Latest / Table Read / THE UNDERSTUDY - Act Two
Transcript
- 0:02Speaker 1: Okay, so check this out.
- 0:04Speaker 2: Last episode, Natalie Primavera, are School's diva ballerina, auditioned for
- 0:08Speaker 2: the sugar Plum Fairy and the Nutcracker. My best friend,
- 0:11Speaker 2: Ava Ross, who's only been dancing for five.
- 0:13Speaker 1: Years, also went for it.
- 0:15Speaker 2: Our new ballet director, mister Constantine, is also super weird
- 0:19Speaker 2: and creepy, but anyway, Natalie got the role and Ava
- 0:22Speaker 2: got cast as her understudy. To celebrate, Natalie took this
- 0:26Speaker 2: epic Instagram shot on a bridge at the exact same time,
- 0:29Speaker 2: Ava made a wish on mister Constantine's magic snow globe
- 0:32Speaker 2: to be Natalie. Natalie falls off the bridge and midfall.
- 0:37Speaker 1: They switch.
- 0:38Speaker 2: So now Ava is stuck in Natalie's body and a
- 0:40Speaker 2: coma at the hospital. I know, super dark, and Natalie
- 0:44Speaker 2: is an Ava's body. Natalie thought about switching back, but
- 0:48Speaker 2: she decided to stay in Ava's body and have her
- 0:50Speaker 2: moment as the sugar Plump Fairy before switching back to
- 0:52Speaker 2: her injured body and saying goodbye to ballet forever. The
- 0:57Speaker 2: problem is Ava's mom and little sister are getting suspicious.
- 1:01Speaker 2: Not to mention me, THEO and Ava's boyfriend s Trevor
- 1:04Speaker 2: not sure how Natalie's gonna pull this off.
- 1:07Speaker 3: But let's see Ava's bedroom night, early morning and still dark.
- 1:14Speaker 3: Ava's phone chimes five o'clock am. Natalie shuts off the
- 1:19Speaker 3: alarm and jumps out of bed. Exterior street sunrise. Natalie
- 1:24Speaker 3: jogs as the sun rises. Natalie snaps a photo of
- 1:27Speaker 3: the sunrise. She posts the photo on Ava's Instagram page
- 1:31Speaker 3: with the caption early bird gets the worm, hashtag sugar
- 1:34Speaker 3: plump fairy, hashtag nutcracker. Interior Ava's Bedroom Day. Bean wakes
- 1:40Speaker 3: up and sees Natalie at her dresser doing ballet bar exercises.
- 1:44Speaker 3: Bean points two fingers from her eyes to Natalie to say,
- 1:48Speaker 3: I'm watching you. Interior Ava's hallway Day. Bean rattles the
- 1:53Speaker 3: lock knob of the bathroom door.
- 1:55Speaker 4: Please I need a peel up.
- 1:58Speaker 3: Interior Ava's Bathroom Day. Natalie puts her hair into a
- 2:01Speaker 3: perfect high bun. She's applying the lipstick she stole from
- 2:04Speaker 3: her room and takes a selfie with Ava's phone. She
- 2:07Speaker 3: posts the photo on Instagram with the caption hashtag two
- 2:11Speaker 3: two Tuesday, hashtag bun head, hashtag sugar plump fairy. Interior
- 2:16Speaker 3: Ava's Kitchen Day. Miss Ross has breakfast ready fruit loop
- 2:20Speaker 3: cereal Bean is jowing down and Natalie makes a face
- 2:23Speaker 3: at the bowl.
- 2:24Speaker 1: Do we have any coffee?
- 2:26Speaker 5: When did you start drinking coffee? Now?
- 2:29Speaker 1: Figure I should start.
- 2:31Speaker 4: Caffeine is a drugging num.
- 2:35Speaker 3: Miss Ross walks to the counter to pour an extra
- 2:38Speaker 3: cup of coffee. Bean pulls out a pill container from
- 2:41Speaker 3: Miss Ross's purse and pushes it towards Natalie. Natalie snatches
- 2:45Speaker 3: it and tosses it back into the purse, stopping weird
- 2:49Speaker 3: interesting Bean jots in her diary. As Miss Ross hands
- 2:54Speaker 3: Natalie a mug of coffee, Natalie takes a sip and
- 2:56Speaker 3: makes a disgusted face. Miss Ross folds her arms and
- 3:00Speaker 3: eyes Ava nervously.
- 3:01Speaker 6: With your ap classes, your work study, and college applications,
- 3:04Speaker 6: maybe we should talk about switching roles.
- 3:06Speaker 1: You too, I'm the sugar plum fairy, Ava.
- 3:10Speaker 5: This is just an extracurricular You're not a ballerina. Wow.
- 3:14Speaker 1: I mean, I don't blame you for thinking it. We
- 3:17Speaker 1: were all thinking it. Let's face it, this body's weak
- 3:19Speaker 1: with shit training. But to say it out loud to
- 3:22Speaker 1: your own daughter, that's really cold, missus mom.
- 3:27Speaker 3: Miss Ross looks up and her chin starts to tremble.
- 3:30Speaker 3: Natalie rolls her eyes.
- 3:31Speaker 6: Sorry, I didn't sleep. I just want to know what's
- 3:35Speaker 6: going on. You skipped school, Ava.
- 3:39Speaker 3: Natalie watches Miss Ross fight, tears for a moment and
- 3:42Speaker 3: sighs and defeat. Bean is jotting in her notebook with fury.
- 3:46Speaker 1: You really want to know what's going on? Yes, just
- 3:49Speaker 1: talk to me.
- 3:50Speaker 4: You won't get in trouble even after saying shit, if
- 3:55Speaker 4: you get.
- 3:55Speaker 3: Dressed, please, Being frowns and stomps off.
- 3:59Speaker 4: Being kids a shit.
- 4:04Speaker 1: Okay, here goes. I'm not your daughter. I'm Natalie Primavera.
- 4:09Speaker 1: Aba made a wish in a magic sell gup to
- 4:10Speaker 1: be me and some now she's stuck in my body
- 4:12Speaker 1: in a coma and I'm stuck in this one. But
- 4:14Speaker 1: I'm gonna turn avan to a ballerina and basically say
- 4:16Speaker 1: the show and yeah, it's a lot of pressure.
- 4:20Speaker 3: Ms Ross looks at her, wiping a wave tears from
- 4:22Speaker 3: her cheek.
- 4:23Speaker 5: Natalie prima Vera, Yes, not funny Aba.
- 4:30Speaker 3: Interior chemistry classroom day, Natalie and Grayson stand together at
- 4:34Speaker 3: a lab table with textbooks and three d Adam models
- 4:38Speaker 3: Kenzie in front of them. Grayson peaks at Natalie's feet
- 4:42Speaker 3: doing degages while she scrolls through Ava's phone, reading comment
- 4:45Speaker 3: after comment.
- 4:46Speaker 4: You will never replace Natalie, Who's stupid for Twutu's.
- 4:49Speaker 2: Hashtag not my sugar plum fairy.
- 4:51Speaker 3: The chemistry teacher, mister Hall forty's forgettable in appearance and
- 4:55Speaker 3: a voice that could be mistaken for white noise. His
- 4:58Speaker 3: sweater vest has a portrait to a cat.
- 5:01Speaker 7: In order to calculate the value of the NFLP change
- 5:04Speaker 7: of the reaction, will use the balanced equation for the
- 5:06Speaker 7: oxidation reduction reaction.
- 5:08Speaker 3: Kenzy turns around.
- 5:09Speaker 1: Where'd you go yesterday to the hospital? I when see
- 5:12Speaker 1: Natalie Primavera?
- 5:13Speaker 2: Oh my god, I don't think I've ever seen her
- 5:15Speaker 2: without makeup on?
- 5:16Speaker 1: How'd she look super messed up?
- 5:19Speaker 2: Is it bad that that makes me happy in a
- 5:21Speaker 2: small way?
- 5:22Speaker 3: Yes?
- 5:24Speaker 1: What's wrong with you?
- 5:25Speaker 3: Kenzie's smile drops?
- 5:27Speaker 8: Ava.
- 5:28Speaker 7: Do you have something you want to.
- 5:30Speaker 8: Share with the whole class?
- 5:31Speaker 9: Oh?
- 5:32Speaker 1: Me, no, thank you.
- 5:34Speaker 7: Then would you like to explain to the class what
- 5:37Speaker 7: a happy atom is.
