Latest / The conspiracy / Jeffrey Epstein_s Art Collection Is Crazy- Part 1

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Jeffrey Epstein_s Art Collection Is Crazy- Part 1 · The conspiracy

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Speaker 1: Picture this. You're stepping into Jeffrey Epstein's sprawling, twenty one
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Speaker 1: thousand square foot beast of a townhouse at nine East
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Speaker 1: seventy first Street, one of the largest private homes in
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Speaker 1: New York City. Before entering the home, I employ you
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Speaker 1: to take a look at the outside. I've been there myself,
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Speaker 1: and I captured this video right here, which clearly shows
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Speaker 1: a number of different security cameras watching you from almost
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Speaker 1: every single angle. There are also some ghoulish looking carvings,
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Speaker 1: possibly gargoyles or cherubs, creepy artistic ornamental faces that decorate
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Speaker 1: the outside of Epstein's former home. But we're going back
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Speaker 1: in time to a time when Epstein owned the property, regardless.
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Speaker 1: Before you're even inside of the front door of Epstein's house,
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Speaker 1: you feel like you're being watched. But let's go in
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Speaker 1: right off the bat. After the fifteen foot tall front
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Speaker 1: door swings open and you step inside, you're hit by
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Speaker 1: an extremely bizarre site. Row after row of individually framed
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Speaker 1: prosthetic eyeballs imported straight from England and hung on the
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Speaker 1: wall in the entrance of Epstein's home. These aren't some
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Speaker 1: sort of artsy installation. According to reporting These eyeballs are
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Speaker 1: real medical prosthetics, originally crafted for wounded soldiers who lost
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Speaker 1: their eyes in battle, probably from wars like World War Two.
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Speaker 1: Jeffrey Epstein seemed to have collected these eyeballs and framed
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Speaker 1: them like some sort of sick trophy, turning a symbol
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Speaker 1: of human suffering and recovery into this glossy, polished, absolutely
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Speaker 1: unblinking wall of surveillance. It's almost like the house itself
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Speaker 1: is staring you down, judging you with every step that
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Speaker 1: you take. There's no known artist behind the eyeballs or
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Speaker 1: someone who crafted and created this collection. For Epstein, this
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Speaker 1: seems to have just been something that he wanted to
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Speaker 1: have installed literally right when you enter his home. Now,
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Speaker 1: if that doesn't scream blackmail, recording and secret surveillance along
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Speaker 1: with the faces that are watching you when the camera's outside,
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Speaker 1: I don't know what does. Was this just some sort
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Speaker 1: of macab collection and interest of Epstein's, or was he
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Speaker 1: telling the people who entered his home careful, we're watching you. Well,
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Speaker 1: let's continue on. Tucked into that same foyer that you
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Speaker 1: see upon entering Epstein's home is a painting done in
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Speaker 1: the raw childlike style of Jean du Bouffey, the French
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Speaker 1: artist famous for championing art brute outsider art that's rough, unpolished,
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Speaker 1: and drawn from the margins of society, like works by
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Speaker 1: the mentally ill or completely untrained creators. It's a very
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Speaker 1: interesting form of art, and Dubuffet, who lived from nineteen
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Speaker 1: oh one to nineteen eighty five, meant for his art
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Speaker 1: to rebel against polished academic styles as he celebrated the
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Speaker 1: primal and authentic, the real pulse of average people living
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Speaker 1: and working on the streets of their countries. But Epstein's
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Speaker 1: version of this art, it's unsigned, and he'd coyly dodge
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Speaker 1: questions about who painted it. Likely it was a fake
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Speaker 1: or a knockoff, which fit his typical pattern of phony masterpieces.
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Speaker 1: In Epstein's hands, though, this piece of art became a
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Speaker 1: teasing veil, hiding authenticity, just like he hid so much else.
