Latest / The Bootleg Kev Podcast / #336 - Lil Blood

Transcript

#336 - Lil Blood · The Bootleg Kev Podcast

• 0:00
  Speaker 1: Y'all. Y'all, y'all, you know whats going on?
• 0:02
  Speaker 2: Little Blood here checking in, y'all, go tweak on my
• 0:04
  Speaker 2: interview with the Blueleg Cab Podcast. Man, some dope going on,
• 0:08
  Speaker 2: and you might find out how real our fake hev.
• 0:11
  Speaker 1: Is Bootleg Cab Podcast.
• 0:17
  Speaker 3: We got a special guests in here all the way
• 0:20
  Speaker 3: from the Bay We're not too far away. Oakland, Oakland
• 0:23
  Speaker 3: is in the building, Little Blood welcome.
• 0:25
  Speaker 1: We'skland.
• 0:26
  Speaker 3: To be exact, now, this is what's crazy is I have?
• 0:30
  Speaker 3: And I'm pretty like, like I would say, I'm like
• 0:34
  Speaker 3: pretty tapped in with the Bay Area music. I guess
• 0:37
  Speaker 3: I'm not all the way tapped in because I kind
• 0:38
  Speaker 3: of found you off of your interviews and I forgot
• 0:42
  Speaker 3: I think I was talking to uh, I was talking
• 0:44
  Speaker 3: to somebody. I was talking to Little Russell and I
• 0:47
  Speaker 3: was like, yeah, like little Blood, it is dope. He's
• 0:49
  Speaker 3: got to do a platform. He's like, oh, you don't
• 0:50
  Speaker 3: know from from his record that went crazy. I was like, nah,
• 0:53
  Speaker 3: bro right, So I kind of came came came like
• 0:58
  Speaker 3: up on you, like in terms of just like you
• 1:01
  Speaker 3: interviewing people and you having like a dope platform, right.
• 1:03
  Speaker 1: Right, Thank you?
• 1:04
  Speaker 2: I appreciate it, and I'm glad I started that platform
• 1:07
  Speaker 2: because that they got me indoors that normally wouldn't have
• 1:10
  Speaker 2: been open from the music, right, But it happens in
• 1:14
  Speaker 2: it Roun's hand in hand.
• 1:15
  Speaker 1: But now my music career fires.
• 1:17
  Speaker 3: Like no, I've been tapping tapping in and checking out
• 1:20
  Speaker 3: your ship because I followed you. And then the third
• 1:24
  Speaker 3: World record was the record.
• 1:25
  Speaker 1: Yeah, yeah, it went super viral. So it's crazy.
• 1:28
  Speaker 2: Uh we recorded that record like ten years ago and
• 1:32
  Speaker 2: it was just on some uh my one of my partners, Bosky,
• 1:35
  Speaker 2: had went to jail and we was Hella Maddie went
• 1:38
  Speaker 2: to jail and at that time, do you remember a
• 1:43
  Speaker 2: Little Bee?
• 1:43
  Speaker 3: Basically of course he isn't the BITCHMB record at the
• 1:46
  Speaker 3: same beat.
• 1:47
  Speaker 1: So yeah, so what happened was, you know, we we
• 1:49
  Speaker 1: big little Bee fans. I don't get from me too.
• 1:52
  Speaker 1: I used to cook.
• 1:54
  Speaker 2: Yeah, like yeah type st so the bitch my anthem,
• 2:00
  Speaker 2: my little bro rest in peace elly bow. He used
• 2:02
  Speaker 2: to always come by singing that song. And when Bosky
• 2:05
  Speaker 2: went to jail, were like, fuck it, we just recorded
• 2:07
  Speaker 2: the record, but we was playing around bullshiting with the record.
• 2:10
  Speaker 2: And but the record is not mixed or master.
• 2:13
  Speaker 3: You know so many bag classics are not mixing masters.
• 2:16
  Speaker 1: It happens.
• 2:17
  Speaker 3: It happens a lot. Shout out to d like no Hope,
• 2:20
  Speaker 3: sounds like it just they just laid it down him
• 2:22
  Speaker 3: dropped that bitch.
• 2:22
  Speaker 2: But I think Gazi said he mixed. No, Gazi said he.
• 2:25
  Speaker 2: I think it was no or the record with Tiger
• 2:28
  Speaker 2: one of that one probably got mixed. But long story short,
• 2:32
  Speaker 2: we recorded that song bam and it's always been a
• 2:35
  Speaker 2: like a Northern California hit, right, But I don't know
• 2:39
  Speaker 2: what happened on TikTok.
• 2:40
  Speaker 1: That shit just went crazy. It's been going crazy recently. Yeah,
• 2:44
  Speaker 1: it's still going crazy. Like I don't know, you feel mean.
• 2:46
  Speaker 2: You don't know the source of like who posted the
• 2:48
  Speaker 2: source of who posted it? I think it was I
• 2:52
  Speaker 2: don't know, some little dude did a dance to it.
• 2:54
  Speaker 2: Long story short, that ship went fire and it's still
• 2:57
  Speaker 2: going and God is good.
• 2:59
  Speaker 3: It's gotta be crazy because I was like, you'll see
• 3:01
  Speaker 3: like old records pop up and he'd be like, damn.
• 3:04
  Speaker 1: But that goes to show you music is timeless for sure.
• 3:07
  Speaker 3: You feel just like having an independent hit go like resurface.
• 3:11
  Speaker 1: Right, hell, yeah, that's like different.
• 3:13
  Speaker 2: Well yeah, and the crazy part about it is, uh,
• 3:19
  Speaker 2: it went viral, didn't stop, didn't go viral again, like
• 3:22
  Speaker 2: it keeps, you know, doing that ship like Kim Kardashian
• 3:26
  Speaker 2: and Northwest. So I was seeing Hella like Ari's and
• 3:30
  Speaker 2: Jada and them doing ship to us. So I'm like, oh,
• 3:32
  Speaker 2: that's cool that go. But when I seen Kim k
• 3:36
  Speaker 2: and Northwest do it wild, Yeah, I'm like, okay, different
• 3:40
  Speaker 2: Kanye paying attention.
• 3:42
  Speaker 1: I mean, I hope. So yeah, definitely, yeah, definitely yeah.
• 3:45
  Speaker 3: No, well ship and that's independently you that's straight independent.
• 3:49
  Speaker 1: Independent, Yeah, for sure. That's crazy Records we don't do that.
• 3:54
  Speaker 3: So for you, like fast forward now having that kind
• 3:58
  Speaker 3: of happened and having people kind of come in your
• 4:00
  Speaker 3: catalog and check out like the newer shit, Like where
• 4:02
  Speaker 3: are you on the music side, because you're so you're
• 4:05
  Speaker 3: doing so much. You're obviously community leader, you're obviously doing
• 4:07
  Speaker 3: the podcast and still dropping new music.
• 4:11
  Speaker 1: How do you balance the shit? Balance?
• 4:13
  Speaker 2: Yeah, honestly, it's the same shit. So, uh with our studio,
• 4:21
  Speaker 2: we have a studio where we film our podcast. We
• 4:23
  Speaker 2: also got our recording the studio there you get what
• 4:26
  Speaker 2: I'm saying so, and then it's like I was popping
• 4:29
  Speaker 2: way with the music way before the podcast, and shit,
• 4:33
  Speaker 2: I just started doing the podcast, and shit because my
• 4:35
  Speaker 2: team shout out Talker Media, shout out Burt Jones. They
• 4:39
  Speaker 2: was like, Bro, you're going on all these people platforms
• 4:41
  Speaker 2: and blowing the shit up like people love to hear
• 4:44
  Speaker 2: you talk, like, bro, start doing your own shit. And
• 4:47
  Speaker 2: they was telling me this for damn near a year
• 4:49
  Speaker 2: or two before I said, fuck it, come on, let's
• 4:51
  Speaker 2: try it. And then one day we did it. In
• 4:53
  Speaker 2: from the first episode, people gravitated towards it, and then
• 4:57
  Speaker 2: I had the people that.
• 4:59
  Speaker 1: Reached out like I wanted to come on your podcast.
• 5:01
  Speaker 1: I want to sit down with you.
• 5:02
  Speaker 2: When you're sitting at your house at four in the
• 5:05
  Speaker 2: morning and Marshawn Lynch call you and like, Bro, what
• 5:08
  Speaker 2: the fuck, Bro, why you ain't telling me you had
• 5:09
  Speaker 2: a podcast? He just time right, yeah, yeah, yeah, yeah,
• 5:14
  Speaker 2: he just did it the second time, and it's just like,
• 5:16
  Speaker 2: you know, people like that, and they just talk like, Bro,
• 5:19
  Speaker 2: I'd rather sit down with you because nigga, nigga, you
• 5:23
  Speaker 2: for the you're.
• 5:24
  Speaker 1: The culture nigga.
• 5:25
  Speaker 2: You ain't trying to make no money, you ain't voting,
• 5:27
  Speaker 2: you ain't asking no weird ask questions. You not You're
• 5:30
  Speaker 2: not gonna have a blood on your podcast and ask
• 5:32
  Speaker 2: them why they funk with crips. You know, you get
• 5:34
  Speaker 2: what I'm saying, Like that shit just darrow, So I'm like, fuck,
• 5:37
  Speaker 2: I might as well keep this shit going. So that's
• 5:40
  Speaker 2: what made me just drop that shit and low and
• 5:42
  Speaker 2: push the fuck out the podcast.
• 5:43
  Speaker 3: Yeah, well, how often you drop? Is it once a week?
• 5:46
  Speaker 1: No? Sometimes it depends, like sometimes I drop three or
• 5:49
  Speaker 1: four a week.
• 5:50
  Speaker 2: It depends. Sometimes I won't drop none for two weeks.
• 5:53
  Speaker 2: It depends on how we feeling. So it been days
• 5:56
  Speaker 2: to where niggad in there eight interviews in one day,
• 6:00
  Speaker 2: got there, got to our studio probably four, and we
• 6:05
  Speaker 2: ain't leaving the three and four in the morning type
• 6:08
  Speaker 2: ship and then waking up and being back there at
• 6:10
  Speaker 2: twelve again, like you know.
• 6:12
  Speaker 3: I feel like too. It was like a needed uh
• 6:15
  Speaker 3: void filled in the bay to have like a dope platform. Obviously,
• 6:19
  Speaker 3: I think if you come to l A, you got
• 6:21
  Speaker 3: guys like Ad and Trail doing their things right, you.
• 6:23
  Speaker 2: Know, shout out Trail. He put me on the no
• 6:26
  Speaker 2: jumper salute Trail for that.
• 6:27
  Speaker 3: I remember that interview. Yeah, that was one of the
• 6:29
  Speaker 3: early interviews.
• 6:31
  Speaker 2: Yeah, no, honestly it was the last interview they did,
• 6:35
  Speaker 2: and that.
• 6:36
  Speaker 1: In the old building though it was in the old building.
• 6:38
  Speaker 2: Yeah, yeah, shout out Trail for that. And like I said,
• 6:41
  Speaker 2: Trail was on there early. You know, all his homies.
• 6:44
  Speaker 2: I fuck with l A a lot, like br you
• 6:46
  Speaker 2: gotta get blood on your ship. You gotta get blood
• 6:48
  Speaker 2: on your shit. You interview in all these niggas, like
• 6:50
  Speaker 2: you gotta get blood on your ship, like, you know blood. Really,
• 6:54
  Speaker 2: he really pushed his ship and what he rap about,
• 6:56
  Speaker 2: He really is that so grabbing on your ship? And
• 6:59
  Speaker 2: when he reached out, you know, it's awsolute to real
• 7:01
  Speaker 2: he did it.
• 7:02
  Speaker 3: I just think it's dope too, because like you always
• 7:04
  Speaker 3: will hear that like the Bay doesn't get enough credit,
• 7:08
  Speaker 3: And that's true in terms of influence, in terms of culture,
• 7:11
  Speaker 3: in terms of just everything that they brought to the game.
