Latest / Table Read / SuburbaKnight - Act 2
Transcript
- 0:02Speaker 1: Previously on Suburban Night.
- 0:06Speaker 2: All right, if you're just.
- 0:07Speaker 3: Tuning in, you missed a real feel good story about
- 0:10Speaker 3: a man getting his ass kicked by life and record time.
- 0:15Speaker 3: We got this guy, a Walter Nope, good guy, bad luck.
- 0:20Speaker 3: Pretty much everything that can go wrong in his life
- 0:23Speaker 3: is going wrong. And just when he thinks things couldn't
- 0:26Speaker 3: get any worse, like get worse, much worse, a new
- 0:31Speaker 3: neighbor moves in across the street, names Richard. Sounds like
- 0:35Speaker 3: a real dick to me. Anyway.
- 0:38Speaker 2: This guy shows up out of nowhere, moves in.
- 0:40Speaker 3: Under the cover of darkness, and looks like he walks
- 0:43Speaker 3: straight out of a cologne commercial directed by a glad
- 0:46Speaker 3: to impaler, And wouldn't you know it, people start disappearing.
- 0:52Speaker 3: Poor Walter's there snooping on his new neighbor, and Boom
- 0:56Speaker 3: catches him in all his demon glory. No one believe,
- 1:00Speaker 3: of course, they never doing these movies. In fact, everybody
- 1:04Speaker 3: seems to love the guy, even Walter's wife. But we're
- 1:09Speaker 3: still getting to that part anyway, folks. Those terror vision
- 1:13Speaker 3: totals so far we have got two working girl's breast,
- 1:19Speaker 3: one decapitated head, one confirmed midnight freak show zero people
- 1:25Speaker 3: who believe the hero, and one neighbor who is absolutely
- 1:29Speaker 3: not what he says he is.
- 1:31Speaker 2: All right, we're gonna take a short break. When we
- 1:34Speaker 2: come back, things going to get a whole lot worse.
- 1:38Speaker 2: Don't go anywhere, gets.
- 1:41Speaker 1: Out suburbanite at two Exterior Walter's House Morning, Walter, in
- 1:52Speaker 1: a bathrobe holding a cup of coffee, waits by the
- 1:55Speaker 1: front door as a police cruiser rounds the corner and
- 1:57Speaker 1: stops in front of his house. Two Plice officers step out,
- 2:01Speaker 1: one male, one female, both mid twenties. Walter takes a
- 2:05Speaker 1: big gulp from his coffee, burns his mouth, and sets
- 2:08Speaker 1: it on the porch railing as he approaches the officers.
- 2:11Speaker 2: Were you the one that made the call? Yeah?
- 2:13Speaker 4: Yeah, so this way you said you found a head?
- 2:18Speaker 2: Well, no, I didn't find a head.
- 2:21Speaker 1: Walter looks back at Sam. She rolls her eyes and
- 2:24Speaker 1: heads inside. Walter leads the cops to Richard's door. He
- 2:27Speaker 1: rings the doorbell Interior Richard's House.
- 2:30Speaker 2: Day.
- 2:31Speaker 1: Richard opens the front doors, see Walter and the two cops.
- 2:34Speaker 2: Oh hello, officers, Walter, that's him.
- 2:38Speaker 1: Walter SLINKs behind the two officers.
- 2:40Speaker 4: We have a report of a homicide occurrent inside mind
- 2:44Speaker 4: if we look around.
- 2:45Speaker 1: Richard tongues his cheek.
- 2:47Speaker 2: Of course, I have nothing to hide.
- 2:49Speaker 1: Come in, Richard lets the officers pass him by as
- 2:52Speaker 1: Walter walks past.
- 2:55Speaker 2: Oh that wasn't highlighted. I'm sorry, you imagine, and you
- 3:08Speaker 2: right high on that red Sox score.
- 3:14Speaker 5: That would happen.
- 3:15Speaker 6: I could have just said, read the it's all right,
- 3:18Speaker 6: it's all right, I'm just gonna die.
- 3:20Speaker 2: It makes sense.
- 3:21Speaker 7: We all are someday.
- 3:24Speaker 2: I only read what's on the tailepropterea.
- 3:29Speaker 1: Richard lets the officers pass him by as Walter walks past.
- 3:33Speaker 2: Nice to see you again, Walter.
- 3:35Speaker 1: Interior Richard's House Day. The officers fan out look around.
- 3:39Speaker 1: The house is finished being remodeled. Now it is the
- 3:42Speaker 1: epitome of modern luxury.
- 3:46Speaker 8: Nice place, Thank you.
- 3:48Speaker 6: I feel the beauty of a soul as a hidden gem.
- 3:51Speaker 1: Richard gazes deep into the officer's eyes for a moment.
- 3:54Speaker 1: She can't look away. She pulls herself away, clears her throat.
- 4:00Speaker 8: Uh sure.
- 4:02Speaker 1: Interior Richard's House, Kitchen Day. The officers look around casually.
- 4:08Speaker 2: This all looks pretty normal.
- 4:10Speaker 9: What you haven't even looked? What about upstairs?
- 4:14Speaker 2: What about it.
- 4:15Speaker 9: That's where it happened.
- 4:17Speaker 8: Where what happened?
- 4:18Speaker 7: The murder?
- 4:19Speaker 9: Oh God, haven't you been listening to me? He had
- 4:23Speaker 9: horns and blowing eyes.
- 4:24Speaker 8: Yah, we're done here.
- 4:26Speaker 2: He killed someone.
- 4:28Speaker 9: I saw him.
- 4:29Speaker 6: Unfortunately, Walter suffers from night tears and seems to have
- 4:32Speaker 6: suffered another one last night.
- 4:34Speaker 2: I'm so sorry, Walter. I hear. They're quite terrible, you
- 4:37Speaker 2: son of them. All right, let's go, that's enough.
- 4:40Speaker 1: The officer's head for the door exterior Richard's House Day.
- 4:44Speaker 1: The officers head for the patrol car.
- 4:46Speaker 2: Good. Please, you have to believe you.
- 4:48Speaker 8: Call us again and we'll bust you for filing a
- 4:50Speaker 8: false report.
- 4:51Speaker 2: You don't understand.
- 4:53Speaker 1: The officers climb into their patrol car and speed away,
- 4:55Speaker 1: leaving Walter literally in their desk. Walter looks up back
- 5:00Speaker 1: Richard leaning against his doorframe, eating a peach.
- 5:03Speaker 2: Oh, by the way, Samantha rsvped for tomorrow. Feel free
- 5:08Speaker 2: to stay at home if you wish. I can always
- 5:10Speaker 2: keep a company. Oh damn.
- 5:16Speaker 1: Richard smirks and tosses the peach, which rolls into Walter's foot,
- 5:20Speaker 1: dripping its juices onto the ground. Exterior Richard's House, front
- 5:24Speaker 1: porch Day, Walter and Sam stand awkwardly on the porch
- 5:28Speaker 1: of the now fully renovated modern mansion. Walter wears a
- 5:31Speaker 1: casual suit and Sam wears a dress with a dress
- 5:34Speaker 1: wrap over her bare shoulders.
- 5:36Speaker 2: I can't believe you won't listen to me.
- 5:38Speaker 7: I can't believe you call the cops. There were some
- 5:39Speaker 7: ridiculous nightmare horns.
- 5:42Speaker 9: Really, okay, it wasn't a nightmare, Sam. I saw him
- 5:45Speaker 9: murder someone. He was some kind of a thing, Walter.
- 5:50Speaker 1: Sam presses the doorbell. Walter's sighs, Okay, I'm not crazy.
- 5:54Speaker 2: Okay, I know what I saw.
- 5:56Speaker 7: I never said you were crazy. You said that. I
- 5:58Speaker 7: never said that.
- 5:58Speaker 2: Oh well, you were thinking it.
- 6:00Speaker 7: So what, Walter?
- 6:01Speaker 10: He crawled out of hell so he could just lure
- 6:03Speaker 10: a few suburbanites over to his house and eat them
- 6:06Speaker 10: for dinner.
- 6:06Speaker 2: Is that what you're saying?
- 6:07Speaker 1: The door opens. Richard greets them with a warm smile
- 6:10Speaker 1: and open arms. In his hands a bloody knife and
- 6:13Speaker 1: an overly large Williams Sonoma tupron grille fork.
- 6:16Speaker 2: Ah howdy, neighbors.
- 6:18Speaker 1: Walter and Sam smiles drop, I was just working the grill.
- 6:22Speaker 1: Come on, party is just getting started. Richard leads them inside.
- 6:25Speaker 1: Walter holds Sam back in a moment.
- 6:27Speaker 9: Sam, please, yes, maybe it was a dream. Maybe I'm
- 6:31Speaker 9: a huge embarrassment you. But just stay close to me.
- 6:34Speaker 2: Okay.
- 6:35Speaker 1: Sam loops her arm through his always They head inside,
- 6:39Speaker 1: arm in arm. Interior Richard's House Day. The interior of
- 6:44Speaker 1: the house is updated in modern, very bright and inviting expensive,
- 6:49Speaker 1: a metal live laugh, love side and script hangs on
- 6:52Speaker 1: the wall.
- 6:54Speaker 7: Holy shit.
- 6:55Speaker 1: She looks around the newly renovated home. Walter scopes out
- 6:59Speaker 1: the place.
- 7:00Speaker 7: Remind me to get the name of your interior decorator
- 7:02Speaker 7: before we leave.
- 7:03Speaker 2: Of course, may I take your coats?
- 7:06Speaker 7: Oh fancy?
- 7:08Speaker 2: I enjoy being a polite host.
- 7:10Speaker 1: Please, Sam turns. Richard takes her purse and shoulder wrap.
- 7:14Speaker 1: Walter is distracted as he looks around the house. When
- 7:17Speaker 1: he looks back, he sees Richard's hand get a little
- 7:19Speaker 1: too touchy with his wife's shoulder.
- 7:21Speaker 2: Oh honey, let me.
- 7:23Speaker 1: Walter rushes to her side and tries to grab the rap,
- 7:26Speaker 1: but Richard's got it already. Walter awkwardly plays it off.
- 7:30Speaker 2: Great bones.
- 7:32Speaker 1: Walter turns sharply.
