Latest / The Breakfast Club / The Cast of the show "Love is...." and Happy "National Get Out of the Dog House Day"

Transcript

The Cast of the show "Love is...." and Happy "National Get Out of the Dog House Day" · The Breakfast Club

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  Speaker 1: Owning juices for life is not easy, and I always
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  Speaker 1: Zip recruiter the smartest way to hire. This is your
• 1:02
  Speaker 1: week of Hallaume Breakfast Club to show you love to
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  Speaker 1: hate from the East to the West, Coat d J
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  Speaker 1: M Dry Angela Ye, Charlomagne, the really show on the planet.
• 1:12
  Speaker 1: This is where I respect this show because this is
• 1:14
  Speaker 1: a voice of society. James in the game. Guys are
• 1:17
  Speaker 1: the coveted morning show. But y'all earning it exacting the
• 1:21
  Speaker 1: coach up in the morning and h day. Want to
• 1:23
  Speaker 1: hear that breakfast cool the world's most dangerous morning show.
• 1:38
  Speaker 1: Good Morning Usa yo yo yo yo yo yo yo
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  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 1:43
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 1:45
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 1:47
  Speaker 1: yo yo yo. Good morning Angela yee heg good money
• 1:51
  Speaker 1: damby Charlomagne the guy used to the planet. Is Monday, Yes,
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  Speaker 1: it's Monday, beginning of the quick Yes, National get out
• 2:01
  Speaker 1: of the Doghouse Day. What does that mean? It's the
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  Speaker 1: day that I'm sure a lot of men can relate
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  Speaker 1: to it. Today is for mending the screen relationships that
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  Speaker 1: have been left in doghouses. It's that's a National Fresh
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  Speaker 1: Spinach Day. Well, I don't know about the spinach when
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  Speaker 1: I'm at the doghouse and I'm great, My crip is great,
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  Speaker 1: my house is wonderful, and I ain't playing with y'all
• 2:21
  Speaker 1: with this doghouse thing today. What you mean, man, this
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  Speaker 1: isn't just for you. God damn, it's national Day. It's
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  Speaker 1: a lot of guys out there who may be in
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  Speaker 1: the doghouse who may want to call up here later
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  Speaker 1: and you know, say something nice to that significant other
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  Speaker 1: to get out of the doghouse. And there might be
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  Speaker 1: some women in the doghouse to what they made all
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  Speaker 1: these days. When did this start happening? I have no idea.
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  Speaker 1: I know it was National ice Cream Day yesterday. That
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  Speaker 1: was exciting yesterday. You know how I know that because
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  Speaker 1: my daughters were, especially my two years, for whatever reason,
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  Speaker 1: kept running around the house cream and ice cream. You scream,
• 2:51
  Speaker 1: We all screamed, scream, yes. And I didn't know what
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  Speaker 1: was going on. I guess it was a commercial on
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  Speaker 1: Nick Junior or at Disney or one of them that
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  Speaker 1: was letting them know it was a National ice cream Day. Yeah,
• 3:00
  Speaker 1: it's also National Personal chef Day, but that has nothing
• 3:03
  Speaker 1: to do with anybody but a djam because he's rich.
• 3:06
  Speaker 1: You know, I don't have a personal chef. Sure don't. Okay,
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  Speaker 1: all right, Well I'm out in Miami. Shout to one
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  Speaker 1: or three five to be out station out here in Miami,
• 3:13
  Speaker 1: shout to logic. I had to do a show yesterday
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  Speaker 1: and I couldn't get back in time, so I just
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  Speaker 1: spent the night in Miami. Why not it's beautiful out here,
• 3:19
  Speaker 1: or I'll be back today, poor me. What are you
• 3:23
  Speaker 1: guys doing? How was your weekends? My weekend was great.
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  Speaker 1: I went to go see the Purge movie that I
• 3:28
  Speaker 1: kept telling y'all wanted to go see it. People to
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  Speaker 1: scare you? Huh. Yeah. I enjoyed it. The person isn't
• 3:32
  Speaker 1: really scary, but this one was particularly good. It was
• 3:36
  Speaker 1: the first Purse, so I highly recommend if y'all don't
• 3:39
  Speaker 1: watch those Purse movies to check this one out. I
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  Speaker 1: think this one the first Purge when there's been other
• 3:43
  Speaker 1: Purge movies. It talks about how it started, like how
• 3:45
  Speaker 1: the was in Staten Island. Stapleton is how it first started,
• 3:49
  Speaker 1: and it was basically trying to get rid of all
• 3:51
  Speaker 1: the black people. Oh so it was about America? Yeah, okay,
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  Speaker 1: pretty much. And that's how I did Saturday I didn't
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  Speaker 1: leave my house all day at all, didn't step for
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  Speaker 1: that side. I ordered groceries and everything. I didn't even
• 4:02
  Speaker 1: go to the supermarket. Yeah all right, well, Charlomagne, I
• 4:05
  Speaker 1: know you're excited about this. We have the cast of
• 4:08
  Speaker 1: love Is joining us this morning. It's a new show
• 4:10
  Speaker 1: on own. Yes, I'm not necessarily excited about the cast
• 4:13
  Speaker 1: of Love Is. I'm excited about the creator of love
• 4:16
  Speaker 1: who will be with the cast. My baskets actually from
• 4:20
  Speaker 1: Brock and Killed dammit. Love Is. It's based on her
• 4:22
  Speaker 1: own relationship with her husband. It's a great show. I
• 4:25
  Speaker 1: enjoy watching it. You know, I'm a mushy when I
• 4:27
  Speaker 1: watched TV. Yes, if you don't know who mar Brock
• 4:29
  Speaker 1: and Kidless Year is the architect of such shows as
• 4:31
  Speaker 1: Being Married, Jane Black, Lightning The Game, and Most Nearest
• 4:36
  Speaker 1: and Dearest to my Heart Girlfriends. Explain to the people
• 4:39
  Speaker 1: what girlfriends is alone? If you don't if I got
• 4:43
  Speaker 1: to explain to you about Joan, Lyntoni and Mina, and
• 4:45
  Speaker 1: we don't need to be having no conversations. I don't
• 4:47
  Speaker 1: have to. I don't have to talk to everybody, you know, Okay,
• 4:50
  Speaker 1: everybody's everybody's not for me. And if you don't know
• 4:52
  Speaker 1: about Joan Lantoni and Maya, then he probably does. The
• 4:54
  Speaker 1: president at all. I'm not going to relate to on
• 4:57
  Speaker 1: a lot of levels. This, Yeah, all right, what we
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  Speaker 1: got front page was coming up. What we're talking about?
• 5:01
  Speaker 1: Oh man, there's another one coupon, Carl find out what
• 5:04
  Speaker 1: happened at CBS. Why were the cops called on a
• 5:08
  Speaker 1: black one? That was stupid. He looked so scared, he
• 5:11
  Speaker 1: was shaking. Yeah, that cocaine had him paranoid something. Yeah,
• 5:15
  Speaker 1: that I wasn't normal. All right, we'll talk about it
• 5:17
  Speaker 1: when we come back. Keeping locked this to Breakfast Club.
• 5:19
  Speaker 1: Good morning morning. Everybody is DJ Envy Angela Yee, Charlomagne
• 5:24
  Speaker 1: the guy. We are the Breakfast Club. Let's get in
• 5:26
  Speaker 1: some front page news. Now. I'm not sure if you
• 5:29
  Speaker 1: guys watch football, but France be Croatia four to one,
• 5:34
  Speaker 1: nast in the World Cup. I didn't watch it. I
• 5:37
  Speaker 1: thought you said you were watching it. You definitely done
• 5:39
  Speaker 1: a little while ago and said you watched the World Cup. Yeah,
• 5:42
  Speaker 1: I was joking behind the scenes. It was behind the scenes.
• 5:44
  Speaker 1: I was joking, or I didn't watch that. I don't
• 5:45
  Speaker 1: know the difference it did a Red Bull Wings play.
• 5:48
  Speaker 1: I don't I don't know, I don't know the teams.
• 5:50
  Speaker 1: I don't know how watch the car was actually four too,
• 5:53
  Speaker 1: not for one. I actually thought I thought the French
• 5:55
  Speaker 1: was the Haiti. I thought that was the Haiti stopper team.
• 5:57
  Speaker 1: I was like, oh, good for all Haitians. I thought
• 6:00
  Speaker 1: Africa one actually, because I seemed like South Africa very excited. No,
• 6:03
  Speaker 1: I don't know. One of my homeboys, who was Haitian,
• 6:05
  Speaker 1: was like, yo, big up to the Haitians, massive for
• 6:07
  Speaker 1: winning the World Cup. I was like, okay, salute the Haiti.
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  Speaker 1: All right, all right, I don't know what else really. Now,
• 6:14
  Speaker 1: let's talk about coupon Carl. Yet another instance of someone
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  Speaker 1: calling the cops on a black person. A white person
• 6:21
  Speaker 1: calling the cops on a black person. This was at CVS.
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  Speaker 1: A white Chicago CBS manager named Moray Matson called the
• 6:27
  Speaker 1: police on a black woman because she tried to use
• 6:30
  Speaker 1: a coupon and he said that the coupon looked like
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  Speaker 1: it was fraudulent. The situation escalated because the woman, Cavella Hudson,
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  Speaker 1: said that she was offended being called a liar and
• 6:41
  Speaker 1: a thief and she was asked to leave, but she
• 6:43
  Speaker 1: stayed as he then called the police on her. Is
• 6:46
  Speaker 1: that crazy? Listen, you'll be playing audio from it, yes, okay,
• 6:50
  Speaker 1: and so female. She's wearing a green m all be
• 6:55
  Speaker 1: here when she ard, but I will be waiting for
• 6:57
  Speaker 1: them to rod. You can tell. Her name is Canoah Hudson.
• 7:01
  Speaker 1: I have ide and will share it. MORI m O
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  Speaker 1: R R Y N African American black. No, I'm not
• 7:12
  Speaker 1: African American. I'm black. Black isn't a bad word. Goddamn right,
• 7:16
  Speaker 1: it's not. Thank you you see that. That's I would
• 7:20
  Speaker 1: blame that on anxiety, but I know cocaine use when
• 7:22
  Speaker 1: I see it. That's the paranoid that comes with sniffing
• 7:24
  Speaker 1: on that white powdered mannaise. Okay, if he was that
• 7:26
  Speaker 1: scared because he was using the ship on, imagine if
• 7:28
  Speaker 1: you would have had EBT. Now. She said that he
• 7:30
  Speaker 1: didn't even try to scan the coupon or anything. He
• 7:32
  Speaker 1: just called the police because he said it didn't look real.
• 7:34
  Speaker 1: I wonder what is the cupon for. That's the kind
• 7:37
  Speaker 1: of nervous, scary energy we don't want police officers to
• 7:40
  Speaker 1: have either. That's that irrational white fair that gets innocent
• 7:42
  Speaker 1: black people smoked. Well, but people just calling the cops
• 7:46
  Speaker 1: for anything. I'm supposed to call the cops for something serious,
• 7:48
  Speaker 1: like for coupon, coupon for any acusable incontinence products. Well
• 7:53
  Speaker 1: it any disposable incontinence products. Beds with Steiners under par bonds, no,
• 8:00
  Speaker 1: in continent stuff. You can't hold it like a little okay,
• 8:04
  Speaker 1: Cheryl Underwood with those not a diaper. Yeah, it's like
• 8:09
  Speaker 1: it's like if you let a little leakage comes out,
• 8:11
  Speaker 1: like yeah, yeah, you can't hold you. I mean you
• 8:12
  Speaker 1: can hold you, pete. But every now and in a
• 8:14
  Speaker 1: little drip drop. But there happened, Yes, I've heard of that. Okay, okay,
• 8:19
  Speaker 1: all right. Also in Chicago, there were some protests that
• 8:23
  Speaker 1: happened yes Saturday night, and there should be some more happening.
• 8:27
  Speaker 1: It's been ongoing all because as Chicago police shot and
• 8:30
  Speaker 1: kill a man on Saturday, they said he appeared to
• 8:33
  Speaker 1: be reaching for a gun in his waistband. That's according
• 8:36
  Speaker 1: to body camera footage that they also released. The officers
• 8:39
  Speaker 1: approached Hareth Augustus, who's thirty seven years old, they tried
• 8:42
  Speaker 1: to grab him and that's when he pushed the officers
• 8:45
  Speaker 1: arms away. You can see the camp the camera footage,
• 8:50
  Speaker 1: and then he rolls over the hood of a police
• 8:51
  Speaker 1: vehicle and they said he appeared to reach for a gun.
• 8:53
  Speaker 1: They did release that footage just to prove what they
• 8:55
  Speaker 1: were saying was that he was armed and that they
• 8:58
  Speaker 1: did shoot and kill him because they felt that he
• 9:00
  Speaker 1: was reaching for a gun. Here is Chicago Police Chief
• 9:03
  Speaker 1: Fred Waller. Smallsters, as they were working a footpost, I
• 9:06
  Speaker 1: saw a subject that they thought might have been armed
• 9:08
  Speaker 1: from the bulging around his waistband. After that, they approached
• 9:14
  Speaker 1: the subject who became combative, and as he became combative,
• 9:17
  Speaker 1: flating away, he broke free from the officers and what
• 9:20
  Speaker 1: they thought he appeared to be reaching for a weapon,
• 9:23
  Speaker 1: which he did have a weapon on him, and officers
• 9:25
  Speaker 1: tragically shot this man. That's a sad, sad situation. But
• 9:28
  Speaker 1: I can also say that sometimes the bulge in the
• 9:30
  Speaker 1: waistband can be your penis, because sometimes when you get
• 9:33
  Speaker 1: like a woody and you you gotta reach down, then
• 9:35
  Speaker 1: you gotta hold it up and put it in between
• 9:37
  Speaker 1: your the elastic and your your sweatpasts. No, it was
• 9:40
  Speaker 1: around poke out, it was around his waist. That's what
• 9:43
  Speaker 1: he's saying, say you put it up so it's not
• 9:46
  Speaker 1: bulging situation. Ironically, residents had asked for more police presence
• 9:51
  Speaker 1: in that area where the shooting took place. Also, so
• 9:54
  Speaker 1: protesters were on the street and basically protesting police brutality.
• 9:59
  Speaker 1: So they were chanting, who do you protect? Wow? All right, well,
• 10:04
  Speaker 1: last front page news. Get it off your chests eight
• 10:07
  Speaker 1: hundred five eight five one on five one. If you're upset,
• 10:10
  Speaker 1: you need to vent. Hit us up right now. Maybe
• 10:12
  Speaker 1: you had a bad weekend and just need to vent
• 10:13
  Speaker 1: to get things off your chest. Or if you just
• 10:16
  Speaker 1: want to tell them why you're blushed, you can do
• 10:17
  Speaker 1: that as well. Eight hundred five eight five one on
• 10:20
  Speaker 1: five one. Get it off your chest. It's the breakfast Club.
• 10:22
  Speaker 1: Good morning, the Breakfast Club. Did your time to get
• 10:30
  Speaker 1: it off your chest? Whether you're man or blast, so,
• 10:32
  Speaker 1: plea better have the same industry. We want to hear
• 10:34
  Speaker 1: from you on the breakfast Club. Hello, who's this? What? Hey? Trap?
• 10:39
  Speaker 1: What's going on? Hey? What's up? What's what's up? Says
• 10:44
  Speaker 1: how are you? I'm doing good? I'm doing good. I
• 10:47
  Speaker 1: want to call on you. I want to congratulations on that.
