Latest / Black Ibis Social Club / S2E15: Josh Tatter
Transcript
- 0:11SPEAKER_01: Hey, welcome back to the Black Eye of the Social Club.
- 0:15SPEAKER_01: Another beautiful day, spring day in South Carolina over here.
- 0:20And I'm guessing it's about the same down in Floridian Swamps
- 0:24where Mr.
- 0:25Fisto is.
- 0:25SPEAKER_01: What's up, Fisto?
- 0:28SPEAKER_01: Hey, man.
- 0:28SPEAKER_01: Hey.
- 0:29SPEAKER_01: Good evening.
- 0:30SPEAKER_01: Good evening, and then today, Mr. Josh Tatter from Substack wandered in.
- 0:36SPEAKER_01: He decided to come join us and talk to us.
- 0:38I've been meaning to invite him for like a year now,
- 0:42and he finally got around to coming down.
- 0:45SPEAKER_01: So here you are, man.
- 0:46SPEAKER_01: Welcome, Josh.
- 0:48SPEAKER_00: Hey, man, thanks for having me on.
- 0:49SPEAKER_00: It's nice to finally talk to you guys.
- 0:53I mean,
- 0:54gosh,
- 0:54you and me live like 45 minutes away from each other,
- 0:57maybe half an hour.
- 0:59SPEAKER_01: We never had a chance to get together.
- 1:01SPEAKER_01: Yeah.
- 1:03SPEAKER_01: South Carolina Supremacy.
- 1:08I say that as a transplant from the beautiful state of the
- 1:13Soviet Republic of California.
- 1:15SPEAKER_01: But yeah, so Josh over here, he's a regular writer on Substack.
- 1:24SPEAKER_01: He's been kind of a buddy in our circle for a while now.
- 1:27SPEAKER_01: Oh my God, we got static.
- 1:29SPEAKER_01: It's fucking Twin Peaks over here.
- 1:31SPEAKER_01: Twin Peaks.
- 1:32SPEAKER_01: Got a light.
- 1:33SPEAKER_01: Got a light.
- 1:36SPEAKER_01: Josh over here, he's a sub-stacker.
- 1:38He's a regular commenter on our stuff,
- 1:41and he does a lot of fiction writer.
- 1:44And what Josh is most known for is he's a fantasy writer,
- 1:47fantasy and sci-fi.
- 1:48He writes fantasy,
- 1:51a lot of cowboy fiction that he likes to write,
- 1:53that I read.
- 1:55SPEAKER_01: He's an online buddy of our friend of the podcast, Alexander Helene.
- 2:02SPEAKER_01: He's a fellow traveler in our fellow traveler circles, right?
- 2:06um so welcome man i'm finally glad to hear i'm going to ask you
- 2:10a bunch of
- 2:10questions we're going to talk about you know the topic at hand
- 2:13which is you know
- 2:14fantasy fiction is really what we're going to talk about today
- 2:16and the idea of
- 2:17writing and writing but before before we begin a conversation
- 2:22in earnest there's a
- 2:23little bit of house house cleaning i gotta do first of all if
- 2:27you guys are
- 2:28SPEAKER_01: listening to this episode and you haven't listened to
- 2:31SPEAKER_01: last week's episode with Constantine von Hofmeister.
- 2:34SPEAKER_01: Meister, you have to.
- 2:35SPEAKER_01: Listen, that was probably one of our best episodes.
- 2:39SPEAKER_02: Yeah, that one was really a trip.
- 2:42SPEAKER_02: Very cool conversation with...
- 2:45SPEAKER_02: an incredibly well-readed and intelligent gentleman.
- 2:48SPEAKER_01: Right.
- 2:49SPEAKER_01: And important stuff about his book, Multipolarity.
- 2:51And then,
- 2:52uh,
- 2:52Mr.
- 2:53Fisto Sobani over here graced,
- 2:55uh,
- 2:55his podcast with his presence in it.
- 2:58SPEAKER_01: That was a very great conversation.
- 3:00SPEAKER_01: You guys talked about Twin Peaks and stuff, which was cool.
- 3:02SPEAKER_01: Yeah.
- 3:03SPEAKER_01: Yeah.
- 3:03SPEAKER_02: What'd you, what'd you think of it?
- 3:05SPEAKER_02: I've,
- 3:05SPEAKER_02: I've,
- 3:05SPEAKER_02: I've been looking forward to getting,
- 3:07SPEAKER_02: uh,
- 3:08SPEAKER_01: feedback about it because I haven't actually finished it all yet.
- 3:11SPEAKER_01: I've been insanely busy and, uh,
- 3:15SPEAKER_01: I either listen to podcasts when I'm driving to work,
- 3:19SPEAKER_01: because I have a 45-minute drive to work,
- 3:22SPEAKER_01: or I listen to podcasts at night.
- 3:26for some freaking reason well okay i'll tell you why my
- 3:29daughter's on spring break
- 3:31right now right and on a regular school night she goes to bed
- 3:35at seven but because
- 3:36it's spring break yeah where she's just staying up until nine
- 3:39nine thirty even ten
- 3:41and kind of like doing her own thing and uh it's just like by
- 3:47the time like she
- 3:48SPEAKER_01: falls asleep and i put her to bed and everything
- 3:51i want to go to bed myself so it's like i just haven't like
- 3:55i've been falling
- 3:56asleep like at 9 45 10 every night so i haven't really got a
- 4:00chance to catch up on
- 4:01my podcast that's on my to-do list no worries no rush no rush
- 4:05no rush i'll have
- 4:06SPEAKER_01: plenty of time um
- 4:10SPEAKER_01: Yeah, let me see.
- 4:11SPEAKER_01: Oh, my wife just messaged me.
- 4:12SPEAKER_01: My dog is still six.
- 4:13SPEAKER_01: She's dehydrated.
- 4:14SPEAKER_01: I'm going to do that.
- 4:16SPEAKER_01: But yeah,
- 4:17SPEAKER_01: what I wanted to talk about,
- 4:18SPEAKER_01: besides telling people to listen to that episode,
- 4:21is that one of the things that's very critical to understand
- 4:27about the Black Ibis
- 4:28SPEAKER_01: Social Club,
- 4:29SPEAKER_01: right,
- 4:29SPEAKER_01: is that it ultimately is a social club,
- 4:32SPEAKER_01: right?
- 4:33SPEAKER_01: And while we discriminate,
- 4:34we are a very discriminating group of individuals here at the
- 4:38Social Club,
- 4:39SPEAKER_01: right?
- 4:39SPEAKER_01: We don't let any just rabble walk off the streets, right?
- 4:43SPEAKER_01: But at the same time,
- 4:44SPEAKER_01: just because you're invited to the social club doesn't mean we agree with
- 4:48SPEAKER_01: everything you have to say,
- 4:50SPEAKER_01: okay?
- 4:51There's been plenty of guests that I listened to and we had
- 4:56conversations with and
- 4:57SPEAKER_01: I just didn't 100% agree with.
- 4:59SPEAKER_01: Matter of fact, I don't agree with half the stuff Fisto says, right?
- 5:03SPEAKER_01: Like specifically his love of Panem instead of Judy and blah, blah, blah.
- 5:08listen listen listen just because just because i was the one
- 5:11guy you invited in off
- 5:13the street and you nailed it in one and he never went away slam
- 5:17the door shut for
- 5:18SPEAKER_02: it yeah nope
- 5:20i got one bum i got one swamp bum and i'm good that's what you
- 5:25that's what you get
- 5:25with flirtyants man they just show up and they never leave yeah
- 5:28yeah listen it's
- 5:29better to be it's better to be lucky than good you know that's
- 5:33all i'm saying we
- 5:34might have to just have like a south carolina supremacy podcast
- 5:38with josh and uh
- 5:40isaiah on here because we're all from the low country over here
- 5:43you know no man
- 5:44SPEAKER_02: You do that, I might actually come up there and do it in person.
- 5:46SPEAKER_02: How fun would that be?
- 5:47SPEAKER_01: Maybe we need to do a podcast over in Savannah.
- 5:50SPEAKER_01: I think there's another one or two people from the general area.
- 5:53SPEAKER_01: I think we had somebody there.
- 5:56SPEAKER_01: I think a librarian lives in the south somewhere.
- 6:00SPEAKER_01: He's not doxing himself, but I know he lives in the general south.
- 6:04SPEAKER_01: You can tell from his voice.
- 6:05SPEAKER_01: He's got that southern accent.
- 6:08SPEAKER_02: He would be close.
- 6:08SPEAKER_02: I remember him talking a while back about doing a meetup.
- 6:13SPEAKER_02: And something like that in the southern reaches would work.
- 6:16SPEAKER_02: I like the idea.
- 6:17I like the idea of you in the South Carolina guys like Josh and
- 6:19everybody else,
- 6:20SPEAKER_02: you know,
- 6:20SPEAKER_02: being in conversation.
- 6:22SPEAKER_02: And then just halfway through,
- 6:23I'll stumble in drunk on whiskey and or moonshine or whatever
- 6:27and just start
- 6:27SPEAKER_02: screaming about.
- 6:29SPEAKER_02: Whatever it is I'm going to scream about.
- 6:30SPEAKER_02: I don't even know what's going to come out of my mouth.
- 6:33SPEAKER_01: We're just going to hang out at Old Calhoun's Tavern.
- 6:36SPEAKER_01: Or maybe we can go do it around the secession tree.
- 6:43SPEAKER_01: That's actually a great idea.
- 6:46SPEAKER_01: I don't think it's there anymore.
- 6:47SPEAKER_01: I don't know.
- 6:49SPEAKER_01: Josh, do you know if it's still there?
- 6:51SPEAKER_01: The secession tree or whatever?
- 6:53The secession house is still there where they started drafting
- 6:56the articles of secession.
- 6:58SPEAKER_00: So we could do it there.
- 6:59SPEAKER_00: I think it's like a bed and breakfast or something now.
- 7:02SPEAKER_00: But yeah, we could do that.
- 7:04SPEAKER_00: We got to get a Jim Ross sounding board when Fisto walks in.
- 7:11SPEAKER_00: My God, my God, it's Fisto.
- 7:13SPEAKER_02: Yeah.
- 7:15SPEAKER_02: And then we have the Secession House.
- 7:18SPEAKER_02: And then we can hang out there.
- 7:19And then we can draft the Articles of Empire,
- 7:23the Articles of the Imperium.
- 7:24SPEAKER_01: We can drive up to Charleston and go to, what is it, the Fort Sumter.
- 7:32SPEAKER_01: Oh, that's great.
- 7:35SPEAKER_02: Oh, this is such a good idea.
- 7:37SPEAKER_02: Yeah, and then we can shoot at ships.
- 7:40SPEAKER_02: Yeah, just spit into the ocean.
- 7:43SPEAKER_02: And just pop it off.
- 7:45SPEAKER_02: Yeah.
- 7:47SPEAKER_00: I got a couple of handguns.
- 7:48SPEAKER_00: They might not be a match for whatever the U.S.
- 7:51SPEAKER_00: Navy or Marines have.
- 7:53SPEAKER_01: They have a submarine base up there.
- 7:56SPEAKER_01: It's a submarine base.
- 7:57It's actually a submarine school up in Charleston where they
- 8:00teach submariners.
- 8:03SPEAKER_02: No, man.
- 8:03SPEAKER_02: All we got to do is get some Nerf guns and pop off at some shit libs,
- 8:09SPEAKER_02: and then it'll just go from there.
- 8:10SPEAKER_02: It'll be fine.
- 8:11SPEAKER_01: Right.
- 8:12SPEAKER_01: Well, the whole point of this tangent was what I was trying to say.
- 8:16SPEAKER_01: What are we talking about?
- 8:17SPEAKER_01: What I was trying to say before we got started is that,
- 8:21SPEAKER_01: well,
- 8:22SPEAKER_01: we welcome almost everybody on the podcast.
- 8:24SPEAKER_01: Look, I'm not going to invite like morons and retards.
- 8:28SPEAKER_01: It is not a debate podcast, right?
- 8:30SPEAKER_01: But everybody's invited.
- 8:31SPEAKER_02: Debate me, bro.
- 8:33right and it doesn't mean it doesn't mean that i agree with
- 8:36everything everybody on
- 8:37here says you know uh for the most part i do uh but you know we
- 8:43withhold the right
- 8:44to uh interview or have a conversation with anybody right this
- 8:49is an open-ended
- 8:50SPEAKER_01: kind of forum
- 8:51SPEAKER_01: As long as you're not a straight-up retard,
- 8:53I don't care and the reason I I don't say that I don't want
- 8:56like for example We
- 8:57SPEAKER_01: don't need shit libs on here.
- 8:58SPEAKER_01: You know why we don't need shit lives because it's boring Okay,
- 9:01SPEAKER_01: we've heard it all for like 20 years.
- 9:03SPEAKER_01: It's the same old shit, you know
- 9:06SPEAKER_01: There's nothing interesting.
- 9:07If you are,
- 9:08like,
- 9:08a fucking badass interesting Marxist or something like that,
- 9:12dude,
- 9:13come on.
- 9:14SPEAKER_01: We'll talk about that.
- 9:14SPEAKER_01: You know, that's interesting, right?
- 9:16SPEAKER_01: But if it's the same old regurgitated,
- 9:18SPEAKER_01: like,
- 9:19SPEAKER_01: you know,
- 9:19SPEAKER_01: Apple store,
- 9:21SPEAKER_01: like,
- 9:21SPEAKER_01: liberalism,
- 9:22SPEAKER_01: I don't care,
- 9:22SPEAKER_01: man.
- 9:23SPEAKER_01: It's just dumb, you know?
- 9:24SPEAKER_01: Like, nobody cares about that, right?
- 9:26SPEAKER_01: I wouldn't listen to it, so I'm not going to listen to it in real life.
- 9:29SPEAKER_01: There's just no point I can hear that from somebody's,
- 9:31SPEAKER_01: like,
- 9:32SPEAKER_01: auntie at a golf game down the street,
- 9:34SPEAKER_01: you know?
- 9:36SPEAKER_01: But at the same time,
- 9:39SPEAKER_01: if I disagree with you,
- 9:40what I'm not gonna do is I'm not gonna go bitch about it to the
- 9:43New York Times.
- 9:45SPEAKER_01: Oh no, I knew you were gonna bring that up.
- 9:47SPEAKER_01: All right,
- 9:48SPEAKER_01: like look,
- 9:49SPEAKER_01: I might not have,
- 9:50SPEAKER_01: we might not have the reach,
- 9:53SPEAKER_01: the intellectual dark web like credentials that,
- 9:58or we're not a chick with blonde hair because those seem to be
- 10:01really popular.
