Latest / DISGRACELAND / Bonus Episode: Crossover Episodes, Candy Hangovers, and Jake's Music Searches

Transcript

Bonus Episode: Crossover Episodes, Candy Hangovers, and Jake's Music Searches · DISGRACELAND

• 0:00
  Speaker 1: Hey, what's up everybody. Thanks for checking out this Disgraceland
• 0:03
  Speaker 1: bonus episode, this after party episode. We have a ton
• 0:07
  Speaker 1: of content in the feed for you this month. We
• 0:10
  Speaker 1: just came to the close of October and we just
• 0:13
  Speaker 1: wrapped our reincarnated Best Halloween episodes with episodes on The
• 0:17
  Speaker 1: Misfits in Big Lurch over the bad Lands Feed. We're
• 0:21
  Speaker 1: dropping an episode on the movie The Misfits. Okay, not
• 0:25
  Speaker 1: the Glenn danzig Man, the movie The Misfits with Merril Monroe,
• 0:28
  Speaker 1: so you can check that out as well. All right,
• 0:30
  Speaker 1: let's get in to the after party. Hey, discos, need
• 0:36
  Speaker 1: a little more Disgraceland in your life, just to touch
• 0:39
  Speaker 1: to get you through. Yeah, me too. This is the podcast.
• 0:43
  Speaker 1: It comes after the podcast. Welcome to Disgraceland the after Party.
• 1:01
  Speaker 1: Welcome to the disgracelaand bonus episode. A little thing we
• 1:04
  Speaker 1: like to call the after party. This is the show
• 1:07
  Speaker 1: after the show, the party after the party, the bridge
• 1:11
  Speaker 1: to get you from one full episode of Disgraceland to
• 1:13
  Speaker 1: the other. The backyard did get into the dirt on
• 1:15
  Speaker 1: this episode. We are talking about, among other things, the Misfits,
• 1:21
  Speaker 1: the band the Misfits, and the Misfits the movie The Misfits,
• 1:25
  Speaker 1: as well as your voicemails, text, dms and more, and
• 1:27
  Speaker 1: as always, a whole lot of Rosie. All right, discos,
• 1:31
  Speaker 1: let's get into it. Halloween twenty twenty three. It's in
• 1:46
  Speaker 1: the books, and the creeps have returned to their crips,
• 1:49
  Speaker 1: as they say, the ghosts, all those ghouls they disappeared,
• 1:53
  Speaker 1: back into their old haunts. I was trying to explain
• 1:55
  Speaker 1: to my son's nine year old friend last night what
• 1:57
  Speaker 1: a ghoul was, and I realized, you know what, perhaps
• 2:01
  Speaker 1: I'm not the storyteller I think I am, because I
• 2:04
  Speaker 1: wasn't making any progress. But you know what, I am
• 2:07
  Speaker 1: making progress on today my candy hangover. I kept it tight.
• 2:10
  Speaker 1: I didn't go overboard last night. Proud of myself. How'd
• 2:13
  Speaker 1: you guys do? Listen here in Disgraceland. You know, Halloween
• 2:18
  Speaker 1: may may be over, but the dead remain undead, as
• 2:22
  Speaker 1: you likely saw in your feed this week, we just
• 2:24
  Speaker 1: wrapped up ten days of the ten Scariest Halloween episodes
• 2:27
  Speaker 1: with two of my favorite episodes we've ever done in Disgraceland,
• 2:31
  Speaker 1: one on horror core rapper Big Lurch and also another
• 2:35
  Speaker 1: on one of my favorite bands of all time the Misfits.
• 2:39
  Speaker 1: As you know, if you've listened to that episode or
• 2:41
  Speaker 1: you've heard me talk before, I love the Misfits. They
• 2:44
  Speaker 1: had a huge impact on me as a kid. This
• 2:48
  Speaker 1: episode that we did on the Misfits truly unique in
• 2:50
  Speaker 1: the world of Disgraceland. Forgive me if you've heard this before,
• 2:53
  Speaker 1: because I've told this story, but I don't care. I'm
• 2:55
  Speaker 1: going to tell it again for the new listeners out there,
• 2:57
  Speaker 1: especially those who are who are here because of the
• 2:59
  Speaker 1: Halloween vibes. I found out, I don't know, four years
• 3:04
  Speaker 1: ago or so, that Night of the Living Dead, the
• 3:06
  Speaker 1: classic horror movie, the George rom Meiro horror movie. I
• 3:09
  Speaker 1: found out the Night of the Living Dead was public domain.
• 3:13
  Speaker 1: The sixty nineteen sixty eight classic film, for whatever reason,
• 3:17
  Speaker 1: is in the public domain. And why it is, I
• 3:20
  Speaker 1: don't know. But basically what that means is anyone can
• 3:23
  Speaker 1: take whatever they want from that movie and do whatever
• 3:26
  Speaker 1: they want with it. So, upon hearing that and researching
• 3:32
  Speaker 1: the Misfits right around the same time, because I knew
• 3:34
  Speaker 1: I was going to write an episode on them, came
• 3:36
  Speaker 1: across the fact obviously that Glenn Danzig, singer of the
• 3:40
  Speaker 1: Misfits was hugely influenced by the film Night of the
• 3:43
  Speaker 1: Living Dead, So I thought, why don't I try to
• 3:46
  Speaker 1: get the crack engineers and musicians at Double Elvis to
• 3:50
  Speaker 1: rip the soundtrack, the sound of that movie, the score
• 3:56
  Speaker 1: of Night of the Living Dead. Why don't I get
• 3:57
  Speaker 1: them to try to rip that, and then I'll use
• 4:01
  Speaker 1: those files that music to score our disgrace in episode.
• 4:04
  Speaker 1: So that's exactly what we did, and we actually took
• 4:06
  Speaker 1: it a step further and doing so, I became so
• 4:08
  Speaker 1: inspired by Night of the Living Dead that I actually
• 4:11
  Speaker 1: went in this totally different direction with the Misfits episode,
• 4:14
  Speaker 1: which was supposed to be an episode that was built
• 4:16
  Speaker 1: largely around the arrest of the band in that graveyard
• 4:20
  Speaker 1: down in Louisiana, New Orleans, back from the early days
• 4:23
  Speaker 1: of the Misfits, but in being inspired by Night of
• 4:26
  Speaker 1: the Living Dead, I decided to take a more satirical
• 4:30
  Speaker 1: approach and really try to put the character of Glenn
• 4:34
  Speaker 1: and Danzig into the Night of the Living Dead world
• 4:38
  Speaker 1: and use sort of the zombies as a parable. And
• 4:41
  Speaker 1: the telling of that story is a parable for the
• 4:43
  Speaker 1: telling of the story of Glenn Danzig and the alienation
• 4:45
  Speaker 1: that he felt. So that was the Misfits episode. If
• 4:49
  Speaker 1: you have not heard it, please check it out. The
• 4:53
  Speaker 1: Misfits are part of what made me as a creator,
• 4:56
  Speaker 1: as not only a writer, but a musician and just
• 4:59
  Speaker 1: a kid with the year trying to find his way
• 5:01
  Speaker 1: early on, trying to figure out who he was and
• 5:04
  Speaker 1: what he wanted to do and how he was going
• 5:06
  Speaker 1: to direct his anger. And the Misfits had a lot
• 5:08
  Speaker 1: to do with that. Also, you know the Misfits, the
• 5:11
  Speaker 1: band Glenn Danzig took the name from the movie The Misfits,
• 5:15
  Speaker 1: the Marilyn Monroe movie, because Danzig was obsessed with Marilyn
• 5:18
  Speaker 1: Monroe and we decided, you know, we knew a little
• 5:21
  Speaker 1: bit about that movie. I love that movie. The movie's great.
