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One Piece, 506-508 · Spoil Me! One Piece

• 0:02
  This is an Unspoiled Network podcast. This is spoil Me, covering one piece
• 0:11
  episodes five oh six, five oh seven, and five oh eight straw Hats
• 0:16
  in shock, the bad news has reached them, reunited with Dark King Railey,
• 0:21
  decision time for Loofy and back to our captain, a jail break at
• 0:26
  the Sky Island, and the incident on the Winter Island. In these episodes,
• 0:34
  our friends are hearing what happened and determined to get back and be with
• 0:39
  Loufy during his time of need, and a lot of them are beating themselves
• 0:44
  up for wasting so much time, to which I say, yeah, what
• 0:49
  were you thinking. Welcome to spoil Me, Welcome to the show everyone.
• 1:11
  I am Natasha. Thank you very much to Florian for commissioning this episode,
• 1:17
  and Florian is here with me in the chat. Delighted to see you as
• 1:19
  always. Oh, I did it again. It's Michael today. I always
• 1:27
  do this and I'm so sorry. Michael. Please accept my sincerest apologies.
• 1:32
  I put Michael on the schedule for another few episodes in June, I think,
• 1:38
  and I had to credit them to Florie because Michael doesn't have an account
• 1:41
  on my booking system, so I have really got to be on top of
• 1:46
  this from now on. You guys, these episodes it's such a weird mixture
• 1:55
  of shit that just does not matter at all and stuff that I definitely want
• 2:02
  to know about, do you know what I'm saying? We are all over
• 2:06
  the place, And it's really funny how much the different activities going on with
• 2:16
  each of the characters vary in terms of how actually plot heavy they were,
• 2:24
  how difficult it's going to be for them to extricate themselves from the situations that
• 2:29
  they're in. Like the the overall sense for me with these three is I
• 2:40
  am glad that we're coming back together, that they're going to try and find
• 2:44
  their way back. I still don't really have a clear idea how far away
• 2:51
  each of them is from him. I'm assuming they are not like equidistant from
• 2:55
  him, you know, that they weren't all shot into directions like an asterisk,
• 3:02
  but that they are sort of irregularly placed. I don't know how that
• 3:07
  power works or anything. So I'm trying to like consider who I think would
• 3:14
  be able to catch up with Louvi the fastest, and I really have no
• 3:17
  idea because as we know, like the climate of a place doesn't mean anything
• 3:23
  in terms of the UH distance from a place because the way the climate behaves
• 3:29
  here just doesn't make any real sense. So what I'm hoping for is I
• 3:37
  was just like trying to think through and you know, the first person that
• 3:42
  I would really like is Chopper, because what I was considering was who is
• 3:50
  the most sensitive out of our crew, Who is going to be a person
• 3:54
  who when somebody has suffered a major loss, is going to be able to
• 4:00
  like really listen and be there in a way that feels like you're being seen
• 4:05
  and heard. The only thing is I don't remember if Chopper was with them
• 4:13
  in Alabasta. You guys, I feel like Chopper wasn't part of the crew
• 4:17
  by then, Am I wrong? Because if he wasn't, I don't think
• 4:25
  Chopper's ever met Ace, and I think that if he hasn't, I would
• 4:31
  probably prefer us UP. Us Up and Lufy are just really able to bond
• 4:39
  both over their enormous appetites and their goofy, childlike approach to everything in the
• 4:45
  world. So I feel like Usup would be able to both celebrate Ace's life
• 4:53
  and be like, yeah, that guy was a badass, and also cry
• 4:57
  and also eat, and I don't know that any somebody else is going to
• 5:00
  be able to like really hold him down like that. Obviously, the idea
• 5:05
  would be that everybody would show up at the same time and we'd all have
• 5:10
  an amazing party where Sanji cooked for everybody, and Robin was the one who
• 5:16
  like wrote this very moving, maybe historically based eulogy of some kind, and
• 5:25
  Frankie would make an amazing mechanized memorial for Ace. I don't know, you
• 5:31
  know what I'm saying, but uh, I don't. I have no idea
• 5:34
  how this is going to shake out. Florian says, I was thinking about
• 5:40
  Chopper as well, and he also has birds, so it feels right he
• 5:45
  also has birds. Oh you mean, like in terms of maybe being able
• 5:50
  to like fly back to see Louviy. That didn't occur to me, But
• 5:55
  that's a good point. He was an alabasta, okay, he was.
• 6:00
  I have it's been such a while, guys, I really have to admire
• 6:05
  the fact that you guys are able to keep things so clearly in your minds
• 6:10
  over time about the show, because I've only been watching it for several years
• 6:15
  now and I am really losing some of the information from the beginning of the
• 6:20
  show five hundred episodes later. And y'all must watch this so like repeatedly to
• 6:27
  be able to hold it and really keep it in your brain. Either that
• 6:30
  or you just consume a lot of ancillary material that sort of like reinforces the
• 6:35
  memory in your head. But it is just so much to keep straight.
• 6:39
  I don't know how you guys do it. His island was the one before
• 6:43
  that, the Winter Island. Okay, I couldn't remember if it came before
• 6:46
  or after Alabasta. Okay, that makes sense, all right, So let's
• 6:50
  start with five oh six. The straw Hats are in shock. This is
• 6:58
  the opening of the episode, is Loofy again, his moment of I miss
• 7:04
  my crew and I wish that they were here right now, and just sobbing
• 7:10
  crying to remind us of how he's feeling. And then we go over to
• 7:15
  the weird like nightmare before Christmas sort of world that Zorro wound up in,
• 7:26
  which is called gloom Island. I had completely forgot about these creatures that show
• 7:35
  up, which are eventually revealed to be apes of some kind. But the
• 7:41
  way that the lightning flashes initially and highlights them, they really just look like
• 7:46
  straight up monsters. And eventually the you know, the fight that they get
• 7:50
  into, it's I guess maybe they're meant to be babboons. I'm looking at
• 7:54
  the markings on their faces, but uh, they are really really intelligent.
• 8:03
  And the way that they're conversing with each other, even though Zoro can't understand
• 8:09
  them, it suggested to me that there is potential for him to break through
• 8:16
  and understand what it is they're actually saying to each other and like maybe befriend
• 8:24
  them, maybe ally with them. One of these dudes is like literally breakdancing,
• 8:30
  not breakdancing, like actually, but that's what it looks like when he's
• 8:33
  fighting Zoro and kicking him, and they are wearing armor and they've got actual
• 8:41
  weapons, Like it's not like they're just over here shrieking and clawing at him.