- 7:33Speaker 6: What I said, The house has great bones, But a
- 7:37Speaker 6: house has that it's very easy to design something beautiful
- 7:40Speaker 6: around them.
- 7:40Speaker 1: Walter takes a breath.
- 7:43Speaker 7: Well, it shows.
- 7:44Speaker 1: Richard leads them through the house and into exterior Richard's
- 7:47Speaker 1: house backyard pool day. The backyard is where the party is.
- 7:52Speaker 1: Guests from all over the neighborhood gather around Richard's extravagant pool,
- 7:56Speaker 1: mostly adults, but a few of their kids swim in
- 7:58Speaker 1: the pool. Andy plays in the pool with a neighborhood kid.
- 8:02Speaker 1: He splashes.
- 8:03Speaker 2: Andy, No, mayor, I said, splash, it's illegal.
- 8:06Speaker 1: Richard leads Walter and Sam to the grill area. Walter
- 8:09Speaker 1: looks around as he searches for clues.
- 8:11Speaker 6: I can't tell you how wonderful it is to finally
- 8:14Speaker 6: have you all to myself.
- 8:15Speaker 8: Samlah, thank you for having us.
- 8:20Speaker 7: The house looks wonderful.
- 8:22Speaker 1: Richard prepares a plate of food and hands it to Sam,
- 8:24Speaker 1: then one to.
- 8:25Speaker 2: Walter and your daughter Meir. Will she be joining us?
- 8:30Speaker 7: She has band practice.
- 8:32Speaker 2: All shame. I was hoping to get a taste of
- 8:35Speaker 2: everyone to see me.
- 8:36Speaker 1: Richard sucks the juice off his finger.
- 8:39Speaker 2: Pop.
- 8:40Speaker 8: Oh, Sam.
- 8:44Speaker 1: Sam turns sees a group of women huddled together.
- 8:48Speaker 7: Oh, there's Nancy. I'll be up back Sam, It's just Nancy.
- 8:52Speaker 7: I'll be fine, Walter.
- 8:54Speaker 1: Sam heads over to them, Walter watches her closely.
- 8:57Speaker 2: You abreast man, Walter.
- 8:58Speaker 1: Walter turned sharply. Richard opens the rill. Several large chicken
- 9:03Speaker 1: breasts cook.
- 9:04Speaker 2: Or are you a leg man? Cute? Loosen up, Walter.
- 9:08Speaker 5: It's a party, Walter Hey Walter.
- 9:13Speaker 1: Across the yard from the women a group of men,
- 9:15Speaker 1: all the husbands, huddled around an outdoor TV. Walter approaches.
- 9:20Speaker 1: Richard watches intently as he leaves exterior Richard's house food
- 9:24Speaker 1: table day. A group of women have gathered near the
- 9:27Speaker 1: snack table, away from the main party. In addition to Sam,
- 9:31Speaker 1: there's Diane, Nancy, and Karen, all in their pastel active wear,
- 9:35Speaker 1: and also Ali thirties Andy's wife in comfy but unfashionable attire.
- 9:41Speaker 7: Doesn't he just scrumpsious?
- 9:43Speaker 1: Diane watches Richard as he laughs loudly with a group
- 9:45Speaker 1: of partygoers.
- 9:46Speaker 7: Don't you just want to eat him up?
- 9:49Speaker 11: So?
- 9:50Speaker 7: How Steve, Steve hasn't made me come many years?
- 9:54Speaker 1: Sam chokes. The other women laugh, Ali scar.
- 10:00Speaker 9: To give you your own you're acting with yourself.
- 10:03Speaker 8: Oh that's lovely. Sorry's killing it.
- 10:11Speaker 9: One more time from Diane.
- 10:14Speaker 3: You know this is the only time Diane.
- 10:19Speaker 1: Diane watches Richard as he laughs loudly at the group
- 10:22Speaker 1: of partygoers.
- 10:24Speaker 7: She just want to eat him up. So how Steve,
- 10:28Speaker 7: Steve hasn't made me come.
- 10:29Speaker 1: In years, Sam chokes, The other women laugh. All these
- 10:34Speaker 1: scarves down her entire plate of food. Sam looks at her.
- 10:37Speaker 4: Curious, and you've bout all our money on videograms, anything
- 10:42Speaker 4: but noodles and potatoes for like three days.
- 10:45Speaker 1: She dumps the plate of wore dirbs into her purse.
- 10:48Speaker 1: She notices Sam staring at her shrugs. Diane oggles the
- 10:52Speaker 1: bulge in Richard's trousers.
- 10:54Speaker 7: I bet it's huge.
- 10:57Speaker 12: God, Dane, get a vibrator. I've gone through three this year.
- 11:02Speaker 12: They just can't keep up. I need to feel something
- 11:05Speaker 12: warm inside me, throbbing.
- 11:07Speaker 1: You know the other women know, they fan themselves. Sam
- 11:13Speaker 1: is uncomfortable.
- 11:14Speaker 2: What about Walter?
- 11:17Speaker 7: Is his soldiers still not saluting? That's not fair. Walter
- 11:22Speaker 7: works hard, he's stressed.
- 11:26Speaker 12: Oh well, you'd never have to be stressed again with
- 11:28Speaker 12: a man like that.
- 11:29Speaker 1: They watch in awe as Richard takes off his shirt
- 11:32Speaker 1: and pants only in a speedo now and performs a
- 11:35Speaker 1: perfect dive off the diting work into the pool. Slow motion.
- 11:39Speaker 1: Richard climbs the ladder out of the pool. Water drips
- 11:42Speaker 1: off his perfect body. He slicks back his hair. The
- 11:45Speaker 1: bulge in his pants seems to grow twice his size.
- 11:48Speaker 1: The women intently watch every harrowing second. Jaws open exterior
- 11:53Speaker 1: Richard Tallas backyard day. Walter chats with a group of
- 11:57Speaker 1: men and he uses a damp towel around his shoulders
- 12:00Speaker 1: to dry his hair. They're joined by Steve forties, Diane's husband,
- 12:04Speaker 1: and two other men, Bill forties and Allen forties. Walter
- 12:08Speaker 1: watches as the women agle Richard, but the other husband's
- 12:11Speaker 1: remain oblivious. All are focused on the college football game
- 12:14Speaker 1: on the outdoor TV, except for Andy, who's only focused
- 12:17Speaker 1: on including the water out of his years.
- 12:19Speaker 2: Hey Steve, el are you guys seeing this?
- 12:23Speaker 1: Steve barely responds, still locked onto the TV.
- 12:26Speaker 13: Huh yeah, yeah, sure knocks you out.
- 12:29Speaker 2: Okay, who does this guy think he is? I think
- 12:31Speaker 2: Richard's awesome. Have you guys been in the bounce house yet?
- 12:35Speaker 1: Andy heats a cheeseburger with one hand. The other men
- 12:37Speaker 1: have beer for lunch.
- 12:39Speaker 2: How can we compete with that? He's handsome and successful
- 12:42Speaker 2: and confident. Don't forget rich thanks Andy. Okay, what does
- 12:47Speaker 2: he even do anyway? Like, what is his job?
- 12:51Speaker 10: Well, he told me he designs playgrounds for underprivileged kids
- 12:54Speaker 10: with disabilities.
- 12:55Speaker 9: Okay, I mean what does that even mean? Come on,
- 12:58Speaker 9: He's just like this perfect human who makes every woman
- 13:01Speaker 9: who lays eyes on him go weak in the knees,
- 13:03Speaker 9: like what, they can't help themselves?
- 13:05Speaker 1: Splash the red faced demon from last night's terror vision
- 13:08Speaker 1: with the glowing eyes hypnotizes that woman. Walter looks again
- 13:12Speaker 1: at the women fawning over Richard.
- 13:14Speaker 2: They can't help themselves.
- 13:17Speaker 1: Walter pulls Andy aside.
- 13:19Speaker 2: Andy, you watch Bobby Joe. Oh yeah, I met a
- 13:22Speaker 2: bunch of guys.
- 13:22Speaker 13: Life to it every week.
- 13:23Speaker 2: Okay, you know that one from last night?
- 13:25Speaker 1: Which one incubus of death or cannibal apocalypse?
- 13:28Speaker 2: I don't know the demon one incubus?
- 13:31Speaker 9: Walter not a demon, any of it knows that fine?
- 13:34Speaker 2: An incubus? What does it do?
- 13:36Speaker 1: He takes a pompous bite out of the Uzenberger, his
- 13:38Speaker 1: mouth full of burger. He tries to sound snooty and smart,
- 13:42Speaker 1: and it tires with the al demon that produces women
- 13:46Speaker 1: and steals their energy, their life force.
- 13:48Speaker 9: If you will, Andy, this space sound crazy, but I
- 13:53Speaker 9: think Richard's won.
- 13:54Speaker 1: Andy almost chokes on his burger.
- 13:59Speaker 10: Billy.
- 14:00Speaker 9: After he bought the house, I saw him take two
- 14:02Speaker 9: body bags. No one who's seen or heard from the
- 14:05Speaker 9: Maitland since. And last night I think I saw him
- 14:08Speaker 9: kill someone upstairs. And now this.
- 14:10Speaker 1: Walter looks over at the women.
- 14:13Speaker 9: But Wald, I mean, Richard is great.
- 14:16Speaker 11: You know.
- 14:16Speaker 10: He builds hospitals in third world countries and just donates
- 14:19Speaker 10: them like like for free man.
- 14:21Speaker 2: It's an act.
- 14:22Speaker 9: He'll do or say anything to make himself more desirable.
- 14:25Speaker 2: Also he can so he can build more hospitals. Oh diabolical.
- 14:29Speaker 1: No, Andy, Walter looks around.
- 14:32Speaker 9: I need you to create a distraction so I can
- 14:34Speaker 9: go inside and look around.
- 14:35Speaker 1: But Andy is already off. He kicks over the great Kennon.
- 14:38Speaker 13: He listens to the distracted.
- 14:42Speaker 2: Everyone scamps.
- 14:44Speaker 1: Richard looks at angry. Angry Walter sneaks inside Richard's home.