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Speaker 1: As you continue on through the house, the two story
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Speaker 1: reception room looms just ahead. Walls in the study lined
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Speaker 1: with photos of infamous power players, people like Woody Allen,
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Speaker 1: Mohammed Bin Salman, Bill Clinton Trump like a gallery of
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Speaker 1: tainted alliances. Ahod Barack, the former Prime Minister of Israel
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Speaker 1: provided Jeffrey Epstein with a distinct and bizarre piece of
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Speaker 1: art to hang in his study, a hand drawn map
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Speaker 1: of Israel. And also inside of the study is a
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Speaker 1: signed and inscribed dollar bill done up by nobody other
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Speaker 1: than Bill Gates himself, founder of Microsoft. Outside of Epstein's mansion,
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Speaker 1: especially if you were to visit in the dead of winter,
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Speaker 1: the heated sidewalk would melt the snow away, but inside,
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Speaker 1: the chill in the home would set in over your
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Speaker 1: body fast. But let's go back to that main area,
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Speaker 1: the hallway with all of those eyeballs. As you walk
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Speaker 1: up the main staircase in Epstein's home, the eyeballs and
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Speaker 1: their stairs seem to follow you up to the second story,
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Speaker 1: where the real twisted show really begins. Climbing the grand
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Speaker 1: staircase towards Epstein's office and bedroom, your eyes can't help
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Speaker 1: but wander towards the hanging sculpture, literally dead set in
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Speaker 1: the center of this open area. The sculpture itself is
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Speaker 1: a life sized bronze woman in a real wedding dress,
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Speaker 1: desperately gripping a rope from the chandelier, her form heavy
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Speaker 1: and gazing downward in some sort of frozen peril. The
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Speaker 1: artist behind this piece is unknown, but it's often online
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Speaker 1: been compared to provocative works like those by Marizio Catalan
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Speaker 1: meant to shock viewers in spark debate amongst HouseGuests here
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Speaker 1: blending bridal purity with lynching imagery symbolizing the entrapment of
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Speaker 1: women or doomed innocence. I have to say it's a
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Speaker 1: very very striking sculpture, and it's honestly really creepy the
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Speaker 1: more that you look at it, and when you consider
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Speaker 1: that Epstein himself was the one who had this sculpture
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Speaker 1: of a woman what looks like trying to escape, looking
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Speaker 1: like she's in some sort of turmoil, wearing a wedding dress,
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Speaker 1: it takes on a whole different meaning. It might represent
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Speaker 1: vulnerability and commitment, but in Epstein's layer, it seems to
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Speaker 1: be some sort of kinky harbinger of control, which in
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Speaker 1: a weird and scary way, almost mirrored the fates of
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Speaker 1: the women and young girls that he allegedly trapped in
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Speaker 1: his dark clutches. At the base sits the custom human
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Speaker 1: chessboard with figurines sculpted modeled after his own staff members,
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Speaker 1: mostly being women in skimpy suggestive outfits, their legs posed
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Speaker 1: provocatively like pawns in Epstein's sick game. Once again, there's
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Speaker 1: no named or known artist here behind this piece, but
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Speaker 1: it's bespoke, probably commissioned directly by Epstein to objectify his
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Speaker 1: employees even further, turning real people in his life into
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Speaker 1: playable pieces in a disturbing game, a literal representation of
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Speaker 1: a power fantasy where Epstein plays the game, he moves
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Speaker 1: the pieces, and he controls the board in full Near
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Speaker 1: the human chessboard looms a nearly twice life sized bronze
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Speaker 1: sculpture of a completely naked African warrior, muscles rippling, fully
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Speaker 1: exposed in a pose of raw dominance. Once again, the
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Speaker 1: artist behind this piece is unknown, and the piece evokes
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Speaker 1: tribal art traditions that symbolize strength and virility, perhaps from
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Speaker 1: African sculptural heritage, where warriors represent protection or conquest. Viewed
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Speaker 1: through the lens of Epstein see in his Disturbing Life,
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Speaker 1: the statue becomes an almost phallic emblem of power, towering
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Speaker 1: over visitors like some sort of sentinel of his ego.
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Speaker 1: Then there are the five oversized architects. Pencils bent into
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Speaker 1: twisted shapes, each cast in bronze for about ten thousand dollars.
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Speaker 1: Once again, there's no artist credited for this work of art,
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Speaker 1: but each of the pencils scream phallic distortion, tools of
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Speaker 1: creation that have been warped, maybe mocking design or hinting
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Speaker 1: at some sort of bent reality. Throughout the home, as
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Speaker 1: the ac flows in the summer months, the bride's gown
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Speaker 1: flutters eternally, a silent scream captured in fabric. The ascent
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Speaker 1: up into Epstein's home almost feels like entering his mind
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Speaker 1: or even his supervillain layer Bars and Beasts being the
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Speaker 1: next sites. The second floor of Epstein's home hits you
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Speaker 1: with the photorealistic prison mural. As you can see here,
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Speaker 1: there's barbed wire coiling guards looming with Epstein smack in
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Speaker 1: the center, like a king trapped within his own cell.