• 8:46
  They have distinctly human characteristics. And when Zoro takes down one of these,
• 8:56
  all of the guys on the side who are watching, there's like a
• 9:00
  bunch of them that start cheering in a way that felt almost like a spectatorly
• 9:05
  fashion, like they were going, yeah, that's right, show him,
• 9:09
  And I was like, wait, why are they not also jumping him.
• 9:16
  As his back is turned, one of these pulls out a fucking rifle and
• 9:24
  takes a shot at him, and I was like, excuse me, what
• 9:28
  are you playing with swords for? Then you've got fucking guns and he uses
• 9:33
  his twister move to send a bunch of them like flying out into the woods.
• 9:39
  But guys, just you know the overall vibe here when they appeared,
• 9:45
  I thought it was gonna be a fight with monsters, and instead it's like
• 9:50
  these sort of humanoid you know, they're they're not just baboons. They have
• 9:56
  a look to them that is more developed up at least like on their legs.
• 10:03
  They're just very human like. And at one point they open up his
• 10:09
  wound and Zoro is sort of like, is that what they were trying to
• 10:13
  do all along? As he's standing there and he's sort of fading in and
• 10:16
  out, one of them is coming toward him with this huge hammer and sends
• 10:22
  him flying into a wall. This cracked me up. He just like collapses
• 10:26
  and when he's down there, what is her name? I keep wanting to
• 10:33
  say Prosecco, but she's she is like you're not dead, are you?
• 10:41
  And he says, now is not the time to annoy me, and she's
• 10:45
  like, I was actually worried about your welfare and you're accusing me of being
• 10:50
  annoying, So yeah, why don't you just go get eaten by monkeys?
• 10:52
  What the fuck do I care? Basically, and pirona, thank you,
• 10:58
  Florian. Florian says he's seen One Piece at least twenty times. Oh my
• 11:05
  god. That is so that has like when did you start watching One Piece?
• 11:11
  Florian? I feel like that has to be like the course of decades,
• 11:15
  right, Like, so Zora is sitting there and he's in this like,
• 11:24
  Okay, what am I gonna do? I definitely can't beat these guys,
• 11:28
  and he's just sort of considering and as he is, all of the
• 11:33
  monkeys apes whatever, I think they're called human drills human drills in the subtitles.
• 11:41
  I'm not sure how you're meant to say that, but all of them
• 11:43
  get this really weird expression on their face, and I was like, did
• 11:48
  I miss something? What's going on? And I didn't miss anything. It's
• 11:52
  just them acknowledging something that is about to happen because they have the ability to
• 11:58
  sense it. Zoro also senses it, and it turns out to be Hawkeye
• 12:05
  Mihawk, who is here with news. He apparently tracked Zoro down explicitly to
• 12:13
  give him this information. Not entirely sure why except for just like the sake
• 12:20
  of honor, I guess, But it's interesting to me that, like,
• 12:26
  despite really doing his best to try and kill Loofy, like really going for
• 12:31
  it, he is this committed to getting the word out about what has happened
• 12:41
  to Loofy. A strange character, this guy kind of sending mixed messages here.
• 12:48
  So then we go to the story with Chopper at Birdie Kingdom. So,
• 12:54
  y'all, this is just so difficult because these native characters, y'all,
• 13:03
  Like there was little enough with them that I was able to just sort of
• 13:07
  scoot on past it. But I just really can't with these guys. Like,
• 13:16
  first of all, there's the distinct, like minstrelly vibe of the way
• 13:26
  that they are illustrated with the lips and perfectly round eyes and everything, which
• 13:31
  is really wild, the very very exaggerated features that keep them from looking even
• 13:39
  entirely human, their accents, which are the nineteen ten like movie equivalent of
• 13:52
  Native American accent. It is just really really bad. I it was it's
• 14:00
  so hard to like get through this, and it's a shame because otherwise I
• 14:05
  felt like the story could have been somewhat interesting, but because they're played as
• 14:11
  being idiots, like they even though Chopper is talking and they can clearly understand
• 14:16
  him, this guy is saying it's clear that Chopper can't talk, and one
• 14:22
  of the other kids has to be like, well, then how come you
• 14:26
  understood what he said? And it's just a back and forth sort of like
• 14:31
  it's meant to be farcical, but because of the other baggage associated with this
• 14:37
  depiction, it just feels super racist and it is just deeply, deeply uncomfortable,
• 14:46
  Like the whole thing just felt so wrong. So I'm gonna try and
• 14:52
  just sort of do this one quickly. There is some sort of illness spreading
• 14:58
  through this tribe of people, and there is a particular plant that is really
• 15:03
  effective in treating it, but they aren't given access to it the way they
• 15:09
  normally are because of these birds. And it's unclear to me whether they were
• 15:16
  able to access it before and then the birds like moved in and stopped letting
• 15:22
  them in, or if it's that the birds used to let them in and
• 15:26
  now they don't anymore. I think it's like that second one. But the
• 15:33
  drug that they used the herb when Chopper got injured because they were about to
• 15:41
  roast him, he got like burned on his little buttons a little behind,
• 15:46
  and they give him this herb and he rubs it on it like immediately seems
• 15:50
  to heal it. So he is just really interested in this as well as
• 15:54
  a doctor, and realizing that this is something that could help them and these
• 16:00
  people will definitely actually die from this, he starts to get pretty invested.
• 16:04
  So he decides that he's gonna go and speak to the birds and ask them
• 16:14
  politely about letting in these folks to get the herb. Now, the problem
• 16:23
  is that despite the fact that Chopper can talk to animals, the animal has
• 16:29
  to like want to actually fully communicate with you in order for that to work
• 16:33
  the way that it needs to work. So he goes up and instantly gets
• 16:37
  this sort of like weird statement from the bird of like, what do you
• 16:42
  mean they'll never get treasure? What treasure? And as soon as he says
• 16:48
  that, this other bird comes careening in from the other direction and is attacking
• 16:55
  him and sends him flying and I was just like birds. He's just trying
• 17:00
  to have a perfectly reasonable conversation. Why can't you just like talk? He's
• 17:07
  not a person, And he explained to you why they want to get up
• 17:14
  here. He says, why do you hate humans? Why do you want
• 17:18
  them to suffer? And he uses a rumble ball in order to keep himself
• 17:22
  from really getting hurt the way that they're tossing him around. Meanwhile, the
• 17:27
  tribe has decided, like, we didn't want to do this, but we're
• 17:30
  gonna have to take all these birds out because we're trying to protect our family,
• 17:36
  you know, So we're gonna do whatever we need to do. And
• 17:44
  Chopper is like on the ground. He turns back into his normal self after
• 17:48
  this rumble ball wears off, and he puts himself between the explosion. And
• 18:00
  I don't know exactly how this because it looks like an explosion. I don't
• 18:03
  think it's meant to be. But somebody sent a spear heading towards one of
• 18:10
  those birds, and basically Chopper took the hit, but there was a look
• 18:15
  to it like it was on fire or something exploded. And as he's falling,
• 18:22
  Chopper is like, neither of them will listen to a single word I'm
• 18:26
  saying, and he's falling to what would have been certain death, but then
• 18:30
  get saved by that adorable chick who is riding on the back of its mother.