• 10:50
  Speaker 1: Right up, Hold on from that magazine that did it
• 10:52
  Speaker 1: a little right up on you, Oh, Forbes dot Com.
• 10:54
  Speaker 1: Thank you. I appreciate it. I saw you. I saw
• 10:57
  Speaker 1: you right under my post. I appreciate you. Trap. Oh,
• 11:00
  Speaker 1: I can't tell who you are, Charlom. One thing to
• 11:05
  Speaker 1: say to you, man, saying, this is why you should
• 11:07
  Speaker 1: always keep living your truth like you know, always let
• 11:10
  Speaker 1: me sure you just don't. Don't don't pay attention to
• 11:12
  Speaker 1: the negative energy that's out there that's coming against you.
• 11:14
  Speaker 1: And everybody knows what you always talk about when you
• 11:17
  Speaker 1: put inside your book, what you've been talking about for years.
• 11:20
  Speaker 1: And this is why nobody can ever come at you
• 11:22
  Speaker 1: because you always live your truth. For brother, hey live
• 11:24
  Speaker 1: your truth and nobody can use it against you. Man, good,
• 11:26
  Speaker 1: bad and ugly baby. But I wanted to call y'all
• 11:27
  Speaker 1: this morning. I'm going to Snoop dog counsel. Y'all want
• 11:30
  Speaker 1: some divorce papers or something? Let me know if you're
• 11:32
  Speaker 1: not shut up? What happened with some black men? Don't cheat?
• 11:36
  Speaker 1: I keep hearing all these false allegations against Snoop. I
• 11:39
  Speaker 1: thought he has a show out coming out called cloud Chasing. Yeah,
• 11:42
  Speaker 1: that's crazy. I have a good one. What anybody keep
• 11:46
  Speaker 1: hearing about Snoop Dogg. I don't know. I didn't I
• 11:48
  Speaker 1: don't know what y'all talking about. All I see is
• 11:50
  Speaker 1: Snoop On a little du vass On. Smile bitch, smile bitch. Yeah,
• 11:54
  Speaker 1: I tell how the TV show coming next week called
• 11:56
  Speaker 1: Cloud Chasing. Okay, Hello, who's this mysterious? Hey? What's up? Man?
• 12:01
  Speaker 1: Get it off chest? What's so serious? Sir? I'm just
• 12:04
  Speaker 1: um happier than i'm I'm blessed to get up another day.
• 12:07
  Speaker 1: And then my album was finally done, so it's gonna
• 12:11
  Speaker 1: be coming out soon. And I got some good toos
• 12:13
  Speaker 1: for you guys to hear. I'm gonna tell you something.
• 12:15
  Speaker 1: I'm happy that you're alive, sir. But your name is serious,
• 12:17
  Speaker 1: but your voice is not. Okay, mysterious is my name?
• 12:20
  Speaker 1: Oh mysterious? Oh goda serious? Give them some balls, mysterious?
• 12:25
  Speaker 1: Give them some balls this morning? No like I'm a
• 12:28
  Speaker 1: singer though, really, I'll sing some balls. WHOA I always
• 12:33
  Speaker 1: have to voice too like? I like this jeans too tight? Okay,
• 12:42
  Speaker 1: I need more. That's what I'm going for it right now,
• 12:45
  Speaker 1: wait until it is finished online, Let's sing some more.
• 12:50
  Speaker 1: Can you give us some more. Whoa mine? Must you? Hey, bros?
• 12:58
  Speaker 1: Soon as you soon as you get pubidy off the
• 13:00
  Speaker 1: I check them for your music. Okay, thank you many,
• 13:02
  Speaker 1: have a blessed day you too? All right? How was with? Hello?
• 13:09
  Speaker 1: Who's this? Yo? Morning? Man? Brand? What's going man? What's up? Bro?
• 13:13
  Speaker 1: No Curson, but get it off your chests? Bro Yo,
• 13:16
  Speaker 1: I'm sorry right now man, my cousin from out of
• 13:18
  Speaker 1: town from Atlanta. We have to barber. She asked to
• 13:22
  Speaker 1: ball my car to go to the store and some
• 13:24
  Speaker 1: cigarettes him in the choices in Atlantic City right now
• 13:27
  Speaker 1: with my car and they ain't come back yet, y'all.
• 13:29
  Speaker 1: I'm like, I need to go around where you and
• 13:35
  Speaker 1: coming the Bronx man. They visited from Atlanta and they
• 13:38
  Speaker 1: take my calls. So yea, We're gonna go to the
• 13:39
  Speaker 1: store and get some more hamburg The buns never came back,
• 13:42
  Speaker 1: and I'm like, Yo, were out yo in Atlantic City
• 13:45
  Speaker 1: about to get a little on the tables to meet
• 13:47
  Speaker 1: right back. I'm like, how do you get to Atlantic
• 13:49
  Speaker 1: City from the simple market from the Bronx man? Like
• 13:52
  Speaker 1: it's crazy? Well, I need I got one question, what
• 13:55
  Speaker 1: did you put the Hamburger meet on? Since they never
• 13:57
  Speaker 1: came home with the hamburger bun. Did you use white
• 13:59
  Speaker 1: brand or did you just eat the meat? Plaine? What'd
• 14:01
  Speaker 1: you do? We had wonder brother, We ran out because
• 14:03
  Speaker 1: you know it's a barbetary you know what I'm saying.
• 14:05
  Speaker 1: You know it was equivalent to what was in the box. Whatever,
• 14:08
  Speaker 1: you know. But still he got my call in Atlantic
• 14:10
  Speaker 1: City and the need for money. I gotta go to work, man,
• 14:13
  Speaker 1: I gotta take the school, want to take the beauty
• 14:17
  Speaker 1: of New York is a lot of public transportation. But
• 14:19
  Speaker 1: I'm gonna tell you something. Wonder bread on a hamburger
• 14:21
  Speaker 1: is somebody is an underappreciated, great tasting meal. By the way,
• 14:25
  Speaker 1: it always sticks though, Thank you, brother, I'm gonna need
• 14:28
  Speaker 1: my cars. You're talking about you got me a little
• 14:32
  Speaker 1: hungry this morning. I had breakfast. You call him, been
• 14:33
  Speaker 1: talking about wonder Brandon burgers. That got my stomach. I
• 14:38
  Speaker 1: know you're not hungry because you had wonder Brandon burgers.
• 14:41
  Speaker 1: I didn't thank you for calling, bron. How do you
• 14:44
  Speaker 1: like when you use wonder bread? Doesn't the wonder bread
• 14:46
  Speaker 1: always stick to the burgers your mouth? That's what I like.
• 14:49
  Speaker 1: It's like a hood beef patty it is. I like that.
• 14:52
  Speaker 1: I mean in the hood. But you know what I mean,
• 14:54
  Speaker 1: get it off your chest eight hundred five A five
• 14:56
  Speaker 1: one on five one. If you need to vent hit
• 14:58
  Speaker 1: this up now. It's the breakfast Club. Good morning, the
• 15:00
  Speaker 1: breakfast Club. Thank it from you on the breakfast Club.
• 15:06
  Speaker 1: But you got something on your mind? Hello? Who's this man?
• 15:11
  Speaker 1: This little keep death and little man Lord? You know
• 15:16
  Speaker 1: if man Charlot Man was good, what's up my brother?
• 15:20
  Speaker 1: What's happening going on? Man? Till till the man? Id y'all? Now,
• 15:23
  Speaker 1: let y'all little more. You just case he did curse
• 15:26
  Speaker 1: my bad, my bad, my bad? You know from Yonville.
• 15:28
  Speaker 1: You know we uh my bad. But I want to
• 15:32
  Speaker 1: get it off my tests. Man, every man, I feel
• 15:35
  Speaker 1: like you'd be playing us on them all requests. Man,
• 15:37
  Speaker 1: I'm trying to get through, like Charlemagne say, Man, you're
• 15:40
  Speaker 1: gonna be you already be having that man. What you
• 15:43
  Speaker 1: want to hear? Bro? What you want to hear? Man?
• 15:45
  Speaker 1: This is gonna go bad? You know you know you
• 15:48
  Speaker 1: know all my trees. Man, I like that bank roll man.
• 15:50
  Speaker 1: You know I mess with h know I miss with
• 15:52
  Speaker 1: trouble too. I like trouble trouble hard yeah, man, because
• 15:56
  Speaker 1: we go in. Okay, okay, all right, I got you.
• 15:59
  Speaker 1: I'll get that new Drake for you, Bro. I got you,
• 16:02
  Speaker 1: ye man, I just gonna hang on man. Man like that. Bro,
• 16:05
  Speaker 1: he said, I said, I got him. Don't even know
• 16:09
  Speaker 1: you better get damn. I said, he didn't say trouble.
• 16:13
  Speaker 1: He said Drake. I said, I got you said definitely
• 16:16
  Speaker 1: said trouble, he said, drake. Man. He said that's a dad.
• 16:20
  Speaker 1: Same man. You should stop calling it the People's Choice
• 16:23
  Speaker 1: Mix right now. Stop. I don't be listening. The man
• 16:25
  Speaker 1: said Drake and shout to everybody and DUV shout them
• 16:28
  Speaker 1: Mount for telling and everybody out there. Hello, who's this?
• 16:31
  Speaker 1: This is Caribbean Kissed. Good morning, DJ Caribbean. It's only
• 16:39
  Speaker 1: been h you'll get it right, Caribbean bro. Bro. I'm
• 16:45
  Speaker 1: bloused this morning. I've been going through something some hid
• 16:49
  Speaker 1: with the government, trying to get my family here from
• 16:52
  Speaker 1: Santa Domingo. Then I am blessed this morning because we
• 16:55
  Speaker 1: finally got our interviewed. The twentieth, which is this Friday.
• 16:58
  Speaker 1: I'm going down to sant Nigga Wendy and I just
• 17:01
  Speaker 1: feel blessed. I want to spread the positive. Charlomagne the Guard,
• 17:04
  Speaker 1: you are the man. You've been to my island. I'm
• 17:07
  Speaker 1: from the Hey, that's my favorite place on the planet.
• 17:11
  Speaker 1: You hear me out there last week? Yeah, a week
• 17:15
  Speaker 1: before last. Ever. You've been to Anguilla too, right, Yes,
• 17:18
  Speaker 1: me too. I've been there twice this year, by the way. Okay,
• 17:21
  Speaker 1: everybody's been to Anguilla. I love Anguela. That's home is
• 17:27
  Speaker 1: a blessed place. We did a lot of suffering through
• 17:30
  Speaker 1: m we're getting back there and we're plus. Yeah, I've
• 17:33
  Speaker 1: been there twice this year. I'll probably go there around
• 17:35
  Speaker 1: the holidays again too. All right, Well, thank you for calling.
• 17:38
  Speaker 1: Get it off your chest eight hundred five eight five
• 17:40
  Speaker 1: one oh five one. We got rumors on the way. Yes,
• 17:43
  Speaker 1: let's talk about what producer is twenty three million dollars
• 17:46
  Speaker 1: Richard also Takashi out of jail. We'll tell you what
• 17:50
  Speaker 1: he's got to do now, all right, we'll get into
• 17:52
  Speaker 1: all that when we come back. Keep a locktic to
• 17:53
  Speaker 1: breakfast club. Good morning the breakfast Club. All right, he's
• 18:02
  Speaker 1: dying for You don't have to know the the song, Okay,
• 18:07
  Speaker 1: DJ Envy Angela Yee. Charlomagne the guy, we are the
• 18:11
  Speaker 1: Breakfast lying on power because his parents lied to him
• 18:16
  Speaker 1: his whole life growing up. So that's all he knows.
• 18:17
  Speaker 1: So he's used to be it's not real, so he
• 18:19
  Speaker 1: lies as well, so it's generational. Okay. He even acknowledged
• 18:23
  Speaker 1: it on this last episode. He's dropping him up at school.
• 18:25
  Speaker 1: She says she knows that they've been lying to him, right,
• 18:28
  Speaker 1: and that's what made him say the truth. All right,
• 18:31
  Speaker 1: let's get him mother figure in his life that she
• 18:33
  Speaker 1: was supposed to be all this time. It's not real, bro,
• 18:37
  Speaker 1: shut up, Let's get to the rum Let's talk to
• 18:41
  Speaker 1: Kashi six nine. She's filling the team. This is the
• 18:47
  Speaker 1: Rumor Report with Angela Yee on the Breakfast Club. But
• 18:52
  Speaker 1: after a judge refused to grant him Bell to Kashi
• 18:54
  Speaker 1: six nine is out of Riker's Island on bill. He's
• 18:58
  Speaker 1: been granted Bell. He paid one hundred and fifty dollars
• 19:00
  Speaker 1: and he also has to show up in Harris County,
• 19:04
  Speaker 1: Texas today to pay his five thousand dollar bill there.
• 19:07
  Speaker 1: So what happened is they managed to go to Texas
• 19:10
  Speaker 1: first and get them to agree to the bill amount
• 19:13
  Speaker 1: there and then come back here and have an emergency
• 19:15
  Speaker 1: bill Harry meeting, and that's how he was released. Now
• 19:18
  Speaker 1: he is actually giving out money to the kids and
• 19:21
  Speaker 1: he has started a new soccer league. Check it out. Well,
• 19:25
  Speaker 1: I'm my city. Do me like that, y'all. Shout out
• 19:28
  Speaker 1: to these lawyers. Shout out the lawyers. Man work quick.
• 19:36
  Speaker 1: I'm so happy to be home. I can't wait to
• 19:37
  Speaker 1: see my baby. I can't wait to see my daughter.
• 19:40
  Speaker 1: And they even give me a chance to get off
• 19:42
  Speaker 1: the plane, just like you'll commit stupid. He's one of
• 19:45
  Speaker 1: the few rappers that actually talks how he raps. He
• 19:48
  Speaker 1: shounds away in regular conversation, as he does on his records.
• 19:52
  Speaker 1: All right, So he's been giving out money to the kids,
• 19:54
  Speaker 1: and they post a video of that as well. God
• 19:57
  Speaker 1: bless those kids. But I wouldn't be giving away no
• 19:58
  Speaker 1: money to those kids. I'll be saving all that money
• 20:00
  Speaker 1: from my legal feest. I'll get back to the kids
• 20:02
  Speaker 1: after handled the legal business. All right. The dream. He
• 20:05
  Speaker 1: just sold a twenty three million dollars steak in his catalog.
• 20:09
  Speaker 1: That's huge to a music ip investment company. They have
• 20:13
  Speaker 1: a seventy five percent steak in his music catalog. Now
• 20:15
  Speaker 1: among the acquisition are more than three hundred songs. Some
• 20:19
  Speaker 1: of those songs and songs like Justin Bieber's Baby, Mariah
• 20:21
  Speaker 1: Carey's Touched My Body single, Ladies Put a Ring on It,
• 20:24
  Speaker 1: Rihanna's Umbrella, jay Z's Holy Grail, Kanye's All of the Lights.
• 20:28
  Speaker 1: Some of some of the songs included in that catalog
• 20:31
  Speaker 1: are those he gave up, some of his master's Basically,
• 20:33
  Speaker 1: he gave up some royalties and some of those things.
• 20:37
  Speaker 1: I want if that's worth it, one of you would
• 20:39
  Speaker 1: have made me a million, and one of you would
• 20:41
  Speaker 1: have made more money, like in the long run, and
• 20:43
  Speaker 1: taking that now I want to I don't know, Well,
• 20:45
  Speaker 1: it depends what he's doing with that twenty three a
• 20:49
  Speaker 1: lot more money. So if you take that money invested
• 20:52
  Speaker 1: in make way more than you could have made. It
• 20:54
  Speaker 1: just depends, all right. So that's the first acquisition for
• 20:57
  Speaker 1: that company, and they said to be a really high
• 21:01
  Speaker 1: standard with their first one, and that is a pretty
• 21:04
  Speaker 1: damn high standard. So we're dropping a clues box of that.
