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"James Bond 007" Writer's Room · Artists on Artists on Artists on Artists

• 0:04
  Speaker 1: Welcome back to Artists on Artists on Artists on Artists.
• 0:07
  Speaker 1: This week on the show, we have another writer's room,
• 0:10
  Speaker 1: and this writer's room is the writers of James Bond movies.
• 0:15
  Speaker 2: The name's Bond, James Bond. But who wrote the name
• 0:20
  Speaker 2: in the first place. These writers have been responsible for
• 0:24
  Speaker 2: sixty years of the spy British legacy.
• 0:29
  Speaker 3: Based on Ian Fleming's famous books, the James Bond series.
• 0:32
  Speaker 3: So he is the one that wrote the name first.
• 0:36
  Speaker 3: These writers take his work and bring it to the
• 0:40
  Speaker 3: next level to the screen. We've had multiple James Von
• 0:44
  Speaker 3: actors and multiple James Vond writers. Now we're going to
• 0:47
  Speaker 3: see what makes a spy a spy?
• 0:51
  Speaker 4: So live twice say tomorrow again and set that view
• 0:57
  Speaker 4: to a kill.
• 0:58
  Speaker 5: Let's listen in.
• 1:04
  Speaker 2: It's great to see everybody.
• 1:06
  Speaker 5: We're always meet in the darker nights sometimes, don't we.
• 1:11
  Speaker 6: Light so bright?
• 1:14
  Speaker 5: Very very secretive to write James Bond.
• 1:16
  Speaker 2: Isn't it very interesting to see the three of you
• 1:22
  Speaker 2: meeting here again?
• 1:24
  Speaker 3: Yes, I would say, undoubably it is quite peculiar to
• 1:29
  Speaker 3: meet you under there's certain circumstances.
• 1:34
  Speaker 7: Yet again, let's go around and identify lovely.
• 1:43
  Speaker 8: Very nice wonderful to get together and share each other's identities.
• 1:48
  Speaker 8: To me, Agent T, I won't give my full name
• 1:55
  Speaker 8: because it is a secret. Yes, we are very secretive,
• 1:58
  Speaker 8: just like mister James Bond himself. We're in charge of
• 2:01
  Speaker 8: his ideas, and so we're also in charge of our
• 2:03
  Speaker 8: own ideas.
• 2:04
  Speaker 6: Tell that to the WGA.
• 2:06
  Speaker 2: I know your full name, I shan't reveal it.
• 2:10
  Speaker 3: Woo, what's relief? Yes, my name is mister Agent T.
• 2:16
  Speaker 8: I am a man, I am a certain height, my
• 2:19
  Speaker 8: hair color is brown, and I'm from a state.
• 2:25
  Speaker 6: How long have you been in your writers room.
• 2:28
  Speaker 8: I've been in the writer's room for forty five years.
• 2:32
  Speaker 8: The first movie I came on to was A View
• 2:36
  Speaker 8: to a Kill. I was the one that made him
• 2:39
  Speaker 8: jump on all those alligators. And I've been here ever since,
• 2:44
  Speaker 8: pitching ideas, making sure that James Bond is always interests
• 2:48
  Speaker 8: interesting and weird.
• 2:50
  Speaker 3: And I love the gadgets Tomb of gadget guy.
• 2:54
  Speaker 2: You invented the microwave shoe, if I remember.
• 2:58
  Speaker 3: Correctly, for James Bond shoe.
• 3:04
  Speaker 2: James Bond put a hot pocket in a shoe.
• 3:07
  Speaker 8: Ah, James Bond was a submarine and he was very
• 3:10
  Speaker 8: hungry but locally. Q gave him a microwave shoe, so
• 3:13
  Speaker 8: he got to microwave while he was hiding in a duct.
• 3:16
  Speaker 8: He microwaved a hot pocket in the shoe.
• 3:19
  Speaker 2: Ah, yes, undubitably, indubitably, indeed, transmission ended interesting. Well, well, well,
• 3:29
  Speaker 2: if it isn't all of you again, my name, or
• 3:36
  Speaker 2: rather one of my names, as I have many aliases,
• 3:41
  Speaker 2: is Butterfingers dupre Butterfingers, and I haves. I have known
• 3:48
  Speaker 2: around the James Bond Writer's Room as a shape shifter.
• 3:53
  Speaker 2: I have arrived in this room under many identities over
• 3:56
  Speaker 2: the past fifty years. Kit Kat Donaldson, Hershey's ass Chair, Supreme.
• 4:10
  Speaker 3: See. You think it's all candy, but it's not.
• 4:14
  Speaker 2: No, because you never must let them get on your
• 4:17
  Speaker 2: central chocolate chair chocolate chocolate chair. And I'm the janitor
• 4:23
  Speaker 2: at one point, Fingers.
• 4:25
  Speaker 8: It's very exciting because you always fall out all of
• 4:29
  Speaker 8: the start paperwork for all of these new identities.
• 4:32
  Speaker 2: There's a whole room in the James Bond Writer's Room
• 4:37
  Speaker 2: hall where I keep all of my eye nines.
• 4:41
  Speaker 7: And it's good to talk about far as the eye
• 4:44
  Speaker 7: can see. It's a hall, you see, we work in
• 4:46
  Speaker 7: it's it's a hall.
• 4:47
  Speaker 5: You've been blacklisted on wrap book.
• 4:50
  Speaker 2: They hate me at wrap Book, they hate me on
• 4:54
  Speaker 2: Entertainment Partners dot Com.
• 4:57
  Speaker 7: What's what's all sadness? The w GA doesn't know that
• 5:02
  Speaker 7: you're the same person.
• 5:03
  Speaker 2: No, No, that's the saddest thing of ally.
• 5:06
  Speaker 3: So you're never qualifying for insurance.
• 5:09
  Speaker 2: I will never get health insurance because what do I
• 5:12
  Speaker 2: want more? Do I want my health or do I
• 5:16
  Speaker 2: want my privacy? In America, ustitoose, It's an interesting conundrum.
• 5:24
  Speaker 3: An interesting point to talk about first episode.
• 5:29
  Speaker 2: And I in terms of the writer's room, I do.
• 5:33
  Speaker 2: I do a lot of as I am an alias myself.
• 5:37
  Speaker 2: I write a lot of women's names.
• 5:41
  Speaker 7: It's my favorite part of working with you is getting
• 5:45
  Speaker 7: into the bones of how these people in this universe
• 5:50
  Speaker 7: hide right?
• 5:51
  Speaker 3: Quite right?
• 5:52
  Speaker 2: Yes right, Because it's not just octopussy. It's not just
• 5:58
  Speaker 2: you can't just slap pussy anyway, wear and make it.
• 6:01
  Speaker 6: We're used to. We're used to before they brought you in.
• 6:04
  Speaker 2: No. Now, there are many new bond women you may
• 6:08
  Speaker 2: meet over the course of many years, and their names
• 6:12
  Speaker 2: are things like Titty Captain, Supreme Captain, Honker's iPad, I
• 6:22
  Speaker 2: love Honker's iPad lipstick teeth.
• 6:27
  Speaker 5: I love butthole intelligent.
• 6:32
  Speaker 2: Aerola Montgomery Tatar for now that.
• 6:42
  Speaker 6: I had to do.
• 6:43
  Speaker 7: I had to make up for the iPad one. Ha
• 6:45
  Speaker 7: ha Hellu, I am Louise Quinn. Whoops, I said my name.
• 6:53
  Speaker 2: Oh you revealed yourself. We're in a secure location, are
• 6:58
  Speaker 2: we not?
• 7:00
  Speaker 3: Are we not?
• 7:01
  Speaker 2: Are we not?
• 7:02
  Speaker 6: Any who? That's not my name, good cover. My name
• 7:08
  Speaker 6: is the Sniper. Yes, cut that part out. I am
• 7:14
  Speaker 6: the Sniper.
• 7:15
  Speaker 7: I am the oldest one, I'd say here, and I've
• 7:20
  Speaker 7: always been since the since the beginning of the franchise,
• 7:25
  Speaker 7: I have been the writer's assistant. All of those writers
• 7:29
  Speaker 7: died and have gone, and I'm still the writer's assistant.
• 7:34
  Speaker 6: And one day I'll get up there.
• 7:37
  Speaker 3: It's amazing what you do in the writer's room in
• 7:40
  Speaker 3: terms of bringing us coffee and writing our ideas down
• 7:45
  Speaker 3: when we have them. It's just beautiful what you do.