• 18:37
  I'm assuming mother, and I love Chopper. All right, listen up
• 18:44
  this time, This big round chick, you guys, is absolutely the best.
• 18:52
  I love this weird marshmallow bird peeps, take note. If you're gonna
• 18:59
  make marshmallow birds, this is what they should look like. Basically perfectly spherical,
• 19:04
  with a tiny little like curl of a feather on the front, a
• 19:08
  beacon eyes, and that's it. That's it. Florian says, Uh,
• 19:17
  maybe this is blank, but these birds are ugly. Or maybe this is
• 19:21
  just me, but these birds are ugly, Florian, it is not just
• 19:25
  you, babe. These birds are super fucking ugly. They're very unattractive,
• 19:30
  they really really are. They're they're sort of like this weird mix of the
• 19:37
  silhouette kind of of a flamingo, but the coloring of like there's a bird
• 19:44
  in Mexico that I'm thinking of, the kets All I think it's called and
• 19:49
  uh, the just the whole thing is is unattractive. Put together, those
• 19:55
  long snaky necks. They have almost a big bird thing going up with the
• 20:00
  feathers all around their faces at the top. Just yeah, do not like
• 20:03
  it, but yeah. It turns out that these birds like treasure and that
• 20:14
  they had collected treasure because it was just something that they enjoy, sparkly things.
• 20:19
  And eventually there were some fucking humans who came and stole all of their
• 20:26
  shit and chase them away, and that was what they thought these humans were
• 20:32
  after as well, was just treasure. So when they realize it's the plant
• 20:37
  that they need, these birds are literally, like I was gonna say,
• 20:41
  hand delivering it, I guess you'd say, beak delivering. And Chopper is
• 20:48
  like, all right, well that's great, guys. As soon as you've
• 20:49
  got more of that ointment, I could definitely use some. And then he
• 20:53
  just like passes out and when he wakes up, he goes outside and some
• 21:00
  of the humans are actually giving the birds sparkly things to give to say thank
• 21:07
  you. You know, this is something that I would love to try,
• 21:11
  and I know that, like, I have the information to set this up,
• 21:15
  but not the will yet. I think I've even got the supplies.
• 21:22
  But there are people who have like made a little landing area for crows that
• 21:30
  have a sort of open space. It's easy to see that reflects sunlight,
• 21:37
  and they put items there. And evidently crows, being very smart and sort
• 21:41
  of like social and transactional, will bring you things back if you leave them
• 21:48
  like cool little shiny trinkets that interest them. They will find stuff and bring
• 21:53
  it and leave it in place of what you left outside if they have begun
• 21:59
  to feel that there is a real relationship between the two of you. And
• 22:04
  it's been sort of fascinating to me and I wanted to try it. But
• 22:07
  also I'm starting a like vegetable garden this year, and I just don't know
• 22:11
  if I want to be asking crows to hang around. I feel like they're
• 22:15
  gonna eat my tomatoes, and like I'm pretty protective of my tomatoes. I
• 22:18
  just don't want any of that action, I don't think anyway. We then
• 22:25
  go to like just a very brief moment of Chopper opening the newspaper and his
• 22:30
  eyes widening as he realizes what the front page says, and we don't actually
• 22:38
  see I don't think any more of him. I think that's all we get.
• 22:42
  But uh, yeah, the birds, that could be a good possibility
• 22:48
  for him because he's definitely we've seen him ride them a couple times now.
• 22:55
  So let me go to Nami. I look, I'm gonna be honest.
• 23:03
  Name's story line here is the weirdest. It's it's not just like the fact
• 23:11
  that the story itself has so many fantastical elements with the weather stuff, like
• 23:21
  she's currently working in a weather field where they grow weather balls like as if
• 23:27
  they're cabbages, but also that she this is an island that's so absolutely perfectly
• 23:44
  suited to her interest compared to everybody else, like where they have wound up
• 23:52
  has been. I won't say it's irrelevant because ultimate I think each of them
• 24:00
  were sent there on purpose because of whatever their specialty is and their need for
• 24:08
  exploring that side of themselves. So you know, you have people who are
• 24:15
  being oppressed like Robin was, and she needs to help them. You've got
• 24:19
  people who are exploring their feminine side instead of just like sexualizing women. With
• 24:26
  Sanji, you've got the I don't know what you would say because we still
• 24:32
  haven't really found out what's going on with these baboon creatures. So I'm gonna
• 24:34
  say that one with Zoro. But the fact that they knew well, I
• 24:40
  was gonna say they knew who Mihawk was, but maybe they didn't. They
• 24:42
  may have just felt his aura and been like, Okay, we're out.
• 24:47
  Then with Chopper, he winds up somewhere that has like this incredible plant that
• 24:52
  has all of these healing properties. Those are all feeling pretty on the nose.
• 25:00
  I don't really get why he's wound up where he has how that has
• 25:07
  relevance to him specifically, but maybe that's coming uh And yeah, and like
• 25:14
  Frankie's is pretty self evident. But this with with Nomy, how much she's
• 25:22
  like I won't say she's uninterested, because she's not. She wants to know,
• 25:29
  but it's like, I guess it's just part of her character that despite
• 25:33
  being interested and wanting to know and like allegedly being willing not me just fights
• 25:41
  tooth and nail the whole time in a way that is just making everything harder
• 25:47
  on her and everybody around her than simply communicating would have done. And so
• 25:53
  she's over here working in this field and they're just standing watching and she she
• 26:00
  gets so irritated at the fact that they're like criticizing her, which she should
• 26:04
  and As she's doing this, the newspaper is dropped in one of their hands,
• 26:11
  and she spots the front page and like grabs it out of his hands
• 26:15
  and is reading it. And later on we come back and find out that
• 26:19
  she has started to take the uh, she started to try to leave the
• 26:26
  island, but she's treating it like she's escaping a prison. Now. I
• 26:33
  don't recall if she did anything that warranted her having to absolutely stay there.
