Latest / Science Fiction Books - Daily / 14 - The House of Arden - E Nesbit
Transcript
- 0:00Speaker 1: Chapter eleven, Developments, Part one. Come on, said Drid. You
- 0:07Speaker 1: measure up the hypo and put the four pie dishes ready.
- 0:10Speaker 1: I'll get the water. He got it with Missus Hornyset's help,
- 0:15Speaker 1: two brimming pailsful. You mustn't come in for anything, will you,
- 0:20Speaker 1: missus Honyset, He earnestly urged. You see, if the door's
- 0:24Speaker 1: open ever so little, all the photographs will be done
- 0:27Speaker 1: for lo love a duck, said Missus Honeyset, holding her
- 0:32Speaker 1: fat waist with her fat hands. I sha'n't come in.
- 0:36Speaker 1: I ain't got nothin to come in for. We'll bolt
- 0:41Speaker 1: the door all the same, said Edred when she was gone.
- 0:45Speaker 1: In case she was to think of something, he shot
- 0:48Speaker 1: the great wooden bolt. Now it'll be quite dark, he said,
- 0:53Speaker 1: And of course it wasn't you know the aggravating way
- 0:57Speaker 1: rooms have of pretending to be quite dark until you
- 1:00Speaker 1: want them to be dark, and then by no means.
- 1:05Speaker 1: This room didn't even pretend to be dark to begin with.
- 1:09Speaker 1: Its shutters had two hard shaped holes high up through
- 1:12Speaker 1: which the light showed quite dazzingly. Edred had to climb
- 1:16Speaker 1: up on to the window seat and stuff up the
- 1:19Speaker 1: holes very tight with crusted newspaper to get, which she
- 1:22Speaker 1: had to unbolt the door. There, he said, as he
- 1:26Speaker 1: pulled and patted the newspaper till it really and darkly
- 1:30Speaker 1: filled the heart shaped holes. Now it will be quite dark.
- 1:35Speaker 1: And again it wasn't long. Dusty rays of light came
- 1:39Speaker 1: through the cracks where the hinges of the shutters were.
- 1:43Speaker 1: Newspapers were no good for them. The door had to
- 1:47Speaker 1: be unbolted, and missus Hornysett found she was sitting in
- 1:51Speaker 1: a little low chair at the back door, plucking a
- 1:54Speaker 1: white chicken. The sight of the little white feathers floating
- 1:59Speaker 1: fluffing above brought wonderful memories to Edred, but he only said,
- 2:04Speaker 1: I say, you haven't any old curtains, have you? Thick
- 2:08Speaker 1: ones or thin if they were red. Missus Honeyset laid
- 2:13Speaker 1: the chickens down among his white feathers and went to
- 2:16Speaker 1: chest of drawers that stood in the kitchen. Here you are,
- 2:21Speaker 1: she said, handing out the two old red velvet curtains,
- 2:25Speaker 1: with which she disappeared. But he was back again quite quickly.
- 2:30Speaker 1: You haven't got a hammer, I suppose, said he. The
- 2:34Speaker 1: dresser drawer yielded a hammer and Edrith took it away
- 2:37Speaker 1: to return almost at once with I suppose there aren't
- 2:41Speaker 1: any tacks, I suppose, said missus honeyst laughing. There ain't
- 2:46Speaker 1: much sense locking that steel room door on the inside,
- 2:50Speaker 1: when it ain't me that keeps sola popping in, but
- 2:54Speaker 1: you that keeps all a poppin out. However, she gave
- 2:58Speaker 1: him the tax rusty ones in a damp screw of
- 3:01Speaker 1: paper when he had hammered his fingers a good deal,
- 3:06Speaker 1: and the tax a little. The tax consented to hold
- 3:10Speaker 1: up the curtain, or the curtain condescended to be held
- 3:14Speaker 1: up by the tax. And now said Ydred, shutting the door.
- 3:19Speaker 1: It really is dark, he meant, But of course it wasn't.
