Latest / Michelle Explains Anime, Poorly / Dorohedoro Ep. 10- Lonely Caiman/Before Nightmare/Manju Terror

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Dorohedoro Ep. 10- Lonely Caiman/Before Nightmare/Manju Terror · Michelle Explains Anime, Poorly

• 0:00
  Speaker 1: Hey, it's your person, Michelle. I suppose it's snowed last night, yay,
• 0:06
  Speaker 1: not that it matters. And if you're listening to this,
• 0:10
  Speaker 1: you know, on Thursday, the snow is probably gone already,
• 0:14
  Speaker 1: you know. So that's sad. And now I'm really sad
• 0:17
  Speaker 1: that there's no more snow in the future forever apparently
• 0:21
  Speaker 1: I don't know. And also if you don't live in
• 0:24
  Speaker 1: the area that I live, and you might not have
• 0:26
  Speaker 1: even gotten any snow, when you just feel really left out.
• 0:29
  Speaker 1: And for that, I'm really sorry. I didn't mean to
• 0:32
  Speaker 1: make you feel sad about your lack of snow unless
• 0:35
  Speaker 1: you're happy about that, which I don't really understand because
• 0:37
  Speaker 1: snow's cool. But I guess enough about snow, because why
• 0:41
  Speaker 1: am I talking about snow when I should be talking
• 0:43
  Speaker 1: about Doro Heidoro episode ten. So not have anything else
• 0:48
  Speaker 1: to talk about before that, thank god? Right, So we're
• 0:52
  Speaker 1: just gonna get right into it before we even start.
• 0:54
  Speaker 1: Just want to say I didn't remember like half of
• 0:57
  Speaker 1: the content of this episode at all, Like I don't
• 1:01
  Speaker 1: even remember where the first season ends, and I didn't
• 1:05
  Speaker 1: even remember this happened in the manga. That's how well
• 1:08
  Speaker 1: I read it. Apparently, so I really got to go
• 1:11
  Speaker 1: back and reread and finish the manga by the way,
• 1:15
  Speaker 1: but let's let's just get into it. I guess episode
• 1:19
  Speaker 1: ten of Dorjedoro is called three different things, because why not.
• 1:23
  Speaker 1: It's called Lonely kimen uh before nightmare and Manju Terror.
• 1:30
  Speaker 1: I'm pretty sure Netflix translated manju to what it actually is.
• 1:34
  Speaker 1: So when we come up on that and you're like,
• 1:36
  Speaker 1: what was this? We didn't talk about this, that's what
• 1:39
  Speaker 1: it was, or maybe I'll remember, who knows. Anyway, if
• 1:42
  Speaker 1: you remember from last week, we ended like in a
• 1:44
  Speaker 1: really rough place because like a giant mushroom came out
• 1:49
  Speaker 1: of Nikkaido's back and then it like got up and
• 1:53
  Speaker 1: got legs and arms and then had like End's face.
• 1:56
  Speaker 1: That was it. That's where we stopped. So if you
• 2:01
  Speaker 1: you care about the plot, we start this episode right there.
• 2:05
  Speaker 1: So the first thing we see is the Hungry Bug
• 2:08
  Speaker 1: sign with the private party like piece of paper sign
• 2:11
  Speaker 1: on it, so same night, and then we see the
• 2:15
  Speaker 1: mushroom with EN's face just wailing again, and Nikaido, who
• 2:20
  Speaker 1: is still on the floor because remember she's very hurt,
• 2:23
  Speaker 1: says n yeah, box just starts hitting it. With a
• 2:28
  Speaker 1: metal bat. Good for him, and he's like you monster, Nikido,
• 2:31
  Speaker 1: says Doc. The mushroom stops the bat with its mushroom hand,
• 2:36
  Speaker 1: and Box is like trying to pull it away, and
• 2:38
  Speaker 1: he's like you, and the n mushroom blows smoke at
• 2:41
  Speaker 1: him and he just fucking dissolves. Oh shit, Box, and
• 2:45
  Speaker 1: then there's like a bam and he turns into a
• 2:48
  Speaker 1: mushroom with like a black top that has his like
• 2:52
  Speaker 1: tattoo pattern on it, which I thought was pretty cool,
• 2:55
  Speaker 1: except that now I guess he's dead and this is
• 2:57
  Speaker 1: really bad. Johnson goes over and like locks arms with
• 3:02
  Speaker 1: the mushroom and he bites one of the mushroom's arms off,
• 3:06
  Speaker 1: and Kostu Kabi's like what the and he dives across
• 3:10
  Speaker 1: the floor and grabs the vox mushroom. So the end
• 3:14
  Speaker 1: mushroom spits smoke sludge slime stuff at Johnson's bottom leg,
• 3:18
  Speaker 1: turning it into a mushroom and causing him to fall over.
• 3:22
  Speaker 1: The mushroom is like about to spit some more black
• 3:25
  Speaker 1: smoke sludge, because that's not really smoke. It's like a
• 3:27
  Speaker 1: sludgy substance that comes out of its mouth that's not
• 3:31
  Speaker 1: very cool for anyone except for it, and it looks
• 3:35
  Speaker 1: like it's gonna do it again, and Costa Kabi's like Johnson.
• 3:38
  Speaker 1: And then we see the mushroom and get hit in
• 3:41
  Speaker 1: the face with like a bottle, and ni Kaido's like upstairs, hurry,
• 3:44
  Speaker 1: Costa Kabe says, come on, Johnson, and they all like
• 3:48
  Speaker 1: run for it, while the mushrooms face is like in
• 3:50
  Speaker 1: pain from the glass from the bottle, I guess. We
• 3:53
  Speaker 1: then cut to Nikkaido's back with many many bandages on it,
• 3:58
  Speaker 1: like there's like individuals like kind of gauze looking square
• 4:02
  Speaker 1: bandages like stuck on her. And then it's all like
• 4:05
  Speaker 1: wrapped around with like a big like gauze tape thing.
• 4:08
  Speaker 1: I think I'm not using the correct words here. And
• 4:11
  Speaker 1: then there's like blood kind of all around them, like
• 4:14
  Speaker 1: it's like keeping the blood in her body, you know,
• 4:17
  Speaker 1: like it's bleeding heavily, and the bandages are like barely stopping.
• 4:20
  Speaker 1: It is what I should have tried to say instead
• 4:22
  Speaker 1: of just keeping the blood in her body. But now
• 4:24
  Speaker 1: we got it more or less anyway, we hear thirteen
• 4:28
  Speaker 1: say that's the best I can do. They are sitting
• 4:31
  Speaker 1: her and thirteen on her bed and Nikido says thanks Thirteen.
• 4:36
  Speaker 1: At that there's a giant bang and the room just shakes,
• 4:39
  Speaker 1: and Thirteen's like, it's here. The door, by the way
• 4:43
  Speaker 1: is barricaded with like audio equipment, like speakers, and I
• 4:47
  Speaker 1: think there's like a reel to reel or whatever. I guess, yeah,
• 4:51
  Speaker 1: Nikido has a lot of audio stuff. But anyway, it
• 4:54
  Speaker 1: is very big and heavy and barricading the door, and
• 4:58
  Speaker 1: it's clear that the this thing is trying to break through.
• 5:02
  Speaker 1: You know, everything is shaking, and thirteen looks over and
• 5:05
  Speaker 1: is like, where are you going? He said that because
• 5:08
  Speaker 1: Nikido is climbing a ladder into probably an attic because
• 5:11
  Speaker 1: it's above her, and she says, I'll be right back.
• 5:14
  Speaker 1: Thirteen's like, huh, but wait, and then he gasps. We
• 5:18
  Speaker 1: cut to small Nikaido, you know, young Nikido with short hair,
• 5:24
  Speaker 1: with her back to us, and she looks like she's
• 5:27
  Speaker 1: in front of a red curtain. It's hard to tell,
• 5:29
  Speaker 1: and we hear a voice say Nikaido. She turns and
• 5:33
  Speaker 1: the voice says, come here. Nikido looks super happy and
• 5:36
  Speaker 1: she's like Asu and she runs over to him. Asu
• 5:39
  Speaker 1: is holding this green mask. It's like I guess Nikaido's mask.
• 5:44
  Speaker 1: So it's like green with like almost a couple of
• 5:47
  Speaker 1: little like, you know, kind of respirator brief things on it,
• 5:50
  Speaker 1: if that makes sense, you know, like filter things that
• 5:53
  Speaker 1: would like pop out sort of like that. I'm not
• 5:55
  Speaker 1: doing a good job of explaining it. And anyway, Asu says,
• 5:59
  Speaker 1: I made this a special for you because danger will
• 6:01
  Speaker 1: always follow you. Nikido takes it. Asu continues, this mask
• 6:06
  Speaker 1: has the power to enhance your magic. We now see
• 6:10
  Speaker 1: that mask hanging on a post in the attic, and
• 6:13
  Speaker 1: we hear Asu say it'll help you one day. That
• 6:17
  Speaker 1: was nice of him. I like a sue. Nikido is
• 6:21
  Speaker 1: staring at the mask and she says, if I wear this,
• 6:24
  Speaker 1: I might be able to beat it, but that'd also
• 6:26
  Speaker 1: mean I'd have to go back to being a sorcerer.
• 6:28
  Speaker 1: I think you still are a sorcerer, You're just not
• 6:30
  Speaker 1: a practicing one. Anyway. At this point, the door finally
• 6:35
  Speaker 1: gets kicked down. The audio equipment couldn't stop the mushroom,
• 6:38
  Speaker 1: and he walks in wailing again, and everybody kind of recoils.
• 6:43
  Speaker 1: But Nikaido jumps out of the attic and just like
• 6:46
  Speaker 1: kicks it right in the face and sends it flying
• 6:48
  Speaker 1: back into the hallway. She has the mask on and
• 6:51
  Speaker 1: she looks real fucking intense. The mushroom walks back in
• 6:54
  Speaker 1: and spits that smoke sludge stuff at Nikaido, but she
• 6:58
  Speaker 1: jumps out of the way up and then pushes off
• 7:01
  Speaker 1: the ceiling and knees the mushroom right in its mushroom
• 7:04
  Speaker 1: top and she's like, this ends now. She kicks it
• 7:08
  Speaker 1: in half somehow, I guess you can just do that.