• 26:38
  Forgive me, if it's just been so long, you know, there's been
• 26:41
  so many things to keep track of, But the attitude that they take with
• 26:47
  her attempting to get away, I was sort of like, wait, why
• 26:49
  are they upset about this? So we jump right from there though, before
• 26:55
  any of that even happens, to oos up on the island eating and y'all
• 27:03
  this I'm I'm over it. I'm over it. I don't want any more
• 27:08
  of it. I don't need any more of the like fat jokes. There's
• 27:15
  even a what if you get diabetes? Yo? Anybody out there who has
• 27:22
  this like urge to make a diabetes joke about somebody who's gaining weight, let
• 27:30
  me just ask you to please not do that. Okay, Now, I
• 27:36
  don't have diabetes. I I'm actually my blood sugar is like kind of amazing
• 27:41
  considering how heavy I am. But people who actually do have diabetes are very,
• 27:52
  very sick of this joke. And there are plenty of people who have
• 27:55
  a type of diabetes that you are born with that isn't something that comes upon
• 27:59
  you later in life, and it's irrelevant in their case. But people don't
• 28:04
  make that distinction, and it's just tired, and it's like ablest it's just
• 28:11
  like low key shitty, you know. There's just a sort of implication with
• 28:15
  it that, if you read it backwards, is anybody who has diabetes brought
• 28:23
  it on themselves? Kind of vibe and I just it's just gross, you
• 28:29
  know, Like there are so many factors that play into developing diabetes, and
• 28:33
  some of them are choices, but some of them are also like sociological,
• 28:37
  ecological, economical, cultural, So just mind your own business and don't make
• 28:45
  those jokes because it's tired. It's just so tired. And the overall thing
• 28:52
  here is eventually that he sees the newspaper and isn't listening to heracle when he's
• 29:00
  trying to tell him, you've got to like get it together, dude,
• 29:03
  until he sees the newspaper and realizes that like, Lufy's in trouble and he
• 29:10
  has been sitting around eating this whole time when his friend is in need of
• 29:15
  support, and that Lufy would have been there for him during his hour of
• 29:18
  need. So he absolutely needs to, you know, fix the problems that
• 29:25
  he is creating for himself here and get on the road. Then we go
• 29:33
  to Soangy and he gets the newspaper and it's very funny the way they do
• 29:37
  this, where they have him get so angry as he reads it that all
• 29:41
  of his makeup melts off and like his fake eyelashes fall off as well,
• 29:48
  so he's just yelling like what the hell is this? He has one of
• 29:52
  the briefest moments out of anybody. And then we go to Robin who is
• 29:59
  being like a huge coat because it's still snowing and she's still wearing one of
• 30:03
  those like jumpsuits that's unzipped to her navel basically, and let's see, Oh
• 30:15
  yeah, what's her name? Bunny? Bunny Joe. I think she's like,
• 30:19
  all right, Robin, we all know who you are. You have
• 30:22
  to come with us, And Robin says I understand that, but I have
• 30:27
  to see all of my friends soon. I have to go to them.
• 30:30
  When you say your friends, are you referring to the straw Hat Pirates,
• 30:34
  because we happen to have a bit of information about them that might be of
• 30:38
  interest to you, and that's how she gets her info. Then we go
• 30:45
  to Frankie and he's over here in this laboratory delighting in the feeling of cola
• 30:52
  filling his veins? Is that what I want to call it? And let's
• 31:03
  see, Oh yeah, here's this this polar bear. I forgot about this
• 31:06
  whole thing. This thing is so crazy looking. It punched me straight into
• 31:10
  a fridge full of cola, and then I torched him. So I'd say,
• 31:15
  everything's pretty cool. And as he says that a facts comes through you,
• 31:22
  guys, I could not believe that that was the way. It makes
• 31:26
  sense, honestly, but the facts that got me that was cracking me out.
• 31:34
  Then we go to Brook and he's over here writing a bunch of music,
• 31:38
  singing, and these weirdos are listening in and saying, how like terrifying
• 31:45
  The lamentation is that he's writing, he's summoning his legions to place an unspeakable
• 31:51
  curse upon the entire long Armed tribe. And as he says this, we
• 31:57
  see Brooke inside and he thinks, I just lost my train of thought.
• 32:05
  And I think it's because this guy was like speaking on the outside. But
• 32:10
  yeah, he just gasps, and we go inside and he says forty five
• 32:17
  degree slant. Wait, shouldn't it be sixty? I don't understand what that
• 32:22
  even means. I don't know what that like, that joke like it,
• 32:30
  I have no idea. And then is this my punishment for all those painties?
• 32:36
  Which actually was pretty funny. I hate to admit but it was,
• 32:39
  but that slant, don't. I don't get what's going on with that joke.
• 32:46
  I'm so sorry. I feel like I really miss something there. Florian
• 32:52
  says, you make me look at this in such a different way. With
• 32:54
  Nammy, I mean, I love her, but why is she so mean
• 32:57
  to these weather wizards? That's what I'm saying. This weird like this should
• 33:00
  be this shit that she gets like that she's so excited to learn, and
• 33:05
  that other people who are able to tell her lots of new information and talk
• 33:10
  like that's the sort of thing that should make her nerd out and get excited,
• 33:14
  and instead she just seems pissed, you know, And I'm like,
• 33:17
  why are you like this? What's going on? But anyway, so this
• 33:27
  is when we have the delivering of the information from Miehawk to Zorro, and
• 33:32
  we go like back over everybody's faces as they read the news and clearly all
• 33:42
  come to the same conclusion that we need to get together with him as quickly
• 33:45
  as we can. And then we just see the back of Loofy and jump
• 33:50
  to the next episode. Everybody is like beginning their attempts to get to where
• 33:55
  they want to go and to find him again. The island that we start
• 34:02
  off with is it's so weird because these guys are on the shore, well
• 34:09
  they're on a cliff and they're watching a sea king just get the shit be
• 34:14
  beaten out of it in the water. And it turns out to be Raleigh
• 34:21
  who is like fucking the sea king up. But the way that this was
• 34:28
  really reminding me of and I'm wondering if this is who he was picturing when
• 34:35
  he wrote it. But in Cradle there is a north Strider character who fights
• 34:43
  sea serpents while underwater and has a kind of aesthetic that I would not say
• 34:51
  is unlike Raleigh. Actually he's meant to be like dark haired, I believe,
• 34:59
  but jacked attractive, almost a sort of like unkempt. Almost could look
• 35:07
  like he sleeps on the streets if it weren't for the fact that he has
• 35:10
  clearly been enjoying peak nutrition and gym equipment kind of look. So that was
• 35:16
  who all of a sudden, I was like, oh, shiz is that
• 35:20
  where he was getting the sort of north Strider thing from, you know?