- 5:40Speaker 1: One that doesn't take this class?
- 5:43Speaker 8: Oh?
- 5:47Speaker 3: Mister Hall's face scrunches up. Uh, oh, he's gonna cry.
- 5:54Speaker 3: Mister Hall's face scrunches up and tries to stifle himself
- 5:58Speaker 3: from crying, turns around, raises her eyebrows to say, what
- 6:03Speaker 3: are you doing?
- 6:04Speaker 9: What?
- 6:05Speaker 1: Since when does anyone care about chemistry?
- 6:08Speaker 3: Kenzie and a few other classmates go up to comfort
- 6:10Speaker 3: mister Hall. Natalie puts her face in her hands.
- 6:14Speaker 9: Is she always is?
- 6:15Speaker 8: Like brittle?
- 6:16Speaker 3: Thank you?
- 6:18Speaker 1: Catastrophe just dyed?
- 6:19Speaker 5: Jack Hole?
- 6:20Speaker 3: Who his cat? The class gathers to comfort mister Hall
- 6:24Speaker 3: as he sobs. Natalie sits alone before rushing to grab
- 6:30Speaker 3: the hall pass interior bathroom stall day, Natalie scrolls through
- 6:36Speaker 3: her own Natalie's social media feed. She scrolls past smiling
- 6:40Speaker 3: picture after smiling picture. Zoe and Jasmine enter. Natalie peers
- 6:45Speaker 3: at them through the crack as Zoe puts in eye
- 6:47Speaker 3: drops and Jasmine has her phone out. Natalie can't get
- 6:50Speaker 3: a clear look at what's happening. Zoe, you're ridiculous.
- 6:54Speaker 10: Oh watch, it's gonna look authentic.
- 6:56Speaker 3: Okay on the count of three, ready, one?
- 6:59Speaker 11: Two?
- 7:01Speaker 1: Okay, ducket perfect looks kind of artsy?
- 7:06Speaker 5: Do you think Timothy will see it?
- 7:08Speaker 3: Avis phone buzzes. Natalie looks at it. It's Zoe's Instagram
- 7:12Speaker 3: page with a photo she just took her face with
- 7:15Speaker 3: one tear running down her cheek, captioned devastated about my
- 7:19Speaker 3: bestie at Natalie Primavera, get better soon.
- 7:24Speaker 1: You gotta be kidding.
- 7:26Speaker 3: You're made to be the cheka plum fairy. Why didn't
- 7:28Speaker 3: you just audition for.
- 7:29Speaker 12: It and deal with Natalie Primadonna?
- 7:32Speaker 3: Not worth it? Both girls laugh as they exit. Natalie's
- 7:35Speaker 3: jaw drops Interior school hallway day. Natalie marches down the
- 7:41Speaker 3: hallway fuming. Trevor jogs carrying his viola case and catches
- 7:45Speaker 3: up with her.
- 7:46Speaker 13: Aves avors Abe.
- 7:53Speaker 3: Natalie walks faster, dodging students.
- 7:55Speaker 1: Slow down their speed racer.
- 7:58Speaker 3: Trevor jogs in front of Natalie walks back.
- 8:00Speaker 1: So I was wondering you need to stop following me?
- 8:04Speaker 9: Did I do some frog?
- 8:06Speaker 3: Natalie pushes past Trevor and he keeps following her.
- 8:10Speaker 13: Can't you talk to me?
- 8:11Speaker 3: Just cool it?
- 8:12Speaker 1: Okay, cool it? What does that mean? Like, let's just
- 8:17Speaker 1: pause this whole thing until after Nutcracker.
- 8:20Speaker 13: That's three months a bo It'll.
- 8:22Speaker 1: Be okay, really, just focus on your tiny violin there, okay.
- 8:27Speaker 3: Trevor runs into a water fountain and falls. Kenzie at
- 8:31Speaker 3: her locker, turns and sees this, Natalie keeps walking. It's
- 8:35Speaker 3: viola Interior school hallway rehearsal studio day. Natalie starts to
- 8:45Speaker 3: push the studio door open, but hears muffled sounds behind it.
- 8:49Speaker 3: She peers through the window and sees Jasmine, Mister Constantine,
- 8:53Speaker 3: Miss Miako, and Miss Lana all having a meeting.
- 8:57Speaker 10: Jasmine, if you wanted to play the sugar Plum Ferry,
- 9:00Speaker 10: you should have auditioned for.
- 9:01Speaker 12: It and compete against my best friend. You guys know
- 9:05Speaker 12: I couldn't do that. Look ave as a hobbyist. I'm
- 9:08Speaker 12: hoping to go pro, so just start me off as
- 9:11Speaker 12: an understudy. I mean, you can't risk the entire show
- 9:14Speaker 12: by not having an understudy.
- 9:15Speaker 3: To the SPS, right, Natalie pulls away from the door,
- 9:19Speaker 3: breathing heavily. Interior locker room Day. Natalie gets dressed in
- 9:25Speaker 3: her new dance attire, eyeing Jasmine and Zoe, who are
- 9:27Speaker 3: lost in conversation as they stretch. Kenzie and THEO enter
- 9:31Speaker 3: and approach Natalie. Senior dancer seventeen gasps upon seeing THEO.
- 9:37Speaker 4: Ew THEO get out of here.
- 9:40Speaker 2: You're Natalie, this is an intervention. I thought you'd be
- 9:44Speaker 2: more like beautiful white swan Natalie Portman.
- 9:47Speaker 1: But you're unraveling and.
- 9:48Speaker 2: Too psychopath red eyes, black Swan Natalie Portman.
- 9:51Speaker 3: Natalie is focused on laughter. It's Zoe. Jasmine, Kenzie and
- 9:56Speaker 3: THEO exchange glances. Kenzie waves her hand as though to say,
- 9:59Speaker 3: sh in, look.
- 10:01Speaker 9: Just skip classes yesterday, and now you're blowing off Trevor.
- 10:04Speaker 9: We know you're going through a hard time and you
- 10:06Speaker 9: want to.
- 10:07Speaker 3: Help, okay, Natalie eyes Kenzie and THEO standing in front
- 10:11Speaker 3: of her. They're schlubby and mismatched. Natalie laughs.
- 10:16Speaker 1: Why don't you guys just work on helping yourselves, okay?
- 10:19Speaker 1: And what's her face?
- 10:20Speaker 11: Is right?
- 10:20Speaker 1: You're not allowed to be here.
- 10:22Speaker 3: Natalie pushes past Kenzie and THEO.
- 10:24Speaker 1: What's her face?
- 10:26Speaker 11: You're at my birthday party last week, bitch.
- 10:31Speaker 3: Interior rehearsal studio day dancers line the walls, seated with
- 10:36Speaker 3: their various clicks, Jasmine with the cool kids on one side,
- 10:39Speaker 3: and Kenzie and the misfits on the other. Natalie weighs
- 10:43Speaker 3: the two sides before popping down in the center of
- 10:46Speaker 3: the studio. Mister Constantine, Miss Miaco, and Miss Lana stand
- 10:51Speaker 3: in front.
- 10:52Speaker 14: I have a couple of last minute announcements. Missus Jasmine
- 10:56Speaker 14: Kern will be filling in as an understudy for the
- 10:58Speaker 14: sugar Plum Ferry.
- 11:00Speaker 3: Few murmurs, some polite claps.
- 11:02Speaker 14: And the role will be subject to recasting at the
- 11:04Speaker 14: discretion of myself and miss Miak and me.
- 11:08Speaker 3: I have a say too, Natalie shoots her hand up.
- 11:13Speaker 1: Miss Ross, does this only apply to me?
- 11:16Speaker 10: All soloists have an understudy?
- 11:18Speaker 11: No?
- 11:19Speaker 1: Am I the only one with a role subject to
- 11:21Speaker 1: recasting at your discretion? Is there a deadline? Or am
- 11:23Speaker 1: I just supposed to be on pins and needles until
- 11:25Speaker 1: the show closes.
- 11:26Speaker 3: Mister Constantine and the other teachers look at each other.
- 11:29Speaker 14: End of October Halloween and yes, it applies to all roles.
- 11:35Speaker 3: Dancers burst out in angry protests. Natalie smirks. Enough. Natalie's
- 11:42Speaker 3: smirk satisfied and continues putting on her brand new point shoes. Enough, dancers,
- 11:48Speaker 3: quiet down.
