Latest / Meine Liebe zu Hörspielen / Sherlock Holmes Radio The Mazarin Stone Basil Rathbone, Nigel Bruce, Tom Conway
Transcript
- 0:00Speaker 1: Our stories are based upon the character of Sherlock Holmes,
- 0:03created by Sir Arthur Colan Doyle. Sherlock Holmes is portrayed
- 0:07by John Stanley, Doctor Watson by Alfred Shirley, and the
- 0:11dramatizations are by Edith Miser.
- 0:17Speaker 2: Well.
- 0:17Speaker 3: Here we are again in doctor Watson's study.
- 0:19Speaker 1: We find him seated in a large armchair in front
- 0:22of a crackling fire.
- 0:23Speaker 2: Good evening, mister Henry. Good evening, doctor Watson.
- 0:25Speaker 4: Now don't get up.
- 0:26Speaker 1: You look very comfortable right where you are, and from
- 0:28the rightness of your cheeks, i'd say you've had a
- 0:30good day off in the country somewhere.
- 0:32Speaker 2: That's where you are wrong, mister Harrison.
- 0:34Speaker 5: I've been doing museums most of the day and it's
- 0:37very tading works, especially with two small boys.
- 0:40Speaker 2: Internally, I should think so. But where did you collect
- 0:42the kindergarten, doctor, which was abrasive?
- 0:44Speaker 5: Nephews of mine I was helping along with that education
- 0:47in her It's a customer in my families that the
- 0:50uncles must take the nephews museum visiting once here having
- 0:54mender as a boy being dragged from miles of our galleries.
- 0:57Speaker 4: But doctor weren't you ever taken to the British music.
- 1:00Speaker 5: Oh, yes, and to Madame Trussell's. But the Tar of
- 1:03London was my favorite. The uncle who took me there
- 1:06was quite a fancier of precious stones. He explained the
- 1:10history of every jewel in the Crown's collection.
- 1:12Speaker 1: That must have been an education in itself, they say,
- 1:15every famous gem, he's a trail of bloodshed and high
- 1:17adventure across the pages of history. And by the way,
- 1:20isn't your story tonight about a famous jewel?
- 1:22Speaker 2: Oh?
- 1:22Speaker 5: Yes, that is what reminded me so strong. You have
- 1:25my boyhood visits to the Tar. The famous Mazarin stone
- 1:28I'm going to tell you about had a history that
- 1:31would make your hair curl him me a little? Did
- 1:34I think when I saw it as a boy that
- 1:36I would ever hold that great yellow beauty?
- 1:38Speaker 3: In Marin and Fritz Garten?
- 1:40Speaker 4: Did you, doctor?
- 1:41Speaker 2: Oh?
- 1:41Speaker 5: Before I tell you that, mister Haris, suppose I give
- 1:44you a few moments to see a few words about
- 1:46our sponsor's most estimable product.
- 1:48Speaker 1: Thank you, doctor Watson. As you put it, sir, it
- 1:51is indeed an estimable product. So esteam, may I say
- 1:54that beginning in nineteen forty eight over one thousand leading
- 1:58stories from coast to coast are clipper craft dealers. To
- 2:02be exact, there are ten hundred thirty six such distinguished establishments.
- 2:07Those leading stores across the country are, of course, the
- 2:10key to the amazing values so unique.
- 2:12Speaker 2: To clipper craft clothes.
- 2:14Speaker 1: The ten hundred thirty six leading stores are part of
- 2:17the famous clipper craft plans. In this plan, their buying
- 2:20power is concentrated to affect tremendous savings in manufacturing and
- 2:24distribution costs, savings.
- 2:26Speaker 3: Which are all yours.
- 2:28Speaker 1: That's why truly fine clipper craft suits are only forty
- 2:31and forty five dollars, Why clipper craft top coats and
- 2:34overcoats are only forty dollars, and sport jackets only twenty
- 2:38six fifty clipper Craft values are truly out of this world.
- 2:42Compare them with clothes selling for many dollars more. And now,
- 2:53doctor Watson, let's get back to the story of the
- 2:55Masterine Stone.
- 2:56Speaker 2: Yes, let me see where was I? Oh?