• 7:12
  Speaker 1: So the mushroom is in half and bleeding all over
• 7:14
  Speaker 1: the place because it has blood. Nikaido stares at it intensely.
• 7:18
  Speaker 1: At Thirteen's like, is it dead, Casakabe is like, I'm
• 7:23
  Speaker 1: not sure. We shouldn't let our guard down. Blood just
• 7:26
  Speaker 1: pours out of the mushroom and covers the entire floor,
• 7:30
  Speaker 1: So yeah, I think it's dead. And then the blood
• 7:34
  Speaker 1: turns into a fucking door and they all just fall
• 7:36
  Speaker 1: through it. Great. The door closes and it disappears. Nikido
• 7:42
  Speaker 1: now on the floor somewhere, says ouch, and she starts
• 7:45
  Speaker 1: to get up. She looks up to see en Choda
• 7:49
  Speaker 1: and that like detective guard person standing in front of her,
• 7:52
  Speaker 1: and End's like, welcome Nikaido. Fuck And now we go
• 7:56
  Speaker 1: the opening theme, Yay, things aren't looking so good. Back
• 8:00
  Speaker 1: from the opening, we see the night sky with you know,
• 8:04
  Speaker 1: the floating house hanging out in it, and we get
• 8:07
  Speaker 1: a tidle cart on top that says lonely kimen. Oh.
• 8:10
  Speaker 1: We pan down from the sky to Kaimon, who was
• 8:12
  Speaker 1: sitting on a bench near an orange juice stand. Okay,
• 8:17
  Speaker 1: he yawns. I wasn't doing that for a fact, I
• 8:22
  Speaker 1: just can't say yawn without yawning. And he's like, I'm bored.
• 8:28
  Speaker 1: Fugiyama is also there, I guess, and he says, blue
• 8:31
  Speaker 1: night'll be over in a few hours. Did you find
• 8:33
  Speaker 1: who you were looking for? Kymon's like nope, no such luck.
• 8:37
  Speaker 1: Maybe he's not here. So where's boss? And Katian Fuiyama,
• 8:42
  Speaker 1: who is drinking orange juice, says they went to see
• 8:45
  Speaker 1: end to try to sell him their pies. Kaimon's like, oh.
• 8:49
  Speaker 1: We pan back up to the sky in the house
• 8:52
  Speaker 1: and three devils are flying out of it. Fuguiyama says,
• 8:56
  Speaker 1: that's strange. The devils are leaving the house. Let's wave
• 8:59
  Speaker 1: to them, and he waves and kind of it's like
• 9:02
  Speaker 1: uh oh okay, and waves too. The devil's weight back.
• 9:06
  Speaker 1: Things are weird. Now we're back to End and everyone else,
• 9:10
  Speaker 1: and End says, so, Nikaido, there are many things I
• 9:14
  Speaker 1: must ask you. But first, at this point, the top
• 9:17
  Speaker 1: of the mushroom you know would also fallen through the
• 9:19
  Speaker 1: door because everything did just comes back to life, and
• 9:23
  Speaker 1: it like wraps Nakaido up like you know, her kind
• 9:27
  Speaker 1: of torso so she can't move her arms with like
• 9:30
  Speaker 1: it's intestines or like insides of its body, and then
• 9:34
  Speaker 1: like slams her to the ground so it's on top
• 9:36
  Speaker 1: of her, restraining her weird at thirteen's like Nikaido En says,
• 9:41
  Speaker 1: I'll need you to stay puts and we hear thirteen
• 9:44
  Speaker 1: go you rooster her head and End's like hmm, thirteen
• 9:48
  Speaker 1: says what are you gonna do to her? Showed us like,
• 9:52
  Speaker 1: oh dear, did he just say rooster head? I guess
• 9:55
  Speaker 1: because Enn has red hair and it sticks up. N
• 9:59
  Speaker 1: undoes his mask clip that keeps his mouth closed and
• 10:03
  Speaker 1: blows smoke at thirteen and his head turns into a
• 10:05
  Speaker 1: mushroom and he falls to the floor. Ni Kido's like
• 10:08
  Speaker 1: thirteen and continues, Now I need answers, Nikaido, Are you
• 10:14
  Speaker 1: the sorcerer that can control time. M He looks over
• 10:19
  Speaker 1: and a devil with like a really long tongue with
• 10:22
  Speaker 1: like spiked cuffs on his arms flies in the window
• 10:25
  Speaker 1: and lands and gasps Cheat out Uma. Two other devils
• 10:30
  Speaker 1: also fly in in land, but this one is clearly
• 10:32
  Speaker 1: the main devil, and cheat ad Uma says, what's up
• 10:36
  Speaker 1: in It's been a long time. Why didn't you tell
• 10:38
  Speaker 1: me before? Eh? And is like uh, and he's kind
• 10:41
  Speaker 1: of sweating, and he's like, shouldn't you be in the house?
• 10:45
  Speaker 1: Cheat aud Uma holds up one of those little white
• 10:48
  Speaker 1: business cards with the blood drips on it, and he's like,
• 10:52
  Speaker 1: wake up. It's polite to give your card to great sorcerers.
• 10:55
  Speaker 1: And he holds it out to Nikaido. Oh that's what
• 10:58
  Speaker 1: that is. A devil in a striped shirt with a
• 11:01
  Speaker 1: long tongue is like, so she's the sorcerer who can
• 11:04
  Speaker 1: control time? Huh. He also has a card in his hand.
• 11:08
  Speaker 1: I guess ready to give it to Nikaido and Kastu
• 11:10
  Speaker 1: Kave says, so that was the devil's calling card and
• 11:14
  Speaker 1: Nikaido's magic n grabs Nikaido by the shoulders and Nikido
• 11:18
  Speaker 1: gasps and says, so you're the sorcerer that can control time.
• 11:22
  Speaker 1: Cut to a close up on the floating house exterior
• 11:25
  Speaker 1: of it, and then we see cheatao Uma standing in
• 11:29
  Speaker 1: the house. It's dark in there, and his arms are crossed.
• 11:31
  Speaker 1: He says, okay, let's get started with these contracts. N
• 11:36
  Speaker 1: has his hand on Nikaido's shoulder, who is tied up
• 11:40
  Speaker 1: and she's probably tape over her mouth, and he says,
• 11:44
  Speaker 1: let me introduce you. This is my partner, Nikaido. Fuck.
• 11:47
  Speaker 1: Everyone else is there too, by the way, Shin, Noi, Ebisu,
• 11:49
  Speaker 1: and Fujida, and Noi says, where did you find her?
• 11:54
  Speaker 1: Shin's like, well, she obviously was brought here by force.
• 11:59
  Speaker 1: Cheetaduma claps his hands twice and it's like okay, guys
• 12:02
  Speaker 1: and girls split up and go purify your bodies and says,
• 12:05
  Speaker 1: NOI take good care of her, and he pushes Nikaido forward.
• 12:08
  Speaker 1: Nikido kind of scowls. Noi puts her hands on Nicido's
• 12:12
  Speaker 1: shoulders and is like, nice to meet you, Nikaido. She
• 12:14
  Speaker 1: starts to lead her away and is like, huh have
• 12:17
  Speaker 1: we met before? Yes, you have. We now see some
• 12:22
  Speaker 1: sort of like maybe copper it's looking bowl with like
• 12:26
  Speaker 1: steaming water inside it, and we hear NOI say, we
• 12:29
  Speaker 1: use this water for washing. They are in like a
• 12:33
  Speaker 1: tile bathroom of some sort, and Ebbi Sue is standing
• 12:36
  Speaker 1: facing away from us, towards the wall, just wearing underwear,
• 12:40
  Speaker 1: like no bra or anything, just underwear underwear, sort of
• 12:43
  Speaker 1: like slumped over, and she says, I'm getting a tummy ache.
• 12:47
  Speaker 1: NOI who I think is untying Nikaido or something I
• 12:51
  Speaker 1: couldn't really tell says I told you not to eat
• 12:53
  Speaker 1: things you find lying around. Yeah, because she ate that
• 12:57
  Speaker 1: guy who was turned into a pie. Nikaido winces in
• 13:00
  Speaker 1: pain and noise like you're injured. I'll fix it for you,
• 13:04
  Speaker 1: And then to Ebbie, Sue says, I'll hold her you
• 13:07
  Speaker 1: wash Ebbie suit chuckles, and she holds up two scrub
• 13:11
  Speaker 1: brushes that she has for some reason and is like,
• 13:13
  Speaker 1: except your fates. Then we see steam and the ceiling
• 13:17
  Speaker 1: as Ni Kaito lets out a bunch of muffled screams
• 13:19
  Speaker 1: and we hear scrubbing noises. This is weird because it
• 13:23
  Speaker 1: was like almost supposed to be funny, but it's like
• 13:25
  Speaker 1: not funny at all. It's upsetting, So I'm not I
• 13:30
  Speaker 1: assume this was kind of an intentional weird juxtaposition thing,
• 13:33
  Speaker 1: dichotomy thing going on, but like it was weird anyway.
• 13:37
  Speaker 1: Now we see En, Shin and Fujita at it like
• 13:40
  Speaker 1: a small table, Fujita sitting and the other two are standing,
• 13:43
  Speaker 1: and there's like a bucket of roses on the table
• 13:45
  Speaker 1: and like teacups and stuff, and they are all wearing
• 13:48
  Speaker 1: white shirts that just say Blue Knight on them, which
• 13:51
  Speaker 1: is pretty cool that Lunar has merchandise, I guess, and
• 13:55
  Speaker 1: En says, I mainly feed kikarage. But before he can
• 13:58
  Speaker 1: tell me what he feeds Kiku, which I actually want
• 14:01
  Speaker 1: to know, the door opens and Noi, holding ni Kaido
• 14:04
  Speaker 1: under her arm, comes out and says, damn, that was rough.