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Speaker 1: Commissioned anonymously after his two thousand and eight conviction for
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Speaker 1: how the artist once again is unknown, but perhaps this
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Speaker 1: piece was commissioned as a nod to hyperrealism masters like
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Speaker 1: Chuck Close, but twisted into self mockery. The meaning behind
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Speaker 1: the art well, Epstein bragged at the time that it
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Speaker 1: was for the possibility of going to jail again, turning
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Speaker 1: his future potential punishment into artful foresight and some sort
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Speaker 1: of sick joke. I'm sure that when Epstein had this
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Speaker 1: art created for himself, he could have never imagined the disturbing,
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Speaker 1: dark twist that his life would have taken at the
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Speaker 1: very end when he died in a prison cell only
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Speaker 1: miles from where that faintful piece of art depicting him
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Speaker 1: in prison sat. The massage room on the second floor
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Speaker 1: is covered with paintings of naked women, and as you
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Speaker 1: can see in pictures from this room, there are shells
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Speaker 1: full of lube and a ball and chain. It seems
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Speaker 1: like BDSM was normalized in this space. Inside of Epstein's
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Speaker 1: office sits a giant taxidermy tiger with its fang's eternal
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Speaker 1: eyes glassy once again with an unknown source, but obviously
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Speaker 1: taxidermy often symbolizes the conquest of humans over nature. For hunters,
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Speaker 1: something like this is a trophy here we can assume
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Speaker 1: that it was for Epstein's beastly dominance on the piano,
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Speaker 1: a stuffed black poodle purchase Dusty and Odd. Epstein, when
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Speaker 1: talking to the press often quipped that no decorator would
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Speaker 1: suggest this poodle, wanting folks to ponder what it means
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Speaker 1: to stuff a dog, perhaps by a taxidermist like those
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Speaker 1: preserving pets. This could have symbolized the unnatural preservation or
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Speaker 1: emasculation of nature. In the red chair lounge upstairs, a
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Speaker 1: dog statue besides its feces mock's life, similar to Jersey
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Speaker 1: Kennar's fountain, another famous piece of work, a bronze poop
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Speaker 1: coil honors the dog's waste urging cleanup. Kennar, a Polish
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Speaker 1: American artist, meant his art piece as a humorous piece
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Speaker 1: of public art. However, once again, as with Epstein, we
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Speaker 1: can assume that his version twists morality into some sort
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Speaker 1: of gross whimsy. These preserved creatures that are littering the
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Speaker 1: second floor of Epstein's home scream out of control and
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Speaker 1: perceived control over life and death itself. But it's in
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Speaker 1: the bedrooms of Epstein's home where pedals hide predators. Epstein's
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Speaker 1: bedroom suite a floral overload. Laura Ashley Beach vibes in
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Speaker 1: white and blue, just like on his island, with massive
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Speaker 1: flowers exploding on the walls like some sort of nineties
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Speaker 1: Xcess Gone Sterile, but the bathrooms themselves hold horror, and
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Speaker 1: one bathroom sits a nude painting of a small breasted woman,
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Speaker 1: the age of the subject unknown, along with the artist,
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Speaker 1: perhaps painted in the vein of realist nudes, symbolizing vulnerability. Disturbingly,
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Speaker 1: according to one victim of Epstein's named Jennifer Arouse, who
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Speaker 1: was fifteen years old at the time, that he Epstein
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Speaker 1: told her well her in the bathroom, that she herself
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Speaker 1: resembled the woman in the painting, which turned the art
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Speaker 1: into some sort of tool of comparison and violation. As
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Speaker 1: you can see in photographs and video of Epstein's bedrooms
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Speaker 1: as well, hidden cameras eye the bed, capturing all the
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Speaker 1: action that ever occurred in that room. Behind the desk
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Speaker 1: is Keys Van Dongan's fem Fetale from nineteen oh five,
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Speaker 1: an oil painting of a woman cupping her exposed breast
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Speaker 1: with the nipple. Bold Ben Dongan, who lived from eighteen
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Speaker 1: seventy seven to nineteen sixty eight was a Dutch French
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Speaker 1: fauvist known for garish, sensuous portraits of Parisian nightlife, paintings
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Speaker 1: that depicted dancers and more meant to capture raw allure
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Speaker 1: and at the same time danger. Fem fetale embodies seductive peril.
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Speaker 1: The painting depicts a woman wielding her body as power,
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Speaker 1: and Epstein bought the painting for millions. Anonymously, Flowers facade
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Speaker 1: the filth within the room with petals framing some sort
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Speaker 1: of perverted pleasure. Also hanging prominently in Epstein's home is
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Speaker 1: Patrina Ryan Clade's Parsing Bill in Oil painting from twenty
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Speaker 1: twelve that depicts Bill Clinton in a blue dress an
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Speaker 1: odd to his Monica Lewinsky scandal, and red heels lounging
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Speaker 1: in the Oval office. Ryan Cleed, an Australian artist and
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Speaker 1: New York Academy of Art alumni, created this piece of
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Speaker 1: art as student satire, parsing meaning analyzing dissecting Clinton's scandals
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Speaker 1: with a lens of humor. Epstein, however, displayed this painting
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Speaker 1: as some sort of sick and twisted trophy, turning the
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Speaker 1: joke into something sinister. As we know, Epstein and Clinton
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Speaker 1: were extremely close friends, and it's been alleged many times
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Speaker 1: that Clinton was complicit in Epstein's darker proclivities and activities.
