1: the woods where we got to go? What's what's going on?
• 31:14
  Speaker 1: Your home? Your house? You know where your house is? Yeah,
• 31:18
  Speaker 1: in the woods, it's through the woods through Yes, great,
• 31:24
  Speaker 1: I never seen woods. It's fun.
• 31:27
  Speaker 2: Demetri, You and your siblings know the way home into
• 31:29
  Speaker 2: the woods?
• 31:31
  Speaker 1: How do I know the way home? This is this
• 31:35
  Speaker 1: is some crazy man, Jim, I didn't do it, but
• 31:38
  Speaker 1: it's all It's all in you. You've only been in the
• 31:41
  Speaker 1: book a couple of times, and this part's new to me.
• 31:45
  Speaker 1: But I do know the story a little bit. You've
• 31:50
  Speaker 1: like you you go in stories like this. Well, that's
• 31:53
  Speaker 1: what happens when you read. For a long time. Before
• 31:55
  Speaker 1: I met you, guys, my only friends were books, right, man,
• 31:59
  Speaker 1: My reading experiences pretty different, Jamior says, is he feels
• 32:05
  Speaker 1: the is everything still paper or is it now not? Yeah? No,
• 32:09
  Speaker 1: as I feel the paper grass. Well, you guys had
• 32:14
  Speaker 1: big families. I was alone for a while, so books
• 32:18
  Speaker 1: was a good, good way to escape. It's beautiful and confusing,
• 32:24
  Speaker 1: but interesting. Yeah, pretty cool. It's not bad at.
• 32:30
  Speaker 2: Least this one. Into the woods, Into the woods. You
• 32:34
  Speaker 2: go into the woods, and you come to your father's
• 32:37
  Speaker 2: abode is large and unorderly. It's a bit ramshackle, but
• 32:42
  Speaker 2: your father was a wealthy man. It's dark and there
• 32:45
  Speaker 2: are only a few lights in the house.
• 32:48
  Speaker 1: Do you mind giving us a little little sparky spark
• 32:51
  Speaker 1: there some sure, I'll see what I can do.
• 32:56
  Speaker 3: I try to spark again the hand of my like
• 33:00
  Speaker 3: paper self to catch it on fire, to like catch
• 33:06
  Speaker 3: myself on paper fire, but then can try to control it.
• 33:09
  Speaker 1: Yeah, even though I'm lightning, I don't know. Yeah, I
• 33:13
  Speaker 1: don't have any problems with that.
• 33:14
  Speaker 3: Okay. Cool.
• 33:15
  Speaker 1: I imagine like you got like two fingers and like
• 33:17
  Speaker 1: a little taser like at the arc, jumping between creates
• 33:20
  Speaker 1: light and fire in there. It's cool. Knock knock, knock,
• 33:24
  Speaker 1: ding dong, Are.
• 33:26
  Speaker 2: There knock on the door? No one answers, but you
• 33:30
  Speaker 2: hear someone running out of a door on the side
• 33:33
  Speaker 2: of the house. Oh great, running my old arch nemesis.
• 33:41
  Speaker 1: Come on ther Yeah, okay, okay, fine, ay, wait guys, guys,
• 33:45
  Speaker 1: is they're running paper flight stars and links arms? Thanks Dorothy. Yeah, well,
• 33:53
  Speaker 1: flight Star. After the running, the sound of the running.
• 33:56
  Speaker 2: The flight Star. After the sound of the running, you
• 33:57
  Speaker 2: see a hooded figure running now into the woods. Jamar's Jamir,
• 34:03
  Speaker 2: Jamir's flight Star, Jamar's flight steers. What I was gonna say,
• 34:07
  Speaker 2: the flight.
• 34:09
  Speaker 1: Flight a moo moo cow. Now that's.
• 34:21
  Speaker 2: Jamir's flight Star is much faster than this man on foot.
• 34:26
  Speaker 2: He's hooded, he's running. Jason, you feel in your belt
• 34:33
  Speaker 2: the cold steel of a dagger. Your hand reaches for it.
• 34:39
  Speaker 2: Assuming this man has just slaying your father. Step murderer
• 34:46
  Speaker 2: keeps running.
• 34:47
  Speaker 1: I'm gonna pull out the dagger. It's made of paper, right, yep.
• 34:50
  Speaker 1: I'm going to turn into a big like mallet. Throw
• 34:54
  Speaker 1: it paper Mario style at him, roll a might check
• 34:58
  Speaker 1: plusure paper manipulation. It's a big old three for me.
• 35:03
  Speaker 1: I rolled a four.
• 35:04
  Speaker 3: Oh.
• 35:06
  Speaker 2: You try to turn the dagger into a mallet and
• 35:09
  Speaker 2: you throw it, You throw it well, and you throw
• 35:12
  Speaker 2: it true, but it remains a dagger. No, it stabs
• 35:17
  Speaker 2: this person in the back.
• 35:19
  Speaker 1: Oh I was trying not to stab. Sorry, are you're good?
• 35:23
  Speaker 1: You definitely stabbed.
• 35:24
  Speaker 2: You come to the person, Jason, You roll them over
• 35:28
  Speaker 2: and you see Arthur.
• 35:29
  Speaker 1: Yeah. Good, Hello Jason. Hi, Sorry I threw a dagger
• 35:38
  Speaker 1: at you. You were cloaked and running away and not responding.
• 35:41
  Speaker 1: Oh no, this is this is what needed to happen.
• 35:46
  Speaker 1: Oh good, It's been a while since I've read this book.
• 35:50
  Speaker 1: What the fuck is going on?