- 10:03in the rhido sphere mostly because the majority of rhido spirit
- 10:07guys are like
- 10:08pathetic simps right yeah you know you guys you guys you guys
- 10:12are gonna be blown
- 10:13away when it when i'm actually a blonde chick with great tits
- 10:16yeah you guys are
- 10:16just gonna be like whoa the greatest con of all time right yeah
- 10:21the truth of it is
- 10:22that like well we might disagree with things and i might
- 10:25disagree with people on
- 10:27SPEAKER_01: all
- 10:27SPEAKER_01: you know,
- 10:28SPEAKER_01: within a greater sphere,
- 10:30SPEAKER_01: within outside the sphere,
- 10:31SPEAKER_01: God,
- 10:31SPEAKER_01: I hope you disagree with me,
- 10:32SPEAKER_01: man.
- 10:33SPEAKER_01: I say some outlandish stuff, right?
- 10:35Like if you agree with half the stuff I say,
- 10:38I don't agree with half the stuff I say,
- 10:40right?
- 10:40SPEAKER_01: And it's like, that's the whole point of this place, right?
- 10:43SPEAKER_01: The whole point of the Black Eyed Society,
- 10:45SPEAKER_01: sit around,
- 10:46SPEAKER_01: sip some,
- 10:47I'm actually drinking some Earl Grey tea right now because I'm
- 10:49kind of tired of coffee.
- 10:51SPEAKER_01: And it's just like, just shut up, dude.
- 10:55SPEAKER_01: Don't whine about it.
- 10:56SPEAKER_01: You can attack me.
- 10:57SPEAKER_01: You can call me a volcano demon worshiper.
- 10:59SPEAKER_01: You can call me a Nazi or all the million other things we've been called.
- 11:04SPEAKER_01: That's cool.
- 11:05SPEAKER_01: What I'm not going to do is go,
- 11:06SPEAKER_01: oh,
- 11:06SPEAKER_01: my God,
- 11:07SPEAKER_01: they were mean to me,
- 11:09SPEAKER_01: New York Times or whatever,
- 11:11SPEAKER_01: because that's just...
- 11:12SPEAKER_02: Are we going to reveal the subtext for the blessed souls that have not...
- 11:18well what's been going on look it's just i i don't even i don't
- 11:22want to get too
- 11:23much into it josh knows exactly what we're talking about
- 11:25anybody that follows us on
- 11:26sub Substack oh all right i've seen it uh it really is and the
- 11:31only reason i brought
- 11:32even brought it up is because you know she is a fellow sub
- 11:36stacker you know what i
- 11:37SPEAKER_01: mean right and
- 11:39i you know i was actually subscribed to her you know i did i
- 11:44will be honest i
- 11:45subscribed to her a long time ago and i listened to their
- 11:48podcast a few times i
- 11:50just never found her very interesting i think that one of the
- 11:54episodes i did listen
- 11:56to her on it right was that um the episode with uh with our
- 12:01with our boy with our
- 12:02SPEAKER_01: friend uh what's his name man
- 12:04SPEAKER_01: Oh, my God, I'm on my blanket right now.
- 12:05SPEAKER_01: He was on a podcast.
- 12:09SPEAKER_01: Prestor John?
- 12:10SPEAKER_01: Yeah.
- 12:11SPEAKER_01: Right?
- 12:11SPEAKER_01: Oh, yeah, yeah, yeah.
- 12:13SPEAKER_01: Prestor was on her podcast, right?
- 12:15SPEAKER_01: And when she knocks blanket accusations that are –
- 12:22The whole right is attacking me and they're degenerates and
- 12:25stupid and they're
- 12:27SPEAKER_01: going to cause war and all this stuff.
- 12:29SPEAKER_01: You know, by association, that's us, man.
- 12:31SPEAKER_01: We, you know, she's talking about us, right?
- 12:33SPEAKER_01: Now, we're nobodies in the scope of things.
- 12:36SPEAKER_01: I'm not Curtis Yarvin and blah, blah, blah.
- 12:37SPEAKER_01: And we're just,
- 12:38SPEAKER_01: we're just a humble podcast merchants here talking about cyberpunk and,
- 12:43SPEAKER_01: you know,
- 12:44SPEAKER_01: 19th century Russian literature in this sphere,
- 12:48SPEAKER_01: right?
- 12:48SPEAKER_01: We're more of a cultural podcast, not really a politics podcast.
- 12:51SPEAKER_01: But at the same time, man, like, you know,
- 12:55SPEAKER_01: You know, she made her bank on our side, you know, in our sphere.
- 13:01SPEAKER_01: And we all liked and supported her.
- 13:03SPEAKER_01: People that we know went on her podcast and stuff.
- 13:06SPEAKER_01: And then she turns around and goes to the New York Times, right?
- 13:09SPEAKER_01: I mean, you know, that right there is low.
- 13:12SPEAKER_01: And I'm not saying we should,
- 13:13SPEAKER_01: like,
- 13:14SPEAKER_01: ostracize or throw hate at this person or anything like that,
- 13:17SPEAKER_01: right?
- 13:18But we just need to be better at not engaging with people of
- 13:22dubious nature.
- 13:23SPEAKER_01: Because remember, guys, I warned you.
- 13:26like months ago right i don't know if you remember right i've
- 13:31been saying snake
- 13:32snake from the i'm like suspicious i've always said that about
- 13:36that individual you
- 13:37know yeah but um i really expected her to stop podcasting once
- 13:43the usa the money
- 13:45SPEAKER_01: stopped but anyways besides the point right um
- 13:53SPEAKER_01: But what I was trying to, you know, saying is that, like...
- 13:56SPEAKER_01: You know,
- 13:57SPEAKER_01: those kind of people just don't need to be engaged with,
- 13:59SPEAKER_01: you know,
- 14:00because they make their money off of parroting ideas that come
- 14:04up in our sphere,
- 14:05SPEAKER_01: in our conversations,
- 14:07SPEAKER_01: and then the first chance they get,
- 14:08SPEAKER_01: they jump ship and betray.
- 14:10SPEAKER_01: It's really that, right?
- 14:12SPEAKER_01: And I'm not saying that we need to be ideological,
- 14:15SPEAKER_01: like,
- 14:16SPEAKER_01: commissars where we,
- 14:17SPEAKER_01: you know,
- 14:18SPEAKER_01: make everybody have the same ideas and stuff.
- 14:21SPEAKER_01: There's a difference between being that and...
- 14:24SPEAKER_01: and running to the enemy newspaper of note.
- 14:28SPEAKER_01: You know what I mean?
- 14:28SPEAKER_01: Right?
- 14:29SPEAKER_01: Yeah.
- 14:30SPEAKER_01: Like, am I being extreme here, you know?
- 14:35SPEAKER_02: I think what's interesting about it is seeing how people will adjust,
- 14:43SPEAKER_02: and I'm trying to be kind here,
- 14:45SPEAKER_02: but adjust and move one way or the other.
- 14:49SPEAKER_02: And then
- 14:52kind of adopt adopt the tactics of the enemy um like the little
- 14:57back and forth i
- 14:58had it's funny to me because like one of the first things that
- 15:04one guy did was lump
- 15:06you in with lump you in with the attacks you know the the group
- 15:10that you are a part
- 15:11of right that's both of us whatever yeah i know those people
- 15:15man i don't even know
- 15:15SPEAKER_01: what the hell she's talking about yeah right right and and
- 15:21SPEAKER_02: I don't know.
- 15:21SPEAKER_02: I guess at the end of the day,
- 15:23SPEAKER_02: in my mind,
- 15:24SPEAKER_02: I got real nasty with the guy just immediately because it's like,
- 15:27SPEAKER_02: look,
- 15:30if you're going to call me all kinds of stuff and say all these
- 15:33kinds of things
- 15:33SPEAKER_02: about it,
- 15:35SPEAKER_02: I can just make it goddamn true, all right?
- 15:37SPEAKER_02: Yeah, you know, Fisto's an asshole.
- 15:40SPEAKER_02: Well, yeah, thank you for noticing.
- 15:41SPEAKER_02: I appreciate it.
- 15:41SPEAKER_01: Now, fuck off that you blocked.
- 15:43SPEAKER_02: I don't want to talk to you.
- 15:44Yeah,
- 15:44you know,
- 15:45look,
- 15:46I can be an asshole and a horrible person on my own merits,
- 15:50all right?
- 15:51SPEAKER_02: I don't need to be associated with Yarvin.
- 15:53SPEAKER_02: Like, I've hardly even read any of that guy's stuff.
- 15:56SPEAKER_02: You know,
- 15:56SPEAKER_02: he's like,
- 15:57SPEAKER_02: look,
- 15:57SPEAKER_02: I don't...
- 15:58SPEAKER_02: Yeah,
- 15:58SPEAKER_02: I'm sure it is,
- 15:59SPEAKER_02: but there's a lot out there to read,
- 16:00SPEAKER_02: all right?
- 16:01SPEAKER_02: Like, I don't feel obligated to stay...
- 16:04SPEAKER_02: you know,
- 16:05at the foot of this master or this master or whatever the
- 16:08master du jour is of the moment.
- 16:10Like,
- 16:10I've got other things that I'm doing and other things that I'm reading.
- 16:14SPEAKER_02: But at the end of the day, like, look...
- 16:17SPEAKER_02: I'll be an asshole on my own merits.
- 16:19SPEAKER_01: Thank you very much.
- 16:19SPEAKER_01: Right.
- 16:20SPEAKER_01: Absolutely.
- 16:21I don't need to write anybody else's coattails and that might
- 16:23sound strange,
- 16:24SPEAKER_02: but it is kind of a personal point of pride to me.
- 16:26Like my bullshit is my own bullshit and I don't need to be
- 16:29associated with anybody
- 16:30SPEAKER_02: else's bullshit.
- 16:32SPEAKER_00: Right.
- 16:32SPEAKER_00: You know, I don't, and I don't want to drag this out for too much longer.
- 16:36SPEAKER_00: Cause I know you got stuff that you specifically want to talk about,
- 16:38SPEAKER_00: but going back,
- 16:40SPEAKER_00: going back to Fisto's point,
- 16:42SPEAKER_00: you know,
- 16:43SPEAKER_00: There are certainly odious, toxic people on our side for sure.
- 16:48SPEAKER_00: But they act like this stuff happened in a vacuum.
- 16:52SPEAKER_00: There's no precedent for it.
- 16:54SPEAKER_00: It just started happening one day, and it was a great big mystery.
- 16:57They refused to acknowledge that there was a pattern and there
- 17:02were abuses leading
- 17:03SPEAKER_00: up to this behavior.
- 17:05SPEAKER_00: You know what I'm saying?
- 17:06right right yeah it's like oh my gosh i don't know where you
- 17:10listen there are
- 17:11retarded people on our side okay well there is okay there is no
- 17:14true our side
- 17:15there's multiple sides to our side right we may actually be the
- 17:19dumb retarded
- 17:20people on our side you know yeah that might actually be i mean
- 17:24i did literally
- 17:25coming off the street one day and i started speaking into a
- 17:27microphone and that's
- 17:28SPEAKER_02: how i met alex
- 17:29You don't even know how to turn the gain up on your microphone
- 17:31for like – Yeah,
- 17:32man.
- 17:32SPEAKER_02: I found that out like what?
- 17:33SPEAKER_02: Like 15 minutes ago or something?
- 17:34SPEAKER_01: I don't even remember.
- 17:35SPEAKER_01: Yeah, literally like 100 episodes in.
- 17:37SPEAKER_01: How to turn the gain on you?
- 17:38SPEAKER_01: Yeah, man.
- 17:39SPEAKER_01: I don't even know what I'm doing half the time.
- 17:41SPEAKER_01: But so ultimately,
- 17:43SPEAKER_01: right,
- 17:44SPEAKER_01: what we're not going to do,
- 17:46SPEAKER_01: right,
- 17:47SPEAKER_01: we're going to call people retarded.
- 17:48SPEAKER_01: We're always going to do it.
- 17:49SPEAKER_01: It's just how it is.
- 17:50SPEAKER_01: And we're going to disagree with people across the world.
- 17:52SPEAKER_01: That's like saying hello.
- 17:53right but we're gonna disagree with people in a in a you know
- 17:57in an r side thing i
- 17:59think that for example when i had a disagree well i disagreed
- 18:02with dave green and i
- 18:04wrote that essay where i disagreed with him okay but i still
- 18:07respect dave green a
- 18:08lot and while i might disagree on certain things that he says
- 18:11right uh i did you
- 18:13know i'm not gonna go to the new york times or you know take
- 18:16any opportunity to go
- 18:18SPEAKER_01: to somebody that is coded as my mortal enemy basically you know
- 18:22And lumping everybody that's ever been a fan of Dave Green as a
- 18:26dumbass and like a
- 18:27SPEAKER_01: bigot and blah,
- 18:28SPEAKER_01: blah,
- 18:28SPEAKER_01: blah,
- 18:29SPEAKER_01: you know,
- 18:29SPEAKER_01: because it's not fair,
- 18:31SPEAKER_01: right?
- 18:31And what I'm never going to do is I'm never going to tar and
- 18:34feather the people
- 18:35SPEAKER_01: that have come on this podcast,
- 18:37SPEAKER_01: right?
- 18:37SPEAKER_01: Even if I disagree with them.
- 18:39SPEAKER_01: And some of them, I disagree with them, you know?
- 18:42SPEAKER_01: There's been,
- 18:42SPEAKER_01: you know,
- 18:42SPEAKER_01: there's been,
- 18:44SPEAKER_01: we haven't had a hostile,
- 18:45SPEAKER_01: like,
- 18:46SPEAKER_01: back and forth,
- 18:46SPEAKER_01: you know,
- 18:47SPEAKER_01: but there's been a few people where I,
- 18:49SPEAKER_01: you know,
- 18:49SPEAKER_01: I disagree with them on the fundamental level of how we should approach,
- 18:52SPEAKER_01: like raising children,
- 18:54SPEAKER_01: how we should approach,
- 18:55SPEAKER_01: you know,
- 18:56SPEAKER_01: I'm an optimist and I'm not a,
- 18:58SPEAKER_01: what do you call,
- 18:59SPEAKER_01: I'm not a doomer whatsoever,
- 19:01SPEAKER_01: so I've disagreed on that topic numerous times,
- 19:03SPEAKER_01: you know.
- 19:04I'm a Christian,
- 19:05but I'm not a fundamentalist in any way,
- 19:07shape,
- 19:07or form.
- 19:08SPEAKER_01: I'm not a conservative.
- 19:10SPEAKER_01: I like drinking alcohol and erotic stuff and that type of stuff, right?
- 19:16SPEAKER_01: I'm okay with homosexuality for the most part, right?
- 19:21SPEAKER_01: uh, being a spiritual homosexual myself.
- 19:24SPEAKER_01: And,
- 19:24SPEAKER_01: you know,
- 19:24SPEAKER_01: and it's just like,
- 19:26SPEAKER_01: I,
- 19:26SPEAKER_01: I,
- 19:26SPEAKER_01: I'm not in any way,
- 19:28SPEAKER_01: shape or form going to tar and feather or downplay any guests I've had.
- 19:32And really I'm not going to,
- 19:33I'm not going to shit on any of the guests I have in my sphere.
- 19:36SPEAKER_01: Crap.