• 7:49
  Speaker 7: I think I like to assist, and of sure, one
• 7:53
  Speaker 7: day I do want to go up the ranks. But
• 7:58
  Speaker 7: I do love just being an old man assistant. You
• 8:02
  Speaker 7: don't see a lot of them anymore, and it makes
• 8:04
  Speaker 7: you think what's going on?
• 8:07
  Speaker 2: Yes, and I will say your packet. I'm going to
• 8:12
  Speaker 2: get around to reading it very soon. I swear any
• 8:16
  Speaker 2: minute now, I will read your packet, and as soon
• 8:19
  Speaker 2: as I do, I'm sure we will be able to
• 8:21
  Speaker 2: move you up.
• 8:22
  Speaker 3: You submitted those five James Bond sketches.
• 8:26
  Speaker 7: And I did them on paper because back in the day,
• 8:29
  Speaker 7: and then you guys, it's been now so long.
• 8:31
  Speaker 6: So now I did put them on drop books.
• 8:34
  Speaker 2: Yes, thank you for putting them on drop box. As
• 8:37
  Speaker 2: soon as I find the link, I will read. Yes,
• 8:39
  Speaker 2: it's it's it's five James Bond sketches.
• 8:42
  Speaker 7: Topical day, James Bond commercial.
• 8:45
  Speaker 2: Yes, so James Bond commercial. And then I believe there's
• 8:49
  Speaker 2: also some James Bond monologue jokes as well.
• 8:52
  Speaker 6: Yes, it's so, it's just lines.
• 8:53
  Speaker 7: So the monologue jokes for James Bond, I just lines,
• 8:57
  Speaker 7: he says when he walks into a real do a
• 8:59
  Speaker 7: couple of really is some from my packet. Seems like
• 9:06
  Speaker 7: I missed the orders.
• 9:08
  Speaker 2: Beauty really good.
• 9:10
  Speaker 6: Oh I didn't get to the black time anymore.
• 9:18
  Speaker 3: Oh it's really well, that's really good open because it
• 9:24
  Speaker 3: was always in that's issue. I was going to jump
• 9:30
  Speaker 3: in here. Maybe you're you're stepping on my toes a
• 9:33
  Speaker 3: little bit. You know. I my name is sir Ian
• 9:39
  Speaker 3: Donna Tello.
• 9:41
  Speaker 6: Don't say your name the four, the four, the.
• 9:49
  Speaker 3: Second, or the first, or not to my name at all.
• 9:56
  Speaker 3: Junior would be the second, just to clarify that.
• 10:00
  Speaker 6: Thanks.
• 10:02
  Speaker 3: And I do a lot of the dialogue for James
• 10:06
  Speaker 3: Bond and the women in the movies, and I just
• 10:09
  Speaker 3: you know, I find it fascinating that you would say,
• 10:12
  Speaker 3: you know that James Bond would have missed the Black
• 10:15
  Speaker 3: Time memoi.
• 10:16
  Speaker 6: I'm sorry, I'm sorry, No.
• 10:17
  Speaker 3: No, no, no, please please. It is quite all right,
• 10:21
  Speaker 3: you know, it's very fine. I would say it's very quite,
• 10:25
  Speaker 3: you know. But for me, for James, he's a man
• 10:28
  Speaker 3: of very few words. When he comes in and says charmed, delicious, amazing,
• 10:37
  Speaker 3: When he comes in and says, well, now, what do
• 10:40
  Speaker 3: we have here?
• 10:41
  Speaker 5: I love when he does what will we have?
• 10:45
  Speaker 3: Especially when it's a woman laid out? Yes, I have
• 10:48
  Speaker 3: here when a woman is laid out in the bed,
• 10:51
  Speaker 3: sometimes I like to quite peculiar.
• 10:53
  Speaker 2: Yeah, you've been very helpful to all of us no writers,
• 10:59
  Speaker 2: in that you have created a James Bond style guide.
• 11:03
  Speaker 2: Things he would say, things he.
• 11:05
  Speaker 3: Wouldn't usually need to go up or down.
• 11:10
  Speaker 7: And that's why you are such an asset in the
• 11:13
  Speaker 7: room in the hallway.
• 11:14
  Speaker 2: Here's an asset.
• 11:19
  Speaker 6: I'm playing my mouth in your mouth mouth.
• 11:25
  Speaker 2: That's right. We don't have our orchestra here today. We
• 11:27
  Speaker 2: usually write accompanied to orchestra.
• 11:30
  Speaker 3: The halloway is one room for your I nines main
• 11:34
  Speaker 3: writers room, and then right across the hallway we like
• 11:36
  Speaker 3: to keep the door open. That's where the orchestra.
• 11:39
  Speaker 8: And there across from the mysterious commentsary that is full
• 11:42
  Speaker 8: of popjeps.
• 11:45
  Speaker 2: It's the comary. They have pop chips, dirty martinis and
• 11:51
  Speaker 2: no water, no.
• 11:53
  Speaker 6: Water gin and skinny pop.
• 11:58
  Speaker 3: Kettle of nice, nice dirty martinis, a dirty martin.
• 12:06
  Speaker 2: Well, I heard you were the original writer because I
• 12:09
  Speaker 2: was there, of the one who of the one who
• 12:12
  Speaker 2: created the iconic phrase shaken not stir.
• 12:17
  Speaker 3: Thank you. It's you know, it took a long time
• 12:20
  Speaker 3: to figure out that scene, and we kind of landed
• 12:23
  Speaker 3: on you know, what would this man drink? What would
• 12:28
  Speaker 3: this peculiar little minx have for drinks at the bar?
• 12:34
  Speaker 2: That's an interesting question. Didn't you try many other There
• 12:39
  Speaker 2: were lots of other drafts for Shaken not stood I
• 12:44
  Speaker 2: really won.
• 12:44
  Speaker 3: I was hot. Yes, dirty Martini hot didn't work. It
• 12:49
  Speaker 3: made him kind of disgusting immediately.
• 12:52
  Speaker 7: There was one where we tried to put him more
• 12:54
  Speaker 7: on this in the South and we said dirty Martini,
• 12:58
  Speaker 7: drop a piece of I p A.
• 13:00
  Speaker 3: In it, which which was very confusing for a British
• 13:04
  Speaker 3: audience that early.
• 13:05
  Speaker 8: I like the one where we tried to make him
• 13:07
  Speaker 8: like he was kind of in a rush Martini throw
• 13:10
  Speaker 8: it in a to go coffee.
• 13:14
  Speaker 3: It didn't make sense because he was arrived.
• 13:19
  Speaker 8: It's one of those things where you get so into
• 13:21
  Speaker 8: a script and you're in the middle of something and
• 13:23
  Speaker 8: you forget.
• 13:24
  Speaker 3: What had just happened. You're punching it up so much
• 13:27
  Speaker 3: because you're.
• 13:27
  Speaker 2: Just trying old after all, dirty Martini over eyes half
• 13:33
  Speaker 2: a shot of skim milk as well.
• 13:35
  Speaker 3: Which is disgusting. All the juice and skim milk, all the.
• 13:42
  Speaker 7: Branded ones, the branded ones. Oh yes, shaken, we were
• 13:45
  Speaker 7: pitching off them. They never went but shaking not stood.
• 13:48
  Speaker 7: Add some liquid ivy grapefruit.
• 13:50
  Speaker 3: Yes, it was very interesting New Age.
• 13:53
  Speaker 5: Remember, we tried to make that his Saved the Cat
• 13:55
  Speaker 5: moment too.
• 13:57
  Speaker 8: Tried to make it because save the Cat if you
• 13:59
  Speaker 8: read the book. It's it's a little moment where somebody
• 14:02
  Speaker 8: does something nice. So you like the characters. So we
• 14:04
  Speaker 8: had one that said Martini, make it for yourself and
• 14:07
  Speaker 8: drink it. She's like, oh, he bought the bar very straight,
• 14:12
  Speaker 8: so what's he drinking. I loved clean Martini. Light on
• 14:15
  Speaker 8: the alcohol. My tummy is upset. It was so close
• 14:18
  Speaker 8: to all of you are saying dirty Martini. Why are
• 14:20
  Speaker 8: you saying that?
• 14:23
  Speaker 3: Doesn't say dirty Martin.
• 14:30
  Speaker 2: I'm on this, I am pumping on this and I
• 14:34
  Speaker 2: hate to get I hate to go there. I hate
• 14:36
  Speaker 2: to get into this again. Dirty he would want it dirty.
• 14:40
  Speaker 8: You wouldn't want to do It's not sexy to ask
• 14:44
  Speaker 8: for a dirty Martini.