• 35:52
  Speaker 2: Oh no, we're mixing a couple of books now, okay,
• 35:55
  Speaker 2: Oedipus and Brothers carry that one. I've heard the headlines.
• 36:04
  Speaker 2: I listen to the VH. Jason, he puts his hand
• 36:08
  Speaker 2: upon your shoulder. You've got to let me go.
• 36:11
  Speaker 1: What No, No, we need your help and I gonna
• 36:14
  Speaker 1: let you go.
• 36:16
  Speaker 2: You have to finish the job. Finish the job. What
• 36:19
  Speaker 2: are you talking about. I'm not here anymore, Jason. You're
• 36:27
  Speaker 2: not here. The deal you made with me, the pain,
• 36:31
  Speaker 2: the phantom causes, it's all you. I'm gone, Jason, I'm
• 36:39
  Speaker 2: not here. You have to kill this version of me.
• 36:44
  Speaker 1: No, no, no, that doesn't make any That doesn't make
• 36:47
  Speaker 1: any sense.
• 36:48
  Speaker 2: Arthur.
• 36:48
  Speaker 1: You you put your soul into the book. You're in
• 36:52
  Speaker 1: the book. This is you in the book. Right.
• 36:54
  Speaker 2: My task has bound me. It doesn't allow me to
• 36:58
  Speaker 2: interfere with your life. It's all you, Jason. You've got
• 37:04
  Speaker 2: to let me go. It's holding you back.
• 37:07
  Speaker 1: I can't. I can't. I don't know what the fuck
• 37:09
  Speaker 1: you want me to say. I can't do it.
• 37:11
  Speaker 2: He grabs your hand, Take the dagger, finish me.
• 37:17
  Speaker 1: I look over at my friends. I'm not Come on, guys,
• 37:22
  Speaker 1: that's not you think this is the healthy, correct choice.
• 37:27
  Speaker 1: I don't. Arthur's gone.
• 37:29
  Speaker 4: Man.
• 37:30
  Speaker 3: It's a gesture. But hey, hey, hey, hey, I put
• 37:35
  Speaker 3: my hand on it Jason's shoulder. Put a hand on
• 37:39
  Speaker 3: Jason's shoulder, and I put the mink off of my own.
• 37:46
  Speaker 3: I put a hand on Jason's shoulder. You're the most
• 37:51
  Speaker 3: creative person I know. Maybe you can find another way
• 37:55
  Speaker 3: to let him go. That's not so.
• 37:59
  Speaker 1: I look back at Artha. You're saying, if I don't
• 38:03
  Speaker 1: let you go, all of this were we're stuck here.
• 38:08
  Speaker 1: It's the only way. There's nothing else I can do.
• 38:13
  Speaker 2: Even this, Jason is you.
• 38:19
  Speaker 1: Don't get in the way of your own happiness. Okay,
• 38:29
  Speaker 1: I guess, I guess this needs to be goodbye. Then
• 38:38
  Speaker 1: I didn't get a chance then to Really, I don't
• 38:43
  Speaker 1: know what to say other than I'm sorry. And I'm
• 38:51
  Speaker 1: going to put my hand on paper Arthur's chest and
• 38:55
  Speaker 1: he's going to turn into paper butterflies.
• 38:58
  Speaker 2: Without killing him. You do release this version of your father, beautiful,
• 39:13
  Speaker 2: This world.
• 39:16
  Speaker 1: Disippeates.
• 39:17
  Speaker 2: It doesn't fully disappear, but get sucked into the world,
• 39:22
  Speaker 2: entitled a hero in himself. Having released your father allows
• 39:28
  Speaker 2: you to be you.
• 39:36
  Speaker 1: Thanks for being here, guys. Sorry, we have another. No,
• 39:40
  Speaker 1: no another. It's an honor to be here for this shit. Now,
• 39:47
  Speaker 1: maybe you can kill the next one. Jesus Christ, you
• 39:50
  Speaker 1: all get sucked it just sucks period sad I had
• 40:05
  Speaker 1: into the world. That is.
• 40:11
  Speaker 2: The lover of page. You find yourselves in a stained
• 40:15
  Speaker 2: paper wood, trees of flaky bark and rustling sheets of leaves.
• 40:21
  Speaker 2: It's very dense. You look at each other dense. It's
• 40:24
  Speaker 2: so dense.
• 40:25
  Speaker 1: It's this one's denser.
• 40:28
  Speaker 2: I think in the last I can't see as far
• 40:32
  Speaker 2: you see that your garbage changed. You still bear the
• 40:37
  Speaker 2: the iconography of your hero personas, but it's medieval fantasy, nightly,
• 40:43
  Speaker 2: witchy Kingley or whatever you have. You, guys, explain what
• 40:48
  Speaker 2: you look like in a medieval fantasy high fantasy world.
• 40:51
  Speaker 1: Jesture outfit, pointy curly toes, jingling bells, and a scepter
• 41:00
  Speaker 1: with my own head on it, quantas and papal ropes. Nice. Yeah,
• 41:07
  Speaker 1: Junior is definitely paper night with full plate on. What
• 41:12
  Speaker 1: is his hat? It's a good hat, good look. I
• 41:15
  Speaker 1: like it.
• 41:15
  Speaker 2: I'm really funning this paper armor, paper metal armor.
• 41:20
  Speaker 1: How does this work? I think you're overthinking it. I
• 41:23
  Speaker 1: am everything's paper, you know, everything's paper. Yeah, if we
• 41:27
  Speaker 1: peede and pooed, it'd be paper, guys, pepe pepe poop,
• 41:31
  Speaker 1: poo poopected. It's all it's paper all the way down.
