Latest / The Breakfast Club / INTERVIEW: Jabriel Films Talks 'I Hate I Love You' Getting Into Film, Directing, Casting Jess Hilarious + More

Transcript

INTERVIEW: Jabriel Films Talks 'I Hate I Love You' Getting Into Film, Directing, Casting Jess Hilarious + More · The Breakfast Club

0:00
Speaker 1: Wake that ass up in the morning. The Breakfast Club. Morning, everybody,
0:05
Speaker 1: it's d J Envy.
0:07
Speaker 2: Just hilarious. Charlamagne the guy. We are the Breakfast Club.
0:10
Speaker 2: We got a special guest in the building. Yes, indeed,
0:12
Speaker 2: we have Jabril Films in the building.
0:14
Speaker 1: Theod morning morning. What's going on.
0:16
Speaker 3: That's a feeling. Hey, I feel amazing, man, it's a
0:18
Speaker 3: blessing to be here. I've been a fan of the
0:20
Speaker 3: show for a long time.
0:21
Speaker 4: Yeah, that's what's up man.
0:23
Speaker 5: So he was always Charlotte, always make fun of like
0:26
Speaker 5: my roles and movies.
0:28
Speaker 1: I love her.
0:29
Speaker 4: He thinks I belonged to b and that's all I need.
0:33
Speaker 4: That's what I need to stay. That's my home and everything.
0:36
Speaker 5: And he was shocked to know that I was in
0:39
Speaker 5: a movie that was on that's on Peacock and not
0:42
Speaker 5: executive produced it.
0:46
Speaker 6: By the way, I love to have no problem.
0:48
Speaker 3: With Yeah, okay, nah, but I mean, yeah, we're on
0:51
Speaker 3: the Peacock Now. I hate I love you just dropped.
0:54
Speaker 3: It's my directorial debut. Just hilarious. One of the co stars.
0:58
Speaker 3: We got Kiaria Schroeder, Rhetoric Williams. We got Ernesty Morrison,
1:04
Speaker 3: Javier McIntosh, Sean Freeman, scrappy, little scrappy, little scrappy body good.
1:09
Speaker 6: He didn't really well, I love that sounds like cast,
1:13
Speaker 6: but it's not.
1:17
Speaker 3: You're gonna see some of these people in major roles.
1:22
Speaker 4: How did you get into film?
1:24
Speaker 3: I got my start actually through my brothers, Javier and Shaq.
1:28
Speaker 3: Since we've been kids, we've been filming like at home videos,
1:32
Speaker 3: and uh that transition into when I was about eighteen,
1:35
Speaker 3: I just was running around Atlanta with a camera, going
1:38
Speaker 3: all to clubs, you know, just trying to film any
1:40
Speaker 3: artists that I could. And from there I got picked
1:42
Speaker 3: up and started to go on tour. So I was, uh,
1:46
Speaker 3: big baby drama. So I was his day to day
1:49
Speaker 3: and so we did his first tour with Orie Lennox
1:51
Speaker 3: and then that led to touring with Kendrick Lamar. So
1:54
Speaker 3: I did the Damn Tour with Travis Scott and them,
1:57
Speaker 3: and from there, like my name really started the buzz,
1:59
Speaker 3: and so I took, you know, my expertise in that
2:03
Speaker 3: and transitioned into films and commercials. So I started doing
2:07
Speaker 3: commercials for like the under Armours and.
2:10
Speaker 1: Some of my favorites.
2:11
Speaker 3: I used to direct campaign videos for Stacey Abrams sorry,
2:15
Speaker 3: Leader Abrams. And then you know, from there, I just
2:18
Speaker 3: started shooting movies as a cinematographer, doing like Keisha Cole's biopic.
2:22
Speaker 1: And never would have made it.
2:25
Speaker 3: But now transitioning into my directorial debut, which is I
2:28
Speaker 3: Hate I Love You.
2:29
Speaker 6: So for I Hate I Love You?
2:30
Speaker 7: Did you film it yourself, produce yourself and didn't sell
2:33
Speaker 7: it to Peacock or did you so?
2:35
Speaker 3: Maverick and Freely Films they kind of put together that play,
2:39
Speaker 3: but I was one of the producers and directors and
2:41
Speaker 3: my team with BP forty, we pretty much just use
2:45
Speaker 3: all of our resources to film it, like it's all
2:47
Speaker 3: of our own equipment. We brought everything to the table
2:50
Speaker 3: and I directed, edited, and built the score.