• 7:14
  Speaker 3: And me and Gazi always had these conversations about like
• 7:18
  Speaker 3: how back in the day there was so much music
• 7:21
  Speaker 3: industry in San Francisco, in the Bay Area. You had
• 7:25
  Speaker 3: Jive Records was there, and you had a lot of
• 7:27
  Speaker 3: a lot of people would have offices around the city,
• 7:30
  Speaker 3: and I guess, like what's kind of missing is like
• 7:33
  Speaker 3: representation of media on a bigger scale. So I think
• 7:38
  Speaker 3: it's dope to like you saw that, Like, hey, I'm
• 7:40
  Speaker 3: gonna just do the shit myself, you.
• 7:41
  Speaker 2: Know, definitely, And like I said, with my shit, I
• 7:46
  Speaker 2: just feel like my shit is is authentic, bro, Like
• 7:49
  Speaker 2: my shit is pure.
• 7:50
  Speaker 1: Like I don't get people on my ship and trying
• 7:54
  Speaker 1: to stir shit up.
• 7:55
  Speaker 2: I'm not looking for no viral moment, right, Like I
• 7:58
  Speaker 2: always tell people all the time, My our moment is
• 8:01
  Speaker 2: when we sitting there building and we having a conversation
• 8:03
  Speaker 2: and you may say some shit that somebody is going through.
• 8:06
  Speaker 2: You get what I'm saying, and that might spark a
• 8:09
  Speaker 2: flame and then to change their life. Or they probably
• 8:12
  Speaker 2: was thinking about suicide and they didn't commit suicide because
• 8:15
  Speaker 2: they looking at Okay, damn, if little blood going through
• 8:18
  Speaker 2: this shit, you feel me, and this is how he
• 8:19
  Speaker 2: handle it. I can get over the ship too. So
• 8:22
  Speaker 2: that's my viral moment. I ain't looking for no clickbait.
• 8:25
  Speaker 2: We don't do clickbait. We don't do none of that.
• 8:27
  Speaker 1: Ship.
• 8:27
  Speaker 2: I might drop an interview and the ship. Don't do
• 8:30
  Speaker 2: no numbers, you feel me, But the shorter takeoff right
• 8:36
  Speaker 2: for a Yeah, So I'm doing my job, bro, Like
• 8:38
  Speaker 2: I said, I'm not on that fake shit.
• 8:41
  Speaker 1: We don't do that at talking to media. We don't
• 8:44
  Speaker 1: push bullshit.
• 8:45
  Speaker 2: We you know, we are the culture and we're not
• 8:48
  Speaker 2: trying to gain off the culture and we're not trying
• 8:50
  Speaker 2: to exploit the culture.
• 8:52
  Speaker 1: You get what I'm saying.
• 8:53
  Speaker 3: For sure, man, I think I think I told I
• 8:55
  Speaker 3: think one of the like I think the l Russell
• 8:57
  Speaker 3: interview I saw you do was just incredible. I was like,
• 9:00
  Speaker 3: this shit is dope. Thank you, mar shn is dope.
• 9:02
  Speaker 3: I didn't see the new Marshawan interview, but obviously.
• 9:06
  Speaker 1: We just filmed it. We haven't dropped it yet.
• 9:08
  Speaker 3: It'd be very hard for anybody to get the Marshall
• 9:10
  Speaker 3: Lynch interview you got, for sure.
• 9:13
  Speaker 2: Man, the other one, the second one, like I said,
• 9:16
  Speaker 2: that's like that was brother. You know, at the end
• 9:19
  Speaker 2: of the day, you know, we help each other. Like
• 9:22
  Speaker 2: from the fan first, shoutout fan first, Shout out Josh Johnson,
• 9:26
  Speaker 2: shout out Marcus Peters, shout out all them guys over there.
• 9:29
  Speaker 1: Fan first. It's like a family thing.
• 9:31
  Speaker 2: You know, I'm doing fundraisers, I'm helping them with talent
• 9:36
  Speaker 2: shows or you know, whatever it is. Maybe what they doing,
• 9:40
  Speaker 2: I'm in full support of it. So whatever I do,
• 9:43
  Speaker 2: they are in full support of it. And it's all
• 9:46
  Speaker 2: the way love for people who don't know.
• 9:48
  Speaker 3: Obviously, we like to lump in northern California together. A
• 9:52
  Speaker 3: lot people will even like who don't know better, say,
• 9:55
  Speaker 3: think Mazi's from the bank. No, everyone just loves the whole.
• 10:00
  Speaker 1: But shout out Mazi.
• 10:02
  Speaker 2: A lot of bag niggas won't say this because they
• 10:04
  Speaker 2: corn balls, But what Mazzi did shed a lot of
• 10:07
  Speaker 2: light on the Bay too, for sure.
• 10:09
  Speaker 1: Yeah, so Salu Mazzi. That's yeah, for sure.
• 10:11
  Speaker 3: I was gonna say though being from Oakland, obviously Oakland
• 10:14
  Speaker 3: is kind of like the flavor of the area.
• 10:16
  Speaker 1: In my opinion, Oakland is the mecca of California.
• 10:19
  Speaker 3: If you ask me so kind of break down, like
• 10:23
  Speaker 3: coming from Oakland, what is the difference between in your opinion? Like,
• 10:26
  Speaker 3: because I feel like Oakland and Vallejo low Ki have
• 10:30
  Speaker 3: kind of historically popped more than artists from San Francisco. Obviously,
• 10:34
  Speaker 3: Burner's Dope, the twenty four care of Golden Kid just
• 10:37
  Speaker 3: went platinum. But like breakdown, like why you say it's
• 10:42
  Speaker 3: the epicenter of culture and why Oakland is just different
• 10:44
  Speaker 3: from everywhere else.
• 10:46
  Speaker 2: You have to realize. So let's go back historically, Black Panthers, right,
• 10:57
  Speaker 2: that movement sparked a world wide change. You get what
• 11:01
  Speaker 2: I'm saying from what the Panthers did. Let's say the Crips,
• 11:07
  Speaker 2: for example, they literature helped, you know, start that, not
• 11:12
  Speaker 2: saying that the Black Panthers started that, but that literature
• 11:15
  Speaker 2: with the Black Panthers was pushing the Crips organization started
• 11:19
  Speaker 2: off that. You get what I'm saying. Black Panthers, they
• 11:23
  Speaker 2: reach and what they stood, what they stood for was
• 11:25
  Speaker 2: so dope. They had chapters in Chicago and New York
• 11:30
  Speaker 2: and they did so much. And then it's like the game,
• 11:35
  Speaker 2: Like I say, the Pippin and Hoen the Mac was
• 11:40
  Speaker 2: filmed in Oakland, Like you get what I'm saying. They
• 11:42
  Speaker 2: had to come to where that shit was real. Like
• 11:45
  Speaker 2: you get what I'm saying. They filmed the whole Mac
• 11:47
  Speaker 2: in Oakland. Let's start from the Crack the Dope era,
• 11:51
  Speaker 2: like one of the first places in the world that
• 11:53
  Speaker 2: sawd crack cocaine. What's Oakland? You get what I'm saying,
• 11:57
  Speaker 2: Oakland just on some positive shit. Look at the athletes
• 12:03
  Speaker 2: that came out of Oakland. The I think it's Bill Russell.
• 12:07
  Speaker 2: Just a lot of flavor just comes from that little city.
• 12:11
  Speaker 2: You get what I'm saying. And I think it's because
• 12:14
  Speaker 2: it look Kill me if I'm wrong.
• 12:16
  Speaker 1: Right, So, when was it eldridgch Clever?
• 12:21
  Speaker 2: I think it was Eldris Clever when Eldris Cleaver was
• 12:24
  Speaker 2: running for mayor of Oakland. It was Bobby Steals, I think,
• 12:29
  Speaker 2: one of them to Eldrich or Bobby Seals, one of
• 12:31
  Speaker 2: them when they was running for mayors.
• 12:33
  Speaker 1: When he was running for mayor of Oakland.
• 12:34
  Speaker 2: Right, all these brothers, these smart, sharp individuals from all
• 12:39
  Speaker 2: these chapters of the Black Panthers, from Chicago, New York,
• 12:43
  Speaker 2: the South, all these brothers descended on Oakland to help
• 12:47
  Speaker 2: push him into that. Right, It's like the seventies, sixties, seventies,
• 12:51
  Speaker 2: they all came to Oakland and helped push and get
• 12:53
  Speaker 2: people to vote, go door to door. So but when
• 12:56
  Speaker 2: all these brothers coming, they send in their best brothers.
• 12:59
  Speaker 2: They sending them the top scholars, the top gang spinners,
• 13:02
  Speaker 2: the top whatever it is in your field. They sending
• 13:05
  Speaker 2: all these top brollers on Oakland. And guess what these
• 13:07
  Speaker 2: niggas was doing when they coming. They fucking our bitches.
• 13:10
  Speaker 2: They having babies by these holes. You feel me crazy?
• 13:13
  Speaker 1: Yeah?
• 13:13
  Speaker 2: And what that was doing is like I said, these
• 13:16
  Speaker 2: all top game spinners, top people from the genre. They
• 13:19
  Speaker 2: fucking these bitches. They are doing all type of shit
• 13:22
  Speaker 2: and boom from their babies. They was having our parents
• 13:26
  Speaker 2: and shit like that, and just all this good gang
• 13:29
  Speaker 2: was just in this gumbo pot, just soaking up and
• 13:31
  Speaker 2: shit like that. So Oakland is so different and so
• 13:34
  Speaker 2: like immaculent in so many different areas, like how we talk,
• 13:41
  Speaker 2: we shake California, the way we dress. Like I remember
• 13:45
  Speaker 2: when nigga, when you see a nigga with dreads and
• 13:47
  Speaker 2: gold teeth, are they from Oakland?
• 13:49
  Speaker 1: You get what I'm saying now.
• 13:50
  Speaker 2: Everybody, you see a nigga with dreads, Yeah, we talking
• 13:53
  Speaker 2: about on this side, you feel me?
• 13:55
  Speaker 1: Yeah?
• 13:56
  Speaker 2: You see a motherfucker with you know certain shit, how
• 13:59
  Speaker 2: motherfuckers are sold My partner, man, you know what I'm saying.
• 14:02
  Speaker 2: The lingo Like, Okay, that nigga from Oakland, he slicked
• 14:04
  Speaker 2: to the motherfucker. Now everybody talking like that. Everybody got
• 14:07
  Speaker 2: some type of gimmick or some gander to run. So
• 14:10
  Speaker 2: Oakland is the mecca of all that shit for sure.
• 14:14
  Speaker 3: Who are some of the artists out of Oakland right
• 14:16
  Speaker 3: now that you want to shed some light on that
• 14:19
  Speaker 3: might be doing their thing?
• 14:20
  Speaker 1: Man, I really hate yourself always miss people.
• 14:24
  Speaker 3: That's fair, man, I really hate who you're working with
• 14:27
  Speaker 3: in Oakland right now.
• 14:29
  Speaker 2: Me for sure, I'm always pushed my niggas, you feel me,
• 14:33
  Speaker 2: the little goofies, the beezies, the momos. I'm always push
• 14:37
  Speaker 2: my niggas. But Oakland, I want to say the whole Oakland, bro,
• 14:42
  Speaker 2: because well, Oakland is doing right now and I'm seeing
• 14:46
  Speaker 2: this shift. It used to be hell a political. It's
• 14:48
  Speaker 2: still political as fuck, but Oakland is starting to embrace
• 14:52
  Speaker 2: Oakta embrace Oakland. You get what I'm saying, Like they're
• 14:55
  Speaker 2: starting to support each other. And the reason why I
• 14:59
  Speaker 2: don't like singling out names and ship because you know
• 15:02
  Speaker 2: there'd be somebody watching this interview, like he said this
• 15:05
  Speaker 2: nigga and them niggas. Fuck with this nigga and the niggas.
• 15:08
  Speaker 2: You get what I'm saying. So I'm just gonna share.
• 15:10
  Speaker 3: It inadvertently.
• 15:13
  Speaker 1: It's going to you feel.