• 41:34
  Speaker 1: Peep all the way down, babe.
• 41:36
  Speaker 3: The way down paper nectar. Okay, so you said this one,
• 41:41
  Speaker 3: you know, should we just hear? No, no, you guys,
• 41:45
  Speaker 3: I want you to hear. It's just probably gonna be awkward.
• 41:48
  Speaker 3: So I mean you you've seen me interact with Joshua, So.
• 41:54
  Speaker 1: Yeah, well did you ever end up going on I
• 41:55
  Speaker 1: date with it?
• 41:56
  Speaker 4: I did?
• 41:56
  Speaker 1: Oh my god, how good dad? Is a bad dad?
• 42:00
  Speaker 1: That's too bad?
• 42:01
  Speaker 3: His was?
• 42:03
  Speaker 1: Whoa josh Man? We should go get sucked into your
• 42:07
  Speaker 1: book next time, jeez, Louise. Okay, a wolf lurks out
• 42:11
  Speaker 1: of the forest behind you. You could say it's a
• 42:15
  Speaker 1: big bad wolf, an image of doom before you stands,
• 42:21
  Speaker 1: raises its hackles and its claws. What do you do?
• 42:27
  Speaker 1: I think logically we need to be make ourselves look
• 42:30
  Speaker 1: big and scary. Okay.
• 42:32
  Speaker 3: I spread my arms so that the robes are just
• 42:35
  Speaker 3: like the big like half circle.
• 42:37
  Speaker 1: On my body. Yeah, makes a big flight star and
• 42:46
  Speaker 1: I start shaking my jingling bell staff.
• 42:53
  Speaker 2: Get back, get back, yell at this, you yell at
• 42:59
  Speaker 2: the at the big bad wolf, the the entity, the
• 43:04
  Speaker 2: symbol of the symbol of death and doom in all uh,
• 43:09
  Speaker 2: in all fantasy.
• 43:11
  Speaker 1: Uh.
• 43:11
  Speaker 2: It raises a claw and just slashes adjacent in the chest.
• 43:16
  Speaker 1: You ware right for Jason.
• 43:19
  Speaker 2: It does four damage to Jon. You guys scream at
• 43:24
  Speaker 2: this book.
• 43:25
  Speaker 1: All right, I'll reseal for one taking three damage.
• 43:29
  Speaker 3: Okay, that didn't work, and I will lightning whip around
• 43:33
  Speaker 3: its muzzle.
• 43:34
  Speaker 2: Yeah time, okay. Uh, your paper whip goes around its muzzle.
• 43:40
  Speaker 2: Make a strength check. Oh, ready plus your strength.
• 43:44
  Speaker 1: Quanta interesting seven.
• 43:49
  Speaker 2: You're rolling against his might.
• 43:53
  Speaker 1: Don't feel great about that. Rolls a twelve.
• 43:57
  Speaker 2: Your paper electric whip wraps around its muzzle. He rips
• 44:01
  Speaker 2: it off. Your doom you will find in me lest
• 44:05
  Speaker 2: you go to the tower.
• 44:07
  Speaker 1: Okay, we can go to the I thought this was
• 44:09
  Speaker 1: gonna be more of a rom com what I don't know.
• 44:14
  Speaker 1: The title made it sound more lovery than Are we
• 44:17
  Speaker 1: trying to kill the wolf?
• 44:19
  Speaker 3: No?
• 44:19
  Speaker 1: I think he's just a metaphor. Are you just a
• 44:22
  Speaker 1: metaphor for death? Your doom will waits you lest you
• 44:27
  Speaker 1: go to the tower. Okay, yeah, we're going to the tower.
• 44:30
  Speaker 1: Points a curve. What least means sometime? I think it
• 44:34
  Speaker 1: means we must or he'll kill us. Yeah. Yeah, he's
• 44:37
  Speaker 1: just he is. It just means he like huffing and
• 44:39
  Speaker 1: puffing a ton.
• 44:41
  Speaker 2: You love lies there?
• 44:43
  Speaker 1: Do you have asthma? Do you have a deviated septim?
• 44:45
  Speaker 1: Are you good?
• 44:46
  Speaker 2: Your love lies there?
• 44:48
  Speaker 1: Okay, tower, I get, we get, okay, we're going to
• 44:52
  Speaker 1: the tower. You didn't have to cut him.
• 44:54
  Speaker 2: She sleeps soundly.
• 44:58
  Speaker 1: This is like a bunch of fairs your tails. So
• 45:01
  Speaker 1: do I night, brother? Have a good one? Yeah? I
• 45:05
  Speaker 1: pet bet the wolf on the head. Pet pet bet.
• 45:08
  Speaker 3: There that, but you scratched my friend. Hey, okay, nice?
• 45:15
  Speaker 3: Definitely back away at first, and then head to the tower.
• 45:20
  Speaker 1: Tower. Point to this, this tower to the okay, God,
• 45:28
  Speaker 1: make our way to the tower. You head toward the
• 45:30
  Speaker 1: tower where the wolf says pages sleeping m yes, sir.
• 45:34
  Speaker 1: As you get closer and closer, takes you some time
• 45:39
  Speaker 1: to walk, but you start to notice creeping brambles crawling
• 45:44
  Speaker 1: up on you, crawling behind you, surrounding you, pushing you
• 45:49
  Speaker 1: in creeping Hold on, I'll try to burn them with
• 45:55
  Speaker 1: some of the starfire magic glass.
• 45:57
  Speaker 2: See if that doesn't, gim me a roll street smart
• 46:00
  Speaker 2: plus your magic. Last the brambles are rolling a D ten.
