Latest / Crime Night / The Facetime Murder
Transcript
- 0:00Speaker 1: I want to drop you into a very specific, just
- 0:02Speaker 1: completely ordinary moment in time. So it's a Wednesday evening,
- 0:05Speaker 1: May twenty seven, twenty twenty. You are standing in your kitchen,
- 0:09Speaker 1: the evening light is filtering through the windows, and you're
- 0:12Speaker 1: just standing there doing.
- 0:13Speaker 2: The dishes, right, just a totally normal night exactly.
- 0:16Speaker 1: It's the absolute definition of domestic tranquility. And that is
- 0:19Speaker 1: exactly where Alicia Cordova was. But then the stillness of
- 0:25Speaker 1: her house just shatters. Her five year old daughter comes
- 0:28Speaker 1: sprinting down the hallway and she's clutching an iPod touch
- 0:32Speaker 1: and her face just has that primal panic that no
- 0:35Speaker 1: child should ever wear. She tells her mom.
- 0:37Speaker 2: Something's wrong with that, because just moments before this, that
- 0:40Speaker 2: five year old and her brother were on this completely
- 0:43Speaker 2: ordinary FaceTime call with their forty year old father, Nick Cordova.
- 0:46Speaker 2: He was still at work at his HVAC company, and
- 0:50Speaker 2: right in the middle of this innocent digital connection, the
- 0:53Speaker 2: reality on the other end of the screen just fractures.
- 0:56Speaker 1: Yeah. So Alicia takes the device from her daughter, and
- 0:58Speaker 1: what she sees and hears in those next few seconds is,
- 1:01Speaker 1: I mean, it is pure nightmare field. Oh, the camera
- 1:04Speaker 1: is violently rustling around. She hears this terrifying sudden bang,
- 1:09Speaker 1: then screaming and moaning, and she can't see her husband's
- 1:12Speaker 1: face anymore, just this chaotic, spinning blur of an office ceiling,
- 1:17Speaker 1: the floor, and in the middle of all of it
- 1:19Speaker 1: she sees the brief, chilling flash of a black glove. Wow,
- 1:23Speaker 1: she is completely helpless, just watching an attack unfold through
- 1:26Speaker 1: a three inch screen. And today our mission on this
- 1:29Speaker 1: deep dive is to figure out exactly what happened in that.
- 1:32Speaker 2: Room, because it is a massive web to untangle.
- 1:35Speaker 1: It really is. We're pulling together hundreds of pages of
- 1:39Speaker 1: frankly heavily redacted police files, court documents, and these unreleased
- 1:45Speaker 1: surveillance tape descriptions to investigate the unsolved execution style murder
- 1:49Speaker 1: of Nick Cordova. We're going to drag you into a
- 1:51Speaker 1: story of missing money, constantly shifting stories, and a police
- 1:55Speaker 1: investigation that's just full of blinding blind spots.
- 1:58Speaker 2: And you really have to understand the stakes here, because
- 2:00Speaker 2: when you actually sit down and look at the investigative materials,
- 2:02Speaker 2: it becomes abundantly clear that this wasn't a random robbery
- 2:06Speaker 2: gone wrong. This is a locked room puzzle. It's a
- 2:08Speaker 2: clothes box mystery where the most devastating clues weren't even
- 2:12Speaker 2: hidden in the shadows. They were sitting in plain sight,
- 2:14Speaker 2: just waiting for someone to actually analyze them.
- 2:16Speaker 1: Right, So, to figure out how this investigation derailed so spectacularly,
- 2:21Speaker 1: we have to start at the physical crime scene. Yeah,
- 2:24Speaker 1: because the chaos. I mean it started before the police
- 2:27Speaker 1: even stepped inside the building.
- 2:28Speaker 2: It really begins with that agonizing gap right between hearing
- 2:31Speaker 2: the violence on the phone and actually arriving at the scene.
- 2:34Speaker 1: Yeah, put yourself in Alicia's car for that twenty minute drive.
- 2:37Speaker 1: She is just hauling down the Arizona Freeway. Her kids
- 2:41Speaker 1: are in the back seat. She is calling everyone trying
- 2:44Speaker 1: to sound the alarm, and when she finally pulls up
- 2:46Speaker 1: to Gilbert Air she parks far.