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Speaker 1: So to have a picture a painting of Bill Clinton
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Speaker 1: in address in the Oval office hanging in your house
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Speaker 1: is just bizarre, to say the least. But it should
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Speaker 1: also be stated here that many people online and people
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Speaker 1: who visited Epstein's house in person have publicly stated that
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Speaker 1: it seems like a number of pieces of art that
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Speaker 1: Epstein had in his homes were fake. They were knockoffs.
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Speaker 1: For example, inside of Epstein's home was a supposedly fake
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Speaker 1: Max Weber Cubist painting which echoed Weber's abstract experiments in form. Also,
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Speaker 1: remember there was that Do Buffet mimic painting downstairs that
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Speaker 1: many believe is fake as well. Also inside of the home, disturbingly,
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Speaker 1: are somewhat seemed to be replicas of a series of
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Speaker 1: paintings called Underaged Rodents, paintings by artist Auguste Rodin which
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Speaker 1: depicted sensual nudes, paintings like The Kiss, which apparently, and
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Speaker 1: according to the artist, celebrated human form but celebrated the
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Speaker 1: bodies of youth. That's why the series is called Underaged Rodents.
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Speaker 1: It's essentially painted CP or CSAM materials. Epstein, of course,
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Speaker 1: would have definitely wanted some art like that in his
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Speaker 1: own home. And it's interesting because the presence of this
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Speaker 1: fake or allegedly fake art shows that Epstein himself had
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Speaker 1: some sort of disdain for real value. Clearly, if you
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Speaker 1: know the Epstein story and you know anything about him,
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Speaker 1: he had more than enough money to be able to
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Speaker 1: afford the real thing, and yet for some reason he
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Speaker 1: never went for it. He seemed to have in many
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Speaker 1: of these cases gone for the cheaper, knockoff varieties. These
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Speaker 1: artistic forgeries flaunt a sort of hypocrisy within Epstein, as
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Speaker 1: he used art as some sort of facade, a way
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Speaker 1: to trick people into thinking he may have been more
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Speaker 1: intelligent or artistically inclined than he really was. But inside
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Speaker 1: of the massage room, the hands on horror really amps up.
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Speaker 1: Just take a look at the massage itself. We talked
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Speaker 1: about this briefly before, and as you know, Epstein typically
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Speaker 1: liked to the underaged victims, and by starting out with
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Speaker 1: a massage, that was his big things. So we can
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Speaker 1: assume that there were some absolutely unholy, absolutely horrific things
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Speaker 1: done to older men by children in this room. Not
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Speaker 1: only Epstein, either, there were plenty of different visitors to
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Speaker 1: specifically this New York mansion owned by Epstein, including Prince Andrew,
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Speaker 1: who actually lied about visiting the location at one point,
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Speaker 1: even though video cameras actually captured him lurking in the
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Speaker 1: shadows inside the doorway of the mansion. It's a very
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Speaker 1: creepy video inside of the massage room, though hang's fifteen
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Speaker 1: foot artwork depicting a naked girl a photo or a painting,
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Speaker 1: we don't really know what it is, with once again
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Speaker 1: the artist being unknown, with the piece described as quote artistic,
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Speaker 1: not by one of the victims, but in this space,
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Speaker 1: this painting or picture being hung up in this room
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Speaker 1: specifically by Jeffrey Epstein or Glene Maxwell. Well, it turns
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Speaker 1: the work of art into a work of pure exploitation.
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Speaker 1: Only God knows exactly what happened inside of that massage
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Speaker 1: room and who took advantage of who, but we know
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Speaker 1: that it happened not only dozens, but hundreds, possibly thousands,
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Speaker 1: probably thousands of times. And as you can see, there
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Speaker 1: were lube shelves all throughout the massage room and a
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Speaker 1: ball and chain tools that could have been used for
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Speaker 1: pleasure or for torment. Obviously, when you know the history
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Speaker 1: of Epstein, who he was, what he was doing and
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Speaker 1: who he was doing these things too. It turns this
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Speaker 1: photo or painting from art to assault. Then there's Damien
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Speaker 1: Loebe's Little Miss Pink Tomato from nineteen ninety five, a
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Speaker 1: hyperreal oil painting of eight young girls in swimsuits at
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Speaker 1: a pageant, bathed under harsh lights, standing in front of
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Speaker 1: an ambiguous backdrop. Damian Lowe born nineteen seventy is an
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Speaker 1: American artist who draws from cinematic realism, and according to him,
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Speaker 1: this painting critiqued child exploitation and pageants, highlighting the girl's
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Speaker 1: innocence and how it was commodified. However, once again, as
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Speaker 1: we see here with Epstein, there is a pattern to
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Speaker 1: the art he seems to want to collect, and it
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Speaker 1: seems like he turned this critique of exploitation into a
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Speaker 1: creepy endorsement of the activities being critiqued with the painting itself.