• 46:06
  Speaker 1: Two. Hey, I got a fourteen nice. They're all to
• 46:11
  Speaker 1: seven ooh, lunked up one. The brambles come in and
• 46:15
  Speaker 1: try to stop your way. Jamir fire blasts them back, nice.
• 46:22
  Speaker 2: And they continue just to grow, trying to cover your
• 46:26
  Speaker 2: way into the tower, even as Jamiir blasts them back.
• 46:29
  Speaker 2: You do come into the tower, you find a stairwell,
• 46:33
  Speaker 2: but they continue to crawl after you, in front of you,
• 46:36
  Speaker 2: behind you.
• 46:37
  Speaker 1: Wanta, how are you helping? Huh Jason, what's this? You think?
• 46:44
  Speaker 1: It's likely also a metaphor, I'm not sure for creeping
• 46:47
  Speaker 1: anxiety would be my guest. Yeah, I mean I asked
• 46:49
  Speaker 1: the question once again. Are you getting in the way
• 46:52
  Speaker 1: of your own happiness here? Buddy? Well, I can't just
• 46:55
  Speaker 1: like just stop being anxious. No, I can't. I turn
• 46:59
  Speaker 1: around and start zapping just.
• 47:05
  Speaker 3: Bolts of lightning whip at the brambles as they're coming
• 47:08
  Speaker 3: at us.
• 47:09
  Speaker 2: Grant treet Smart's plasure lightning whip.
• 47:11
  Speaker 1: Well, that's a D ten now eight.
• 47:15
  Speaker 2: Eight, I rolled a three. You're able to clear a
• 47:19
  Speaker 2: path as well. There's gonna be one more check. It's
• 47:22
  Speaker 2: gonna get a little harder D twelve for both of you.
• 47:25
  Speaker 2: As Jason is the hero of this story and meets
• 47:27
  Speaker 2: the path cleared for him, so really brambles again, cover
• 47:32
  Speaker 2: your your path forward, encroaching behind you.
• 47:35
  Speaker 1: Go Jason, go Running is my one weakness. And scissors
• 47:39
  Speaker 1: and fire. Also a magic blasted brother, Jimmie, where'd you wrot?
• 47:44
  Speaker 4: Eight?
• 47:45
  Speaker 1: I rolled a four?
• 47:46
  Speaker 3: Oh, thank good this time, I would like to control
• 47:49
  Speaker 3: electricity to like launch the electric if if I can
• 47:52
  Speaker 3: sense electricity in Jason's paper body.
• 47:55
  Speaker 1: Mm hmmm, paper electricity.
• 47:57
  Speaker 3: This is so weird and I want to like launch
• 48:01
  Speaker 3: his body up over the brambles as he's running.
• 48:05
  Speaker 2: Help him run, roll a coach check plus your control lightning,
• 48:11
  Speaker 2: go get her.
• 48:13
  Speaker 1: Ten.
• 48:13
  Speaker 2: I rolled a seven. The brambles make a solid gate
• 48:18
  Speaker 2: in front of you. You launch Jason over them, your Jester,
• 48:24
  Speaker 2: your paper Jester, shoes and hat jingling in the wind,
• 48:29
  Speaker 2: and you crash through the door, where you find a
• 48:36
  Speaker 2: four post bed.
• 48:38
  Speaker 1: Gossamer curtain and Page.
• 48:44
  Speaker 2: The two of you guard the door and are going
• 48:46
  Speaker 2: to need to keep pushing back the brambles as they
• 48:49
  Speaker 2: try to enter.
• 48:56
  Speaker 1: Page is sitting up.
• 48:58
  Speaker 2: Not a sleep lying wolf. She looks at you. This
• 49:03
  Speaker 2: is the Page, you know, even though everything's made out
• 49:06
  Speaker 2: of paper. Her hair is still the stark white that
• 49:11
  Speaker 2: it has turned to in the real world.
• 49:16
  Speaker 1: Is this how you see me subconsciously?
• 49:19
  Speaker 2: Perhaps I'm not doing this on purpose, A princess cursed
• 49:25
  Speaker 2: to sleep until you find me.
• 49:26
  Speaker 1: I didn't look I'm if anything, it's a mixed metaphor
• 49:30
  Speaker 1: look what I'm wearing. Okay, you know?
• 49:32
  Speaker 2: Did you know in the original story that she doesn't
• 49:37
  Speaker 2: get woken up by a kiss, just the curse of
• 49:39
  Speaker 2: the land ends and she wakes up.
• 49:42
  Speaker 1: Oh yeah, I kind of remember that. I remember it
• 49:44
  Speaker 1: being a little Yeah, the kiss part's weird. You shouldn't
• 49:47
  Speaker 1: kiss sleeping people. I know that. Who am I to you? Jason?
• 49:52
  Speaker 1: It's complicated. Do you love me? Huh?
• 49:58
  Speaker 2: Do you want to be with me? Your superhero life
• 50:03
  Speaker 2: apart the Phantom?
• 50:05
  Speaker 1: Not here? You, Jason Turner? Do you love me? Of
• 50:11
  Speaker 1: course I do? Romantically. Yes, romantically. I've been in love
• 50:17
  Speaker 1: with you since I was sixteen.
• 50:20
  Speaker 2: If you really wanted to be with me, you wouldn't
• 50:23
  Speaker 2: hide from me.
• 50:26
  Speaker 1: Well, I don't know. Every time I get closer to you,
• 50:33
  Speaker 1: it seems like something worse happens. I'm not a good person.