• 15:14
  Speaker 2: I mean, so shout out the East, shout out the North,
• 15:17
  Speaker 2: shut out the West, and you know it's niggas from
• 15:20
  Speaker 2: all through Oakland that's doing that ship right now.
• 15:23
  Speaker 1: For sure. Do you feel like.
• 15:25
  Speaker 3: There's any sort of because it feels like the Bays
• 15:29
  Speaker 3: having a moment where we might start to kind of
• 15:31
  Speaker 3: like see Like I feel like guys like symbols from
• 15:35
  Speaker 3: antioc obviously L Russell's from Balletjo, the Boy's Dope.
• 15:40
  Speaker 1: I think.
• 15:40
  Speaker 3: I don't know if the boy just got locked up
• 15:41
  Speaker 3: again or not.
• 15:42
  Speaker 1: I think so, I think, But it.
• 15:44
  Speaker 3: Feels like there's a lot of just high level energy
• 15:47
  Speaker 3: and interest nationally when it comes to like some of
• 15:49
  Speaker 3: these artists, like you'll see l Russell going on a
• 15:51
  Speaker 3: lot of these big platforms. You see a guy like
• 15:53
  Speaker 3: Lebron James reposting a symbol freestyle like do you because
• 15:56
  Speaker 3: I mean, I think back to the Hyphi era and
• 15:59
  Speaker 3: like that moment kind of captivated the country and I
• 16:02
  Speaker 3: feel like that was kind of the last time that happened.
• 16:04
  Speaker 1: Yeah, because I think it was.
• 16:06
  Speaker 3: I got a report card, you know.
• 16:08
  Speaker 1: I think it was misrepresented wrong.
• 16:10
  Speaker 2: I was having this conversation with mister Fab not too
• 16:12
  Speaker 2: long ago, like Nigga, that kind of in Fab, my brother,
• 16:16
  Speaker 2: you feel me in Fab talk shit all the time,
• 16:19
  Speaker 2: And I was telling them the Highee era was cool,
• 16:22
  Speaker 2: but it made us look boosy in a sense because
• 16:25
  Speaker 2: people thought that was all we were doing. You give
• 16:28
  Speaker 2: me popping peels and dancing outside the car. Yeah, that
• 16:31
  Speaker 2: was a part of it. That was the fun part
• 16:33
  Speaker 2: of it. But you had to keep the sneaks and
• 16:36
  Speaker 2: the Jase Staalins who was in the Jackers. They was
• 16:39
  Speaker 2: talking about that shit like what we were doing at
• 16:42
  Speaker 2: that time, Like, yeah, that dancing part, that's cool, But Nigga,
• 16:46
  Speaker 2: what about these niggas that's hustling. What about these niggas
• 16:48
  Speaker 2: that's hitting either selling dope in the kitchen, whipping that
• 16:51
  Speaker 2: shit with both hands. Like what we were going through
• 16:54
  Speaker 2: at that time and what we were doing, it wasn't highlighted.
• 16:58
  Speaker 2: That's why it was easy for Jeez and Gucci to
• 17:01
  Speaker 2: take off because they was speaking that ship that was
• 17:04
  Speaker 2: going on in that in that time frame. You feel me,
• 17:06
  Speaker 2: Nigga styling and Jackets and the shady necks, they were
• 17:10
  Speaker 2: speaking that ship too. But it was overpowered by the
• 17:13
  Speaker 2: ghost ride, the whip ship and get what I'm saying.
• 17:16
  Speaker 2: So uh yeah, And like I said, a lot of
• 17:21
  Speaker 2: them cast that was hell a dope in that era,
• 17:23
  Speaker 2: missed the streaming era by you.
• 17:25
  Speaker 3: Know, or they were like a little early Like I
• 17:27
  Speaker 3: feel like the Pack.
• 17:29
  Speaker 1: Was like literally before that time. I think Little b
• 17:32
  Speaker 1: was before.
• 17:33
  Speaker 3: Oh sure, I mean the Pack, Like if you think
• 17:35
  Speaker 3: about like sonically what they were doing, you fast forward
• 17:38
  Speaker 3: a few years and then like rack City happens, right
• 17:41
  Speaker 3: and it's almost like, oh, that was kind of very
• 17:44
  Speaker 3: sonically similar to.
• 17:45
  Speaker 1: Right years ago.
• 17:47
  Speaker 3: Yeah, And I think even like the fashion wise they
• 17:50
  Speaker 3: had pink dolphin.
• 17:52
  Speaker 1: And I think people won't say it. I think that
• 17:55
  Speaker 1: that la sound at that time was heavenly bay and fluent.
• 18:00
  Speaker 1: I say it all the time.
• 18:01
  Speaker 2: Yeah, like rest in Peace to the Great tracks a
• 18:04
  Speaker 2: million like that sound he was creating.
• 18:06
  Speaker 3: I hear that a lot in Mustard write what I'm saying,
• 18:09
  Speaker 3: I've said it a bunch. I'm always like, hey, we
• 18:13
  Speaker 3: forget what the Pack was doing. What a lot of
• 18:15
  Speaker 3: these guys in the Bay were doing right right right?
• 18:17
  Speaker 1: Right? Hey? How important for you? Because I always I feel.
• 18:21
  Speaker 3: Like there's a guy like g Eazy, right, who probably
• 18:25
  Speaker 3: commercially outside of mc hammers run is probably like commercially
• 18:32
  Speaker 3: like the biggest guy to represent the Bay. I'm not
• 18:35
  Speaker 3: talking about influence or tenure. I just mean, like, you.
• 18:40
  Speaker 1: Know, representation. Yeah, I understand's got Britney spears and right.
• 18:44
  Speaker 3: But he was like very adamant about every tour was
• 18:48
  Speaker 3: like from the Bay to the universe. And he would
• 18:50
  Speaker 3: bring like I am Sue, or he would bring Kaylani
• 18:52
  Speaker 3: on the road, right, he would bring forty on the road.
• 18:56
  Speaker 3: How like, like how big in the landscape of the
• 18:58
  Speaker 3: Bay do you look at like a guy like G
• 19:00
  Speaker 3: and like, you know, it seemed like he was doing
• 19:03
  Speaker 3: a lot to try to do his best to give back.
• 19:06
  Speaker 1: Shout out the easy salute to G. Easy.
• 19:09
  Speaker 2: I don't have no apoleom easy. The thing is is
• 19:14
  Speaker 2: that's forty. Yeah, that's Kaylanne.
• 19:16
  Speaker 3: Look at the names you name, but it was it
• 19:19
  Speaker 3: was it was like early Kaylin.
• 19:20
  Speaker 1: Okay, okay. I just I mean, he brought for sure
• 19:24
  Speaker 1: all black.
• 19:25
  Speaker 2: All black. He did all black. I just feel was
• 19:28
  Speaker 2: on the road with him a lot. I just feel
• 19:30
  Speaker 2: as if you should embrace that more. You get what
• 19:34
  Speaker 2: I'm saying, not like I said, not just let niggas
• 19:38
  Speaker 2: move off you, but embrace that ship more, like, you know,
• 19:42
  Speaker 2: do more of that. You get what I'm saying, Like,
• 19:45
  Speaker 2: do more of that, like salute to you what you
• 19:48
  Speaker 2: got going on, but do.
• 19:49
  Speaker 1: More of that.
• 19:50
  Speaker 3: So you would like to see him do more?
• 19:52
  Speaker 2: Yeah for sure, fuck yeah, fuck you hell yeah. But
• 19:55
  Speaker 2: and then too, it's it's different genres, like he make
• 19:59
  Speaker 2: more of music like on some he's got pop, poles music, pop,
• 20:03
  Speaker 2: house music type ship.
• 20:04
  Speaker 3: Yeah, I don't know a house but yeah pop he's
• 20:05
  Speaker 3: got pop records.
• 20:06
  Speaker 1: Is house music anyway?
• 20:08
  Speaker 3: Like house music?
• 20:09
  Speaker 1: What is that?
• 20:10
  Speaker 3: It's a genre of electronic music.
• 20:13
  Speaker 1: Oh whatever, Yeah, he got that type of shit.
• 20:16
  Speaker 3: No, no, houses not technical. But he don't make house music.
• 20:19
  Speaker 3: But he makes Top forty more. He does have Top.
• 20:22
  Speaker 2: Forty records, Yeah he has, you know right, Yeah, but
• 20:26
  Speaker 2: I hear his songs like I never like heard a
• 20:29
  Speaker 2: gzy album, but like the fuck with Me and get
• 20:32
  Speaker 2: some money all that type.
• 20:33
  Speaker 3: Of sh And you put all black on a record
• 20:36
  Speaker 3: for sure.
• 20:36
  Speaker 2: Yeah, you know, yeah, for sure, for sure, all blacks
• 20:39
  Speaker 2: dope as fuck too, super dope, super dope. Yeah, for sure.
• 20:42
  Speaker 2: I like all black Hayton's and ship. He'd be different
• 20:46
  Speaker 2: with that ship for you.
• 20:48
  Speaker 3: Like, what is like your like, I know you've been dropping,
• 20:53
  Speaker 3: Like tell me kind of what's going on with your
• 20:55
  Speaker 3: music ship right now?
• 20:56
  Speaker 1: Like what's the latest, what's coming.
• 20:57
  Speaker 2: The last project I put out was the Book of That.
• 21:00
  Speaker 2: It did, uh, it did very well, but I had
• 21:04
  Speaker 2: got overpowered by the little blood.
• 21:07
  Speaker 1: TV type shit, right, you get what I'm saying.
• 21:10
  Speaker 2: And I was just telling my boys, like, damn, I
• 21:12
  Speaker 2: need to jump back in a lab right like, because
• 21:15
  Speaker 2: I've been focusing so much on this and they haven't
• 21:19
  Speaker 2: had me in the studio mode. I mean, I can
• 21:21
  Speaker 2: go to the studio and record a song. That's not
• 21:23
  Speaker 2: that's crazy. But I'm saying in that artist.
• 21:26
  Speaker 3: Now where you're fully engaged in yeah, yeah.
• 21:30
  Speaker 1: You just like you in that space to record.
• 21:33
  Speaker 2: And I tell people all the time, it's a difference
• 21:35
  Speaker 2: from it's.
• 21:38
  Speaker 1: A difference from rapping and just being in that in
• 21:41
  Speaker 1: that space. You know what I'm saying.
• 21:42
  Speaker 3: You could go write a verse if someone wanted to
• 21:44
  Speaker 3: buy a verse off you, I can go do that
• 21:46
  Speaker 3: in ten minutes. But if you want to like put
• 21:48
  Speaker 3: out an album right now.
• 21:50
  Speaker 1: I'm working with the mechanics. Have you ever heard of them?
• 21:52
  Speaker 1: I've heard of them.
• 21:53
  Speaker 2: Yeah, shout out to dot dot in tweet for racks
• 21:56
  Speaker 2: and tweet. I'm working with them right now. We have
• 21:58
  Speaker 2: been in a lab for like the last couple of months,
• 22:00
  Speaker 2: and we got a great sounding project. Like I'm hella
• 22:04
  Speaker 2: excited about this project because every time I went in
• 22:06
  Speaker 2: the studio, I was in the studio.
• 22:08
  Speaker 1: Mo you were like locked in.
• 22:10
  Speaker 2: I was locked in And sometimes Ship will be in
• 22:13
  Speaker 2: there for six seven hours and just do a song
• 22:15
  Speaker 2: and a half.
• 22:16
  Speaker 1: Are you writing shit down? Yeah? Yeah, right, yeah, all right,
• 22:19
  Speaker 1: And now you know because.
• 22:20
  Speaker 3: You know, the the the whole New Era is.
• 22:22
  Speaker 1: All punching in. It's punching in. I do. I do
• 22:24
  Speaker 1: that sometimes too, But this project I'm writing.
• 22:26
  Speaker 3: I feel like, if you're gonna do a melody, it's
• 22:28
  Speaker 3: like smart to do the melody first, then you kind
• 22:30
  Speaker 3: of fill in the lines.
• 22:31
  Speaker 1: Yeah, if you're gonna do a verse, you.