- 3:27Speaker 1: There was a gap under the door so wide, as
- 3:29Speaker 1: Elfrida said that you could have almost crawled through it.
- 3:34Speaker 1: That meant another appeal to missus Honeyset for another curtain,
- 3:39Speaker 1: And this time missus Honeyset told him to go along
- 3:42Speaker 1: with him for a little boret and threw a handful
- 3:45Speaker 1: of downy, soft white feathers at him. But she laughed too,
- 3:49Speaker 1: and gave him the curtain, and at last it really
- 3:54Speaker 1: was dark, And then they had to unbolt the door again,
- 3:58Speaker 1: because Elfrida had forgotten where she had put the matches.
- 4:02Speaker 1: You will readily understand that after all this preparation, the
- 4:06Speaker 1: children were at the last point of impatience, and everything
- 4:11Speaker 1: seemed to go slowly. The lamp with the red shade
- 4:15Speaker 1: burned up presently, and then the four pie dishes were
- 4:19Speaker 1: filled with water that looked pink in that strange light.
- 4:23Speaker 1: One good thing, said Edred. The hypo has had time
- 4:27Speaker 1: to melt, and now there was careful snipping, and long
- 4:31Speaker 1: ribbons of black paper curled unheeded round the legs of
- 4:35Speaker 1: the operators. I wish we were born photographers like the
- 4:40Speaker 1: man who took aunt Edith and you on the beach
- 4:43Speaker 1: with the donkey, said Edrid nervously, as he began to
- 4:47Speaker 1: pass the film in and out of the water in
- 4:50Speaker 1: pie dish number one. Oh be sure there are no
- 4:54Speaker 1: air bubbles, said Elfrida. You might let me do some
- 4:58Speaker 1: of it. You shall do the next one, said Edred,
- 5:02Speaker 1: almost holding his breath. Dear reader, do you recall the
- 5:07Speaker 1: agitating moment when you pass the film through the hypol
- 5:11Speaker 1: and hold it up to the light and nothing happens.
- 5:15Speaker 1: Do you remember the painful wonder whether you may have
- 5:18Speaker 1: forgotten to set the shutter, or whether you have got
- 5:21Speaker 1: hold of an unexposed film by mistake. Your breath comes
- 5:26Speaker 1: with difficulty, your fingers feel awkward, and the film is
- 5:31Speaker 1: unnaturally slippery. You dip it into the hypo bath again
- 5:36Speaker 1: and draw it through and through with a calmness of despair.
- 5:40Speaker 1: I don't believe it's coming out at all, you say,
- 5:45Speaker 1: And then comes the glorious moment when you hold it
- 5:48Speaker 1: up again to the red light and murmur rapturously. Ah,
- 5:54Speaker 1: it is beginning to show. If you will kindly remember
- 5:59Speaker 1: all the emms of those exciting moments on an occasion,
- 6:03Speaker 1: let us say, when you had not had your camera
- 6:06Speaker 1: very long, Then multiply by seven million, add x an
- 6:11Speaker 1: unknown quantity of an emotion quite different from anything you
- 6:15Speaker 1: have ever felt, and you will have some idea what
- 6:18Speaker 1: Edred and Elfrida felt when the first faint, gray, formless
- 6:22Speaker 1: patches began to appear on the film. But you might
- 6:26Speaker 1: multiply till you had used up the multiplication table and
- 6:30Speaker 1: had ixies as long as you could afford them, And
- 6:34Speaker 1: yet never imagine the rapture with which the two children
- 6:38Speaker 1: saw the perfect development of the six little perfect pictures,
- 6:42Speaker 1: for they were perfect. They were perfect pictures of arden
- 6:47Speaker 1: Castle at the time when it too was perfect, no
- 6:51Speaker 1: broken arches, no crumbling wall, but every part neat and
- 6:57Speaker 1: clear cut as they had seen it when they went
- 7:00Speaker 1: into the past that was three hundred years ago. They
- 7:04Speaker 1: were equally fortunate with the second film, it too had
- 7:09Speaker 1: its six faultless pictures of Ardencastle three hundred years ago.
