Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / The Line Up: Bentley’s Boo Boo Case (EP1064)

Transcript

The Line Up: Bentley’s Boo Boo Case (EP1064) · Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas

• 0:28
  Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This
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  is your host, Adam Graham. If you have a common email it to
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  me Box thirteen at Great Detectives dot net, Follow us on Twitter at Radio
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  Detectives, and become one of our friends on Facebook, Facebook dot com slash
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  Radio Detectives. Before we do get started, I want to let you know
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  that today's program is brought to you by the financial support among of our listeners,
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  and among them, I want to thank Thomas and I'll be sending along
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  access to the premium side, which we do with all our nations and seven
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  dollars or more in addition, and go to Great Detectives dot net. We
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  have a couple of great articles up this week. First of all, we
• 1:11
  take a look at the Colonial Radio Theater's latest mystery drama. This one's called
• 1:18
  The Thinking Machine, and my review will be up on Saturday for that.
• 1:23
  On on Sunday, I'm going to take a look at how radio is a
• 1:26
  little bit different than what we were told. I think mostly people in culture
• 1:33
  kind of liked to believe that radio is some silly comedies and a few hard
• 1:38
  boiled detectives a little more than that, and we'll talk about that at Great
• 1:42
  Detectives dot net. You can follow all the articles that we do on your
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  kindle and you can try it out free for two weeks through the Kindle Store.
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  Just search for the Great Detectives of Old Time Radio. Well, we
• 1:56
  returned to where we were in our chronology after before we went to that lost
• 2:00
  episode. So now here's today's story, the Pitiful Patricide case from June seventeenth,
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  nineteen fifty two. Ladies and gentlemen, we take you now behind the
• 2:15
  scenes of a police headquarters in a great American city. We're under the cold,
• 2:19
  glaring lights. We'll pass before us, the innocent, the vagrant,
• 2:23
  the thief, the murderer. This is the lineup that fine. Thanks,
• 3:00
  we brought a home this morning. That's good. You got a hand it
• 3:02
  to him. Doc said, there wasn't a peep out of but behave better
• 3:05
  than most grown ups. Proud father. Oh shure, if you had any
• 3:08
  kid, you know what it's like. Missus Wise, hear you. I
• 3:12
  don't think so. The client come in. I haven't seen him. Sandy's
• 3:15
  always been brave about things like that, though even the dentist doesn't bother alright
• 3:19
  man, Oh hi, I find oh sady day, I don't ask him.
• 3:23
  You get a lecture on brave children. Oh she's fine. Thanks,
• 3:25
  didn't you have me mind? I believe? Oh? How along was wise?
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  Hello? Lieutenant Guthrie. How are you feeling much better than you remember?
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  Sage to find Serge National. I'm sorry, I'm le seems like there's
• 3:39
  so many things to do now that daddy has gone. That's all right,
• 3:44
  Yeah, this will dot. Did you find the man that did this awful
• 3:49
  thing? We're not sure. We picked up one man a picture description.
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  Oh but there were two men. Yeah, I know, but if we
• 3:57
  can get one, we can usually get the other. You people out there
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  on the other side of the wire on the orders room. Now I have
• 4:02
  your attentions. Please thank you. My name is Coger, Sargeant Pat Cogger.
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  I'll explain the lineup to youse. Each of the suspects you will see
• 4:11
  will be numbered. I'll call off a number their name in charge. You
• 4:13
  have any questions or identifications, please remember the number of signs of the prisoners.
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  I call his name at the end of each line. When I ask
• 4:18
  for questions or identifications, call out the number. If you're sure, you're
• 4:21
  not too sure of the suspect. Have him held. The officers who took
• 4:25
  your name will assist you their seated the money. Please be prompt with your
• 4:28
  questions or identifications. When the prisoners leave here, they're sent to the washroom
• 4:31
  and dressed back into the jail clothes. It makes it quite difficult to bring
• 4:34
  them back after they leave here the questions. I asked these suspects of reality
• 4:39
  to get a natural tonal voice so they'll not pay too much attention to their
• 4:41
  answers as they often lie. All right, bring on the line. Okay,
• 4:46
  keep it moving. Why don't we hear to the end of the states?