- 14:49Speaker 1: Interior Richard's House night. Walter sneak walks inside the house
- 14:53Speaker 1: and carefully closes the patio door behind him. He heads
- 14:56Speaker 1: up the stairs as quietly as he can. Interior Richard's
- 14:59Speaker 1: House upstairs night. He turns and sees the bedroom just
- 15:03Speaker 1: as modern and perfect as everything else in the house. Interior,
- 15:07Speaker 1: Richard's House bedroom night. Walter looks out the window, sees
- 15:11Speaker 1: his own bedroom window. He wipes a finger along the glass, spotless.
- 15:16Speaker 1: He looks at the floor again clean. Walter rummage is
- 15:20Speaker 1: through the bedside table, then the dresser, then even under
- 15:23Speaker 1: the mattress like. His exasperated sigh tells exactly how much
- 15:26Speaker 1: he found. He throws open the closet door, hoping to
- 15:30Speaker 1: catch something redhanded.
- 15:31Speaker 6: Find any skeletons in the closet, Faulter, Walter, Find any
- 15:39Speaker 6: skeletons in the closet, Walter.
- 15:41Speaker 1: Walter turns. Richard leans against the open doorframe.
- 15:45Speaker 9: Oh, I just you know, I got all turned around
- 15:49Speaker 9: in this place.
- 15:50Speaker 2: It's so big and empty.
- 15:53Speaker 1: Richard laughs under his breath.
- 15:56Speaker 2: Walter, there's nobody to lie. Satisfy your curiosity. Do you good?
- 16:00Speaker 2: He does.
- 16:01Speaker 1: Richard sits on the edge of the bed, crosses his
- 16:04Speaker 1: legs well. Walter looks around.
- 16:05Speaker 2: You know, my wife really loves what you've done with
- 16:08Speaker 2: this house.
- 16:09Speaker 9: Personally, I think it's a little cold, like a tomb.
- 16:13Speaker 1: Walter continues to look around the bedroom.
- 16:15Speaker 14: Richard smirts Sam, she thinks I'm going crazy, you know.
- 16:20Speaker 6: Lord, bad dreams Walter, too much television before bed.
- 16:24Speaker 14: Hmm, yeah, well maybe I am losing it, cracking under
- 16:28Speaker 14: the pressure, I guess.
- 16:30Speaker 2: Or maybe you really were in my room last night.
- 16:34Speaker 2: Who knows.
- 16:35Speaker 1: Richard watches Walter intently.
- 16:37Speaker 14: But Sam, she doesn't see what I see. She sees
- 16:40Speaker 14: all the money in the house and the good looks.
- 16:43Speaker 14: We both know it's all bullshit. If you're trying to
- 16:46Speaker 14: impress someone, you're.
- 16:47Speaker 2: Reaming way too high.
- 16:50Speaker 9: I mean, Diana'll fuck anything with a puss a pulse,
- 16:56Speaker 9: And we've learned something.
- 16:57Speaker 2: New about Diane.
- 16:58Speaker 8: Diana is my second I'm not.
- 17:01Speaker 2: As I love, Yes, God bless her.
- 17:05Speaker 14: But Sam, no, no, no, Sam, she doesn't see what
- 17:08Speaker 14: I see. She sees all the money in the house
- 17:10Speaker 14: and the good looks. We both know it's all bullshit.
- 17:14Speaker 14: If you're trying to impress someone, you're aiming way too high.
- 17:18Speaker 9: I mean, Diane, Diane will fuck anything with a pulse.
- 17:22Speaker 2: So why go to wall the effort? What are you after? Really?
- 17:26Speaker 1: Richard stays silent, smirks, what did you.
- 17:29Speaker 2: Do to the maitlands? You saw what I did with him.
- 17:33Speaker 1: Flash the body bags being carried out to the moving
- 17:35Speaker 1: truck in the dead of night. Walter gulps down air.
- 17:40Speaker 2: You they outlive their usefulness.
- 17:43Speaker 1: Walter's scared now, His eyes dart to the door.
- 17:47Speaker 2: I'll tell the police again, Walter.
- 17:49Speaker 6: Well, if you think it'll go better than last time,
- 17:52Speaker 6: then by all means.
- 17:54Speaker 1: Richard grabs the phone and dials nine to one to one.
- 17:56Speaker 1: The other end picks up, and Richard holds the phone
- 17:58Speaker 1: out for Walter. The operator can.
- 18:00Speaker 8: Be heard on the other end, Man, when one with's
- 18:03Speaker 8: your emergency.
- 18:04Speaker 2: They're waiting, Walter.
- 18:05Speaker 1: Walter is speechless.
- 18:07Speaker 2: Sorry, wrong number.
- 18:09Speaker 1: Richard hangs it up.
- 18:10Speaker 2: We both know they wouldn't believe you anyway, Walter.
- 18:13Speaker 1: Richard stands and approaches Walter.
- 18:15Speaker 2: Why are you telling me all this?
- 18:17Speaker 6: Why does an animal play with its food?
- 18:19Speaker 1: Richard caresses Walter's face.
- 18:22Speaker 6: Well, I'm sure Sam is wondering why you've left her
- 18:25Speaker 6: alone again, But then again, she's used to the disappointment.
- 18:30Speaker 1: Richard smiles. Walter punches him across the face.
- 18:33Speaker 2: Stay away from.
- 18:34Speaker 1: Her, Richard explodes with anger. The room shifts darker. Neon
- 18:39Speaker 1: colors Richard's face now looks wrong. Demonic and horned, his
- 18:43Speaker 1: eyes glow a fierce red in the dark. He grabs
- 18:46Speaker 1: Walter by the throat and hurls him up against the wall.
- 18:49Speaker 1: Walter struggles to breathe as he notices Richard's hands as
- 18:51Speaker 1: scaly and rough, his nails sharp and pointed. Walter can't move,
- 18:55Speaker 1: can't breathe. He struggles, but it's useless.
- 18:58Speaker 5: I've told you before, Walter that I take what I want,
- 19:03Speaker 5: and I want everything that's yours.
- 19:06Speaker 2: Why don't you just kill me?
- 19:08Speaker 5: Then, after I'm done devouring your wife's soul, I won't
- 19:12Speaker 5: have to. I'll make her do it. And the last
- 19:15Speaker 5: thing you will see he's the woman you love eating
- 19:18Speaker 5: your face.
- 19:19Speaker 1: Richard drops Walter.
- 19:21Speaker 15: Walter for breath parties this way. Walter deserts. Next chocolate cake,
- 19:27Speaker 15: my own recipe. You know, they say it's an aphrodisiac,
- 19:31Speaker 15: but I guess we'll just have to judge for ourselves.
- 19:34Speaker 1: Richard adjusts his hair so it's perfect.
- 19:36Speaker 14: Once again, Demon Richard are scaring the shit out. Richard leaves,
- 19:44Speaker 14: closes the door behind him. Walter stays behind, finally breathes,
- 19:48Speaker 14: terrifying interior Richard's house backyard pool night. The party has
- 19:54Speaker 14: moved to a massive outdoor table covered in a massive feast.
- 19:58Speaker 14: Walter hurries out of the house. Fine Sam and heads
- 20:01Speaker 14: for her.
- 20:02Speaker 7: Are you all right? You were gone?
- 20:04Speaker 1: Awhile we're leaving, Walter grabs Sam by the arm. Walter
- 20:07Speaker 1: He hurries them both away. Richard clanks a spoon on
- 20:10Speaker 1: his wine glass. The noise stops Sam and Walter in
- 20:13Speaker 1: their tracks. Richard raises the glass for a toast to
- 20:17Speaker 1: new friends. All the women raise their.
- 20:19Speaker 8: Glasses new friends.
- 20:22Speaker 1: Richard looks over pointedly to Sam and Walter. Every woman's
- 20:25Speaker 1: eyes at the table are locked on Richard. Exterior Richard's
- 20:29Speaker 1: house front porch night. The evening has come to an end.
- 20:33Speaker 1: Everyone politely filters out. A group of women have encircled Richard.
- 20:38Speaker 1: Walter drags Sam away without stopping Walter. He doesn't stop.
- 20:43Speaker 1: Sam attempts to wave goodbye. Richard waves back. When she's gone.
- 20:48Speaker 1: His smile drops like a stone. Interior Walter's house night.
- 20:53Speaker 1: The fight spills into their house.
- 20:55Speaker 2: Sam listen to me, what is.
- 20:57Speaker 7: It about him, Walter that makes you so insecure?
- 20:59Speaker 9: I am not insecure there? Okay, look there's look I
- 21:03Speaker 9: don't know how to explain what just happened. Well, you
- 21:05Speaker 9: better learn he is a demon, Sam, some kind of
- 21:09Speaker 9: monster or something.
- 21:10Speaker 7: Oh my god, Walter, have you lost your mind?
- 21:12Speaker 2: Okay, don't you think it's weird? How charming he is?
- 21:15Speaker 2: That every woman at the party was drooling over him.
- 21:17Speaker 7: He's rich and interesting and well traveled. How could they not?
- 21:21Speaker 2: So, you admitted?
- 21:23Speaker 4: Walter.
- 21:25Speaker 10: Look, I know this has been hard for you, but
- 21:27Speaker 10: you are projecting everything you hate about yourself onto him.
- 21:30Speaker 10: You're broke, he's rich. You hate the way you look.
- 21:33Speaker 10: He's gorgeous, he's successful, and you're Uh go on.
- 21:37Speaker 2: Go on, yeah, go on, Sam, say it. Tell me
- 21:39Speaker 2: that I am a failure, that the shop was pointless
- 21:42Speaker 2: to keep open. I know you have. I hate this
- 21:45Speaker 2: whole thing. Let me do it again. Uh, go on,
- 21:47Speaker 2: go on, say it.
- 21:49Speaker 9: Tell me that I am a failure, Sam, The shop
- 21:52Speaker 9: was pointless to keep open.
- 21:54Speaker 2: I know you thought it, Walter.
- 21:58Speaker 7: Why are you so jealous of him?
- 22:00Speaker 2: Shouldn't I be? I saw how you were looking at him.
- 22:04Speaker 7: Oh well, you think I want to sleep with him?
- 22:07Speaker 2: Well I sure as hell. No, we're not sleeping together.
- 22:09Speaker 1: She doesn't speak, but her eyes say everything.
- 22:12Speaker 2: Sam.
- 22:13Speaker 1: She turns and heads upstairs.
- 22:14Speaker 2: It's Sam. Wait.
