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Wood Harris Interview + More · The Breakfast Club

• 0:00
  Speaker 1: Good morning, telling you a little sister room anywhere else
• 0:03
  Speaker 1: so your friend on Friday to day, the World's most
• 0:08
  Speaker 1: dangerous morning. Shut the cameras. I agree, show, isn't this listen?
• 0:15
  Speaker 1: City South Djamry, the captain of the usually eat, the
• 0:20
  Speaker 1: only one who can keep these guys in. Chlomagne, the
• 0:22
  Speaker 1: god lorn boy, is the frefers competition. Good morning usc
• 0:40
  Speaker 1: yo yo yo yo yo yo yoo yoo yo go
• 0:42
  Speaker 1: go yo yo yo yo yo yo yo yo yo
• 0:43
  Speaker 1: yo yo yo yo yo yo yo yo yo yo.
• 0:46
  Speaker 1: Good morning angela yeat That manager m Cholomagne, the guy
• 0:50
  Speaker 1: piece of the planet. Guess what day it is? Guess
• 0:53
  Speaker 1: what day it is? Are you looking like that man?
• 1:00
  Speaker 1: Because it's Wednesday? Man? Happy to be alive? God is good? Okay,
• 1:04
  Speaker 1: really happy? Hew? Let's you talk about why shouldn't we
• 1:06
  Speaker 1: be breathing? We are breathing. People are going through it
• 1:12
  Speaker 1: right now in these streets. Okay, anything can happen. People
• 1:15
  Speaker 1: got herpees Ice is knocking at people door, taking people
• 1:17
  Speaker 1: mama's away. The megos knocking out Sean Kingston. Is that real? Yes? Oh,
• 1:22
  Speaker 1: Donald Trump gonna build that wall for real? Megoes is
• 1:24
  Speaker 1: out hit jumping people. Now Megoes is out hit jumping
• 1:27
  Speaker 1: American citizens. Donald Trump gonna build that wall for real,
• 1:31
  Speaker 1: for real. Chris Brown had some drama yesterday. Yeah, a
• 1:34
  Speaker 1: lot of stuff going on. At Ronie had no drama.
• 1:37
  Speaker 1: But ron just need to relax, okay, And if he
• 1:39
  Speaker 1: needs help, he needs to go get help period, all right.
• 1:42
  Speaker 1: And people need to stop making excuses for Chris Brown. Well,
• 1:46
  Speaker 1: let's get into it. Yeah. I guess you gotta tell
• 1:48
  Speaker 1: the people what's going on. I guess we'll do that
• 1:49
  Speaker 1: in the rumors. But it was a lot yesterday on
• 1:53
  Speaker 1: social media, a lot of videos posted, people responding to
• 1:57
  Speaker 1: different things, things you never would have expected to happen happening.
• 2:00
  Speaker 1: Where's the video to me Goes jumping Sean Kingston. I
• 2:02
  Speaker 1: ain't see that this morning. That wasn't all through my timeline.
• 2:04
  Speaker 1: That's no video. They had never happened. They had video
• 2:06
  Speaker 1: of them earlier being cool and being friends, but there's
• 2:08
  Speaker 1: no video. I didn't see any video of that shot.
• 2:10
  Speaker 1: Fire Man. See they always do that. They play with
• 2:13
  Speaker 1: the fat kid, laugh with them, joke with them, and
• 2:16
  Speaker 1: then jump them later on. Why did they do that
• 2:18
  Speaker 1: to you shouldn't always treating the chubby kid in the
• 2:21
  Speaker 1: hood room man. But allegedly Sean Kings's man fired the
• 2:26
  Speaker 1: shot in the air. Now you still be kind of big.
• 2:30
  Speaker 1: You shot out somebody getting it from? Man? Where where
• 2:33
  Speaker 1: where sight your s Okay, TMZ, I guess it's right then, yeah,
• 2:38
  Speaker 1: but I mean, I mean, you beat me up. Please
• 2:41
  Speaker 1: get them off from me shooting the end. Just get
• 2:44
  Speaker 1: them off me. Let me get man, y'all. I'll tell
• 2:46
  Speaker 1: y'all all the time. I don't talk to any words
• 2:47
  Speaker 1: about the five and N words don't just mean black
• 2:50
  Speaker 1: people in words of all colors. Okay, what you're describing
• 2:52
  Speaker 1: to me right now, some serious N word activity. I
• 2:55
  Speaker 1: think that was before final it was before five. I think.
• 2:57
  Speaker 1: So what what coasts they are? It doesn't Vegas, okay, alright?
• 3:01
  Speaker 1: And it was at the Agenda trade show that happens
• 3:03
  Speaker 1: during the day trade show. We went to Agenda here
• 3:06
  Speaker 1: in New York. That was a transgender trade show. It's
• 3:09
  Speaker 1: called the Agenda. Agenda. I'm like, what the hell is
• 3:12
  Speaker 1: going on? Kind of stuff I don't know nothing about.
• 3:18
  Speaker 1: Oh my god, when people go to sell their okay,
• 3:24
  Speaker 1: like the Magic convention back exactly what agenda? Man, I'm
• 3:28
  Speaker 1: on that cuss that would Harris school still kind of stopping.
• 3:33
  Speaker 1: Would Harris would be joined us this morning. Yeah, I
• 3:36
  Speaker 1: want to close bombs for Wood. Harris plays Ason Payton
• 3:40
  Speaker 1: for the box down the Wire Brook from new edition
• 3:44
  Speaker 1: You just that was on the Brakes, which just on
• 3:47
  Speaker 1: Monday was got a sneaky rap career? Sneaky rap, say,
• 3:53
  Speaker 1: sneaky rap had a sneaky rap career. I remember him
• 3:56
  Speaker 1: freestyling for me back in the day and me telling
• 3:58
  Speaker 1: him he was he was white. Maybe he did tell
• 4:00
  Speaker 1: me that he was like, yeah, I meant charlotegne A
• 4:02
  Speaker 1: long time ago ago I used to work on Ye.
• 4:06
  Speaker 1: He did tell me that he kicked the freestyle, and
• 4:08
  Speaker 1: I'm like, nah, buddy, that's a good thing. He didn't.
• 4:10
  Speaker 1: He didn't read and stick with rappings, didn't started acting
• 4:13
  Speaker 1: like he's still wrapping. He still gotta sneak your rap
• 4:15
  Speaker 1: career with ears. He's still Rapps'll ask him about it, though,
• 4:17
  Speaker 1: you're asking the freestyle up. That's what you're gonna do
• 4:20
  Speaker 1: this morning. No, we're not all right front page news.
• 4:25
  Speaker 1: What we're talking about. Let's take about some new words
• 4:27
  Speaker 1: that were added to the dictionary. Also, we'll talk about Popeyes.
• 4:31
  Speaker 1: I know you guys love Popeye. Come on, Popeyes chicken
• 4:34
  Speaker 1: and word cookies. See, I'm doing better affiliates from trying
• 4:37
  Speaker 1: not to say that word for y'all you said yesterday,
• 4:39
  Speaker 1: I didn't shout out to my girl Valerie, who's listening
• 4:42
  Speaker 1: right now in the card. It's one of my best friends,
• 4:44
  Speaker 1: Valley from ampty Ampton University. All right, front page news
• 4:48
  Speaker 1: when we come back, and also tell them why you're blessed.
• 4:50
  Speaker 1: If you feel blasting highly favored, call us up right now,
• 4:53
  Speaker 1: eight hundred five eighty five, one oh five. Want to
• 4:55
  Speaker 1: spread some positivity as to Breakfast Club Morning Morning. Everybody
• 4:59
  Speaker 1: is DJ and v Angela, Ye, Charlomagne the guy. We
• 5:02
  Speaker 1: are the Breakfast Club. Let's getting some front page news now.
• 5:05
  Speaker 1: Magic Johnson he has a new position with the Lakers.
• 5:08
  Speaker 1: You know the position. What's his position? I thought, you know,
• 5:10
  Speaker 1: he's a president of basketball operations for the Lakers. Drop
• 5:14
  Speaker 1: one of clues bombs for Magic Johnson. Damn it. I know.
• 5:17
  Speaker 1: They said he's bringing Kobe into help, supposedly allegedly. I
• 5:20
  Speaker 1: ain't here that one, but that's black privilege at his
• 5:22
  Speaker 1: finest right there. Okay, they said allegedly he's gonna try
• 5:25
  Speaker 1: to bring Kobe in the work, and that many to do. No, No,
• 5:28
  Speaker 1: the big Mark Jackson and why they already did that.
• 5:31
  Speaker 1: They tried that. They got a former player running their
• 5:32
  Speaker 1: head a basketball operations. Now, Phil Jackson used to play
• 5:34
  Speaker 1: for the freaking New York Knicks back in the day.
• 5:36
  Speaker 1: That was too far back. All right, Magic Johnson back,
• 5:39
  Speaker 1: that's when the train and go offense work. Listen, I'm
• 5:41
  Speaker 1: talking Mark Jackson. You're bringing Patrick Ewing. No, yes, you're
• 5:45
  Speaker 1: bringing Charles Oakley. You give that team some This what
• 5:48
  Speaker 1: I don't like, what you muscle, That's what I don't like. Well,
• 5:50
  Speaker 1: I've been saying this before they brought. These guys aren't
• 5:53
  Speaker 1: on the level of Magic Johnson. On note, let's just
• 5:56
  Speaker 1: be clear about that. Madgice Johnson has proven himself to
• 5:58
  Speaker 1: be a great businessman. He's been playing one on one
• 6:00
  Speaker 1: against HIV for decades and busting HIV's asked, that is
• 6:04
  Speaker 1: the man whose mind is so strong and he has
• 6:06
  Speaker 1: such a will to win that you want running to
• 6:08
  Speaker 1: be the president of your backball operations. And everybody you
• 6:11
  Speaker 1: just named does not have the respect among NBA players
• 6:14
  Speaker 1: like Maddie Johnson does, and the cool sir nobody does.
• 6:16
  Speaker 1: He's one of the greatest. But Patrick gild is pretty close. No,
• 6:19
  Speaker 1: not even no, you're not pretty close. Is one of
• 6:22
  Speaker 1: the greatest. Yes he is when he comes to Magic Johnson.
• 6:25
  Speaker 1: I didn't say level. I didn't say he's on the
• 6:27
  Speaker 1: same level he's in that. No he's not. Yes he is.
• 6:31
  Speaker 1: But they're looking for a new general manager as well
• 6:33
  Speaker 1: to work with Magic Johnson. So yeah, because they got
• 6:35
  Speaker 1: rid of cup check whatever, because the JOMP want to
• 6:38
  Speaker 1: clude bombs Magic Johnson again. There's a couple of stories
• 6:40
  Speaker 1: that inspired me yesterday between Magic Johnson becoming president of
• 6:43
  Speaker 1: the backball operations for the Lakers and Jay z his
• 6:46
  Speaker 1: own capital ventures. Whoa black privilege that his finest damn it.
• 6:51
  Speaker 1: Let's talk about Burger King. Burger King, Yes, Burger King's
• 6:55
  Speaker 1: parent company, Restaurant Brands International, purchase Popeyes for one point
• 6:59
  Speaker 1: eight bill billion dollars. They also owned Tim Horton's. So
• 7:03
  Speaker 1: what they're saying is they want to try to challenge
• 7:05
  Speaker 1: Kentucky Fried Chicken. Now, Kentucky Fried Chicken has eighteen thousand
• 7:09
  Speaker 1: plus stores in the worldwide, Popeyes only has twenty six hundred.
• 7:13
  Speaker 1: Let me tell you something, man. First of all, salute
• 7:15
  Speaker 1: to Popeyes, chicken and N word cookies. That's what I
• 7:19
  Speaker 1: call biscuits, all right. There's no better biscuit on the
• 7:21
  Speaker 1: Marketbody loves biscuits, man, everybody but Popeye. Yeah, Popeye biscuits.
• 7:27
  Speaker 1: Popeye is one of the best Popeye biscuits. Different, bro, Bro,
• 7:30
  Speaker 1: you get you some honey. That's an N word cookie.
• 7:32
  Speaker 1: That ain't just no regular biscuits. KFE got biscuits, Churches
• 7:35
  Speaker 1: got biscuits, Popeyes got N word cookies. Now let's talk
• 7:38
  Speaker 1: about these new words added to the website's dictionary. Yes,
• 7:40
  Speaker 1: a lot of words that people have been using, a
• 7:42
  Speaker 1: lot of phrases. NSFW was added to the dictionary. What
• 7:46
  Speaker 1: I mean, sayay for work because shade you know what
• 7:50
  Speaker 1: that is? Yes, I do. Truther, Ruther, first World problem,
• 7:55
  Speaker 1: binge watch, and ghosting. There's a thousand new words. About
• 7:59
  Speaker 1: of thousand new is added. But those are multiple words,
• 8:01
  Speaker 1: those are never of them are phrases, but they added
• 8:03
  Speaker 1: them to the dictionary. Still, so, uh, what's ghosting? I
• 8:07
  Speaker 1: never heard of that. Ghosting is when you like say
• 8:09
  Speaker 1: you and the dude is like kicking it like you
• 8:11
  Speaker 1: know y'all been kicking it heavy for like a week
• 8:13
  Speaker 1: or two, and then he just goes ghost on. You
• 8:15
  Speaker 1: stops answering your phone, called Charlemagne, stop answering your phone.
• 8:20
  Speaker 1: That's the truth. I thought. Ghost is when you when
• 8:22
  Speaker 1: you drive your car and you get out, let your
• 8:23
  Speaker 1: car driver. That's ghost d shut your ass up. That's
• 8:28
  Speaker 1: when he went ghost. He went ghost on. That's exactly
• 8:31
  Speaker 1: what's from the U from power. I bet you some
• 8:35
  Speaker 1: of these words, you won't know what okay, Prazo Pagnosia,
• 8:39
  Speaker 1: never heard of it? Sound sounds like something sound like
• 8:41
  Speaker 1: shirt cold. That's a pimple when you have a pimple? What? No,
• 8:44
  Speaker 1: that's the inability to recognize faces and co conne lane.
• 8:49
  Speaker 1: Does anybody know what con lane is? Why do I
• 8:51
  Speaker 1: have to use that big ass world when I can't
• 8:53
  Speaker 1: recognize that means a made up language? Con ling? Why
• 8:56
  Speaker 1: can't I just say he lying when it comes to
• 8:58
  Speaker 1: the made up language? Why can't I just what is that?
• 9:02
  Speaker 1: The inability to recognize face? It's like I know your name,
• 9:05
  Speaker 1: but I got Prizo Pagnosia. I don't be recognizing your
• 9:07
  Speaker 1: face Backnosi son, Like I need to wear a condom.
• 9:11
  Speaker 1: If you don't recognize the face, that sounds like crazy.
• 9:14
  Speaker 1: All right, last front page telling you're eight hundred five
• 9:19
  Speaker 1: eight five one oh five one. If you're upset, you
• 9:21
  Speaker 1: need to vent. Call us right now. Somebody went ghost
• 9:23
  Speaker 1: on you. Yeah, eight hundred five eight five one oh
• 9:26
  Speaker 1: five one. Call us now. It's the Breakfast Club. Come morning,
• 9:29
  Speaker 1: the Breakfast Club. Hey, yo is Dax? You know what
• 9:36
  Speaker 1: makes you mad? But for the truth. Can't handle the truth?
• 9:39
  Speaker 1: I tell them why you mad? Want to Breakfast club?
• 9:42
  Speaker 1: Ask me? Tell them why you're mad. I'm mad at Schlomne.
• 9:45
  Speaker 1: That's nothing new. Why why are you mad at him?
• 9:48
  Speaker 1: Slomnus was asked race from shops in South Carolina. I
• 9:51
  Speaker 1: tech you my nigga, to get me down with Angelus.
• 9:53
  Speaker 1: I can do her make up a ci double a.
• 9:55
  Speaker 1: You never hit me back? What's up with that? Put
• 9:58
  Speaker 1: nobody off the South Camo. First of all, nobody text
• 10:01
  Speaker 1: me about doing Angela makeup. I'm I'm Nitre Dontri's friend.
• 10:06
  Speaker 1: Asklete this sick brother, and I text you up. I
• 10:10
  Speaker 1: didn't get it. I'm a professional artist, makeup artist in Charleston,
• 10:14
  Speaker 1: South Carolina. I'll be in CIABA I wanted to do
• 10:16
  Speaker 1: her makeuptard want the opportunity that I just wanted to
• 10:20
  Speaker 1: do answers to makeup that you text me and asked
• 10:23
  Speaker 1: me about a book, and I text you against Alome
• 10:26
  Speaker 1: and I text you again. Oh you did at and
• 10:32
  Speaker 1: we had Paris reached out to you and I brought
• 10:35
  Speaker 1: the book sholo me and I got your book. I
• 10:37
  Speaker 1: suppointed you. I got your book. I appreciate that and
• 10:40
  Speaker 1: you didn't just s still could get a rethane. Absolutely
• 10:44
  Speaker 1: is the home. Yes, I love all you guys. I
• 10:47
  Speaker 1: love telling me Asilee. I'll be down there Saturday and Sunday.