• 35:24
  But yeah, he comes to shore and uh he's just right in front of
• 35:34
  law Trafalgar Law, and it's like, oh, yeah, I remember you
• 35:37
  from Sabode and he says so funny story things that kind of rocky. In
• 35:43
  the storm, my ship sank, so I had no choice but to swim
• 35:46
  here. And I had been wondering what was up with him and where he
• 35:53
  was, And there was a mention like, I think that we saw him
• 35:55
  briefly on the island, and I just assumed that he was holding himself apart
• 36:04
  and not getting involved. But evidently he did try to come over and it
• 36:09
  just he hit a snag. So you killed that giant thing with your bare
• 36:19
  hands, And Beppa says I have actual bare hands, and I couldn't do
• 36:27
  that. I loved that joke so much, you guys, Oh that was
• 36:37
  just chef's kiss that that's a good fucking pun. Man. I love that
• 36:40
  they just decided to go for it with that one. Appreciate you, oh
• 36:45
  man. So he this is when he says, something tells me Luviy's on
• 36:52
  this island? Is that correct? And understandably a little bit later, the
• 37:00
  I can't remember the name Nyo? Is that her name? The old lady
• 37:07
  has a name with the same lettering as the way that she pronounced things,
• 37:10
  and I can't remember how it goes, but she understandably is sort of like,
• 37:16
  Okay, here's my issue, the fact that Lufy is here and he
• 37:22
  was able to find him so easily. Yeah, there are buds, So
• 37:25
  it's fine that he's here, But if he was able to put two and
• 37:30
  two together that quickly, then somebody else might also and that could be a
• 37:35
  fucking problem. Like the whole point of keeping him here is so that he
• 37:38
  can rest, but we wind up getting some more info about exactly where he
• 37:44
  got this information. So let's jump over to fucking Boa. Hancock is absolutely
• 37:55
  off her rocker at this point, this which is giving like like crazy girlfriend
• 38:06
  that meme. You know, she's like doing finger puppets of herself and Loofy
• 38:13
  talking to each other. Your girl needs a vibrator and some an array of
• 38:28
  other men to remind her that there are other efficiency she is just So it's
• 38:37
  weird because like I want to call her digmatized, but she hasn't fucked him,
• 38:40
  so that's not what's happening. And in a way I can understand how
• 38:46
  like the thing that's going on with her is sort of similar to what happens
• 38:51
  with Edward and Bella, right, where he reads everybody's minds and here comes
• 38:55
  this girl who's mind he can't read, and he's like word and that just
• 38:59
  immediately his attention and has him more interested. So she has this power where
• 39:04
  she can just make men fall in love with her and then Lufy has no
• 39:07
  reaction. Of course, that's going to make you just more interested. It's
• 39:12
  sort of a default thing that anybody who manages to sidestep something that has worked
• 39:17
  consistently for you is gonna make you stop and pay attention. But oh boy,
• 39:25
  oh boy, oh god, Florian says, I love this, but
• 39:29
  I will have to send you the Japanese version. She is killing it here.
• 39:31
  Ooh, I am very interested. My heart is aflame with affection.
• 39:39
  I can feel the desire building up inside me. And as she says that,
• 39:45
  she like wraps her arms around herself and like wriggles her tits, and
• 39:49
  I was just like, y'all need to calm down. And this old lady
• 39:57
  says, you are hopeless. I told you any man can remember your name,
• 40:05
  but that doesn't mean you're married. And Boa says, oh, then
• 40:10
  what is marriage? What else is there to do? And Yo says and
• 40:15
  I'm gonna call her neyol because I can't remember her name. That is a
• 40:19
  difficult question to answer. And that's the end of that scene, which I
• 40:23
  thought was hilarious. That like just being like, I remember your name and
• 40:32
  that's enough. And when somebody's like, so you need more than that for
• 40:35
  marriage, and somebody's like I can't think of anything, Like okay, well,
• 40:45
  I feel like you should have been able to think of a lot of
• 40:47
  things right immediately off the top. But sure, And I'm really curious how
• 40:54
  long this is gonna go on, like not in terms of I'm so sick
• 41:00
  of this plot line. With Boa that I wanted to end. That's not
• 41:01
  what I mean. What I mean is Loofy is not into her, But
• 41:08
  I don't feel like he is into anybody. I don't feel like he's against
• 41:14
  her. He's just like viewing her as a bud the same way that he
• 41:19
  views everybody. And there is a part of me that I could see,
• 41:24
  like I could see Boa being like, so, my love, I've made
• 41:31
  our wedding and we're going to get married, right, And I could see
• 41:36
  Loofy just being like, oh, well, I mean I wasn't planning on
• 41:38
  it, but yeah, sure, let's go ahead and just not really caring
• 41:44
  about it because it's so irrelevant ultimately to anything else that why shouldn't you get
• 41:50
  married? Who cares? Like? What does it matter? You know?
• 41:55
  That said? He obviously isn't staying on this island. He will be leaving.
• 42:01
  So the only solution to that is either that Boa is okay with having
• 42:06
  a husband who travels the high seas and leaves her for long periods at a
• 42:09
  time, or she comes with him, which I do not see happening.
• 42:15
  That's just not it's not happening. It just that would mean that she's become
• 42:20
  like a part of the crew and there's no fucking way. I'm just thinking
• 42:29
  how fucking Soanji would react to her and yikes. So I have no idea
• 42:37
  where this is going, Like, I don't think Lufy is just gonna break
• 42:43
  her heart. I feel like whatever is going to happen has to sustain this
• 42:47
  illusion for her and make it an ongoing thing, because there are so many
• 42:53
  things that can be done if you've got somebody in the position she's in in
• 42:59
  terms of her being a warlord and being on Loofy's side and willing to defend
• 43:07
  him, you don't get rid of that advantage, right, Like, we're
• 43:14
  gonna want to hold onto that so that he can keep taking advantage of that.