• 21:06
  Speaker 1: R and Bdi sing a Dream, all right. That man
• 21:09
  Speaker 1: is a hustler. It was Beyonce's former manager who set
• 21:11
  Speaker 1: up the investment company. So that's the person that he's
• 21:15
  Speaker 1: dealing with all right. Scarlett Johanson has backed out of
• 21:18
  Speaker 1: a movie after some serious backlash. Now, she was supposed
• 21:22
  Speaker 1: to be in a film called rub and Tug, And yeah,
• 21:25
  Speaker 1: it was called Rubbin Tug. It's based on the story
• 21:28
  Speaker 1: of Dante Texas Gill, who was born a woman but
• 21:30
  Speaker 1: identified as a man and ran a prostitution ringing out
• 21:33
  Speaker 1: of his massage parlor in the seventies and eighties. Yeah,
• 21:35
  Speaker 1: I thought Robin Tugg was masturbation, righty, Well, someone else
• 21:39
  Speaker 1: rubbing and tugging you in this situation, right, So it's
• 21:42
  Speaker 1: a massage parlor. So at first she was against backing
• 21:46
  Speaker 1: out of the film because a lot of people were
• 21:47
  Speaker 1: protesting the fact that they should let a transgender person
• 21:50
  Speaker 1: play that role. But she said, our cultural understanding of
• 21:53
  Speaker 1: transgender people continues to advance, and I've learned a lot
• 21:56
  Speaker 1: from the community since making my first statement about my
• 21:58
  Speaker 1: casting and realizing it was insensitive. She goes on in
• 22:02
  Speaker 1: her statement to say, according to Glad LGBTQ, character's job
• 22:06
  Speaker 1: forty percent in twenty seventeen from the previous year, with
• 22:09
  Speaker 1: no representation of trans characters in any major studio release.
• 22:13
  Speaker 1: While I would have loved the opportunity to bring Dante's
• 22:15
  Speaker 1: story and transition to life. I understand why many feel
• 22:18
  Speaker 1: he should be portrayed by a transgender person. Duh. First
• 22:20
  Speaker 1: of all, if you are a studio, why would you
• 22:22
  Speaker 1: want anything other than a transgender actor. That's just like
• 22:25
  Speaker 1: if you're getting a you got a role for a
• 22:27
  Speaker 1: black person or based off a black character, real like
• 22:29
  Speaker 1: black person, you get a black person to play the role.
• 22:31
  Speaker 1: As this common sense right right, Well, she has backed out. Now,
• 22:34
  Speaker 1: Kevin Spacey has a movie coming out and they're not
• 22:37
  Speaker 1: doing any advertising. As you can imagine for this movie,
• 22:40
  Speaker 1: it's him playing a con artist and billionaire boys club.
• 22:44
  Speaker 1: He's facing several sexual assault allegations, three of them just
• 22:47
  Speaker 1: surface recently from London, and he's under investigation. So it
• 22:51
  Speaker 1: seems like the studio is cutting their losses the movies
• 22:53
  Speaker 1: being dumped. They're going to premiere it on video on
• 22:55
  Speaker 1: demand tomorrow and it's going to be in Theatis August seventeenth,
• 22:58
  Speaker 1: but they're not using him for anything, as you can't
• 23:00
  Speaker 1: send Kevin Spacey out right now to do any type
• 23:02
  Speaker 1: of press. So I put it out at all, not
• 23:04
  Speaker 1: just well, the reason why they are putting it out
• 23:06
  Speaker 1: is because a they want to make back some of
• 23:08
  Speaker 1: the movie that they spent doing. Of the some of
• 23:10
  Speaker 1: them have been doing this movie. Also all the people
• 23:12
  Speaker 1: that worked on it, they said, we believe in giving
• 23:14
  Speaker 1: the cast as well as hundreds of crew members who
• 23:16
  Speaker 1: worked hard on the film, the chance to see their
• 23:18
  Speaker 1: final product to reach audiences. I'm be honest, you forgot
• 23:20
  Speaker 1: who Kevin Spacey was that House of Cars, right, okay?
• 23:24
  Speaker 1: And from he was Kaiser, SoSE he knows who God,
• 23:28
  Speaker 1: I had to think about it just now got from
• 23:30
  Speaker 1: House of Cards. All right. Well I'm Angela Yee and
• 23:32
  Speaker 1: that is your rumor reports. All right, thank you, miss Yee.
• 23:35
  Speaker 1: Now when we come back, we have the cast of
• 23:38
  Speaker 1: Love is not to share. I'm about to get to
• 23:42
  Speaker 1: a ga to it. And the creator of Love is
• 23:45
  Speaker 1: a person that I am looking very forward to talking to.
• 23:48
  Speaker 1: Mara Brocket Kill will be here. If you don't know
• 23:50
  Speaker 1: who Mara Brocket Killers, She's made such great shows like
• 23:53
  Speaker 1: being Mary Jane, one of my black Lightning the Game
• 23:58
  Speaker 1: and of course something that is then did in my
• 24:00
  Speaker 1: heart girlfriends. Okay, explain to the people what girlfriends. Stop
• 24:04
  Speaker 1: playing with me? Bro okay, all right, I'm not about
• 24:07
  Speaker 1: to explain and nobody about Joan Lynntoni and Maya. If
• 24:10
  Speaker 1: you know, you know, if you don't, you need to learn,
• 24:12
  Speaker 1: damn it. Oh my goodness. All right, we'll kick it
• 24:14
  Speaker 1: with it when we come back. Don't move. It's the
• 24:16
  Speaker 1: Breakfast Club. Good morning putting. Everybody is dj N v Angela. Ye,
• 24:21
  Speaker 1: Charlemagne the guy. We are the Breakfast Club. Yes, Charlomagne's
• 24:25
  Speaker 1: in love right now. Listen to this woman. This woman
• 24:27
  Speaker 1: is a legendary. Nipples are hard right now. Writer's room
• 24:36
  Speaker 1: up in here, we talk about sex. You know, I
• 24:39
  Speaker 1: get you in troup on Hollywood Radio. I just think
• 24:44
  Speaker 1: she deserves a lot of respect from the culture. Then
• 24:46
  Speaker 1: she receives. Marabkale is here. Thank you. The people that
• 24:50
  Speaker 1: don't know Charlomagne, let her tell it. Well. I am
• 24:52
  Speaker 1: mar Brocket Kill. I'm a storyteller that has um that
• 24:56
  Speaker 1: created a lot of TV shows. Um starting I just
• 24:59
  Speaker 1: go out to my career on Militia because that's where
• 25:01
  Speaker 1: I got my start, But I also um really on
• 25:04
  Speaker 1: South Central. I start on South Central. But anyway, I
• 25:07
  Speaker 1: created the Show's Girlfriends, the Game Mary Jane. He wrote
• 25:11
  Speaker 1: Sparkle with my husband. Um uh, well I wrote it,
• 25:14
  Speaker 1: he directed it, we produced it together, and uh and
• 25:17
  Speaker 1: now I have uh being Mary Jane. I have being
• 25:20
  Speaker 1: Mary Jane, and then uh, now I have Loved Love
• 25:22
  Speaker 1: and Black Lightning. We're learning a lot more about you
• 25:25
  Speaker 1: from watching Love Is. Yeah, been a little I'm over shure. Yes,
• 25:32
  Speaker 1: it's inspired by I want to say inspired by, but
• 25:34
  Speaker 1: I am using some very temp pole moments that actually happened.
• 25:38
  Speaker 1: But as I'm again a storyteller, I have to you know,
• 25:41
  Speaker 1: as fabulous as I think that we are, we can
• 25:43
  Speaker 1: be boring. And so if you don't sort of manipulate
• 25:46
  Speaker 1: the facts to create great story. So um, so some
• 25:49
  Speaker 1: of those facts are being manipulated to tell the truth
• 25:52
  Speaker 1: about who I believe we are and how we made it. Um.
• 25:55
  Speaker 1: And trying to answer that question, um, which was asked
• 25:59
  Speaker 1: of us, like how you do everything? That's what so
• 26:01
  Speaker 1: Love Is is basically my sort of honest answer to
• 26:04
  Speaker 1: that sincere question about how we do it all? So anyway, um,
• 26:08
  Speaker 1: where was I am lost? Explaining the show that it's
• 26:12
  Speaker 1: about y'all. Inspired by y'all. Ye, before we get there,
• 26:16
  Speaker 1: before we get to love this, let's introduce Michelle Weaver
• 26:19
  Speaker 1: and when catl did I say your name right? Yeah?
• 26:21
  Speaker 1: You did? Brother. Now Charlomagne, get you get your rocks off.
• 26:23
  Speaker 1: I know you've got a couple of questions, girlfriend questions.
• 26:25
  Speaker 1: Go ahead. I told you later, let's talk about love
• 26:28
  Speaker 1: this first, dying for you to come like waiting like
• 26:32
  Speaker 1: who's done that? Later to come up. I'm so excited
• 26:37
  Speaker 1: to see Charlomage too, because you know you are in
• 26:40
  Speaker 1: their grinding, trying to tell our stories, trying to do
• 26:42
  Speaker 1: it for the culture, and sometimes you don't know appreciate,
• 26:45
  Speaker 1: yes and so, but you have made it clear and
• 26:48
  Speaker 1: I'm very friend, but I didn't know until you made
• 26:56
  Speaker 1: it clear. And I just really want to thank you
• 26:58
  Speaker 1: because I actually find those to be an act of bravery.
• 27:01
  Speaker 1: Bringing back to love is a little bit to say
• 27:04
  Speaker 1: how you feel. You know what I'm saying. It's actually
• 27:06
  Speaker 1: an act of bravery and generosity. And I really appreciate
• 27:10
  Speaker 1: it because sometimes you don't know and how just that
• 27:13
  Speaker 1: what you what you have done for me and my
• 27:15
  Speaker 1: spirit and you know, some days you just grinding and
• 27:18
  Speaker 1: you get ding ding ding ding ding all this love
• 27:20
  Speaker 1: and I just thank you, thank you. That's interesting. You
• 27:23
  Speaker 1: say that though, because nowadays, if you express what you feel,
• 27:25
  Speaker 1: people use that against you. Yes, like I'm just talking
• 27:28
  Speaker 1: about my life and the things I've experienced. Yes, but
• 27:30
  Speaker 1: I thought, is it difficult to put that in a
• 27:32
  Speaker 1: TV show? I think initially when the thought to do it,
• 27:36
  Speaker 1: it was. But then I'm an artist and so I
• 27:39
  Speaker 1: like a challenge. And so then and I also have
• 27:40
  Speaker 1: to create a separation between me and Salim and create
• 27:44
  Speaker 1: these characters Nuri and you see her. They have to
• 27:46
  Speaker 1: have a life on their own. And once I get
• 27:48
  Speaker 1: my hand on the clay, I love what I do,
• 27:51
  Speaker 1: and I sort of I tell you, I just keep
• 27:53
  Speaker 1: them separate. And so I just use the facts of
• 27:55
  Speaker 1: my life as inspiration. I don't use that detachment. There
• 27:59
  Speaker 1: are moments, because we do hit some some more as
• 28:02
  Speaker 1: as a series progresses. In our first season of exploring courtship,
• 28:06
  Speaker 1: we hit some very real moments and so I had
• 28:08
  Speaker 1: to take a pause and um cry, yeah you know seriously, no,
• 28:13
  Speaker 1: you'll see I had cried, Slims, do you want to
• 28:16
  Speaker 1: do this? Because if he's sharing as well, and let yeah,
• 28:19
  Speaker 1: let's do this for the culture, you know, because we
• 28:21
  Speaker 1: know we're not the only ones doing this, so let's
• 28:23
  Speaker 1: do it to have a conversation anyway. So there are
• 28:25
  Speaker 1: those moments, But the fun stuff I'm enjoying putting out there.
• 28:28
  Speaker 1: You know, it's it's like it's if I invited people
• 28:30
  Speaker 1: to my house. You tell the funny stories about your relationship,
• 28:32
  Speaker 1: how you met these funny you know, those things are
• 28:34
  Speaker 1: fun to add. How did y'all stay together? You know,
• 28:36
  Speaker 1: I've been married seventeen years. Charlomagne has been married. You've
• 28:39
  Speaker 1: been seven Congress seventeen years. You're almost twenty. So I've
• 28:42
  Speaker 1: my wife twenty married. Oh we've been together for twenty
• 28:46
  Speaker 1: one years, married m nineteen. So it's like, oh, y'all
• 28:49
  Speaker 1: all even a comparison, Well, I disagree. I think you've
• 28:55
  Speaker 1: been with her for twenty years. That's amendment. You know,
• 28:58
  Speaker 1: marriages this construct of society, but the heart committed twenty
• 29:02
  Speaker 1: years ago. Absolutely, How did y'all stay together? Because most
• 29:04
  Speaker 1: people see him like these days divorce is so easy,
• 29:07
  Speaker 1: probably the same way that you did. It's a daily commitment.
• 29:10
  Speaker 1: It's hard and you but you decide to stay. Even
• 29:14
  Speaker 1: when it's hard, you decide to stay. And I think
• 29:17
  Speaker 1: one of the things Selimon says and I think is
• 29:19
  Speaker 1: very true. We don't take ownership of each other. And
• 29:22
  Speaker 1: when you do that, When you don't do that, I
• 29:25
  Speaker 1: guess then you appreciate and respect that person on a
• 29:28
  Speaker 1: daily basis. So you show up every day to make
• 29:30
  Speaker 1: sure well, you guys get a little To the point,
• 29:33
  Speaker 1: Selim always says, well, wherever mar goes, he says it differently,
• 29:37
  Speaker 1: but her her private parts go with her. So my
• 29:40
  Speaker 1: point is she can do whatever she wants to do.
• 29:45
  Speaker 1: So if I want her to stay, then I need
• 29:47
  Speaker 1: to show up in a way that makes her state
• 29:51
  Speaker 1: me still wanting to be with him. It's me still
• 29:54
  Speaker 1: desiring him, and so he got to show up for that.
• 29:56
  Speaker 1: So he shows up and I do the same thing.
• 29:58
  Speaker 1: I mean, even from a practical place. After I had
• 30:00
  Speaker 1: the babies, we did P ninety X together. We was
• 30:02
  Speaker 1: in there working it out. I'm trying to I'm sorry
• 30:04
  Speaker 1: to say hot like I mean, sometimes I don't want
• 30:07
  Speaker 1: to work out, but sometimes I work out so I
• 30:09
  Speaker 1: can stay attractive to my husband, who I know is
• 30:11
  Speaker 1: out in the world and everybody wants him, so I
• 30:15
  Speaker 1: know I do. He's powerful, he's sexy, he's talented. Who
• 30:18
  Speaker 1: wouldn't he thinks I'm always blown him up, but I
• 30:22
  Speaker 1: believe that. So I show up, I tell him I
• 30:25
  Speaker 1: love him. Every morning. I get morning beautiful, he gets
• 30:27
  Speaker 1: morning handsome. You know that we take those physical attraction
• 30:33
  Speaker 1: team No, but I oh, you know, I am talking
• 30:36
  Speaker 1: beyond that. I mean, I'm using that as an example.