• 14:49
  Speaker 3: She's not sexy. That's why we're confusing across drigs a
• 14:54
  Speaker 3: little bit. So we love sex, and.
• 15:00
  Speaker 2: That's why there is a real Bond villain named mister Big. Yes,
• 15:04
  Speaker 2: mister Big is a Bond villain and he is also
• 15:08
  Speaker 2: in Sex and the City and a little Hollywood fun fact.
• 15:12
  Speaker 2: They're the same man.
• 15:13
  Speaker 3: They're the same man, not played by the same age.
• 15:19
  Speaker 7: It's what's important to bring up is that each we
• 15:24
  Speaker 7: have to watch women in other shows because I think
• 15:27
  Speaker 7: We've heard a lot of the years that the Bond
• 15:30
  Speaker 7: women are just kind of figures of an imagination or
• 15:33
  Speaker 7: they move like.
• 15:34
  Speaker 6: Like they move as muses and not women.
• 15:37
  Speaker 7: So at lunch with some pop chips in Martini, we
• 15:40
  Speaker 7: put on Chicks in the City and we.
• 15:42
  Speaker 6: Just started and just like that, the yes and just
• 15:47
  Speaker 6: like that.
• 15:47
  Speaker 2: The finale was so funny, how they were all pooping
• 15:50
  Speaker 2: like that.
• 15:51
  Speaker 6: I love shade the well.
• 15:53
  Speaker 8: We should get into exactly what it is we do
• 15:55
  Speaker 8: and how we create the movies, because obviously what writers
• 16:00
  Speaker 8: usually attached to the movie, but below that there's a
• 16:03
  Speaker 8: secret society of screenwriters who are in charge of the
• 16:06
  Speaker 8: legacy of Double O seven, who.
• 16:09
  Speaker 7: Roam the hallways up and down, up and down, up
• 16:14
  Speaker 7: and down.
• 16:14
  Speaker 2: We roam the hallways making sure James Bond's legacy remains intact.
• 16:20
  Speaker 5: Right.
• 16:20
  Speaker 8: So a typical day, as we start at noon, we
• 16:24
  Speaker 8: show up, we kind of talk.
• 16:26
  Speaker 5: The talking is important.
• 16:27
  Speaker 2: I think the catching up it's important forty five to
• 16:31
  Speaker 2: fifty five minutes of catch up before you start the day.
• 16:34
  Speaker 3: Absolutely, I believe it's, you know, very important to clear
• 16:38
  Speaker 3: up the brain from the day before and love somewhere new, catch.
• 16:42
  Speaker 5: Up and somebody pulls up Google News on the screen.
• 16:47
  Speaker 3: Google News. We'll look at googlees.
• 16:50
  Speaker 7: And for some reason, the computers we've been using in
• 16:55
  Speaker 7: the in the hallway office are set to bing.
• 16:59
  Speaker 6: Yes, we have to go to Google News.
• 17:01
  Speaker 3: And also the zoom we've someone has messed with the
• 17:05
  Speaker 3: computer where everything is zoomed in too far. It's all
• 17:09
  Speaker 3: zoomed in.
• 17:09
  Speaker 6: It's all.
• 17:10
  Speaker 2: I go on to the Chrome window and I click reset,
• 17:14
  Speaker 2: reset the little magnifying glass like clickerset. It doesn't do it.
• 17:18
  Speaker 3: Somebody put what's it called? Honey?
• 17:20
  Speaker 5: Somebody put that honey.
• 17:21
  Speaker 3: Plug, Oh, terrible plug. And like we go to a
• 17:25
  Speaker 3: Reuter's article.
• 17:26
  Speaker 5: It says you could save twenty dollars on this.
• 17:29
  Speaker 3: You can barely see the word Router's coming by the
• 17:33
  Speaker 3: honey pop up.
• 17:34
  Speaker 2: I hate the honey pop.
• 17:36
  Speaker 6: This is the one computer we have, yes, we all.
• 17:39
  Speaker 2: This is how the writer's room works. We all crouch
• 17:41
  Speaker 2: around one computer.
• 17:43
  Speaker 8: I also am afraid that we might have spoiled the
• 17:44
  Speaker 8: next film for towel's name.
• 17:46
  Speaker 9: Oh honey, honey.
• 17:49
  Speaker 10: Pop h Why should I do a warm up and listen?
• 18:03
  Speaker 2: More famed fan Fortale names.
• 18:06
  Speaker 7: These are some of the fan Fortale names in the
• 18:08
  Speaker 7: Bond movies that have never been green lit.
• 18:10
  Speaker 2: But o're good, but we're yes, but we're there. We're
• 18:13
  Speaker 2: shortlisting them for our next film. Yes, leg Ahead, lipp of, Titty,
• 18:25
  Speaker 2: Fanny Go Go, Hips Are Bottom, Bottom, Suck Mackenzie.
• 18:37
  Speaker 11: Our Shadow, blow Job, thighs Mackenzie, lips, Sarah Kiss, belly
• 18:49
  Speaker 11: button Mackenzie.
• 18:51
  Speaker 2: Fishnet head, Golder, Pussy Silver, titty.
• 18:59
  Speaker 3: Head Mackenzie, Sloan, Vagina, Sarah Donovan.
• 19:11
  Speaker 2: Cova, Saint Clair, Clit, Bob Sponge, Clit, Bob pants.
• 19:23
  Speaker 3: Labia, Gator, Binsburg, Jonas Brother, Boobies, Charlotte, Harlotte.
• 19:37
  Speaker 2: Labyama, Norah, Nora, Norah Jones, and.
• 19:45
  Speaker 3: Let's just talk about lad.
• 19:49
  Speaker 6: And we're getting We're trying to get Nora trying.
• 19:53
  Speaker 8: Yes, Nora, Norah Jones, James Bunson, kind of kind of
• 19:57
  Speaker 8: an oxymora, kind of.
• 19:58
  Speaker 6: This wedding she doesn't Yeah, just came away with me
• 20:05
  Speaker 6: in the night.
• 20:08
  Speaker 3: A bit of a mash up, a bit of a
• 20:11
  Speaker 3: messy mash Well.
• 20:13
  Speaker 2: We've brought up now James Bond songs and that is
• 20:17
  Speaker 2: a part of what we do. We do work with
• 20:19
  Speaker 2: musicians to devise the James Bond song. It sort of
• 20:24
  Speaker 2: dictates the tone of the movie that we're going for.
• 20:28
  Speaker 2: And to find a good James Bond song singer, I
• 20:33
  Speaker 2: don't know if you would agree. I believe that it
• 20:35
  Speaker 2: has to be someone a little spooky, you know.
• 20:38
  Speaker 6: Like a little just a little.
• 20:41
  Speaker 8: Blurred on the well, someone is a bit of an edge.
• 20:44
  Speaker 8: Usually you know, someone like Lady Gaga who has done one.
• 20:47
  Speaker 8: Of course, Billie Eilish, Yes, and Deranduran from View to
• 20:51
  Speaker 8: a Kill, the first one that I was in.
• 20:59
  Speaker 2: That's a good one.
• 21:00
  Speaker 6: You need to have a sinner.
• 21:02
  Speaker 7: Yes, It's like it's just like how Taylor Swift is
• 21:05
  Speaker 7: perfect for a Toy Story movie because that's a bright,
• 21:09
  Speaker 7: happy song.
• 21:10
  Speaker 6: We need a song that roams through the hallways.
• 21:13
  Speaker 8: We're actually in charge of listening to all the submissions.
• 21:17
  Speaker 5: They submit wildly and it's open all the time.
• 21:21
  Speaker 3: Most recently, did you like that one? I don't know
• 21:24
  Speaker 3: if I like that.
• 21:26
  Speaker 12: Get Up and kill him, Get up and kill him,
• 21:31
  Speaker 12: Get get get get up.
• 21:34
  Speaker 6: Oh.
• 21:35
  Speaker 7: I thought I thought Kesha's was close, but not, you
• 21:38
  Speaker 7: know it, Grab your gun and walk into the realm.
• 21:46
  Speaker 3: Just like that song. This year listen, I like that one.
• 21:51
  Speaker 13: I liked it it's time we're there going.
• 21:56
  Speaker 3: Back to London.
• 21:59
  Speaker 2: Because when I wake up in the night, oh that
• 22:02
  Speaker 2: is that lie. We're not coming back to London.
• 22:06
  Speaker 7: She cannot my titties are she can not stir.