• 14:07
  Speaker 1: Fuji does like, hey, where's Ebisu? Noi says, using the toilet. U. Oh,
• 14:13
  Speaker 1: Everyone except for Ebisu is now sitting at a long
• 14:16
  Speaker 1: reddish wooden table in a room that maybe looks like
• 14:20
  Speaker 1: a living room or something, and there's like knives hanging
• 14:24
  Speaker 1: on the wall like on hooks, and like a mace
• 14:27
  Speaker 1: and stuff. We see Nikaido, who just looks so exhausted
• 14:32
  Speaker 1: and scared at this point, which yeah, I would also
• 14:35
  Speaker 1: be those things really really scared, honestly, and she kind
• 14:39
  Speaker 1: of looks down the hallway and sees Asu standing there
• 14:41
  Speaker 1: like peering around the corner at her. At this point,
• 14:44
  Speaker 1: Chida Duma pulls like a handle out of a wood board.
• 14:48
  Speaker 1: Like it's a black kind of handle like you put
• 14:51
  Speaker 1: on a cabinet or something, but big, and it has
• 14:53
  Speaker 1: like instead of screws at the end where we connect,
• 14:55
  Speaker 1: these just spikes, massive spikes. Yeah, and he's like, let's
• 15:00
  Speaker 1: get this over with. Nikido gasps. I don't know what
• 15:03
  Speaker 1: that's for, but it would also make me gasp. One
• 15:06
  Speaker 1: of the other devils puts one hand on her head
• 15:09
  Speaker 1: and then the other arm around her neck so she
• 15:11
  Speaker 1: can't move and says stay still. Cheat out of him
• 15:14
  Speaker 1: as like ready, and he just like shoves the spikes
• 15:18
  Speaker 1: from the handle like right into her chest and he
• 15:22
  Speaker 1: Kido just gasps, and the handle like makes a door
• 15:26
  Speaker 1: open in her chest, like a door gets like cut out,
• 15:30
  Speaker 1: like a you know, rectangular area just opens up and
• 15:34
  Speaker 1: he just like opens it and inside is like you know,
• 15:39
  Speaker 1: Nikido's insides. I didn't see any organs, which I thought
• 15:42
  Speaker 1: was weird, but they're like muscly things, and I could
• 15:46
  Speaker 1: see her like ribs and stuff. I don't know what's
• 15:49
  Speaker 1: going on and anyway, he reaches inside of Nikaido and
• 15:54
  Speaker 1: she squirms, yeah, I don't know, and he pulls out
• 15:58
  Speaker 1: like this redish paper shaped like sheet that I'm assuming
• 16:04
  Speaker 1: is like part of her muscles or organs or something,
• 16:07
  Speaker 1: but it looks like a piece of paper. He says,
• 16:10
  Speaker 1: here in sign her contract with my pen, and takes
• 16:14
  Speaker 1: the pen and signs the piece of red thing, and
• 16:17
  Speaker 1: then we see End's chest being opened, and he doesn't
• 16:20
  Speaker 1: seem as upset about this obviously, and cheatad Uma is
• 16:24
  Speaker 1: like getting out the piece of paper and he's like,
• 16:25
  Speaker 1: now you do the same with End's contract. He sets
• 16:28
  Speaker 1: it down by Nikaido and then grabs her arm as
• 16:31
  Speaker 1: Nikido struggles, and he's like, come on, sign it. Fuck.
• 16:34
  Speaker 1: Nikido struggles and screams. We don't see her sign, but
• 16:38
  Speaker 1: I'm sure that they forced her to sign. And then
• 16:41
  Speaker 1: we go to Noi and Shin, who were sitting there
• 16:44
  Speaker 1: at the table with their chests open, signing casually, and
• 16:48
  Speaker 1: Cheataduma walks over and is like, okay, you two done signing.
• 16:52
  Speaker 1: He puts his hands on their shoulders and is like,
• 16:54
  Speaker 1: now exchange your contracts and put them back into your bodies.
• 16:57
  Speaker 1: They slide the contracts to each other and no, He's like,
• 17:00
  Speaker 1: great being your partner sent Pi, and Sin says same.
• 17:03
  Speaker 1: Here Chita Numa is like okay, you too, and he
• 17:09
  Speaker 1: like puts the contract back into Nikaido and Nikido's like no.
• 17:14
  Speaker 1: Then we cut to outside the house where Asu is
• 17:17
  Speaker 1: sitting at like the gable on the top of the
• 17:19
  Speaker 1: roof as Nikido just screams what. Also, the music in
• 17:26
  Speaker 1: the scene was so fucking weird because it was like
• 17:29
  Speaker 1: not scary or sad or anything. It was like weirdly upbeat. Again,
• 17:35
  Speaker 1: I've said before that I don't love the soundtrack. I
• 17:38
  Speaker 1: actually think it worked great here because it was so
• 17:42
  Speaker 1: fucking unsettling. I was it was like, what emotion are
• 17:45
  Speaker 1: you trying to get me to feel? Because this is
• 17:47
  Speaker 1: really really bad, And it's like no one else thinks
• 17:50
  Speaker 1: this is bad at all, except for of course Nikaido
• 17:53
  Speaker 1: and maybe Ahsu. But like the tone of the events,
• 17:57
  Speaker 1: besides being absurd, is just like, yeah, we're doing this,
• 18:01
  Speaker 1: we always do this. That's not good at all. So
• 18:06
  Speaker 1: I really liked this. I thought this was done really well.
• 18:10
  Speaker 1: But poor Ni Kaido, Like I have a thing about
• 18:16
  Speaker 1: being in control of my body, and I would not
• 18:18
  Speaker 1: want someone to open my chest and take out my
• 18:22
  Speaker 1: partner paper apparently that the sorcerers have and then forced
• 18:26
  Speaker 1: me to sign someone else. No, No, that sounds like
• 18:29
  Speaker 1: a fate worse than death, So I like totally feel
• 18:33
  Speaker 1: for her, I guess as much as I can for
• 18:37
  Speaker 1: this weird situation. But yeah, and apparently, I guess the
• 18:39
  Speaker 1: devils just don't really care if you object to having
• 18:43
  Speaker 1: a partner as long as they can force you to
• 18:45
  Speaker 1: sign a contract. That's fucked up. But anyway, let's continue.
• 18:50
  Speaker 1: We see Kimon picking up a big gioza off a
• 18:53
  Speaker 1: plate by some chopsticks, and he like chuckles and eats it.
• 18:57
  Speaker 1: I'm glad he got to eat one of the big
• 18:58
  Speaker 1: josas and we hear like four tones play over like
• 19:02
  Speaker 1: the intercom system, and someone says blue night is now
• 19:05
  Speaker 1: officially over. We pant up to the sky to the
• 19:08
  Speaker 1: house again, and the voice continues goodbye and good night. Fuck.
• 19:14
  Speaker 1: We see Fujita banging on the bathroom door I guess
• 19:17
  Speaker 1: inside the house still and he's like, damn, Ebisu, blue
• 19:20
  Speaker 1: Night's over. Fuck. We hear Ebisu say my stomach, and
• 19:24
  Speaker 1: then the toilet flushes Fujiita just kind of slides down
• 19:29
  Speaker 1: the door, totally devastated. Now we see a newspaper that
• 19:34
  Speaker 1: I can't read, but there's a picture of End's face
• 19:37
  Speaker 1: on it, so that's something. And we hear a voice
• 19:40
  Speaker 1: say in the news this morning, en Son finds a
• 19:43
  Speaker 1: new partner. Oh that it's news apparently, And then coffee
• 19:48
  Speaker 1: is just spilled across the paper and it's a gard
• 19:51
  Speaker 1: and he's like, oh, damn it. He and some other
• 19:54
  Speaker 1: guard guy are sitting at a table and what I
• 19:56
  Speaker 1: think is a breakroom probably, and there's some lockers behind
• 19:59
  Speaker 1: the table, and the sixty six to six news is
• 20:02
  Speaker 1: on the TV. Anyway. The guard's trying to wipe off
• 20:05
  Speaker 1: the paper, and we hear the reporter on TV say
• 20:08
  Speaker 1: he had long been searching for a sorcerer that could
• 20:10
  Speaker 1: control time. We cut to what is obviously a dungeon.
• 20:15
  Speaker 1: I mean, it is one of the most generic looking
• 20:18
  Speaker 1: dungeons I've seen. It's like got stone walls. It's like
• 20:21
  Speaker 1: kind of a hallway with stone walls, and at the
• 20:24
  Speaker 1: back of the hallway there's a like an arched entryway
• 20:28
  Speaker 1: that has bars over it, and on both sides of
• 20:31
  Speaker 1: the hallway there were like torches lighting it. Yeah, very
• 20:34
  Speaker 1: much a dungeon. Nothing more to say about that. And
• 20:38
  Speaker 1: then we see this guy who is like hanging upside
• 20:41
  Speaker 1: down against the wall, like really bloody and amaz seated
• 20:45
  Speaker 1: and gray, and for a second I thought this was
• 20:48
  Speaker 1: someone we knew, but it is a dead guy. That
• 20:52
  Speaker 1: is not someone we do, thank god, because he's really
• 20:54
  Speaker 1: really dead. And we hear a voice say, speak up,
• 20:58
  Speaker 1: where's the lizard guy? Next to the dead guy is
• 21:01
  Speaker 1: Kasukabe with his arms chained like up and he's pretty bloody.
• 21:06
  Speaker 1: And there's a guy with like a red devil mask
• 21:08
  Speaker 1: and like a mace standing in front of him, and
• 21:11
  Speaker 1: the guy says, tough, little punk orange, you come on,
• 21:14
  Speaker 1: let me hear you scream geez, and he hits him
• 21:17
  Speaker 1: in the side of the head with I guess the mace.
• 21:20
  Speaker 1: Kastu Kabe doesn't say anything for a second. He looks
• 21:23
  Speaker 1: kind of out of it. He's got a black eye.