- 7:15Speaker 1: Only just before the moment which was the right moment
- 7:18Speaker 1: for taking the film out of the hyperbath and beginning
- 7:21Speaker 1: to wash it, a tiny white feather fell out of
- 7:25Speaker 1: Edred's hair into the dish. It was so tiny that
- 7:28Speaker 1: in that dim light he did not notice it, and
- 7:32Speaker 1: it did not stick to the film or do any
- 7:34Speaker 1: of those things which you might have feared if you
- 7:37Speaker 1: had seen the little white thing flutter down. It may
- 7:41Speaker 1: have been the feathers doing I don't know. I just
- 7:45Speaker 1: tell you the thing as it happened. Of course, you
- 7:48Speaker 1: know that films have to be pinned up to dry well.
- 7:53Speaker 1: The first film was pinned on the right hand panel
- 7:56Speaker 1: of the door, and the second film was pinned on
- 7:59Speaker 1: the left hand panel of the door, And when it
- 8:02Speaker 1: came to the third, the one that had had the
- 8:05Speaker 1: little white feather dropped near it. There was nothing wooden
- 8:08Speaker 1: left to pinito, for the walls were of stone, nothing
- 8:12Speaker 1: wooden except the shutters, and it was spinned across these.
- 8:17Speaker 1: It doesn't matter, said Edred, because we needn't open the
- 8:21Speaker 1: shutters till it's dry. And with that he stuck in
- 8:24Speaker 1: four pins at his four corners and turned to blow
- 8:28Speaker 1: out the lamp and unbolt the door. He meant to
- 8:31Speaker 1: do this, but the door, as a matter of fact,
- 8:34Speaker 1: wasn't bolted at all, because Edith had forgotten to do
- 8:37Speaker 1: it when he came back with the dusters, so he
- 8:40Speaker 1: couldn't have unbolted it anyway. But he could blow out
- 8:44Speaker 1: the red sided lamp, and hit did, and then the
- 8:48Speaker 1: wonderful thing happened. Of course, the room ought to have
- 8:51Speaker 1: been quite dark, I'm sure enough trouble had been taken
- 8:55Speaker 1: to make it so. But it wasn't the window. The window.
- 9:00Speaker 1: The shutters were the shutters that the film was pinned on,
- 9:04Speaker 1: the film on which the little white feather had fallen,
- 9:07Speaker 1: the little white feather that had settled on Edrid's hair
- 9:10Speaker 1: when Missus Honyset was plucking that chicken at the back door.
- 9:15Speaker 1: That window now showed as a broad oblong of light,
- 9:19Speaker 1: and in that broad oblong was a sort of shining,
- 9:23Speaker 1: a faint, sparkling movement, like the movement of the light
- 9:28Speaker 1: on the sheet of a cinematograph before the pictures begin
- 9:31Speaker 1: to show. Oh, said Elfrida, catching at Edred's hand, What
- 9:38Speaker 1: she did catch was his hair. She felt her way
- 9:41Speaker 1: down his arm, and so caught what she had meant
- 9:44Speaker 1: to catch, and held it fast. It's more magic, said Edred, ungratefully.
- 9:51Speaker 1: I do wish. Oh hush, said Elfrida. Look, oh, look,
- 9:57Speaker 1: the light broad oblong saw suddenly changed from mere light
- 10:01Speaker 1: to figures, to movement. It was a living picture, rather
- 10:07Speaker 1: like a cinematograph, but much more like something else. The
- 10:11Speaker 1: something else that it was more like was life. It
- 10:16Speaker 1: seemed as though the window had been opened, as though
- 10:19Speaker 1: they could see through it into the world of light
- 10:22Speaker 1: and sunshine and blue sky, the world where things happened.
