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The Invitation to a Cult Movie Renaissance · Movie Meltdown

• 0:05
  Speaker 1: I'm Sean Gunn, and you're listening to Movie Meltdown.
• 0:26
  Speaker 2: This episode is rated M for Misty. Yes, that's right,
• 0:29
  Speaker 2: this is a Misty episode, so it will be laced
• 0:31
  Speaker 2: with profanity even more than usual. If you're not comfortable
• 0:35
  Speaker 2: with this level of profanity, perhaps this isn't the episode
• 0:38
  Speaker 2: for you. But we have many other episodes to choose
• 0:40
  Speaker 2: from that do not feature Misty and will probably be
• 0:42
  Speaker 2: far less offensive. Okay, maybe. With that having been said,
• 0:47
  Speaker 2: on with the show.
• 0:47
  Speaker 3: It's showtime.
• 0:49
  Speaker 4: Our nuclear reactor.
• 0:50
  Speaker 1: Pumping out one million kilowatts of power.
• 1:19
  Speaker 4: What are you waiting for?
• 1:20
  Speaker 3: A graved invitation? What's up and welcome to Movie Meltdown.
• 1:38
  Speaker 3: I'm Brian.
• 1:38
  Speaker 4: I'm Misty.
• 1:39
  Speaker 3: And we're coming to you live via digital recording from
• 1:41
  Speaker 3: the outskirts of Cincinnati Comic Expo.
• 1:44
  Speaker 4: Way on the outskirts.
• 1:44
  Speaker 3: Way on the outskirts. We've wandered even further than usual
• 1:47
  Speaker 3: this time, but we're... We came back home. We're heading
• 1:51
  Speaker 3: back home and we're doing our wrap up of our
• 1:54
  Speaker 3: day's activities.
• 1:55
  Speaker 4: We may or may not die. We're in an abandoned
• 1:57
  Speaker 4: parking lot.
• 1:59
  Speaker 3: So, how's it been, Misty?
• 2:01
  Speaker 4: It's been fantastic. We went to the convention.
• 2:04
  Speaker 3: We did.
• 2:04
  Speaker 4: There was a lot of people there.
• 2:06
  Speaker 3: There were a lot of people there.
• 2:07
  Speaker 4: A plethora of people. It was probably like, I was
• 2:09
  Speaker 4: on par with like Chicago. I liked the amount of people,
• 2:12
  Speaker 4: but it was just.
• 2:13
  Speaker 3: Which is saying a lot for Cincinnati.
• 2:15
  Speaker 4: I was not anticipating that many people. I figured it'd
• 2:17
  Speaker 4: be like, like a little bit, a little bit smaller.
• 2:21
  Speaker 4: Or at least a little bit less people. I figured
• 2:22
  Speaker 4: it'd be more like, you know, I don't know what
• 2:25
  Speaker 4: I figured it'd be like, but that was just.
• 2:28
  Speaker 3: I guess more power to them though. That's what they're
• 2:30
  Speaker 3: trying to do. I was shocked when there was still
• 2:32
  Speaker 3: like people lined up just to get in.
• 2:35
  Speaker 4: Blocks.
• 2:36
  Speaker 3: We weren't even that early in the day.
• 2:39
  Speaker 4: We were two hours.
• 2:40
  Speaker 3: I can't believe they're still like so.
• 2:42
  Speaker 4: Two hours after the doors opened, they were still lying
• 2:45
  Speaker 4: around the block. And I'm like, what?
• 2:47
  Speaker 3: There's definitely a big fan base of geeky people hanging
• 2:49
  Speaker 3: out in Cincinnati.
• 2:50
  Speaker 4: And we got that fake fall bullshit going on. So
• 2:52
  Speaker 4: it was fucking hot.
• 2:54
  Speaker 3: It's pretending like it's fall, but it's still like 90 degrees.
• 2:57
  Speaker 4: No, it ain't pretending like it's fall. It is fall,
• 2:58
  Speaker 4: but it's still pretending like it's summer.
• 2:59
  Speaker 3: The calendar says it's fall, but it's 90 degrees and
• 3:02
  Speaker 3: the weather is not cooperating.
• 3:03
  Speaker 4: I am torn with fall because I love fall. But
• 3:06
  Speaker 4: it's a precursor to winter. And I hate winter with
• 3:09
  Speaker 4: a furious passion. I hate all the things winter related.
• 3:12
  Speaker 4: I hate cold. I hate the snow. I hate ice.
• 3:15
  Speaker 4: I hate everything.
• 3:16
  Speaker 3: I'm kind of with you on most of these things.
• 3:18
  Speaker 3: I like fall a lot.
• 3:20
  Speaker 4: It gives me fall all year round.
• 3:22
  Speaker 3: If I can find fall all year round.
• 3:24
  Speaker 4: If there's some sort of portal to.
• 3:27
  Speaker 3: Halloween town that I can get on board with. Because
• 3:30
  Speaker 3: that's kind of what I'm looking for.
• 3:31
  Speaker 4: That would be awesome. I can even do it with hot.
• 3:34
  Speaker 4: I can do it with hot. cold it's just it's.
• 3:37
  Speaker 3: Not my thing that's the thing you can find hot
• 3:40
  Speaker 3: all the time you can find cold all the time
• 3:42
  Speaker 3: but autumn all the time it's hard to come by here.
• 3:46
  Speaker 4: It's not that bad in like california parts of california i.
• 3:49
  Speaker 3: Think they're just their own little universe they really are
• 3:53
  Speaker 3: a portal to their own place.
• 3:54
  Speaker 5: I know i've been to california it was nice so
• 3:59
  Speaker 5: you say traffic sucked that's not really a news flash
• 4:02
  Speaker 5: for people that live in california Do we have anybody
• 4:06
  Speaker 5: who actually listens from California?
• 4:07
  Speaker 3: Quite a few, actually.
• 4:08
  Speaker 4: Really?
• 4:09
  Speaker 3: We're quite popular in California. Also, Texas.
• 4:13
  Speaker 4: New York.
• 4:13
  Speaker 3: We have most of the.
• 4:16
  Speaker 4: It's just one person who travels around a lot of places.
• 4:18
  Speaker 3: Most of the groupings of people, that's where they come
• 4:21
  Speaker 3: and find us because they're super cool.
• 4:24
  Speaker 4: Anyways, this convention. Cincinnati Comic Expo 2017.
• 4:28
  Speaker 6: Woo!
• 4:28
  Speaker 4: Woo, indeed. I just had some code red.
• 4:34
  Speaker 3: You're all hopped up on what, I guess, is caffeine.
• 4:38
  Speaker 3: I'm not really sure what's in sodas anymore.
• 4:40
  Speaker 4: 91 milligrams. I looked on the label before I bought it.
• 4:42
  Speaker 3: 91 milligrams of high fructose corn syrup.
• 4:46
  Speaker 4: 91 milligrams of caffeine.
• 4:48
  Speaker 3: So you say.
• 4:49
  Speaker 4: That's what it says. A Mountain Dew Code Red would
• 4:51
  Speaker 4: not lie to me. Mountain Dew, regular version of Mountain
• 4:54
  Speaker 4: Dew is nasty shit. But give me that Code Red
• 4:56
  Speaker 4: or that weird blue flavor. All about it. Purple.
• 4:59
  Speaker 7: Mm-hmm.
• 5:00
  Speaker 3: I wouldn't do anything like that as I'm having a
• 5:03
  Speaker 3: hit of my coffee right now.
• 5:04
  Speaker 4: Game fuel. Game fuel's where it's at. I used to
• 5:07
  Speaker 4: tear up some game fuel.
• 5:08
  Speaker 3: Two words. Baja Blast. That's all I'm looking for and
• 5:13
  Speaker 3: they took it out of the bottles and I'm not
• 5:14
  Speaker 3: happy about it. I'm just going to send an angry
• 5:17
  Speaker 3: email to PepsiCo and be like, where's my bottle of
• 5:20
  Speaker 3: Baja Blast?
• 5:21
  Speaker 4: Taco Bell.
• 5:21
  Speaker 3: There's only so many times I can go to Taco Bell.
• 5:23
  Speaker 3: Don't get me wrong. It's pretty much every day if
• 5:25
  Speaker 3: I could work that out, but I'll also die soon, so.
• 5:29
  Speaker 3: Just give it to me in a bottle. It'll be
• 5:30
  Speaker 3: a lot easier. So, Daphne Zuniga. I saw Daphne Zuniga.
• 5:36
  Speaker 4: We saw John Ratzenberger.
• 5:38
  Speaker 3: We did. Cliff Clavin. To some of you people out there.
• 5:42
  Speaker 4: Did I see? Who else did we see? We did
• 5:43
  Speaker 4: not see Cary Elwes. No, no.
• 5:46
  Speaker 3: I'm trying to decide if he was there or if
• 5:48
  Speaker 3: he was hiding. Because at a previous convention in the past,
• 5:52
  Speaker 3: many years ago, he had himself sort of sequestered off.
• 5:56
  Speaker 3: They had to build him his own little, like, tarp
• 5:58
  Speaker 3: tent area where he could still have his crowd come
• 6:02
  Speaker 3: back there, but you couldn't see him. So I couldn't
• 6:04
  Speaker 3: decide if he was also doing that today or if
• 6:06
  Speaker 3: he just like bailed on him. I don't know.
• 6:08
  Speaker 4: I don't know. I didn't check their website. I'm assuming
• 6:09
  Speaker 4: he was there. I don't know. They did have a
• 6:11
  Speaker 4: lot of people show up. Yeah. I can't remember who
• 6:13
  Speaker 4: else was there. One chick, we said Poison Ivy from
• 6:16
  Speaker 4: the new.
• 6:17
  Speaker 3: Yeah, the new Poison Ivy from Gotham was there. Wallace Shawn?
• 6:22
  Speaker 4: Yeah.
• 6:23
  Speaker 3: The very popular?
• 6:24
  Speaker 4: Apparently. I was like, nobody else had a line. And
• 6:28
  Speaker 4: I was like, what the fuck's this shit? Oh, wait,
• 6:30
  Speaker 4: that's inconceivable.
• 6:31
  Speaker 3: That was my comment. I looked over and went, that's inconceivable.
• 6:36
  Speaker 4: He did get a line.
• 6:38
  Speaker 3: Heck of a line.
• 6:39
  Speaker 4: He did.
• 6:40
  Speaker 3: More than you might expect for that dude.
• 6:41
  Speaker 4: More than Daphne Zuniga.
• 6:43
  Speaker 3: Well, maybe hers was early in the day. The Zuniga
• 6:47
  Speaker 3: fans got there early and knocked it out.
• 6:49
  Speaker 4: We didn't get to see the Kel extravaganza.
• 6:51
  Speaker 3: Oh, God. He was hot-wheelsing around there, wasn't he?
• 6:56
  Speaker 4: Some chick in her motorized wheelchair, and we look over,
• 7:00
  Speaker 4: and there's Kel of Kenan and Kel fame.
• 7:04
  Speaker 3: Kel Mitchell, I believe.
• 7:05
  Speaker 4: Yeah. Apparently, he had straddled the back of her wheelchair, motorized,
• 7:12
  Speaker 4: and then apparently commandeered somebody's large-ass cosplay sword and was...
• 7:18
  Speaker 4: I don't know. Like in circles.
• 7:21
  Speaker 3: Triumphantly riding around the convention.
• 7:23
  Speaker 4: Figure eights. I'm not really sure what was going on there.
• 7:26
  Speaker 4: But he seemed like he was having a good old time.
• 7:28
  Speaker 3: I'm assuming everywhere Kel goes, Kel thinks he's having a
• 7:31
  Speaker 3: good time.
• 7:31
  Speaker 4: Where was Kenan?
• 7:33
  Speaker 3: Kenan's got real jobs.
• 7:35
  Speaker 4: Why didn't you take Kel with him?
• 7:36
  Speaker 8: Nope.
• 7:37
  Speaker 3: He'd had enough of Kel. There's only so many years
• 7:39
  Speaker 3: he could be with Kel. He's like, look, dude.
• 7:41
  Speaker 4: You got tired of Kel riding on his motorized scooter too?
• 7:43
  Speaker 3: I like you and all, but. I'm going to go
• 7:45
  Speaker 3: over here with my hovercraft. I bought with my many,
• 7:49
  Speaker 3: many years of SNL money.
• 7:50
  Speaker 4: Quit stealing my swords.
• 7:52
  Speaker 3: I got my own sword. I don't need you, Cal.
• 7:55
  Speaker 4: They had quite a plethora of things at this here
• 7:57
  Speaker 4: Cincinnati Comic Expo. I mean, there was a shit ton
• 8:00
  Speaker 4: of comics.
• 8:01
  Speaker 3: There was a lot of comics. So much so, you
• 8:03
  Speaker 3: couldn't even focus long enough to flip through many of them.
• 8:05
  Speaker 4: There were so many of them.
• 8:06
  Speaker 3: There was a lot of them.
• 8:07
  Speaker 4: There was, like, artists. There was authors. There was.
• 8:11
  Speaker 3: People in costumes?
• 8:12
  Speaker 4: There was a shit ton of people in costumes. And
• 8:14
  Speaker 4: it was... Dude, if your costume needs an assistant just
• 8:18
  Speaker 4: to handle your wings, maybe you need to rethink your shit.
• 8:21
  Speaker 4: Because there was just... I almost got a wing to
• 8:24
  Speaker 4: the eye.
• 8:26
  Speaker 3: You should have been wearing your protective goggles, which they
• 8:28
  Speaker 3: also gave you today.
• 8:29
  Speaker 4: I got those at the end of the day. Those
• 8:31
  Speaker 4: were from the library. So if you're in Cincinnati, go
• 8:34
  Speaker 4: to the Cincinnati library. Because they are awesome and they
• 8:36
  Speaker 4: gave me free shit. They might not give you free shit,
• 8:39
  Speaker 4: but you should go there anyway. So they got two ducks.
• 8:41
  Speaker 3: Tell them Misty sent you and you want free shit.
• 8:44
  Speaker 4: Two color changing pencils. The lady insisted I take the
• 8:47
  Speaker 4: bag because I was a free bag. And you know
• 8:48
  Speaker 4: me and free shit. And I'm like, oh lady, I
• 8:50
  Speaker 4: am not going to argue with you. Give me that
• 8:51
  Speaker 4: free bag.
• 8:53
  Speaker 3: Let's get to the best part of the day, possibly.
• 8:56
  Speaker 3: Free spinners? Right here. Listen to this, people.
• 8:59
  Speaker 2: Listen.
• 9:01
  Speaker 4: I can't hear the colors. You do it in the dark.
• 9:07
  Speaker 4: Turn the lights on.
• 9:08
  Speaker 3: That there's a spinner.
• 9:09
  Speaker 4: Not even just a spinner. I don't know.
• 9:11
  Speaker 3: You guys, I don't know if you're hip. to the
• 9:13
  Speaker 3: cool things going on today, these fidget spinners, I think
• 9:16
  Speaker 3: they're going to take off. Hashtag old reference. Yeah, now
• 9:21
  Speaker 3: that everyone else doesn't care about fidget spinners anymore, they're
• 9:24
  Speaker 3: freaking giving them away.
• 9:25
  Speaker 4: But this isn't even like your shitty one. This is
• 9:29
  Speaker 4: a movie promotional, first of all.
• 9:31
  Speaker 3: And which movie is this?
• 9:32
  Speaker 4: I don't even remember.
• 9:33
  Speaker 3: It's the new Blade Runner.
• 9:35
  Speaker 4: Was it?
• 9:35
  Speaker 3: That's why I took it. I was just like, you know,
• 9:37
  Speaker 3: I don't have fidget spinners because I don't really care.
• 9:40
  Speaker 3: But if I'm going to have one and mess with it,
• 9:42
  Speaker 3: I'd like it to be a movie promo thing. And
• 9:45
  Speaker 3: I at least like old Blade Runner. We'll see about
• 9:47
  Speaker 3: new Blade Runner. I'm still deciding.
• 9:48
  Speaker 4: Did you suck at fidget spinning? There we go. There
• 9:50
  Speaker 4: we go.
• 9:50
  Speaker 3: Look at that.
• 9:51
  Speaker 4: Look at those colors. It fucking lights up. They're free
• 9:54
  Speaker 4: and they have three colors. There's red, blue, and green.
• 9:56
  Speaker 4: And they spin around. And holy shit, that's mesmerizing.
• 9:58
  Speaker 3: That's the thing. I'm not like a little kid spinning.
• 10:00
  Speaker 3: I'm not oddly obsessed with them as they are because
• 10:02
  Speaker 3: I've watched first my nephew get ridiculous like jonesing for
• 10:07
  Speaker 3: freaking spinners and then he because my niece has to
• 10:12
  Speaker 3: be just like him she got suckered in and then
• 10:14
  Speaker 3: there was a competition and which of them had more
• 10:17
  Speaker 3: and they're kids. That's what they do. But, yeah, they
• 10:20
  Speaker 3: were all over them, like, even at the fair, and
• 10:22
  Speaker 3: the fair sells crap. So, like, they were there buying
• 10:24
  Speaker 3: them up, and those things were the junkiest thing. I
• 10:27
  Speaker 3: looked at them after they had, I'm like, these weren't
• 10:29
  Speaker 3: even worth the, like, $ 2 you paid for these garbage ones.
• 10:33
  Speaker 3: This one, on the other hand, is actually, like, super
• 10:35
  Speaker 3: high quality, spins for quite a long time, and lights up.
• 10:40
  Speaker 3: And not just lights up one way, it pulses, like,
• 10:42
  Speaker 3: at least three different options. It's pretty impressive, especially for
• 10:46
  Speaker 3: something I didn't pay for. So thank you, new Blade Runner.
• 10:51
  Speaker 3: Whether or not the movie sucks is yet to be seen,
• 10:53
  Speaker 3: but your spinner?
• 10:53
  Speaker 4: Awesome. It sucks because spinners have become kind of like
• 10:57
  Speaker 4: a lame joke now, but they actually did have a purpose,
• 11:00
  Speaker 4: and they actually did help a lot of people with
• 11:02
  Speaker 4: anxiety issues.
• 11:04
  Speaker 3: What are you talking about, Jay?
• 11:06
  Speaker 4: No, I'm serious. I mean... I might even like being facetious. Oh,
• 11:09
  Speaker 4: I know.
• 11:10
  Speaker 3: Again, that literally is why it happened with the first
• 11:14
  Speaker 3: round for my nephew. Because they even got those little
• 11:17
  Speaker 3: gadgety fidget things, those little cube things. They were trying
• 11:21
  Speaker 3: to give him one of those just because, I don't know,
• 11:23
  Speaker 3: like most kids now. All kids have some sort of
• 11:25
  Speaker 3: weird issue going on. Like, I don't know, we kind
• 11:27
  Speaker 3: of did growing up, too, but we were just weirdos
• 11:29
  Speaker 3: and other kids made fun of us. But now everybody has, like,
• 11:32
  Speaker 3: a specific.
• 11:32
  Speaker 4: Hold on, when did they start making fun of us?
• 11:34
  Speaker 3: Oh, they still do. But I'm saying, like, now kids have, like,
• 11:37
  Speaker 3: a specific, like, doctor-specified reason as to whatever three letters
• 11:42
  Speaker 3: identify what their problem is or whatever. We were just
• 11:45
  Speaker 3: weirdos when we were kids, so. Not that we aren't,
• 11:48
  Speaker 3: but it's different now. So now they have specific things
• 11:51
  Speaker 3: that they want kids to do, like play with gadgety
• 11:54
  Speaker 3: spinning cubes.
• 11:56
  Speaker 4: Hey, you know what? If it's helpful, who gives a shit?
• 11:58
  Speaker 4: If it actually helps.
• 11:59
  Speaker 3: Somebody, whatever. I mean, eventually it just became a promotional tool.
• 12:03
  Speaker 4: Which does, I mean, what doesn't? And a scam.
• 12:05
  Speaker 3: But regardless, this one's pretty damn cool.
• 12:08
  Speaker 4: Exactly. Got some posters. I got some.
• 12:11
  Speaker 3: That's true. Quite a few posters. There's some Ragnarok action.
• 12:15
  Speaker 4: Hell yeah, there's some Thor action.
• 12:16
  Speaker 3: You got a couple of doors.
• 12:17
  Speaker 4: Well, because they were two-sided.
• 12:19
  Speaker 3: Alternate versions.
• 12:19
  Speaker 4: They were two-sided, so the lady's like, you want to
• 12:21
  Speaker 4: see both sides? You better take two of them. I'm like, oh,
• 12:23
  Speaker 4: hell yeah, you are not going to get me.
• 12:24
  Speaker 3: Well, you gave me the go-ahead, so I'm going to.
• 12:26
  Speaker 4: I'm going to clean your damn table out, bitch.
• 12:29
  Speaker 3: She will. I've seen her do it. I do it, too.
• 12:31
  Speaker 3: Hashtag CW.
• 12:33
  Speaker 4: By the way, why was CW not there? Is CW
• 12:35
  Speaker 4: not a thing in Cincinnati? I don't know.
• 12:37
  Speaker 3: CW, obviously the Fox is the big area around there.