• 21:26
  Speaker 1: I mean, he's obviously being tortured. But then he smiles
• 21:29
  Speaker 1: and kind of turns back and is like, my motto
• 21:31
  Speaker 1: is to stay calm at all times. Honestly, Kastu Kabe
• 21:35
  Speaker 1: is one of my favorite characters. I just think he's
• 21:37
  Speaker 1: really fucking cool. Anyway, he continues, but anyways, I'm really
• 21:41
  Speaker 1: hungry now. The guy's like shut up, and he hits
• 21:44
  Speaker 1: him in the face again. Johnson, who is also chained
• 21:47
  Speaker 1: up in this room, makes some clatter noises and is
• 21:50
  Speaker 1: trying to get free. Maybe he's upset that Kastu Kabe
• 21:53
  Speaker 1: is being injured. The guy then spits in some brown
• 21:57
  Speaker 1: stuff that's in a bowl. I don't know what the
• 21:59
  Speaker 1: b is. Maybe it's water, maybe they just have really
• 22:03
  Speaker 1: dirty water to drink, or maybe it's a soup, because there's,
• 22:05
  Speaker 1: like I think there's like a bowl of white stuff
• 22:07
  Speaker 1: that I was pretty sure was rice next to this
• 22:09
  Speaker 1: bowl of brown stuff. So he spits in it, you know,
• 22:13
  Speaker 1: which is not nice unless this is the spitting bowl,
• 22:16
  Speaker 1: which it might be, and he laughs, so probably not.
• 22:19
  Speaker 1: And he's like later and he leaves and the door
• 22:22
  Speaker 1: closes behind him. Johnson is like pulling on his restraints
• 22:26
  Speaker 1: and Kastu Kabe is now sitting, and he like blows
• 22:29
  Speaker 1: some blood out of his nose, you know, like he
• 22:32
  Speaker 1: presses down one nostril and blows, you know, like that happens,
• 22:37
  Speaker 1: and then Johnson takes his super long tongue and gets
• 22:40
  Speaker 1: all the way over to Kasta Kabe's face and starts
• 22:43
  Speaker 1: licking it. I don't know if he was trying to
• 22:47
  Speaker 1: be nice or if he just wanted to taste Costu
• 22:49
  Speaker 1: Kabe's blood. I think that's what it is. But let's
• 22:53
  Speaker 1: pretend that Johnson is just a sweetheart. And Costa Kabe says, ugh,
• 22:58
  Speaker 1: they're treating us as unfair as it gets. Why are
• 23:01
  Speaker 1: they selling tent on finding kaymen? He stands, well, not
• 23:06
  Speaker 1: that I know where he is right now, anyway, he
• 23:08
  Speaker 1: kind of laughs. We hear thirteen say Professor Costa Kabe.
• 23:14
  Speaker 1: Costa Kabe looks over, and you know, thirteen is on
• 23:18
  Speaker 1: the ground with the mushroom head still, and he's like,
• 23:21
  Speaker 1: how's Nikaido doing? We now see a small grated window,
• 23:27
  Speaker 1: and Nikido is sitting on the floor like looking real sad,
• 23:30
  Speaker 1: chained to a wall in a room that has tile walls,
• 23:34
  Speaker 1: but has like grass and mushrooms on the ground. So
• 23:37
  Speaker 1: it's a little nicer than where Costu Kabe and friends are.
• 23:42
  Speaker 1: Their floor is like grated, so I guess the blood
• 23:44
  Speaker 1: can just pour in there and it's easy to clean up.
• 23:46
  Speaker 1: It's like a metal grates so Nikaido's room is a
• 23:50
  Speaker 1: little bit more, you know, pleasant anyway. We hear Costa
• 23:54
  Speaker 1: Kabe say Nikaido Nikaido. Nikaido is like what and gasps,
• 23:59
  Speaker 1: and we see that the window is like at ground level,
• 24:04
  Speaker 1: like just to her right, and she's like, professor, look
• 24:08
  Speaker 1: at you. What happened. Costu Kabe is like, don't worry
• 24:11
  Speaker 1: about us. You look really pale. We cut to Nikido's
• 24:15
  Speaker 1: cuffed wrist, which is bloody like she's been trying to
• 24:21
  Speaker 1: escape and hurt herself, which makes me super upset, and
• 24:25
  Speaker 1: she says, I just hurt myself a little trying to
• 24:28
  Speaker 1: get out. I guess there's no escape. We see that
• 24:32
  Speaker 1: Castu kab is actually standing on Johnson to reach this window.
• 24:36
  Speaker 1: It's like all the way up at the top of
• 24:38
  Speaker 1: their cell, and he says, we'll figure something out, but
• 24:42
  Speaker 1: tell me, Nikaido, what went on between you and them?
• 24:45
  Speaker 1: We cut to black. Now we get like an amalgamation
• 24:50
  Speaker 1: of buildings, you know, all squished together, like a city
• 24:53
  Speaker 1: of some sort, with like pipes and ducts on the
• 24:56
  Speaker 1: exterior everywhere, and the lighting is just red, like we
• 24:59
  Speaker 1: have severe red filter on everything. There is an open
• 25:03
  Speaker 1: window and we start to pull in on it, and
• 25:06
  Speaker 1: Kimen is standing there like kind of leaning out of it,
• 25:09
  Speaker 1: and he sighs, and he kind of stands up all
• 25:12
  Speaker 1: the way and then turns to look inside the room.
• 25:15
  Speaker 1: He's in Its dark and sparse, and the pain is peeling,
• 25:19
  Speaker 1: and he's like, this place. I know this room, huh.
• 25:24
  Speaker 1: He looks down at his hands, still have gloves on
• 25:27
  Speaker 1: them like usual, but they're just covered in blood, and
• 25:29
  Speaker 1: he's like, what is this? Whose blood is this? It's
• 25:33
  Speaker 1: still fresh. He walks to the doorway. I have to
• 25:36
  Speaker 1: wash my hands. We see on the walls of the
• 25:40
  Speaker 1: room some like pieces of paper like taped to it
• 25:43
  Speaker 1: with like really crudely drawn upside down crosses on them.
• 25:47
  Speaker 1: Kind of makes me think that we're in the sorcer
• 25:49
  Speaker 1: a realm by the way. Anyway. He is now walking
• 25:52
  Speaker 1: down a narrow, featureless hallway with just one ceiling like
• 25:56
  Speaker 1: casting like a beam with like a reddish glow onto
• 25:59
  Speaker 1: the ground, and we're in first person perspective for a
• 26:02
  Speaker 1: little while, and Kimon says, strange, I feel like I
• 26:06
  Speaker 1: know this room. He gets to a doorway on the
• 26:10
  Speaker 1: side of the hall and gasps. There is blood coming
• 26:13
  Speaker 1: out from under it, and he says, more blood. He
• 26:18
  Speaker 1: puts his hand on the handle, then gasps and pulls back.
• 26:22
  Speaker 1: I mustn't open it. Rather, I feel like I've opened
• 26:26
  Speaker 1: it before and regretted doing so. He opens it anyway.
• 26:33
  Speaker 1: Inside the room, someone is laying face down on the
• 26:36
  Speaker 1: floor with blood all around them. It doesn't look like
• 26:39
  Speaker 1: a pool of blood so much as drag marks, which
• 26:41
  Speaker 1: is a little concerning. Not that a pool isn't concerning either.
• 26:46
  Speaker 1: Kimon gasps and is like a corpse. We can't see
• 26:49
  Speaker 1: the head of this person. It's definitely a guy. He
• 26:52
  Speaker 1: doesn't have a shirt on, but the head is like
• 26:55
  Speaker 1: furthest away from us, like into the room, so it's
• 26:59
  Speaker 1: too dark for us see that far. And then a
• 27:02
  Speaker 1: phone rings. Kimon gasps and looks down the hall where
• 27:06
  Speaker 1: there's just a you know, a wall phone attached to
• 27:08
  Speaker 1: the wall. It rings two more times, and we hear
• 27:11
  Speaker 1: him walk over to it, and he picks it up
• 27:13
  Speaker 1: and he's like, yes, there's a voice on the other end,
• 27:16
  Speaker 1: but it is so garbled and distorted and staticky that
• 27:20
  Speaker 1: he like has no idea what it says. And he's like,
• 27:23
  Speaker 1: who are you? What did you say? He hears a
• 27:26
  Speaker 1: squelching noise and looks back at the door with the
• 27:29
  Speaker 1: dead body in there, and flies, A bunch of flies
• 27:33
  Speaker 1: start to emerge from the room. Kimon gasps again and
• 27:38
  Speaker 1: puts his hand to his throat, and now we see
• 27:41
  Speaker 1: the very first bits of a shadow coming out of
• 27:44
  Speaker 1: the room, and Kymon's like, I can't breathe. The shadow,
• 27:49
  Speaker 1: who is very clearly now someone's profile emerges slightly further,
• 27:53
  Speaker 1: and then we cut the black. Kimon gasps and wakes up.
• 27:56
  Speaker 1: He is lying on like the bottom bunk in a
• 27:59
  Speaker 1: room with Fukuyama sleeping on the top bunk of a
• 28:02
  Speaker 1: bunk bed. He sighs and sits up pillows stuck to
• 28:06
  Speaker 1: his spikes and puts his hand over his face and says,
• 28:10
  Speaker 1: just a dream. He walks out of the room and
• 28:12
  Speaker 1: closes the door slightly. It kind of squeaks, and then
• 28:15
  Speaker 1: we pan down and see Tanva is also in the room,
• 28:18
  Speaker 1: lying in bed, completely awake. Now we see a Kespiel
• 28:22
  Speaker 1: Park sign, but it's not the same Kespiel Park sign
• 28:25
  Speaker 1: we saw last time that was just written on a rock.
• 28:27
  Speaker 1: This is like a stone, nice carved one with like
• 28:31
  Speaker 1: a devil head on top and stuff. So that's weird.