• 50:38
  Speaker 1: I don't think I don't deserve you. That's the problem. No,
• 50:47
  Speaker 1: you don't, but she still loves you. That's not fair
• 50:56
  Speaker 1: to her. That's her choice to make. Yeah, you need
• 51:06
  Speaker 1: to tell her who you are, who you really are,
• 51:10
  Speaker 1: But then that's up to her. Sounds hard.
• 51:15
  Speaker 2: Maybe we'll just get killed by brambles and live your favor.
• 51:19
  Speaker 1: How do you think it's going in there? And what
• 51:26
  Speaker 1: are you? What do you need me to say?
• 51:30
  Speaker 2: I need you to tell me you love me. I
• 51:36
  Speaker 2: know I like books, but words are not my.
• 51:42
  Speaker 1: Strong suit. I'm gonna grab her face and I'm gonna
• 51:46
  Speaker 1: kiss her. Not macaroni and cheese. It's some shredded pieces
• 51:52
  Speaker 1: of paper in somebody's hand.
• 51:54
  Speaker 6: This is what the kissing sounds like, open mouth, tongues
• 52:05
  Speaker 6: slap at each other.
• 52:08
  Speaker 1: No, it's like a nice kiss.
• 52:09
  Speaker 2: As you do, this world erupts again, not disappearing fully,
• 52:17
  Speaker 2: but drawn into the world of the hero that Jason
• 52:22
  Speaker 2: wants to be. You can be a hero and say
• 52:26
  Speaker 2: goodbye to your dad. You can be a hero and
• 52:29
  Speaker 2: love the woman you love. That means there's one world
• 52:33
  Speaker 2: left before the bad one.
• 52:37
  Speaker 1: Take it that one you went? Well, Yeah, you guys
• 52:42
  Speaker 1: seem like you're covered in lots of little paper cuts. Okay, yeah,
• 52:45
  Speaker 1: my paper's torn, but I'll live. Yeah, you're good in there, Bud.
• 52:53
  Speaker 1: Oh yeah, yeah, I didn't you hear the sound of
• 52:57
  Speaker 1: I need to know that details. Let's just say occupy.
• 53:02
  Speaker 1: Let's just say I got the fifth base. You know
• 53:04
  Speaker 1: what I'm saying. God, No, Jason, Jason handholding a word,
• 53:12
  Speaker 1: he doesn't have that many. I forgot about the curve
• 53:17
  Speaker 1: on which your basis are. Oh right, yeah, third is
• 53:23
  Speaker 1: holding hands right?
• 53:25
  Speaker 3: Yeah?
• 53:25
  Speaker 1: Okay yeah, and then sixth the six swings.
• 53:29
  Speaker 3: Ok well, I'm glad you didn't get to sixth then
• 53:31
  Speaker 3: while we were fighting.
• 53:34
  Speaker 1: From six it really does jump.
• 53:38
  Speaker 2: The three of you find yourselves next as you get
• 53:41
  Speaker 2: sucked into the third world in a nice home in
• 53:44
  Speaker 2: Victorian London.
• 53:47
  Speaker 1: Okay, where where are we now? What is Oh my gosh,
• 53:49
  Speaker 1: I can't breathe. I can't breathe. What is happening? Do
• 53:56
  Speaker 1: you look great? Close though? Sorry you're crazy? Slice open
• 54:11
  Speaker 1: the corset.
• 54:12
  Speaker 2: You're all in a four post bed together, and the
• 54:15
  Speaker 2: bell tolls one.
• 54:20
  Speaker 1: I thought I thought it was sex swing. Yeah, that's
• 54:23
  Speaker 1: sixth base. Okay. I don't think this is a sex book.
• 54:27
  Speaker 1: I'll be honest. I think this is some Dickensie and ship. Sure,
• 54:31
  Speaker 1: do I have like a long night cap on? Yes
• 54:35
  Speaker 1: you did. Wait, you guys look like you're wearing pajamas.
• 54:42
  Speaker 1: Pajamas are lady pajamas of the Jason's brain. Okay, this
• 54:48
  Speaker 1: is not whoa whoa. I didn't do I didn't imagine that.
• 54:53
  Speaker 1: I didn't do ship. I didn't do sh.
• 54:58
  Speaker 2: A ghost shimmers intigs distance before you, all three of you. Oh,
• 55:03
  Speaker 2: it is a normal looking man in a vest and
• 55:06
  Speaker 2: a nowsy cap, flat brimmed cap. He has a red
• 55:10
  Speaker 2: he has a red hair. He has red hair and
• 55:13
  Speaker 2: a beard.
• 55:14
  Speaker 1: That guy is balding, but he is not accepting it.
• 55:17
  Speaker 1: He's keeping that single hair.
• 55:19
  Speaker 2: Yay.
• 55:19
  Speaker 1: Hey, hello ghost, Merry Christmas.
• 55:24
  Speaker 2: Hello, it's me little John oh from Robinhood. Well they
• 55:34
  Speaker 2: may have called me that. Oh, but you look like
• 55:37
  Speaker 2: the bully that I knew from school, that's the one.
• 55:41
  Speaker 2: Oh yeah, the bully you knew from school.
• 55:43
  Speaker 1: That's me. Hi, your ghost now in this dimention.
• 55:48
  Speaker 2: Right right, I'm here to warn you and all. Oh
• 55:50
  Speaker 2: you're like the Jacob Martley and I'm the first ghost. Oh, okay,
• 55:55
  Speaker 2: you've sort of rolled into the ghost of Christmas past, right,
• 55:58
  Speaker 2: I saw him up with Christmas Carroll.