- 2:48Speaker 2: Away, which is such a motherly instinct.
- 2:51Speaker 1: Exactly. She deliberately hides her car behind some thick bushes
- 2:55Speaker 1: and tells her kids to stay put and just play
- 2:57Speaker 1: on her phone because, in her mind, maybe it just
- 3:00Speaker 1: got beaten up and she wants to protect them from
- 3:02Speaker 1: seeing their strong dad bleeding. You know.
- 3:04Speaker 2: Yeah, she doesn't know the extent of it yet.
- 3:06Speaker 1: Right, so she sprints right through the yellow crime scene
- 3:09Speaker 1: tape that's already up, screaming for her husband, and for
- 3:12Speaker 1: twenty agonizing minutes, officers hold her back until one finally
- 3:16Speaker 1: pulls her aside and delivers the five words that just
- 3:20Speaker 1: rewrite her entire universe, which is, your husband is dead.
- 3:24Speaker 2: And in the middle of that, incomprehensible shock, as she
- 3:27Speaker 2: literally falls to the asphalt, her instincts somehow kick in.
- 3:31Speaker 2: She asks this defining question. She says, where is Dave?
- 3:35Speaker 2: Is Dave still alive?
- 3:36Speaker 1: Right, Dave Sweetman?
- 3:37Speaker 2: Yeah, Dave Sweetman, Nick's business partner. And when you look
- 3:40Speaker 2: at how the first responders encountered Dave, the word bizaar
- 3:43Speaker 2: doesn't even begin to cover it.
- 3:45Speaker 1: No, it doesn't. Like. Let's put you in the shoes
- 3:47Speaker 1: of the very first responding officer. You arrive at the
- 3:49Speaker 1: office building, you walk up to the glass front door,
- 3:53Speaker 1: and before you even touch the handle, you see someone
- 3:55Speaker 1: inside standing there, deliberately peeking out through the office blinds,
- 3:59Speaker 1: right act.
- 4:00Speaker 2: Just staring out.
- 4:01Speaker 1: Yeah, So you draw your weapon. You order the man
- 4:04Speaker 1: to open the door and step outside. But the door
- 4:06Speaker 1: only cracks open a few inches, and through that narrow gap,
- 4:10Speaker 1: Dave sweetman's hand emerges. He is holding a bloody nine
- 4:14Speaker 1: millimeter sig sour by the barrel, just handing it over right.
- 4:17Speaker 1: He hands it to you, and he's stammering out, I'm
- 4:19Speaker 1: his partner, that's my gun. I'm sorry. Oh my god.
- 4:22Speaker 2: So the officer secures the weapon, puts it on the
- 4:24Speaker 2: ground and tries to push the front door open, but
- 4:28Speaker 2: it won't budge. Something really heavy is blocking it from
- 4:31Speaker 2: the inside.
- 4:31Speaker 1: And it's Nick Cordova.
- 4:33Speaker 2: It is Nick Cordova's body. He is lying in a
- 4:35Speaker 2: pool of blood, completely unresponsive, with a gunshot wound to
- 4:39Speaker 2: the back of his head.
- 4:39Speaker 1: Okay, wait, hold on. If I'm a patrol officer and
- 4:42Speaker 1: I know there's a victim physically blocking the only door,
- 4:45Speaker 1: I mean, I can't just shut my way in, can
- 4:47Speaker 1: I That seems incredibly messy for a crime scene.
- 4:50Speaker 2: Oh, it is the absolute nightmare scenario for preserving forensics.
- 4:54Speaker 2: I mean, when a victim is barring the entry like that,
- 4:58Speaker 2: standard protocol dictates fine eating a secondary point of ingress,
- 5:02Speaker 2: like a back door or a side window. You do
- 5:05Speaker 2: everything possible not to disturb the body or the surrounding
- 5:08Speaker 2: blood spatter or the trace evidence on the floor.
- 5:10Speaker 1: Right, You don't want to trample everything.
- 5:11Speaker 2: Exactly, but in a high adrenaline moment, panic often overrides protocol.