- 10:28Speaker 1: There was the castle, and there were people going across
- 10:32Speaker 1: the drawbridge, men with sacks on their backs, and a
- 10:36Speaker 1: man with a silver chain round his neck and a
- 10:39Speaker 1: tall stick in his hand was standing under the great gateway,
- 10:43Speaker 1: telling them where to take the sacks, and a car
- 10:47Speaker 1: drew up with casks, and they were rolled across the
- 10:50Speaker 1: drawbridge and under the tall arch of the gate tower.
- 10:54Speaker 1: The men were dressed. Then something blinked and the scene changed.
- 10:59Speaker 1: It was indoors, now a long room with many pictures
- 11:03Speaker 1: on one side of it, and many windows on the other.
- 11:07Speaker 1: A lady in a large white collar and beautiful long
- 11:11Speaker 1: curls bery like Aunt Edith, was laying fine dresses in
- 11:17Speaker 1: a chest. A gentleman, also with long hair and with
- 11:20Speaker 1: a good deal of lace about his collar and cuffs,
- 11:24Speaker 1: was putting jugs and plates of gold and silver into
- 11:27Speaker 1: another chest. And servants kept bringing more golden, grand things,
- 11:32Speaker 1: and more and more. Edrit and Elfrida did not say
- 11:37Speaker 1: a word. They couldn't. What they were looking at was
- 11:41Speaker 1: far too thrilling. But in each heart the same words
- 11:45Speaker 1: were uttered, that's the treasure, And each mind held the
- 11:51Speaker 1: same thought. If it only goes on till the treasure's hidden,
- 11:55Speaker 1: we shall see where they put it, and then we
- 11:58Speaker 1: can go and fire it. I think myself that the
- 12:02Speaker 1: white moldiwarp was anxious to help a little. I believe
- 12:07Speaker 1: it had arranged the whole of this exhibition, so that
- 12:11Speaker 1: the children might get an idea of the whereabouts of
- 12:14Speaker 1: the treasure, and so ceased to call on it at
- 12:18Speaker 1: all hours of the day and night, with a sort
- 12:21Speaker 1: of poetry which even a mole must see not to
- 12:25Speaker 1: be so very good. However this may be, it was
- 12:29Speaker 1: a wonderful show. One seemed to see things better, somehow,
- 12:33Speaker 1: like that through the window that looked into the past,
- 12:36Speaker 1: than one did who was really in the past, taking
- 12:39Speaker 1: an active part in what was going on. There appeared,
- 12:44Speaker 1: at any rate, to be no doubt that this really
- 12:47Speaker 1: was the treasure, and still less that it was a
- 12:50Speaker 1: treasure both plentiful and picturesque. Quickly and more quickly, the beautiful,
- 12:56Speaker 1: rich things were being packed into the chests, more and
- 13:00Speaker 1: more pale, looked the lady, more and more anxious the gentleman.