- 19:36SPEAKER_01: I never even talk shit about what's his name.
- 19:39Uh,
- 19:39the guy that sells those ripoff,
- 19:41like,
- 19:41uh,
- 19:42uh,
- 19:43work two jobs at the same time online things.
- 19:45SPEAKER_01: You know what I mean?
- 19:47SPEAKER_01: Um,
- 19:48SPEAKER_01: I forgot his name.
- 19:49SPEAKER_01: See, that's exactly how I am.
- 19:50SPEAKER_01: I'm like, whatever, dude, he does his own thing.
- 19:52SPEAKER_01: He blocked me.
- 19:53SPEAKER_01: Don't care.
- 19:53SPEAKER_01: You know?
- 19:54SPEAKER_01: Yeah.
- 19:54SPEAKER_02: Oh, that was Walt.
- 19:56SPEAKER_01: Yeah.
- 19:57SPEAKER_02: Walt.
- 19:57SPEAKER_01: Yeah.
- 19:57SPEAKER_01: You know,
- 19:57SPEAKER_01: I mean,
- 19:58SPEAKER_01: I do,
- 19:58SPEAKER_01: I disagree with like almost any point,
- 20:02SPEAKER_01: almost every point of his outlook on life.
- 20:05SPEAKER_01: Right.
- 20:05SPEAKER_01: But ultimately, you know, I had a good conversation with him somewhat.
- 20:09SPEAKER_01: And, you know, I, you know, he blocked me, whatever.
- 20:11SPEAKER_01: I'm not going to talk shit, you know, let him do his own thing.
- 20:16SPEAKER_01: So, yeah, that's kind of what the point was.
- 20:18SPEAKER_01: I felt like the whole thing was in bad taste, you know?
- 20:21And not only is it in bad taste,
- 20:23it stinks of,
- 20:25you know,
- 20:25we're in Holy Week right now,
- 20:27right?
- 20:28SPEAKER_01: And it's just such a Judas moment that's just almost appropriate.
- 20:37SPEAKER_01: You know what I mean?
- 20:37SPEAKER_01: Couldn't have waited a couple days for Friday.
- 20:40SPEAKER_01: No, just had to do it now.
- 20:43SPEAKER_01: Or whatever it was.
- 20:44SPEAKER_01: You know...
- 20:45I hate to say this,
- 20:47right,
- 20:47but I don't trust the political opinions of women.
- 20:52You know,
- 20:53time and time again,
- 20:54guys on the right are burnt by women in politics.
- 20:59SPEAKER_01: How many times have we done the same exact thing?
- 21:02thing right there's that other blonde one lauren southern or
- 21:06whatever and then
- 21:07there's all the elon musk hoes and all this stuff right like we
- 21:11make these women to
- 21:12be out to be these like based right wingers or whatever and
- 21:16they're spouting their
- 21:17their intellectual dork web politics and stuff and then the
- 21:21first chance they get
- 21:22SPEAKER_01: they bounce you know and it's ultimately um
- 21:25the i i've just become let's say skeptical of women in politics
- 21:31well listen listen
- 21:32listen let's let's let's let's up the game and and and i
- 21:36actually want to get your
- 21:36guys's opinion on this let's let's go ahead up the up the uh
- 21:41wager here so forget
- 21:43forget judy and pan am for a minute who did it better cleopatra
- 21:48or theodora
- 21:50SPEAKER_01: go theodora she was a christian she was she was constantine's dad end of
- 21:55conversation i was gonna say the purplest is the noblest shroud
- 22:01that whole speech
- 22:02and that whole you know the nika riots and everything that's
- 22:05that's really goddamn
- 22:06hard to top i mean i mean cleopatra got with julius caesar so i
- 22:11mean one is an
- 22:12SPEAKER_01: inbred greek egyptian right the other one i
- 22:18SPEAKER_01: Is a saint.
- 22:20SPEAKER_02: Is a saint, right.
- 22:23SPEAKER_02: From the most humble beginnings.
- 22:25SPEAKER_02: From the most humble beginnings.
- 22:26SPEAKER_02: Josh, what do you think?
- 22:27SPEAKER_02: What do you think?
- 22:28SPEAKER_00: I got to go with Theodora also.
- 22:31SPEAKER_00: Yeah, bro.
- 22:32SPEAKER_00: Let's go.
- 22:34SPEAKER_02: Right.
- 22:35SPEAKER_02: All right.
- 22:35SPEAKER_02: Well, women in politics.
- 22:37SPEAKER_01: All right.
- 22:37SPEAKER_01: So we knocked out out of the way.
- 22:40SPEAKER_01: It peaked.
- 22:40SPEAKER_01: It peaked at Theodora.
- 22:42SPEAKER_01: We had to do that.
- 22:42SPEAKER_01: We had to talk about that for a minute, okay?
- 22:44SPEAKER_01: So that's done and said.
- 22:46SPEAKER_01: That's our topical political monologue, entry monologue.
- 22:50SPEAKER_01: So let's talk about what Josh is here to talk about, which is writing.
- 22:55SPEAKER_01: Yeah.
- 22:56SPEAKER_01: Because Josh is a writer, and he's specifically a writer of fantasy.
- 23:00SPEAKER_01: So first of all, Josh, tell us about yourself for a minute.
- 23:03SPEAKER_01: Introduce yourself to people that don't know you.
- 23:05And maybe I didn't do the greatest job of introducing you if
- 23:09people are not on Substack,
- 23:10SPEAKER_01: that type of thing.
- 23:12SPEAKER_00: Yeah, no, I think you did a pretty good job.
- 23:16SPEAKER_00: obviously Josh Tatter here.
- 23:18SPEAKER_00: Uh, my Substack is Josh Tatter has thoughts.
- 23:22Uh,
- 23:23and I,
- 23:23you know,
- 23:24I started it really because I was playing God of war Ragnarok.
- 23:29SPEAKER_00: I was like, God, this game sucks donkey ass.
- 23:32SPEAKER_00: And I needed somewhere to write about it.
- 23:34SPEAKER_00: So I started,
- 23:36SPEAKER_00: I started,
- 23:36I started a Substack specifically so I could write a whole essay
- 23:40bitching about how
- 23:42SPEAKER_00: awful that game was.
- 23:43SPEAKER_00: And, uh,
- 23:45SPEAKER_00: Then I started seeing other people posting their fiction,
- 23:47SPEAKER_00: and I was like,
- 23:48SPEAKER_00: well,
- 23:48SPEAKER_00: you know,
- 23:49SPEAKER_00: I've wanted to write fiction for as long as I can remember.
- 23:53SPEAKER_00: I said, I got this short story.
- 23:56SPEAKER_00: It's fantasy or elf shit, as Alexandria would say.
- 24:00SPEAKER_00: And I said, let me throw it up there and see what happens.
- 24:03SPEAKER_00: You know,
- 24:04SPEAKER_00: people started responding,
- 24:06SPEAKER_00: and so I just snowballed,
- 24:08SPEAKER_00: and I just kept writing and writing.
- 24:11And I always imagined myself to be a fantasy writer,
- 24:14not much of a sci-fi writer,
- 24:15but
- 24:16um i've written quite a few sci-fi short stories um my most
- 24:21popular stuff is
- 24:22probably my westerns that i write even my father-in-law he said
- 24:27you should really
- 24:28stick with writing westerns which i guess means he doesn't like
- 24:30my other stuff uh
- 24:33SPEAKER_00: so you know i'm actually not from south carolina i'm
- 24:37SPEAKER_00: from Virginia.
- 24:38SPEAKER_00: I lived there until 2021.
- 24:41SPEAKER_00: We moved down here,
- 24:42SPEAKER_00: uh,
- 24:44SPEAKER_00: cause it was turning into too much of a shit lib,
- 24:48SPEAKER_00: uh,
- 24:50SPEAKER_00: third world country.
- 24:52SPEAKER_00: And we were like, we got to get out of here.
- 24:53SPEAKER_00: And we found Buford on a map.
- 24:56SPEAKER_00: Basically my wife found Buford on a map.
- 24:58SPEAKER_00: We came down and visited it and we're like, yeah, this is the place.
- 25:02SPEAKER_00: And, uh,
- 25:04SPEAKER_00: So, yeah, that's me.
- 25:05SPEAKER_00: That's kind of my story.
- 25:07SPEAKER_00: What else would you like to know?
- 25:08SPEAKER_01: I had my microphone on for a second.
- 25:12SPEAKER_01: Sorry.
- 25:13SPEAKER_01: Yeah, I mean, that's it, man.
- 25:16SPEAKER_01: You're a southerner that moved down further south, right?
- 25:18SPEAKER_01: I mean, Virginia is the south, right?
- 25:21SPEAKER_00: Yep.
- 25:21SPEAKER_00: Although don't tell don't tell them that.
- 25:23SPEAKER_01: But yeah, or they used to be the south.
- 25:25SPEAKER_01: Yeah.
- 25:27SPEAKER_01: And, you know, you moved down to the low country.
- 25:30SPEAKER_01: That's what we call where we live, by the way.
- 25:32SPEAKER_01: It's called the low country, right?
- 25:34SPEAKER_02: The low country.
- 25:35SPEAKER_02: Yes, I've heard of this.
- 25:36SPEAKER_02: I've heard of this magical, mystical place.
- 25:38We actually it's actually called the slow country because
- 25:40everybody's slow as shit down here.
- 25:44SPEAKER_01: Great.
- 25:45SPEAKER_01: Like everything takes like way longer than it does.
- 25:48SPEAKER_01: And like, you know, it's very, it's very mellow.
- 25:50SPEAKER_01: Uh, we are, uh, um,
- 25:53SPEAKER_01: basically invaded by Ohioans, to be honest.
- 25:56SPEAKER_01: There's Ohioans everywhere.
- 25:58SPEAKER_01: My entire neighborhood is Ohio license plates.
- 26:03SPEAKER_01: Whenever I drive by a car accident,
- 26:06SPEAKER_01: which is on a daily basis,
- 26:08SPEAKER_01: I look at the Ohio license plate,
- 26:11SPEAKER_01: because I don't know,
- 26:12SPEAKER_02: you guys don't learn how to drive out there.
- 26:16SPEAKER_02: Listen,
- 26:18SPEAKER_02: everybody's afraid of the Central American immigration issue,
- 26:21SPEAKER_02: but none of you will expect
- 26:23SPEAKER_02: the Ohio invasion, the Ohio supremacy.
- 26:27Well,
- 26:29I found the most out-of-staters I found are New Yorkers and Virginians.
- 26:37SPEAKER_00: And I don't know that I've met a lot of Ohioans, but my joke is that
- 26:43Getting into car accidents is a national pastime of our area
- 26:46because people try.
- 26:48SPEAKER_00: They actively try to get into car accidents.
- 26:51SPEAKER_00: It's the craziest thing I've ever seen in my life.
- 26:55SPEAKER_02: If I get that insurance money,
- 26:58SPEAKER_01: if the people that like,
- 27:00SPEAKER_01: uh,
- 27:01SPEAKER_01: if you take the people from here,
- 27:03SPEAKER_01: their driving skills and you put them in Los Angeles,
- 27:06SPEAKER_01: they would be dead within like 10 minutes on the Los Angeles.
- 27:10SPEAKER_01: Okay.
- 27:10Like they would either get flattened by like one of the billion
- 27:14big rigs that drive
- 27:15SPEAKER_01: through Los Angeles,
- 27:16SPEAKER_01: or they would be shot by somebody because like,
- 27:20there's this like habit in this part of the country where
- 27:23you're driving down a
- 27:24SPEAKER_01: two-lane highway and somebody's pulling out from
- 27:27SPEAKER_01: I don't know the swamp.
- 27:28SPEAKER_01: I don't know where the hell you're just coming out of nowhere.
- 27:30SPEAKER_01: Right.
- 27:30SPEAKER_01: And they pull out in front of you, the speed to pull out in front of you.
- 27:34SPEAKER_01: They're like,
- 27:34SPEAKER_01: they wait until the very minute you're,
- 27:36SPEAKER_01: you're,
- 27:36SPEAKER_01: you know,
- 27:37SPEAKER_01: approaching like at 70,
- 27:38SPEAKER_01: 80 miles an hour towards them.
- 27:39SPEAKER_01: And that's when they pull in front of you, but you know what they do?
- 27:42SPEAKER_01: They don't drive fast.
- 27:43SPEAKER_01: They slow down for some reason, you know?
- 27:45SPEAKER_01: And it's just like,
- 27:46SPEAKER_01: I'm like,
- 27:47SPEAKER_01: my brakes on my car are constantly like ruined because everybody like,
- 27:52SPEAKER_01: I don't know,
- 27:52SPEAKER_01: gets in front of me and drives like 40 on like a 60,
- 27:55SPEAKER_01: 70 mile.
- 27:56SPEAKER_01: It just,
- 27:57SPEAKER_01: mind-boggling at the retardation that happens on the highways out here.
- 28:03Not to mention that the highways in South Carolina were used as
- 28:09a practice-like
- 28:11SPEAKER_01: target for an A-10 warthog.
- 28:13SPEAKER_01: There's fucking potholes everywhere.
- 28:15Dude,
- 28:17when I first moved down here,
- 28:19all my coworkers,
- 28:21they'd done some work in Virginia.
- 28:23SPEAKER_00: Like, man, up in Virginia, you guys have such nice roads.
- 28:26SPEAKER_00: I've said...
- 28:27SPEAKER_00: I guess if you say so,
- 28:28SPEAKER_00: well,
- 28:29SPEAKER_00: the longer I've been here and the more I've been back to Virginia,
- 28:31SPEAKER_00: it's,
- 28:32SPEAKER_00: yeah,
- 28:32SPEAKER_00: it's like driving on clouds up there compared to down here.
- 28:36I mean,
- 28:36I don't know where all that tax money we pay is going,
- 28:40but it's not going to the roads.
- 28:41SPEAKER_01: Right.
- 28:41SPEAKER_01: It's the craziest thing.
- 28:42SPEAKER_01: You're driving along.
- 28:44SPEAKER_01: You're just like shaking your transmissions,
- 28:45SPEAKER_01: falling out of your car,
- 28:47SPEAKER_01: you know,
- 28:48SPEAKER_01: cross into North Carolina.
- 28:49SPEAKER_01: You're like, what the hell just happened?
- 28:51SPEAKER_01: Why is my car running so smooth?
- 28:52SPEAKER_01: They're like the roads.
- 28:53SPEAKER_01: All of a sudden you're like alignments fixed and everything.
- 28:56SPEAKER_01: You're like, Oh,
- 28:56SPEAKER_01: I mean, it's the same going into Savannah.
- 28:59SPEAKER_01: Oil's changed.
- 28:59SPEAKER_02: It's got a new air filter, and all you did was cross the state border.
- 29:02SPEAKER_02: It's amazing.
- 29:02SPEAKER_01: I was driving one time.
- 29:03I went up to Charleston,
- 29:05right,
- 29:05which is about 40 minutes from here,
- 29:08right?