• 12:41
  Speaker 4: Which they put me on the spot because they had
• 12:43
  Speaker 4: this little thing.
• 12:44
  Speaker 3: You're a CW gal.
• 12:45
  Speaker 4: I'm a CW gal. So I'll walk up there to,
• 12:47
  Speaker 4: what is it, a Pachinko? Is that what it's called?
• 12:48
  Speaker 4: Not Pachinko.
• 12:49
  Speaker 3: I called it Plinko.
• 12:50
  Speaker 4: Plinko, Plinko.
• 12:51
  Speaker 3: Plinko is the, like, what's the Drew Carey show?
• 12:56
  Speaker 4: Yeah, Plinko. Price is Right.
• 12:59
  Speaker 3: Price is Right. Plinko is the Price is Right name
• 13:01
  Speaker 3: for that game. I'm sure there is some sort of...
• 13:04
  Speaker 3: I mean, it's kind of like that old arcade game.
• 13:06
  Speaker 4: Anyway, but... Yeah, Plinko.
• 13:10
  Speaker 3: Became the go-to name for me.
• 13:12
  Speaker 4: Anyway, so I walk up there, and I have my
• 13:13
  Speaker 4: little chips, and I'm ready to go, and he puts
• 13:15
  Speaker 4: me on the spot, and he's like, what's your favorite
• 13:17
  Speaker 4: Fox show? And I'm like, holy shit, I don't... What's
• 13:21
  Speaker 4: on Fox? I watch CW. If I say iZombie, he's
• 13:23
  Speaker 4: probably not going to be happy. He'll take my chips away.
• 13:26
  Speaker 4: He'll take my chips away before I even get a
• 13:27
  Speaker 4: chance to win nothing. So I'll go through. I'm like, see,
• 13:31
  Speaker 4: I think I had a pretty good answer. I saved.
• 13:34
  Speaker 3: That's true. It was like confusion mixed with kiss ass.
• 13:40
  Speaker 4: It was. I was like, I don't know. There's so many.
• 13:45
  Speaker 3: And he was like, that's the answer we like to hear.
• 13:47
  Speaker 3: You keep watching them and we'll have our jobs. That's
• 13:50
  Speaker 3: pretty much.
• 13:50
  Speaker 2: How he was.
• 13:51
  Speaker 8: Yeah.
• 13:51
  Speaker 4: Yeah, he does.
• 13:52
  Speaker 3: Jorky guys that have to say that sort of stuff
• 13:54
  Speaker 3: because they work for the company.
• 13:55
  Speaker 4: Now somebody's going to tell him I lied. I don't
• 13:57
  Speaker 4: watch any movies. Maybe if you had better shows. I'm joking,
• 14:01
  Speaker 4: I'm joking.
• 14:01
  Speaker 3: We're heading that way, though, because now there's going to be, again,
• 14:04
  Speaker 3: for our nonstop talking about superheroes nonsense that we do
• 14:07
  Speaker 3: around here, there's a new Marvel-related show coming on Fox.
• 14:11
  Speaker 3: There is?
• 14:12
  Speaker 4: Yeah. Which was it?
• 14:14
  Speaker 3: We got a button for it. Look at your button.
• 14:16
  Speaker 4: It's in my bag. Gifted? No, I thought it was
• 14:19
  Speaker 4: in the M. It's not the M?
• 14:21
  Speaker 2: Mifted?
• 14:25
  Speaker 3: I'd watch Mifted.
• 14:27
  Speaker 4: Come on, Fox.
• 14:28
  Speaker 3: Put this together. Greenlight this shit.
• 14:31
  Speaker 4: I don't know what it was called. It'd be nice
• 14:34
  Speaker 4: if we did because they didn't give us free buttons
• 14:35
  Speaker 4: after we didn't.
• 14:38
  Speaker 3: Dig your way to your stuff.
• 14:39
  Speaker 4: It's in the trunk.
• 14:40
  Speaker 3: Mine's behind me somewhere.
• 14:41
  Speaker 4: Mine is in the more backer than yours is.
• 14:43
  Speaker 3: I gotta get out and look for it.
• 14:47
  Speaker 4: Never mind. It's a show. Watch Fox. They give us
• 14:50
  Speaker 4: free shit. I wanted a shirt just because I like shirts.
• 14:54
  Speaker 3: I got a pen.
• 14:56
  Speaker 4: Don't hang them in my pen. It's better than the cup.
• 14:57
  Speaker 4: I didn't want the cup. Because the pen had a
• 15:02
  Speaker 4: big M on it. Why would they have a big
• 15:03
  Speaker 4: M on it if it's... Marvel?
• 15:06
  Speaker 3: Monkeys? Because it's no mutants. That's why it's the M.
• 15:10
  Speaker 3: The Ghostbusters X through it or something like that.
• 15:16
  Speaker 4: The Gifted.
• 15:17
  Speaker 3: See, I wasn't making that up. Gifted. The Gifted on Fox.
• 15:22
  Speaker 3: You keep watching it. We'll have more jobs.
• 15:25
  Speaker 4: Not us.
• 15:25
  Speaker 3: We're not getting anything except free button.
• 15:27
  Speaker 4: So if they ever ask you, you'll have an answer.
• 15:29
  Speaker 3: I love the gifted, dude. I don't know.
• 15:32
  Speaker 4: Hopefully we'll have been on by then otherwise.
• 15:34
  Speaker 3: I was like, um, that Andy Samberg show about cops.
• 15:38
  Speaker 3: I watched that a couple.
• 15:39
  Speaker 4: Of times once.
• 15:40
  Speaker 3: Yeah, because it was on there. While you were, like,
• 15:43
  Speaker 3: choking on the answer, I was looking behind him.
• 15:45
  Speaker 4: You were cheating.
• 15:46
  Speaker 3: Behind him over there, there's, like, a trunk with a
• 15:48
  Speaker 3: bunch of stickers on it of all their shows.
• 15:51
  Speaker 4: I was facing the board, and there was nothing over
• 15:52
  Speaker 4: on my side.
• 15:53
  Speaker 3: The sad thing, I'm looking at it going, nope, nope, nope, nope, nope.
• 15:56
  Speaker 4: Oh, wait.
• 15:57
  Speaker 3: I was like, I finally, I was like, that one,
• 15:58
  Speaker 3: I've seen that one before at least.
• 15:59
  Speaker 4: What's it called? What's it called? What's it called?
• 16:01
  Speaker 3: Cops and stuff. Blue badges.
• 16:05
  Speaker 6: No.
• 16:06
  Speaker 3: In the blue. Andy Sandberg.
• 16:09
  Speaker 4: No.
• 16:09
  Speaker 3: With special guests.
• 16:10
  Speaker 4: No.
• 16:10
  Speaker 3: Kenan Thompson.
• 16:11
  Speaker 4: No. I wish. Kenan Thompson, yeah.
• 16:14
  Speaker 3: I wish. He knows him, SNL, you know.
• 16:16
  Speaker 4: Only if he brings Kel with him.
• 16:18
  Speaker 3: No, he doesn't hang with Kel anymore. What are you crazy?
• 16:21
  Speaker 4: Yeah, CW needed to have been there because they give
• 16:22
  Speaker 4: away some good shit.
• 16:25
  Speaker 3: That's my usual go-to because most of my shows are
• 16:27
  Speaker 3: on the CWs.
• 16:28
  Speaker 4: I got a t-shirt last time. From The Flash.
• 16:32
  Speaker 3: I just said hero.
• 16:33
  Speaker 4: Sorry. I didn't have a flash one. That was really,
• 16:35
  Speaker 4: really comfortable. Seriously.
• 16:38
  Speaker 2: CW.
• 16:38
  Speaker 3: I'm just saying sponsorship.
• 16:40
  Speaker 2: That's all.
• 16:40
  Speaker 3: That's all I'm saying. We can be promoting these shows
• 16:43
  Speaker 3: for reals.
• 16:45
  Speaker 4: Uh, what else do they have? They don't kind of
• 16:46
  Speaker 4: like weird photo op things too, that were, you know,
• 16:48
  Speaker 4: like something we usually, I mean, we usually see like
• 16:50
  Speaker 4: some of the standard issue photo op things like the, uh,
• 16:53
  Speaker 4: we'll have like a, the, you know, the, the, the
• 16:56
  Speaker 4: do back.
• 16:57
  Speaker 3: That is a do back. Um, Which, that dewback's been
• 17:00
  Speaker 3: to Wonderfest a long time ago, so Wonderfest kind of
• 17:02
  Speaker 3: beat him to the punch on that one.
• 17:03
  Speaker 4: The How to Train Your Dragon dragon.
• 17:05
  Speaker 3: But the other stuff was pretty sizable and I haven't
• 17:08
  Speaker 3: seen before.
• 17:08
  Speaker 4: That's what I'm saying. The big dioramas with, like, the
• 17:10
  Speaker 4: one with the wampa.
• 17:13
  Speaker 3: The wampa's the most impressive one. Only because you're, like,
• 17:17
  Speaker 3: flipping your brain.
• 17:17
  Speaker 4: It's a fucking cave.
• 17:19
  Speaker 3: And it's upside down. Because the wampa is on the
• 17:22
  Speaker 3: ceiling inside. So you can take the picture of you
• 17:26
  Speaker 3: reaching for your lightsaber on the floor, but then you
• 17:29
  Speaker 3: flip it and it looks like you're hanging from the
• 17:30
  Speaker 3: ceiling trying to use the force to get your lightsaber
• 17:32
  Speaker 3: and there's a wampa in the background about to eat you.
• 17:34
  Speaker 4: Fucking A.
• 17:35
  Speaker 3: It's pretty impressive, I gotta say.
• 17:36
  Speaker 4: That is some mind-boggling, mind-blown.
• 17:38
  Speaker 3: That's impressive for a diorama. That's more work than I
• 17:42
  Speaker 3: would have put in, but you know. I'm assuming somebody
• 17:44
  Speaker 3: kicked in some cash to make that thing safe.
• 17:46
  Speaker 4: There was a land speeder in front of a Jurassic Park.
• 17:50
  Speaker 3: I think that was just our perspective. I was like, yeah,
• 17:54
  Speaker 3: can I be riding the land speeder going into Jurassic Park?
• 17:57
  Speaker 3: Because there's also the big gates for Jurassic Park that
• 17:59
  Speaker 3: you could stand in front of.
• 18:00
  Speaker 4: They had the Jeep, too.
• 18:01
  Speaker 3: You could park a Jeep there in one of those
• 18:03
  Speaker 3: inflatable dinosaurs. I said it earlier today. I know they're dumb.
• 18:09
  Speaker 3: and really impractical for that person inside, but I still laugh.
• 18:11
  Speaker 4: How do you look at shit?
• 18:12
  Speaker 3: How do you look at shit? I still laugh every
• 18:14
  Speaker 3: time one of those dumb, inflatable Tyrannosauruses goes wandering by.
• 18:17
  Speaker 4: You can't flip through comic books in that.
• 18:19
  Speaker 3: I think that with most costumes, though. I'm just like,
• 18:22
  Speaker 3: these are all impractical. You guys are hot and sweaty,
• 18:25
  Speaker 3: and you've got makeup smeared all over your face, and
• 18:28
  Speaker 3: you're wearing something giant.
• 18:28
  Speaker 4: Hot and sweaty describes half the people there, whether they're
• 18:30
  Speaker 4: in costume or not, because let me tell you, dude,
• 18:32
  Speaker 4: there were some smells.
• 18:33
  Speaker 3: Well, that's just because.
• 18:34
  Speaker 4: That's every convention, though.
• 18:35
  Speaker 3: Geeks barely leave their house anyway, so what are you
• 18:37
  Speaker 3: going to do?
• 18:37
  Speaker 6: Yeah.
• 18:40
  Speaker 3: Pom. We saw Pom. She was adorable.
• 18:43
  Speaker 4: She was adorable. We saw her from a distance because
• 18:45
  Speaker 4: I didn't buy anybody's autograph this time because I'm cheap
• 18:47
  Speaker 4: as shit.
• 18:49
  Speaker 3: I've got a lot. I'm running out of things to
• 18:51
  Speaker 3: do with everything, let alone more photos of people.
• 18:56
  Speaker 4: I got the saxophone guy.
• 18:57
  Speaker 3: But Mantis is super cute.
• 18:58
  Speaker 4: She is super cute. Oh, my God. I did get
• 19:00
  Speaker 4: my picture with a guy in a Groot costume. That
• 19:02
  Speaker 4: was pretty exciting.
• 19:03
  Speaker 3: That was cool. Once again, it was like a crazy
• 19:06
  Speaker 3: size thing because he was baby Groot.
• 19:08
  Speaker 4: He was bigger than me.
• 19:10
  Speaker 3: Yeah, number one, he was bigger than you. And then perspective-wise,
• 19:13
  Speaker 3: it was doing the rockets, don't push the red button thing.
• 19:17
  Speaker 3: So it was like him with his giant controller. So cute. Perspective-wise,
• 19:22
  Speaker 3: it looked like he was the right size.
• 19:24
  Speaker 4: So cute.
• 19:25
  Speaker 3: So points to that dude for making that giant thing.
• 19:27
  Speaker 3: Because even if he bought the Groot costume, he had
• 19:30
  Speaker 3: to build that giant switch, don't hit the red button
• 19:33
  Speaker 3: and blow us all up thing. That was pretty well
• 19:37
  Speaker 3: put together, actually.
• 19:38
  Speaker 4: I bought some more enamel buttons.
• 19:40
  Speaker 2: Pins.
• 19:41
  Speaker 3: Pins. We did get buttons, though. What do the buttons say?
• 19:43
  Speaker 4: Stay spooky.
• 19:45
  Speaker 3: Stay spooky.
• 19:46
  Speaker 4: Oh, there's... They loaned it to Arc. Holy shit.
• 19:48
  Speaker 3: That was the... That was the... That was... it over
• 19:50
  Speaker 3: the edge for me, because I'm trying to control myself.
• 19:52
  Speaker 4: I was already leaning. They were only a dollar, and
• 19:54
  Speaker 4: I was already leaning very heavily. And then I'm like, whoa, whoa, whoa.
• 19:56
  Speaker 4: They glow in the dark?
• 19:57
  Speaker 3: Mm-hmm.
• 19:58
  Speaker 4: Say no more. Take my money. Give me my pin.
• 20:01
  Speaker 4: My button.
• 20:01
  Speaker 3: That's what I'm saying. So now we've got a creepy
• 20:04
  Speaker 3: button with bats on it that also glows in the dark.
• 20:08
  Speaker 3: Pretty awesome.
• 20:09
  Speaker 4: Fucking A.
• 20:10
  Speaker 3: But then you went back to your usual, your new,
• 20:14
  Speaker 3: and by new I mean the last year or so,
• 20:16
  Speaker 3: new obsession, the enamel pins.
• 20:18
  Speaker 4: I do adore enamel pins. I bought some from this
• 20:22
  Speaker 4: company before, and they were there, and I saw them,
• 20:24
  Speaker 4: and I was like, oh, my God.
• 20:24
  Speaker 3: They have some pretty great pins, I've got to say.
• 20:26
  Speaker 3: I'm not officially plugging them until they come on board.
• 20:29
  Speaker 3: But if I was going to, they've got some pretty
• 20:32
  Speaker 3: great pins.
• 20:32
  Speaker 4: But I got one that says they're in my purse
• 20:35
  Speaker 4: and that would involve way too much work to get
• 20:36
  Speaker 4: them out. One of them's got Sam from Trick or Treat.
• 20:39
  Speaker 3: That's awesome already.
• 20:40
  Speaker 4: One of them looks like a vintage Halloween ad or something.
• 20:43
  Speaker 3: Yeah, I think it's from like the old... It's one
• 20:46
  Speaker 3: of those like old ads. That's the sad thing is
• 20:48
  Speaker 3: that I recognize it because I've been reading like stupid
• 20:51
  Speaker 3: comic books since I was born. But yeah, it looks
• 20:54
  Speaker 3: like it's one of those old like... Again, if you're
• 20:57
  Speaker 3: really old, you remember they used to sell like 10-foot
• 21:00
  Speaker 3: inflatable skeleton floats.
• 21:03
  Speaker 4: Across the room.
• 21:05
  Speaker 3: It was like a nickel's worth of plastic when it
• 21:09
  Speaker 3: probably showed up at your house. But the ad was awesome,
• 21:12
  Speaker 3: and that's how it suckered kids in.
• 21:13
  Speaker 2: So they had these.
• 21:13
  Speaker 3: Cool little artworks of a ghoul head, and he had
• 21:17
  Speaker 3: a ghostly sheet body. So it's kind of like that.
• 21:20
  Speaker 3: He's got a creepy head and a ghost body. And
• 21:23
  Speaker 3: then you got candy. Did you not? According to someone.
• 21:28
  Speaker 4: They had a pin, like an animal pin, of like,
• 21:32
  Speaker 4: they're really cool. It looks like the little bones and Mr. Bones,
• 21:36
  Speaker 4: the coffin with the coffin candy.
• 21:38
  Speaker 3: One of my favorite candies of all time.
• 21:39
  Speaker 4: And one of Jay's favorite candies.
• 21:41
  Speaker 3: And also Jay's.
• 21:42
  Speaker 4: So I took a picture of the pin. And the
• 21:45
  Speaker 4: note that said, enamel pin. And he's like, oh my god,
• 21:48
  Speaker 4: you found the candy? Did you buy me some? And
• 21:50
  Speaker 4: I'm like, oh my god, it's a fucking pin. Did
• 21:51
  Speaker 4: you not read what I put on there?
• 21:53
  Speaker 3: And it also kind of looks like an enamel pin.
• 21:55
  Speaker 4: That's why I asked.
• 21:56
  Speaker 3: I was like, was he wearing his glasses?
• 21:58
  Speaker 4: It's very much an enamel pen. It looks like nothing
• 22:00
  Speaker 4: other than an enamel pen. It looks like.
• 22:02
  Speaker 3: Artwork representing Mr. Bones and Candy, but it doesn't really
• 22:05
  Speaker 3: look like the real thing.
• 22:06
  Speaker 4: He sounded very disappointed. I felt bad to break his
• 22:08
  Speaker 4: little heart. I don't know, Brian.
• 22:10
  Speaker 3: Just buy him a pen.
• 22:11
  Speaker 4: He can't eat it. He'll try to eat it.
• 22:13
  Speaker 3: Oh, he might. You're right.
• 22:15
  Speaker 4: He won't. He's not an idiot.
• 22:16
  Speaker 3: He needs adult supervision. And it's sad that you're his
• 22:18
  Speaker 3: adult supervision.
• 22:19
  Speaker 4: Yeah, I need adult supervision being an adult.
• 22:21
  Speaker 3: That's what I'm saying. You both need adult supervision.
• 22:24
  Speaker 4: I adult very well sometimes.
• 22:27
  Speaker 2: Sometimes.
• 22:28
  Speaker 4: Sporadically. I had my moments. I bought a new vehicle.
• 22:31
  Speaker 3: That's true. That's very responsible of you.
• 22:33
  Speaker 4: We are sitting in right now.
• 22:34
  Speaker 3: Responsible of you.
• 22:36
  Speaker 4: Slower than my old car, so that makes me more
• 22:38
  Speaker 4: responsible because I can't go flying around because it's not
• 22:40
  Speaker 4: an 8 or a B6 or a B-whatever.
• 22:42
  Speaker 3: How about uphills? What's it do when you go uphills?
• 22:45
  Speaker 4: Jonesy does not like going uphills. Hey, but he's putting
• 22:50
  Speaker 4: forth an effort.
• 22:52
  Speaker 3: He's working. He's working hard.
• 22:56
  Speaker 4: Don't hurt his feelings.
• 22:58
  Speaker 3: I like Jonesy. Again, he's a make very similar to
• 23:01
  Speaker 3: one that I had many a year ago. I like
• 23:04
  Speaker 3: these type of vehicles.
• 23:05
  Speaker 4: Jonesy's my baby now. If anyone wants to buy a Nissan,
• 23:09
  Speaker 4: it's going to be in an auction pretty soon.
• 23:12
  Speaker 3: Unloading the previous Misty vehicle, so get in line. It's
• 23:16
  Speaker 3: jacked up, piece of poop. You're not selling this very good.
• 23:22
  Speaker 4: Collector's item that belonged to a member of the movie
• 23:24
  Speaker 4: about town staff.
• 23:25
  Speaker 3: There you go. We can put it as a special
• 23:30
  Speaker 3: level on the Patreon account if you'd like. Sign on
• 23:34
  Speaker 3: now and get Misty's old junkie car. We'll make it
• 23:38
  Speaker 3: like a special like $ 6 a month and you get
• 23:41
  Speaker 3: a junkie car.
• 23:42
  Speaker 4: One time donation of $ 1, 500 and this bitch is yours.
• 23:45
  Speaker 3: She'll sign it for you too. Go on. Sharpie it
• 23:47
  Speaker 3: right on the hood.
• 23:48
  Speaker 4: I will.
• 23:50
  Speaker 3: So... If nothing else, we usually venture into what you've
• 23:54
  Speaker 3: been watching lately.
• 23:55
  Speaker 4: I've got one. I don't.