- 22:16Speaker 1: Walter follows her upstairs. Interior, Walter's House, bed night. Walter
- 22:22Speaker 1: enters and sees Sam packing a suitcase.
- 22:24Speaker 2: What are you doing?
- 22:25Speaker 12: What does it look like? Walter Samantha, just for a
- 22:29Speaker 12: couple of days. I just need to get away for
- 22:32Speaker 12: a minute.
- 22:32Speaker 1: Walter gets an idea, becomes very enthusiastic.
- 22:36Speaker 2: I think that's a great idea.
- 22:38Speaker 1: Sam stops.
- 22:39Speaker 2: You do yeah, somewhere far away. Yeah, I don't even
- 22:43Speaker 2: want to nowhere. Just clear your head, you know here.
- 22:47Speaker 1: Walter helps her pack, just throws whatever clothes he can
- 22:50Speaker 1: into the suitcase, forces it closed, He hands it to
- 22:53Speaker 1: her ugh Interior, Walter's House Night. Sam stumps down the
- 22:58Speaker 1: stairs in her dress with her overflowing suitcase for the
- 23:01Speaker 1: front door.
- 23:01Speaker 2: It'll be good for us, you know, Walter.
- 23:04Speaker 1: Call me when you get there, Walter smiles. Sam fuming
- 23:08Speaker 1: exits exterior Walter's House Knight. Walter watches as she gets
- 23:14Speaker 1: in the car and drives off. She's pissed when she's gone.
- 23:18Speaker 1: Walter's smile drops.
- 23:20Speaker 2: She'll understand eventually, I hope.
- 23:23Speaker 1: Walter turns to head back inside, but sees something outside
- 23:27Speaker 1: the corner of his eye. Richard on his porch watching
- 23:32Speaker 1: Walter heads inside. Interior Walter's House night. Walter trips over
- 23:37Speaker 1: the mace in the hallway. What He sighs and puts
- 23:40Speaker 1: it back on the shelf where it belongs. There he
- 23:43Speaker 1: notices a few more items, a medieval sword and shield,
- 23:46Speaker 1: a spear, a few blades, a crossbow. Walter picks up
- 23:50Speaker 1: the crossbow and starts fucking around with it, holds it
- 23:52Speaker 1: like he's in battle.
- 23:54Speaker 11: Oh, I'm Richard, I'm feel rich and handsome. Everyone wants
- 23:58Speaker 11: to fuck me.
- 24:01Speaker 1: The crossbow accidentally fires. The boat flies across the room
- 24:05Speaker 1: into a framed wedding photo of Sam and Walter, right
- 24:08Speaker 1: through Walter's health. Walter puts the crossbow down and picks
- 24:12Speaker 1: up the photo. He yanks out the boat and looks
- 24:14Speaker 1: at the hole where his head used to be. Walter sighs.
- 24:19Speaker 1: Exterior Richard's House, backyard pool night. Richard shirtless stands in
- 24:24Speaker 1: front of the barbecue works the expensive grill where he
- 24:27Speaker 1: pops his peck muscles. Walter wanders in confused. He looks around.
- 24:33Speaker 2: Howdy, neighbor, what are you? What is this?
- 24:37Speaker 9: Why are you grilling in.
- 24:38Speaker 2: The nude wasn't my idea?
- 24:40Speaker 1: Richard points with a grill fork towards the house. The
- 24:43Speaker 1: French doors blow open and long curtains billow out. Samantha
- 24:47Speaker 1: steps out, wearing the sea Maiden outfit from.
- 24:50Speaker 2: Her book Sam.
- 24:52Speaker 1: She walks toward Richard, who now looks like the seaman
- 24:55Speaker 1: from the book, long hair and puffy pirates shirt. Sam
- 24:58Speaker 1: embraces Richard. They kiss passionately.
- 25:02Speaker 2: You're too late, Walter.
- 25:03Speaker 1: Richard prepares plates of hot dogs from the grill.
- 25:06Speaker 2: It's foolish to fight me.
- 25:08Speaker 6: I can give Samantha more than you ever could, wealth, happiness, passion.
- 25:14Speaker 2: But Sam, what about me? What about us? I love you?
- 25:21Speaker 1: She stares into Walter's soul. As the sky grows dark,
- 25:24Speaker 1: the world becomes the hellscape Walter caught a glimpse of
- 25:27Speaker 1: in the bedroom.
- 25:30Speaker 7: I never loved you, Walter.
- 25:32Speaker 1: He's devastated.
- 25:33Speaker 2: Oops, looks like we're all out of wieners.
- 25:40Speaker 1: Richard raises a huge knife. He stabs Walter below the belt,
- 25:44Speaker 1: and we can hear the sound of him cutting something.
- 25:47Speaker 1: Richard yanks the dangling piece of flesh off. Walter bleeds
- 25:50Speaker 1: from his crutch, shocked but not in pain. Close up
- 25:55Speaker 1: Richard tosses Walter's penis on the grill. It's sizzles. He
- 25:58Speaker 1: flips it over.
- 26:00Speaker 2: More.
- 26:01Speaker 1: Richard puts the charred talk in a hot dog down
- 26:03Speaker 1: and takes a big bite. Printed goose spurts out of
- 26:06Speaker 1: the pea hole. Richard smiles as he choose. He hands
- 26:10Speaker 1: it off to Samantha and she takes a bite as well.
- 26:15Speaker 3: Get it to that whole thing one more.
- 26:17Speaker 1: Time without laughing.
- 26:19Speaker 2: I think it's great.
- 26:22Speaker 8: Yeah, you just want to hear it again, favor.
- 26:28Speaker 11: I told him this is the reason I did this reading.
- 26:31Speaker 11: When I got to this point in the script, I'm like, oh, yeah,
- 26:33Speaker 11: that's that's good.
- 26:39Speaker 1: Richard raises a huge knife. He stabs Walter below the
- 26:42Speaker 1: belt and we can hear this sound of him cutting something.
- 26:46Speaker 1: Richard yank's the dangling piece of flesh off. Walter bleeds
- 26:49Speaker 1: from his crotch, shocked but not in pain. Close up,
- 26:53Speaker 1: Richard tosses Walter's penis on the girl. It's scissors. He
- 26:57Speaker 1: flips it over. Scissus you more. Richard puts the charred
- 27:01Speaker 1: cock in a hot dog bun and takes a big
- 27:03Speaker 1: butte red goose squirts out of the pea hole. Richard
- 27:06Speaker 1: smiles as he choose. He hands it off to Samantha
- 27:10Speaker 1: and she takes a hite as well.
- 27:13Speaker 8: Delicious needs Mustard.
- 27:20Speaker 1: Blood pools at Walter's feet. Richard has taken more of
- 27:23Speaker 1: his demon form again. Huge ram like horns protrude and
- 27:27Speaker 1: spiral down to his shoulders. His demon eyes glow red.
- 27:30Speaker 1: A forked tongue snakes through his long, sharp teeth. Richard
- 27:34Speaker 1: and sam both covered in blood, laugh maniacally.
- 27:54Speaker 8: That's what happens when you eat peanut hot dog.
- 27:58Speaker 1: Interior Walter's House, living Room, night. Walter wakes with a fright, remembers.
- 28:03Speaker 2: He's on the couch, poudy favor.
- 28:06Speaker 1: Walter looks behind him. Richard stands with sharp teeth and
- 28:09Speaker 1: glowing eyes. He slashes Walter across the face. Huge wounds open,
- 28:14Speaker 1: his blood spurts over the house. Walter screams. Interior Walter's House,
- 28:20Speaker 1: living Room, night. Walter wakes again in fright, sees he's.
- 28:24Speaker 2: On the couch. Oh jeesus, fuck.
- 28:28Speaker 1: He touches his face normal. He reaches for his crotch,
- 28:32Speaker 1: still attached.
- 28:39Speaker 2: All good.
- 28:41Speaker 1: He sighs in relief and collapses back on the pillow.
- 28:45Speaker 1: Walter sees the TV. Bobby Joe is on.
- 28:48Speaker 2: Well, they'll do it.
- 28:49Speaker 3: For me tonight, but before a go I'm reminded.
- 28:53Speaker 2: Of a quote by a great man.
- 28:56Speaker 3: A shot gun blast to the face should solve any pride.
- 29:01Speaker 14: He with me.
- 29:03Speaker 3: I'm the great man, Bobby Joe Williams, and you've been
- 29:07Speaker 3: watching terra vision.
- 29:09Speaker 1: Walter gets an idea exterior production studio. O day, Walter
- 29:14Speaker 1: waits by his car outside a chamblink fence. Beyond it
- 29:18Speaker 1: a plane building with the letters KXTV, a public broadcasting station.
- 29:23Speaker 1: A familiar man exits among a group of people, Bobby
- 29:26Speaker 1: Joe Williams, who wears a cheap jacket and a cowboy hat.
- 29:30Speaker 1: He smokes a cigarette as he hurries towards a shitty
- 29:32Speaker 1: white panel van. Walter sees him and approaches.
- 29:35Speaker 2: Mister Williams, Bobby Joe Williams.
- 29:38Speaker 1: Without stopping or turning back.
- 29:40Speaker 3: It's twenty bucks for an autograph.
- 29:42Speaker 2: Fifty per picture.
- 29:43Speaker 1: Walter gets in front of him walks backwards.
- 29:45Speaker 9: Mister Williams, I don't watch your autograph and get the
- 29:47Speaker 9: hell out of my way.
- 29:48Speaker 3: Then, no, no, no, no, I need your help, my help
- 29:52Speaker 3: with what you know what doesn't matter?
- 29:55Speaker 2: Buy me a drink, and I'm yours. It's ten o'clock
- 29:58Speaker 2: in the morning. You want my help or not? Kid?
- 30:01Speaker 1: Interior bar day, A dimly lit dive bar, only a
- 30:05Speaker 1: few customers inside. Bobby Joe walks behind the bar and
- 30:08Speaker 1: pours two drinks.
- 30:10Speaker 2: Oh no thanks, it's a bit early for me.
- 30:12Speaker 1: Bobby Joe snorts, then chugs both drinks and succession belches.
- 30:17Speaker 1: Walter is mortified.
- 30:19Speaker 3: All right, kid, you got seven minutes until my next gig.