- 29:09And I parked,
- 29:11and my fucking tire was flat,
- 29:13and there was like a screwdriver sticking out of it.
- 29:15SPEAKER_01: And I was like, oh, my God, dude.
- 29:17SPEAKER_01: And in –
- 29:19SPEAKER_01: One of the things you have when you get insurance in South Carolina,
- 29:23SPEAKER_01: because they know their roads are so freaking shitty,
- 29:26you actually are entitled to like two windshield changes per
- 29:29year because they
- 29:30SPEAKER_01: expect your windshield to be cracked by like,
- 29:33SPEAKER_01: I don't know,
- 29:33just the asphalt coming off the ground and like eating your
- 29:37fucking windshield.
- 29:39SPEAKER_01: So that's actually included in your windshield.
- 29:41SPEAKER_01: I mean, your insurance bylaw.
- 29:44SPEAKER_00: I did not know that.
- 29:45SPEAKER_00: I might start cracking my windshield on purpose.
- 29:48SPEAKER_00: You do.
- 29:49SPEAKER_00: It's built in.
- 29:49SPEAKER_00: It's built in, right?
- 29:52SPEAKER_01: It's the craziest thing, right?
- 29:54SPEAKER_01: But back to fantasy, right?
- 29:56SPEAKER_01: Okay, so here's – you write fantasy, and you're a Substack writer.
- 30:06SPEAKER_01: and you post a lot of your writing on Substack.
- 30:09Do you ever plan to compile it and publish it in a small press
- 30:14or maybe on your own,
- 30:15SPEAKER_01: or do you consider yourself strictly a Substack writer?
- 30:20SPEAKER_00: Yeah.
- 30:23SPEAKER_00: I'd like to,
- 30:24SPEAKER_00: at some point,
- 30:25SPEAKER_00: take a bunch of my short stories and put them together as a collection.
- 30:32SPEAKER_00: Most of my fantasy stories are
- 30:34SPEAKER_00: take place in a single world.
- 30:37SPEAKER_00: It's kind of an anthology.
- 30:39And so I'd like to just get a bunch of them that are kind of
- 30:42connected with one
- 30:43SPEAKER_00: another and put them in an anthology or a short story collection,
- 30:49SPEAKER_00: kind of like the guy who writes The Witcher.
- 30:53Before he ever wrote any of those books,
- 30:55he released a short story collection.
- 30:57SPEAKER_00: So I'd kind of like to go down that road.
- 30:59SPEAKER_00: Now, to be perfectly honest, I don't know that I ever have it in me.
- 31:03SPEAKER_00: to write a full-blown novel.
- 31:04SPEAKER_00: I don't know that I have the attention span for it,
- 31:07SPEAKER_00: but definitely a short story collection at some point for sure.
- 31:13SPEAKER_01: Yeah, I mean, you're... There's a helicopter flying above.
- 31:17SPEAKER_01: I apologize.
- 31:18SPEAKER_01: Uh-oh, uh-oh.
- 31:20SPEAKER_02: Just kidding.
- 31:22SPEAKER_01: It's a black one.
- 31:24SPEAKER_01: Oh, no.
- 31:25SPEAKER_02: That's what you get for shit talk in the New York Times, brother.
- 31:27SPEAKER_01: I mean, there's an air station, okay, over there, right?
- 31:32SPEAKER_01: That's about three miles from my house.
- 31:35SPEAKER_01: Yeah, there's an air station.
- 31:37SPEAKER_01: So there's all kinds of stuff.
- 31:38SPEAKER_01: And we have a Coast Guard helicopters, too.
- 31:42SPEAKER_01: And there's an airport station.
- 31:44like not too far away up on the island so there you know that's
- 31:50that's the thing
- 31:50right um you have a pretty like good little community on
- 31:54Substack there's a lot of
- 31:55writers that are sharing a lot of fiction right and
- 31:59unfortunately I don't feel like
- 32:00SPEAKER_01: Substack really does very good job of like I don't know
- 32:03SPEAKER_01: caring about writing on Substack anymore.
- 32:06SPEAKER_01: They're all about other stuff now.
- 32:09SPEAKER_01: But,
- 32:10SPEAKER_01: you know,
- 32:10you guys have built a really good community of different
- 32:12writers and there's a lot
- 32:13SPEAKER_01: of fiction on there,
- 32:15SPEAKER_01: specifically in the fantasy and sci-fi thing.
- 32:18SPEAKER_01: And then,
- 32:18SPEAKER_01: you know,
- 32:19SPEAKER_01: your specific,
- 32:20SPEAKER_01: like,
- 32:21SPEAKER_01: Western,
- 32:21SPEAKER_01: you know,
- 32:21SPEAKER_01: it's your,
- 32:23SPEAKER_01: which is my favorite stuff,
- 32:24SPEAKER_01: your Everett Brooks stuff,
- 32:26SPEAKER_01: right?
- 32:27SPEAKER_01: It's my favorite of your writing because I do like Westerns.
- 32:30SPEAKER_01: And I think that the...
- 32:33SPEAKER_01: I think that the idea of,
- 32:36SPEAKER_01: I like the idea of putting fiction out,
- 32:41SPEAKER_01: short fiction out on formats like Substack,
- 32:44SPEAKER_01: and then collecting it and putting it out in better,
- 32:48SPEAKER_01: bigger formats.
- 32:49SPEAKER_01: I think that's an interesting model,
- 32:53SPEAKER_01: and I think that's one that might have a future in a world of
- 32:57SPEAKER_01: where short fiction is no longer relevant,
- 33:02at least in the greater scene of the literary and the science
- 33:06fiction world and stuff.
- 33:07I don't know if,
- 33:08I mean,
- 33:10do people buy short story collections in the fantasy world anymore?
- 33:14SPEAKER_01: There used to be tons of magazines, but they're all gone.
- 33:17SPEAKER_01: So maybe,
- 33:19SPEAKER_01: you know,
- 33:19SPEAKER_01: this can be resolved through mediums like Substack,
- 33:24SPEAKER_01: you know,
- 33:24SPEAKER_01: and,
- 33:24SPEAKER_01: you know,
- 33:25SPEAKER_01: communication between those two.
- 33:27SPEAKER_01: And I like that.
- 33:28SPEAKER_01: I like that idea.
- 33:30SPEAKER_01: But what kind of fantasy fiction do you like?
- 33:34SPEAKER_01: Are you more the American guy or the European guy?
- 33:38SPEAKER_01: Where's your fantasy background come from?
- 33:42So the first proper fantasy I guess I read was when I read The
- 33:49Chronicles of Narnia.
- 33:51SPEAKER_00: I was like eight years old.
- 33:52SPEAKER_00: So that's C.S.
- 33:54SPEAKER_00: Lewis.
- 33:54SPEAKER_00: That's British.
- 33:56SPEAKER_00: My favorite fantasy author is
- 33:58SPEAKER_00: David Gemmell.
- 33:59SPEAKER_00: He's a British fantasy author, kind of in the mold of Robert E. Howard.
- 34:06His stories are kind of in the,
- 34:07like,
- 34:07his most famous character,
- 34:09Truss,
- 34:09is
- 34:10SPEAKER_00: definitely a stand-in for Conan.
- 34:12SPEAKER_00: Um, there are some American fantasy authors I like, uh, David Eddings.
- 34:18SPEAKER_00: Um,
- 34:20SPEAKER_00: you know,
- 34:20SPEAKER_00: I know you're gonna,
- 34:23SPEAKER_00: speaking of disagreeing earlier,
- 34:24SPEAKER_00: I know you're gonna vehemently disagree with me on this.
- 34:27Um,
- 34:28when I first read The Name of the Wind,
- 34:30I was like,
- 34:31oh man,
- 34:31this is pretty good.
- 34:32SPEAKER_00: Uh,
- 34:34SPEAKER_00: The longer it went on,
- 34:35SPEAKER_00: the longer I was like,
- 34:35SPEAKER_00: okay,
- 34:36SPEAKER_00: I mean,
- 34:36SPEAKER_00: the guy is not as clever as he thinks he is.
- 34:40SPEAKER_00: Okay, stuff's not really happening.
- 34:43SPEAKER_00: I mean, by the end of the first book, some stuff happens.
- 34:47It wasn't until I read the second book where I was like,
- 34:48okay,
- 34:49this story is crap.
- 34:51SPEAKER_00: I mean, literally nothing happens.
- 34:53SPEAKER_00: And the second book is like a thousand pages.
- 34:55And he ends up in the exact same place at the end as he started
- 34:58at the beginning,
- 34:59SPEAKER_00: except he just had a lot of sex in between.
- 35:02SPEAKER_01: Yeah, with fairy dangers.
- 35:05SPEAKER_00: Yeah,
- 35:05so it's no wonder the guy hasn't finished the story because
- 35:09he's got like 1,800
- 35:11SPEAKER_00: pages of nothing happening,
- 35:12SPEAKER_00: and he's promised all these epic adventures,
- 35:14SPEAKER_00: and he's only got one book left to finish it.
- 35:15SPEAKER_01: Patrick Rotfuss is his name.
- 35:18SPEAKER_01: Patrick Rotfuss, the original literary or fantasy literature beard, bro.
- 35:24SPEAKER_00: Yeah, that's right.
- 35:25SPEAKER_00: uh, you know, I gotta be honest.
- 35:27SPEAKER_00: I, I liked, uh, the first three books of a song of ice and fire.
- 35:31SPEAKER_00: The fourth book was an absolute slog.
- 35:34SPEAKER_00: So I haven't read,
- 35:35I haven't read the fifth book yet because the fourth book was
- 35:39so boring and he's
- 35:40SPEAKER_00: obviously not going to finish it.
- 35:42SPEAKER_00: Um, so I'm trying to think what other fancy authors do I like?
- 35:46SPEAKER_00: I like the guy who writes the Witcher books, Andrei Sapkowski.
- 35:50SPEAKER_00: He's Polish.
- 35:52SPEAKER_00: Um,
- 35:53So I mean I guess – I have to say my tastes lean British since
- 35:58we got C.S.
- 35:59SPEAKER_00: Lewis, Tolkien, David Gemmel.
- 36:02SPEAKER_00: I know there's other people that I can't think of off the top of my head.
- 36:06SPEAKER_00: I haven't read any Brandon Sanderson.
- 36:10SPEAKER_00: I don't really have the stomach for that from what I hear about him.
- 36:13SPEAKER_00: I don't – I tried reading The Wheel of Time.
- 36:16SPEAKER_00: I couldn't even make it halfway through the first book.
- 36:19SPEAKER_00: It was such – so boring.
- 36:23So yeah,
- 36:23I'd have to say I probably identify more with the British
- 36:26fantasy writers.
- 36:28SPEAKER_01: That's interesting.
- 36:29SPEAKER_01: So I read all the Game of Thrones novels, right?
- 36:34SPEAKER_01: I read all five of them, right?
- 36:37And it's really interesting because you say that you didn't
- 36:40like four because four
- 36:42SPEAKER_01: was the last one I liked,
- 36:43SPEAKER_01: right?
- 36:44SPEAKER_01: It's the fifth one I didn't like.
- 36:46SPEAKER_01: And the reason I liked four,
- 36:49is because four kept to like the main mainland area like
- 36:56westeros or whatever right
- 36:58and five jumped across the ocean to the um you know mother of
- 37:04dragons thing or
- 37:05SPEAKER_01: whatever right and that whole thing um and i actually i uh i don't like
- 37:14SPEAKER_01: The problem with those massive multiple character storylines with so many
- 37:19characters and stuff is that there's some characters that just
- 37:23don't have any
- 37:24SPEAKER_01: interest in their storylines I don't really particularly care for.
- 37:27SPEAKER_01: And in the case of Game of Thrones,
- 37:28SPEAKER_01: I've never had any interest in anything that happened across the ocean.
- 37:32SPEAKER_01: I don't like...
- 37:33I didn't care about Daenerys and I didn't care about Khal Drogo
- 37:36and all that stuff
- 37:38SPEAKER_01: just didn't really interest me.
- 37:39And what I liked about 4 is that it was really the redemption
- 37:43arc for my favorite
- 37:45SPEAKER_01: character in the series,
- 37:47SPEAKER_01: right?
- 37:48SPEAKER_01: Which was, what's his name?
- 37:50SPEAKER_01: Jamie Lannister, right?
- 37:52and uh it's where he became an interesting character and it's
- 37:55where he like starts
- 37:56like doing cool stuff and it also had um a brienne of tarth
- 38:01which i liked in that
- 38:02you know in that like it was like hey the two of them doing
- 38:05their thing and i liked
- 38:06that um but ultimately like there's nothing there are you
- 38:12familiar with game of
- 38:13thrones fisto yeah yeah yeah i mean through the tv series and
- 38:17through the uh
- 38:18Through the culture,
- 38:21the guys that wrote The Expanse used to work for George R.R.
- 38:25SPEAKER_02: Martin.
- 38:25SPEAKER_02: That's how they got started.
- 38:26SPEAKER_02: Right, right.
- 38:27So,
- 38:27like,
- 38:28I imagine that the way they did those books is pretty
- 38:31indicative of how they were.
- 38:33trained by that guy it is it is what's interesting who do you
- 38:37think who you know i
- 38:38know the show's over and they already revealed who like wins
- 38:42the game of thrones at
- 38:44the end but who do you think should have won or who do you
- 38:47think should have ended
- 38:48SPEAKER_01: up on the throne at the very end josh go first
- 38:51SPEAKER_00: Well, obviously, I mean, it should have been Jon.
- 38:54SPEAKER_00: That's what everything was building up to.
- 38:56Um,
- 38:58obviously,
- 38:59I mean,
- 39:00the whole thing with Daenerys suddenly going crazy.
- 39:04SPEAKER_00: And I mean,
- 39:04SPEAKER_00: that could have worked if it had been set up properly,
- 39:07SPEAKER_00: but they just rushed through the ending and it just,
- 39:10SPEAKER_00: it was a complete cop out.
- 39:12SPEAKER_00: And, um,
- 39:14SPEAKER_00: Going back to what you were saying about the fourth book,
- 39:17SPEAKER_00: I can't necessarily disagree with what you were saying.
- 39:19SPEAKER_00: I liked the same stuff that you liked.
- 39:21SPEAKER_00: I liked Jaime's redemption arc.
- 39:24SPEAKER_00: I liked the stuff focusing on Brienne.
- 39:28I just vividly remember there's an entire chapter where Jaime's
- 39:32investigating
- 39:33SPEAKER_00: Tyrion's disappearance,
- 39:34SPEAKER_00: and the whole chapter is him going over prison supplies,
- 39:37SPEAKER_00: and I'm
- 39:38SPEAKER_00: thinking, why am I reading this?
- 39:40SPEAKER_00: But I agree, Daenerys is a terrible character.
- 39:44SPEAKER_00: She's so boring.
- 39:46SPEAKER_00: And she's even worse in the TV show.
- 39:50Bran,
- 39:51there was one book,
- 39:52was it the third book or maybe it was the fourth book?