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  Come on, boys, moving, turn the face punt, answer your
• 4:53
  side and look straight out through the screen. That's it. And when I
• 4:57
  call your number, step out, keep facing putts and talk up so everybody
• 5:00
  out there I can hear you. I want all those people out there on
• 5:01
  the other side of the screen to get a good look at you and be
• 5:03
  able to hear what you're saying. Stand up and talk about all right,
• 5:06
  Number one, Ernest fits grand love for me. Okay, Ernie, step
• 5:11
  up, yeah, Ernest, Ernest, All right, Ernest, what's your
• 5:16
  address. Well, my mailing address is twelve sixty degrees South Road, Miami,
• 5:21
  Florida. When I ask for your address, I want to know the
• 5:24
  address where you're slept last oh six fourteen Oak Lane outter apartment. It's an
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  apartment. I'm staying with a friend of mine and we know all about your
• 5:33
  friend. Really want to I can. It's one of the men that I
• 5:41
  would like to see him closer. When you'll be able to get an When
• 5:46
  were you in fann Springs? Well? Last year? Long? Well?
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  Really? Now must we go through this police? How long were you in
• 5:54
  finn Spring? What about three months? What kind of work do you do?
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  I'm salesman? What time? A very good? All right? What
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  do you sell? Real estate? Securities? What firm do you represent?
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  What? Yes? What company? Where? I suppose you would call it?
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  My own business? Been good earner, it's very good. Well,
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  that is up duel of this afternoon. Okay, here a step right,
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  number two, Herbert Emery Robbery. Where do you live Herberton? We're in
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  the party settle. Where do you work? I ain't working right now.
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  We're looking though what we're doing at four thirty four East Collins Earlier this morning,
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  looking just looking at call the work. Yeah, I go out early
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  in the morning, line up places bad but god during the day. But
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  the store wasn't open for business and you were inside. The door was unlocked.
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  I was going to close it. Oh, where are you from?
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  Memory? Are you ever been in trouble before? No, it's nothing serious.
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  I all right forty one. I ain't in any trouble now, am
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  I a little? Oh? I ain't done nothing. The door was open,
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  I was going to close it. You're on a car of how you've
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  been in town? And there's two week? All right? I'm Mary.
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  Step back number three, Roger Fitzgerald open shot? Okay, Rogers? Up
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  straight? That's it? Where do you live? Four six seven seven North
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  forties? You own a car? Oh? See? You know that.
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  I was waiting for a bus when you picked me up. Where'd you get
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  the typewriters? Roger? Where and you find a lot of typewriters? Yeah,
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  quite a few. We found twelve more typewriters in your room. Roger,
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  do without money? Yeah? You have been picked up before on this
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  time? How long you've been in town? Rogers? What I want?
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  Where you're from? Staying? Ohio? Do you think I saw those typewriters.
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  That's right, you kidding? Right and not? Okay? Step back
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  riding quickly. I'm sorry. That's good. That's when I lived there long?
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  Four days? You own a car? No, how long you've been
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  in town? And they where did you come from? Texas? What city?
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  Dallas? What kind of work you do? You both out their hair?
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  Okay, car stick up, stand up straight? I will you twenty
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  four? Any weapons on you when you were picked up? Thirty two involved
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  nickel play at the blue steel woo, not very talking about your car?
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  No any questions identification and all right? Quiet sick. Never've never seen you
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  think. I'm not sure I believe something. It would be sure before I
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  said it did surely? Number four Hold for interrogation. Oh, here's a
• 8:52
  package in carlingdal Ben Peman on the color time. I've been a busy boy.
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  Hasn't he anyone back there? When worked through with him? Grand theft
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  aught of three arrests first in nineteen forty four. The only thing he's been
• 9:07
  arrested for is theft. And it looks like he got in a little over
• 9:09
  his head this time. Yeah, I just got Lindell out here. Send
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  them in well, let's see what he has to say over here. I
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  don't care. What's to beef? Don't you know? Now I'm supposed to
• 9:31
  be a mind reader. Okay, have it your way. We'll bring you
• 9:33
  up to date. Night before last, the liquors start the corner of Beverly
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  and six was held up. The owner, mister Weiss, was shot and
• 9:43
  killed in the struggle with a thieve. So what, missus? Weiss identified
• 9:46
  you and the line as one of the men. So I tell you don't
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  know anything about it, No matter what time, you and the cops don't
• 9:52
  change. Witnesses have been known to make mistakes. This one's positive. Okay,
• 9:58
  so she's positive. I'm positive I didn't have any to do with it.