2:54
Speaker 7: The reason I asked cause you know, all of these
2:55
Speaker 7: screaming platforms they need content and you know people they
2:59
Speaker 7: joke about too. That's essentially what Tubi was. But all
3:01
Speaker 7: of these screaming platforms are gonna be taking that model.
3:04
Speaker 3: Facts facts, Yeah, And I think it's like it's just
3:06
Speaker 3: important like what we did, which is we just used
3:09
Speaker 3: our whole community to kind of bring it together, like
3:11
Speaker 3: all of our friends, family, We brought everybody to make
3:14
Speaker 3: the everybody together to make the film happen, especially because
3:18
Speaker 3: we filmed it last December, which of course is like
3:20
Speaker 3: right after the film strike, so everybody was hungry, like
3:23
Speaker 3: pretty much nobody had worked for a year, so we
3:25
Speaker 3: all came together for this one project.
3:27
Speaker 1: Why did you cast Jess?
3:29
Speaker 5: So?
3:29
Speaker 3: Actually, to be honest, I didn't cast Jess, but when
3:32
Speaker 3: they brought her name up, I was like, Oh, she's
3:34
Speaker 3: gonna be perfect for this role because for one, I
3:36
Speaker 3: knew she could actually act.
3:38
Speaker 6: She can definitely, you know.
3:39
Speaker 3: So it's like people asleep on that side of Jess,
3:41
Speaker 3: you know, like we all know she's funny, but she
3:44
Speaker 3: can actually act. And the good thing about her in
3:46
Speaker 3: the scenes, like when we're actually going through it, every take,
3:49
Speaker 3: she brings something different, you know. So some actors they
3:52
Speaker 3: just give you the you know, the same take back
3:54
Speaker 3: to back to back, but Jess always brings something new.
3:56
Speaker 1: So I mean I forever want to put her in
3:59
Speaker 1: my movies. Yeah, for sure. Yeah.
4:01
Speaker 5: And then a lot of people was talking about my role.
4:03
Speaker 5: Why did y'all have me play that role? Now it's
4:05
Speaker 5: so many.
4:08
Speaker 4: I played him. The issue.
4:09
Speaker 3: The issue is a little spoiler alert.
4:14
Speaker 5: Man, I just got a role when I was the
4:17
Speaker 5: first lady at BMF.
4:18
Speaker 4: I slept with my best friend's man too there.
4:20
Speaker 1: And everybody is.
4:22
Speaker 4: Just right, everybody like justice, this is what you did.
4:26
Speaker 1: We go switch to them next time, We go switch
4:28
Speaker 1: them next time. But you did body that role? Yeah
4:30
Speaker 1: you killed it?
4:31
Speaker 4: Thank you?
4:32
Speaker 5: Did you have is it? Was it like a whole
4:35
Speaker 5: team of writers, like because you said it was?
4:38
Speaker 3: Actually no, So it was Jay Carter the executive producer. Yep,
4:41
Speaker 3: he wrote the whole film.
4:44
Speaker 4: Yeah.
4:44
Speaker 5: And then and the I seen, like, you know, I
4:47
Speaker 5: like to look at the comments and get feedback.
4:49
Speaker 4: About like everybody's rolling stuff they were.
4:52
Speaker 5: I seen a lot of people were saying, like, so,
4:55
Speaker 5: what exactly was the plot? Like what was the plot?
4:58
Speaker 4: I know that kier No.
5:02
Speaker 5: I want to call them by their name, their character
5:04
Speaker 5: Jacinda yeah and Bradley Yeah.
5:07
Speaker 4: So they owned the agency.
5:08
Speaker 1: Yeah, they owned the agency art Life.
5:10
Speaker 5: And I want to know how does Scrappy come into play?
5:13
Speaker 5: How did he come into play with Like how he
5:16
Speaker 5: did did he owe him money? Did GC and Bread
5:19
Speaker 5: owe him money?
5:20
Speaker 3: So essentially little Scrappy's character bones in the movie. He
5:23
Speaker 3: funded all of art Life to make it what it is,
5:26
Speaker 3: got it so it's this huge conglomerate and Bradley and
5:30
Speaker 3: Senda are married, and Jesinda thinks that it was just
5:33
Speaker 3: their success that made it, you know, blow up this
5:36
Speaker 3: big not knowing that the whole time it was Scrappy
5:39
Speaker 3: and his funny money which funded.
5:41
Speaker 1: Their whole company.