- 39:55SPEAKER_00: He's left out entirely.
- 39:57SPEAKER_00: And that was a good thing because his storyline was such a drag.
- 40:01SPEAKER_00: And the problem with Game of Thrones is
- 40:06SPEAKER_00: He kills all these characters off for shock value,
- 40:08SPEAKER_00: but he doesn't replace them with new and interesting characters.
- 40:11SPEAKER_00: Yeah,
- 40:13it's a gut punch to the audience to kill off Ned at the end of
- 40:16the first book and
- 40:17SPEAKER_00: to have the red wedding.
- 40:19SPEAKER_00: But if you don't replace these characters with newer,
- 40:23SPEAKER_00: more interesting characters,
- 40:25SPEAKER_00: your story just goes nowhere.
- 40:27It grinds to a halt and it runs out of gas,
- 40:31and that's the problem that I –
- 40:34SPEAKER_00: ran into with the books as it was a problem with the show.
- 40:36SPEAKER_00: But to go back to your original question,
- 40:38SPEAKER_00: John,
- 40:39SPEAKER_00: the natural,
- 40:40SPEAKER_00: yeah,
- 40:41SPEAKER_00: that would have been the natural conclusion to the story.
- 40:44SPEAKER_01: What about you, Fisto?
- 40:45SPEAKER_01: What do you think?
- 40:47SPEAKER_02: Pan Am Palmer, obviously.
- 40:49SPEAKER_01: Pan Am Palmer.
- 40:50SPEAKER_01: Okay.
- 40:50SPEAKER_02: Yeah.
- 40:51SPEAKER_02: No, I actually didn't follow Game of Thrones all that much.
- 40:53SPEAKER_02: I wasn't super interested in it.
- 40:56SPEAKER_01: But I mean, I know enough.
- 40:59SPEAKER_02: Well, put it like this.
- 41:01I know enough about it that when you say,
- 41:03when you say Johnny,
- 41:04you mean John snow,
- 41:05right?
- 41:06SPEAKER_02: Right.
- 41:07SPEAKER_02: Yeah.
- 41:07SPEAKER_02: Like that's just, that strikes me as obvious.
- 41:09SPEAKER_02: Like, I don't know why, but it strikes me as that's the obvious response.
- 41:14SPEAKER_01: I'm going to disagree with you guys.
- 41:16SPEAKER_02: Okay.
- 41:16SPEAKER_02: I mean, go on.
- 41:16I have no,
- 41:18like I said,
- 41:18I have to disagree because it's my job to disagree.
- 41:20SPEAKER_01: Right.
- 41:21SPEAKER_01: But I honestly dislike both.
- 41:23SPEAKER_01: I dislike.
- 41:23SPEAKER_01: Right.
- 41:24SPEAKER_01: I just like John.
- 41:25SPEAKER_00: Right.
- 41:25SPEAKER_00: Oh yeah.
- 41:26SPEAKER_00: I don't, I don't like John either.
- 41:28SPEAKER_00: He's such a, uh, stick in, uh,
- 41:31SPEAKER_00: such a sourpuss, he's so troll, he's such a stick in the mud.
- 41:36SPEAKER_01: So who I think should have,
- 41:37SPEAKER_01: he should have died,
- 41:38SPEAKER_01: who I think should have sat on the Iron Throne at the end,
- 41:43SPEAKER_01: right?
- 41:44SPEAKER_01: You guys ready for it?
- 41:46SPEAKER_01: It's Sansa, that's who I thought should have.
- 41:50SPEAKER_01: And I felt like he was actually building her up to in the books, right?
- 41:54SPEAKER_01: Because Sansa is in a strange way the neutral party, right?
- 41:59SPEAKER_01: And she is,
- 42:03she technically has the most claim to both the Northlands and
- 42:08the Southlands,
- 42:09SPEAKER_01: right?
- 42:09SPEAKER_01: So she is a, she's a Stark, right?
- 42:13SPEAKER_01: So she's the heir to the North, right?
- 42:16SPEAKER_01: She is the oldest legitimate heir to the North, right?
- 42:20SPEAKER_01: Right.
- 42:21uh,
- 42:21that's not like a cripple,
- 42:23like magician,
- 42:23like her younger brother,
- 42:25right?
- 42:25SPEAKER_01: Like, uh, what's his name?
- 42:26SPEAKER_01: The, the cripple kid, right?
- 42:28SPEAKER_01: Yeah.
- 42:28SPEAKER_01: Bran.
- 42:29SPEAKER_01: So she is the healthy non,
- 42:32SPEAKER_01: you know,
- 42:32SPEAKER_01: non crippled,
- 42:33SPEAKER_01: non becoming a tree or something like that,
- 42:36SPEAKER_01: you know,
- 42:37SPEAKER_01: uh,
- 42:38SPEAKER_01: air to the North.
- 42:39SPEAKER_01: And she's also technically, uh,
- 42:42SPEAKER_01: she, her marriage to, uh, uh, what's his name?
- 42:46SPEAKER_01: Um, Ramsey, Ramsey, not Ramsey.
- 42:50SPEAKER_01: Uh, uh, well, she, Oh, um,
- 42:55SPEAKER_01: What's his name?
- 42:56SPEAKER_01: The little bastard that choked on his own shit, right?
- 43:00SPEAKER_00: Joffrey, Joffrey, yeah.
- 43:01SPEAKER_01: Joffrey.
- 43:02SPEAKER_01: That makes her a Lannister also, right?
- 43:05SPEAKER_01: And therefore, she's an heir to the South, right?
- 43:08SPEAKER_01: She's a direct – through marriage,
- 43:11she's basically the daughter-in-law of the last rightful king
- 43:17of the kingdom,
- 43:18SPEAKER_01: right?
- 43:19SPEAKER_01: Yeah.
- 43:20SPEAKER_01: And there you go.
- 43:21SPEAKER_01: Right.
- 43:21SPEAKER_01: But she's also the way they're setting her up to be in the books,
- 43:24SPEAKER_01: at least was she was hanging out with Littlefinger.
- 43:28SPEAKER_01: And he was teaching her some creep powers,
- 43:31SPEAKER_01: right,
- 43:31SPEAKER_01: and how to be kind of a spider herself,
- 43:35SPEAKER_01: right?
- 43:36And she yeeted that little kid into the hole,
- 43:38and she basically got Littlefinger's ass too.
- 43:41And ultimately,
- 43:44right,
- 43:44it made sense for her to maneuver into that leadership role.
- 43:50SPEAKER_01: And also, you know, it would have kept to that –
- 43:54SPEAKER_01: you know,
- 43:54SPEAKER_01: the whole War of the Roses thing,
- 43:56SPEAKER_01: because eventually England ends up under the reign of Queen Elizabeth,
- 44:01SPEAKER_01: right?
- 44:02And that's when it reaches,
- 44:03like,
- 44:03you know,
- 44:04almost it's some of its peak in that era,
- 44:07right?
- 44:08SPEAKER_01: It's like it enters its golden age with Elizabeth,
- 44:11and which really lasts until the Victorian era and the
- 44:14post-Victorian era,
- 44:15SPEAKER_01: right?
- 44:16So I thought that Sansa could have become a Queen Elizabeth
- 44:20type figure where she
- 44:22SPEAKER_01: manipulates all sides,
- 44:24SPEAKER_01: has claimed to all sides of the kingdom through her,
- 44:27SPEAKER_01: you know,
- 44:28SPEAKER_01: short lived marriages and through her own,
- 44:30SPEAKER_01: own blood.
- 44:31SPEAKER_01: And that just made sense to me.
- 44:32SPEAKER_01: Right.
- 44:33SPEAKER_01: I think I would have liked her as the winner.
- 44:35SPEAKER_01: Plus I liked the actress.
- 44:36I think the actress did a good job of being a bitch that
- 44:39becomes kind of like good towards D&D.
- 44:41SPEAKER_01: Yeah.
- 44:42SPEAKER_00: You know, I can, I,
- 44:45SPEAKER_00: I have to say you've persuaded me.
- 44:46SPEAKER_00: Uh,
- 44:48SPEAKER_00: I mean,
- 44:48SPEAKER_00: John would have been the natural conclusion,
- 44:50SPEAKER_00: but,
- 44:51SPEAKER_00: uh,
- 44:53SPEAKER_00: if you want to do a twist,
- 44:54SPEAKER_00: then Sansa would have been,
- 44:56SPEAKER_00: cause you're right in the show.
- 44:57SPEAKER_00: Uh, and I haven't read the fifth book.
- 45:00SPEAKER_00: So I don't know if that,
- 45:03SPEAKER_00: I think she features heavily in the fifth book,
- 45:05SPEAKER_00: but if I remember correctly in the books though,
- 45:09SPEAKER_00: she doesn't marry Ramsey Bolton.
- 45:10SPEAKER_00: They,
- 45:11they substitute some other girls saying that it's her or saying
- 45:14that it's Aria.
- 45:15SPEAKER_00: Isn't that right?
- 45:16SPEAKER_01: Yeah.
- 45:16SPEAKER_01: They never actually really even interact at all in the books.
- 45:20SPEAKER_01: Uh,
- 45:21SPEAKER_01: so like at least it never gets to that level that,
- 45:23SPEAKER_01: that might've been a complete creation of the show itself,
- 45:26SPEAKER_01: you know?
- 45:26Um,
- 45:27so I don't think,
- 45:29I don't remember them even interacting in the book,
- 45:32right?
- 45:32I think the book ends with her being up in still being in,
- 45:36uh,
- 45:37the Eagle's nest,
- 45:38you know?
- 45:38SPEAKER_01: Um,
- 45:39SPEAKER_01: All right, but that's enough Game of Thrones, guys, all right?
- 45:41SPEAKER_01: I actually like a lot of – I'm rushing because Josh is on a time crunch,
- 45:48SPEAKER_01: so make sure you let me know when you have to go,
- 45:50SPEAKER_01: okay?
- 45:52And I wanted to hit some important,
- 45:53important conversation,
- 45:55conversational topics.
- 45:56SPEAKER_01: Right.
- 45:56SPEAKER_01: So you, I like, I like your choices.
- 45:58SPEAKER_01: You know, I don't like, uh, Patrick Rothfuss at all.
- 46:00SPEAKER_01: I didn't like that book at all.
- 46:02SPEAKER_01: You know,
- 46:03SPEAKER_01: uh,
- 46:04SPEAKER_01: David Gemmell for you guys that are not familiar with David Gemmell,
- 46:07you might be familiar with the movie that was based on David
- 46:09Gemmell's work,
- 46:10SPEAKER_01: which is legend,
- 46:11SPEAKER_01: right.
- 46:12SPEAKER_01: Which was a Tom Cruise movie.
- 46:15SPEAKER_01: Right.
- 46:16SPEAKER_01: And, uh, it was, I believe one of Tom Cruise's first movies.
- 46:18SPEAKER_01: And he is like, uh, uh, it's about like, uh,
- 46:21SPEAKER_01: like a, like a unicorn.
- 46:23SPEAKER_01: And it's got, uh, uh, it's, it's pretty cool.
- 46:26SPEAKER_01: It's like a pretty keynote movie.
- 46:27SPEAKER_01: It's got like some good, uh, good visuals in it.
- 46:30SPEAKER_01: I don't know if, have you guys seen legend?
- 46:32SPEAKER_00: I have, but I don't think that was based on, uh, David Gemmel story.
- 46:38SPEAKER_00: I, if it is, it's the first I've ever heard of it.
- 46:41SPEAKER_00: Cause his first book was legend was called legend,
- 46:45SPEAKER_00: but it's about something else entirely than what the movie's about.
- 46:49SPEAKER_01: Maybe I'm completely wrong.
- 46:51SPEAKER_01: So I might be completely wrong, which is rare.
- 46:53SPEAKER_00: I have seen Legend.
- 46:55SPEAKER_00: It's been a while, but it's a great movie.
- 46:58SPEAKER_01: Right.
- 46:59SPEAKER_01: No, I guess you're right.
- 47:01SPEAKER_01: The movie is not based on the David Gamble movie, right?
- 47:05SPEAKER_00: As far as I know,
- 47:06SPEAKER_00: they've never adapted his work for TV or movies,
- 47:11SPEAKER_00: which is a crime because he's like – I mean he's at least as good – well,
- 47:17SPEAKER_00: I think he's better than Martin.
- 47:20SPEAKER_00: Um,
- 47:20SPEAKER_00: but,
- 47:22SPEAKER_00: uh,
- 47:22SPEAKER_00: yeah,
- 47:22SPEAKER_00: they,
- 47:22SPEAKER_00: as far as I know,
- 47:23SPEAKER_00: they've never adapted any of his stuff for the screen.
- 47:27You know what,
- 47:27what fantasy writer I really like,
- 47:30uh,
- 47:31guy,
- 47:31guy,
- 47:31Gabriel K.
- 47:33All right.
- 47:33SPEAKER_01: And he's kind of a bit of a acquired taste,
- 47:36SPEAKER_01: a little bit on the,
- 47:37SPEAKER_01: on the periphery of mainstream kind of fantasy.
- 47:41Um,
- 47:41guy,
- 47:42Gabriel K is originally best known for helping Tolkien's son,
- 47:47um,
- 47:49SPEAKER_01: What's his name?
- 47:50SPEAKER_01: Christopher.
- 47:51SPEAKER_01: Christopher Tolkien complete the Silmarillion, right?
- 47:57SPEAKER_01: And he's a Canadian writer of fantasy.
- 48:00SPEAKER_01: But he writes – he's still writing right now.
- 48:04SPEAKER_01: There's a new book that came out like a year or two ago.
- 48:07SPEAKER_01: He writes –
- 48:09SPEAKER_01: he used to write more like second world,
- 48:12SPEAKER_01: like a fantasy,
- 48:13SPEAKER_01: you know,
- 48:14SPEAKER_01: your,
- 48:14SPEAKER_01: your traditional fantasy.
- 48:16SPEAKER_01: He has a, a really good novel called Tigana.
- 48:19SPEAKER_01: Um,
- 48:20he has a series of four novels that are very much like
- 48:23Tolkien-esque portal fiction,
- 48:25SPEAKER_01: uh,
- 48:25SPEAKER_01: or not Tolkien-esque,
- 48:26SPEAKER_01: but,
- 48:27SPEAKER_01: um,
- 48:28SPEAKER_01: very much,
- 48:29SPEAKER_01: um,
- 48:30narnia-esque portal fiction but you know of uh adults from or
- 48:35teenagers from our
- 48:36world ending up in like a fantasy world type of kind of
- 48:39storyline um and then he
- 48:41wrote a really good novel called tigana um which is about
- 48:46really interesting kind
- 48:47of concept it's about this country uh this nation in the middle
- 48:52of this uh um
- 48:54fantasy world uh that's being fought over well the whole world
- 48:58is basically being
- 48:59fought by two kind of super powered wizards and uh the the
- 49:04people of this nation
- 49:05kind of rebelled and one of the wizards like really fucking
- 49:08hated them and he used
- 49:09this magic to not only remove that nation from the map but he
- 49:13made everybody forget
- 49:15SPEAKER_01: about it
- 49:16right and actually like embraced the entire like nation its
- 49:19culture everything from
- 49:21like the memory it was like a basically a spiritual magical
- 49:24genocide on this nation
- 49:26the people of that nation can still remember it and you know
- 49:29they still like are
- 49:30able to like talk about it but it's like in a very like
- 49:34magically downpowered it's
- 49:36a very interesting kind of concept and you know you have these
- 49:39people kind of
- 49:39SPEAKER_01: rebelling against these wizards you know um
- 49:43And then he,
- 49:44after that,
- 49:44he pretty much writes very historically inspired fiction.