• 22:12
  Speaker 3: And it's just it was tough for me to picture
• 22:14
  Speaker 3: opening sequence with my titties are shaken, not stir.
• 22:18
  Speaker 2: But I liked it.
• 22:19
  Speaker 6: What was the SpongeBob girl we mentioned?
• 22:21
  Speaker 2: Oh, sponge clit pants, sponge clit bob pants. Oh no,
• 22:27
  Speaker 2: but there is I spices.
• 22:29
  Speaker 3: Well, sponge slip bob pants. Yes, let's talk about sponge
• 22:31
  Speaker 3: clitob missed because we want to focus on sponge.
• 22:36
  Speaker 2: Clit bob pants.
• 22:37
  Speaker 14: Lives under the sea and she can't slip from the
• 22:40
  Speaker 14: water in a bikini.
• 22:42
  Speaker 2: In a bikini, hot bikini, hot bikini.
• 22:46
  Speaker 7: And I like the not to SpongeBob where she's got
• 22:49
  Speaker 7: a little bit of board short.
• 22:50
  Speaker 6: Yeah, and we are.
• 22:52
  Speaker 8: Yes going out to that woman from off campus who
• 22:55
  Speaker 8: wore that top. We don't know her name, but we
• 22:57
  Speaker 8: saw her in the top and punch she'd be great.
• 23:00
  Speaker 3: You guys know that top. I know that.
• 23:04
  Speaker 2: I don't think I know seven year old man.
• 23:07
  Speaker 3: You're in the room.
• 23:08
  Speaker 2: I love ya, and I watch it all and I
• 23:12
  Speaker 2: know the.
• 23:12
  Speaker 3: Top, Yes, check out the top. I'll pull it up
• 23:15
  Speaker 3: on a thing. It's gonna be fun. It's going to be.
• 23:20
  Speaker 2: Moaded.
• 23:20
  Speaker 3: Guarantee. We never see her. We're just stuck in the
• 23:23
  Speaker 3: background of whatever that photo is.
• 23:25
  Speaker 7: No, but we have other other submissions from Chate McCrae.
• 23:28
  Speaker 7: Had I love Yes, Casey Muskraves just wasn't the brand.
• 23:35
  Speaker 2: Yeah, it was going to catch it.
• 23:38
  Speaker 15: Branish cownboy, my British count boy, Come on over, Come
• 23:44
  Speaker 15: on over, British conboy.
• 23:46
  Speaker 3: We almost went with justin Timberlake. That was very interesting.
• 23:52
  Speaker 3: You gotta beat James bun.
• 23:59
  Speaker 6: Really all that's crazy.
• 24:01
  Speaker 2: There was no where there was that Dolly parton one.
• 24:06
  Speaker 2: I thought it was quite charming that when will you
• 24:09
  Speaker 2: wake up and you're James Bond and then you're gonna
• 24:12
  Speaker 2: go to bed, wake up and James Bond and then
• 24:15
  Speaker 2: you do it all again.
• 24:17
  Speaker 12: Our problem was our problem was didn't talk anything about
• 24:20
  Speaker 12: what she says goes to bed.
• 24:24
  Speaker 2: It could be anybody.
• 24:25
  Speaker 7: I still think Dolly sent us an Ai Shong. I
• 24:29
  Speaker 7: don't think she. I think Dolly's people made an age.
• 24:33
  Speaker 3: We got it from Dolly at a I dot a.
• 24:36
  Speaker 6: I think it's an Ai shong.
• 24:40
  Speaker 16: Oh.
• 24:40
  Speaker 2: I hope she's not using her.
• 24:42
  Speaker 6: I think shame. I love Ben Platt's song, and.
• 24:46
  Speaker 17: I still think.
• 24:51
  Speaker 3: Lots of rips.
• 24:53
  Speaker 2: Yeah, well there's there's a lin Manuel Miranda.
• 24:56
  Speaker 3: I was just going to say.
• 24:58
  Speaker 13: That the first next line, how does an agent British
• 25:05
  Speaker 13: guy of the Queen and the M fifteen in the
• 25:09
  Speaker 13: eye of James villain?
• 25:11
  Speaker 3: I am an agent.
• 25:12
  Speaker 7: So my songs, you made fun of me for making them,
• 25:14
  Speaker 7: just apparently of the other songs, and that's what she.
• 25:18
  Speaker 3: Make fun of you. I made fun of Kesha. I think.
• 25:24
  Speaker 3: I think he's always just saying the song.
• 25:28
  Speaker 6: I didn't make fun of you. I made fun of Kesha.
• 25:32
  Speaker 2: In this room, we don't punch down. We only punch
• 25:37
  Speaker 2: up or at kesh oh.
• 25:38
  Speaker 3: We kick shoot oh, we shoot up. In this room.
• 25:43
  Speaker 3: If we're shooting up, it's shooting up some sort of villain.
• 25:48
  Speaker 7: Drugs, steady pop, cheeps.
• 25:55
  Speaker 6: I just have fun at the end of the week.
• 25:57
  Speaker 7: You put as at the end of the and shoot it.
• 26:01
  Speaker 8: Do you guys remember when I put all the chips
• 26:03
  Speaker 8: in a bowl of gin and a Marco for forty
• 26:05
  Speaker 8: five minutes.
• 26:08
  Speaker 7: That smelled crazy and what came out looked like one
• 26:11
  Speaker 7: of those easterless candies, a peep.
• 26:14
  Speaker 5: Yes, And that was the inspiration for renovating the kitchen.
• 26:18
  Speaker 3: Nothing to do with James Vond. We needed to renovate
• 26:22
  Speaker 3: the kitchen after that smell.
• 26:24
  Speaker 6: So let's talk about a man with a gun.
• 26:27
  Speaker 2: Let's talk about a man with a gun. The man,
• 26:31
  Speaker 2: the man with a gun.
• 26:33
  Speaker 8: How do you come up with new adventures for James
• 26:35
  Speaker 8: Bond after so many like what.
• 26:39
  Speaker 2: Do you get the man for Christmas? Who has already
• 26:42
  Speaker 2: had it all? Do you know what I mean?
• 26:44
  Speaker 8: Yes, we literally have a goal a globe in our
• 26:48
  Speaker 8: office with a pin where every country James one has been.
• 26:51
  Speaker 18: Yes, it looks like a like a like a pin factory.
• 26:56
  Speaker 2: It's sort of like a pin.
• 26:58
  Speaker 3: Looks exactly like a pin, look like a pin factory.
• 27:01
  Speaker 7: But I think it's also because of the microwave. When
• 27:03
  Speaker 7: it exploded, I.
• 27:05
  Speaker 3: Put the globe in the microwave.
• 27:09
  Speaker 2: Microwave.
• 27:11
  Speaker 3: Can't get his hands off of a microwave. I'm thinking now,
• 27:15
  Speaker 3: I think the only contribution you've given to any James
• 27:18
  Speaker 3: Bond is the microwave shoe. I did wave.
• 27:22
  Speaker 2: If you say you're across gadgets, but I think most
• 27:26
  Speaker 2: of your pitches are kind of you're reworking the microwave
• 27:29
  Speaker 2: into different parts of clothing.
• 27:31
  Speaker 8: Well, hold on a minute, because the problem is we
• 27:33
  Speaker 8: cannot describe our contributions as what's gotten to screen. Okay,
• 27:39
  Speaker 8: it's the only thing I've ever pitched microwave shoe that's
• 27:41
  Speaker 8: gotten to screen.
• 27:42
  Speaker 5: That's correct, that's good, that's a good place.
• 27:44
  Speaker 8: Doesn't mean I haven't been the initial idea for something
• 27:47
  Speaker 8: that has become big. I had one the microwave watch,
• 27:51
  Speaker 8: and then ten years later there was a smartwatch kind
• 27:55
  Speaker 8: of thing with a detonator watch.
• 27:57
  Speaker 19: So I think that is what is the difference between
• 27:59
  Speaker 19: a microwave and a detonator watch. A detonator bomb is
• 28:04
  Speaker 19: basically an outside microwave and least everything up around it.
• 28:08
  Speaker 6: This conversation always gets to this. It's always ends.
• 28:12
  Speaker 3: You say microwave, you say an item, and then if
• 28:14
  Speaker 3: anything is used with that item, you claim it as
• 28:17
  Speaker 3: your I will say, I mean, you said microwave gun,
• 28:20
  Speaker 3: and now every gun that we use you claim that
• 28:22
  Speaker 3: you came up well, because what is.
