Latest / The Hauraki Big Show / THE DISCLAIMER: A Tough Watch

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THE DISCLAIMER: A Tough Watch · The Hauraki Big Show

• 0:00
  Speaker 1: For all you mad bastards loving the Big Show podcast,
• 0:05
  Speaker 1: get up even closer on Instagram, YouTube and TikTok. Or
• 0:10
  Speaker 1: Raw Dog It. Four to seven every weekday. On Radio
• 0:14
  Speaker 1: Hodak here.
• 0:15
  Speaker 2: Oh, g'day fellas.
• 0:17
  Speaker 1: Backbone. Hello there.
• 0:18
  Speaker 2: New shirt mogi. Look at that.
• 0:21
  Speaker 3: New shirt that Moby's wearing.
• 0:23
  Speaker 2: It's a cracking bra. Boy, I feel so underdressed.
• 0:28
  Speaker 1: You've got a couple of them titties sticking out. Hang on.
• 0:32
  Speaker 3: Don't change the subject to Hoity J's magnificent buzzies.
• 0:36
  Speaker 2: They are magnificent.
• 0:37
  Speaker 1: They're in good form. And then you're wearing a, what
• 0:38
  Speaker 1: do you call it, a muscle shirt because that's quite
• 0:41
  Speaker 1: tight on you.
• 0:41
  Speaker 2: It actually fits you very well. It's very flattering on you.
• 0:44
  Speaker 1: Did somebody buy that for you or did you buy it?
• 0:46
  Speaker 3: So my dad's, one of my dad's friends who's a mechanic.
• 0:49
  Speaker 1: And it's a Hoiti Jase shirt for people out there.
• 0:51
  Speaker 2: Yeah.
• 0:52
  Speaker 3: With Jase's face on it three times. He was at
• 0:56
  Speaker 3: an op shop and it was in the clothing bin.
• 0:59
  Speaker 2: So someone binned it.
• 1:00
  Speaker 1: Was it really?
• 1:01
  Speaker 2: Yeah.
• 1:01
  Speaker 1: Somebody didn't want it?
• 1:02
  Speaker 2: It's like brand new.
• 1:03
  Speaker 1: That's what I'm saying. Somebody's been given that. It's got
• 1:05
  Speaker 1: a real Christmas Secret Santa vibe.
• 1:09
  Speaker 2: Can I have a look at the other face there?
• 1:10
  Speaker 2: I can't see that.
• 1:12
  Speaker 1: Oh, God, I'm a good-looking bastard. Well, you were. Those
• 1:14
  Speaker 1: are very old photos.
• 1:15
  Speaker 2: Yeah, they are quite old, actually. They're good stuff.
• 1:19
  Speaker 3: Yeah, so he's my mechanic that gives my truck a
• 1:21
  Speaker 3: warrant every year.
• 1:22
  Speaker 2: Right.
• 1:23
  Speaker 3: And he was like, oh, you've got to give this
• 1:25
  Speaker 3: to Hoity J, man.
• 1:26
  Speaker 1: Give him a shirt.
• 1:27
  Speaker 2: Yeah, because I'll wear it.
• 1:29
  Speaker 1: Well, just show it. He meant show it. There was
• 1:31
  Speaker 1: four heads of audio. Would you ever wear this?
• 1:33
  Speaker 3: No.
• 1:33
  Speaker 1: Yeah, you would. Why not? Give the appropriate time, man.
• 1:36
  Speaker 2: Because I'd be a doofus if I did.
• 1:39
  Speaker 1: That'd be cool, man.
• 1:40
  Speaker 3: I don't think anyone would think you're a doofus for
• 1:43
  Speaker 3: wearing a shirt with your own face on it.
• 1:44
  Speaker 2: I tell you, and Mogi mentioned this before as well,
• 1:47
  Speaker 2: and I think it would.
• 1:48
  Speaker 1: Be a bestseller.
• 1:50
  Speaker 2: A bestseller.
• 1:51
  Speaker 1: Go on.
• 1:52
  Speaker 2: Keezy on all fours looking... Looking over his shoulder. Because
• 1:56
  Speaker 2: we've had some great AI photos sent in.
