Latest / The Breakfast Club / IDKMYDE: The Marching 100- How FAMU Turned Discipline into Dominance
Transcript
- 0:00Speaker 1: The March in one hundred, How fam you turned discipline
- 0:04Speaker 1: into dominance?
- 0:06Speaker 2: Welcome back now.
- 0:07Speaker 1: It ass to another episode of the most anticipated podcast
- 0:12Speaker 1: on the Black Effect podcast network, especially in February, entitled
- 0:17Speaker 1: I Didn't Know Maybe you didn't either, And I'm B Dotts,
- 0:21Speaker 1: the PA announcer. Fam You ratlers five home games a year.
- 0:25Speaker 1: We got Club Bragg Rock, and you can argue a
- 0:28Speaker 1: bigger draw on Saturdays than the football team is the
- 0:32Speaker 1: band man. They march and play to the stadium. They
- 0:36Speaker 1: do a fifteen minute pregame performance. They play in the stands.
- 0:39Speaker 1: During the game, they do they have time performance, they
- 0:43Speaker 1: go back in the stands and play some more, and
- 0:45Speaker 1: then they do a fifteen minute fifth quarter. If there
- 0:47Speaker 1: was another band that was brave enough to challenge them
- 0:50Speaker 1: and come to brag, and if it wasn't, they'll just
- 0:52Speaker 1: played for fifteen minutes for the fan and then they
- 0:55Speaker 1: march back to the band ruin.
- 0:57Speaker 2: It is phenomenal to see.
- 0:59Speaker 1: Now, my homie Trevor, he a fourth generation Rattler and
- 1:03Speaker 1: he just sort of turned into a brother to me.
- 1:04Speaker 1: But his blood brother is actually one of the drum
- 1:07Speaker 1: majors for the Magnificent Seven that were fam You call
- 1:11Speaker 1: a drum majors that my boy, ty Lloyd. So before
- 1:14Speaker 1: we get into this episode, I'm gonna give you three
- 1:16Speaker 1: of the most useless.
- 1:17Speaker 2: Facts you'll never need in life about black bands.
- 1:22Speaker 1: Your first useless facts the number one hundred in the
- 1:25Speaker 1: March and one hundred. It ain't about size, but they
- 1:28Speaker 1: got over three hundred instrumentalists.
- 1:31Speaker 2: It's about standards. Your second useless facts.
- 1:35Speaker 1: Most modern halftime shows are built off systems created at
- 1:39Speaker 1: an HBCU. And your third useless fact, Black excellence didn't
- 1:43Speaker 1: become influential by accident. It was engineered. Now for today's episode,
- 1:48Speaker 1: do you know how fam used band came to be?
- 1:51Speaker 1: Because I didn't I didn't know. Maybe you didn't. I
- 1:54Speaker 1: didn't show.
- 1:55Speaker 2: I didn't know.
- 1:55Speaker 1: Maybe you didn't.
- 1:56Speaker 2: I didn't show.
- 1:57Speaker 1: I didn't know. Maybe you didn't I didn't.
- 2:03Speaker 2: In nineteen twenty six, Carter G.
- 2:05Speaker 1: Woodson created Negro History Week because he understood something most
- 2:09Speaker 1: people still miss. If you don't build your own systems,
- 2:12Speaker 1: you'll always be begging to be remembered by somebody else.
- 2:16Speaker 1: Now fast forward twenty years nineteen forty six, Florida A
- 2:20Speaker 1: and M University, a man named William P.
- 2:23Speaker 2: Foster.
- 2:24Speaker 1: He took a position most people would have treated as
- 2:26Speaker 1: a job, but him, he treated it as his calling.
- 2:30Speaker 1: He created the March in one hundred, not just a band,
- 2:33Speaker 1: an infrastructure of excellence. Every detail mattered, how you stood,
- 2:38Speaker 1: how you march, how you sounded, how you held your instruments.
- 2:43Speaker 1: So doctor Foster new song. The way you practice when
- 2:46Speaker 1: the stands are empty is the way you'll perform when
- 2:48Speaker 1: they fool. The standard was the standard, and the standard
- 2:51Speaker 1: didn't band for crowds or cameras or comfort. Ain't nothing
- 2:54Speaker 1: comfortable about being in the band. If you've ever seen them,
- 2:57Speaker 1: you know practice is not a suggestion. I still don't
- 3:00Speaker 1: know how they be humping with them tubas. But here's
- 3:03Speaker 1: what made it revolutionary. See before the Marching one hundred,
- 3:07Speaker 1: fans mostly walked in a straight line.
- 3:09Speaker 2: And play the notes. You've seen the bands show up, march, play,
- 3:13Speaker 2: go home.
- 3:14Speaker 1: After the Marching one hunter, precision became the performance, discipline
- 3:19Speaker 1: became the culture. Presentation became power. The halftime show became
- 3:24Speaker 1: the shows. To this day, some folks just come to
- 3:27Speaker 1: the game for the halftime show. Don't know what happened
- 3:30Speaker 1: at the start of the third quarter. They already heading
- 3:32Speaker 1: to the exits. When Beyonce won to honor HBCU culture
- 3:36Speaker 1: at Coachello. She didn't study USC or Ohio State. She
- 3:41Speaker 1: studied the Marching one Hunter. But they wrote the playbook.
- 3:44Speaker 1: And here's the part that I didn't know that excellence
- 3:47Speaker 1: wasn't about music. It was about building Black systems that
- 3:50Speaker 1: could not be ignored. No one had to include the
- 3:53Speaker 1: Marching one Hunt. They said the bar so high, everybody
- 3:56Speaker 1: else had the rise to it. That's what infrastructure looks like.
- 4:00Speaker 1: You don't ask for a seat at the table. You
- 4:02Speaker 1: build a table that's so impressive that everyone else asks
- 4:05Speaker 1: the city at yours, like Charlemagne did with the Black
- 4:08Speaker 1: Profect podcast network. You see to check our heartcut listen
- 4:12Speaker 1: a century after Carterig Woods in carb space for Black History,
- 4:15Speaker 1: The Marching one hundred show what happens when black institutions
- 4:19Speaker 1: control the standard, not just the narrative. And that's why
- 4:22Speaker 1: this fits our season's theme, one hundred years of Knowing Better.
- 4:26Speaker 1: The Marching one hundred didn't chase validation. They build something
- 4:29Speaker 1: so excellent that the world recognized around it. And that's
- 4:33Speaker 1: the hidden truth of black history. When we design the system,
- 4:37Speaker 1: the system works, and I didn't know. Maybe you didn't either.
- 4:41Speaker 1: I