5:42
Speaker 6: Is Scrappy Zagon roll.
5:44
Speaker 1: No.
5:44
Speaker 3: So he's been in a couple other roles, but this
5:46
Speaker 3: is his first, I would say, like serious, serious role
5:48
Speaker 3: because he's you know, typically he's the bad guy. But
5:50
Speaker 3: what I wanted to do with him in this movie
5:52
Speaker 3: is I wanted him to be the villain, but very calm,
5:56
Speaker 3: because I feel like, you know, the undertone of being
5:59
Speaker 3: calm yet also assertive is a lot more you know,
6:03
Speaker 3: scary and kind of terrifying.
6:04
Speaker 7: So is it hard taking notes from networks nowadays all
6:08
Speaker 7: screaming platforms.
6:10
Speaker 1: Honestly, I can't really speak.
6:13
Speaker 3: To it because they really let us cook. So they
6:17
Speaker 3: let me cook with this. It was my first one,
6:19
Speaker 3: and I think they just trusted the cast, they trusted
6:21
Speaker 3: the crew, so when we delivered the product to them,
6:23
Speaker 3: they just accepted it as it was.
6:25
Speaker 7: And I feel like that's what they should do, like
6:26
Speaker 7: get out the way the creatives. You know what I'm saying,
6:28
Speaker 7: even if you're putting money up, get out the way
6:30
Speaker 7: the creatives.
6:31
Speaker 3: Yeah, I agree, because this is our full vision, Like
6:33
Speaker 3: we put our heart into this. You know, we spent
6:37
Speaker 3: probably a year and a half just working on this movie.
6:39
Speaker 3: So I'm glad, you know, they just let us do
6:41
Speaker 3: our thing.
6:42
Speaker 1: How long did it take the shoot?
6:43
Speaker 2: You sait a year and a half to do the
6:44
Speaker 2: whole movie, And how long did it take the shoot?
6:45
Speaker 1: We shot it in ten days, the whole movie in
6:47
Speaker 1: ten days. Whole movie in ten.
6:48
Speaker 3: Days, So it was just a grind, just ten days
6:52
Speaker 3: straight and then not spent the next I don't know,
6:55
Speaker 3: maybe six months editing and building up the score.
6:57
Speaker 4: Yeah.
6:58
Speaker 5: How did the writers strike? I heard you make earlier.
7:00
Speaker 5: How did the writer strike affect this film? Was this
7:04
Speaker 5: something that was already in the works when the writer
7:06
Speaker 5: strike came into play or.
7:08
Speaker 1: Yeah, so it was in the works.
7:09
Speaker 3: But the tough thing, I would say, the way it
7:12
Speaker 3: affected it would be just the timeline because we weren't
7:15
Speaker 3: sure when we could film it. But also it was
7:18
Speaker 3: like assembling the crew and trying to figure out which
7:21
Speaker 3: cast could be involved.
7:22
Speaker 1: That was a really hard thing with the Writer's Strike.
7:24
Speaker 3: But luckily we filmed it in December, you know, like
7:27
Speaker 3: at the end of the year, and everybody was kind
7:29
Speaker 3: of like, all right, I'll do this last joint, you know,
7:31
Speaker 3: before the end of the year to make it happen.
7:33
Speaker 6: Who is Jabrull?
7:35
Speaker 3: I would say definitely my family, my parents, my brothers.
7:39
Speaker 3: But in the film world, it's definitely Spike Lee. That's
7:42
Speaker 3: my favorite director.
7:43
Speaker 1: And why why is it your favorite? It's just the
7:47
Speaker 1: first time I saw do the right Thing? It just
7:49
Speaker 1: blew my mind.
7:50
Speaker 3: Just you know, being able, that's my favorite movie of
7:52
Speaker 3: all time, and just being able to bring people into
7:54
Speaker 3: your world and actually show them what that looks like
7:57
Speaker 3: is incredible to me. And a surprisingly enough, what really
8:02
Speaker 3: made me want to become a filmmaker is Missy Elliott kid. Yeah,
8:07
Speaker 3: when I was a kid seeing her videos, it was
8:08
Speaker 3: the same thing, Like my mind was blown. I'm like,
8:10
Speaker 3: how can people do this? How can I figure out
8:12
Speaker 3: how to make these things happen? And yeah, so Missy
8:14
Speaker 3: Elliott is one of my biggest inspirations as well.
8:17
Speaker 7: So I see, I wonder what's more important for a
8:19
Speaker 7: director's story or visual.