- 2:59Speaker 5: Yes, I'd been married some years and had resumed my
- 3:03practice when one snowy winter afternoon one of my calls
- 3:07took me in the neighborhood of Baker street. I couldn't
- 3:10resist the temptation to drop in and find out for
- 3:13myself what my colleague Sherlock.
- 3:15Speaker 2: Holmes was up to. As I stood there in a
- 3:17fall in.
- 3:18Speaker 5: Snow, waiting for some wont of answer the bell, I
- 3:21danced up at the window of his study, and there
- 3:23I saw the thin nose and saturnine features of the
- 3:26great detective. He was apparently deeply engrossed to the book. Basently,
- 3:32the door was opened, and there stood Missus Hudson.
- 3:45Speaker 6: Well, bless my soulid if it isn't the doctor, Good
- 3:48day you, sir, it's a pleasant seeing you again.
- 3:52Speaker 5: Why missus Hudson, you're looking as beautiful as ever you.
- 3:55Speaker 2: You don't change at all.
- 3:57Speaker 7: No, I do you, sir? You and your blandy.
- 4:00Speaker 2: How is the great man himself him?
- 4:02Speaker 7: He's in bed asleep, I think, But.
- 4:04Speaker 2: I just saw him through the window, So.
- 4:06Speaker 7: That fool you too, that's not him. What do you mean,
- 4:10just you be going upstairs and find out for yourself.
- 4:13Speaker 6: I'm not the one to be given secrets away, least
- 4:16of all mister Holme's secret.
- 4:17Speaker 5: So he's asleep in the middle of the afternoon. Yes, sir,
- 4:21I suppose that means a case.
- 4:23Speaker 6: Yes, sir, he's hard at it now and he's getting
- 4:26thinner and thinner.
- 4:28Speaker 7: When will it be pleased to die?
- 4:29Speaker 6: And mister Holmes, sir, I'll ask him seven thirty the
- 4:33day after tomorrow.
- 4:34Speaker 7: He'll say.
- 4:35Speaker 6: You know his way when he's on a case. I
- 4:37seem to remember he's a hollering someone.
- 4:41Speaker 2: Don't say yes, sir.
- 4:43Speaker 6: Yesterday he was out dressed like a workman looking for
- 4:46a job.
- 4:47Speaker 7: Today he was an old woman.
- 4:49Speaker 6: Fair took me and he did, And Lord knows I
- 4:51ought to be known his ways.
- 4:53Speaker 7: By now you'll see his old.
- 4:54Speaker 6: Woman's umbrella leaning up against the sofa in his study.
- 4:57Speaker 2: Dear mean, and what is this case it's all about?
- 5:00Speaker 6: Well, I don't mind telling you, sir, but mind you
- 5:04don't let it go any farther.
- 5:05Speaker 1: Cross my heart, missus Hudson, very well.
- 5:07Speaker 6: In the case of the crown diamond, what the one
- 5:12hundred thousand pounds Burgary, Yes, sir, and mister Holmes is
- 5:16getting it back for him.
- 5:19Speaker 7: Why would you believe it?
- 5:20Speaker 6: Yesterday we had the Prime Minister and the Home Secretary
- 5:22is sitting on mister holmes sofa, both at the same time.
- 5:26Speaker 5: Why hope it stood up under the stream, and how
- 5:30did the homes behave two such famous persons on the
- 5:33couch him?
- 5:35Speaker 7: He was very nice to them and put them right
- 5:37at their ease.
- 5:38Speaker 2: Indyed, yes, sir.
- 5:40Speaker 6: Then there was old Lord cantro Mere. Oh you know
- 5:43what that means.
- 5:45Speaker 7: He's a stiff.
- 5:46Speaker 6: And if I do say so, I can get along
- 5:48with the Prime Minister. And I have nothing against the
- 5:51Home Secretary. He seems an obliging sort of man with
- 5:54a civil tongue in his head. But I can't abide
- 5:56his lordship poor fellow, yes, sir, and other can mister Holmes.
- 6:01You see, you don't believe in mister Holmes, and he's
- 6:04against employing him.
- 6:06Speaker 7: He'd rather he failed.
- 6:08Speaker 2: Does Holmes know that?
- 6:09Speaker 7: Do you think mister Holmes knows whatever there is to know?
- 6:13Speaker 2: Oh?