• 10:50
  Speaker 1: I know you got two parties. So I got your
• 10:53
  Speaker 1: girl a and I'm Boma. I'm a pastor. Contact right now,
• 10:57
  Speaker 1: we don't say that. We have a serio coming up.
• 11:00
  Speaker 1: You know they called it beat you. I don't think
• 11:02
  Speaker 1: you should say, by the way, beat yours okay, asking
• 11:06
  Speaker 1: about six feet and he talking about beating my facing. Yeah,
• 11:10
  Speaker 1: your face. I said, beat your face. You gotta say
• 11:14
  Speaker 1: it like you gotta say your face looks beat face
• 11:16
  Speaker 1: beat And it just sounds crazy what you're saying that
• 11:19
  Speaker 1: just and lead the gay stuff to me? All right?
• 11:21
  Speaker 1: How you saying and they sound like he was about
• 11:25
  Speaker 1: to the gate stuff to Charlotte, I'm beat your face?
• 11:30
  Speaker 1: Sound right? Do you want her face beat? Okay, there
• 11:32
  Speaker 1: you go. You do it so natural for you. Hello,
• 11:36
  Speaker 1: who's this y? Hey Jasmine? Why are you mad this one?
• 11:41
  Speaker 1: You sound pissed. I'm mad because well, first of all,
• 11:44
  Speaker 1: I'm up, but second of all, I'm talk of these
• 11:46
  Speaker 1: dudes playing all these games. Like I feel like, if
• 11:49
  Speaker 1: I liked you and you like me, why don't you
• 11:50
  Speaker 1: got play games with each other? Like why can't we
• 11:52
  Speaker 1: just like like each other? You tired of guys going
• 11:55
  Speaker 1: ghost on you? That's not what's happening. What's happening? They
• 11:58
  Speaker 1: just like, I mean, they like me and I like them,
• 12:00
  Speaker 1: and you know, they want to hang out or whatever.
• 12:02
  Speaker 1: And then like they kind of like want to play games,
• 12:04
  Speaker 1: like they want me to chase them, like I'm about
• 12:06
  Speaker 1: to chase you, okay, And then I don't want to
• 12:08
  Speaker 1: put a label on it. I'm twenty seven. Okay. You
• 12:11
  Speaker 1: gotta stop letting dude hit so fast. Once they hit,
• 12:13
  Speaker 1: they ain't got no use. I have I have sex
• 12:16
  Speaker 1: on the way. I'll start the name foot. Don't even
• 12:18
  Speaker 1: call a while a week September, focusing on me. I'm
• 12:23
  Speaker 1: focusing on me. Time's Day, mama, you know on Twitter
• 12:28
  Speaker 1: and put self love all day. I had a time.
• 12:31
  Speaker 1: I had a Valentine excellent? Did that? No? What you
• 12:35
  Speaker 1: did sitting around play Kendrick Lamar, I love myself now.
• 12:38
  Speaker 1: I cooked for my friend. We made food and it
• 12:42
  Speaker 1: was fun. Did you have sex? Nope? No, that's why.
• 12:45
  Speaker 1: That's why you're singing. Now. How you gonna call that
• 12:47
  Speaker 1: man over Valentine Day? Cook for them? Well, maybe it's
• 12:50
  Speaker 1: the guys that you like. I mean it should be that,
• 12:52
  Speaker 1: but if this keeps on happening over and over again,
• 12:55
  Speaker 1: you might need to get somebody different. Chance after she's
• 12:59
  Speaker 1: gonna stop being these thugs. Hello? Who's this almost? Hello?
• 13:03
  Speaker 1: You just got robbed? Yeah, man, I just got robbed?
• 13:06
  Speaker 1: Man on World Star Man? What happened? Yeah? Actually, y'all,
• 13:12
  Speaker 1: y'all had a cameo walk to Jake Black. Ain't no
• 13:14
  Speaker 1: love about the count brack here for a reason. Oh
• 13:18
  Speaker 1: so you're telling me that you got you got a
• 13:20
  Speaker 1: video on World starts? What you're telling us? Yeah? And
• 13:22
  Speaker 1: it got robbed? No, I mean it didn't get the
• 13:24
  Speaker 1: views that I thought it was gonna get the I mean,
• 13:30
  Speaker 1: I wouldn't say that. I'll say, your wife just trash.
• 13:34
  Speaker 1: I'm tell you, I'm no, I'm gonna give you some
• 13:39
  Speaker 1: good I'll take that back just because J Cheese told
• 13:43
  Speaker 1: me too. I didn't tell you. I'm gonna give you
• 13:46
  Speaker 1: some good advice. The name of your label is body
• 13:48
  Speaker 1: Count Records. It's twenty seventeen. That's because with body and everything,
• 13:51
  Speaker 1: including ray. Nobody wants to hear that. Bro that's corny.
• 13:54
  Speaker 1: That's like like those days are done, Bro, that gangster
• 13:59
  Speaker 1: thug thing. All right, tell them why you're mad a
• 14:07
  Speaker 1: matter of fact, tell them why you're blessed. If you
• 14:08
  Speaker 1: feel blessed, blessings on blessings on blessings. You want some
• 14:11
  Speaker 1: positivity in this world, call us up right now. Eight
• 14:13
  Speaker 1: hundred five eight five one oh five one is the
• 14:15
  Speaker 1: breakfast cloak the morning the breakfast clubs? Are you blessed
• 14:23
  Speaker 1: in highly favored? I feel blessed? Tell the congregation at
• 14:26
  Speaker 1: eight hundred five five one, it's the breakfast club. Hello,
• 14:33
  Speaker 1: who's this? Tenia? Hey? Thenisia you feel blessed this morning?
• 14:36
  Speaker 1: I why I'm blessed because three years ago I survived
• 14:42
  Speaker 1: cancer in December, my son got an kidney transplaer. Wow,
• 14:48
  Speaker 1: my family loves me. I woke up this morning. God
• 14:51
  Speaker 1: is good. God is good, God is every God is
• 14:53
  Speaker 1: everything everything. Hello. Who's this Barry Johnson? Morning, Barry Johnson.
• 14:59
  Speaker 1: You're feeling blessed this morning? Bro? Yeah, man, I am
• 15:01
  Speaker 1: film blessed. I'm able to work full time as a
• 15:05
  Speaker 1: visual artist, and I recently just dropped a book. Okay,
• 15:08
  Speaker 1: what's the name of the book, sir. It's a children's book.
• 15:10
  Speaker 1: It's called Oh What Wonderful Hair? It's about hair positivity.
• 15:14
  Speaker 1: Um get a chance to make my work, my daughter
• 15:17
  Speaker 1: toair every morning, and after a while, just thought it
• 15:19
  Speaker 1: would be cool to be able to drop a book.
• 15:20
  Speaker 1: I'd love for you guys to take a look at her.
• 15:22
  Speaker 1: Sending some copies. Okay, send it up here, and I
• 15:24
  Speaker 1: can mention for doing your daughters here. I try to
• 15:26
  Speaker 1: do my daughter's here. It's not happening with me. I
• 15:27
  Speaker 1: couldn't figure it out. I can't even do my own here. Yeah,
• 15:30
  Speaker 1: it's a crazy routine. But you know, after a while,
• 15:33
  Speaker 1: we got it, and I'd love her want to take
• 15:34
  Speaker 1: a look at it. It's called Oh What Wonderful Hair?
• 15:37
  Speaker 1: And we definitely want to see a picture of your
• 15:38
  Speaker 1: daughters here you're talking. Do you talk about how you
• 15:40
  Speaker 1: burn your daughter with the hot comb? And how a
• 15:43
  Speaker 1: young black girl is not officially a young black woman
• 15:45
  Speaker 1: until she get burned with the hot comb? Yo, she's
• 15:47
  Speaker 1: only former man. So we have not for the hot
• 15:49
  Speaker 1: com anywhere local or a hair man. Now you know
• 15:52
  Speaker 1: you're not at a braid or you just do a
• 15:53
  Speaker 1: bunt or what do you do? Everything? So in the book,
• 15:56
  Speaker 1: like we make a different name for different hairstyles. So
• 15:59
  Speaker 1: we put her hair in a bun, we'll say you
• 16:00
  Speaker 1: put it uh in a pineapple, or if we're sprayingnik
• 16:03
  Speaker 1: and the curly would say she's got curly fires. If
• 16:05
  Speaker 1: we prayed it, we'll say next in her hair, all
• 16:08
  Speaker 1: sorts of things, so you could do corn rows and everything.
• 16:10
  Speaker 1: I'm working on it, trying just know the sequel to
• 16:16
  Speaker 1: the book is when a woman's write of passage, when
• 16:18
  Speaker 1: she gets to another level of being a woman after
• 16:20
  Speaker 1: being burned with the hot com Know that they still
• 16:22
  Speaker 1: use hot cools. Yo, what's your for a death blot
• 16:28
  Speaker 1: from Columbus, Ohio? You're feeling blessed this morning? Bro man,
• 16:31
  Speaker 1: I'm feeling I'm blessed, tell us why? Man. A couple
• 16:33
  Speaker 1: of weeks ago, I had an ammonia in my lung
• 16:36
  Speaker 1: and I went to the doctor. They didn't find nothing.
• 16:40
  Speaker 1: They said that there was a little hint in pneumonia
• 16:42
  Speaker 1: that gave me some anti bionics. It cleared up. Also,
• 16:45
  Speaker 1: I'm an independent artist from Ohio and my album just
• 16:48
  Speaker 1: came out and doing numbers build money too? What kind
• 16:51
  Speaker 1: of know? What kind of numbers is it doing? You
• 16:53
  Speaker 1: hate on that? Man? Hey, look independently, Charlomagne, I already
• 16:57
  Speaker 1: know those don't go there. But look, so thousand copies money?
• 17:02
  Speaker 1: How money in a bank? How much you selling them for?
• 17:05
  Speaker 1: I'm selling them for any donation whatever people can give.
• 17:08
  Speaker 1: Oh god, Now you walk up to people and say here,
• 17:11
  Speaker 1: I have a CD for you, and then you ask
• 17:12
  Speaker 1: for a donation. Absolutely, I ain't manage you keep bustling.
• 17:16
  Speaker 1: Bro all right, bro, yes, sir, all right? Tell them
• 17:18
  Speaker 1: why you blessed? Blessings on blessings on blessings eight hundred
• 17:21
  Speaker 1: five eight five one oh five one. Now we got
• 17:24
  Speaker 1: rumors on the way. Yes, I mean, I don't know
• 17:26
  Speaker 1: where to start. Let's discuss this. Megoes versus Seaun Kingston
• 17:29
  Speaker 1: situation and break it down. Okay, we'll get into that
• 17:31
  Speaker 1: when we come back. Keep it locked as the Breakfast Club.
• 17:33
  Speaker 1: Good morning, the Breakfast Club Bryce until it would exchange
• 17:40
  Speaker 1: wanting everybody is DJ Envy, Angela, Ye, Charlomagne and God
• 17:43
  Speaker 1: we are the Breakfast Club. Let's get into the mego
• 17:47
  Speaker 1: Sean Kingston in the rumors, this is the rumor report
• 17:51
  Speaker 1: with Angela year Breakfast Club. Well, the police are thin
• 18:00
  Speaker 1: to question the Megos, not that they want to arrest them,
• 18:03
  Speaker 1: they just want to question them. And this is all
• 18:05
  Speaker 1: because of an altercation that happened with John Kingston and
• 18:07
  Speaker 1: the Megos, reportedly at the Agenda trade show in Vegas.
• 18:10
  Speaker 1: How they know the Megos did it? Sean Kingston Niche Well,
• 18:13
  Speaker 1: a lot of people were on Twitter talking about what happened. Now.
• 18:15
  Speaker 1: What they are saying is that Shaun Kingston actually ran
• 18:18
  Speaker 1: up on the Megos. They had a heated word exchange. Patty,
• 18:22
  Speaker 1: not about soldier boys, they said, right, it was about
• 18:24
  Speaker 1: soldier boy. Allegedly Supposedly, you deserve to get your ass
• 18:28
  Speaker 1: beat if you defend the soldier boy. Now, amazingly enough,
• 18:30
  Speaker 1: back in December, young Thug warned Sean Kingston not to
• 18:35
  Speaker 1: get involved in this beef between the Megoes and Soldier Boy.
• 18:39
  Speaker 1: Hey man, pa that Soldier boy and um wayvo the megos,
• 18:45
  Speaker 1: let that be with them. Sean Kingston relax called weing
• 18:49
  Speaker 1: on plan so relaxed, stay out of that. And I
• 18:53
  Speaker 1: aint telling number one time he just said that dad
• 18:55
  Speaker 1: had the blue it was in December. I guess I
• 18:58
  Speaker 1: don't know it was out the blue. Must there must
• 19:00
  Speaker 1: be things happening behind the scenes that we don't know
• 19:02
  Speaker 1: about it? Are you riding for his man? And didn't
• 19:04
  Speaker 1: Sean Kingson come to the defensive Soldier Boy on social
• 19:06
  Speaker 1: media back then too, Yeah, that's his boy. So thug
• 19:10
  Speaker 1: riding for his guys. What Shaun Kingston's riding for his guy,
• 19:13
  Speaker 1: Sean gis sound like you're on the wrong team. Apparently
• 19:17
  Speaker 1: somebody else to fired a gunshot. That said, somebody from
• 19:20
  Speaker 1: Shaun Kingston's camp fired a gun in the air just
• 19:22
  Speaker 1: to try to get them off of him. Bummer clot
• 19:25
  Speaker 1: shut up. I don't know making. I don't how you
• 19:28
  Speaker 1: know the gun man was what you're making man, I'm
• 19:30
  Speaker 1: just I don't know. All right now, I want to
• 19:33
  Speaker 1: say if you guys have an issue with this. Oh no,
• 19:35
  Speaker 1: we can't speed by this. There's no video. This video
• 19:38
  Speaker 1: of Seaun Kingston dapping up the megoes then being cool
• 19:40
  Speaker 1: before cool at first, and then I guess it's two
• 19:43
  Speaker 1: seventeen and you're telling me the megos with the hottest
• 19:45
  Speaker 1: song in the country jump Seaun Kingston and there's no video.
• 19:48
  Speaker 1: I don't believe this. Some video gotta come be coming up.
• 19:50
  Speaker 1: So this is an alternative fact. I don't leave the story. Well,
• 19:51
  Speaker 1: maybe it just happened, so maybe this will all surface
• 19:55
  Speaker 1: at a later time. Seoul Kingston did post the video
• 19:57
  Speaker 1: after he didn't have you try to show that he
• 19:58
  Speaker 1: didn't have any mark his fakes. Yeah, but his mom
• 20:01
  Speaker 1: did say he got jumped. Oh damn it man, social
• 20:05
  Speaker 1: media mom. Damn All right, now, let's discuss black boy Joy. Okay. Now,
• 20:11
  Speaker 1: this was a hashtag that was actually Joy Chance the
• 20:15
  Speaker 1: rapper last year. Okay, and BT posted. There was a
• 20:18
  Speaker 1: lot of hashtag black boy Joy at the ABFF Honors
• 20:22
  Speaker 1: to witness the Magic tune in on Wednesday. All right,
• 20:25
  Speaker 1: that's the American Black Film Festival. Now, Ja Rue had
• 20:28
  Speaker 1: an issue with that. He said, who's behind this? Black
• 20:30
  Speaker 1: boy joy hashtag. I was wondering what Jall Rule thought
• 20:36
  Speaker 1: about this. I really was not cool, very demeaning. You
• 20:39
  Speaker 1: don't call a black man a boy. Please stop that.
• 20:41
  Speaker 1: It goes all the way back to slavery and segregation.
• 20:43
  Speaker 1: You don't call any man a boy. It's disrespectful, but
• 20:46
  Speaker 1: takes on a whole different meaning for black men. BT
• 20:48
  Speaker 1: should know better. And then Tank responded, who Tank Tank?
• 20:53
  Speaker 1: Evan Tank? This R and B singer? Yes, okay, Tank Tank?
• 20:59
  Speaker 1: I thought you sink. I thought you said tink too.
• 21:01
  Speaker 1: No tink okay, he responded. When one black man tears
• 21:04
  Speaker 1: down another black man for simply doing things a little
• 21:06
  Speaker 1: different than what he would that creates a divide here.