• 28:24
  Speaker 20: A gun if not microwave that shoots it directly heat
• 28:27
  Speaker 20: to your buddy or something.
• 28:30
  Speaker 2: I think it's a bullet might what it is with
• 28:33
  Speaker 2: our accents?
• 28:36
  Speaker 3: These are going all around.
• 28:40
  Speaker 2: Here's the thing. I believe it's due to the way
• 28:44
  Speaker 2: that sort of you know how there's international school accent.
• 28:48
  Speaker 2: Are you aware of this? Yes, where people are international
• 28:53
  Speaker 2: school accent.
• 28:54
  Speaker 3: Let's finally talk about it.
• 28:55
  Speaker 2: Let's talk about international school accent. I believe there's another
• 28:59
  Speaker 2: version in the UK where they take someone from every
• 29:03
  Speaker 2: single part of the UK and they put him in
• 29:06
  Speaker 2: a school in the exact center of the island and
• 29:09
  Speaker 2: then everyone sort of adjust.
• 29:14
  Speaker 3: He went to school. Is that what you're saying?
• 29:15
  Speaker 2: Yes, I went to school at Saints Center Center.
• 29:21
  Speaker 3: By the way, I'm a devout Catholic and I've got
• 29:23
  Speaker 3: to say my favorite saint to Saint Center.
• 29:26
  Speaker 2: Saint Center was so good. He gave so much bread
• 29:28
  Speaker 2: to those pigeons.
• 29:30
  Speaker 6: Politically, politically right out in the middle.
• 29:33
  Speaker 2: Yes, yes, it's controversial.
• 29:35
  Speaker 5: He drove all those rats out of London.
• 29:38
  Speaker 2: Yes, yes, yes.
• 29:41
  Speaker 7: Speaking of religion, do you ever think there's a there's
• 29:44
  Speaker 7: a world in which a Bond could be a Christian?
• 29:48
  Speaker 5: That's better not be he isn't he's Christian?
• 29:51
  Speaker 3: Isn't he? You should know he has to be Christian.
• 29:54
  Speaker 2: I always saw the fellow as Buddhist.
• 29:57
  Speaker 3: He's not Buddhist, He's not I does not Buddhism. James
• 30:06
  Speaker 3: Bond could be bouts.
• 30:09
  Speaker 2: If James Bond isn't a Buddhist, how on earth does
• 30:13
  Speaker 2: he deal with the mental load of dealing with all
• 30:16
  Speaker 2: these villages Christian Christian that is not with prayer. No,
• 30:29
  Speaker 2: he's not.
• 30:32
  Speaker 7: A Buddhist, he's not a bis and he's not Christian,
• 30:37
  Speaker 7: then he's not Jewish.
• 30:39
  Speaker 2: If he's agnostic, I eat my hat. He's not a
• 30:42
  Speaker 2: Gnostic Christian.
• 30:45
  Speaker 3: I saw him as a Sunni Muslim.
• 30:49
  Speaker 2: This is interesting. Maybe we can roll back.
• 30:52
  Speaker 3: You never see him when it's called to prayer. He's
• 30:55
  Speaker 3: always missing his nap.
• 30:58
  Speaker 2: And what's he doing on christ mis Day? Have we
• 31:00
  Speaker 2: ever seen that?
• 31:02
  Speaker 3: I don't know.
• 31:04
  Speaker 2: He's not there because he's busy meditating, because he's a Bodhist.
• 31:07
  Speaker 2: He's not bedet. You are being a baby, baby a
• 31:23
  Speaker 2: baby about this? It is I need you to grow up.
• 31:30
  Speaker 2: The music's Christian. It's a confessional. Should we talk about
• 31:34
  Speaker 2: the plot of the latest James Bond This.
• 31:37
  Speaker 3: Is very interesting because unfortunately we were excluded from the
• 31:41
  Speaker 3: last three Bond movies.
• 31:43
  Speaker 2: Yeah, folks, Yeah, let's be honest about this. There is
• 31:48
  Speaker 2: a clique in the writer's.
• 31:50
  Speaker 3: Room, a traditional James Bond, one who is smart, smarmy,
• 31:58
  Speaker 3: put together and polish. Nothing like the rugged, no pained, sad.
• 32:08
  Speaker 2: Like ash therapy Bond.
• 32:11
  Speaker 7: I don't know where in our world that they decided
• 32:15
  Speaker 7: to make the male protagonist scruffy, confused and forgiving.
• 32:22
  Speaker 5: Yeah.
• 32:22
  Speaker 3: Absolutely. And also, my James Bond does not have traps?
• 32:25
  Speaker 8: What was that with this, Daniel Craig, what's going on
• 32:28
  Speaker 8: on your lick?
• 32:29
  Speaker 3: My James Bond is not shaved head and drinking a
• 32:33
  Speaker 3: heinekin of for God's sake.
• 32:36
  Speaker 15: No, not to be fair, I wanted to be in
• 32:38
  Speaker 15: the writer's rooms, but I do think I do think
• 32:41
  Speaker 15: Daniel Craig told us that we couldn't because he came
• 32:46
  Speaker 15: to that Christmas party we through and we tried to
• 32:48
  Speaker 15: take his clothes off.
• 32:49
  Speaker 5: Yes, I think that's there.
• 32:50
  Speaker 7: Is What should we do we have every time we
• 32:52
  Speaker 7: meet the new Bond, we like to pants him like
• 32:54
  Speaker 7: it's middle school.
• 32:55
  Speaker 3: Yes, yes, And even though he's the most secret spy
• 32:58
  Speaker 3: in the world, he can't get past the writers.
• 33:03
  Speaker 2: It's sort of a hazing. It's sort of remember who
• 33:06
  Speaker 2: your duddy is.
• 33:08
  Speaker 7: Remember and your daddy is buds exactly.
• 33:17
  Speaker 3: The word makes you all change your access so quickly.
• 33:22
  Speaker 2: What was talking about to do? The response that we're
• 33:25
  Speaker 2: cooking in the search.
• 33:28
  Speaker 3: We're on the search, the talent, talent is in.
• 33:34
  Speaker 2: And we are looking at I don't want to spoil
• 33:37
  Speaker 2: any deals that are already in motion, but let's spoil
• 33:40
  Speaker 2: some shower we are talking to. We are talking to
• 33:47
  Speaker 2: Pedro Pascal.
• 33:50
  Speaker 3: American Bond.
• 33:51
  Speaker 2: He would be the first American bond.
• 33:53
  Speaker 8: He would be talking to Josh your corner, that little
• 33:56
  Speaker 8: mousey boy.
• 34:00
  Speaker 7: One of my favorites since we're talking to is a
• 34:02
  Speaker 7: Jonathan Bailey. A gay bond, gay bond.
• 34:08
  Speaker 14: Can you imagine you a new world, the things we
• 34:11
  Speaker 14: could do with gay bond, Well, with a gay bond.
• 34:15
  Speaker 14: You don't get a bond, girl, do you? You get
• 34:18
  Speaker 14: a bond boy?
• 34:19
  Speaker 5: A bond?
• 34:20
  Speaker 2: Bottle Penis make.
• 34:23
  Speaker 12: Golden Fly, the first, the first gay man film. For towels, Yes,
• 34:30
  Speaker 12: Ah Balls, Magee Balls McGhee, Delicious.
• 34:38
  Speaker 2: Jeez, Royalie, Jeez, Jesus.
• 34:44
  Speaker 3: Ah chest Hair, dupre Come, Canter, dick Cock.
• 34:54
  Speaker 2: Five o'clock, Shuder Long Shonderland five a clock Shadow.
• 35:01
  Speaker 3: I got that part. That's the part shonderaland was the
• 35:06
  Speaker 3: part I had a question.
• 35:08
  Speaker 12: That's just for fun long to do Adam Apple, Oh,
• 35:17
  Speaker 12: that's very good.
• 35:19
  Speaker 2: That's very good member gold member gold members Son.
• 35:26
  Speaker 3: True, but that's actually Austin Powers character. That's true.
• 35:35
  Speaker 2: To each other. Lube larentis male nipple Napoli.
• 35:43
  Speaker 3: Male nipple nap He's Italian taint pube that we could
• 35:50
  Speaker 3: do for both.
• 35:55
  Speaker 21: Non binary bond, for the town Prostatia underwater.
• 36:02
  Speaker 3: It's always the last name with you that it's you know.
• 36:10
  Speaker 5: So many other potential bonds.
• 36:12
  Speaker 3: It's very exciting.
• 36:13
  Speaker 2: Yes, it's very exciting.