- 11:49Speaker 14: This is one of the top performing arts schools in
- 11:51Speaker 14: the country, and you all shit yourselves over a little competition.
- 11:54Speaker 8: How many of you plan on dancing for a company?
- 11:57Speaker 3: Quiet?
- 11:58Speaker 14: The best dancer for the role will play the part.
- 12:02Speaker 14: Let's stop half aassing.
- 12:03Speaker 8: What do you say?
- 12:04Speaker 7: Yeah?
- 12:04Speaker 8: And ballet.
- 12:05Speaker 9: We only fulass.
- 12:09Speaker 3: Mister Constantine looks at Natalie.
- 12:11Speaker 8: May the best rise to the top.
- 12:15Speaker 3: Natalie looks at Jasmine, who is smiling back at her
- 12:17Speaker 3: confidently as she stretches her leg up to her ear
- 12:21Speaker 3: next to Jasmine. Natalie also notices Grayson looking at her
- 12:24Speaker 3: and quickly averts his eyes. As dancers get up and
- 12:27Speaker 3: gather their things, Natalie approaches Kenzie and THEO.
- 12:31Speaker 1: So are you losers? Ready to rise to the top?
- 12:35Speaker 3: Interior empty classroom day, Natalie writes rip on the whiteboard.
- 12:42Speaker 3: Kenzie and THEO are seated and exchange looks.
- 12:45Speaker 9: Are you gonna kill us?
- 12:47Speaker 12: First?
- 12:47Speaker 1: Up? Every morning starts with a run.
- 12:50Speaker 8: I don't run.
- 12:51Speaker 1: Daily runs is the fastest way to increase stamina. The
- 12:53Speaker 1: more stamina you have, the more you can practice, and
- 12:56Speaker 1: practice makes perfect.
- 12:58Speaker 3: Begin monta various a. Natalie meets Kenzie and THEO in
- 13:04Speaker 3: running attire. They begin their slow, pathetic jog around the school.
- 13:09Speaker 3: Back to interior empty classroom day.
- 13:12Speaker 1: Step two. Incorporate ballet into everything. Let's face it, Jasmine,
- 13:17Speaker 1: Zoe and Brock.
- 13:19Speaker 8: Put in the time.
- 13:20Speaker 1: We have other things going on besides ballet.
- 13:23Speaker 9: It's Christmas, it's September.
- 13:25Speaker 1: September to December is nutcracker season. The other things will
- 13:28Speaker 1: be waiting for you. In January B, in.
- 13:31Speaker 3: Chemistry class, Natalie is doing leg lifts while checking her
- 13:34Speaker 3: own Instagram page. Comment we miss you, Natalie, comment get
- 13:38Speaker 3: better soon. Mister Hall is handing out chest papers and
- 13:41Speaker 3: puts Natalie's face down. She flips it over and sees
- 13:44Speaker 3: a large red f Grayson looks over concerned. Natalie shrugs.
- 13:50Speaker 3: See Kenzie and THEO at rehearsal, and their spot in
- 13:53Speaker 3: the bag turns not as tight as the principles and
- 13:56Speaker 3: leaps not as high. D Sugar Plum Fairy Rehearsal hotdy Do.
- 14:01Speaker 3: Natalie and Grayson are dancing up front while jasminin brock
- 14:04Speaker 3: nearer them in the back. Natalie is growing stronger. Her
- 14:08Speaker 3: grandchatts and near splits, but Jasmine's extends in an oversplit
- 14:13Speaker 3: and seems to linger in mid air forever. Both pairs
- 14:16Speaker 3: hit their ending pose. Natalie falls to the floor, exhausted,
- 14:19Speaker 3: putting over to Jasmine, who is all smiles. Eve Ava's
- 14:24Speaker 3: kitchen in points SHOs, Natalie unloads the dishwasher, going on
- 14:28Speaker 3: point to put away dishes. Bean quietly sifts through Ava's
- 14:32Speaker 3: backpack and finding a receipt. Back to interior, empty classroom, Day.
- 14:39Speaker 1: Number three post all the time you both have less
- 14:42Speaker 1: than two hundred followers. Isn't this supposed to be about dancing?
- 14:46Speaker 1: This is about being desirable?
- 14:48Speaker 3: Natalie pulls up Zoe's Instagram page and swipes through photos
- 14:51Speaker 3: of Zoe amazing poses and perfect lighting.
- 14:54Speaker 1: If it's between you and Zoe, who do you think
- 14:57Speaker 1: it's harder to say no to?
- 14:59Speaker 3: F Outside Natalie, Kenzie and THEO are running steadily Gee Holway.
- 15:06Speaker 3: Natalie at Ava's locker, decorated with photos of Ava and Trevor.
- 15:10Speaker 3: She closes it. Natalie opens Ava's locker. It's transformed with
- 15:15Speaker 3: a collage of ballerina photos and quotes. Trevor sees this
- 15:18Speaker 3: from his locker across the hall and sadly pulls down
- 15:22Speaker 3: a photo of him and Ava looking happy. H shots
- 15:26Speaker 3: of the understudies in rehearsal in their spot in the back,
- 15:30Speaker 3: extensions at their shoulders, but principles have their extensions by
- 15:33Speaker 3: their ears. I shot after shot of Ava, Kenzie and
- 15:38Speaker 3: Theo's Instagram pages. Hearts growing by the hundreds. Back to interior,
- 15:45Speaker 3: empty classroom day. Kenzie stands up.
- 15:47Speaker 1: Now your turn.
- 15:48Speaker 2: Have you ever been winter soldiered?
- 15:51Speaker 9: Yeah? And I don't know about all this.
- 15:54Speaker 1: We're not them, don't you guys want your chance at
- 15:57Speaker 1: the spotlight.
- 15:58Speaker 3: This is it?
- 15:58Speaker 1: Okay, I want my Swan song and we have one
- 16:02Speaker 1: last nutcracker. Jasmine Kern is not playing my role.
- 16:07Speaker 3: Rip bits, Jay Leo, Kenzie, and Natalie are all doing
- 16:11Speaker 3: their morning job, this time mixing in leaps and turns wildly.
- 16:16Speaker 3: Job Interior ICEEU Room two oh two Night. Natalie walks
- 16:24Speaker 3: in holding two coffees in a cardboard coffee lover's tray
- 16:27Speaker 3: in one hand and Ava's phone in the other hand.
- 16:30Speaker 3: Now full of pictures at rehearsal doing dance poses and
- 16:34Speaker 3: selfies with Kenzie and Theo, all smiles. Followers are now
- 16:39Speaker 3: at seven eight hundred and sixty comment.
- 16:42Speaker 2: Your beautiful Ava Ava is a hashtag vallerie of us.
- 16:46Speaker 3: Mister Primavera straightens up with company. Natalie looks up and
- 16:49Speaker 3: her smile drops upon seeing her body in casts and
- 16:52Speaker 3: hooked up with tubes for the first time. Interior Rehearsal
- 16:57Speaker 3: Studio Day, sugar Plum Fairy Pot. The pianist is now
- 17:02Speaker 3: accompanied with a violinist. Natalie and Jasmine look nearly identical.
- 17:07Speaker 3: Missus Primavera enters and she double takes. Seeing Natalie dance,
- 17:11Speaker 3: she leans into the wall, taking a deep breath.
- 17:13Speaker 5: Moved.
- 17:15Speaker 3: After the final drop, Natalie sits on the floor out
- 17:18Speaker 3: of breath. Mister Constantine shakes.
- 17:20Speaker 9: His head.
- 17:23Speaker 1: Notes.
- 17:24Speaker 3: Mister Constantine snaps. The musicians play the pat de deu.
- 17:28Speaker 8: Tell me about this music.
- 17:30Speaker 1: It's in four to four and the melody goes down
- 17:32Speaker 1: a major scale, and then they're stopped talking.
- 17:34Speaker 3: Mister Constantine takes Natalie's hand and they step through the routine.
- 17:39Speaker 8: This is the last piece.
- 17:40Speaker 14: Chekhov's cirot for this ballet after learning of his sister's death.
- 17:45Speaker 1: So the song is about his sister.
- 17:47Speaker 3: Wow, you really don't get.
- 17:49Speaker 8: It, Chris Kurtin let the teachers stick to teaching. Eh h,
- 17:54Speaker 8: can't you hear it? Hear what the heartbreak of saying goodbye?
- 18:00Speaker 3: Natalie studies mister Constantine. He gives her a knowing nod.