- 5:17Speaker 2: The officer decides to push. He forces the door open,
- 5:20Speaker 2: physically shoving against Nick's body, dragging it across the floor
- 5:24Speaker 2: until it moves just enough for him to squeeze through.
- 5:26Speaker 1: Wow.
- 5:27Speaker 2: Instantly, the pristine nature of that crime scene is totally compromised.
- 5:31Speaker 1: And runs he finally squeezes inside. I mean it is
- 5:33Speaker 1: total devastation. Yeah. So to the left is the main
- 5:36Speaker 1: office where Nick and Dave had their desks. Nick's desk
- 5:39Speaker 1: is a complete disaster zone. It has been physically shoved
- 5:42Speaker 1: out of plate like you can literally see deep dragged
- 5:45Speaker 1: indentse in the carpet.
- 5:46Speaker 2: It was a brutal fight.
- 5:48Speaker 1: Yeah. The floor is covered in a computer monitor, There's
- 5:50Speaker 1: scattered cash, a bag of contraband. They even find a
- 5:54Speaker 1: human tooth.
- 5:55Speaker 2: On the floor, which is horrifying.
- 5:57Speaker 1: And bizarrely sitting amidst all this carnage is there's a
- 6:00Speaker 1: potato with a hole gouged out of one side.
- 6:02Speaker 2: Yeah, the potato.
- 6:03Speaker 1: Right. The internet thinks it was a makeshift silencer, though
- 6:06Speaker 1: the police file never actually confirms it. Point is, it's
- 6:10Speaker 1: a war zone. There are bullet holes on the wall,
- 6:12Speaker 1: in the desk, in the window.
- 6:14Speaker 2: Total violent chaos, a desperate struggle for life. But then
- 6:18Speaker 2: you look twelve feet away, near the far wall of
- 6:21Speaker 2: that exact same room, to Dave Sweetman's desk.
- 6:24Speaker 1: Okay, stop right there, twelve feet away. You're telling me
- 6:27Speaker 1: two men wrestle a guide to the ground, shoot him,
- 6:30Speaker 1: trash the entire side of the room. But the desk
- 6:33Speaker 1: a few feet away didn't have a single paper out
- 6:35Speaker 1: of place.
- 6:36Speaker 2: Not a single thing.
- 6:37Speaker 1: How is that even physically possible in a small, enclosed office.
- 6:41Speaker 1: I mean, okay, let's unpack this. If a tornado rips
- 6:44Speaker 1: through your house, it doesn't leave one single dining table
- 6:46Speaker 1: perfectly set for dinner.
- 6:48Speaker 2: It defies the basic physics of a violent struggle. When
- 6:51Speaker 2: bodies are thrashing around, when adrenaline a surging and bullets
- 6:54Speaker 2: are flying, destruction isn't neatly contained to a strict ten
- 6:57Speaker 2: foot radius. That untouched desk is It's a glaring anomaly.
- 7:01Speaker 2: It looks like a still life painting. The only exception
- 7:04Speaker 2: is the bottom right drawer, which is pulled open and
- 7:06Speaker 2: contains an empty handgun. Case right, it speaks to a
- 7:10Speaker 2: very specific, isolated target, which immediately brings Dave's version of
- 7:15Speaker 2: events into question.
- 7:17Speaker 1: Because Dave's narrative begins to show these massive stress fractures
- 7:21Speaker 1: almost immediately. So let's look at the story he gives
- 7:24Speaker 1: the police while he's sitting in cuffs at the scene.
- 7:26Speaker 1: He claims he was just sitting at his pristine desk
- 7:29Speaker 1: when two Hispanic men wearing green shirts and COVID style
- 7:33Speaker 1: surgical masks walk in holding a box of free on
- 7:36Speaker 1: trying to sell.
- 7:37Speaker 2: It to Nick right like door to door salesman.
- 7:39Speaker 1: Yeah, and Dave says a commotion breaks out. The men
- 7:42Speaker 1: point a gun at him and demand his money. He says,
- 7:45Speaker 1: I gave them my wallet. I gave him the cash
- 7:47Speaker 1: in my pocket. Then he claims he was hit on
- 7:49Speaker 1: the head, knocked completely unconscious, and didn't even hear the
- 7:52Speaker 1: fetal gunshot.