• 36:14
  Speaker 3: But when we're looking for a Bond, I mean we
• 36:16
  Speaker 3: really are also looking for a villain who because every
• 36:22
  Speaker 3: Bond movie has a distinct iconic villain. Who are some
• 36:27
  Speaker 3: of your favorite villains from the Bond movie?
• 36:31
  Speaker 2: You want me to go? Should we all go at
• 36:34
  Speaker 2: the same time?
• 36:35
  Speaker 3: Love Doctor No. I thought he was Freddie Mercury. Freddie Mercury.
• 36:51
  Speaker 6: Mercury played an antagonist.
• 37:00
  Speaker 2: About I have to run away. You've ever gone. I'll
• 37:04
  Speaker 2: get on a bicycle. Bicycle, fat bottom girl.
• 37:14
  Speaker 7: That's just James Bond anyway.
• 37:18
  Speaker 6: But antagonists the antagonists need to be good sometimes. Can
• 37:22
  Speaker 6: I be honest? Can I be Missy for a second? Yes,
• 37:25
  Speaker 6: I watched these Marvel movies and I go, I do.
• 37:27
  Speaker 7: All these villains have all these weird colors and weird animals.
• 37:31
  Speaker 6: Just give the man a bow tie and an ugly expression.
• 37:35
  Speaker 3: That's all you need for an Joe gold teeth like jars,
• 37:39
  Speaker 3: make it big and tall? Why does know? But do
• 37:43
  Speaker 3: you have scars anymore? I mean, what are we thinking?
• 37:47
  Speaker 6: All these antagonists need to be so animated?
• 37:51
  Speaker 8: Also, I mean everybody here has written an iconic James
• 37:55
  Speaker 8: von Villain monologue, Yes.
• 37:57
  Speaker 5: Where he's tied up and like a wellness to Von.
• 37:59
  Speaker 5: They also talk too long.
• 38:00
  Speaker 2: Yeah, that's a classic thing.
• 38:02
  Speaker 8: James von Villain's always talked too long and then end
• 38:04
  Speaker 8: up getting killed because they basically should have been killing
• 38:06
  Speaker 8: James Bond while they were talking to you.
• 38:08
  Speaker 7: Yes, it's it's kind of the I Want song of
• 38:11
  Speaker 7: the antagonist that we do because it's it's the moment
• 38:14
  Speaker 7: where we get to really see Bond get red for filth.
• 38:17
  Speaker 2: Yes, well, this is a here we'll all do our
• 38:21
  Speaker 2: or I Want songs, our Bond villain monogues. This is
• 38:24
  Speaker 2: a mine from the upcoming movie that we are still
• 38:27
  Speaker 2: working on. From the villain Casino double pants. Wow wow,
• 38:38
  Speaker 2: whoa mister Bond. Funny you find yourself here at my
• 38:43
  Speaker 2: black jack table. But the only thing you'll be jacking
• 38:49
  Speaker 2: is a sentence in prison. I'm going to lock you up.
• 38:54
  Speaker 2: Care to bet it all? Or are you too afraid?
• 39:00
  Speaker 2: They always fold eventually, God's.
• 39:08
  Speaker 3: Beautiful monologue. I guess when it's on paper and it's
• 39:11
  Speaker 3: super zoomed in it, it looks better than its sound.
• 39:16
  Speaker 3: You said the only thing you'll be jacking, which made
• 39:19
  Speaker 3: me feel a little masturbatory. And then you said he
• 39:22
  Speaker 3: is a jail so he's cop. But I love it.
• 39:26
  Speaker 2: Ja, So here's sort of it. He said, no, you don't.
• 39:29
  Speaker 2: This is what you don't understand about this character. He's
• 39:31
  Speaker 2: a casino boss, but he's in bed with the police.
• 39:35
  Speaker 2: He's got the whole town in his finger tips.
• 39:37
  Speaker 3: I know he's a casino boss. His name is Casino.
• 39:41
  Speaker 2: Well, my favorite thing.
• 39:41
  Speaker 7: About these antagonists is it we pick one thing and
• 39:44
  Speaker 7: that's it, right, Casino like a male boy antagonist was one, O, Yes,
• 39:50
  Speaker 7: I love you have to do.
• 39:55
  Speaker 6: It always starts with her well.
• 39:57
  Speaker 2: Well, well, well, mister Brown.
• 39:59
  Speaker 6: Sorry, im assistant, this is probably gonna be dogshit.
• 40:04
  Speaker 5: It was good before he took it out immediately.
• 40:07
  Speaker 7: Well, well, well, mister Bond, you find yourself in a
• 40:12
  Speaker 7: pile of postcards and blood on your face a return
• 40:18
  Speaker 7: to sender.
• 40:19
  Speaker 6: I think not.
• 40:21
  Speaker 7: Post office doesn't have a lot of money these days,
• 40:24
  Speaker 7: but I do because I have been stealing from your Bond,
• 40:32
  Speaker 7: you stupid pussy. I have you all in order of
• 40:40
  Speaker 7: po box attack. Yes, I'll stick you in a box
• 40:50
  Speaker 7: ship you right away. How dare you think I couldn't
• 40:55
  Speaker 7: find your address as I drive a car with no
• 41:00
  Speaker 7: doors a mail truck with a bomb.
• 41:04
  Speaker 3: In the back. That's male, boy, he drives a mail
• 41:09
  Speaker 3: truck with a bomb in the back. It's very you know.
• 41:13
  Speaker 7: That was beautiful, like a natural lull to the empisodes.
• 41:18
  Speaker 3: I was many comments about it.
• 41:22
  Speaker 5: Yes, we were taking it in.
• 41:25
  Speaker 3: Crime was to steal from James Bond, and then he
• 41:28
  Speaker 3: was going to send him back to his own address.
• 41:31
  Speaker 2: I like the term peo box attack.
• 41:34
  Speaker 8: I like how clear it was that he drove a
• 41:36
  Speaker 8: mail truck and he described to what a mail truck
• 41:38
  Speaker 8: is kind of like where there's no doors on the side.
• 41:40
  Speaker 3: But I and I also liked how unclear everything else?
• 41:44
  Speaker 6: Yes, yes, well what about your.
• 41:46
  Speaker 8: Well, obviously a Bond villain has some giant objective that
• 41:49
  Speaker 8: Bond is trying to stop, you know, to take over
• 41:52
  Speaker 8: the world. So my Bond villain, one of my favorite
• 41:55
  Speaker 8: ones that never got through, was the mysterious whiskers Light,
• 42:00
  Speaker 8: who was trying to turn it into a world where
• 42:06
  Speaker 8: cats could be used as informational gathering devices. So he
• 42:10
  Speaker 8: was putting chips into cats, and cats were scanning memories
• 42:13
  Speaker 8: and they were basically turning all cats into robots.
• 42:16
  Speaker 3: Yes, and he was kind of are you sure this
• 42:18
  Speaker 3: wasn't a black mir draft?
• 42:19
  Speaker 5: Oh, this was real, This was real.
• 42:21
  Speaker 3: This happened.
• 42:23
  Speaker 6: It's the British dog.
• 42:25
  Speaker 3: Yes, the cats and the British dog. And the dog
• 42:27
  Speaker 3: is the American dog Joey.
• 42:32
  Speaker 8: He's very interesting, very flamboyant. We used to rid a
• 42:35
  Speaker 8: lot of flamboyant Von villains.
• 42:37
  Speaker 2: They don't let you be flamboyant.
• 42:39
  Speaker 6: You can't be bad and a flamboyant.
• 42:41
  Speaker 2: You're either happy or flamboyant or bad and bad.
• 42:44
  Speaker 20: Well, Well, well, mister Bone, it turns out it looks
• 42:48
  Speaker 20: like you're going to be buried with the kids.
• 42:50
  Speaker 2: Nitter. Oh my goodness, mister bone.
• 42:53
  Speaker 16: I was trying my hardness not to kill you, scratch
• 42:57
  Speaker 16: you up, scratch post, but it turns out out it's
• 43:00
  Speaker 16: time for you to go take a lots of cat
• 43:03
  Speaker 16: nap in again.
• 43:06
  Speaker 20: First, about a little kissy. Why won't you kiss me,
• 43:08
  Speaker 20: mister Bond? Why won't you kiss me? Why won't you
• 43:12
  Speaker 20: touch me? Mister Bond? Why won't you let me hold you?
• 43:15
  Speaker 20: Mister Bond?
• 43:16
  Speaker 2: Mister Bond, what's wrong with me? Mister Bond? Kiss me?