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Speaker 1: The oiled violation is normalized here in Epstein's home, and
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Speaker 1: the presence of this painting within Epstein's cursed walls is
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Speaker 1: not only horrific, but it's stomach churning and disgusting. So
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Speaker 1: Epstein's home itself, we can analyze Epstein's home for days
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Speaker 1: talking about all the autographs and the pictures and the
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Speaker 1: bizarre things and the cameras and everything else found in there.
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Speaker 1: There's also, according to witnesses, a room right when you
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Speaker 1: walk into Epstein's front hallway. I believe it was to
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Speaker 1: the right. I could be wrong on that, but it
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Speaker 1: was right there near the entrance, and people have testified
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Speaker 1: that when they walked into that room on accident, they
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Speaker 1: saw essentially like floor to ceiling computer monitors, like security cameras,
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Speaker 1: somebody recording every square inch of the house at all times.
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Speaker 1: But it really paints a picture. Epstein's got oil paintings
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Speaker 1: of underaged girls. He's got nudes throughout the house, a
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Speaker 1: sculpture of what looks like a woman trying to escape.
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Speaker 1: He's got a chess set sculpted after his own assistance
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Speaker 1: of scantily clad women that he's controlling, an entire wall
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Speaker 1: of eyeballs. I mean, this is the realm of the
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Speaker 1: incredibly bizarre. But since we're only analyzing Epstein's disturbing art
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Speaker 1: taste here, we're gonna move to the Palm Beach House.
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Speaker 1: As you probably know, at this point, when Epstein was
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Speaker 1: arrested and his Palm Beach home was finally rated by authorities.
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Speaker 1: What the authorities found inside of that house was absolutely disturbing.
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Speaker 1: There were nudes galore spread all throughout the home, photos
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Speaker 1: of underaged girls clothed and naked scattered throughout the property.
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Speaker 1: Paintings of women with their legs splayed, faceless, muscular nudes,
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Speaker 1: and surrender, and so much more. For example, one of
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Speaker 1: the paintings that is very eerie and disturbing is that
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Speaker 1: of Lee Moore Gasco's untitled nude Woman from Behind in
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Speaker 1: oil painting commissioned specifically by Jeffrey Epstein. Lee Moore Gasco,
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Speaker 1: an Israeli American artist, typically paints stark figures. This painting, though,
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Speaker 1: was sold as being Epstein commissioned. We can interpret the
17:05
Speaker 1: painting in a number of ways. When you take a
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Speaker 1: look at the art itself, you can see that this
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Speaker 1: is essentially vulnerability being viewed anonymously, and the fact that
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Speaker 1: this is a nude woman facing away from the person
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Speaker 1: viewing the art turns us into some sort of sick,
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Speaker 1: voyeuristic power play art, not necessarily if it was art alone,
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Speaker 1: but the fact that it was art commissioned by Epstein
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Speaker 1: and hung in his house. Obviously you have to interpret
17:29
Speaker 1: these works with a completely different lens. Then there's a
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Speaker 1: print of a photo by artist Laurence Sackman. In the photo,
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Speaker 1: as you can see, there are a pair of spread
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Speaker 1: nude legs and the photo is in black and white.
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Speaker 1: The photo is by British photographer Laurence Sackman born in
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Speaker 1: nineteen forty eight, an artist known for his erotic nudes
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Speaker 1: which allegedly capture intimacy. Once again, this photograph, hanging in
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Speaker 1: Epstein's home causes it to take on a whole darker
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Speaker 1: sort of meaning. Then there's the bust of a woman's
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Speaker 1: hanging on Epstein's wall. Is incredibly crude and reduces a
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Speaker 1: woman's body to nothing more than parts. And through this art,
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Speaker 1: Epstein seems to be using it as a catalog of conquest.
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Speaker 1: Unbelievably bizarre and as you can see, there is a
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Speaker 1: theming to a lot of the art that Epstein collects.
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Speaker 1: Frequently nudes, compromising positions, focus on body parts and specific
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Speaker 1: it's really really weird, very obviously themed stuff. And going
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Speaker 1: through the footage that the local police departments in Florida
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Speaker 1: released showing their journey through Epstein's mansion in Palm Beach.