• 1:59
  Speaker 3: What about just all of us on a nice T-shirt
• 2:01
  Speaker 3: there that says Hauraki Big Show?
• 2:03
  Speaker 1: It'll never happen. Nah, it's too hard, man. It's too hard.
• 2:06
  Speaker 1: We've been trying to get one of those going for
• 2:08
  Speaker 1: literally years.
• 2:09
  Speaker 2: Can we only have a photo of the three of
• 2:12
  Speaker 2: us that we have in the studio with me doing
• 2:15
  Speaker 2: my cool hand movement?
• 2:16
  Speaker 3: Well, the thing is, right, people send photos to my
• 2:18
  Speaker 3: Instagram being like, Keezy, check this out. And it's someone
• 2:21
  Speaker 3: there with a Hodaki Big Show shirt on. And it's like,
• 2:24
  Speaker 3: do you remember from our first year when we did
• 2:26
  Speaker 3: that photo of us with our shaved sides and mullets?
• 2:30
  Speaker 3: And we looked like we were in Narcos or something?
• 2:31
  Speaker 1: Oh, yes.
• 2:33
  Speaker 3: All these photos from back in the day put together
• 2:35
  Speaker 3: in a Hodaki Big Show logo. And I was like, oh,
• 2:36
  Speaker 3: that's cool.
• 2:37
  Speaker 2: Yeah.
• 2:38
  Speaker 1: It's not possible, though. Can't be done.
• 2:40
  Speaker 2: Very, very difficult to achieve.
• 2:42
  Speaker 1: It's actually super easy.
• 2:44
  Speaker 3: I reckon Pugs, if he put his mind to it,
• 2:45
  Speaker 3: he could get a run of them ready to go
• 2:47
  Speaker 3: in less than a week.
• 2:49
  Speaker 1: The great thing you've got on that shirt, though, if
• 2:50
  Speaker 1: we did go with the branding image, which is Jase
• 2:54
  Speaker 1: with a cheese cutter on, which he's always wearing, reaching
• 2:57
  Speaker 1: out with a hand, you could put something there that
• 2:59
  Speaker 1: Jase is reaching out for. What do you think we
• 3:01
  Speaker 1: could go with?
• 3:03
  Speaker 2: I know what you're going with.
• 3:05
  Speaker 1: What? A koozer?
• 3:08
  Speaker 2: Yeah. But rather than to be distracted by shirt chat,
• 3:16
  Speaker 2: I'd rather focus on just creating really good content.
• 3:18
  Speaker 3: Yeah, right.
• 3:19
  Speaker 1: It's just that you started it. You pointed out his shirt.
• 3:21
  Speaker 2: I was just pointing out. Hell, isn't it magnificent though, Keezy?
• 3:24
  Speaker 1: Oh, it's a new shirt. So did you buy that today?
• 3:26
  Speaker 1: It's just absolutely spanking. Now, this is a very interesting story.
• 3:31
  Speaker 1: I've had this shirt for years, fellas. No, come on. No,
• 3:34
  Speaker 1: it's true, true, true, true. Sealed away. And I've just
• 3:36
  Speaker 1: not worn it, fellas. Oh, wow. That's another true story
• 3:39
  Speaker 1: right there. Normally I'd never wear a shirt and hair,
• 3:42
  Speaker 1: would I? Because I'm T-shirt boy. Yes. But then I
• 3:45
  Speaker 1: had to do something today for work, so I had
• 3:46
  Speaker 1: to have a shirt on. But I think it's all right.
• 3:49
  Speaker 3: You know it's got on the back of it, it's
• 3:51
  Speaker 3: got a picture of a dire wolf, eh?
• 3:52
  Speaker 1: Yeah, I know. That's why I bought it. That's why
• 3:55
  Speaker 1: I bought it. Because dire wolves have got my back. Yeah.
• 3:57
  Speaker 1: You know what I mean? Totally, man. But I'm happy
• 3:59
  Speaker 1: with it. Nice little shirt there.
• 4:01
  Speaker 2: Yeah, nice fabric.