• 30:39
  Speaker 1: It is a daily commitment. It is literally like I
• 30:42
  Speaker 1: want to be with you. He's also more than my husband.
• 30:45
  Speaker 1: I feel like even husband is very limiting to our relationship.
• 30:50
  Speaker 1: He's my best friend. He's my business partner. So there's
• 30:52
  Speaker 1: a lot of touch points for us to draw from
• 30:55
  Speaker 1: to stay together. You know, when other areas are a
• 30:58
  Speaker 1: little you know, they need some work for their challenge.
• 31:01
  Speaker 1: We have this other place we can go to. But
• 31:03
  Speaker 1: he's literally my best friend. Look, I mean, divorce you,
• 31:06
  Speaker 1: but I still be a business partner. No, you know
• 31:12
  Speaker 1: we can. We create boundaries. We create boundaries like m
• 31:14
  Speaker 1: even for each project we decide going forward who gets
• 31:18
  Speaker 1: the last day, so that we don't carry that argument
• 31:21
  Speaker 1: into the other aspect of our um relationship. I think
• 31:25
  Speaker 1: you know when your relationship is little rocky, absolutely, you
• 31:29
  Speaker 1: know it. And so there's been times when families have
• 31:31
  Speaker 1: to step in. So It's also important who you surround
• 31:33
  Speaker 1: your relationship around, because who you who's your sounding board
• 31:37
  Speaker 1: to pull you guys back together. Our parents have mediated
• 31:39
  Speaker 1: for us, um wow, for us, and I remember that
• 31:43
  Speaker 1: it's it gets rough. Your mine really used to have
• 31:46
  Speaker 1: keys to your house and just come whenever she felt
• 31:49
  Speaker 1: like it. No, that's more of them, that's that was
• 31:51
  Speaker 1: a metaphorical uh truth that my mother has access to
• 31:55
  Speaker 1: me all the time and they come any time I don't.
• 32:02
  Speaker 1: We have more of the cast of Love is in
• 32:04
  Speaker 1: the building when we come back, Will Catlet, Michelle Weaver
• 32:07
  Speaker 1: and Mara Broca Kills who don't move. It's the Breakfast
• 32:09
  Speaker 1: Club God Morning, the Breakfast Club Morning. Everybody is DJ Envy,
• 32:17
  Speaker 1: Angela Yee, Charlemagne the guy. We are the Breakfast Club.
• 32:20
  Speaker 1: We have. The cast of Love is in the building.
• 32:23
  Speaker 1: Michelle Weaver and Willcatlet and then also show create a
• 32:26
  Speaker 1: Maraa Broca Kill Now she also created Girlfriends with Charlemagne.
• 32:30
  Speaker 1: Is in love with them? Now? Maura, what made you
• 32:32
  Speaker 1: pick Michelle and WILLI star in the show Talent? You
• 32:35
  Speaker 1: know at the end, I'm really I'm really proud of
• 32:37
  Speaker 1: with our selim and are not afraid of launching new talent.
• 32:41
  Speaker 1: If they're the right person for the job, you know
• 32:43
  Speaker 1: what I'm saying, If they're the right fit for the character,
• 32:45
  Speaker 1: and we go we trust the process. Kim Coleman is
• 32:49
  Speaker 1: our casting director, and we told her what we were
• 32:51
  Speaker 1: looking for and we needed. We needed some actors who
• 32:54
  Speaker 1: are trained, ready to go, and if you look at
• 32:57
  Speaker 1: their resume you could dismiss it. Just kind of like
• 33:01
  Speaker 1: I guess the way I'm sort of trying to show
• 33:03
  Speaker 1: nur in your fear. You can overlook a brother because
• 33:06
  Speaker 1: he doesn't have the trappings to be you know what
• 33:08
  Speaker 1: you think you want in a man. Just like with talent,
• 33:10
  Speaker 1: you can overlook if you don't have a skilled, trained
• 33:14
  Speaker 1: eye to know who is prepared and ready. These two
• 33:18
  Speaker 1: have been working on their craft spiritually and literally. You
• 33:22
  Speaker 1: can tell it when they showed up in the room
• 33:24
  Speaker 1: their confidence level. They walked in the room confidently. You
• 33:26
  Speaker 1: need to have that. They walked into the room owning
• 33:30
  Speaker 1: and knowing that role, knowing that character. So when I
• 33:33
  Speaker 1: gave them direction, they could pivot. And that's important. Can
• 33:35
  Speaker 1: you take direction because we gotta because I'm gonna throw
• 33:37
  Speaker 1: a bunch at you. But with Michelle, her light. I
• 33:41
  Speaker 1: believe Mara, which is connected to Nuri, which is connected
• 33:44
  Speaker 1: to Michelle. We all have this sort of light in
• 33:47
  Speaker 1: us and that is something that I am happy that
• 33:51
  Speaker 1: I have. And I needed to find that essence, which
• 33:53
  Speaker 1: is the truest part of me in Michelle, and she
• 33:56
  Speaker 1: came in with that light. Will has a death and
• 34:00
  Speaker 1: he has a soul that's Selene. Selene walks into a room.
• 34:03
  Speaker 1: It all comes down to a to a peaceful place,
• 34:06
  Speaker 1: to a deep place, and that that combination of the
• 34:08
  Speaker 1: two of us, I think make us great. But as individuals,
• 34:11
  Speaker 1: that's what they each had him. But these these two
• 34:13
  Speaker 1: acts very smooth. Yeah, but he didn't had that bay
• 34:17
  Speaker 1: Area swag them brothers and deep. How much do you
• 34:21
  Speaker 1: have to shadow the accused to pull this off? Michelle
• 34:23
  Speaker 1: will Um, Well, you know it's so funny because like
• 34:25
  Speaker 1: I purposely um didn't really research Mara in the audition process.
• 34:31
  Speaker 1: I was like, look, I get the girl road the skirt.
• 34:33
  Speaker 1: I was like, oh, I don't know this girl. I'm
• 34:35
  Speaker 1: here look. And I think that was what was good
• 34:38
  Speaker 1: because I wasn't trying to like imitate a human. I
• 34:42
  Speaker 1: went in there free and just truthful and so and
• 34:46
  Speaker 1: then after meeting Mara, she gave me this direct and
• 34:50
  Speaker 1: I was like, oh, it was like she gave me
• 34:53
  Speaker 1: the full view. And then from there I knew, Okay,
• 34:56
  Speaker 1: this is where I'm gonna go. So um it was great,
• 34:59
  Speaker 1: you know, I was I feel like I was just
• 35:00
  Speaker 1: kind of spoiled because yeah, I was playing her, but
• 35:03
  Speaker 1: she was also the creator, the visionary and the writer
• 35:06
  Speaker 1: and the director, so like I knew she was gonna
• 35:09
  Speaker 1: take me where she wanted me to go. For me. Um,
• 35:12
  Speaker 1: I just remember being on a setup Black Lightning when
• 35:14
  Speaker 1: Selim gave me a hug, and this is when I
• 35:17
  Speaker 1: was getting ready to go and partner with Mara to
• 35:19
  Speaker 1: going to the writer's room, and I couldn't understand what
• 35:21
  Speaker 1: it was. But then when I got the part, he
• 35:23
  Speaker 1: gave me permission to play him. So when I would
• 35:25
  Speaker 1: catch him in Whole Foods or I want to see
• 35:27
  Speaker 1: him on set, if I can just get a little
• 35:28
  Speaker 1: bit of his DNA, then I knew that's all I needed,
• 35:31
  Speaker 1: you know, because by him being between two shows, I
• 35:34
  Speaker 1: didn't have the opportunity to spend as much time. But
• 35:36
  Speaker 1: then I can look at Mara or one time Selim
• 35:38
  Speaker 1: on the setup Black lightning. When Mara came, he looked
• 35:41
  Speaker 1: at her and I promised you to way This man
• 35:44
  Speaker 1: looked at her, was like he's seen her for the
• 35:46
  Speaker 1: first time. But he didn't want her to go. And
• 35:48
  Speaker 1: so I was like, okay, at work to do right, right, right?
• 36:04
  Speaker 1: You know it contact but it was it was it
• 36:10
  Speaker 1: was subtle, you know, and I was like, okay, if
• 36:13
  Speaker 1: I can get that, I'm good. I don't even know
• 36:15
  Speaker 1: nothing else. Now. What was the hardest thing to talk
• 36:17
  Speaker 1: about or the hardest thing to write about or to do?
• 36:20
  Speaker 1: What episode was the most difficult? Was it about? You
• 36:23
  Speaker 1: tell us? I actually think the one I worried about
• 36:27
  Speaker 1: and prayed about the most was when Nurie and it's
• 36:30
  Speaker 1: coming up in episode eight where nuri Um goes back home,
• 36:35
  Speaker 1: insists to go up to the Bay Area to meet
• 36:37
  Speaker 1: your Sear's family because I do want to talk about something,
• 36:44
  Speaker 1: the ghetto pedigree story, of the ghetto story. There's a
• 36:47
  Speaker 1: truth there, but it's been exploited in my art. I'm
• 36:51
  Speaker 1: trying to get to the humanity of us, the beauty
• 36:53
  Speaker 1: of us. I see, we're beautiful people, but there is
• 36:57
  Speaker 1: some truth that we got to deal with. We gotta
• 36:59
  Speaker 1: It's okay to talk about and I wanted to talk
• 37:01
  Speaker 1: about you know, he's an absentee father technically, but what
• 37:04
  Speaker 1: does that look like? There's it's more that you can
• 37:06
  Speaker 1: say that and then check out and judge that. But
• 37:09
  Speaker 1: there's a lot of love there. You know, he's there's
• 37:12
  Speaker 1: there's the whole idea about you know, having a baby mama.
• 37:16
  Speaker 1: You know, I say that all of those those terms
• 37:18
  Speaker 1: that have just we that have have dehumanized us in
• 37:21
  Speaker 1: a lot of way. I wanted to put that. I
• 37:23
  Speaker 1: want to show what love looks like in a very
• 37:25
  Speaker 1: honest way. And um and it's representative of not direct
• 37:31
  Speaker 1: and not directly because it's again, our family is not
• 37:35
  Speaker 1: the only one going through this most of America, and
• 37:37
  Speaker 1: more specifically Black America. This is what we're still unpacking
• 37:41
  Speaker 1: from what our history is in this country. We're still
• 37:44
  Speaker 1: we're still unpacking a lot of pain. And as a storyteller,
• 37:47
  Speaker 1: I want to get it right, especially because it's our story.
• 37:51
  Speaker 1: Is especially because I honor and love this man and
• 37:54
  Speaker 1: and and his family and so and again that's inspired
• 37:58
  Speaker 1: by it's not everything is not direct, But I wanted
• 38:00
  Speaker 1: to get it right for us personally, and I wanted
• 38:02
  Speaker 1: to get us for us personally, meaning us black people.
• 38:05
  Speaker 1: Men have to be willing to be vulnerable in those
• 38:07
  Speaker 1: situations though, because it's like it's a layers to guys
• 38:11
  Speaker 1: not being in their children's lives like they want to
• 38:14
  Speaker 1: be yes, but it could be the baby mother that
• 38:16
  Speaker 1: doesn't want them to be around or anything like that.
• 38:18
  Speaker 1: It's not just all I'm just to dead, be dad.
• 38:20
  Speaker 1: I don't want to write it no exactly. We know that.
• 38:22
  Speaker 1: We know that, but and from story what's been depicted
• 38:26
  Speaker 1: in our for our narrative, it's not done well enough.
• 38:29
  Speaker 1: So we were talking about vulnerability and that's something that
• 38:31
  Speaker 1: I've been like discussing in therapy, just men being vulnerable.
• 38:33
  Speaker 1: Oh really, So it's like you know, as men and
• 38:35
  Speaker 1: the will I'm sure you know, it's like as men
• 38:37
  Speaker 1: like we have we lie betaol, we lie in the
• 38:39
  Speaker 1: hood because you have to survive, so you have to
• 38:42
  Speaker 1: betray to be this tough gangster whatever, and sometimes you
• 38:45
  Speaker 1: just want to cry. Right, you know, that's really vulnerable.
• 38:47
  Speaker 1: So for you playing a powerful guy, you know like
• 38:50
  Speaker 1: mister kill, did you tap into the vulnerability? Did he
• 38:53
  Speaker 1: let you see any of that? Well, like I said,
• 38:56
  Speaker 1: you gotta Selene. When you're around him, you gotta catch him.
• 38:59
  Speaker 1: When you catch him, he don't give you nothing, so
• 39:02
  Speaker 1: you gotta People want more conversation from him, and he'll
• 39:05
  Speaker 1: just be like, all right, man, good have a good day.
• 39:08
  Speaker 1: I'm not a lot of those kind of people. Throw
• 39:10
  Speaker 1: me off right right right, it really will. But he'll
• 39:13
  Speaker 1: say stuff like I think it was a panel for
• 39:15
  Speaker 1: black lightning that I went to and he was like,
• 39:17
  Speaker 1: I'm a very sensitive guy. Boom, that was a nugget
• 39:21
  Speaker 1: for me. Okay, I can go there then, or I
• 39:24
  Speaker 1: just you know, I'll see the way one of them
• 39:26
  Speaker 1: by the way he looked at Marra, the way he's
• 39:28
  Speaker 1: you know, and it's worked the way he directs me.
• 39:30
  Speaker 1: I said, Okay, he is very very sensitive. You might
• 39:32
  Speaker 1: not see it, but he's a very sensitive man. I'm
• 39:35
  Speaker 1: also very sensitive. You grow up and they tell you
• 39:37
  Speaker 1: don't cry, men don't cry, be exactly you know. So
• 39:40
  Speaker 1: I mean my black study teacher said, if you if
• 39:42
  Speaker 1: a woman meets a man that hasn't cried in twelve years,
• 39:45
  Speaker 1: she has met a ticking time bob. You know, because
• 39:48
  Speaker 1: God has given you this to express yourself real and
• 39:51
  Speaker 1: when we ask men and we can you know. I've
• 39:53
  Speaker 1: had buddies that check me and just like you know,
• 39:56
  Speaker 1: you go home. It's like day, I'm glad you said
• 39:58
  Speaker 1: something to me and you had that moment what you're
• 40:00
  Speaker 1: itself and you cry about it and you keep on moving.
• 40:02
  Speaker 1: I feel like it's okay now because I do feel
• 40:06
  Speaker 1: I feel like men are a lot more sensitive than women.
• 40:09
  Speaker 1: I think experience. Yeah, yeah, because the light skins. Charlottagne
• 40:16
  Speaker 1: cried last Friday. It was my fortieth born day, and
• 40:19
  Speaker 1: I was drunk as hell, and then Guilla and I
• 40:21
  Speaker 1: was watching this video that all my family and friends did.
• 40:26
  Speaker 1: By the way, warm kids going down, trying to let
• 40:29
  Speaker 1: nobody see you felt great. I've seen. I've seen Vy
• 40:35
  Speaker 1: cry you have. We were on the plane together and
• 40:39
  Speaker 1: he was watching Creed and I left the parting Creed
• 40:41
  Speaker 1: that just had and I look over and she's like
• 40:48
  Speaker 1: taking me the story. What moment? And Creed did you
• 40:56
  Speaker 1: grab him? I keep asking him that I don't remember more.
