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One Piece 601-603 · Spoil Me! One Piece

0:02
Speaker 1: This is an Unspoiled Network podcast. This is spoil Me,
0:09
Speaker 1: covering one piece episodes six h one through six h three,
0:15
Speaker 1: Shaking up the New World, Caesar's horrendous experiment, the deadliest
0:20
Speaker 1: weapon of mass destruction in history, Shinokuni, and launching the
0:26
Speaker 1: counter attack Loofy, and Law's great escape. In these episodes,
0:33
Speaker 1: the kids are beginning to have some wild hallucinations. This
0:38
Speaker 1: was something I didn't foresee. This is going to throw
0:40
Speaker 1: a wrench in things. Law. It appears anticipated that he
0:45
Speaker 1: was going to be betrayed, so that works out well,
0:49
Speaker 1: and everybody outside is beginning to realize even if they
0:54
Speaker 1: worked for the man in charge, that is not going
0:56
Speaker 1: to save them. Welcome to spoil Me, Well, Welcome to
1:19
Speaker 1: the show everyone. I am Natasha. Thank you very much
1:22
Speaker 1: to Florian for commissioning this episode. These are really actually
1:30
Speaker 1: quite fun episodes. I'm feeling really good about this arc overall,
1:34
Speaker 1: because there, you know, have been plenty of times where
1:37
Speaker 1: something has started off really strong and then it just
1:39
Speaker 1: hasn't gone in the direction that I was hoping. What
1:45
Speaker 1: we are getting here is like a little bit There
1:52
Speaker 1: were some parts of it that I kind of was
1:54
Speaker 1: like about I'm gonna kind of be jumping around here
1:58
Speaker 1: a little bit, so forgive me, everybody, but one of
2:02
Speaker 1: the major things for me and I had a lot
2:07
Speaker 1: to say in the last episode, the last podcast episode
2:12
Speaker 1: about my feelings regarding whether or not it's necessary to
2:17
Speaker 1: make people die for there to be steaks, and I
2:22
Speaker 1: stand by everything I said, but there's really no point
2:27
Speaker 1: just like harping on that continuously. We know how I feel,
2:32
Speaker 1: I know how Oda feels. He isn't going to be
2:35
Speaker 1: changing the way he does things because I feel a
2:37
Speaker 1: way about it, and I just have to like reconcile
2:42
Speaker 1: myself to to a degree. Some things are going to
2:46
Speaker 1: feel a little bit less satisfying to me just because
2:50
Speaker 1: I am not feeling the stakes the same way. And
2:54
Speaker 1: I am going to try and keep my like common
3:00
Speaker 1: harry on that to a minimum, just because I've said
3:03
Speaker 1: it already. There's no need, you know, but I will
3:08
Speaker 1: mention that just the fact that the uh, the gas alteration,
3:15
Speaker 1: because like Caesar Clown, basically what he has done is
3:21
Speaker 1: added an element a giant candy as it turns out,
3:26
Speaker 1: to this gas smiley to make it so that it
3:33
Speaker 1: turns people into stone. A part of me can't help
3:41
Speaker 1: but like laugh a little bit because it feels like
3:48
Speaker 1: we're running out of ideas a bit on how to
3:52
Speaker 1: make people suffer consequences to a thing without killing them.
3:58
Speaker 1: And we have done the turning people to stone with
4:03
Speaker 1: the wax wax fruit, we have done it with the
4:08
Speaker 1: I think love Love fruit is the one that Boa
4:10
Speaker 1: ate and I really there is just a sense for
4:15
Speaker 1: me of like Oda having to brainstorm what are ways
4:20
Speaker 1: to kill people that I can easily undo, and turning
4:24
Speaker 1: to stone is really just the most reliable one that
4:28
Speaker 1: he keeps reaching for. And I'm not even like really
4:33
Speaker 1: mad at it. It just is a little repetitive after
4:37
Speaker 1: a point, because you do you know, we've done this before,
4:42
Speaker 1: so I'm going to obviously treat this as the characters
4:51
Speaker 1: do in terms of like, oh, what a horrible thing
4:54
Speaker 1: he's doing. But I can't help but be like, yeah, well,
4:56
Speaker 1: those guys are gonna be fine. We're gonna undo all
4:59
Speaker 1: of this. They're just made into stone. I'm sure there's
5:02
Speaker 1: something we can do to undo the stone and they
5:05
Speaker 1: will be back to normal and we will have lost nothing.
5:09
Speaker 1: So you know, I again, that's just the nature of writing,
5:16
Speaker 1: the way that he wants to write. That said, though,
5:20
Speaker 1: the fact that it's like, let's give this giant jelly
5:25
Speaker 1: creature fucking like a big piece of candy to make
5:30
Speaker 1: it turn into an even more weird, deadly gas, I
5:35
Speaker 1: can't deny that shit is very funny. Like that is
5:39
Speaker 1: such a the candy theme with this guy. There's something
5:44
Speaker 1: about it that, coupled with how creepy I already find
5:50
Speaker 1: medical experimentation, the sort of innocence allegedly of candy, you know,
6:00
Speaker 1: like the association of it, it makes it all the
6:04
Speaker 1: more unnerving and unpleasant, and I think it works quite well.
6:10
Speaker 1: Caesar Clown is, despite his name, I think just pretty
6:17
Speaker 1: solid so far in my book, Like as a villain,
6:21
Speaker 1: I am pretty into him, So I hope that he
6:25
Speaker 1: doesn't like fully lose me anywhere along the way. We're
6:28
Speaker 1: doing really well so far. So let's all right, let's
6:32
Speaker 1: start off with with six ' oho one shaking up
6:36
Speaker 1: the New World. So I had said in the last
6:38
Speaker 1: episode that the kids reach the lab, but I had
6:43
Speaker 1: completely forgotten that they don't get off this like airship
6:46
Speaker 1: right away. So the first of these three episodes is
6:51
Speaker 1: the kids being brought back to the lab off of
6:54
Speaker 1: the ship. And it's sort of an interesting thing here
6:57
Speaker 1: because the kids are are the way that we're shorthanding
7:02
Speaker 1: that they are still in the throes of their addiction.
7:07
Speaker 1: Is these whited out eyes, right? And I had kind
7:13
Speaker 1: of thought that once their eyes were back to normal
7:18
Speaker 1: that it would indicate they had broken through to the
7:22
Speaker 1: other side and they were no longer under this like
7:28
Speaker 1: detox pressure. But the little girl who winds up like
7:35
Speaker 1: starting shit because she's seeing things, her eyes do look normal.
7:42
Speaker 1: And so when I first saw her eyes, I was like, oh,
7:46
Speaker 1: here it is. Because you may remember that in the
7:48
Speaker 1: last episode, I was sort of like, is it possible
7:52
Speaker 1: that they'll break through to the other side and kind
7:54
Speaker 1: of come back to themselves, or is it possible that,
7:57
Speaker 1: like they get given the drug and they, because it
8:00
Speaker 1: restores them to their right mind, realize that they made
8:02
Speaker 1: a mistake coming back here. And so when I saw
8:06
Speaker 1: that her eyes had gone back to normal, I thought,
8:10
Speaker 1: here it is. This is a kid that has gone
8:14
Speaker 1: through all the way to the other side is no
8:16
Speaker 1: longer in the DTS, and so she is beginning to
8:20
Speaker 1: see the reality of where they are and the fact
8:24
Speaker 1: that they're being put back into a cage basically, and
8:30
Speaker 1: it's like a weird The way that this happens is
8:33
Speaker 1: she's looking at all of the kids walking back into
8:38
Speaker 1: the lab in front of her, and when she's watching
8:43
Speaker 1: them and acting scared of the guy who comes up
8:46
Speaker 1: to her, her eyes in that moment are all white,
8:52
Speaker 1: and so she's seeing this dude as a lizard. Like.