• 5:24
  Speaker 1: I loved it even before I really knew it had
• 5:26
  Speaker 1: anything to do with Danzig. It's Marilyn Monroe's last performance
• 5:31
  Speaker 1: before she died. It's a John Houston movie. It's written
• 5:34
  Speaker 1: by Marilyn Monroe's who was soon to be her ex
• 5:38
  Speaker 1: husband at the time, Arthur Miller, and stars Clark Gable
• 5:41
  Speaker 1: along with Marilyn Monroe and Montgomery Cliff. It's just a great, great,
• 5:45
  Speaker 1: great film. But the lore around that film is something else.
• 5:50
  Speaker 2: Man.
• 5:50
  Speaker 1: There was a lot of drama that happened around the
• 5:52
  Speaker 1: making of The Misfits, and a lot of that I
• 5:54
  Speaker 1: uncovered when I was researching the Marilyn Monroe pilot episodes
• 5:59
  Speaker 1: for Bad Life. So you know, I don't know, we
• 6:02
  Speaker 1: were thinking Halloween going to re release the Danzig Misfits
• 6:05
  Speaker 1: episode and the Disgrace Land Feed. Why don't we do
• 6:07
  Speaker 1: an episode on the Misfits movie and we'll tie them
• 6:10
  Speaker 1: together and release them around the same time. So that's
• 6:13
  Speaker 1: what we've done. You're going to be able to go
• 6:15
  Speaker 1: to the bad Lands Feed this week and hear that
• 6:17
  Speaker 1: Misfits movie episode. Okay again, the last film that both
• 6:22
  Speaker 1: Marilyn Monroe and Clark Gable made, not just together. I
• 6:25
  Speaker 1: don't think they made a film before that actually together,
• 6:27
  Speaker 1: but the last film they made, and the lore of
• 6:30
  Speaker 1: the film is that it killed them both. It was
• 6:32
  Speaker 1: that crazy of an experience, and Maril Monroe was even
• 6:37
  Speaker 1: subsequently blamed for her hero who Clark Gable was her
• 6:40
  Speaker 1: hero's death. Anyways, just you know, in John Houston larger
• 6:44
  Speaker 1: than life character directing it. Montgomery Cliff also a huge, huge,
• 6:48
  Speaker 1: dynamic character, just really really interesting story so check out
• 6:52
  Speaker 1: the Misfits movie episode and the bad Lands feed this
• 6:55
  Speaker 1: week as well. So this is essentially a crossover episode
• 6:58
  Speaker 1: between both the disgrace landpock in the bad Lands podcast.
• 7:01
  Speaker 1: We've done this before with Mama Cass Elliott and Sharon Tate.
• 7:06
  Speaker 1: Mama Cass Elliott has two episodes dedicated to her in Disgraceland,
• 7:10
  Speaker 1: and her friend Sharon Tate has two episodes dedicated to
• 7:13
  Speaker 1: her in bad Lands. We had more of an intentional
• 7:17
  Speaker 1: aim at these two episodes. The crossover here that we
• 7:19
  Speaker 1: did with the Misfits ones, the thing that we did
• 7:24
  Speaker 1: with the Sharon Tate and Mama Cass episodes is we
• 7:26
  Speaker 1: essentially told the same story from two different points of view.
• 7:31
  Speaker 1: And I don't know, I think we did a really
• 7:32
  Speaker 1: good job. I'm really proud of those two episodes. I
• 7:35
  Speaker 1: don't know, though, what do you guys think? What do
• 7:36
  Speaker 1: you think of this crossover thing? More importantly, not specifically,
• 7:39
  Speaker 1: what do you think of the Misfits episodes? Though I
• 7:41
  Speaker 1: am interested in that, But what I'm more interested in
• 7:44
  Speaker 1: is what do you think of crossing over between Disgraceland
• 7:46
  Speaker 1: and bad Lands. A lot of people think that it
• 7:49
  Speaker 1: should just be one show. A lot of people think
• 7:51
  Speaker 1: we should do more versions of what we're already doing
• 7:55
  Speaker 1: in different genres, but I'm kind of liking the way
• 7:58
  Speaker 1: it's going now, and I'm kind of liking the way
• 8:00
  Speaker 1: that we're able to cross over when we want and
• 8:02
  Speaker 1: kind of keep them separate as well. But let me
• 8:04
  Speaker 1: know what you guys. Thank you guys are the most
• 8:06
  Speaker 1: important opinions out there. You're the voices of Double Elvis,
• 8:10
  Speaker 1: the voices of Disgraceland and bad Lands, and you know
• 8:13
  Speaker 1: how to make your voice heard. It's six one seven
• 8:16
  Speaker 1: nine oh six, six six three eight, Okay, And then
• 8:19
  Speaker 1: at disgracelam pod on the socials and disgracelampod at gmail
• 8:24
  Speaker 1: dot com on email. All right, I cannot wait to
• 8:27
  Speaker 1: hear from you guys this week. Can't wait to hear
• 8:29
  Speaker 1: from you on all things music, all things true crime,
• 8:32
  Speaker 1: all things even Hollywood. We'll get to that in the
• 8:34
  Speaker 1: wrap party. Bonus episodes over in the bad Lands. Feed
• 8:37
  Speaker 1: but again. Six one seven nine oh six, six six
• 8:39
  Speaker 1: three eight. Let me know what you're thinking, Let me
• 8:41
  Speaker 1: know what you want to hear for future episodes of Disgraceland.
• 8:44
  Speaker 1: Let me know what you think about crossover episodes with
• 8:47
  Speaker 1: bad Lands, and I'm here to talk about whatever you
• 8:49
  Speaker 1: want more general stuff. Receive some very heartfelt dms from
• 8:53
  Speaker 1: a few of you this week. I'm not exactly sure
• 8:57
  Speaker 1: why they came this time of year. Star Together. We're
• 9:00
  Speaker 1: gonna get to that later in the engagement part of
• 9:03
  Speaker 1: this episode. But like I said, I'm here to talk
• 9:06
  Speaker 1: to you guys about whatever you want to talk about.
• 9:08
  Speaker 1: Six one seven nine oh six six six three eight.
• 9:10
  Speaker 1: Take a quick break back in the flash. All right,
• 9:33
  Speaker 1: we're back. You know the drill six one seven nine
• 9:36
  Speaker 1: oh six six six three eight to get at me
• 9:37
  Speaker 1: on voicemail or text. Let's check out this voicemail from
• 9:41
  Speaker 1: the five to four to.
• 9:41
  Speaker 3: Zero Jake, Sure, Happy Halloween eight.
• 9:45
  Speaker 4: Well you did it.
• 9:46
  Speaker 2: I listened to the missed It episode for like about
• 9:50
  Speaker 2: the third time or something, and.
• 9:52
  Speaker 4: Uh did that this morning.