• 40:59
  Speaker 1: I think he was up because he was a little
• 41:00
  Speaker 1: out of shape. And then Michael bid cheerful, but I
• 41:07
  Speaker 1: don't know if he if he if he was successful,
• 41:09
  Speaker 1: he wanted to box him. I don't know. Why it
• 41:11
  Speaker 1: was like yeah, and it was cried by crowd over
• 41:16
  Speaker 1: you see. And that's one of the things we wanted
• 41:18
  Speaker 1: to show the vulnerability of your see her And I
• 41:21
  Speaker 1: mean in the pilot, in the premiere episode, Yeah, which
• 41:26
  Speaker 1: is a beautiful relationship, um, which is a special relationship
• 41:29
  Speaker 1: period and one certainly um specifically unique to us. I
• 41:34
  Speaker 1: mean the details about that relationship as I think it
• 41:36
  Speaker 1: is beautiful and and and then for him to find
• 41:39
  Speaker 1: Nuri gives them another safe place to be. And I
• 41:43
  Speaker 1: think that's what love is about, too, is creating space
• 41:46
  Speaker 1: for the individual. All we have more with Moral brock Kille,
• 41:49
  Speaker 1: Michelle Weaver and Will Catlin when we come back, don't move.
• 41:52
  Speaker 1: It's to Breakfast Club the Morning Morning. Everybody is DJ Envy,
• 41:56
  Speaker 1: Angela Yee, Charlemagne the guy. We are the breakfast club
• 42:00
  Speaker 1: we have the cast of Love is in the building,
• 42:02
  Speaker 1: Michelle Weaver and Wildcatlet and it also show create a
• 42:05
  Speaker 1: Mara Broca Kill. Now Charlemagne hasn't let go go friend.
• 42:09
  Speaker 1: Oh guy, that's class. Charlemagne has been. He wants to
• 42:14
  Speaker 1: a closing. He wants to ending. First of all, I've
• 42:16
  Speaker 1: hit mister Kill offline about this now I just want
• 42:22
  Speaker 1: to know why can't a Girlfriend's movie be made or
• 42:24
  Speaker 1: a closure season something. Let's talk real on this, Okay, real, real, real,
• 42:29
  Speaker 1: we're talking about still value in this industry and in
• 42:34
  Speaker 1: this country and in this world. We're at a time
• 42:38
  Speaker 1: and even our industry where the industry is reaching back
• 42:41
  Speaker 1: to do remakes. See them saying to put things on
• 42:44
  Speaker 1: the air. From that era that Girlfriends was in, the
• 42:47
  Speaker 1: fans have been consistently vocal about a movie and ending anything.
• 42:53
  Speaker 1: They're just adding closure, we need closure. But that's been
• 42:56
  Speaker 1: for ten years consistent, So you really have to ask.
• 42:59
  Speaker 1: It's not up to me, But what it's time to
• 43:01
  Speaker 1: really talk about is this industry that we feed into
• 43:05
  Speaker 1: and make billions of dollars for, it's time for them
• 43:09
  Speaker 1: to meet us at our value. Our audience wants it,
• 43:11
  Speaker 1: not just domestically. It's like global franchise. Girlfriends is a
• 43:15
  Speaker 1: hit all over the world and generationally now and so
• 43:19
  Speaker 1: there's just money on the table. So the question I
• 43:22
  Speaker 1: have for the industry is why won't you take it?
• 43:24
  Speaker 1: So really, I don't know that answer. Well, I kind
• 43:27
  Speaker 1: of do that there's still a lack of value for
• 43:31
  Speaker 1: an audience that has been screaming, primarily black women and Charlamagne.
• 43:41
  Speaker 1: But it goes to show you how much we're not hurt.
• 43:44
  Speaker 1: There was a time and my grandmother told me, you
• 43:47
  Speaker 1: you set your bar of value. So there was a
• 43:50
  Speaker 1: time in which I think I was kind of begging
• 43:52
  Speaker 1: or hoping and praying to give that closure very early
• 43:56
  Speaker 1: on after it. It's very emotional to write these stories
• 44:00
  Speaker 1: and let them go. And I've had a lot of
• 44:01
  Speaker 1: heartbreak in my career. But I would have done it
• 44:04
  Speaker 1: for two million. I would have done it for five
• 44:06
  Speaker 1: minut I would have done whatever it took, because in
• 44:08
  Speaker 1: our culture, we take we take a make a dollar
• 44:10
  Speaker 1: out of fifteen cents. Right, it's time to teach our
• 44:13
  Speaker 1: our children. No, I need a dollar to go make this,
• 44:18
  Speaker 1: And so what I'm saying now, I need I need
• 44:20
  Speaker 1: some money and let's go do this the way that
• 44:23
  Speaker 1: the industry does it. I need about forty fifty sixty.
• 44:26
  Speaker 1: I don't know. I haven't written the script yet, but
• 44:27
  Speaker 1: it's somewhere around there, the idea that I have foreclosure.
• 44:30
  Speaker 1: It's a great story to end their story, a friendship,
• 44:34
  Speaker 1: their story of love. To answer the question, Ken Joane,
• 44:37
  Speaker 1: have it all? Yes? Can you know with some you know,
• 44:40
  Speaker 1: with asterisk next to it, it's time to do that,
• 44:43
  Speaker 1: but I need some money. Perhaps I'm also accepting that
• 44:46
  Speaker 1: even in this moment, maybe me having voice or having
• 44:49
  Speaker 1: a platform to even talk about it, maybe someone will
• 44:53
  Speaker 1: hear it and write that chet and maybe it's come
• 44:56
  Speaker 1: to a place where, you know what, I can actually
• 44:58
  Speaker 1: direct the ending to a story that I would love
• 45:00
  Speaker 1: to do. I wouldn't have done that five years ago.
• 45:04
  Speaker 1: Someone else would have directed. That's right? Is there a
• 45:06
  Speaker 1: closure season written like a closure movie? There is a
• 45:10
  Speaker 1: very in depth outline about what the movieum the movie.
• 45:16
  Speaker 1: I see it as a movie and done it there
• 45:18
  Speaker 1: doesn't I don't think it's I don't see it as
• 45:20
  Speaker 1: a TV series. I think, you know, I think a
• 45:23
  Speaker 1: movie and done would be a movie, and done would
• 45:25
  Speaker 1: be awesome. And well, I won't tell you. I think
• 45:31
  Speaker 1: I did Lynd become a superstar? Did you know? Joe
• 45:34
  Speaker 1: get married? And Joe and Tony reconcile, And I will
• 45:37
  Speaker 1: tell everybody that when the movie comes out. But that's
• 45:43
  Speaker 1: also my value as a as a storyteller. You want
• 45:47
  Speaker 1: to know my story and meaning that I mean the
• 45:49
  Speaker 1: collective you and I don't I can't give that away
• 45:53
  Speaker 1: until I can give it away at the place in
• 45:55
  Speaker 1: which it deserves the right context. I got two more
• 45:57
  Speaker 1: girls questions, I said, I promised. I always wondered why
• 46:00
  Speaker 1: Kelsey Grahamer decided to epa show full of black women,
• 46:03
  Speaker 1: especially with his views. You know. Okay, here's real talk. Okay. So,
• 46:08
  Speaker 1: at the time that I wrote Girlfriends, The Parkers was
• 46:11
  Speaker 1: on UPN, so Moitia and then my mentors based fun
• 46:16
  Speaker 1: off The Parkers as well. I was approached. I was,
• 46:19
  Speaker 1: I was approached. I was on the Jamie Fox Show
• 46:21
  Speaker 1: at that time. And it's funny when you leave a situation,
• 46:24
  Speaker 1: people want you more. So I had left Mosia to
• 46:26
  Speaker 1: go work on the Jamie Fox Show and they're like,
• 46:28
  Speaker 1: what's Mara doing. I was just there last year anyway,
• 46:31
  Speaker 1: but now what's Maria doing? But they have a hit
• 46:34
  Speaker 1: at the Parkers. So I was brought in to say, Hey,
• 46:37
  Speaker 1: we want to build on this audience that we have
• 46:39
  Speaker 1: found black women. Whould we have a companion piece. So
• 46:43
  Speaker 1: I'm literally sitting on the couch at UPN and they're like,
• 46:47
  Speaker 1: you're asking me to tell you whatever I want. And
• 46:49
  Speaker 1: so Sex and the City was on at the time,
• 46:51
  Speaker 1: and part of my I love the show, but part
• 46:53
  Speaker 1: of my Christens last show is we were just invisible again.
• 46:56
  Speaker 1: Black Street can't be an extra. And it was like,
• 47:05
  Speaker 1: and I wanted to see at the table to get
• 47:06
  Speaker 1: into this conversation about what women really are to unpack lies, right,
• 47:11
  Speaker 1: So so I pitched them basically my version of why
• 47:15
  Speaker 1: I pitched them girlfriends. Nothing wrong with that. White people
• 47:18
  Speaker 1: been doing it thus for you. Yeah, and then but
• 47:21
  Speaker 1: there was yeah that was in my head, like I
• 47:22
  Speaker 1: want to I want to get in this conversation because
• 47:24
  Speaker 1: They're leaving a lot on the table. So then I'm
• 47:28
  Speaker 1: pitching this and they wanted but here's the rub I saw.
• 47:30
  Speaker 1: I went. I was like, swing, I sold straight to
• 47:34
  Speaker 1: the network. It was like being a breech baby, because
• 47:36
  Speaker 1: then I didn't have like a I didn't have I
• 47:38
  Speaker 1: didn't have a studio, and then you goes. I was like,
• 47:41
  Speaker 1: but I saw the show, of course, and I had
• 47:44
  Speaker 1: girlfriends almost didn't exist because no studio wanted to touch
• 47:49
  Speaker 1: this show because they thought up N was not gonna
• 47:53
  Speaker 1: make it, and so nobody. I was like, are you
• 47:55
  Speaker 1: kidding me? I sell a show directly to the network,
• 47:57
  Speaker 1: and then now I can't really get it on because
• 47:59
  Speaker 1: nobody wants to fund it. And so because of the
• 48:01
  Speaker 1: vertical integration that was happening in corporate America back then,
• 48:04
  Speaker 1: Viacom it was still still under the same umbrella. Paramount
• 48:11
  Speaker 1: was the only studio that would possibly be the deficit
• 48:13
  Speaker 1: financer for it. But it's late now in the development season,
• 48:16
  Speaker 1: so most of the money has been spent except Kelsey Grammar.
• 48:20
  Speaker 1: So Kelsey Grammar had a shingle as a seem meaning
• 48:23
  Speaker 1: a production company, but he hadn't sold anything in that
• 48:27
  Speaker 1: development season. But meanwhile he is literally that one show
• 48:30
  Speaker 1: Frasier is holding up is just an ATM machine for
• 48:34
  Speaker 1: the you know, for the company, and so he is
• 48:36
  Speaker 1: like the eight hundred pound gorilla. So when I meet
• 48:39
  Speaker 1: his people, I brought him something that's already sold. He
• 48:44
  Speaker 1: never developed it, They didn't develop it. Was he's just
• 48:46
  Speaker 1: a smart man to be. It's already sold. Yeah, put
• 48:48
  Speaker 1: my name on it, right, And so he put his
• 48:50
  Speaker 1: name on it. And the thing I will think Kelsey
• 48:52
  Speaker 1: about he stayed out of the way because I don't
• 48:55
  Speaker 1: know whether he valued it or not. I'm not sure.
• 48:58
  Speaker 1: But whatever his reasons for why he wasn't around that much.
• 49:02
  Speaker 1: But it was strategic and good for me at that time,
• 49:06
  Speaker 1: and I'm thankful for that that at that time, Kelsey
• 49:08
  Speaker 1: Grammar was the TV and that helped people go, huh
• 49:12
  Speaker 1: Kelsey Grammar. It just it just it was and he
• 49:17
  Speaker 1: stayed out of the way so I can just do
• 49:18
  Speaker 1: my things. They were like, wow, Kelsey Grammar's this progressive
• 49:21
  Speaker 1: that he sucked, And I'm like, why would he know
• 49:27
  Speaker 1: he's making that money if you never really know him,
• 49:29
  Speaker 1: like go to eat with him or anything. Yeah, we've
• 49:32
  Speaker 1: had when it was time to make more money. When
• 49:35
  Speaker 1: we talked about to spin off the game, you know,
• 49:37
  Speaker 1: he's technically built. He's just grandfathered in because we spun
• 49:40
  Speaker 1: it out of girlfriend. Um. So yeah, that's humbling sometimes.
• 49:44
  Speaker 1: But I also and this is why I married to
• 49:45
  Speaker 1: Selene mckill. He's like and every time you get a
• 49:48
  Speaker 1: little some way about it, then you remember that he's
• 49:52
  Speaker 1: a blessing. You thank him every single it's a part
• 49:54
  Speaker 1: of your journey. It's a part of your journey. You
• 49:57
  Speaker 1: stopped being distracted about what it could have should have
• 50:00
  Speaker 1: and you say thank you. You keep it moving. And
• 50:01
  Speaker 1: I was like, you know what, baby, thank you, dam
• 50:04
  Speaker 1: thank you, and so I say, thank you, Kelsey. We've
• 50:07
  Speaker 1: had a really wonderful run. And maybe hey, Kelsey, you
• 50:10
  Speaker 1: listening a girlfriend's movie. Bmate, Now I can I'm now
• 50:20
  Speaker 1: my spiritual path is. I'm really trusting in what God
• 50:23
  Speaker 1: has planning for me. Sometimes we can't see it, we
• 50:26
  Speaker 1: cannot see what's in store for us, but I know
• 50:29
  Speaker 1: my best interest is taken care of. So yes, it's
• 50:33
  Speaker 1: a short answer. Do I still ask God to um
• 50:37
  Speaker 1: if you want, if you want to do it, I
• 50:39
  Speaker 1: just want to do it at this level. So with
• 50:40
  Speaker 1: me talking about the fifty million dollars of the value
• 50:43
  Speaker 1: I'm speaking to, I'm not begging anymore. I'm at the
• 50:46
  Speaker 1: value of what I believe it will be. I would
• 50:48
  Speaker 1: love to give closure to that because they really helped
• 50:51
  Speaker 1: me get here today and I think that would be
• 50:52
  Speaker 1: nice to get back. They gotta go, guys, Okay, they
• 50:55
  Speaker 1: gotta go. I got like twenty more questions. But at
• 51:00
  Speaker 1: Love Is Tuesday. Nice. We're staying up late every Tuesday
• 51:04
  Speaker 1: to make sure we watch Thank You, Appreciate Love Is
• 51:08
  Speaker 1: Thank You, will Katlt Michelle Weaver, and Mona Blah Well
• 51:11
  Speaker 1: it's the breakfast Club. Thank you for joining us guys, Hey,
• 51:13
  Speaker 1: thank you morning the Breakfast Club. Good morning. Everybody is
• 51:20
  Speaker 1: DJ Envy Angela Yee, Charlomagne the guy. We all the
• 51:24
  Speaker 1: Breakfast Club. We gotta congratulate the Godfather. Yes, Elvis. Congratulations
• 51:31
  Speaker 1: to Elvis Duran here and you got engaged over the weekend,
• 51:34
  Speaker 1: Alex Carr, they are engaged. They've been together for almost
• 51:36
  Speaker 1: eight years, so congratulations to them. Alex Carr actually proposed
• 51:41
  Speaker 1: to Elvis Duran by opening an umbrella inside on the
• 51:45
  Speaker 1: Friday the thirteenth, and the message said, Elvis, will you
• 51:47
  Speaker 1: marry me? On it drop? Want to Clue's bombs for
• 51:49
  Speaker 1: Alex making an honest man out of Elvis. They've been
• 51:52
  Speaker 1: together h years. I remember exactly when they met. I
• 51:55
  Speaker 1: remember being on a roof with Elvis getting drunk and
• 51:58
  Speaker 1: Elvis telling us about this young boy that he had
• 52:01
  Speaker 1: just uh, it was one of the hottest days of
• 52:03
  Speaker 1: the year. Were the proper word? I don't know the
• 52:06
  Speaker 1: proper word is. All I can tell you is Elvis
• 52:08
  Speaker 1: Durin told us, hey, you know how it did? You
• 52:10
  Speaker 1: wake up in the morning and this blood on the pillow?