• 21:09
  Speaker 1: You are supposed to be a positive reinforcement to all
• 21:12
  Speaker 1: young black men, injecting positivity into our community, and you're
• 21:15
  Speaker 1: hating it. These young men have done nothing but shine
• 21:17
  Speaker 1: a light on black excellence. How in God's name can
• 21:20
  Speaker 1: you find something wrong with that? It's not like you've
• 21:22
  Speaker 1: been a beacon of hope for our community. First of all,
• 21:26
  Speaker 1: let's be clear about one thing. Let's just be clear
• 21:28
  Speaker 1: about one thing. Every hashtag is not gonna work. I
• 21:30
  Speaker 1: don't care how much your literation is in it. I
• 21:32
  Speaker 1: don't care how much it rhymes. Let the black women
• 21:34
  Speaker 1: have black girl magic. We don't need a black boy
• 21:36
  Speaker 1: joy black girl magic. And it sounds silly. It does
• 21:41
  Speaker 1: blacky joy. And y'all rule is right. Boy, what Michael
• 21:44
  Speaker 1: saying on Good Times boys a white racious word. It's
• 21:47
  Speaker 1: a word that's the meaning to black men used to
• 21:49
  Speaker 1: call his boy. So, yes, I understand what y'all rule
• 21:51
  Speaker 1: is saying, but let's just forget about all that. You
• 21:53
  Speaker 1: understand word either, you're right, but let's just forget about
• 21:55
  Speaker 1: that and just say the hashtag is whack black boy joy.
• 21:58
  Speaker 1: Let black women have black girl magic, black black boy joy,
• 22:01
  Speaker 1: black boy joys. That ain't not want to get a
• 22:03
  Speaker 1: part of that black well, say, y'all aren't celebrating your
• 22:06
  Speaker 1: black boy joy in here this black man period. I
• 22:09
  Speaker 1: mean black boy joys. That's not my thing. That sounds
• 22:12
  Speaker 1: kind of silly. But if hey, but if it works
• 22:13
  Speaker 1: for who does that chance to rap. If it works
• 22:15
  Speaker 1: for chance, let chance rock game. He posted it. If
• 22:19
  Speaker 1: it works a chance, let him rock out with it.
• 22:20
  Speaker 1: You know I'm not I'm not not good. I'm just
• 22:22
  Speaker 1: saying I'm not gonna use it. Black boy Joy, black
• 22:25
  Speaker 1: got sound crazy. All right, Well I'm Angelian. That's your
• 22:28
  Speaker 1: room report. All right, thank you, miss ye. Now when
• 22:31
  Speaker 1: we come back, Wood Harris will be joining us. Of course,
• 22:34
  Speaker 1: black boy Joy, of course you know from the black
• 22:36
  Speaker 1: Wood Good It was also the sty like black boyd
• 22:40
  Speaker 1: good black hashtag black Wood Good Goodness. He's also a
• 22:44
  Speaker 1: new additions manager in a new addition bio. Problem with people,
• 22:47
  Speaker 1: we think that anything that rhyme sounds good. If it
• 22:50
  Speaker 1: can rhyme, that's a good thing. Black boy Joy, black good,
• 22:53
  Speaker 1: black good Way. Yeah, don't fit. You must quit everything
• 22:58
  Speaker 1: that's everything not a rhyme, and everything that rob don't
• 23:00
  Speaker 1: sound Charlomagne, black boy jow Hey, Jerry Sad maybe some
• 23:06
  Speaker 1: of that little black boy Joan. All right, all right, semester, right,
• 23:15
  Speaker 1: we'll be back. We're always black and we're not whack o.
• 23:22
  Speaker 1: Breakfast club. That was Chris Brown with Party Morning. Everybody
• 23:28
  Speaker 1: is dj envi Angela Ye, Charlomagne the guy. We are
• 23:31
  Speaker 1: the breakfast club. We got a special guest in the
• 23:33
  Speaker 1: building where the Harris breast. Now you played some legendary
• 23:37
  Speaker 1: roles Avon Bobsdale, Ace and paidon for what character is
• 23:42
  Speaker 1: most like you, because when you walked in the room,
• 23:44
  Speaker 1: I felt the energy at Ace. I'm not gonna lie.
• 23:46
  Speaker 1: I'm not gonna lie to you. That's probably kind of it,
• 23:49
  Speaker 1: trying to separate myself from the characters. When you're doing
• 23:52
  Speaker 1: the role. You know what I'm saying, you you're really
• 23:54
  Speaker 1: committing to um being involved with yourself just imaginatively. You're
• 24:00
  Speaker 1: not really trying to give up your any of you
• 24:03
  Speaker 1: in a sense, really just trying to use your imagination
• 24:06
  Speaker 1: the best you can. Because acting is really just living,
• 24:08
  Speaker 1: you know, um truthfully in the imaginary circumstance. So how
• 24:12
  Speaker 1: well you work with your imagination, it's going to lend
• 24:14
  Speaker 1: to the character that you that you are. And I
• 24:17
  Speaker 1: played a lot of real people, you know, so Ace
• 24:20
  Speaker 1: avarn those are real people. Hendrix is real Julius, remember
• 24:23
  Speaker 1: the Titans. So my learning throughout the process has been
• 24:28
  Speaker 1: from that you know a lot of a lot of
• 24:29
  Speaker 1: real people, which means you you go into the different
• 24:33
  Speaker 1: research process and then you're trying to really find how
• 24:36
  Speaker 1: to separate yourself from from Wood Harris, from from me.
• 24:39
  Speaker 1: So uh, that's really the hard part. You commit to
• 24:42
  Speaker 1: it and you really don't break commitment of it, and
• 24:46
  Speaker 1: you stay imaginatively artistic with it. That's kind of how
• 24:48
  Speaker 1: I am about it. And once it's done, I'm just
• 24:51
  Speaker 1: kind of done with it. It really is that easy.
• 24:54
  Speaker 1: I didn't say it was easy, but now it's easy.
• 24:56
  Speaker 1: You know. Um, it would be easier if you know, well,
• 25:00
  Speaker 1: people love the characters, but if they, you know, I
• 25:02
  Speaker 1: guess it can't work both ways. If people didn't a
• 25:04
  Speaker 1: lot of characters, I wouldn't hear about it, But hearing
• 25:07
  Speaker 1: about it keeps it there for me too. I feel
• 25:09
  Speaker 1: like I'd be hard to detox from the Avon Baxdelle character.
• 25:12
  Speaker 1: I just to get it off. That was also very long,
• 25:14
  Speaker 1: ongoing for years and years and years of playing that
• 25:17
  Speaker 1: character on the wire. Also, that was an easier character.
• 25:20
  Speaker 1: You know, I'm from Chicago. You know, I could relate
• 25:23
  Speaker 1: to to to urban settings and stuff like that. So
• 25:27
  Speaker 1: I kind of that's just me. I'm so Avon and
• 25:30
  Speaker 1: Ace I can relate to as a man, you know,
• 25:33
  Speaker 1: just growing up in Chicago. Well, let's talk about who
• 25:36
  Speaker 1: Wood Harris is as a person and growing up in Chicago,
• 25:38
  Speaker 1: because I did read that you at one point didn't
• 25:41
  Speaker 1: want to be a rapper. I used to rap. I
• 25:43
  Speaker 1: am a rapper. I told Charlemagne it's a long time ago. Yeah,
• 25:45
  Speaker 1: when he was on Wendy Wendy Willams. He's been a
• 25:47
  Speaker 1: free Actually, I got I got my stuff coming out. Actually,
• 25:50
  Speaker 1: I was in the studio the other day with doctor Dre.
• 25:52
  Speaker 1: Why Doctor Dre? Why because I'm where you wanted to
• 25:57
  Speaker 1: That's crazy. You know, I wanted to meet want him
• 25:59
  Speaker 1: to talk about some other things like and why in
• 26:01
  Speaker 1: that sense was it happened organically like that kind of studio?
• 26:06
  Speaker 1: Also Dre wanted to do like I'm talking about. No, No,
• 26:10
  Speaker 1: he has television already and a good friend of mine
• 26:12
  Speaker 1: grew up with producing his show. And uh so I
• 26:17
  Speaker 1: went over there just to sort of see what it
• 26:19
  Speaker 1: was curious about by taking just talking to him about
• 26:23
  Speaker 1: acting in general, and you feel a real like mann't
• 26:27
  Speaker 1: be the studio did the song FSX, I got this
• 26:32
  Speaker 1: thing FSX. I'm gonna slide it to y'alls. Get y'alls
• 26:35
  Speaker 1: beautiful ugly opinions. Listen. That's interesting. So what if you
• 26:38
  Speaker 1: didn't like to beat the doctor J put on and
• 26:40
  Speaker 1: can you be like next? Now I don't like that one?
• 26:42
  Speaker 1: Next you gotta you gotta. I ain't do that. I
• 26:47
  Speaker 1: told Doctor J my birthday is the same Eminem's, right,
• 26:51
  Speaker 1: So I told him. I told him that, and he
• 26:53
  Speaker 1: had he had he had. He's kind of a interesting guy,
• 26:57
  Speaker 1: you know, and he played off of that how he
• 26:59
  Speaker 1: was sort of around me. Did he play one beat
• 27:02
  Speaker 1: or did he give you sometime a bunch of beats? Wow? Yeah,
• 27:06
  Speaker 1: but I mean he got probably, like you know what
• 27:07
  Speaker 1: I'm saying, a vault of beats. I'm not mad at
• 27:11
  Speaker 1: that at all. Now. We just recently saw you in
• 27:12
  Speaker 1: the New Edition movie series that was on Beat and
• 27:17
  Speaker 1: we met Brook actually Brooke came up here in real life,
• 27:19
  Speaker 1: and I was like, wow, I really see, like you
• 27:21
  Speaker 1: really bought his character. Yeah, even meeting him, I'm like, okay,
• 27:24
  Speaker 1: I see you acted just like how he acted when
• 27:27
  Speaker 1: he was up here. Yeah, yeah, Yeah, I love Brooke
• 27:29
  Speaker 1: And uh that was so special. Man. Those kids, I
• 27:33
  Speaker 1: just love working with those kids. And they say it's
• 27:35
  Speaker 1: hard to work with kids and animals, but that ain't true.
• 27:38
  Speaker 1: You know, those kids are just the perfect people. And
• 27:41
  Speaker 1: the and the older actors too. I just I truly
• 27:43
  Speaker 1: love the people sometimes I'm working with, you know, Like
• 27:46
  Speaker 1: I love the guys, you know what I mean, like
• 27:48
  Speaker 1: a teammate who loves the players on the team type,
• 27:50
  Speaker 1: you know. So I really love those actors in that
• 27:53
  Speaker 1: interests Mike and Hassan. I love those Gus and Mac
• 27:56
  Speaker 1: Wilds because now he's on the breaks with you. Yeah,
• 27:59
  Speaker 1: my whole cast on the Brakes. What research did you
• 28:02
  Speaker 1: do to play Brooke Brooke as a producer? Was a producer? Then? Yes,
• 28:06
  Speaker 1: I was with him the whole time. Um, I did
• 28:09
  Speaker 1: have to do research. I wasn't really aware of all
• 28:12
  Speaker 1: the things he had done, so you know, my research
• 28:14
  Speaker 1: was right there with him. Also with Payton for was
• 28:17
  Speaker 1: like that. I was with Ace a Z actually, like
• 28:21
  Speaker 1: the whole time. He was instrumental in me getting that
• 28:24
  Speaker 1: role and painting for he was kind of last step
• 28:27
  Speaker 1: flew me out here from La that with him in
• 28:30
  Speaker 1: a restaurant, told me a story that's in the movie,
• 28:33
  Speaker 1: and uh, the outpost story. And then a week later
• 28:38
  Speaker 1: we were shooting and I was really like, I love this.
• 28:40
  Speaker 1: I gotta, I gotta really can't do a disservice to
• 28:43
  Speaker 1: this real life person who who that's the same with Brooke,
• 28:46
  Speaker 1: Like you get a role you don't want to do
• 28:47
  Speaker 1: a disservice somebody standing across from you, you know, so
• 28:50
  Speaker 1: you're just like I got a nailist, you know, and
• 28:51
  Speaker 1: you really just put it on your in your back.
• 28:53
  Speaker 1: I guess one of my parents teams been paiding for
• 28:55
  Speaker 1: is when you walk in the house and uh, Regina
• 28:58
  Speaker 1: Hall tells you she's so you think it's the little
• 29:02
  Speaker 1: boy that's dad, but it's actually Mitch. Yeah, and just
• 29:05
  Speaker 1: your reaction it was just real, but it's just you
• 29:07
  Speaker 1: was just like you put your hands on you like
• 29:12
  Speaker 1: stuff like that. It's not scripted, but if that's why,
• 29:14
  Speaker 1: you gotta be committed so you can find Like, really,
• 29:16
  Speaker 1: you just want to find the moments because you know,
• 29:18
  Speaker 1: you guys are gonna get asked to do all kinds
• 29:20
  Speaker 1: of stuff. Y'all can call me if y'all need Smithson,
• 29:23
  Speaker 1: but I'm sure y'all already do. And um, just find
• 29:26
  Speaker 1: every moment, moment by moment, just be you know, I'm
• 29:29
  Speaker 1: just y'all get when you're in front of the camera
• 29:32
  Speaker 1: and action happens, just b then be as great as
• 29:34
  Speaker 1: you can. Just be moment for moment though, was that
• 29:37
  Speaker 1: in the script because you start a shadow boxing None
• 29:39
  Speaker 1: of that script you gotta be like a live for
• 29:42
  Speaker 1: the role like and you you almost I don't know
• 29:45
  Speaker 1: if I would have reacted like that, but we would.
• 29:47
  Speaker 1: But I could see him being like that, you know,
• 29:50
  Speaker 1: because there's no words. So there's no words there. Yeah,
• 29:54
  Speaker 1: it's just uh Ace cries, Wow, it says Ace cries. Yeah.
• 30:00
  Speaker 1: How do you choose your roles? Because I'm sure you
• 30:02
  Speaker 1: get a lot of offers to do different things, but
• 30:04
  Speaker 1: you've made some pretty great choices. You don't you can't
• 30:07
  Speaker 1: even anticipate, Like I know with the Wire, nobody even
• 30:09
  Speaker 1: knew how none of them can be anticipated. Really, I can't,
• 30:12
  Speaker 1: you know, you really can't. I choose roles based on
• 30:16
  Speaker 1: diversifying myself now because I think I don't want you
• 30:20
  Speaker 1: to see me play the bad guy too much. You
• 30:22
  Speaker 1: just see me like that so much that it would
• 30:24
  Speaker 1: be difficult for me to shape my career to where
• 30:27
  Speaker 1: I want to. So over the last few years I've
• 30:30
  Speaker 1: been trying to just measure diversity in characters. So if
• 30:35
  Speaker 1: it's something I've done already and more than once and
• 30:37
  Speaker 1: twice and I can't figure out how to make it
• 30:39
  Speaker 1: feel new, probably not gonna do it. I could be
• 30:43
  Speaker 1: buggling but I feel like the Brakes is the first
• 30:45
  Speaker 1: time you've been a TV regular since The Wire, right
• 30:48
  Speaker 1: it is? It is? Yeah, yeah, yeah, it is. Well,
• 30:52
  Speaker 1: it's hip hop, and y'all know I love hip hop.
• 30:55
  Speaker 1: It's New York and it's the people from the Wire.
• 30:57
  Speaker 1: Lots of the behind the camera people are from the Wire,
• 31:01
  Speaker 1: like Seetman and Mac and lots of the crew and stuff.
• 31:05
  Speaker 1: So I felt like the quality of it would be
• 31:07
  Speaker 1: a certain way, you know what I'm saying. And I
• 31:10
  Speaker 1: love the nineties in New York and the nineties so
• 31:13
  Speaker 1: special that era of music, nineteen ninety not the nineties,
• 31:17
  Speaker 1: like right there and the smoke of the eighties. It
• 31:19
  Speaker 1: is clearing, it's nineteen nineties. It's still really the eighties
• 31:22
  Speaker 1: is not fully the nineties yet it you know, people
• 31:25
  Speaker 1: didn't know what was going to happen in the industry,
• 31:27
  Speaker 1: in the hip hop industry. And I just love how
• 31:29
  Speaker 1: the fledgling moguls they moguls now, but those were guys
• 31:33
  Speaker 1: who were just trying to make it D d J. Yeah,
• 31:36
  Speaker 1: and they weren't what they are now, just like Tupac
• 31:39
  Speaker 1: and all those other guys. They were more like us, driven,
• 31:42
  Speaker 1: differently driven, like everybody else. Now they now the Moguls,
• 31:45
  Speaker 1: and they have different drives. The purposes are different for
• 31:48
  Speaker 1: how they get up in the morning and move and
• 31:50
  Speaker 1: all that kind of stuff. I like this character because
• 31:52
  Speaker 1: he's able to be old school Russell Simmons, you know
• 31:56
  Speaker 1: what I mean, and not a cooke a lot of women.
• 32:00
  Speaker 1: He kind of like that a little bit rock and roll,
• 32:03
  Speaker 1: you know what I'm saying. We have more with Wood
• 32:04
  Speaker 1: Harris when we come back, keeping locks as the Breakfast Club,
• 32:07
  Speaker 1: Good Morning, the Breakfast Club, doing from the Wire. You
• 32:13
  Speaker 1: might know him from Breaks and he just played Brook
• 32:15
  Speaker 1: from the New Edition movie. We got Wood Harris in
• 32:18
  Speaker 1: the building. Yee, what are you watch? What where Harris watch?