• 22:32
  Speaker 2: Know, I think punching in and gets you lazy because
• 22:35
  Speaker 2: sometimes you'll just be like, Okay, let me hurry up
• 22:37
  Speaker 2: and run and this with that, and you get what
• 22:39
  Speaker 2: I'm saying.
• 22:39
  Speaker 3: It's not as much thoughts. Yeah, when you write, write
• 22:42
  Speaker 3: it down.
• 22:43
  Speaker 2: Yeah you like you all, you tweaked out, you hyped out, like, yeah, yeah,
• 22:47
  Speaker 2: for sure.
• 22:47
  Speaker 1: I will prefer writing over punching in. I wish more
• 22:50
  Speaker 1: rappers were like that.
• 22:51
  Speaker 2: Yeah.
• 22:51
  Speaker 3: I prefer because you hear it, because you hear guys
• 22:54
  Speaker 3: who say they right, and you'll hear it. You'll be like, oh,
• 22:56
  Speaker 3: I hear like you're actually every line matters a little
• 23:00
  Speaker 3: more right.
• 23:01
  Speaker 2: But look, though, I had got so caught up in
• 23:03
  Speaker 2: punching in to when I write, I'll have to take
• 23:07
  Speaker 2: like I couldn't wrap the whole sixteen Like I had
• 23:10
  Speaker 2: to rap like.
• 23:10
  Speaker 1: Four bars and inside of breath, like what the fuck?
• 23:13
  Speaker 2: So I had to retrain myself to get back in
• 23:16
  Speaker 2: there because normally I can write nigga, I used to
• 23:19
  Speaker 2: do thirty something bars like a whole song. I can
• 23:21
  Speaker 2: guess a whole song just reading it, like you know yep.
• 23:24
  Speaker 2: But that punching in shit, that shit fuck you up anyways, Yeah.
• 23:28
  Speaker 3: Kind of fucks with you. I think it might be
• 23:30
  Speaker 3: affecting people's performing.
• 23:31
  Speaker 1: Too, definitely. Definitely.
• 23:33
  Speaker 3: You're you'll see artists, the new artists, they'll do like
• 23:38
  Speaker 3: a part of their verse and then they'll let the
• 23:39
  Speaker 3: track do drastic right right right, it's the same shit
• 23:43
  Speaker 3: control because they don't have to do that shit in
• 23:44
  Speaker 3: the studio anymore.
• 23:45
  Speaker 1: So have you ever heard of the hieroglyphics? Of course?
• 23:47
  Speaker 2: I love Hiro Okay, shout out the Casual Casual my boy,
• 23:51
  Speaker 2: and Casual was telling me, Uh, I was performing at
• 23:55
  Speaker 2: Higher Day and the music my lyrics we're playing behind
• 24:01
  Speaker 2: you feel me like that's pull ship.
• 24:04
  Speaker 3: Oh yeah, that that would definitely be some like o
• 24:06
  Speaker 3: G backpack rapper ship to say, like, man, yeah, yeah.
• 24:11
  Speaker 2: Like you are never supposed to rap like that, like
• 24:15
  Speaker 2: but now everybody does, yeah, for sure for sure.
• 24:17
  Speaker 3: Or you got to have the TV track where like
• 24:19
  Speaker 3: parts of the verse are in there. You're as I will.
• 24:22
  Speaker 2: Yeah, that's better, but I understand what you meant by that,
• 24:25
  Speaker 2: like just rapping over your voice and it sounds way
• 24:28
  Speaker 2: better when you're just rapping over the instrumental.
• 24:30
  Speaker 3: Yeah, that sounds like you're at a show.
• 24:32
  Speaker 1: It sounds like you at a show for sure, for sure.
• 24:34
  Speaker 3: For sure. Get shout out to Hiro Man. They kind
• 24:36
  Speaker 3: of revolutionized a lot on it.
• 24:37
  Speaker 1: And they're from Oakland too, and they did so much
• 24:40
  Speaker 1: on the merch side. Yeah, and still doing it. I
• 24:44
  Speaker 1: think souls of Mischief.
• 24:46
  Speaker 2: They just got like a fucking crazy tour, three hundred
• 24:48
  Speaker 2: fucking shows or something.
• 24:50
  Speaker 1: Yeah, they got they could tour. E Mey Dell. Shout
• 24:52
  Speaker 1: out to Dell. Was del from Oakland. I don't know
• 24:56
  Speaker 1: how funky. What's your name? Yeah? I think I think so.
• 24:59
  Speaker 1: I think it's from Oakland. Yeah, yeah, shout out to
• 25:01
  Speaker 1: high Row. So, yeah, we got some cats from Oakland.
• 25:03
  Speaker 2: Man, I'm getting for sure, sure though, two shorts and
• 25:06
  Speaker 2: you know, oh.
• 25:07
  Speaker 3: Like two shorts my fucking one of my favorites ever.
• 25:10
  Speaker 2: Yeah, we got some cats from Oakland, for sure. Tony, Tony, Tony,
• 25:14
  Speaker 2: we got cats from Oakland.
• 25:17
  Speaker 3: What's up, y'all? We got to stop the interview real
• 25:19
  Speaker 3: quick to tell you about our good friends at my bookie.
• 25:22
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• 25:26
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• 25:27
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• 25:28
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• 25:32
  Speaker 3: Go to my bookie right now. Let's get some money man,
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• 26:03
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• 26:06
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• 26:28
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• 27:43
  Speaker 3: give me your rundown on how not to get viipped
• 27:45
  Speaker 3: in the bay. How do we not get viipped? We
• 27:48
  Speaker 3: go visit the bay? How do I not get viipped?
• 27:52
  Speaker 2: First off, I don't stop buying no gas stations by the airport, Okay,
• 27:56
  Speaker 2: never do that.
• 27:58
  Speaker 1: Don't be getting out your car and putting shit in
• 28:00
  Speaker 1: the trunk. Don't do that. Don't leave anything.
• 28:04
  Speaker 2: And when I say anything, don't leave nothing at all
• 28:07
  Speaker 2: in your car, like, don't leave a charger, don't leave shit.
• 28:13
  Speaker 2: Me personally, I cracked my windows.
• 28:17
  Speaker 3: So you'll you'll, you'll, you'll let you'll be like, windows
• 28:20
  Speaker 3: are down, take a peek.
• 28:22
  Speaker 1: If you want to. I cracked my windows.
• 28:25
  Speaker 2: Yeah, But for the most part, just don't have shit
• 28:27
  Speaker 2: in your cars. And then you know, I know how
• 28:29
  Speaker 2: to look for bippers when I'm pulling up and shit,
• 28:32
  Speaker 2: like I can spot the bippers and I damn never
• 28:34
  Speaker 2: know niggas like they see me getting out the car
• 28:36
  Speaker 2: and shit, like, niggas respect enough not to.
• 28:39
  Speaker 1: Bit my car. Also like, don't rent a car rentals.
• 28:42
  Speaker 1: You're gonna get your rental. You're gonna get your ass
• 28:44
  Speaker 1: bit like no matter what.
• 28:46
  Speaker 2: Yeah, because people be stupid, not no matter what, but
• 28:49
  Speaker 2: people just.
• 28:50
  Speaker 1: Be stupid, Like why is you leaving backpacks in the car,
• 28:55
  Speaker 1: like I just think people don't know.
• 28:57
  Speaker 3: I just had to see my dad is like going
• 28:59
  Speaker 3: to San Francisco with my sister and my mom, and
• 29:02
  Speaker 3: I had to give him the rundown. I said, whatever
• 29:05
  Speaker 3: you do, don't And I said, if you're going to Denny's,
• 29:08
  Speaker 3: take everything with you into Denny's.
• 29:10
  Speaker 2: And then not uly not too because I know people
• 29:13
  Speaker 2: that follow you and then stop at that red light.
• 29:16
  Speaker 1: While you're at that red light.
• 29:17
  Speaker 2: While you're at the red light'll bip you, bro and
• 29:20
  Speaker 2: get with you know what I'm saying.
• 29:21
  Speaker 3: But there's a viral video there was like a split
• 29:23
  Speaker 3: in the freeway.
• 29:24
  Speaker 2: Yeah, that was serious as fun and they got dropped
• 29:26
  Speaker 2: out all the time.
• 29:27
  Speaker 1: And they took everything out and then hit the hit the.
• 29:30
  Speaker 2: Damn Yeah, but that happens more. That was just called
• 29:33
  Speaker 2: on camera. That shit happens daily. Like you know, you'd
• 29:36
  Speaker 2: be in the car and yeah, but you're supposed to
• 29:41
  Speaker 2: be paying attention to anyway, looking in your mirrors and ship.
• 29:44
  Speaker 3: Why do you think that that's like a prevalent thing
• 29:46
  Speaker 3: in the band, not now, like it happens in LA
• 29:48
  Speaker 3: But it's like a thing, just.
• 29:50
  Speaker 1: Like flocking is a thing in la.
• 29:52
  Speaker 2: It's a hustle bro, like people is rich off the
• 29:55
  Speaker 2: BIP and nobody is above the BIP.
• 29:59
  Speaker 1: Nigga's a bit your mama, Like nigga's a big they mama.
• 30:03
  Speaker 1: It's almost like treasure hunting.
• 30:07
  Speaker 3: You fuck around and get the right car.
• 30:08
  Speaker 2: You might saying it's just rich off the bit bro,
• 30:13
  Speaker 2: Like yeah, but just my advice, just don't leave nothing
• 30:17
  Speaker 2: in your car, pay attention, like you really can't. It's
• 30:23
  Speaker 2: gonna happen, like eventually you really can't. Not like get
• 30:27
  Speaker 2: away from the BIP, like, ain't no telling who's bipping like.
• 30:31
  Speaker 3: I would, just like I think I was just telling
• 30:33
  Speaker 3: my boy all shot to Brian Sampson, but we were
• 30:35
  Speaker 3: talking about going out there, and I was like, yea,
• 30:37
  Speaker 3: if we get a car's gonna have to leave the
• 30:39
  Speaker 3: trunk open, leave all the windows down.
• 30:40
  Speaker 1: Not even that just your room, bro, No for sure.
• 30:43
  Speaker 3: But I'm like, just to not deal with the broken window.
• 30:46
  Speaker 3: Oh yeah, it's more about dealing with the broken window.
• 30:49
  Speaker 1: Yeah, and then too the fucking car.
• 30:53
  Speaker 2: Them window shops repair shops, Oh, they're just they're just
• 30:57
  Speaker 2: racking in running.
• 30:58
  Speaker 1: Oh that'd be a great business. Moved to the bay,
• 31:03
  Speaker 1: open up a window shop, open it up by the airport.
• 31:06
  Speaker 1: Oh you're eating bro. Yeah, they're racking it in, bro
• 31:09
  Speaker 1: for sure, are they so?
• 31:12
  Speaker 3: I the last time I went to the city, there
• 31:14
  Speaker 3: was all the CBS's were closed because of that.
• 31:18
  Speaker 1: I think it's you can still up to nine Yeah,
• 31:21
  Speaker 1: they're still in dollars. Yeah, it's wild.
• 31:24
  Speaker 3: San Francisco is a different place, is it like that
• 31:27
  Speaker 3: in Oakland?
• 31:28
  Speaker 1: Nah?
• 31:28
  Speaker 2: Okay, no, Well they just closed one of the Walgreens
• 31:31
  Speaker 2: in thirty fourth because they've been tearing out there for years.
• 31:35
  Speaker 1: But Oakland is not as bad as this different mayor
• 31:38
  Speaker 1: different force. Yeah, different exactly. And then.
• 31:44
  Speaker 2: Like San Francisco, like they just forgot about their homeless,
• 31:47
  Speaker 2: Like that shit is sad, bro, Yeah, that shit is sad.
• 31:52
  Speaker 2: Like that shit is like, damn there what a whole
• 31:55
  Speaker 2: bay Like California period is turning into tent cities for.
