Latest / Lux Radio Theater | Old Time Radio / Lux Radio Theater - 403Mysistereileen Broadcast 7/5/1943

Transcript

Lux Radio Theater - 403Mysistereileen Broadcast 7/5/1943 · Lux Radio Theater | Old Time Radio

0:00
Speaker 1: LUs presents Hollywood. The lux Radio Theater brings to Rugland Russell,
0:14
Speaker 1: Brian O'Hearn and Janet Blair in My Sister Eileen with
0:18
Speaker 1: a King Tamiro, Ladies and Gentlemen, your producer, the successful
0:23
Speaker 1: d the Mill.
0:29
Speaker 2: Leaming from Hollywood. Ladies and Gentlemen. Deep in the heart
0:32
Speaker 2: of New York City is a strange foreign country called
0:35
Speaker 2: Greenwich Village. The inhabitants are painters and long showmen, sculptors,
0:40
Speaker 2: food teachers, and stockbrokers. It's a place where the normal
0:44
Speaker 2: seems expensive, and any dark night, a shadowy character may
0:47
Speaker 2: tap you on the shoulder and try to sell you
0:50
Speaker 2: a poem or a painting. The strange adventures of two
0:53
Speaker 2: girls from the Middle West who settled down in this
0:56
Speaker 2: never never Lands kept Broadway audiences laughing for about two years.
1:01
Speaker 2: The play was called My Sister Eileen. Columbia Studio made
1:05
Speaker 2: the picture and it's still making Eileen famous in theaters
1:08
Speaker 2: throughout the world. Roslind Russell, Brian Ahan and Janet Blair
1:14
Speaker 2: all gave delightful performances on the screen, and the three
1:17
Speaker 2: of them lend the authentic touch to our production. Tonight
1:20
Speaker 2: with a keen Tamira heading our supporting cast. Until the
1:25
Speaker 2: opening performance of any play, no one can predict a
1:28
Speaker 2: hit in the theater. That's because art is unfortunately not
1:32
Speaker 2: so predictable as science. The things happen rather differently with
1:36
Speaker 2: a product like lux Flakes that's designed with precision beforehand
1:42
Speaker 2: to do the things that are sure to make a hit.
1:44
Speaker 2: I wish the same scientist could work out a way
1:47
Speaker 2: to tell me how the public will receive a picture.
1:51
Speaker 2: Maybe it can't be done in show business, but they've
1:53
Speaker 2: certainly taken the guest work.
1:54
Speaker 1: Out of housework.
1:55
Speaker 2: You're not guessing when you use luck flake. Now Tonight's
1:58
Speaker 2: gay comedy To Aileen, starring Rosalind Russell as Ruth, Brian
2:03
Speaker 2: Aheran as Bob Baker, and Janet Blair as Eileen, with
2:07
Speaker 2: the King premiers at lster apopolist our scene a street
2:20
Speaker 2: in New York City of Greenwich Village, the time July,
2:23
Speaker 2: the temperature ninety three degrees through the waves of heat
2:28
Speaker 2: rising from the sidewalk come too charming, But the draggled
2:31
Speaker 2: young ladies these are the sister Sherwood, Ruth and Aileen Sherwood,
2:36
Speaker 2: who hail from Columbus, Ohio, and wish they'd never left there.
2:40
Speaker 2: Their first day in New York has been spent in
2:42
Speaker 2: room hunting. The hunting has been horrible. Right now their
2:46
Speaker 2: feet are killing them.
2:49
Speaker 3: Oh, Ruth, I can't walk another step on it. Well,
2:52
Speaker 3: this apartment's the last one on the list. You might
2:54
Speaker 3: as well look at it. Why don't we stop at
2:56
Speaker 3: a hotel tonight and get a nice fresh start in
2:58
Speaker 3: the morning, Aileen, maybe I should have told you earlier.
3:02
Speaker 3: You know this, one hundred dollars the last money we
3:05
Speaker 3: ever take from there, the last, the last.
3:08
Speaker 4: Oh.
3:08
Speaker 3: But supposing we don't get jong and we job we bebe,
3:10
Speaker 3: we borrow and steal, darling. Is that a promise? Yes,
3:14
Speaker 3: all right, the first thing?
3:15
Speaker 5: I mean, good evening, my dear young lady.
3:18
Speaker 6: Am I wrong in the presuming that you are looking
3:20
Speaker 6: for I have in this proble battle?
3:23
Speaker 3: No, we're just looking for a room.
3:25
Speaker 5: See no more.
3:26
Speaker 1: You have reached your call.
3:27
Speaker 6: We have absolutely And I just wad you, young ladies,
3:31
Speaker 6: how high up is it?
3:32
Speaker 5: It is not down?
3:33
Speaker 7: It is down?
3:34
Speaker 3: You mean in the cellar, follow.
3:36
Speaker 2: Me, follow me.
3:37
Speaker 5: I will show you the best value for your money
3:39
Speaker 5: in Greenwich spilth Yes.
3:41
Speaker 3: But in the cellar I don't think you want to work.
3:43
Speaker 5: What do you mean the seller the basement?
3:46
Speaker 1: Now here we are right?
3:47
Speaker 3: Oh look, I don't think we're interested in it.
3:49
Speaker 5: Now I'll prepare yourself.
3:53
Speaker 3: Well this beautiful?
3:57
Speaker 5: Now tell me?
3:58
Speaker 7: Is it just what you always beamed?
3:59
Speaker 3: The if I did, I never got to flee?
4:02
Speaker 6: Not please not the exquisite imitation fireplace, and and this
4:08
Speaker 6: is be comfortable day.
4:09
Speaker 5: Bet not try the bed and try it a see?
4:14
Speaker 6: Yeah, I see look club, Just look at that interesting
4:17
Speaker 6: and exciting strmer window.
4:19
Speaker 3: I like to look out of the window.
4:21
Speaker 6: Not up ar, don't be pretty at now right past us,
4:24
Speaker 6: up and down in front of you like a regular parade.
4:27
Speaker 5: Now what more could.
4:28
Speaker 6: A young person with a sidewright want? Am I wrong
4:31
Speaker 6: in presuming that you aren't offer.
4:33
Speaker 3: He's going to be?
4:34
Speaker 5: Well? I knew if, of course, I could tell us.
4:36
Speaker 3: You got anything higher up.
4:37
Speaker 1: Higher up, higher.
4:39
Speaker 6: Wrap, My dear young lady, why don't you let me
4:42
Speaker 6: show you the place before you raise a lot of objections?
4:44
Speaker 3: Yes, let lets you up, Yes, let him show us
4:49
Speaker 3: the place.
4:49
Speaker 5: Now you have a head on your shoulders, young lady.
4:52
Speaker 7: Now let me point.
4:53
Speaker 5: Out a new feature of this this beautiful sweet it
4:57
Speaker 5: is the summer. It is a please thirty degrees cooler
5:01
Speaker 5: down here that anywhere higher up.
5:03
Speaker 1: And it is only forty five.
5:06
Speaker 3: Dollars from twenty five dollars, So thank you very much, Misotopoulos.
5:09
Speaker 1: We'll let you know.
5:10
Speaker 3: Come on, any oh rude, couldn't we stay here for
5:12
Speaker 3: a few days and that.
5:13
Speaker 1: If we like it we can exp sure and I'll
5:16
Speaker 1: go beer.
5:16
Speaker 5: Than that, you can have the place for a month
5:19
Speaker 5: on trial as absolutely Aposta.
5:22
Speaker 1: Then if you are not one.
5:23
Speaker 6: Hundred percent satisfied, I will give you back your first month. Friends,
5:27
Speaker 6: the whole month, the whole month and July thirty one day. Well,
5:31
Speaker 6: have your your now, I'm going to show you where
5:33
Speaker 6: everything is now in here, in here it is. We
5:36
Speaker 6: had a model kitchen net completely nely detailed. Where the
5:41
Speaker 6: icebat under the sobwhere else?
5:44
Speaker 1: Well usually they do say here.
5:46
Speaker 5: Here we have abjurious bathroom, not that patent with hat
5:49
Speaker 5: and called hats.
5:50
Speaker 1: It's alway small, small wally in this room.
5:54
Speaker 6: You want entertain and you, young lady, are you artistic
5:58
Speaker 6: and the fussy like your sister?
6:00
Speaker 3: Well, I'm going to try to get a job on
6:02
Speaker 3: the staatee.
6:03
Speaker 1: Oh I'm not well, yes, yeah, you set me have
6:09
Speaker 1: that space and the bills for it.
6:11
Speaker 3: Oh, thank you.
6:12
Speaker 1: I'll tell you what I'll do if.
6:14
Speaker 7: You take this look gourious room, I will leave that painting.
6:17
Speaker 5: It is exactly where it is.
6:19
Speaker 3: Oh it's charming. Who did it?
6:22
Speaker 1: Yeah?
6:22
Speaker 5: What is it? I did it?
6:24
Speaker 3: Oh?
6:25
Speaker 5: Sure you know painting is one of my interests. Yeah,
6:28
Speaker 5: I also write ethic four three and ethics drama.
6:31
Speaker 1: Well that is for your.
6:33
Speaker 5: Says that the painting space.
6:35
Speaker 3: Oh, let's take the place.
6:37
Speaker 1: Root.
6:37
Speaker 3: I can't see what we can do that. Your papa
6:39
Speaker 3: said he would give us our money back.
6:41
Speaker 5: But I don't know legally.
6:43
Speaker 1: You have me what you wanted.
6:44
Speaker 6: I gave my words in front of two witnesses, three
6:48
Speaker 6: including me.
6:48
Speaker 3: Yes, please round. Oh well, all right, here's the rent
6:53
Speaker 3: in twenty forty forty one, forty two, forty three, forty four,
6:59
Speaker 3: forty five.
7:03
Speaker 5: How was that?
7:04
Speaker 1: What was what?
7:05
Speaker 7: No?
7:05
Speaker 3: I through your old So.
7:09
Speaker 1: You see that just showed you how you'll get your
7:11
Speaker 1: to it.
7:12
Speaker 5: I didn't even know to get used to it.
7:14
Speaker 3: Do you mean it happens all the time?
7:16
Speaker 1: Sure, but you won't even be conscious of it?
7:18
Speaker 5: All little lad things. The new subway?
7:21
Speaker 3: Do you mean a blasting right under nature.
7:24
Speaker 5: What are you worrying about?
7:25
Speaker 1: Certain you needs know how much dynamite do you?
7:27
Speaker 3: But just go on all the time?
7:29
Speaker 5: No, no, no, fortnight did they not go but midnight?
7:32
Speaker 5: And they don't starst again until six in the morning.
7:35
Speaker 3: And we can't say, do you ever got money back?
7:38
Speaker 5: What you're getting?