8:58
Speaker 1: It's actually really really fun because the suggestion they're making,
9:02
Speaker 1: based on the flashbacks they give us of her time
9:06
Speaker 1: in the cave and what it was that USAP was
9:09
Speaker 1: saying about how these are bad guys, it's basically sort
9:13
Speaker 1: of the what USAP said penetrated subliminally, and so even
9:17
Speaker 1: though she isn't fully in control of her thoughts, something
9:23
Speaker 1: about what he said has felt true and she isn't
9:29
Speaker 1: able to fully articulate it. So it's sort of manifesting
9:33
Speaker 1: in this vision that she's seeing. And so that's how
9:38
Speaker 1: I was taking that then. And then when they close
9:42
Speaker 1: the door behind her and there's like multiple locks and whatnot,
9:48
Speaker 1: she immediately her eyes turned back to normal and she says, no,
9:55
Speaker 1: please save me, noa me. I don't want to be here.
9:57
Speaker 1: I want to get out of here. And I thought
10:03
Speaker 1: like I said that that was the end of it.
10:05
Speaker 1: But we go back into this vision and one of
10:09
Speaker 1: the guards he's still a lizard, and then the other
10:11
Speaker 1: guy is a frog, I think. And then she starts saying,
10:18
Speaker 1: you're scary your monsters, stay back, let me go. I
10:21
Speaker 1: want to be with my nice friends like before. Is
10:24
Speaker 1: this some kind of punishment for being bad? I see now,
10:28
Speaker 1: I should have listened to what they told me. I'm
10:30
Speaker 1: so sorry. Please help me. I promise I'll be good.
10:35
Speaker 1: And she starts pounding on the door and remind her
10:37
Speaker 1: like she's a giant kid. She's one of the big ones.
10:40
Speaker 1: So her pounding on the door, actually, you know, it's
10:43
Speaker 1: not going to really do anything. She's not gonna get out,
10:46
Speaker 1: but it's more significant than one of the littler kids,
10:48
Speaker 1: and the guards can't just like grip her up and
10:50
Speaker 1: drag her. But the fact that she it was a
10:55
Speaker 1: little bit confusing to me. So curious what you guys think,
10:58
Speaker 1: because the fact that she her eyes become sort of
11:02
Speaker 1: normal made me feel as if we're getting her back
11:07
Speaker 1: to her right mind. But then she's still seeing them
11:11
Speaker 1: like she's in this state and she's calling for Nami
11:18
Speaker 1: and is like my nice friends. So that feels like
11:20
Speaker 1: her judgment is back on track again. But I think
11:25
Speaker 1: maybe she's just not. I think that maybe what we're
11:29
Speaker 1: getting with like her eyes returning to normal is just
11:34
Speaker 1: a shorthand for she is not fully and completely absorbed
11:41
Speaker 1: in the fugue state that everyone is. It may not
11:44
Speaker 1: be that she is back to normal, but she is
11:49
Speaker 1: the first to see through what's happening around her in
11:53
Speaker 1: a way that the others haven't. But yeah, I just
11:57
Speaker 1: wanted to mention that because like it just kind of
11:59
Speaker 1: went back in fourth for a second in a way
12:01
Speaker 1: that I was like, hold on, hold on, I thought
12:02
Speaker 1: I knew what this men, and I guess not. But yeah,
12:05
Speaker 1: I'm really interested to see how things go down with
12:08
Speaker 1: this because the fact that like she has turned a corner.
12:12
Speaker 1: At first, all the other kids are yelling at her,
12:16
Speaker 1: basically saying because like when they arrive, of course, what
12:20
Speaker 1: Caesar clown says is I have enough candy to stuff
12:24
Speaker 1: yourselves in the biscuit room. Go in there and have
12:28
Speaker 1: as much as you want. And then he tells his
12:30
Speaker 1: guards like and don't fucking let them out again. And
12:35
Speaker 1: I really am wondering, like the kids at first, as
12:40
Speaker 1: she's starting to throw this tantrum, I feel like saying
12:44
Speaker 1: that it's a tantrum is kind of shitty because that
12:47
Speaker 1: tantrum really often implies that somebody is completely overreacting, and
12:52
Speaker 1: that is not the case here at all. But I'm
12:55
Speaker 1: just gonna call it that for the shorthand the fact
12:56
Speaker 1: that she is doing this. The other kids at first
12:59
Speaker 1: all seem to really really resent and I can't help
13:04
Speaker 1: but feel like either they are all going to get
13:10
Speaker 1: on the same page with her, or She's going to
13:14
Speaker 1: like kind of infect their brains with this imagery this
13:18
Speaker 1: by suggesting, Hey, I think that you know where there
13:22
Speaker 1: are these guys are actually monsters. If she's only being
13:27
Speaker 1: told that, like, these guys are bad guys was enough
13:29
Speaker 1: to make her suddenly see them as literal monsters, I
13:32
Speaker 1: would have to assume her saying something similar is enough
13:38
Speaker 1: to get the rest of the kids seeing this way
13:42
Speaker 1: as well. I would think maybe I'm wrong about that.
13:45
Speaker 1: I don't know, but I am hopeful because, like, really,
13:52
Speaker 1: when we get to the bottom of things, guys, I
13:57
Speaker 1: don't like these kids being taken advantage of in any way.
14:03
Speaker 1: I don't like the fact that they may get given
14:07
Speaker 1: drugs again that gets them rehooked, Like, so we have
14:11
Speaker 1: to maybe go through all of this detox yet again,
14:16
Speaker 1: all of this stuff is it just makes me really
14:21
Speaker 1: sad and uncomfortable to think about. And I would love
14:26
Speaker 1: it if we were able to have all of these
14:30
Speaker 1: kids start to kind of come to their senses and
14:34
Speaker 1: just be a real pain in the dick for Caesar clown,
14:41
Speaker 1: Like they don't even need to fully come back to
14:43
Speaker 1: themselves and be like the Master is evil and he's
14:47
Speaker 1: the one doing this to us and we've been fooled,
14:50
Speaker 1: Like they don't need to fully get it, but they are.