8:21
Speaker 3: I think it's a mixture of both, but you know,
8:23
Speaker 3: me as a director and cinematographer, I come from more
8:27
Speaker 3: of a visual background. But I mean, you know, it's both,
8:30
Speaker 3: like neither one can be failing. But if you have
8:33
Speaker 3: a great story, individuals are just okay, it can still
8:35
Speaker 3: be all right.
8:36
Speaker 1: But if you have amazing visuals, stories just all right.
8:38
Speaker 3: You know, as long as something's good, you know so,
8:42
Speaker 3: but you strive to have both be great.
8:43
Speaker 7: So what's your favorite film of all time that you
8:47
Speaker 7: feel like you have the perfect balance of both those things.
8:50
Speaker 1: I would say, do the right thing right.
8:52
Speaker 3: Yeah, yeah to me because it's like so many iconic
8:54
Speaker 3: scenes and just just the imagery of New York and
8:58
Speaker 3: the way he painted it and the color and lighting,
9:00
Speaker 3: but also you know, the deep messages that the film
9:03
Speaker 3: does portray.
9:03
Speaker 1: Yeah, it's to me the perfect balance.
9:06
Speaker 6: What about Belly?
9:08
Speaker 7: I love bellby so slept people be acting like Belly,
9:12
Speaker 7: but they say visually they didn't like how dark it looked.
9:16
Speaker 1: It's one of the most creative movies ever made.
9:18
Speaker 3: I think Belly deserved you know oscars absolutely like Belly
9:22
Speaker 3: is incredible and you can still watch it today and
9:24
Speaker 3: it stands at test of time.
9:25
Speaker 4: Absolutely crazy.
9:26
Speaker 5: I was like ten eleven watching that movie. Wow that
9:29
Speaker 5: in the beginning that club scene's crazy, that's like a
9:33
Speaker 5: music video in itself, and then just the scenes everything funds.
9:38
Speaker 4: I love it. Will there be a part two?
9:41
Speaker 3: I think there is a part two in the works.
9:42
Speaker 3: I can't speak on it too much. I think I
9:45
Speaker 3: think they're trying to cook something.
9:47
Speaker 4: Yeah, because the way it ends is like, okay, what else?
9:50
Speaker 3: Yeah, because it's a roller coaster throughout the whole movie
9:52
Speaker 3: where you're kind of wondering like what does this getting too?
9:54
Speaker 3: What does this getting too? And then right when we
9:56
Speaker 3: give you a piece, you know, we kind of snatch
9:58
Speaker 3: it from you. But yeah, there's it's definitely a part two.
10:01
Speaker 1: Words.
10:01
Speaker 6: Okay, you did something with the Olympics.
10:03
Speaker 3: This year too, Yeah, Actually, so I filmed the Olympians
10:08
Speaker 3: that were going to Paris. So we filmed like the
10:11
Speaker 3: behind the scenes that are photo shoot and them getting
10:13
Speaker 3: ready to go to Paris. And uh, surprisingly in a
10:15
Speaker 3: cool way, they're playing it on like all the Delta flights.
10:18
Speaker 3: So that was like all of mine that I can
10:20
Speaker 3: check out the list, you know, actually having something that's
10:22
Speaker 3: playing on Delta flights?
10:24
Speaker 7: Is it hard to write stories nowadays? When life is
10:26
Speaker 7: so absurd, Like it feels like life is glad tire nowadays.
10:30
Speaker 3: Like that's a great question, but uh no, I don't
10:33
Speaker 3: think so, because I think, you know, there's always something
10:36
Speaker 3: you know creatively that you can.
10:38
Speaker 1: Pull from it, especially with life. So I don't think
10:41
Speaker 1: so at all.
10:42
Speaker 5: Do you have any dream projects that you you know,
10:45
Speaker 5: should see in the future, any dream collaborations or any
10:49
Speaker 5: you know, anything you always wanted to do.
10:51
Speaker 3: Yeah, I mean I'd love to do something with Jamie Fox.
10:58
Speaker 3: I love Jamie Fox as an actor from the Spike
11:00
Speaker 3: Lee and just you know, like bigger movies. I would say,
11:05
Speaker 3: like bigger movies with you know, larger budgets, more access
11:09
Speaker 3: and you know, us being able to tell our stories.
11:12
Speaker 6: Yeah, that's on the way. I wonder you know what
11:15
Speaker 6: directors like yourself? Is it pressure? Because every single thing
11:18
Speaker 6: you do nowadays can be.