- 7:53Speaker 2: It's a classic robbery gone wrong narrative, but within an
- 7:57Speaker 2: hour the foundation of that story completely collabor oh complete.
- 8:01Speaker 2: So an officer is escorting Dave to a patrol car
- 8:04Speaker 2: for a formal interview, and standard procedure is to pat
- 8:08Speaker 2: the witness down before putting them in the cruiser. As
- 8:11Speaker 2: the officer pats down Dave's front left pants pocket, he
- 8:15Speaker 2: feels a thick bulge.
- 8:17Speaker 1: And it's over one thousand dollars in cold, hard cash.
- 8:21Speaker 2: Over one thousand dollars.
- 8:23Speaker 1: Can you imagine the awkward silence in that moment. I mean,
- 8:26Speaker 1: if you're listening to this, you're probably screaming at your
- 8:28Speaker 1: phone right now, like, why didn't they arrest Dave on
- 8:30Speaker 1: the spot? You literally just told the police I gave
- 8:33Speaker 1: them the money in my pocket. Ye, And now the
- 8:35Speaker 1: cop is holding a massive wad of hundreds.
- 8:38Speaker 2: And Dave immediately back pedals. He hastily alters the story
- 8:42Speaker 2: right on the spot. He claims, Oh, no, they didn't
- 8:44Speaker 2: take all my money. I only gave them the money
- 8:46Speaker 2: from my front right pocket.
- 8:47Speaker 1: Oh how polite of the armed murderers. Yeah, mid execution,
- 8:51Speaker 1: they are kind enough to only empty one of your
- 8:53Speaker 1: pockets and just leave you with over a grand in
- 8:54Speaker 1: the other.
- 8:55Speaker 2: It's absurd, It.
- 8:56Speaker 1: Is so absurd. But thankfully the building is rigged with
- 8:59Speaker 1: surveillance cameras so we can actually see.
- 9:01Speaker 2: What happened exactly. The footage shows two men entering, but
- 9:04Speaker 2: they aren't legitimate salesman. The box of free on they
- 9:08Speaker 2: are carrying is completely empty. It actually has a panel
- 9:11Speaker 2: cut out of the side, modified specifically to conceal a
- 9:15Speaker 2: large firearm. Wow, and after the shooting, the cameras catch
- 9:19Speaker 2: these two men fleeing in a highly distinct vehicle. It's
- 9:22Speaker 2: an older Pre two thousand and three red and silver
- 9:25Speaker 2: four f one point fifty with badly faded paint on
- 9:28Speaker 2: the roof.
- 9:28Speaker 1: And crucially, the cameras in the lobby catch audio. They
- 9:31Speaker 1: catch the gunshot, and moments after the killers flee, they
- 9:35Speaker 1: catch Dave's voice off camera yelling help me.
- 9:38Speaker 2: So.
- 9:38Speaker 1: Based on this tape, the police officially cleared Dave Sweetman
- 9:42Speaker 1: as the literal trigger man.
- 9:44Speaker 2: Right, But the specific language investigators use in their official
- 9:47Speaker 2: file is really critical. Here they state they no longer
- 9:49Speaker 2: suspect Dave as the direct shooter. However, they follow that
- 9:52Speaker 2: up by writing his involvement remains unclear. In a criminal investigation,
- 9:57Speaker 2: you are always looking for the invisible hand. What's fast
- 10:00Speaker 2: here is just because you don't have gunshot residue on
- 10:02Speaker 2: your knuckles, that doesn't mean your hands are clean. It
- 10:04Speaker 2: simply means the violence was outsourced.
- 10:07Speaker 1: Right, And if this wasn't a random robbery, for pocket cash,
- 10:09Speaker 1: which we know it wasn't because they left Nick's wallet
- 10:12Speaker 1: full of cash right on his body. Then what is
- 10:14Speaker 1: the motive why execute Nick Cordova. To figure that out,
- 10:18Speaker 1: you really have to follow the money straight into the
- 10:21Speaker 1: toxic heart of Nick and Dave's partnership.