• 43:19
  But the question of them being a couple has to be answered in some
• 43:25
  way, and I really don't know what that's gonna look like. So that's
• 43:30
  that's my main question at this point. So we go back to uh Jimbay,
• 43:37
  who is carrying Loofy on his back, and he goes out to where
• 43:43
  the submarine had been, and that's when they see Raley and he's like,
• 43:47
  they can't have just left, did they? So yeah, Raley says,
• 43:55
  oh no, Lufy says, I was gonna use my beaver car to go
• 43:59
  to Ibaioti since my friends are waiting there, and he asks Raley if he
• 44:06
  has seen them, and he says, no, I don't think that they
• 44:08
  have made it there yet. And I handed my beaver card to Shocky,
• 44:15
  so now I can no one can find me and I can go wherever I
• 44:19
  please. Jimmy, for his part, is really impressed with the fact that
• 44:25
  Raley is here. This is like, you know, a dude who has
• 44:29
  a lot of power, and Jimmy was not prepared to meet him and is
• 44:32
  just literally sweating and it's adorable. Uh. Loofy gets his hat back and
• 44:40
  he's got these three cuts in the top and he's This is when Jimbay is
• 44:47
  like, all right, so what's happened to the submarines And Railey says,
• 44:52
  oh, yeah, he took off and he left a message for Loofy stay
• 44:58
  in bed for two more weeks, yes, and come on, now,
• 45:06
  that's just never happening. I mean, I'm just sort of imagining that he
• 45:10
  needed Lufy to stay in bed for two more days. And he decided to
• 45:15
  say two weeks the way that you tell somebody that a party starts at seven,
• 45:21
  when actually it doesn't start till eight, but they always run late,
• 45:24
  so you just tell them a different time, Like that's what I'm I'm gonna
• 45:29
  Headcannon happened here that he was like, all right, I need him to
• 45:31
  like lay low for two days. If I say two days, within like
• 45:36
  four hours, he's gonna be sprinting across the fucking island. So let me
• 45:39
  say two weeks, and then maybe I'll get two days out of him with
• 45:44
  that. You won't, but I can understand trying, you know. So
• 45:50
  this is when you go to a bunch of guys who are with law.
• 45:54
  I keep wanting to say Law like by itself, but I feel like I
• 45:58
  gotta say Trafalgar Law every time because Law by itself it just doesn't sound like
• 46:05
  a name, you know. It's just so anyway, they are once again
• 46:12
  underwater, and he is saying to the other guys that are in this submarine,
• 46:20
  I wonder what the Dark King is up to. It seems he is
• 46:24
  drawn to another man with the will of D What is I'm going to go
• 46:36
  ahead and assume that that is like the D initial. I know that this
• 46:44
  is not ODI's fault. Slang being what it is, changing and developing over
• 46:52
  time. There's no way that he could have foreseen this, right, I
• 46:55
  don't think maybe, but the will of D four ins in the chat,
• 47:07
  saying no, do not say it, all right, I won't say it,
• 47:13
  but you will know what I'm talking about. And we could have just
• 47:21
  done any other letter. We could have done any other letter and it would
• 47:29
  have been less hilarious. So maybe this is for the best. Maybe we
• 47:35
  want it to be the most hilarious. But you know, damn, so
• 47:44
  why is he being drawn men with the will of D. I'm so sorry
• 47:57
  you guys. I can't not think this is funny. What am I supposed
• 48:06
  to do? Ugh? Anyway, yone, that's her name. I was
• 48:12
  so close. So this is when Rayley is greeted by all of the lovely
• 48:19
  women of the island, and the only person that Boen notices is Loofy.
• 48:24
  She doesn't even say hi to Raleigh until like way later. It's as if
• 48:30
  she is noticing him for the very first time, which is really really funny.
• 48:36
  And she has brought this huge feast for Loofy and doesn't want Jimbae to
• 48:43
  eat any of it, and it's like you can have one bite, and
• 48:46
  he says how generous. I wish that Lufy had spoken up for her for
• 48:55
  Jimbay, because I feel like all it would need from him was of course
• 49:00
  you can have some, and Boa would immediately be like whatever he says,
• 49:06
  you know. But this is when Jon is bringing up the whole thing with
• 49:10
  Lufy and how it was easy for Rayley to find him apparently, and he's
• 49:19
  like, no, no, no, don't worry about it. So the
• 49:22
  first one who helped him escape in the archipelago told me that he would have
• 49:30
  been headed in this direction. So it's when he says escape from the archipelago,
• 49:37
  I'm like, wait a minute, hold on, And indeed we go
• 49:42
  back and see Kuma and he leans in and whispers, I work for the
• 49:49
  Revolutionary Army because straw Hat shares a connection with Dragon, I will let his
• 49:57
  crew escape, and Shaki, in this moment, says, oh, that's
• 50:05
  quite the twist, and I do really enjoy her, like just actually saying
• 50:12
  that out loud because it's funny. But yeah, that was like, you
• 50:15
  know, my suspicion here. I feel bad Kuma evidently isn't he. I
• 50:23
  don't think Kuma exists as himself anymore, and that fucking blows man anyway.
• 50:36
  So we see Shaki saying where did he send our monkey boy? And him
• 50:38
  saying beats me. Kuma says, I apologize for my abrupt manner earlier.
• 50:46
  Can I speak with you for a moment. I love how it's showing him
• 50:52
  coming up to the building that Reyley and Shaka are in. But Kuma is
• 50:59
  so humongous that not only can he not fit inside, but only one foot
• 51:05
  fits on the walkway outside, Like he can't even stand in front of the
• 51:09
  door because it's so he's so huge. It's like being like, come and
• 51:14
  knock at the door of a mousehole and stand in front of the door,
• 51:16
  like it's just there's no the proportions don't make sense. But yeah, this
• 51:24
  is when he says, I don't have much time as myself. Uh but
• 51:31
  he and that's like the last thing we get straight out of his mouth.
• 51:36
  And I was just like, Reley says, he told me what direction he'd
• 51:42
  sent him flying in, but that didn't necessarily even point to this island.