11:20
Speaker 7: Magnified, right, Like you know, so a lot of these
11:23
Speaker 7: people have the opportunity to grow in business. But for you,
11:27
Speaker 7: it's like, oh, it's real, Hey, I love you. Oh
11:30
Speaker 7: just Alarus in it, these person in it. I'm a
11:33
Speaker 7: watch so they're watching you from the beginning.
11:36
Speaker 3: Yeah, yeah, I mean for me, it's I don't really
11:39
Speaker 3: feel the pressure as much because I disconnect so I
11:41
Speaker 3: don't spend time on the internet all day, and I
11:43
Speaker 3: know people are gonna say what they're gonna say regardless,
11:45
Speaker 3: you know. Like I've been making films and commercials for
11:48
Speaker 3: fifteen years, so it's like either you like it or
11:50
Speaker 3: you don't, you know, so I know what I created.
11:53
Speaker 3: I know what it took to make it, you know,
11:54
Speaker 3: especially with our team, so I don't really feel the pressure,
11:57
Speaker 3: and I always know where I'm going. I'm always going
11:59
Speaker 3: to something bigger and greater. So if you don't like
12:01
Speaker 3: this one, maybe you like the next one. If you
12:03
Speaker 3: don't like that one, maybe you like the next one
12:04
Speaker 3: after that. But if not, you know, I'm not here
12:07
Speaker 3: to please everybody anyway, so that's all good.
12:09
Speaker 6: What's your favorite way to tell the story? Is it
12:10
Speaker 6: through film? Is it through you know?
12:12
Speaker 7: I guess the documentary style stuff like the Olympics, Like I.
12:15
Speaker 3: Would say my favorite would be film and commercials. Like
12:19
Speaker 3: I really like commercials because there's so much intention and
12:22
Speaker 3: there's so much time spent for something that's so small,
12:26
Speaker 3: and you can get really creative with commercials. So I
12:28
Speaker 3: would say, yeah, movies and commercials are definitely.
12:30
Speaker 6: My favorite commercials are a lost art.
12:32
Speaker 7: Yeah, sure, Like think about when we was young, those
12:35
Speaker 7: commercials that used to like stand out that you remember
12:38
Speaker 7: to this day.
12:39
Speaker 1: Yep.
12:39
Speaker 3: Yeah, they don't do it that way anymore. You know, sad,
12:42
Speaker 3: but hopefully we can bring it back, you know what
12:43
Speaker 3: I'm saying.
12:44
Speaker 5: I remember when Super Bowl commercials were the best, Like
12:47
Speaker 5: people used to love those commercials. Now it's like, nah,
12:51
Speaker 5: I'm I'm tired of like the Dawn commercials, Like none
12:53
Speaker 5: of them makes sense.
12:54
Speaker 4: Like I don't have a greasy duck, I got dishes.
12:57
Speaker 4: I need commercials we need.
13:01
Speaker 3: It's a couple that I think are cool. The homiechal Matic.
13:05
Speaker 3: He does some cool stuff with like the Lebron commercials.
13:07
Speaker 3: But yeah, I agree, like they don't go as big
13:09
Speaker 3: as they used to go.
13:10
Speaker 1: So I mean, I think the Gatorade commercials will always
13:13
Speaker 1: big Gatorade. Yeah, and Night Back in the Day will always.
13:16
Speaker 4: Good music too.
13:18
Speaker 1: Fact.
13:18
Speaker 5: So you went to Georgia State, and I know you
13:23
Speaker 5: told us how you got into film, but you you
13:26
Speaker 5: majored in business.
13:28
Speaker 1: So I got my marketing degree.
13:30
Speaker 4: How do you still dabble.
13:31
Speaker 1: In that marketing and business? Definitely?
13:34
Speaker 3: So I always knew that I wanted to do film,
13:37
Speaker 3: and my brother and I started our company in college,
13:40
Speaker 3: so like I already knew what I wanted to do,
13:42
Speaker 3: So I didn't want to go to film school. I
13:44
Speaker 3: just wanted to know how to build my business. So
13:46
Speaker 3: I just took all those years of college learning business
13:49
Speaker 3: and marketing, and I was writing, you know, my business
13:52
Speaker 3: plan for my actual company.
13:54
Speaker 1: While I was in school.
13:55
Speaker 3: So it was cool, like my professors like make up
13:57
Speaker 3: a you know, a mock company and our review your
14:00
Speaker 3: business planning, this is and this, but I was using
14:02
Speaker 3: my actual company for the professors to review, you know,
14:05
Speaker 3: so it definitely helped.