7:39
Speaker 7: So he said, I said, I will give your money back,
7:42
Speaker 7: and I will.
7:43
Speaker 1: I will at the end of the month. If you
7:44
Speaker 1: are not satisfied that.
7:46
Speaker 5: Night, that night, that is fight.
7:49
Speaker 3: Oh rude, what are we going to do?
7:53
Speaker 1: It's a littil thirty days flood?
8:00
Speaker 3: Which said do you want?
8:02
Speaker 6: So?
8:02
Speaker 3: It doesn't matter. I'm a tired I could.
8:04
Speaker 5: Sleep on the floor.
8:05
Speaker 3: We often have this phone connected in the morning so
8:07
Speaker 3: we can start calling up the jobs.
8:09
Speaker 5: He don't call up for jobs here.
8:10
Speaker 3: You go out and look for them, old ruth, I
8:14
Speaker 3: wonder what the boy's back home. We'll think when I'm
8:15
Speaker 3: an access in New York, well as one of them,
8:18
Speaker 3: if not leaving any.
8:19
Speaker 8: Men behind, I don't have to worry what they think.
8:22
Speaker 7: Oh I know here.
8:23
Speaker 3: It's different with you. Boy's never meant anything in your life,
8:26
Speaker 3: not after they got a load of you. They didn't
8:29
Speaker 3: well good idea. Nice Thanks, didn't.
8:32
Speaker 1: I just put out the light?
8:34
Speaker 3: I think so, and we'll make it so bright in here.
8:37
Speaker 3: Oh there's a lamppost tight in front of a window.
8:40
Speaker 3: Oh my, poor shade down ruthe there isn't any shade.
8:44
Speaker 1: No shade.
8:45
Speaker 3: Oh well, we're practically sleeping out in the street just
8:47
Speaker 3: where till I get that apopular nice comfortable bits like
8:53
Speaker 3: sleeping in an iron lung? Would it help any to
8:55
Speaker 3: close the window?
8:56
Speaker 1: Whose? So the window will suffocate?
8:58
Speaker 3: So so our time of please? You know a dot
9:01
Speaker 3: to take a tap fo bear? Yeah, and probably will.
9:05
Speaker 7: Oh well, let's get some place.
9:07
Speaker 1: Maybe there's some pro I'm not.
9:08
Speaker 2: Bringing back there?
9:10
Speaker 3: Oh bother coor holl pay off your spot? You get
9:22
Speaker 3: away from there? Who's lugging lots?
9:23
Speaker 6: Hey?
9:24
Speaker 7: What's up?
9:24
Speaker 6: You know?
9:25
Speaker 3: Pay you get away from there?
9:26
Speaker 2: The complet another.
9:27
Speaker 9: Dame if he's too bay well for you, But that
9:30
Speaker 9: one's small, okay.
9:31
Speaker 1: By not birds.
9:33
Speaker 3: You'll get away from there? Okay, fine, get away, get
9:36
Speaker 3: away away, But it's just filling race who to day?
9:42
Speaker 6: Say not?
9:43
Speaker 5: Don't you're doing Ruthie?
9:44
Speaker 1: I let him see her closure?
9:46
Speaker 5: Please come on, cutie, comes your papa.
9:49
Speaker 3: You'll get away from that.
9:52
Speaker 2: Brag it up, brag it up, believe me, rang it up,
9:56
Speaker 2: that's just maybe it goes the bog and that way
9:59
Speaker 2: with his song.
10:00
Speaker 3: Come on, how awesome? How often graduation?
10:05
Speaker 7: Yes, hey, you are knowing that's mable.
10:07
Speaker 1: It ain't good.
10:07
Speaker 3: Yeah, you just move make a day na be a squat.
10:09
Speaker 5: I'll move on from ours. I like things nice and quiet.
10:12
Speaker 1: I might be the morning themember what I saw there?
10:16
Speaker 1: That's all.
10:18
Speaker 5: I mean. Do you know what he said?
10:22
Speaker 6: He?
10:23
Speaker 3: Oh, I'm afraid, my honeydelling will be all right down.
10:28
Speaker 3: You'll feel better in the morning.
10:29
Speaker 6: Beat.
10:30
Speaker 3: Just get some sleep and everything I.
10:31
Speaker 2: Look on good make good night.
10:48
Speaker 3: Man had a magazine? Good morning man had a magazine?
10:52
Speaker 3: You that's my mom yet but you wishing I'd like
10:55
Speaker 3: to see some of the editors.
10:56
Speaker 1: Sorry, no appointment of offers.
10:58
Speaker 3: Just leave your manuscript people, Naylor.
10:59
Speaker 2: There, I've been nailing them in all my life.
11:02
Speaker 3: Here, thank you.
11:03
Speaker 1: When you want to rubbers share, I want particulation.
11:09
Speaker 7: If to take her, let me alone. I'll get it
11:10
Speaker 7: for you.
11:10
Speaker 1: Now, let's me run the man that of a dreamer
11:12
Speaker 1: with my quality, without your interfere You.
11:14
Speaker 2: Are talking to the owner of the man Hatta Baker and.
11:16
Speaker 1: The biggest bottleneck in the whole organization.
11:19
Speaker 7: Now wait, let me take the policies because to us.
11:21
Speaker 1: Now, now look, let's me just run one. Give an incident,
11:24
Speaker 1: that just one, and you know exactly what people want
11:27
Speaker 1: for what you want even chilling, So let's go bank.
11:29
Speaker 5: Up your way?
11:29
Speaker 1: Is all?
11:30
Speaker 3: Well?
11:30
Speaker 1: All right, let's go bank up your ways much and
11:32
Speaker 1: that's all for the dead. And then wait a minute,
11:34
Speaker 1: Wait a.
11:34
Speaker 7: Minute, I'm going to prove something. Hey, hey, you are
11:37
Speaker 7: there anybody here? Come in here?
11:40
Speaker 1: You do?
11:41
Speaker 7: Can you read?
11:42
Speaker 3: Oh?
11:42
Speaker 1: Yeah? Can I write?
11:43
Speaker 2: You?
11:43
Speaker 1: I just that's one of my tri abobout writing. Everybody
11:46
Speaker 1: writes in New York, even people who can't read.
11:48
Speaker 8: Well.
11:48
Speaker 3: I happen to be from Tolunbo.
11:49
Speaker 1: Very interesting.
11:50
Speaker 7: Come on, come on in from who's it?
11:52
Speaker 1: Bagger, mister Craven?
11:53
Speaker 7: Meet Smith's here?
11:54
Speaker 1: What's your name is?
11:55
Speaker 7: Let's meet miss Hildren.
11:56
Speaker 1: He can read from Columbus, Ohio. This is the Greater
12:00
Speaker 1: the owner Hall of Craygon Pupplications.
12:01
Speaker 4: Oh so how do you do?
12:03
Speaker 7: Cause he just told you keep done read?
12:05
Speaker 1: Tell me show it in your time you'll have read
12:07
Speaker 1: the Manhatta. Isn't that true. Yes, lumber was the last time,
12:10
Speaker 1: oh years ago, years ago? Well why did your stuffing?
12:14
Speaker 3: Oh it's just din't interest me.
12:16
Speaker 1: Oh that's no, I think I do explain. Yo. I
12:18
Speaker 1: don't have any opinions, can you.
12:19
Speaker 2: I'm a lumbers Ohio.
12:21
Speaker 3: We think it's so numbers so higho too. You know,
12:23
Speaker 3: as a matter of fact, you think your magazine's about
12:25
Speaker 3: fifteen years behind the time.
12:26
Speaker 5: Oh you go, you we do.
12:29
Speaker 3: She needs to go for all that checy and shaty talk.
12:31
Speaker 1: They didn't know any better.
12:32
Speaker 3: But likes become a lot more real now.
12:34
Speaker 9: Oh hazard, yes, yes it has.
12:36
Speaker 3: You have radio now in movies, were right in the
12:38
Speaker 3: middle of the wall. The man patter, that's just the boar,
12:41
Speaker 3: not only in Columbus, Ohio, but in ninety percent of
12:43
Speaker 3: the nation.
12:43
Speaker 1: Thank you, miss Wood. Wait a minute, where did you
12:46
Speaker 1: find the serve obiz outside? What was he doing there?
12:50
Speaker 3: I was trying to submit a manuscript through with one
12:52
Speaker 3: of my magazines, the man pattern, that's.
12:55
Speaker 2: All I want to know, Just the fakeer y'r give
12:57
Speaker 2: me take friends of Manhatter.
12:58
Speaker 1: But he's like the material puppy got.
13:00
Speaker 3: Just one minute, you'd like to know the tief I
13:02
Speaker 3: came to the Manhatter and Desperation was the last magazine.
13:05
Speaker 1: I could think of. Well, what are you now that
13:07
Speaker 1: I that's.
13:07
Speaker 3: A praying to the organization. I'm sorry, I can't talk.
13:10
Speaker 3: His girl works great, wall patting men rible. I had
13:21
Speaker 3: an evident in the owner of a whole magazine thing,
13:23
Speaker 3: why rude, you're in?
13:25
Speaker 2: Yeah, they got me into throw me out?
13:27
Speaker 1: What about dude?
13:27
Speaker 3: Oh, I haven't mad axciding day rude. I was in
13:30
Speaker 3: the opper waiting room of Wallat's productions. Now you're getting something,
13:34
Speaker 3: And I met this man, mister talk and you take
13:36
Speaker 3: a man on the globes and one with things what
13:41
Speaker 3: He interviewed me, Oh, but did you get into missing
13:45
Speaker 3: wallets here? He's oh, oh, well, no, it comes to
13:48
Speaker 3: see if if I wait until the integuction die just
13:50
Speaker 3: where I will come to see me and so we'll
13:53
Speaker 3: all the other productions.
13:54
Speaker 5: So that was the plot the fights.
13:56
Speaker 1: I gether.
13:57
Speaker 3: Oh, and I told him all about you, and he
13:58
Speaker 3: seems very interested in me, so interested me.
14:01
Speaker 5: You can't wait to get you alone.
14:02
Speaker 3: Huh oh y, he's going to speak you to the
14:05
Speaker 3: editor about you. Well, from here on a here a
14:07
Speaker 3: sailing man probably got for dinner. Oh forgetting ane for
14:10
Speaker 3: haven't we pollaly sat off read with ASA for a week. Oh,
14:14
Speaker 3: we'll have to have something for the chair. Oh no,
14:16
Speaker 3: let's get you drink your teen Oh oh but we
14:18
Speaker 3: can't here there's a man coming to dinner.
14:21
Speaker 1: Who what man?
14:23
Speaker 3: Frank nipping talk? I don't know who is Frank lipping top?
14:26
Speaker 7: Oh?