14:54
Speaker 1: Some of them are huge, like this girl in particular,
14:58
Speaker 1: I think she's one of I think there's maybe three
15:00
Speaker 1: or four that are really big. And so if she
15:06
Speaker 1: and some of the other big ones decided that they
15:09
Speaker 1: wanted to really dig their heels in and ruin these
15:12
Speaker 1: guys' day, they could. And I for one fully support
15:18
Speaker 1: this and love this idea. So I'm really looking forward
15:23
Speaker 1: to Hopefully it would almost be more fun in a
15:26
Speaker 1: way if the kids lashed out because they thought everybody
15:30
Speaker 1: was a monster, Like I could see if you're writing
15:35
Speaker 1: this and you do need the kids to eventually lash
15:39
Speaker 1: out against their captors. That's a really tricky line that
15:45
Speaker 1: you have to walk because they're children, so you don't
15:49
Speaker 1: want them to be in like a bloodthirsty little monsters,
15:52
Speaker 1: but also they need to be aggressive enough to get
15:56
Speaker 1: themselves out of the situation they're in. So I think
16:00
Speaker 1: I think this is probably a pretty good approach of
16:03
Speaker 1: being like, all right, the kids are going to get
16:05
Speaker 1: very agro, but they're going to think that these men
16:09
Speaker 1: aren't really people, and so that kind of puts it
16:12
Speaker 1: into a place where even if they start to get
16:16
Speaker 1: a little out of hand, you can forgive it because well,
16:19
Speaker 1: these are monsters they think they're fighting, so it's not
16:22
Speaker 1: as horrifying, you know. So anyway, that's just my thought
16:26
Speaker 1: on that. But the kids are just unexpectedly becoming more
16:30
Speaker 1: interesting to me throughout all of this. So let's see,
16:35
Speaker 1: Oh right, we have Nami in Soanji's body coming to
16:40
Speaker 1: rescue usap and this is a thing that happens more
16:45
Speaker 1: than once, but usup keeps calling Nami Sanji and then
16:51
Speaker 1: when Nami is reminding him that she is in fact
16:54
Speaker 1: like Nami in his body, he keeps looking really disappointed.
16:59
Speaker 1: And I was so bummed about this, you guys, because
17:02
Speaker 1: like I stand by my need for Nami to become
17:08
Speaker 1: a slightly better fighter. I just need, I need something
17:15
Speaker 1: because I don't like the fact that he can have
17:18
Speaker 1: this reaction to her, and that I get why, you
17:22
Speaker 1: know what I'm saying, because usup is a scared cat,
17:26
Speaker 1: and he of course is like going to feel less
17:31
Speaker 1: excited about the fact that he is with somebody who
17:36
Speaker 1: isn't going to be able to absolutely kick ass the
17:38
Speaker 1: way that Sonji can. Now the question is a little
17:42
Speaker 1: bit here, how do their abilities work? Because I feel
17:47
Speaker 1: like even though Sonji is in Nami's body, that he
17:50
Speaker 1: was able in the last episodes to do some of
17:54
Speaker 1: that like skywalk thing that he you know, when he's
17:58
Speaker 1: getting out of the lake and the gas is closing
18:01
Speaker 1: in on him, he basically like shoots upward through the
18:06
Speaker 1: one gap in the water where the gas hasn't penetrated yet,
18:11
Speaker 1: And it's because he's using that ability. So, like my
18:17
Speaker 1: thought had been, your ability goes with the body, but
18:24
Speaker 1: if we're looking at the way things went with him,
18:27
Speaker 1: maybe that's not actually correct. I don't know anyway, So
18:34
Speaker 1: she's like, all right, we really have to go oos up,
18:36
Speaker 1: and eventually they get the help of Brown Beard, who
18:41
Speaker 1: agrees to carry them even though he is injured and
18:45
Speaker 1: really like the dude says, are you kidding you? Guys
18:49
Speaker 1: are nothing like carrying you is not a big deal
18:53
Speaker 1: at all. They're very much like, hey, man, I know
18:56
Speaker 1: this is this is a big pain, and he's like, no,
18:59
Speaker 1: it's fine. They're also feeling indebted to him, understandably because
19:03
Speaker 1: he swooped in and saved their lives at the last
19:06
Speaker 1: second when they were about to get beat to death
19:08
Speaker 1: by a bunch of fucking infants. So yeah, just real quick, guys,
19:13
Speaker 1: if you can hear some odd sounds, that's that's good
19:16
Speaker 1: old Pippin over here chewing on one of his favorite shoes.
19:21
Speaker 1: So apologies if that sound comes through on the recording.
19:25
Speaker 1: So we've got this moment here with Virgo and Monette.
19:33
Speaker 1: I keep forgetting her name now, Virgo, it's sort of weird.
19:40
Speaker 1: So first of all, let's talk about the fact that
19:42
Speaker 1: somehow this man has basically magnetic skin and he gets
19:49
Speaker 1: a cup of coffee or tea or something, and she
19:55
Speaker 1: like it, gives him milk and a spoon to stir
19:59
Speaker 1: into it, and he takes a sip out of the
20:02
Speaker 1: cup while the spoon is resting on the side, and
20:06
Speaker 1: then it just sticks to his face. Friends, I don't
20:12
Speaker 1: know what this means. Why is this happening? Does? Why
20:16
Speaker 1: do things keep sticking to his face? Is this anything? Like?
20:21
Speaker 1: It's just such a bizarre little thing to have happen
20:25
Speaker 1: over and over again, and I guess this is just
20:30
Speaker 1: gonna be something going on with this character. Like I
20:34
Speaker 1: would just love to ask Oda, what is the sort
20:42
Speaker 1: of like mechanism by which you determine quirks of a character,
20:49
Speaker 1: Because some things feel really like understandable and like that's
20:57
Speaker 1: based in reality, And then there are things like this
20:59
Speaker 1: where I'm like, look, I understand always maybe having food
21:03
Speaker 1: on your face. I am somebody who personally struggles a
21:05
Speaker 1: lot with always staining my clothes. I get food on
21:09
Speaker 1: my clothes constantly, and it's really really annoying. But I
21:16
Speaker 1: don't get a whole steak or a whole spoon stuck
21:20
Speaker 1: to my face. So I just, uh, this is just
21:26
Speaker 1: such a strange thing. So he's like in the midst
21:30
Speaker 1: I noticed here Monette doesn't look very happy with him,
21:33
Speaker 1: because she asks if he would like more milk or
21:36
Speaker 1: sugar or something, and he says, no, he's fine, and
21:39
Speaker 1: the camera zooms in on her face in such a way,
21:42
Speaker 1: and I wasn't sure if it's supposed to be that
21:43
Speaker 1: she's upset that he declined the offer because she had
21:47
Speaker 1: some sort of plan to give him something else, or
21:51
Speaker 1: if it was like I'm going to uh. I was
21:57
Speaker 1: looking at you as the spoon stuck to your face,
22:00
Speaker 1: and so I felt a way about that, But it
22:05
Speaker 1: just the expression. There was almost a sense of like
22:08
Speaker 1: her being annoyed with him, and I can't decide if
22:14
Speaker 1: I'm imagining that or not. So anyway, this I'm sort
22:23
Speaker 1: of jumping around here. But this is when Caesar Clown
22:25
Speaker 1: comes in, and I had sort of expected Caesar Clown
22:31
Speaker 1: to be like, what are you doing here? I really you, guys.
22:35
Speaker 1: I was really behind on the uptake on this. I had.
22:40
Speaker 1: The way I was thinking this was going was that
22:44
Speaker 1: Money is working with Virgo and not with Caesar Clown,
22:53
Speaker 1: the way she has been pretending that Caesar Clown is
22:57
Speaker 1: her assignment, but Vigo is the one really in charge,
23:02
Speaker 1: and he doesn't know Vigo is here. That Vigo's arrival
23:07
Speaker 1: is like kind of throwing a wrench into things, and
23:10
Speaker 1: maybe that's why she is looking like a little bit
23:14
Speaker 1: weirded out here because he's an actual superior. I don't know.