• 52:12
  Speaker 1: You know what they say, There's no good not a
• 52:13
  Speaker 1: good time. There wasn't no blood on the pillow. As
• 52:15
  Speaker 1: later they're engaged. Well, congratulations, good my goodness. All right,
• 52:19
  Speaker 1: now let's get to the roomless. Let's talk Azelia Banks. Listen,
• 52:24
  Speaker 1: Oh gosh reports, it's a rum report breakfast club. Well,
• 52:32
  Speaker 1: apparently a Zellia Banks had an awful experience doing wilding out.
• 52:35
  Speaker 1: She posted I did wilding out today. There were tons
• 52:38
  Speaker 1: of pre planning, colorless jokes, and of course cry baby cried.
• 52:41
  Speaker 1: Some little scrowny black Atlanta twink was prepared for me.
• 52:44
  Speaker 1: They planned this, hit me on short notice, told me
• 52:46
  Speaker 1: I didn't have to participate in the coon ass freestyle battles,
• 52:50
  Speaker 1: not my style, and I was to sing my song
• 52:52
  Speaker 1: and go home. I show up and some guy who's
• 52:54
  Speaker 1: darker than me starts calling me ugly and being colorless
• 52:57
  Speaker 1: than all of us. Had an acquire of the most
• 52:58
  Speaker 1: disgustingly based tick a local cattle car urban pseudo comedic
• 53:02
  Speaker 1: fat because you sit in a chair all day, greasy
• 53:04
  Speaker 1: soul food and do south that Mason Dixon self hatred,
• 53:08
  Speaker 1: ass backwards, post Jim Crow, post traumatic slave disorder, true
• 53:12
  Speaker 1: self esteemless ward up. The state clowns with their low
• 53:15
  Speaker 1: skill and a highly unimpressive resumes sat going off about
• 53:19
  Speaker 1: how the beautiful Azalia Banks looks. She said, I've never
• 53:22
  Speaker 1: felt so much hate in a rage for anyone else
• 53:24
  Speaker 1: than I did in that moment. Here. The needless to say,
• 53:27
  Speaker 1: it wasn't a good experience for her, but it is
• 53:29
  Speaker 1: supposed to be, y'all jokes going in fun exactly. I
• 53:34
  Speaker 1: think she was saying that she didn't she wasn't there
• 53:36
  Speaker 1: for that. She was there to perform, but they put
• 53:37
  Speaker 1: her in the wild style. But here's the thing, Azalia
• 53:39
  Speaker 1: is definitely never gonna get sympathy from anyone when it
• 53:42
  Speaker 1: comes to getting slanted clowns. Everyone. Yeah, ye, Shay over
• 53:46
  Speaker 1: the years has ditched the lot, so nobody's gonna feel
• 53:48
  Speaker 1: sorry for her when somebody gives it back to it. Now.
• 53:51
  Speaker 1: Nick Cannon reacted on Instagram. He said, don't you hate
• 53:54
  Speaker 1: when you create your own storms? But forget your umbrella
• 53:57
  Speaker 1: where you're praying for you Queen's speedy recovery healing. She
• 54:00
  Speaker 1: wilding out for real karma. And that's when Nazilia responded,
• 54:04
  Speaker 1: if I were to make fun of Nick Cannon for
• 54:06
  Speaker 1: having lupus and being weak and sickly, if I made
• 54:09
  Speaker 1: a joke that said he'd be dead by the end
• 54:11
  Speaker 1: of the year. The Nazilia Banks is the bad guy, right,
• 54:14
  Speaker 1: and then she said Nick Cannon's commune system. All right,
• 54:18
  Speaker 1: Here's of what Azilia Banks had to say. I'm sorry,
• 54:21
  Speaker 1: it's twenty eighteen, like you know, the ugly black girl jokes.
• 54:25
  Speaker 1: It's like you know, it's just it's just it's inappropriate.
• 54:29
  Speaker 1: I'm sorry. You're not gonna bring me out of my
• 54:32
  Speaker 1: element to bring me the dusty as Atlanta to sit
• 54:34
  Speaker 1: in front of some coon ask for them to sit
• 54:37
  Speaker 1: here and call me ugly while they got this flatty
• 54:39
  Speaker 1: patty queen herbie reject looking bitch on stage chalk about
• 54:43
  Speaker 1: Wakanda reject. Wow, she really is crazy now. She also
• 54:48
  Speaker 1: said you and words would be changing Nick Cannon's colostomy
• 54:51
  Speaker 1: back in between takes while you struggle to pay six
• 54:53
  Speaker 1: hundred and fifty dollars ran in Atlanta and take plates
• 54:55
  Speaker 1: of catering food home to eat in the morning. See
• 54:58
  Speaker 1: that's funny, That's what I'm saying. That's the energy you
• 55:05
  Speaker 1: should have shed. That That's all I'm saying. Damn. See huh.
• 55:10
  Speaker 1: Here's some more of Azilia Banks talking about her whild
• 55:12
  Speaker 1: and out experience. You would never be able to bring
• 55:14
  Speaker 1: Megan Trainer on this show and call her fat. Why
• 55:17
  Speaker 1: because there would be some other white to cut your
• 55:20
  Speaker 1: check off. You could have went for flop, you could
• 55:22
  Speaker 1: have been this, or you went too much weave, or
• 55:24
  Speaker 1: you didn this, or you never had a hit or
• 55:27
  Speaker 1: but like you're really just like really just calling me
• 55:29
  Speaker 1: ugly the whole time, and you got the mediocal I
• 55:32
  Speaker 1: skin bitches like you're making them feel good about themselves.
• 55:35
  Speaker 1: I'm gonna stay in my little corner of the industry.
• 55:37
  Speaker 1: I'm gonna keep working with my white man, keep dating
• 55:39
  Speaker 1: my white man. Every time I give y'all a chance, y'all,
• 55:43
  Speaker 1: just y'all, y'all do me dirty or you just you
• 55:45
  Speaker 1: can't pick and choose with sland your recess. If the
• 55:48
  Speaker 1: person wants to sland you about your looks, they have
• 55:50
  Speaker 1: the right to do that, just like Azelia have the
• 55:52
  Speaker 1: right to sland to whoever she wants and has for
• 55:55
  Speaker 1: years and continues to do it. Now, that's one of
• 55:58
  Speaker 1: the comedians. They're posted a. Zilia Banks came on that show,
• 56:00
  Speaker 1: got called ugly, tried to joke back, didn't work, cried
• 56:03
  Speaker 1: then performed a weak GST Forever twenty one shopping song Hudson,
• 56:08
  Speaker 1: Oh it's my manman, he said, literally, there were two
• 56:11
  Speaker 1: jokes made about her and they weren't even bad. It
• 56:13
  Speaker 1: was a Cardi b reference and she was called ugly.
• 56:15
  Speaker 1: That's it. She tried to joke back. It didn't work.
• 56:17
  Speaker 1: The producers stopped the game because they knew she was
• 56:20
  Speaker 1: headed for the deep fry. She left after the first game,
• 56:22
  Speaker 1: came back and didn't say a single word to tell
• 56:24
  Speaker 1: her performance. So she said. They said she wasn't ambushed
• 56:28
  Speaker 1: or tricked. She was just bitter and a weak special guest.
• 56:32
  Speaker 1: Now somebody who was good on Wilding Up is Safari.
• 56:36
  Speaker 1: Now Safari got cooked on. Safari is always still a
• 56:42
  Speaker 1: good sport. Right, even though they were throwing things at
• 56:44
  Speaker 1: him at Dykeman and all of that last week after
• 56:47
  Speaker 1: he was performing and they weren't really filling him and
• 56:49
  Speaker 1: he got booed, he now had some bars. Here's the
• 56:52
  Speaker 1: freestyle about Dykeman. So I got booed, first ruled, I
• 56:58
  Speaker 1: did a verse and did a whole up again, started
• 57:00
  Speaker 1: throwing ball forward that part they see you get you
• 57:04
  Speaker 1: like see low had the whole world go against me,
• 57:06
  Speaker 1: like my name Steve Bowe, how he were doing just
• 57:09
  Speaker 1: so pissed for y'all. Can't even tell me what y'all
• 57:12
  Speaker 1: gonna be piss for. How you mad? That's how you
• 57:16
  Speaker 1: can try even look get more. I want to close
• 57:18
  Speaker 1: the bomb for Safari man. I talked. I spoke to
• 57:21
  Speaker 1: him over the weekend. Let me tell you he was
• 57:23
  Speaker 1: a man. He was kind of he was he was.
• 57:25
  Speaker 1: He said he went out there and performing. It was
• 57:27
  Speaker 1: one little group of dudes that were bowling, and he
• 57:30
  Speaker 1: said he tried to ignore them. Yeah, and then he
• 57:32
  Speaker 1: started throwing raw food that is raw and then he said,
• 57:35
  Speaker 1: I don't know raw food? Yes? Nice? All right, well
• 57:40
  Speaker 1: here send more. Safari saw raws on the red car.
• 57:43
  Speaker 1: Didn't tell me that it's all good. I ain't shipping
• 57:45
  Speaker 1: off that old shoe. I'm can't money Howard it didn't
• 57:47
  Speaker 1: should saw a tipper. We shook hands. It was never
• 57:50
  Speaker 1: non bead man hinting that be running while with this shit.
• 57:53
  Speaker 1: Don't even understand. I'm glad we cleared up what raw
• 57:56
  Speaker 1: food is because I'm sitting there thinking of a bunch
• 57:57
  Speaker 1: of people indictment throwing steaks at him, checking chicken I'm like,
• 58:01
  Speaker 1: why did you waste some food like that indegment uncooked
• 58:04
  Speaker 1: fruits and vegetables. I met so far his mom at
• 58:06
  Speaker 1: the airport the other day, a couple a couple of
• 58:08
  Speaker 1: weeks ago. Very nice lady. Okay, raised, she did raise
• 58:12
  Speaker 1: the yes, keep telling you. I'm gonna tell you something.
• 58:15
  Speaker 1: I'm telling you. I respect so far he's ambition. He
• 58:17
  Speaker 1: will not stop. I'm telling you, no matter what he's
• 58:20
  Speaker 1: thrown at him, raw food, you know, getting jumped in
• 58:24
  Speaker 1: the street, he will not stop. He is gonna get
• 58:26
  Speaker 1: He's gonna get him a hit record. I'm telling you
• 58:29
  Speaker 1: the end. That's your rumor report. All right, thank you,
• 58:32
  Speaker 1: miss ye Charlemaine, Yes, are you giving that? Donk? We
• 58:37
  Speaker 1: need to a cup on call aka Martin Matching to
• 58:39
  Speaker 1: come to the front of the correngation. We like to
• 58:41
  Speaker 1: have a world with him. Okay, we'll get into that
• 58:43
  Speaker 1: when we come back. Keep it locked this to breakfast club.
• 58:45
  Speaker 1: Good morning, Charlemaine. Say the gang don't get the same
• 58:50
  Speaker 1: man you are talking today does not discriminate. I might
• 58:58
  Speaker 1: not have the song of today by got to donkey that.
• 59:01
  Speaker 1: If you ever feel I need to be a donkey
• 59:03
  Speaker 1: man with the practice club. Bitch. They just don't kive Today.
• 59:08
  Speaker 1: Today Wow at Sharon Donkey Today from Monday, July sixteenth,
• 59:12
  Speaker 1: goes to a CBS employee named Mary Mattson, known in
• 59:15
  Speaker 1: apps on smartphones is cupon car. Now, quick backstory on
• 59:19
  Speaker 1: Maury Matson. He is running for Chicago City Council and
• 59:21
  Speaker 1: was a state delegate for Donald Trump's twenty sixteen presidential campaign.
• 59:25
  Speaker 1: The only reason I'm telling you this is because these
• 59:27
  Speaker 1: are the type of people who be in positions of
• 59:29
  Speaker 1: power in your communities and you don't even know it. Now,
• 59:32
  Speaker 1: a black woman named Kamilla Hudson was minding her damn
• 59:34
  Speaker 1: business and she was in a CVS with a cupon
• 59:37
  Speaker 1: to get some free disposable Hey, you pronounced that, and
• 59:40
  Speaker 1: continence products. Now I've never heard of incontinence products until
• 59:43
  Speaker 1: this morning, but in continence products are black of control,
• 59:46
  Speaker 1: pad shields, panty liners. You know, people who sneeze harder,
• 59:50
  Speaker 1: laugh hard. Didn't have a little leak it. Okay, that's
• 59:52
  Speaker 1: Camilla's business and she was just trying to handle her
• 59:54
  Speaker 1: business until Maury blew up her spot. Now, according to
• 59:57
  Speaker 1: the Chicago Tribune, Camilla tried to use the sell check out,
• 1:00:00
  Speaker 1: but it lacked the mechanism for taking cupon, so the
• 1:00:03
  Speaker 1: store's manager, Cupon Carl aka Moury Mattson, offered to assist
• 1:00:07
  Speaker 1: her on a register, but the whole situation went bad
• 1:00:10
  Speaker 1: when Morey called for another manager. That manager, whose name
• 1:00:13
  Speaker 1: is not known, told Camilla they couldn't accept about you
• 1:00:16
  Speaker 1: because he'd never seen one like it before, and accused
• 1:00:19
  Speaker 1: her of possibly handwriting it. Now I'm looking at the
• 1:00:22
  Speaker 1: exact cupon she was using. Looks like a regular cupon
• 1:00:25
  Speaker 1: to me, Hey, when a handwritten part of that has
• 1:00:27
  Speaker 1: a bar code on it, let me show you couldn't
• 1:00:29
  Speaker 1: easily scan the bar code to see if it was
• 1:00:31
  Speaker 1: real or not? Simple? See look can you see? Can
• 1:00:35
  Speaker 1: you see? Guys? See, yeah, we have a vote TV.
• 1:00:37
  Speaker 1: Oh it's a vote okay. It has a bar code
• 1:00:39
  Speaker 1: on it and everything. And they're damn sure. Isn't anything
• 1:00:41
  Speaker 1: on this cupon that looks handwritten? Okay. Camilla Hudson was
• 1:00:45
  Speaker 1: rightfully offended at being called a liar and a thief,
• 1:00:48
  Speaker 1: and then when she was asked to leave CBS, she
• 1:00:50
  Speaker 1: didn't go no damn well, and then Mary called the police.