• 23:56
  Speaker 3: Specifically, I've got one because, and I was gutting just
• 23:59
  Speaker 3: like send it out on like, you know, Twitter and
• 24:01
  Speaker 3: Facebook and whatnot. But I was just like, no, no,
• 24:03
  Speaker 3: this is actually important enough to put in the middle
• 24:06
  Speaker 3: of the show. We need to discuss it. I'm not
• 24:08
  Speaker 3: even going to discuss the movie at great length. I'm
• 24:10
  Speaker 3: just going to tell everybody to go watch it for
• 24:13
  Speaker 3: two reasons. Number one, it's awesome. And number two, we
• 24:15
  Speaker 3: just had the director on. So if you were back
• 24:19
  Speaker 3: listening a month and a half, two months ago, we
• 24:22
  Speaker 3: had Tyler McIntyre on. He was on. He's an awesome guest.
• 24:25
  Speaker 4: Is he related to Joey? I don't really know.
• 24:29
  Speaker 3: We can ask him next time. I told him he
• 24:30
  Speaker 3: can come back as often as he wants. But he
• 24:32
  Speaker 3: was talking about his most recent movie, which is freaking awesome.
• 24:38
  Speaker 4: Which is it?
• 24:39
  Speaker 3: That one is Tragedy Girls. Oh, gotcha. And it's the
• 24:42
  Speaker 3: most recent one, and it's super awesome. But as we
• 24:44
  Speaker 3: were talking about that, he also referenced his first feature,
• 24:48
  Speaker 3: which was about to hit Netflix. And this past week,
• 24:51
  Speaker 3: it showed up on Netflix. So if nothing else, it's
• 24:55
  Speaker 3: on Netflix. Most of you are probably sitting on top
• 24:57
  Speaker 3: of that right now, not using it like I am
• 24:59
  Speaker 3: most of the time. But that time I was like, oh, wait,
• 25:01
  Speaker 3: there's finally something I actually want to see on Netflix. Patchwork.
• 25:06
  Speaker 3: Go look for Patchwork. It is, again, if you're the
• 25:10
  Speaker 3: kind of person, I'm assuming if you're listening to the show,
• 25:12
  Speaker 3: You're the kind of person who likes horror movies and
• 25:15
  Speaker 3: probably really fun horror movies. Like, this does not take
• 25:20
  Speaker 3: itself seriously. And even as he said, like, that's kind
• 25:22
  Speaker 3: of what he likes. He likes sort of, like, straddling
• 25:26
  Speaker 3: that genre edge there where it's like it's comedy, but
• 25:29
  Speaker 3: it still functions as a good horror movie. It's like
• 25:32
  Speaker 3: we like putting the comedic elements in there, but not
• 25:35
  Speaker 3: undercutting the horror aspect. And, like, this is so perfectly
• 25:40
  Speaker 3: riding that line. Like, it is just... silly and ridiculous
• 25:44
  Speaker 3: at times.
• 25:44
  Speaker 4: What is the basic concept?
• 25:45
  Speaker 3: The basic, I won't go any further than pretty much
• 25:48
  Speaker 3: how he pitched it, but basically, I think it even
• 25:51
  Speaker 3: tells you in the rundown, three girls are out at
• 25:53
  Speaker 3: like a bar one night and they wake up and
• 25:58
  Speaker 3: they're all stitched together into one person.
• 26:01
  Speaker 4: Not like the human centipede?
• 26:03
  Speaker 3: No, they're one person. It's Frankensteined into different. There's one
• 26:07
  Speaker 3: half of this face, one half of this face, the
• 26:08
  Speaker 3: bottom of this face, different.
• 26:10
  Speaker 4: Arms, different legs. Are they all one person or do
• 26:13
  Speaker 4: they all have three heads?
• 26:14
  Speaker 3: No, no. It's one person to look at them made
• 26:17
  Speaker 3: from three different people. And then this was the interesting
• 26:21
  Speaker 3: part because he didn't really totally get into that. But
• 26:24
  Speaker 3: I'll at least tease this a little bit. All their
• 26:26
  Speaker 3: personalities are still in there. They somehow like grafted the
• 26:29
  Speaker 3: brain into a functioning brain. But all three of their
• 26:32
  Speaker 3: like personalities are in there and then start talking to
• 26:36
  Speaker 3: each other.
• 26:36
  Speaker 4: It's just complicated.
• 26:38
  Speaker 3: But they start functioning as one body or trying to
• 26:41
  Speaker 3: figure out how to function as one body and then
• 26:44
  Speaker 3: go on a revenge spree. And again, it does one
• 26:48
  Speaker 3: of those like I kind of thought I knew where
• 26:49
  Speaker 3: it was going. I'm like, oh, no, it went a
• 26:51
  Speaker 3: whole nother place here. OK, like so. Points to Tyler.
• 26:56
  Speaker 3: It's doing things that are very fun and super unconventional.
• 26:59
  Speaker 3: Didn't see a few of those turns coming along the way,
• 27:02
  Speaker 3: so it's really cool. And it's on Netflix now, so
• 27:05
  Speaker 3: go find Patchwork.
• 27:07
  Speaker 4: I didn't watch anything, but I've been attempting, and I'm
• 27:10
  Speaker 4: still in the process of trying to read a book.
• 27:12
  Speaker 3: Well, reading's hard.
• 27:14
  Speaker 4: No, I mean, I read relatively frequently. I read almost
• 27:18
  Speaker 4: every night, but this one's just so fucking hard to
• 27:19
  Speaker 4: pick up. Not even because it's fucking heavy, because it weighs... 1,000 pounds. Well,
• 27:24
  Speaker 4: it's got 1,000 and 60, 100, I don't remember how
• 27:27
  Speaker 4: many pages it's got. It's got over 1,000.
• 27:29
  Speaker 3: I'm going to blame that Stephen King character that always
• 27:32
  Speaker 3: writes really long books.
• 27:33
  Speaker 4: It's so fucking wordy.
• 27:37
  Speaker 3: He's kind of like that, I hate to tell you.
• 27:40
  Speaker 3: He loves his long descriptions of things.
• 27:42
  Speaker 4: Seriously, dude, I'm 160 pages in and I ain't seen shit.
• 27:47
  Speaker 4: Except for... No clowns? That's the thing. They had the
• 27:50
  Speaker 4: clown in the very, very, very beginning chapter when they
• 27:53
  Speaker 4: have Georgie.
• 27:54
  Speaker 3: I guess it's no surprise what book it is you're reading.
• 27:56
  Speaker 4: It. It. I'm reading It.
• 27:59
  Speaker 3: Attempting to read It.
• 28:00
  Speaker 4: It's going to take me the rest of my goddamn
• 28:02
  Speaker 4: life because I've been reading this motherfucker for at least
• 28:04
  Speaker 4: a week and a half, two weeks. I'm only 160
• 28:06
  Speaker 4: pages in and it's over a thousand pages.
• 28:09
  Speaker 3: Sound out the big words.
• 28:10
  Speaker 4: It's not that I have a problem. It's just... It
• 28:14
  Speaker 4: hasn't gotten to where it's hooked me yet, I guess.
• 28:16
  Speaker 3: I mean, that's the thing. It's got to be... As
• 28:19
  Speaker 3: anyone who listens to this regularly, I'm not an avid reader.
• 28:22
  Speaker 3: And that's part of it. To me, there's certain things
• 28:25
  Speaker 3: that just don't engage you enough. I even ask that
• 28:28
  Speaker 3: of my movies. I'm like, you've got to bring me in.
• 28:30
  Speaker 3: I want to feel like I'm engaged in what's going
• 28:33
  Speaker 3: on in the story. And it's like tenfold when I'm
• 28:35
  Speaker 3: trying to read something.
• 28:37
  Speaker 4: Usually I'm like, okay, I can't wait to go to
• 28:40
  Speaker 4: bed so I can read. I love reading. I've always
• 28:42
  Speaker 4: loved reading ever since I was a kid. Me and
• 28:44
  Speaker 4: my Fear Street books. I still... I could probably read
• 28:47
  Speaker 4: the Fear Street books a whole lot faster and better
• 28:48
  Speaker 4: than I could read this. And it's not because it's hard.
• 28:50
  Speaker 4: It's just it hasn't gotten me to where I'm like, oh,
• 28:53
  Speaker 4: what's happening next? It's to the point where... Because it's like... Okay,
• 28:57
  Speaker 4: I'm not really spoiling anything. This book's been out for
• 28:59
  Speaker 4: longer than I've been alive, almost. But it's like... Okay,
• 29:03
  Speaker 4: they had the very first scene where you have Georgie
• 29:06
  Speaker 4: in the boat and all that stuff. That happens. And
• 29:10
  Speaker 4: then there's some extremely... Like, some gay guy gets... fucking
• 29:15
  Speaker 4: killed and it's there that's just the whole some of
• 29:19
  Speaker 4: that just seems like gratuitous and just like the language
• 29:21
  Speaker 4: and i'm just like dude whoa.
• 29:22
  Speaker 3: Again that's a lot of stephen king like what little
• 29:25
  Speaker 3: i got into him years ago like it was just
• 29:29
  Speaker 3: because i guess nobody told him no he just does
• 29:31
  Speaker 3: whatever he wants sometimes he's super self-indulgent.
• 29:34
  Speaker 4: I don't know what's going to get worse i know
• 29:35
  Speaker 4: i've already heard about a lot there's gonna be a
• 29:37
  Speaker 4: lot of like racial stuff in it too and i
• 29:39
  Speaker 4: haven't gotten to that yet but it's like once that
• 29:41
  Speaker 4: stuff happened then it's trying to bring back each as
• 29:44
  Speaker 4: each loser where they are now and them getting the
• 29:47
  Speaker 4: call that they have to come back and it's where
• 29:49
  Speaker 4: they are and just them leaving to go to dairy
• 29:53
  Speaker 4: and it's like that's it's every one of them's life
• 29:55
  Speaker 4: and some of them just like oh my god your
• 29:57
  Speaker 4: life is so fucking stupid They are losers. The guy
• 30:02
  Speaker 4: with his mom wife. I don't even know what the
• 30:03
  Speaker 4: fuck to do with that. You know? And if you've
• 30:07
  Speaker 4: read it, you know what I'm talking about. But this
• 30:08
  Speaker 4: is a guy, and pretty much the only reason he
• 30:10
  Speaker 4: married his wife is because she's fat and reminds him
• 30:12
  Speaker 4: of his mom. Yep. Anyway, so it's just all of
• 30:15
  Speaker 4: them and their shitty lives. And Bev, I mean, I know,
• 30:19
  Speaker 4: I'm pretty sure, I don't know if I've ever actually
• 30:20
  Speaker 4: seen the original It in its entirety.
• 30:22
  Speaker 3: I have, but it's been a very long time.
• 30:24
  Speaker 4: Anyway, so Bev is pretty much just getting her ass
• 30:26
  Speaker 4: beat by her boyfriend.
• 30:28
  Speaker 3: Not cool.
• 30:29
  Speaker 8: No.
• 30:30
  Speaker 4: But it's weird because it's throwing me off because each
• 30:32
  Speaker 4: one's from like, they're not all from the same perspective.
• 30:35
  Speaker 4: It's like the Bev is told from her boyfriend going
• 30:39
  Speaker 4: to beat her perspective. It's from his perspective.
• 30:42
  Speaker 3: Seems weird.
• 30:43
  Speaker 4: Because she gets the call and he's pissed because she's
• 30:46
  Speaker 4: smoking and he freaks out and he beats her and
• 30:47
  Speaker 4: she ends up beating the shit out of him.
• 30:49
  Speaker 3: This does not seem like a healthy relationship.
• 30:51
  Speaker 4: No. But it's very disconcerting to me because I was like, alright,
• 30:55
  Speaker 4: if you want me to connect with these losers, tell
• 30:56
  Speaker 4: them all from their story. Don't be having the whiny
• 30:59
  Speaker 4: wife telling the story while her husband's leaving because he's
• 31:01
  Speaker 4: the loser who's leaving, you know. Whatever it is.
• 31:06
  Speaker 3: This is all complicated.
• 31:07
  Speaker 4: It's so fucking complicated. I'm hoping eventually I get to
• 31:10
  Speaker 4: the point where I'm like, ooh, what happens next? Now
• 31:12
  Speaker 4: I'm just like, God, there's a lot of fucking pages left.
• 31:16
  Speaker 4: And it's like, I've read Stephen King before. It's not
• 31:18
  Speaker 4: like Stephen King is a new concept to me. I
• 31:20
  Speaker 4: read the... What did I read? The Stand. When I
• 31:23
  Speaker 4: was in junior high school. And that one was fucking long.
• 31:26
  Speaker 4: But that one, I fucking read it. And I read
• 31:28
  Speaker 4: it and I enjoyed it. And I was one of
• 31:30
  Speaker 4: those that I... Even in junior high, I tore through
• 31:33
  Speaker 4: that motherfucker during a couple... I can't say a couple days.
• 31:36
  Speaker 4: Because let me tell you, that was some investment time
• 31:39
  Speaker 4: right there. Any Stephen King novels....
• 31:43
  Speaker 3: Again, he's got great concepts, but sometimes he... That's one
• 31:48
  Speaker 3: of those, like, I think it works better, especially as
• 31:51
  Speaker 3: we got into movies, because that's where I.
• 31:54
  Speaker 4: Just as long as you don't let him direct his
• 31:56
  Speaker 4: own movies.
• 31:56
  Speaker 3: Well, even he knows better. Even he was just like, no,
• 31:59
  Speaker 3: that was a terrible idea. That's why I didn't do
• 32:00
  Speaker 3: it anymore. But, like, if you find a good director
• 32:03
  Speaker 3: who understands him and, like, also kind of knows how
• 32:06
  Speaker 3: to rein him in and how to cut out the
• 32:08
  Speaker 3: excess and, like, you find good guys that kind of
• 32:11
  Speaker 3: know how to do it and you get, like, a
• 32:13
  Speaker 3: Frank Darabont or a Mick Garris and, like, you get
• 32:16
  Speaker 3: these guys that work with his, because he's got great concepts, but, like,
• 32:20
  Speaker 3: he just, in novel form, especially when you're one of
• 32:23
  Speaker 3: the biggest authors ever, you know, it's like you have
• 32:26
  Speaker 3: free reign to write as long as you want, be
• 32:28
  Speaker 3: as descriptive as you want, but that doesn't always translate
• 32:30
  Speaker 3: into films. From what I read, it took.
• 32:32
  Speaker 4: Him at least four or five years to write this book.
• 32:35
  Speaker 4: I'm going to spend at least that long reading it. Dude,
• 32:39
  Speaker 4: I am not even joking. And I want to. I
• 32:43
  Speaker 4: want to read it because it's like, I want to,
• 32:45
  Speaker 4: but he's not making it easy on me. This book
• 32:48
  Speaker 4: is not one that wants to be read.
• 32:50
  Speaker 3: I don't think Stephen King makes anything easy on people.
• 32:54
  Speaker 3: He's a challenging artist.
• 32:56
  Speaker 4: But I mean, I'm not denying his skill.
• 32:58
  Speaker 3: Oh no, he's talented, but he's an artist. He has
• 33:01
  Speaker 3: amazing ideas. He rubs people the wrong way, like many
• 33:04
  Speaker 3: artists do.
• 33:04
  Speaker 4: But it's just getting to the point, and I'm just like, dude,
• 33:10
  Speaker 4: can I fast forward this book a little bit?
• 33:12
  Speaker 3: I mean, you can flip the pages. Maybe you can
• 33:15
  Speaker 3: draw a little Pennywise cartoon in the corner. That'd be
• 33:18
  Speaker 3: kind of cool.
• 33:19
  Speaker 4: I feel like I'm cheating, and I don't like that.
• 33:21
  Speaker 4: When it comes to books, I'm very weird. I'm like,
• 33:24
  Speaker 4: I mean, every once in a while I'll skip to
• 33:25
  Speaker 4: the end and I gotta know how it's gonna end,
• 33:28
  Speaker 4: you know? But I'll go back and I want to
• 33:32
  Speaker 4: read how it gets there. This one, I'm just like,
• 33:34
  Speaker 4: oh my god, where's the Cliff Notes version?
• 33:37
  Speaker 3: Spoiler for yourself.
• 33:38
  Speaker 4: I don't even care. I love spoilers. I will spoil
• 33:40
  Speaker 4: shit for myself all damn day.
• 33:44
  Speaker 3: Oh, you're doing it wrong.
• 33:45
  Speaker 4: I usually am. Did you watch anything else? Or did
• 33:49
  Speaker 4: we finish talking about yours before I entered my book? No,
• 33:52
  Speaker 4: that was.
• 33:56
  Speaker 3: Pennywise?
• 33:58
  Speaker 4: I'm not going to lie. I knew Pennywise was hot.
• 34:01
  Speaker 4: Not when he's Pennywise, but Bill Skarsgård. I can't say
• 34:04
  Speaker 4: his name. I feel awkward.
• 34:05
  Speaker 3: Skarsgård.
• 34:06
  Speaker 4: Is that right? It's probably wrong.
• 34:08
  Speaker 3: Isn't he the one in Thor? There's a lot of
• 34:12
  Speaker 3: Skarsgårds out there.
• 34:14
  Speaker 4: I think it's related.
• 34:15
  Speaker 3: Some sort of Norse thing going on.
• 34:16
  Speaker 2: Who knows?
• 34:19
  Speaker 4: All right.
• 34:19
  Speaker 3: Well, I think that's a good way to ease our
• 34:22
  Speaker 3: way in here anyway because we have A movie this week.
• 34:25
  Speaker 4: We do.
• 34:25
  Speaker 3: So I say we take our break. And when we
• 34:27
  Speaker 3: come back, we will discuss this week's movie.
• 34:30
  Speaker 4: That I picked.
• 34:53
  Speaker 9: P-P-Control Yellow, you misunderstood. You were nine sats, fella, psych, psych.
• 34:57
  Speaker 9: Look at your clothes, you look dumb with them. How
• 34:59
  Speaker 9: the hell you a desert clown but with no rhythm?
• 35:01
  Speaker 8: Mira, pero no me importa.
• 35:03
  Speaker 9: You ain't gonna see me on a missing poster. So
• 35:06
  Speaker 9: let me get the W with a quick uppercut. Trust me,
• 35:09
  Speaker 9: you'll float too.
• 35:19
  Speaker 1: Golden, pure, creamery butter. Rich, flavorful, satisfying. That's what it
• 35:23
  Speaker 1: takes for the finest buttered popcorn, and that's what we use.
• 35:26
  Speaker 1: See for yourself why there's no showtime treat to equal
• 35:29
  Speaker 1: the crisp, delicious flavor of hot popcorn that's bathed in
• 35:32
  Speaker 1: real melted butter. It's at the concession stand now.
• 35:37
  Speaker 6: Murder by invitation.
• 35:41
  Speaker 1: It won't be long now, and such a fine date
• 35:47
  Speaker 1: for murder, too.
• 35:49
  Speaker 7: Frightened?
• 35:51
  Speaker 3: That's good. First, I want you to.
• 35:55
  Speaker 4: Know I brought you here for a purpose.
• 35:58
  Speaker 6: The fact remains that sooner or later I'll leave this
• 36:00
  Speaker 6: veil of tears and laughter.
• 36:04
  Speaker 9: And when I do, I leave $ 3 million.
• 36:06
  Speaker 6: $ 3 million.
• 36:09
  Speaker 9: Not bad, but I wonder who'll be left to collect it.
• 36:13
  Speaker 7: Well, here we go.
• 36:18
  Speaker 6: I grabbed my pistol out of that drawer.
• 36:20
  Speaker 1: Then what?
• 36:21
  Speaker 10: And I pointed right at the door, and I said,
• 36:22
  Speaker 10: come out of there, and I'll shoot.
• 36:24
  Speaker 4: But they didn't come out.
• 36:25
  Speaker 1: So I went over to the door like this, and
• 36:27
  Speaker 1: I pulled it wide open.
• 36:29
  Speaker 10: In the meantime, dear audience, pleasant dreams. is what I
• 36:48
  Speaker 10: want you to do.
• 36:54
  Speaker 2: Just loan me two dollars.
• 36:56
  Speaker 1: Until the next time I see you.
• 37:04
  Speaker 10: These last two dollars.
• 37:07
  Speaker 3: Last two dollars.
• 37:08
  Speaker 10: I'm not going to lose.
• 37:10
  Speaker 3: Not going to lose.
• 37:11
  Speaker 4: These last two dollars.
• 37:12
  Speaker 8: Last two dollars.
• 37:14
  Speaker 2: I'm not going to lose.
• 37:15
  Speaker 10: Not going to lose.
• 37:17
  Speaker 3: One's going for my bus fare.
• 37:19
  Speaker 2: Other one for the jukebox.
• 37:22
  Speaker 8: To hear me some blues.
• 37:25
  Speaker 2: Gotta hear me some blues.
• 37:27
  Speaker 3: Tell me when I'm coming to your city.
• 37:28
  Speaker 4: Exactly. All the cities.
• 37:30
  Speaker 2: All the cities.
• 37:31
  Speaker 3: Then we can go to all the shows.
• 37:32
  Speaker 4: Not all the shows because some of them are just
• 37:33
  Speaker 4: too far away.