- 10:23Speaker 2: Yeah, let's rewind to twenty seventeen. Let's look at the
- 10:26Speaker 2: genesis of this tragedy. Nick was this beloved family man
- 10:30Speaker 2: who naturally stepped up as a father figure to his
- 10:32Speaker 2: younger siblings. He wanted to be his own boss, so
- 10:36Speaker 2: an old friend named Frank offered to sell Nick a
- 10:38Speaker 2: fifty percent steak in Gilbert Air.
- 10:41Speaker 1: But Frank gave Nick a very explicit warning. Frank told
- 10:44Speaker 1: Nick that his business partner, Dave Sweetman was quote a
- 10:47Speaker 1: shadypos and if you pull Dave's records you find a
- 10:51Speaker 1: rap sheet featuring assault, disorderly conduct, trespassing, and fraud.
- 10:55Speaker 2: Right, Frank was the operational guy and Dave was the
- 10:57Speaker 2: money guy. Frank wanted out specifically because Dave, but Nick
- 11:00Speaker 2: believed he could handle it, so he buys him and
- 11:03Speaker 2: for two years things actually seem stable, but then the
- 11:06Speaker 2: financial bleed begins.
- 11:08Speaker 1: Yeah, so fast forward to March twenty twenty. This is
- 11:10Speaker 1: just two months before the murder. Dave quietly drains thirty
- 11:14Speaker 1: thousand dollars out of the company account, and when Nick
- 11:17Speaker 1: confronts him, Dave just brushes it off. He's like, oh,
- 11:20Speaker 1: I have a debt to pay, but I promise I'll
- 11:22Speaker 1: put it back.
- 11:22Speaker 2: But he never does.
- 11:24Speaker 1: No, he never does. Instead, in April he drains another
- 11:27Speaker 1: fifteen thousand.
- 11:28Speaker 2: That is forty five thousand dollars, vanishing into thin air
- 11:31Speaker 2: in a matter of weeks. The tension in that office
- 11:34Speaker 2: must have been just suffocating.
- 11:36Speaker 1: Nick comes home completely unschooled. He tells Alisha he thinks
- 11:41Speaker 1: Dave is doing something illegal with his other companies, but
- 11:44Speaker 1: it escalates way past financial stress. By May. Nick tells
- 11:48Speaker 1: Alisia he feels like he's being washed, and then he
- 11:50Speaker 1: drops a total bombshell. He tells her he's terrified Dave's
- 11:53Speaker 1: going to hire it man to take him out.
- 11:55Speaker 2: And you have to ask, why would Dave do that?
- 11:57Speaker 2: What is the mechanism that turns a bad business partner
- 12:00Speaker 2: into a lucrative murder. It is a specific type of
- 12:03Speaker 2: insurance known as a key man policy.
- 12:05Speaker 1: Okay, break that down for me. How does a guy
- 12:07Speaker 1: with a known fraud record even get approved to benefit
- 12:10Speaker 1: from something like that.
- 12:11Speaker 2: Well, a key man policy is essentially a financial safety
- 12:15Speaker 2: net for a company. Think of it like a prenuptial
- 12:18Speaker 2: agreement for a business, but with a deadly loophole. If
- 12:22Speaker 2: one partner dies unexpectedly, the policy pays out to the
- 12:25Speaker 2: surviving partner so the business doesn't completely collapse. Okay, now,
- 12:30Speaker 2: when Frank was Dave's partner, Dave tried repeatedly to force
- 12:34Speaker 2: Frank to sign one, but Frank vehemently refused. He literally
- 12:37Speaker 2: told Dave, I want to be worth more alive than dead.
- 12:40Speaker 1: Wow.
- 12:41Speaker 2: Yeah, But Nick, who is trusting and eager to make
- 12:44Speaker 2: the business work, had signed it. The combined payout of
- 12:47Speaker 2: those policies upon Nick's death was a staggering eight million dollars.