- 6:13Speaker 5: Absolutely? But I say perhaps I had better not wake any.
- 6:17Speaker 2: I wish you would, sir.
- 6:18Speaker 6: He has not had a bite to eat since yesterday noons,
- 6:20and then only a sandwich with a glass of milk.
- 6:23Speaker 7: And I don't dare speak to him about it. You
- 6:25know what he's like, sir, when he's busy on a case.
- 6:29Speaker 5: Well, suppose I grew up and beard the lion in
- 6:32his den. Heh Holmes, I say, Holmes, are you awake?
- 6:53Speaker 2: He must be asleep.
- 6:54Speaker 5: Well I'll go in anyway, Oh say, old place and
- 7:01the same old litter, scientific charts, chemicals, violin pipes, papers,
- 7:07all indigally. There's the old boy himself snoozing in the
- 7:12armchair in front of the window.
- 7:15Speaker 2: I thought I saw him from the street. I could
- 7:18just go over and tweak in the air. What's can
- 7:21come away from that window? What good gracious homes you
- 7:24gave me a.
- 7:25Speaker 1: Start away from that window? If you value your life, well,
- 7:27they've well very well. But I say, hose, this is
- 7:31all very confusing here.
- 7:32Speaker 5: I see you sitting in your armchair and suddenly you
- 7:35pop out of me from your bedroom door.
- 7:38Speaker 2: Since when have.
- 7:39Speaker 1: You been twins? Yes, it is rather a startling like
- 7:42missus ni likeness. Yes, it's a wax image of me.
- 7:45I'm expecting to get a bullet through the beautiful head
- 7:47at any moment. Would you mind drawing the blinds without
- 7:49exposing yourself?
- 7:50Speaker 2: All right, it's bet n Now I can come into
- 7:56the room. Yes, But why all this hocus pocus.
- 8:00Speaker 1: I'm being watched from a window across the street by
- 8:02a gentleman with an unpleasantly efficient air gun. Yes, Watson,
- 8:05you come at a critical moment. Yes, sir, I gather
- 8:08how far am I justified in allowing you to share
- 8:10this danger with me?
- 8:11Speaker 2: I wonder danger? What kind of danger?
- 8:14Speaker 3: Sudden death?
- 8:15Speaker 1: I'm expecting something this evening, expecting what to be murdered?
- 8:18Speaker 2: Watson? Or what you got joking?
- 8:21Speaker 1: Even my limited sense of humor could produce a better
- 8:23joke than that. Perhaps you'd better go whither still time,
- 8:26my dear Holmes.
- 8:27Speaker 5: You couldn't get me out of here now at the
- 8:29point of a revolver.
- 8:30Speaker 1: Good, But sit down, sit down, may as well be
- 8:34comfortable in the meantime, I'm aout a.
- 8:36Speaker 2: Pipe and a glass of brandy. They have to take
- 8:39the place of food these days, but why not eat?
- 8:41Speaker 1: The faculty has become refined when you starve the rubbish.
- 8:44What your digestion gains in the way of blood supply
- 8:47is so much lost to the brain present. I'm all brain,
- 8:50But this danger, Holmes, his name is Sylvius.
- 8:54Speaker 2: That are write down?
- 8:56Speaker 1: Count Negretto Sylvius one three six more side gardens northwest.
- 9:03We've got it, yes, good, you can give it to
- 9:05Scotland yard with my love and a parting blessing in
- 9:07case the murderer is successful.
- 9:08Speaker 2: Look here, Holmes, I'm in all this. I had nothing
- 9:11to do for a day or two.
- 9:12Speaker 1: Your models don't improve, Watson. Now you've added fipping to
- 9:16your other vices. You bear every sign of the busy
- 9:18medical man.
- 9:19Speaker 2: Oh to blaze it with that? I say, can't you
- 9:22have this fellow arrested? Yes? I can. That's why he's
- 9:25determined to kill me. Well, then why don't you?
- 9:27Speaker 1: Because I don't know where he's hidden the confounded diamond.
- 9:30Speaker 5: Oh yes, Missus Hudson told me the missing crown jewel.
- 9:34Speaker 1: I've cast my neck, Watson, and got my fish. What's
- 9:37the use of catching them? With the jewels slipped through
- 9:38my fingers?