• 32:21
  Speaker 1: I look at y'all. I don't really watch TV. I
• 32:23
  Speaker 1: don't watch acting. I look at sports. Um, I look
• 32:26
  Speaker 1: at like conversational things, look at documentary stuff Netflix, and
• 32:33
  Speaker 1: do watch a lot of sports. Because you love you
• 32:35
  Speaker 1: slammed in that hell out of Kevin Durant. I happen
• 32:37
  Speaker 1: to let him have it a little bit. What did
• 32:38
  Speaker 1: he do? You robbed me a little bit of my
• 32:41
  Speaker 1: love for the game, A little about doing that that
• 32:43
  Speaker 1: was just bogus. Is about clicking up with the Warriors
• 32:45
  Speaker 1: like that. That's how I felt that security when he
• 32:49
  Speaker 1: went there to go play and everything. They had extra security,
• 32:51
  Speaker 1: fans insecurity. Yeah, after that, he was killing him. But
• 32:54
  Speaker 1: I'm cool with Westbrook, you know what I'm saying. I'm
• 32:56
  Speaker 1: actually spoken to him about doing I produced a thirty
• 32:59
  Speaker 1: for third and worked on the thirty, the one that
• 33:01
  Speaker 1: I'm on. Sometimes I get with those guys and do
• 33:03
  Speaker 1: different things. So with Westbrook, his background story is very interesting.
• 33:06
  Speaker 1: So I met with him last season. I guess for
• 33:10
  Speaker 1: the first time. I like him a lot. And you
• 33:12
  Speaker 1: know what, Kevin Durant, I don't dislike that move though
• 33:16
  Speaker 1: you could it hard to watch a trader. Kevin Durand
• 33:20
  Speaker 1: is looking like a real chump right now. I had
• 33:23
  Speaker 1: to say it like that, man, you know, in the
• 33:24
  Speaker 1: passion of watching it, I'm doing that. Then I went
• 33:26
  Speaker 1: and I was on some sports showing. They put they
• 33:29
  Speaker 1: put the tweets something myself. Oh man, jack me in
• 33:33
  Speaker 1: the jaw when he's seeing me thinking. But no, I
• 33:35
  Speaker 1: respect the players off the court. On the court, I'm
• 33:38
  Speaker 1: just a fan, you know what I'm saying. So I'm
• 33:40
  Speaker 1: able to throw a tomato or you know, not the
• 33:43
  Speaker 1: real deal. But you know, I can throw tomatoes and
• 33:45
  Speaker 1: or I can applaud to my favorites, and I can't
• 33:49
  Speaker 1: really dislike Kevin Durant that moved though the russe will
• 33:52
  Speaker 1: give you any insight to their relationship while you were
• 33:54
  Speaker 1: doing the third Nah, Now, now, he would never do
• 33:56
  Speaker 1: anything like that. Pretty quiet dude, And he got my
• 34:00
  Speaker 1: son's birthday right. I was like, man, I want my
• 34:02
  Speaker 1: son to play like you. Did you question your career choice?
• 34:05
  Speaker 1: He's like, damn, I should have played ball. I played ball.
• 34:07
  Speaker 1: I couldn't. I couldn't be the pro that those dudes are.
• 34:09
  Speaker 1: I mean, I don't think I was gonna be a
• 34:11
  Speaker 1: pro like that. I can play. I'm probably the best
• 34:13
  Speaker 1: actor basketball player. Because that was your movie. I don't
• 34:17
  Speaker 1: think it's an actor. It might be, I mean I
• 34:18
  Speaker 1: can't name. I mean it probably is. You wouldn't. You
• 34:21
  Speaker 1: wouldn't lose and get mad and then grab your gun
• 34:23
  Speaker 1: and want to shoot people on the whiting whining, I'm whining.
• 34:29
  Speaker 1: Did you have a relationship with Pop? Like off the
• 34:31
  Speaker 1: Off the Off that film? Slightly? Like? I spoke to
• 34:36
  Speaker 1: Pop two weeks before he died, so I wasn't um
• 34:42
  Speaker 1: I wouldn't say, I talked to him a lot, you know,
• 34:44
  Speaker 1: but two weeks before he died, like right before he
• 34:46
  Speaker 1: got shot. And then I think he lived seven days
• 34:51
  Speaker 1: something like that. Yeah, so I spoke to him a
• 34:54
  Speaker 1: week before you got shot. Well, that conversation about a
• 34:57
  Speaker 1: fast conversation. I was out here. I think I was
• 34:59
  Speaker 1: doing um as good as it gets, and uh, somebody
• 35:03
  Speaker 1: that I knew. I was like, oh man, you know
• 35:05
  Speaker 1: what I know Poc, and we were talking about you
• 35:08
  Speaker 1: this and that. Oh yeah, just scraped him him up. Yo.
• 35:12
  Speaker 1: Put me on the phone on him because I want
• 35:13
  Speaker 1: to call him. What I'm saying, Yeah, what's up man,
• 35:16
  Speaker 1: how's it going? Just a regular conversation. I think I
• 35:18
  Speaker 1: never had a weird conversation with Tupac. He was bright,
• 35:22
  Speaker 1: very bright. Everybody kind of knows Tupac. That's what I
• 35:25
  Speaker 1: learned about him from an artists he left like him.
• 35:29
  Speaker 1: You know, um, we we kind of know. Somebody said,
• 35:32
  Speaker 1: what's Tupac? Like you know already, m that's we know
• 35:35
  Speaker 1: what Tupac is, like you genuinely know. We know the
• 35:38
  Speaker 1: dead Mama Tupac, and we know that, Um, the disrespect Tupac. Yeah,
• 35:44
  Speaker 1: to hit him up Tupac, So we know those characters.
• 35:46
  Speaker 1: That's pretty much that was Tupac. He talked to me
• 35:49
  Speaker 1: about like Gandhi Lorraine Handsbury who was a playwright. She
• 35:54
  Speaker 1: wrote Raising in the Sun, and we was I was
• 35:58
  Speaker 1: a rapper at the time, and I was pretty hockey like,
• 36:00
  Speaker 1: I ain't you know, that wasn't this Tupac. That was
• 36:02
  Speaker 1: Tupac only one movie in you know what I mean,
• 36:05
  Speaker 1: And he wasn't iconic and none of that. So the
• 36:08
  Speaker 1: way I looked at everybody was that, you know, it's equal,
• 36:12
  Speaker 1: you know what I'm saying. No, I just look at
• 36:14
  Speaker 1: all the rappers the same and in terms of what
• 36:17
  Speaker 1: I feel like a rapper. So so let's wrap. You know,
• 36:20
  Speaker 1: I never thought anything but then ton of events during
• 36:22
  Speaker 1: Above the Rim at the end of the movie, he
• 36:24
  Speaker 1: was shot the first time and the movie wasn't done yet.
• 36:27
  Speaker 1: The end Above the Rim, um there's a look alike.
• 36:32
  Speaker 1: It's like, there's a look alike at the end of
• 36:34
  Speaker 1: Above the Rim. Hold on the end Above the Rim
• 36:37
  Speaker 1: is when he goes on the court. You on the court,
• 36:39
  Speaker 1: and he like, if you look at that, they're using
• 36:42
  Speaker 1: the same shots. I hate to sort of, you know,
• 36:45
  Speaker 1: go into the magic of the movie. But yeah, they're using,
• 36:48
  Speaker 1: um a close up of Tupac to show him show
• 36:52
  Speaker 1: aggression on the court. At that time, he was not
• 36:54
  Speaker 1: around anymore. He had shot that already, and then they
• 36:57
  Speaker 1: just kept on using the same stuff too. But he
• 37:00
  Speaker 1: handed you the Duffel bag though they shot that already,
• 37:03
  Speaker 1: but there was more to shoot. So they ended up
• 37:06
  Speaker 1: um cutting out stuff and taking stuff away and reshaping
• 37:09
  Speaker 1: the movie because at the end of the movie your
• 37:11
  Speaker 1: shot he was shot in real life. Yeah, I gotta
• 37:13
  Speaker 1: go back and look at it. So when Marlin shot him,
• 37:15
  Speaker 1: that was really him, though at the end, right, I'm
• 37:17
  Speaker 1: not sure. I'm not sure. I have to look at
• 37:19
  Speaker 1: it to see because when I look at it, I
• 37:20
  Speaker 1: see the I see the because I see it, I
• 37:23
  Speaker 1: see the what do you call it look alike? But
• 37:26
  Speaker 1: I'm gonna tell you, the guy looks just like Tupoc.
• 37:29
  Speaker 1: You can, you can. I'm wondering that myself. But I
• 37:32
  Speaker 1: was just thinking that what was that, dude? But um,
• 37:34
  Speaker 1: I just saw a little bit of the Tupop movie
• 37:37
  Speaker 1: maybe a few months ago, because I know, I know, yeah, yeah, yeah, no,
• 37:41
  Speaker 1: no like Hutton, El Tie Hutting, Eli Hutton and Bennie
• 37:46
  Speaker 1: Boom together. Yeah, um yeah, I saw I saw some
• 37:49
  Speaker 1: of that. And that guy he looks like Tupac. This
• 37:51
  Speaker 1: is the other guy. He was just spitting him into Tupoc.
• 37:53
  Speaker 1: I wonder how that dynamic worked because you also East
• 37:55
  Speaker 1: Coast heavy. Did you have like a look at this dude,
• 37:58
  Speaker 1: pot this and all East Coast art at that time. Nah,
• 38:01
  Speaker 1: it wasn't like that. Pop wasn't even dissent people. He was. Yeah,
• 38:05
  Speaker 1: that was pre Suged Night. That was so really that
• 38:08
  Speaker 1: sig Night was the instigation of Tupacs. Like Tupac was
• 38:14
  Speaker 1: out on bail. Literally it was only outline don't know
• 38:17
  Speaker 1: six months before he died or some or a year.
• 38:21
  Speaker 1: Six months later Bigge died. That was pretty tragic music history,
• 38:25
  Speaker 1: you know. And that's just bad times. But he did
• 38:28
  Speaker 1: so much in four years. He was only on the
• 38:30
  Speaker 1: scene maybe four years seven, I think. But when he
• 38:34
  Speaker 1: got out of jail, Cat only lived like a few
• 38:37
  Speaker 1: more months. Did all these records. He got records Now
• 38:39
  Speaker 1: that's gonna come out a few months, and he was
• 38:42
  Speaker 1: already just like everybody is now tatted up. He was
• 38:44
  Speaker 1: already here, you know what I mean. He was literally
• 38:48
  Speaker 1: I remember the first time I saw the thug life
• 38:50
  Speaker 1: to Nobody was tatted back then like that, nobody had
• 38:53
  Speaker 1: body tats and old. He didn't have a sleep but
• 38:56
  Speaker 1: tats all over the body, so pop would like not
• 38:59
  Speaker 1: having short you know what I'm saying. It's like and
• 39:02
  Speaker 1: I remember seeing it. I was just like, damn, it
• 39:05
  Speaker 1: was just shocking, literally shocking. He was like, oh, I've
• 39:08
  Speaker 1: never seen nobody like put that rain thin. Man. He
• 39:11
  Speaker 1: was all into it, like he was in, all in
• 39:14
  Speaker 1: and committed as an artist. And I think that the
• 39:17
  Speaker 1: Sugar Knight turn was a turn, was kind of a
• 39:20
  Speaker 1: bad turn for him. I love the nineties, man, Why
• 39:23
  Speaker 1: why do you think I like the late eighties and nineties,
• 39:25
  Speaker 1: But why do you think these period pieces are more
• 39:27
  Speaker 1: popular than ever? Now? We need that. It's like at
• 39:30
  Speaker 1: this point it's refreshing. We don't know what to do
• 39:33
  Speaker 1: futuristically if we have to go in the past. We
• 39:35
  Speaker 1: ain't going to the eighties too much. A little bit
• 39:37
  Speaker 1: cast getting the boxes box haircuts with the lines in them,
• 39:40
  Speaker 1: and you can rock anything esthetically, but the energy in
• 39:44
  Speaker 1: the nineties like was like, was that like that fertile
• 39:47
  Speaker 1: energy you know that you feel like You're gonna Sum's
• 39:50
  Speaker 1: gonna spawn from this. You know that dream energy Cast
• 39:53
  Speaker 1: used to have before y'all. You guys are on the show.
• 39:55
  Speaker 1: Congratulations again being three years on Revolt and everything. But
• 39:59
  Speaker 1: you guys are doing the show. That energy you had
• 40:02
  Speaker 1: when you was with Wendy and when you would would
• 40:05
  Speaker 1: had your feet moving in a direction where you were
• 40:07
  Speaker 1: driven and when you that digging you do. That's so
• 40:11
  Speaker 1: important to keep that the processing. Yeah, the feeling of
• 40:14
  Speaker 1: like I'm getting up and I'm I'm Charlotte Magne, you know,
• 40:18
  Speaker 1: and Cast gone say something to me every ten feet
• 40:21
  Speaker 1: I moved. I still gotta be the digger right now.
• 40:24
  Speaker 1: I still gotta dig, you know, because the goal is deeper,
• 40:27
  Speaker 1: you know, and so to have long longevity like you
• 40:31
  Speaker 1: guys have and will continue to have, I'm just I'm excited.
• 40:34
  Speaker 1: I'm happy for y'all. How what's the best route for
• 40:36
  Speaker 1: a kid to take to go to school for acting
• 40:38
  Speaker 1: or just go to la And I think it depends
• 40:41
  Speaker 1: on I depend on Like me being from Chicago, I
• 40:45
  Speaker 1: mean I had to go to college just I had.
• 40:46
  Speaker 1: If I didn't do it, I mean I would have
• 40:48
  Speaker 1: been home and it wouldn't have been it wouldn't have
• 40:51
  Speaker 1: been all right. But I think the best route is
• 40:53
  Speaker 1: school if you're in a situation like that, because you
• 40:56
  Speaker 1: gotta move, like you need a new society, you know
• 40:58
  Speaker 1: what I mean. You can't be in this environment anymore
• 41:02
  Speaker 1: because it's two toxics. So you get this new environment,
• 41:04
  Speaker 1: you're able to create, recreate yourself, and you create the actor,
• 41:09
  Speaker 1: you know what I mean. Otherwise I'm this dude who
• 41:11
  Speaker 1: think he can play ball with an actor in my heart,
• 41:14
  Speaker 1: who didn't do it, who stayed in Chicago and you know,
• 41:17
  Speaker 1: maybe got involved with the wrong thing, made some money
• 41:19
  Speaker 1: with the wrong people in jail, and just that typical route,
• 41:23
  Speaker 1: if it is the scholastic route where you're going to
• 41:25
  Speaker 1: the schools the top schools are on the east, would
• 41:27
  Speaker 1: be NYU, Rutgers, Juilliard. You auditioned for that. You do
• 41:32
  Speaker 1: a two minute mono law. You could be thirty two
• 41:34
  Speaker 1: years old, twenty one years old, whatever. You just have
• 41:37
  Speaker 1: to have had undergrad school, right, and if you're great,
• 41:41
  Speaker 1: you're gonna get in. I mean, the margin is slim.
• 41:43
  Speaker 1: They take like two three thousand people and they take
• 41:46
  Speaker 1: like ten people out of the row a few thousand people.
• 41:50
  Speaker 1: But you got to imagine, you know, some of those
• 41:53
  Speaker 1: people got to be black, that that number is going
• 41:54
  Speaker 1: to be one hundred black people. They're choosen within smaller
• 41:58
  Speaker 1: pool that you're being chosen chosen from. So I would say,
• 42:02
  Speaker 1: like Charlemagne asked, you know if that if you're if
• 42:04
  Speaker 1: you need to be in a society like he put
• 42:06
  Speaker 1: itself in the right place. And it's different with acting
• 42:09
  Speaker 1: like you can you can revolutionize the radio, and you
• 42:14
  Speaker 1: guys have in many ways. You guys have in any ways,
• 42:16
  Speaker 1: and you guys are part of the evolution of this
• 42:19
  Speaker 1: the game, the breakfast club. You know, Um, if I
• 42:23
  Speaker 1: wouldn't have gone to school, like I said, I wouldn't
• 42:25
  Speaker 1: be here. You know what I'm saying, I definitely wouldn't
• 42:27
  Speaker 1: be here if I had not gone to school. It
• 42:28
  Speaker 1: wasn't about the schooling, but I needed that society, so
• 42:32
  Speaker 1: I would not I can be enriched by it a
• 42:34
  Speaker 1: little bit if need to be or a lot. Can
• 42:36
  Speaker 1: they teach you to be a good actor like those instincts? No,
• 42:39
  Speaker 1: But like I told you, like, let's say you do
• 42:41
  Speaker 1: have addiction things, you know, because a lot of black
• 42:43
  Speaker 1: people might be a little hot understanding. You know what
• 42:45
  Speaker 1: I mean, you're talking like this and think everybody know
• 42:48
  Speaker 1: what you're saying and working a role. But you still
• 42:52
  Speaker 1: gotta even if you're doing a role, you gotta articulate enough.