• 51:45
  But then some details came into light when I was looking into the events leading
• 51:50
  up to Marine Ford, namely the impaled down prison break caused by Lufy and
• 51:55
  the others. I spent a lot of time puzzling over how Lufy was able
• 52:00
  to infiltrate such a heavily guarded prison. It made enough sense that Lufy got
• 52:05
  there by stowing away on a Navy ship with Hancock, but it still didn't
• 52:08
  add up. And we find out that Shako was the one who was like,
• 52:15
  you know what, what if Hancock fell in love with Lufy immediately?
• 52:21
  That would actually make all of these pieces that seem to not fit anywhere fall
• 52:24
  into place immediately. And understandably, Rayley was just like, that would have
• 52:30
  been hilarious, but no, that's certainly not what happened. And coming into
• 52:36
  the present, he's like, that's that women's intuition there for you. This
• 52:42
  is one of those that I was talking about this with Owen the other night
• 52:45
  because we've been watching a lot of Poirot lately, and it was a really
• 52:51
  great moment because somebody attributes a woman being correct about something as women's intuition,
• 52:59
  and Owen paused it and was like, you know, I really fucking hate
• 53:04
  that whole conceit, And I was like, oh why, because it dismisses
• 53:09
  women's actually putting together like logical clues and indicators and information as simply being like
• 53:17
  us intuiting out of nowhere because we couldn't possibly be smart enough to actually use
• 53:22
  our minds. And he's like yeah, and then he presses play, and
• 53:29
  the next scene is like, somebody is saying to Poiro, well, he
• 53:34
  said it was women's intuition, and Puaro is like, I don't believe in
• 53:37
  women's intuition. She's using facts and maybe she doesn't even know what those facts
• 53:43
  are, but she knows something for sure, and she just doesn't have the
• 53:46
  language to express that. And I was like, oh shit, thank you
• 53:51
  very much. Like it was. It was a nice little moment of approaching
• 53:55
  it from a different point of view but still being like, yeah, but
• 53:58
  that's some bullshit. But anyway, I'm sorry. Guys, this uh the
• 54:07
  way that Boa is standing over Loofy. Do you like it? Please say
• 54:10
  yes? I brought it all for you. Oh my god, girl,
• 54:15
  get a hold of yourself, son. He says, all right, it's
• 54:21
  time we got down to business, Loofy. Earlier you said you're heading back
• 54:27
  to Sabayote to meet up with your crew. Do you still plan on doing
• 54:30
  that? And Lufy's like, well, yeah, why would I not do
• 54:34
  that? They need me? And really it's like, yeah, maybe they
• 54:37
  do. I'm not sure that's the place you want to meet up though.
• 54:42
  That didn't go super well for you, if you'll recall, and the moment
• 54:52
  here where Lufy is like thinking back to what went down, it's so weird
• 54:58
  because Okay, I'm gonna to back this up a little bit. Everybody has
• 55:02
  like this really grim expression on their face as if they're also remembering what he's
• 55:07
  remembering. And I was like, why boa Hancock is even looking like she's
• 55:12
  on the verge of tears here. But the question that really poses to him
• 55:21
  is, in the condition you're currently in, if you face the foes at
• 55:27
  Sabayote today that you face last time, do you think you would do any
• 55:32
  better? And that's the fucking question. Uh, he says, do you
• 55:40
  want to be reunited with her friends only to endure the same fate? I
• 55:45
  would imagine that your answer is no, So let me offer you some advice.
• 55:51
  Do with it what you will. And when he says this, Lufy
• 55:57
  like pulls the edge the brim of his hat down and we don't get that
• 56:01
  like answer that we don't get the second part of that statement that what the
• 56:07
  advice is we go back to us Up for reasons I don't understand. I
• 56:15
  pretty much talked about Ousup's deal more than it deserved. So I'm gonna move
• 56:22
  right along from that one into the next one and talk about what's going on
• 56:27
  with h with Nami and trying to steal this weather balloon. Also, we
• 56:35
  have this the the Trafalgar Law Pirates, and they have wound up, you
• 56:42
  know, at Maiden Island as well. They're sitting there just like trying to
• 56:46
  fish and chill out and wondering how Lufy is doing and Trafalgar Law. At
• 56:55
  one point, they hear a noise and he like looks over and it's almost
• 57:00
  like the guy who's fishing thinks that it's the fish that's making this sound,
• 57:05
  but it's the wind that's rippling this sail above their heads. And they're all
• 57:12
  like, wait a minute, I'm seeing this, and I'm like this,
• 57:15
  didn't I see this already? Yeah? I did? Hold on, this
• 57:22
  didn't bring me back to the next episode. Oh my god, you guys.
• 57:28
  I'm trying to find like where I left off, because I know that
• 57:31
  there was another Oh, yeah, here it is, okay, back to
• 57:35
  our captain. Oh, I'm describing the scene, and I'm thinking to myself,
• 57:38
  this feels very familiar. Why is this because I had already talked about
• 57:44
  it. I'm so sorry, y'all. Sometimes they this is what happens.
• 57:49
  They reuse footage, right with this show. They'll reuse like the animation of
• 57:53
  a moment repeatedly. So when something pops up and it's the same animation,
• 58:01
  I don't immediately jump to thinking that I've already talked about this, that this
• 58:07
  is the same scene that I discussed already, because sometimes it's not, and
• 58:12
  they just are recycling footage and it's fine. So, yeah, completely misunderstood
• 58:17
  that. But yeah, there's talk about like loofy and needing time to heal,
• 58:30
  and like the fact that going back to Sabode is probably not a good
• 58:34
  idea for him, but his crew doesn't know that he isn't going to be
• 58:38
  there, and they will probably try and head back there to meet up with
• 58:44
  him. I was sort of wondering if like they would maybe begin to understand
• 58:50
  how dangerous that was, and that he might be more likely to be like
• 58:53
  an outlying island somewhere but I don't even know how, you know, like
• 58:59
  that that would be very tricky to set up, I feel, And he
• 59:06
  says, I have to go see them. They're waiting for me. A
• 59:08
  promise is a promise, right, I have got to go to Sabaodi.
• 59:15
  And of course we see Hancock getting all teary eyed because he's proposing to leave
• 59:22
  right after he had just got here. And let's see, oh god,
• 59:31
  the fucking unruly guess thing with Nami. So she and this is the part
• 59:38
  that I was talking about. These two old men are sort of chasing after
• 59:43
  her and panting, and one of them says to the other, like,
• 59:50
  because they both collapse on the sidewalk, there's something very odz like about this
• 59:54
  place. Is it truly truly true that young lady tried to escape? I
• 1:00:05
  don't understand why they're phrasing it like she's a prisoner, And this other guy
• 1:00:15
  replies, I'll explain, we're too high up for that, which I'm assuming
• 1:00:22
  is just about like where on this weird sort of set up there located,
• 1:00:27
  and the fact that she isn't supposed to be able to just like jump off.