14:26
Speaker 3: Oh, didn't I tell you about that boy who manages
14:29
Speaker 3: the National Dutch store on forty four stee?
14:31
Speaker 5: Nope?
14:32
Speaker 3: Oh thanks, it's very nice for him. He didn't let
14:34
Speaker 3: me pay my lunch chicks, h Ali, Why don't you
14:37
Speaker 3: wander into the ridge someday? Hello? Anybody at home?
14:45
Speaker 2: Cause you at his buy?
14:46
Speaker 3: Who? Just a minute?
14:49
Speaker 7: Yes?
14:49
Speaker 1: Why Karli was married?
14:53
Speaker 3: Oh it's the man, the man with ten.
14:57
Speaker 6: Uh?
14:57
Speaker 3: Well then, well I mean short pants shut nor legs
15:00
Speaker 3: in them?
15:00
Speaker 5: A hell?
15:03
Speaker 1: Okay, they say you can't come in.
15:05
Speaker 3: You're like that.
15:05
Speaker 7: Oh don't mind me this My practice got killed?
15:07
Speaker 3: Well what are you practicing?
15:08
Speaker 7: Football?
15:09
Speaker 1: Gotta get in craining it out? So you're u you girl?
15:11
Speaker 8: Day?
15:11
Speaker 1: And my name is Bloomer's wife and I am up there.
15:14
Speaker 8: How do you do mister?
15:15
Speaker 1: Leave out the message? Just call me Rick Reck Yeah,
15:18
Speaker 1: that's what they called me at Georgia. Take got a
15:21
Speaker 1: Middle American only I was expelled. Say, my wife and
15:25
Speaker 1: I got something we want to.
15:25
Speaker 7: Talk over with you.
15:26
Speaker 3: Look, mister, look, we happened to be vertis Yes, I
15:30
Speaker 3: got you here. Why no, okay, I'll wait. Oh but
15:34
Speaker 3: there's no Effie here.
15:35
Speaker 5: You said that, I said, I'll wait.
15:37
Speaker 7: What's your name? Such?
15:38
Speaker 1: I mean wah mission it. Yeah, there's no tool off.
15:44
Speaker 5: Oh god, there was the idea crashing in on these girls.
15:47
Speaker 1: I don't think you're so excited.
15:48
Speaker 5: I didn't know you wish the land lady. It's just
15:50
Speaker 5: a mistake.
15:51
Speaker 1: You better a mistake.
15:52
Speaker 7: I get moving fairly. Well, good afternoon.
15:54
Speaker 5: You're the hairiest land lady I ever saw.
15:56
Speaker 3: Oh thank you, mister news.
15:59
Speaker 1: Oh that's all right.
16:00
Speaker 3: You know he was looking for a girl named Jessie.
16:02
Speaker 3: Is there a nappie in.
16:03
Speaker 1: The sleep well? He used to be she lived in
16:05
Speaker 1: this studio. He was on some kind of a medium,
16:07
Speaker 1: used to get psychic greetings or some hour.
16:09
Speaker 3: I hope you didn't leave any Tambourine's woken wrong.
16:11
Speaker 1: Come in.
16:12
Speaker 3: Oh sure, I'm in every body.
16:15
Speaker 1: Oh k here, honey, girls, as this is Helen, my
16:18
Speaker 1: wife how do you do?
16:19
Speaker 4: How do you do?
16:19
Speaker 1: Hello?
16:20
Speaker 3: Well, have you met the girls about it yet?
16:22
Speaker 6: Here?
16:22
Speaker 1: Oh? Well no not yet, baby.
16:25
Speaker 3: Well there isn't much time and we've got to get
16:27
Speaker 3: it settled.
16:27
Speaker 1: Yeah yeah, well, well, well girls, it's like this now.
16:31
Speaker 1: Helen's mother is going to visit her, which kind of
16:32
Speaker 1: stayed out of me right out into the alleys.
16:34
Speaker 3: Haven't you got enough room?
16:35
Speaker 1: Well we should make room. Only I'm not you see him? Well,
16:38
Speaker 1: Helen's webber doesn't.
16:39
Speaker 3: Know that we're married, and I'm afraid to tell it
16:40
Speaker 3: because the record is been working now.
16:42
Speaker 1: But I thought to work just as soon as the
16:43
Speaker 1: professional football season open. So we thought that in the meantime,
16:46
Speaker 1: you two girls wouldn't mind putting me up in the kitchen.
16:49
Speaker 3: What do you mean sleep in our kitchen?
16:51
Speaker 1: Oh?
16:51
Speaker 3: He won't be in your way?
16:52
Speaker 8: Really?
16:53
Speaker 3: What about a hotel only?
16:54
Speaker 5: Haven't got a san got a sense will?
16:56
Speaker 3: And maybe we could do it for one night. He's
16:59
Speaker 3: a minute work bit enough as it.
17:00
Speaker 1: Is, thank you girl.
17:01
Speaker 5: Oh gee, that's right. I'll get a blanket a pillow, right,
17:03
Speaker 5: I know.
17:04
Speaker 3: But Eileen, something tells me you weren't quite ready to
17:12
Speaker 3: leave Columbus. Good Ruth, Now, what did we We could
17:15
Speaker 3: have said no, couldn't we? Or that must be Frank?
17:17
Speaker 3: Let him in, will you, Ruth, I've got to change
17:19
Speaker 3: my bread. I WoT that guy's last name again, slippin'
17:21
Speaker 3: totipping st And remember Rudy's a very nice boy, so
17:26
Speaker 3: please be careful. Oh who am I tug boat? Annie Covin?
17:35
Speaker 3: Well try good evening. You must be the silicons cat.
17:40
Speaker 2: Yeah, I guess your Eileen sister bad sight.
17:44
Speaker 5: I can see a family of exemplars.
17:46
Speaker 1: All right.
17:46
Speaker 3: Oh well, well now I'm very flattered.
17:50
Speaker 1: First, here's sort of a different type.
17:55
Speaker 3: Yeah, I see what you mean. Uh, won't youse it down,
18:00
Speaker 3: mister lipping cot. The aist is just freshening up a bit.
18:03
Speaker 3: She'll be out for a minute. Oh, yes, you.
18:09
Speaker 5: See, I was lying.
18:13
Speaker 3: I've he's been telling me about your drug store. Oh
18:16
Speaker 3: I understand you have awfully good food.
18:18
Speaker 2: Oh it's best and very reason.
18:22
Speaker 1: Reasonable? Isn't the word? Is? I understand it? But huh
18:25
Speaker 1: uh you said reason? I mean I said yes, especially if.
18:30
Speaker 3: You are to start all over again. Oh, I'm so
18:34
Speaker 3: sorry to keep you waiting.
18:35
Speaker 8: Oh that's all right here, And I had some spice,
18:38
Speaker 8: little doctor oh, because you.
18:39
Speaker 3: Would have been proudably, dear, I didn't make one slip
18:42
Speaker 3: to die Miss Silver's hot, but oh I think you're
18:45
Speaker 3: attack Frank.
18:46
Speaker 1: Oh thanks, oh business to you.
18:48
Speaker 3: Oh, friends, you shouldn't have done her.
18:52
Speaker 1: It's in California, red wine. I thought to go good
18:54
Speaker 1: with spaghetti, a special we'll running this week. So's I spaghetti?
19:01
Speaker 3: So, Frank, I guess been us with our family pins
19:04
Speaker 3: almost ready?
19:05
Speaker 7: Say this is great.
19:06
Speaker 1: You know I've always wanted to live in a studio
19:08
Speaker 1: like this.
19:09
Speaker 3: Well, I get to set the table.
19:10
Speaker 7: Oh do you mind if I help you?
19:12
Speaker 3: Why? Friend? How nice this is?
19:15
Speaker 1: Hey?
19:16
Speaker 7: This is great?
19:18
Speaker 5: Oh? Well what do you want?
19:20
Speaker 1: I'm looking for a potty and chair with him?
19:21
Speaker 7: And I shared with you.
19:23
Speaker 3: You mean Aileen?
19:24
Speaker 5: Yeah?
19:24
Speaker 7: Yeah, come and think of it, Eileen.
19:26
Speaker 5: And shall I say?
19:26
Speaker 8: It's Paulin?
19:27
Speaker 5: Uh Fox Chick Clox?
19:28
Speaker 1: Your name?
19:29
Speaker 3: Oh the newspaper man?
19:31
Speaker 1: Yeah? Who are you?
19:32
Speaker 9: Oh, I'm a sister sister.
19:34
Speaker 2: He's a blond, good looking kod Anchi.
19:37
Speaker 3: Here she's a bland, good looking keen Anchi. Oh, mister
19:40
Speaker 3: Lippon coop.
19:41
Speaker 5: This is mister Cox.
19:42
Speaker 1: Oh how you doing?
19:43
Speaker 2: How are you?
19:44
Speaker 3: Mister Lippon Cops with the national drug story.
19:46
Speaker 1: Oh yeah, I buy all my clothes there.
19:49
Speaker 3: You're quite a card unt, mister clock. That's fine. What's
19:52
Speaker 3: happened to friend? Why hello, mister s hi am na shay.
19:56
Speaker 5: I got great news for Yannie. We run the interview
19:58
Speaker 5: this week.
19:59
Speaker 3: Why sh I mean? That's mister Clarky. That's just wonderful.
20:03
Speaker 1: I still am gorgeous.
20:06
Speaker 7: You know, I'm a turning you over in my mind
20:08
Speaker 7: all afternoons.
20:09
Speaker 5: Hey, what's in the bottle?
20:09
Speaker 1: Oh it's a very fine California Burgundy type wine.
20:12
Speaker 3: It's a special. Well, let's all have a drink, shall we?
20:14
Speaker 3: Do we need any eye?
20:15
Speaker 6: Oh no, no, no.
20:16
Speaker 7: Gristlines defers as the temperature of the room.
20:18
Speaker 1: But then you've better cook it for a couple of hours.
20:22
Speaker 3: Well, here's to us and to Burgundy, California.
20:28
Speaker 8: It's all.
20:29
Speaker 3: I's all right, it's just the subway, miss sir. Would
20:31
Speaker 3: I I'm afraid I oh, frank, the wine it's all
20:35
Speaker 3: over your pretty white What a shame?
20:38
Speaker 7: My hands are west, I.
20:43
Speaker 5: Don't get up.
20:45
Speaker 3: Let's hands on me a big stogy.
20:48
Speaker 2: Something the matter up there?
20:49
Speaker 3: Let me go?
20:50
Speaker 5: What's the trouble, Oh, it's the rest.
20:52
Speaker 9: What's happened.
20:53
Speaker 1: Tell a big poun I'm okay.
20:54
Speaker 3: Yes, he's all right, Officer, I hope when I found
20:57
Speaker 3: him out the alley and his shorts carrying all these vegeballs.