• 43:22
  Speaker 2: Kiss me?
• 43:24
  Speaker 3: You know, I see why we took took out clamboyancy.
• 43:32
  Speaker 2: We couldn't write it.
• 43:33
  Speaker 5: We just couldn't.
• 43:34
  Speaker 6: And it's just like you can't really, you can't get
• 43:37
  Speaker 6: scared of pick me like that.
• 43:39
  Speaker 2: It's me. It's the scariest thing about this villain's.
• 43:43
  Speaker 6: It's so horrifying, but you can't really add anything on
• 43:46
  Speaker 6: to that.
• 43:46
  Speaker 3: It's funny. I love his purple suit.
• 43:48
  Speaker 2: Yes, yes, I like that he became cat like while
• 43:52
  Speaker 2: here's millions and cats as well, exposed ankles.
• 43:55
  Speaker 3: I love that beautiful. Well, my, you know one of
• 43:58
  Speaker 3: my favorites was you know it was Professor Dark Oh?
• 44:06
  Speaker 6: Yes, the school system.
• 44:07
  Speaker 3: The school system, yes, how corrupt. He was taking data
• 44:13
  Speaker 3: to switch out nuclear submarines so they would fire at
• 44:17
  Speaker 3: each other, start a global war, and he would control
• 44:21
  Speaker 3: the world in the chaos of it all.
• 44:22
  Speaker 6: Let the monologue explain it.
• 44:24
  Speaker 2: It's in the writing.
• 44:25
  Speaker 3: Well, well, well, misterbun, looks like you've met your end
• 44:33
  Speaker 3: of paper. Yes, the term limit is up and your
• 44:38
  Speaker 3: writing is overdue because you can't stop what's going to
• 44:42
  Speaker 3: happen next. Every deep nuclear sub we're large their nuclear
• 44:49
  Speaker 3: warhead the exact same time, causing a worldwide kiss check
• 44:54
  Speaker 3: attached to me. And there's nothing you nor anyone can
• 44:59
  Speaker 3: stop to stop this. So let me make myself clear.
• 45:06
  Speaker 3: It's over. You get an f goodbye.
• 45:13
  Speaker 2: Can I be honest? I found it difficult to focus
• 45:16
  Speaker 2: because it sounded really similar to the guy who does
• 45:19
  Speaker 2: the voices on Love Island.
• 45:24
  Speaker 7: Sterling did Jack Sparrow and they did a collap But
• 45:33
  Speaker 7: it was a beautiful monologue, and I just wish I
• 45:35
  Speaker 7: think the school system was hard to put bond in
• 45:38
  Speaker 7: because it's just like full of red tape.
• 45:40
  Speaker 2: Well, I believe they were trying to go off of
• 45:43
  Speaker 2: the TikTok trend of dark academia. Yes, we're trying to
• 45:47
  Speaker 2: tap into this sort of you know this dark academia.
• 45:52
  Speaker 3: I understand this as much as that earlier thing you
• 45:54
  Speaker 3: were talking about voice.
• 45:59
  Speaker 2: No, my thing, it's not an amusing thing.
• 46:01
  Speaker 3: I said, what is dark academia?
• 46:05
  Speaker 2: Dark academia is a really fun trend.
• 46:09
  Speaker 3: Now this has got my interest.
• 46:12
  Speaker 2: No academia is sort of what if school felt like God,
• 46:20
  Speaker 2: what if school were let low with big books and
• 46:26
  Speaker 2: plan and winter the uniforms?
• 46:31
  Speaker 7: Yeah, I was disgusting, Like, you can put him in
• 46:34
  Speaker 7: microway right.
• 46:36
  Speaker 5: Maybe you can put the tie in a microwave.
• 46:40
  Speaker 3: Imagine what would happened?
• 46:41
  Speaker 6: I said that, and I shouldn't have done it.
• 46:46
  Speaker 3: I'm king.
• 46:49
  Speaker 2: I would just simply get a little warmer alert Alert
• 46:56
  Speaker 2: emergency Alert. There's a Patreon you need to subscribe to.
• 46:59
  Speaker 3: Hold on pause the episode.
• 47:03
  Speaker 1: Oh my god, how fun would it be to just
• 47:05
  Speaker 1: hang out with us, like maybe at weird times of
• 47:07
  Speaker 1: the day like seven am or eleven thirty pm.
• 47:10
  Speaker 2: Little peek behind the Curtain. This episode was recorded between
• 47:13
  Speaker 2: nine to five, But if you want to see what
• 47:15
  Speaker 2: we're like after hours, you got to join the patreon.
• 47:18
  Speaker 1: Well recap episodes and then also we'll do weird stuff
• 47:21
  Speaker 1: like bully Jeremy.
• 47:22
  Speaker 2: We bully Jeremy. We make him do twelve weeks of
• 47:24
  Speaker 2: dancing in a row. We made Patrick write an entire
• 47:27
  Speaker 2: screenplay in one day, and we're doing an Oscars draft.
• 47:29
  Speaker 2: So come on bye, it's three bucks. See you there,
• 47:32
  Speaker 2: byefore we go? Can we do a.
• 47:37
  Speaker 6: Couple more shaken not stags?
• 47:39
  Speaker 3: Well?
• 47:40
  Speaker 2: Yeah, oh yes, James Bond entrance line.
• 47:43
  Speaker 3: Yes, let's right on draft. It's our favorite James Bond
• 47:47
  Speaker 3: dialogue we have recently written.
• 47:49
  Speaker 8: And I want to say before we go, we did
• 47:51
  Speaker 8: not talk about the flood of the next Dames.
• 47:54
  Speaker 3: You're just gonna have to see.
• 47:55
  Speaker 7: You're not gonna get from us, And maybe that's the
• 47:58
  Speaker 7: most informational pot of this totally of you.
• 48:00
  Speaker 2: It's that we don't have the plot unless we have
• 48:02
  Speaker 2: the bond.
• 48:03
  Speaker 3: Get us the Bond, the Bond, Amazon, get us the boat.
• 48:07
  Speaker 3: By the way, we did want to just say really quickly,
• 48:09
  Speaker 3: we do. Order to get into it.
• 48:10
  Speaker 8: Amazon is trying to kind of fuck with the gadgets,
• 48:12
  Speaker 8: and it's been really difficult.
• 48:14
  Speaker 3: It's like like Q and the Newest movie. Hey, here's
• 48:18
  Speaker 3: the gadget you need to use. It's a cab cob
• 48:21
  Speaker 3: Co three set dresser.
• 48:23
  Speaker 2: Yes, sixteen exactly. Yeah, I know. One of the gadgets
• 48:29
  Speaker 2: is you have to say hey, you LEXA to operate it.
• 48:33
  Speaker 6: Yes, or when Bond, we were trying that thing out.
• 48:36
  Speaker 7: When Bond orders the two day delivery of a gun
• 48:39
  Speaker 7: and he's checking Amazon dot com to see how close
• 48:41
  Speaker 7: this gun is, and then he finds the truck. He
• 48:43
  Speaker 7: runs into the truck, grabs it, kills.
• 48:46
  Speaker 2: The driver, and two days is supposed to be fast
• 48:50
  Speaker 2: for Bond. Anyway, anyway, let's do another round of shaken,
• 48:55
  Speaker 2: not through, come on, and just one to say goodbye.
• 48:59
  Speaker 3: Yes, let's do that. And also, you know any famous
• 49:03
  Speaker 3: James Bond signature lines that you will try now, sifne.
• 49:08
  Speaker 6: Just the last line to say good night?
• 49:12
  Speaker 5: Turns out I'm James Vond.
• 49:19
  Speaker 2: Well, well, well, looks like the bed overturned a lady.
• 49:28
  Speaker 7: Look at that view, and I don't mean pussy Galore's body.
• 49:35
  Speaker 3: I guess these diamonds will need to go somewhere.
• 49:40
  Speaker 14: Colin made this thing's a mess, Bartender, give me a
• 49:48
  Speaker 14: secret over ice.
• 49:51
  Speaker 8: Turns out the only legs I'm spreading are the legs
• 49:56
  Speaker 8: of truth.
• 50:00
  Speaker 7: Bartender, get me a martini. Make it Mike's way.
• 50:07
  Speaker 2: With the olive oil and olive old vinegar and a
• 50:14
  Speaker 2: big pilot letters.
• 50:15
  Speaker 3: No, mister President, I don't need my bail because I've
• 50:19
  Speaker 3: met my donner dinner bond. Well, well, well, that's always well.