• 9:55
  Speaker 2: And you know what, I've been listening to all day
• 9:57
  Speaker 2: long now missed it one days, been in my head
• 10:01
  Speaker 2: all day long. Thanks man, I appreciate it. No, actually
• 10:04
  Speaker 2: I really do, thank you. I had listened to them
• 10:09
  Speaker 2: in a very long time, but thank you for that,
• 10:12
  Speaker 2: and I appreciate that.
• 10:13
  Speaker 3: Up says you got it.
• 10:15
  Speaker 1: Five four h I love when when things come across
• 10:20
  Speaker 1: the sort of cultural landscape.
• 10:23
  Speaker 5: That have to do with.
• 10:24
  Speaker 1: Bands or movies or whatever that I haven't really paid
• 10:27
  Speaker 1: attention to in a long time, and it's just another
• 10:29
  Speaker 1: excuse to pull me back into it. So anything I've
• 10:31
  Speaker 1: done to pull you back into the Misfits right on.
• 10:34
  Speaker 1: And I'm super psyched that you dug the episode. Thank you.
• 10:36
  Speaker 1: All right, let's hear from Mike in the nine seventy.
• 10:40
  Speaker 3: Hey, Jake, someone that's close but that's been pushing it
• 10:44
  Speaker 3: off for a while. My name is Mike. I haven't
• 10:48
  Speaker 3: done his little stage full cancer about six years ago,
• 10:52
  Speaker 3: and I already told my wife keep me in your
• 10:55
  Speaker 3: heart by Warren Zebo, and that's my checkouts on. You
• 10:59
  Speaker 3: have a great day. Talk to you later. Bye bye.
• 11:01
  Speaker 1: All right, Mike, thank you, thanks for your message. I
• 11:04
  Speaker 1: hope you're doing well. Appreciate it. Mike of course is
• 11:09
  Speaker 1: calling in and we put up the call you know,
• 11:11
  Speaker 1: what's the what's your Funeral song? And I did a
• 11:14
  Speaker 1: kind of tongue in cheek thinking that we were all
• 11:15
  Speaker 1: thinking about a time way down the line in the future.
• 11:19
  Speaker 1: Sounds like Mike has some more a more pressing need
• 11:23
  Speaker 1: to think about this sort of thing. U and Mike
• 11:25
  Speaker 1: your your choice here. Keep Me in your Heart by
• 11:28
  Speaker 1: Warren Zevon. Is you know it's a tear jerker. I
• 11:31
  Speaker 1: want to start crying just thinking about it. I hope
• 11:33
  Speaker 1: you're doing well. I hope your wife is well and
• 11:37
  Speaker 1: h yeah, man, hit us back, keep us posted, let
• 11:39
  Speaker 1: us know how you're doing. All right, Let's hear from
• 11:41
  Speaker 1: David in the two six to two on you know
• 11:44
  Speaker 1: what he's up to while he's listening to Disgraceland.
• 11:47
  Speaker 6: Jacob Man, this is David in the two six two.
• 11:50
  Speaker 6: First time, long time you've been asking when people listen
• 11:53
  Speaker 6: to Disgraceland, and.
• 11:53
  Speaker 5: For me, I save it for well.
• 11:55
  Speaker 6: I'm doing yard work, making leaves, mowing the grass, shoveling snow,
• 11:58
  Speaker 6: all that crap.
• 12:00
  Speaker 7: It's perfect.
• 12:00
  Speaker 6: There's no other bullshit in my face. I could just
• 12:02
  Speaker 6: focus on you. This afternoon, I was raking leaves and
• 12:05
  Speaker 6: listening to the episode on Skip James when you mentioned
• 12:07
  Speaker 6: that he came to Grafton, Wisconsin to record. I happened
• 12:10
  Speaker 6: to live in Grafton, one hundred yards from where the
• 12:12
  Speaker 6: Paramount Records building. Was what a trip hearing you mentioned
• 12:15
  Speaker 6: my hometown. Love the show and how well you tell
• 12:17
  Speaker 6: these fascinating stories. Keep it up, man, click.
• 12:20
  Speaker 1: David, thank you for the message.
• 12:22
  Speaker 3: Love this.
• 12:23
  Speaker 1: I do the same thing when i'm when i'm you know,
• 12:25
  Speaker 1: taking out the trash, doing yard work whatever, that's when
• 12:28
  Speaker 1: I tend to be listening to podcasts. But it makes
• 12:32
  Speaker 1: me happy, man, to know that I'm in your head
• 12:34
  Speaker 1: while you're raking those leaves, you're listening to me talk
• 12:36
  Speaker 1: Skip James and then skip James recorded right down the
• 12:39
  Speaker 1: road from you. Pretty amazing. Love this stuff. Keep it coming.
• 12:42
  Speaker 1: Hope you're well and talk soon. All right, man, All right,
• 12:45
  Speaker 1: let's hear from this disgrace and listener over in Scotland my.
• 12:50
  Speaker 8: Mind Jake scattas Faede Bony Skull and Longtain Musla Fastained
• 12:55
  Speaker 8: Cola just to.
• 12:57
  Speaker 3: Crct nass you see.
• 12:58
  Speaker 8: Keep hope you could.
• 12:59
  Speaker 3: Talk to me. Yeah, podcasts, all of them.
• 13:02
  Speaker 8: It really got me through some dark times in my
• 13:05
  Speaker 8: life's mate, honest life lately it's been good and I
• 13:08
  Speaker 8: don't think you appreciate how much your story detailing helps
• 13:12
  Speaker 8: to take us away from all of life's problems, even
• 13:16
  Speaker 8: just for a wee while.
• 13:18
  Speaker 3: Keep probably good.
• 13:18
  Speaker 8: But also how about an episode about Dylan's role and
• 13:22
  Speaker 8: Thunder tour man was up to all sorts, you know
• 13:26
  Speaker 8: it anyway, mate, much love for you cross the Pond jails,
• 13:31
  Speaker 8: my man.
• 13:32
  Speaker 1: I love the message. Thanks for listening way over there
• 13:34
  Speaker 1: in Scotland. Happy to hear that listening to Disgraceline is
• 13:39
  Speaker 1: helping you out whatever way it is. I cannot tell
• 13:41
  Speaker 1: you how much gratitude I have for your message here.
• 13:47
  Speaker 1: It just really makes me feel like we're doing something
• 13:49
  Speaker 1: worthwhile here. So I hope whatever's got you down has
• 13:54
  Speaker 1: lightened up a little bit and that you're able to
• 13:55
  Speaker 1: get through your day with a little more ease. And yeah, dude,
• 14:00
  Speaker 1: Dylan rolling Thunder. That's a whole whole whole thing that
• 14:04
  Speaker 1: we will get into at one point. What a wonderful
• 14:08
  Speaker 1: cast of characters there, Bob Dylan, Alan Ginsberg, Damn who else,
• 14:15
  Speaker 1: Sam Sheppard, t Bo and Burnett. Just incredible. All right, man,
• 14:19
  Speaker 1: keep listening and stay in touch.
• 14:21
  Speaker 5: All right.
• 14:21
  Speaker 1: Let's hear from Edison in the seven seven three.