• 1:00:54
  Speaker 1: Let's hear it, it's a female she's wearing a greenish
• 1:00:58
  Speaker 1: I'll be here when she rode, but I will be
• 1:01:01
  Speaker 1: waiting for them to ride. You can tell them her
• 1:01:04
  Speaker 1: name is Camilla Hudson. I have ide and will share
• 1:01:07
  Speaker 1: it more. Mr Ry Mason m HS African American black, No,
• 1:01:16
  Speaker 1: I'm not African American. I'm black. Black isn't a bad word. Ay,
• 1:01:20
  Speaker 1: thank you. If you haven't seen this video, I really
• 1:01:23
  Speaker 1: hope you're watching this horm Revolt TV because I want
• 1:01:26
  Speaker 1: you to see the look of terror in this white
• 1:01:27
  Speaker 1: man's eyes. Right, his arm is shaking while he's holding
• 1:01:30
  Speaker 1: the phone, is really cold in that store, or he
• 1:01:33
  Speaker 1: has a cerebral palsy. Okay, this is the same kind
• 1:01:36
  Speaker 1: of nervous, scary energy that we don't want police officers
• 1:01:39
  Speaker 1: to have, because when you take that fear makes it
• 1:01:42
  Speaker 1: with authority and a gun, then unarmed, innocent black people
• 1:01:45
  Speaker 1: get killed. And we can't chalk thisself to just fear. Okay,
• 1:01:47
  Speaker 1: I know cocaine use when I see it, all right,
• 1:01:50
  Speaker 1: that's the paranoia that comes with sniffing on that powdered
• 1:01:52
  Speaker 1: mannis all right? If more Matchen was that scared because
• 1:01:55
  Speaker 1: Camilla was using a cupeon imagine if she would have
• 1:01:57
  Speaker 1: had an EBT card. My God. Keep in mind, Maury
• 1:02:00
  Speaker 1: Matson is running for Chicago City Council, as I told
• 1:02:03
  Speaker 1: y'all earlier, and he was a state delegate for Donald
• 1:02:05
  Speaker 1: Trump's twenty sixteen presidential campaign. This is one of the
• 1:02:07
  Speaker 1: people on your city council who looks into the city's goals,
• 1:02:11
  Speaker 1: major projects, infrastructure improvements, ranger from community growth to land
• 1:02:16
  Speaker 1: used to finances and strategic planning. Do you think he
• 1:02:18
  Speaker 1: has any black or brown interest on the table when
• 1:02:20
  Speaker 1: they are discussing the strategic planning of the city. Huh
• 1:02:23
  Speaker 1: do you? This is why it's important to be involved
• 1:02:25
  Speaker 1: in your local elections. Know who you're voting for, and
• 1:02:27
  Speaker 1: this is why it's important to be involved in the
• 1:02:29
  Speaker 1: politics of your city because you yourself could be running
• 1:02:32
  Speaker 1: for city council if Maury that works at CBS can't.
• 1:02:35
  Speaker 1: And please remember to not vote for this white collar
• 1:02:38
  Speaker 1: criminal on election day. Okay, yes, I said white collar
• 1:02:42
  Speaker 1: criminal or did I say callar I don't know. I
• 1:02:44
  Speaker 1: meant to say white collar Either way, don't vote for
• 1:02:46
  Speaker 1: him on election day. Please give Morey Matson aka Qupon
• 1:02:49
  Speaker 1: called the biggest he hall mean Jesus. All right, but
• 1:02:56
  Speaker 1: Jada Kiss said, you're shaking like a lee holding the torch. Yeah,
• 1:02:59
  Speaker 1: he's so nerves What is he even? It's a coupon
• 1:03:01
  Speaker 1: to scare it. Now, if he does come out and
• 1:03:03
  Speaker 1: say he got share with pause, we're all gonna feel
• 1:03:05
  Speaker 1: bad though. It's a little well you said it, I
• 1:03:11
  Speaker 1: mean you would because we saying that he was shaking
• 1:03:13
  Speaker 1: because he was scared. But he actually could have nervous,
• 1:03:16
  Speaker 1: some type of nerve damage. I doubt it. All right, well,
• 1:03:20
  Speaker 1: thank you for that, donkey. Today Now, today is get
• 1:03:23
  Speaker 1: out of the dog House Day, National get out of
• 1:03:26
  Speaker 1: the Doghouse Day. That's right. So we're gonna open up
• 1:03:29
  Speaker 1: the phone lines. Eight hundred five eight five one oh
• 1:03:32
  Speaker 1: five one. Are you in the doghouse and you want
• 1:03:34
  Speaker 1: to get out? Yes, we're gonna open up the phone
• 1:03:36
  Speaker 1: lines and allow you to get out of the doghouse.
• 1:03:38
  Speaker 1: You might have to call up and say the purse's
• 1:03:40
  Speaker 1: name and say what you did today? Today is Today
• 1:03:43
  Speaker 1: is for mending the screen relationships that have been left
• 1:03:46
  Speaker 1: in the doghouses. Okay, so some of you guys might
• 1:03:48
  Speaker 1: be in the doghouse with you ladies. Some of you
• 1:03:49
  Speaker 1: ladies might be in the doghouse with your guy. You
• 1:03:51
  Speaker 1: can call up right now and you know, ask to
• 1:03:54
  Speaker 1: get about that doghouse. Me myself, I live life like
• 1:03:56
  Speaker 1: I'm always in the doghouse. I think that's the safest
• 1:03:58
  Speaker 1: place for any man. Eight hundred five eight five one
• 1:04:02
  Speaker 1: on five one. You know who's in the doghouse right now?
• 1:04:04
  Speaker 1: Chick fil A, Chick fil A. And I'm gonna tell you,
• 1:04:07
  Speaker 1: you know, I don't get Chick fil A breakfast often,
• 1:04:10
  Speaker 1: right so I got it this morning. No, I got
• 1:04:12
  Speaker 1: it this morning. They just brought it, and I get simply.
• 1:04:15
  Speaker 1: It's simply my chicken egg and cheese biscuit. That's all
• 1:04:20
  Speaker 1: I get. That's my cheap breakfast every once in a
• 1:04:22
  Speaker 1: blue moon. And they messed it up. How can you
• 1:04:24
  Speaker 1: mess that up? When they that was messed up. Chick
• 1:04:27
  Speaker 1: fil A rarely messes up orders Number one, number two.
• 1:04:29
  Speaker 1: I didn't know you had such an intense relationship with
• 1:04:31
  Speaker 1: Chick fil A, because National Doghouse Day is for people
• 1:04:34
  Speaker 1: who are in relationships, sir, boyfriend, husband's wives. Okay, you
• 1:04:41
  Speaker 1: care about you in your little fast food addiction. Chick
• 1:04:45
  Speaker 1: Fila is not fast food, sir. You took this similar
• 1:04:49
  Speaker 1: out all right eight hundred five A five one on
• 1:04:52
  Speaker 1: five one. The question is call us up right now?
• 1:04:55
  Speaker 1: All you trying to get out of the doghouse. Today
• 1:04:57
  Speaker 1: is National Get out of the Doghouse Day. Call up
• 1:05:00
  Speaker 1: and get out the doghouse. It's the Breakfast Club, Go morning,
• 1:05:02
  Speaker 1: the Breakfast Club Morning. Everybody is cej Envy, Angela, Yee,
• 1:05:09
  Speaker 1: Charlomagne the guy. We all the Breakfast Club. Today is
• 1:05:13
  Speaker 1: National get out of the Doghouse to day. And we're
• 1:05:15
  Speaker 1: opening up the phone lines you can get out of
• 1:05:17
  Speaker 1: the doghouse. Are you having a problem in your relationship
• 1:05:19
  Speaker 1: and you need to call it? Get out? We'll call
• 1:05:21
  Speaker 1: us up right now. How's your relationship yet? If you
• 1:05:23
  Speaker 1: but listen, If you don't know what getting out of
• 1:05:25
  Speaker 1: the doghouse is, you know it's a day for mending
• 1:05:27
  Speaker 1: the screen relationships that have left you in the doghouse.
• 1:05:31
  Speaker 1: You might have did something to pitch your wife off
• 1:05:32
  Speaker 1: this weekend, or pitch your girl off. Girl might did
• 1:05:35
  Speaker 1: something to piss her man or husband, and you know,
• 1:05:38
  Speaker 1: now you feel like you're in the doghouse. Are you
• 1:05:40
  Speaker 1: in the doghouse? You? How's your relationship right now? No?
• 1:05:42
  Speaker 1: I'm never really in the doghouse because anytime you get
• 1:05:45
  Speaker 1: mad at me, anytime my boyfriend gets mad at me,
• 1:05:46
  Speaker 1: I just turned it back around on him. That's not
• 1:05:48
  Speaker 1: all right, this is what happens. Okay, what about you, Charlomagne. Um,
• 1:05:52
  Speaker 1: I lived my life like I'm always in the doghouse,
• 1:05:54
  Speaker 1: you know what I'm saying. Me and my wife have
• 1:05:56
  Speaker 1: been together twenty years. We've been married for those twenty years.
• 1:05:59
  Speaker 1: I was a dog for most of those twenty years.
• 1:06:02
  Speaker 1: So being that I was a dog, I was always
• 1:06:04
  Speaker 1: in the doghouse. So I think that, you know, it's
• 1:06:06
  Speaker 1: just appropriate that I live my life like I've always
• 1:06:09
  Speaker 1: done something wrong. You know what I'm saying. I live
• 1:06:11
  Speaker 1: my life like I'm always trying to trying to make
• 1:06:13
  Speaker 1: up for something that I did wrong, you know what
• 1:06:14
  Speaker 1: I'm saying. You know, And the funny thing that you
• 1:06:16
  Speaker 1: said that I have, I do the same thing. Yeah,
• 1:06:21
  Speaker 1: Like I'm always left up, like I'm like, I'm continually
• 1:06:24
  Speaker 1: trying to get out the dog, even know not the doghouse.
• 1:06:26
  Speaker 1: Last night was an amazing night, but I still call
• 1:06:28
  Speaker 1: this morning, hey, babe, house you're doing when I When
• 1:06:30
  Speaker 1: I got back to the hotel. I'm gonna get some flowers.
• 1:06:32
  Speaker 1: I act like I'm in the doghouse. I think that's
• 1:06:34
  Speaker 1: the safest bet for all men. Just always act like
• 1:06:38
  Speaker 1: you in the doghouse. I always act like you've done
• 1:06:40
  Speaker 1: something wrong and you're trying to make up for that wrong.
• 1:06:42
  Speaker 1: I think if we live our lives like that, do
• 1:06:44
  Speaker 1: our relationships like that, our relationships would be great. All right,
• 1:06:47
  Speaker 1: let's go to the phone lines. Hello, who's this? Hello?
• 1:06:51
  Speaker 1: What's up? Bro? You're trying to get out the doghouse. Man,
• 1:06:54
  Speaker 1: I'm trying to get out the doghouse. What you do? Bro?
• 1:06:58
  Speaker 1: I'm banging three chicks. One of them came back told
• 1:07:01
  Speaker 1: me she had Climmitian. I'm like, oh my god, oh
• 1:07:06
  Speaker 1: my god. For deal? So boom, I get tested. How
• 1:07:10
  Speaker 1: the two girls get tested? Nobody has except for the
• 1:07:13
  Speaker 1: one girl. Okay, so that's where you got it. I
• 1:07:16
  Speaker 1: never had it. I got tested the cat back got
• 1:07:18
  Speaker 1: didn't have it. So why are you in the doghouse?
• 1:07:20
  Speaker 1: Because he told on himself. He had to tell. Oh,
• 1:07:22
  Speaker 1: he lied and said he had Committian. He didn't. You
• 1:07:24
  Speaker 1: could have something else. I was the dog. I didn't
• 1:07:27
  Speaker 1: don't tell everybody like look, but that was very responsible
• 1:07:32
  Speaker 1: of you to let everybody know that is responsible. I
• 1:07:35
  Speaker 1: don't know why that was everybody's business, but I understand
• 1:07:39
  Speaker 1: is cherable man, but he still had to tell him.
• 1:07:42
  Speaker 1: You get rid of it. Let everybody else deal with
• 1:07:44
  Speaker 1: it on their own. No, Hello, who's this Mississippi? What's
• 1:07:50
  Speaker 1: up Mississippi? All right? All right, man, So I'm trying
• 1:07:52
  Speaker 1: to get out of the dog. I don't need your
• 1:07:54
  Speaker 1: hill man. Okay, what you do? You know that you
• 1:07:57
  Speaker 1: know how Joey was on baby Boy when she was
• 1:07:59
  Speaker 1: in a a in the drive though, my girl found
• 1:08:01
  Speaker 1: the straps, found the rubbers on me. Man down the
• 1:08:04
  Speaker 1: strap on the rubbers. I didn't do it. So who's
• 1:08:07
  Speaker 1: rubbers are they? My homeboy? Man, cub God, we don't
• 1:08:11
  Speaker 1: even believe you. It don't sound right back. Come on,
• 1:08:13
  Speaker 1: come on, So you have your friends condoms in the car?
• 1:08:17
  Speaker 1: Was hey? That was in the car? Man, bro I'm
• 1:08:20
  Speaker 1: gonna tell you something, man. That is one of the oldest,
• 1:08:24
  Speaker 1: lamest excuses for when a man gets called with condoms.
• 1:08:27
  Speaker 1: They don't mind, they're friends. Knock it off. Yeah, okay,
• 1:08:32
  Speaker 1: you right, guy, cold. I believe you, man, I believe you.
• 1:08:38
  Speaker 1: Please let them my dog out eight, don't drink five
• 1:08:41
  Speaker 1: A five one on five one. Today is National get
• 1:08:43
  Speaker 1: out of the Doghouse Day. Do you need to get
• 1:08:45
  Speaker 1: out of the doghouse? It's all five A five one
• 1:08:48
  Speaker 1: on five one. Hit us up. Now was the Breakfast Club?
• 1:08:50
  Speaker 1: Good morning pointing everybody is DJ Envy Angela yee, Charlomagne
• 1:08:54
  Speaker 1: the guy we are the breakfast Club. Now. Today is
• 1:08:57
  Speaker 1: National get out of the Doghouse Day. Now, what is
• 1:09:00
  Speaker 1: National get out of the doghouse Day? Charlamagne? National get
• 1:09:03
  Speaker 1: out of the doghouse to day is the day of
• 1:09:05
  Speaker 1: mending the screen relationships that have left people in doghouse.
• 1:09:09
  Speaker 1: All right, so we're opening up the phone lines and
• 1:09:11
  Speaker 1: we're gonna let you get out of the doghouse. Hello.
• 1:09:13
  Speaker 1: Who's this? Hello? Hey, what's up? Bro? You're in the doghouse? Yeah, man,
• 1:09:17
  Speaker 1: I'm gonna dog out what you do. I had a
• 1:09:20
  Speaker 1: real all even my fiance on the weekend about you know,
• 1:09:23
  Speaker 1: she was king a point about how my daughter should
• 1:09:26
  Speaker 1: spend more time with my son. But I was taking
• 1:09:28
  Speaker 1: it some welles, So I was sitting it like she
• 1:09:30
  Speaker 1: was an enemy, and I just went real nastal it
• 1:09:32
  Speaker 1: and I didn't feel good about it. Okay, yeah, well
• 1:09:35
  Speaker 1: you need to call up giving some roses some flowers.
• 1:09:38
  Speaker 1: Broke right, Bro, all right, hello, who's this many? You
• 1:09:43
  Speaker 1: in the doghouse? What you do? Oh man, I'm gonna
• 1:09:46
  Speaker 1: dog couse? Bro keep shet keep accusing up when she's
• 1:09:50
  Speaker 1: not doing anything. Why you keep doing that? You're feeling
• 1:09:53
  Speaker 1: guilty yourself? No? No, not really, not really? You do this?
• 1:09:58
  Speaker 1: Have you've been with the first like six shit? You
• 1:10:00
  Speaker 1: know you know, you know, you kind of know them
• 1:10:03
  Speaker 1: with unconsciously and you know them so when something changed,
• 1:10:07
  Speaker 1: red Fland goes up, you're like that. They shake, even
• 1:10:10
  Speaker 1: in the athsence of all evidence. You always know when
• 1:10:13
  Speaker 1: your lover takes a lover and she's telling me that
• 1:10:15
  Speaker 1: you know it's not going on, and maybe it's not,
• 1:10:18
  Speaker 1: but I don't. I think it's I beg the difference.