• 28:34
  Speaker 1: Kimon is sitting on a bench in the park in
• 28:36
  Speaker 1: front of like a really graffiti vine covered truck okay,
• 28:41
  Speaker 1: and he says, was that dream something from my memory?
• 28:45
  Speaker 1: Or was it just a dream? It's hard to tell
• 28:47
  Speaker 1: with dreams. He's thinking about the phone that rang, and
• 28:51
  Speaker 1: we hear him say, I feel like that phone call
• 28:53
  Speaker 1: was trying to tell me something important. He looks down
• 28:56
  Speaker 1: at his non bloody hands and says, but I can't
• 28:58
  Speaker 1: remember what he thinks of that alley, and we hear
• 29:03
  Speaker 1: him say free sue cross eyes, the headless corpse Niak
• 29:07
  Speaker 1: Kaido found, and the man in my mouth? Who the
• 29:11
  Speaker 1: hell am I? We see a brown moth on a
• 29:14
  Speaker 1: stone wall for a second, and then Kimon continues, if
• 29:19
  Speaker 1: I ever do get my memory back, will I still
• 29:21
  Speaker 1: be able to live with everyone in the hole. He
• 29:24
  Speaker 1: looks concerned with Niekaito, and then we hear tan Ba
• 29:27
  Speaker 1: say hey Kymon. Kimon gasps boss ton Bo walks over
• 29:32
  Speaker 1: to the bench and is like, you come here every night? Huh.
• 29:36
  Speaker 1: I just want to say that his walk to the
• 29:38
  Speaker 1: bench was super awkward. This is done with computer animation.
• 29:43
  Speaker 1: Can you make this look a little bit better? Please?
• 29:45
  Speaker 1: Like didn't look good anyway. Kymon's like, I guess. Tanba
• 29:50
  Speaker 1: sits next to him. Kimon continues, I just can't sleep,
• 29:53
  Speaker 1: Sorry for waking you. Tanba's like, you're lying. There must
• 29:57
  Speaker 1: be some reason for coming to Blue Night. Kimon's head
• 30:01
  Speaker 1: is like hanging down, and he says, it's none of
• 30:03
  Speaker 1: your business. Boss. Tan Ba grabs him by his spikes
• 30:07
  Speaker 1: and pulls him over as Kimon struggles, and he's like,
• 30:10
  Speaker 1: what did you just say? I'm your boss? Do you
• 30:12
  Speaker 1: hear me? Kymon's like fine, I'll tell you. Tomba, let's go.
• 30:16
  Speaker 1: And Kymon's like, damn, I lost my memory. I don't
• 30:21
  Speaker 1: know who made me like this, so I'm looking for
• 30:23
  Speaker 1: the guy who casts the spell on me. My only
• 30:26
  Speaker 1: clue is the Cross Eyes gang that hang out in
• 30:27
  Speaker 1: this park. Tomba says, so that's why you are penniless
• 30:31
  Speaker 1: and homeless, all right, He kind of gives him a
• 30:33
  Speaker 1: thumbs up. I'll help you out. Kymon's like, what, no,
• 30:37
  Speaker 1: you don't have to. Tmba puts his arm around Kymen's
• 30:41
  Speaker 1: neck and pulls him in and starts to give him
• 30:43
  Speaker 1: like a noogie and says, I said I'll help you.
• 30:46
  Speaker 1: So him helping you. Kimon struggles and is like, all right, fine, okay.
• 30:50
  Speaker 1: Tomba lets him go, and Kimon is like trying to
• 30:53
  Speaker 1: catch his breath, and he says, but why, what's in
• 30:57
  Speaker 1: it for you? I'm just like idiots. If someone needs help,
• 31:03
  Speaker 1: you help. Besides you say Tukuyama when there was nothing
• 31:06
  Speaker 1: in it for you. Kevin kind of gasps, says Boss
• 31:10
  Speaker 1: Tanba stands, walks a few steps and stops, but only
• 31:14
  Speaker 1: when there are no customers at the restaurants. All right,
• 31:18
  Speaker 1: let's get back to sleep. He walks a couple more steps.
• 31:21
  Speaker 1: Come to think of it, I know one he turns
• 31:23
  Speaker 1: and points to his eye, a guy with crosses over
• 31:26
  Speaker 1: his eyes. We go to black, and we hear Kim
• 31:28
  Speaker 1: and say what now? We are panting down on some
• 31:32
  Speaker 1: metal structure with like lots of rivets on it, and
• 31:35
  Speaker 1: there's like cranes next to it, or like maybe they're
• 31:37
  Speaker 1: stairways held by cranes. I don't really know. It's all metal.
• 31:42
  Speaker 1: And also on this building kind of hanging from it
• 31:44
  Speaker 1: is this giant noose with like a green I guess
• 31:47
  Speaker 1: stone devil hand holding it with a queue on it,
• 31:50
  Speaker 1: like qi a sheet I assume there's a door at
• 31:53
  Speaker 1: the bottom and it has an upside down pentagram on it,
• 31:56
  Speaker 1: and there are a couple of nooses hanging by the entryway,
• 31:59
  Speaker 1: and the path to get to this building has chain
• 32:02
  Speaker 1: link fences on both sides, and behind the chain link
• 32:06
  Speaker 1: fences are like these green probably stone hands because they're giant.
• 32:10
  Speaker 1: Kimon's like, what is this place? Kaimen, Tanba and Fukuyama
• 32:15
  Speaker 1: are walking towards it, and we get a title cart
• 32:17
  Speaker 1: on the ground that says scary sweet buns. That was
• 32:21
  Speaker 1: the mindju I was telling you about. Tanba says, a
• 32:24
  Speaker 1: jail the cross eyes I told you about was a
• 32:26
  Speaker 1: regular customer. They are walking across this like metal bridge
• 32:30
  Speaker 1: now with like chains like all over the place, and
• 32:33
  Speaker 1: there's a red light below it, and steam is coming
• 32:35
  Speaker 1: up and Kymen's like, man, it's hot. I can't breathe
• 32:38
  Speaker 1: with this mask on. Tanba says, the jail is the
• 32:42
  Speaker 1: closest place to Hell. The heat comes from the eternal
• 32:45
  Speaker 1: flames of Hell. Well, that's just wonderful. They're now walking downstairs,
• 32:49
  Speaker 1: so I guess getting closer to Hell, and Fukuyama sighs
• 32:52
  Speaker 1: and says the heat and humidity are gonna make the
• 32:55
  Speaker 1: pies spoil. We see them now, sweating and out of
• 32:59
  Speaker 1: breath in front of a bar door with a guard,
• 33:01
  Speaker 1: and the guard says, you made it here just in time.
• 33:04
  Speaker 1: She meets who's execution is today. He turns around and
• 33:08
  Speaker 1: opens the door. Kimon's like what, yeah, me too. A
• 33:12
  Speaker 1: guy is sitting inside on a bed with his head down,
• 33:15
  Speaker 1: wearing black and white striped uniform because he's in prison,
• 33:20
  Speaker 1: and we hear the guard say you got visitors. She
• 33:23
  Speaker 1: meets you. Shimizu looks up and he's like a mess.
• 33:27
  Speaker 1: Like the skin on his face is gone or melted
• 33:29
  Speaker 1: or burned. He does not look good, but he does
• 33:33
  Speaker 1: have crosses over his eyes. He's like tan the son
• 33:36
  Speaker 1: you came what they're friends. He has like terrible teeth,
• 33:41
  Speaker 1: like they're whittled down to almost nothing, and his head
• 33:44
  Speaker 1: is like really scarred all over too. He's just he's
• 33:46
  Speaker 1: a mess. And Tanva's like, yeah, I couldn't ignore your letter.
• 33:50
  Speaker 1: How you wanted to taste my pies one last time?
• 33:53
  Speaker 1: A real tear jerker. He holds out a bag to him.
• 33:58
  Speaker 1: Kimon gasps a cross eye. Yeah. Shimizu narrows like one
• 34:03
  Speaker 1: eye and is like quite a sight. Huh, I got
• 34:05
  Speaker 1: burnt when I was arrested. Tom Man kneels down next
• 34:08
  Speaker 1: to him and says, what did you do to get
• 34:10
  Speaker 1: yourself in this mess? Shimizu kind of chuckles, and it's like, oh, stupid,
• 34:15
  Speaker 1: I had a mail order business selling devilish sweet buns.
• 34:19
  Speaker 1: We get a shot of the buns in I guess,
• 34:22
  Speaker 1: in pink boxes, and there's like a devil lying down
• 34:27
  Speaker 1: almost suggestively, on the cover of each one, and there's
• 34:30
  Speaker 1: like pentagrams and it says akumanju, which I guess means
• 34:33
  Speaker 1: devil sweet buns on all of them. Then we see
• 34:36
  Speaker 1: what the sweet bun actually looks like, which is like
• 34:38
  Speaker 1: a little fun that's shaped like a little devil head
• 34:41
  Speaker 1: and it's being opened by someone and it's red inside.
• 34:44
  Speaker 1: Tom Besizen shakes his head. You should have known better anyway,
• 34:47
  Speaker 1: Eat your heart out. He lifts the box to him.
• 34:50
  Speaker 1: Shimizu takes it thanks, He takes one out and kind
• 34:53
  Speaker 1: of laughs, bakes crisper than my face. Fuck, dude, he
• 34:57
  Speaker 1: starts eating. Kaima is just staring at all the and yeah,
• 35:01
  Speaker 1: I'm a little bit concerned about all this, but I
• 35:02
  Speaker 1: will wait to talk about it until we get to
• 35:04
  Speaker 1: a good spot to stop. Anyway, Shimizu kind of realizes
• 35:08
  Speaker 1: Kamon is staring at him and looks up at Kaimen's
• 35:11
  Speaker 1: open mouth, and he just chumps on his head, and
• 35:13
  Speaker 1: then we go to black and we hear a chomp sound.
• 35:17
  Speaker 1: It's not very nice. He's already gonna get killed today.