- 18:04Speaker 3: The music swells and Natalie is swept up in the
- 18:07Speaker 3: sad song.
- 18:08Speaker 8: I'm not ready, We're don't say goodbye because we're ready.
- 18:11Speaker 3: Both Miss Lana and Miss Miaco have tears in their eyes.
- 18:15Speaker 9: Stop.
- 18:16Speaker 5: I can't listen to this anymore, my divorce.
- 18:22Speaker 3: Miss Miago puts her hand on Miss Lana's shoulder. The
- 18:25Speaker 3: musicians stop.
- 18:27Speaker 10: Okay, dancers, I think that's all for today. Great rehearsal.
- 18:31Speaker 10: Remember tomorrow you can wear your Halloween costumes, but you
- 18:35Speaker 10: still need to be able to dance.
- 18:38Speaker 3: Natalie quickly grabs her bag, eyeing mister Constantine, who is
- 18:41Speaker 3: talking to other.
- 18:42Speaker 10: Teachers Kenzie and Zoe and Brock and THEO.
- 18:47Speaker 3: Can you stick around? Natalie's eyebrows shoot up. Kenzie, Zoe,
- 18:52Speaker 3: Brock and Theo moved toward the three teachers. Ava, Missus
- 18:56Speaker 3: Primavera timidly approaches Natalie. Can I show you something interior
- 19:01Speaker 3: or small studio day? Natalie is dancing the Pattidu with
- 19:05Speaker 3: Missus Primavera half stepping through the role of Prince Cavalier.
- 19:10Speaker 3: There's no music, just the sound of Natalie working, breathing
- 19:14Speaker 3: and point shoes, thumping and grinding. Missus Primavera corrects Natalie
- 19:18Speaker 3: with gentle touches, pulling up her chin and arms. Natalie
- 19:22Speaker 3: finishes with a smile.
- 19:24Speaker 15: That's it, beautiful, Thanks I mean it this. Your mom
- 19:31Speaker 15: doesn't dance.
- 19:31Speaker 1: Huh oh, Miss Ross, No, I think she wants me
- 19:35Speaker 1: to quit.
- 19:36Speaker 15: Well, I'm happy to help anytime.
- 19:39Speaker 5: You and Natalie have the same bad habits.
- 19:41Speaker 15: Sometimes it's easier for someone on the outside to see
- 19:44Speaker 15: what's going wrong.
- 19:46Speaker 3: Missus Primavera takes a sip of water. Natalie watches her mother,
- 19:50Speaker 3: eyes darting to find something to say, but insteadmouths, you
- 19:53Speaker 3: are my heart. Jasmine pops her head into the studio.
- 19:57Speaker 1: Eh, oh, sorry, are we still on?
- 20:02Speaker 13: Oh?
- 20:02Speaker 5: I think we're done here.
- 20:03Speaker 15: Jasmine needs my help with her Royal Ballet audition.
- 20:06Speaker 3: Natalie flashes Jasmine a stunned look. Jasmine winks. Interior school
- 20:12Speaker 3: hallway day, Natalie enters the hallway from the studio and
- 20:15Speaker 3: watches her mother and Jasmine through the window. I's starting
- 20:18Speaker 3: to well.
- 20:21Speaker 1: Boom.
- 20:21Speaker 3: Natalie jumps back in surprise and sees Trevor.
- 20:25Speaker 13: What are you doing here rehearsing orchestra for the show.
- 20:28Speaker 13: I'll be in the pit, I'll be dancing. We'll be
- 20:31Speaker 13: together again.
- 20:32Speaker 1: I gotta go here.
- 20:34Speaker 3: Uh.
- 20:34Speaker 13: I want you to know him, here for you always.
- 20:38Speaker 13: And I'm wearing my half of more costume tomorrow.
- 20:41Speaker 1: Your half Actually, don't tell me.
- 20:46Speaker 3: She takes the flowers and heads down the hall. Trevor's
- 20:49Speaker 3: chin trembles a bit. Zoe bursts out of the studio,
- 20:52Speaker 3: sobbing with Rock comforting her. Kenzie exits with THEO. A
- 20:58Speaker 3: moment later, watching Zoe and Brock, Kenzie and THEO exchange
- 21:01Speaker 3: guilty glances. Interior, I see you Room two two night,
- 21:07Speaker 3: Natalie enters with Trevor's flowers. Mister Primavera is drinking coffee
- 21:10Speaker 3: and has a second untouched cup. Nurse Sandy is switching
- 21:14Speaker 3: out IV fluid bags. She takes the flowers from Natalie
- 21:17Speaker 3: and puts them in a vase.
- 21:19Speaker 1: Any news.
- 21:22Speaker 7: Is she stirring a lot. Doc thinks it can happen
- 21:25Speaker 7: anytime now. You see your other friends around Jasmine and
- 21:33Speaker 7: Zoe Brock.
- 21:34Speaker 1: Yeah, every day. In rehearsal, missus Primavera too.
- 21:38Speaker 3: Natalie sits down next to mister Primavera. He hands her
- 21:42Speaker 3: the second cup of coffee. Ava's phone buzzes, it says mom.
- 21:47Speaker 3: Natalie swipes to ignore. Mister Primavera looks at her concerned.
- 21:54Speaker 7: So tell me about yourself. What do you plan on
- 21:57Speaker 7: doing after school?
- 21:59Speaker 1: I planned to dance professionally, but that's not possible anymore.
- 22:07Speaker 7: Well, Natalie would tell you that nothing is impossible. She
- 22:12Speaker 7: has a goal and she's after it like a like
- 22:14Speaker 7: a runaway train.
- 22:15Speaker 1: Runaway train makes it sound bad.
- 22:18Speaker 3: Mister prima Vera swallows, looking at his daughter's body. Natalie
- 22:22Speaker 3: grabs her father's hand. Interior Ave's kitchen day Bean sits
- 22:28Speaker 3: at the table dressed as Marie Antoinette with a bloody neck.
- 22:31Speaker 3: Natalie enters dressed as the sugar plum fairy. Ms Ross
- 22:34Speaker 3: holds up a large gray sphere costume.
- 22:36Speaker 5: Here it is. I wanted to show you last night.
- 22:39Speaker 5: But is that a new costume?
- 22:42Speaker 3: Oh it's Venus.
- 22:44Speaker 1: Oh men are from Mars, women are from Venus. That
- 22:46Speaker 1: is a cute couple costume.
- 22:48Speaker 4: Interested.
- 22:50Speaker 5: I spend all night on this costume.
- 22:52Speaker 1: Oh that's so sweet. But we're not a couple anymore.
- 22:55Speaker 6: You're not.
- 22:55Speaker 5: What happens?
- 22:56Speaker 1: You gotta run. I need to get to the studio
- 22:58Speaker 1: before anyone else.
- 22:59Speaker 5: It's two hours before school starts. Can we talk hi?
- 23:03Speaker 16: Hello?
- 23:05Speaker 3: Natalie walks off Miss Ross with a flustered sigh, starts
- 23:09Speaker 3: angrily opening mail, and gasps as she pulls out a
- 23:12Speaker 3: credit card bill of twenty six hundred and seventy dollars
- 23:18Speaker 3: Ava's bedroom day. Ms Ross walks into the bedroom, Bean
- 23:22Speaker 3: following close behind her. She looks underneath Ava's bed, her
- 23:25Speaker 3: dresser drawers.
- 23:27Speaker 4: What are you looking for?
- 23:28Speaker 9: Mom?
- 23:29Speaker 6: Something isn't right with her. There's drugs, or she's cutting
- 23:32Speaker 6: herself or something.
- 23:34Speaker 4: You're looking for drugs or razor blades.
- 23:37Speaker 1: I'm looking for proof I'm not crazy.
- 23:39Speaker 3: Bean walks over and pulls out a folder underneath her bed.
- 23:42Speaker 3: She hands it to her mom. Mis Ross's jaw drops,
- 23:46Speaker 3: seeing a chemistry test with an F on it. She
- 23:49Speaker 3: flips through the folder, paper after paper with d C
- 23:53Speaker 3: F do better, not your best written in red ink.
- 23:56Speaker 1: There's no drugs, mom, other than the caffeine. But I
- 24:00Speaker 1: have eight theories?
- 24:02Speaker 9: Do you want to hear them?
- 24:03Speaker 4: Mom?
- 24:05Speaker 1: You listening?
- 24:06Speaker 5: Hello? I need you to be quiet.