- 9:39Speaker 5: And is this Count Sylvia's one of your so called fish.
- 9:43Speaker 1: Yes, he's the shark. The other is Sam Merton, the boxer.
- 9:46He's the Count's tool. Sam's not a shark, he's a
- 9:49great bullheaded gudgelan. Come in, come in, ah, Missus Hudson,
- 9:54What is it a gentleman downstairs?
- 9:55Speaker 7: See, he says, here's his card, the.
- 9:59Speaker 1: Gretto sil Well, well, so the old shark is grasping
- 10:02the metal.
- 10:03Speaker 5: Eh Er, that metaphor is a trifle mixed terms.
- 10:06Speaker 1: Show him up, missus Hudson when I ring if I'm
- 10:08not in the room, Show him up, all the same
- 10:12man of nerve Putson. Possibly you've heard of his reputation
- 10:15as a big game hunter. What a triumphant ending to
- 10:18his sporting record. If he succeeds in adding me to
- 10:20his bag, this is proof that he feels my breath
- 10:22uncomfortably hot on his neck.
- 10:24Speaker 2: Look here, why not send for the police? Not yet?
- 10:26Speaker 1: Not quite yet the ticket. Glance out of the window, Watson,
- 10:29to see if anyone's hanging about.
- 10:30Speaker 2: Yes, there's one rough looking fellow near the door. That
- 10:35will be Sam.
- 10:36Speaker 5: They fool bit fatuous, I say, look here, Hose, this
- 10:39is serious. I insist I'm staying with you, but you'll
- 10:42be in the way, in his way. No, in mind,
- 10:44Well I'm not going to budge, and well we'll compromise.
- 10:46You shall stay in the bedroom within call in case
- 10:48I need you.
- 10:49Speaker 2: Yes, but home along.
- 10:50Speaker 1: It's essential that this room be empty when the Count
- 10:52enters it. He's come for his own purpose, but he
- 10:54may stay for mine. Hurry, I think I hear his
- 10:56step on the stairs.
- 11:02Speaker 7: Oh he's not in here. Sift your step in. I'm
- 11:05sure you'll be back in a moment.
- 11:07Speaker 4: Many thanks, and certainly.
- 11:11Speaker 2: So.
- 11:13Speaker 8: This is his damn n his bottles and his papers
- 11:16and all the rest of his hocus pocus. Softly, Sylvia, softly,
- 11:23there's the old vulture himself asleep.
- 11:25Speaker 2: In his chair.
- 11:26Speaker 1: But lucky so he one tap from my gold headed cane.
- 11:31Speaker 2: Don't it? Can't brig it?
- 11:32Speaker 1: Holmes, you'll quite I trust you were expecting someone else.
- 11:36I see you've been admiring my wax figure. Pretty little thing,
- 11:40isn't it? Tardanie made it. He's almost as good at
- 11:43waxworks as your friend Straban's a Is it?
- 11:45Speaker 3: Air guns?
- 11:46Speaker 4: Air guns?
- 11:48Speaker 2: What do you mean? First?
- 11:49Speaker 1: Put your hat and stick on the side table. Thank you, Now, pray,
- 11:57take a seat. That's you'd like to put your a
- 11:59Farvard on the table too, erm no, you prefer to
- 12:01sit on Well, this visit is most opportune. I want
- 12:06a few minutes chat with you. Good, I too, wish
- 12:09to have some words with you. May I ask why
- 12:11all these personal attentions?
- 12:13Speaker 4: Because you annoy me.
- 12:14Speaker 1: You have put your creatures on my tracks, my creatures,
- 12:17I assure you no nonsense.
- 12:18Speaker 4: Have them followed.
- 12:19Speaker 8: Two can played that game, my friend. Yesterday there was
- 12:23a sporting old gentleman. To day it was an elderly woman, you.
- 12:26Speaker 1: Flatter, may Count Old Baron Dawson said the night before
- 12:29he was hanged. But in my case, what the law
- 12:31had gained, the stage had lost, And now you praised
- 12:35my impersonations.
- 12:37Speaker 2: Dear me, it was you, you yourself. Quite there's the old.
- 12:41Speaker 1: Lady's umbrella you were gracious enough to hand back to
- 12:43me when we collided in the mineries this morning.
- 12:45Speaker 3: If I don'ly know, I would never have seen this
- 12:47humble home again.