- 30:24Speaker 2: Better make them count. Do you're a bartender? Not a bartender? Kid?
- 30:28Speaker 2: Too much temptation.
- 30:30Speaker 1: He pours himself another drink and downs it without breaking
- 30:32Speaker 1: eye contact.
- 30:33Speaker 2: What do you mean a drinking problem? He'd be around
- 30:37Speaker 2: alcohol like that.
- 30:39Speaker 1: Walter is speechless.
- 30:41Speaker 2: Apparently not so you're.
- 30:44Speaker 1: The bartender enters and hands Bobby Joe a pair of
- 30:46Speaker 1: rubber gloves.
- 30:48Speaker 2: Somebody puked in the bathroom.
- 30:50Speaker 1: Bobby Joe checks his watch.
- 30:52Speaker 2: I've still got four minutes.
- 30:53Speaker 1: The bartender walks off. Bobby Joe glares or Walter times.
- 30:57Speaker 2: Ticket right, I uh okay. On your show, you watch
- 31:02Speaker 2: a lot of horror films.
- 31:03Speaker 3: He can't afford me what you want me in your movie?
- 31:08Speaker 3: And if you're doing a nude scene. You're gonna need
- 31:10Speaker 3: a long lens.
- 31:11Speaker 9: No, no, what I've I mean, no, I'm not making
- 31:15Speaker 9: a movie. I think I have a demon or something.
- 31:18Speaker 9: Leave me next door to me. I don't really know
- 31:20Speaker 9: all the rules, but I think with your expertise that
- 31:24Speaker 9: you might.
- 31:25Speaker 2: All right, that's a new one. Go on.
- 31:28Speaker 9: I think he's killed at least one person, maybe my
- 31:31Speaker 9: neighbor's too. And the women, they just fall all over
- 31:33Speaker 9: themselves to get so much as a look at the guy.
- 31:36Speaker 2: The woman he.
- 31:36Speaker 9: Killed offered her head to him willingly.
- 31:40Speaker 2: She gave him head.
- 31:41Speaker 1: You mean I'm serious, Bobby Joe takes another drink.
- 31:46Speaker 3: Okay, first off, let's pretend like I believe you, which
- 31:50Speaker 3: I definitely do not.
- 31:51Speaker 2: Of course, why would you so? I believe you, and
- 31:55Speaker 2: I know exactly how to help you. What's in for me?
- 31:58Speaker 1: Walter thinks I can find the answer. Bobby Joe sighs,
- 32:02Speaker 1: looks at his watch.
- 32:04Speaker 2: Sorry, kid, time's up. Got a punch the clock.
- 32:07Speaker 1: Bobby Joe stands. He smacks Walter on the shoulder.
- 32:10Speaker 2: I hope you don't die.
- 32:11Speaker 1: He walks off.
- 32:14Speaker 2: I'll pay you.
- 32:16Speaker 1: Bobby Joe turns on his heels, grabs Walter by the
- 32:18Speaker 1: collar and leads him out the door.
- 32:20Speaker 3: Thought you'd never ask, Lou, I'm calling in sick.
- 32:23Speaker 1: Bobby Joe pretends poorly to cough.
- 32:26Speaker 9: Yeah, real sick, sick of your shit?
- 32:30Speaker 2: Where are you taking me?
- 32:32Speaker 1: Interior Bobby Joe's apartment night The door opens. Bobby Joe
- 32:36Speaker 1: kicks an empty beer can as he enters his shitty apartment.
- 32:39Speaker 1: Original posters featuring blown up images of himself cover the walls.
- 32:43Speaker 1: Various movie memorabilia litter the space.
- 32:46Speaker 2: Oh nice place, your clean ladies coming by.
- 32:50Speaker 1: Later, Bobby Joe goes to his bookcase and removes a
- 32:53Speaker 1: book entitled movie Monsters a Disease. He rips off the
- 32:57Speaker 1: book jacket and replaces it with a prop version made
- 33:00Speaker 1: to look like some ancient tome of forgotten knowledge. He
- 33:03Speaker 1: opens it to the letter I and slams it on
- 33:06Speaker 1: the table in front of Walter. Walter picks it up.
- 33:09Speaker 1: The image is an old, tiny oil painting of a
- 33:11Speaker 1: winged demon sitting on a maiden's chest as she sleeps.
- 33:15Speaker 1: It reads incubus.
- 33:17Speaker 2: What is that a vampire?
- 33:20Speaker 1: No, vampires aren't real, moron, Walter seems confused.
- 33:25Speaker 2: What you have is an incubus. Hey, I saw them
- 33:28Speaker 2: live in ninety four. Pretty good funny. You ow my
- 33:32Speaker 2: help or not? Sorry? It's a sex demon.
- 33:35Speaker 3: It beeds off souls, it steals its victims life force
- 33:39Speaker 3: through well it's frankn beans. Ugh, there's a visual. It's
- 33:44Speaker 3: like hypnosis. Get me pheromones or some shit. He's like
- 33:49Speaker 3: one of them stinky flowers.
- 33:51Speaker 1: Walter blinks, wonders if he's heard him right.
- 33:54Speaker 9: Okay, I'm sorry, I thought I heard you say he
- 33:57Speaker 9: was a stinky flower.
- 33:59Speaker 3: Like one of them stinky flowers that lures insects into
- 34:01Speaker 3: it so it can eat them because they think it's
- 34:04Speaker 3: like a dead animal.
- 34:06Speaker 2: I forgot what they're called corpse flowers.
- 34:09Speaker 3: Yeah, that's what I said, sticky flowers. He's a walking
- 34:12Speaker 3: one of those, except instead of insects, it's board suburban housewives,
- 34:18Speaker 3: and instead of eating them, he fucks away their life
- 34:20Speaker 3: force or whatever.
- 34:23Speaker 1: Walter shakes his head.
- 34:24Speaker 2: I don't think I like this analogy. You don't have
- 34:27Speaker 2: to like a kid. You're living it.
- 34:29Speaker 1: Walter thinks, how do you kill one?
- 34:34Speaker 2: You can't. They're immortal.
- 34:36Speaker 1: See Bobby Joe turns the page. A woman looks into
- 34:39Speaker 1: a mirror. A demon as a reflection.
- 34:42Speaker 3: Sometimes you can trap one in its own vanity, but
- 34:45Speaker 3: it's not easy to do. They are priests that tried exorcism,
- 34:50Speaker 3: but it's not the usual thing. They're not possessing someone.
- 34:53Speaker 3: They're flesh and blood sex demons from hell.
- 34:57Speaker 2: What about the women? What happens to them.
- 34:59Speaker 3: Once they're under his spell? They'll give me anything, even
- 35:03Speaker 3: their souls.
- 35:04Speaker 2: And the men. The husband is what happens to them?
- 35:07Speaker 2: Too many cocks in the rooster house get me?
- 35:11Speaker 9: So what do I do? How do I stop him?
- 35:13Speaker 9: I mean, he's setting up shop in my neighborhood, not
- 35:17Speaker 9: my problem. What you said you'd help me, and I
- 35:21Speaker 9: have now if you don't mind my feet.
- 35:25Speaker 1: Walter looks at the man in the barkat lounger, surrounded
- 35:27Speaker 1: by half empty cases of beer.
- 35:30Speaker 2: You don't believe a word I've said. Hey, don't take
- 35:33Speaker 2: you personal. I don't will you in much?
- 35:37Speaker 1: Bobby Joe sits down and puts his feet up.
- 35:39Speaker 2: Oh fuck you.
- 35:40Speaker 1: Walter hits for the door, throws it in him.
- 35:43Speaker 3: Wait, what about my money?
- 35:44Speaker 1: Walter slams the door behind him. Bobby Joe's sighs facts
- 35:48Speaker 1: open a cold one. Interiors Steve and Diane's bedroom night.
- 35:53Speaker 1: Diane sits at her vanity, earrings in hand, mascara streaking
- 35:56Speaker 1: as she wipes her makeup away. She stares at her
- 35:59Speaker 1: reflect Tired, disappointed, she sighs, pulls at the skin under
- 36:04Speaker 1: her eyes. Angry now, she furiously wipes off her makeup,
- 36:08Speaker 1: smearing it all over her face. A shadow flickers across
- 36:12Speaker 1: the glass. She looks up. Richard stands behind her in
- 36:16Speaker 1: the reflection, immaculate, radiant, the kind of man she wishes
- 36:20Speaker 1: still looked at her in that way. Diane startles, turns.
- 36:25Speaker 1: The room is empty. She looks back into the mirror.
- 36:28Speaker 1: Richard is still there, smiling.
- 36:31Speaker 2: You don't need that at all.
- 36:34Speaker 1: His hand brushes her cheek through the reflection. Diane freezes, trembling.
- 36:39Speaker 6: They don't see you anymore, do they? He looks right
- 36:42Speaker 6: through you. You're ghost in your own home.
- 36:45Speaker 1: Diane's lips part, breath shaking. The words cut too close.
- 36:50Speaker 6: But I see you, every line, every scar, every wrinkle
- 36:56Speaker 6: he resents.
- 36:57Speaker 1: Tears roll down her cheek. She leans into his head
- 37:00Speaker 1: and touching her face only in the mirror.
- 37:02Speaker 6: I see the woman who used to dance in the rain.
- 37:06Speaker 6: I see the woman who just wants to be wanted,
- 37:09Speaker 6: the one who aches to be touched, to be held.
- 37:15Speaker 5: I want all of you.
- 37:17Speaker 1: Diane's sob turns into a gasp. His face draws closer,
- 37:22Speaker 1: lips touching hers, but only in the reflection. All you
- 37:25Speaker 1: have to do is come to me. Her breath hitches.
- 37:30Speaker 1: She rises, dazed like sleepwalking. Earrings drop to the carpet,
- 37:34Speaker 1: and Diane heads for the back door. Exterior, suburban backyard, continuous.
- 37:40Speaker 1: Diane slips out into the cool night, her nightgown fluttering.
- 37:44Speaker 1: She crosses the yard, gaze fixed on Richard's house. It's
- 37:48Speaker 1: upstairs window glowing, warm, inviting. As she moves, the camera
- 37:53Speaker 1: pulls back. We see two more women emerging from neighboring houses,
- 37:57Speaker 1: Nancy and yoga gear, Karen in a cocktail dress, and more.