• 37:34
  Speaker 3: They're going to get us a Learjet. They're going to
• 37:36
  Speaker 3: get us some of the shows. They're going to get
• 37:38
  Speaker 3: us a Learjet. The Meltdown machine. We've got the band version,
• 37:42
  Speaker 3: so now we're going to branch out into the Rockstar
• 37:46
  Speaker 3: Learjet version. That's happening. You just wait.
• 37:50
  Speaker 1: Yeah, okay.
• 37:51
  Speaker 2: I'm waiting.
• 37:52
  Speaker 3: Send in your $ 2 now, people. By the way, is
• 37:56
  Speaker 3: that too much to ask?
• 37:58
  Speaker 8: $ 2.
• 37:59
  Speaker 3: You're killing us.
• 38:00
  Speaker 4: $ 1. 50. $ 3. 50? $ 3. 50?
• 38:04
  Speaker 3: No, I don't even ask $ 3.
• 38:05
  Speaker 4: 50.
• 38:06
  Speaker 3: All I gotta do is give me $ 2 and then
• 38:09
  Speaker 3: they can have exclusive episodes. And they can go back
• 38:13
  Speaker 3: and listen to all the other exclusive episodes. They can
• 38:15
  Speaker 3: get the future. You're part of the club, for God's sakes.
• 38:18
  Speaker 4: We take care of our club members.
• 38:20
  Speaker 3: We might even give you a t-shirt. You might just
• 38:22
  Speaker 3: kick in a couple extra bucks, but new fancy t-shirts.
• 38:27
  Speaker 3: It really would be nice if people would support the
• 38:29
  Speaker 3: show because I can't do this going in the hole, people.
• 38:34
  Speaker 3: Somebody's got to keep this going. I need a show
• 38:36
  Speaker 3: of faith. I need you to go to patreon.com. Just
• 38:41
  Speaker 3: go to the link right on the movie meltdown.com webpage.
• 38:46
  Speaker 3: Kick in some cash. Keep the show rolling. Damn the man.
• 38:50
  Speaker 3: Save the meltdown.
• 38:52
  Speaker 1: Fuckin' A.
• 38:53
  Speaker 9: But these last two dollars, I'm.
• 38:57
  Speaker 10: Not gonna lose. These last two dollars, I'm not gonna lose.
• 39:11
  Speaker 3: Hi, I'm Mick Garrison. You're listening to Movie Meltdown.
• 39:26
  Speaker 2: It's time for Sofa Theater.
• 39:32
  Speaker 4: God, this thing is so official.
• 39:35
  Speaker 8: Maybe they're overcompensating. It's kind of hard to call everybody
• 39:38
  Speaker 8: up out of the blue after two years. I'm so
• 39:44
  Speaker 8: glad you're here.
• 39:45
  Speaker 3: We've got a lot to talk about. So much to
• 39:47
  Speaker 3: celebrate tonight.
• 39:48
  Speaker 8: Each and every one of us is on a journey
• 39:52
  Speaker 8: And we feel that it's important to be on that
• 39:55
  Speaker 8: journey with the people you love.
• 39:59
  Speaker 3: Everybody, this is my friend Pruitt.
• 40:08
  Speaker 8: Far as on windows and no?
• 40:10
  Speaker 11: Security.
• 40:10
  Speaker 8: It's safer. You've been acting so suspicious of our hospitality.
• 40:18
  Speaker 4: Well.
• 40:19
  Speaker 3: Jesus.
• 40:26
  Speaker 4: Has he been like this a lot?
• 40:29
  Speaker 8: So agitated?
• 40:32
  Speaker 4: How has he been handling things?
• 40:34
  Speaker 8: He can be self-destructive. I think he's doing the best
• 40:38
  Speaker 8: he can.
• 40:38
  Speaker 10: Something doesn't feel safe here.
• 40:45
  Speaker 2: We don't see you for two years and then all
• 40:47
  Speaker 2: of a sudden we get invited to this lavish dinner.
• 40:51
  Speaker 8: Don't tell me that this is normal. What do you
• 40:56
  Speaker 8: think is happening, Will? This beautiful moment is upon us.
• 41:02
  Speaker 8: Tonight is the night our faith is made real.
• 41:05
  Speaker 4: What is happening?
• 41:22
  Speaker 5: There's nothing to be afraid of.
• 41:32
  Speaker 8: You and your.
• 41:52
  Speaker 6: Hold a strange invitation Somehow it seems We've shared our
• 42:03
  Speaker 6: dreams But where? Time after time In a room full
• 42:17
  Speaker 6: of strangers Out of the blue, suddenly you are.
• 42:28
  Speaker 7: There Wherever I go, you're the glow.
• 42:39
  Speaker 6: Of temptation glancing my way.
• 42:50
  Speaker 10: In the gray of the dawn.
• 42:58
  Speaker 6: And always your eyes smile that strange invitation.
• 43:07
  Speaker 3: Then All right, this week's Sofa Theater feature is The Invitation.
• 43:22
  Speaker 3: The year is 2015. The director is Karen Kusama, and
• 43:26
  Speaker 3: the plot, according to IMDb, while attending a dinner party
• 43:30
  Speaker 3: at his former home, a man thinks his ex-wife and
• 43:33
  Speaker 3: her new husband have sinister intentions for their guests. Spoiler alert.
• 43:40
  Speaker 3: We are going to spoil the hell out of this,
• 43:42
  Speaker 3: and you can definitely spoil this one, so... Fair warning.
• 43:45
  Speaker 4: It doesn't take much to spoil this one.
• 43:47
  Speaker 3: Well, it's all in one point. It's all up in
• 43:51
  Speaker 3: the air for two-thirds of the movie, and then like,
• 43:54
  Speaker 3: oh no, okay, that's where we're going. Just making sure.
• 43:57
  Speaker 3: And we're there.
• 43:59
  Speaker 4: I had heard many things about this movie. It was
• 44:00
  Speaker 4: on many lists of some of the best movies on Netflix.
• 44:03
  Speaker 4: So I'm like, okay, I'll give it a shot. I
• 44:05
  Speaker 4: love movies. I love lists. So I'm like, I'll check
• 44:09
  Speaker 4: this motherfucker out. And yeah, it was one of those random...
• 44:14
  Speaker 4: brian's like hey we need to do a movie and
• 44:16
  Speaker 4: i'm like okay you didn't like any of my other
• 44:18
  Speaker 4: suggestions so this was.
• 44:19
  Speaker 3: It i didn't have a problem with any of your
• 44:21
  Speaker 3: suggestions we just need to narrow it down and we
• 44:23
  Speaker 3: picked one and i kept going is that that 80s
• 44:26
  Speaker 3: movie i think that's like the initiation or some other
• 44:29
  Speaker 3: there's a bunch of other movies that i kept mixing
• 44:31
  Speaker 3: it up with so this was one i thought i
• 44:34
  Speaker 3: knew the title and then once i got into the
• 44:36
  Speaker 3: description and then started watching i'm like no This is
• 44:38
  Speaker 3: a totally different movie.
• 44:39
  Speaker 4: This is not at all. Did you know anything about
• 44:40
  Speaker 4: this movie before you started watching?
• 44:41
  Speaker 3: No, which is kind of interesting going into this one
• 44:44
  Speaker 3: kind of blind because you don't really know what you're
• 44:47
  Speaker 3: getting yourself into.
• 44:48
  Speaker 4: Even halfway through.
• 44:48
  Speaker 3: Much like the people. Yeah, it's like you really don't
• 44:51
  Speaker 3: know what you're getting into. Yeah.
• 44:54
  Speaker 4: I spent half the movie going, hey, is that Tom Hardy? Wait, no,
• 44:58
  Speaker 4: that's not Tom Hardy. Because it looks like a bastard
• 45:01
  Speaker 4: combination of Tom Hardy with a tiny bit of Jason
• 45:04
  Speaker 4: Momoa thrown in.
• 45:06
  Speaker 3: But it's not. Who, Jesus?
• 45:09
  Speaker 4: Dude. I don't even like beards in that guy.
• 45:11
  Speaker 3: Dude was rocking the Jesus look.
• 45:13
  Speaker 4: What are you talking about? Something Logan Mitchell Green. Is
• 45:17
  Speaker 4: that right? Or am I totally fucking that shit up?
• 45:20
  Speaker 3: Invitation.
• 45:22
  Speaker 4: If you even Google that guy's name and Tom Hardy,
• 45:25
  Speaker 4: there are so many side-by-side comparisons of everybody else who
• 45:28
  Speaker 4: thinks they look the same.
• 45:30
  Speaker 3: I didn't think he looked that much. I can see
• 45:32
  Speaker 3: it when people point it out, but in general, I
• 45:34
  Speaker 3: didn't think that. He is trying hard to be Jesus.
• 45:38
  Speaker 4: Logan Mitchell. Logan Marshall Green.
• 45:40
  Speaker 3: Sorry, Logan Marshall Green. What was more weird, because most
• 45:47
  Speaker 3: of the other cast I don't really know, but then
• 45:49
  Speaker 3: it got through and that's what was weird is I
• 45:51
  Speaker 3: didn't pick this movie and I didn't know anything about
• 45:53
  Speaker 3: it going in, specifically cast. Midway in it's like, oh,
• 45:57
  Speaker 3: John Carroll Lynch. Hey, he's about to be on the show.
• 46:00
  Speaker 3: I had no idea.
• 46:01
  Speaker 12: Is he?
• 46:01
  Speaker 3: So yeah, he's soon to be guest on the show.
• 46:04
  Speaker 3: So that'll be interesting because now I can talk about
• 46:07
  Speaker 3: it with him too. But yeah, I didn't know what
• 46:11
  Speaker 3: to expect going into this. And then we get to
• 46:13
  Speaker 3: our little opening there and we get coyote murder and
• 46:17
  Speaker 3: that's it's a disturbing opening but it does kind of
• 46:21
  Speaker 3: set that tone of where we're going and then i
• 46:24
  Speaker 3: again like she does do a great job directing wise
• 46:27
  Speaker 3: because even like going out of that creepy intro and
• 46:30
  Speaker 3: into like the the titles themselves are just kind of
• 46:34
  Speaker 3: creepy like it's already like an it's it's kind of
• 46:37
  Speaker 3: back to our last movie.
• 46:39
  Speaker 4: February not february february The Black Coat's Daughter.
• 46:42
  Speaker 3: Black Coat's Daughter, yeah. It's kind of that same thing
• 46:45
  Speaker 3: where it's all tone for that first two-thirds of it especially.
• 46:50
  Speaker 3: I was thinking that as I was watching. I was like,
• 46:53
  Speaker 3: once again, tone is so much of the drive of
• 46:57
  Speaker 3: this movie. The basic... we're pretty sure there's something creepy
• 47:02
  Speaker 3: going on the uneasiness of these characters with each other
• 47:06
  Speaker 3: and then the way that it makes us uneasy watching
• 47:08
  Speaker 3: it like if you didn't have that if it was
• 47:10
  Speaker 3: just laid out as a generic drama and these same
• 47:13
  Speaker 3: things were going on I think you'd be bored as
• 47:16
  Speaker 3: hell like cause that's the thing as I get into
• 47:18
  Speaker 3: it I'm like I don't know that I like a
• 47:20
  Speaker 3: lot of these people like I don't think I would
• 47:23
  Speaker 3: it's funny this was described as a the subgenre is
• 47:26
  Speaker 3: the dinner party from hell and I'm just like these
• 47:30
  Speaker 3: people I don't know that I would want to hang
• 47:32
  Speaker 3: out with a lot of these people.
• 47:33
  Speaker 4: There's a few.
• 47:34
  Speaker 3: But most of them, I'm kind of like, eh. I'm
• 47:38
  Speaker 3: not so thrilled with some of these people.
• 47:39
  Speaker 4: I wouldn't want to hang out with these people. But
• 47:40
  Speaker 4: the whole thing is it's this dinner party. It's this
• 47:44
  Speaker 4: guy who's been invited to his wife and her... I
• 47:48
  Speaker 4: said the house. It said in the description there. The
• 47:51
  Speaker 4: house that him and his wife lived in. And it's
• 47:54
  Speaker 4: obvious that something has happened in their past.
• 47:57
  Speaker 3: But again, you're... two-thirds of the way before you even
• 48:00
  Speaker 3: know what that specific thing is.
• 48:02
  Speaker 4: And it's just, after the event happened, the wife just
• 48:06
  Speaker 4: disappeared for like two years.
• 48:08
  Speaker 3: At least two years, and that was just, yeah, they
• 48:10
  Speaker 3: were already not together time before that that we don't
• 48:13
  Speaker 3: really know an unspecified amount, and then she was just
• 48:16
  Speaker 3: flat out gone for two years.
• 48:18
  Speaker 4: And then it's like, so while she was gone, when
• 48:21
  Speaker 4: she gets back, her and her husband invite all of
• 48:23
  Speaker 4: their college friends and her friends, and they all go
• 48:26
  Speaker 4: back to the house, and it's just It's just awkward.
• 48:32
  Speaker 4: And I'm like, I'm sorry, but no. When me and
• 48:36
  Speaker 4: Jay got together, his wife, his ex-wife, wanted to do
• 48:39
  Speaker 4: the whole, let's all get together.
• 48:40
  Speaker 8: No.
• 48:41
  Speaker 4: That, yeah, no. It probably would have ended the same.
• 48:44
  Speaker 3: I'm surprised you haven't killed each other yet, and mostly
• 48:49
  Speaker 3: you just stabbing her in the head with something.
• 48:52
  Speaker 4: But yeah, and it's just this slow build. It's a
• 48:55
  Speaker 4: very slow build.
• 48:56
  Speaker 3: It is.
• 48:57
  Speaker 4: Which usually I'm not okay with, but this one actually,
• 48:59
  Speaker 4: I can't tell. Maybe I was just in the mood
• 49:00
  Speaker 4: for it.
• 49:01
  Speaker 3: Again, I think it works because she shoots it well.
• 49:05
  Speaker 3: It's edited very well. So I think all of that
• 49:08
  Speaker 3: kind of holds your attention and keeps that tension mounting
• 49:11
  Speaker 3: the whole time where you're like, because our main guy
• 49:14
  Speaker 3: the whole time, he's kind of doing your standard like
• 49:18
  Speaker 3: it's almost a Twilight Zone or it's a Hitchcock. movie
• 49:20
  Speaker 3: where it's like he's the only one and he's the
• 49:22
  Speaker 3: only one that feels like there's something wrong there's something
• 49:25
  Speaker 3: wrong and no one else seems to be admitting it
• 49:28
  Speaker 3: and no one else wants to go along with him
• 49:30
  Speaker 3: and so like the whole time you're like well is
• 49:32
  Speaker 3: he just crazy like is he just picking up on
• 49:35
  Speaker 3: stuff that's only in his head because he's still kind.
• 49:37
  Speaker 4: Of Because you're also getting flashbacks of when he lived
• 49:41
  Speaker 4: there with her and their life, and then you start
• 49:43
  Speaker 4: getting more into what happened. And then you're like, what happened?
• 49:49
  Speaker 4: Did that fuck his shit up so bad that he
• 49:51
  Speaker 4: is just not right?
• 49:52
  Speaker 3: Because again, that first one, you don't even know because
• 49:57
  Speaker 3: we don't know what the situation is. So that second
• 50:00
  Speaker 3: when he walks up to the door and he looks
• 50:02
  Speaker 3: through the window and sees the kid sitting there playing
• 50:04
  Speaker 3: with the dinosaurs and the crayons and everything that first
• 50:07
  Speaker 3: time through, I'm like, I assume there was a kid
• 50:09
  Speaker 3: in there. And it's like, it was only later. I'm like,
• 50:11
  Speaker 3: Oh yeah, we had that flash earlier. That wasn't even real.
• 50:14
  Speaker 3: Like he was looking in there and seeing something from
• 50:17
  Speaker 3: his own past, but like, we didn't even know that
• 50:20
  Speaker 3: yet because we didn't even know there was a backstory.
• 50:23
  Speaker 3: We're just getting, again, it's, it's really clever editing. Like
• 50:25
  Speaker 3: I like the way she puts this together and, as
• 50:27
  Speaker 3: far as just structuring and editing. And like, it does
• 50:30
  Speaker 3: that little kind of maneuver and it does a few
• 50:32
  Speaker 3: more that it starts cutting in later that like give
• 50:36
  Speaker 3: you these hints of like why the relationship's so messed up.
• 50:40
  Speaker 3: So I don't, and again, that wife, the ex-wife is insane.
• 50:45
  Speaker 3: Like even before we realized she's insane, she's so creepy.
• 50:50
  Speaker 3: There's just something off about her and everybody kind of
• 50:54
  Speaker 3: knows it. And that's the part that gets frustrating is,
• 50:56
  Speaker 3: The more and more he talks to people, the more
• 50:57
  Speaker 3: and more they're all like, yeah, she's messed up. But,
• 51:00
  Speaker 3: you know, they're all kind of like, yeah, whatever.
• 51:02
  Speaker 4: It's California.
• 51:03
  Speaker 3: That's the way people are.
• 51:04
  Speaker 4: Well, that's just they think that's how her way of
• 51:06
  Speaker 4: dealing with the situation was.
• 51:07
  Speaker 3: Denial.
• 51:08
  Speaker 4: You know, because here's the guy who's obviously fallen apart
• 51:11
  Speaker 4: and he's still falling apart.
• 51:13
  Speaker 11: And.
• 51:13
  Speaker 4: There is no unfalling apart for him. He's gonna spend
• 51:16
  Speaker 4: probably the rest of his life falling apart.
• 51:18
  Speaker 3: Rightfully so.
• 51:19
  Speaker 4: And he's getting pissed and angry.
• 51:21
  Speaker 3: Most people do not recover from losing a child. I
• 51:25
  Speaker 3: think you can go Google the statistics, but I'm like,
• 51:28
  Speaker 3: almost every marriage where they lose the child, specifically if
• 51:32
  Speaker 3: it's their only child, falls apart. There's no coming back
• 51:36
  Speaker 3: from that. There's no having a functional relationship between the
• 51:39
  Speaker 3: two of you anymore anymore. When you became this trio
• 51:42
  Speaker 3: or this family unit and then this kid is taken
• 51:45
  Speaker 3: from you. So that part is real. Couples just don't
• 51:49
  Speaker 3: survive that.
• 51:49
  Speaker 4: And it's just him getting pissed because she's found her peace.
• 51:52
  Speaker 4: According to her, she's found her peace and she's found
• 51:56
  Speaker 4: her happiness. And she's found this answer. This answer to
• 52:01
  Speaker 4: her depression and her pain. And all her pain is
• 52:04
  Speaker 4: gone now because of this answer she found. And he's
• 52:06
  Speaker 4: just like... very suspicious of it. And everybody else is
• 52:09
  Speaker 4: just like, hey, whoa. Everybody does their own thing. And
• 52:14
  Speaker 4: he gets further into it and it's like, there's this
• 52:18
  Speaker 4: scene where he loses his shit. Yeah.
• 52:21
  Speaker 3: But it is one of those, again, that's part of
• 52:23
  Speaker 3: this nice little balance that they're playing with here is
• 52:26
  Speaker 3: that it's also that game of how much do you
• 52:33
  Speaker 3: let slide out of generic, like, It's just good manners.
• 52:38
  Speaker 3: As much as I have issues with a lot of
• 52:40
  Speaker 3: what goes on in funny games, it's the same thing
• 52:42
  Speaker 3: that's sort of built on that scenario is how long,
• 52:46
  Speaker 3: even when you feel like something is, is uneasy. If
• 52:50
  Speaker 3: you feel like something's not right in this situation because
• 52:53
  Speaker 3: of the social contract that we have of just like, no, no,
• 52:57
  Speaker 3: just everybody, you know, stay on good terms. Just don't
• 53:00
  Speaker 3: rock the boat. Don't upset everybody. Like, it's one of
• 53:03
  Speaker 3: those things that like, if you have the right person
• 53:06
  Speaker 3: in the right scenario, they can continually push that and
• 53:08
  Speaker 3: be like, well, okay, they already aren't feeling right. How
• 53:11
  Speaker 3: about if I try this? How about if I do this?
• 53:12
  Speaker 3: How about if I say this? Like you get your
• 53:15
  Speaker 3: antagonist that's kind of continually like needling at you is like,
• 53:20
  Speaker 3: this seems uneasy. Let me see if I can push
• 53:22
  Speaker 3: a little further. And that a lot of what goes
• 53:24
  Speaker 3: on here is just like, it continues to mount and
• 53:27
  Speaker 3: more and more. You're just like, but no, if, if
• 53:29
  Speaker 3: all of this happened at once, you'd call bullshit. But
• 53:31
  Speaker 3: because it's just sort of, slow and everybody else keeps
• 53:35
  Speaker 3: going along and be like oh yeah that's crazy and
• 53:37
  Speaker 3: just sort of shrugs it off you're just like oh
• 53:39
  Speaker 3: well okay i guess we're letting this go huh okay
• 53:43
  Speaker 3: so it's a fun little balance there where they're just
• 53:45
  Speaker 3: like that that social niceties bullshit comes into play where
• 53:49
  Speaker 3: you're like how long do you let this ride until
• 53:52
  Speaker 3: it's gone too far.