- 24:09Speaker 3: Miss Ross's gaze is stuck on a large black and
- 24:12Speaker 3: white poster over Ava's bed of Patricia McBride as the
- 24:15Speaker 3: Sugarplum Fairy. Miss Ross peels off the corner of the poster,
- 24:20Speaker 3: revealing the Harvard flag underneath interior. I see you room
- 24:25Speaker 3: two oh two day peobe of eyes opening, we see
- 24:29Speaker 3: mister Primavera, Nurse Sandy, and doctor Patel, all standing above.
- 24:34Speaker 16: Good morning, I'm doctor Patel. Can you tell me why
- 24:38Speaker 16: you're here?
- 24:39Speaker 1: I'm in a hospital.
- 24:42Speaker 16: You're at Saint John's Hospital. Can you tell me your name?
- 24:47Speaker 3: Ava Ross All exchange a concerned glance.
- 24:56Speaker 5: What's your birthday?
- 24:57Speaker 1: May fourteenth?
- 25:00Speaker 3: They look at mister Primavera. He shakes his head.
- 25:02Speaker 1: No, who are you?
- 25:04Speaker 11: Where's my mom?
- 25:05Speaker 3: Mister Primavera's heart breaks.
- 25:07Speaker 16: Some confusion is to be expected with this kind of trauma.
- 25:11Speaker 3: Sandy, would you use the light splicker?
- 25:13Speaker 1: What was that?
- 25:14Speaker 3: All look up at the ceiling. Ava's eyes squint trying
- 25:18Speaker 3: to make out her reflection in the TV hanging in
- 25:21Speaker 3: the corner of the room. She sees the fuzzy but
- 25:24Speaker 3: recognizable image of Natalie's body. Avas screams and begins to
- 25:29Speaker 3: scramble to get out of the bed. Doctor Patel and
- 25:33Speaker 3: Nurse Sandy jump into action.
- 25:34Speaker 5: Two milligrabs a grass a pattern.
- 25:37Speaker 3: Nurse Sandy applies some medication to the ivy drip while
- 25:40Speaker 3: doctor Patel secures her arms and restraints. Sh Ava pov
- 25:48Speaker 3: concerned faces blur to black interior rehearsal studio day. Natalie,
- 25:55Speaker 3: dressed as the sugar Plum Fairy, walks into the dark
- 25:57Speaker 3: studio and plugs Ava's phone into the speakers. The pata
- 26:01Speaker 3: Do music starts, and Natalie puts on her point shoes
- 26:04Speaker 3: and starts to warm up.
- 26:07Speaker 9: You know it takes two to a pod to do.
- 26:11Speaker 3: Grason is standing at the door dressed as a werewolf.
- 26:14Speaker 17: What did you say, I mean it's kind of hard
- 26:17Speaker 17: to dance, you know, without like a partner, can I?
- 26:22Speaker 3: Natalie nods. The two join together and begin to dance.
- 26:26Speaker 1: I'm just making up for lost time.
- 26:29Speaker 9: I can see that. I Hey, do you know how
- 26:34Speaker 9: Natalie is doing?
- 26:36Speaker 1: How would I know that?
- 26:37Speaker 3: Well?
- 26:37Speaker 17: I mean her dad said, you've been stopping by I
- 26:39Speaker 17: swung by the hospital.
- 26:41Speaker 1: Why you only met her once?
- 26:44Speaker 9: I don't know, I mean thinking about her.
- 26:47Speaker 17: I was there when she felt I feel like, I
- 26:49Speaker 17: don't know, I should have said something to stop her.
- 26:53Speaker 1: You can't stop a runaway train.
- 26:55Speaker 3: They dance awkward silence.
- 27:03Speaker 1: Inspiration is a guest that does not willingly visit the
- 27:05Speaker 1: lazy Tchaikovsky said, that is that.
- 27:09Speaker 9: Shipping your brain?
- 27:10Speaker 11: What?
- 27:11Speaker 9: Sorry, I'm super joke. I mean, are you always, you know,
- 27:14Speaker 9: like this intense.
- 27:16Speaker 1: Yeah, is that a bad thing?
- 27:19Speaker 7: Not at all?
- 27:20Speaker 9: You know exactly what you want. I mean, he dressedes
- 27:24Speaker 9: a ballerina for Halloween. That's like next levels.
- 27:27Speaker 3: Natalie blushes.
- 27:30Speaker 17: Okay, look, so I got this offer from the Houston Ballet.
- 27:35Speaker 1: Wait, what's amazing?
- 27:37Speaker 9: Okay, yeah, well that's the thing.
- 27:38Speaker 17: I love dancing, but I don't know if I'm loved
- 27:41Speaker 17: enough to commit my whole life to it.
- 27:44Speaker 1: You know, all I've ever wanted to do is dance.
- 27:49Speaker 3: Grease and smiles. They dance quietly for a moment.
- 27:54Speaker 17: Hey, so, do you want to like, grab some food
- 27:59Speaker 17: or cough, watch a movie or honestly whatever.
- 28:04Speaker 1: Or whatever whatever?
- 28:06Speaker 9: We'll get you to hang out with me.
- 28:09Speaker 1: Are we not hanging out?
- 28:11Speaker 9: I met more like socially.
- 28:15Speaker 1: Oh oh, I don't date. I just I don't have time.
- 28:18Speaker 1: You know, I barely have the time to do anything.
- 28:20Speaker 1: I haven't been to the movie since I was like nine.
- 28:23Speaker 9: Since you were nine.
- 28:25Speaker 17: You kind of go, It's amazing Popcorn Stadium, seating three,
- 28:28Speaker 17: D forty.
- 28:29Speaker 3: Six, Natalie laughs. Does she like him? Grayson takes her
- 28:35Speaker 3: hand to keep moving through the choreography. They look at
- 28:38Speaker 3: one another and stop are they about to kiss? Grayson
- 28:42Speaker 3: leans in noses nearly touching.
- 28:45Speaker 13: When avo Who is this guy?
- 28:49Speaker 3: They turned to see Trevor. He's dressed in a nude
- 28:52Speaker 3: body suit with a short blonde wig and bright red lipstick.
- 28:57Speaker 1: This guy, who are you supposed to be Wiley Cyrus?
- 29:03Speaker 13: And you were supposed to be my recue ball?
- 29:07Speaker 1: Oh the planet costume? That's cute, dated but cute.
- 29:14Speaker 13: Well can see this isn't a pause button anymore. Stop button.
- 29:20Speaker 3: Trevor leaves. Natalie's sheepish smile drops. Trevor pops back in.
- 29:26Speaker 1: Everything hurts, My pinky hurts.
- 29:30Speaker 13: I don't get it.
- 29:31Speaker 3: Trevor exits the moment. It's gone Interior school hallway day.
- 29:37Speaker 3: The hallway is crowded with characters of bulls, cartoons, and tropes.
- 29:41Speaker 3: Natalie is at her locker and sees a haunting grim
- 29:44Speaker 3: Reaper in her mirror. I'm not the understudy, I'm Clara.
- 29:50Speaker 3: Natalie shuts her locker, revealing Kenzie dressed as red riding
- 29:53Speaker 3: Hood and Theo as a wizard.
- 29:55Speaker 9: What and guess what, I'm the Russian soloist.
- 30:00Speaker 1: That means I'm safe, right, Jasmine didn't take my role?
- 30:03Speaker 1: Are I peet bit selfie time.
- 30:07Speaker 3: Natalie lifts Ava's phone just as a call comes in.
- 30:10Speaker 3: Mister Primavera pops on screen.
- 30:12Speaker 2: Why is Natalie's dad calling you?
- 30:15Speaker 3: Down the hallway? We hear a viola playing wrecking Ball?
- 30:18Speaker 3: It's Trevor playing the song with his lip quivering, and
- 30:21Speaker 3: he begins singing terribly.
- 30:25Speaker 13: We clawd we changed our hearts and Finn we jumped,
- 30:30Speaker 13: never asking.
- 30:32Speaker 1: What, Oh my gosh.
- 30:37Speaker 3: Students giggle as Trevor. No student's giggle at Trevor, who
- 30:41Speaker 3: keeps singing. Ava's phone buzzes again. Natalie answers hello. Suddenly,
- 30:47Speaker 3: a string quartet pulls their instruments from their lockers and
- 30:50Speaker 3: starts accompanying Trevor.
- 30:54Speaker 1: Hello that, oh girl, Natalie will is that what you said?