• 42:54
  Speaker 1: You know. I feel like you and mcay gave Cameron
• 42:57
  Speaker 1: from on the job training for paying for Cameron and
• 43:01
  Speaker 1: eOne is great in that Without Cameron being great, that
• 43:04
  Speaker 1: movie ain't gonna be no flash. Cam is a dope, dope,
• 43:08
  Speaker 1: dope actor. He did that work like he researched it.
• 43:11
  Speaker 1: He went and talked to the guy and he did
• 43:14
  Speaker 1: everything he could to be him and from me and McKay.
• 43:18
  Speaker 1: He just let us like lead, you know what I'm saying.
• 43:21
  Speaker 1: So he was an active listener, like looking at us
• 43:23
  Speaker 1: with his eyes opening. So you didn't have to teach me,
• 43:25
  Speaker 1: like that's great acting already you're listening, Like don't you're listening.
• 43:27
  Speaker 1: You're gonna give a genuine response. So when you're looking
• 43:30
  Speaker 1: at his eyes in the movie, you see genuine expression
• 43:35
  Speaker 1: in his eyes and mine and McCay. That's why Payton
• 43:37
  Speaker 1: full it's dope and will always be that way because
• 43:40
  Speaker 1: it's real in our eyes. A lot of close ups
• 43:42
  Speaker 1: I mean that technically, it's a lot of close ups
• 43:45
  Speaker 1: and you don't see this like acting. Okay, if this
• 43:46
  Speaker 1: is an actor right here in the microphone and the
• 43:48
  Speaker 1: actors like right here, right actors, right here, it's me.
• 43:52
  Speaker 1: Now I'm looking I'm gazing at the I'm gazing at
• 43:54
  Speaker 1: the microphone, empty eye, like I'm not really looking at
• 43:56
  Speaker 1: the microphone. Well, i could be really locked into the microphone.
• 43:58
  Speaker 1: And there's there's this way again. Amazing, that's not there.
• 44:01
  Speaker 1: A lot of time actors do that. That's why mcay
• 44:03
  Speaker 1: when he was in the car crying that the side, Yeah,
• 44:07
  Speaker 1: that was man McCay, so dope did that. That was
• 44:11
  Speaker 1: two takes. He did both takes the same way. Wow, camera,
• 44:15
  Speaker 1: let me tell you cameeron story real quick. There's a
• 44:18
  Speaker 1: scene the movie where this guy drives up and he's like, Yo,
• 44:22
  Speaker 1: what's up. It's dry out there. Your man ain't got nothing.
• 44:25
  Speaker 1: And you see Cam walk up to him. And now
• 44:27
  Speaker 1: the script says he's supposed to just walk up to
• 44:29
  Speaker 1: him punch him, right, Cameron really punches him for real.
• 44:35
  Speaker 1: Cameron snatched him out the car. That's not in the script.
• 44:38
  Speaker 1: You still had a real busted snatched him out the car,
• 44:42
  Speaker 1: whole body, hitting the egg thing Avery step slammed him
• 44:45
  Speaker 1: on the ground, really stilling on him. I remember and
• 44:48
  Speaker 1: I remember when the director Chucks Charles Stone directed Payton Forward.
• 44:52
  Speaker 1: Shout out Charleston. He was like, Yo, what we had
• 44:54
  Speaker 1: the best shot today. I just gotta tell you what happened.
• 44:58
  Speaker 1: He said, camera, camera really punched the guy. We kept it,
• 45:02
  Speaker 1: We got it. He was so excited and when you
• 45:04
  Speaker 1: see it, that's real. That's why it's a jump cut
• 45:07
  Speaker 1: because they got ran down the street. So he was
• 45:10
  Speaker 1: really scared. He well, I don't know if he was
• 45:12
  Speaker 1: really scared that yeah, he just stayed there and you
• 45:18
  Speaker 1: know how you got put attended. He rolled with the
• 45:21
  Speaker 1: punch after that. You're not gonna do a second tape
• 45:26
  Speaker 1: a second it's I remember. Um, it's great when when
• 45:30
  Speaker 1: you can get that kind of like that's real stuff.
• 45:32
  Speaker 1: So Payton Ford got that kind of stuff in it.
• 45:34
  Speaker 1: You know you could be later, but without Cameron and McCay,
• 45:38
  Speaker 1: I can't make that as genuine. You know, they had
• 45:41
  Speaker 1: the harder haul him in them for real. Like McCay
• 45:45
  Speaker 1: came to me with the script, Yo, what you gotta
• 45:46
  Speaker 1: do this? I already knew McCay right, That's how I
• 45:48
  Speaker 1: got involved with the movie. I'm like, yeah, I'm doing this.
• 45:51
  Speaker 1: But McCay was so, yo, we gotta do this, Like
• 45:54
  Speaker 1: that's how we gotta do this. Life is good. He
• 45:58
  Speaker 1: was like, life this good. We gotta do this. But
• 46:00
  Speaker 1: we got through. We gotta put this, we gotta put
• 46:03
  Speaker 1: this down. It's gonna have to be put down. There's
• 46:05
  Speaker 1: no option because we could make a classic. I mean,
• 46:07
  Speaker 1: we would have done a lot better if two things.
• 46:09
  Speaker 1: I believe that probably Damon, you know his as a
• 46:14
  Speaker 1: producer on that movie. I don't think he had a
• 46:16
  Speaker 1: good relationship with Harvey Weinstein, and I think that relationship
• 46:22
  Speaker 1: soured the the the movie in a sense where it
• 46:26
  Speaker 1: didn't hit the screens as many screens. It didn't get
• 46:29
  Speaker 1: as much because it could be just a classic for everyone.
• 46:33
  Speaker 1: It should have won something. It could have won. It
• 46:35
  Speaker 1: should have won something, It could have won something. I
• 46:37
  Speaker 1: think that Damon at that time, and I like, Damon,
• 46:39
  Speaker 1: I don't want people think I don't like throwing anybody on.
• 46:41
  Speaker 1: I will never throw a person under the bus. Damon
• 46:45
  Speaker 1: at that time. I think if he could do it differently,
• 46:47
  Speaker 1: he would have It's it's a classic because the perfect
• 46:50
  Speaker 1: storms happened a bunch of perfect storms, but his relationship
• 46:52
  Speaker 1: with Harvey dolled. It's dolled, it's box off. Sometimes you
• 46:56
  Speaker 1: have to put your personal step to the side for
• 46:58
  Speaker 1: the better man out. Yeah you can't. That was old
• 47:00
  Speaker 1: school Dame being old school Dame. But also it came
• 47:04
  Speaker 1: out on the street. Remember you could go get that
• 47:07
  Speaker 1: on the corner right now. That's how I believe Harvey
• 47:11
  Speaker 1: or whoever. I believe whoever leaked it to the streets
• 47:15
  Speaker 1: because paid and full and R. Kelly tape was number
• 47:18
  Speaker 1: one on the block. Anybody was watching R. Kelly and
• 47:22
  Speaker 1: then putting on the page for Wow, what a night
• 47:27
  Speaker 1: up here? Yea classic Dame. I like Dame Dash, you
• 47:35
  Speaker 1: know what I'm saying. Um, I know him a little differently.
• 47:37
  Speaker 1: I think all those guys treat me a little different.
• 47:40
  Speaker 1: Whether it's Ross Simmons or Sean Combs or Dame and stuff.
• 47:44
  Speaker 1: They treat me just a little differently. Um, just kind
• 47:46
  Speaker 1: of more like an artist, you know, and just they
• 47:48
  Speaker 1: respect me in a certain way. And um, so I've
• 47:52
  Speaker 1: not had any conflicts with any people, you know, but
• 47:55
  Speaker 1: you see and you know, and you hear things, and
• 47:57
  Speaker 1: it is what it is. Though people have to go
• 47:59
  Speaker 1: through what the guy go through. The breaks Monday, the
• 48:02
  Speaker 1: breaks Monday. Ut you so much for coming through. I
• 48:06
  Speaker 1: was like, because you know, people just bought you and
• 48:08
  Speaker 1: I've seen I was like, yo, yeah, I come to
• 48:10
  Speaker 1: the breakfast. I asked twice. He really said it's gonna come.
• 48:14
  Speaker 1: And then they really hit me up like so, um,
• 48:16
  Speaker 1: I'm leaving on Saturday. I was like, all right, what's
• 48:19
  Speaker 1: it was gonna come? I was shocked to see you.
• 48:20
  Speaker 1: It was very nice to see you with this listen,
• 48:22
  Speaker 1: and so we're shocking to me that. I was like,
• 48:24
  Speaker 1: I can't believe what. Harris knows who I am. So
• 48:26
  Speaker 1: that was are you kidding? Yeah? Yeah, yeah, yeah, we
• 48:29
  Speaker 1: all know who you all are. Everybody knows who you got.
• 48:31
  Speaker 1: And even Jamie Hector was there, who played Marlon on
• 48:34
  Speaker 1: the Wire and he was like, hey, I listened to
• 48:36
  Speaker 1: y'all all the time, and I was like, wow, are
• 48:37
  Speaker 1: we really doing something? What you guys killing me right now?
• 48:41
  Speaker 1: I stop it all doing something for the Brakes at nine.
• 48:45
  Speaker 1: So you always got to come back and check with
• 48:46
  Speaker 1: us and let us go on. I got blave running
• 48:49
  Speaker 1: coming out with Ryan Gosling and a bunch of all
• 48:51
  Speaker 1: the stuff. I'll come check y'all out man open open
• 48:53
  Speaker 1: door policy for you. What thank you, thank you, Charlotte man.
• 48:56
  Speaker 1: It's the Breakfast Club. The Breakfast Club, got some pants,
• 49:02
  Speaker 1: Come run with this me boo move back morning. Everybody's
• 49:07
  Speaker 1: DJ m vy angela Ye Charlomagne the guy. We all
• 49:10
  Speaker 1: the Breakfast Club. But don't forget. Breakfast Club's Annual Day
• 49:13
  Speaker 1: Party goes down this Saturday. Yes, at the v Charlotte.
• 49:16
  Speaker 1: We do it each and every year. This is our
• 49:17
  Speaker 1: sixth annual day Party, annual celebrity day party. It's always amazing.
• 49:22
  Speaker 1: We just love to kick it with you guys. We
• 49:24
  Speaker 1: it's so many artists stops do. We just have a
• 49:26
  Speaker 1: lot of fun. So if you're heading out to Cuba,
• 49:29
  Speaker 1: make sure you hang out with a Saturday to day
• 49:31
  Speaker 1: party who are from one to six, one to seven.
• 49:33
  Speaker 1: It gets crazy every Yes, hust Fifth Street, Charlotte, North Carolina,
• 49:38
  Speaker 1: scoop to my guy, DJ b Lord. DJ Louis Video
• 49:41
  Speaker 1: will be providing the soundtrack. My man Chris e h Yeah.
• 49:44
  Speaker 1: To make sure you come on out like every year
• 49:45
  Speaker 1: something I mean last year I think fifty came applies came.
• 49:51
  Speaker 1: Last year, I was a year before. You never know
• 49:55
  Speaker 1: who's gonna show up, but will definitely be there. Christ
• 49:59
  Speaker 1: even Charlomagne's going to be there. Charlemagne will be That's
• 50:01
  Speaker 1: my one club appearance. This is one time he goes
• 50:04
  Speaker 1: out for He's in and out though. If you want
• 50:07
  Speaker 1: to send some bottles to Charlemagne, this is the place
• 50:09
  Speaker 1: to be. I'm flying into Charlotte and I'm flying right
• 50:12
  Speaker 1: out after the part. That's how I roll. She all right, well,
• 50:15
  Speaker 1: let's get to the rumors. Let's tell Chris Brown it's
• 50:18
  Speaker 1: about Angela Ye on the Breakfast Club. Well, apparently Kruch
• 50:31
  Speaker 1: has filed a restraining order against Chris Brown. Now this
• 50:34
  Speaker 1: information has been made public. She wrote in court filings
• 50:37
  Speaker 1: that Chris Brown had repeatedly threatened her since December. She
• 50:40
  Speaker 1: also said that he punched her in the stomach and
• 50:42
  Speaker 1: pushed her down the stairs a few years ago. They
• 50:46
  Speaker 1: said there were no events, nobody was present at the time.
• 50:49
  Speaker 1: We don't know what happened at that time with the
• 50:51
  Speaker 1: police or anything, but according to a judge, they have
• 50:54
  Speaker 1: ordered that he stay away from Kurucci after she accused
• 50:58
  Speaker 1: him of physically abusing and thing her. Now here is
• 51:02
  Speaker 1: Chris Brown's response, A couple of things happened yesterday. He
• 51:04
  Speaker 1: was responding to that and also responding to the fact
• 51:07
  Speaker 1: that he's not going to be fighting Soldier Boy at
• 51:10
  Speaker 1: all now, and make sure I don't be listening to
• 51:12
  Speaker 1: all this bullshit man they're talking about. And number two,
• 51:16
  Speaker 1: I bouted it out of this soldier boy for it
• 51:18
  Speaker 1: because it was a legit thing on a positive scale.
• 51:21
  Speaker 1: All the wrong people got in the way. The middleman
• 51:24
  Speaker 1: people got in the way. The homie so to speak,
• 51:26
  Speaker 1: that that's right, got in away because they want to
• 51:28
  Speaker 1: get a piece of the problem. It's in mature first
• 51:31
  Speaker 1: of all, first and foremost. Second of all, ain't no
• 51:34
  Speaker 1: ever hold me up. So however everything goes, this is
• 51:37
  Speaker 1: how we were rocking. He gonna see me, you won't
• 51:39
  Speaker 1: see you know. The problem with Chris Brown. The problem
• 51:41
  Speaker 1: with Chris Brown is Chris won't acknowledge himself that he
• 51:43
  Speaker 1: probably has a problem. Okay, if ten years ago you
• 51:46
  Speaker 1: put speed knights on Rihanna's forehead, then you're being accused
• 51:49
  Speaker 1: of punching a girl in the stomach. Now you can't
• 51:51
  Speaker 1: just make a video and be like, man, that's what
• 51:53
  Speaker 1: that other side talking about. Right, you know what I'm saying.
• 51:56
  Speaker 1: And plus, after you just put out a video, did
• 51:57
  Speaker 1: you put out of view like a mufflego thing? He'd
• 51:59
  Speaker 1: stalk to that video right here. Here's what Chris Brown
• 52:02
  Speaker 1: had to say about stalking and X lady y'all complaining
• 52:04
  Speaker 1: about being like stalker is in love with y'all kind
• 52:07
  Speaker 1: of crazy, can't get tired of him? Well, guess what
• 52:10
  Speaker 1: I wanted to If I love you, Mitch, ain't nobody
• 52:12
  Speaker 1: gonna hey, I'm gonna make get miserable. I'm gonna chase
• 52:15
  Speaker 1: that out o wa chase yo ass around? Yeah, you
• 52:20
  Speaker 1: can't think that kind of behavior is normal. It was.
• 52:23
  Speaker 1: It was interesting that I was reading that the artist
• 52:27
  Speaker 1: Kakola was speaking out against Chris Brown. She used to
• 52:30
  Speaker 1: be neighbors to Chris Brown, well to Carucci, and she
• 52:34
  Speaker 1: said that she said, um, y'all wonder watch lips get
• 52:38
  Speaker 1: away with so much because of weirdos like you putting
• 52:40
  Speaker 1: them on a pedestal, letting them get away with this crap.
• 52:43
  Speaker 1: And she said that she would get into it with
• 52:44
  Speaker 1: Chris because his loud ass used to wake up my daughter.
• 52:47
  Speaker 1: He was rude as f and I had known him
• 52:48
  Speaker 1: since he was a kid. I never spoke up because
• 52:51
  Speaker 1: I didn't feel it was my place. But hearing y'all
• 52:52
  Speaker 1: say she's lying, I can't just sit by and watch this.
• 52:55
  Speaker 1: Some people were very upset with Carucci about what happened,
• 52:58
  Speaker 1: But she did file a restraining The reason why it's
• 53:00
  Speaker 1: public and people know it, it's because she did go
• 53:03
  Speaker 1: ahead and follow restraining order. It's not that she went
• 53:05
  Speaker 1: to the press and said Chris Brown did this. Chris
• 53:07
  Speaker 1: Brown did that. It's not that. Why would people think
• 53:10
  Speaker 1: she's lying? I mean, I mean, I mean, we don't
• 53:13
  Speaker 1: know what happened, but I wouldn't automatically. Yeah, we can't
• 53:15
  Speaker 1: confirm it's the truth, but don't you think Chris Brown
• 53:17
  Speaker 1: is giving us warning enough evidence to think she probably
• 53:20
  Speaker 1: could be telling the drup? Okay, Carla also said I've
• 53:22
  Speaker 1: heard him beating her myself. I even called the police.