- 12:51Speaker 1: Eight million dollars. Here's where it gets really interesting. Let's
- 12:55Speaker 1: look at Tuesday, May twenty six, literally the day before
- 12:57Speaker 1: the murder. Nick had just gotten back from a camping
- 12:59Speaker 1: tree and decided to take an extra day off. Back
- 13:02Speaker 1: at the office, the manager tells police that Dave spent
- 13:04Speaker 1: that entire Tuesday nervously pacing the office, walking in and out,
- 13:08Speaker 1: constantly asking her Where's Nick? When is Nick coming in?
- 13:10Speaker 2: It is highly aberrant behavior for a random Tuesday afternoon.
- 13:14Speaker 1: Yeah, it's like a stage director nervously pacing behind the curtain,
- 13:17Speaker 1: waiting for his lead actor to hit his mark so
- 13:19Speaker 1: the deadly play can begin. But the lead actor didn't
- 13:22Speaker 1: show up on Tuesday, so the curtain had to rise
- 13:25Speaker 1: on Wednesday exactly.
- 13:26Speaker 2: And when you lay out these pieces a missing forty
- 13:29Speaker 2: five thousand dollars, an eight million dollar insurance motive, and
- 13:32Speaker 2: explicit fear of a hit man and a partner lying
- 13:36Speaker 2: about a wat of cash at the crime scene, you
- 13:39Speaker 2: would expect a massive targeted investigation. Right, You expect swift arrests.
- 13:43Speaker 1: But instead you hit a brick wall, a wall made
- 13:47Speaker 1: entirely of redacted documents and baffling police blind spots, which
- 13:51Speaker 1: brings us to the FOIA tape five years later.
- 13:54Speaker 2: Right, this takes us to March twenty twenty five, because
- 13:57Speaker 2: for years the police completely denied Alicia access to the
- 14:00Speaker 2: internal surveillance footage.
- 14:02Speaker 1: Which is wild to me. Why do police departments stonewall
- 14:05Speaker 1: families like this? Shouldn't a widow have the right to
- 14:07Speaker 1: see the evidence in her own husband's murder.
- 14:09Speaker 2: In theory, Yes, absolutely, But mechanically, police departments often use
- 14:13Speaker 2: the ongoing investigation exemption under the Freedom of Information Act
- 14:18Speaker 2: to just lock down all records. They argue that releasing
- 14:21Speaker 2: anything could tip off suspects, so families literally have to
- 14:25Speaker 2: lawyer up and physically soothe the department to compel a
- 14:28Speaker 2: judge to release the files. Wow, and that's exactly what
- 14:31Speaker 2: Alicia did and she won.
- 14:34Speaker 1: So picture this picture Alicia, the greeting widow, sitting in
- 14:38Speaker 1: a cold room down at the precinct, staring at a monitor,
- 14:41Speaker 1: about to watch the last moments of her husband's life,
- 14:44Speaker 1: the moment she has play. She sees Dave getting ready
- 14:47Speaker 1: to leave for the day. He walks up to the
- 14:49Speaker 1: glass front door, and instead of walking out, he stops.
- 14:52Speaker 1: He deliberately separates the blinds and peaks.
- 14:54Speaker 2: Outside, staring out into the lot.
- 14:56Speaker 1: Yeah. And at that exact precise second, the red and
- 14:59Speaker 1: so Ford F one to fifty pulls up. Dave then
- 15:02Speaker 1: turns and walks back to his desk. Alicia yells in
- 15:05Speaker 1: the priescinct, pause the tape. Why would he be peeking
- 15:08Speaker 1: through the blinds right then unless he was expecting someone?
- 15:10Speaker 2: Ray and Dave had told police, He just quote forgot
- 15:13Speaker 2: a bill on his desk.
- 15:13Speaker 1: Oh, come on.
- 15:14Speaker 2: The timing just defies coincidence entirely, and as the paper
- 15:18Speaker 2: rolls on, the reality the execution becomes horribly clear. The
- 15:22Speaker 2: two killers enter wearing gloves and construction hard hats, which
- 15:27Speaker 2: is precisely why there was zero suspect DNA found at
- 15:31Speaker 2: the scene.
- 15:32Speaker 1: The police had told Alicia the cameras didn't capture the
- 15:34Speaker 1: actual struggle, and that was true, but they didn't tell
- 15:38Speaker 1: her about the audio.