23:19
Speaker 1: And then Caesar clown comes in and like Vigo had
23:24
Speaker 1: just said to her, maybe you could tell me why
23:26
Speaker 1: Caesar is taking so long, And I was thinking it
23:31
Speaker 1: was gonna be Caesar walks in and is just like you,
23:36
Speaker 1: you know, not at all, not even a little bit.
23:41
Speaker 1: Caesar fully is aware, and this dude is part of
23:45
Speaker 1: the whole thing, And I really should have seen this coming.
23:50
Speaker 1: I was also like, really confused in the last episode,
23:52
Speaker 1: but I didn't get a chance to talk about it.
23:56
Speaker 1: Why Vigo even has Law's heart because that's Law's power, right,
24:03
Speaker 1: So part of me was like, does this man have
24:06
Speaker 1: a power by which he can co opt other people's
24:09
Speaker 1: power temporarily? Like you know, that would probably be is
24:15
Speaker 1: there a devil fruit that's just like the fruit fruit fruit,
24:20
Speaker 1: where you just like are able to absorb other people's
24:24
Speaker 1: powers just temporarily. But I can't believe that it didn't
24:33
Speaker 1: occur to me that these two were fully working together.
24:36
Speaker 1: They just both don't seem like they are the type
24:39
Speaker 1: to have partners of equal power, you know what I'm saying,
24:46
Speaker 1: And I know that kind of should have tipped me
24:49
Speaker 1: off about how there was the setup for Law, but
24:53
Speaker 1: I just didn't see Law as being more powerful than
24:58
Speaker 1: Caesar Clown. And like Caesar Clown's reasoning later on when
25:03
Speaker 1: we see the flashback to where he convinces Law to
25:06
Speaker 1: give him his heart, his reasoning is like, you are
25:10
Speaker 1: more powerful than me, So I think you probably understand
25:13
Speaker 1: why I feel like uncomfortable with this. And I was
25:16
Speaker 1: genuinely surprised because, like, don't get me wrong, Law is
25:20
Speaker 1: super powerful. But what Caesar is able to do with
25:27
Speaker 1: like completely taking somebody's oxygen a way, I don't know.
25:31
Speaker 1: I guess if he can do that, it depends on
25:35
Speaker 1: having access to the space right around a person. So
25:39
Speaker 1: Law would be able to create a room, and like
25:43
Speaker 1: nothing that Caesar Clown does to the air would be
25:47
Speaker 1: able to get in amongst that. Right, I think this
25:52
Speaker 1: is just a like, you know, me trying to work
25:54
Speaker 1: things out in real time. But yeah, anyway, I hadn't
25:57
Speaker 1: considered Law as more powerful Caesar Clown. Considering the fact
26:01
Speaker 1: that Caesar Clown had managed to take Loofy down and
26:05
Speaker 1: Lufy is so strong that the fact that he gets
26:09
Speaker 1: bested the way he does really did make me kind
26:13
Speaker 1: of go, oh, yikes, you know, but as it turns out,
26:18
Speaker 1: Law is a step ahead of everything. But yeah, So
26:23
Speaker 1: what he had said was, I'm going to do to
26:27
Speaker 1: make a deal with you and when you like if
26:33
Speaker 1: you're going to be higher power than me, but you're
26:35
Speaker 1: going to be trapesing around this island and you know,
26:38
Speaker 1: right up under my nose all the time. I am
26:42
Speaker 1: going to need something to ensure that you can't just
26:48
Speaker 1: turn on me at any moment, some sort of insurance.
26:51
Speaker 1: So he offers Monet's heart for Law. Monee seems genuinely startled.
27:03
Speaker 1: She goes along with it, but it really didn't seem
27:06
Speaker 1: like she appreciated it or was excited about it. The
27:10
Speaker 1: thing that shocked me, though, was more how Law goes
27:16
Speaker 1: along with it, because I definitely had a moment of
27:19
Speaker 1: like Monet's heart, No, like Monee's nobody, she's just an underling.
27:28
Speaker 1: That's not actually insurance for you, because it's meant to
27:32
Speaker 1: be like, I'll keep your heart, but I won't have
27:35
Speaker 1: total leverage over you because you'll have Monet's heart. But
27:38
Speaker 1: like I guess. I guess the thought might have been
27:44
Speaker 1: that I can like pressure Monette into getting my heart
27:49
Speaker 1: for me, and it just it didn't feel like an
27:54
Speaker 1: even trade, you know, and it isn't. I guess that's
27:57
Speaker 1: like really the point. But what it turns out is
28:02
Speaker 1: really going on is that he is handing that heart
28:05
Speaker 1: over to Law, and so this fucking dude can just
28:08
Speaker 1: stand over him and squeeze the hell out of it
28:11
Speaker 1: and just fuck up his entire day. And that is
28:16
Speaker 1: really scary, actually, and it's remarkable that Law isn't more
28:21
Speaker 1: freaked out by this to me. But I'm jumping around
28:26
Speaker 1: yet again. Sorry about this, everybody, So I'm trying to
28:32
Speaker 1: jump ahead. Okay, So the candy that just comes like
28:35
Speaker 1: popping out of nowhere and lands. All the men are
28:39
Speaker 1: just like, what the hell is this thing? It's candy.
28:41
Speaker 1: It's a giant piece of candy. Now, what I find
28:46
Speaker 1: really funny is the fact that evidently Caesar Clown thought
28:50
Speaker 1: he knew how this was going to work out. I don't.
28:57
Speaker 1: I so Caesar Clown, he He's chosen to do this
29:03
Speaker 1: in a way that kind of showcases his ineptitude. If
29:08
Speaker 1: we're being real, he has on camera, this whole thing
29:14
Speaker 1: that he is doing for everybody to see, because in
29:18
Speaker 1: his mind, he is about to show him how it's done.
29:22
Speaker 1: He is about to like really show off his creation,
29:26
Speaker 1: devastate the entire island, and get a bunch of like
29:30
Speaker 1: people calling in with their orders. But the Smiley, I'm
29:38
Speaker 1: gonna call it the because just saying Smiley, it doesn't
29:40
Speaker 1: feel alive enough for me to like call it by
29:44
Speaker 1: its name as if it's a person. The Smiley feels
29:48
Speaker 1: like a little bit more accurate to me. But I
29:52
Speaker 1: don't know, maybe that's just me. But he because he
29:59
Speaker 1: is so proud and has decided that he's gonna handle
30:03
Speaker 1: it this way. When Smiley doesn't do what he says,
30:09
Speaker 1: it makes him look like a damned fool. And I
30:14
Speaker 1: couldn't help but wonder, like, did you just shoot yourself
30:17
Speaker 1: in the foot with this thing? I feel like he
30:18
Speaker 1: must have done. This is a classic Frankenstein situation where
30:24
Speaker 1: you create something that is meant to be something you
30:28
Speaker 1: can use against other people, and then it turns on you.