• 53:25
  Speaker 1: I used to cry over that situation, hearing her screaming
• 53:27
  Speaker 1: at the top of her lungs because I am also
• 53:30
  Speaker 1: a victim of domestic violence. Now a lot of people
• 53:32
  Speaker 1: are saying, well, if that was true, she should have
• 53:34
  Speaker 1: called the police and had him arrested. Dada da da da.
• 53:36
  Speaker 1: But it is too. In a lot of domestic violence cases.
• 53:39
  Speaker 1: And I'm not even saying for sure whether or not
• 53:41
  Speaker 1: what this what happened here, but a lot of people
• 53:43
  Speaker 1: don't call the police and don't arrest somebody. And even
• 53:45
  Speaker 1: the police do come, if you don't press charges or
• 53:47
  Speaker 1: said yes, he was just hitting me, they won't arrest
• 53:49
  Speaker 1: the person. Well why did she restraining order now? Because
• 53:53
  Speaker 1: he's making death threats against it and she feels like
• 53:55
  Speaker 1: her life is in danger and saying I thought she
• 53:56
  Speaker 1: foiled a while ago. We just recently got it. Yeah,
• 53:58
  Speaker 1: well she got the judgment proved it. Listen, that bade
• 54:01
  Speaker 1: rage is different. Man. Well, if the police come for
• 54:03
  Speaker 1: domestic violence, they got to bring somebody in. No, they
• 54:05
  Speaker 1: don't have to in certain states. They gotta bring something.
• 54:08
  Speaker 1: Because I actually had a situation where my landlord called
• 54:10
  Speaker 1: the police on somebody and I didn't say I wasn't
• 54:13
  Speaker 1: the person that said. Somebody else called. So somebody else
• 54:16
  Speaker 1: called and you don't say yes he hit me, yes
• 54:18
  Speaker 1: he did this, They're not going to arrest that person.
• 54:19
  Speaker 1: You have to say that unless they see something happen.
• 54:23
  Speaker 1: But they won't do that unless and a lot of
• 54:25
  Speaker 1: people don't want to get somebody arrested. Have you ever
• 54:27
  Speaker 1: called the police on your boyfriend? Like sometimes the police
• 54:32
  Speaker 1: will just make the person's leave. They'll just make the
• 54:34
  Speaker 1: person leave and if you don't press charges, they won't
• 54:37
  Speaker 1: get arrested. You know, one time my wife had been
• 54:39
  Speaker 1: in the headlocker, I almost called the police. Huh wow,
• 54:41
  Speaker 1: I knew. I knew it was something in your eyes
• 54:45
  Speaker 1: the way you said somebody has to take somebody in
• 54:49
  Speaker 1: when you call him. I could see it in your
• 54:50
  Speaker 1: eyes that you have been hit some abuse so that
• 54:53
  Speaker 1: I couldn't bring. And before we end this, I just
• 54:56
  Speaker 1: want to say Soldier Boy also responded to Chris Brown.
• 54:59
  Speaker 1: Here's what he said. I'm just here to accept this
• 55:01
  Speaker 1: dub hand this hell to Chris Brown. You know, I
• 55:04
  Speaker 1: want to thank so DMG. I want to thank all
• 55:07
  Speaker 1: my fans. I want to thank God. Carucci foul to
• 55:11
  Speaker 1: restraining order against this crazy as she said, he pushed him.
• 55:14
  Speaker 1: He pushed her in the stomach two times and threw
• 55:16
  Speaker 1: it down upstairs. This you wanted to fight me over
• 55:21
  Speaker 1: this girl, and she just put a French straining order
• 55:24
  Speaker 1: on this. He can't be a hundred feet of this girl. Chris,
• 55:27
  Speaker 1: take this ill Okay, even though even though he laughed
• 55:31
  Speaker 1: at the wrong time, I played fair. Soldier boy got
• 55:35
  Speaker 1: a hell of a point. I'm not gonna lie to you.
• 55:37
  Speaker 1: You got a hell of a point. You just wanted
• 55:40
  Speaker 1: to fight Soldier Boy over Carucci, but she got to
• 55:43
  Speaker 1: restrain and all that against you. A hell of a point, sir.
• 55:46
  Speaker 1: All right, well, I mean angela ye, and that is
• 55:48
  Speaker 1: your rumor report, all right? Yes, who give me that
• 55:51
  Speaker 1: dog to char Mayne say that gang don't get the
• 55:55
  Speaker 1: shape man you are gay. Donkey today does not discriminate.
• 56:04
  Speaker 1: I might not have the song of today, but I
• 56:05
  Speaker 1: got to donkey that. So if you ever feel I
• 56:08
  Speaker 1: need to be a donkey man, hitot with the practice club, bitch.
• 56:12
  Speaker 1: They just don't give today today. Always remember anything I
• 56:17
  Speaker 1: say is just my perspective, okay, just my thoughts on
• 56:20
  Speaker 1: the situation. And I always remember something could be wrong
• 56:23
  Speaker 1: with me. But donkey to day From Wednesday, February twenty
• 56:26
  Speaker 1: second goes to the Saint Dusky Police Department in Sandusky, Ohio.
• 56:30
  Speaker 1: Not a police in Sandusky, Ohio have arrested a twenty
• 56:32
  Speaker 1: six year old care worker named Brittany Folks. Okay, Brittany Folks,
• 56:37
  Speaker 1: faces a charge of gross sexual imposition and it's possible
• 56:41
  Speaker 1: she could be facing additional charges, and I am absolutely
• 56:44
  Speaker 1: appalled that she has been arrested in charge. Now, I
• 56:46
  Speaker 1: am not the type to scream free anybody, because truth
• 56:50
  Speaker 1: be told, I don't know if the person I'm screaming
• 56:51
  Speaker 1: free earn the right to be in jail. You can
• 56:53
  Speaker 1: be my man, and I won't scream free you because
• 56:55
  Speaker 1: I don't know if you deserve to be in there not.
• 56:57
  Speaker 1: If you tell me you're anything cool, I'll take your
• 56:59
  Speaker 1: word for it. I wish the best for you in
• 57:00
  Speaker 1: your situation, but I'm not screaming free you because I
• 57:03
  Speaker 1: wasn't there with you when you alleged crime went down.
• 57:05
  Speaker 1: So I'm not screaming free you because I honestly don't
• 57:08
  Speaker 1: know if you deserve to be in jail. So when
• 57:11
  Speaker 1: you hear me say free somebody, then I absolutely positively
• 57:14
  Speaker 1: feel like an injustice is happening. And this twenty six
• 57:17
  Speaker 1: year old young girl, Brittany Folks, needs to be free. Okay,
• 57:20
  Speaker 1: she is being railroaded by the system simply because she
• 57:23
  Speaker 1: went above and beyond her duties as a caregiver care worker.
• 57:28
  Speaker 1: Let's go to Fox eight Sandusky. For the report, the
• 57:31
  Speaker 1: Fox eight It team obtained this cell phone video showing
• 57:34
  Speaker 1: former comments of Providence worker Brittany Folks inside the room
• 57:38
  Speaker 1: of an elderly man. I can show you new things.
• 57:41
  Speaker 1: I can show you new things. Tell if I'm a girl,
• 57:47
  Speaker 1: you know what that means. Sandusky police say the victim
• 57:53
  Speaker 1: is one hundred years old and has dementia. Soon after
• 57:56
  Speaker 1: receiving the video, they started an investigation and last week
• 58:00
  Speaker 1: arrested Folds. We charged the suspect with gross sexual imposition,
• 58:05
  Speaker 1: which is a colony of the fourth degree. And the
• 58:07
  Speaker 1: reason why we pursue that because the touching. We have
• 58:10
  Speaker 1: a caretaker who's pretty much harassing a resident. She's making
• 58:15
  Speaker 1: sexual acts towards him. She at one point touches him
• 58:18
  Speaker 1: by grinds on his diarrhea, and another point she flashes
• 58:23
  Speaker 1: on her buttox towards him. Disturbing to see an elderly
• 58:27
  Speaker 1: subject being treated that way, and he has no way
• 58:30
  Speaker 1: to defend himself because he's a one hundred years old
• 58:32
  Speaker 1: and he's diagnosed with dementia. Life is all about perspective.
• 58:36
  Speaker 1: You mean to tell me that the twenty six year
• 58:38
  Speaker 1: old woman got arrested for giving a hundred year old
• 58:40
  Speaker 1: man a lap dance. Can't give a decided to give
• 58:43
  Speaker 1: this one hundred year old man a lap dance a
• 58:45
  Speaker 1: little scriptease, and she gets arrested for it. This is
• 58:47
  Speaker 1: a travesty, an injustice of epic proportions. Okay, she don't
• 58:51
  Speaker 1: need to be arrested. She needs to be promoted, all right,
• 58:53
  Speaker 1: she needs a medal of honor. That man is one
• 58:55
  Speaker 1: hundred years old. When I'm one hundred years old and
• 58:56
  Speaker 1: this is a twenty six year old woman trying to
• 58:58
  Speaker 1: give me a lap dance. Don't cry for me, Okay.
• 59:01
  Speaker 1: Sometimes blessings come when you never expect them to, you know,
• 59:05
  Speaker 1: sometimes they come at a hundred years old. You're sitting
• 59:07
  Speaker 1: around and you got this cute little caregiver walking around
• 59:09
  Speaker 1: the house, and in your mind you probably imagined her
• 59:11
  Speaker 1: that get millions of times. In fact, the thought of
• 59:14
  Speaker 1: that little cute care worker is probably what's keeping you going.
• 59:17
  Speaker 1: True story. I remember one time I caught a charge
• 59:21
  Speaker 1: with something. I don't even remember what for, because I've
• 59:23
  Speaker 1: had several but I remember my bondsman at the time
• 59:25
  Speaker 1: asking me to bring him a scripple because he was
• 59:28
  Speaker 1: an old man and he said, the scripple keeps his
• 59:30
  Speaker 1: blood flowing correctly. Okay. His exact words to me was
• 59:32
  Speaker 1: the scripple was good for his heart, all right. That
• 59:34
  Speaker 1: a hundred year old man hasn't had that kind of
• 59:36
  Speaker 1: action in years, and you're gonna take that from him, dude.
• 59:39
  Speaker 1: You know, blessings coming in a hard different shapes and sizes.
• 59:41
  Speaker 1: That hundred year old man got a blessing in the
• 59:43
  Speaker 1: form of a twenty six year old care worker who
• 59:45
  Speaker 1: decided to give him a little lap dance. And the
• 59:47
  Speaker 1: police call that disturbing. Can I can I hit a
• 59:50
  Speaker 1: cop again? Just the cop because maybe I'm missing them.
• 59:52
  Speaker 1: We charged the suspect with cross sexual imposition, which is
• 59:56
  Speaker 1: a sony of the fourth degree. And the reason why
• 59:58
  Speaker 1: I be I'll pursue that because the touching. We have
• 1:00:01
  Speaker 1: a caretaker who's pretty much harassing a resident. She's making
• 1:00:06
  Speaker 1: sexual acts towards him, share at one point touches him
• 1:00:09
  Speaker 1: by grinds on his diarrhea, and another point she flashes
• 1:00:14
  Speaker 1: on her buttocks towards him. Disturbing to see an elderly
• 1:00:18
  Speaker 1: subject being traded that way, and he has no way
• 1:00:21
  Speaker 1: to defend himself because he's one hundred years old and
• 1:00:23
  Speaker 1: he's diagnosed with dementia. You need to go to the
• 1:00:26
  Speaker 1: World Star and watch the video. If you're watching her
• 1:00:28
  Speaker 1: Vote TV, the three people that watch your VOTEV you
• 1:00:30
  Speaker 1: see the video. The only thing disturbing about this situation
• 1:00:33
  Speaker 1: is the fact that this situation is considered disturbing. The
• 1:00:36
  Speaker 1: cops sound like he hating. Okay, he sound like you
• 1:00:38
  Speaker 1: up said that one hundred year old man with dementia
• 1:00:39
  Speaker 1: is still getting lap dances by pretty young things. Okay,
• 1:00:42
  Speaker 1: if that cop got a lap dance every now and then,
• 1:00:44
  Speaker 1: he wouldn't be so up tight and taking his aggression
• 1:00:46
  Speaker 1: out on a twenty six year old kid. Give a
• 1:00:48
  Speaker 1: scent from God named Brittany Folds. Okay, let me tell
• 1:00:51
  Speaker 1: you something. I hope and pray that at a hundred
• 1:00:53
  Speaker 1: years old, I'm still getting lap dances from twenty six
• 1:00:56
  Speaker 1: year old women. At one hundred, I would love to
• 1:00:57
  Speaker 1: feel like I still got it. But I can still
• 1:00:59
  Speaker 1: make a woman want to get naked. And if this woman,
• 1:01:01
  Speaker 1: Brittany decided she wanted to give this one hundred year
• 1:01:03
  Speaker 1: old man a lap dance, what's the problem. She didn't
• 1:01:05
  Speaker 1: hurt him, she didn't steal from him, she didn't verbally
• 1:01:08
  Speaker 1: abuse him. All she did would probably get this man
• 1:01:10
  Speaker 1: the best time he's having a long time, and she's
• 1:01:12
  Speaker 1: being arrested for it. What kind of world do we
• 1:01:14
  Speaker 1: live in when people are being punished for good deeds.
• 1:01:17
  Speaker 1: Please give this sad dusky, Ohio Police Department the biggest
• 1:01:19
  Speaker 1: hef No, I was disturbed by it? Why because the
• 1:01:25
  Speaker 1: man suffers from dementia. You're not gonna remember I felt
• 1:01:30
  Speaker 1: bad if I was. Just if that was my great grandfather,
• 1:01:34
  Speaker 1: I would be disturbed. Why because I don't want somebody
• 1:01:38
  Speaker 1: touching all over him without his Wait till you a
• 1:01:40
  Speaker 1: hundred you're gonna want a young twenty six ye old
• 1:01:43
  Speaker 1: man to touch you, I probably won't, Okay, all right,
• 1:01:46
  Speaker 1: he didn't look like he was having a great time.
• 1:01:50
  Speaker 1: You never look like you're having a good time when
• 1:01:51
  Speaker 1: you permanently got bit of bear faced. When you are
• 1:01:55
  Speaker 1: a hundred, you can be having the best time in
• 1:01:57
  Speaker 1: your life, and you'll look like a grumpy old man.
• 1:01:59
  Speaker 1: When you're one hundred years old, you're a hundred, gravity
• 1:02:01
  Speaker 1: setting in your cheeks, fall into the ground. Ye, you're hunted.
• 1:02:04
  Speaker 1: I don't even understand. Why would she do that? Because
• 1:02:07
  Speaker 1: that man still got it dropped on a clues bump
• 1:02:09
  Speaker 1: for that one hundred ye old man who's still hot.
• 1:02:11
  Speaker 1: He might have flirted with us, But the sad thing
• 1:02:13
  Speaker 1: is he's not gonna remember it because he has he
• 1:02:16
  Speaker 1: can't remember remember last She might have been playing a
• 1:02:18
  Speaker 1: role when she was like, I'm I'm twenty six and
• 1:02:22
  Speaker 1: I'm a girl. You know what that is? And he
• 1:02:24
  Speaker 1: was like, what is that? She just playing dumb? You'ren't
• 1:02:26
  Speaker 1: always supposed to do. You know how many guys talk
• 1:02:28
  Speaker 1: themselves out of a judge. Now, what if? But if
• 1:02:31
  Speaker 1: a man did that to a woman that was laying
• 1:02:33
  Speaker 1: there a hundred years old, suffering from dementia, and he
• 1:02:36
  Speaker 1: came in there and started flapping his thing around, that's
• 1:02:38
  Speaker 1: why double standards exist. Ye, I didn't make these rules. Okay,
• 1:02:41
  Speaker 1: double standards exist for a reason. All right, Well, thank
• 1:02:44
  Speaker 1: you for that. Learned something from that man, And what
• 1:02:47
  Speaker 1: you learned is when a girl is making the moves on,
• 1:02:50
  Speaker 1: you shut the hell up because you usually ruined it
• 1:02:52
  Speaker 1: by opening your mouth. Okay, that man played dumb like you.
• 1:02:54
  Speaker 1: We all should do in those situations. Oh my goodness,
• 1:02:56
  Speaker 1: all right, ask he is next eight, don't you five
• 1:03:00
  Speaker 1: eighty five one oh five one. If you need relationship device,
• 1:03:02
  Speaker 1: you can call you right now. She'll help you out
• 1:03:04
  Speaker 1: with your problems. You're going through situations for a line
• 1:03:07
  Speaker 1: to wide open. She will help you. Eight hundred five
• 1:03:10
  Speaker 1: eighty five one oh five one. Call us now. It's
• 1:03:12
  Speaker 1: the Breakfast Club. Good morning, the Breakfast Club. Angela, Yee, Charlomagne,
• 1:03:19
  Speaker 1: the guy. We are the Breakfast Club. It's time to
• 1:03:21
  Speaker 1: ask ye. Eight hundred five eighty five one oh five one.