• 31:58
  Speaker 3: Sure has been like me. But the thing about LA
• 32:02
  Speaker 3: is like it's not concentrated anymore. So I feel like
• 32:05
  Speaker 3: you go to San Francisco, you'll see a lot of
• 32:06
  Speaker 3: homeless people. But I feel like if you drive to
• 32:08
  Speaker 3: like I don't know, daily city or something, you're not
• 32:11
  Speaker 3: gonna see as much as much right, right, if you're
• 32:13
  Speaker 3: in La, no matter where you're at in La, you
• 32:15
  Speaker 3: go to Sherman Oaks, you go to fucking Venice, wherever
• 32:19
  Speaker 3: you're at, there's tents.
• 32:20
  Speaker 2: Bro, right right, and it's sad because we're California, like
• 32:24
  Speaker 2: and then not even to get in the hell of
• 32:26
  Speaker 2: politics like this, But help me understand this, bro, Like
• 32:31
  Speaker 2: where do we get this money from to fund and
• 32:33
  Speaker 2: help other countries when they're in dire need?
• 32:36
  Speaker 1: But we can't do it for our country.
• 32:38
  Speaker 3: Bro, I don't disagree with you many yeah, like wait,
• 32:44
  Speaker 3: hold on, but Flint's water is still dirty, right, Like
• 32:47
  Speaker 3: what it's crazy?
• 32:49
  Speaker 1: It's all geopolitical bullshit. It's let me ask you a question. Yeah,
• 32:54
  Speaker 1: you'll come on my podcast. Yeah alright.
• 32:56
  Speaker 2: I don't just say that because we're on your ship,
• 32:58
  Speaker 2: broo and cat on me too. You have yah bro
• 33:03
  Speaker 2: this nigga. Let me tell y'all. So one time, look, bro,
• 33:09
  Speaker 2: what's your name Cyrus? One time we're in l A
• 33:12
  Speaker 2: right so no, no, no, so one time we're in
• 33:15
  Speaker 2: l A. He oh yeah, blood man, I'm at three schedule.
• 33:21
  Speaker 1: I got sick.
• 33:22
  Speaker 2: I'm like okay, cool, right, I go to the Freddie
• 33:25
  Speaker 2: Gibbs ship. Right who I see in the corner, I'm
• 33:29
  Speaker 2: shaking the ass.
• 33:30
  Speaker 3: I wasn't shaking my ass right hey, by I go
• 33:34
  Speaker 3: walk up.
• 33:34
  Speaker 1: That was the day after No, it was it.
• 33:36
  Speaker 3: It was the day.
• 33:37
  Speaker 1: It wasn't the same day, same exact day. So my
• 33:42
  Speaker 1: boy Tod's like, bro, is it that kid right there?
• 33:45
  Speaker 1: I'm looking, you know, I'm rolling the dice.
• 33:47
  Speaker 3: I'm like, oh it is.
• 33:48
  Speaker 1: I go walk over there. I'm like, bro, what's up?
• 33:51
  Speaker 3: Oh you little little blood?
• 33:52
  Speaker 1: Yeah, man, I feel a little better, Like, yeah, by
• 33:54
  Speaker 1: the way, by.
• 33:55
  Speaker 3: The way, by the way, by the way. I definitely
• 33:58
  Speaker 3: was not feeling good. Secondly, Freddy's thing. I wouldn't have
• 34:02
  Speaker 3: missed one of my best friends in the world. I'm
• 34:06
  Speaker 3: not gonna miss a ship. But that definitely was not
• 34:09
  Speaker 3: I was. I was definitely not feeling I canceled two
• 34:11
  Speaker 3: interviews that day. Okay, you weren't the only thing I canceled,
• 34:13
  Speaker 3: all right, you gotta explain to me.
• 34:15
  Speaker 1: I was talking to Cyrus and then the other.
• 34:16
  Speaker 3: The other thing is, anytime i'd hit you, you'd be like,
• 34:20
  Speaker 3: you just tell me the day I don't. I don't
• 34:22
  Speaker 3: like to operate on that because I gotta think too much.
• 34:25
  Speaker 3: I'd be like if you tell me, hey, I'm gonna
• 34:26
  Speaker 3: be out here the fourteenth through the seventeen.
• 34:28
  Speaker 1: How you doing, Eric?
• 34:30
  Speaker 3: Whereas Eric just went outside of this barking dog he
• 34:33
  Speaker 3: just got decided to bring to fucking work today.
• 34:36
  Speaker 1: He just got this dog and decided.
• 34:37
  Speaker 3: To bring it in and he's not gonna bark and
• 34:39
  Speaker 3: he's telling everyone, don't worry, he's not gonna bite you.
• 34:41
  Speaker 3: Like you just got the dog.
• 34:42
  Speaker 1: How do you know she's a sweetheart.
• 34:45
  Speaker 3: She's a sweetheart, bro, she's a sweat. She won't bite you.
• 34:47
  Speaker 3: Whether the dog's barking at me, I'm trying to see here.
• 34:52
  Speaker 3: Oh wait, I'm looking at.
• 34:53
  Speaker 1: You said you're here?
• 34:56
  Speaker 3: Yeah, bro, Yeah no, I definitely I'm down there. Yeah.
• 34:59
  Speaker 3: I wanna definitely got to come through man, definitely.
• 35:02
  Speaker 1: Yeah.
• 35:02
  Speaker 2: Gotta be dope as fun. And I appreciate you know,
• 35:05
  Speaker 2: I appreciate the look. Like I said, you need to
• 35:07
  Speaker 2: really dig into my music career, bro, Like I'm responsible
• 35:10
  Speaker 2: for a lot of these cats.
• 35:11
  Speaker 3: Well that's why, honestly, Like it's so hard for me
• 35:14
  Speaker 3: to keep up with everything and the bay shit is
• 35:17
  Speaker 3: so like I try my best to be as engaged
• 35:20
  Speaker 3: as possible. But there's a lot of ship.
• 35:22
  Speaker 1: What do you get your left from the Bay? Friend?
• 35:25
  Speaker 3: Just I think just living growing up on the West
• 35:27
  Speaker 3: Coast and then like as a little kid, my dad's
• 35:30
  Speaker 3: favorite rapper was Too Short, So I was listening to
• 35:33
  Speaker 3: fucking Too Short and the clicks Spice won all that
• 35:36
  Speaker 3: shit and so like, and I also am like a
• 35:39
  Speaker 3: student of the game, so like I will see like
• 35:42
  Speaker 3: the influence of like certain shit, you know, like and
• 35:45
  Speaker 3: just be like, damn, the Bay really got so much
• 35:47
  Speaker 3: sauce and just for whatever reason always is just passed
• 35:51
  Speaker 3: over or like just a little disrespected or not necessary.
• 35:55
  Speaker 3: And like you said, I do feel like there is
• 35:57
  Speaker 3: a lot of that with the Bay where it is
• 35:58
  Speaker 3: the crabs in the barrel mentality with the artists.
• 36:00
  Speaker 1: Out there, right, So I just had YG and Tiger right.
• 36:03
  Speaker 3: They were in Oakland, Yeah.
• 36:05
  Speaker 1: West Oakland, DOCTA. Let's get this right.
• 36:08
  Speaker 3: Is that where they shot the video with the Blast record?
• 36:10
  Speaker 1: Different record, No, it was a different record.
• 36:12
  Speaker 2: It was like a record with just Tiger and YG
• 36:15
  Speaker 2: on there, and I think it was called going Platinum,
• 36:18
  Speaker 2: and uh, you know they tapped in shout out Dave
• 36:20
  Speaker 2: all they tapped in boo, I'll bring them out there
• 36:22
  Speaker 2: no beautiful day. A lot of people enjoyed theirself. You know,
• 36:29
  Speaker 2: they were very cool. They taking pictures with the fans,
• 36:31
  Speaker 2: shaking hands, kissing babies, and.
• 36:33
  Speaker 1: Then bam, all these.
• 36:36
  Speaker 2: Cats, Oh y'all, Dick, Ryan White, g y'all, y'all doing this,
• 36:39
  Speaker 2: y'all got them niggas in Oakland blah blah. Was like fuck, Like,
• 36:43
  Speaker 2: now that you know these guys are mega stars, it's
• 36:46
  Speaker 2: been people and females listening to these guys for since
• 36:49
  Speaker 2: they were in school, and just like yeah, like.
• 36:51
  Speaker 3: The city's gonna be in the music video, it is
• 36:53
  Speaker 3: gonna get love. Like this is like something to kind
• 36:55
  Speaker 3: of help. Why not show up and try the network?
• 36:57
  Speaker 2: Yeah, and the people who was there, it was beauty
• 37:00
  Speaker 2: before they bought all these cars out. They really showed
• 37:03
  Speaker 2: the culture, you get what I'm saying. And then for
• 37:06
  Speaker 2: our own people to like just like hate on that shit,
• 37:09
  Speaker 2: that shit was disgusting to me, Like this makes people
• 37:12
  Speaker 2: not even want to come fuck with y'all, And y'all
• 37:15
  Speaker 2: wonder why we're not on or why we not in
• 37:18
  Speaker 2: certain positions and shit like that, because now that they
• 37:21
  Speaker 2: come they love the hospitality. We showed them hell of
• 37:24
  Speaker 2: a great time. But it's like now they got to
• 37:27
  Speaker 2: go back and watch their names being tarnished on the internet,
• 37:31
  Speaker 2: even though people don't give a fuck about it. But
• 37:34
  Speaker 2: fuck not necessary.
• 37:36
  Speaker 3: If YG and Tiger came to Phoenix and try the
• 37:39
  Speaker 3: music video.
• 37:39
  Speaker 1: Everybody be so happy.
• 37:40
  Speaker 3: They'd be like, this is amazing. Yeah, I feel me
• 37:44
  Speaker 3: right right right right. But I mean but also, I
• 37:46
  Speaker 3: mean I get it, like I think that, like like
• 37:48
  Speaker 3: you said, like I think that, like I feel like
• 37:51
  Speaker 3: when you're kind of like not on purposely maybe undervalued
• 37:57
  Speaker 3: or underappreciated in the grand culture of California and hip hop,
• 38:00
  Speaker 3: like you might have a what am I trying to say?
• 38:06
  Speaker 3: Uh not rock on your shoulder? What's the what's the
• 38:09
  Speaker 3: saying I'm trying to.
• 38:10
  Speaker 1: Say, Oh no, I'm lost, what is it?
• 38:13
  Speaker 3: Chip on your shoulder?
• 38:14
  Speaker 1: The fuck? But yeah, because I feel like a lot
• 38:17
  Speaker 1: of that kind of also happened when like Drake did
• 38:20
  Speaker 1: the model right right for sure?
• 38:23
  Speaker 3: I wish you would have put a barrier artist on
• 38:25
  Speaker 3: the remix, right right, yeah, for sure? You know, but again,
• 38:30
  Speaker 3: like it was, it was a moment at that time.
• 38:35
  Speaker 3: It's somebody could have been could have been whoever. I
• 38:38
  Speaker 3: really wish that there would have been a Model remix
• 38:41
  Speaker 3: because I think the only remix there was was a
• 38:44
  Speaker 3: Tiger remix. Oh yeah, which made no sense to me
• 38:48
  Speaker 3: because I'm like, yo, you gotta.
• 38:49
  Speaker 2: Put somebody on from so you're really into the Bay Area,
• 38:52
  Speaker 2: like you know you kind of yeah, yeah, for sure?
• 38:56
  Speaker 2: Whoever came out of Arizona like doing that music? Why
• 39:00
  Speaker 2: is you laughing, bro? Because he ain't cool. It's from
• 39:03
  Speaker 2: Arizona too.
• 39:04
  Speaker 3: I mean, we had uh, MC.
• 39:07
  Speaker 2: Magic, don't know who the fuck that. Shout out to
• 39:10
  Speaker 2: MC magic though.
• 39:11
  Speaker 1: So he's a Mexican artist who is very popular.
• 39:16
  Speaker 3: He's a legend.
• 39:16
  Speaker 1: He's a legend for sure. Cut shout out to MC magic.