- 12:48Speaker 2: Eh.
- 12:49Speaker 1: Oh, well, we all have our neglected opportunities. You admit
- 12:52you have dubbed me why you used to shoot lions
- 12:55in Algeria?
- 12:57Speaker 4: Well?
- 12:57Speaker 1: But why why the spot, the excitement, the danger, and
- 13:02no doubt, to free the country from the pest.
- 13:04Speaker 2: Exactly?
- 13:05Speaker 1: Well, those are my reasons in the nutshell you did.
- 13:08I'll show your sit down, sit down at once, and
- 13:10take your hand from your hippocket. Better, there's another more
- 13:14practical reason I want that diamond. Fancy that your reason
- 13:18in coming here is to find out how much I know?
- 13:20So you may judge how far my removal is necessary? Well,
- 13:23as you say, from your point of view, it's quite essential.
- 13:27Speaker 4: Absolutely.
- 13:28Speaker 2: In short, there's only one thing I do not know.
- 13:31Speaker 4: And what is the missing fact?
- 13:33Speaker 3: If I may inquire, where is the crown diamond hidden?
- 13:37Speaker 4: Dear me?
- 13:37Speaker 2: So that's it.
- 13:39Speaker 4: Suppose I don't know, You.
- 13:40Speaker 1: Can't bluff me, you'll yes, your absolutely plate class I
- 13:42can see at the very back of your mind.
- 13:44Speaker 4: Really well, then of course you see where the diamond is.
- 13:48Speaker 2: You know then you admitted it.
- 13:49Speaker 4: I have nothing more.
- 13:50Speaker 1: Come, come be reasonable. If not, your get hurt.
- 13:56Speaker 8: And you talk to me about love. You see the
- 14:00notebook suredly you know what I keep in it. No,
- 14:03I don't pretend to be a mind reader. This book
- 14:06is you me, yes, you, every move of.
- 14:08Speaker 2: Your fifteen dangerous life. The no homes, there are limits
- 14:11to my patients. Sits here, all of it.
- 14:12Speaker 3: The real facts in the death of missus Harold left
- 14:14to the.
- 14:14Speaker 1: Primer estate fabrication, the complete life history of miss Minie Warrender.
- 14:18Speaker 2: You can't prove anything, and plenty more. Here's the robbery,
- 14:20and the train just looks to the Riviera.
- 14:22Speaker 1: On February the thirteenth, eighteen ninety two the forge check
- 14:25on the critilione. No you're wrong there, then I am
- 14:27right about the others. Now they come, you're a card
- 14:31player and the other fellow has all the trumps. Time
- 14:34to throw in your hands?
- 14:35Speaker 2: What connection is all this for?
- 14:36Speaker 4: The theft of the crown?
- 14:37Speaker 1: Your patients, My dear fellow patience. I had the cabman
- 14:41who took you to white Wall, the one who drove
- 14:44you away. I had the commissionaire who saw you near
- 14:46the case that proves nothing. I have Hikey Sanders.
- 14:50Speaker 3: I yes, Hike Sanders, who refused to cut it up
- 14:52for you.
- 14:53Speaker 2: Hike has peached Ike.
- 14:56Speaker 1: Oh wait till I if my that is the hand
- 14:59I played from only one card is missing the athy time,
- 15:03you'll never get it. No, sitter, You're going to be
- 15:07locked up for twenty years. You want Sam, perhaps longer.
- 15:10What good will the diamond beat you? Then none in
- 15:13the world. Now we don't want you, and we don't
- 15:15want Sam. We want the diamond.
- 15:18Speaker 3: Give it up, and as far as we are concerned,
- 15:20you are free if you.
- 15:21Speaker 2: Behave yourself in the future.
- 15:22Speaker 1: My commission is to get the stone, not you, and
- 15:26if I refuse, then it will be you and not
- 15:30the stone. I think it might be as well to
- 15:33have your friend Sam at this conference. He's waiting outside
- 15:35in the street because you tap on the window and
- 15:38motion him to come up.
- 15:39Speaker 2: Oh, missus hudsonill let to let him in. She's quite
- 15:41used to my receiving curious characters.
- 15:43Speaker 4: Very well, he's coming. Now, what are you going to do?