• 14:24
  Speaker 7: Jake Edison from the seven seven three on the subject
• 14:27
  Speaker 7: of music that gives us the chills. If you're talking
• 14:31
  Speaker 7: soundtrack music, John Carper during the like you should include
• 14:38
  Speaker 7: Vic Mizzy's Haunted Organ music from the Ghost and Mister Chicken.
• 14:43
  Speaker 7: I've talked to other people over the years, generally my age,
• 14:46
  Speaker 7: but whoever seen that movie has agreed with me. It
• 14:49
  Speaker 7: gives you the shit chills every time you hear it.
• 14:51
  Speaker 6: I still get goosebumps.
• 14:53
  Speaker 7: And I saw the movie was when I was like
• 14:55
  Speaker 7: five years old. Vic Mizzy also wrote the scenes of
• 14:59
  Speaker 7: The Adams Family music, so the guy obviously knew how
• 15:02
  Speaker 7: to work a nerve and write a good hook as well.
• 15:06
  Speaker 7: But give that, Alicia. Tell me I'm wrong, but.
• 15:10
  Speaker 3: It's chilling.
• 15:12
  Speaker 1: That's it, rock and roll one, Edison, great message, man. Yeah,
• 15:16
  Speaker 1: John Carpenter, for sure, I've never heard of Haunted Organ
• 15:20
  Speaker 1: music for the Ghost of Mister Chicken. But anything that's
• 15:22
  Speaker 1: going to give you the quote unquote shit chills that
• 15:24
  Speaker 1: you mentioned, I'm here for it. And interesting tidbit about
• 15:29
  Speaker 1: that being the writer for the Adams Family music as well.
• 15:31
  Speaker 7: Love it.
• 15:31
  Speaker 1: Thanks for the thanks for the note, and I've played
• 15:36
  Speaker 1: The Fog the soundtrack for The Fog for my five
• 15:39
  Speaker 1: year old, which is John Carpenter, as you know, Edison,
• 15:43
  Speaker 1: and honestly, all I have to do is put that
• 15:45
  Speaker 1: music on and just drop my voice like this, and
• 15:48
  Speaker 1: I can talk about anything. I can talk about the
• 15:51
  Speaker 1: sun coming up. I can talk about rainbows and puppy
• 15:54
  Speaker 1: dogs and cute little kittens, and my five year old
• 15:57
  Speaker 1: loses his fucking mind in fear. Just because of the
• 16:00
  Speaker 1: tonality of the voice set to the John Carpenter music.
• 16:04
  Speaker 1: It still works. It's been working for about a year
• 16:06
  Speaker 1: and a half now. Yes, I'm the worst at all right,
• 16:09
  Speaker 1: it's a couple more voicemails here, what else we got?
• 16:11
  Speaker 1: All right, let's hear from the five to one three
• 16:14
  Speaker 1: on some more spooky songs.
• 16:16
  Speaker 4: Hello, Jake, I am they saying my name is cat
• 16:20
  Speaker 4: House Boo. And as for a scary.
• 16:23
  Speaker 3: Song, the song garbage number.
• 16:28
  Speaker 4: One Proshi it's that song.
• 16:29
  Speaker 3: It's like, oh die three.
• 16:32
  Speaker 4: I was driving down the street. Someone ran in front
• 16:35
  Speaker 4: of my car and their head went through my windshield.
• 16:39
  Speaker 4: So if I hear that song, I start to sweat.
• 16:44
  Speaker 4: Hopefully the guy was okay, but I never heard I
• 16:47
  Speaker 4: figured it the passaway on what it know? Anyway, I
• 16:51
  Speaker 4: keep up the good work.
• 16:53
  Speaker 1: Thanks damn well. Cathouse Blue. First of all, your name
• 16:58
  Speaker 1: sounds like you're from a Sam Peck and Palm movie,
• 17:00
  Speaker 1: which is obviously a good thing. I'm just I'm just
• 17:06
  Speaker 1: gonna go with the fact that you you just left
• 17:08
  Speaker 1: out some details in this, like the guy was tended
• 17:11
  Speaker 1: to but you don't know if he if he died,
• 17:13
  Speaker 1: you didn't drive away from the scene. I'm guessing that's
• 17:16
  Speaker 1: not what happened. And yes, I'm hoping that the man
• 17:19
  Speaker 1: whose head smashed through windshield is okay as well. And
• 17:22
  Speaker 1: I can completely understand how you would be traumatized every
• 17:24
  Speaker 1: time you would hear that song that was playing when
• 17:26
  Speaker 1: this event happened. Damn quite the message. Uh calls back
• 17:31
  Speaker 1: Cathouse Blue. Sounds like he got some stories, all right.
• 17:35
  Speaker 1: So Voicemail of the Week comes from the five to
• 17:38
  Speaker 1: four to h five four to oh, I love it.
• 17:40
  Speaker 1: Sean play that.
• 17:41
  Speaker 3: One, mister Jaikester.
• 17:44
  Speaker 5: I'm at my funeral. I believe I'll get him to
• 17:48
  Speaker 5: play the sex pistols. Pretty vacant, just because I want
• 17:55
  Speaker 5: everybody in the whole thing to have to listen to
• 17:57
  Speaker 5: sex pistles. Everybody should listening to sex ustle anyway, and
• 18:01
  Speaker 5: pretty vacant. So I mean, you're you're dead and ballance
• 18:04
  Speaker 5: that you're pretty much vacant. But anyway, that's but then
• 18:08
  Speaker 5: you'll like this. You could always just play a soundtrack
• 18:12
  Speaker 5: of a of a sixty seven Mustang ninety Big Block
• 18:17
  Speaker 5: just going through the gears.
• 18:19
  Speaker 1: But thanks man, yo, yes, spot on quite literally dead
• 18:25
  Speaker 1: and gone and pretty vacant. So sex pistols makes total
• 18:28
  Speaker 1: sense for the funeral song. But I got to hand
• 18:31
  Speaker 1: it to you, man, Uh, the three ninety big block
• 18:33
  Speaker 1: Mustang just going through the gears, that's just that. Nothing
• 18:38
  Speaker 1: screams life more than the sound of a big American
• 18:42
  Speaker 1: engine from a muscle car. So I'm with you on
• 18:45
  Speaker 1: that good stuff, all right? Six one seven nine oh
• 18:48
  Speaker 1: six six six three eight voicemail and text to get
• 18:52
  Speaker 1: at me on what your favorite funeral song is. What
• 18:55
  Speaker 1: disgrace Land episodes you want to hear in the future,
• 18:58
  Speaker 1: What bad Lands episodes you want to hear in the future.
• 19:00
  Speaker 1: We're going to start there, but you guys can talk
• 19:02
  Speaker 1: to me about anything, you know that. All right, We're
• 19:04
  Speaker 1: gonna take a quick break, come back and read some texts.
• 19:21
  Speaker 1: All right, Let's do some texts, all right? This one
• 19:24
  Speaker 1: from the two two eight. Hey, Jake, this is Michelle
• 19:26
  Speaker 1: with one L. I listened to Disgraceland when I'm getting
• 19:29
  Speaker 1: ready for work. I work at a very busy, upscale
• 19:31
  Speaker 1: restaurant in Gulfport, Mississippi, and I enjoy it so much
• 19:34
  Speaker 1: that I take notes on the recommendations and I have
• 19:37
  Speaker 1: a few pages of them, enough to keep me busy
• 19:39
  Speaker 1: for a long time. I don't know how you have
• 19:41
  Speaker 1: enough time to watch all this stuff and listen to
• 19:43
  Speaker 1: all this stuff, but I sure am glad that you do.