• 56:00
  Speaker 1: Jayson don't to explain. Yeah, he's like the Gonzo okay, no, no, no,
• 56:09
  Speaker 1: Gonzo Narra.
• 56:15
  Speaker 2: I'm like Marley and the Little Floating Girl together in
• 56:22
  Speaker 2: one Yeah.
• 56:22
  Speaker 1: Yeah, right, it's let's just say that I skimmed this
• 56:25
  Speaker 1: a while ago and mostly read like Jewish stories as
• 56:30
  Speaker 1: a child. It's not Christmas. Oh great, it's not a
• 56:34
  Speaker 1: Christmas one. No, sometimes it's the worst.
• 56:36
  Speaker 2: It's I am the ghost of Jason's past, and you
• 56:43
  Speaker 2: will be visited by two phantoms tonight. One of them's me.
• 56:48
  Speaker 2: Oh okay, and the other is the ghost of Jason's future.
• 56:52
  Speaker 1: I just love how it talks.
• 56:55
  Speaker 2: Thanks.
• 56:56
  Speaker 1: Yeah, he didn't have this accent when we were in school. No, no, somebody,
• 57:00
  Speaker 1: this isn't somebody from the book. Well little John is
• 57:03
  Speaker 1: a book character, but this little John is was my
• 57:06
  Speaker 1: high school bully. Oh well, fuck you then, right. No,
• 57:10
  Speaker 1: I'm in hell. Sorry, I'm in paper hell. I just
• 57:17
  Speaker 1: rubbed salt on that.
• 57:19
  Speaker 4: No.
• 57:19
  Speaker 2: No, it's okay. I did evil in life and I'm
• 57:22
  Speaker 2: here paying for it in death. One of my duties
• 57:26
  Speaker 2: is to come help Jason see his past. Okay, would
• 57:31
  Speaker 2: have a whole play here, you two. You can't come
• 57:35
  Speaker 2: to the past. Come on, but I'll meet you in
• 57:38
  Speaker 2: the future.
• 57:40
  Speaker 1: I won't he as long as I don't have to
• 57:42
  Speaker 1: wear a corset anymore.
• 57:44
  Speaker 2: Okay he snaps his fingers, and of course it's gone.
• 57:47
  Speaker 2: But you have other clothes on.
• 57:56
  Speaker 1: Of course it over and over night out. Yeah. I
• 58:00
  Speaker 1: think you guys have both been naked in the show.
• 58:03
  Speaker 1: I've never been naked. Naked in our visions. You're not
• 58:06
  Speaker 1: naked in your vision?
• 58:07
  Speaker 2: No, No, just made a paper. Yeah, that's probably under there.
• 58:11
  Speaker 2: The two of you, Little John and Jason.
• 58:14
  Speaker 1: What John? Little John? Little John? Yes, and Jason.
• 58:25
  Speaker 2: You two walk out of your window and are transported
• 58:29
  Speaker 2: to the past. And it's a familiar scene to you.
• 58:37
  Speaker 2: Although it's in a Dickensian setting, the action is the same.
• 58:44
  Speaker 2: You walk up corporeally on in the back of a
• 58:47
  Speaker 2: schoolhouse and you see Little John and his cronies surrounding
• 58:53
  Speaker 2: you and beating the ship out of you. A young Jason,
• 59:00
  Speaker 2: what are you showing me.
• 59:01
  Speaker 1: This for gloat? Oh?
• 59:04
  Speaker 2: Well, if you know, maybe if I wasn't in hell. Hey, look,
• 59:08
  Speaker 2: I'm sorry, but that's not what this is about. No,
• 59:13
  Speaker 2: it's not about me, It's about you.
• 59:18
  Speaker 1: Okay.
• 59:19
  Speaker 2: The punches and the kicks keep coming until you see
• 59:24
  Speaker 2: a young Arthur coming out of nowhere, almost with a cane.
• 59:31
  Speaker 2: He doesn't hit any of the boys, but he shoes
• 59:35
  Speaker 2: them off. Little John next to you says, I think
• 59:38
  Speaker 2: we might have could have taken him, but I would
• 59:41
  Speaker 2: have loved to see that. Show me something cool for once.
• 59:47
  Speaker 2: This this taught you what a hero is. Look, Arthur
• 59:55
  Speaker 2: chases them off and meals, this is the first time
• 59:59
  Speaker 2: you have met Arthur. Before he asked you to come
• 1:00:03
  Speaker 2: and live at the library, before he had you sign
• 1:00:06
  Speaker 2: adoption papers. He saved you and he checked on you.
• 1:00:11
  Speaker 1: Why do you do that? That's why a hero does well,
• 1:00:17
  Speaker 1: I've turned out to be a lazi hero.
• 1:00:20
  Speaker 2: Then, no, it's in there because of this, and he
• 1:00:28
  Speaker 2: points back to Arthur, who now is picking you up
• 1:00:31
  Speaker 2: and taking you to get a soda or a candy
• 1:00:34
  Speaker 2: whatever it was on that chocolate cake. No, the chocolate
• 1:00:42
  Speaker 2: cake lit it.
• 1:00:43
  Speaker 1: It's becoming a cake dragon. He's chocolate caking out. You
• 1:00:49
  Speaker 1: wouldn't like me when I've had chocolate cake.
• 1:00:54
  Speaker 2: It's in you because of this.
• 1:00:56
  Speaker 1: I mean, I didn't have a lot of other people
• 1:01:00
  Speaker 1: in my life at this point, so the only people
• 1:01:04
  Speaker 1: I modeled myself after were Arthur and Books. At least
• 1:01:08
  Speaker 1: I tried.