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Speaker 1: You can see a lot of different, extremely bizarre and
18:32
Speaker 1: just strange things. In one shot, there is some sort
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Speaker 1: of visible medical equipment that Epstein seems to have collected
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Speaker 1: and kept around, potentially as an art piece. There are
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Speaker 1: sets of strange and unexplained blueprints that we don't know
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Speaker 1: the meaning behind. There are lots of photos photos of
18:48
Speaker 1: Glenn Maxwell meeting Fidel Castro Epstein and Maxwell meeting the Pope.
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Speaker 1: Lots of photos, but I don't really count those as art.
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Speaker 1: There are plenty of bizarre paintings depicting nude images just
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Speaker 1: other strings paintings and works of art that I couldn't
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Speaker 1: really track down any more information on. And there's also
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Speaker 1: a strange statue depicting a blindfolded archer. Now I don't
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Speaker 1: really know the meaning of the statue of an archer
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Speaker 1: that's blindfolded. I did find one article online that discussed
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Speaker 1: the fact that maybe this is a lesson from some
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Speaker 1: sort of zen guru, a teaching lesson about not aiming
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Speaker 1: for something that you want without focus or the ability
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Speaker 1: to focus on it. I don't really know. It could
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Speaker 1: have some other Greek meaning, but regardless, it is very strange.
19:30
Speaker 1: And also in the Palm Beach home, as you can
19:32
Speaker 1: see in some of the footage, Epstein head baby powder throughout,
19:36
Speaker 1: and it's known that Epstein didn't have any children. Hmm,
19:39
Speaker 1: very strange. But we still have to press on because
19:41
Speaker 1: one of the weirdest place is probably the weirdest place
19:44
Speaker 1: when it comes to Jeffrey Epstein, in my opinion, even
19:46
Speaker 1: stranger than the island itself, says mysterious ranch in New Mexico,
19:51
Speaker 1: Zoro Ranch. Now we're going to talk about Zoro Ranch
19:54
Speaker 1: in an upcoming episode of the show at length because
19:57
Speaker 1: it was at Zoro Ranch where Epstein was a conducting
20:01
Speaker 1: human cloning experiments, attempting to create a superhuman race of
20:06
Speaker 1: individuals cloned with his own DNA. There are all these crazy,
20:10
Speaker 1: bizarre accusations about Epstein that don't just come from conspiracy
20:15
Speaker 1: you know threads online. These are accusations that were reported
20:18
Speaker 1: on by major news outlets, from CNN to The Guardian.
20:22
Speaker 1: This is like known stuff that Epstein was into, and
20:25
Speaker 1: it's it's weirder than you can even possibly imagine. But
20:28
Speaker 1: it needs a whole video to get into. But we
20:29
Speaker 1: want to focus today very quickly before we end today's
20:32
Speaker 1: video on the art found at Zoro Ranch itself. Inside
20:36
Speaker 1: of the basement of Zoro Ranch, which is an extremely
20:39
Speaker 1: isolated property in the desert of New Mexico, is a
20:42
Speaker 1: five by six foot painting that shows a young girl
20:45
Speaker 1: wearing a wedding ring cuddling a snarling lion slash tiger.
20:49
Speaker 1: The artist behind this piece of art is unknown, but
20:52
Speaker 1: it evokes obviously a surreal intimacy with danger. Could this
20:56
Speaker 1: perhaps symbolize some sort of predatory marriage? I mean, the
20:59
Speaker 1: girl definitely looks younger than eighteen years old in my opinion,
21:03
Speaker 1: and yet she's wearing a wedding ring. Could this be
21:05
Speaker 1: some sort of a shout out to child marriage childbrides?
21:08
Speaker 1: And obviously the fact that this young girl is wearing
21:11
Speaker 1: a wedding ring means that that wedding ring is definitely
21:14
Speaker 1: important in the interpretation of the painting. So is the
21:18
Speaker 1: artist trying to get you to ponder over this marriage
21:22
Speaker 1: between a predator and a young child? I don't really know,
21:25
Speaker 1: but it's just it's bizarre. Workers that actually worked at
21:28
Speaker 1: Epstein's Zorro Ranch have even gone public and gone to
21:31
Speaker 1: the press and stated that not only this painting itself,
21:33
Speaker 1: but the entire property gave them a generally creepy vibe.
21:37
Speaker 1: Also very interesting. Within Zoro Ranch, there's actually a skeleton
21:41
Speaker 1: in a closet. Now, this was related by Glenn Maxwell
21:45
Speaker 1: that this skeleton was placed in the closet as a
21:48
Speaker 1: prop to scare art students who were visiting Zoro Ranch.