• 19:46
  Speaker 1: I have a question, where did you get the name
• 19:49
  Speaker 1: double Elvis? And are y'all unpacked now? Since you moved?
• 19:52
  Speaker 1: Love you rock a rolla? Well, all right, Michelle, appreciate
• 19:56
  Speaker 1: this message. I really do. Glad you're digging the res Okay,
• 19:59
  Speaker 1: so here he's a dirty little secret. Here's how I
• 20:01
  Speaker 1: have time to watch and listen and read everything that
• 20:05
  Speaker 1: I watched, listen and read maybe about I don't know.
• 20:10
  Speaker 1: Ten years ago, I was listening to an interview with
• 20:13
  Speaker 1: Jason Schwarzman. He's the actor from Rushmore and a ton
• 20:17
  Speaker 1: of other things. You'll recognize him. He's Talia Shire, the
• 20:20
  Speaker 1: actress Talia Shire from the Godfather from Rocky, he's her son,
• 20:25
  Speaker 1: and he's also Francis for Coppola's nephew. Anyways, I was
• 20:30
  Speaker 1: listening to an interview he was doing. And in addition
• 20:33
  Speaker 1: to him being an actor that I think is just
• 20:35
  Speaker 1: fucking fantastic, he's also he's also a musician. He's a drummer.
• 20:39
  Speaker 1: He's in a band called Phantom Planet. I believe his
• 20:42
  Speaker 1: brother's a musician as well. Anyways, he was talking about
• 20:45
  Speaker 1: growing up with his mom, who, like I said, was
• 20:47
  Speaker 1: an actress, and what it was like, and he described
• 20:52
  Speaker 1: his house as being one where his mom always had
• 20:56
  Speaker 1: multiple things going on that she was consuming culturally. So
• 21:03
  Speaker 1: in one room, she would have a movie playing, and
• 21:07
  Speaker 1: you know, maybe she was watching it, maybe she wasn't,
• 21:10
  Speaker 1: but she's passing through the room throughout the day. And
• 21:12
  Speaker 1: in the other room she would have music playing. And
• 21:15
  Speaker 1: then you know, she'd be in the kitchen and she'd
• 21:17
  Speaker 1: be cooking, and she'd be reading a menu from the
• 21:18
  Speaker 1: New York Times cookbook or or or you know, up
• 21:22
  Speaker 1: up in the bathroom there'd be there'd be all these
• 21:24
  Speaker 1: great magazines, and perhaps in another room there was a
• 21:27
  Speaker 1: book that she would just have open where she left
• 21:30
  Speaker 1: off reading, like a great piece of literature or something
• 21:32
  Speaker 1: like that. And I thought that just sounded wonderful, and
• 21:35
  Speaker 1: I had a kind of similar upbringing at my father's house.
• 21:41
  Speaker 1: And I didn't grow up with my dad, but I
• 21:42
  Speaker 1: was certainly at his place a lot, and it was similar.
• 21:45
  Speaker 1: It wasn't the same, but it was similar. I was
• 21:47
  Speaker 1: exposed to a lot. So my point is, that's that's
• 21:51
  Speaker 1: how I run our house. You know, we have we
• 21:54
  Speaker 1: have a lot of televisions and different rooms, and a
• 21:56
  Speaker 1: lot of stereos and a lot of records, and I've
• 21:57
  Speaker 1: got shit going all the time. I might have a
• 22:00
  Speaker 1: horror movie on in one room and you know, my
• 22:03
  Speaker 1: kids maybe watching you know, something a little more PG
• 22:06
  Speaker 1: in another room. There's there's multiple books all over the
• 22:08
  Speaker 1: place and I'm in and out of and I'm reading.
• 22:10
  Speaker 1: Reading's tough because I have to read a lot for work,
• 22:12
  Speaker 1: so that's a tough one. But listening to music as well.
• 22:16
  Speaker 1: I'm constantly listening to music, even if I'll have music
• 22:20
  Speaker 1: blaring throughout the house and movies on different TV screens
• 22:24
  Speaker 1: with just you know, the volume on the film down.
• 22:28
  Speaker 1: And then of course, you know, I've learned that as
• 22:31
  Speaker 1: the busier I get with a family, it's just damn
• 22:34
  Speaker 1: hard to watch a movie from start to finish. I
• 22:37
  Speaker 1: don't watch as much television. But I'll just put movies
• 22:40
  Speaker 1: on and I'll just get sucked into them, and I'll
• 22:43
  Speaker 1: watch as much of them as I can, and then
• 22:45
  Speaker 1: I watch them in fits and spurts, and I just
• 22:47
  Speaker 1: kind of piece it all together. And that's how I
• 22:49
  Speaker 1: do it. My wife kind of does her version of
• 22:50
  Speaker 1: the same thing, so I get I get kind of
• 22:52
  Speaker 1: the double exposure, which is awesome. And then my kids
• 22:55
  Speaker 1: they're they're they're finding their way into stuff on their
• 22:57
  Speaker 1: own as well, and they're exposing me to things. So
• 23:01
  Speaker 1: that's it. That's how I do it, if that makes
• 23:03
  Speaker 1: any sense at all. It's a big friggin' mess, but
• 23:05
  Speaker 1: it's a it's a fun one, all right. The five
• 23:08
  Speaker 1: four to one says, in text form you ask for
• 23:12
  Speaker 1: dog pictures, we have Moon, Queen of Hops and Arnold
• 23:15
  Speaker 1: the punk chilling on a hammock listening to Disgraceland and
• 23:19
  Speaker 1: Moon Queen of Hops as chain dog and Flop as
• 23:22
  Speaker 1: Moon's digging sidekick. There is an offense these two can't
• 23:25
  Speaker 1: jump over or dig under. Hashtag fence break twenty twenty three,
• 23:28
  Speaker 1: and there's two really cute looking dogs. One looks like
• 23:32
  Speaker 1: a pit bull mix and the other one is some
• 23:34
  Speaker 1: other kind of terrier mix. I'm guessing. Uh, these are
• 23:38
  Speaker 1: really really gorgeous dogs, and I love that they're listening
• 23:41
  Speaker 1: to Disgraceland. I gotta say Disgraceland for the dog. Six
• 23:44
  Speaker 1: one seven nine oh six six six three eight. Text
• 23:47
  Speaker 1: us your dog pictures, text us your questions, your recommendations,
• 23:50
  Speaker 1: anything you got three one six texts in. Hey, Jake,
• 23:53
  Speaker 1: this is Jason from the three one six. I always
• 23:55
  Speaker 1: said that when I died, I wanted Norman Greenbaum's song
• 23:58
  Speaker 1: Spirit in the Sky play at my funeral. Love the
• 24:01
  Speaker 1: guitar riffs and it's a good message as well. You
• 24:03
  Speaker 1: know what else, Jason about that song, It fucking feels good.