• 1:03:24
  Speaker 1: We got Jenny from New Jersey on the line. Come
• 1:03:26
  Speaker 1: on to Jenny from New Jersey. What's your question for ye? Okay,
• 1:03:28
  Speaker 1: I've been waiting this guy for the past three years
• 1:03:31
  Speaker 1: and five months. I've been living with him for five months.
• 1:03:35
  Speaker 1: Ten years older than me. I'm plinty seven, his thirty seven,
• 1:03:38
  Speaker 1: and I have a feeling that he's been seeing other woman. Um.
• 1:03:44
  Speaker 1: I know I shouldn't have, but I went through his
• 1:03:46
  Speaker 1: tall and I saw like different text messages, different women
• 1:03:49
  Speaker 1: pictures that he's a woman. He's been talking still, and
• 1:03:53
  Speaker 1: every time I confront him about it, it's always, oh,
• 1:03:55
  Speaker 1: it's nothing. You know, I don't have time for other woman.
• 1:03:58
  Speaker 1: I'm busy, I'm working and Um, last night, I went
• 1:04:02
  Speaker 1: through his phone again. It's it's this false stop. So
• 1:04:09
  Speaker 1: let me ask you a question. You have a feeling
• 1:04:10
  Speaker 1: he's cheating, or you know he's cheating because you've seen
• 1:04:13
  Speaker 1: evidence that he's cheating. Have you seen him meeting up
• 1:04:15
  Speaker 1: with these women telling him that he missed them, that
• 1:04:17
  Speaker 1: he can't wait to see them again? What is in
• 1:04:20
  Speaker 1: these messages? I mean the world? Basically, Yes, there are
• 1:04:23
  Speaker 1: part of where, um, I'm coming to see you, We're
• 1:04:25
  Speaker 1: going out to dinner, or we're gonna go out to
• 1:04:27
  Speaker 1: the club. You know I haven't eate and cook me dinner.
• 1:04:31
  Speaker 1: He's a meeting with these Okay, so he's cheating on you.
• 1:04:35
  Speaker 1: You don't just have a feeling, yes, I mean I
• 1:04:37
  Speaker 1: actually went through his phone and I saw all the
• 1:04:39
  Speaker 1: text messages, different women, different pictures, making pictures. Because it's
• 1:04:44
  Speaker 1: very interesting to me how you said you have a
• 1:04:46
  Speaker 1: feeling that he's cheating on you, but you have all
• 1:04:48
  Speaker 1: the evidence, So basically you know that he's cheating on you.
• 1:04:51
  Speaker 1: You keep going through his phone and finding more evidence
• 1:04:54
  Speaker 1: that he's cheating on you, but for some reason, you
• 1:04:56
  Speaker 1: won't just say my boyfriend is cheating on me, and
• 1:04:58
  Speaker 1: I just keep going through his phone and choosing to
• 1:05:00
  Speaker 1: stay with him, because that's basically what the scenario is.
• 1:05:03
  Speaker 1: He's cheating on me. I found out I went through
• 1:05:05
  Speaker 1: his phone. He probably got mad at you for going
• 1:05:07
  Speaker 1: through his phone, right, saying that you're violating his privacy.
• 1:05:10
  Speaker 1: If you look for something, you're gonna find it. That's
• 1:05:11
  Speaker 1: the line that people love to use. Right, and your
• 1:05:16
  Speaker 1: decision now, because my whole thing is this, If you're
• 1:05:19
  Speaker 1: gonna stay with somebody and you know that they're cheating
• 1:05:21
  Speaker 1: on you, then why do you keep looking for more
• 1:05:24
  Speaker 1: evidence that they're cheating on you? You already know what
• 1:05:26
  Speaker 1: you know. Now you have made the conscious decision to yourself.
• 1:05:31
  Speaker 1: I know he's cheating on me, but I just want
• 1:05:33
  Speaker 1: to stay and make both our lives living hell. What
• 1:05:36
  Speaker 1: is it that you want him to do? You want
• 1:05:37
  Speaker 1: him to admit to you, yes, I've been cheating and
• 1:05:39
  Speaker 1: sleeping with these others. You want him to just say it,
• 1:05:41
  Speaker 1: even though you know it. You want to hear him
• 1:05:43
  Speaker 1: say it, and he's not gonna say it. He's line.
• 1:05:46
  Speaker 1: So now I say to you, like, stop saying that
• 1:05:48
  Speaker 1: I have a feeling. I know he's cheating. I've seen
• 1:05:51
  Speaker 1: the evidence, and now it's up to me to decide
• 1:05:53
  Speaker 1: what do I want to do to move forward? Am
• 1:05:55
  Speaker 1: I gonna stay with him? If I'm gonna stay with
• 1:05:57
  Speaker 1: him knowing that he's cheating on me, I should stop
• 1:05:59
  Speaker 1: going through his stuff because what's the point. I'm not
• 1:06:01
  Speaker 1: going anywhere. Or I went through a step, found out
• 1:06:04
  Speaker 1: what I found out, and now I have to take action.
• 1:06:06
  Speaker 1: Are you going to take action? I think that's exactly
• 1:06:08
  Speaker 1: what I have to do. You think are you no? No?
• 1:06:11
  Speaker 1: I know that that's exactly what I Okay, what is
• 1:06:15
  Speaker 1: that action going to be? Well, I'm gonna just have
• 1:06:17
  Speaker 1: to make a decision and all to just get up
• 1:06:19
  Speaker 1: and leave right because I don't understand why you would
• 1:06:22
  Speaker 1: put yourself through this torture just to stay true. I've
• 1:06:27
  Speaker 1: tried everything. I've been the best women that I could
• 1:06:32
  Speaker 1: I could even here is ten years older than me.
• 1:06:35
  Speaker 1: I just turned twenty seven, and it's like everything that
• 1:06:38
  Speaker 1: I do is like But if you know what, I
• 1:06:40
  Speaker 1: blame yourself because he's not mature enough to be in
• 1:06:44
  Speaker 1: a monogamous relationship. And to be honest with you, that's
• 1:06:46
  Speaker 1: not your fault. True, Okay, you're only twenty seven years old.
• 1:06:51
  Speaker 1: Trust me, you deserve better than that. You'll be fine.
• 1:06:59
  Speaker 1: I still I love you too, But I just think
• 1:07:02
  Speaker 1: and what your problem is? You love the abuse. I
• 1:07:04
  Speaker 1: know a lot of I know know a lot of
• 1:07:06
  Speaker 1: nice women with trash box, but stopping trash fark, I
• 1:07:10
  Speaker 1: don't I know that. Don't cry? You better not cry.
• 1:07:13
  Speaker 1: You're still a good person. I'm sure. If it's okay
• 1:07:16
  Speaker 1: to cry, it's okay to cry when you're nothing wrong
• 1:07:21
  Speaker 1: with that. You cry and you get over it. The
• 1:07:23
  Speaker 1: thing that needed to be crying is your vagina. Vagina
• 1:07:25
  Speaker 1: need to get a little west On mark. That's what
• 1:07:27
  Speaker 1: the tars need. That's what the tears need to be clearly,
• 1:07:29
  Speaker 1: all right, moisture for your vagina. Baby, God bless you.
• 1:07:36
  Speaker 1: I ain't mean. Y'all got to stop thinking that. We
• 1:07:38
  Speaker 1: have to stop thinking that if a man cheating us,
• 1:07:40
  Speaker 1: it's our fault. Maybe y'all have some issues. It was
• 1:07:42
  Speaker 1: her fault. You were telling her a box of trash.
• 1:07:44
  Speaker 1: That makes it her fault. Hey, man, have you ever cheated?
• 1:07:47
  Speaker 1: That means that your woman's box was trashed? No? Exactly,
• 1:07:51
  Speaker 1: all right, let's move on situation. In this situation, I
• 1:07:54
  Speaker 1: think her box was trash that's the way she described it.
• 1:07:57
  Speaker 1: Describe the way she broke that situation down. It's like, yeah, okay, yeah,
• 1:08:03
  Speaker 1: all right, ask ye eight hundred five eighty five, one
• 1:08:05
  Speaker 1: oh five one, if you got a question for ye Carling.
• 1:08:07
  Speaker 1: Now it's the breakfast Club of the morning e j
• 1:08:09
  Speaker 1: Envy Angela Ye, Charlomagne the God. We all the breakfast
• 1:08:12
  Speaker 1: club we're in the middle of. Ask ye eight hundred
• 1:08:14
  Speaker 1: five eighty five one oh five one, Lane Ye eight. Hello,
• 1:08:17
  Speaker 1: who's this? I'm gonna I'm not a sunny people that
• 1:08:21
  Speaker 1: listen to the show Anonymous. What's your course to for? Yazy? Oh? So, basically,
• 1:08:28
  Speaker 1: me and my husband have not been having um as
• 1:08:32
  Speaker 1: much sex and it's more on his end, and I
• 1:08:35
  Speaker 1: want to approach them about this, but I just really
• 1:08:38
  Speaker 1: don't know how. I've never really had to before. How
• 1:08:41
  Speaker 1: long have you guys been together? Oh, we've been together
• 1:08:44
  Speaker 1: since two thousand and nine. We've been married since two
• 1:08:47
  Speaker 1: thousand and eleven. Okay, And how often now y'all having sex? Gosh,
• 1:08:52
  Speaker 1: it's probably like like once or twice a week, And
• 1:08:55
  Speaker 1: we used to do it like multiple times, like every day,
• 1:08:59
  Speaker 1: has anything's been anything? He's been happening in his life
• 1:09:02
  Speaker 1: that would affect him, like mentally, did he get way
• 1:09:05
  Speaker 1: did he lose a job as he stressed out? Um?
• 1:09:09
  Speaker 1: I mean I could finally say it might be working stress.
• 1:09:12
  Speaker 1: He is an active duty member and they worked long
• 1:09:16
  Speaker 1: hours and stuff like that, so a lot of times
• 1:09:17
  Speaker 1: to come home and he's just like he's just tired,
• 1:09:21
  Speaker 1: like he can he just eat there and that's it, Okay.
• 1:09:24
  Speaker 1: I think what the issue is strangling. I think what
• 1:09:27
  Speaker 1: the issue is as well is that you know, we
• 1:09:30
  Speaker 1: we did when we know, we dated in high school
• 1:09:32
  Speaker 1: back in old nine, so when we were kids, you know,
• 1:09:35
  Speaker 1: we were like having sex all the time, right, So
• 1:09:38
  Speaker 1: and so that's that's the thing too, Like we've both
• 1:09:40
  Speaker 1: kind of brown up together. So I mean, I'm not
• 1:09:42
  Speaker 1: going to express for it to be the same, but
• 1:09:45
  Speaker 1: I mean lately I've been kind of disappointed because like
• 1:09:47
  Speaker 1: I want to and he gets so tiring. I try
• 1:09:49
  Speaker 1: to be understanding of that because you know, I'm a
• 1:09:52
  Speaker 1: full time Twitter. I don't work. I just take So
• 1:09:55
  Speaker 1: you feel like maybe you guys sex jobs just earned
• 1:09:58
  Speaker 1: and sync with each other basically, Yeah, and it didn't
• 1:10:03
  Speaker 1: used to be like this, So did this really just
• 1:10:04
  Speaker 1: happened when he started having a lot longer hours and
• 1:10:07
  Speaker 1: just being more tired. I mean, I mean, I guess so.
• 1:10:11
  Speaker 1: But it's like, you know, even when he first started
• 1:10:13
  Speaker 1: in the military life, we were you know, we were
• 1:10:15
  Speaker 1: so kind of consistent ranting. He was gone a lot.
• 1:10:18
  Speaker 1: So maybe it was because whenever he got home it
• 1:10:21
  Speaker 1: was like a honeymoon perious. So it was like hell
• 1:10:24
  Speaker 1: over me, you know what I mean. And then now
• 1:10:26
  Speaker 1: he's just comfortable, relaxed. You guys have fallen into the routine,
• 1:10:29
  Speaker 1: but you are still having sex because there's people that
• 1:10:31
  Speaker 1: haven't had sex and months that I know who are
• 1:10:34
  Speaker 1: married to each other and you but you don't ever
• 1:10:37
  Speaker 1: want to get like that. Yeah, you don't. Never went
• 1:10:40
  Speaker 1: right now, are you initiating sex? Yes? Like I try to,
• 1:10:44
  Speaker 1: like I try to subdue him, like um, A lot
• 1:10:47
  Speaker 1: of times I'll send like our baby too, you know,
• 1:10:50
  Speaker 1: like for god mom for the weekend, to have time
• 1:10:53
  Speaker 1: by ourselves. Like sometimes like he just really don't get it,
• 1:10:59
  Speaker 1: or he did really that tired. Right. I'm gonna say
• 1:11:02
  Speaker 1: a couple of things here. Okay, So when I was younger,
• 1:11:05
  Speaker 1: I dated this guy and there was a period of
• 1:11:07
  Speaker 1: time when he was like saving up money to get
• 1:11:09
  Speaker 1: a car. So he was working like double overtime shifts,
• 1:11:12
  Speaker 1: and he was always tired, and I was still working
• 1:11:15
  Speaker 1: my regular job. So we used to have sex a lot.
• 1:11:17
  Speaker 1: But then during that period of time when he was
• 1:11:19
  Speaker 1: always tired, he never really wanted to have sex. But
• 1:11:21
  Speaker 1: I was always like kind of up and awake and like,
• 1:11:24
  Speaker 1: all right, this is whack. You know what I'm saying.
• 1:11:26
  Speaker 1: So it could legitimately be like for this period of
• 1:11:29
  Speaker 1: time that he is tired, and you can respect that
• 1:11:32
  Speaker 1: if he's still having sex with you a couple of
• 1:11:33
  Speaker 1: times a week. The other thing is that sometimes guys
• 1:11:36
  Speaker 1: feel like when they have sex with you, it has
• 1:11:37
  Speaker 1: to be an all out production. That's why sometimes I
• 1:11:39
  Speaker 1: feel like they rather masturbate, have an orgasm quickly, and
• 1:11:42
  Speaker 1: then be done with it. So sometimes they feel like
• 1:11:45
  Speaker 1: it's too much of a production. And if you let
• 1:11:47
  Speaker 1: him know I just want to get a quick, quickie
• 1:11:49
  Speaker 1: end before you go to bed, that might take a
• 1:11:51
  Speaker 1: lot of pressure off of him. Also, Yeah, and then
• 1:11:54
  Speaker 1: it's like he's kind of embarrassing, but like he he
• 1:11:59
  Speaker 1: found like vibrator and he and he was like part
• 1:12:03
  Speaker 1: of offended, right and don't get me wrong. Like when
• 1:12:06
  Speaker 1: we when we do have sex, it's it's great, it's great.
• 1:12:09
  Speaker 1: Oh yeah, it's great. It's not enough. It's not enough.
• 1:12:13
  Speaker 1: And so he found like my vibrator one time when
• 1:12:16
  Speaker 1: I had him go look for something in the head
• 1:12:17
  Speaker 1: and the head and the heading. He wanted him to
• 1:12:19
  Speaker 1: see it and I did not Usually usually it's tacked away,
• 1:12:25
  Speaker 1: but I had used it the day before. Well and
• 1:12:29
  Speaker 1: buy it. And I'm like, I think that another guy, right,
• 1:12:34
  Speaker 1: he feels like he's not doing enough for you. I
• 1:12:36
  Speaker 1: just want to say a couple of things here. Number one,
• 1:12:39
  Speaker 1: you can get the party started before he even gets home.
• 1:12:41
  Speaker 1: You should send him some nice, fun sexy text messages.
• 1:12:44
  Speaker 1: Sometimes when you guys aren't in sync with each other
• 1:12:46
  Speaker 1: and you complain a lot and make them less interested. Okay,
• 1:12:50
  Speaker 1: all right, So what you can do is start getting
• 1:12:52
  Speaker 1: him in the move before he even comes home. And
• 1:12:55
  Speaker 1: then sometimes it don't got to be a big, big projection.
• 1:12:57
  Speaker 1: Sometimes you just have a quickie and let him go
• 1:12:59
  Speaker 1: to bed. Sometimes you just said, you know where, let
• 1:13:01
  Speaker 1: me just take care of you because I had a long,
• 1:13:04
  Speaker 1: hard day and just cater to that, and hopefully it'll
• 1:13:07
  Speaker 1: make things get better. Okay, I can try. Yeah, I
• 1:13:11
  Speaker 1: think you just talk about it tonight. Just try that.
• 1:13:13
  Speaker 1: But you know, just make sure you do the things
• 1:13:15
  Speaker 1: that you used to do too. I mean, that's the thing, though.