30:32
Speaker 1: Not to say that originally doctor Frankenstein wanted to use
30:36
Speaker 1: the monster against other people exactly. He was just doing
30:39
Speaker 1: it to see if he could do it, but in
30:43
Speaker 1: this case, I am sort of hoping that like the
30:47
Speaker 1: smiley will turn on Caesar and eat him up or
30:52
Speaker 1: take him down or something. I don't really know why
30:55
Speaker 1: it would or yeah, I'm not even try and guess,
31:02
Speaker 1: but I just felt like, if you hadn't decided you
31:05
Speaker 1: were going to send this this footage out to everybody
31:11
Speaker 1: in real time, you wouldn't have been able to be
31:15
Speaker 1: humiliated like this. And the way that he attempts to
31:18
Speaker 1: stop smiling is by saying, like, it's been a long time,
31:23
Speaker 1: we have so much catching up to do again. This
31:28
Speaker 1: thing does not strike me as alive enough to have
31:33
Speaker 1: this sort of conversation and have it mean anything. He's
31:38
Speaker 1: talking to it like it's a person that he's telling, Oh, well,
31:43
Speaker 1: give us a second to just, you know, see where
31:47
Speaker 1: how's your mother doing, you know, and then we'll drink
31:51
Speaker 1: our beers. But you aren't out there actually holding the
31:56
Speaker 1: candy away from him, you know, Like if I put
31:58
Speaker 1: down a steak in front of Pippin and I wasn't
32:02
Speaker 1: there to tell him don't eat it. If I was
32:05
Speaker 1: like behind a door, of course he's gonna go for
32:08
Speaker 1: it anyway. He's not gonna listen to me if I'm
32:11
Speaker 1: in the room. I believe he would. Maybe he wouldn't,
32:14
Speaker 1: but I think he would. But Caesar, you can't just
32:21
Speaker 1: like put the thing out there and then expect it
32:23
Speaker 1: to exercise self control. Why did you think it was
32:27
Speaker 1: going to want to? Can it even talk? What does
32:30
Speaker 1: the catching up to do even look like? How would
32:35
Speaker 1: it respond to you? I genuinely don't know what it
32:39
Speaker 1: is that he is expecting here, And you know all
32:45
Speaker 1: this said, when it really like comes down to it,
32:48
Speaker 1: it doesn't seem like this went as poorly as it
32:54
Speaker 1: could have gone. Like it all kicks off a little
32:58
Speaker 1: earlier than Caesar really wanted, but it doesn't seem like
33:02
Speaker 1: it's ruined anything. So I'm not sure exactly what it
33:06
Speaker 1: was that if he was trying to do the like,
33:09
Speaker 1: let's catch up for the benefit of the cameras because
33:11
Speaker 1: he wanted some other thing to shake out a certain way,
33:16
Speaker 1: I guess that's the only thing that we missed out on.
33:20
Speaker 1: I'm sorry, guys, Pippin is over here like trying to
33:22
Speaker 1: get my attention, and I'm sorry, Bud, but I can't
33:25
Speaker 1: let you out right now. Let me just text Owen
33:30
Speaker 1: but anyway, so this the transformation of all of these
33:38
Speaker 1: dudes who are outside into stone. It's honestly what takes
33:43
Speaker 1: up a lot of the next episode because most of
33:48
Speaker 1: what's going on is people running and the the smoke,
33:54
Speaker 1: the gas chasing them. It's a because this whole thing
34:00
Speaker 1: as well with the candy. There are all of these
34:04
Speaker 1: guys that are outside, like in the area where Smiley
34:10
Speaker 1: is with the candy, and Caesar is saying, like, give
34:16
Speaker 1: him the candy and then the dragon sledge should get
34:21
Speaker 1: you out of there. That should do the trick. You
34:23
Speaker 1: want to get out quick because it's dangerous. And as
34:29
Speaker 1: he's saying this, there's this gas that's sort of like
34:33
Speaker 1: melting the sled. The sled is made of wood, I think,
34:36
Speaker 1: and it's just burning through the sled itself and the rope.
34:43
Speaker 1: I have to give a shout out to the design
34:45
Speaker 1: of this dragon. First of all, it's only the second
34:48
Speaker 1: dragon we've ever seen, so it's very funny to me
34:52
Speaker 1: how like casual this is the dragon sled. But secondly,
34:57
Speaker 1: if anybody out there has ever seen Santa Claus Is
35:01
Speaker 1: Coming to Town, which is a classic Christmas claymation movie,
35:07
Speaker 1: there is a character named the Burgermeister, and he at
35:12
Speaker 1: one point is like riding in a wagon or something
35:15
Speaker 1: being pulled by a horse, and the Burgermeister says something
35:19
Speaker 1: about how like he loves singing sad children and laughs,
35:24
Speaker 1: and then the horse pulling the wagon like laugh naze
35:30
Speaker 1: in a really evil, villainous way. And that's always been
35:35
Speaker 1: one of my favorite little bits in the movie is
35:37
Speaker 1: the fact that even the horse is evil. So you
35:42
Speaker 1: can imagine my delight when the dragon is like glancing
35:50
Speaker 1: over his shoulder as the ropes begin to like fizzle
35:54
Speaker 1: and get eaten up by the gas. This dragon is
35:59
Speaker 1: so to at the way this is all going down.
36:02
Speaker 1: I am assuming because of the way the dragon is
36:05
Speaker 1: acting it's not being harmed by this gas now. I
36:10
Speaker 1: think it will be once things go further, but I'm
36:14
Speaker 1: not sure the dragon has the capacity to really understand
36:18
Speaker 1: that part. But I just wanted to give a shout
36:24
Speaker 1: out honorable mention because this dragon's reaction it's so great
36:30
Speaker 1: in the moment when he runs away. And then later
36:34
Speaker 1: I was watching this and Owen was getting ready to
36:37
Speaker 1: leave for work, and so he was in the kitchen
36:41
Speaker 1: as like I'm watching this just cackling to myself, and
36:45
Speaker 1: then he walks in at a later moment when you
36:49
Speaker 1: see the dragon running again, because the camera goes back
36:52
Speaker 1: to him, and he started laughing so hard because the
36:59
Speaker 1: anime of this dragon running again, he just looks so mischievous.
37:04
Speaker 1: He looks like somebody who is getting away with something,
37:08
Speaker 1: and that shit is just delightful. I really don't want
37:13
Speaker 1: this dragon to die. I want this dragon to be
37:16
Speaker 1: around and to live through the gas. I would like
37:22
Speaker 1: it best if he doesn't turn to stone, but if
37:24
Speaker 1: he does turn to stone and then you know, eventually
37:29
Speaker 1: is brought back, that's fine too. I just don't want
37:33
Speaker 1: the dragon to actually die because he is a very fun,
37:37
Speaker 1: very adorable animation. Considering usually when in this show, when
37:42
Speaker 1: a creature isn't meant to be kind of like an antagonist,
37:47
Speaker 1: they are drawn to be really ugly in a particular way,
37:51
Speaker 1: and that isn't done here. The dragon is just like
37:57
Speaker 1: very adorable. You know, it looks like something that you
38:00
Speaker 1: could buy as like a plush, and he's just gonna
38:02
Speaker 1: kind of as he's running along. Shit is so good, y'all.