• 24:07
  Speaker 1: It's got a good fucking groove, it's played out. I
• 24:10
  Speaker 1: mean that song. I don't actively try to listen to
• 24:13
  Speaker 1: that song, but if I heard it at a funeral,
• 24:15
  Speaker 1: I'd be like, this is perfect. This dude, this dude
• 24:18
  Speaker 1: had good taste in a good sense of timing. Four
• 24:22
  Speaker 1: to four to Roh Rights and Jake. Huge fan of
• 24:24
  Speaker 1: Double Elvis podcasts. I was catching up on some episodes.
• 24:27
  Speaker 1: Wanted to give you my favorite Halloween songs and uh yeah,
• 24:32
  Speaker 1: the four Tour row here gives us six. I don't
• 24:34
  Speaker 1: know why six, but six works Number six Spooky Atlanta
• 24:37
  Speaker 1: Rhythm Section five, Monster, Kanye West featuring Nicki, Minaj, Bonaver,
• 24:41
  Speaker 1: Rick ross A, jay Z, four Bars, The Spider, The
• 24:44
  Speaker 1: Who three Season of the Witch, Donovan two Monster by
• 24:47
  Speaker 1: Skillet one Monster Hash by the Toys. Hey have you
• 24:51
  Speaker 1: heard Lona del Rey's Season of the Witch? I actually
• 24:53
  Speaker 1: think I might like it. No, I don't like it
• 24:55
  Speaker 1: more than Donovan's. I have a tough relationship with Donovan.
• 24:57
  Speaker 1: I'll say that, but you check her version out. It's
• 25:00
  Speaker 1: good and appreciate the text. Four four h Also, just
• 25:04
  Speaker 1: before I forget a couple of text ago, someone asked
• 25:07
  Speaker 1: about the name double Elvis and where it came from.
• 25:09
  Speaker 1: And obviously we're all things Elvis here at Disgraceland, but
• 25:15
  Speaker 1: I read that there was that famous Warhol photo of
• 25:18
  Speaker 1: the two Elvis's the photo of Elvis where he's got
• 25:22
  Speaker 1: the gun. It's full size, and there's there's sort of
• 25:25
  Speaker 1: one image of Elvis layered over the exact same image
• 25:29
  Speaker 1: of Elvis, and that that piece of art by Warhol
• 25:32
  Speaker 1: is called double Elvis. And I thought that was cool
• 25:35
  Speaker 1: because we deal with dichotomies here we're telling these stories
• 25:38
  Speaker 1: of people who who make great music and do horrible things.
• 25:41
  Speaker 1: And I just like the sort of duality of the
• 25:44
  Speaker 1: sound of the name double Elvis as it pertained to
• 25:47
  Speaker 1: what we're trying to do here with thematically, with the storytelling.
• 25:50
  Speaker 1: So there you go, all right, now you know? Three
• 25:53
  Speaker 1: one two rights and Happy Halloween, Jake Sarah from Wisconsin. Here,
• 25:57
  Speaker 1: I have to say, the one song I would pick
• 26:00
  Speaker 1: for my funeral is a sweet song but still a
• 26:02
  Speaker 1: good one, and that is Over the Rainbow by Izz Hope.
• 26:07
  Speaker 1: You have a fabulous spooky season.
• 26:08
  Speaker 4: Who is?
• 26:10
  Speaker 3: Who is?
• 26:11
  Speaker 1: Is she trying to say, Liza Judy Garland? Three one
• 26:15
  Speaker 1: two right back? Let me know who is is? All right?
• 26:19
  Speaker 1: What else? What else? What else? Do you guys want
• 26:22
  Speaker 1: to talk about? Six one seven nine oh six six
• 26:24
  Speaker 1: six three eight. You know how to get in touch,
• 26:27
  Speaker 1: Hit me up voicemail, text down to talk funeral songs forever,
• 26:31
  Speaker 1: down to talk about favorite Disgraceland subjects. I want to
• 26:35
  Speaker 1: know how your Halloween was. I especially want to know
• 26:38
  Speaker 1: what you do when you're listening to Disgraceland. And I
• 26:41
  Speaker 1: want to know what you guys want from me as
• 26:43
  Speaker 1: a podcaster, as a creator. What you're looking for, I
• 26:45
  Speaker 1: don't know. It's been a while, it's been a minute.
• 26:47
  Speaker 1: Hit me up and let me know. Six one seven
• 26:49
  Speaker 1: nine oh six six six three eight. Going to take
• 26:51
  Speaker 1: a quick break back with some dms. All right, we
• 27:05
  Speaker 1: are back. I want to do a couple of dms here,
• 27:08
  Speaker 1: this one. Tony Carbone writes in on Instagram DM at
• 27:13
  Speaker 1: Disgrace lampod. That's where we're on Instagram if you guys
• 27:15
  Speaker 1: want to hit me up there. Tony Carbone writes in
• 27:18
  Speaker 1: true story, I had retina surgery done in Florida last year.
• 27:22
  Speaker 1: The surgeon doctor Carl Danzig, a cousin of Glenn. I
• 27:28
  Speaker 1: love that. I fucking love that, all right, Tony, good one?
• 27:33
  Speaker 1: All right. This listener writes in at Disgrace Lampod, also
• 27:37
  Speaker 1: on Instagram. I'm not going to give this listener's name,
• 27:40
  Speaker 1: but he writes, Hey, Jake, just a quick note to
• 27:42
  Speaker 1: say that I just spent the last five weeks in
• 27:44
  Speaker 1: psychiatric care during a pretty massive manic episode of my
• 27:47
  Speaker 1: bipolar disorder. And when I finally checked in on my
• 27:51
  Speaker 1: favorite shows, I saw there's a whole season of Disgraceland
• 27:55
  Speaker 1: on Wu Tang Clan and I am so excited to
• 27:58
  Speaker 1: dig in. This gentleman goes on to talk about how
• 28:03
  Speaker 1: Ghostface just made a record with Bad, Bad, Not Good,
• 28:06
  Speaker 1: which I did not know about. I love Bad, Bad,
• 28:08
  Speaker 1: Not Good, and I need to check that out. And
• 28:10
  Speaker 1: this fine gentleman goes on to say that the album's
• 28:12
  Speaker 1: amazing and anyways, take care and thanks for doing what
• 28:15
  Speaker 1: you do. And you got it at disgracelam pod. You
• 28:19
  Speaker 1: guys want to hit me up on Instagram, on x
• 28:21
  Speaker 1: on Facebook, just like Christine Manuel who writes saying, Hey,
• 28:25
  Speaker 1: when I was in high school, I attended a federal
• 28:27
  Speaker 1: boarding school that was located smack dab right in the
• 28:30
  Speaker 1: heart of Phoenix. And this was also geared for Native
• 28:34
  Speaker 1: American students. And this is also where I first heard
• 28:37
  Speaker 1: Bob Marley. And what struck me to say, what the
• 28:40
  Speaker 1: fuck was The kids that were blaring this awesome quote
• 28:43
  Speaker 1: unquote new music were from the Havasupai tribe. I know
• 28:48
  Speaker 1: I'm saying that incorrectly, and I apologize. They have a
• 28:50
  Speaker 1: relatively small nation at the bottom of the Grand Canyon.