- 15:54Speaker 2: I have a shark and a gudgeon in my debt.
- 15:56Now I'm drawing it.
- 15:58Speaker 3: And up they come together. You will never die in
- 16:02your bed homes? Does it matter very much? It's no
- 16:06use fingering your pistol, my friend.
- 16:07Speaker 1: You wouldn't dare to use it even if I gave
- 16:08you time to draw mighty things revolvers.
- 16:12Speaker 2: Let us stick to air guns.
- 16:14Speaker 1: But listen that the fairy footstep of your friend mister Murton,
- 16:18come in, Sam, come in rather dull waiting in the street,
- 16:22isn't it Worsner?
- 16:24Speaker 3: It's all up?
- 16:25Speaker 2: Sam?
- 16:26Speaker 3: Put it in the nutshell? What's his coat trying to do?
- 16:28Speaker 2: Be funny?
- 16:29Speaker 3: I'm loving a funny moode myself.
- 16:31Speaker 1: No, I expect not, and I can promise you that
- 16:34you'll feel even less humorous if the evening progresses. Now
- 16:37a kiss syl Yes, I can't waste time. I'm going
- 16:39to that bedroom. I shall play on my violin for
- 16:42five minutes. At the end of that time, I shall
- 16:45return to your decision.
- 16:46Speaker 2: Do we take you, whether we get.
- 16:49Speaker 4: The stone.
- 16:51Speaker 2: Now, whether I put my violin. I have said this
- 16:56five minutes.
- 16:56Speaker 1: Remember, Clippercraft has a great reputation for fine quality. That's
- 17:29what you go by when you choose your first clipper
- 17:32Craft suit. And once you've worn clipper Craft, you learn
- 17:35how marvelously it stands up to hardware, how very comfortable
- 17:39you feel in it. The long wear comes from fine
- 17:42materials and precision workmanship. Your comfort comes from excellent fit
- 17:47resulting from skilled designing. What will amaze you is how
- 17:51so much is possible for so very little. Remember, clipper
- 17:54Craft suits are only forty and forty five dollars, clipper
- 17:58Craft top coats and overcoats are only forty dollars, and
- 18:01sport jackets only twenty six fifty. These are modest prices, indeed,
- 18:06for clothes obviously worth much more. The Great Clippercraft Plan,
- 18:10concentrating the buying power of ten hundred and thirty six
- 18:14leading stores across the nation, makes these remarkable values possible
- 18:18in your own local independent store. The store you can
- 18:21trust selling expensive clothes at inexpensive low prices at the
- 18:26nation's finest independent stores is the great, big idea behind
- 18:31the clipper Craft plan. That's why men who know insist
- 18:34on Clippercraft pothes. So be sure to visit the clipper
- 18:37Craft store in your city.
- 18:40Speaker 9: These leading stores in the metropolitan area are proud to
- 18:43add their names to Clippercraft in your suit top code
- 18:46and overcoade. In Manhattan, John Wannamaker Men's Stores Broadway at
- 18:50eighth and sixty seven Liberty Street, Sacks thirty fourth Broadway
- 18:54at thirty fourth in Brooklyn, Abraham and Strauss in Newark,
- 18:58New Jersey Boulevard Men's Shop, and in Jamaica the B
- 19:02and B Clothes Shop, one sixty four oh eight Jamaica Avenue.
- 19:12Speaker 2: Now let's return to two twenty one B.
- 19:14Speaker 3: Baker Street, where Count Sylvia's.
- 19:16Speaker 1: And his henchman Sam are discussing the dilemma while Sherlock
- 19:20Holmes violin can still be heard in the next room.
- 19:31Speaker 5: He played pretty down, a ah, shut up, Sam, that hey,
- 19:35does this mean that he knows about the stone?
- 19:37Speaker 4: He knows too much about it. I'm not sure he
- 19:40doesn't know everything. Good Lord, Heike Sam is.
- 19:43Speaker 3: A split ah, yes has he do take him? But
- 19:47that's safe now.
- 19:47Speaker 4: That won't help us now to make up my mind.
- 19:50Speaker 3: He half a mouth, he's a leary coe. What if
- 19:53he's listening?
- 19:53Speaker 4: How can it be with that violin squeaking back? Now?
- 19:56Speaker 3: There he is sitting right in that chair.