- 13:05Speaker 1: The lady was taking from her waiting woman little boxes
- 13:08Speaker 1: and bundles with which the woman's apron was filled, and
- 13:12Speaker 1: the chest before which she was kneeling was nearly full
- 13:16Speaker 1: when the door at the end of the gallery opened suddenly,
- 13:19Speaker 1: and Elfrida and Edred, in the dark in the still room,
- 13:23Speaker 1: were confronted with the spectacle of themselves coming down the
- 13:27Speaker 1: long picture gallery towards that group of chests and treasure
- 13:31Speaker 1: and hurried human people. They saw themselves in blue silk
- 13:36Speaker 1: and lace and black velvet, and they saw on their
- 13:39Speaker 1: own faces fear and love and the wonder what was
- 13:43Speaker 1: to happen next. They saw themselves embraced by the grown ups,
- 13:47Speaker 1: who were quite plainly father and mother. They saw themselves speak,
- 13:52Speaker 1: and the grown up's reply, I'd give all my pocket
- 13:56Speaker 1: money for a year to hear what they're saying. Edred
- 14:00Speaker 1: told himself that daddy is just like my daddy, Elfrida
- 14:05Speaker 1: was telling herself, And just like the daddy in the tower,
- 14:09Speaker 1: that was so like my own daddy. Then the children
- 14:13Speaker 1: in the picture kneel down, and the daddy in the
- 14:16Speaker 1: picture laid his hands on their heads, and the children
- 14:20Speaker 1: out of the picture bent their own heads there in
- 14:23Speaker 1: the dark still room, for they knew what was happening
- 14:27Speaker 1: in the picture. Elfrida even half held out her arms,
- 14:31Speaker 1: but it was no good. Again, the scene changed. A
- 14:36Speaker 1: chest was being carried by four men who strained and
- 14:40Speaker 1: staggered under its weight. They were carrying it along a
- 14:44Speaker 1: vaulted passage by ropes that passed under the chest and
- 14:47Speaker 1: over their shoulders. Every now and then they set it
- 14:51Speaker 1: down and stretched and wiped their faces, and the picture
- 14:55Speaker 1: kept on changing, so that the children seemed to be
- 14:58Speaker 1: going with the men down a flight of stairs into
- 15:02Speaker 1: a spacious hall full of men, all talking and very
- 15:06Speaker 1: busy with armor and big boots. And then across the
- 15:10Speaker 1: courtyard full of more men, very busy too, polishing axes
- 15:15Speaker 1: and things that looked like spears, cleaning muskets, and fitting
- 15:19Speaker 1: new flints to pistols, and sharpening swords on a big grindstone.
- 15:25Speaker 1: Edred would have loved to stay and watch them do
- 15:28Speaker 1: these things. But they and their work were gone quite quickly,
- 15:33Speaker 1: and the chest and the men who carried it were
- 15:35Speaker 1: going under an archway ere. One of the men wanted
- 15:39Speaker 1: to rest again, but the others said it was not
- 15:41Speaker 1: worth while they were almost there. It was quite plain
- 15:46Speaker 1: that they said this, though no sound could be heard.
- 15:51Speaker 1: Now we shall really know, said Dre to himself. Elfrida
- 15:56Speaker 1: squeezed his hand. That was just what she was thinking.
- 16:00Speaker 1: Two the men stopped at a door, knocked, knocked again,
- 16:05Speaker 1: and yet once more, and curiously enough, the children in
- 16:09Speaker 1: the still room could hear the sound of the knocking
- 16:12Speaker 1: quite plainly, though they heard nothing else. The men looked
- 16:17Speaker 1: at each other across the chest that they had set down.
- 16:20Speaker 1: Then one man set his shoulder to the door. There
- 16:24Speaker 1: was a scrunching sound, and the picture disappeared went out,
- 16:29Speaker 1: and there were the shutters with the film pinned across
- 16:32Speaker 1: them and behind them. The door opened, and Missus Honey said,
- 16:36Speaker 1: telling them that dinner, which was roast rabbit and a
- 16:40Speaker 1: bold hand of pork, would be cold if they didn't
- 16:43Speaker 1: make haste and come along. Oh, missus Honey, said, said Elfrida,
- 16:50Speaker 1: with deep feeling. You are too bad, you really are.
- 16:56Speaker 1: I hope I've not spoiled the photos, said Missus Honeysett.
- 17:00Speaker 1: But I did not three times, and you was that quiet.
- 17:03Speaker 1: I was afraid something had happened to you, poisoned yourselves
- 17:07Speaker 1: without thinking, or something of that. It's too bad, said
- 17:12Speaker 1: Edred bitterly. It's much too bad. I don't want any dinner.
- 17:17Speaker 1: I don't want anything. Everything spoiled, perhaps, said Missus hanneyst patiently.