• 53:52
  Speaker 8: Jesus sorry you scared me.
• 53:59
  Speaker 4: No harm done.
• 54:02
  Speaker 8: You're so handsome tonight. You're shiny. And Kiera, you're.
• 54:09
  Speaker 5: Both really beautiful.
• 54:12
  Speaker 8: Thank you. Could you help me get those glasses, please?
• 54:27
  Speaker 8: Bars on the windows and no? Well, I was here alone.
• 54:32
  Speaker 1: For a while.
• 54:34
  Speaker 3: Security. It's safer.
• 54:38
  Speaker 8: It's nice.
• 54:43
  Speaker 4: Thank you. We got them in Mexico.
• 54:46
  Speaker 8: Is that where you've been for the last two years?
• 54:49
  Speaker 3: Some of the time.
• 54:54
  Speaker 5: Did you worry about me?
• 54:55
  Speaker 3: Did you think about me?
• 54:57
  Speaker 8: Yeah.
• 55:00
  Speaker 2: I did.
• 55:03
  Speaker 3: Well, I'm fantastic.
• 55:06
  Speaker 8: I've never been better. You don't have to worry about
• 55:08
  Speaker 8: me anymore.
• 55:10
  Speaker 3: And I will say, there is one in the bunch.
• 55:11
  Speaker 3: I like Kira.
• 55:13
  Speaker 4: She's a partier.
• 55:15
  Speaker 3: Not her.
• 55:16
  Speaker 4: Which one's Kira?
• 55:17
  Speaker 3: Kira's the new girlfriend, right?
• 55:19
  Speaker 4: Oh yeah, Kira's the new girlfriend.
• 55:20
  Speaker 3: I was thinking Kira. Not the crackhead girl.
• 55:22
  Speaker 4: I was thinking the Asian lady.
• 55:24
  Speaker 3: Oh no, she's alright. Again, she was one of those
• 55:27
  Speaker 3: I'm just like, she's just people you would see at
• 55:32
  Speaker 3: one of these dinner parties.
• 55:33
  Speaker 4: Most of the people there. That's the thing.
• 55:34
  Speaker 12: They're all kind of that bullshit like, hey, we all
• 55:38
  Speaker 12: hung out in college and let's do some cocaine and
• 55:41
  Speaker 12: let's kiss each other even though we're not in relationships
• 55:44
  Speaker 12: because we think that's racy.
• 55:46
  Speaker 4: I'm like, oh, not really, really.
• 55:47
  Speaker 3: It's kind of boring and stupid.
• 55:48
  Speaker 4: Again, it's pushing to see what you get away with.
• 55:50
  Speaker 3: Again, yeah, it's riding that line but it's almost that
• 55:53
  Speaker 3: bullshit version of him. Just like, you're not going to
• 55:55
  Speaker 3: go through with this, but you think you're being edgy,
• 55:57
  Speaker 3: but it's kind of a bullshit move. So, I don't know.
• 56:00
  Speaker 3: People that like to play that game and act like they're, like,
• 56:02
  Speaker 3: super cool and pushing the envelope of things that are crazy.
• 56:06
  Speaker 3: I'm like, no, they're not. You're not doing anything crazy.
• 56:08
  Speaker 3: It gets to crazy. You want to see crazy, you
• 56:11
  Speaker 3: just wait. But, yeah, that kind of, again, that, we're
• 56:15
  Speaker 3: so cool, but, like, most of that group just kind
• 56:17
  Speaker 3: of gets on my nerves.
• 56:19
  Speaker 2: So.
• 56:20
  Speaker 3: We did, the one, there was a real world story
• 56:24
  Speaker 3: that tied in. The girl that shows up with him,
• 56:27
  Speaker 3: the girl that they met in Mexico. Yeah. From that
• 56:31
  Speaker 3: first second she comes in the room, it's like, ooh, crazy. Like,
• 56:34
  Speaker 3: she points to that actress because either she's really crazy
• 56:39
  Speaker 3: or she knows how to do, like, I mean, there's
• 56:41
  Speaker 3: just that basic crazy ass.
• 56:42
  Speaker 4: She has the full on crazy.
• 56:44
  Speaker 3: When you've got, because I've met people in the real
• 56:46
  Speaker 3: world and I'm like, I will call it from day one.
• 56:48
  Speaker 3: I'll be like, nope, look at that. motherfucker's crazy and
• 56:51
  Speaker 3: then like time will go on and i will be
• 56:53
  Speaker 3: proven right and i'm like nope i'm sticking with my
• 56:55
  Speaker 3: gut yeah i can call crazy when i see it
• 56:58
  Speaker 3: so like that lady like soon as she walked in
• 57:01
  Speaker 3: again maybe she's just a massively impressive actress but crazy eyes.
• 57:06
  Speaker 4: So and shows up her first screen naked yeah.
• 57:09
  Speaker 3: Has no problem with like wanting to be naked all
• 57:11
  Speaker 3: the time And bringing it up once again. I'm so crazy.
• 57:13
  Speaker 3: I do that in Mexico all the time. Shut up.
• 57:15
  Speaker 3: Just like you're not cool. Just stop pretending like somehow
• 57:18
  Speaker 3: being naked makes you cool. Like nobody cares. So the
• 57:22
  Speaker 3: thing that reminded me of though, and this was the thing,
• 57:24
  Speaker 3: the day before, no, like two days before I watched this,
• 57:29
  Speaker 3: I'm at a gas station when we actually stopped at
• 57:32
  Speaker 3: in the middle of this crazy road trip down the road.
• 57:35
  Speaker 3: And there's this woman like pulling in, In the car
• 57:40
  Speaker 3: with someone else.
• 57:40
  Speaker 4: That she had on pants.
• 57:42
  Speaker 3: She at least, at the moment, she had on pants.
• 57:45
  Speaker 3: But she's standing in the middle of the parking lot.
• 57:47
  Speaker 3: And the oh-so-couth person I was in the car with goes,
• 57:52
  Speaker 3: get the hell out of the road, crack whore. Yes,
• 57:55
  Speaker 3: these are the kind of people I'm forced to be
• 57:56
  Speaker 3: around all the time. But he made a right call.
• 58:00
  Speaker 3: She is just super fucking crack cave. So this woman, like,
• 58:05
  Speaker 3: you could see it in her eyes. Like, not only
• 58:07
  Speaker 3: does she have crazy eyes, but she also, her eyes look, like,
• 58:10
  Speaker 3: coked out. Like, she looks like she's insane. So she
• 58:13
  Speaker 3: goes on to prove me right. Once again, she's walking around,
• 58:17
  Speaker 3: and she keeps, like, at first she's trying to stop everybody,
• 58:20
  Speaker 3: and I assume she's just sort of bumming for money,
• 58:22
  Speaker 3: like most people loitering outside of gas stations do.
• 58:25
  Speaker 4: And conventions.
• 58:26
  Speaker 3: But she, I ended up, like, not getting whatever she
• 58:31
  Speaker 3: was asking, selling because somebody else got in front of
• 58:33
  Speaker 3: me and they got it and I just kept walking
• 58:35
  Speaker 3: to the other side of the parking lot but the
• 58:36
  Speaker 3: other guy I was with was just like yeah she
• 58:39
  Speaker 3: she walked up to me as I was coming out
• 58:40
  Speaker 3: and went did you know riding in cars will make
• 58:43
  Speaker 3: your neck hurt or something to that effect yeah but
• 58:48
  Speaker 3: then proceeded to then like lean over with her head
• 58:52
  Speaker 3: almost all the way to the ground and start whipping
• 58:54
  Speaker 3: her head back and forth and he's like what you
• 58:58
  Speaker 3: getting points to him for his response was like Yeah, yeah, no, yeah.
• 59:03
  Speaker 3: And like totally agreed with her and then went on
• 59:05
  Speaker 3: about his business. But as we're sitting there, like we're
• 59:08
  Speaker 3: waiting before we leave and watching her and she goes
• 59:12
  Speaker 3: to every single person filling up and again they're out
• 59:15
  Speaker 3: at their car like filling up the tank like they're
• 59:17
  Speaker 3: actually like doing something she keeps approaching them and I've
• 59:20
  Speaker 3: seen that scenario. It's usually asking for money. Every time
• 59:23
  Speaker 3: she went up, and I'm assuming she was saying the
• 59:25
  Speaker 3: same thing, and would then lean over and start flinging
• 59:28
  Speaker 3: her head up and down, whipping her hair back and forth.
• 59:32
  Speaker 4: She's a big fan of Willow Smith.
• 59:34
  Speaker 3: Somehow that's going to fix her broken neck? I don't know.
• 59:37
  Speaker 3: The best part, though, is at one point she comes over,
• 59:39
  Speaker 3: and there wasn't anybody at this. There was an open tank, basically.
• 59:43
  Speaker 3: So she leans over. She actually puts her head on
• 59:47
  Speaker 3: the concrete and starts almost like half doing like a headstand.
• 59:51
  Speaker 3: Like she's just shoving her head into the concrete. And
• 59:55
  Speaker 3: I'm just like, that's all I could be reminded of
• 59:58
  Speaker 3: when I watched that girl in there. Like that level
• 1:00:00
  Speaker 3: of crazy. I'm like, she is one tweak away from
• 1:00:04
  Speaker 3: that chick at the gas station.
• 1:00:05
  Speaker 4: Yeah, no shit.
• 1:00:06
  Speaker 3: It's that level of crazy when it's in her eyes.
• 1:00:08
  Speaker 3: So once again, impressive acting or that woman is legitimately crazy.
• 1:00:12
  Speaker 4: Yes, she was. There were some scenes in here that
• 1:00:15
  Speaker 4: were just so well shot. That's what impressed me because
• 1:00:17
  Speaker 4: usually I don't notice things like that. I'm usually just
• 1:00:19
  Speaker 4: like all about what's going on. I don't really notice
• 1:00:21
  Speaker 4: specific scenes or the way they're shot. But I don't
• 1:00:24
  Speaker 4: know if you remember the scene where the guy is
• 1:00:26
  Speaker 4: coming up the stairs and like fake Tom Hardy and
• 1:00:30
  Speaker 4: his girlfriend are like on the other side of the stairs.
• 1:00:33
  Speaker 4: Like that right there was impressive to me because you'd
• 1:00:35
  Speaker 4: be like as you see him because the guy's coming
• 1:00:37
  Speaker 4: up towards the camera. But it's like one of those
• 1:00:39
  Speaker 4: weird stairs where there's floor and you're behind on the
• 1:00:41
  Speaker 4: other side of the stairs. The way that shot was
• 1:00:44
  Speaker 4: set up was like... Usually I don't notice those things,
• 1:00:47
  Speaker 4: and for it to actually stick in my big old
• 1:00:49
  Speaker 4: thick lunk of a head, it says something.
• 1:00:52
  Speaker 3: Yeah, a lot of that stuff. Again, the weird little
• 1:00:55
  Speaker 3: cut that she was doing when he was having his breakdown,
• 1:00:57
  Speaker 3: when he ended up screaming at the table, but he
• 1:01:00
  Speaker 3: wasn't really screaming at the table. Just the way that
• 1:01:03
  Speaker 3: was cut, and then in her cut with flashback scenes,
• 1:01:06
  Speaker 3: and then what was going on in the dinner party.
• 1:01:08
  Speaker 4: Again, just.
• 1:01:10
  Speaker 3: Really impressive work directing, and it had actually been a
• 1:01:13
  Speaker 3: long time since she'd done a movie. I think she
• 1:01:15
  Speaker 3: did Eon Flux, and she did Girl Fight, and she'd
• 1:01:20
  Speaker 3: done several other movies, but it had been like a
• 1:01:22
  Speaker 3: seven-year span or something since she's directed, and this is
• 1:01:26
  Speaker 3: certainly a darker road than she'd been down in the past.
• 1:01:29
  Speaker 3: So I kind of like this move, so I'm hoping
• 1:01:32
  Speaker 3: we get more out of this director.
• 1:01:34
  Speaker 4: But yeah, the whole time you're just questioning... You're not
• 1:01:36
  Speaker 4: only questioning what the main character's seeing, but you're questioning
• 1:01:40
  Speaker 4: what you think's going on. Because you're like, even you're like,
• 1:01:43
  Speaker 4: all right, is he legit crazy? Are they for real
• 1:01:47
  Speaker 4: out to get him? And then there's the scene where
• 1:01:50
  Speaker 4: it kind of starts to turn a little bit.
• 1:01:54
  Speaker 3: Well, you get by the time the first girl leaves.
• 1:01:58
  Speaker 3: Like you're watching this and you're like.
• 1:02:00
  Speaker 4: But did she really?
• 1:02:01
  Speaker 3: Well. She left the room.
• 1:02:03
  Speaker 4: She left the house.
• 1:02:04
  Speaker 3: We're pretty sure she didn't leave the property. And that's
• 1:02:09
  Speaker 3: the moment when you're like, okay, now you're kind of
• 1:02:11
  Speaker 3: watching things from his perspective and then you've got your
• 1:02:16
  Speaker 3: other characters in the room distracting him so that there's
• 1:02:19
  Speaker 3: things going on outside of the house now. And we're
• 1:02:22
  Speaker 3: filling in the blank. So again, that's a good thriller,
• 1:02:26
  Speaker 3: horror kind of movie, is when you're already kind of
• 1:02:28
  Speaker 3: building your own story from what's not on screen right now,
• 1:02:31
  Speaker 3: and it's possibly more horrifying than what may come, which
• 1:02:35
  Speaker 3: is still pretty damn horrifying as it goes on.
• 1:02:37
  Speaker 4: Because they get to the point where, early on, they
• 1:02:39
  Speaker 4: get to where it starts getting more creepy.
• 1:02:42
  Speaker 2: Yeah.
• 1:02:42
  Speaker 4: When they bring out the.
• 1:02:44
  Speaker 3: The video?
• 1:02:44
  Speaker 4: The recruitment video. Because it turns out that this thing
• 1:02:48
  Speaker 4: is called The Invitation. Which is kind of like a
• 1:02:52
  Speaker 4: cult thing where people get over their pain and suffering
• 1:02:57
  Speaker 4: through this cult.
• 1:02:59
  Speaker 3: On a side note, earlier today we were parked across
• 1:03:02
  Speaker 3: the street from the Church of Scientology.
• 1:03:04
  Speaker 4: We were. It was very strange.
• 1:03:05
  Speaker 3: Just saying.
• 1:03:06
  Speaker 4: I wonder if Tom Cruise was in there. Tom Cruise
• 1:03:08
  Speaker 4: in my head is in every Church of Scientology.
• 1:03:10
  Speaker 3: Maybe there's like a big, do they have like big
• 1:03:13
  Speaker 3: stained glass? No, I just want like a big stained
• 1:03:15
  Speaker 3: glass with like Tom Cruise with his arms outstretched in
• 1:03:18
  Speaker 3: a very Angelic pose.
• 1:03:20
  Speaker 4: Good possibility.
• 1:03:21
  Speaker 3: Glowing halo above his head.
• 1:03:22
  Speaker 4: They're short windows, though.
• 1:03:25
  Speaker 3: Well, they usually don't have very churchy buildings.
• 1:03:27
  Speaker 11: Yeah.
• 1:03:28
  Speaker 4: But, yeah, when it gets to the point where they
• 1:03:30
  Speaker 4: show the video and the very awkward.
• 1:03:33
  Speaker 3: Watching someone die. Yeah.
• 1:03:35
  Speaker 4: Because that's the whole thing is how she's found peace
• 1:03:38
  Speaker 4: through death and everything and how she's no longer suffering.
• 1:03:41
  Speaker 4: And you're like, all right, where are they going with this?
• 1:03:42
  Speaker 4: Because then you're like, all right, something's definitely not right
• 1:03:45
  Speaker 4: if that's where they're going. And they're like, Oh, well,
• 1:03:48
  Speaker 4: we just want you to understand. We want you to
• 1:03:50
  Speaker 4: understand that there's nothing to be afraid of. And I'm like, yeah,
• 1:03:54
  Speaker 4: it's going that way, Art. It's going that way. I
• 1:03:56
  Speaker 4: can feel it because the whole trying to sit. There's
• 1:04:00
  Speaker 4: nothing to be afraid of. And I'm like, oh, yeah.
• 1:04:03
  Speaker 3: That's still riding that line, though, because everybody's just like, well,
• 1:04:06
  Speaker 3: we want to respect their wishes. And everybody's still like.
• 1:04:09
  Speaker 4: Except for fake Tom Hardy.
• 1:04:10
  Speaker 3: Well, yeah, except Jesus.
• 1:04:11
  Speaker 4: He's like, you're in a fucking cult.
• 1:04:13
  Speaker 3: Immediately.
• 1:04:14
  Speaker 4: Immediately. He is having none of their shit, which makes
• 1:04:18
  Speaker 4: him the bad guy. Yeah.
• 1:04:19
  Speaker 3: Everybody else is just like, come on, dude. We're having
• 1:04:21
  Speaker 3: a nice, friendly dinner party here, and you're being a
• 1:04:24
  Speaker 3: jerk and yelling about things and questioning everything our host
• 1:04:27
  Speaker 3: is saying and doing. So yeah, if it didn't seem
• 1:04:31
  Speaker 3: so creepy to us, the viewer, we'd be like, yeah,
• 1:04:34
  Speaker 3: this guy is kind of being a jackass. If it
• 1:04:36
  Speaker 3: were a different perspective, you would be like, why is
• 1:04:39
  Speaker 3: this one guy always causing problems?
• 1:04:41
  Speaker 8: Yeah.
• 1:04:42
  Speaker 3: But, again, we've got mostly his point of view, so
• 1:04:44
  Speaker 3: we're like, no, no, there's something going on. That ex-wife
• 1:04:48
  Speaker 3: is super creepy now. Her new boyfriend's super creepy.
• 1:04:51
  Speaker 5: Yeah.
• 1:04:52
  Speaker 3: I don't know what's going on here, but.
• 1:04:55
  Speaker 4: Then you have the mysterious not showed up guy.
• 1:04:57
  Speaker 5: Yeah.
• 1:04:58
  Speaker 4: Which caused its own.
• 1:04:58
  Speaker 3: There's the red herring there, because that pulls its own
• 1:05:01
  Speaker 3: little fake out on you.
• 1:05:02
  Speaker 4: It does. That's what makes you think, oh, no, they're
• 1:05:04
  Speaker 4: definitely creepy. Oh, wait, no, they're good. Oh, wait, no.
• 1:05:07
  Speaker 3: Well, then you're like, maybe he is crazy. Like, at
• 1:05:09
  Speaker 3: that point, you're playing that, no, no, I thought maybe
• 1:05:12
  Speaker 3: it's possible he could be crazy, but then they seem
• 1:05:15
  Speaker 3: super creepy, too. And then it's one of those, he
• 1:05:18
  Speaker 3: gets the message from that guy, and supposedly he's there,
• 1:05:20
  Speaker 3: and now you're like... well, now the lady who left
• 1:05:23
  Speaker 3: has disappeared, and now this other guy was already here,
• 1:05:25
  Speaker 3: and he's disappeared, so suddenly it's becoming clue, and bodies
• 1:05:28
  Speaker 3: are piling up in the next room, and then they
• 1:05:31
  Speaker 3: pull the double switcheroo, and they're like, oh, no, the
• 1:05:33
  Speaker 3: guy showed up, and then work called, and he had
• 1:05:34
  Speaker 3: to leave, and so then you, that second, snap back
• 1:05:38
  Speaker 3: to questioning, okay, well, now, does that mean he is crazy? Like,
• 1:05:42
  Speaker 3: you really, it does throw your whole perspective out the
• 1:05:45
  Speaker 3: window for a minute. I was just like, well, no.
• 1:05:46
  Speaker 4: Because then he thinks he's crazy, so he does the
• 1:05:48
  Speaker 4: whole apology, and everything changes, they, you know, forgive him
• 1:05:52
  Speaker 4: and they, everything goes back to like, it's like, okay,
• 1:05:55
  Speaker 4: all right, we understand, you're our family, we love you,
• 1:05:58
  Speaker 4: let's just, let's just all sit down and have a
• 1:06:00
  Speaker 4: little drink of Kool-Aid.
• 1:06:02
  Speaker 7: Yep.
• 1:06:03
  Speaker 4: Literally. Yeah, it's just.
• 1:06:05
  Speaker 3: Everybody else, that's the thing, in their little group though, like,
• 1:06:09
  Speaker 3: the new boyfriend slash husband is super creepy and then our,
• 1:06:14
  Speaker 3: the other two that they've got in, the art part
• 1:06:16
  Speaker 3: of the old college buddies, people like, are both just like,
• 1:06:21
  Speaker 3: weird and creepy and don't fit the little scenario there.
• 1:06:24
  Speaker 3: And even our guy calls him out for it. He's
• 1:06:26
  Speaker 3: just like, what are you two doing here?
• 1:06:27
  Speaker 4: I like that part. And who are you?