• 1:10:20
  Speaker 1: You sound like it insecure, you doing anything? You don't
• 1:10:23
  Speaker 1: even have any evidence or anything. No, no, I believe me.
• 1:10:27
  Speaker 1: Like I call her and she's at work, and she'll
• 1:10:30
  Speaker 1: she'll tell me what. I'm with a client right now,
• 1:10:32
  Speaker 1: But she didn't feel a lot. I'm in a client
• 1:10:34
  Speaker 1: right now. I can't talk. But when she wants me
• 1:10:37
  Speaker 1: for something. She'll call me and she seats with a client.
• 1:10:40
  Speaker 1: But now if if I'm calling her and it's I
• 1:10:43
  Speaker 1: guess it's a it's a in opportune time. Uh, she
• 1:10:47
  Speaker 1: telling me I'm with a client. I can't talk. But
• 1:10:49
  Speaker 1: are you sure? Are you sure you not cheating? And
• 1:10:53
  Speaker 1: your guilty? Hey? No, you know what you know? They
• 1:10:58
  Speaker 1: say the persons. No, I'm gonna tell you I won't
• 1:11:00
  Speaker 1: cheat because if I do it, I say, I feel
• 1:11:03
  Speaker 1: like she's doing it. Well, yeah, I feel like you're
• 1:11:05
  Speaker 1: doing it now, know I you know Sharlot man? You
• 1:11:09
  Speaker 1: know me? Why Charlomn I always in the middle of
• 1:11:15
  Speaker 1: the why why man? You don't know you bro? Tell
• 1:11:18
  Speaker 1: us about him? Solomon? I was, I was opening up
• 1:11:20
  Speaker 1: for Mike Kepton. You introduced me at Madison Square Garden.
• 1:11:24
  Speaker 1: M No, I'm not cheating. When they call me the
• 1:11:26
  Speaker 1: bull dog, let me relationship. I would like to say that.
• 1:11:31
  Speaker 1: I would like to say this, boy, I would like
• 1:11:32
  Speaker 1: to say this, mister Bulldog, just because I just because
• 1:11:35
  Speaker 1: I introduced you at Madison Square Garden does not mean
• 1:11:38
  Speaker 1: I know you, sir, y'all friend, I mean no, no,
• 1:11:40
  Speaker 1: you no, you don't know me. Know me, but I'm
• 1:11:42
  Speaker 1: saying you know we we we established a report. We
• 1:11:46
  Speaker 1: were talking even before you introduced me. She don't need
• 1:11:48
  Speaker 1: to say. I'm not a cheetah. I'm a good I
• 1:11:51
  Speaker 1: was in the military. I was in the military. The
• 1:11:54
  Speaker 1: more the more you talk to less, I believe you.
• 1:11:56
  Speaker 1: I'm be honest with you. It's not how you get
• 1:11:59
  Speaker 1: out the dog house. You're gonna ruin your relationship. The
• 1:12:01
  Speaker 1: more you talk to less, I believe you, sir. All
• 1:12:03
  Speaker 1: right with Charlomagne. Stop stop telling your friends to call
• 1:12:05
  Speaker 1: the radio station. I'm tired of meeting people one time
• 1:12:07
  Speaker 1: and they thinking that we're best friends. Yeah, you know him,
• 1:12:09
  Speaker 1: Jesus God, that know him, But you know him. That's
• 1:12:14
  Speaker 1: the more of the story. The morel of the story is, Fellas,
• 1:12:16
  Speaker 1: just live life like you're in the doghouse. That's the
• 1:12:18
  Speaker 1: best way to be. If you live life like you're
• 1:12:20
  Speaker 1: always in the doghouse, you will always be on point,
• 1:12:22
  Speaker 1: you will always being doing You'll always be doing nice
• 1:12:24
  Speaker 1: things for your women. Just women, Just live life like
• 1:12:27
  Speaker 1: you're in the doghouse. He's in the doghouse. Now, wow,
• 1:12:33
  Speaker 1: how many women you're guy? Okay, Jesus, all right, he
• 1:12:39
  Speaker 1: got rumors on the way. Yes, for all his women
• 1:12:42
  Speaker 1: out there, We're going to talk about Chris Jenner. What
• 1:12:44
  Speaker 1: does she have to say about Kylie being almost a
• 1:12:46
  Speaker 1: billionaire and also why she cheated on Rob Kardashian her ex.
• 1:12:51
  Speaker 1: All right, we'll get into all that when we come back.
• 1:12:53
  Speaker 1: Keep it locked as to Breakfast Club, Good morning, good morning.
• 1:12:55
  Speaker 1: Everybody is DJ Envy, Angela Charlowgne the guy. We are
• 1:12:59
  Speaker 1: the brand Fist Club. Shout to everybody out in Miami.
• 1:13:02
  Speaker 1: I'm broadcasting from one or three point five debat. Shout
• 1:13:05
  Speaker 1: the thirty three and third. Shout the logic us, let's
• 1:13:09
  Speaker 1: talk Uncle Snoop. This is the rumor report with Angela. Well,
• 1:13:20
  Speaker 1: I saw the story and I took it with a
• 1:13:21
  Speaker 1: grain of salt over the weekend. Originally a woman is
• 1:13:25
  Speaker 1: saying that she was having an affair with Snoop dogs
• 1:13:28
  Speaker 1: Selena Powell. By the way, it's the same woman who
• 1:13:31
  Speaker 1: lied about being pregnant by offset all kinds of things
• 1:13:35
  Speaker 1: to try to make people think that was true. Another
• 1:13:37
  Speaker 1: woman mad at the Black Men Don't Cheat movement and
• 1:13:39
  Speaker 1: trying to derail us. Okay, Blackaflocker actually has a restraining
• 1:13:43
  Speaker 1: order against her as what I'm saying, yes, and she
• 1:13:45
  Speaker 1: also had claimed that both Chief Keith and Fattie wife
• 1:13:48
  Speaker 1: had gotten her pregnant. We don't have time for people
• 1:13:49
  Speaker 1: like that. That's trying to change the narrative. Okay, black
• 1:13:52
  Speaker 1: men don't cheat. A lot of us have turned over
• 1:13:54
  Speaker 1: a whole new leaf. Faithful Black Men Association is at
• 1:13:57
  Speaker 1: an all time high. Members are increasing every day. Well,
• 1:14:00
  Speaker 1: some people did believe it because she posted some alleged
• 1:14:03
  Speaker 1: text messages between the two of them, as well as
• 1:14:07
  Speaker 1: well as a video of them facetiming each other. By
• 1:14:09
  Speaker 1: the way, it didn't even look like Snoop in the
• 1:14:11
  Speaker 1: FaceTime video. It wasn't Snoop. But here's what Snoop Dogg
• 1:14:15
  Speaker 1: had to say in response. Want you all to be
• 1:14:17
  Speaker 1: on a lookout for my new new TV show from
• 1:14:20
  Speaker 1: executive producer Big Snoop Dogg. This is a good one.
• 1:14:23
  Speaker 1: That's what it's called Cloud Chasers, coming soon, first episode
• 1:14:28
  Speaker 1: next week. This turn smile bitch up man. Okay, Snoop,
• 1:14:32
  Speaker 1: you live in your best life. You ain't going back
• 1:14:33
  Speaker 1: and forth with these niggas. So I don't know if
• 1:14:35
  Speaker 1: it's a real show called Cloud Chasers coming next week
• 1:14:38
  Speaker 1: and maybe this was promor for that or if it
• 1:14:40
  Speaker 1: was a joke, I'm not sure, but yeah, all right,
• 1:14:44
  Speaker 1: Kylie Jenner, let's discuss what her mom, Chris Jenner, had
• 1:14:48
  Speaker 1: to say about her being perhaps maybe the first youngest billionaire.
• 1:14:52
  Speaker 1: She was on the cover of Forbes magazine and if
• 1:14:55
  Speaker 1: she's going at the rate that she is, she'll be
• 1:14:57
  Speaker 1: a billionaire next time Forbes magazine. Next year's talk about
• 1:15:01
  Speaker 1: this list and she is going to be on. Kristanna
• 1:15:04
  Speaker 1: will be on Objectified. She sat down for an interview
• 1:15:07
  Speaker 1: un Objectified, and here's what she had to say about
• 1:15:09
  Speaker 1: her daughter knowing exactly what she wanted to do. On
• 1:15:12
  Speaker 1: November thirtieth, twenty fifteen, Kylie launched her first three lip
• 1:15:18
  Speaker 1: kits and this started her empire. She had a plan
• 1:15:22
  Speaker 1: for Kylie Cosmetics when she was seventeen and said, Okay,
• 1:15:26
  Speaker 1: I finally figured out what I want to do for
• 1:15:28
  Speaker 1: the rest of my life. And I'm like, WHOA, okay,
• 1:15:31
  Speaker 1: And she said it's going to be makeup. She had meetings,
• 1:15:34
  Speaker 1: she knew exactly who she wanted and what she wanted
• 1:15:37
  Speaker 1: and executed it and I think it was you know,
• 1:15:40
  Speaker 1: ten minutes later her product was sold out now. Kristenner
• 1:15:43
  Speaker 1: also talks about cheating on her late ex husband. Well
• 1:15:46
  Speaker 1: her before you go to let me ask you a question, right,
• 1:15:49
  Speaker 1: isn't this bamboozsement. She's selling lip kits to people, but
• 1:15:52
  Speaker 1: she's she's using fillers. Well she's not actually using it. Well, no, no,
• 1:15:56
  Speaker 1: she did use it. Lipkids really is just lipstick, so
• 1:15:59
  Speaker 1: it's a whole kit that it can make. If you
• 1:16:00
  Speaker 1: don't want to get lip fillers, you can fill it
• 1:16:03
  Speaker 1: in and make your lips look bigger. So she definitely
• 1:16:05
  Speaker 1: was using it. It's just lipstick. That was a level
• 1:16:08
  Speaker 1: up period of her life too, though, because she turned
• 1:16:10
  Speaker 1: eighteen so she became legal. She dumped Tiger and she
• 1:16:13
  Speaker 1: never looked back and divided the plane to become a billionaire. Yeah,
• 1:16:16
  Speaker 1: I mean, the lip Kids is really just lipstick, so
• 1:16:19
  Speaker 1: it's not you know, it's a whole kit, so it's
• 1:16:20
  Speaker 1: like a liner and then you can fill it in.
• 1:16:22
  Speaker 1: It's not like they're telling you you're gonna get bigger lips,
• 1:16:25
  Speaker 1: but you can give the illusion that you have bigger
• 1:16:28
  Speaker 1: lips all right now. In addition, Christianna talks about cheating
• 1:16:31
  Speaker 1: on her late husband and Rob Kardashian, not her son
• 1:16:34
  Speaker 1: Rob Kardashian, her late husband. One of my biggest regrets
• 1:16:38
  Speaker 1: in my life is that that marriage fell apart and
• 1:16:40
  Speaker 1: YE had an affair with a soccer player and I
• 1:16:43
  Speaker 1: did I did, which wasn't nothing I'm proud of, you know.
• 1:16:46
  Speaker 1: It's something that happened that I think everything I have
• 1:16:50
  Speaker 1: to live my life and feeling really good about some
• 1:16:53
  Speaker 1: of my choices. Did I love that choice? No, but
• 1:16:56
  Speaker 1: I feel like it led me to another place where
• 1:16:59
  Speaker 1: I then had Kindle and Kylie. So I always have
• 1:17:02
  Speaker 1: to look back and go that was I guess, unfortunately
• 1:17:06
  Speaker 1: the way it was supposed to come. That's true, Yetta,
• 1:17:08
  Speaker 1: look at the bright side. Also, cheating with oj bought Chloye.
• 1:17:11
  Speaker 1: So what I mean, you know, don't put those things out.
• 1:17:15
  Speaker 1: I'm sorry allegedly, Yeah, you look at the bright side
• 1:17:17
  Speaker 1: of things, all right, Cardie B. Everybody wants to get
• 1:17:19
  Speaker 1: those first baby pictures, and they've been getting offers around
• 1:17:23
  Speaker 1: one hundred thousand dollars or higher so far. Light that's
• 1:17:26
  Speaker 1: light so far. A lot of magazines and photo agencies
• 1:17:28
  Speaker 1: have been reaching out. Now, according to reports, both Cardie
• 1:17:32
  Speaker 1: and Offset have no desire to make a deal until
• 1:17:34
  Speaker 1: their daughters at least five or six months old, So
• 1:17:36
  Speaker 1: nothing's happening anytime too. I'm sure that number's gonna go
• 1:17:39
  Speaker 1: out dropping a clues bond for young culture. Damn it.
• 1:17:41
  Speaker 1: I hope they patented that name too. Hope they trademarked
• 1:17:44
  Speaker 1: that name. All right, and let's talk about gifts. Gifts, gifts.
• 1:17:47
  Speaker 1: Ti has bought Tiny a brand new car full of
• 1:17:50
  Speaker 1: gifts for her birthday. He shared a video on Instagram
• 1:17:53
  Speaker 1: of him surprising Tiny with a brand new black convertible,
• 1:17:56
  Speaker 1: red leather seats. It's a Ben's Yeah. More information about
• 1:17:59
  Speaker 1: this car, envy. Yeah, it's the bench Cooper to Ben's
• 1:18:02
  Speaker 1: five hundred. If you want to know price, it's about
• 1:18:05
  Speaker 1: one hundred and thirty thousand dollars and it was filled
• 1:18:06
  Speaker 1: in the back with Christian Lubaton shoes. So I mean
• 1:18:09
  Speaker 1: that's his wife. But now, I always turned to you
• 1:18:12
  Speaker 1: when this is some type of car situation, because I
• 1:18:15
  Speaker 1: know you know a lot more about cars than I do. Now,
• 1:18:17
  Speaker 1: she posted, thank you so much mister Harris for showing
• 1:18:20
  Speaker 1: up on my actual birthday and showing out. I really
• 1:18:22
  Speaker 1: really love this car and all the other nice gifts
• 1:18:24
  Speaker 1: and I just wanted to tell you how thankful I am,
• 1:18:26
  Speaker 1: regardless of whatever, you have done more for me. Regardless
• 1:18:29
  Speaker 1: of whatever, you have done more for me and show
• 1:18:31
  Speaker 1: me more love than most will ever have a man
• 1:18:33
  Speaker 1: to do given a lifetime, you know, and I appreciate
• 1:18:36
  Speaker 1: you for that. By the way, I'm having an amazing birthday.
• 1:18:38
  Speaker 1: Thank you to everyone who made this day a special one.
• 1:18:40
  Speaker 1: It's because Ti always lives his life like he's in
• 1:18:43
  Speaker 1: the doghouse as every man should. Drop on a clues
• 1:18:45
  Speaker 1: bombs with Ti okay pivoting out of the doghouse the
• 1:18:49
  Speaker 1: way we all should we Happy birthday to Tiny. All right,
• 1:18:52
  Speaker 1: I'm Angela Yee and that is your rumor reports. All right,
• 1:18:55
  Speaker 1: thank you, miss Yee. Now revolte. We'll see you guys tomorrow.
• 1:19:00
  Speaker 1: Everybody else to People's Choice mixes Up. Next, you want
• 1:19:02
  Speaker 1: to hear something at dj n V, get your requesting
• 1:19:05
  Speaker 1: right now. It's the Breakfast Club. Good morning.