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  Where were your Night before last? I went to a show? Anybody?
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  Will you? No? I went by myself. Can you approve you
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  were at the show? No? I told you nobody was with me.
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  What picture did you see? I don't know the name of it? The
• 10:13
  musical? What difference does it make? You know? Folks down in Dallas
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  come, No, I don't know where they are. They wouldn't carry anyhow.
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  You know you're wanted intentions? So what send me back? Grand theft's
• 10:28
  better than a murder. Wrapper Come, I didn't kill nobody. Who did
• 10:31
  your partner? I don't know. I don't know what you're talking about.
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  Who is your partner? I don't have any partner. Only been in town
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  for ten days? Made any friends? When you've been in town? No?
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  What do you do at tonight? Stay in maroon? What have you
• 10:41
  been doing in the daytime? Looking for a job? Where? What's of
• 10:46
  places? Name? One garage on twelfth Street? What are they saying they
• 10:50
  didn't need anybody? I'd be working if they did. I want a cigarette.
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  Yeah, I've been around Beverly. I don't know. I don't even
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  know where it is. How long you lived in a motel? Ever since
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  I got in town ten days? Where did your partner go? I don't
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  know. They thought you didn't have a partner. I didn't What picture did
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  you say three nights ago? I told you I don't remember the name.
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  It was a musical. Why don't you guys let up? I'm telling you
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  the true. You said you saw the musical night before last? I did?
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  You went to a show two nights in a row? No, guys,
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  got me talking to myself just because I'm half blind old dame gets a
• 11:46
  liquor store. Stuck up, you guys trying to make me to pass it?
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  How did you know she was half blind? All right? I was
• 11:54
  in on it, But I didn't kill a little man. Earl did it?
• 11:58
  Earl who? Earl bent Le Free is a jerk? He didn't have
• 12:01
  to either. The old man didn't have a gun. Who's Cardiva? I
• 12:05
  don't know who it belonged to? Earl stolen? Where does Bentley live?
• 12:09
  I don't know, really, really, I don't know. I met him
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  in a barred third in Washington High Hole. Got a girlfriend who works there?
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  And what's her name? Jean? Jean Hillary? You've seen Arrow since
• 12:20
  Surrounbery No, okay, ash you look him up. An unborn baby,
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  an aged grandmother, a cob scout, a hardened veteran of the Korean War,
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  people of all kinds. Your neighbors are help. When you give to
• 12:45
  your local community chest, it's many campaigns in one, and it provides the
• 12:50
  only financial support for dozens of health, welfare, recreation and defense organizations in
• 12:54
  your hometown. They're all counting on a bigger gift from you this year.
• 13:00
  Don't let them down. Only one bar girl on the whole plague. Yeah,
• 13:26
  Jeane Hellian, Yes, that's right, police officers, Miss Helen,
• 13:28
  I'm Lieutenant Gothride is sat in condo. You want to see the owner?
• 13:31
  I know, we'd like to talk to you. What in the world for
• 13:35
  it? You know? And Earl Bentley? Sure one was the last time
• 13:39
  you saw him? Well, it's been green Early a week. He told
• 13:43
  me he was going out of town. What's the matter? Is real in
• 13:45
  trouble? Did he say where he was going? No, he just said
• 13:48
  he was going out of town. He never tells me much about why he
• 13:50
  does. Excuse me, sir good looking at the colins and water. He
• 14:01
  never did answer me. He's your room in trouble, and we'd just like
• 14:03
  to talk to him. Did he say when he was coming back? No
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  he didn't. He's never gone some more than a week at a time.
• 14:09
  When does he go out of town offha? Oh not once a month?
• 14:13
  You know? A Colonel Lindell, Uh No, I don't think so.
• 14:18
  He's five foot eleven. Doc Brown had brown eyes from Texas. Oh yeah,
• 14:24
  I remember him now. He came in with Early a couple of times
• 14:26
  last week. Excuse me, it looks like we better go back and have
• 14:31
  another talk with Lindell and anything like setting up an alibi. I think Lindell
• 14:35
  leveled with us. Maybe so boy Jane does Arilona con Yeah, I'm a
• 14:43
  room forward in Shdan Coop Yeah, Coop, you know what you were do
• 14:48
  nineteen forty nine. I think it's pretty new. And where does he work?