• 4:03
  Speaker 1: You know, summertime, can you keep your eyes here, man?
• 4:07
  Speaker 2: It was just two guys just chest bumping each other.
• 4:10
  Speaker 1: Eyes to the front, Keezy.
• 4:14
  Speaker 2: Sorry, man.
• 4:15
  Speaker 1: We've missed that, haven't we?
• 4:17
  Speaker 2: What's that?
• 4:18
  Speaker 1: Eyes to the front.
• 4:18
  Speaker 2: Yes, we have.
• 4:19
  Speaker 1: We've been doing it.
• 4:19
  Speaker 2: Well, it's summertime and Keezy's out of control.
• 4:24
  Speaker 3: I love that this is going to be on YouTube
• 4:25
  Speaker 3: because there'll be video footage of me not looking heavy
• 4:28
  Speaker 3: at all. Whereas there'll be footage of Jase's eyeballs coming
• 4:32
  Speaker 3: out of his ear. Yeah, and his tongue rolling up
• 4:35
  Speaker 3: along the floor there.
• 4:36
  Speaker 1: Yeah. What else happened to you today, Jizz?
• 4:40
  Speaker 2: Oh, you know, a bit of this, a bit of that.
• 4:41
  Speaker 3: Because you were filming a top secret project we can't
• 4:43
  Speaker 3: talk about, obviously.
• 4:44
  Speaker 1: Yes, yes, I was. Yes, yes. Really top secret, this one.
• 4:48
  Speaker 2: It's always interesting going back into the fray, as they say,
• 4:52
  Speaker 2: and it's like, oh, can I still do this? Fuck yeah,
• 4:55
  Speaker 2: I can.
• 5:02
  Speaker 1: Oh, g'day, Matt. Oh, hi, mate, yeah.
• 5:05
  Speaker 4: Look, if you want the chance to win all our
• 5:07
  Speaker 4: on-air competitions and stuff and get amongst the live conversation,
• 5:13
  Speaker 4: tune in to the Hauraki Big Show, four to seven
• 5:16
  Speaker 4: weekdays on Radio Hauraki and iHeartRadio.
• 5:22
  Speaker 3: The Hauraki Big Show podcast.
• 5:24
  Speaker 1: Was it a good day's filming?
• 5:25
  Speaker 3: Yeah.
• 5:25
  Speaker 2: How many lines did you get?
• 5:26
  Speaker 1: Who did you hang out with?
• 5:28
  Speaker 2: Oh, look, I don't want to go into details. You
• 5:30
  Speaker 2: know one of the people very well.
• 5:31
  Speaker 1: I do, yeah.
• 5:32
  Speaker 2: Tracy there, she's lovely.
• 5:33
  Speaker 1: Backbone, backbone. Hashtag backbone.
• 5:35
  Speaker 3: Oh, Tracy, is that the actress who plays your sister
• 5:37
  Speaker 3: in Broken Wood?
• 5:38
  Speaker 1: Tracy Lee Gray, is that her name? Yes, it is.
• 5:40
  Speaker 1: Thank you, thank you.
• 5:41
  Speaker 2: Yeah, and a couple of other backbones who I can't
• 5:43
  Speaker 2: remember their names.
• 5:44
  Speaker 1: Yeah, good on you, mate. Good day, though?
• 5:47
  Speaker 2: Yeah, it was good.
• 5:48
  Speaker 1: How many lines? What was lunch? Lunch, Mogi. Isn't it interesting?
• 5:52
  Speaker 3: I've asked that question twice and he's ignored it twice
• 5:54
  Speaker 3: in favour of you.
• 5:54
  Speaker 2: How many lines? You want a quantity of lines.
• 5:59
  Speaker 1: Yes. Okay. I had five lines.
• 6:04
  Speaker 2: Maybe 25 lines.
• 6:06
  Speaker 1: Okay. How many paragraphs?
• 6:07
  Speaker 2: No paragraphs. To answer your question, Mogi, it was a
• 6:13
  Speaker 2: green chicken curry. Very nice, actually.
• 6:16
  Speaker 1: How was our spice level?
• 6:18
  Speaker 2: Very mild.