- 38:00Speaker 1: We don't recognize, a mom in slippers, an elderly woman
- 38:04Speaker 1: in curlers, among others. One by one, doors creak open
- 38:08Speaker 1: up and down the cul de sac. The women converge
- 38:11Speaker 1: in the shadows, faces slack with lust, pupils glowing faintly.
- 38:15Speaker 1: Group frank. The women converge in the shadows, faces slack
- 38:20Speaker 1: with lust, pupils glowing. Let's tray, pupils glowing faint.
- 38:29Speaker 2: Dang.
- 38:30Speaker 1: The women converge in the shadows, faces slack with lust,
- 38:34Speaker 1: pupils glowing faintly green. In Richard's upstairs window, his silhouette waits.
- 38:40Speaker 1: He raises a hand in greeting, beckoning them closer. Exterior
- 38:45Speaker 1: Walter's house. To day, Walter drags the trash cans to
- 38:48Speaker 1: the curb along, head buzzing from Bobby Joe's wild sex
- 38:51Speaker 1: demon lecture, incubits.
- 38:55Speaker 9: Sex demon, stinky flower.
- 38:58Speaker 1: He's muttering to himself when he's laughter. Up ahead, Nancy,
- 39:02Speaker 1: Diane and Karen jogged tore him in their pastel ath
- 39:05Speaker 1: leisure Only now something's off. They look flushed, glowing like
- 39:10Speaker 1: they've been fucked stupid all night, happier, looser, dripping satisfaction.
- 39:20Speaker 2: Hey, ladies.
- 39:26Speaker 1: They slow to a stop around him, circling like a pack.
- 39:29Speaker 1: Their pupils glow faintly green in the sunlight.
- 39:33Speaker 12: Morning, Walter, you're looking strong today, nice calws.
- 39:38Speaker 7: Have you been working out?
- 39:40Speaker 1: Walter forces a laugh, uncomfortable.
- 39:43Speaker 2: How how is I know this? What's his name? Your husband?
- 39:51Speaker 7: Steve?
- 39:52Speaker 2: Right? Right? Steve, Steve totally knew that? How is he?
- 39:56Speaker 2: I thought? Maybe we'd watched a game.
- 39:57Speaker 7: Later, they exchange a look He's out of town.
- 40:01Speaker 1: Flash cut Steve's face screaming. His tone smashes his head
- 40:05Speaker 1: through the big screen TV during a touchdown play back
- 40:10Speaker 1: to see Diane smiles a little too wide.
- 40:13Speaker 2: Walter blinks, well, darn, Maybe Bill.
- 40:18Speaker 7: Could golf trip.
- 40:20Speaker 1: Flash cut Bill getting brained by his own golf clubs,
- 40:23Speaker 1: over and over and over and over, and Nancy licks
- 40:30Speaker 1: Droola of her upper lip. Walter swallows, turns to Karen
- 40:34Speaker 1: and gestures towards their overgrown yard.
- 40:37Speaker 2: And Alan, I never knew that got to let his
- 40:39Speaker 2: yard go like that.
- 40:40Speaker 1: Flash cut Alan's face screaming as Karen drives over to
- 40:43Speaker 1: the long blood sprays and sprays and sprays back to
- 40:53Speaker 1: see Karen strokes Walter's chest with her finger.
- 40:56Speaker 12: Business trip, Maybe you should come jogging with us sometime.
- 41:05Speaker 1: Walter backs away, heart racing thanks.
- 41:09Speaker 2: Maybe sex time next time.
- 41:14Speaker 1: He forces a wave, turns and hurries off down the block.
- 41:17Speaker 1: The women watch him go, laughing.
- 41:25Speaker 2: Andy, are you home? I need your help? Did I
- 41:29Speaker 2: miss that whole thing?
- 41:30Speaker 1: Did I have so few minds? Can you think?
- 41:32Speaker 2: Let me know?
- 41:37Speaker 1: Exterior Andy and Alley's House night Walter pounds on the door, panicked.
- 41:43Speaker 2: Are you home? I need your help?
- 41:45Speaker 1: Ali opens the door. Walter looks shocked. The alley that
- 41:49Speaker 1: stands before him is changed. She wears a silky red
- 41:52Speaker 1: evening gown and teased hair.
- 41:54Speaker 8: Ellie, Hello, Walter.
- 41:56Speaker 1: Walter pauses, confused, remembers why he's here.
- 42:01Speaker 2: I need to talk to Andy. Is he here?
- 42:03Speaker 1: Ali leans against the doorframe. Her hand pushes upward against
- 42:06Speaker 1: the jam.
- 42:08Speaker 8: Andy left me.
- 42:10Speaker 2: He what he said?
- 42:12Speaker 8: He wasn't man enough for me anymore.
- 42:15Speaker 2: Oh that doesn't make sense, Andy loved.
- 42:17Speaker 1: Walter pauses, senses something is wrong.
- 42:21Speaker 2: Are you all right?
- 42:22Speaker 8: I've never felt better?
- 42:23Speaker 7: Halty?
- 42:25Speaker 8: Would you care to join me for a drink?
- 42:29Speaker 13: Sure?
- 42:30Speaker 1: He enters. Ali closes the door with a smirk in
- 42:33Speaker 1: her mouth. Interior Andy and Ali's house living room night.
- 42:38Speaker 1: Walter keeps his guard up, tries to inconspicuously look around.
- 42:42Speaker 1: Ali runs a finger along Walter's arm as she passes him.
- 42:46Speaker 1: Walter clears his throat.
- 42:48Speaker 2: I say, how about that drink?
- 42:50Speaker 8: Ali smirks, Coming right up.
- 42:52Speaker 1: Ali goes into the kitchen. Walter, on his tiptoes, quickly
- 42:56Speaker 1: opens the closet door, peeks inside. He closes it. Ali
- 43:00Speaker 1: stands behind the door startles him with two glasses of
- 43:03Speaker 1: red wine in hand.
- 43:05Speaker 2: Oh ah, I was looking for the bathroom.
- 43:07Speaker 8: Well it's not in the closet. Walter.
- 43:10Speaker 1: Ali hands him the glass of wine and takes a sick.
- 43:13Speaker 1: Ali ooses seduction. Walter pretends to drink, but never does.
- 43:17Speaker 9: Oo.
- 43:18Speaker 2: Wine went right through me, be right back.
- 43:20Speaker 1: Walter walks to the end of the hall into the
- 43:22Speaker 1: bathroom interior Andy and Ali's house bathroom night. Walter closes
- 43:28Speaker 1: and locks the door behind him. He dumps the wine
- 43:31Speaker 1: down the sink.
- 43:32Speaker 2: Okay, okay, just.
- 43:33Speaker 1: Think clink clink, A noise beside Walter from the bathtub.
- 43:39Speaker 1: Walter looks over sees a shadow in the bathtub behind
- 43:42Speaker 1: the close shower curtain. Walter approaches carefully throws the curtain open.
- 43:48Speaker 1: Andy eyes in the bathtub, covered in blood, his video
- 43:51Speaker 1: game controllers shoved down his throat. Walter screams. He trips
- 43:57Speaker 1: and falls backward against the bathroom door. He tries to
- 44:01Speaker 1: catch his breath. A soft knock on the door.
- 44:04Speaker 8: You okay in there, Walter.
- 44:06Speaker 1: Walter tries to gather himself.
- 44:08Speaker 2: Yeah, just admit it.
- 44:11Speaker 1: Walter closes the bathroom curtain back how it was, holds
- 44:14Speaker 1: back tears for his friend. Afraid to look too closely,
- 44:18Speaker 1: Walter takes a deep breath and heads back into the interior.
- 44:21Speaker 1: Andy in Ali's House living room night, But the mood
- 44:25Speaker 1: has changed. The lights are low, erotic synth music plays
- 44:29Speaker 1: from a vintage stereo nearby, candles are lit, and Ali
- 44:33Speaker 1: is nowhere to be seen.
- 44:36Speaker 2: Allie.
- 44:37Speaker 1: Walter doesn't wait. He heads straight for the fucking exit.
- 44:41Speaker 1: Somehow Ali appears in his path. He tries to be cool,
- 44:45Speaker 1: but he sweats, stammers.
- 44:46Speaker 2: Oh hey, yeah, there we are, Ellie. Look I gotta go.
- 44:50Speaker 2: Seem these me for man stuff, not sex. Just fixing
- 44:56Speaker 2: the whiz palace. I mean, well that's what we call
- 44:58Speaker 2: the bathroom.
- 45:00Speaker 8: Samantha's gone, Walter.
- 45:03Speaker 2: What what are you talking about?
- 45:06Speaker 4: She's on our way back right now, Walter. But Richard
- 45:09Speaker 4: will be with her soon enough.
- 45:11Speaker 1: Interior Richard's House bedroom night. Richard naked, stands at the
- 45:15Speaker 1: window looking out. He watches as Samantha's car pulls back
- 45:19Speaker 1: into the driveway. Richard smiles, hands caresses chest from behind.
- 45:24Speaker 1: Diane and Karen, among others. Interior Andy and Allie's House night.
- 45:29Speaker 7: How do you know that I told you.
- 45:33Speaker 4: He's shown me so so very many things, things I
- 45:39Speaker 4: didn't even know about myself.
- 45:42Speaker 8: Things I didn't even know I was deprived of.
- 45:45Speaker 1: Ali rubs her hips up and down, caressing her figure.
- 45:49Speaker 2: I should really get back to her, then stay with me.
- 45:52Speaker 1: Ali ramps up the seduction. Her hands move from her thighs,
- 45:56Speaker 1: up her hips, and around her breast.
- 45:58Speaker 8: Come on, Walter, don't you want me?
- 46:01Speaker 1: Walter trips, falls over his own feet as he stumbles backwards.
- 46:05Speaker 1: He watches as Ali lifts the red dress over her head,
- 46:08Speaker 1: reveals her naked figure. Walter shields his eyes. Not okay,
- 46:12Speaker 1: She sits on top of him.
- 46:13Speaker 8: Don't you wanna fuck me? Walter?
- 46:16Speaker 1: Ali leans down to kiss Walter. Walter pushes her off hard.