• 39:19
  Speaker 3: Uh we have he's the biggest. A guy named Futuristic
• 39:24
  Speaker 3: who had like a little independent run that was good.
• 39:26
  Speaker 3: He did on Jimmy Fallon Show. Once we had uh,
• 39:31
  Speaker 3: then there was like this wave where Ludacris signed Willie
• 39:34
  Speaker 3: north Pole, the DTP, The Game signed Juice, who now
• 39:39
  Speaker 3: goes by Richie Evans, some guy well fifty signed a
• 39:44
  Speaker 3: guy named hot Rod.
• 39:45
  Speaker 1: Hot Rod.
• 39:46
  Speaker 3: Hot Rod had a record with Mary J. Blige called
• 39:48
  Speaker 3: be Easy but Hot Rod is really from Sacramento.
• 39:52
  Speaker 1: Oh, he's not from Arizona.
• 39:54
  Speaker 3: So when he when he signed a Junie like he
• 39:56
  Speaker 3: was living in Arizona at the time. He's a part
• 39:58
  Speaker 3: of a crew called the Man Up Squad and it
• 40:00
  Speaker 3: was cool, you know, but I don't think we like
• 40:02
  Speaker 3: really like he still lives in Arizona.
• 40:05
  Speaker 1: But he was like an easy guy. He's from sack One.
• 40:08
  Speaker 1: That one guy he had that record body Marked.
• 40:12
  Speaker 3: That's Willy north Pole who signed with Luda put He
• 40:15
  Speaker 3: put an album out, Probably the biggest deal we've ever
• 40:17
  Speaker 3: had was Willie north Pole put an album out through
• 40:20
  Speaker 3: Deaf Jam and dt P that I got.
• 40:21
  Speaker 1: I actually got to go to the store and by
• 40:23
  Speaker 1: which is like a big deal. Is he still around?
• 40:26
  Speaker 1: He's still I mean he's I don't think he's making
• 40:28
  Speaker 1: much music, but he's still around. He's a legend.
• 40:31
  Speaker 3: You know.
• 40:31
  Speaker 2: It's just one guy I just heard of as of recently.
• 40:35
  Speaker 2: He was messing with Slim for Desert Baby, Desert Baby,
• 40:38
  Speaker 2: I think.
• 40:38
  Speaker 3: You might be Desert Baby is still incarcerated. Free Desert Baby.
• 40:43
  Speaker 1: And then Riley You ever heard of Riley?
• 40:46
  Speaker 3: Riley's Riley is my boy?
• 40:48
  Speaker 2: Yeah boyle Blood, Yeah, I got a song with Riley Blood.
• 40:52
  Speaker 1: Shout out Riley Blood, See I'm tapped ten.
• 40:55
  Speaker 3: Riley's a good guy. Yeah yeah, And like right now
• 40:58
  Speaker 3: there's like Chris Cole there, there's Merkham's Riley, there's uh
• 41:03
  Speaker 3: who else is popping fucking and easy Jada pink is do.
• 41:06
  Speaker 3: There's like a dope bubbling scene right now.
• 41:08
  Speaker 2: I'm like, question, I'm talking to you. Yeah, but look,
• 41:11
  Speaker 2: why why you think AZ haven't.
• 41:13
  Speaker 3: Had very much crabbing a barrel mentality very much? So probably,
• 41:18
  Speaker 3: I mean it's terrible.
• 41:19
  Speaker 2: Do you support it though you're from like to have
• 41:22
  Speaker 2: the biggest sure.
• 41:24
  Speaker 3: Yeah, I've had everybody coming freestyle on my show. I
• 41:27
  Speaker 3: think that. I think that with these smaller markets sometimes
• 41:33
  Speaker 3: it's very easy to get wrapped up in pointing your
• 41:36
  Speaker 3: finger at everybody else as to why your shit ain't
• 41:39
  Speaker 3: doing what you should be doing. So I always tell
• 41:41
  Speaker 3: artists like, hey man, you gotta take the ship in
• 41:43
  Speaker 3: your own hands, like you got to build fan bases
• 41:46
  Speaker 3: that are independent of you having I mean, I hate
• 41:52
  Speaker 3: to break into everybody, but getting your ship played on
• 41:53
  Speaker 3: the radio don't make a difference.
• 41:57
  Speaker 1: And I tell people that all the time. Instagram shout
• 41:59
  Speaker 1: out though me.
• 42:00
  Speaker 3: They don't mean nothing. It's like, bro, you need people
• 42:02
  Speaker 3: to buy into you. You need to build that catalog,
• 42:04
  Speaker 3: you need to formulate your sound, you need to figure
• 42:08
  Speaker 3: out how you're gonna turn five fans to ten and
• 42:10
  Speaker 3: ten into twenty, over and over stop because a lot
• 42:14
  Speaker 3: of times, like I'll get people like man, fuck Bootleg,
• 42:17
  Speaker 3: yeah if he ain't put me on his shit, And
• 42:18
  Speaker 3: I'm like, bro, like I always tell people, just because
• 42:23
  Speaker 3: you're from Phoenix don't mean you just get to come
• 42:25
  Speaker 3: on my shit, right, I gotta like be a fan
• 42:29
  Speaker 3: of what you're doing. I gotta fucking see what you're doing,
• 42:31
  Speaker 3: and I gotta be like, oh shit, okay, yeah pull up.
• 42:33
  Speaker 3: And I've had hell of people from Arizona, my shit,
• 42:35
  Speaker 3: hell of people. But it's just a matter of like
• 42:38
  Speaker 3: I think, with a lot of those smaller markets, that
• 42:39
  Speaker 3: tends to be the cases those are crabbing the barrel cities. Unfortunately,
• 42:43
  Speaker 3: because there isn't nobody knows better. We haven't had somebody
• 42:47
  Speaker 3: really pop to be like, oh that's how it's done,
• 42:49
  Speaker 3: or you know what I mean. And I think a
• 42:51
  Speaker 3: lot of the guys who end up making the shit
• 42:54
  Speaker 3: work on a bigger scale kind of leave for a
• 42:55
  Speaker 3: little bit, And I think that's with anywhere. You know,
• 42:58
  Speaker 3: sometimes you gotta get out of your your zone.
• 43:00
  Speaker 2: And I also think too that once somebody started getting
• 43:05
  Speaker 2: a little bit of like, they turn their nose up
• 43:07
  Speaker 2: for sure.
• 43:08
  Speaker 1: Yeah, oh he switched up, All right, Well what do
• 43:10
  Speaker 1: you mean? What are you saying?
• 43:13
  Speaker 3: Like? But yeah, I think I think Arizonas are definitely
• 43:16
  Speaker 3: crabbing the barrel mentality. It's getting better and a lot
• 43:19
  Speaker 3: of people are working with each other now and it's
• 43:21
  Speaker 3: definitely you.
• 43:23
  Speaker 1: Know, because of what Arizona, I just know it's Phoenix.
• 43:27
  Speaker 3: Uh, Tucson, so tw Song's an hour away, right, Uh,
• 43:32
  Speaker 3: we really don't consider them the same. Like Tucson and Phoenix.
• 43:39
  Speaker 3: There's two big colleges that are like hardcore rivals. So
• 43:42
  Speaker 3: Tuson and Phoenix have a bullshit rivalry. But I'm mostly
• 43:45
  Speaker 3: like Tusons of.
• 43:46
  Speaker 2: People know when they think of Phoenix, like nobody fucking
• 43:48
  Speaker 2: cares about flag.
• 43:49
  Speaker 1: Stats, correct, And no one cares about Tucson. Yeah for real,
• 43:52
  Speaker 1: nobody cares.
• 43:54
  Speaker 3: And I mean that with all due respect because I
• 43:56
  Speaker 3: got a lot of friends in Tucson and.
• 43:57
  Speaker 1: I like so it's either so Phoenix all that. Everything's
• 44:01
  Speaker 1: around Phoenix.
• 44:03
  Speaker 3: I'm on the radio and Tucson every day from six
• 44:06
  Speaker 3: to ten pm, so tune in on Hot ninety eight
• 44:09
  Speaker 3: point three. I just mean, what's the edit that out?
• 44:12
  Speaker 3: Because I am I forgot, I forgot, I do the
• 44:15
  Speaker 3: night show in Tucson.
• 44:18
  Speaker 1: Well back a lot. I'd rather fuck with Tucson bitches
• 44:21
  Speaker 1: than Phoenix bitches. I feel you.
• 44:24
  Speaker 3: I lost my virginity to Tucson, bitch.
• 44:27
  Speaker 1: See in my dad's truck in Tucson.
• 44:30
  Speaker 3: I met her in an MSN chat room.
• 44:34
  Speaker 2: But the only thing is Tucson. It's like fucking desert
• 44:37
  Speaker 2: is like country.
• 44:37
  Speaker 1: Tucson is a vibe. It's just very small. Yeah, totally.
• 44:41
  Speaker 3: There's definitely like you're not gonna the night life sucks
• 44:44
  Speaker 3: like people from tuson like one strip club, Like yeah,
• 44:47
  Speaker 3: and the strip club's weird. The last time I went
• 44:50
  Speaker 3: it was it was not a vibe.
• 44:51
  Speaker 1: I just want I just when I went to Tucson,
• 44:54
  Speaker 1: I just had hell of fun.
• 44:56
  Speaker 3: I mean it's like a bar town. It's a bar town.
• 44:58
  Speaker 3: Like yeah, I mean I've had fun in Tucson. I
• 45:00
  Speaker 3: mean like and like you said, you it's you could
• 45:02
  Speaker 3: pull in Tucson easy, right right, they're like, oh, people
• 45:05
  Speaker 3: are here that aren't from here, like, oh, look at you.
• 45:09
  Speaker 1: They'll get you some eg's. Is that EJS is?
• 45:12
  Speaker 3: Then't even the drink they got? Yeah, it's called egs. Yeah,
• 45:16
  Speaker 3: soon is its own thing. It's its own thing.
• 45:18
  Speaker 1: Man is a tea. It's a good tweak.
• 45:20
  Speaker 3: But yeah, you know all the Arizona's like hardcore, like
• 45:23
  Speaker 3: you know, especially to something.
• 45:24
  Speaker 2: But so without Tucson and Phoenix, Like where do y'all
• 45:27
  Speaker 2: go in a z and we're not talking without the
• 45:29
  Speaker 2: tippies and ship that's around Phoenix, Like mece that none
• 45:32
  Speaker 2: of that?
• 45:33
  Speaker 1: Like besides that, it's overweight. I mean you could go
• 45:35
  Speaker 1: to flag Staff. Fuck flag Staff? Who goes to flag Staff? Like?
• 45:39
  Speaker 1: What's the flag Staff?
• 45:40
  Speaker 3: You could snowboard? Uh the Sedona, which is beautiful. Sedona
• 45:44
  Speaker 3: is a vibe. Go to Sedona and trip trip balls.
• 45:48
  Speaker 3: There's like a bunch of spiritual war Texas and ship
• 45:50
  Speaker 3: and let me show you Sidonia is fucking beautiful.
• 45:53
  Speaker 2: So okay, we're wore Drake do a show at besides
• 45:57
  Speaker 2: Phoenix to Arizona, Tucson, besides two sons.
• 46:02
  Speaker 1: Okay, it's all a bunch of red rocks, and right right.
• 46:05
  Speaker 3: Right now there nowhere else maybe flag Staff, maybe at NAU,
• 46:09
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• 46:14
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• 46:28
  Speaker 1: When you find me, tell your club. But let let's
• 46:30
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• 46:41
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  Speaker 3: Anyway, let's get back to the interview. So where do
• 50:11
  Speaker 3: you want to take Little Blood TV?
• 50:13
  Speaker 2: Honestly, that Joe Rogan bad right, So it's not just
• 50:19
  Speaker 2: about Little Blood TV. It's talker media is what we
• 50:21
  Speaker 2: focus on. Love Blood TV is a show under Talker.
• 50:25
  Speaker 1: It's one of the shows. It's one of the shows
• 50:27
  Speaker 1: we also have, he says.