21:00
Speaker 5: I think he's some kind of a piece.
21:01
Speaker 7: Oh you're crazy.
21:02
Speaker 2: I'm gonna live here, live here, live here.
21:05
Speaker 1: In the kitchen. It's all right, officer.
21:07
Speaker 3: We know him.
21:08
Speaker 5: Oh it's you two again in it. I thought, I
21:10
Speaker 5: want you to move out of my feet. I'll here.
21:14
Speaker 1: And who do you think you want?
21:15
Speaker 5: I'll tell you why you out shop?
21:17
Speaker 3: And who cares who anybody is? That's the difference. Anybody
21:19
Speaker 3: walks in here. Everybody walks in here, good evening.
21:24
Speaker 2: Why is the concept?
21:25
Speaker 7: Isn't he?
21:25
Speaker 9: I am the dorm?
21:26
Speaker 1: And if the rugs can bleed me, where do you
21:28
Speaker 1: want me to put there? The girl he passed out,
21:32
Speaker 1: we had a hall. What girl?
21:35
Speaker 7: Bring any garce.
21:39
Speaker 2: Down? Go?
21:40
Speaker 3: Wait, I'm gonna take that thing out of here. She
21:41
Speaker 3: don't you live here anymore?
21:44
Speaker 7: It's not the first time I take our arm.
21:47
Speaker 3: Oh my god, Well, or a place with a bad
21:53
Speaker 3: location and no neon sign. We're doing a whale of
21:55
Speaker 3: a business. Now, who's that I mean? I mean, whoever
21:59
Speaker 3: you are. Hello, Oh di's you say?
22:04
Speaker 1: Agree, Michwood, I read your story and i'd like to
22:06
Speaker 1: discuss it. What did you say, mister Baker, I said,
22:10
Speaker 1: I read your story.
22:12
Speaker 8: Yeah, that's right, I thought you said, mister Tacer, all.
22:31
Speaker 7: Right now, I was sure.
22:32
Speaker 1: Where are we going?
22:33
Speaker 6: Oh?
22:33
Speaker 7: Someplace we can talk.
22:34
Speaker 1: We certainly couldn't go back there. Pole is smoke. You
22:37
Speaker 1: live in a managerie? Who are all those people? Well,
22:39
Speaker 1: they're just how long have you lived in that place? Well?
22:42
Speaker 4: Guy with the wine all over that was a friend
22:44
Speaker 4: of my say say, what's the idea running out of
22:46
Speaker 4: my office today?
22:47
Speaker 7: Hey, come on, come on answer me.
22:48
Speaker 3: You don't seem to wait for an answer.
22:49
Speaker 1: That's Todas. Look, I hope you don't mind wrestling your
22:52
Speaker 1: way like that.
22:53
Speaker 7: Oh not at all.
22:53
Speaker 3: As a matter of fact, we were just sitting down
22:54
Speaker 3: to dinner hungry.
22:56
Speaker 7: Well why did you say so?
22:57
Speaker 2: Hey?
22:57
Speaker 1: Da one or third avenue? Reported? That's that food you
23:00
Speaker 1: ever had.
23:00
Speaker 7: In your life?
23:01
Speaker 9: Really?
23:02
Speaker 4: They make a dish there, that's Pectford Kings spaghetti and
23:06
Speaker 4: meat for a.
23:12
Speaker 7: How do you like it?
23:13
Speaker 2: Oh?
23:14
Speaker 7: I need this stuff to offer? Makes a bet. I
23:16
Speaker 7: shouldn't like what ane air for you gave the bus.
23:19
Speaker 1: Oh it was beautiful. You know, for a girl from
23:21
Speaker 1: the back wood, you're pretty rude. Where do you get
23:24
Speaker 1: all that same? What's the difference you've got it?
23:27
Speaker 4: You know, I've been having this pipe with Craven on
23:28
Speaker 4: policy for years and then you come along and take
23:30
Speaker 4: the case better than I did myself.
23:32
Speaker 1: Now, look, look I need advice.
23:34
Speaker 7: What do you think I ought to do? What's been
23:36
Speaker 7: going on with Craven ever since I took this?
23:38
Speaker 3: Now wait a minute, wait a minute.
23:39
Speaker 5: You did read my.
23:40
Speaker 1: Story, didn't you.
23:42
Speaker 8: Oh?
23:42
Speaker 7: Yeah, yes, I sure I told you now yeah yeah, where.
23:45
Speaker 1: Was I and you were saying, yeah, yeah, Now, don'tays
23:48
Speaker 1: understand me? Craven's a nice guy.
23:49
Speaker 7: I was like, obviously you wouldn't do him. But the
23:51
Speaker 7: moment he gets down there.
23:52
Speaker 1: He's a fool.
23:54
Speaker 7: Why talk talk talk all the time. No, here's what
23:56
Speaker 7: you have to say.
23:57
Speaker 1: People like that drive You're crazy, don't they?
24:00
Speaker 6: Yep?
24:01
Speaker 5: Oh it kills me.
24:03
Speaker 1: I've tried to tell him that.
24:04
Speaker 4: The first requids is of a modern magazine is to
24:05
Speaker 4: keep up with the time, with the with the changing
24:08
Speaker 4: customs and speech. You know, yeah, say, aren't you getting
24:10
Speaker 4: tired of this place?
24:11
Speaker 1: Not the place so much me too.
24:14
Speaker 7: Let's go.
24:22
Speaker 1: No, no, I'm not gonna quit. Why anybody can walk out?
24:24
Speaker 2: Well, I can stay away.
24:26
Speaker 1: Wait a minute, you're not going in yet. Sit down,
24:27
Speaker 1: Sit down? You see.
24:28
Speaker 7: Let me tell you there's there's a thrill of this job.
24:30
Speaker 1: I mean, if I can do what I want, but
24:32
Speaker 1: if I can welcome stories.
24:33
Speaker 7: That are alive, and I am help authors with talent
24:35
Speaker 7: to dig those stories out. But what do you think?
24:39
Speaker 3: I think it's just fine. And I also think it's
24:42
Speaker 3: at the three o'tack in the morning. And if I
24:43
Speaker 3: ever come across the kind of offer you're looking for,
24:44
Speaker 3: I'll let you know. Good night. Waiter second, for I
24:47
Speaker 3: can't even get a word in edge flies. You can't
24:49
Speaker 3: seen this. I can't seem to tell you. Remind you
24:51
Speaker 3: that I'm an offer too, and that I've written some
24:53
Speaker 3: stories about plumbers.
24:54
Speaker 5: Remember I read them.
24:55
Speaker 1: Are they're good?
24:57
Speaker 3: They are?
24:58
Speaker 4: Well?
24:58
Speaker 3: Why didn't you say so, didn't I?
25:00
Speaker 1: Oh? Well, I'm telling you now that's quite good.
25:03
Speaker 3: Oh, just quite good.
25:05
Speaker 1: Oh isn't god enough?
25:06
Speaker 3: You mean if you could publish, then you would?
25:08
Speaker 1: No, I would. Oh.
25:09
Speaker 4: The people come up all right, But the stories up there,
25:11
Speaker 4: they don't get anywhere nothing happens.
25:13
Speaker 7: Ah, that's because not enough happens to you.
25:16
Speaker 2: Oh it doesn't.
25:17
Speaker 1: That's what I said.
25:18
Speaker 7: Why you can't lead a quiet shoulder life the way
25:21
Speaker 7: you do it?
25:23
Speaker 3: John in that tunnel with subway blast bouncing me all
25:26
Speaker 3: over the bed, and a populisile rescue and landlord and
25:28
Speaker 3: I lean dragging home newspaper geniuses and good store romeos
25:31
Speaker 3: and everything else that happens to this to be met
25:32
Speaker 3: up with during the day, and football players drifting in
25:35
Speaker 3: and out in their drawers. Not to mention the rest
25:36
Speaker 3: of the world stooping through the windows though it's some
25:38
Speaker 3: kind of a public exhibition.
25:40
Speaker 5: Oh shut out, you say, that's it.
25:42
Speaker 7: That's exactly the sup Well, why don't you go on
25:44
Speaker 7: and write it?
25:45
Speaker 2: Right?
25:45
Speaker 8: Who?
25:45
Speaker 7: Right about all those people?
25:47
Speaker 4: God this story in Columbus and bring it to New
25:49
Speaker 4: York right about rest tuk In and I lean.
25:51
Speaker 7: On on the blast of the man.
25:53
Speaker 1: See it's wonderful.
25:55
Speaker 3: Say it for me? Of course I'm going to do
25:56
Speaker 3: it when gonn I have it. I don't know, but
25:58
Speaker 3: I'm gonna somebody before you get killed or No, I'm not.
26:03
Speaker 7: A shut up.
26:04
Speaker 3: Three are Christmases, But ruins is that you, Ruth, Yes, yeah,
26:11
Speaker 3: So what's all that noise out there?
26:12
Speaker 1: Nothing?
26:13
Speaker 9: Just me?
26:14
Speaker 3: You know what time is it? Three thirteen roots you
26:17
Speaker 3: were out of a man ah and you've had no
26:21
Speaker 3: experience with men. Isn't it awful? Aren't you with killed?
26:25
Speaker 3: And you were supposed to take care of me?
26:27
Speaker 5: Ileen?
26:27
Speaker 3: I love New York. I love everything about it.
26:29
Speaker 5: I like the air.
26:30
Speaker 3: I like to sweet freight, got to please to call Blae.
26:35
Speaker 3: I wish I was second to lot it.
26:43
Speaker 1: Go for the mis against the second act of my
26:45
Speaker 1: sister Eileen, Sharon Roslin Russell Byanna Hearn and Dannet Blair
26:49
Speaker 1: with a team tomire Off. And that's the moment. Meantime.
26:52
Speaker 1: I have a problem you have, mister Kennedy. Yes, I
26:54
Speaker 1: think being on the Lux Radio theater is bad for me.
26:56
Speaker 3: You do.
26:57
Speaker 1: I can't see anything wrong, but I can't. That's up
27:00
Speaker 1: the trouble, Sally. I keep seeing things, do things?
27:02
Speaker 3: What kind of thing?
27:03
Speaker 1: Oh, blouses and dresses that are all streaked and faded
27:06
Speaker 1: because they've been washed wrong.
27:07
Speaker 8: You know.
27:08
Speaker 1: I can't just walk up and say, lady, if you'd
27:09
Speaker 1: watched that dress the Luck's way, it wouldn't look like
27:11
Speaker 1: that out of you want to stay healthy, you can
27:13
Speaker 1: well say what do you think I ought to do?