- 17:24Speaker 1: I might have on knocking longer, only I thought the
- 17:28Speaker 1: door was bolted. You did so keep on a bolting
- 17:32Speaker 1: of it at the beginning, didn't you? So? I just
- 17:35Speaker 1: got hold of the handle to try and it come
- 17:38Speaker 1: open in my hand. Come along, Levey, don't bear malice
- 17:42Speaker 1: now I didn't go for to do it. And I'll
- 17:45Speaker 1: get you some more or whatever it is that's spoilt,
- 17:48Speaker 1: and you can take some more photos tomorrow. You might
- 17:52Speaker 1: have known we were all right, said Edred, still furious.
- 17:57Speaker 1: But both thought it only fair to say it. It
- 18:00Speaker 1: wasn't the photographs that were spoiled. And they said it
- 18:03Speaker 1: at the same moment. Then what was it, said missus Honeyset,
- 18:08Speaker 1: And do come along, for godness sake and eat your
- 18:12Speaker 1: dinner while it's hot. It was. It was a different
- 18:16Speaker 1: sort of picture, said Elfrida with a gulp. And it
- 18:20Speaker 1: was a pity. Never mind, love, said missus Honeyset, who
- 18:25Speaker 1: was as kind as a grandmother. And I can't say
- 18:28Speaker 1: more than that, there's a lovely surprise coming by and
- 18:33Speaker 1: by for good little girls and boys, and the rabbit'll
- 18:37Speaker 1: be stone cold if you don't make haste. Leastways it
- 18:41Speaker 1: would have been if I hadn't thought so popp it
- 18:43Speaker 1: in the oven when I came to call you, knowing
- 18:47Speaker 1: full well what your hands would be like after all
- 18:50Speaker 1: that messing about with poisoning dishes, and if I was
- 18:53Speaker 1: your aunt, art forbid it done right? And now come
- 18:58Speaker 1: along and wash your hands, and don't let's have any
- 19:01Speaker 1: more nonsense about it. Do you hear? I dare say
- 19:05Speaker 1: you noticed that missus Honeysett was quite cross at the
- 19:08Speaker 1: end of this speech, and quite coaxing and kind at
- 19:12Speaker 1: the beginning. She had just talked herself into being cross.
- 19:16Speaker 1: It's quite easy, I dare say, you have often done it.
- 19:20Speaker 1: It was a silent dinner, the first silent meal since
- 19:23Speaker 1: the children had come to arden Castle. You can judge
- 19:27Speaker 1: of Edrid's feelings when I tell you that he felt
- 19:31Speaker 1: as though the rabbit would choke him and refused a
- 19:34Speaker 1: second helping of gooseberry pie with heart falt sincerity. Elfrida
- 19:39Speaker 1: did not eat so much as usual either. It really
- 19:43Speaker 1: was a bitter disappointment. You have been so near seeing
- 19:47Speaker 1: where the treasure was. And then just because they hadn't
- 19:52Speaker 1: happened to bolt the door that last time, all was
- 19:55Speaker 1: in vain. Missus Honneysett thought they were sulking about a
- 19:59Speaker 1: silly try rifle, and nearly said so when Edred refused
- 20:03Speaker 1: the pie. It was at the end of the dinner
- 20:06Speaker 1: that Elfrida, as she got down from her chair, saw
- 20:10Speaker 1: Missus Honeyst's face and saw how different it looked from
- 20:13Speaker 1: the kind face that she usually wore. She went over
- 20:17Speaker 1: to her, very slowly and very quickly, threw her arms
- 20:21Speaker 1: round her and kissed her. I'm sorry we've been so piggy,
- 20:25Speaker 1: she said. It's not your fault that you're not clever
- 20:29Speaker 1: enough to know about pictures than things, is it. If
- 20:33Speaker 1: missus Honeyset hadn't been a perfect dear, this apology would
- 20:37Speaker 1: have been worse than none. But she was a perfect dear,
- 20:42Speaker 1: So she laughed and hugged Elfrida, and somehow Edred got
- 20:46Speaker 1: caught into the hug and the love, and the three
- 20:49Speaker 1: were friends again. The sky was blue and the sun
- 20:53Speaker 1: began to shine. End of Section fourteen.