• 50:28
  Speaker 2: Well, well, looks like I've once again found myself unprotected
• 50:36
  Speaker 2: in the penis.
• 50:36
  Speaker 5: That is, God save the Queen, and God save a.
• 50:43
  Speaker 3: Kiss for me.
• 50:44
  Speaker 2: Keep calm and carry a gun.
• 50:48
  Speaker 6: Oh two ladies, double o boobies, it's me double oh seven.
• 50:55
  Speaker 3: Looks like my big ben tonight is meeting the London eye.
• 51:00
  Speaker 8: The only world you're gonna blow up is your parents'
• 51:04
  Speaker 8: worlds when they get a call that you've been killed.
• 51:08
  Speaker 6: I'm driving on the other side of the road, and
• 51:11
  Speaker 6: so is my dick.
• 51:13
  Speaker 3: Your parents are going to be so devastated when they
• 51:16
  Speaker 3: hear the news that you've been killed.
• 51:20
  Speaker 2: I guess they called me triple O seven now for
• 51:24
  Speaker 2: I see three women before me.
• 51:27
  Speaker 8: Well, doctor, no, before you die, give me the phone
• 51:30
  Speaker 8: number of your parents.
• 51:33
  Speaker 6: Hello, ring, Ring, it's me.
• 51:36
  Speaker 7: You're crying mother because she just found out you're dead
• 51:40
  Speaker 7: in a ditch and I'm having sex with pussy Glore.
• 51:45
  Speaker 2: Hello Hello, oh Jamie, please pick up Oh, they're saying,
• 51:50
  Speaker 2: you're gone, Jamie. Hello, Todd, to get in here, blessing,
• 51:55
  Speaker 2: Jamie's gone.
• 51:57
  Speaker 3: And I hung up and gave them no answer. They'll
• 52:00
  Speaker 3: be haunted about that call for the rest of their life.
• 52:03
  Speaker 7: Well look at that. It's two parents walking on the
• 52:06
  Speaker 7: road crying. Guess whose parents they are? Your dead body's parent?
• 52:11
  Speaker 3: Ha ha. It's funny how your grandfather will cry at
• 52:15
  Speaker 3: your funeral, hoping that you would bury him and he
• 52:19
  Speaker 3: not you.
• 52:20
  Speaker 8: I wasn't planning on speaking at Moneypenny's funeral, but here
• 52:23
  Speaker 8: I am. It's nice to see his family here. I
• 52:27
  Speaker 8: do him in a way.
• 52:29
  Speaker 7: Well, well, well, there's a woman going through menopause. It's
• 52:33
  Speaker 7: your grieving mother.
• 52:37
  Speaker 3: Your death made her enter menopause fifteen years earlier than
• 52:41
  Speaker 3: she was supposed to, and.
• 52:42
  Speaker 6: I'm not getting an inch close to her.
• 52:45
  Speaker 2: Hello. Sorry, hello, Chase Bank. I'm trying to access an account. No,
• 52:53
  Speaker 2: I'm not the account holder. I'm the account holder's parent.
• 52:57
  Speaker 3: What a mister parent? He used to see you didn't
• 53:01
  Speaker 3: give them access and.
• 53:02
  Speaker 7: Write honey, I can't fly in our soun's apple id.
• 53:07
  Speaker 7: How will we get into his petswort?
• 53:08
  Speaker 3: Oh?
• 53:09
  Speaker 2: Shoot, we gotta get his past.
• 53:11
  Speaker 3: Worse than anything, they won't be able to log into
• 53:13
  Speaker 3: the Paramount plus account that you have for them, any.
• 53:16
  Speaker 6: You foolish, dead idiots.
• 53:18
  Speaker 21: I'm trying to watch the new Taylor Sheridan show, but
• 53:22
  Speaker 21: I can't seem to access the account. What was the
• 53:25
  Speaker 21: name of his pet again? Sorryffy Juffy Duffy? Oh shoot,
• 53:31
  Speaker 21: I can't remember.
• 53:32
  Speaker 3: Sorry, money Penny.
• 53:33
  Speaker 5: Your mother will never watch Paramount Plus again.
• 53:36
  Speaker 2: No, I haven't seen what happened in Yellowstone. I'm three
• 53:40
  Speaker 2: seasons by.
• 53:42
  Speaker 7: Your mother can't join a conversation about Yellowstone. Meanwhile, I'm
• 53:46
  Speaker 7: having sex on a beach and fucking a woman. Sex
• 53:52
  Speaker 7: on a beach is a drink.
• 53:55
  Speaker 3: Yes, those are some of the fans signature sign of
• 54:00
  Speaker 3: lines of James Bond right before he kills someone.
• 54:02
  Speaker 2: I think God, I love them all.
• 54:05
  Speaker 7: Thank you for listening, thank you for watching, and truly,
• 54:09
  Speaker 7: the second we get a bond, you can expect another
• 54:12
  Speaker 7: episode where we'll explain the plot.
• 54:13
  Speaker 6: We can't do the plot before the bond.
• 54:15
  Speaker 3: We cannot wait to show you this one. We have
• 54:17
  Speaker 3: so many ideas of what they could be. We just
• 54:18
  Speaker 3: need to figure out what.
• 54:19
  Speaker 5: He can do.
• 54:20
  Speaker 6: We just got to figure out what he looks like shirtless.
• 54:22
  Speaker 2: We need to figure out what he can do under
• 54:25
  Speaker 2: the laws of Buddhism because he's a Buddhist.
• 54:31
  Speaker 3: Before we go, I have a question. What do you
• 54:34
  Speaker 3: call something like a friendship that is tied together? What
• 54:37
  Speaker 3: is the connection that they have?
• 54:39
  Speaker 17: It's a Bond.
• 54:55
  Speaker 6: Coming to a the near you.
• 54:57
  Speaker 2: It's Bond and his best Friend.
• 55:00
  Speaker 12: Bond Bonds, Bond Bonds, Bond Bond.
• 55:05
  Speaker 3: We revealed it. It's a road trip.
• 55:10
  Speaker 2: Movie Andrew Scott and Seth Rogan Bond Bonds coming to
• 55:16
  Speaker 2: theaters twenty or twenty second.
• 55:17
  Speaker 18: If you liked eighty for Brady and No, you're gonna
• 55:20
  Speaker 18: love Bond barm Oh and the Bond Woman Kiky Palmer
• 55:25
  Speaker 18: and Scissa that's too what double dopplo seven?
• 55:30
  Speaker 2: Oh? We revealed it? What are you gonna do?
• 55:33
  Speaker 3: That's okay? Type of pop chips Vielin is Wendy McClinton coffee?
• 55:36
  Speaker 3: I don't know the question now, that's why they call
• 55:42
  Speaker 3: it show biz. Good Night Holly Live.
• 55:44
  Speaker 2: From the Beautiful Join the Patreon. We're gonna talk about
• 55:50
  Speaker 2: this and have so much more fun.
• 55:51
  Speaker 1: We have other writers room episodes that we'll probably put
• 55:54
  Speaker 1: in a little playlist, Go find it, go click on stuff.
• 55:56
  Speaker 3: By Artists on Artists.
• 55:59
  Speaker 4: Artists on Artists is improvised Hollywood round table podcast created
• 56:02
  Speaker 4: and hosted by Kylie Brakman, Jeremy Colhayne, Angelie Geritana, and
• 56:06
  Speaker 4: Patrick McDonald. It is a production of Will Ferrell's Big
• 56:09
  Speaker 4: Money Players and iHeartMedia Podcasts. Executive produced by Matt Appadaca
• 56:14
  Speaker 4: and produced by Alexandra Dennis and Laser Vision Productions. Music
• 56:18
  Speaker 4: by Gabrielle Ponton and edited by Connor McCabe. Thumbnail art
• 56:22
  Speaker 4: by Josh Florey and logo designed by Lucy tom Kowitz.
• 56:25
  Speaker 4: Special thanks to Samuel Curtis and the Beautiful Dynasty Typewriter Theater.
• 56:29
  Speaker 4: The opinions expressed on this podcast do not reflect the
• 56:32
  Speaker 4: opinions of anyone who works on it, not even the performers,
• 56:35
  Speaker 4: because this is an improvised podcast and we don't.
• 56:37
  Speaker 3: Know what the heck we're talking about. Full video versions.
• 56:40
  Speaker 4: Of AOAOAOA are available on YouTube, so please like and
• 56:44
  Speaker 4: subscribe and leave us five star reviews wherever you get
• 56:47
  Speaker 4: your podcasts. That's all for now, good Night, Hollywood,