27:15
Speaker 3: Well, let's see. Maybe we could have some cards printed
27:18
Speaker 3: for you to hand out. We could say new Improved
27:21
Speaker 3: Luck Place, mildest, safe as ever made, house washable, bluff longer.
27:25
Speaker 1: Yes, or don't let strong soaps and cake soap rubbing
27:28
Speaker 1: make your washables wear eusees for their time. Lutch things
27:31
Speaker 1: last longer.
27:32
Speaker 3: I just let your wash word be luck.
27:34
Speaker 1: That's short and simple. There is luck care prove.
27:37
Speaker 3: And if you could just get every woman to try
27:39
Speaker 3: one big boss of new Improved Luck Place, you'd see
27:42
Speaker 3: for herself how.
27:43
Speaker 1: Really fristy it is. Maybe all I'd need would be
27:45
Speaker 1: one card that says new Improved Luck Places come in
27:48
Speaker 1: the same familiar package. Ask your dealer for a fritzy
27:51
Speaker 1: big box tomorrow. Well, it shot me an idea, Sally,
27:54
Speaker 1: I'll have to think it over. We pause now for
27:56
Speaker 1: station identification. This is a Columbia broad Casting System, Act
28:17
Speaker 1: two of My.
28:17
Speaker 2: Sister Eileen, starring Roussalin Russell as Ruth, Brian Aherne and
28:21
Speaker 2: Bob Baker and Janet Blair as Eileen. That I came
28:24
Speaker 2: to miraf at mister A populos. Now let's return to
28:32
Speaker 2: the Sherwood residence in Greenwich Village. Now, let's not they
28:38
Speaker 2: are still blasting that subway. We'll wrap over instead of
28:41
Speaker 2: the Manhattan Magazine office, where Ruth and Bob Baker are
28:44
Speaker 2: talking over the story Ruth has just finished.
28:48
Speaker 1: Is anything.
28:48
Speaker 3: It's all right.
28:49
Speaker 7: I think it's great as far as I'm concerned.
28:51
Speaker 1: It's in the next issue. Craven's reading it now.
28:53
Speaker 7: Yes, you know you're quite a chaff. I like you
28:56
Speaker 7: very much.
28:57
Speaker 3: But he's had it over now.
28:59
Speaker 1: He's a slow reader. Oh oh, I meant to figure.
29:01
Speaker 7: I don't like the title.
29:02
Speaker 1: I don't like it either. Well, we gotta get another one.
29:04
Speaker 3: So I have thought of some of it, like what, well,
29:07
Speaker 3: it's to all kins On Islands.
29:09
Speaker 1: I mean, she's in it so much.
29:10
Speaker 3: But I thought of me calling it my sister.
29:14
Speaker 5: Yeah, that's it.
29:15
Speaker 1: Might be good, might be perfectly infected. I'm sorry to
29:19
Speaker 1: and through nothing.
29:20
Speaker 7: We're waiting for you, Peyton.
29:21
Speaker 1: What do you think of the story? Nice job? I
29:23
Speaker 1: didn't think Colobus had a dinner, all right, I tell you, Ruth,
29:25
Speaker 1: it's from magnificent Job. Yes, you ought to be able
29:27
Speaker 1: to sell that somewhere. I'm well, what the diggings to
29:32
Speaker 1: the guy?
29:32
Speaker 7: Our tudor reason?
29:33
Speaker 1: Because you want to put it in the Manhattan.
29:34
Speaker 2: It's not the type of material for our policy.
29:36
Speaker 4: No, but you and I are gonna have a showdown
29:38
Speaker 4: on policy, right clean, I love drink Either that story
29:41
Speaker 4: goes in an next if you are eye quick.
29:42
Speaker 3: Oh no, no, that's a curtains of basis.
29:44
Speaker 1: I guess I'll have to accept your resignation.
29:45
Speaker 2: But I'm good. But tryn't feel that if you were
29:47
Speaker 2: off the breast, unless you don't care about another job
29:49
Speaker 2: in the publishing business.
29:56
Speaker 3: A mother in law's eyes and she found out macing
29:58
Speaker 3: Helm were married. Boy was she has the wreck moved
30:01
Speaker 3: out of here? Oh yes, you saw him back up here.
30:03
Speaker 1: Good.
30:04
Speaker 3: He doesn't care much for his mother in law home.
30:06
Speaker 3: He says he's gonna wait till Mother's Day and then soccer.
30:09
Speaker 3: A nice sentiment.
30:11
Speaker 1: Well, what else happened today?
30:12
Speaker 3: You didn't get into anybody's inside waiting room? Did you know?
30:15
Speaker 3: I was at the food show? And what are they
30:17
Speaker 3: casting at the food show? Well? I saw a lot
30:20
Speaker 3: of people coming out with big bags of samples, so
30:22
Speaker 3: I thought we might have got had some too. Look,
30:24
Speaker 3: I got enough junk here for a week. Bit eternel,
30:28
Speaker 3: sippy rufo, Nature's booms.
30:32
Speaker 5: We're gonna have breakfast all day long.
30:33
Speaker 3: Oh but it's good for you, Ruth. It's lucky.
30:36
Speaker 1: I'd like to bury it with a little smoothish like
30:38
Speaker 1: a fake.
30:38
Speaker 3: Oh, I forgot Frank and I are friends again. I
30:41
Speaker 3: explained everything. Who would tell him if he was our
30:44
Speaker 3: fairy godmother?
30:45
Speaker 9: See?
30:46
Speaker 3: I had a swell lunch. I had to made the
30:48
Speaker 3: juice a Canada and olive samwich to two at the
30:50
Speaker 3: tide A giants Alveo mark with marbles tape.
30:53
Speaker 5: That's right here.
30:54
Speaker 9: See the strengths uff.
30:55
Speaker 1: You're eating for both of us.
30:56
Speaker 3: Now, well, it's funny thing, Ruth. You don't seem to
30:59
Speaker 3: be losing any way. Can I am potatoes, bread and spaghetti.
31:02
Speaker 3: I'm starving all day long, and I keep getting fatter.
31:05
Speaker 1: I think I'll go on a.
31:06
Speaker 3: Diet of Nature's rooms delicious with strawberries and creams. What Isn't.
31:14
Speaker 6: You know?
31:14
Speaker 3: I wouldn't mind this place or chiseling our meals or
31:17
Speaker 3: anything if I only thought it was getting it someplace?
31:19
Speaker 6: Oo?
31:20
Speaker 3: Do you think we are to go home for a
31:21
Speaker 3: little vacation.
31:22
Speaker 1: No, no, I don't.
31:23
Speaker 3: I think we ought to stay right here and do
31:24
Speaker 3: a little work. And I want a little people quiet
31:26
Speaker 3: around here. I'm going to work to at least mid
31:28
Speaker 3: nineties ladies.
31:30
Speaker 5: Oh hello, mister ladies.
31:33
Speaker 3: The day is a big day.
31:34
Speaker 5: Night's my one minute off one.
31:36
Speaker 1: I come to take my painting away, and hey, hey.
31:40
Speaker 5: What kind of funny game for them?
31:41
Speaker 8: Here?
31:42
Speaker 9: Was was my painting?
31:43
Speaker 1: Didn't you take it?
31:43
Speaker 3: I didn't even notice it was gone.
31:45
Speaker 5: I was gone, followed to give that truck on bull bodies?
31:47
Speaker 1: What pays your done with my painting?
31:49
Speaker 3: It must have been stolen. Maybe it was the same
31:51
Speaker 3: game side the mona, Lisa.
31:53
Speaker 5: See you didn't take it, Booty. You know everybody who
31:55
Speaker 5: comes into the apartment, we don't even know half of them,
31:57
Speaker 5: including you, my dear lady. That's thing what elastic speak?
32:01
Speaker 5: And was of my blue clean period?
32:03
Speaker 1: What happened to the others?
32:04
Speaker 3: Turmc? That's your last words, Surmike, that's all I.
32:09
Speaker 7: Want to know. See me when he want's gone?
32:11
Speaker 3: Yes? Who's I wonder who could have taken his painting?
32:15
Speaker 7: Or there must be an idiot seek beech in the neighborhood.
32:19
Speaker 3: Oh that's weird. What's the matter, rude? You look terribly down? Yeah,
32:24
Speaker 3: bad enough to see I can't write your own name.
32:27
Speaker 1: It's on account of my stuff that.
32:28
Speaker 3: Bob Baker's life is turned inside out and then sinks. Besides,
32:32
Speaker 3: don't see, Ruth, if you start feeling that way, who's
32:35
Speaker 3: gonna hold me up?
32:37
Speaker 9: I'm not worried about you, Eileen, not while there's an analyzed.
32:40
Speaker 3: Oh, but after all, men are only an escape comes
32:44
Speaker 3: another escape? Hello, Sherwood resident, ms, Ruth's your wood for me?
32:50
Speaker 3: When Ruth calling? Oh just a minute, wait a second,
32:54
Speaker 3: who's part blue?
32:57
Speaker 6: Hello?
32:58
Speaker 3: Yes, yes, she her she? Oh, yes, it's Avains. Yes,
33:05
Speaker 3: mister Bains. Oh thank you. Mister Bains said, yes, it's
33:10
Speaker 3: Abain Hands Street.
33:12
Speaker 5: Brooklyn, yours here? I understand, yeah right away.
33:16
Speaker 3: Mis Surbains.
33:17
Speaker 1: I can't believe it. What is it? What we worn?
33:19
Speaker 5: He edit?
33:19
Speaker 3: He's gonna give me a chance to hear what I
33:21
Speaker 3: can do? I got an assignment over in Brooklyn, Brooklyn?
33:23
Speaker 3: What happened over there? A merchant marine, a Portuguese ship
33:25
Speaker 3: with a load of young today it just came in.
33:27
Speaker 3: I gotta do a human interest story. Where's my hat?
33:29
Speaker 3: Fre's my bag? Oh through this is a parting from
33:31
Speaker 3: the governor, says by the bell. I lean, I just
33:33
Speaker 3: took part for some good after all, I guess I
33:35
Speaker 3: own mister talking apologies. I always thought he was just
33:37
Speaker 3: trying to get around you. I still okay. So oh
33:39
Speaker 3: I ain't to buy take care of everything. So bye, now,
33:41
Speaker 3: good bye, I ain't.
33:42
Speaker 1: Where is Brooklyn?
33:43
Speaker 3: Oh you can't miss it? That's what helps you?
33:45
Speaker 1: Why but not?
33:54
Speaker 5: I am?
33:54
Speaker 3: Oh?
33:55
Speaker 5: Oh well, what's the good way?
33:57
Speaker 4: Well?
33:57
Speaker 1: How did you get in here?
33:58
Speaker 5: Oh you're back to a lock o?
34:00
Speaker 1: Yes, I know she is here me to tell take
34:03
Speaker 1: it easy, sugar.