38:08
Speaker 1: I loved it so much. I wouldn't mind a plush
38:10
Speaker 1: of that dragon at all. So anyway, all of this
38:16
Speaker 1: is happening. These dudes like eventually Caesar tells them, oh,
38:20
Speaker 1: those suits aren't going to help you anymore, so there
38:25
Speaker 1: and they're gonna slow you down as you try to
38:27
Speaker 1: run away, so probably best if you just take them off,
38:33
Speaker 1: and they're like really. One of the guys is like,
38:36
Speaker 1: I don't know about that, and another dude replies with like,
38:39
Speaker 1: has he ever been wrong before? Come on to just
38:42
Speaker 1: do what he says. And to be fair, I expected
38:46
Speaker 1: that as soon as they took them off, it would
38:48
Speaker 1: start to all go downhill, and it doesn't. Actually, they
38:53
Speaker 1: are able to run and things seem to be okay
38:56
Speaker 1: for a few moments, but as like as they are running,
39:02
Speaker 1: we cut over to our friends and smiley reminder is
39:07
Speaker 1: big enough that it seems to be menacing, like more
39:09
Speaker 1: than one group of people at a time. So they're
39:11
Speaker 1: running and they're sort of look behind themselves that like, wait,
39:14
Speaker 1: why does it stop chasing us? Because it's focused on
39:17
Speaker 1: eating this candy, And then we see as the change
39:25
Speaker 1: takes place with the effect of this gas, one of
39:29
Speaker 1: the marines is like, because you know this is all
39:32
Speaker 1: on billboards, I don't know what's how to call this,
39:35
Speaker 1: like giant screens, I guess. So everybody who's outside, even
39:40
Speaker 1: if they're not in the area where Smiley is, and
39:43
Speaker 1: even if they don't see the candy and all that,
39:46
Speaker 1: they are still getting kind of front row seats to
39:50
Speaker 1: what's happening. So one of the dudes rightfully is just like,
39:55
Speaker 1: why are we actually getting to see this anyway? And
40:02
Speaker 1: Smiley's like acid. I guess that he's made out of
40:06
Speaker 1: eats away at the wrapper of the candy. So eventually
40:10
Speaker 1: it's just the candy inside there that is creating this
40:13
Speaker 1: like chemical reaction. So going back to our friends who
40:18
Speaker 1: are running, this was very funny to me. Even though
40:22
Speaker 1: I have, as you all know, had very mixed reactions
40:25
Speaker 1: to Sanji taking Nami's body, I couldn't help but giggle
40:30
Speaker 1: at the fact that, like, they're running and they're having
40:34
Speaker 1: to go as fast as they can for quite a
40:36
Speaker 1: while here, they're having to keep up a punishing pace,
40:40
Speaker 1: and eventually they see the dragon up ahead and they're like, well,
40:45
Speaker 1: if we could just grab that thing, it could help us,
40:48
Speaker 1: and they aren't able to catch up with it, and
40:50
Speaker 1: eventually Sanji is like, oh, this is so terrible. I
40:56
Speaker 1: don't know what to like. I can't keep putting NAMMY's
41:00
Speaker 1: body through this. I am having trouble breathing. It's in
41:06
Speaker 1: my chest, well her chest. And then all of a sudden,
41:10
Speaker 1: he looks down and he just goes boobs and shoots
41:14
Speaker 1: forward at top speed and manages to catch the dragon.
41:19
Speaker 1: After all, I actually thought that was a pretty good
41:23
Speaker 1: joke that like he thought he was going all out,
41:25
Speaker 1: but actually once he noticed the boobs, that gave him
41:29
Speaker 1: an additional burst of energy that tracks for me. Meanwhile,
41:36
Speaker 1: I have to acknowledge this weird thing that happens because
41:39
Speaker 1: like the sled that the men had been supposed to
41:42
Speaker 1: take back, the dragon sled, They've left the sled behind
41:46
Speaker 1: and it's empty except for there's one bag in the
41:50
Speaker 1: back that has three apples in it. And the camera
41:55
Speaker 1: kept going back to this bag of apples, and I
41:58
Speaker 1: kept being like, what is this mean? You know what
42:00
Speaker 1: I mean? Like I was sort of expecting the apples
42:06
Speaker 1: are gonna vaporize at some point, and so that is
42:09
Speaker 1: when we will like realize that the chemical reaction has
42:13
Speaker 1: fully crossed over taken place, that we are in serious
42:17
Speaker 1: danger now. And instead we get what I think is
42:24
Speaker 1: the transformation of at least one of the apples into
42:30
Speaker 1: a devil fruit. It gets the swirls on it, and
42:33
Speaker 1: it goes from red to bright blue. And it's the
42:40
Speaker 1: only one. The other apples don't change. They don't seem
42:43
Speaker 1: to go to do anything or be really affected. And
42:51
Speaker 1: then Smiley comes forward. Smiley turns purple. At this point,
42:55
Speaker 1: this whole time, he has been red with like a
42:59
Speaker 1: purple sheen sort of. But he finally, as this candy
43:05
Speaker 1: dissolves inside him, turns fully purple. As you see the
43:10
Speaker 1: devil fruit become blue. The camera cuts back to Caesar,
43:16
Speaker 1: who's saying, and now be reborn or rise something like that.
43:22
Speaker 1: And I couldn't tell if that was related to the
43:26
Speaker 1: devil fruit change or not. Like, those apples can't have
43:30
Speaker 1: been there by accident, right, He had to know that
43:34
Speaker 1: whatever was going on with the chemicals here was going
43:37
Speaker 1: to create a devil fruit. I'm assuming like that this
43:40
Speaker 1: was part of his overall experiment, was trying to see
43:43
Speaker 1: if he could artificially create a devil fruit or else that. Like,
43:47
Speaker 1: I don't know if I'm supposed to believe that this
43:49
Speaker 1: sled accidentally had a bag of apples on it, and
43:53
Speaker 1: that doesn't don't I don't buy it. You know, maybe
43:56
Speaker 1: that is the thing, But if so, I'm gonna kind
43:58
Speaker 1: of side eye it a little bit. But a part
44:00
Speaker 1: of me was like, as Smiley comes forward and begins
44:06
Speaker 1: to drip over and turn more into an actual gas,
44:12
Speaker 1: Smiley sort of covers this sled, and I was wondering
44:17
Speaker 1: if it's meant to be that, like Smiley eats quote
44:22
Speaker 1: unquote the devil fruit, if this is supposed to be
44:28
Speaker 1: that this creature is like living enough that it can
44:33
Speaker 1: make use of a devil fruit power somehow, because we
44:38
Speaker 1: know that there was like a gun that ate a
44:40
Speaker 1: devil fruit or something, right like, there was something really
44:43
Speaker 1: ridiculous in one of the previous seasons arcs, So I
44:49
Speaker 1: guess it wouldn't be out of the question for Smiley
44:51
Speaker 1: to be able to utilize a devil fruit. But I
44:56
Speaker 1: couldn't quite tell if that was what we were doing
44:59
Speaker 1: here because we don't really go back to that sled.
45:02
Speaker 1: The fog of this gas is not moving as a
45:07
Speaker 1: unit the way that Smiley did, where it was like
45:09
Speaker 1: a single being. It just sort of spreads and is
45:13
Speaker 1: remaining covering everything that was behind it, so I don't
45:17
Speaker 1: get to see the sled sitting there by itself, and
45:20
Speaker 1: whether or not that devil fruit is still in there.
45:26
Speaker 1: So yeah, this whole thing is I am. Oh, guys,
45:31
Speaker 1: you know I'm thinking about this devil fruit too, and
45:33
Speaker 1: like if it isn't on purpose, and if Caesar Clown
45:39
Speaker 1: doesn't know that the fruit is there, what is gonna
45:43
Speaker 1: happen to it? Because somebody is gonna want it for sure,
45:49
Speaker 1: and it's all gonna depend on who sees it first,
45:53
Speaker 1: if it's still there, if Caesar knows about it, and
45:58
Speaker 1: also like if I'm asking who would I want to
46:02
Speaker 1: eat it, it's like a really tough call because the
46:07
Speaker 1: devil fruit powers aren't necessarily always awesome for combat. So
46:12
Speaker 1: after having just said that I would love it if
46:14
Speaker 1: Namy would get to be a badass fighter, my instinct
46:18
Speaker 1: is to say I would love for nam to eat it.