• 6:19
  Speaker 1: Yeah. That's a risk you take, isn't it?
• 6:21
  Speaker 2: My spice level's out of control at the moment.
• 6:24
  Speaker 1: It's too hot.
• 6:25
  Speaker 2: Yeah, I've gone crazy on the spice. And also a
• 6:29
  Speaker 2: very nice bean salad.
• 6:31
  Speaker 1: I was just going to say about the beans, because
• 6:32
  Speaker 1: often with your chicken green Thai curry there, they have
• 6:37
  Speaker 1: the beans in it. So they can't have done it.
• 6:39
  Speaker 1: Did they do a green bean and then a bean bean?
• 6:42
  Speaker 2: It was a green bean and bean salad.
• 6:45
  Speaker 1: It had.
• 6:48
  Speaker 2: Freshly popped beans. Beans out of the shell.
• 6:51
  Speaker 1: Yes.
• 6:52
  Speaker 2: And beans. Shelled beans and beans.
• 6:55
  Speaker 1: And non-shelled.
• 6:57
  Speaker 4: Yes.
• 6:57
  Speaker 1: Did you flick any of the beans?
• 7:00
  Speaker 2: No. It was actually really embarrassing because I was like,
• 7:04
  Speaker 2: I don't know where we're supposed to eat.
• 7:06
  Speaker 3: Oh.
• 7:07
  Speaker 2: And so I was following Tracy who was in front
• 7:09
  Speaker 2: of me.
• 7:09
  Speaker 1: She was going for a dump.
• 7:10
  Speaker 2: And she had her plate of food and then she
• 7:13
  Speaker 2: went into the main actor's green room Curry, Thai green curry.
• 7:17
  Speaker 2: And it's just a little camper van. So I was like, oh,
• 7:19
  Speaker 2: there's no room for old Hoity J in there. And
• 7:23
  Speaker 2: then there was no other actors around. So I just
• 7:25
  Speaker 2: sat on set with my green curry.
• 7:27
  Speaker 1: Why don't you sit with the crew? I wouldn't do that, man.
• 7:31
  Speaker 1: I bet you don't know anyone's name on that crew.
• 7:35
  Speaker 2: Marty, the DOP.
• 7:36
  Speaker 1: Oh, yeah, Marty, yeah. Lives on Waiheke there.
• 7:39
  Speaker 2: He does, yes.
• 7:40
  Speaker 1: What's the producer's name? Just around the corner from where
• 7:41
  Speaker 1: I used to live.
• 7:42
  Speaker 2: Tim Barm.
• 7:44
  Speaker 1: Tim Barm. You don't want to go that way. You
• 7:45
  Speaker 1: want to go. The gaffer. Yes. Which is like a
• 7:49
  Speaker 1: runner-ish kind of person. No, it's the head of the
• 7:51
  Speaker 1: lighting department. Lighting. Why is it called gaffer? The key grip.
• 7:55
  Speaker 1: You know his name? Yes. What's a key grip? Key
• 7:58
  Speaker 1: grip's the head grip. What's a grip? A grip is
• 8:01
  Speaker 1: the person who's in control of the movement of the
• 8:03
  Speaker 1: camera and how the camera moves. So laying tracks, wrecks,
• 8:07
  Speaker 1: all that sort of stuff. Yeah, it's good stuff, Gizzy.
• 8:10
  Speaker 2: You'll learn all this when you finally get a part.
• 8:14
  Speaker 3: I love this idea that Keezy's desperate to become an actor.
• 8:18
  Speaker 1: When you finally get a part. I actually don't give
• 8:21
  Speaker 1: a shit. No, but I'm keen, though, Jase. Have you
• 8:24
  Speaker 1: put me forward, man?
• 8:25
  Speaker 2: Yeah, well, actually.
• 8:28
  Speaker 1: Like this thing you were filming today. That must be
• 8:29
  Speaker 1: running out of actors.
• 8:30
  Speaker 2: Yes, and I said there's this young fella called Keezy.
• 8:34
  Speaker 1: And he's got a mate, Pugsan.