34:04
Speaker 5: I just definitely see Ruth sucking down the subway, and
34:06
Speaker 5: I says, maybe Eleanor's alone.
34:08
Speaker 3: Oh, yes, well he was on his way to Brookling. Oh, chick,
34:11
Speaker 3: I want to thank you for getting Ruth out of time.
34:13
Speaker 5: I forget it now let's get offuscas me.
34:18
Speaker 3: Oh so kick out and waiting for that interview to
34:21
Speaker 3: be puffy Sugar. Thanks well, and you gotta go now
34:24
Speaker 3: and you'll excuse him talk to excuse you after I
34:27
Speaker 3: went and pitched to get you a loan without that
34:28
Speaker 3: eagle eye just goes around Jim means it wasn't the everthing.
34:33
Speaker 3: It was you, you said, Ruth over the booklet on
34:36
Speaker 3: a wild good shape.
34:37
Speaker 5: Well good chase nothing.
34:38
Speaker 7: It was one of the other boys that sin.
34:40
Speaker 3: Will I trouble to get to ever know that Ruth
34:42
Speaker 3: wrote it?
34:42
Speaker 5: Well, maybe you won't for a sign good experience for us.
34:44
Speaker 3: So you want to be a shame? Oh how am
34:47
Speaker 3: I ever gonna tell her?
34:48
Speaker 1: Now, don't get sashy yet.
34:50
Speaker 3: Oh you get out of here.
34:51
Speaker 5: Now that's a silly at Jude to take.
34:53
Speaker 3: Don't wait, get away from me.
34:55
Speaker 1: Oh, stop playing, stop come in?
35:00
Speaker 3: Oh mister Baker, Now, mister could you seek it out?
35:05
Speaker 1: I gotta do what the ladys?
35:07
Speaker 5: Oh yes, oh okay, you know to hot the vesseling anyway?
35:13
Speaker 5: You know, I look forward to the day when the
35:15
Speaker 5: front se fresh one's wife.
35:16
Speaker 7: WoT you're all right?
35:26
Speaker 3: You?
35:28
Speaker 1: Yeah, it's fine now, isn't Yes?
35:33
Speaker 3: Thank you came to see woots didn't you?
35:37
Speaker 1: Oh?
35:37
Speaker 4: Wo?
35:37
Speaker 1: Yes?
35:39
Speaker 3: Oh? That chip potent around a fake newspaper, simon some
35:42
Speaker 3: bookman the seat.
35:44
Speaker 1: I'm having a bad day, isn't you? Well?
35:47
Speaker 7: Who tells me you're an extra?
35:49
Speaker 1: Yes?
35:49
Speaker 3: I want to be if I can ever get in
35:51
Speaker 3: a producers office means the difficult.
35:55
Speaker 7: I see if I can arrange something?
35:57
Speaker 3: Oh if you only food? Oh but I would want
35:59
Speaker 3: to go to any trouble mister Basis, after you've taken
36:02
Speaker 3: such an.
36:02
Speaker 1: Interest in Ruth, let's taken an interested in all of that?
36:06
Speaker 3: Oh loose THESI, mister Zacher, Why you're the nicest person
36:11
Speaker 3: I've met New York too, And you know the things
36:13
Speaker 3: they say about New York. I't you at all? Why
36:15
Speaker 3: everybody seems yes lovely to me?
36:18
Speaker 1: Yes, I think I can understand that and say, oh, well,
36:25
Speaker 1: I'm sorry.
36:25
Speaker 3: What happened to you in your job? Bru told me
36:27
Speaker 3: all about it.
36:28
Speaker 7: Oh, yes, isn't it great?
36:29
Speaker 1: You know I'm told to light how to DESI as
36:31
Speaker 1: a kid.
36:32
Speaker 7: Do you know what I had in mind when I
36:33
Speaker 7: came calling a celebration?
36:35
Speaker 3: Oh you mean with Ruth?
36:38
Speaker 7: Yes?
36:38
Speaker 1: But why not with both the jobs?
36:40
Speaker 7: A show which says runny combust? Well, now, what would
36:42
Speaker 7: you say to a theater a night club? Super?
36:45
Speaker 1: Oh?
36:45
Speaker 9: I know what mister saying?
36:46
Speaker 7: Fine, fellow, pick up an eighty goodbye, good bye bye,
36:49
Speaker 7: now good.
36:50
Speaker 3: Bomb good bye?
37:00
Speaker 8: There I need, I need, now, I need?
37:07
Speaker 3: What's the matter? Deflee sin first? Who are they? They
37:09
Speaker 3: have a Portuguese merchant marine a good kick. Well, for
37:13
Speaker 3: heaven's sake, how do you do, gentlemen, get the Emily posts?
37:18
Speaker 3: How do you say get the chickens out of here?
37:19
Speaker 5: In Portuguese?
37:20
Speaker 1: Do you mean?
37:20
Speaker 8: Do you mean?
37:20
Speaker 3: They don't seek any English at all?
37:22
Speaker 1: Not a word? What did you bring?
37:26
Speaker 7: A air course?
37:27
Speaker 3: Bring them here? He's been on my tail ever since
37:29
Speaker 3: I left the Footling docks. There were half a dozen
37:31
Speaker 3: more of them when we got it, but they got
37:32
Speaker 3: lost in the subway.
37:35
Speaker 1: So what do they want? Anyway?
37:36
Speaker 3: What do you think they wanted? We've got to get
37:40
Speaker 3: an out of here route. But suppose you take a
37:42
Speaker 3: crack at it?
37:42
Speaker 1: All right? Go way go?
37:44
Speaker 3: Wait boy, he moves small. The boys go back to
37:49
Speaker 3: your post, you know, Admiral Sherwood.
37:53
Speaker 7: I presume, oh here.
37:55
Speaker 3: What are we going to do?
37:56
Speaker 2: Well?
37:56
Speaker 3: I guess you're just gonna stand around. Here's running each
37:58
Speaker 3: other until they learned to speaking bamas. Look, they're talking
38:03
Speaker 3: a coin. Who will be talking for?
38:05
Speaker 1: I got a hunt?
38:05
Speaker 3: It's not me? Hey you me Medican?
38:11
Speaker 2: No?
38:12
Speaker 3: No, go away away you all right?
38:14
Speaker 9: He wants for your mind, not for your life.
38:20
Speaker 3: Water performance Brinhard couldn't have done better. Well, stop bringing
38:26
Speaker 3: out in my sad. Hey, you turn off that radio.
38:29
Speaker 3: We don't want any news. They wanna dance.
38:33
Speaker 1: My god, God, no, look gone, God, I don't even
38:35
Speaker 1: love to part of me.
38:39
Speaker 3: I lay for me. I got an idea.
38:43
Speaker 9: Need him off the back door.
38:44
Speaker 3: Then when my plans for the pronounselet you in. You'll
38:46
Speaker 3: need the monopos.
38:47
Speaker 1: You know they don't follow me, now you you they
38:49
Speaker 1: want come on that gun?
38:51
Speaker 3: You never be there?
38:52
Speaker 8: What are you doing?
38:53
Speaker 3: I get rid of them?
38:54
Speaker 2: My dad?
38:54
Speaker 1: Let's stop?
38:57
Speaker 7: Oh god, what you want? What you want to appreciat?
39:00
Speaker 8: There?
39:01
Speaker 1: Take a riot?
39:07
Speaker 3: Im get all off.
39:08
Speaker 1: Wait, listen, get the girl in the front.
39:10
Speaker 3: Wait up, my sister.
39:11
Speaker 1: I want you through. I want you to night. That's
39:16
Speaker 1: my sister is going.
39:17
Speaker 9: All right for the lock up, no light.
39:20
Speaker 3: Run for.
39:28
Speaker 1: It to the longer terms with Rocky and Rustle buying
39:31
Speaker 1: the home Jannis Ware and my teams rock for Act
39:33
Speaker 1: three of My Sister writings. Lippy Collins has a report
39:37
Speaker 1: on the long and short of them.
39:38
Speaker 9: It's a short story and how to get longerwear from
39:40
Speaker 9: my clothes. You sees her silver itself and nyeln and
39:43
Speaker 9: around these says so the things you have to flips
39:46
Speaker 9: and downs and other undeas have to last longer.
39:48
Speaker 1: Sounds like a cube A let's playfully uh.
39:50
Speaker 9: Huh, let's say under things and lusting them off and
39:53
Speaker 9: does help them laugh longer, besides making me sure they
39:56
Speaker 9: always pressed and dainty. When you luck to natter everywhere,
39:59
Speaker 9: you just well slows away soil and.
40:02
Speaker 1: Perstory easily and very very gentle, with no rubbing, no
40:06
Speaker 1: harmful alkali or wishing the fabrics or fade the colors.
40:09
Speaker 9: Don't let things get really soil before you lock them.
40:11
Speaker 7: That's wasteful.
40:13
Speaker 9: Stall and pressery and nets and cybers have very hard
40:15
Speaker 9: on them, make them wear out before.
40:17
Speaker 1: The time and then do It's wasteful because you have
40:19
Speaker 1: to use extra lucks to get out the dirt, blot
40:21
Speaker 1: them out.
40:22
Speaker 9: For every wearing as you shi it, and often you'll
40:24
Speaker 9: be surprised at how little lucks you need to do
40:26
Speaker 9: the job. Shall two tablespoons are enough to walk the
40:29
Speaker 9: jous a day jodies and stocking.
40:31
Speaker 1: Yes, new improved luck plate to give you a richer
40:33
Speaker 1: sutch than ever longer lasting such, but do more work
40:37
Speaker 1: to make a long story shorts luck things last longer
40:40
Speaker 1: and luck lasts longer to let.
40:42
Speaker 9: Cares drifty care a straight way to longer wear.
40:45
Speaker 1: Now our producer, mister de Mill, we'll get the.
40:48
Speaker 2: Latest news about our side after the play. Now here's
40:50
Speaker 2: the fair Act of My Sister Aileen, starring Rosalind Russell
40:54
Speaker 2: Branahan and Janna Flair.
40:56
Speaker 1: But I came to their art.
41:03
Speaker 2: Ruth's sister, Eileen is in the lockup. Anyone else this
41:06
Speaker 2: would be a very serious moment. But Eileen is not worried.
41:10
Speaker 2: He's a bear of the police sat and the officers
41:12
Speaker 2: are feeding.
41:13
Speaker 6: Her ice creams Oh, come on, Eileen, open your mouth.
41:19
Speaker 3: Oh boys, you're offlee, sweet.
41:24
Speaker 1: Ruth.
41:24
Speaker 3: Hello, are they going to you?
41:25
Speaker 1: Darling?
41:26
Speaker 3: Ceede ice cream? Isn't that nice as a boy?