• 1:01:09
  Speaker 5: This is the last thing I was supposed to tell
• 1:01:11
  Speaker 5: you before I get back back to hell. But what
• 1:01:17
  Speaker 5: are what are Rigel and Quada doing while this is
• 1:01:19
  Speaker 5: happening anyway?
• 1:01:20
  Speaker 2: Having They're having a plate of cold cheese and bread.
• 1:01:27
  Speaker 1: Cheese is so cold, it's pretty good. But yeah, a
• 1:01:30
  Speaker 1: little chili.
• 1:01:31
  Speaker 2: Little John says to you, what.
• 1:01:36
  Speaker 1: Okay that?
• 1:01:42
  Speaker 2: Yeah, the the phantoms big. You've made him big, mm hmm.
• 1:01:51
  Speaker 2: But the hero can be can be bigger.
• 1:01:55
  Speaker 1: I guess it's there. It's in you if you say so.
• 1:02:04
  Speaker 1: He starts getting sucked down in skeleton and gets sucked in. Yeah,
• 1:02:16
  Speaker 1: we don't get cheese like this is a new babble.
• 1:02:18
  Speaker 1: This bread is also pretty damn good. We skip Jason present.
• 1:02:26
  Speaker 2: There is a Phantom now behind you, standing at the
• 1:02:28
  Speaker 2: school yard, fog rolling in around him. He looks like
• 1:02:35
  Speaker 2: the original Phantom, but it's not quite him. You know,
• 1:02:42
  Speaker 2: this is the future what you could become. He raises
• 1:02:48
  Speaker 2: a hand to you and beckons you with a curling finger.
• 1:02:56
  Speaker 2: My friend's back yet they're still in tea time. The
• 1:03:00
  Speaker 2: Phantom says nothing, but raises their finger and beckons you again,
• 1:03:06
  Speaker 2: take my pajamaed ass over there. He puts his arm
• 1:03:10
  Speaker 2: around your shoulder. You walk into a swirling portal and
• 1:03:15
  Speaker 2: head to the future, Jason future. You look and you
• 1:03:20
  Speaker 2: see a phantom. Sorry I'm using that word too much.
• 1:03:25
  Speaker 2: You look and you see you the paper phantom in
• 1:03:30
  Speaker 2: an alley, beating down on a guy, punching, punching, punching hand,
• 1:03:38
  Speaker 2: fist coming up, bloodied and with brain on it. What
• 1:03:43
  Speaker 2: does the Dickensiean phantom look like the one you now behold?
• 1:03:48
  Speaker 1: Probably like almost Sherlock holmesy big like trench coat style,
• 1:03:54
  Speaker 1: big big top hat, stovetop hat, monocle, I guess, and
• 1:04:00
  Speaker 1: then fingerless gloves. It's covered in brain matter.
• 1:04:05
  Speaker 2: This phantom in the future, you feel kills without a
• 1:04:10
  Speaker 2: second thought. Those that need death get it, and you've
• 1:04:16
  Speaker 2: made yourself the judge and the executioner. But there are
• 1:04:22
  Speaker 2: those that stand in your way. Dickensiean Rigel and Quanta
• 1:04:28
  Speaker 2: drop from the sky. What do you guys look like?
• 1:04:32
  Speaker 1: Oh, I have a mouthful of cheese and bread Oi there.
• 1:04:40
  Speaker 3: And yeah, yeah, we're wearing like like street urchin clothes,
• 1:04:45
  Speaker 3: like the little like short you could wear something different,
• 1:04:48
  Speaker 3: like like the like capri pants rolled up with the
• 1:04:51
  Speaker 3: high socks, the little clip shoes and a vest, a
• 1:04:56
  Speaker 3: little little scarf and hat.
• 1:04:59
  Speaker 2: We'll like kerch How do you look like Quantas? Still
• 1:05:03
  Speaker 2: you're a Dickensian hero.
• 1:05:04
  Speaker 3: Still I the alp the little orphan street kid outfit
• 1:05:10
  Speaker 3: is lighting up in different colors.
• 1:05:13
  Speaker 1: Dickensiean Rigel is wearing a blue kind of suit jacket waistcoat,
• 1:05:21
  Speaker 1: but has bloody rags around his knuckles and a torn
• 1:05:27
  Speaker 1: tablecloth masking his face. Hello, Gobbler, we meet against boy there, Mike.
• 1:05:40
  Speaker 2: The two of you have the two of you have
• 1:05:43
  Speaker 2: been chasing the Phantom who's been on a killing spree
• 1:05:47
  Speaker 2: through London.
• 1:05:48
  Speaker 1: You've been up to no good you have. We're about
• 1:05:51
  Speaker 1: to top you of Yeah, we're gonna call you right
• 1:05:55
  Speaker 1: on the dick. Damn.
• 1:05:57
  Speaker 2: They're so cool in the future and you look and
• 1:06:00
  Speaker 2: see as your two best friends engage the Phantom. And
• 1:06:06
  Speaker 2: that's where we'll end this episode of the team up
• 1:06:08
  Speaker 2: play show pop.
• 1:06:13
  Speaker 3: Lets.
• 1:06:14
  Speaker 1: GiB It's just like we sorry, Matt, sorry producer, Matt,
• 1:06:22
  Speaker 1: Oh shit, our producer.
• 1:06:24
  Speaker 4: Yeah.
• 1:06:24
  Speaker 1: At the end of every episode, he's like, right after
• 1:06:27
  Speaker 1: this it's gonna be like that was Ethan Goldsman. That's
• 1:06:32
  Speaker 1: not how you sound, Matt. We'll talk all about this
• 1:06:35
  Speaker 1: in the chat cave. Join us over there.