- 31:02Speaker 3: Natalie looks up and sees her mother, Missus Primavera, walking
- 31:05Speaker 3: the far end of the hall, with her arm full
- 31:07Speaker 3: of Tutu's. Missus Primavera is greeted by Jasmine with a
- 31:10Speaker 3: hug for you.
- 31:13Speaker 1: Why isn't mom there? That?
- 31:16Speaker 3: The choir glee club steps out from behind Trevor and
- 31:20Speaker 3: starts singing the chorus of the song Hello sure my
- 31:24Speaker 3: wrecking Ball?
- 31:25Speaker 1: Ava, I have to go. Where are you going? Ava?
- 31:28Speaker 3: The lights flicker the row of locker's thumb, as though
- 31:31Speaker 3: something were trying to escape. Natalie breathes in sharply as
- 31:35Speaker 3: the Grim Reaper appears at the end of the hall
- 31:37Speaker 3: behind Trevor.
- 31:39Speaker 1: Did you see that? I don't think I'll ever unsee that?
- 31:41Speaker 9: Is he naked?
- 31:42Speaker 1: Where's his penis?
- 31:44Speaker 3: The locker right next to Natalie pounds from the inside.
- 31:47Speaker 3: With every pound, the Reaper flickers closer and closer, until
- 31:51Speaker 3: Natalie screams and covers her eyes. As her scream echoes
- 31:56Speaker 3: down the hall, where everyone goes quiet and all eyes
- 31:59Speaker 3: turn to her, Principal Waters clears his throat. Natalie uncovers
- 32:03Speaker 3: her eyes and sees the Principal dressed as the Grim Reaper.
- 32:07Speaker 3: OH Interior Principal Water's office day. Principal Waters sits behind
- 32:12Speaker 3: his desk with Mister Constantine, Miss Miaco, and Miss Lana
- 32:15Speaker 3: standing beside him. Across the desk, Natalie is seated with
- 32:19Speaker 3: Miss Ross.
- 32:20Speaker 7: I'm sure you know why you're here.
- 32:23Speaker 3: Avi's phone buzzes with mister Primavera calling. Natalie hits ignore,
- 32:27Speaker 3: shoving the phone under her thigh.
- 32:29Speaker 1: I'm not sure.
- 32:30Speaker 7: Actually, her grades are dangerously blow and mister Hall has
- 32:35Speaker 7: had a few comments about your well, your attitude lately.
- 32:39Speaker 7: Who mister Hall chemistry?
- 32:44Speaker 1: Oh well, he's a very brittle man.
- 32:48Speaker 3: Miss Lana nods Ava.
- 32:50Speaker 1: Not an insult, it's an observation.
- 32:53Speaker 7: And your mother is concerned with your behavior at home.
- 32:56Speaker 1: You went to the principal to talk about my behavior
- 32:58Speaker 1: at home.
- 33:00Speaker 3: Ms Ross pulls out the credit card bill.
- 33:02Speaker 6: Now that I finally have your attention, you've spent over
- 33:05Speaker 6: two thousand dollars on dance apparel.
- 33:08Speaker 1: Point shoes are expensive. Do you want me to dance
- 33:11Speaker 1: with dead shoes?
- 33:11Speaker 5: It is dangerous to dance on dead shoes, missus Ross.
- 33:14Speaker 6: Miss Ross, And since when did you start ubering everywhere?
- 33:18Speaker 11: You know?
- 33:18Speaker 1: We can't afford that you.
- 33:19Speaker 7: Haven't been participating in your work study, which is a
- 33:22Speaker 7: required part of your tuition assistance.
- 33:25Speaker 10: I've been working my ass but off, Ava. We love
- 33:30Speaker 10: your newfound dedication. It's remarkable how much you've transformed yourself
- 33:34Speaker 10: in such a short time. We know you're working very
- 33:37Speaker 10: hard on your dancing silence, but.
- 33:43Speaker 7: But we've collectively decided that Jasmine Kern will be taking
- 33:50Speaker 7: over the sugar.
- 33:51Speaker 1: Roll No, No, I've worked too hard to be just
- 33:54Speaker 1: the understudy.
- 33:55Speaker 14: Actually you won't be participating in this year is not
- 33:58Speaker 14: Cracker at all.
- 33:59Speaker 1: But this is my last Nutcracker.
- 34:01Speaker 6: This was just supposed to be for fun, ava extracurricular,
- 34:05Speaker 6: for college applications.
- 34:06Speaker 1: Oh no, this is the most important thing to me.
- 34:09Speaker 7: It's just a rollable in a high school production. Eh,
- 34:11Speaker 7: but this isn't your whole life?
- 34:13Speaker 1: Is this some kind of lesson you're all trying.
- 34:15Speaker 17: To teach me?
- 34:16Speaker 14: Yes?
- 34:16Speaker 1: Absolutely, I'm the sugar plum Fairy. I can do the role,
- 34:21Speaker 1: get my grades up and my work study. Please let
- 34:26Speaker 1: me prove.
- 34:26Speaker 5: It to you.
- 34:27Speaker 3: Interior rehearsal studio day. Everyone is wearing Halloween costumes. Natalie
- 34:33Speaker 3: is in the back of the studio dancing with Brock
- 34:35Speaker 3: and glaring at Jasmine, who is dancing the Potta dou
- 34:38Speaker 3: with Grayson up front. Jasmine wipes a tear, missing a queue.
- 34:42Speaker 3: Natalie rolls her eyes but continues dancing.
- 34:46Speaker 5: I'm sorry it got the better of me.
- 34:49Speaker 3: The music stops.
- 34:50Speaker 1: We're still going here.
- 34:53Speaker 8: Therefore, dance together was at our faults.
- 34:55Speaker 1: She messed up.
- 34:56Speaker 7: We had to stop every time you fell on your ass.
- 34:58Speaker 3: Dances chuckle.
- 35:00Speaker 8: Enough Mistruss a word.
- 35:03Speaker 12: Oh, don't worry, We'll wait for you.
- 35:07Speaker 3: Interior mister Constantine's office day. Mister Constantine closes the door.
- 35:12Speaker 8: You're being a sore loser.
- 35:14Speaker 1: You made me the understudy.
- 35:16Speaker 8: Principal Water's made you understudy. If it was up to me,
- 35:19Speaker 8: you'd be off this production.
- 35:21Speaker 1: So you gave Jasmine the role to make me switch back.
- 35:23Speaker 8: You promised to switch back when Ava woke up.
- 35:27Speaker 1: Just one more show, please.
- 35:31Speaker 14: Someday we'll have to find her a second dream I
- 35:34Speaker 14: had to have.
- 35:36Speaker 8: You learned nothing from being Ava.
- 35:38Speaker 14: Instead, you fail her classes, broke up with her boyfriend.
- 35:41Speaker 1: He's a loser.
- 35:42Speaker 14: He dresses as a naked woman and gets his whole
- 35:44Speaker 14: class to play a song for her.
- 35:46Speaker 8: Who does it for you? Eh?
- 35:48Speaker 3: Natalie is quiet stung. Mister Constantine pulls out the snow
- 35:53Speaker 3: globe from his desk, still illuminating a magnificent green, and
- 35:56Speaker 3: hands it to Natalie. She takes the globe with shaky.
- 36:02Speaker 1: I did learn from being Ava. My friends are fake.
- 36:05Speaker 1: My mother doesn't want anything to do with me if
- 36:07Speaker 1: I can't dance, And the only thing I've been working
- 36:09Speaker 1: towards my whole life is no longer possible. Why would
- 36:13Speaker 1: I switch back?
- 36:14Speaker 3: Natalie smashes the globe into the ground. The room engulfs
- 36:19Speaker 3: in green light and black smoke until they form into
- 36:22Speaker 3: two smoky dancers. Papers fly everywhere like snowflakes, swirling. Natalie
- 36:28Speaker 3: and mister Constantine are frozen in fear.
- 36:31Speaker 8: What have you done?
- 36:33Speaker 3: You let the moose. The smoky Dancers shoot out of
- 36:36Speaker 3: the office window into the world. Papers fall to the floor.
- 36:41Speaker 3: As the room settles, Natalie breathes, uneasy, body paralyzed. Mister
- 36:46Speaker 3: Constantine scrambles to collect pieces of the globe.
- 36:50Speaker 1: I'm so sorry, mister con Interior.