46:21
Speaker 1: But then if she wound up with something really lame,
46:25
Speaker 1: I would be quite irritated about it, because like, obviously
46:29
Speaker 1: I am going to want her to end up with
46:32
Speaker 1: something dope and powerful, but you know that's not always
46:37
Speaker 1: the way it goes, or something that like you could
46:39
Speaker 1: Finagel as being allegedly powerful, but that was still kind
46:42
Speaker 1: of a joke. I don't know, I don't know, but anyway,
46:45
Speaker 1: I'm just real I got my eye on that fruit,
46:47
Speaker 1: That's all I'm saying. So oh right, we go back
46:53
Speaker 1: to Oosup and Namy inside Sanji's body, and this is
46:58
Speaker 1: when they see the uh gas pouring towards them, and
47:02
Speaker 1: brown Beard picks them up and starts running. I'm just
47:06
Speaker 1: trying to jump a little bit ahead. Here. We have
47:08
Speaker 1: all the guys that are turning into stone, and of
47:12
Speaker 1: course Caesar is so delighted because everything is really going
47:16
Speaker 1: to plan, and he talks about how the original attack
47:19
Speaker 1: with the gas, too many people lived through it, like
47:22
Speaker 1: folks were injured, but they were able to still drag
47:25
Speaker 1: themselves to find a doctor and eventually get over it.
47:29
Speaker 1: So he has tried to ensure this time that folks
47:32
Speaker 1: aren't able to do that, that it's guaranteed death. Meanwhile,
47:37
Speaker 1: inside we have Chopper, who I had totally forgotten about,
47:44
Speaker 1: and he is trying to decide what the fuck to
47:47
Speaker 1: do in this situation. He's like, got this uh sort
47:53
Speaker 1: of what's the word? I want a little arsenal of
47:58
Speaker 1: chemicals that he could put together to make some cures. Apparently,
48:03
Speaker 1: I'm trying to find the spot where he says this,
48:06
Speaker 1: What do I do? I've got to do something or
48:08
Speaker 1: he's gonna kill all my friends. But how can I
48:11
Speaker 1: help with these injuries? I'll only get myself captured, and
48:15
Speaker 1: if that happens, the drug formula and the sedatives I
48:18
Speaker 1: found it'll all be for nothing. So he's standing there
48:21
Speaker 1: trying to decide, and then this like clump of paper.
48:28
Speaker 1: It almost, at first to me looked like a spitball,
48:30
Speaker 1: but it's too big for that. It hits him in
48:32
Speaker 1: the face, and he like ducks and runs off, thinking
48:35
Speaker 1: somebody saw him. But then he picks it up and
48:39
Speaker 1: it actually says don't do anything, and he doesn't know
48:44
Speaker 1: who said sent it, who threw it at him. I
48:47
Speaker 1: am really really curious about this because it could be
48:51
Speaker 1: it has to be somebody outside the cage, right who
48:54
Speaker 1: else is going to have been able to do this?
48:57
Speaker 1: And the person that I immediately think of is Mom.
49:02
Speaker 1: I can't help but keep feeling like Monete just doesn't
49:05
Speaker 1: quite fit in this whole outfit, you know, I just
49:10
Speaker 1: don't know what to make of her. So I I'm
49:12
Speaker 1: trying to give her a little bit of grace here,
49:17
Speaker 1: I don't know. Plus at this point, it's like the
49:23
Speaker 1: cage with everybody is starting to be lifted up outside,
49:26
Speaker 1: so I'm not even totally sure if the other straw
49:29
Speaker 1: Hats are still completely in the room by the time
49:32
Speaker 1: this hits Chopper. But not just the straw hats either,
49:37
Speaker 1: also Ta Shigi and Smoker and Law, but the whole
49:42
Speaker 1: cage gets lifted wholesale outside and that way they can
49:49
Speaker 1: be in the line of attack with this gas. So
49:53
Speaker 1: this is the point where Tashigi is looking at the
49:57
Speaker 1: straw Hats who seem not worth at all, and is
50:02
Speaker 1: just like, what is going on with you guys? Why
50:04
Speaker 1: are you so chill? You should be a lot more
50:08
Speaker 1: worried about this than you seem to be. And we
50:12
Speaker 1: find out about some of the ways that they are
50:15
Speaker 1: going to be getting out of this really quickly. The
50:17
Speaker 1: start of the third of these three episodes, six o
50:20
Speaker 1: three is when Scratchman a Poo appears again because we
50:26
Speaker 1: go over to some of the other pirate captains and
50:31
Speaker 1: check in with Kid and apparently he has called a
50:36
Speaker 1: summit for some of the others because he wants to
50:39
Speaker 1: team up, and so we have a few of our
50:43
Speaker 1: different guys. But Scratchman a Pooh is particularly funny to
50:48
Speaker 1: me because I don't remember the voice actor being like
50:51
Speaker 1: this before, and he may have been, and I just forgot,
50:54
Speaker 1: but he is really giving like two thousand and four
50:59
Speaker 1: middle school for me, it is hilarious. Like this voice actor,
51:05
Speaker 1: this character is very, very strange, but you could have
51:10
Speaker 1: done something sort of more. I don't know, it's just
51:15
Speaker 1: not it's unexpected, and it actually goes really well with
51:19
Speaker 1: his overall strangeness. And then yeah, we have Basil Hawkins
51:24
Speaker 1: over here as well, and this this whole thing like
51:29
Speaker 1: they seem to believe that they're here for a trap,
51:33
Speaker 1: but Kid has to explain to them, I'm trying to
51:37
Speaker 1: team up with you guys. This isn't you know. I'm
51:39
Speaker 1: not interested in fighting you all. So back to the
51:46
Speaker 1: straw hats, Law is like, can you set fire to
51:52
Speaker 1: that Navy ship down there? And Frankie is like, yeah, absolutely,
51:56
Speaker 1: can just sit back and watch me work. And I
52:01
Speaker 1: was watching this kind of like thinking, well, how can
52:03
Speaker 1: he do this with the chains? But then I realized, Frankie,
52:06
Speaker 1: it's not devil fruit with him so he can still
52:09
Speaker 1: use his abilities. So he spits a flame out of
52:13
Speaker 1: his mouth and it just hits that remaining half of
52:16
Speaker 1: the ship like a fucking falling star, sets it all
52:21
Speaker 1: on fire, and then there's a bunch of smoke that
52:24
Speaker 1: covers their cage so that inside Caesar can't see what's
52:29
Speaker 1: going on with them, and he thinks that it's just
52:33
Speaker 1: them throwing a tantrum, that they're doing something because they're angry,
52:37
Speaker 1: but not actually effective, and he says something about like,
52:42
Speaker 1: I'll put your body to good use in my lab.