• 35:20
  Speaker 1: Leave him alone. Anyway, we see Shimizu standing with the
• 35:23
  Speaker 1: pie and the box in Kaimen's mouth, and he's like, huh,
• 35:28
  Speaker 1: where am i. Fukuyama and tan Ba are trying to
• 35:31
  Speaker 1: pull Kaimen off of Shimizu's head, and Fukuyama's like, hey, Kimen.
• 35:35
  Speaker 1: Tanma says, what the hell you idiots? Back to Shimizu
• 35:38
  Speaker 1: inside the mouth, who gasps and turns to see Risu,
• 35:42
  Speaker 1: who's gying right now, towering over him with just glowing
• 35:45
  Speaker 1: red eyes. Shimizu's like, who are you? Reesu says you're
• 35:50
  Speaker 1: not the one she. Musu's like, Resu, no, you're you're
• 35:55
  Speaker 1: supposed to be dead. Fuck. They at this point pull Simi.
• 36:00
  Speaker 1: He's out of Kaimen's mouth, and everyone just like falls
• 36:02
  Speaker 1: back and hits the floor, and Tom was like, what
• 36:05
  Speaker 1: the fuck are you doing Fukiyama says, did he get
• 36:09
  Speaker 1: to you or something? He's not a pie. Kimon gets
• 36:12
  Speaker 1: up and grabs Shimizu by the collar and he says, hey,
• 36:15
  Speaker 1: what did the guy in there say. Shimizu looks real
• 36:18
  Speaker 1: fucking stressed, and he's like he his ghost said, I
• 36:22
  Speaker 1: wasn't it. Kaimon gasps, you know the guy in my mouth? Yeah.
• 36:27
  Speaker 1: Shimizu looks at Kaimen and gasps and it's like your eyes,
• 36:32
  Speaker 1: you're one of us? Did the boss send you here?
• 36:34
  Speaker 1: Kimon's like boss, and he puts him down. Shimizu's like yeah, him,
• 36:40
  Speaker 1: and he holds up his hands together, looking at them
• 36:44
  Speaker 1: like with his palms facing him. We don't really get
• 36:46
  Speaker 1: to see exactly what this person looks like, but he's
• 36:49
  Speaker 1: on the half of a face tattooed on one palm
• 36:51
  Speaker 1: and half tattooed on the other, so that when he
• 36:53
  Speaker 1: puts his hands together, you have a full face of
• 36:56
  Speaker 1: someone who I assume is the boss. Anyway, Fukuyama can
• 37:00
  Speaker 1: see it because of where he is in the room,
• 37:01
  Speaker 1: and he's like a face, but Kaimen is not over there,
• 37:04
  Speaker 1: and he's like, hey, let me see. He goes to
• 37:07
  Speaker 1: grab Shimizu's hands so we can see it, but a
• 37:10
  Speaker 1: noose just suddenly drops down and goes around Shimizu's neck
• 37:14
  Speaker 1: and pulls him up. There's this big green devil on
• 37:17
  Speaker 1: the ceiling and he's like, it's time for your execution. Fuck.
• 37:22
  Speaker 1: Shimizu is being pulled into this devil's giant mouth where
• 37:27
  Speaker 1: there's like a red light coming out of it, and
• 37:28
  Speaker 1: Kaymon's like wait. He grabs Shimizu by the legs and
• 37:32
  Speaker 1: he's getting pulled up too, and he's like hold on.
• 37:34
  Speaker 1: Tom was like, don't be stupid, kim and let go,
• 37:37
  Speaker 1: and Fukuyama says, you get dragged hell too. They are
• 37:40
  Speaker 1: both trying to pull him down, and Kaymon's like hell, yes,
• 37:44
  Speaker 1: Kime and hell inside the mouth is swirling red as
• 37:50
  Speaker 1: they are all being pulled in at this point, and
• 37:52
  Speaker 1: suddenly Asul appears jumps in and slices Simizu's feet off
• 37:58
  Speaker 1: with a pitchfork. Everybody else falls because Kimon was holding
• 38:02
  Speaker 1: on to Shimizu's feet. So yeah, the devil finishes sucking
• 38:07
  Speaker 1: Siemizu up and like chomps down and some blood spurts out,
• 38:11
  Speaker 1: and then we see Kaimon who sits up really quickly
• 38:13
  Speaker 1: and says shit. We hear Azu say lizard man kaymen.
• 38:18
  Speaker 1: Kaimon gasps and looks up. Osu is standing over him.
• 38:22
  Speaker 1: Kymon's like another devil. Asu says, your friend Nikaido is
• 38:26
  Speaker 1: locked up and ends mansion and is in danger. Please
• 38:30
  Speaker 1: go save her. He backs away and he like disappears
• 38:33
  Speaker 1: like into this like rip in space time that kind
• 38:36
  Speaker 1: of just goes away after he goes in, Kimon's like,
• 38:41
  Speaker 1: Ni Kaido is what's going on? We cut to two
• 38:44
  Speaker 1: knives being sheathed, and then to Kaimen, who is ready
• 38:47
  Speaker 1: to go yeah, standing in the like I guess their
• 38:51
  Speaker 1: living room. Tanba and Fukuyama are standing like in the doorway,
• 38:54
  Speaker 1: and Tanba, who is leaning against the doorframe, says, Kimon,
• 38:57
  Speaker 1: you better not be thinking of going to End's mansion.
• 39:00
  Speaker 1: Kind of it's like, boss, who is this End guy?
• 39:03
  Speaker 1: Tana says, A big shot that owns a lot of businesses,
• 39:06
  Speaker 1: a dangerous guy that turns anyone in his way into
• 39:09
  Speaker 1: a mushroom. Fukuyama puts his hand to his chin and
• 39:12
  Speaker 1: is like, he's the one behind that case. We get
• 39:17
  Speaker 1: a black and white photo of a city from above
• 39:19
  Speaker 1: with ornate buildings kind of like old buildings and it
• 39:23
  Speaker 1: has like a river running through it with like three
• 39:25
  Speaker 1: bridges and stuff. It's city. And we hear Fukuyama say,
• 39:29
  Speaker 1: one day, six years ago, a city called Mastima was
• 39:33
  Speaker 1: engulfed in black smoke. We hear it like the shutter
• 39:36
  Speaker 1: of the camera click, and then we see a new
• 39:38
  Speaker 1: picture and there's a plume of black smoke coming out
• 39:41
  Speaker 1: of one of the areas of the city, and then
• 39:44
  Speaker 1: the shutter clicks again and we see more black smoke,
• 39:47
  Speaker 1: and then the shutter clicks again. Then we see mushrooms
• 39:50
  Speaker 1: all over with like spiderwebs on them, Fukuyama says. A
• 39:54
  Speaker 1: few minutes later, there's another click and we see just
• 39:58
  Speaker 1: a ton of mushrooms on a city street. Fukuyama continues,
• 40:01
  Speaker 1: the smoke lifted in every living and non living thing
• 40:04
  Speaker 1: had become a mushroom. Yeah, that's not true. There's a
• 40:07
  Speaker 1: lamp post in this picture, and there's buildings, so I
• 40:10
  Speaker 1: don't know what everyone's talking about. A lot of things
• 40:12
  Speaker 1: became mushrooms, but not every non living thing, but whatever.
• 40:16
  Speaker 1: We get another shutter click and we see more mushrooms,
• 40:20
  Speaker 1: and then another click and the city from above kind
• 40:22
  Speaker 1: of like we were seeing it in the beginning, with
• 40:25
  Speaker 1: just giant mushrooms everywhere except for on the top of
• 40:28
  Speaker 1: some buildings that should be mushrooms, and also a bridge
• 40:30
  Speaker 1: that is not a mushroom. Fuku Yama continues, it's the
• 40:33
  Speaker 1: case of the mushrooms of death. Everything is still shrouded
• 40:37
  Speaker 1: in mystery. Hmm. It's still a legend among sorcerers. It's
• 40:42
  Speaker 1: only been six years, so that makes sense. Back to now,
• 40:46
  Speaker 1: Kaimon starts to walk towards them, you know, so he
• 40:49
  Speaker 1: can leave the room and says, I see, sorry, but
• 40:52
  Speaker 1: I'll be gone for a while. He's starting to walk
• 40:54
  Speaker 1: down the hallway. Now. They both yell his name, and
• 40:58
  Speaker 1: he stops kind of at a doorway, but he doesn't
• 41:01
  Speaker 1: look back and says, you can fire me if you want.
• 41:05
  Speaker 1: Tanva's like, aren't you being a bit over confident? Fukiyama says,
• 41:09
  Speaker 1: is it because it's a girl you want to save?
• 41:12
  Speaker 1: I think he meant like, do you care about her?
• 41:15
  Speaker 1: Not that she's a person I don't know. Kymon's like,
• 41:19
  Speaker 1: it's nothing like that. Tanva says, you'll die. Kymen's like,
• 41:24
  Speaker 1: I'm going to save my friend. It'd be pointless if
• 41:26
  Speaker 1: I died. It's actually fucking pretty cool, Kimon, and he
• 41:29
  Speaker 1: starts to walk again. Tanva's like, oh yeah, actually, I'm
• 41:33
  Speaker 1: going to ends place tomorrow to set up a pie stall.
• 41:36
  Speaker 1: Kimon is walking down the stairs at this point. Tanba continues,
• 41:40
  Speaker 1: but if you want to quit, I won't stop you.
• 41:42
  Speaker 1: Kaimon starts to walk back up the stairs like reversed
• 41:46
  Speaker 1: like he doesn't turn around. Now we see a cockroach
• 41:49
  Speaker 1: scurrying across a bloody metal grates, being all cockroach like,
• 41:54
  Speaker 1: and then we see Kasu Kabe laying down for the
• 41:57
  Speaker 1: most part with his head kind of propped against a wall,
• 41:59
  Speaker 1: while john is like sitting in the corner. Costu Kabi's like,
• 42:03
  Speaker 1: I'm getting bored of this. Johnson is watching the cockroach
• 42:07
  Speaker 1: and then like kind of crawls on him, and he's
• 42:09
  Speaker 1: just kind of looking at it and stuff. Cosukabbe continues,
• 42:12
  Speaker 1: I suppose our minds and bodies will fade away in
• 42:15
  Speaker 1: this filthy place. Johnson starts talking to the cockroach baby
• 42:19
  Speaker 1: in cockroach language. Costa Kave's like, you made a friend,
• 42:23
  Speaker 1: good for you, Johnson, and Johnson's cuffs just unlock yi me.