• 14:52
  Well, I don't know for sure. For his father, I think
• 14:56
  he must do all right, though he always seemed to have money. What
• 14:58
  does his father do? He has a restaurant, Thoro'll mention it just the
• 15:01
  other day, said he was tick and tired of working in the hash house
• 15:03
  and was going to get into something better. You know where the restaurant is
• 15:05
  around Washington, the Coffee Cup, nine hundred block North. Say, well,
• 15:09
  thanks, Michelle, what a girl ship come in? I just don't
• 15:13
  mention not being here. Oh I won't if you don't want me to know,
• 15:16
  we don't want you to all right. I still can't understand what you
• 15:20
  want with Earl. Yeah that's okay, then sure, Uh coffee for me?
• 15:45
  Play same all right? Clean places then not much business. So there
• 15:54
  you are two coffees. Anything else is that fine? A gun better be
• 16:00
  and pick it myself. Give me a piece of the berry. Sure,
• 16:04
  you run this place by yourself, practically. Wish I could get some good
• 16:07
  help. Even my own son thinks he's too good to work in a lunch
• 16:12
  counter. He sain't too much of a place. But it's been good to
• 16:15
  me. I'm going to retire one of these days. And I always figured,
• 16:18
  but uh, he's my son. I always figured that he could take
• 16:22
  over someday. Maybe he'll change his mind. No, no, no,
• 16:26
  you know I started this place fourteen years ago, got a little home around
• 16:30
  the corner here on Ninth Street, or paid for it, and I got
• 16:33
  a little money in the bank. But then ain't good enough for Earl.
• 16:37
  He's going to make it fat, he said. Where is he now?
• 16:41
  Oh? I don't know. He never tells me where he's going. Do
• 16:44
  you think he's home? I doubt it. Why'd you ask that? I
• 16:48
  just wondered. You fell us friends who will not exactly, but we would
• 16:53
  like to see him. You fell us a policeman, aren't you Earls in
• 16:59
  some out of trouble? And that's right, mister Bentley? And yeah,
• 17:26
  missus Bentley, yeah, police, missus Bentley. Oh, I want to
• 17:29
  come in thank you. Isl here. Nope, he left about two hours
• 17:36
  ago. Are they leaving his card? You know when he will be bank?
• 17:38
  Nope? Oh, don't tell me nothing about what he does. He's
• 17:41
  in trouble. Amy would like to talk to him. I knew what I
• 17:45
  knew, what was bound to happen that smart I of punk I told his
• 17:48
  father were going to get in troubles me your boy too, Nope, he
• 17:52
  just married as old man last year. I old iserl twenty four. He's
• 17:56
  old enough to know better. You mind know we have a look around.
• 18:00
  Nope, he ain't here. Then check the house, all right, where's
• 18:10
  this room, missus Bentley? Right down the hall? What'd you do?
• 18:14
  Well? Think he shot a man? Yeah? The gluts all right,
• 18:17
  smarter Jersey did take a look? You have any idea where he might be?
• 18:30
  Old You don't tell me nothing. I have nothing here, Ben.
• 18:33
  Of course he ain't here. I told you if you was. May I
• 18:37
  use your phone? Missus Bentley? Sure help self in the kitchen. It's
• 18:53
  fourteen a of four fifteen and sixty seven. Then, Julia, see the
• 18:59
  man keeps the piece? You can give them back home? Man sure didn't
• 19:03
  take any clothes? Probably doesn't even know. We got limb down g forty
• 19:07
  three nine fourteen Clote five at six thirty one seater pickup us stick Earl Bentley,
• 19:15
  aged twenty four NAO Caucasian, five foot nine, one hundred fifty five
• 19:22
  pounds, brown hair, probably driving nineteen forty nine maroon Ford Coop. And
• 19:30
  if he comes back down, get him. You think you'll try anything else?
• 19:33
  Oh? Maybe, he says cocky as missus Bentley thinks he is.