• 1:06:30
  Speaker 3: Why are you two here? Which is, again, what I'm
• 1:06:33
  Speaker 3: thinking myself. So I do like that he is sort
• 1:06:35
  Speaker 3: of the voice of the audience a good portion of
• 1:06:37
  Speaker 3: the time when somebody needs to call bullshit on this stuff. Like,
• 1:06:40
  Speaker 3: he's the one doing it. But yeah, that, that ends, that,
• 1:06:43
  Speaker 3: that kind of turns that like once she's disappeared and
• 1:06:46
  Speaker 3: once we've had the double fake out, then it's like, okay,
• 1:06:49
  Speaker 3: we faked you out. We can't keep dragging this on.
• 1:06:51
  Speaker 3: We've got to hit that turning point. So it is
• 1:06:53
  Speaker 3: like two thirds of the way in before we get
• 1:06:55
  Speaker 3: to the final. Okay.
• 1:06:58
  Speaker 4: Way more than it's like three fourths of the way in.
• 1:07:01
  Speaker 3: And there's been, there's been so many, there's so many times.
• 1:07:04
  Speaker 3: And this is what's weird is like in this, Again,
• 1:07:06
  Speaker 3: I'm just like, I don't go to these dinner parties.
• 1:07:09
  Speaker 3: I don't hang out with these people. How many times
• 1:07:11
  Speaker 3: does he break off and go off on his own? Yeah,
• 1:07:14
  Speaker 3: he's wandering off. He's always standing outside looking at the
• 1:07:19
  Speaker 3: Hollywood Hills and staring out into space and goes off
• 1:07:22
  Speaker 3: in bedrooms and is digging in their drawers and stuff.
• 1:07:27
  Speaker 3: He's just always wandering off by himself. I'm just like,
• 1:07:29
  Speaker 3: this is a weird party that you can just go off.
• 1:07:32
  Speaker 4: I guess because he used to live there and they're
• 1:07:33
  Speaker 4: trying to give him a space. They're trying to let him...
• 1:07:36
  Speaker 4: kind of like deal with it on his own because
• 1:07:38
  Speaker 4: he hasn't been back there for like a long time
• 1:07:40
  Speaker 4: and you know he dealt with a lot of shit
• 1:07:41
  Speaker 4: there it.
• 1:07:42
  Speaker 3: Just becomes this like returning thing every few minutes it's
• 1:07:46
  Speaker 3: like there'll be some sort of weird awkward exchange and
• 1:07:49
  Speaker 3: he'll be like i gotta get some air like he'll
• 1:07:51
  Speaker 3: just be off by himself again so there's kind of
• 1:07:53
  Speaker 3: that last time right before they go to cut the
• 1:07:55
  Speaker 3: cake that's just like they have some weird little exchange
• 1:07:59
  Speaker 3: again it was kind of after he blew up and
• 1:08:01
  Speaker 3: then he goes back outside and he's standing outside again
• 1:08:03
  Speaker 3: and like finally comes in for that last like okay
• 1:08:06
  Speaker 3: i was wrong i want to apologize let's all sit
• 1:08:09
  Speaker 3: down and have some wine and then like it kind
• 1:08:11
  Speaker 3: of clicks because he watched that other video and like
• 1:08:14
  Speaker 3: he finally starts deciding that he's not just being paranoid
• 1:08:18
  Speaker 3: that they they really are trying to kill and.
• 1:08:20
  Speaker 4: They even try to psych you out again because when
• 1:08:22
  Speaker 4: he this is again he realizes oh shit it's the
• 1:08:26
  Speaker 4: kool-aid it's not really kool-aid but in my head.
• 1:08:28
  Speaker 3: It's the whole super eight million dollar bottles of wine
• 1:08:31
  Speaker 3: kool-aid yeah.
• 1:08:32
  Speaker 4: But this is a different one. That's a very ace
• 1:08:33
  Speaker 4: because they've been drinking the $ 8 million expensive one. This
• 1:08:36
  Speaker 4: is the special tiny little.
• 1:08:38
  Speaker 2: Very special.
• 1:08:38
  Speaker 4: Yeah. And so he loses his goddamn mind. And you're like, seriously,
• 1:08:44
  Speaker 4: is he right this time?
• 1:08:46
  Speaker 3: And then crackhead girl loses it, which was Sadie. I
• 1:08:49
  Speaker 3: double checked.
• 1:08:49
  Speaker 4: That's Sadie.
• 1:08:50
  Speaker 3: Sadie loses it and comes after him, just like barreling
• 1:08:54
  Speaker 3: it like it's a football game. She just like tackles it.
• 1:08:56
  Speaker 4: She full out crazy heads him. And she is just,
• 1:08:59
  Speaker 4: you know, and I'm like, all right, whoa whoa whoa
• 1:09:00
  Speaker 4: next thing you know she's fucking down.
• 1:09:03
  Speaker 3: Well, I mean, again, if she came running to me
• 1:09:06
  Speaker 3: like that, my response would be to flip her the
• 1:09:08
  Speaker 3: hell off of me, which is what he does, which
• 1:09:10
  Speaker 3: probably would have been fine, but he cracks her head
• 1:09:12
  Speaker 3: into the corner of a piece of furniture.
• 1:09:13
  Speaker 4: And then you're like, oh shit, did he just kill
• 1:09:14
  Speaker 4: this innocent lady?
• 1:09:15
  Speaker 3: Yeah, kind of. For a minute, you're just like, once again,
• 1:09:17
  Speaker 3: you're like, oh, oh, no, maybe he is the crazy one.
• 1:09:20
  Speaker 3: He's the one killing people. Like, he just crossed the
• 1:09:23
  Speaker 3: line himself. We've been on his side the whole time,
• 1:09:25
  Speaker 3: but if he's going to start, you know, even accidentally
• 1:09:28
  Speaker 3: killing people, he's He can't keep being our hero. Like,
• 1:09:31
  Speaker 3: are we on the wrong side?
• 1:09:32
  Speaker 4: Which is reminiscent of the story that the other guy told.
• 1:09:35
  Speaker 3: So it's it. Yeah, it's very reminiscent of his really
• 1:09:39
  Speaker 3: creepy wife story. So which is a great moment, again,
• 1:09:43
  Speaker 3: points to him like that scene is great of him.
• 1:09:46
  Speaker 3: And in that, again, back to that, like, how far
• 1:09:49
  Speaker 3: can we push it? Like, at what point in a
• 1:09:53
  Speaker 3: normal life?
• 1:09:55
  Speaker 4: Social situation i'd have been out of this motherfucker a
• 1:09:57
  Speaker 4: long ass time.
• 1:09:58
  Speaker 3: Do you out yourself for murder you know like it's
• 1:10:01
  Speaker 3: just well above and beyond the norms of a social
• 1:10:05
  Speaker 3: interaction fun party time like it's just they keep upping
• 1:10:10
  Speaker 3: it over and over again so yeah by the time
• 1:10:12
  Speaker 3: he cracks some girl's head open you're just like okay
• 1:10:15
  Speaker 3: which side am i on now because this is this
• 1:10:17
  Speaker 3: is all insane So.
• 1:10:20
  Speaker 4: And then while they're dealing with that, holy shit, look over,
• 1:10:23
  Speaker 4: Asian girl's foaming at the goddamn mouth. It was the Kool-Aid.
• 1:10:27
  Speaker 3: She's twitching and going down. She's pretty much out right away, too.
• 1:10:32
  Speaker 3: So whatever it was, was fast acting.
• 1:10:34
  Speaker 4: So as we're sitting there, as they're working, they're trying
• 1:10:37
  Speaker 4: to give her CPR, boyfriend's like, oh, somebody's about to
• 1:10:39
  Speaker 4: get shot. And I'll be goddamn.
• 1:10:42
  Speaker 3: And her dude goes and gets a gun, and somebody
• 1:10:45
  Speaker 3: gets shot.
• 1:10:47
  Speaker 4: And then somebody else gets shot and then somebody else
• 1:10:49
  Speaker 4: gets shot.
• 1:10:50
  Speaker 3: There's some stabbings, there's knives and gunplay. And so there's
• 1:10:56
  Speaker 3: just running around the house, which to me, there's a moment.
• 1:10:59
  Speaker 3: And I, I almost, again, because he's so our voice,
• 1:11:02
  Speaker 3: the whole movie, there's a second when I just kind
• 1:11:05
  Speaker 3: of wish it would have gone ahead and gotten into
• 1:11:07
  Speaker 3: the real world. Because it's the kind of stuff we,
• 1:11:10
  Speaker 3: the audience, are sort of yelling at the screen at
• 1:11:11
  Speaker 3: that point anyway. No, no. Well, it's after Sadie's already
• 1:11:15
  Speaker 3: knocked out.
• 1:11:15
  Speaker 4: Which is my thing. Can I talk about that one
• 1:11:17
  Speaker 4: real quick?
• 1:11:17
  Speaker 3: Okay, before. Yeah, go ahead.
• 1:11:18
  Speaker 4: I'm like, okay, she's sitting there with the thing, with
• 1:11:21
  Speaker 4: the fire poker, right? Crazy head.
• 1:11:24
  Speaker 3: Oh, okay, yeah. Before that.
• 1:11:25
  Speaker 4: Well, she's sitting on the couch.
• 1:11:26
  Speaker 2: Yeah.
• 1:11:27
  Speaker 4: In pain, suffering. I'm like, all right, is he going
• 1:11:30
  Speaker 4: to coyote her ass? Because they show this scene in
• 1:11:33
  Speaker 4: the beginning where he hits the coyote with his car.
• 1:11:36
  Speaker 4: So in his act of mercy, he puts the coyote
• 1:11:38
  Speaker 4: out of its misery.
• 1:11:39
  Speaker 3: With a tire iron.
• 1:11:39
  Speaker 4: With a tire iron. So I'm like, he's sitting there.
• 1:11:41
  Speaker 4: She's fucking, obviously looks like she's in pain. He picks
• 1:11:44
  Speaker 4: up the poker. I'm like, is he going to brain
• 1:11:46
  Speaker 4: her ass? Is he going to put her out of
• 1:11:48
  Speaker 4: her misery?
• 1:11:48
  Speaker 3: Probably should.
• 1:11:49
  Speaker 4: They gave him all this thing earlier about the compassion
• 1:11:52
  Speaker 4: and the mercy killing of the coyote.
• 1:11:55
  Speaker 3: They're all patting him on the back. No, you did
• 1:11:56
  Speaker 3: the right thing.
• 1:11:57
  Speaker 4: I'm like, is he going to brain this crazy bitch?
• 1:11:59
  Speaker 4: And he didn't.
• 1:12:00
  Speaker 6: Yep.
• 1:12:01
  Speaker 4: So I'm like, is that his way of like, all right.
• 1:12:04
  Speaker 4: Bitch is crazy. Let her suffer.
• 1:12:06
  Speaker 3: But, again, that was my real-world moment of, like, before
• 1:12:09
  Speaker 3: I even saw her sitting on the couch, when they're, like,
• 1:12:13
  Speaker 3: it's him and Kira, like, kind of skulking around and
• 1:12:16
  Speaker 3: trying to, like, hide from people. And, like, I'm assuming
• 1:12:18
  Speaker 3: at that point I'm thinking, okay, now you're going to
• 1:12:20
  Speaker 3: get a weapon.
• 1:12:21
  Speaker 4: Immediately.
• 1:12:22
  Speaker 3: Like before I ever even saw it, I'm like, you
• 1:12:24
  Speaker 3: best go get the fireplace poker. Like that's a really
• 1:12:26
  Speaker 3: nice house. I bet they have fireplaces. There's a poker
• 1:12:29
  Speaker 3: in there somewhere. If you're in any sort of situation
• 1:12:33
  Speaker 3: in a thriller slash horror movie, In any movie scenario,
• 1:12:37
  Speaker 3: what's the weapon you grab first in these movie cliches?
• 1:12:41
  Speaker 3: You get the poker from the fireplace. That's just, yeah,
• 1:12:44
  Speaker 3: it's movie 101.
• 1:12:44
  Speaker 4: But am I the only one who had that thought
• 1:12:45
  Speaker 4: about this?
• 1:12:47
  Speaker 3: Yeah, I did too, because I kind of thought that
• 1:12:49
  Speaker 3: is what they were mimicking, and maybe it was. Maybe
• 1:12:51
  Speaker 3: it is supposed to be that point, that he did
• 1:12:54
  Speaker 3: kind of feel bad for the coyote, and that's why
• 1:12:56
  Speaker 3: he put it down. She's crazy. He did not necessarily
• 1:12:59
  Speaker 3: feel bad for her, so... As she and her friends
• 1:13:04
  Speaker 3: are killing everyone that he cared about, it's like maybe
• 1:13:06
  Speaker 3: he didn't want to put her down. So that's part
• 1:13:09
  Speaker 3: of that. And then this was right after that, though,
• 1:13:12
  Speaker 3: because I think he's still holding the fireplace poker, and
• 1:13:15
  Speaker 3: he and Kira go into the other room, and it's
• 1:13:16
  Speaker 3: after all of that just went down, and they're still
• 1:13:20
  Speaker 3: hiding from the new boyfriend and the other guy. There's
• 1:13:24
  Speaker 3: still a couple of people, but there's that one moment
• 1:13:26
  Speaker 3: where they close the door and they're in that room
• 1:13:27
  Speaker 3: by themselves, and I just wanted for a second for
• 1:13:30
  Speaker 3: him to stop and go.
• 1:13:31
  Speaker 4: I told you!
• 1:13:32
  Speaker 3: Like, I just wanted, like, for a minute, that's exactly
• 1:13:35
  Speaker 3: what I was thinking the whole time.
• 1:13:36
  Speaker 4: I'm like, see, you were right.
• 1:13:37
  Speaker 3: You were fucking right. No, just so I wanted him
• 1:13:39
  Speaker 3: to kind of call it. Because she'd even kind of
• 1:13:41
  Speaker 3: questioned him. Come on, no, honey, we, you know.
• 1:13:43
  Speaker 4: She was getting pissed at him for causing a scene.
• 1:13:45
  Speaker 3: Which she was. You know, again, if the scenario were different,
• 1:13:48
  Speaker 3: you would kind of be on her side and be like, oh,
• 1:13:50
  Speaker 3: what is she doing with this guy? But, again, we're
• 1:13:52
  Speaker 3: seeing it from his perspective the whole time. So I
• 1:13:55
  Speaker 3: really just kind of wanted a moment of him going, see,
• 1:13:57
  Speaker 3: it was right.
• 1:13:57
  Speaker 4: It was totally right. I'm sure there were songs after
• 1:14:00
  Speaker 4: the movie where that totally happened.
• 1:14:02
  Speaker 3: There was a cut scene somewhere. They were like, go
• 1:14:04
  Speaker 3: ahead and try that one. And they were like, no,
• 1:14:05
  Speaker 3: that just seems selfish. Selfish and indulgent for me, the writer, me,
• 1:14:10
  Speaker 3: the director. So, I don't know. That was just my take.
• 1:14:13
  Speaker 3: It was like, he closed that door and I was like, see?
• 1:14:15
  Speaker 4: I was right.
• 1:14:17
  Speaker 3: Told you these people are crazy.
• 1:14:19
  Speaker 4: This is what you get for being friends with your
• 1:14:21
  Speaker 4: fiancé or boyfriend's crazy ex-wife.
• 1:14:25
  Speaker 3: Especially when they're culting up the place.
• 1:14:28
  Speaker 8: What thinks you guys are on pills? Figuratively. You think
• 1:14:34
  Speaker 8: we're crazy? I never said that.
• 1:14:36
  Speaker 3: It's okay. I'm not offended. A lot of people think
• 1:14:39
  Speaker 3: we're crazy.
• 1:14:42
  Speaker 8: But I doubt they're as happy as we are. Where's
• 1:14:47
  Speaker 8: the diet again?
• 1:14:54
  Speaker 4: Why?
• 1:14:54
  Speaker 8: No comprendo inglés. Thank you.
• 1:14:57
  Speaker 2: De nada.
• 1:14:58
  Speaker 8: But don't you guys think this is a little bit weird?
• 1:15:01
  Speaker 3: Well, there's no way that tonight wasn't going to feel
• 1:15:03
  Speaker 3: a little strange.
• 1:15:05
  Speaker 2: Or sad.
• 1:15:08
  Speaker 8: Look, this is just a long overdue reunion between old friends.
• 1:15:13
  Speaker 3: With a couple of totally wrecking weirdos.
• 1:15:17
  Speaker 8: A little mansony. Mansony and skinny ghosts. Hey, I got you.
• 1:15:24
  Speaker 2: Look at me.
• 1:15:25
  Speaker 3: Yeah, they're a little weird, but this is L.A.
• 1:15:28
  Speaker 8: They're harmless.
• 1:15:29
  Speaker 3: So this was my thing though. As I got into it,
• 1:15:31
  Speaker 3: like I started thinking, I was just like, Oh Lord. Well, no,
• 1:15:35
  Speaker 3: this is like a, cause I was just reminding me
• 1:15:37
  Speaker 3: of all these other movies and I'm like, they're not like, again,
• 1:15:41
  Speaker 3: the first thing that will come up if you start like,
• 1:15:43
  Speaker 3: I want to watch more movies about cults. Like it's
• 1:15:45
  Speaker 3: always going to go straight to the wicker man. Like
• 1:15:48
  Speaker 3: it's very, and there is sort of a seventies vibe
• 1:15:50
  Speaker 3: to this as we get into it, because that was
• 1:15:52
  Speaker 3: sort of the heyday of the cults. That's when, uh,
• 1:15:54
  Speaker 3: america as a whole kind of went oh this this
• 1:15:57
  Speaker 3: is a thing like it became a very so when
• 1:16:00
  Speaker 3: you get to like you know it's kind of that
• 1:16:01
  Speaker 3: one-two punch of manson and jonestown it's like those both
• 1:16:05
  Speaker 3: kicked in within a couple of years and they went
• 1:16:07
  Speaker 3: oh this isn't a joke like people can die large
• 1:16:11
  Speaker 3: amounts of people can die on one end and people
• 1:16:14
  Speaker 3: can kill you in your home on the other so
• 1:16:16
  Speaker 3: it's like this isn't a joke like this is a
• 1:16:19
  Speaker 3: horrifying thing so in the real world, in the, in
• 1:16:22
  Speaker 3: the media swept version of this, where they blew it all,
• 1:16:25
  Speaker 3: you know, probably even more out of proportion than it
• 1:16:27
  Speaker 3: was like, it like totally took over the country and
• 1:16:31
  Speaker 3: their weird fascination. But then as time went on, it
• 1:16:34
  Speaker 3: also became this thing that we then spun off into
• 1:16:37
  Speaker 3: movies and you get that huge surge in the seventies
• 1:16:41
  Speaker 3: of cult movies and movies about people getting sucked into
• 1:16:45
  Speaker 3: cults and then these like secret cults that were going
• 1:16:47
  Speaker 3: on that people don't realize till the end of the
• 1:16:49
  Speaker 3: movie so like you know the the go-to for any
• 1:16:51
  Speaker 3: of those is always like wicker man but i was
• 1:16:53
  Speaker 3: thinking yeah that was the 70s version but there's such
• 1:16:57
  Speaker 3: a 2000s version of this like a cult movie renaissance
• 1:17:02
  Speaker 3: that's kicked in since since the the new millennium here
• 1:17:06
  Speaker 3: and i started thinking i was like well yeah i
• 1:17:07
  Speaker 3: just like i really loved uh martha marcy may marlene
• 1:17:12
  Speaker 3: which again, my beloved Elizabeth Olsen is amazing. Like, and
• 1:17:16
  Speaker 3: that's like, that's like the serious, like that's the indie
• 1:17:18
  Speaker 3: movie version of, I was sucked into a cult and
• 1:17:22
  Speaker 3: now I've escaped and I'm trying to rebuild my life.
• 1:17:25
  Speaker 3: So you see her kind of like, again, having sort
• 1:17:27
  Speaker 3: of flashbacks as to like things that were going on
• 1:17:30
  Speaker 3: there and her trying to like shove herself back into
• 1:17:33
  Speaker 3: the real world now that she's been like rescued.
• 1:17:35
  Speaker 4: More or less.
• 1:17:36
  Speaker 3: But then I was like, well, but wait, what was
• 1:17:38
  Speaker 3: that other one that came out like right around that
• 1:17:40
  Speaker 3: same time? So then I've started like doing the rundown
• 1:17:42
  Speaker 3: and I'm like that same year I saw sound of
• 1:17:45
  Speaker 3: my voice, which is once again, like this couple gets
• 1:17:48
  Speaker 3: sort of initiated in and like brought into this cult. And,
• 1:17:53
  Speaker 3: and Brit Marling is amazing as sort of this cult
• 1:17:56
  Speaker 3: guru person that's sort of leading them down the path.
• 1:17:59
  Speaker 3: And then I was like, wait, well, then we just
• 1:18:01
  Speaker 3: had the sacrament a couple of years ago, which is
• 1:18:03
  Speaker 3: just straight up Jonestown remake. Like, It starts off like
• 1:18:07
  Speaker 3: maybe it's a new modern other story, but it is,
• 1:18:10
  Speaker 3: by the end, it is just full-on Jonestown. So then
• 1:18:13
  Speaker 3: it's like, I mean, people throw martyrs in there with that,
• 1:18:16
  Speaker 3: but then I was like, no, Red State is totally that.