• 42:27
  Speaker 1: He gets up and yells. Cosu Kabi's like, the little
• 42:30
  Speaker 1: guy unlocked your handcuffs. Fuck, cockroaches are awesome. Johnson is
• 42:34
  Speaker 1: now like stamping around super happy. Costu Kabe is like,
• 42:38
  Speaker 1: can it open the door too? He points to the door. Obviously,
• 42:42
  Speaker 1: Johnson like clatters to it and the cockroach flies over
• 42:45
  Speaker 1: to the handle and lands on it, and then we
• 42:47
  Speaker 1: hear it unlock. This cockroach is like amazing. Now we
• 42:51
  Speaker 1: see Costa Kabe reaching up to the grated window where
• 42:55
  Speaker 1: Nikaido is and he says, Nikkaido kun, we can get
• 42:58
  Speaker 1: out of here. Let's any real that her cell is empty,
• 43:02
  Speaker 1: and he's like, uh oh, I guess we're too late.
• 43:05
  Speaker 1: Now we see Nikaido. Her eyes are closed and she's
• 43:08
  Speaker 1: sitting on like a really fancy red chair in a
• 43:11
  Speaker 1: dark room with lots of hooks dangling, which is concerning,
• 43:16
  Speaker 1: and we hear Chee Dao Uma say, I still can't
• 43:19
  Speaker 1: believe it. He and n are standing in front of
• 43:21
  Speaker 1: Nikato looking at her in a really large room with
• 43:24
  Speaker 1: these hooks and maybe there's kind of body bags hanging.
• 43:28
  Speaker 1: So I'm thinking this is like a freezer or like
• 43:29
  Speaker 1: a meat locker, but I'm not sure anyway, Cheeta Ruma
• 43:33
  Speaker 1: says there really is a sorcerer that can control time,
• 43:37
  Speaker 1: and it's like it's strange that she wasn't known by
• 43:39
  Speaker 1: any of your informers. Here's her mask. He hands Nikato's
• 43:44
  Speaker 1: mask to him. Cheeta Rauma looks at it and is like,
• 43:47
  Speaker 1: this is us who's doing I knew he was hiding
• 43:49
  Speaker 1: something from me. Oh, and it's like, anyway, I need
• 43:53
  Speaker 1: you to transform it into something suitable for my partner.
• 43:57
  Speaker 1: China Ruma says, sure, thing her something perfect. I don't
• 44:02
  Speaker 1: like that. We now see some cakes on the table
• 44:05
  Speaker 1: and Kikaragae sniffs at a slice of strawberry shortcake and
• 44:09
  Speaker 1: then he starts licking the icing and we hear En say,
• 44:13
  Speaker 1: is everyone here. Kikarake looks up and is like yeah,
• 44:17
  Speaker 1: and is standing next to Nikaido. He has his hand
• 44:20
  Speaker 1: on her back, and she's wearing this kind of orange
• 44:23
  Speaker 1: jumpsuit with this like black belt and arm cuffs that
• 44:26
  Speaker 1: kind of look like they have wings on them. I
• 44:27
  Speaker 1: don't really know, and En says, let me introduce you
• 44:32
  Speaker 1: to her again. This is my partner, Nikaido. Nikaido is
• 44:36
  Speaker 1: also wearing what I think is a mask. It's very odd,
• 44:39
  Speaker 1: so it looks like a mask that like just comes
• 44:42
  Speaker 1: up above her nose, but it's clear, so we're just
• 44:45
  Speaker 1: seeing like a little metal rim of it, like above
• 44:47
  Speaker 1: her nose, you know, between her nose and her eyes.
• 44:50
  Speaker 1: And she says, nice to meet you. Eby Sue, who
• 44:53
  Speaker 1: is holding Kikarake, says a new mask. NOI is sitting
• 44:57
  Speaker 1: on the couch with Chin and says she's kind down
• 45:00
  Speaker 1: a lot. She really resisted signing the contract. Yeah, I
• 45:04
  Speaker 1: should also say that. Nikaido looks totally totally blank at
• 45:08
  Speaker 1: this point, and then says, you and Shinn both signed
• 45:11
  Speaker 1: your contracts voluntarily, so you may not have noticed, but
• 45:15
  Speaker 1: the Devil's contract keeps both of you the power to
• 45:18
  Speaker 1: control each other. What Sin's like? What really? Yeah? Apparently
• 45:23
  Speaker 1: and always like oh. Then we hear Fujita say I
• 45:26
  Speaker 1: disagree with this. Yeah, stand up for someone who's being
• 45:29
  Speaker 1: basically enslaved. Fujiita. The camera pans to him and he's
• 45:33
  Speaker 1: standing next to the couch with his fists clenched, and
• 45:37
  Speaker 1: he continues and son, she killed Matsumura with the lizard guy.
• 45:41
  Speaker 1: She even tried to kill Ebisu. Ebisu looks up from
• 45:44
  Speaker 1: eating cake with Kikaragae, and Fujia continues she's dangerous. She
• 45:48
  Speaker 1: could try to kill you at any time. Oh so
• 45:50
  Speaker 1: Fujita is not nice. He just doesn't like her anyway.
• 45:54
  Speaker 1: End's like, I told you we have a contract, Fujita says,
• 45:57
  Speaker 1: but and cuts him off. Forget your grudge against Nikaido,
• 46:01
  Speaker 1: focus on your hate for the lizard guy instead. Nikado
• 46:04
  Speaker 1: still looks super blank and then continues, she's my partner,
• 46:07
  Speaker 1: and don't forget it. Fujita is quiet for a second,
• 46:10
  Speaker 1: and he says, yes, sir. We get a stand like
• 46:14
  Speaker 1: a cart somewhere with like a red sign, like a
• 46:18
  Speaker 1: weird Dutch angles sort of, and the guy who works
• 46:21
  Speaker 1: at the stand is like hot potatoes. Ebisu runs over
• 46:25
  Speaker 1: and is like, give me one. The guy's like sure,
• 46:27
  Speaker 1: and we hear Ebisu say with lots of butter. Behind
• 46:31
  Speaker 1: Ebi Su, who's standing at the stand obviously, Pujita is
• 46:35
  Speaker 1: sitting in like a green space looking at Matsumata's guts
• 46:39
  Speaker 1: necklace that he made sadly gross. Ebisu walks over, eating
• 46:44
  Speaker 1: the potato, and Pujita is like, Matsumura and told me
• 46:48
  Speaker 1: to forget it. But how can I get along with
• 46:51
  Speaker 1: someone who killed my best friend? Ebisu is standing behind
• 46:55
  Speaker 1: him just listening, he continues, but I don't have the
• 46:58
  Speaker 1: courage to leap the family. He takes off his mask
• 47:01
  Speaker 1: and this is all traditional animation. Looks great, and he
• 47:03
  Speaker 1: starts to cry, I'm such a coward. I'm sorry, Matsumura,
• 47:07
  Speaker 1: damn it. He wipes his face with the back of
• 47:10
  Speaker 1: his hand and we hear Ebisu say Fuji. Fujita looks
• 47:14
  Speaker 1: up and gasps. Ebisu has their arms out of the
• 47:17
  Speaker 1: side and says, come cry in my arms. Fujia's like
• 47:21
  Speaker 1: oh and smiles, Ebi, su are you trying to cheer
• 47:25
  Speaker 1: me up? It's actually really fucking sweet. As this is
• 47:28
  Speaker 1: happening a very clearly Johnson arm reaches into the frame
• 47:34
  Speaker 1: and grabs Fujita's backpack, which is just sitting next to
• 47:37
  Speaker 1: him on the ground. Fujita pats Ebisu's head and is like,
• 47:41
  Speaker 1: thank you. Johnson pulls the bag away. Fujia says, hey, Ebisu,
• 47:46
  Speaker 1: do you and then there's this bang and we hear
• 47:49
  Speaker 1: like a whimper. Fujia gasps and turns and the stand
• 47:54
  Speaker 1: the potato stand is like partially knocked over, and kasu
• 47:56
  Speaker 1: Kabe is pointing a gun at the stand guy while
• 47:59
  Speaker 1: he He's on his knees with his hands on his head,
• 48:02
  Speaker 1: and Johnson is there too, with thirteen on his back.
• 48:04
  Speaker 1: Costu Kabe says, sorry, but I'm taking your food. The
• 48:07
  Speaker 1: guy kind of squeals, and Johnson is munching on a
• 48:11
  Speaker 1: potato and Ebisu screams and starts like running. Fujita says, hey,
• 48:16
  Speaker 1: that's my gun, and he looks at Coastu kave, I've
• 48:19
  Speaker 1: seen them before. Ebi Su, who is behind a bush,
• 48:23
  Speaker 1: kind of peers out and says something that I think
• 48:25
  Speaker 1: is translated weird. So I'm gonna just say central worms.
• 48:29
  Speaker 1: Fuji is like, that's it. They must have been brought
• 48:31
  Speaker 1: here with Nikaido. Ebi Su jumps out from behind the
• 48:34
  Speaker 1: bush and starts to sing and dance the triangle out
• 48:38
  Speaker 1: in sea. She just keeps going, well this is happening.
• 48:42
  Speaker 1: Fuji dos like the potato shop guy's in danger. Ebisu,
• 48:45
  Speaker 1: who's still dancing, transform into a lizard and kill them.
• 48:49
  Speaker 1: Ebisu's like what, Fujia continues, you can do it. We
• 48:53
  Speaker 1: have to save him. He turns back around. Hey, you two,
• 48:57
  Speaker 1: Johnson and Kastu Kabe look up. He continue, Let the
• 49:00
  Speaker 1: potato shop guy go or die? He turns back to Ebisu.