21:51
Speaker 1: She even stated that she was disappointed that none of
21:53
Speaker 1: the art students were phased by the discovery of this
21:55
Speaker 1: skeleton in the closet, as she said that art kids
21:58
Speaker 1: study bones. She said that this had no deep meaning.
22:00
Speaker 1: It was just some sort of prank. But you cannot,
22:03
Speaker 1: at the same time glaze past the meaning of the
22:06
Speaker 1: phrase skeleton in the closet. Sins in the past, hidden truths,
22:10
Speaker 1: things you've never talked about, Darth, things that you did
22:13
Speaker 1: in the past that have never come to light. That's
22:15
Speaker 1: the entire phrase. He's got some skeletons in the closet.
22:18
Speaker 1: Epstein literally had a skeleton in the closet at his house.
22:22
Speaker 1: You can't make this up. Then. There are two different works,
22:25
Speaker 1: two different paintings by artist Maria Farmer. Farmer, who was
22:29
Speaker 1: born around nineteen sixty nine or seventy, is a former
22:32
Speaker 1: victim turned artist who created both of these works unpaid,
22:35
Speaker 1: So obviously having a former victim who created art in
22:40
Speaker 1: Epstein's home is incredibly bizarre, especially when you know that
22:43
Speaker 1: the artist was once a victim of the same crime
22:45
Speaker 1: that Epstein and Maxwell were guilty of committing against other victims.
22:49
Speaker 1: Some people have interpreted the exoticism of the painting symbolizing
22:53
Speaker 1: or meaning some sort of deeper allure, but when hung
22:56
Speaker 1: in the home of Epstein and Maxwell and now symbolizes exploitation,
23:01
Speaker 1: revictimizing a victim who was already victimized in the past.
23:04
Speaker 1: There's also the falsees bag at dinner that tested boundaries
23:08
Speaker 1: now interesting. Jeffrey Epstein himself was a board member at
23:11
Speaker 1: the New York Academy of Art from nineteen eighty seven
23:14
Speaker 1: to nineteen ninety four and was good friends with the founder,
23:17
Speaker 1: Stuart Pivar or Pivar, who was even described as being
23:20
Speaker 1: Epstein's best pal until scandals began to emerge and surround
23:24
Speaker 1: Epstein like a black cloud. Aileen Guggenheim of the Guggenheim
23:27
Speaker 1: Museum pushed Maria Farmer to sell her art for cheap
23:31
Speaker 1: and seemed to ignore her past of choosing to revictimize
23:35
Speaker 1: her in the form of some sort of art slavery,
23:38
Speaker 1: if you want to call it that. After Epstein was
23:40
Speaker 1: released from prison, he donated thirty thousand dollars to the
23:43
Speaker 1: New York Academy of Art in order to secure himself
23:46
Speaker 1: some fundraiser tickets. The president of the New York Academy
23:49
Speaker 1: of Art Kratz at the time, regretted giving those tickets
23:51
Speaker 1: to Epstein with hindsight, but the Academy accepted his donation
23:55
Speaker 1: back then even though it was dirty for money. Regardless,
23:58
Speaker 1: Epstein also donated eight hundred thousand dollars to the MIT
24:02
Speaker 1: Media Lab. Interestingly, in the past, Eileen Guggenheim herself actually
24:06
Speaker 1: sent some of her alumni to Epstein's Zoral ranch so
24:10
Speaker 1: that they could paint murals for Epstein, and at the
24:12
Speaker 1: time of his arrest, those murals still dotted the walls. Interestingly, though,
24:17
Speaker 1: there are some other things that we need to point
24:19
Speaker 1: out that we've seen in Epstein's houses across the world
24:22
Speaker 1: that are really really disturbing, once again, in hindsight, and
24:26
Speaker 1: this extends beyond actual painted art or art pieces into
24:30
Speaker 1: the world of literary art, musical art, and so much more.
24:34
Speaker 1: For example, in one of Epstein's properties, he had a
24:36
Speaker 1: copy of the book Training with Miss Abernathy, which essentially,
24:40
Speaker 1: if you water it down, is some sort of a
24:42
Speaker 1: textbook for erotic slaves. There was also a book called
24:45
Speaker 1: Slavecraft which Epstein bought, which mapped slavery and servitude and
24:49
Speaker 1: essentially taught the reader how to create a slave. These
24:52
Speaker 1: were purchased in two thousand and five through Amazon and
24:55
Speaker 1: sent to Epstein's Palm Beach house. One victim reported after
24:59
Speaker 1: being by Jeffrey Epstein that he shoved a book called
25:02
Speaker 1: Massages for Dummies right in her face, which again is
25:05
Speaker 1: just another disturbing thing for him to have owned. Then
25:08
Speaker 1: there is a first edition of the book Lolita by Nabokov,
25:12
Speaker 1: seen on one of the desks in Epstein's New York mansion. Obviously,
25:16
Speaker 1: if you don't know what Lolita is, it is one
25:18
Speaker 1: of the most infamous artistic film works of all time.