- 36:53Speaker 3: Ava's Kitchen night, Miss Ross and Bean's faces are illuminated
- 36:57Speaker 3: by a green glow. Miss Ross's face is awestruck.
- 37:01Speaker 5: This is magical.
- 37:04Speaker 4: Uh oh, I've unleashed a monster.
- 37:08Speaker 5: It's like a whole new world. I had no idea existed.
- 37:11Speaker 4: It's just Instagram, Mom.
- 37:15Speaker 3: They're seated at the breakfast bar looking at an.
- 37:17Speaker 5: iPad and Where's Ava?
- 37:19Speaker 3: Bean goes to Ava's page. Ms Ross's brow furrows as
- 37:23Speaker 3: she looks at picture after picture of Ava's dance poses.
- 37:26Speaker 1: What's wrong?
- 37:28Speaker 5: I don't recognize my own daughter?
- 37:30Speaker 4: Three twelve have you noticed her dipping into a British accent.
- 37:35Speaker 4: You delivered twins, didn't you? Are you listening to me?
- 37:39Speaker 9: Mom?
- 37:39Speaker 3: Interior locker room night, Natalie handshaking empties out her locker.
- 37:45Speaker 3: Ava's phone buzzes, mister primavera. Natalie swipes to ignore. Natalie
- 37:50Speaker 3: shuts her now empty locker clothes, turns and shrieks. Kenzie
- 37:55Speaker 3: is standing right there, arms crossed.
- 37:57Speaker 2: You're quitting? Did the karate kid quick when he broke
- 38:00Speaker 2: his leg? Did Matt demon quit when he was stuck
- 38:02Speaker 2: on Mars?
- 38:03Speaker 1: Why do you care? You got your role? You're welcome,
- 38:05Speaker 1: by the way, for what for? What for dragging you
- 38:09Speaker 1: out for five am runs? Working with you building your brand?
- 38:14Speaker 1: I got you that role.
- 38:15Speaker 2: I didn't care that I was the understudy. This is
- 38:18Speaker 2: about us making the best of our last nutcracker before
- 38:20Speaker 2: you're off to Boston.
- 38:21Speaker 1: We're never going to have time like this again. You
- 38:25Speaker 1: got up at five am to spend time with me.
- 38:28Speaker 3: Natalie softens. Then Ava's phone buzzes. Natalie jumps, what's going on,
- 38:33Speaker 3: I'm your best friend.
- 38:35Speaker 1: Talk to me.
- 38:36Speaker 3: Natalie exits, leaving her duffel bag behind. Kenzie size defeated
- 38:41Speaker 3: picking up Natalie's bag and notices the royal ballet keychain
- 38:45Speaker 3: looped around the zipper. Exterior mister Hall's backyard night, Mister
- 38:51Speaker 3: Hall puts an open container of cat food on a
- 38:53Speaker 3: small tombstone that reads catastrophe the best cat Ever. Several
- 38:59Speaker 3: cats roam his you.
- 39:01Speaker 7: Things haven't been the same without you, Catastrophe. But we
- 39:07Speaker 7: have a new friend.
- 39:08Speaker 9: How rex you'd like him? I wish you could meet him.
- 39:15Speaker 3: Mister Hall exits. A moment later, this smoky dancer enters
- 39:19Speaker 3: the grave and exits the ground pulses interior hospital room
- 39:25Speaker 3: three oh four Night, Natalie enters cautiously. Her body lies asleep.
- 39:30Speaker 3: Natalie walks toward her body and Ava's eyes open. Natalie shrieks, Oh.
- 39:36Speaker 1: My gosh, what the hell?
- 39:37Speaker 11: I've been pretending to be asleep so.
- 39:39Speaker 3: They won't talk to me. Ava examines Natalie, her body
- 39:43Speaker 3: standing in front of her, mascara streaked as though she's
- 39:46Speaker 3: been crying.
- 39:47Speaker 1: Is it are you, Natalie primavera?
- 39:53Speaker 5: I look different.
- 39:54Speaker 1: You're welcome.
- 39:56Speaker 3: Natalie and Ava stare at each other in silence. Where's dad?
- 40:01Speaker 11: Cafeteria? I told him I wanted to be alone? He
- 40:05Speaker 11: told me what happened the fall the Instagram picture and
- 40:10Speaker 11: you told him you were Natalie.
- 40:11Speaker 1: I had to look.
- 40:14Speaker 11: I know how to fix this. A snow globe from
- 40:17Speaker 11: mister Constantine's office.
- 40:19Speaker 1: Yeah, that globe is destroyed.
- 40:22Speaker 3: What how Natalie is silent?
- 40:26Speaker 11: What does this mean?
- 40:27Speaker 1: Are we stuck? I don't know.
- 40:31Speaker 3: Beva looks at her, stunned, and then bursts into tears.
- 40:35Speaker 1: Hey, hey, hey, it's not so bad. My dad makes
- 40:38Speaker 1: a lot of money, and you can study hard and
- 40:40Speaker 1: go to Harvard like you wanted, and I'll stay and dance.
- 40:44Speaker 1: Maybe it was supposed to happen this way. What about
- 40:47Speaker 1: Trevor and my family? Well, you can date Trevor. It's
- 40:51Speaker 1: gonna be a big upgrade for him to date you,
- 40:53Speaker 1: as me and Mom and Bean they're doing. You call
- 40:57Speaker 1: my mom Mom. It's become a habit.
- 41:03Speaker 3: This through so much. Natalie swallows, doesn't know what to say.
- 41:07Speaker 3: She leans in to give Ava a hug. Ava takes
- 41:11Speaker 3: the cue and quickly scoops both of her arms tightly
- 41:14Speaker 3: around Natalie, crying into her shoulder.
- 41:17Speaker 11: You seriously have the best dad.
- 41:20Speaker 1: He always brings me coffee.
- 41:22Speaker 5: I hate coffee.
- 41:23Speaker 3: Natalie pulls out of the hug, regretful, confused and sad.
- 41:28Speaker 1: Ava, did you wish to be me? It was stupid.
- 41:35Speaker 11: Over the summer, my dad went on a work trip
- 41:38Speaker 11: and never came back, and I was just tired of
- 41:40Speaker 11: being me and being sad.
- 41:42Speaker 1: All the time.
- 41:44Speaker 11: I thought for a second, I might be the sugar
- 41:46Speaker 11: plum fiory and something would go right for once, and
- 41:48Speaker 11: I would be like you, always posting these beautiful pictures.
- 41:55Speaker 11: And I know Instagram isn't real.
- 42:00Speaker 1: I spend six hours in the studio, six days a week,
- 42:02Speaker 1: forty five minutes doing my hair and makeup, and I
- 42:05Speaker 1: can't remember a time I had big donails.
- 42:07Speaker 11: That still sounds glamorous.
- 42:11Speaker 1: I've got one thing. You've got so much going for you,
- 42:16Speaker 1: your total brain, Anne hatty to boot, and your mom
- 42:18Speaker 1: really gives a shit about you. And you have friends,
- 42:21Speaker 1: real friends. I bet they'd be in this hospital room
- 42:24Speaker 1: every day if it were you. I miss them, Natalie. Yeah.
- 42:31Speaker 3: Natalie turns to see Kenzie and Bean standing at the door.
- 42:35Speaker 3: Kenzie's mouth agape and Bean with a large smile.
- 42:38Speaker 1: I mean she's right here, Bean, Kenzie.
- 42:43Speaker 3: Bean rushes over and hugs Ava in bed Ava groans
- 42:47Speaker 3: and pain.
- 42:48Speaker 10: Oh, I knew it.
- 42:50Speaker 3: Kenzie walks over to Ava like she's seen a ghost.
- 42:54Speaker 1: How did you know.
- 42:55Speaker 2: You've been off since the fall the ballet and social
- 42:59Speaker 2: media use't the Royal Ballet Zipper always fighting.
- 43:03Speaker 1: With mom what I'm gonna figure this out? Okay, damn
- 43:06Speaker 1: straight we are?
- 43:07Speaker 7: What's going on?
- 43:08Speaker 3: Mister Primavera enters with two cups of coffee.
- 43:11Speaker 1: Oh nothing, high school shit.
- 43:14Speaker 3: Ava nodds. Natalie reaches for the coffee, and mister Primavera
- 43:18Speaker 3: pulls back.
- 43:19Speaker 7: This is for Natalie. Sorry, I wasn't expecting you. I
- 43:22Speaker 7: wasn't sure you got my messages.