- 46:21Speaker 1: Walter stands up back against the fireplace. He keeps one
- 46:24Speaker 1: hand behind his back in she's closer to the fire
- 46:27Speaker 1: poker stand. Ali covers her face, still on the floor, cry.
- 46:32Speaker 9: How could you I love Samantha?
- 46:35Speaker 2: Alright?
- 46:35Speaker 1: Her cries turn into maniacal laughter.
- 46:38Speaker 7: Oh said anything about love?
- 46:45Speaker 1: She stands.
- 46:46Speaker 7: I just want to fuck you, Walter.
- 46:50Speaker 8: Just fuck your brain's.
- 46:52Speaker 2: Out, okay, stay bare, okay.
- 46:55Speaker 8: And when you can't take that anymore, Walter.
- 46:58Speaker 4: When you beg me to stop, I'll slit your little
- 47:02Speaker 4: throat and fuck your cock in a pool of your
- 47:05Speaker 4: own blood.
- 47:06Speaker 2: That is so gross. Oh fuck.
- 47:12Speaker 1: Walter grabs hold of the fire poker and swings it
- 47:14Speaker 1: at Ali's head. It connects hard, she stumbles, it doesn't fall.
- 47:19Speaker 1: When Ali looks back at Walter, her face is not demonic,
- 47:22Speaker 1: her eyes glow green, Her hair is streamy and matted,
- 47:25Speaker 1: rows of razors, sharp teeth lying her mouth, a huge
- 47:29Speaker 1: gash across her cheek.
- 47:30Speaker 2: From the poker.
- 47:31Speaker 1: Hold me, fuck, Ali howls and leaps at Walter. Walter
- 47:38Speaker 1: flies back against the futon and wall knocks over a
- 47:41Speaker 1: cheaply framed movie poster. She bears her full mouth of
- 47:44Speaker 1: fangs and leaps at him again. Walter scrambles to grab
- 47:48Speaker 1: the fire poker. He holds it up instinctively closes his eyes.
- 47:51Speaker 1: He only hears it enter her body. When he opens
- 47:55Speaker 1: his eyes again, Ali is impaled on the poker. He
- 47:58Speaker 1: lets go and she stumbles backwards. She sees the poker
- 48:01Speaker 1: in her chest. Shocked, she collapses seemingly dead. Walter catches
- 48:06Speaker 1: his breath, then remembers Sam. He races out of the house.
- 48:10Speaker 1: And back into his car. Interior Samantha's Car.
- 48:14Speaker 2: Night.
- 48:15Speaker 1: Samantha pulls into the driveway. Her eyes tell the story
- 48:18Speaker 1: of a tearful night. She takes a deep breath and
- 48:21Speaker 1: gets out. Interior Walter's House.
- 48:23Speaker 2: Night.
- 48:24Speaker 1: Sam enters. She looks around Walter. Nothing only silence Walter.
- 48:31Speaker 1: She turns. Richard stands right behind her.
- 48:34Speaker 12: She screams, ha ha ha Richard.
- 48:39Speaker 11: Hi.
- 48:40Speaker 1: Richard laughs warmly.
- 48:42Speaker 6: Oh gosh, sorry, I frightened you, Samantha. The door was open.
- 48:46Speaker 6: I thought it would be fine if I let myself in.
- 48:48Speaker 12: Oh what can I do for you?
- 48:51Speaker 1: He holds up Sam's purse and her shoulder rap.
- 48:54Speaker 6: Just thought i'd return your person scarf. You left the
- 48:57Speaker 6: party in such a hurry. I'm afraid you had forgotten it.
- 49:00Speaker 1: Sam exhales. She rubs her weary brow.
- 49:03Speaker 7: Right, I did, thank you.
- 49:06Speaker 2: There's everything all right.
- 49:09Speaker 7: I'm fine.
- 49:11Speaker 2: It looks like you could use a drink.
- 49:13Speaker 1: Richard heads into the kitchen.
- 49:14Speaker 7: I said, I'm fine, Really I don't.
- 49:16Speaker 1: Richard returns with two glasses of red wine. He takes
- 49:19Speaker 1: a sip.
- 49:21Speaker 7: I appreciate the sentiment, Richard, but you should go. I
- 49:27Speaker 7: need to think.
- 49:28Speaker 1: They lock eyes Richard's eyes glow.
- 49:32Speaker 2: I think I should stay.
- 49:34Speaker 1: Samantha's muscles relax, her resistance fades. She falls deeper into
- 49:39Speaker 1: the trance like state.
- 49:40Speaker 7: She nods, I think you should stay.
- 49:44Speaker 1: Richard smiles. Interior Walter's car night. Walter drives like a madman,
- 49:50Speaker 1: leaving in and out of slow moving traffic. He calls
- 49:53Speaker 1: Sam in his cell phone again, but there's no hands.
- 49:58Speaker 1: Interior Walter's house, living room night. Richard touches Samantha's face.
- 50:03Speaker 1: He leans in to kiss her. Oh, Walter, Richard stops.
- 50:09Speaker 1: Sam's eyes slam open. She takes a step back out
- 50:12Speaker 1: of the trance.
- 50:14Speaker 7: What's happening? What am I doing? Walter would be furious.
- 50:19Speaker 2: Walter doesn't have to know.
- 50:20Speaker 1: Sam's mood shifts.
- 50:22Speaker 7: Yes, he does. Walter's my husband.
- 50:24Speaker 2: Walter could never be as attentive to us. I quit, Samanpha.
- 50:27Speaker 1: Richard holds Sam's waist and stares deep into her eyes.
- 50:30Speaker 1: They glow with newfound intensity. Sam looks deeply into Richard's eyes.
- 50:35Speaker 1: His voice deepens with each word. He moves closer towards
- 50:38Speaker 1: kissing Sam.
- 50:40Speaker 6: I could love you more deeply than Walter could ever understand.
- 50:44Speaker 6: I can give you everything your heart desires and your
- 50:47Speaker 6: flush craves. I can give you the passion you so
- 50:52Speaker 6: desperately seek, Samantha.
- 50:54Speaker 1: He leans in to kiss her. The slap stops him cold.
- 50:58Speaker 1: Richard blinks shocked. Sam is pissed. She points to the door.
- 51:04Speaker 10: Get out of my fucking house, Samantha, I think, who
- 51:07Speaker 10: the fuck do you think you are?
- 51:09Speaker 7: Walter is my husband and I love him.
- 51:12Speaker 1: Richard doesn't move, I said, get out. Richard's posture straightens.
- 51:19Speaker 7: No excuse me.
- 51:22Speaker 1: Richard stumps closer to her. Sam backs up, frightened. Now,
- 51:27Speaker 1: Richard's eyes glow once more, but before he can look
- 51:30Speaker 1: into Sam's eyes, Walter bursts in through the door. He
- 51:33Speaker 1: sees Sam terrified as Richard looms over her authoritatively.
- 51:37Speaker 13: Walter you s Walter charges.
- 51:40Speaker 1: Richard throws another punch, but Richard catches it effortless.
- 51:43Speaker 2: No more games.
- 51:45Speaker 1: Richard squeezes Walter's hand. His face fills with anguish. He
- 51:48Speaker 1: grabs Walter by the throat and lifts him into the air.
- 51:52Speaker 2: Crap are your neighbor, reo.
- 51:55Speaker 1: Walter sees Richard. Walter sees Richard's eyes have turned red,
- 52:03Speaker 1: his features have become more demonic evil. The entire room
- 52:07Speaker 1: shifts into something darker, more terrifying. Sam watches in horror Walter.
- 52:13Speaker 1: Sam doesn't think. She gets up and runs to help Walter.
- 52:16Speaker 1: Richard belts her away with a swipe of his hand,
- 52:18Speaker 1: over taking his eyes off Walter. Richard pivots and launches
- 52:22Speaker 1: Walter over the couch. He crashes through the corn. Walter
- 52:26Speaker 1: struggles through the pains, screaming all over his body. As
- 52:29Speaker 1: he gets to his feet, he stands in front of Sam,
- 52:31Speaker 1: shielding her. Richard looks around the shop.
- 52:34Speaker 13: You know I envy you, Walter.
- 52:37Speaker 5: Your life is something mine was never given the chance
- 52:39Speaker 5: to be ordinary.
- 52:42Speaker 2: Hey, I am a small business owner.
- 52:45Speaker 5: Sell jumped to board housewives who watch too much HGTV.
- 52:50Speaker 1: Richard takes notice of the extravagant suit of armor with
- 52:53Speaker 1: a large codpiece propped up in the corner. He approaches
- 52:56Speaker 1: with an air of reverence of memory.
- 52:59Speaker 5: When I was a young man, my father sent me away,
- 53:03Speaker 5: told me not to return lest I was a man.
- 53:07Speaker 5: So I became a soldier, a fierce warrior, known to many,
- 53:11Speaker 5: feared by more. When I returned home, things had changed,
- 53:17Speaker 5: and the home I knew was gone. I never saw
- 53:20Speaker 5: my father again, so I traveled one town at first,
- 53:25Speaker 5: and then the next. Soon I was a collector of
- 53:28Speaker 5: cities the world over, every night, a different woman to
- 53:33Speaker 5: warm my bed.
- 53:35Speaker 2: And thus I.
- 53:36Speaker 5: Also became a collector of flesh. But never a place
- 53:41Speaker 5: to call home, never someone to call.
- 53:46Speaker 2: Family.
- 53:50Speaker 13: Just objects, just objects lost in history.
- 54:02Speaker 1: He touches the breastplate, gently caresses it as though a lover.
- 54:06Speaker 1: Tears form in Wretchard's eyes.
- 54:08Speaker 5: We're both collectors in a way, Walter, of things lost time.
- 54:14Speaker 2: My father was the collector. I've just the caretaker.
- 54:18Speaker 1: Richard turns back to Walter and say.
- 54:20Speaker 5: In that case, Walter, I'm going to give you the
- 54:22Speaker 5: choice I never had.
- 54:24Speaker 13: Think of it as a business opportunity.
- 54:28Speaker 1: He stands in front of the couple.
- 54:30Speaker 5: I will buy everything in this house, take your entire
- 54:34Speaker 5: business off your shoulders, and at a price you won't
- 54:37Speaker 5: be able to say no to For.
- 54:39Speaker 2: What, Samantha what? I could just take her now, of course.