• 1:06:38
  Speaker 2: It's on our Patreon, Patreon dot com slash team up RPG.
• 1:06:42
  Speaker 1: Oh, actually, I believe this one. The chat cave people
• 1:06:44
  Speaker 1: have to wait another week. I believe next week we're
• 1:06:47
  Speaker 1: doing a double chat cave for this in the next episode.
• 1:06:51
  Speaker 1: That's true. We have a little treat baby.
• 1:06:54
  Speaker 2: Hey listeners, Johnny just cutting in here at the end
• 1:06:57
  Speaker 2: to kind of get through the noise. Here's what's going
• 1:06:59
  Speaker 2: on on the Hero tier this week. Instead of a
• 1:07:03
  Speaker 2: chat cave, we are posting our second live show at
• 1:07:06
  Speaker 2: the Peak Improv Theater starring improvisers Casey Fraze and Julia Bose.
• 1:07:12
  Speaker 2: It was a really good time and you should come
• 1:07:14
  Speaker 2: listen to it on our Hero Tier, the chat cave
• 1:07:17
  Speaker 2: tier for the chat cave for this episode. We'll be
• 1:07:20
  Speaker 2: lumping that in together with the chat cave for the
• 1:07:23
  Speaker 2: next episode thirty four, So the chat Cave for thirty
• 1:07:26
  Speaker 2: three and thirty four will be one post to show
• 1:07:29
  Speaker 2: after the episode next week. Hope that makes sense, Love
• 1:07:33
  Speaker 2: youa see you over there and We'll see.
• 1:07:36
  Speaker 1: You next week with another episode. Goodbye bye. I know Australian,
• 1:07:49
  Speaker 1: my American brain. They're so close. Hey, I'm sorry, I'm.
• 1:08:05
  Speaker 7: That was Ethan Goldman as the Paper Phantom, Stephanie Facla
• 1:08:09
  Speaker 7: as Quanta Ben as Riijel, and Johnny Wilson as your
• 1:08:14
  Speaker 7: game director and the creator of Team Up. If you
• 1:08:18
  Speaker 7: enjoyed this play show podcast, please share it with friends
• 1:08:21
  Speaker 7: and family.
• 1:08:22
  Speaker 1: That is what helps us out the most.
• 1:08:25
  Speaker 7: Check out ad free episodes and our unhinged post show
• 1:08:29
  Speaker 7: the chatcave over at patreon dot com, slash Team up rpg,
• 1:08:34
  Speaker 7: and if you'd like to have these kinds of superhero
• 1:08:37
  Speaker 7: adventures at your own table, you can find the rules
• 1:08:40
  Speaker 7: to Team up and a character builder for free on
• 1:08:43
  Speaker 7: our website teamuprpg dot com.
• 1:08:47
  Speaker 1: Thank you so much for listening. Heroes. It's sad, guys,
• 1:08:54
  Speaker 1: this week's episode's over, but I'm glad we get to
• 1:08:57
  Speaker 1: shout out our superheroes. Shout out first to Crank, Milerus
• 1:09:01
  Speaker 1: and Mava Amada touch tips. Shout out to Corn, who
• 1:09:05
  Speaker 1: hates onions, though Corn and onions go quite nicely together
• 1:09:10
  Speaker 1: in many dishes. Hey, it's g out, Mirror and Brandy,
• 1:09:16
  Speaker 1: we love the podcast and Tima keep it up. Please, Mirror,
• 1:09:20
  Speaker 1: I did it for you, guys. Shout out to Troy Davidson.
• 1:09:24
  Speaker 1: Shout out to Matt who's still trying to become an American.
• 1:09:27
  Speaker 1: We've lost the plot. Shout out to Audra, who just
• 1:09:30
  Speaker 1: demolished another bowl of mash taters. Give it up. What's
• 1:09:34
  Speaker 1: in those mash taters? Audre, give us some context, some
• 1:09:38
  Speaker 1: condiment text. Shout out to Jen who prefers the Star
• 1:09:42
  Speaker 1: Wars prequels to the original trilogy, having gotten her review
• 1:09:46
  Speaker 1: of Mandalorian and grogu very interested. Shout out to Chris
• 1:09:50
  Speaker 1: who's currently on the Merlin Birding app Shout out to
• 1:09:53
  Speaker 1: pac Man, Pidgy, Norm and Stetting them a Kringle for
• 1:09:55
  Speaker 1: saving Christmas back in twenty twenty four with the Yule
• 1:09:58
  Speaker 1: Lads and Santa's evil twin brother. Shout out to Farmer
• 1:10:02
  Speaker 1: Bob and Mama Robin, Hummingbirds and Seahorses. Shout out to
• 1:10:06
  Speaker 1: Brian the Colorado Home Hero. Working with him feels like
• 1:10:10
  Speaker 1: you're always rolling high. Shout out to Kevin Feldman. Shout
• 1:10:14
  Speaker 1: out to Christina. Shout out to the Lucinator who lost
• 1:10:19
  Speaker 1: for our wins. Shout out to Cam, who's still pro
• 1:10:22
  Speaker 1: pineapple on pizza. But Cam, how do you feel about
• 1:10:26
  Speaker 1: hot honey on pizza? The craze that Ben says is overrated.
• 1:10:32
  Speaker 1: You are our superheroes. We couldn't have done this without you.
• 1:10:36
  Speaker 1: Will say thank you a million times and it won't
• 1:10:38
  Speaker 1: be enough. Thanks for helping our dreams come true. You
• 1:10:47
  Speaker 1: have you up. This has been a lily Pad production.