• 28:54
  Speaker 1: And how did this really remote tribe get turned on
• 28:57
  Speaker 1: to Bob Marley before the rest of the native tribes
• 28:59
  Speaker 1: who had your access to just about everything the tribes
• 29:02
  Speaker 1: that don't live in the Grand Canyon. I believe Marley
• 29:05
  Speaker 1: even went there and performed a concert and that's what
• 29:08
  Speaker 1: did the trick. So pretty incredible story there. I love
• 29:11
  Speaker 1: these sort of anthropological stories of music and how it
• 29:15
  Speaker 1: gets to certain people before others really interesting. Appreciate that, Christine,
• 29:20
  Speaker 1: thanks for the message.
• 29:21
  Speaker 2: All right.
• 29:22
  Speaker 1: My friend Chelsea start Us writes in Okay, here, she
• 29:25
  Speaker 1: writes in I love this. She's talking about this story
• 29:29
  Speaker 1: we did where we were talking about our favorite Halloween music.
• 29:31
  Speaker 1: Chelsea writes, I make a different Halloween playlist every year,
• 29:34
  Speaker 1: have been since twenty fifteen. She sent me the link.
• 29:39
  Speaker 1: She goes on to recommend the Killer Sounds of Halloween albums. Okay, so,
• 29:44
  Speaker 1: if you guys are into a long playing Halloween playlist,
• 29:48
  Speaker 1: not too too long, but it's long and filled with
• 29:51
  Speaker 1: great songs, great tracks. Each album, Chelsea says, has thirteen
• 29:55
  Speaker 1: tracks by thirteen fake bands. But our homage is to
• 29:58
  Speaker 1: other bands which you will recognize and feature lots of
• 30:01
  Speaker 1: folks from the horror filmmaking world, and they are awesome.
• 30:04
  Speaker 1: If you're looking for this, go to band camp and
• 30:06
  Speaker 1: search The Killer Sounds of Halloween by Sean Keller and Friends.
• 30:10
  Speaker 1: It's actually eighteen tracks. It's pretty dope. We've been cranking
• 30:13
  Speaker 1: around the house and you're gonna dig it all right
• 30:15
  Speaker 1: at Disgrace slam pod on Instagram, on Twitter, on Facebook. Okay,
• 30:20
  Speaker 1: you want to talk some recommendations. I've been blabbing a
• 30:23
  Speaker 1: lot here, all right, blabbing to you guys though, so
• 30:25
  Speaker 1: it's all good. So I watched someone's recommendation on Instagram.
• 30:30
  Speaker 1: I watched Suspiria. This is the classic early eighties I
• 30:35
  Speaker 1: believe horror movie, Italian horror movie, and the movie is
• 30:39
  Speaker 1: scored by Goblin. This is one of those movies where
• 30:43
  Speaker 1: it is just too fucked up for me to explain.
• 30:46
  Speaker 1: There's no way I can explain this and do it justice.
• 30:48
  Speaker 1: So I'm just gonna tell you just go find it. Suspiria,
• 30:52
  Speaker 1: s usp I r Ia. If you love horror and
• 30:56
  Speaker 1: you love creepy fucking music, this is the marriage you've
• 31:00
  Speaker 1: always been looking for. And for those of you who
• 31:03
  Speaker 1: love this film, for those of you who hold this
• 31:07
  Speaker 1: horror movie deeply to your heart, I apologize for the
• 31:12
  Speaker 1: very shitty description non description that I'm giving I just
• 31:15
  Speaker 1: I don't know what to do with it, but I
• 31:16
  Speaker 1: do feel compelled to talk about it because it's that good.
• 31:20
  Speaker 1: Anyone has criteria and collection. It's being featured on there
• 31:23
  Speaker 1: right now. You can also, I believe you can watch
• 31:25
  Speaker 1: the whole thing on YouTube as well for free. So
• 31:28
  Speaker 1: check that out. And Goblin, just fucking Google Goblin. Man,
• 31:31
  Speaker 1: They're gonna blow your mind if you don't know about them.
• 31:33
  Speaker 1: All right, what else am I recommending? Of course I
• 31:35
  Speaker 1: recommended that because of the Goblin. The music side of it,
• 31:39
  Speaker 1: just recommended you that playlist from Chelsea Stardust. Check that out.
• 31:42
  Speaker 1: I'm gonna do something here because I'm drawing a blank.
• 31:45
  Speaker 1: I'm just gonna go through my Spotify search history for
• 31:49
  Speaker 1: the last few days and talk about what I've been
• 31:54
  Speaker 1: searching and listening to. All Right, Walking with a Ghost
• 31:58
  Speaker 1: by Teagan and Sarah. I wasn't listening to that for me.
• 32:02
  Speaker 1: I was listening to that for my five year old
• 32:04
  Speaker 1: who loves that song, and I freaked him out. He
• 32:06
  Speaker 1: was taking a shower and I just remotely started playing
• 32:09
  Speaker 1: it from the other room in the bathroom to get
• 32:12
  Speaker 1: a rise out of him. Also, there is a this
• 32:15
  Speaker 1: is good for those of you who like to listen
• 32:16
  Speaker 1: to music while you work but are doing something that
• 32:20
  Speaker 1: requires just critical thinking. I can't. I can't listen to
• 32:25
  Speaker 1: music with words, with vocals when I'm writing or researching.
• 32:29
  Speaker 1: It's too distracting. So there's a couple of things I
• 32:31
  Speaker 1: listened to. I listen to classical music. I listen to
• 32:34
  Speaker 1: hard bop jazz. And if i'm if I really need
• 32:37
  Speaker 1: to not be distracted, I listen to what is my
• 32:40
  Speaker 1: version of sort of acceptable music. And there's this profile
• 32:45
  Speaker 1: which a lot of millions of you probably know about,
• 32:47
  Speaker 1: that's on it's everywhere. It's on YouTube, and it's on Spotify.
• 32:51
  Speaker 1: It's it's called Lo Fi Girl, and it's great low
• 32:53
  Speaker 1: fi beats. There's there's typically no no vocals at all,
• 32:57
  Speaker 1: and you can just put that on Zone now right,
• 33:00
  Speaker 1: do whatever whatever you're doing. Also searched up some Bob
• 33:04
  Speaker 1: Mould looks like looks like. I searched up See a
• 33:06
  Speaker 1: Little Light, a song that I was on Instagram, and
• 33:09
  Speaker 1: I somehow got pointed to Bob Mould and he was
• 33:12
  Speaker 1: talking about that song and it reminded me of how
• 33:14
  Speaker 1: fucking great that song is. So I had that crank
• 33:16
  Speaker 1: in I was listening to the Corrosion of Conformity album Blind.
• 33:21
  Speaker 1: I was listening to day La Soul, all kinds of
• 33:23
  Speaker 1: day Las Soul, not just three feet high in rising.
• 33:27
  Speaker 1: But there's this other record home let me find It,
• 33:29
  Speaker 1: which I didn't know about. You know, this is one
• 33:30
  Speaker 1: of those things. It's like, you know, Dayla Soul never
• 33:33
  Speaker 1: really went away, or maybe they did, but looking at
• 33:35
  Speaker 1: their discography, they're just they've been making albums in great
• 33:41
  Speaker 1: music recently. They're not like, like their recent shit is
• 33:45
  Speaker 1: really fucking good. Specifically, I was listening to the twenty
• 33:50
  Speaker 1: sixteen album and the anonymous Nobody, which is great, It's fantastic.
• 33:55
  Speaker 1: I didn't hear anything on it that I didn't like.