41:30
Speaker 1: So you're all right?
41:31
Speaker 3: Oh right the fist, I'm all that o.
41:33
Speaker 1: Mister Bakers.
41:34
Speaker 3: Oh Bob, it was terribly nice of you to come.
41:37
Speaker 1: I get a start like Gooden.
41:39
Speaker 3: I didn't even know.
41:40
Speaker 1: You New Islands.
41:41
Speaker 3: He certainly we had a night to talk to absolute.
41:43
Speaker 1: Didn't we Look, Lucy, I don't want it away, but
41:46
Speaker 1: I'm afraid the news is not too good.
41:47
Speaker 7: It's complaining about this and it seems to the peculia.
41:50
Speaker 3: Ra meification, what kind of ratification?
41:52
Speaker 1: Well it seems at Washington once I need Washington, DC.
41:56
Speaker 7: Yeah, something but foreign relations the Portuguese merchant moment.
42:00
Speaker 3: God care he hears about this.
42:01
Speaker 1: We gotta get along. No, no, you totally take it out.
42:04
Speaker 1: I'll surely run down if you are but has to
42:06
Speaker 1: spend the.
42:07
Speaker 7: Night in jail.
42:09
Speaker 3: Cream out all the darling. How perfectly horrible for you. Well, now,
42:14
Speaker 3: who's if I have to? I'm happy that's all tom
42:17
Speaker 3: My boys.
42:18
Speaker 7: Not me? Oh me.
42:28
Speaker 5: You've finally returned to the scene of your crime.
42:33
Speaker 1: Don't you start a populace and then no mood that
42:35
Speaker 1: swaps out of this with.
42:36
Speaker 5: You not so high and hurting my dear lady, Please
42:40
Speaker 5: arrest jail.
42:43
Speaker 6: I only hope your sister sends enough to give the
42:45
Speaker 6: wrong address.
42:46
Speaker 3: Yeah, imagine what bad publicity could do for this rattle.
42:50
Speaker 6: Now listen, uh you see, I don't hold graduate. So
42:53
Speaker 6: if you got some money and if you want to
42:55
Speaker 6: stay on here, I I'm ready to top business.
42:58
Speaker 3: Are all right? How about returning Armand's rent? We're still dissatisfied?
43:03
Speaker 1: What what are you talking about? Who were said such
43:06
Speaker 1: a thing? I was one of the witnesses, and I
43:08
Speaker 1: don't remember. Okay, witness blow blow me in my own building.
43:15
Speaker 3: Yeah, blow in your own buildings very well.
43:18
Speaker 6: I will blow at five o'clock to matter when your
43:21
Speaker 6: currently expires.
43:23
Speaker 5: I'm blowing back again.
43:33
Speaker 7: Just a minute.
43:34
Speaker 3: Hello, darling.
43:36
Speaker 9: Why why Dad?
43:38
Speaker 3: Oh Dad, I'm here too.
43:40
Speaker 9: You know we're not.
43:42
Speaker 3: But why didn't you let us know you were conning?
43:44
Speaker 3: What are you doing here anyway? Your father's been worrying
43:46
Speaker 3: like a fool, worried, worried about what day?
43:49
Speaker 7: Where's Eileen Ruth? Oh?
43:51
Speaker 3: Well she's she thought for the day already.
43:54
Speaker 2: II Leen at ten o'clock in the morning, doing her well.
43:57
Speaker 3: Or nothing yet? I mean she's Oh he's dead.
44:00
Speaker 1: You looks great.
44:01
Speaker 2: Why is it you never wrote about anything?
44:03
Speaker 7: Getting it?
44:04
Speaker 6: Well?
44:05
Speaker 3: You see, darling, it takes time. I mean I'll send
44:07
Speaker 3: him a lot of material.
44:08
Speaker 1: One story in particular.
44:10
Speaker 5: How are you?
44:11
Speaker 3: Couldn't you come back a little later?
44:13
Speaker 1: No later, Helen? I just thinking out of honeymoon.
44:15
Speaker 7: Honey moon.
44:16
Speaker 1: Hello.
44:16
Speaker 3: Mother said her daughter couldn't get married without her being testing,
44:19
Speaker 3: so we had to get married all over you.
44:20
Speaker 1: Yeah, well, so long, baby, we'll be saying you yeah, goodbye.
44:23
Speaker 3: Rerect a route. I want to thank you for all
44:25
Speaker 3: you've gone. Oh that's all right, goodbye. Well it didn't
44:27
Speaker 3: never goble, but that's my husband. Come and live with
44:29
Speaker 3: him by Helen's fine.
44:32
Speaker 1: Goodbye and listen tell Ilean what's sorry?
44:34
Speaker 9: She wasn't?
44:35
Speaker 1: Yes, I will, I will say where they're letting.
44:37
Speaker 3: Her out of jail? Jail, get out of here, will
44:39
Speaker 3: you please?
44:41
Speaker 9: Ruth?
44:41
Speaker 7: What roof is I leaning?
44:44
Speaker 3: It's a long story. How long has she been in? Well?
44:46
Speaker 3: You see there were ten Portuguese sailors?
44:49
Speaker 1: What I mean?
44:52
Speaker 2: I mean, come here, Darling.
44:53
Speaker 3: Is everything all right? Oh it's fine, daddy. You just done.
44:56
Speaker 3: When you hear what I've then, yes, I'm sure you were.
44:59
Speaker 2: I've already heard, yead And it isn't as bad as
45:01
Speaker 2: it's town. Bother, Ruth, you girls are coming home with
45:04
Speaker 2: me tonight.
45:04
Speaker 1: Home.
45:05
Speaker 5: I can explain the whole thing if you can make
45:07
Speaker 5: your explanations.
45:08
Speaker 2: On the way back to Columbus.
45:15
Speaker 9: Few packed rooms.
45:17
Speaker 3: Just about horrible, that's what it is. Just horrible. And
45:21
Speaker 3: after meeting the nicest person we met in our lives,
45:24
Speaker 3: the first person who really seemed to care what happened
45:26
Speaker 3: to my career?
45:28
Speaker 8: You mean, mister Baker.
45:30
Speaker 3: Yes, Bob Baker. Now how am I going to call
45:33
Speaker 3: him up and say father's funding me off home?
45:37
Speaker 8: Well, it really doesn't make any difference.
45:39
Speaker 3: Iling they didn't just know them too well, said said,
45:46
Speaker 3: We've got to go home, so it doesn't matter now.
45:48
Speaker 1: But Ruth, I never.
45:51
Speaker 3: Dreamed you like him too? Yeah, strange as it may seem.
45:57
Speaker 3: Why I never had any idea. Neither's had no experience
46:01
Speaker 3: with men. See that's bad, isn't it. That's ridiculous. I'm
46:06
Speaker 3: just come on island, finished packing. Yad said he get
46:09
Speaker 3: back here any minute.
46:10
Speaker 1: Who is this?
46:13
Speaker 6: Y Oh?
46:13
Speaker 1: Hello, Bob show what packing? What does this mean?
46:17
Speaker 3: I'm going home? Yes, father came. He wants us to
46:20
Speaker 3: go back for a little while.
46:21
Speaker 7: Wait a minute, Wait a minute, when are you coming back?
46:23
Speaker 3: I don't think we'll ever be back for going home,
46:25
Speaker 3: because we're a couple of flat rope fishures.
46:28
Speaker 9: Oh rue.
46:28
Speaker 3: As a matter of fact, it's dead, hadn't shown up.
46:30
Speaker 3: I guess if we'd had a summer way back to Columbus.
46:32
Speaker 7: Oh no, that cound be true.
46:33
Speaker 3: Oh no, I got three extra pounds to prove it
46:36
Speaker 3: from eating potatoes and spaghetti. If we can't even buy
46:38
Speaker 3: that much.
46:38
Speaker 4: Now, ring let uspghet it a two hundred and fifty bucks. Yeah,
46:42
Speaker 4: this check seems to be yours, has your name on it.
46:44
Speaker 3: Yeah, two hundred and fifty dollars.
46:47
Speaker 9: It's much too early in life to begin at checking charity,
46:50
Speaker 9: mister Baker.
46:50
Speaker 3: We won't take it, thank you very much.
46:53
Speaker 1: Oh I get it.
46:54
Speaker 4: You're going to read page fifteen of this new issue
46:56
Speaker 4: of the Manhatta and you're gonna hold it up, ehuse,
46:59
Speaker 4: You're gonna show us for all my a million dollars.
47:01
Speaker 1: Well, what's honest?
47:02
Speaker 3: Look, my sister, I lean by Ruth Sherwood. Miss what
47:07
Speaker 3: that means? Ruthe that's your store? How did it happen?
47:11
Speaker 1: Do you think it happens? And if you want to know,
47:13
Speaker 1: several people have already for me.
47:14
Speaker 4: They say that they consider this is the best human
47:16
Speaker 4: interest story of the year.
47:17
Speaker 1: Oh no, yes, you young ladies, but I couldn't help.
47:21
Speaker 1: But aready here.
47:22
Speaker 3: Congratulation all right, Papa, thank you, and you can have
47:26
Speaker 3: your apartments today.
47:28
Speaker 1: Oh no, I will not hear of your leaving.
47:30
Speaker 5: Why.
47:31
Speaker 7: I'm sure we can understand it.
47:33
Speaker 3: M No, I'm sure you think so now, mister apopol
47:36
Speaker 3: But in the future we certainly won't be living in
47:38
Speaker 3: a place where there are explosions under the there but wait, wait, is.
47:42
Speaker 7: The blessing is go?
47:43
Speaker 5: I just got a letter from the city. What in
47:45
Speaker 5: black and white? Please not blasting, will terminate on August.
47:48
Speaker 3: The first to day, and you'll fix this paste out.
47:51
Speaker 1: Now wait a minute.
47:51
Speaker 6: You fairly stured in your pay that you want starved
47:54
Speaker 6: and pluming the Unichian.
47:56
Speaker 3: Blind Venetian blind. Oh, Ruth, I think we ought to
47:59
Speaker 3: do it, But how do we know he's going to
48:01
Speaker 3: do what he said?
48:03
Speaker 1: There?
48:03
Speaker 3: You see all please ruthe he can't back out, and
48:06
Speaker 3: we've got him just where we was.
48:09
Speaker 1: I'm trapped.
48:11
Speaker 3: Well, all right, I'll sign it, young lady.
48:15
Speaker 5: You've made a very wise diseasion.
48:17
Speaker 7: Aren't you ready yet?
48:18
Speaker 1: Girls?
48:18
Speaker 7: But bus leaves in forty minutes.
48:20
Speaker 3: Dad, we're not doing what's happened Ruthels story.