- 49:50A very good novel is The Lions of Al-Rasan,
- 49:54which is basically,
- 49:55really it's about the...
- 49:58Muslim Spain and the Reconquista,
- 50:01and one of the characters is basically El Cid from history.
- 50:05SPEAKER_01: It's very good,
- 50:07SPEAKER_01: and you've got...
- 50:10SPEAKER_01: He likes Byzantine history a lot,
- 50:12so a lot of his fantasy world takes place in a Byzantine Empire
- 50:18kind of analog,
- 50:19SPEAKER_01: and also he likes Renaissance-era Venice and Italy,
- 50:23SPEAKER_01: so there's a lot of...
- 50:25kind of a back and forth between like the byzantine world and
- 50:29the venetian uh
- 50:30republic and but they're all like the fantasy version of those
- 50:34those places and
- 50:35it's very interesting um a lot of his novels take place in the
- 50:39same world and
- 50:40they're kind of like they're not connected directly by plot but
- 50:44they're connected
- 50:45by you'll have a character from one novel that shows up like
- 50:49two novels later and
- 50:50he's like an old man that's like oh i'm a traveler from syrensa
- 50:53or whatever
- 50:54And if you read the other book,
- 50:55you recognize him or her and that kind of stuff.
- 51:00So if you haven't read Guy Gavriel Kay,
- 51:03I highly recommend you give it a read.
- 51:05SPEAKER_00: Yeah, my birthday is coming up in a couple weeks.
- 51:09I might have to tell my wife,
- 51:11hey,
- 51:11I want some of these books for my birthday.
- 51:13SPEAKER_01: Yeah,
- 51:13SPEAKER_01: no,
- 51:14SPEAKER_01: I,
- 51:14SPEAKER_01: like,
- 51:15SPEAKER_01: they're just very,
- 51:16SPEAKER_01: they're,
- 51:17SPEAKER_01: you know,
- 51:18there's one criticism of them from people that tend to read a
- 51:21lot of fantasy is
- 51:22SPEAKER_01: that they're a little bit higher level,
- 51:26SPEAKER_01: if that makes sense.
- 51:27SPEAKER_01: They're a little bit more literary written, you know.
- 51:30SPEAKER_01: Have you read, have you read any, what's his name, the Pringles guy?
- 51:37SPEAKER_01: The Book of the New Sun.
- 51:42SPEAKER_00: Uh, no, I have not.
- 51:44SPEAKER_01: Okay.
- 51:44SPEAKER_01: That's another one you need to add to your list.
- 51:46SPEAKER_01: You too, Fisto.
- 51:47SPEAKER_01: Book of the New Sun.
- 51:48SPEAKER_01: Okay.
- 51:48SPEAKER_01: All right.
- 51:49SPEAKER_01: Book of the New Sun.
- 51:49SPEAKER_01: Got it.
- 51:50SPEAKER_01: It's a, it's a dying, dying earth kind of genre.
- 51:54SPEAKER_01: Uh, it's basically, uh, Oh, I've heard of this.
- 51:56SPEAKER_00: Yeah.
- 51:57SPEAKER_00: Who's the Pringles guy?
- 51:59SPEAKER_02: Uh, I'm going to grab my notebook.
- 52:01SPEAKER_00: Hang on.
- 52:01SPEAKER_00: Let me see.
- 52:03SPEAKER_01: So the author invented Pringles.
- 52:07SPEAKER_00: Oh, okay.
- 52:08SPEAKER_01: And if you look at his picture, uh,
- 52:11uh his his name is uh uh gene wolf gene wolf oh i see okay if
- 52:17you look at if you
- 52:18look at the picture of gene wolf he he's basically the the
- 52:21pringles guy on the yeah
- 52:23he looks just like it supposedly he invented pringles because
- 52:27he worked at that
- 52:27what's the title again real quick book of the new sun it's
- 52:30actually four books but
- 52:32SPEAKER_01: they're like all combined um
- 52:35SPEAKER_01: It's basically about a torturer that – he's basically Jesus Christ.
- 52:40But it's like Earth,
- 52:42but it's like Earth in the like million years in the future.
- 52:46SPEAKER_01: So it's like reverted back to kind of a medieval kind of world.
- 52:49But there's like – there's robots and shit and like there's
- 52:53rockets and all kinds
- 52:54SPEAKER_01: of crazy mutants and aliens and stuff.
- 52:56SPEAKER_01: But like nobody knows that they are that.
- 52:58SPEAKER_01: So like –
- 52:59SPEAKER_01: You have to read the book and decode what the hell's going on sometimes.
- 53:02SPEAKER_01: They'll be like,
- 53:03SPEAKER_01: so I was standing in the city,
- 53:05SPEAKER_01: and all of a sudden,
- 53:06SPEAKER_01: one of the really tall,
- 53:07SPEAKER_01: pointy spires of the castle decided,
- 53:11SPEAKER_01: in a blaze of fire,
- 53:12SPEAKER_01: to take off into the sky.
- 53:14SPEAKER_01: And he's describing a rocket launch, but it's obviously...
- 53:20SPEAKER_01: you know he's using like medieval era like medieval level tech you know
- 53:25technological speak to describe like high-tech stuff you know
- 53:29yeah it's really wild
- 53:31man there's mutants and stuff there's like just it's like the
- 53:34craziest books ever
- 53:35there's robots and like robot mutants and like beast people and
- 53:40i see here the
- 53:42SPEAKER_02: south america plays a serious role yeah yeah it's like commonwealth
- 53:46SPEAKER_01: Yeah, it's all kind of crazy stuff, right?
- 53:49SPEAKER_01: Yeah, all right.
- 53:49SPEAKER_01: Yeah, yeah, yeah.
- 53:51It's a tough book because you have to,
- 53:52like,
- 53:52you're like,
- 53:52what are they talking about here?
- 53:54SPEAKER_01: And then you're like,
- 53:55SPEAKER_01: oh,
- 53:55SPEAKER_01: yeah,
- 53:55SPEAKER_01: they're talking about,
- 53:56SPEAKER_01: like,
- 53:56SPEAKER_01: rocket ships or,
- 53:57SPEAKER_01: like,
- 53:57SPEAKER_01: you know,
- 53:58SPEAKER_01: genetic stuff.
- 53:58SPEAKER_01: But they make it seem like magic, you know?
- 54:01SPEAKER_01: Really arcane.
- 54:02SPEAKER_01: Yeah, yeah.
- 54:02SPEAKER_01: And the dude's literally like a professional torturer,
- 54:06but he like leaves the guild because he refuses to torture this
- 54:09one chick.
- 54:10SPEAKER_01: It's like really crazy, like very gothic.
- 54:14SPEAKER_02: Gothic, outstanding.
- 54:16SPEAKER_01: Right.
- 54:17SPEAKER_01: That's really cool.
- 54:18SPEAKER_01: So that's some of my fantasy stuff.
- 54:19SPEAKER_01: And of course, I love Lord of the Rings, right?
- 54:21SPEAKER_01: Who doesn't like Lord of the Rings?
- 54:23SPEAKER_01: It brings...
- 54:25me to the the point that i wanted to have and i wanted to even
- 54:28write an essay about
- 54:30this right but i wanted you know i wanted to talk to somebody
- 54:32uh that writes
- 54:34fantasy right and it was either you josh or lisa and you know
- 54:37lisa's probably tired
- 54:38of talking to us man she's she's out chasing skunks right now
- 54:42or something so i
- 54:45think i think she might be launching a jihad jihads on the
- 54:48skunk yeah i feel like i
- 54:49SPEAKER_02: feel like this is gonna get very serious for her
- 54:51SPEAKER_01: Yeah, that's some insight politics right there.
- 54:53SPEAKER_01: Yeah, don't worry about it, guys.
- 54:54SPEAKER_01: Don't worry about it.
- 54:55SPEAKER_01: Lisa, I'm sorry about your skunk problem.
- 54:58SPEAKER_02: The Great Skunk War has begun.
- 55:00SPEAKER_01: The Great Skunk War of Canada, right?
- 55:04SPEAKER_01: But the reason I actually want to talk to you,
- 55:06SPEAKER_01: Josh,
- 55:07SPEAKER_01: the American fantasy writers,
- 55:08SPEAKER_01: because my point is going to be a very American point,
- 55:11SPEAKER_01: right?
- 55:12SPEAKER_01: When Tolkien wrote Lord of the Rings,
- 55:15SPEAKER_01: right,
- 55:16SPEAKER_01: one of his intentions,
- 55:17SPEAKER_01: and correct me if I'm wrong,
- 55:18SPEAKER_01: was that he wanted to...
- 55:20SPEAKER_01: bring a level of, to re-mythologize the English, the British, right?
- 55:26SPEAKER_01: He felt that unlike the,
- 55:29SPEAKER_01: there was a lack of connection between the British and their Anglo-Saxon,
- 55:35SPEAKER_01: you know,
- 55:35SPEAKER_01: Germanic,
- 55:36SPEAKER_01: like,
- 55:37SPEAKER_01: you know,
- 55:37SPEAKER_01: connection,
- 55:38SPEAKER_01: right?
- 55:39SPEAKER_01: Specifically, you know, he was a big fan of, you know, of old English,
- 55:45you know medieval and older than medieval literature stuff like
- 55:48beowulf and that
- 55:50sort of thing and he wanted to write a mythology for england
- 55:55right and his you know
- 55:58you know and that's what he did right with lord of the rings
- 56:01right he brought in
- 56:02SPEAKER_01: his christianity he brought in a very
- 56:05SPEAKER_01: English, very British sensibility to Lord of the Rings.
- 56:09SPEAKER_01: And most of all,
- 56:10SPEAKER_01: you know,
- 56:10SPEAKER_01: the people that he made the heroes of Lord of the Rings are the Hobbits,
- 56:14SPEAKER_01: right?
- 56:14SPEAKER_01: And there's nothing more English than the Hobbits, okay?
- 56:17SPEAKER_01: When you think of England, you think of, you know, Hobbits.
- 56:20SPEAKER_01: I mean, that's what I do, right?
- 56:21SPEAKER_01: I think of the Shire, right?
- 56:22SPEAKER_01: That's like,
- 56:23SPEAKER_01: that's our English pastoral small town,
- 56:25SPEAKER_01: you know,
- 56:26SPEAKER_01: small Hamlet village or whatever the hell the British call it,
- 56:29SPEAKER_01: fantasy,
- 56:30SPEAKER_01: right?
- 56:30SPEAKER_01: I mean, would you guys agree with that?
- 56:31SPEAKER_01: Yes.
- 56:32SPEAKER_00: Yep, 100%.
- 56:34SPEAKER_01: Okay.
- 56:34SPEAKER_01: So that's what he did.
- 56:35SPEAKER_01: Right.
- 56:36SPEAKER_01: And of course there was other English fantasy stuff, right?
- 56:41Uh,
- 56:41you can't,
- 56:42uh,
- 56:42you know,
- 56:42you can't ignore the Arthurian myths and that type of stuff.
- 56:47SPEAKER_01: Right.
- 56:47SPEAKER_01: Uh, a lot of them, um,
- 56:50SPEAKER_01: really came out of the French, to be honest.
- 56:52SPEAKER_01: They went to France and came back to England and stuff.
- 56:55SPEAKER_01: But, you know, that's what Tolkien wanted to do, right?
- 56:57SPEAKER_01: He wanted to remystify and bring some,
- 57:00SPEAKER_01: you know,
- 57:01SPEAKER_01: traditional Christian ideas,
- 57:02SPEAKER_01: traditional,
- 57:03what he felt were these Anglo-Saxon ideas and bring them for a
- 57:0820th century English population,
- 57:11SPEAKER_01: right?
- 57:12SPEAKER_01: That's what he was trying to do.
- 57:14SPEAKER_01: Now, when we write fantasy, though, right,
- 57:17For some reason,
- 57:18fantasy tends to default to a medieval level thing,
- 57:23right?
- 57:24SPEAKER_01: Why is that?
- 57:25Why is the default for fantasy knights and dragons and shit and
- 57:31that very pre-industrial era?
- 57:34SPEAKER_01: What in the definition of fantasy...
- 57:38SPEAKER_01: you know, forces us to have a pre-industrial era European mindset.
- 57:43SPEAKER_01: I mean,
- 57:44SPEAKER_01: yes,
- 57:44I know there's like Chinese fantasy and African themed fantasy
- 57:47and all that shit,
- 57:47SPEAKER_01: right?
- 57:48But for the most part,
- 57:50there's a default to pre-industrial Europe for fantasy,
- 57:54right?
- 57:55SPEAKER_01: Why?
- 57:56SPEAKER_00: That's a good question.
- 57:58I don't know that I'm qualified to answer,
- 58:01but I don't know if that's just what we think that,
- 58:06people expect or that's what we identify with fantasy uh i mean
- 58:12you know a lot of
- 58:13people and i know you're not a fan but a lot of people say star
- 58:17wars is sci-fi but
- 58:18star wars is actually space fantasy it's fantasy in space
- 58:21there's sword fights and
- 58:23magic and all that kind of stuff you know the force is magic
- 58:26the jedi are they call
- 58:28them jedi knights and so people kind of accept that okay star
- 58:32wars is kind of
- 58:33SPEAKER_00: fantasy and
- 58:35SPEAKER_00: but I agree with that.
- 58:37I,
- 58:38I just think that's people,
- 58:40I guess we think that's,
- 58:41those are the rules of the genre.
- 58:45SPEAKER_00: I mean,
- 58:45SPEAKER_00: as for me,
- 58:46SPEAKER_00: I'm just,
- 58:47I'm fascinated with that stuff with nights and medieval
- 58:50societies and ancient history.
- 58:53SPEAKER_00: And I guess for me,
- 58:55it's a kind of part of way of kind of a way to try and relive
- 59:00or not relive,
- 59:01SPEAKER_00: but maybe,
- 59:02live vicariously through some of that stuff because I mean I'm
- 59:05personally obsessed
- 59:06with like ancient Greece not as obsessed with ancient Rome but
- 59:10I still have an
- 59:11affinity for it and you know maybe that's if we were to
- 59:17extrapolate that maybe
- 59:18that's just what us fantasy authors are trying to do is we like
- 59:22this stuff and so
- 59:23maybe this is how we can live vicariously through those worlds
- 59:27I mean it has
- 59:28SPEAKER_00: crossed my mind to try to write
- 59:32SPEAKER_00: like a fantasy Western.