• 19:37
  He won't quit now. T twenty three at three ninety W at fifty four
• 19:41
  forty one Garden Street. Be the man, I asked Asher Alice kidwerd e,
• 19:48
  So did I? And sure Burn's coin up the way. David was
• 19:52
  Anamau's kid. There's one good thing about being single. You never have any
• 19:56
  trouble like them. You want to go up Madison? Okay have you ever
• 20:03
  been around? Ask his kid? No? Oh fine? Uh? I
• 20:11
  mean you would go up Madison. Looks like it just happened at a staff.
• 20:17
  Did any want to hurt? No? No, I don't think I'm
• 20:21
  not anyway. You're the driver that car. Yeah, the other cans the
• 20:25
  line. Guys, She's got to tell me O way did he stop?
• 20:30
  No? That's how I'm gone around the corner. But by the time I
• 20:32
  got there, well he was gone. I just now got back here to
• 20:34
  my car. He must have gone to call you, guys. There hasn't
• 20:37
  been any call on this Cedar and Washington two eleven at Fistino six and on
• 20:48
  the cry store. That's only a few blocks. That resembles Earl Bentley nail
• 20:53
  Caucasians about five ft nine. Let's go peek. Take this street over.
• 21:11
  Pete cuts into whim and right. Not much chance of seeing him, and
• 21:19
  there he goes pet He couldn't make the light he turned off. See if
• 21:25
  he can make a feet You gotta make close. Men, You see this
• 21:32
  man, I don't think. Yeah, he's not gonna make it. He's
• 21:45
  making a run for it. Come on, Pete, in that garage,
• 21:49
  come to the alley, Hey, mister you cop. Yeah, some guy
• 21:53
  just came running in the grass. He got a cot Yeah, I know
• 21:56
  anyone else in the ans well, keep r the cover. Don't worry.
• 21:59
  That guy's creepy, badly, badly. Yeah, come on out with your
• 22:11
  hands up. You can't get away with us. I gotta try, Okay,
• 22:15
  no high take the end. Yeah, I gotta be so cops and
• 22:23
  the painfulls. Yeah, nervously. You're gonna whip the whole police force.
• 22:37
  That's only two of you. There will be more, Okay, you will
• 22:45
  oh you gon Okay, come out with your hands over your head. Okay,
• 22:56
  that's close enough. Hey, so put your hands in backing cool.
• 23:03
  Okay, get easy. Bentley, Okay, Pete, come on in.
• 23:15
  That didn't make much sense. Bentley got an ambulance. Pea. The lineup
• 23:33
  or before you passed the innocent, the vigorant, the thief, the murderer.
• 23:40
  Listen again next week when we again bring you the lineup. May I
• 23:44
  have your attention please, People out there on the other side of the wire
• 23:47
  in the audience room, may I have your attention? Please? Thank you.
• 23:51
  My name is Cougar. Sorry to speak Cougar. I'll explain the lineup.
• 23:55
  Each of the suspects you will see you will be numbers. I'll call
• 23:56
  up a number. Their name is Shark Keviny Glenn. The line Up,
• 24:10
  starring Bill Johnstone as Lieutenant Guthrie with Jack Moyles the Sergeant Pete Carter, was
• 24:14
  written by David M. White with music by Eddie Dunsteader featured in Tonight's cast
• 24:18
  were Peter Leeds, high Everback Virginia, Greg Howard mcneer, Her Butterfield,
• 24:22
  Bob Dailey, Sam Edwards, and Jeanette Nolan. The lineup is produced and
• 24:26
  directed by Hi Made del Vayer. Presidential Election Night. As the boarding returns
• 24:42
  pour in from coast to coast, CBS Radio will be ready with one of
• 24:45
  the most comprehensive reporting jobs in election history. Make CBS Radio your Election Night
• 24:51
  headquarters or coverage by Alan Jackson, Lowell Thomas, and Edward Armorau, and
• 24:55
  shortly after for full time coverage by the entire CBS Radio news staff. And
• 25:00
  remember, between now and November fourth, make CBS Radio your election campaign headquarters
• 25:04
  for all developments clearly, impartially reported, and coverly speaking. This is the
• 25:18
  CBS Radio Network. Welcome back. Well, if you're like me and you
• 26:17
  didn't catch it, the first thing you did after the show was over was
• 26:25
  rewind back through it to find out where Bob Bailey appeared. And I'll go
• 26:34
  ahead and answer or say you little searching in trouble. He was the second
• 26:38
  guy in the lineup. Speaking of today's lineup, Carter seemed to be going
• 26:48
  kind of fast when he was reading the instructions. I mean, I know