• 50:28
  Speaker 2: She say shout out to my brother Little Goofy and
• 50:31
  Speaker 2: my sister Haley. They have a dope ass show on
• 50:34
  Speaker 2: our channel, on our platform. It's called he says. She say,
• 50:38
  Speaker 2: when you all get a chance to tweak on it.
• 50:39
  Speaker 2: But I want a Joe Rogan back. We want that, Joe, Yeah,
• 50:43
  Speaker 2: we want it. We want it. You can't come pay
• 50:45
  Speaker 2: Little Blood. You gotta pay Talcer Media.
• 50:48
  Speaker 3: You know you want somebody to come and just bag
• 50:50
  Speaker 3: you out for the company. Yeah, So for you is it?
• 50:54
  Speaker 3: Because again, I feel like you're gonna get to a
• 50:57
  Speaker 3: point where you're gonna have to hit the road.
• 51:00
  Speaker 1: We already do that.
• 51:01
  Speaker 3: That's what I was gonna say, because there's I just
• 51:03
  Speaker 3: saw you backstage at what show? Were you backstage at? Jeeperico?
• 51:06
  Speaker 1: Right? Yeah?
• 51:06
  Speaker 3: Yeah, yeah, Je Roucci. Yeah. But I do feel like,
• 51:13
  Speaker 3: and this is a conversation I've be having with Gaza,
• 51:15
  Speaker 3: we just hit the road. Have you seen Gazi's podcast
• 51:17
  Speaker 3: studios building?
• 51:18
  Speaker 2: Yeah? Yeah for sure. Matter of fact, I'm shot out Gazi.
• 51:20
  Speaker 2: I was just having a hard conversation with Ghazi about
• 51:23
  Speaker 2: doing something.
• 51:24
  Speaker 1: Business with him with that. Yeah for sure.
• 51:26
  Speaker 3: So I'm gonna start doing like an episode a week
• 51:28
  Speaker 3: out there Okay, cool, but I think that the there's
• 51:32
  Speaker 3: gonna be to like expand unfortunately it's not a lot
• 51:37
  Speaker 3: of people going to the Bay unless they're going to
• 51:39
  Speaker 3: do something. That's what I told I tell like I
• 51:41
  Speaker 3: told Gazi, I said, people are coming to the bay
• 51:44
  Speaker 3: and they got a tinerary. So it's like hard to
• 51:49
  Speaker 3: squeeze in a two hour long form conversation into that
• 51:51
  Speaker 3: itinerary as opposed to like people living in La New York,
• 51:57
  Speaker 3: right right, right, you know what I'm saying. Have you noticed,
• 52:00
  Speaker 3: like have you ran into that issue where it's like, shit,
• 52:04
  Speaker 3: I could do an interview with this person, but I
• 52:06
  Speaker 3: only got twenty minutes or.
• 52:07
  Speaker 1: You know, honestly.
• 52:12
  Speaker 2: And all pressures due to God, bro, Like, but if
• 52:15
  Speaker 2: you know me and people like really like they people
• 52:18
  Speaker 2: are really not giving me like that, like people changing
• 52:21
  Speaker 2: schedules to do my shit, like.
• 52:25
  Speaker 3: Or even just like access to certain guests that you.
• 52:27
  Speaker 2: Yeah, so shout out now, no shout out my brother no,
• 52:29
  Speaker 2: no Mills's you ever heard of him?
• 52:31
  Speaker 1: Who from Boston? Millies? Yeah? Millies?
• 52:34
  Speaker 2: My bad. My brother Nano had called me like, hey, bro,
• 52:39
  Speaker 2: you want an interview? Bro?
• 52:40
  Speaker 1: He fuck with y'all, you know, I told him about it, wool,
• 52:42
  Speaker 1: like yeah where he at here in La. We drove
• 52:44
  Speaker 1: right up, knocked it out, got you so you'll do
• 52:47
  Speaker 1: you're traveling. But I need the bootleg calves, you feel me?
• 52:51
  Speaker 2: I need the atoms, Like give me the game, bro,
• 52:54
  Speaker 2: Like I'm a student of this shit, like y'all are
• 52:56
  Speaker 2: who I study, Like I pay attention to y'all. I
• 52:58
  Speaker 2: watch all shit, watched a million dollars worth the games,
• 53:01
  Speaker 2: like I'm studying y'all. And if if y'all not giving
• 53:06
  Speaker 2: us the game or y'all not helping it, it's like
• 53:08
  Speaker 2: it's no, it's no point. It's like you feel me,
• 53:11
  Speaker 2: It's it's a bagging and shit for everybody, like everybody.
• 53:15
  Speaker 2: And I hate the gatekeepers that keep the gate closed, like.
• 53:20
  Speaker 3: You know yeah no, I mean listen, I didn't even
• 53:23
  Speaker 3: know there was a gatekeeper thing in the podcast world.
• 53:25
  Speaker 1: Man, that's a gatekeeper thing anywhere.
• 53:27
  Speaker 2: Bro, Come on, you know how that shit go like
• 53:29
  Speaker 2: everywhere it's politics, bro, people play and it's weird. But
• 53:33
  Speaker 2: like I said, it would have been boosy of you.
• 53:36
  Speaker 2: It wouldn't have it wouldn't have costed you nothing, like
• 53:39
  Speaker 2: or if you would have been like, nah, fuck love
• 53:41
  Speaker 2: blood And you know, are you talking to little Russell
• 53:45
  Speaker 2: not even bringing it up? Like damn, I fuck with
• 53:47
  Speaker 2: blood shit? Like I think he got a dope. You
• 53:48
  Speaker 2: feel me like you couldn't have said nothing. You get
• 53:51
  Speaker 2: what I'm saying. Like and by you just giving a
• 53:54
  Speaker 2: nigga his flowers, that opened up. Oh well you think
• 53:57
  Speaker 2: you need it? Y'all know you dope? Its fucking music
• 53:59
  Speaker 2: and have you go tap in? You feel me like
• 54:02
  Speaker 2: that type of shit. And what I mean by gatekeepers,
• 54:05
  Speaker 2: it's like Nigga, the bootleg Cavs.
• 54:08
  Speaker 1: The.
• 54:10
  Speaker 2: Drink champs, you know, the household names. You guys are
• 54:15
  Speaker 2: the you know, the gatekeepers. That's how I look at it.
• 54:18
  Speaker 2: And and like I said, it's on you guys. And
• 54:22
  Speaker 2: I'm not saying just go find some random motherfuckers. Oh
• 54:25
  Speaker 2: you know, I'm gonna put you on my shit. No,
• 54:27
  Speaker 2: I see you working, I see you see what you
• 54:28
  Speaker 2: fucking around. Come on, let's be let's network. You get
• 54:31
  Speaker 2: what I'm saying.
• 54:32
  Speaker 3: Yeah, I think I think for you, you're just gonna
• 54:33
  Speaker 3: have to hit the road a lot.
• 54:34
  Speaker 1: Yeah, And I'm ready and we do that.
• 54:36
  Speaker 3: We do that because I think I think the thing
• 54:38
  Speaker 3: about like, like I said, like the tour, I feel
• 54:41
  Speaker 3: like to tour routing has changed a lot as to
• 54:44
  Speaker 3: where like there's not as many rap tours as there
• 54:47
  Speaker 3: used to be. There's a lot of people doing spot days,
• 54:49
  Speaker 3: there's a lot of people hopping on bigger tours. But
• 54:51
  Speaker 3: like I feel like even like five, six, seven years ago,
• 54:54
  Speaker 3: there was just everybody with tour and I feel like
• 54:57
  Speaker 3: the touring should just kind of slowed down. And I
• 54:59
  Speaker 3: just think the opportunit unity to like sit down with
• 55:01
  Speaker 3: a lot of people in the bay is gonna It's
• 55:06
  Speaker 3: gonna kind of You're gonna be kind of running a
• 55:08
  Speaker 3: one leg race initially. So what you're gonna have to
• 55:11
  Speaker 3: do is make the ship pop, move around, do the
• 55:15
  Speaker 3: bay shit. If you gotta go to la if you
• 55:17
  Speaker 3: gotta go to Atlanta, if you gotta go here, you
• 55:19
  Speaker 3: gotta go here. And then Little Blood TV becomes the
• 55:22
  Speaker 3: destination to where now it's like, oh, not if I'm
• 55:26
  Speaker 3: going to Cali, we gotta go to the bad we
• 55:28
  Speaker 3: have to go sit down with Oh it's a forty
• 55:30
  Speaker 3: five minute flight, it's a six hour drive. So now
• 55:33
  Speaker 3: you're amongst Okay. If I'm planning my press run, I know,
• 55:40
  Speaker 3: I have to go to California and not just go
• 55:42
  Speaker 3: to sand And I think that's the goal of what
• 55:44
  Speaker 3: Gods He's trying to do is like have a whole
• 55:48
  Speaker 3: infrastructure of media outlets that is San Francisco based to
• 55:53
  Speaker 3: where it's like cool. Now when you come to the
• 55:56
  Speaker 3: Bay you can go do Little Blood TV, Bootleg Cavs.
• 56:00
  Speaker 1: It's going to be there.
• 56:01
  Speaker 3: Uh, and then you know, whatever new shows GAZI develops,
• 56:04
  Speaker 3: because we want to develop some new new shows.
• 56:07
  Speaker 1: To populate that floor.
• 56:09
  Speaker 3: So I think that's kind of the bigger picture, is
• 56:12
  Speaker 3: like I gotta get this ship super hot, and now
• 56:16
  Speaker 3: people are going to have to come.
• 56:17
  Speaker 2: Right right, And that's in mind. You We're only in
• 56:20
  Speaker 2: the year right, you know what I'm saying, So you.
• 56:23
  Speaker 1: Should do way more.
• 56:24
  Speaker 3: I would love to see you do more show with
• 56:25
  Speaker 3: athletes because I think the Marshall Lynch is dope. I
• 56:28
  Speaker 3: was just like I was just telling somebody, I was like, Yo,
• 56:30
  Speaker 3: why is the Marshall Lynch.
• 56:31
  Speaker 1: Done a podcast? Right? That ship would go quick?
• 56:34
  Speaker 3: Draymond Green's running it.
• 56:35
  Speaker 2: Up right right right right, running it up right right. Well,
• 56:40
  Speaker 2: you know, be small films man, we families.
• 56:44
  Speaker 3: Yeah, I just feel like if he got on during
• 56:46
  Speaker 3: the it could just be football season. If Marshall were
• 56:50
  Speaker 3: to go the I Am Athlete or pivot route, it'd
• 56:52
  Speaker 3: be the biggest ship in sports.
• 56:55
  Speaker 1: Yeah.
• 56:55
  Speaker 3: I think it'd be crazy Marshawn because he's like a
• 56:57
  Speaker 3: wonderful kind person.
• 56:58
  Speaker 1: Yeah, definitely, definitely.
• 57:00
  Speaker 3: Even Like I was like talking to RJ about I
• 57:03
  Speaker 3: was like, Yo, why doesn't Forty do like drink Champs?
• 57:06
  Speaker 1: Forty to be drunk, right.
• 57:09
  Speaker 3: Forty to drunk his motherfucker? I know, bro, every time
• 57:11
  Speaker 3: I see Forty he is slurricaned out, you know what
• 57:14
  Speaker 3: I'm saying. Like, I'm like, bro, imagine if Forty sat
• 57:16
  Speaker 3: down with an artist once a week and just they
• 57:20
  Speaker 3: drank their wine because you.
• 57:21
  Speaker 1: Know he loves that one. Have you done drink Champs yet?
• 57:24
  Speaker 3: Like nah, I mean I'm I almost so I was
• 57:28
  Speaker 3: drink Champs were supposed to do a network, and I
• 57:31
  Speaker 3: was supposed to sign with Noriega as like, because I
• 57:36
  Speaker 3: announced I was going to launch a podcast in probably
• 57:38
  Speaker 3: twenty eighteen, and Noori had hit me and he's like,
• 57:40
  Speaker 3: don't do it yet. I'm putting this network together, and
• 57:43
  Speaker 3: I want to I want you to be one of
• 57:44
  Speaker 3: the first guys we signed and ended up not working out.