48:23
Speaker 5: So we're famous, both of I don't believe it. I gratulations,
48:27
Speaker 5: mister l We have a pair of Billian daughters. I'm
48:29
Speaker 5: proud to have the much tennant for the next six
48:32
Speaker 5: month six months.
48:33
Speaker 3: Yes, it's all settle, dad, We've just signed the lead.
48:35
Speaker 1: Yes, thank you, good bye.
48:37
Speaker 3: But how was that?
48:39
Speaker 8: My what is it?
48:42
Speaker 1: I thought it a blessing years over?
48:44
Speaker 7: Now they're starting too.
48:45
Speaker 1: Three away.
48:48
Speaker 2: You kie.
48:50
Speaker 7: Now I'm convinced you girls are coming right back to numbers.
48:53
Speaker 7: Oh no, no, no, not Ruth Girlwood.
48:54
Speaker 1: What's that I didn't tell you?
48:56
Speaker 7: Ruthles this this morning. Mister Craveners decided.
48:58
Speaker 1: That there is room in his publication.
48:59
Speaker 7: But the human and I have a contract here for
49:01
Speaker 7: all the future Aileen stories you'll ever write, oh rue.
49:05
Speaker 3: And believe me, the Ileen stories will go on forever.
49:08
Speaker 9: Why, I've just got loads of the cial I'll guarantee them.
49:11
Speaker 7: I'll see here, what's happening here?
49:13
Speaker 1: Look, I've made up my d No, no, you can't
49:15
Speaker 1: take respect the Columbus Now, I don't just see. She
49:17
Speaker 1: and I have a lot of work to do together.
49:19
Speaker 1: They take years, maybe even a lifetime to finish. I
49:22
Speaker 1: wonder if you understand a lifetime.
49:25
Speaker 3: It's getting to be near to me.
49:26
Speaker 2: You mean you want to you and Ruth you?
49:29
Speaker 5: Oh well, in any case, certainly, I mean is coming home?
49:32
Speaker 3: Oh no, no, no, Dad, jeusn't if I say, Aileen
49:35
Speaker 3: says too. They know it's a lot of people in
49:37
Speaker 3: the theaptical world, of course, Ida.
49:39
Speaker 7: Well, we are to celebrate.
49:40
Speaker 1: Willill all be my guests for dinner?
49:41
Speaker 3: Now you're talking, young man, but no spaghetti?
49:44
Speaker 1: Positively not home on Hold on mother, let's story.
49:48
Speaker 3: Who there's something coming up to the floor.
49:51
Speaker 5: They're coming to the floor.
49:57
Speaker 2: Oh excuse me, lady theme all, I think we make
50:00
Speaker 2: the wrong time.
50:10
Speaker 1: Our stars will be back for a curtain call in
50:12
Speaker 1: just a moment. We're a little late for Mother's Day
50:16
Speaker 1: or even for Father's Day, but good news about babies
50:19
Speaker 1: is welcome any day in the year. You know those
50:22
Speaker 1: underpinnings that baby wears, Well, they used to be triangular,
50:25
Speaker 1: but I understand the modern generation is getting more of
50:27
Speaker 1: a square deal. Here's a note about them I readin
50:29
Speaker 1: the paper the other day. To keep up with the
50:31
Speaker 1: rising birth rate, the WPB has allowed their manufacture to
50:34
Speaker 1: increase so that by the year's end we'll be producing
50:37
Speaker 1: one hundred million of them. So it looks as though
50:40
Speaker 1: an urgent clothing problem for young America is on the
50:42
Speaker 1: way to being solved, or partly solved. I say partly,
50:46
Speaker 1: because baby must not only have these important bits of
50:48
Speaker 1: wearing apparel, but mother or nurse must see sure that
50:51
Speaker 1: they're properly cared for so they're comfortable for baby to wear.
50:55
Speaker 1: And that's where New Improved luck Flakes come into the picture.
50:59
Speaker 1: Wise Mother, the super safe New Lucks for all of
51:02
Speaker 1: babies washable, then they run no risk of having the
51:04
Speaker 1: harmful alkali from strong soap remain in the fabrics to
51:07
Speaker 1: irritate baby's tender skin. When you wash them the dental
51:10
Speaker 1: Luck's way, little sweaters and woolies will come out soft
51:13
Speaker 1: and fluff. They won't shrink out of shape or shade
51:16
Speaker 1: or get hearts and scratch it. New Improved Lucks is
51:20
Speaker 1: the gentlest kind of washing care for everything your baby wears,
51:24
Speaker 1: and the richer, longer lasting SuDS do more work than ever,
51:27
Speaker 1: so it's very prifty care too. It comes in the
51:29
Speaker 1: same familiar blue box New Improved luck Slakes. Now here's
51:35
Speaker 1: mister de Mill with our stars.
51:37
Speaker 2: If we all feel a little merrier than we did
51:39
Speaker 2: an hour ago, hours the time to give credit to
51:42
Speaker 2: Rosalind Russell Bryan and her Janet Flair and I came
51:45
Speaker 2: to their us.
51:46
Speaker 3: Thank you, mister Demill.
51:48
Speaker 7: It's a pleasure to be here again. In fact, Sipe,
51:50
Speaker 7: this is Rustling's first appearance here since he became.
51:52
Speaker 1: The mother the handsomest baby in Hollywood?
51:54
Speaker 5: Is that fuzzy seem lu Oh, I don't think he
51:57
Speaker 5: really is a Kim now Ross Justine modest.
52:00
Speaker 1: Okay, he taught me into it.
52:01
Speaker 2: What's his name, Rob?
52:02
Speaker 1: His name is Karl Man, and I guess he's listening
52:05
Speaker 1: in tonight.
52:05
Speaker 7: Of course, maybe he's an even sweety.
52:08
Speaker 1: Well eight weeks old.
52:09
Speaker 5: He's a little young for that.
52:10
Speaker 1: A Kim.
52:11
Speaker 2: If you want any advice on raising children, Roblin.
52:14
Speaker 1: Just ask me. That sounds like it's already talking.
52:17
Speaker 2: The authority of four children and seven grandchildren, Janns. I
52:21
Speaker 2: know the business from the two am bottle at the
52:23
Speaker 2: stage when they attacked the dining room table with a hacket.
52:28
Speaker 2: By the way, Brian, the last time you were here,
52:31
Speaker 2: you were you were studying to become a flying instructor.
52:34
Speaker 2: How's it coming along?
52:35
Speaker 3: Well?
52:36
Speaker 1: Be I hope it's out right away.
52:37
Speaker 7: Oh, good luck, Rime, thank you, Jennet. No, see, b
52:39
Speaker 7: what about next week's play? Those is the season for you,
52:41
Speaker 7: isn't it?
52:42
Speaker 2: Yes? And the closes on a note of triumph because
52:45
Speaker 2: next Monday night's play is the Warner Brothers screen success
52:49
Speaker 2: Air Force and our stars will be George Raft and
52:54
Speaker 2: Harry Carey. Air Force is the story of a lady
52:58
Speaker 2: named Mary Anne who had a whole crew of men
53:01
Speaker 2: in love with her, a crew which followed her from
53:04
Speaker 2: America to Hawaii, to Wake Island, to Manila and to Australia.
53:09
Speaker 2: Mary Anne is a flying fortress and we will tell
53:12
Speaker 2: you her a wonderful story next Monday night.
53:16
Speaker 3: It should be a very thrilling radio drama. Mister the mill,
53:18
Speaker 3: good night and good.
53:19
Speaker 2: Night to night, good night, good night, if even by
53:25
Speaker 2: even as much as I have, ladies and gentlemen, to day,
53:35
Speaker 2: we we not only celebrate our independence, but in every
53:39
Speaker 2: corner of the world, our boys are fighting for us,
53:42
Speaker 2: fighting for the freedom that was one so hard and
53:45
Speaker 2: has been kept so long. So I give you an
53:49
Speaker 2: independence day toast. We are fighting men and the flag
53:53
Speaker 2: they fight for. Answer the Knight of the bucks Flakes
54:01
Speaker 2: joined me in inviting you to be with us again
54:03
Speaker 2: next Monday night, when the Lux Radio Theater presents George
54:07
Speaker 2: Raft and Harry Carey in Air Force, with the set
54:11
Speaker 2: for beating hil saying the Knights to you from Hollywood.
54:21
Speaker 1: Hill and Ruckwell appeared through the criticy of Columbia Pictures
54:24
Speaker 1: if he is soon to be seen in the Columbia
54:26
Speaker 1: production ten Percent. Woman Janet Blair also has heard tonight
54:30
Speaker 1: for the criticy of Columbia Pictures and will next appear
54:33
Speaker 1: on the screen Coach, starring with Rita Hayworth in Heart
54:35
Speaker 1: of a City. Brian Ahern's next picture is the Columbia
54:38
Speaker 1: production Attacked by Night Our Team. Tamirov will be seen
54:42
Speaker 1: in Paramount for Whom the Bell Tolls. Here's a radio
54:46
Speaker 1: announcement of great interest. Brett Brady MGM, hilarious new comedy.
54:50
Speaker 1: Fine start the brand new comedy show beginning Thursday evening
54:53
Speaker 1: over another network. See your daily newspaper for the time
54:56
Speaker 1: in station. I know you'll be glad. I caught your
54:58
Speaker 1: attention to this new At Brady show starting Thursday evening
55:02
Speaker 1: and continuing every Thursday there after. Heard in tonight's play
55:06
Speaker 1: where Roland Drew is wrecked, Ben Alexander is Frank, Wally
55:10
Speaker 1: Mayer is Chick, Jeff Danells, Helen, Leo Cleary is Craven,
55:15
Speaker 1: Cliff Clark is Top, and Ken Christy Arthur, Q Bryant,
55:19
Speaker 1: Eddie Marr, Norman Field, Bernard Felton, Fred Mackay, Louise Arthur
55:25
Speaker 1: and Vicky Lange. Our music was directed by Louis Silvers,
55:32
Speaker 1: Misterster announcer John and Kennedy reminding of the tune in
55:35
Speaker 1: Next Monday Night to hear George Raft and Harry Carey
55:39
Speaker 1: in Air Force.
55:43
Speaker 7: Mothers. Everyone knows it's harder to get vitamin rich food
55:46
Speaker 7: than these days of food shortages.
55:48
Speaker 1: But if you thought about giving your family bim dims
55:52
Speaker 1: are scientifically designed to help make meals compleet.
55:55
Speaker 7: They give you all the vitamins government experts say or
55:58
Speaker 7: essential balanced in the formula, Doctors, endors and films supply
56:02
Speaker 7: all the minerals commonly lacking.
56:05
Speaker 1: Start taking films this summer and get that BIM feeling
56:09
Speaker 1: BI for fidamins WMS for minerals. This is the Columbia
56:14
Speaker 1: Broadcasting System.