• 33:57
  Speaker 1: I was like, wow, all right, I'm listening to a
• 33:58
  Speaker 1: full album again. Welcome to nineteen ninety eight. What else
• 34:03
  Speaker 1: do I got here? Jjkale very best at JJKAL playlist.
• 34:06
  Speaker 1: Anybody wants to chime in on which Jjkal album I
• 34:10
  Speaker 1: need to just go listen to as a full record.
• 34:12
  Speaker 1: I'm all ears, all right, let me know d'urgealing limited soundtrack.
• 34:18
  Speaker 1: I'm not sure why I pulled that up. I just
• 34:19
  Speaker 1: felt like it the fog soundtrack by John Carpenter and
• 34:23
  Speaker 1: uh yeah, that about does it for my recent Spotify searches.
• 34:26
  Speaker 1: Now you know what I'm listening to. Let me know
• 34:28
  Speaker 1: what you guys are listening to. Six one seven nine
• 34:30
  Speaker 1: oh six six six three eight at Disgrace LAMB pod
• 34:33
  Speaker 1: on Instagram, social media, all on Facebook, Twitter, you know
• 34:37
  Speaker 1: where I'm at.
• 34:38
  Speaker 7: Hit me up.
• 34:39
  Speaker 1: All right, we did it, we did it. We're here,
• 34:42
  Speaker 1: We're gonna wrap it up. Listen. Full disclosure. I was
• 34:44
  Speaker 1: flying through this episode because, uh I got to notice.
• 34:48
  Speaker 1: My wife got a call this morning from the town
• 34:51
  Speaker 1: who said that they're going to be doing some construction
• 34:53
  Speaker 1: in our neighborhood and we're going to lose our power
• 34:56
  Speaker 1: throughout the day. We couldn't lose it for as much
• 34:58
  Speaker 1: as eight hours, so I've been racing to get this
• 35:01
  Speaker 1: thing done. I also have to record some ads too,
• 35:03
  Speaker 1: and I can't do it any other time this week
• 35:05
  Speaker 1: because I'm traveling tomorrow. So I got to get it
• 35:07
  Speaker 1: done today, and I got to get it done before
• 35:08
  Speaker 1: the town knocks out the power. Power actually went out
• 35:10
  Speaker 1: twice in the recording of this, it looks like, but
• 35:13
  Speaker 1: I kept saving, so we're good. And you guys are
• 35:16
  Speaker 1: going to get the episode I wanted to deliver. I
• 35:18
  Speaker 1: did everything pretty much off script here, not that we
• 35:22
  Speaker 1: script these episodes, but we do have an outline, and
• 35:24
  Speaker 1: we do have notes, and I have certain points I
• 35:25
  Speaker 1: want to make to you guys. But I just kind
• 35:27
  Speaker 1: of added lib the whole thing, and I got to say.
• 35:28
  Speaker 1: It was fun. It was more fun than it usually is,
• 35:30
  Speaker 1: and it's usually a lot of fun. So let's recap it,
• 35:33
  Speaker 1: all right. Six one seven nine oh six six six
• 35:35
  Speaker 1: three eight. That's where you get in touch with me.
• 35:37
  Speaker 1: You let me know what you're listening to. You, you
• 35:38
  Speaker 1: let me know what you're watching. You let me know
• 35:40
  Speaker 1: what you want me to listen to, What artists and
• 35:42
  Speaker 1: subjects and musicians you would like for me to cover
• 35:46
  Speaker 1: in Disgraceland. I am here for it. I'm here to
• 35:48
  Speaker 1: hear your stories, here to hear what you're doing when
• 35:51
  Speaker 1: you're listening to Disgraceland. Introduce yourself. Let me know where
• 35:54
  Speaker 1: you were at, what you were listening to, how you
• 35:57
  Speaker 1: got into this podcast, what you do for a living, whatever,
• 36:00
  Speaker 1: I don't care. I want to know. Six one seven
• 36:02
  Speaker 1: nine oh six six six three eight. All right, let's
• 36:05
  Speaker 1: recap for real. Number one right now in your feed
• 36:07
  Speaker 1: Halloween episodes on Big Lurch in the Misfits, plus a
• 36:10
  Speaker 1: special feed drop on our episode of the Misfits movie
• 36:13
  Speaker 1: from Over in our bad Land show. Number two. Just
• 36:16
  Speaker 1: listen to this bad Lands episode on the Misfits. Even
• 36:18
  Speaker 1: if you're not a bad Lands follower, you're going to
• 36:20
  Speaker 1: love it. Number three next week in the Disgraceland feed,
• 36:23
  Speaker 1: the trailer first Season fourteen. Yes, that's right, Season fourteen
• 36:27
  Speaker 1: is coming at you asap. This whole seasonal thing. Man,
• 36:30
  Speaker 1: I think we're moving away from it because we're releasing
• 36:32
  Speaker 1: episodes every friggin week. We've been doing it all year.
• 36:35
  Speaker 1: We're going to keep doing it. We're just always on baby,
• 36:38
  Speaker 1: all right. We're like we're like friends in the nineteen nineties.
• 36:42
  Speaker 1: We barely take any break. Speaking of which, Rip Chandler
• 36:45
  Speaker 1: bing number four, my number six one seven, nine oh
• 36:48
  Speaker 1: six six sixty three eight call me on the telephone
• 36:50
  Speaker 1: or text me number five. Remember no one cares about
• 36:53
  Speaker 1: the music that you love more than you do. And
• 36:55
  Speaker 1: well that's a disgrace, all right. My moment of bliss
• 36:58
  Speaker 1: me reading you the city directory of Newark, New Jersey
• 37:01
  Speaker 1: in eighteen fifty five, exactly one hundred years before Glenn
• 37:05
  Speaker 1: Allen Anzeloney aka Glenn Danzig was born and nearby lod.
• 37:10
  Speaker 1: I wait a minute, Wait a minute, Wait a minute.
• 37:15
  Speaker 1: That caller now the dm R, the guy who hit
• 37:18
  Speaker 1: me up and said that his surgeon was Danzig's cousin.
• 37:23
  Speaker 1: He said his surgeon's last name was Danzig. But how
• 37:27
  Speaker 1: can that be true when Glenn Danzig's real last name
• 37:31
  Speaker 1: is Anzeloney? Are you fucking with me? Listener? I hope not?
• 37:35
  Speaker 1: All right, Let's get into this directory. Airs David Clay
• 37:41
  Speaker 1: twenty one Bridge Airs, Frederick Clerk forty nine East Railroad
• 37:47
  Speaker 1: Avenue Bader Mason, South Orange Avenue Babbitt, Henry business Maker
• 37:55
  Speaker 1: forty Elizabethtown Road Babbitt, Isaac Carver six Lafayette Back, Doctor
• 38:03
  Speaker 1: Green Street Bach Frederick Shoemaker Budget three thirty four Mulberry
• 38:08
  Speaker 1: Avenue Bocheler Babbit Diana eighty four, Mr Hunt, Elizabeth Baker,
• 38:14
  Speaker 1: Abraham Babbin, fishty L one ninety three Courts not North,
• 38:18
  Speaker 1: Prince or Williams PRIs Toto Baker Back one Night, Prince
• 38:25
  Speaker 1: Budgers Harry Widow, Chicago three. Quit talking and start mixing