25:22
Speaker 1: It's essentially a book about an old man falling in
25:25
Speaker 1: love romantically with a young, very young, underaged girl and
25:30
Speaker 1: their relationship. Epstein seemed to have had an obsession with
25:35
Speaker 1: intellectualizing children, which is another thing we're going to talk
25:38
Speaker 1: about in a video in the near future. Also a
25:40
Speaker 1: while back, Epstein's Spotify playlists were leaked to the press
25:44
Speaker 1: after someone identified his Spotify account. He had songs on
25:47
Speaker 1: there like Hot for Teacher, My Heart Belongs to Daddy,
25:51
Speaker 1: tracks by Louis c K, a comedian who has also
25:54
Speaker 1: been accused of propriety, and so much more. It also
25:57
Speaker 1: should be noted that on one of his playlists, Epstein
26:00
Speaker 1: had the song Little Girls by Oingo Boingo. Look into
26:03
Speaker 1: that song and its meaning, and I guarantee you will
26:06
Speaker 1: be a little more than disturbed. The full picture, though,
26:09
Speaker 1: of all of these artistic collections and pieces scattered throughout
26:13
Speaker 1: Epstein's properties, and this is just a small sampling of
26:16
Speaker 1: everything that I'm sure was in all of his properties,
26:19
Speaker 1: or even in storage or different areas that we don't
26:21
Speaker 1: really still know about. The full picture is of a
26:23
Speaker 1: perverse palette. I mean, Epstein's tastes were incredibly bizarre. There
26:28
Speaker 1: were skeletons hanging in his closets, the eyeballs of English
26:31
Speaker 1: soldiers watching and judging HouseGuests, the fakes of paintings that
26:35
Speaker 1: rebelled falsely, a bronze bride hanging from the ceiling attempting
26:38
Speaker 1: to escape and trapped eternally, chest ponds shaped like Epstein's
26:42
Speaker 1: staff members dressed in skimpy clothing, poodle pondering stuffing, conquered tigers,
26:47
Speaker 1: and prison murals depicting Epstein literally in prison. And also
26:51
Speaker 1: plenty of pieces of art depicting themes and once again
26:55
Speaker 1: underage children, specifically girls from New York City to Zoro Ranch.
27:00
Speaker 1: Epstein had a wide and expansive collection of very unique
27:04
Speaker 1: and disturbing art, and to me, it offers a glimpse
27:07
Speaker 1: into his mind, his state of mind, and who he
27:10
Speaker 1: was as a person. It really seemed like he was
27:12
Speaker 1: sending a message with this art. I mean some of
27:15
Speaker 1: the stuff, like the eyeballs on the wall, the messaging
27:17
Speaker 1: is so incredibly blatant. You're being watched the moment you
27:20
Speaker 1: step through the door. In addition to the books that
27:23
Speaker 1: he had on his shelves, everything within Epstein's properties, when
27:26
Speaker 1: you really get down to analyzing them and looking at them,
27:28
Speaker 1: every single thing you see could potentially become a clue.
27:32
Speaker 1: But I urge you guys, please return in the next
27:34
Speaker 1: few weeks because I will be doing an in depth
27:36
Speaker 1: episode on Epstein's Zoro Ranch and it is more than disturbing.
27:41
Speaker 1: The story is going to shock you down to your
27:43
Speaker 1: very core. But if you've enjoyed today's episode and please
27:46
Speaker 1: consider leaving me a comment and a like on this video,
27:49
Speaker 1: subscribe to the channel. Be sure to share out these
27:51
Speaker 1: videos so that more people can see them and more
27:54
Speaker 1: people can start learning the full history of Epstein and
27:58
Speaker 1: the enigma behind him and what he was and what
28:00
Speaker 1: he represented, and who he worked for and who he
28:03
Speaker 1: provided children to, because it's really important. It's really important stuff.
28:07
Speaker 1: And as always, I don't want to go anywhere. I'm
28:09
Speaker 1: not planning on going anywhere. All parties are presumed innocent
28:12
Speaker 1: until proven guilty in a court of law. And if
28:14
Speaker 1: you want to see where I gathered the information for
28:17
Speaker 1: today's episode, please check the resources link that is in
28:20
Speaker 1: the description of today's video. Thank you guys for watching.
28:24
Speaker 1: Keep that tinfoil hat on always, stay suspicious, question everything,
28:28
Speaker 1: and I'll see you all next week.