- 15:39Speaker 2: Yeah, the audio is the worst part.
- 15:41Speaker 1: Alicia sits in that room and listens to her husband
- 15:44Speaker 1: fighting for his life. She hears the FaceTime call with
- 15:47Speaker 1: her own children happening in the background. She hears Nick
- 15:50Speaker 1: desperately yelling for help, and what does she hear from
- 15:53Speaker 1: Dave Sweetman? Complete silence, complete silence until Nick breaks free,
- 15:58Speaker 1: runs into the lobby toward the door, and the masked
- 16:01Speaker 1: man steps up behind him and fires a single shot
- 16:03Speaker 1: into the back of his head. Alicia had to watch
- 16:06Speaker 1: her husband be slaughtered, knowing the police possess this tape
- 16:09Speaker 1: from day.
- 16:09Speaker 2: One, And the really frustrating part is the investigative failures
- 16:12Speaker 2: don't stop inside that building just two minutes down the road.
- 16:16Speaker 2: The missteps multiply exponentially.
- 16:18Speaker 1: You're talking about the gas patient footage.
- 16:20Speaker 2: Yes, just two minutes after the murder, that incredibly distinct
- 16:25Speaker 2: red and silver truck pulls into a convenience store. A
- 16:29Speaker 2: chovy man in a dark shirt and boots gits out.
- 16:32Speaker 2: He walks into the brightly let store to pay for gas,
- 16:34Speaker 2: and the overhead camera captures a crystal clear, high definition
- 16:38Speaker 2: shot of his face. Wow, he's not wearing the mask anymore.
- 16:42Speaker 2: It is undeniably him. You look at this photo and
- 16:45Speaker 2: think anyone who has ever met this man would recognize
- 16:48Speaker 2: him instantly.
- 16:50Speaker 1: It is the golden ticket of a homicide investigation, a
- 16:53Speaker 1: clean facial shot of a primary suspect escaping the scene.
- 16:56Speaker 1: Yet inexplicably, the Gilbert Police Department sits on this image.
- 17:01Speaker 1: They do not release it to the public for over
- 17:03Speaker 1: two weeks, unbelief. By the time it hits the local news,
- 17:05Speaker 1: the trail is ice cold, and when Alisha asks the
- 17:07Speaker 1: police why, she gets handed over two hundred pages of
- 17:10Speaker 1: police files essentially painted black with redaction. Inc She has
- 17:14Speaker 1: never been given a copy of Nick's autopsy report. They
- 17:16Speaker 1: have never released the ballistics we don't even know what
- 17:18Speaker 1: caliber bullet killed Nick, or if they ever actually tested
- 17:21Speaker 1: Day's nine milimeter to prove it had never been fired
- 17:23Speaker 1: like he claimed.
- 17:24Speaker 2: If we connect this to the bigger picture, this is
- 17:26Speaker 2: where systemic failure takes root. Alicia gets an investigator who
- 17:31Speaker 2: promises arrests, shows her a PowerPoint of the evidence, and
- 17:35Speaker 2: then two weeks later that detective is quietly demoted to patrol.
- 17:39Speaker 2: The rotating door of detectives practically guarantees that institutional knowledge.
- 17:43Speaker 1: Is lost, right, it just vanishes.
- 17:46Speaker 2: And we have to view this within the broader context
- 17:48Speaker 2: of the department itself. The Gilbert Police Department is currently
- 17:51Speaker 2: under active review by the Arizona Attorney General's Office over
- 17:55Speaker 2: allegations that the town may have illegally destroyed or withheld
- 17:58Speaker 2: police records. While they deny the allegations, the shroud of
- 18:03Speaker 2: secrecy covering this case is suffocating.
- 18:05Speaker 1: Let me ask you this directly, why hasn't there been
- 18:07Speaker 1: a forensic accountant tracing that missing forty five thousand dollars well,
- 18:11Speaker 1: I mean Dave Draine's thirty grand, then fifteen grand in
- 18:14Speaker 1: cash Mere weeks before a professional gloved hit squad shows up.