• 1:18:18
  Speaker 3: That's the best movie he's made maybe ever. Get Out
• 1:18:22
  Speaker 3: is kind of that again. Once again, you're suckered in
• 1:18:25
  Speaker 3: and you don't think it's that kind of movie, and
• 1:18:27
  Speaker 3: then it's totally that kind of movie. But there's so
• 1:18:32
  Speaker 3: many like to the point of like Kill List, the
• 1:18:34
  Speaker 3: one that we watched that like, again, three fourths of
• 1:18:37
  Speaker 3: the way in, you think you're watching a different type
• 1:18:39
  Speaker 3: of movie. And then in the end, you're sucked into
• 1:18:41
  Speaker 3: that one. So that like there's this weird resurgence of
• 1:18:45
  Speaker 3: our country and specifically like the indie movie crowd being.
• 1:18:50
  Speaker 3: obsessed with cults again, so much so. And so mainstream
• 1:18:54
  Speaker 3: that we have like a series, a comedy series. I mean,
• 1:18:57
  Speaker 3: the unbreakable Kimmy Schmidt is about again, once again, escaping
• 1:19:01
  Speaker 3: from a cult and being like trying to force yourself
• 1:19:04
  Speaker 3: back into the real world. And like, it's a comedy show.
• 1:19:07
  Speaker 3: tv series netflix but still like it's it's weird that
• 1:19:11
  Speaker 3: it's gotten so mainstream that it's shoved its way into
• 1:19:15
  Speaker 3: that version of pop culture and sort of an offshoot
• 1:19:17
  Speaker 3: of the you're gonna get kidnapped and trapped in a
• 1:19:20
  Speaker 3: room which again we see in like uh i was
• 1:19:25
  Speaker 3: gonna say 10 cloverfield lane but also um split is
• 1:19:28
  Speaker 3: straight up that room like so we've got this offshoot
• 1:19:31
  Speaker 3: of you're also gonna get trapped in a room specifically
• 1:19:33
  Speaker 3: for your female probably true on many.
• 1:19:36
  Speaker 4: Occasions it's been my fucking sign to get the fuck
• 1:19:38
  Speaker 4: out of the house right there in the movie he
• 1:19:40
  Speaker 4: realizes that they're pretty much trapped in the house because
• 1:19:42
  Speaker 4: there are bars on every window and the guy has
• 1:19:45
  Speaker 4: like a locked key to the front door I'd have
• 1:19:48
  Speaker 4: been like I didn't nope right on out that motherfucker
• 1:19:50
  Speaker 4: right there I'm like nope I am not gonna feel
• 1:19:52
  Speaker 4: trapped I am not going to sit here when I'm
• 1:19:54
  Speaker 4: locked in because the guy had a point.
• 1:19:56
  Speaker 3: What if there's a fire? That's that first time where
• 1:19:58
  Speaker 3: he kind of questions things. Everybody's kind of playing nice
• 1:20:00
  Speaker 3: up to that point. And he's just like, why are
• 1:20:03
  Speaker 3: you locking the door? Why are you not leaving the
• 1:20:05
  Speaker 3: key in the door?
• 1:20:06
  Speaker 4: Well, this is my house now. I do things different.
• 1:20:09
  Speaker 4: A dog will be leaving your house. You can do
• 1:20:12
  Speaker 4: things different without me all you want because I will
• 1:20:15
  Speaker 4: not be locked in a house that I can't get
• 1:20:17
  Speaker 4: out of. Yep.
• 1:20:18
  Speaker 3: So that was sort of that first sign that you're like, see,
• 1:20:22
  Speaker 3: something ain't right here. It's not just that crazy ex-wife.
• 1:20:25
  Speaker 3: There's something else going on here. And he was right.
• 1:20:27
  Speaker 4: Neener, neener.
• 1:20:31
  Speaker 3: That might have been taking it too far if he
• 1:20:32
  Speaker 3: did neener, neener. So I don't know. I'm just kind
• 1:20:35
  Speaker 3: of wondering what it is that greenlit that again. I
• 1:20:38
  Speaker 3: really don't remember a ton of 80s stuff. And even
• 1:20:43
  Speaker 3: into the 90s, there's a lot of, like, you know,
• 1:20:45
  Speaker 3: the new slasher thing kicked back in after Scream, but
• 1:20:48
  Speaker 3: we didn't have tons and tons of cult movies. But
• 1:20:51
  Speaker 3: 2000s became, like, the time for indie movies to focus
• 1:20:55
  Speaker 3: on cults.
• 1:20:56
  Speaker 4: Because they beat everything else to the ground.
• 1:20:59
  Speaker 3: I guess so.
• 1:21:00
  Speaker 4: They had to revitalize something, you know?
• 1:21:03
  Speaker 3: Again, we got so schlocky with our knockoff Scream movies
• 1:21:06
  Speaker 3: and everything was geared towards teenagers that I guess, like,
• 1:21:09
  Speaker 3: the indie crowd wanted to be like, Well, no, no,
• 1:21:11
  Speaker 3: we want to write something a little more subtle, a
• 1:21:13
  Speaker 3: little more aimed towards adults.
• 1:21:15
  Speaker 4: Everything goes in waves. It'll be something else next time.
• 1:21:18
  Speaker 3: The other thing, speaking of waves, the other thing I
• 1:21:20
  Speaker 3: was thinking is... Sharks? Well, no, I was like, is
• 1:21:22
  Speaker 3: it because it does seem like the world's falling apart? Like,
• 1:21:26
  Speaker 3: as we get to the end of this movie, not
• 1:21:28
  Speaker 3: to jump all the way to the end, but like.
• 1:21:30
  Speaker 4: Oh, we are jumping all the way to the end.
• 1:21:31
  Speaker 3: I mean, in that moment, you're just like, at least
• 1:21:34
  Speaker 3: in this little part of the world, everything's falling apart
• 1:21:37
  Speaker 3: right now. Like, you're watching whatever this cult was has...
• 1:21:41
  Speaker 3: integrated into everywhere in the Hollywood Hills, at least. We
• 1:21:45
  Speaker 3: don't know how far it reaches past that, but so
• 1:21:48
  Speaker 3: many other things are going on right now at this moment.
• 1:21:51
  Speaker 4: Because as you reach the end, they finally get out
• 1:21:54
  Speaker 4: of the house.
• 1:21:55
  Speaker 8: Yep.
• 1:21:55
  Speaker 4: And it's like.
• 1:21:56
  Speaker 3: Well, the new boyfriend dude had gone out right before that.
• 1:21:59
  Speaker 3: Right before the whole thing went to hell, he went
• 1:22:02
  Speaker 3: out and lit that little lantern with the red light.
• 1:22:05
  Speaker 4: And then at the very end, as Will and Kira
• 1:22:09
  Speaker 4: walk outside... And they're standing there, and they're sitting there,
• 1:22:11
  Speaker 4: I guess, kind of basking in the, holy shit, we
• 1:22:14
  Speaker 4: got out of this alive.
• 1:22:15
  Speaker 3: We're not dead.
• 1:22:16
  Speaker 4: And then you start hearing the sirens, and there's helicopters.
• 1:22:19
  Speaker 2: Gunshots.
• 1:22:19
  Speaker 4: Yeah, the gunshots. And then you look around, and the
• 1:22:22
  Speaker 4: entire neighborhood, for as far as you can see, is
• 1:22:25
  Speaker 4: red lanterns. And you're like, how far has this spread?
• 1:22:29
  Speaker 4: Is it just this community? Is it everywhere? Then again,
• 1:22:32
  Speaker 4: they get to the whole point earlier of saying how
• 1:22:34
  Speaker 4: susceptible this area in particular is.
• 1:22:37
  Speaker 5: Yeah.
• 1:22:38
  Speaker 4: You know, because in Hollywood, everything is kind of like,
• 1:22:40
  Speaker 4: what's the new trend? Everything's trendy and it's all this
• 1:22:43
  Speaker 4: and what's that.
• 1:22:44
  Speaker 3: And, again, it's a lot more forgiving. As they even say, ah,
• 1:22:46
  Speaker 3: it's Hollywood. Everybody does that. So, again, you can kind
• 1:22:49
  Speaker 3: of push that envelope a little further than if you're
• 1:22:52
  Speaker 3: in the boring Midwest. They'll be like, bullshit, unlock that door.
• 1:22:55
  Speaker 3: I'm getting out of here, you know. But L.A., maybe
• 1:22:57
  Speaker 3: they let that stuff slide a little more. So it
• 1:22:59
  Speaker 3: is one of those that they.
• 1:23:01
  Speaker 4: I would like to see somebody try to keep me
• 1:23:03
  Speaker 4: and boyfriend in a house. We will cut a path
• 1:23:07
  Speaker 4: through those motherfuckers.
• 1:23:09
  Speaker 2: Yep.
• 1:23:09
  Speaker 3: I don't think it would go quite the same in
• 1:23:11
  Speaker 3: your personal movie.
• 1:23:12
  Speaker 4: That movie would have been over in like five minutes.
• 1:23:15
  Speaker 3: Your personal movie is going to go a little different.
• 1:23:18
  Speaker 3: But it does make me wonder, though, is it because
• 1:23:22
  Speaker 3: so many of.
• 1:23:22
  Speaker 4: Although I might have stayed for the cake. I do
• 1:23:23
  Speaker 4: like red velvet. Red velvet.
• 1:23:25
  Speaker 3: They did sucker you in. You can keep that ancient wine,
• 1:23:28
  Speaker 3: but red velvet cake, I am on board. So but
• 1:23:31
  Speaker 3: as we got into the end, like to me, one
• 1:23:35
  Speaker 3: of those that was very like follow that because you
• 1:23:37
  Speaker 3: get to that guy in the video who I think
• 1:23:39
  Speaker 3: is the isn't that the whiz from the Seinfeld? I'm
• 1:23:43
  Speaker 3: pretty sure that guy looks way too much like because
• 1:23:46
  Speaker 3: I kept waiting for him to like start doing that
• 1:23:48
  Speaker 3: strutting around.
• 1:23:48
  Speaker 4: I'm the whiz.
• 1:23:49
  Speaker 3: Nobody beats me. So because, again, if you're going to
• 1:23:51
  Speaker 3: recruit somebody to be your cult leader, I'd go with
• 1:23:53
  Speaker 3: that guy. But as you're watching him, he is very, like,
• 1:23:58
  Speaker 3: heaven's gate. Like, it very much felt like you're following
• 1:24:00
  Speaker 3: this one guy, and he's going to tell you to
• 1:24:02
  Speaker 3: kill all these people, and then you'll descend to heaven,
• 1:24:05
  Speaker 3: or aliens will come. Whatever the hell bullshit thing is
• 1:24:08
  Speaker 3: going to come along and save everybody. But I'm like,
• 1:24:10
  Speaker 3: it's usually because, like, the rapture's coming, or some sort of, like,
• 1:24:13
  Speaker 3: the world's falling apart scenario. And, like, look around. Literally,
• 1:24:17
  Speaker 3: right now, the world's falling apart.
• 1:24:20
  Speaker 4: The world has fallen apart so many goddamn times.
• 1:24:22
  Speaker 3: I mean, it always has been, but I'm saying in particular,
• 1:24:25
  Speaker 3: these last few years, these last few months, I'm like,
• 1:24:28
  Speaker 3: how many hurricanes do we have? How many wildfires are
• 1:24:30
  Speaker 3: currently going on? How many floods are wiping out half
• 1:24:35
  Speaker 3: of our.
• 1:24:35
  Speaker 4: But it's always something.
• 1:24:36
  Speaker 3: It is, but it does seem like it's hitting really
• 1:24:39
  Speaker 3: weird and more frequently.
• 1:24:42
  Speaker 4: I'm not even sure if it's more frequently or just
• 1:24:44
  Speaker 4: because news is so much more widespread these days.
• 1:24:47
  Speaker 3: To some extent, that's been true for the last 20,
• 1:24:50
  Speaker 3: 50 years. But, like, I don't know. I feel like
• 1:24:52
  Speaker 3: it is more intensified lately with the natural disaster. To me,
• 1:24:57
  Speaker 3: I mean, because I've said that as we've watched hurricane
• 1:25:00
  Speaker 3: line up to knock out the next hurricane and keep
• 1:25:02
  Speaker 3: trying to attack us. I'm just like, number one, I
• 1:25:05
  Speaker 3: keep referring to it as end of days. So, again,
• 1:25:07
  Speaker 3: I'm adding to this little fear scenario. Mostly I'm just
• 1:25:11
  Speaker 3: trying to screw with that guy I work with and
• 1:25:13
  Speaker 3: telling him the world's ending. But on top of that,
• 1:25:16
  Speaker 3: I'm like, it also builds this sort of scenario. And
• 1:25:19
  Speaker 3: the more I thought, I'm like, I don't know what,
• 1:25:21
  Speaker 3: and again, I'm not picking any specific gods because I
• 1:25:23
  Speaker 3: don't give a shit, but I'm just like, whatever powers
• 1:25:25
  Speaker 3: that be, I'm going to go with the angel version,
• 1:25:27
  Speaker 3: the powers that be that are out there, we have
• 1:25:30
  Speaker 3: pissed them off and they are sick of humanity. So
• 1:25:33
  Speaker 3: I'm like, I don't know what's going on in the universe,
• 1:25:36
  Speaker 3: but they're sick of people and they're trying to take
• 1:25:38
  Speaker 3: out as many as possible. Earthquakes. I'm just saying. Earthquakes.
• 1:25:43
  Speaker 3: There's always been earthquakes.
• 1:25:44
  Speaker 4: There always are.
• 1:25:45
  Speaker 3: But I'm like, this lined up one after the other. Like,
• 1:25:48
  Speaker 3: we pissed somebody off. End of days.
• 1:25:50
  Speaker 4: I'm sure the people of Pompeii would say that they
• 1:25:52
  Speaker 4: have it much worse than you do. Well, let's ask.
• 1:25:55
  Speaker 3: Oh, no way.
• 1:25:57
  Speaker 4: They're all fucking dead. So, neener, neener.
• 1:26:01
  Speaker 3: They didn't build their structures very soundly. And they picked
• 1:26:04
  Speaker 3: a bad spot to put it in. They should put
• 1:26:06
  Speaker 3: it somewhere safe, like the Hollywood Hills. Nothing's ever going
• 1:26:09
  Speaker 3: to happen to that part.
• 1:26:11
  Speaker 4: Oh, no way. Meeting by coyotes.
• 1:26:14
  Speaker 3: That's true, too. Coyotes are running all over the Hollywood.
• 1:26:18
  Speaker 4: Oh, shit. Fake Tom Hardy was hot. I don't even
• 1:26:21
  Speaker 4: like beards. And good Lord. I wonder if he's ripped
• 1:26:24
  Speaker 4: like Jesus. He might be. I can't believe you talked
• 1:26:28
  Speaker 4: to that guy and did not ask him if he
• 1:26:29
  Speaker 4: was ripped like Jesus. What the fuck is wrong with you?
• 1:26:31
  Speaker 3: Who, Jesus?
• 1:26:32
  Speaker 4: Yes. I mean. No, that guy. What's his name? Greg Bernard.
• 1:26:37
  Speaker 3: Oh, that guy. I thought you meant Ted Neely. I've
• 1:26:40
  Speaker 3: talked to both of them. I know, and you didn't...
• 1:26:43
  Speaker 3: Rip like Jesus and Jesus.
• 1:26:44
  Speaker 4: And you didn't ask either one of them if they
• 1:26:46
  Speaker 4: were ripped like Jesus. You have let me down more
• 1:26:49
  Speaker 4: than normal.
• 1:26:52
  Speaker 3: I'm sure Ted hugged me at some point, so I
• 1:26:55
  Speaker 3: might have felt his hot abs up against me. Is
• 1:26:59
  Speaker 3: that appropriate when you're talking about Jesus?
• 1:27:01
  Speaker 4: Anyway... I'm sure I've said way more inappropriate things. Not
• 1:27:04
  Speaker 4: even just today.
• 1:27:05
  Speaker 3: No, really, though. Ted's a touchy-feely, huggy kind of a guy. Like,
• 1:27:10
  Speaker 3: I watched him just hug a line full of people
• 1:27:12
  Speaker 3: for hours.
• 1:27:12
  Speaker 4: Oh, germs, dude.
• 1:27:14
  Speaker 3: Yeah, and he didn't really, yeah. It wasn't like your
• 1:27:16
  Speaker 3: normal handshaking scenario where he was purelling every second they
• 1:27:19
  Speaker 3: turned their back.
• 1:27:20
  Speaker 4: We did see Kel.
• 1:27:22
  Speaker 3: Yeah, Kel did immediately.
• 1:27:23
  Speaker 4: Well, he had his huge two liter of orange drink.
• 1:27:26
  Speaker 3: He didn't just do like a single serving orange drink.
• 1:27:29
  Speaker 3: It was a big-ass bottle of orange drink.
• 1:27:32
  Speaker 4: It was literally the two-liter.
• 1:27:34
  Speaker 3: I'm like, you're just playing into it, dude.
• 1:27:36
  Speaker 2: Come on now.
• 1:27:36
  Speaker 4: But he tore the label off, but there wasn't a
• 1:27:38
  Speaker 4: product placement.
• 1:27:38
  Speaker 3: Yeah, he wasn't pitching. He wasn't doing it for cash.
• 1:27:40
  Speaker 4: It could have been crush. It could have been fucking Faygo.
• 1:27:42
  Speaker 4: I don't know. We don't know. Is that what it is, Faygo?
• 1:27:45
  Speaker 4: I don't like Faygo.
• 1:27:45
  Speaker 3: There is some Faygo.
• 1:27:46
  Speaker 4: Faygo's disgusting.
• 1:27:47
  Speaker 8: Fanta.
• 1:27:48
  Speaker 4: I think there's some Fanta. Might have been some Fanta. Crush,
• 1:27:50
  Speaker 4: like I said. Some Sunkist. Is that still a thing? Yeah.
• 1:27:54
  Speaker 1: Yeah.
• 1:27:55
  Speaker 3: I'm okay with it. If I'm going to orange drink it,
• 1:27:56
  Speaker 3: I'm okay with the sun kissed. You know, that's how
• 1:27:58
  Speaker 3: it goes.
• 1:27:59
  Speaker 4: Yep. Rock on, Kel. Your orange drink.
• 1:28:04
  Speaker 3: So anyway, Kel aside, end of days.
• 1:28:08
  Speaker 4: No, no.
• 1:28:08
  Speaker 3: I think that's the thing. Like it raises all those
• 1:28:11
  Speaker 3: kinds of questions by the end of it where you're like, oh,
• 1:28:13
  Speaker 3: this is much bigger than what's going on. Yeah. Cause that,
• 1:28:17
  Speaker 3: I mean, it really takes you that whole movie. You're
• 1:28:18
  Speaker 3: so caught up in your little part in this one
• 1:28:21
  Speaker 3: little house scenario that you're like, it's, Again, most horror movies,
• 1:28:25
  Speaker 3: you're just worried about getting out of the house. You're
• 1:28:26
  Speaker 3: just trying to, like, survive the movie and your main
• 1:28:28
  Speaker 3: character scenario. And then, like, you step out in the
• 1:28:30
  Speaker 3: backyard and take a breather, and you're like, oh, the
• 1:28:33
  Speaker 3: world's falling apart. Like, oh, everything around me is in,
• 1:28:37
  Speaker 3: because I even thought that as, like, the dude came out, like, outside. Like,
• 1:28:40
  Speaker 3: when you're in the house, he was firing guns wildly anyway.
• 1:28:43
  Speaker 3: But he was out in the yard and just gunning
• 1:28:44
  Speaker 3: people down. I'm like, so nobody's going to notice that?
• 1:28:47
  Speaker 3: And then I realized, oh, no, nobody's going to notice
• 1:28:49
  Speaker 3: because they're all firing guns around you as well.
• 1:28:52
  Speaker 4: I was just kind of pissed because they make a
• 1:28:53
  Speaker 4: big deal about, oh, there's bars on all the windows,
• 1:28:55
  Speaker 4: the front door's locked. There were some big fucking back
• 1:28:58
  Speaker 4: glass doors, and I'm like... all right, motherfucker, break a
• 1:29:01
  Speaker 4: goddamn window. You know, there is shit around you. Grab something,
• 1:29:05
  Speaker 4: break a window.
• 1:29:06
  Speaker 3: Well, that was, and that was my point earlier, though,
• 1:29:08
  Speaker 3: is how many times did he wander outside to get
• 1:29:10
  Speaker 3: some air into the backyard part? Granted, they locked the
• 1:29:13
  Speaker 3: front door or then put the key back in or whatever, but.
• 1:29:15
  Speaker 4: Big glass sliding doors.
• 1:29:17
  Speaker 3: He was in that backyard like two or three times before,
• 1:29:19
  Speaker 3: so like right before the red velvet cake, I guess
• 1:29:21
  Speaker 3: they went around and locked all the doors because then
• 1:29:23
  Speaker 3: as soon as everything went down, they could not get
• 1:29:26
  Speaker 3: out anywhere. The doors disappeared, apparently. I guess, yeah, one
• 1:29:29
  Speaker 3: of them... magically disappeared from when he used.