- 19:58Speaker 4: Rocket's only a dummy?
- 20:01Speaker 2: Well striking me? Madam?
- 20:04Speaker 3: Tis so saying it it?
- 20:05Speaker 2: What's a living spirit of it?
- 20:07Speaker 8: Thifty yarn and know?
- 20:08Speaker 2: Oh? Shut up?
- 20:08Speaker 8: You're wasting our time and there isn't many too much.
- 20:11He can jail us over the stone than touchee can.
- 20:14But he'll let us go if we tell him where
- 20:16the stone is.
- 20:17Speaker 3: Why give up a hundred thousand quid.
- 20:20Speaker 4: It's one or the other.
- 20:22Speaker 3: He's in there a low listing me.
- 20:23Speaker 8: He's armed and ready. That's too noisy and never get
- 20:27away side. It's likely the police have whatever evidence he's collected.
- 20:33Speaker 2: What was that?
- 20:35Speaker 3: I just sworn I heard something move over there in
- 20:37the window.
- 20:37Speaker 5: Sat in the street, MoU slightly How lucky at cappany
- 20:41you've got the brains if slugging snow?
- 20:43Speaker 3: Good is up to you.
- 20:44Speaker 4: Yes, I fool better men than he.
- 20:48Speaker 8: The stone is here in my secret pocket. I can
- 20:50get out of England to night, cut it into four
- 20:52pieces of apsdam before Sunday. He knows nothing about man
- 20:56saida but that false far about. He must chance it
- 20:58as it is not a moment to lose. As for Holmes,
- 21:03full word of restless. If you can get the stone,
- 21:06we'll bling on the wrong track, and before he discovers
- 21:09it is wrong, it'll.
- 21:11Speaker 4: Be in Holland and we'll be out of the country.
- 21:15Speaker 3: Sounds good to me. I wanty a day carry.
- 21:18Speaker 4: Where would it be safer.
- 21:19Speaker 2: Let's have a look at it, that's the idea.
- 21:21Speaker 3: Huh, let have many.
- 21:22Speaker 5: I think I'm going to snatch it off here now, okay, mister,
- 21:25I'm getting fed.
- 21:26Speaker 4: Over the fence, Sam. We can't afford a quarrel. Are here?
- 21:30Come over here to the window, out of the line
- 21:32of that keyhole, are there? Hold it to the light.
- 21:37It is a beauty.
- 21:38Speaker 2: Uh, thank you gentlemen, your homes.
- 21:40Speaker 3: I thought you said he was a dummy.
- 21:42Speaker 1: Dear me, not very flattering off you can't you scowld
- 21:45you you fief temper temper, no violence, gentlemen.
- 21:48Speaker 2: Please consider the furniture. We'll be so waiting below.
- 21:53Speaker 4: But how the deuce?
- 21:54Speaker 1: There is a second door to my bedroom behind that
- 21:56window curtain. Me I thought the game was up where
- 21:58you heard me displace the dummy your I believe you're
- 22:01the devil himself?
- 22:02Speaker 3: You flatter me?
- 22:04Speaker 1: Ah, but here are friends from stuff from yard. Take
- 22:07him away, boys, sir, But I say I'm about the
- 22:10blooming fiddle. It's still playing quite right, Sam, remarkable invention
- 22:14the gramophone.
- 22:15Speaker 2: Let you play car at more? And that's it all right? Watson?
- 22:27Even stop that machine? Hi, I say, Holmes, I've lost
- 22:33at least five pounds in the last half hour. Did
- 22:35he beneficial to your waistline? Becoming disgustingly plump? Look at
- 22:39this way it's the crown Gamon.
- 22:44Speaker 4: Hello, what's up?
- 22:44Speaker 2: Now? Come in? Come in? Oh missus huntson again? Now
- 22:51do you ever let us alone? Well?
- 22:53Speaker 3: Show him up?
- 22:56Speaker 10: Then I must say home, you have most mannerly people
- 22:58in your household. I ran into a group of raffians
- 23:00as I was coming to the door.
- 23:02Speaker 1: Oh, that must have been the fellows from Scotland Yard.