- 43:25Speaker 3: Mister Primavera and the girls stand quietly for a moment.
- 43:28Speaker 7: Uh, do you guys mind coming back? There's a two
- 43:32Speaker 7: visitors policy and I'd like some time with my nad
- 43:35Speaker 7: We'll be back tomorrow.
- 43:37Speaker 3: Bean gives Ava one more hug before walking out with Kenzie.
- 43:40Speaker 3: Natalie walks out the door, pausing to watch his dad
- 43:43Speaker 3: hands Ava a coffee. Ava takes a sip and forces
- 43:47Speaker 3: a smile. Interior Ava's bedroom night, Kenzie and Bean sit
- 43:51Speaker 3: on Ava's bed as Natalie stands next to a whiteboard
- 43:54Speaker 3: that reads FA R So.
- 43:58Speaker 2: By learning to be Ava, you'll become n again. It's
- 44:00Speaker 2: an everybody swap movie.
- 44:02Speaker 1: It's science. That's definitely not science.
- 44:04Speaker 2: You're right, it's magic. You're already sounding more like Ava.
- 44:08Speaker 1: Okay, So Forstup his family, I definitely need Mom off
- 44:12Speaker 1: my back.
- 44:13Speaker 4: No, Ava is Mom's rock. Mom works two jobs and
- 44:17Speaker 4: cries in the car when she thinks I can't see her.
- 44:20Speaker 5: Wow, and she still.
- 44:22Speaker 4: Texts Dad that she misses him, even though he left
- 44:25Speaker 4: us for a twenty four year old. She told us
- 44:29Speaker 4: he moved to South Korea for work.
- 44:31Speaker 1: How do you know that? I read her text messages?
- 44:35Speaker 1: Where's my phone?
- 44:38Speaker 3: Interior Ava's Kitchen, Day, Ava's kitchen, Natalie sets the table
- 44:43Speaker 3: for three ms. Ross walks in on the phone, and
- 44:45Speaker 3: Natalie hands her a cup of coffee.
- 44:47Speaker 6: I'm just wondering if the late fees can be waived
- 44:50Speaker 6: just this once. I understand typically that card is only
- 44:55Speaker 6: used for emergencies.
- 44:56Speaker 3: Interior Ava's Bedroom Night.
- 44:59Speaker 1: Next up right now, Ava's failing chemistry.
- 45:02Speaker 4: So you mean your failing chemistry?
- 45:05Speaker 2: You need to end the semester with an A or else.
- 45:07Speaker 2: Ava is definitely not getting into Harvard.
- 45:09Speaker 1: How hard can chemistry be?
- 45:11Speaker 3: Interior Rehearsal Studio, day, Natalie is sweeping the studio floor,
- 45:15Speaker 3: walking on point with earbuds in. She listens to mister
- 45:18Speaker 3: Hall's lecture.
- 45:19Speaker 7: A happy adam is an atomic shell that is full.
- 45:24Speaker 7: Sometimes adams have an extra electron or two, and the.
- 45:28Speaker 3: Light flicker and a ghostly dancer swooshes by in the mirror.
- 45:32Speaker 3: Natalie pauses, pulls the earbuds out. Mister Constantine rushes out
- 45:36Speaker 3: of his office with an armful of books, a note
- 45:39Speaker 3: taped to the door that reads, the end is near.
- 45:42Speaker 3: Save yourself. Natalie gulps interior chemistry class day.
- 45:48Speaker 7: Who can tell me why water molecules are attracted to
- 45:51Speaker 7: each other?
- 45:52Speaker 3: Natalie raises her leg to her ear as raising her hand.
- 45:56Speaker 1: That's different, Ava, because water molecules have both a positive
- 46:01Speaker 1: hydrogen charge and negative oxygen charge.
- 46:06Speaker 5: Correct.
- 46:09Speaker 3: Grayson flashes Natalie's smile. Natalie beams back to interior Ava's bedroom. Night.
- 46:16Speaker 3: Kenzie walks up and adds tea at the end of
- 46:20Speaker 3: FA R.
- 46:21Speaker 1: Before we talk about R, we need to talk about T.
- 46:24Speaker 1: For Trevor, Ava can do better than him. Trevor's amazing.
- 46:27Speaker 2: So whatever you're doing with Grayson needs to stop until
- 46:30Speaker 2: after you switch back one.
- 46:32Speaker 1: Nothing is going on with Grayson and two two really
- 46:35Speaker 1: want me to get back together with Trevor. They've had sex.
- 46:38Speaker 1: You know, if I supposed to just.
- 46:39Speaker 4: Have sex with Trevor, Yeah, you really have to do
- 46:41Speaker 4: it for Ava.
- 46:42Speaker 1: No, don't do that.
- 46:50Speaker 2: Just steer clear of Grayson and be nice to Trevor.
- 46:54Speaker 3: The interior school hallway day, Natalie is at Ava's locker.
- 46:58Speaker 3: Trevor is at his locker across the She looks over
- 47:01Speaker 3: at him. He fumbles trying to pull something out of
- 47:03Speaker 3: his locker. Everything falls out. Natalie takes a deep breath
- 47:08Speaker 3: and shuts Ava's locker. She helps Trevor pick up his things.
- 47:13Speaker 1: Look, I'm sorry, I've been mean to you. I haven't
- 47:16Speaker 1: been myself.
- 47:18Speaker 9: You're in a school hallway.
- 47:19Speaker 7: Okay, you're not in the front seat.
- 47:22Speaker 3: Of a car.
- 47:23Speaker 8: You know normal.
- 47:24Speaker 1: Look, I'm sorry I've been mean to you. I haven't
- 47:27Speaker 1: been myself.
- 47:29Speaker 13: No, she asked for face, and I got you stupid flowers.
- 47:33Speaker 1: The flowers were sweet. I get you're trying to get
- 47:35Speaker 1: me back.
- 47:36Speaker 11: What.
- 47:38Speaker 13: No, that was for your dad's uh walking out anniversary.
- 47:42Speaker 13: I just I just wanted to make sure one good
- 47:44Speaker 13: thing happened to you that day.
- 47:46Speaker 1: Huh.
- 47:47Speaker 3: Trevor stands up to walk away. Natalie stands and bumps
- 47:51Speaker 3: into Grayson. Sorry. She stumbles, and Grayson catches her, dipped
- 47:55Speaker 3: like in a dance. They're face to face. Natalie blushes,
- 48:00Speaker 3: Watch your step. Trevor sees their moment and exits, running
- 48:04Speaker 3: down the hall and half sob. Natalie watches him with
- 48:08Speaker 3: a sigh. Back to interior, Ava's bedroom night, Natalie circles
- 48:15Speaker 3: roll the Sugarplum Fairy is.
- 48:17Speaker 2: My wrong, It's Ava's destiny. She's the real understanding.
- 48:21Speaker 1: But this is my role.
- 48:22Speaker 3: Kensey flips over the whiteboard, revealing a list of movies
- 48:25Speaker 3: Freaky Friday, The Hot Chick, The Changeup, et cetera.
- 48:29Speaker 2: In all of these a cosmic lesson magic and tata.
- 48:33Speaker 1: What's done is undone.
- 48:35Speaker 2: Once you accept that the role isn't yours, the natural
- 48:38Speaker 2: order will be restored.
- 48:39Speaker 1: Hold up, are we in a movie? Stopping weird?
- 48:44Speaker 5: Stopping weird?
- 48:45Speaker 3: Wait?
- 48:46Speaker 1: Natural order? Where did you hear that?
- 48:48Speaker 2: Mister Constantine monologues about it all the time during rehearsal.
- 48:52Speaker 1: Oh, and there's.
- 48:53Speaker 2: Usually a wishing well or fortune cookies or some kind
- 48:56Speaker 2: of wish fulfillment.
- 48:57Speaker 1: Mcguffin right about.
- 49:00Speaker 3: That interior Ava's living room. Night. Kenzie, with a poster
- 49:05Speaker 3: board under her arm, speed walks to the front door.
- 49:08Speaker 3: Natalie and Bean follow.
- 49:10Speaker 1: I can't believe you broke it. This is going to
- 49:13Speaker 1: be impossible. Hey, I'm gonna fix it, okay.
- 49:15Speaker 3: Kenzie exits with a slam of the door. Natalie looks
- 49:18Speaker 3: at Bean, I'm gonna fix it. End of episode two,
- 49:30Speaker 3: What's Up.