• 26:52
  it's not Shakespeare or anything, but my goodness, he was going quick through
• 26:56
  that. Also, given that the whole point of the lineup is to get
• 27:00
  a questioning people on the line up is just to get a natural tone of
• 27:04
  voice, he was kind of going hard after that con man guy, who
• 27:11
  was I believe it Howard McNair's character. And of course then there's the title
• 27:17
  of this the Pitiful Patricide Case. Okay, the guy didn't actually kill his
• 27:25
  father, unless they're trying to suggest that the murderer killed the liquor store owner
• 27:33
  in a indirect way of killing his father, which kind of seems a little
• 27:40
  Freudian but not so straightforward. But or it could be that they were just
• 27:45
  looking for something with alliteration. All right, Well, now we've got a
• 27:52
  couple a couple of announcements. First of all, I've added a new show
• 27:59
  to the big list of programs that we're going to do. And the program
• 28:03
  I've added is The Avenger. I'm probably gonna wait till after we finished Nick
• 28:08
  Carter because it's one of those shows that that is a bit more pulplish,
• 28:18
  and probably having two of them running at the same time, doesn't make sense.
• 28:22
  It was originally designed as kind of a knockoff of The Shadow, except
• 28:26
  it really was a detective mystery. I was listening to it back during the
• 28:30
  when we were doing James Monks in Mister Moto on the show, so I
• 28:37
  could have something to go ahead and play as an extra. But I found
• 28:44
  out that actually will work in the program, so we will. It's been
• 28:48
  added to the eventual list. Those of you on the app A premium side
• 28:52
  have gotten an unhosted episode as kind of a little foretaste of what's to come.
• 28:59
  Kathy comment, I love it when you post these b movies, and
• 29:03
  this one's from Puritan Pictures No Less, and that's from Video Theater number forty
• 29:07
  four. I'll name the Murderer. I'm glad you enjoyed it, Kathleen.
• 29:11
  I appreciate the feedback. We don't get a whole lot on THEO on that
• 29:18
  particular aspect of the program. I've done in the last few months quite a
• 29:23
  few more television shows just because the best of the public domain movies, things
• 29:30
  like Doa and My Favorite Brunette, we've already played, but we're continuing to
• 29:41
  look for gyms that are actually public domain, but expect a mix of b
• 29:48
  movies and television programs when applicable. I know we have a couple of episodes
• 29:57
  of the Adventures Philip Marlow TV show that we'll be bringing you when we do
• 30:03
  that series, and still haven't made up my mind for a month of October.
• 30:10
  I will let you know next Saturday, though, for sure. And
• 30:12
  then we have a comment from Chris, who says I have to apologize,
• 30:15
  but I'm a recent convert to this particular podcast. I've long listened to old
• 30:21
  time radio, but found this incredible podcast earlier this year. I'm listening to
• 30:26
  back broadcast and just got to the start of the Mister Moto series. This
• 30:29
  is a series I have never heard before, and since I've been listening since
• 30:33
  I was a we one, finding anything from the Golden Age that I've not
• 30:37
  heard is rare and treasured. Thank you for your continued and hard work and
• 30:41
  bringing all of this wonderful contact back to life once more. Well, thanks
• 30:45
  so much, Chris, and I love notes like this and the comments that
• 30:51
  we get. It's part of what keeps me loving doing the two these Tuesday
• 31:00
  programs, which usually feature shows that are less heard of than things like Johnny
• 31:07
  Doller, Nick Carter, and Philip Marlowe, but still pretty interesting and fun
• 31:14
  to listen to. All Right, well, that will do it for now.
• 31:18
  Join us back here on Monday, as we will bring you yours truly
• 31:22
  Johnny Doller. Next Wednesday we'll have a Johnny Fletcher mystery, and then on
• 31:27
  Saturday we'll be back for the lineup. Send your comments to Box thirteen at
• 31:32
  Great Detectors dot net. If you enjoy the show, please rate it on
• 31:37
  iTunes and follow us on Twitter at Radio Detectives From Boise, Idaho. This
• 31:42
  is your host, Adam Grahamson and Off