• 8:36
  Speaker 2: And he's got a mate called Pugsan who works in
• 8:38
  Speaker 2: Studio B, and he's just a natural talent. I'll send
• 8:41
  Speaker 2: you some vids through.
• 8:42
  Speaker 1: It was really interesting.
• 8:49
  Speaker 2: Would you freeze under the pressure of?
• 8:53
  Speaker 1: I don't think so. Do you know what I like
• 8:54
  Speaker 1: about this? Jason's come in today, whoever moved, and then
• 8:59
  Speaker 1: just running you down is cheering him right up.
• 9:02
  Speaker 3: And meanwhile, I'm here, hey, Hoity J with my Hoity
• 9:04
  Speaker 3: J shirt on, loving it.
• 9:06
  Speaker 1: Yeah, yeah, yeah. He's got his new shirt on.
• 9:08
  Speaker 2: No one backs Keezy like old Hoity J. That's true.
• 9:12
  Speaker 1: That's true. Do you back me in, man? Yeah, I'll
• 9:14
  Speaker 1: back you in. I don't think I would freeze. I
• 9:15
  Speaker 1: think I'd be fine.
• 9:16
  Speaker 3: Yes.
• 9:16
  Speaker 1: Because if I can do live TV, I can do that.
• 9:19
  Speaker 1: I don't know. It's a different Keezy.
• 9:20
  Speaker 2: It's a very different skill, Keezy. I'm not sure.
• 9:23
  Speaker 1: Oh, totally.
• 9:24
  Speaker 2: Especially if you had like a paragraph.
• 9:26
  Speaker 1: I don't think you could do.
• 9:27
  Speaker 2: I could see you doing the first.
• 9:28
  Speaker 1: Especially with you and your lines, Keyes.
• 9:29
  Speaker 2: Yeah, that's what I mean. You'd do a couple of lines.
• 9:31
  Speaker 1: And then you'd butcher it.
• 9:33
  Speaker 2: You'd butcher it.
• 9:35
  Speaker 3: First of all, when I'm doing live TV, it's not
• 9:36
  Speaker 3: all autocue, right? There's a lot of like ad-libbing and stuff.
• 9:38
  Speaker 2: Yeah, well, that's what I mean. When you've got a
• 9:42
  Speaker 2: script that you can't go away from.
• 9:44
  Speaker 1: Yeah, but I'll just ad-lib. Just ad-lib. And just make
• 9:46
  Speaker 1: it better.
• 9:47
  Speaker 2: You'd fall to pieces.
• 9:50
  Speaker 1: I reckon I could do it. I mean, far out.
• 9:52
  Speaker 1: You guys do it. It's true. That's how I look
• 9:54
  Speaker 1: at things as well. If that idiot can do it,
• 9:57
  Speaker 1: I can do it.
• 9:58
  Speaker 2: I've known over the years quite a few actors. where
• 10:00
  Speaker 2: lines are the bane of their lives.
• 10:02
  Speaker 1: I remember being on the set once and this guy
• 10:08
  Speaker 1: just couldn't do it. Yes. You know, an experienced actor.
• 10:13
  Speaker 1: And the other thing was it was ensemble, so I
• 10:15
  Speaker 1: had to go, Person one, person two, person three, person two, person...
• 10:20
  Speaker 1: So even to get to him took forever. Yeah. And
• 10:23
  Speaker 1: then when it got to him, he just dropped the basket.
• 10:26
  Speaker 2: Yeah.
• 10:27
  Speaker 1: Oh, sorry, everyone. He didn't really seem to give a fuck.
• 10:30
  Speaker 1: But it was about 15 takes. Wow, yeah. It was horrible.
• 10:33
  Speaker 1: It's not good. But then you start going, oh... God,
• 10:37
  Speaker 1: this is embarrassing.
• 10:38
  Speaker 2: Oh, God.
• 10:39
  Speaker 1: Fire him. Quick, fire him. Get him off the set.
• 10:41
  Speaker 2: And then they finally nail it, and then you fuck
• 10:44
  Speaker 2: the line.
• 10:44
  Speaker 1: And then they weren't rolling the camera. Yeah.