• 57:46
  Speaker 3: I kind of like sat on my hands waiting for
• 57:48
  Speaker 3: it to whatever deal to shake out that he was
• 57:53
  Speaker 3: working on I don't want to say with who, but
• 57:54
  Speaker 3: he had like a couple of people he was working
• 57:56
  Speaker 3: on his network deal with didn't end up happening, and
• 57:59
  Speaker 3: I was just like, dude, I'm trying to do my thing,
• 58:01
  Speaker 3: like I'm gonna just do this shit like I got
• 58:03
  Speaker 3: a studio, I got like I got everything I need,
• 58:05
  Speaker 3: you know what I mean. So so yeah, no, but
• 58:07
  Speaker 3: I'm real tight with Nori. That's my dog. But I
• 58:10
  Speaker 3: haven't gone to drink. I mean, I've been to the
• 58:11
  Speaker 3: episodes of Dream Champs off camera. I've hung out and
• 58:15
  Speaker 3: it's a vibe.
• 58:16
  Speaker 1: For sure.
• 58:16
  Speaker 3: It is a it is a lot of energy. But
• 58:18
  Speaker 3: I think could be dope. I don't think forty's done
• 58:20
  Speaker 3: Dream Champs.
• 58:21
  Speaker 1: Yeah, I'm not sure.
• 58:23
  Speaker 3: I don't know, man, I could be wrong. I feel
• 58:25
  Speaker 3: like that would that that's gonna happen.
• 58:27
  Speaker 1: Yeah, I'm not sure.
• 58:28
  Speaker 3: But yeah, man, but no, definitely you're doing your thing.
• 58:30
  Speaker 3: You're on the right path. Man.
• 58:31
  Speaker 1: Appreciate it.
• 58:32
  Speaker 3: Appreciate that everything's high quality. You know what I'm saying,
• 58:35
  Speaker 3: your team over here is killing the production.
• 58:37
  Speaker 1: Appreciate it. Appreciate so when you hit the road, you
• 58:39
  Speaker 1: just take the light with you, right, No, hell no,
• 58:41
  Speaker 1: we take our whole ship.
• 58:42
  Speaker 3: No. But I mean like your set always has the
• 58:45
  Speaker 3: light no matter what. So that's dope.
• 58:47
  Speaker 1: So you can just do that ship anyway. Yeah, hell yeah,
• 58:49
  Speaker 1: hell yeah. Talk to me. You're like a little blood
• 58:51
  Speaker 1: to you, Like, hell yeah, definitely.
• 58:53
  Speaker 2: It's just you know, like you said, marketing and branding,
• 58:56
  Speaker 2: and we're just trying to keep We're trying to be
• 58:58
  Speaker 2: a household name. We're not trying to work going to be.
• 59:00
  Speaker 2: I don't believe in crimer or nothing like that. I
• 59:03
  Speaker 2: believe in manifesting shit. So if I just keep speaking
• 59:06
  Speaker 2: on this ship and manifesting like I manifested this.
• 59:09
  Speaker 3: Yeah, I think you guys have such a dope, Like
• 59:11
  Speaker 3: I feel like, you know, I try to have the
• 59:14
  Speaker 3: Stockton guys on my show. I had GB from Modesta
• 59:18
  Speaker 3: on Me World. I had another kid from Modesto that
• 59:23
  Speaker 3: I saw at the Russell's house freestyle and I just
• 59:25
  Speaker 3: invited him up to freestyle. What was that kid's name?
• 59:27
  Speaker 3: He sixteen. He came up here with his dad.
• 59:29
  Speaker 2: Oh yeah, he's raw, he got dreads fire. Yeah, he's
• 59:32
  Speaker 2: raw as fucked. Yeah, I know you're talking about.
• 59:35
  Speaker 3: But I think that, like there's so much going on
• 59:38
  Speaker 3: just in northern California that like it's nice that you
• 59:41
  Speaker 3: have a dope platform to.
• 59:42
  Speaker 1: Like some of them Ally Hoops too, for.
• 59:45
  Speaker 3: Sure, because I think I think this does a good
• 59:47
  Speaker 3: job to.
• 59:47
  Speaker 2: Me, brother with this for sure, ship care brojorship meet
• 59:51
  Speaker 2: with the Freddie gibbsh it bro. So I'm just safe
• 59:54
  Speaker 2: for sure. And you know I'm thought me not Ali
• 59:57
  Speaker 2: Hoops bro, because I'm a dish. You.
• 59:58
  Speaker 3: You weren't the only person I can till that day.
• 1:00:01
  Speaker 3: I forget who else it was. I'm the only person
• 1:00:02
  Speaker 3: that caught you. I mean, I wasn't not sick.
• 1:00:07
  Speaker 1: I wasn't. I wasn't.
• 1:00:09
  Speaker 2: I will he has drinking his head. Fuck these bitches
• 1:00:14
  Speaker 2: that doesn't sick.
• 1:00:16
  Speaker 1: Hey, man, it was.
• 1:00:18
  Speaker 3: I had to make sure I knew what kind of
• 1:00:19
  Speaker 3: night it was going to be. I had to get
• 1:00:20
  Speaker 3: my rest. I had to get my rest. It was
• 1:00:24
  Speaker 3: going to be a night I need them Ali hoops man.
• 1:00:26
  Speaker 1: And I thought you some Ally's too, man. Yeah, I
• 1:00:28
  Speaker 1: gotta come out here. That's crazy. Was going to come
• 1:00:30
  Speaker 1: with me too, right now, he was gonnas he's out finally.
• 1:00:35
  Speaker 1: What was it about a year?
• 1:00:36
  Speaker 3: A little under a year was it?
• 1:00:38
  Speaker 1: Yeah, it was gonna come. I said, nah' the hater.
• 1:00:43
  Speaker 3: Hey, there's the reason why I have that plaque there.
• 1:00:45
  Speaker 2: Yeah, camera, I said, let me go, Philly, my first man,
• 1:00:48
  Speaker 2: let me go see.
• 1:00:49
  Speaker 1: I love my brother man, he's a great guy. Many
• 1:00:52
  Speaker 1: definitely definitely happy home. Man.
• 1:00:54
  Speaker 3: I appreciate you pulling up. What's the I G? What's
• 1:00:57
  Speaker 3: the personal I G?
• 1:00:59
  Speaker 1: Third world?
• 1:01:00
  Speaker 2: A little Blood three R d w O R l
• 1:01:02
  Speaker 2: d l o l b l o D. That's if
• 1:01:04
  Speaker 2: you want some dope ass music. You feel me, you're
• 1:01:06
  Speaker 2: gonna follow that pasge boom Little Blood TV is my
• 1:01:09
  Speaker 2: podcast page l I l B l o o d TV.
• 1:01:13
  Speaker 2: That's the podcast page. Talccer Media t h A k
• 1:01:17
  Speaker 2: U R and me d I A. That's what you
• 1:01:19
  Speaker 2: get all of he says. She says, the everything you
• 1:01:22
  Speaker 2: need to know about Love Blood whatever gonna Talker Media,
• 1:01:26
  Speaker 2: you tap in with them for management, whatever the case
• 1:01:29
  Speaker 2: you need me to do. Talker media, hoopert Jones, I
• 1:01:32
  Speaker 2: got a question before we leave, Okay, so we don't
• 1:01:36
  Speaker 2: charge people right for podcasts.
• 1:01:38
  Speaker 1: We've done that.
• 1:01:38
  Speaker 2: We be turning down money and shit, I've never taken money. Yeah,
• 1:01:42
  Speaker 2: Like is that a thing like from from your standpoard?
• 1:01:45
  Speaker 3: Okay, now, I don't think it's a thing amongst like
• 1:01:48
  Speaker 3: the platforms that are respectable.
• 1:01:50
  Speaker 1: Okay, okay, cool.
• 1:01:51
  Speaker 3: There are definitely platforms that are I don't think have
• 1:01:55
  Speaker 3: high integrity.
• 1:01:56
  Speaker 1: Okay, okay. My thing is.
• 1:01:58
  Speaker 3: If my co sign is worth like, like if if
• 1:02:00
  Speaker 3: you could pay me for my coat sign?
• 1:02:01
  Speaker 1: What's my coat sign? Where? Right?
• 1:02:02
  Speaker 3: Right? Like? You know what I'm saying, right right? You
• 1:02:04
  Speaker 3: know I've turned down a lot of money, a lot
• 1:02:08
  Speaker 3: of money.
• 1:02:08
  Speaker 1: We do too. We don't you feel me?
• 1:02:10
  Speaker 3: I have people offer me thousands of dollars. It'll be
• 1:02:13
  Speaker 3: a different I'll click on the link and I called
• 1:02:15
  Speaker 3: King Pom. No, what is it like it's a sponsor sponsorship?
• 1:02:19
  Speaker 3: That's different? Oh yeah, well we sponsored up over here.
• 1:02:22
  Speaker 3: Shout out to Hardin, Shout out to King Pom. Shout
• 1:02:24
  Speaker 3: out to Blue Shoe odd Socks. You got my odd
• 1:02:27
  Speaker 3: sox right there right, l RG Clothing, that's right? Who
• 1:02:32
  Speaker 3: else is sponsoring the podcast these days? My bookie, if
• 1:02:35
  Speaker 3: you want to gamble, you know. I mean, listen, y'all
• 1:02:37
  Speaker 3: watch the commercials. You know, right, No, I take the sponsorship,
• 1:02:40
  Speaker 3: but you can't pay me to get on.
• 1:02:41
  Speaker 2: My ship, right right, right, right right, yeah, because we
• 1:02:43
  Speaker 2: don't do that either.
• 1:02:44
  Speaker 3: I'll do favors, like if somebody I know hits me
• 1:02:48
  Speaker 3: and I respect them and they're like, hey, I just
• 1:02:51
  Speaker 3: signed this kid. He's dope. Can he come on the show?
• 1:02:54
  Speaker 3: I was like Kenny freestyle a lot of times. It's
• 1:02:57
  Speaker 3: like the more up and coming, like raw talent, I
• 1:03:00
  Speaker 3: have them do the freestyle thing. Okay, okay, okay, because
• 1:03:02
  Speaker 3: it doesn't you know, the interview might not make sense.
• 1:03:04
  Speaker 1: Okay, but I do favors, right, But I won't.
• 1:03:07
  Speaker 3: I won't.
• 1:03:08
  Speaker 1: I haven't taken money now, right.
• 1:03:09
  Speaker 3: I figured there was a small point in time though,
• 1:03:12
  Speaker 3: where I was on a terrible gambling binge. I was
• 1:03:15
  Speaker 3: down like thirty k and I remember telling my boy David,
• 1:03:19
  Speaker 3: I said, man, I might just start taking some money.
• 1:03:22
  Speaker 1: But I didn't do it.
• 1:03:24
  Speaker 3: I didn't do it, so the only time I thought
• 1:03:26
  Speaker 3: about it, right, the New York Jets beat the Bengals
• 1:03:29
  Speaker 3: in like Week seven with Mike White as the starting quarterback,
• 1:03:33
  Speaker 3: and I lost like fifteen grand and I was like, yeah,
• 1:03:37
  Speaker 3: gambling is bad. Yeah, thank god it's not legal. Well,
• 1:03:41
  Speaker 3: look it doesn't matter where. Actually, gambling isn't terrible. If
• 1:03:44
  Speaker 3: you go to my bookie and you use the promo
• 1:03:46
  Speaker 3: code Bootleg and you sign up and yeah, I'm a user,
• 1:03:50
  Speaker 3: you know.
• 1:03:52
  Speaker 1: No, No, he's a fucking gambler. Gotta love it anyway.
• 1:03:56
  Speaker 3: Appreciate you pulling up man.
• 1:03:57
  Speaker 1: I appreciate you. King Boom, he appreciate you.
• 1:04:00
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• 1:05:21
  Speaker 3: interview soon. If you're watching this, you're at the end
• 1:05:23
  Speaker 3: of the interview though.
• 1:05:24
  Speaker 1: Much love