14:06
Speaker 4: And was that your brother you talk about your brother?
14:08
Speaker 4: Is that your brother that played in the movie as well?
14:10
Speaker 4: Because he's the actor?
14:12
Speaker 5: Okay, And and are you an actor as well?
14:15
Speaker 1: Not at all? Stay behind the camera.
14:17
Speaker 4: He's always been in front of the camera.
14:19
Speaker 3: Oh yeah, for sure. He's a huge personality, like he's
14:22
Speaker 3: a YouTube star.
14:23
Speaker 1: He does he does it all.
14:24
Speaker 4: Oh yeah, that's what's up.
14:26
Speaker 7: I wonder the business, uh has has gotten in the
14:29
Speaker 7: way of the creative because you know, creatives to me
14:33
Speaker 7: are creatives.
14:34
Speaker 6: Business people are business people.
14:35
Speaker 7: But now a day's creatives are forced to be business
14:37
Speaker 7: people because so many creatives be getting got that's true.
14:40
Speaker 7: So you got to know your business. But I wonder
14:41
Speaker 7: if if the business gets in the way of just
14:43
Speaker 7: being created some time, having to figure balance.
14:46
Speaker 3: Both think so because it's like for me, you know,
14:49
Speaker 3: and all our peers, we want to control our destiny.
14:51
Speaker 3: So we want to own our own businesses. You know,
14:53
Speaker 3: we want to have, you know, our foot in the door.
14:56
Speaker 3: We want to be a part of the conversations. But
14:58
Speaker 3: also as a creative, like sometimes I wish I could
15:01
Speaker 3: just show up and only do art, Like I don't
15:03
Speaker 3: want to have to handle business and hop on all
15:05
Speaker 3: these calls and figure out where the money's going. It's like,
15:08
Speaker 3: I just want to show up and create. So yeah,
15:11
Speaker 3: I agree.
15:12
Speaker 7: Or somebody like your brother, I say, somebody like your
15:15
Speaker 7: brother's gonna have be probably such a good actor because
15:17
Speaker 7: he got you just watching his back.
15:19
Speaker 6: You don't worry about facts business.
15:22
Speaker 1: Yeah, that's true.
15:23
Speaker 2: Tell him how they can see I Hate I Love
15:25
Speaker 2: You starring our very own just hilarious. Yes, yeah, so
15:28
Speaker 2: you can see I Hate I Love You right now
15:30
Speaker 2: out on Peacock please go stream it everywhere. We put
15:33
Speaker 2: our heart and soul into this and you know, shout
15:36
Speaker 2: out freely Films, Maverick, Eli, Tedro, my whole family, Carter, Sean, Tania, everybody.
15:44
Speaker 1: She acting like a on not.
15:49
Speaker 3: She was super cool in between the scenes, cracking jokes
15:52
Speaker 3: like you know, like she was. She was very very
15:54
Speaker 3: professional and even like taking you know, criticism or like
15:58
Speaker 3: maybe let's try it this way.
15:59
Speaker 1: She's like, all right, but got it. You know off,
16:02
Speaker 1: are you pregnant when you shoot?
16:03
Speaker 4: I was pregnant?
16:05
Speaker 1: They didn't know, Yeah, found out today.
16:08
Speaker 4: Yeah I was pregnant.
16:09
Speaker 1: Yeah, yeah, I was.
16:10
Speaker 4: I think it was a month already.
16:11
Speaker 1: Yeah. Well yeah, so you couldn't even smoke.
16:13
Speaker 4: He was just man, what man?
16:15
Speaker 5: I just but I was like, oh okay, all right,
16:18
Speaker 5: Yeah I didn't want nobody to know because you know,
16:19
Speaker 5: we talked somebody that they start treating you like you
16:21
Speaker 5: need crutches. I'm like, nah, yo, I'm good, Like right, So,
16:25
Speaker 5: yeah I was pregnant in the movie.
16:27
Speaker 4: Y'all y'all just can't.
16:28
Speaker 1: See all right.
16:29
Speaker 2: Well, Jabil Films, we appreciate you for joining us and
16:31
Speaker 2: show you'll be back the next movie that comes.
16:32
Speaker 1: Out at Definitely I appreciate it. Too. It's the breakfast
16:35
Speaker 1: like good morning wake that ass up in the morning
16:38
Speaker 1: breakfast club