• 10:47
  Speaker 3: But that person there, in that situation, based on my
• 10:50
  Speaker 3: very limited experience, just didn't spend enough time learning the lines.
• 10:54
  Speaker 1: Well, sometimes you're going to learn them too much. It
• 10:56
  Speaker 1: could be any number of things. It could be hungover.
• 10:58
  Speaker 1: It could be, oh, all of a sudden, just shit
• 11:00
  Speaker 1: in the bed. Somebody said something to them.
• 11:03
  Speaker 2: Yeah, right.
• 11:04
  Speaker 1: You can have all the lines are in there, and
• 11:05
  Speaker 1: then when the cameras come on, the lights come on.
• 11:09
  Speaker 2: Yep.
• 11:09
  Speaker 1: Gone burgers.
• 11:11
  Speaker 2: Gone burgers.
• 11:11
  Speaker 1: And then it just gets worse and worse and worse.
• 11:14
  Speaker 1: Same with laughing on set.
• 11:15
  Speaker 2: It's exponentially one of those things that the more you
• 11:19
  Speaker 2: fuck it up, the more pressure you feel, and thus the.
• 11:22
  Speaker 1: More you fuck it up. When you start going red,
• 11:24
  Speaker 1: you know when you're in class, and this probably didn't
• 11:25
  Speaker 1: happen to you, Jase, because you knew everything. Yes, true.
• 11:28
  Speaker 1: But when you're in class at high school and you
• 11:31
  Speaker 1: didn't know, you're sitting there thinking to yourself, I've got
• 11:35
  Speaker 1: absolutely no idea what this prick's talking about. Yes. And
• 11:39
  Speaker 1: then you can feel that someone's about to be asked
• 11:41
  Speaker 1: a question. Yes. And you're just sitting there thinking... Please
• 11:45
  Speaker 1: don't ask me this question because I've got no idea.
• 11:49
  Speaker 1: And you go, hot? Yeah. They ask you and then
• 11:52
  Speaker 1: you're just on fire. So they go, young mogey over there.
• 11:55
  Speaker 1: And you just call them a fucking arsehole and then
• 11:57
  Speaker 1: you get kicked out of the class and you go, oh,
• 11:59
  Speaker 1: thank God for that.
• 12:00
  Speaker 3: What is two plus two? I don't know, you fucking arsehole.
• 12:04
  Speaker 2: I've definitely been in quite a number of scenarios like
• 12:09
  Speaker 2: that with actors that are butchering their lines. It's not pleasant.
• 12:13
  Speaker 2: becomes very uncomfortable yeah keys very uncomfortable.
• 12:18
  Speaker 3: But guys my dream of being an actor it's you
• 12:20
  Speaker 3: know i'm broken wood i'm broken well what would the
• 12:22
  Speaker 3: relationship be you hire me at.
• 12:25
  Speaker 1: Your trattoria is it still a trattoria you come in
• 12:28
  Speaker 1: with your bow tie on.
• 12:29
  Speaker 3: I literally auditioned for it the other day yes.
• 12:31
  Speaker 2: You did yeah yeah did you audition.
• 12:34
  Speaker 3: For it at your house my house oh yeah i'll
• 12:38
  Speaker 3: just be that guy Yeah, sure, mate.
• 12:40
  Speaker 1: I think so. I could just be making limoncello in
• 12:41
  Speaker 1: the background.
• 12:41
  Speaker 2: I don't know if my trattoria is still going, actually.
• 12:44
  Speaker 4: Oh, really?
• 12:45
  Speaker 2: I've got my pub.
• 12:46
  Speaker 1: I'll work at the pub.
• 12:47
  Speaker 3: Okay.
• 12:47
  Speaker 1: I could just be hammered at the pub.
• 12:49
  Speaker 2: Yeah.
• 12:50
  Speaker 1: Was the trattoria one episode only?
• 12:52
  Speaker 2: No, I don't think so. It went on for a while.
• 12:55
  Speaker 1: Quite a few seasons. I'm asking the wrong guy.
• 12:57
  Speaker 2: Yeah, you are.
• 12:58
  Speaker 1: You are, actually. Hey, listen to the big show, 4-7 weekdays, Hodaki.