• 1:13:18
  Speaker 1: I do all that and more, send those text messages
• 1:13:20
  Speaker 1: like I can't wait till you get home. You know
• 1:13:22
  Speaker 1: all of that. I'm gonna do this, this and not
• 1:13:24
  Speaker 1: to you and really do it and really sometimes don't
• 1:13:28
  Speaker 1: be a selfish person. Maybe you just take care of
• 1:13:30
  Speaker 1: him and cater to him. And sometimes you said that
• 1:13:33
  Speaker 1: and you get to jump right into it. Okay, I
• 1:13:35
  Speaker 1: don't try to all right, But at least you're still
• 1:13:37
  Speaker 1: having sex. Trust me. I got some friends whose boyfriends
• 1:13:39
  Speaker 1: aren't having sex with them at all, husbands and everything.
• 1:13:42
  Speaker 1: I hate to be the bear of bad news. But
• 1:13:44
  Speaker 1: he's cheating on him. No, he's not. He's absolutely cheap. Hours.
• 1:13:48
  Speaker 1: How long you've been with your woman? And I've been
• 1:13:50
  Speaker 1: mind eighteen? Okay, No, I love having sex all the time.
• 1:13:56
  Speaker 1: I like getting it popping. You feel like getting popping,
• 1:13:58
  Speaker 1: mister five kids? Absolutely, okay, everybody didn't have the same situation.
• 1:14:02
  Speaker 1: I'm sure this time. And did you go home and
• 1:14:03
  Speaker 1: you're tired? You've been working all day and you just
• 1:14:05
  Speaker 1: don't feel like ladies believe that be other if you
• 1:14:06
  Speaker 1: want to every now and then, Yeah, man may be
• 1:14:08
  Speaker 1: too tired, but many ain't too tired. Form no poom poom,
• 1:14:10
  Speaker 1: that's sorry. That man is cheating on that woman once
• 1:14:13
  Speaker 1: in the while. You get tired every way, every blue mood.
• 1:14:16
  Speaker 1: But then when your wife getting naked, it it's on.
• 1:14:18
  Speaker 1: It's on. I don't care. Everybody had always in sync sex.
• 1:14:22
  Speaker 1: They're still having sex once or twice a week. I'm
• 1:14:24
  Speaker 1: telling you from a man perspective. Man cheating on. He
• 1:14:27
  Speaker 1: might be tired. Man, he might be stressed. I ain't
• 1:14:29
  Speaker 1: gonna see that. But alright, ask you eight hundred five
• 1:14:31
  Speaker 1: eighty five, one oh five one. If you got a
• 1:14:33
  Speaker 1: question for you, you could call that anytime. Now. We
• 1:14:34
  Speaker 1: got roomors all the way. Yes, we talk about jay
• 1:14:36
  Speaker 1: Z and what he's got going on. He's got some
• 1:14:38
  Speaker 1: new things popping. Also, Mike Epps NBA All Star Weekend.
• 1:14:42
  Speaker 1: What did he just do? Some guys whole faces toe
• 1:14:45
  Speaker 1: up da all right, all that and more, keep it
• 1:14:47
  Speaker 1: locked this to Breakfast club. Come on, that's Bryce untiller,
• 1:14:51
  Speaker 1: exchange tired. Let me just played it. I said, I
• 1:14:54
  Speaker 1: see played it twenty minutes ago. Why are we still
• 1:14:57
  Speaker 1: playing that record? And I need to re see the
• 1:14:59
  Speaker 1: research on that. I know I'm not a program director
• 1:15:01
  Speaker 1: of music director, but somebody got approved to me that
• 1:15:03
  Speaker 1: that record is still It must be doing moving, It
• 1:15:05
  Speaker 1: must be doing great. Maybe somebody just forgot about it.
• 1:15:08
  Speaker 1: They just pressed off. He made it law because I'm sorry,
• 1:15:10
  Speaker 1: it's inside baseball. I'm sorry. You donate money to the
• 1:15:14
  Speaker 1: Foundation for the University of the West Indies. No, I
• 1:15:16
  Speaker 1: have it, Okay, you ask me a question that they haven't.
• 1:15:21
  Speaker 1: I haven't looked at it yet. I am, though I'm not.
• 1:15:23
  Speaker 1: I will too. I will as well. I just haven't yet.
• 1:15:26
  Speaker 1: You said I haven't to Thursday. Yeah, well I'll do
• 1:15:29
  Speaker 1: it before tomorrow. By the way, I know. I'm going
• 1:15:31
  Speaker 1: to donate money for a student and named Guilla drop Bomb.
• 1:15:35
  Speaker 1: And I'm gonna do Dominica because that's where you're from.
• 1:15:38
  Speaker 1: Is that how you pronounce it? But you're from there,
• 1:15:41
  Speaker 1: but it's now, that's the Dominican Republic. It's not the
• 1:15:44
  Speaker 1: same thing. One is West Indies. Yeah, I don't know.
• 1:15:47
  Speaker 1: My dad's dad's from there. So I'm gonna donate money there.
• 1:15:51
  Speaker 1: You are Spanish. That's not Spanish, it's West Indian. Man.
• 1:15:55
  Speaker 1: I think we own some land out there. I wonder
• 1:15:57
  Speaker 1: I think my dad taxes on it, because if not,
• 1:16:00
  Speaker 1: you don't know it anymore. Well, we're gonna go out
• 1:16:02
  Speaker 1: there and check it out. Some land or something for
• 1:16:04
  Speaker 1: the hotel or something. My grandfather used to live there
• 1:16:07
  Speaker 1: for a little while. Yeah, where your grandfather's from? Was
• 1:16:10
  Speaker 1: that the Menicana? It's not that I didn't you you
• 1:16:15
  Speaker 1: said that. What you say Minica is ain't different, man,
• 1:16:20
  Speaker 1: christ Let's get to the rumors. Let's talk. Oh gosh,
• 1:16:27
  Speaker 1: report got breakfast club. Usure has another album coming out
• 1:16:35
  Speaker 1: this Friday, is called Hendrix. Why he just released the
• 1:16:39
  Speaker 1: album last week. So the rumors of that Rocko thing
• 1:16:41
  Speaker 1: must be true. Did they say Rocos getting fifty getting
• 1:16:44
  Speaker 1: all his roadies for the next two albums? I guess
• 1:16:46
  Speaker 1: he there was a lawsuit. We don't know if it's
• 1:16:47
  Speaker 1: true or not. That was the rumor that was put
• 1:16:50
  Speaker 1: out there, And we don't know for sure what's going
• 1:16:52
  Speaker 1: on with that situation. Album Friday, and now you put
• 1:16:55
  Speaker 1: out another album this Friday. That's not like you obligation.
• 1:16:59
  Speaker 1: You're also tagged Rianna and the Weekend when he made
• 1:17:02
  Speaker 1: that announcement on Instagram, So possibly they're on the album too.
• 1:17:05
  Speaker 1: It's the album he always wanted to make, all right now.
• 1:17:08
  Speaker 1: He also went on Instagram and actually just an hour
• 1:17:10
  Speaker 1: ago on Twitter he said, told you I got a
• 1:17:12
  Speaker 1: fully loaded clip. Thought I was bluffing. If you purchase Future,
• 1:17:14
  Speaker 1: you will understand Hendricks. Okay. Then he went on Instagram
• 1:17:18
  Speaker 1: yesterday and said, who told you you couldn't be exactly
• 1:17:20
  Speaker 1: who you wanted to be? They lie, They wasn't bold,
• 1:17:22
  Speaker 1: They didn't have the ambition, They didn't have the courage.
• 1:17:24
  Speaker 1: They was misled. They didn't believe in themselves, but no
• 1:17:26
  Speaker 1: one else would. They cared about what other people thought
• 1:17:28
  Speaker 1: of them. They gave up, not knowing God wouldn't give
• 1:17:31
  Speaker 1: you more than you can handle. They didn't sew seeds.
• 1:17:33
  Speaker 1: They didn't have the passion, they didn't have the drive.
• 1:17:35
  Speaker 1: They didn't tell you all of their flaws because they
• 1:17:37
  Speaker 1: were scared of not being accepted by their pairs. They said,
• 1:17:40
  Speaker 1: I can't I tried. I need help, but not me.
• 1:17:42
  Speaker 1: I won't say it. Don't sound like a rush job, though,
• 1:17:44
  Speaker 1: because if you put out an album on one Friday,
• 1:17:47
  Speaker 1: called Future, and you drop another one a week later
• 1:17:49
  Speaker 1: called Hendrix. So you had a plan. Yeah, absolutely, it
• 1:17:51
  Speaker 1: sounds like a plan. So it's a fully loaded clip,
• 1:17:53
  Speaker 1: he said. All right, jay Z is planning to start
• 1:17:56
  Speaker 1: a venture capital fund, dropping a clues bomb for holdemit.
• 1:18:01
  Speaker 1: He's going to do his own firm and he's going
• 1:18:03
  Speaker 1: to team up with rock Nation co founder Jay Brown.
• 1:18:06
  Speaker 1: So what they want to do is focus on seed
• 1:18:09
  Speaker 1: investments and young startups. So they're going to get some
• 1:18:11
  Speaker 1: help from Sherpa Capital that was created by some of
• 1:18:14
  Speaker 1: Uber's other early investors because jay Z was an early
• 1:18:16
  Speaker 1: investor in Uber as well. So some other things that
• 1:18:20
  Speaker 1: jay Z and rock Nation have invested in in the past,
• 1:18:22
  Speaker 1: Dance Uber and that tells you yes, Vitti Supernova, it's
• 1:18:27
  Speaker 1: a Instagram for video app, black Jet Jet Smarter. Yeah,
• 1:18:32
  Speaker 1: just a few different things that they've invested in and
• 1:18:34
  Speaker 1: they've all done pretty well. So they've made some promising
• 1:18:38
  Speaker 1: startup investments and now they want to keep on doing
• 1:18:41
  Speaker 1: that for young companies flex their black privilege hole. Whynot.
• 1:18:45
  Speaker 1: That's dope. Yeah, that's a great idea. If you got it,
• 1:18:48
  Speaker 1: let's go yeah right, all right, now, Nick Cannon has
• 1:18:51
  Speaker 1: some issues. He's actually going to be suing the National Inquirer.
• 1:18:55
  Speaker 1: He says, there's a false article that the Inquirer is
• 1:18:58
  Speaker 1: preparing to run. He's the rightning a slander and defamation lawsuit.
• 1:19:02
  Speaker 1: He put up an image on text, he said, more lies.
• 1:19:05
  Speaker 1: So the Inquirer wants to play around with my children.
• 1:19:07
  Speaker 1: Only evil operates in this manner. What is the purpose
• 1:19:10
  Speaker 1: except to exemplify pure and moral wickedness? So he said,
• 1:19:14
  Speaker 1: no weapon forms against Michelle Prosper And I guess the
• 1:19:18
  Speaker 1: National quire is trying to do a story about Nick
• 1:19:20
  Speaker 1: Cannon having a nervous breakdown, his erratic behavior, and Mariah
• 1:19:24
  Speaker 1: Carey has a little choice but to petition for custody
• 1:19:27
  Speaker 1: of their kids. When did Nick Cannon have a nervous breakdown?
• 1:19:31
  Speaker 1: And just because a man puts on the turban and dashiki,
• 1:19:33
  Speaker 1: don't mean that he's having erratic behavior. Like, what's the problem. Yeah,
• 1:19:38
  Speaker 1: I'm listen. But he's gonna sue if they put this
• 1:19:41
  Speaker 1: article out, So maybe it's not gonna happen. I guess
• 1:19:43
  Speaker 1: he got the heads up that that article was gonna happen.
• 1:19:46
  Speaker 1: Now we were talking about this Tuesday night. Allegedly there
• 1:19:50
  Speaker 1: were rumors that the Megos ran up on Sean Kingston.
• 1:19:53
  Speaker 1: There was a gunshot fired, but we do have more information.
• 1:19:56
  Speaker 1: This happened in Vegas at the Agenda trade show. Sean
• 1:19:59
  Speaker 1: Kingston and the me It was at first we're friendly
• 1:20:00
  Speaker 1: with each other. Then there was a heated exchange and
• 1:20:03
  Speaker 1: they said that the Megos actually followed Sean Kingston to
• 1:20:06
  Speaker 1: the parking lot after they had gotten into a fight
• 1:20:09
  Speaker 1: and one of Sean Kingston's friends had to shoot up
• 1:20:11
  Speaker 1: in the air to get the altercation to end. I
• 1:20:14
  Speaker 1: don't believe none of this store why because there's no video. Well,
• 1:20:17
  Speaker 1: Young Doug predicted all of this happening, and he predicted
• 1:20:20
  Speaker 1: this back in December. Hey man, PSA that what sold
• 1:20:24
  Speaker 1: you what? And um qaitboa Megos, Let that be with them.
• 1:20:29
  Speaker 1: Sean Kingston relax, called ing on my plan and so relax,
• 1:20:34
  Speaker 1: stay out of that. And I ain't telling number one
• 1:20:37
  Speaker 1: time all right, miss Cleo. How do you know that
• 1:20:39
  Speaker 1: Predicting the Future knew it? First of all, I don't
• 1:20:42
  Speaker 1: believe the situation happened because that a gender trade show
• 1:20:44
  Speaker 1: is full of so many different people them with people
• 1:20:47
  Speaker 1: following them to the cards like nobody got that jumping
• 1:20:51
  Speaker 1: on video, the megos jumping that that's not on video.
• 1:20:54
  Speaker 1: Who knows you haven't seen it yet. Hold onto that gold.
• 1:20:58
  Speaker 1: Somebody trying to make some money. Someone trying to make
• 1:21:01
  Speaker 1: a deal, all right. The w NBA one prominent retired
• 1:21:06
  Speaker 1: w NBA player, Candice a Week, and she was number
• 1:21:08
  Speaker 1: three pick in the two thousand and eight w NBA draft,
• 1:21:10
  Speaker 1: is saying that part of her reason that she retired
• 1:21:13
  Speaker 1: is because of her mental state. She said, it was
• 1:21:15
  Speaker 1: depressing state in the w NBA. It's not watched, our
• 1:21:18
  Speaker 1: value is diminished. It was toxic. She said. Me being
• 1:21:21
  Speaker 1: heterosexual and straight and being vocal in my identity as
• 1:21:24
  Speaker 1: a straight woman was huge. I would say ninety eight
• 1:21:27
  Speaker 1: percent of the women in the w NBA are gay women. Yeah.
• 1:21:31
  Speaker 1: She said people were deliberately trying to hurt her all
• 1:21:34
  Speaker 1: the time. She said, I've never been called the B
• 1:21:35
  Speaker 1: words so many times in my life. Then I was
• 1:21:38
  Speaker 1: in my rookie season. I'd never been thrown to the
• 1:21:40
  Speaker 1: ground so much. The message was we wants you to
• 1:21:43
  Speaker 1: know we don't like you. Yes, Charlomagne, I threw you
• 1:21:46
  Speaker 1: to the ground because I like you. That's why I
• 1:21:49
  Speaker 1: threw you to the ground. She also said that you
• 1:21:51
  Speaker 1: get compared so much to men that you mirror the men.
• 1:21:54
  Speaker 1: She said, so many people think you have to look
• 1:21:56
  Speaker 1: like a man, play like a man to get respect.
• 1:21:58
  Speaker 1: I was the opposite. I was to be a woman
• 1:22:00
  Speaker 1: and it didn't fit well in that culture. Well, I
• 1:22:02
  Speaker 1: can't you know, you can't co sign that number ninety
• 1:22:05
  Speaker 1: eight percent, but you can probably say the majority lots
• 1:22:08
  Speaker 1: and a lot of the w NBA players do look
• 1:22:10
  Speaker 1: like men. But why don't anybody watch the w n
• 1:22:12
  Speaker 1: BA because anybody dunking? That's all. It really boils down to,
• 1:22:16
  Speaker 1: why nobody's dunking? We need some people jumping out the gym,
• 1:22:19
  Speaker 1: and why now people are not? As there's more three pointers?
• 1:22:22
  Speaker 1: Now anybody shooting? You know what? Brittney Grinder was so intriguing.
• 1:22:26
  Speaker 1: She could dunk brittany flock of flame, two hand slams,
• 1:22:29
  Speaker 1: all kind of stuff. That's what I want to see.
• 1:22:31
  Speaker 1: Give me some dunking, all right, All right, well I'm
• 1:22:33
  Speaker 1: managing LEGI and that's your rumor reports. All right, thank you,
• 1:22:36
  Speaker 1: missing you're any good like satire point was about the
• 1:22:39
  Speaker 1: w NBA. Gotta be some good lesbian point about the
• 1:22:41
  Speaker 1: w NBA. Right, let me Google, oh, revoke piece everybody
• 1:22:46
  Speaker 1: else to People's Choice mixes up next you want to
• 1:22:48
  Speaker 1: hear something eight hundred five eight five one on five
• 1:22:51
  Speaker 1: one get your request one. Yeah, but did you look
• 1:22:54
  Speaker 1: up he got some he What did you look up? Google?
• 1:22:58
  Speaker 1: Lesbian point w NBA. But you what did you find?
• 1:23:00
  Speaker 1: Tell us what you find? Uh? No, all right? The
• 1:23:08
  Speaker 1: People's choice mixes up next to request