• 49:04
  Speaker 1: Come on, Ebbi, sue, Ebisu kind of chance this sort
• 49:08
  Speaker 1: of I guess, he says. Fuji does the worst. There
• 49:11
  Speaker 1: is penniless, luckless, friendless too, always crying over Matsumura, useless, worthless.
• 49:17
  Speaker 1: Fuji doa man, He just can't get a break. She
• 49:20
  Speaker 1: raises her arms to the side, both sides and says
• 49:23
  Speaker 1: transform And there's a large puff up black smoke. Kasukabe
• 49:27
  Speaker 1: and Johnson obviously look concerned, and Fuji just smiles and
• 49:31
  Speaker 1: the smoke clears, revealing like this, I don't even know
• 49:35
  Speaker 1: what to call this. It's like Ebisu's mask head with
• 49:40
  Speaker 1: like a litterly snakyish body but not really like almost
• 49:44
  Speaker 1: like a lizard that has legs, but they're like really puny,
• 49:46
  Speaker 1: and they just have one little claw at the end.
• 49:48
  Speaker 1: And she's just kind of writhing on the ground. Yeah,
• 49:51
  Speaker 1: and she's small too. This is not gonna help anyone.
• 49:54
  Speaker 1: Fuji does like what happened, Ebisu. He runs over and
• 49:57
  Speaker 1: bends down and Nebi SU's like smoke. Kasukabe says, sorry,
• 50:03
  Speaker 1: but if you're gonna get in my way, I'll have
• 50:05
  Speaker 1: to shoot you. He points to the gun at them.
• 50:08
  Speaker 1: I wouldn't usually do this, but I have no choice. Yeah,
• 50:12
  Speaker 1: Fuja just scowls and kind of attempts to shield Ebi
• 50:15
  Speaker 1: Sue as she starts to cry. And then Noi jumps
• 50:19
  Speaker 1: onto Johnson from out of nowhere and knocking him to
• 50:21
  Speaker 1: the ground and like holding him down, and Kastu Kabe
• 50:23
  Speaker 1: gasps and looks back at them, and then when he
• 50:26
  Speaker 1: turns back around, Shin is like right in front of
• 50:28
  Speaker 1: him and he shoots a Chin, but Chin evades. Then
• 50:32
  Speaker 1: Shin goes for him with the hammer in slow motion
• 50:35
  Speaker 1: and just cuts off part of kasu Kabe's arm, like
• 50:40
  Speaker 1: just the forearm parts with the gun in his hands,
• 50:43
  Speaker 1: and kasu Kabi falls to the ground and as he does,
• 50:45
  Speaker 1: his arm is also falling to the ground, and his
• 50:47
  Speaker 1: hand drops the gun obviously because it's not connected anything anymore.
• 50:51
  Speaker 1: Shin then steps on Kastu Kabe's chest and says, I'll
• 50:54
  Speaker 1: let you choose what gets busted. He points to his head,
• 50:56
  Speaker 1: your brains, your heart there black and there's like a
• 51:00
  Speaker 1: maybe a gunshot. There's definitely a sound that I wasn't sure,
• 51:03
  Speaker 1: like a bang type sound. And then we go to
• 51:07
  Speaker 1: the ending theme, which is second's fly by no Name again,
• 51:11
  Speaker 1: So new ending, but it's kind of like a remix
• 51:14
  Speaker 1: of a lot of the other endings, all of the
• 51:16
  Speaker 1: other endings, so just get like parts of them in
• 51:19
  Speaker 1: like different colors and stuff. It's fine anyway. What we
• 51:24
  Speaker 1: learned in episode ten, n got ni Kaido Kymen's nightmares
• 51:30
  Speaker 1: are hints about his past. We actually didn't learn that.
• 51:33
  Speaker 1: You just told us that, thanks Devilish sweet buns are
• 51:37
  Speaker 1: deadly What what we'll learn an episode eleven is still
• 51:42
  Speaker 1: hidden in chaos and that is Doro, Hey Doro, and
• 51:46
  Speaker 1: that's it. Yeay, okay. Then closing thoughts, Yeah, like I
• 51:53
  Speaker 1: said when I started, I didn't remember like any of
• 51:56
  Speaker 1: this episode, and I really liked it. A lot of
• 52:00
  Speaker 1: stuff is going on, obviously, But the whole thing that
• 52:02
  Speaker 1: about Nikkaido, like losing her autonomy and I guess being
• 52:07
  Speaker 1: more or less brainwashed, is real fucking scary to me.
• 52:09
  Speaker 1: Like that's my one of my big fears, like not
• 52:13
  Speaker 1: being in control of my life, which I think I
• 52:16
  Speaker 1: just said a couple of minutes ago. But yeah, it
• 52:20
  Speaker 1: seems like maybe the sorcerers are really big pieces of shit,
• 52:23
  Speaker 1: like because it's kind of hard to tell, you know,
• 52:26
  Speaker 1: what world you should root for, because I mean, yeah,
• 52:29
  Speaker 1: the Sorcerers are really terrible. Yeah they're terrible. They're they're
• 52:33
  Speaker 1: experimenting on people. But you know, I didn't want to
• 52:35
  Speaker 1: be like, well, the whole society is shit, but it
• 52:37
  Speaker 1: is obviously, so I wanted to talk about that. It
• 52:41
  Speaker 1: seems like there's not like a government or anything exactly
• 52:47
  Speaker 1: in the Sorcerer realm. It's just that the Devil's rule,
• 52:52
  Speaker 1: and I don't think that's great. I think they kind
• 52:54
  Speaker 1: of suck. Obviously, they let you get forced into contracts
• 52:58
  Speaker 1: and they let people get killed all the time. But
• 53:02
  Speaker 1: also the thing about Shimizu and the buns that he
• 53:06
  Speaker 1: was selling that looked like little devil heads. No one
• 53:09
  Speaker 1: said that they killed anyone guy at the very end
• 53:12
  Speaker 1: of the episode, I kind of assume, like we didn't
• 53:15
  Speaker 1: get a really clear understanding of what happened, but I
• 53:18
  Speaker 1: kind of assume it was like, either you're not supposed
• 53:22
  Speaker 1: to take the devil's likeness in vain kind of or yeah,
• 53:27
  Speaker 1: I mean it's it's probably that either shaping the bun
• 53:29
  Speaker 1: like a little devil or like having like a slightly
• 53:32
  Speaker 1: suggestive laying down devil on the box was not a
• 53:36
  Speaker 1: good idea and got him in trouble, and he should
• 53:38
  Speaker 1: have known better. That's not a good society when you
• 53:41
  Speaker 1: can't poke fun at your leadership. So I don't really
• 53:46
  Speaker 1: like the source of a realm. Seems like a bad place.
• 53:49
  Speaker 1: I would not want to be there, much rather be
• 53:52
  Speaker 1: in the hole where it's just terrible. But at least
• 53:57
  Speaker 1: no one is gonna put me in a prison and
• 54:00
  Speaker 1: then you get eaten by a devil and go to hell.
• 54:02
  Speaker 1: This is bad, guys, this is really bad. So I've
• 54:06
  Speaker 1: got all that going on, We get all the stuff
• 54:08
  Speaker 1: with Nikaido. I mean, that's pretty much it. That's pretty
• 54:13
  Speaker 1: much where we are. It'll be interesting to see what
• 54:15
  Speaker 1: happens with Johnson and Kasukabe and co. Now that they
• 54:20
  Speaker 1: have escaped, or if they can escape, which I do
• 54:24
  Speaker 1: actually remember, thank god. But it'll be fun. It'll be
• 54:28
  Speaker 1: interesting to see. And again I don't actually remember where
• 54:30
  Speaker 1: the first season ends. That's really bad. So I'm interested
• 54:33
  Speaker 1: too to see where this goes. We only have two
• 54:36
  Speaker 1: more episodes left until we get there, and then I
• 54:39
  Speaker 1: will tell you right now, next season will probably be
• 54:42
  Speaker 1: doing given, which would be a huge change of pace
• 54:46
  Speaker 1: from this, So I'm still making up my mind, but
• 54:50
  Speaker 1: that could be fun. But that's really all I have
• 54:53
  Speaker 1: for this episode. Yeah, lots of bad things, lots of
• 54:57
  Speaker 1: really really bad things. Yeah, But then of course you
• 55:00
  Speaker 1: have sorcerers like Tanba and ful Yama and others. I'm
• 55:05
  Speaker 1: sure they're probably just nice, hardworking people, so you can't
• 55:10
  Speaker 1: say all sorcerers are bad. I mean, they might be,
• 55:12
  Speaker 1: but the whole society just seems like a bad time whatever.
• 55:16
  Speaker 1: So yeah, anyway, I'll tell you also right now, I
• 55:21
  Speaker 1: am going to skip next week, so there will not
• 55:24
  Speaker 1: be an episode on Christmas, should you celebrate it. Either way,
• 55:27
  Speaker 1: I will not have an episode for you. I'm sorry.
• 55:29
  Speaker 1: I don't know if I have enough time this week
• 55:31
  Speaker 1: to get an episode done, so yeah, I'm sorry about that,
• 55:36
  Speaker 1: and I'll see you the following week. It looks like
• 55:38
  Speaker 1: the following week would be the first of next year,
• 55:42
  Speaker 1: so I'll see you then as long as we're all
• 55:45
  Speaker 1: still alive, yeah, which I mean tends to be what happens,
• 55:52
  Speaker 1: but you never know. So I hope you have a
• 55:55
  Speaker 1: really good Christmas if you celebrates. I hope you have
• 55:57
  Speaker 1: a great Honukkah if you celebrate that, or if you don't,
• 56:01
  Speaker 1: celebrate either of those, and you celebrate another thing. I
• 56:03
  Speaker 1: hope you have a good bat If you don't celebrate
• 56:05
  Speaker 1: any of those, good for you. Anyway. I'm gonna go
• 56:09
  Speaker 1: something and I hope you have a really good whatever later. Weeps.