- 18:19Speaker 1: You don't pay a hit man with an IOU, you
- 18:21Speaker 1: pay them an untraceable cash. Why wasn't that money trail
- 18:24Speaker 1: followed to the ends of the earth.
- 18:26Speaker 2: Because tracing financial crimes requires specialized resources and dedication that
- 18:31Speaker 2: frankly patrol level of homicide units often lack. Law enforcement
- 18:35Speaker 2: today suffers from what we call the CSI effect. They
- 18:38Speaker 2: tunnel visions strictly on physical DNA, but these killers ensured
- 18:42Speaker 2: no DNA was left behind by wearing gloves and hard hats.
- 18:46Speaker 2: When a department limits their view strictly to biology, they
- 18:49Speaker 2: remain completely blind to the financial mechanisms They missed the
- 18:53Speaker 2: invisible hand that funded the trigger.
- 18:55Speaker 1: Yeah, that makes so much sense, and the aftermath of
- 18:57Speaker 1: this case is just a masterclass and adding insult to
- 19:00Speaker 1: fatal injury. Nine months after Nick died, Gilbert Air ran
- 19:04Speaker 1: out of money and filed for bankruptcy. Despite an eight
- 19:07Speaker 1: million dollar life insurance policy floating around, the business shuttered.
- 19:11Speaker 1: And what did Dave Sweetmen do. He took the client list,
- 19:14Speaker 1: started a brand new company called Arizona Family Air and
- 19:16Speaker 1: he runs it from the comfort of his own home
- 19:18Speaker 1: to this very day.
- 19:19Speaker 2: Meanwhile, Alicia was forced into a grueling multi year legal
- 19:23Speaker 2: battle just to secure the financial future Nick died trying
- 19:26Speaker 2: to build for his children. It wasn't until twenty twenty
- 19:29Speaker 2: four that she finally had to settle the insurance payout
- 19:31Speaker 2: with Dave out of court.
- 19:33Speaker 1: But Alicia Kordova is still fighting. She is on TikTok,
- 19:36Speaker 1: she is doing press, She is badgering the police department.
- 19:40Speaker 1: She refuses to let Nick's name fade into the redacted
- 19:43Speaker 1: black ink of a cold case file.
- 19:46Speaker 2: So what does this all mean for the investigation going forward?
- 19:50Speaker 2: In the world of true crime, cases like this are
- 19:52Speaker 2: rarely solved by a single smoking gun dropping into investigator's lap.
- 19:57Speaker 2: They are solved by relentless pressure looking the story alive.
- 20:01Speaker 2: You forced the system to eventually reckon with its own blind.
- 20:04Speaker 1: Spots, right absolutely, And as you mull over everything we've
- 20:07Speaker 1: talked about today, you know, the untouched desk, the missing money,
- 20:10Speaker 1: the perfectly timed peek through the blinds, I want to
- 20:13Speaker 1: leave you with one final, deeply unsettling thought. Yeah. While
- 20:16Speaker 1: investigative reporters were recently digging into Dave Sweetman's background, the
- 20:20Speaker 1: unearthed a dark secret, a secret completely omitted from that
- 20:24Speaker 1: two hundred page police file.
- 20:26Speaker 2: Which is just wild to think about it really is.
- 20:28Speaker 1: Nearly seven years before Nick Cordova was executed on that
- 20:31Speaker 1: office floor, another person very close to Dave Sweetman died
- 20:34Speaker 1: under mysterious circumstances, his own wife, Laura Sweetman.
- 20:38Speaker 2: A completely separate tragedy hidden right in the shatters of
- 20:41Speaker 2: an already murky past.
- 20:43Speaker 1: We started this deep dive talking about how a FaceTime
- 20:46Speaker 1: call shattered a quiet Wednesday, and years later we are
- 20:49Speaker 1: still staring at that cracked screen. The images distorted, the
- 20:52Speaker 1: audio was horrifying, and the truth is hidden just out
- 20:55Speaker 1: of frame. But if you keep watching, if you keep
- 20:57Speaker 1: demanding the hit play well, eventually the man in the
- 21:00Speaker 1: shadows has to step into the light.