- 59:34I'm not quite sure how to go about that,
- 59:36but it has crossed my mind to kind of tackle that.
- 59:39SPEAKER_00: Right.
- 59:41SPEAKER_00: I mean,
- 59:41SPEAKER_00: but,
- 59:42SPEAKER_00: but,
- 59:42SPEAKER_00: you know,
- 59:43SPEAKER_00: Warhammer of,
- 59:44SPEAKER_00: sorry,
- 59:44SPEAKER_00: man,
- 59:45SPEAKER_00: Warhammer,
- 59:46SPEAKER_00: Warhammer 40K that there's a lot of fantasy elements in that too.
- 59:50SPEAKER_00: So,
- 59:50SPEAKER_00: so,
- 59:51SPEAKER_00: I mean,
- 59:51I think there have been attempts to try to break out of that
- 59:54and those attempts
- 59:55SPEAKER_00: actually are very popular.
- 59:56SPEAKER_00: So I don't know why more people,
- 59:59SPEAKER_00: don't try,
- 1:00:00SPEAKER_00: I guess maybe we were thinking too small,
- 1:00:02SPEAKER_00: you know,
- 1:00:02SPEAKER_00: we're stuck in this traditional mindset.
- 1:00:06SPEAKER_00: Um,
- 1:00:07SPEAKER_00: but like I said,
- 1:00:08SPEAKER_00: for me,
- 1:00:08it's just a way to try to live vicariously through these
- 1:00:12cultures and characters that,
- 1:00:14SPEAKER_00: I mean,
- 1:00:14I've been obsessed with ancient Greece since I watched the 300
- 1:00:17Spartans at like
- 1:00:18SPEAKER_00: eight or nine years old.
- 1:00:20SPEAKER_00: Um, so yeah, man, like I said, I don't know that I'm
- 1:00:26SPEAKER_00: I'm the guy to answer that question.
- 1:00:28SPEAKER_01: Thank you for your answer.
- 1:00:29SPEAKER_01: I think it's a good answer.
- 1:00:31SPEAKER_02: It's very good.
- 1:00:32SPEAKER_02: I'd like to add a couple thoughts.
- 1:00:36Are we essentially asking why there hasn't been an American
- 1:00:38Lord of the Rings yet?
- 1:00:41SPEAKER_00: His name is George R.R.
- 1:00:44SPEAKER_00: Martin.
- 1:00:45SPEAKER_02: Okay, well... I don't disagree with that, by the way.
- 1:00:49SPEAKER_02: I disagree with that.
- 1:00:50SPEAKER_02: When people call...
- 1:00:53SPEAKER_02: Well,
- 1:00:53I want to push back a little against that only because I
- 1:00:56suspect that if there is
- 1:00:58SPEAKER_02: going to be that,
- 1:00:59it's going to have to be perhaps in the quintessential American
- 1:01:03art form of film.
- 1:01:05SPEAKER_02: It's not going to be something that's going to be expressed in books.
- 1:01:08Which leads me to my other point is that probably the reason
- 1:01:12that the default
- 1:01:13SPEAKER_02: always seems to be the template that...
- 1:01:16tolkien laid down is just because of the influence of england
- 1:01:21and europe on the
- 1:01:23anglo-american side of the united states in my mind i suspect
- 1:01:32one of the first
- 1:01:32attempts was certainly star wars i agree i agree but i also
- 1:01:36think interesting we
- 1:01:37have i also keep thinking of preacher the comic because comics
- 1:01:42are kind of an
- 1:01:42SPEAKER_02: american thing aren't they
- 1:01:45SPEAKER_01: Yeah, the French have a really good graphic novel tradition.
- 1:01:50SPEAKER_02: But for those unfamiliar with Preacher,
- 1:01:53it stars a Texas preacher who hunts down God with an Irish
- 1:02:02vampire from Louisiana
- 1:02:04SPEAKER_02: and West Texas assassin girlfriend.
- 1:02:08SPEAKER_02: It's absolutely ridiculous.
- 1:02:11SPEAKER_02: But it strikes me that it does kind of tie in the
- 1:02:15SPEAKER_02: myriad threads that currently exist in the United States into,
- 1:02:22SPEAKER_02: you know,
- 1:02:23SPEAKER_02: a real American mythic hero in Jesse Custer.
- 1:02:26SPEAKER_02: I mean, God, the guy's even got the last name.
- 1:02:28SPEAKER_02: You know what I mean?
- 1:02:29SPEAKER_02: Right.
- 1:02:29SPEAKER_02: Right.
- 1:02:30SPEAKER_02: So I don't know.
- 1:02:30SPEAKER_02: What do you guys think?
- 1:02:31I think,
- 1:02:33I think,
- 1:02:33you know,
- 1:02:35I'm certainly not the first person to say this.
- 1:02:37SPEAKER_00: I think the American version of fantasy is the Western.
- 1:02:40SPEAKER_00: I mean, our knights are the cowboys.
- 1:02:43SPEAKER_02: Our knights are cowboys.
- 1:02:44SPEAKER_02: The samurai too.
- 1:02:46SPEAKER_00: Yeah, that's true.
- 1:02:47SPEAKER_00: That's right.
- 1:02:50So,
- 1:02:51I mean,
- 1:02:51I just think that that's the closest that maybe we think we can get.
- 1:02:57SPEAKER_00: But, you know, I've seen – and, Alexandra, I've seen you.
- 1:03:00challenge people to just go nuts when writing fantasy don't let
- 1:03:04anything hold them
- 1:03:04back and uh you know one of these days i'd like to live up to
- 1:03:09that challenge i
- 1:03:10don't know that i'm quite equipped to do that yet but i mean i
- 1:03:14like i said i've
- 1:03:16i've been brainstorming i've been thinking how could i write a
- 1:03:21western that's a
- 1:03:21fantasy with cowboys and all this kind of stuff i mean you know
- 1:03:26stephen king's
- 1:03:28says his dark tower series is fantasy i don't really see it
- 1:03:31that way i think it's
- 1:03:31more like alternate universe or science fiction right um but
- 1:03:36he's tried to at least
- 1:03:37tackle it somewhat it is very nihilistic on top of that you
- 1:03:40know and in a way you
- 1:03:42know i will i'll note while i agree with you preacher by the
- 1:03:46way is very american
- 1:03:47the author is irish right right which is partially why i
- 1:03:52brought it up it's
- 1:03:55SPEAKER_02: A lot of this is going to come out of the Anglo side of things.
- 1:03:57SPEAKER_02: Right, the Anglosphere, yeah.
- 1:03:58SPEAKER_02: But I also appreciate how Preacher ties in.
- 1:04:01SPEAKER_02: I mean,
- 1:04:02SPEAKER_02: the guy clearly did his homework,
- 1:04:03SPEAKER_02: and being Irish,
- 1:04:04SPEAKER_02: I think,
- 1:04:05SPEAKER_02: gives him a unique perspective on us.
- 1:04:07SPEAKER_02: That's why Cassidy is such a great character, because he's the Irish guy.
- 1:04:11SPEAKER_02: What's the most Irish thing in the world?
- 1:04:12SPEAKER_02: Leave on a boat.
- 1:04:14SPEAKER_02: and come to New York City and then wander the continent.
- 1:04:17SPEAKER_02: But he ties in the Latin side.
- 1:04:20SPEAKER_02: He ties in the Native American side.
- 1:04:23SPEAKER_02: And by golly, does he tie in the
- 1:04:28SPEAKER_02: the liberal democratic degeneracy.
- 1:04:31SPEAKER_01: Right.
- 1:04:31SPEAKER_01: Right.
- 1:04:31SPEAKER_01: He does a good job of that.
- 1:04:33SPEAKER_02: Both coasts of all coasts, really.
- 1:04:36SPEAKER_01: And,
- 1:04:36SPEAKER_01: you know,
- 1:04:36another interesting American like themed fantasy written by
- 1:04:42non-American is
- 1:04:43SPEAKER_01: actually American gods by Neil Gaiman.
- 1:04:45SPEAKER_01: Right.
- 1:04:46SPEAKER_02: Ah, yeah.
- 1:04:47Which I mean,
- 1:04:49whether you like Neil Gaiman or not,
- 1:04:51you know,
- 1:04:51whatever,
- 1:04:52whatever.
- 1:04:53SPEAKER_02: Going to get canceled.
- 1:04:54SPEAKER_02: You brought up Neil Gaiman and the New York Times.
- 1:04:56SPEAKER_01: Sandman is still the best comic graphic novel of all time.
- 1:04:59SPEAKER_01: Sorry, guys.
- 1:05:01SPEAKER_01: Whether you like him or not, he wrote American Gods.
- 1:05:04SPEAKER_01: And that is actually a very good novel.
- 1:05:06SPEAKER_01: It's not a great novel.
- 1:05:07SPEAKER_01: It's a very good novel.
- 1:05:09SPEAKER_01: And it does attempt a...
- 1:05:13look at america through you know through an interesting kind of
- 1:05:16perspective but it
- 1:05:17ultimately is very british in its perspective right it's very
- 1:05:21it's very uh european
- 1:05:23um and he you know he tried to make it american but it he kind
- 1:05:28of failed in that
- 1:05:29but it's still very it's a very interesting topic of the gods
- 1:05:32in america and that
- 1:05:33SPEAKER_01: type of thing um
- 1:05:36SPEAKER_01: Now, I agree.
- 1:05:38SPEAKER_01: First of all,
- 1:05:38SPEAKER_01: I think that Star Wars is the nearest,
- 1:05:41SPEAKER_01: closest thing we have to an American Lord of the Rings.
- 1:05:46SPEAKER_01: Yeah.
- 1:05:47SPEAKER_02: Why doesn't it work?
- 1:05:48Why doesn't it fill the – I have a thought on that,
- 1:05:52but why doesn't it fill the role?
- 1:05:53SPEAKER_01: It doesn't have the depth of Lord of the Rings, I think.
- 1:05:56SPEAKER_01: It's ultimately –
- 1:06:00SPEAKER_02: There's something – You know, it's World War II.
- 1:06:03SPEAKER_02: World War II is fake and gay.
- 1:06:05SPEAKER_01: Right.
- 1:06:05SPEAKER_02: That's really what it is.
- 1:06:07SPEAKER_02: And Star Wars is the liberal democratic –
- 1:06:11fantasy right propaganda propaganda perfection i'm not even
- 1:06:15saying that as like a
- 1:06:16bad thing it's just that's what it comes out of it is it is it
- 1:06:19fully you know it
- 1:06:20fully does that right yeah dune dune might be the nearest thing
- 1:06:26to lord of the
- 1:06:27SPEAKER_01: rings in uh in written form if you want to
- 1:06:31SPEAKER_01: Go there.
- 1:06:33SPEAKER_01: Dune is a very fundamentally American, a bit of fiction, right?
- 1:06:37It has an idea of basically,
- 1:06:41I mean,
- 1:06:41the Artreides,
- 1:06:42right,
- 1:06:43are European,
- 1:06:43right?
- 1:06:44SPEAKER_01: They're European, you know, their planet is basically, you know, Europe.
- 1:06:49SPEAKER_01: And they moved to like,
- 1:06:52SPEAKER_01: you know,
- 1:06:53SPEAKER_01: a colonial holding often,
- 1:06:55SPEAKER_01: uh,
- 1:06:55SPEAKER_01: you know,
- 1:06:55SPEAKER_01: filled with crazy natives and,
- 1:06:58SPEAKER_01: uh,
- 1:06:58SPEAKER_01: you know,
- 1:06:59SPEAKER_01: the,
- 1:06:59SPEAKER_01: the land itself is hostile,
- 1:07:01SPEAKER_01: which is very much America.
- 1:07:02SPEAKER_01: And, uh,
- 1:07:05SPEAKER_01: It's written by an American in California when he wrote it.
- 1:07:09So it is very much a – it deals with a lot of issues around the
- 1:07:14time that the Arab
- 1:07:17crisis and the oil crisis is going on in the 70s when it was
- 1:07:21written late 60s,
- 1:07:21SPEAKER_01: 70s.
- 1:07:23um deals with like a lot of psychedelic type of stuff right now
- 1:07:28the the question is
- 1:07:29and this is where a lot of writers are gonna disagree with me
- 1:07:32and i this is i
- 1:07:34always get pushed back for this right but this is just my
- 1:07:36personal opinion i
- 1:07:38ultimately think that a work of art a work of fiction movies
- 1:07:43anything has to say
- 1:07:44SPEAKER_01: something right
- 1:07:45SPEAKER_01: It has to have a meaning, right?
- 1:07:48SPEAKER_01: It can't just mean,
- 1:07:49SPEAKER_01: yeah,
- 1:07:49SPEAKER_01: there's fiction that is just fun,
- 1:07:51SPEAKER_01: you know,
- 1:07:52SPEAKER_01: just for fun,
- 1:07:53SPEAKER_01: for,
- 1:07:53SPEAKER_01: you know,
- 1:07:53SPEAKER_01: for no purpose or whatever,
- 1:07:55SPEAKER_01: right?
- 1:07:56SPEAKER_01: But the best fiction, the best work of art says something, right?
- 1:08:01lord of the rings has a lot to say on its surface it is a
- 1:08:05fantastic adventure story
- 1:08:07about a hobbit and a ring and elves and shit and magic and you
- 1:08:11know battles and
- 1:08:12demons and all sorts of stuff right but it's last the time and
- 1:08:16it's going to last
- 1:08:17for another many hundred years hopefully because it says
- 1:08:21something deep about
- 1:08:23humanity about spirituality about honor about you know courage
- 1:08:27of a small person
- 1:08:29SPEAKER_01: over the you know uh
- 1:08:31insurmountable evil uh there's a there's tons of stuff about
- 1:08:35redemption i mean the
- 1:08:36key element of the story is i mean god like the most important
- 1:08:41thing in lord of the
- 1:08:41rings happens in the hobbit when uh bilbo baggins basically
- 1:08:47shows mercy towards
- 1:08:48SPEAKER_01: gollum
- 1:08:49you know as the that's the key moment in the entire you know
- 1:08:53for you know trilogy
- 1:08:54plus one right and it all ties in right with no with no golem
- 1:08:59with golem being
- 1:09:00killed you know nothing would have happened right uh the whole
- 1:09:03thing would have
- 1:09:04SPEAKER_01: gone to shit right and uh
- 1:09:06act of mercy was so key right so lord of the rings tokens has
- 1:09:10something to say uh
- 1:09:12you know dune has a lot to say right it kind of gets lost in
- 1:09:16like psychedelic
- 1:09:17insanity in the later books but at least in the first few books
- 1:09:20there's a lot of
- 1:09:21you know there's a lot of stuff discussed right the question is
- 1:09:25and the reason i
- 1:09:25tend to criticize uh the medieval type fantasy ad nauseum right
- 1:09:31is that a lot of
- 1:09:32SPEAKER_01: times it doesn't say anything
- 1:09:34right there there is it doesn't speak about the people right
- 1:09:38the british the
- 1:09:39hobbits in lord of the rings were a commentary on the ideal
- 1:09:45british right the ideal
- 1:09:46englishmen you know um if we just write about knights and
- 1:09:53european dudes doing
- 1:09:55european dude stuff we're just aping a different continent
- 1:09:59that's not ours in a way
- 1:10:01SPEAKER_00: yeah right yeah yep i i mean uh
- 1:10:04SPEAKER_00: That's why I think Game of Thrones ultimately fails.