52:45
Speaker 1: So then we have the reveal of how law actually
52:52
Speaker 1: isn't in seastone chains. He saw the chains in the
52:57
Speaker 1: lab and recognized that there was some danger because he
53:00
Speaker 1: didn't trust Caesar to begin with, and so he is
53:03
Speaker 1: able to get himself out of the ordinary chains that
53:06
Speaker 1: he replaced the sea stone ones with, and then he
53:10
Speaker 1: uses room on their little cage. He is able to
53:15
Speaker 1: summon his weapon back to him and bust all of
53:19
Speaker 1: their chains open. Plus he moves Smoker and ta Shigi
53:25
Speaker 1: back into their correct bodies, and of course Tashigi when
53:30
Speaker 1: she comes back to herself and sees that her like
53:33
Speaker 1: legs are open and her shirt is open, is like
53:36
Speaker 1: super embarrassed, and basically she this moment was very annoying
53:44
Speaker 1: for me. But also I liked the fact that she
53:47
Speaker 1: yells Smoker because she's asking the pirates for help, and
53:51
Speaker 1: he's like, where's your pride? And she's like, who the
53:53
Speaker 1: fuck gives a shit about pride? There are people dying.
53:57
Speaker 1: If we get killed for our pride, all of our
54:01
Speaker 1: men are as good as dead. And then she starts
54:04
Speaker 1: to call Virgo vice admiral, and she stops herself and
54:08
Speaker 1: she's like, and he'll keep covering up what happens here.
54:12
Speaker 1: What about the children? We can't leave them, we can't die.
54:16
Speaker 1: And I really like that she just stands up to
54:19
Speaker 1: him because Smoker is such a pain in the ass
54:23
Speaker 1: about so many things and he needed a reality check.
54:27
Speaker 1: She is correct, and most of what I have seen
54:32
Speaker 1: from her, she has been a pretty good fighter, but
54:35
Speaker 1: has seemed kind of ridiculous a lot of the time,
54:38
Speaker 1: just the way she's being portrayed, And so I appreciated
54:41
Speaker 1: her getting a moment to be heartfelt and be taken
54:46
Speaker 1: seriously and be making a good point. Oh also I
54:51
Speaker 1: should mention that law calls Smoker white hunter, I don't
54:55
Speaker 1: remember that name. Is that some name somebody else has
54:58
Speaker 1: used as well? But yeah, let's see. Uh oh right,
55:04
Speaker 1: and Law is like, yeah, I really need you guys
55:06
Speaker 1: to ruin Vergo's reputation. Actually that would be great. But
55:11
Speaker 1: the deal is that I will help you all get
55:13
Speaker 1: out of here as long as you don't tell anybody
55:16
Speaker 1: about my connection with Joker and who Joker is. I'm
55:21
Speaker 1: not just saying like, hey, be cool and don't do that.
55:24
Speaker 1: I'm saying you agree not to do that, or you
55:27
Speaker 1: stay fucking here. And finally Smoker agrees, but he is
55:32
Speaker 1: obviously very very salty about it. So this is the
55:38
Speaker 1: point where they break the cage open and Loofy just
55:42
Speaker 1: literally jumps out without asking anybody what the plan is.
55:46
Speaker 1: And I love when Law is like, hey, he doesn't
55:50
Speaker 1: know what we're supposed to be doing. Frankie says, well,
55:53
Speaker 1: then you should have kept him chained up, and I
55:55
Speaker 1: couldn't help but laugh because it's exactly correct. If you
55:58
Speaker 1: want him to know what the plan is, keep him
56:01
Speaker 1: in place. And honestly, that's no guarantee he's going to
56:05
Speaker 1: do the plan. It's just that he's gonna know about it.
56:08
Speaker 1: But he'll probably just do what he was gonna do
56:10
Speaker 1: anyway and completely ignore you. So law buddy, you are
56:15
Speaker 1: going to need to get used to the fact that
56:17
Speaker 1: this guy does whatever he fucking wants. So anyway, Frankie
56:21
Speaker 1: takes off because he wants to check out the Sonny,
56:24
Speaker 1: which I thought was sort of weird, but okay, sure.
56:31
Speaker 1: I love to Shigi like fixing her hair and then
56:33
Speaker 1: looking over at Smoker with this glare and she's got
56:37
Speaker 1: her like little pink cheeks and her glasses and everything
56:39
Speaker 1: that was. She almost looked like kind of cheeby. It
56:41
Speaker 1: was very, very cute. So I'm sorry. I'm running out
56:45
Speaker 1: of time, so I'm just trying to make sure that
56:47
Speaker 1: I haven't missed anything. Oh right, we have eventually all
56:53
Speaker 1: of our friends that are on dragon back and uh,
56:56
Speaker 1: Brooke gets like flipped off the back of the drag
57:00
Speaker 1: and is like flying through the air toward the gas
57:04
Speaker 1: and he gets grabbed I think by brown Beard if
57:08
Speaker 1: I'm not mistaken. No, he gets grabbed by Oosop right right, right,
57:15
Speaker 1: So yeah, they all wind up sort of in a
57:18
Speaker 1: similar place. This dragon is so amazing. I really am
57:23
Speaker 1: so delighted with this being more of a thing. So
57:29
Speaker 1: let's see, where's brown Beard. Poor Kui. He's got his
57:33
Speaker 1: like tail that I think. Does he get bitten? Is
57:37
Speaker 1: that what it is? He's like running in front of
57:40
Speaker 1: the dragon. Yeah, the dragon bites him, that's right. And
57:43
Speaker 1: so brown Beard is just like basically pulling all of
57:48
Speaker 1: them like a tow truck. And I love that When
57:53
Speaker 1: I think it's Ousop who says something like, you're useful
57:55
Speaker 1: after all, maybe it's not as up, I feel like
57:57
Speaker 1: you wouldn't say that, but brown Beard just says, you
58:01
Speaker 1: people are the worst. I just love that line. It
58:05
Speaker 1: is so funny to me, you people are the worst.
58:07
Speaker 1: It feels like such a like regular, real person thing
58:10
Speaker 1: to say. We go to a bunch of the dudes
58:14
Speaker 1: who were trying to cut their way into the lab,
58:18
Speaker 1: and eventually one of the doors begins to open the
58:22
Speaker 1: shutter and they're all like, yeah, this is amazing where
58:27
Speaker 1: they finally managed to get it open, and the subordinates
58:31
Speaker 1: are like running out trying to find out who the
58:33
Speaker 1: hell ruined everything and opened this door, and one of
58:39
Speaker 1: them is like up there and we see our friends
58:42
Speaker 1: and they are the ones fucking the world up. We
58:46
Speaker 1: also have brown Beard who like cuts his way in
58:49
Speaker 1: on another side and everybody is like, that is so cool.
58:53
Speaker 1: But also now there's just a hole in the side
58:56
Speaker 1: and that gas is still out there, so that's not awesome.
59:00
Speaker 1: You know, that's going to be a problem for us, right,
59:03
Speaker 1: but you know we'll deal with that later. First, get inside. Secondly,
59:09
Speaker 1: deal with poison gas. Yeah, I get it. So that
59:13
Speaker 1: is the end of the episode. But yeah, these three
59:15
Speaker 1: were fun. I really enjoyed these a lot. So okay, guys,
59:19
Speaker 1: I am going to wrap this one up. Thank you
59:20
Speaker 1: again so much for listening. For commissioning Florian Hope, y'all
59:26
Speaker 1: are enjoying, and until next time to the lou Motherfuckers,
1:00:00
Speaker 1: an Unspoiled Network podcast.