- 54:47Speaker 13: Or you could have everything you ever wanted, Walter. You
- 54:50Speaker 13: could live the life you've always.
- 54:52Speaker 5: Dreamed of, and you could do it free of the
- 54:54Speaker 5: burden of carrying your father's misguided legacy.
- 54:58Speaker 1: A fresh stuff, Richard pauses, awaits an answer, fuck you.
- 55:05Speaker 1: The answer stings like an insult.
- 55:07Speaker 2: People aren't objects for you to add to your collection.
- 55:11Speaker 2: They're people.
- 55:12Speaker 9: And I didn't keep my dad's junk to carry his burden,
- 55:15Speaker 9: then why did you to honor it Richard's size? Oh
- 55:21Speaker 9: you know, I might be a really shitty shalesmanute. Maybe
- 55:25Speaker 9: I am a shitty father and an even shittier husband,
- 55:28Speaker 9: but there was one thing I'm gonna at.
- 55:31Speaker 1: Starling Hey, fuck face, just in time to receive the
- 55:35Speaker 1: medieval mace, Mia just hurled into the side of his
- 55:38Speaker 1: fucking face. He stumbles, Blood and flesh fly off his face.
- 55:42Speaker 1: Sam grabs mea shields her behind herself and Walter. Richard
- 55:46Speaker 1: turns to face them, reveals his fucked up face, obliterated,
- 55:50Speaker 1: his skin gone, scaly demon flesh underneath. One red eye
- 55:54Speaker 1: glows in the darkness. Large fangs protrude over his lips.
- 55:58Speaker 1: Richard arches his back and howls at them. The force
- 56:01Speaker 1: blows them backward.
- 56:02Speaker 15: Raw.
- 56:05Speaker 1: He stops and locks eyes with Mia. The wind continues
- 56:09Speaker 1: to blow Sam and Walter backward. Walter struggles to hold
- 56:12Speaker 1: onto the railings, the walls, anything but it's like a hurricane.
- 56:17Speaker 1: The wind roars all sounds dissipate into silence. Richard's voice
- 56:21Speaker 1: seems to come from Everywherea's eyes turned glossy. She steps
- 56:28Speaker 1: forward as her parents fall farther back. She drops the mace.
- 56:32Speaker 1: No longer in control of herself. Samantha reaches out to
- 56:36Speaker 1: stop her, but she can't. Richard grabs her, holds her
- 56:40Speaker 1: close to him. She faints, and Richard catches her in
- 56:43Speaker 1: his arms. The wind stops.
- 56:45Speaker 5: If I can't have your wife water, I'll just settle
- 56:49Speaker 5: for your daughter.
- 56:50Speaker 1: Richard Howe's raw. Every light bulb in the house explodes
- 56:56Speaker 1: all at once. Walter and sam shield their eyes. When
- 57:01Speaker 1: they opened him again. Mia and Richard are gone.
- 57:04Speaker 2: Mia. Are you all right?
- 57:06Speaker 7: Oh my god, you were right. Walter.
- 57:11Speaker 2: We have to go to the police. I tried. They
- 57:13Speaker 2: won't believe us.
- 57:14Speaker 7: Walter, he has our baby, She.
- 57:16Speaker 1: Cries into his chest.
- 57:18Speaker 2: I want you to stay inside, to lock all the doors,
- 57:20Speaker 2: so don't let anyone in. Okay, what are you gonna do?
- 57:23Speaker 2: I'm gonna stop.
- 57:23Speaker 5: Him, not without me or not sham Walter.
- 57:28Speaker 10: If you think for one second, then I'm just gonna
- 57:30Speaker 10: sit back and wait to be rescued by some night
- 57:33Speaker 10: in shining armor then you're an even bigger idiot than
- 57:36Speaker 10: the one I married.
- 57:37Speaker 14: Walter thinks, fine, or we need help?
- 57:42Speaker 2: Who a professional?
- 57:44Speaker 1: Interior Bobby Joe's apartment. The door opens, Bobby Joe stands
- 57:51Speaker 1: and bots your shorts with his face on them. Had
- 57:54Speaker 1: an old bathrobe holding a beer Bobby Joe. Bobby Joe
- 57:58Speaker 1: belches Mantha glares at Walter. He feels her eyes boring
- 58:02Speaker 1: to the side of his head, but ignores it.
- 58:05Speaker 2: We need your help.
- 58:07Speaker 1: Interior, Bobby Joe's apartment.
- 58:09Speaker 2: Night.
- 58:10Speaker 1: Bobby Joe stumps to the kitchen, stealing his bathrobe and
- 58:12Speaker 1: opens the fridge. He grabs a blender picture of Margarita
- 58:16Speaker 1: in the fridge and drinks straight from him.
- 58:18Speaker 2: He has our daughter. You have to help us. Help
- 58:22Speaker 2: you do what exactly? He is all killed. I like
- 58:27Speaker 2: being alive.
- 58:28Speaker 3: I plan on doing until I die of old age
- 58:31Speaker 3: Sandwich between two twenty year old supermodels.
- 58:35Speaker 7: Who the fuck is this guy?
- 58:37Speaker 1: Sam approaches him with purpose.
- 58:40Speaker 7: Listen you, low rent Bruce Campbell.
- 58:42Speaker 10: That asshole has my daughter, and if my husband thinks
- 58:45Speaker 10: you can help, then you're going to help, even if
- 58:48Speaker 10: I have to drag you by the balls there myself.
- 58:50Speaker 1: Bobby Joe flails backward into his barkt lounger.
- 58:53Speaker 5: He said, Bobby Joe flails backward.
- 58:56Speaker 1: Yeah, I did, yes, I was improving the script. So
- 59:03Speaker 1: brother Bobby Joe falls backward into his barkie lounger.
- 59:07Speaker 2: Fisty. I don't like it. Say how stable is this relationship? Walter?
- 59:13Speaker 8: We'll pay you.
- 59:15Speaker 3: Oh no, oh no, no no, I already went down
- 59:18Speaker 3: that road with your husband Lady. Didn't turn out so
- 59:21Speaker 3: well for Bobby Joe. So my consulting fee it just doubled.
- 59:27Speaker 1: Walter pulls Sam to the side.
- 59:28Speaker 12: Pay him with what money I have some set aside
- 59:32Speaker 12: for emergencies since on, since always, just in case, in
- 59:36Speaker 12: case of what.
- 59:37Speaker 1: They both realized. Bobby Joe was staring.
- 59:39Speaker 3: At them, trouble them paradise.
- 59:41Speaker 2: Shut up.
- 59:44Speaker 3: Right, alright, back to business. I like your style. So
- 59:48Speaker 3: how many zeros we talking about?
- 59:49Speaker 7: I said, shut up and put some fucking pants on?
- 59:52Speaker 7: Would you?
- 59:53Speaker 3: Can we stop for a drink first?
- 59:55Speaker 2: No?
- 59:56Speaker 1: Bobby Joe slings back into his chair. Exterior Walter's house night, Walter, Sam,
- 1:00:02Speaker 1: and Bobby Joe exit Bobby's beat up old pod and
- 1:00:05Speaker 1: head inside. Bobby Joe is dressed like a character from
- 1:00:08Speaker 1: his show, an aged leather jacket over his cowboys shirt
- 1:00:11Speaker 1: and bolo tie. Interior Walter's house living room night. Walter
- 1:00:16Speaker 1: digs through boxes and piles of junk while Sam watches.
- 1:00:20Speaker 1: Bobby Joe raids the kitchen. He finds a bottle of
- 1:00:23Speaker 1: whiskey and pours himself a stiff drink.
- 1:00:25Speaker 7: What are you looking for?
- 1:00:27Speaker 2: Aha? Does he really say? Aha?
- 1:00:32Speaker 1: Walter grabs a cardboard box and slams it on the
- 1:00:34Speaker 1: table between them. On the side of the box in
- 1:00:37Speaker 1: MIA's handwriting, more poignant than she meant. Let's get medieval
- 1:00:41Speaker 1: on their asses. The the mack pause for lefter. The
- 1:00:48Speaker 1: box contains a crossbow, a mace, a medieval axe, arrows,
- 1:00:51Speaker 1: and a spearhead.
- 1:00:52Speaker 2: Everyone Walt's Antiques is open for business.
- 1:00:56Speaker 1: Samantha picks up the crossbow and looks it over.
- 1:00:58Speaker 2: Which suits you?
- 1:01:03Speaker 1: Walter hands the axe to Bobby Joe. He turns his
- 1:01:06Speaker 1: nose at it.
- 1:01:07Speaker 2: I'm said, kid.
- 1:01:08Speaker 1: Bobby Joe lifts up his shirt. An enormous revolver is
- 1:01:11Speaker 1: stuffed into his pants.
- 1:01:12Speaker 3: Eh little rap party gift from one of my first features,
- 1:01:17Speaker 3: Psycho Cop Doo Revenge.
- 1:01:19Speaker 2: Oh I saw that one. Oh?
- 1:01:22Speaker 1: You liked it well, Walter walks off.
- 1:01:28Speaker 16: Not only one would taste in this place? He permative,
- 1:01:32Speaker 16: rubes Bobby. Joe picks up the mason admires it. He
- 1:01:35Speaker 16: whips it around awkwardly. What about you, Walter stares off.
- 1:01:40Speaker 16: Frame quick cuts piece by piece. Walter puts on the
- 1:01:44Speaker 16: suit of armor, but we don't see its complete form yet. Walter,
- 1:01:48Speaker 16: now in the full suit of armor, broad sword in hand,
- 1:01:51Speaker 16: awkwardly lifts up.
- 1:01:52Speaker 1: The face plate to speak, how do I The face
- 1:01:54Speaker 1: plate falls back down. He lifts it up again.
- 1:01:57Speaker 2: How do I walk? Ridiculous?
- 1:02:00Speaker 1: Sam looks at him warmly, a smile.
- 1:02:02Speaker 7: On her face, and I think he looks amazing.
- 1:02:05Speaker 1: End of AAC two.
- 1:02:11Speaker 2: I get to say something.
- 1:02:12Speaker 3: You ladies are scaring the shit out of me with your.
- 1:02:15Speaker 8: What do you mean?
- 1:02:16Speaker 2: That's what I'm talking about right there. You guys are
- 1:02:21Speaker 2: way too good at that