- 1:10:07SPEAKER_00: It doesn't say anything.
- 1:10:09SPEAKER_00: The whole point is that life is shit,
- 1:10:12SPEAKER_00: and if you're a good person,
- 1:10:13SPEAKER_00: you're a retard,
- 1:10:15SPEAKER_00: and you're going to get beheaded.
- 1:10:17SPEAKER_00: It's the same with Rothfuss and Name of the Wind.
- 1:10:20SPEAKER_00: It doesn't say anything.
- 1:10:21SPEAKER_00: Now that I'm thinking about it, it doesn't say anything.
- 1:10:24SPEAKER_00: The guy is just like, I'm so awesome.
- 1:10:26SPEAKER_00: Here's my story about how awesome I am.
- 1:10:29right name of the wind is basically rodfuss's like 8 000 page
- 1:10:33you know dungeons and
- 1:10:35dragons character like backstory of for his bard and he's the
- 1:10:39guy that like brings
- 1:10:40that to the gaming table and you're like bro i ain't gonna read
- 1:10:43that okay rolling
- 1:10:45SPEAKER_01: 20 and if you get a one you die you know what i mean because i said
- 1:10:50SPEAKER_00: Sorry, finish.
- 1:10:50SPEAKER_00: Sorry, I'll let you finish.
- 1:10:51SPEAKER_01: But that's exactly what that is.
- 1:10:54SPEAKER_01: He wrote a giant Mary Sue,
- 1:10:56SPEAKER_01: which I hate that term,
- 1:10:57SPEAKER_01: but that's exactly what his little bard guy is.
- 1:11:01SPEAKER_01: And yeah, that's really it.
- 1:11:04SPEAKER_00: The second book is literally a thousand pages of nothing happening.
- 1:11:08SPEAKER_00: He starts the book still in the university.
- 1:11:11SPEAKER_00: He ends the book still in the university.
- 1:11:13SPEAKER_00: In between, he goes off on pointless side quests.
- 1:11:17SPEAKER_00: and he has a bunch of sex in between.
- 1:11:20SPEAKER_00: He's no closer to figuring out who killed his family.
- 1:11:22He's no closer to fulfilling any of those epic adventures that
- 1:11:26he promises at the
- 1:11:27SPEAKER_00: beginning of the previous book,
- 1:11:29SPEAKER_00: 1,600 pages earlier.
- 1:11:32SPEAKER_00: Literally nothing happens,
- 1:11:33SPEAKER_00: but because the prose is kind of – the prose is purple,
- 1:11:37and I don't have anything against purple prose as long as
- 1:11:39there's a point to it.
- 1:11:40SPEAKER_00: It's not
- 1:11:41SPEAKER_00: Just for masturbatory purposes, which it is for Rothfuss.
- 1:11:45I mean his characters say nothing,
- 1:11:49but they say nothing in a way that seems clever and wise.
- 1:11:53SPEAKER_00: So people are like, oh, his dialogue, it's so awesome.
- 1:11:56SPEAKER_00: He's saying so many deep things.
- 1:11:58SPEAKER_00: He's not saying anything.
- 1:11:59He's just talking in circles,
- 1:12:01but he's using big words,
- 1:12:02and it sounds good.
- 1:12:03SPEAKER_00: Right.
- 1:12:04Well,
- 1:12:04and that's why there will never be a third book because he has
- 1:12:08nothing to say,
- 1:12:09right?
- 1:12:10SPEAKER_01: Like, what's the point of it all, you know?
- 1:12:13SPEAKER_01: Nihilism for nihilism's sake,
- 1:12:16SPEAKER_01: you know,
- 1:12:16SPEAKER_01: or just cool stuff for cool stuff's sake gets boring after a while,
- 1:12:21SPEAKER_01: you know?
- 1:12:22SPEAKER_01: And there's nowhere to go.
- 1:12:23He wrote himself into a corner in the first book and there's
- 1:12:26just nothing there.
- 1:12:28SPEAKER_01: And you're absolutely right, you know?
- 1:12:30SPEAKER_01: He says nothing, you know?
- 1:12:31SPEAKER_01: Fisto, you were going to say something?
- 1:12:33SPEAKER_02: Yeah, it just...
- 1:12:35It's funny that you guys that were having this conversation
- 1:12:38with Josh after our
- 1:12:41SPEAKER_02: conversations with Von Hoffmeister.
- 1:12:44SPEAKER_02: And I want to bring in something that he wrote earlier this week.
- 1:12:49SPEAKER_02: The title of the article,
- 1:12:50SPEAKER_02: it's on his Euro-Siberia,
- 1:12:51SPEAKER_02: his Euro-Siberia substack,
- 1:12:55SPEAKER_02: but it says white identity in America.
- 1:12:58And these couple last paragraphs,
- 1:13:00I want to read these real fast if I can.
- 1:13:03SPEAKER_02: Identity here acts as a – Sorry, man.
- 1:13:05SPEAKER_00: I got about five minutes before I go to chat.
- 1:13:07SPEAKER_02: All right.
- 1:13:08SPEAKER_02: I will shorten my point.
- 1:13:10SPEAKER_02: Identity here acts as a compass, never a cage.
- 1:13:12SPEAKER_02: It points to something essential, never reductive.
- 1:13:15SPEAKER_02: Within its frame, new expressions rise.
- 1:13:17SPEAKER_02: Art, ritual, story, space.
- 1:13:20SPEAKER_02: At the very end, he says –
- 1:13:24SPEAKER_02: Identity is grounded in respect,
- 1:13:25SPEAKER_02: carried with humility,
- 1:13:26SPEAKER_02: lit by ancestral fire,
- 1:13:28SPEAKER_02: serves not as a threat,
- 1:13:29SPEAKER_02: but as a promise,
- 1:13:31SPEAKER_02: a promise to remain,
- 1:13:31SPEAKER_02: to remember,
- 1:13:32SPEAKER_02: and reimagine.
- 1:13:33And he makes a very key split between supremacy,
- 1:13:38which is trash,
- 1:13:40and harmony.
- 1:13:42SPEAKER_02: And I think maybe what you're trying to do here,
- 1:13:44SPEAKER_02: what you might be looking to do here,
- 1:13:45SPEAKER_02: Josh,
- 1:13:46SPEAKER_02: is explore...
- 1:13:48SPEAKER_02: all those things and see what that is.
- 1:13:50And we're going to have to reimagine what an American Tolkien
- 1:13:53or what an American
- 1:13:54SPEAKER_02: story might look like.
- 1:13:56SPEAKER_02: And if I may be so bold,
- 1:13:57SPEAKER_02: when I was getting ready for this podcast,
- 1:13:59SPEAKER_02: I was looking through your Substack a bit.
- 1:14:01SPEAKER_02: A drift might be your seed crystal.
- 1:14:05SPEAKER_02: That image you painted, man.
- 1:14:08A man and a woman on the prairie who don't know how badly
- 1:14:11they're going to need each other.
- 1:14:14SPEAKER_01: Yeah, I like that a lot too.
- 1:14:16Hey,
- 1:14:17paint that out 3,000 years and tell me what America looks like
- 1:14:20at that point.
- 1:14:21SPEAKER_00: I appreciate it, man.
- 1:14:22SPEAKER_02: Yeah, it's cool, man.
- 1:14:25SPEAKER_02: But these are the kinds of things I think we need to think.
- 1:14:27SPEAKER_02: So I know we're short on time, so I'll simply leave it at that.
- 1:14:30SPEAKER_01: So yeah, I'll end it.
- 1:14:32SPEAKER_01: I'll end it with a challenge, right?
- 1:14:34SPEAKER_01: And this is a conversation we're going to keep on having on and on.
- 1:14:37SPEAKER_01: Yeah, yeah, yeah.
- 1:14:38For writers,
- 1:14:38whether you're writing fantasy,
- 1:14:40science fiction,
- 1:14:41literary stuff,
- 1:14:42right?
- 1:14:43SPEAKER_01: We need to identify who we are as a people now.
- 1:14:47right yes we need to i did and i'm talking about i'm talking to
- 1:14:50americans right
- 1:14:50this is this is two americans not two europeans right you're
- 1:14:53living on north
- 1:14:54america europeans know who they are okay europeans know who
- 1:14:56they are us we have a
- 1:14:58problem we have a problem that's what's going on right now we
- 1:15:01don't know who we are
- 1:15:03okay and as a as a writer when you're putting you need to say
- 1:15:08something about us
- 1:15:10SPEAKER_01: right about americans right
- 1:15:12SPEAKER_01: It doesn't have to be cowboys or bankers in New York or whatever, right?
- 1:15:18But you have to channel the truth of the land that you write it
- 1:15:23in the same way
- 1:15:24SPEAKER_01: Tolkien did,
- 1:15:24SPEAKER_01: right?
- 1:15:25Tolkien could have not written Lord of the Rings set in the
- 1:15:28Wild West,
- 1:15:29right?
- 1:15:30SPEAKER_01: Because no matter what he would have written about,
- 1:15:32it would have still been about England because he was English
- 1:15:35and he channeled the
- 1:15:35SPEAKER_01: English spirit into his work,
- 1:15:37SPEAKER_01: right?
- 1:15:38hobbits do not live in the united states okay they never have
- 1:15:41and they never will
- 1:15:42all right they belong to the british land to the english soil
- 1:15:45right um we need to
- 1:15:47identify our hobbits okay we need to identify what makes us us
- 1:15:51right and you can
- 1:15:52throw in all the fantastic elements you know dragons and
- 1:15:55wendigos or all kinds of
- 1:15:56cool you know whatever right but there's a story there in
- 1:16:00fantasy that belongs to
- 1:16:01SPEAKER_01: america
- 1:16:02SPEAKER_01: And we need to write it okay.
- 1:16:04We cannot look back across the ocean all the time and take
- 1:16:07their motifs right
- 1:16:09SPEAKER_01: because their motifs are not our motifs right.
- 1:16:11SPEAKER_01: And,
- 1:16:12SPEAKER_01: you know,
- 1:16:12in science fiction they're a lot better because you know you
- 1:16:14got cyberpunk and
- 1:16:15SPEAKER_01: stuff and cyberpunk is very American in a way,
- 1:16:18SPEAKER_01: but.
- 1:16:19For fantasy,
- 1:16:20if fantasy is going to have – if it's going to have merit,
- 1:16:23right?
- 1:16:23SPEAKER_01: If it's not going to be forever Patrick Rothfuss nonsense, right?
- 1:16:27SPEAKER_01: We need to find the American fantasy, right?
- 1:16:31We need to find what the spiritual,
- 1:16:34you know,
- 1:16:35Tolkien-esque ethos of,
- 1:16:38you know –
- 1:16:39the frontier or the south or even new england and that kind of
- 1:16:43stuff you know and
- 1:16:44we need to identify and we need to write about that i mean yes
- 1:16:47lovecraft did a good
- 1:16:48job of it you know in this crazy like nihilistic way and uh
- 1:16:52robert howard also did
- 1:16:53very well with conan right but even he both of them took a lot
- 1:16:58of elements from
- 1:16:59SPEAKER_01: europe right we need to
- 1:17:01dig in the soil of,
- 1:17:02of America and,
- 1:17:04and write the fantasy for America for the 21st century.
- 1:17:08SPEAKER_01: All right.
- 1:17:08SPEAKER_01: That's my challenge to everybody.
- 1:17:09SPEAKER_01: Okay.
- 1:17:09SPEAKER_01: Let's get that shit done.
- 1:17:11SPEAKER_01: Okay.
- 1:17:12SPEAKER_01: Um, all right, Josh, thank you very much, man.
- 1:17:15SPEAKER_01: Okay.
- 1:17:16SPEAKER_01: Um, let you go.
- 1:17:17SPEAKER_01: You can log off.
- 1:17:18SPEAKER_01: Uh,
- 1:17:18SPEAKER_01: and me and fist are going to log off too,
- 1:17:19SPEAKER_01: because it's,
- 1:17:20SPEAKER_01: we're going to do a quick episode today.
- 1:17:21SPEAKER_01: Okay.
- 1:17:21SPEAKER_01: Cause I got a lot of stuff to do.
- 1:17:23I got my dog at the vet again,
- 1:17:25and she's got a hookworm,
- 1:17:26supposedly,
- 1:17:27and she got herself an IV.
- 1:17:29SPEAKER_01: All right, man.
- 1:17:30SPEAKER_01: Good night, Josh.
- 1:17:31SPEAKER_01: Thanks for coming on.
- 1:17:32SPEAKER_01: And everybody, go ahead and subscribe to Josh's Substack.
- 1:17:35And for all you listeners,
- 1:17:36please like,
- 1:17:37share,
- 1:17:37and send us some money,
- 1:17:40man.
- 1:17:40SPEAKER_01: We got to meet up in Charleston and have a live meeting eventually.
- 1:17:45SPEAKER_01: So we need that bank.
- 1:17:47SPEAKER_01: We need that bag, okay?
- 1:17:50SPEAKER_01: Should I do a GoFundMe for you, Fisto?
- 1:17:53SPEAKER_01: Why for me?
- 1:17:54SPEAKER_02: Because of the eventual legal fees?
- 1:17:56SPEAKER_01: Probably, right?
- 1:17:58SPEAKER_01: Bring it on.
- 1:17:59SPEAKER_01: I need $400,000 too, man.
- 1:18:01SPEAKER_01: There's one way to get that, but I don't think you're going to like it.
- 1:18:07SPEAKER_00: Got to pay off that house somehow.
- 1:18:10SPEAKER_01: I got to pay off the house, right?
- 1:18:11SPEAKER_01: Okay, man.
- 1:18:12SPEAKER_01: Good night, guys, and good night, fans.
- 1:18:14SPEAKER_01: I will see you next week.
- 1:18:15SPEAKER_01: Next week, we have another author coming on.
- 1:18:16SPEAKER_01: We have...
- 1:18:18Autumn Christian,
- 1:18:19she's actually a fantastic science fiction and literary writer.
- 1:18:22She writes on Substack under Teach Robots to Love,
- 1:18:26but she's more of a Twitter ex-person.
- 1:18:28SPEAKER_01: She's amazing.
- 1:18:30SPEAKER_01: Her book Girl Like Bomb is really great.
- 1:18:32SPEAKER_01: Very spicy, right?
- 1:18:34SPEAKER_01: Very exciting stuff.
- 1:18:36SPEAKER_01: And all right, guys, I love you all, and good night.