• 1:00:31
  We see several people attempt to stop her and her just like flying past
• 1:00:37
  them, and she eventually manages to like hijack one of these ships, but
• 1:00:45
  evidently doesn't have enough experience using one to steer it adequately, so she takes
• 1:00:54
  a balloon. She has her supplies in her back. She manages to like
• 1:01:01
  get away from the island for a moment, and then the whole thing goes
• 1:01:07
  nuts. The steering wheels starts to spin in her hand, and as much
• 1:01:12
  as she was descending a moment ago, it begins to like lift really really
• 1:01:17
  quickly like accelerate, so that she falls down and the whole thing is out
• 1:01:22
  of control. And when she is able to like look up again, she
• 1:01:28
  sees the ship coming straight for a bunch of dudes in these fields, And
• 1:01:34
  I just really was, like, there are so few women in these communities.
• 1:01:38
  Guys. It's all dudes all the time everywhere. It's insane, but
• 1:01:45
  they all have the look of like a classic Merlin Dumbledore type wizard and it
• 1:01:52
  is pretty enjoyable. I can't help but like it must be fun to come
• 1:01:57
  up with all of the different versions of this same exact outfit. And when
• 1:02:02
  these guys, oh, so he's talking about is she she tried to escape
• 1:02:07
  because of after she got locked up after taking the thing, and so that's
• 1:02:15
  what they're talking about here, because they're gathered around like a cell and the
• 1:02:20
  guy whose ears she has Hashida heat I can't remember his name, but he
• 1:02:25
  is trying to insist, like, oh, you know, she can be
• 1:02:29
  lively, but I don't feel like she would do that. Hoad us here
• 1:02:34
  he is, and all of these people are like just screaming at her.
• 1:02:40
  At one point, one of them just says, we're old and you're scary,
• 1:02:45
  which I did think pretty much summarized the situation actually, And she is
• 1:02:52
  getting super impatient because of the fact that she feels I have a perfectly valid
• 1:03:00
  reason to get the fuck out of here, and you guys are slowing me
• 1:03:01
  down. But here's the thing, not me, You don't. You could
• 1:03:08
  have just explained and asked for help. Why are you like this? Why
• 1:03:15
  do you you know what I'm saying. I just don't understand the need to
• 1:03:22
  be this mean all the time. So what she decides to do instead is
• 1:03:29
  make a tearful plea about loofy and get them all like feeling sad for her
• 1:03:37
  and use it as sort of a weapon so that they immediately unlock this thing.
• 1:03:44
  And as soon as they say we're sorry and unlock it, she jumps
• 1:03:47
  out, grabs Haritus, and heads for another one of these ships and evidently
• 1:03:54
  has taken him hostage because he's going to be able to help her steer.
• 1:04:00
  I guess you know as well. And it just bummed me out because they're
• 1:04:09
  saying she pretended to cry to take him hostage, but like she ends up
• 1:04:13
  genuinely crying a little bit later, and I just never like the whole a
• 1:04:17
  girl fakes crying to make to like get her way and trick people. It's
• 1:04:25
  just a little too close to like women crying wolf about a lot of other
• 1:04:29
  stuff, you know what I'm saying. It just always makes me like a
• 1:04:30
  little bit weary. But yeah, so she's like the last thing we see
• 1:04:36
  is her fleeing with him. I'm realizing I'm over time. We have like
• 1:04:41
  this really bizarre I'm gonna just like talk about this last bit here, guys,
• 1:04:46
  Frankie needs a ship to get back and they don't have any ships of
• 1:04:53
  their own, so they keep talking about this dude. H I can't remember
• 1:05:02
  his name, but he the one that's the inventor who is like way ahead
• 1:05:05
  of his time. They keep saying like, oh, Vega Punk, that's
• 1:05:10
  right, he probably has some designs that you could use to like piece something
• 1:05:15
  together. And they send him into this laboratory thing that he had been to
• 1:05:23
  before and it didn't go super well. So the way that episode ends,
• 1:05:30
  he's warned as he goes in not to pass the self press the self destruct
• 1:05:35
  button, and he's like, why the hell would I even want to do
• 1:05:41
  something like that, which is a good question. But then when he gets
• 1:05:45
  inside and he starts running around and finding blueprints and getting impressed with the advanced
• 1:05:51
  quality of Vegapunk's work, he comes across one of the these big buttons on
• 1:06:00
  the wall that has a skull and crossbones on it. It's scott a,
• 1:06:08
  you know, And he sees it and he's like, oh sweet, he's
• 1:06:13
  got a pirate mark too. It says danger in all caps above it,
• 1:06:18
  and he just pushes it and then the entire place explodes and self destructs,
• 1:06:28
  and it's like a big area. It's, you know, the way that
• 1:06:31
  they show it now, I have no doubt that it's not nearly as big
• 1:06:35
  as it looks, because that's the way it always goes with the show.
• 1:06:39
  It looks like half the earth broke apart, and then it turns out it
• 1:06:43
  was like a fifteen square foot area. But we have him at the end
• 1:06:51
  coming like talking to these guys, what if I did press that self destruct?
• 1:06:56
  He wouldn't like hold it against me, would you? And they just
• 1:06:59
  yell, of course we would. And then the narrator says, news of
• 1:07:03
  this incident quickly spread across the world, and history would remember it as Baldemore's
• 1:07:11
  nightmare. And that's the end of the episode. What that is the weirdest
• 1:07:24
  ending I think of any of the episodes so far. It's so abrupt and
• 1:07:28
  strange. Oh my god, it was so frustrating. Florine says, Okay,
• 1:07:40
  I love Frankie and how this all ends. This is one of the
• 1:07:43
  best jokes in my opinion. I wish I agreed with you, Florian It's
• 1:07:49
  just different. It's just my anxiety, you know, it's just they just
• 1:07:56
  there was only one thing that you weren't meant to do. But anyway,
• 1:08:02
  and Frankie and this guy, Yeah, that was very pretty funny. It
• 1:08:06
  was a silhouette. All right, I've got to wrap up. Thank you
• 1:08:12
  guys for hanging out with me. I appreciate you all a lot, and
• 1:08:15
  until next time to Loo motherfuckers. That was an unspoiled network podcast.