- 23:05It's a rather warm in here. May I take your
- 23:07overcoat right Fiveecouncil. Oh the more, I have no intention
- 23:11of staying. Doctor Watson will assure you that these sudden
- 23:14changes of temperature are most insidious. Sh your hands off
- 23:17my coat. I intend to keep it on very well.
- 23:21Speaker 10: I came to see how your self appointed task is
- 23:25getting on.
- 23:26Speaker 2: It's difficult, very difficult.
- 23:28Speaker 10: Yes, I suspect that you would find it so. Every
- 23:31man has his limitation.
- 23:32Speaker 1: Yes, I've been greatly perplexed, no doubt, especially on one point.
- 23:37Speaker 2: But perhaps you can help me.
- 23:38Speaker 10: You' apply from my advice rather late in the day. Still,
- 23:41I'm ready to give you the benefit of my opinions.
- 23:44Speaker 1: You understand, we can doubtless frame a case against the
- 23:47actual thief once you have caught quite But the real
- 23:50question is how shall we proceed against the receiver. What
- 23:54would you regard as the final evidence against the receiver
- 23:56the actual possession of the stone. Of course, you would
- 23:58arrest him on that, I said. In that case, my
- 24:01dear lord Cantelba, I shall be under the painful necessity
- 24:04of advising your arrest. For Get yourself, mister Holmes.
- 24:09Speaker 10: I have no time, as it's childish jokes, I may
- 24:11tell you frankly, sir that I have never had any
- 24:14believe in your powers, good evening one moment.
- 24:16Speaker 1: Actually to make off with the Mazarin stone would be
- 24:19even more serious to be found in temporary possession of it.
- 24:21Speaker 2: It is intolerable. Let me pass immediately.
- 24:24Speaker 1: Just put your hand in the right hand pocket of
- 24:25your overcoat.
- 24:27Speaker 4: What do you mean?
- 24:27Speaker 2: Do as I ask?
- 24:28Speaker 1: Well, I, however, see what's this? Seems to be the
- 24:34Mazarin stone. For shame, sir, for shame, well, bless my
- 24:39soul hoven thunder well, I'll be undoubtedly.
- 24:43Speaker 2: However, I really must apologize. I never could resist dramatic situation.
- 24:48Speaker 1: I took the liberty of slipping the stone into your
- 24:49pocket and beginning of our interview very well to say,
- 24:53I am bewil That is putting it mildly.
- 24:55Speaker 10: We are greatly indebted to you, sir, in spite of
- 24:58your somewhat pervertive sense of humor, and I certainly withdraw
- 25:02any reflection I may have made on your amazing professional part.
- 25:06Speaker 1: How the dooe the details can wait. I trust your
- 25:10pleasure in relaying youth of our success will be some
- 25:13small atonement for my practical job.
- 25:15Speaker 2: Oh yes it will, sir.
- 25:16Speaker 10: It will Indeed, I can hardly wait to get the
- 25:19good word around A good day, mister Holmes.
- 25:22Speaker 1: Good day, Lord Cantlebyon Watson, will you show his launch
- 25:25him out with pleasure and tell missus Hudson I should
- 25:29be obliged if you'd send up dinner for two as
- 25:33soon as possible. What an extraordinary story, doctor Watson, and
- 25:47what a perfect climax.
- 25:48Speaker 5: Yes, mister Holmes always had an eye for the dramatic,
- 25:52which reminds me next week's story.
- 25:54Speaker 3: Did you say that next week's story is going to
- 25:56be particularly dramatic?
- 25:57Speaker 2: Doctor?
- 25:58Speaker 5: I didn't say it, mister Harris, because you into thatting me,
- 26:01but I was going to.
- 26:02Speaker 2: Yes.
- 26:03Speaker 5: Next week, I'm going to tell you how the five
- 26:05year old racehorse Blazing Star suddenly dropped dead of old age,
- 26:10and how my youthful pass in the game of rugby
- 26:13saved Poems and myself from a diabolical plot of our
- 26:17arch enemy, Professor Mariotti.
- 26:27Speaker 1: The makers of Clippercraft Clothes and ten hundred and thirty
- 26:30six leading stores from coast to coast have brought you
- 26:33another in the new series of broadcasts featuring the world's
- 26:36most famous detective, Sherlock Holmes Sherlock Holmes is produced and
- 26:45directed by Basil Lochren, with special music by Albert Berman.