• 1:29:31
  Speaker 4: To live there so like large fucking sliding glass doors
• 1:29:36
  Speaker 4: oh my god there's no bar on that window break
• 1:29:40
  Speaker 4: it that's you know eventually what I was assuming like
• 1:29:44
  Speaker 4: so much for being stealthy and quiet when you're killing
• 1:29:47
  Speaker 4: people Jesus Christ could they have killed that big guy
• 1:29:50
  Speaker 4: any fucking louder he's up there I'm like dude they
• 1:29:54
  Speaker 4: know what you're it's like how did Will not show up.
• 1:29:57
  Speaker 3: Then Oh, I don't know. It all goes crazy at
• 1:30:02
  Speaker 3: that point.
• 1:30:03
  Speaker 4: There were shenanigans abound.
• 1:30:05
  Speaker 3: But I think that's kind of what makes it work
• 1:30:08
  Speaker 3: all the way through. I think it is so much of,
• 1:30:11
  Speaker 3: because the finale works. I think if you're just a
• 1:30:13
  Speaker 3: horror fan by the end, they're killing people right and left,
• 1:30:16
  Speaker 3: you're going to be okay with it. But it takes
• 1:30:18
  Speaker 3: a lot of building to get there. And I think
• 1:30:19
  Speaker 3: in lesser hands, you would have tuned out already.
• 1:30:22
  Speaker 4: Unless you knew it was coming. I had read some spoilers.
• 1:30:25
  Speaker 3: I didn't know anything about it. I was like, what
• 1:30:28
  Speaker 3: if they, you know, in the end, it really is
• 1:30:30
  Speaker 3: this guy's crazy. And, like, he's just being a dick
• 1:30:32
  Speaker 3: the whole night. So it is kind of like... points
• 1:30:36
  Speaker 3: to writing and directing and just the overall tone of
• 1:30:40
  Speaker 3: this movie.
• 1:30:40
  Speaker 4: And the way it was shot.
• 1:30:41
  Speaker 3: Again, it all takes you to this next phase where
• 1:30:45
  Speaker 3: you're just like, I do want to see what happens.
• 1:30:48
  Speaker 3: And on top of that, I'm even questioning my own
• 1:30:50
  Speaker 3: thoughts of what's going on right now. And I think
• 1:30:52
  Speaker 3: that's the sign of a good movie is when it's
• 1:30:54
  Speaker 3: doing that.
• 1:30:55
  Speaker 4: So in all, what do you think of this movie
• 1:30:57
  Speaker 4: that I made you watch?
• 1:30:59
  Speaker 3: I really liked it. But again, it's not at all.
• 1:31:02
  Speaker 3: First off, I didn't know what to expect. And even
• 1:31:04
  Speaker 3: as I got into it, I'm readjusting what I'm going
• 1:31:08
  Speaker 3: to expect the next five minutes, the next ten minutes.
• 1:31:10
  Speaker 3: I really wasn't 100% sure where. I'm assuming at the
• 1:31:14
  Speaker 3: end of the night we're going to get to some
• 1:31:15
  Speaker 3: sort of big finale because most of these dinner party
• 1:31:18
  Speaker 3: from hell movies.
• 1:31:18
  Speaker 4: Either it's going to come out that he's absolutely bullshit
• 1:31:20
  Speaker 4: crazy or he's right the whole time.
• 1:31:22
  Speaker 3: Or everybody's going to end up dead. So we see
• 1:31:24
  Speaker 3: where we ended.
• 1:31:25
  Speaker 4: I was surprised there was as many survivors as there was.
• 1:31:29
  Speaker 3: I was hoping Kira would make it, mostly because she
• 1:31:31
  Speaker 3: had nothing to do with this. I'm like, you know,
• 1:31:33
  Speaker 3: if Jesus has to die, well, he started this whole process,
• 1:31:36
  Speaker 3: you know. He was at least knee deep in it
• 1:31:38
  Speaker 3: with them. He's the one that led her there. But
• 1:31:40
  Speaker 3: I was like, it's going to suck if she gets killed.
• 1:31:42
  Speaker 3: She didn't have anything to do with it.
• 1:31:43
  Speaker 4: She was a fucking fighter.
• 1:31:44
  Speaker 3: Yeah. She kept, again, that's why I kind of liked her. Like, yeah,
• 1:31:48
  Speaker 3: all the way through, I was like, she didn't fall
• 1:31:50
  Speaker 3: into their game. She wasn't playing.
• 1:31:51
  Speaker 4: She wasn't a victim.
• 1:31:52
  Speaker 3: She was playing the social niceties as much as, and again,
• 1:31:55
  Speaker 3: points to her.
• 1:31:55
  Speaker 4: It's way more than I could have done.
• 1:31:57
  Speaker 3: Points to her for even going, you know? Like, not only, like, ex-wife.
• 1:32:00
  Speaker 3: Some people are cool and can get along like that,
• 1:32:02
  Speaker 3: but she's a crazy ass ex-wife, even before the crazy starts.
• 1:32:05
  Speaker 3: You can tell. Where it still seemed like he obviously
• 1:32:07
  Speaker 3: had some, There's certainly issues, like even if it wasn't
• 1:32:11
  Speaker 3: real feel, because I don't feel like he cared about
• 1:32:13
  Speaker 3: her like that anymore. Their lives were still intertwined so
• 1:32:17
  Speaker 3: much with the kid that like he had so much
• 1:32:20
  Speaker 3: history there. But I never felt like he still had
• 1:32:22
  Speaker 3: like feelings, feelings for her. I don't know.
• 1:32:24
  Speaker 4: There's some kind of scenes where I kind of wondered
• 1:32:25
  Speaker 4: a little bit.
• 1:32:27
  Speaker 3: She's too crazy. Like, I think even he was just like, whatever.
• 1:32:30
  Speaker 3: Cause in the flashback, she didn't come off near as crazy.
• 1:32:33
  Speaker 3: So I do feel like.
• 1:32:34
  Speaker 4: In the flashback, one of the flashbacks, she was trying
• 1:32:35
  Speaker 4: to kill herself. So yeah, I think she kind of
• 1:32:37
  Speaker 4: came off as crazy.
• 1:32:38
  Speaker 3: Well, that was after the kid was dead though.
• 1:32:39
  Speaker 4: Yeah.
• 1:32:39
  Speaker 3: I mean, in the, in the, when the kid was alive,
• 1:32:41
  Speaker 3: you know, mostly the bathtub scene, she seemed almost like
• 1:32:44
  Speaker 3: a normal human being. And I'm like, okay, I can
• 1:32:46
  Speaker 3: kind of see. Cause you almost need that.
• 1:32:48
  Speaker 4: At the picnic. before the incident.
• 1:32:50
  Speaker 3: If she was full on crazy, you're just like, well
• 1:32:52
  Speaker 3: now it's equally as much on this guy for getting
• 1:32:54
  Speaker 3: with her if she seemed crazy and he went into
• 1:32:57
  Speaker 3: it anyway. So you kind of needed her to be
• 1:32:59
  Speaker 3: a little sane in the flashback so that you're like, no,
• 1:33:01
  Speaker 3: I can kind of see why he would be involved
• 1:33:04
  Speaker 3: with her. So yeah, I feel like by the end,
• 1:33:08
  Speaker 3: he didn't have any of the, I didn't really pick
• 1:33:10
  Speaker 3: up on anything there, but like still points to gear
• 1:33:14
  Speaker 3: for like coming along, like being knee deep in the
• 1:33:16
  Speaker 3: middle of that scenario, especially with.
• 1:33:19
  Speaker 4: The kid, you know, and then taking out.
• 1:33:22
  Speaker 3: Some, yeah, taking out some dudes.
• 1:33:23
  Speaker 4: Who's a big dude.
• 1:33:24
  Speaker 3: He's a big dude. And a hell of an actor.
• 1:33:26
  Speaker 4: So beat the shit out of him. Did she, yeah,
• 1:33:28
  Speaker 4: she killed him.
• 1:33:29
  Speaker 2: Yeah.
• 1:33:30
  Speaker 3: And I couldn't even figure out what it was at first.
• 1:33:31
  Speaker 3: I'm like, is that a bottle of wine? But she
• 1:33:33
  Speaker 3: kept hitting him. I'm like, it would have broken by now.
• 1:33:35
  Speaker 3: That's a sculpture or something. Cause she just nailed it.
• 1:33:38
  Speaker 4: Multiple times. Four times.
• 1:33:40
  Speaker 3: Like, she kept coming back being like, no, you're not
• 1:33:43
  Speaker 3: getting up. I'm taking you out.
• 1:33:45
  Speaker 4: But I'm like, it should have been a dead giveaway
• 1:33:48
  Speaker 4: to their location. You know, I guess the Eden found them.
• 1:33:53
  Speaker 4: But she was already fucking crazy anyways.
• 1:33:55
  Speaker 3: And who shoots himself in the stomach?
• 1:33:56
  Speaker 4: That's what boyfriends do.
• 1:33:57
  Speaker 3: That's a terrible way to kill yourself.
• 1:33:59
  Speaker 4: He's like, in the stomach?
• 1:34:00
  Speaker 3: That takes days to bleed out.
• 1:34:02
  Speaker 4: Not her.
• 1:34:02
  Speaker 3: Didn't you see Mr.
• 1:34:03
  Speaker 4: Orange? Yeah. Apparently she didn't watch that movie. She was
• 1:34:06
  Speaker 4: in Mexico.
• 1:34:07
  Speaker 3: I guess so.
• 1:34:08
  Speaker 2: She missed.
• 1:34:09
  Speaker 3: She didn't go back and do her homework.
• 1:34:10
  Speaker 4: Or she had a kid at that point.
• 1:34:11
  Speaker 3: You know, if you're at least going to eat the gun,
• 1:34:13
  Speaker 3: that's one thing. But if you're just stomach, you're just
• 1:34:16
  Speaker 3: going to sit there and fester for hours. It sucks.
• 1:34:19
  Speaker 3: You're going to writhe and scream for a couple hours.
• 1:34:22
  Speaker 3: You're not really going to take yourself out. But you did.
• 1:34:25
  Speaker 3: But whatever. I don't know. I ended up really liking it,
• 1:34:29
  Speaker 3: and I think that's why. I think because the tone
• 1:34:32
  Speaker 3: is so good and the acting is so good through
• 1:34:35
  Speaker 3: the first two-thirds slash three-fourths, and then when it does
• 1:34:39
  Speaker 3: need to dial it up to 11 in the crazy department,
• 1:34:42
  Speaker 3: it does.
• 1:34:42
  Speaker 4: It does.
• 1:34:43
  Speaker 3: And you do get a full-on, you know, anarchy ending,
• 1:34:45
  Speaker 3: which is kind of what you wanted.
• 1:34:46
  Speaker 4: Kind of purgy.
• 1:34:47
  Speaker 3: Yeah, so it kind of.
• 1:34:49
  Speaker 4: Because when you walk out, it's like, holy shit, everybody's
• 1:34:51
  Speaker 4: doing this shit. It's kind of like The Purge.
• 1:34:55
  Speaker 3: It's the first phase. It's the first year The Purge
• 1:34:58
  Speaker 3: kicked off. It's like, oh, okay, this is a good idea.
• 1:35:01
  Speaker 3: Let's just do this once a year. Let's have our
• 1:35:02
  Speaker 3: little kill everybody party.
• 1:35:04
  Speaker 4: I've never seen any of those movies, so I don't
• 1:35:06
  Speaker 4: know if I'm comparing.
• 1:35:06
  Speaker 3: They're entertaining. If that's what you're going in for, they
• 1:35:12
  Speaker 3: serve their purpose. It is a very interesting premise and
• 1:35:15
  Speaker 3: a very ridiculous and fun kind of a movie take
• 1:35:19
  Speaker 3: on it. It could certainly be looked at way more
• 1:35:21
  Speaker 3: serious than they do, but they decided to go down
• 1:35:23
  Speaker 3: sort of the more drive-in movie road, which is fine.
• 1:35:27
  Speaker 3: That's also equally as much fun.
• 1:35:30
  Speaker 4: Good times, good times. I like this movie.
• 1:35:32
  Speaker 3: Yeah, I liked it. I'm glad you picked it.
• 1:35:34
  Speaker 4: I'm glad I picked it too. I'm glad it didn't suck.
• 1:35:39
  Speaker 3: It was very well put together, and I kind of
• 1:35:40
  Speaker 3: want to see what this director does next.
• 1:35:42
  Speaker 4: It seems like one that you should have had probably
• 1:35:43
  Speaker 4: more of an intelligent crew talk about than just me,
• 1:35:45
  Speaker 4: where I'm like, yeah, they fucking did stuff.
• 1:35:47
  Speaker 3: She hit that dude in the head four times.
• 1:35:49
  Speaker 4: Four fucking times.
• 1:35:51
  Speaker 3: Nah, I think we've covered it quite well.
• 1:35:54
  Speaker 4: Because I'm awesome. Fake Tom Hardy. I was going to
• 1:35:59
  Speaker 4: actually write that down as a note because I usually
• 1:36:01
  Speaker 4: don't like to take notes in movies.
• 1:36:03
  Speaker 3: Your note was only fake Tom Hardy.
• 1:36:05
  Speaker 4: No, I was going to put that guy's name so
• 1:36:06
  Speaker 4: I would get it right. I was going to put Logan,
• 1:36:09
  Speaker 4: is it Mitchell? Marshall?
• 1:36:11
  Speaker 3: Logan Jesus Hardy.
• 1:36:12
  Speaker 4: Logan Marshall. No. Logan Marshall Green equals fake Tom Hardy.
• 1:36:17
  Speaker 4: That was totally what I was going to write down
• 1:36:19
  Speaker 4: on a note and put it in my purse, but
• 1:36:20
  Speaker 4: I forgot.
• 1:36:21
  Speaker 3: Just do that now and carry it with you at
• 1:36:23
  Speaker 3: all times.
• 1:36:23
  Speaker 1: I should.
• 1:36:23
  Speaker 4: It's like photos, like side-by-side photos.
• 1:36:27
  Speaker 3: Which twin has the Tony? But yeah, with that, also
• 1:36:32
  Speaker 3: a big thank you to Cincinnati Comic Expo for letting
• 1:36:34
  Speaker 3: us come and be part of the show and hang
• 1:36:37
  Speaker 3: out and see cool people and get stuff. We got spinners.
• 1:36:40
  Speaker 4: Hell yeah, we did. And what is their email address
• 1:36:42
  Speaker 4: for all of those out there in internet land?
• 1:36:44
  Speaker 3: To find out what they've got going on the next
• 1:36:47
  Speaker 3: time around, go to CincinnatiComicExpo.com and that will take you
• 1:36:52
  Speaker 3: right there. So just Google that up. I'm sure it
• 1:36:54
  Speaker 3: will take you right to it, like it did me,
• 1:36:56
  Speaker 3: and it led me to the show. So that can
• 1:36:58
  Speaker 3: be you next time around. Go there and see what
• 1:37:00
  Speaker 3: they got. Again, they're obviously very popular. We were shocked
• 1:37:04
  Speaker 3: how many people were there. So get involved. Be there
• 1:37:06
  Speaker 3: next year. They put together a hell of a show
• 1:37:09
  Speaker 3: and a ton of vendors. Like, again, surprised how many
• 1:37:12
  Speaker 3: vendors were there and how many artists were there.
• 1:37:15
  Speaker 4: Like I said, it was a very– it was, like
• 1:37:17
  Speaker 4: I said, artists of authors that– Everybody who did arts
• 1:37:21
  Speaker 4: and crafts, there was just everything. Regular, standard issue toys, comics, everything. Clothes, shirts.
• 1:37:27
  Speaker 3: Tons of stuff. So, yep, go to CincinnatiComicExpo.com and get
• 1:37:33
  Speaker 3: involved next year.
• 1:37:34
  Speaker 4: For all your nerdy needs.
• 1:37:35
  Speaker 3: I'm sure. If you can't find your nerdy things there,
• 1:37:38
  Speaker 3: I don't know what to tell you. I mean, they
• 1:37:40
  Speaker 3: even had sushi. Geek sushi is how I referred to it. Again,
• 1:37:46
  Speaker 3: if I could get... I'm too impatient for lines. Otherwise,
• 1:37:49
  Speaker 3: I would have gotten me some geek sushi. And that
• 1:37:51
  Speaker 3: speed dating.
• 1:37:52
  Speaker 4: I don't know why you didn't sign up for that shit.
• 1:37:54
  Speaker 4: You need it. Was it because of the chicks we
• 1:37:57
  Speaker 4: saw there?
• 1:37:58
  Speaker 3: I'm way too picky choosy for all that nonsense. And
• 1:38:02
  Speaker 3: I'm sure they are as well.
• 1:38:03
  Speaker 4: But it's speedy, so even if you don't click, you're like, oh,
• 1:38:06
  Speaker 4: next person.
• 1:38:08
  Speaker 3: It just seems like a lot of trouble.
• 1:38:09
  Speaker 4: It does. Fuck that mess.
• 1:38:11
  Speaker 3: Just come to me. Anybody out there, just email me.
• 1:38:15
  Speaker 3: That's the lazy way to do it, right? Just find
• 1:38:17
  Speaker 3: me if you want to get involved or whatever.
• 1:38:20
  Speaker 4: I got Jace. Don't email me because I won't answer.
• 1:38:23
  Speaker 3: You don't want to anyway. She'll say mean things.
• 1:38:24
  Speaker 4: I will. All of them will be bad words because
• 1:38:27
  Speaker 4: I know a lot of bad words and I like
• 1:38:28
  Speaker 4: to use them.
• 1:38:28
  Speaker 3: All the bad words.
• 1:38:29
  Speaker 4: Yeah, I know all of them. Some of them in
• 1:38:30
  Speaker 4: different languages. It's all good.
• 1:38:33
  Speaker 3: Otherwise, I think that's about it. So, we shall return
• 1:38:36
  Speaker 3: next time. Same Geek Feed. Thanks for listening.
• 1:38:38
  Speaker 4: Bye.
• 1:38:42
  Speaker 10: Bye.
• 1:38:44
  Speaker 8: Bye.
• 1:38:45
  Speaker 10: Bye.
• 1:38:47
  Speaker 8: Bye.
• 1:38:48
  Speaker 11: ¶ No strings attached ¶ ¶ Emotionally ¶ ¶ I want.
• 1:39:09
  Speaker 10: To get a little crazy ¶ ¶ That's putting it
• 1:39:14
  Speaker 10: play ¶ ¶ You've got the medicine ¶ ¶ And I've.
• 1:39:18
  Speaker 8: Got the pain ¶ ¶ We just want.
• 1:39:21
  Speaker 3: To feel good ¶ ¶ Like the doctor said ¶.
• 1:39:26
  Speaker 10: ¶ When it goes to loving ¶ ¶ It's gonna
• 1:39:29
  Speaker 10: spin out the head ¶ ¶ You've got an open
• 1:39:34
  Speaker 10: invitation ¶.
• 1:39:38
  Speaker 8: That's the only way to fly.
• 1:40:08
  Speaker 11: Just passing by like ships in the night You ought
• 1:40:16
  Speaker 11: to get a little friendly There's no time right now
• 1:40:21
  Speaker 11: You bring the attitude And I'll show you how Anytime
• 1:40:27
  Speaker 11: you're ready Anytime.
• 1:40:30
  Speaker 5: At all.
• 1:40:32
  Speaker 3: Just come on over.
• 1:40:40
  Speaker 10: I've got an open invitation, on.
• 1:40:46
  Speaker 7: That you can.
• 1:40:49
  Speaker 10: Rely. We've got a prepaid reservation, that's the only way
• 1:40:56
  Speaker 10: to fly.
• 1:41:35
  Speaker 3: We just want to feel.
• 1:41:36
  Speaker 10: Good, like the doctor said.
• 1:41:40
  Speaker 3: One good dose of loving.
• 1:41:43
  Speaker 10: Is going to straighten out your head. You've got an
• 1:41:51
  Speaker 10: open invitation.
• 1:41:54
  Speaker 11: All that you can rely on.
• 1:41:57
  Speaker 10: We've got a prepaid reservation.
• 1:42:06
  Speaker 11: The only way to fly.
• 1:43:23
  Speaker 3: I was talking about that when I was talking about
• 1:43:24
  Speaker 3: the other one. Um, now I have to think.
• 1:43:27
  Speaker 4: Well, don't make your head explode. I just got this
• 1:43:29
  Speaker 4: car and I don't want your brain goo in it.
• 1:43:32
  Speaker 3: You'll get goo and you'll like it.
• 1:43:34
  Speaker 4: Your brain explodes. You better clean up your own brain goo.
• 1:43:37
  Speaker 2: This episode is a production of Movie Meltdown, produced and
• 1:43:40
  Speaker 2: edited by the Auditude Studios, with the opening music performed
• 1:43:43
  Speaker 2: by the Empires. For more on how to sponsor or
• 1:43:46
  Speaker 2: support the show, email producer at moviemeltdown.com.
• 1:43:49
  Speaker 4: Talk hard!
• 1:43:56
  Speaker 3: This program is a proud member of the Battleship Pretension Fleet.